#Bollywood really fumbles Malayalam and Telugu remakes

[hussyknee]

If I tell you this is a horror dance number it still won't prepare you. That last move was so terrifying even the judge was like "Let go! Let go!" If you told me they're actually possessed I'd believe you.

The music is a remix of the song Mere Dholna from the Bollywood movie Bhool Bhulaiyya, a remake of the classic Malayalam horror-comedy Manichitrathazhu. It's about a young bride that seemingly becomes possessed of Manjulika, a dancer of the ancient royal court whose tragic death has turned her into a vengeful spirit, one who evokes the wrath of the goddess Durga Kali. In the iconic scene that is repeated across remakes, the groom and his family discover his bride dancing in the dead of night in a manic, disassociative fugue, wearing a moth-eaten dancer's costume and a face smeared in kohl, ash and vermilion. She's hallucinating that she's Manjulika dancing carefree for the court with her lover. The upbeat music is deliberately incongruous with the pathos and creepiness of the scene in reality, especially as it crescendos in the bride's head to the moment when the king decapitates Manjulika's beloved in a fit of jealous rage.

This specific number is by the all-male troupe B Unique, performed for the Indian reality talent contest Hunabaarz. It's a modern fusion based on Bharatnatyam that turns up the creep factor by 200% and is basically a showcase of contortionism and synchronicity. One of the most perfectly choreographed and executed dances I have ever seen. Truly incredible!

The group is still taking their work across the world's talent shows. And yes, that guy is hypermobile enough to do that with his neck. XD

[heureuxvivant]

❤️‍🔥🤓🖤

If I tell you this is a horror dance number it still won't prepare you. That last move was so terrifying even the judge was like "Let go! Let go!" If you told me they're actually possessed I'd believe you.

The music is a remix of the song Mere Dholna from the Bollywood movie Bhool Bhulaiyya, a remake of the classic Malayalam horror-comedy Manichitrathazhu. It's about a young bride that seemingly becomes possessed of Manjulika, a dancer of the ancient royal court whose tragic death has turned her into a vengeful spirit, one who evokes the wrath of the goddess Durga Kali. In the iconic scene that is repeated across remakes, the groom and his family discover his bride dancing in the dead of night in a manic, disassociative fugue, wearing a moth-eaten dancer's costume and a face smeared in kohl, ash and vermilion. She's hallucinating that she's Manjulika dancing carefree for the court with her lover. The upbeat music is deliberately incongruous with the pathos and creepiness of the scene in reality, especially as it crescendos in the bride's head to the moment when the king decapitates Manjulika's beloved in a fit of jealous rage.

This specific number is by the all-male troupe B Unique, performed for the Indian reality talent contest Hunabaarz. It's a modern fusion based on Bharatnatyam that turns up the creep factor by 200% and is basically a showcase of contortionism and synchronicity. One of the most perfectly choreographed and executed dances I have ever seen. Truly incredible!

The group is still taking their work across the world's talent shows. And yes, that guy is hypermobile enough to do that with his neck. XD

[angstandhappiness]

ABSOLUTELY STRIKING They're really keanibg into the "horror" genre here and I love it. Their poor necks though, I wonder how many neck pain they've suffered to get this right in the practices.

@hussyknee @ariaste not Indian but a Bollywood fan so afaik, it's a Bharatanatyam-based dance that's basically a showcase for contortionism. The song is from a Hindi movie called Bhool Bhulaiyya, which is the umpteenth remake of an extremely popular psychological horror Malayalam film called Manichitrathazu. In it, a young couple moves into a house built atop an ancient royal court and the bride seemingly becomes possessed by the spirit of Manjulika, a legendary Bharatnatyam court dancer who took her own life after the king killed her lover in a fit of jealous rage. The spirit seems to call on the vengeance of the goddess Durga Kali, the mother and destroyer. In an iconic scene, the groom, his cousin and the doctor they brought in to investigate the issue discovers the bride dancing alone in the dead of night in a manic, fugue state, dressed haphazardly in a moth-eaten dancer's costume and smeared with ash, kohl and vermilion. She's hallucinating herself as Manjulika dancing in the royal court with her beloved, who is also her dancing partner. It's a disturbing and rather heartbreaking scene, the upbeat music making it even creepier as it crescendos towards the sudden murder of the lover.

There have been many interpretations by the various actresses that have played Manjulika, but this particular performance basically just uses the song as a cultural touchstone to evoke Manjulika's unhinged vengeance that calls on the wrath of the many-limbed goddess Kali. The fact that the dancers are actually male crossdressers also evokes the Hijras (India's third gender folk) who perform these kinds of chaotic songs and dances as cultural rituals. But overall, despite the Bharatnatyam costume and movements and folkloric elements, this specific performance very much a modern fusion.

If I tell you this is a horror dance number it still won't prepare you. That last move was so terrifying even the judge was like "Let go! Let go!" If you told me they're actually possessed I'd believe you.

The music is a remix of the song Mere Dholna from the Bollywood movie Bhool Bhulaiyya, a remake of the classic Malayalam horror-comedy Manichitrathazhu. It's about a young bride that seemingly becomes possessed of Manjulika, a dancer of the ancient royal court whose tragic death has turned her into a vengeful spirit, one who evokes the wrath of the goddess Durga Kali. In the iconic scene that is repeated across remakes, the groom and his family discover his bride dancing in the dead of night in a manic, disassociative fugue, wearing a moth-eaten dancer's costume and a face smeared in kohl, ash and vermilion. She's hallucinating that she's Manjulika dancing carefree for the court with her lover. The upbeat music is deliberately incongruous with the pathos and creepiness of the scene in reality, especially as it crescendos in the bride's head to the moment when the king decapitates Manjulika's beloved in a fit of jealous rage.

This specific number is by the all-male troupe B Unique, performed for the Indian reality talent contest Hunabaarz. It's a modern fusion based on Bharatnatyam that turns up the creep factor by 200% and is basically a showcase of contortionism and synchronicity. One of the most perfectly choreographed and executed dances I have ever seen. Truly incredible!

The group is still taking their work across the world's talent shows. And yes, that guy is hypermobile enough to do that with his neck. XD