#sometimes protagonists make mistakes

[sonik-kun]

I've seen a lot of people claim lately (mostly JC antis) that WWX performing the experimental core transplant on JC was emergency surgery, and I just have to stop them right there.

This was not emergency surgery by any means. Emergency surgery implies that it is something that NEEDS to be done, or else it would mean imminent death for the patient.

JC did not need that core to survive. He could have very much lived without it. He only needed it for revenge. To get back into joining the war effort to avenge his parents and his sect.

WWX didn't have to do it at all. Sure, JC was miserable, borderline suicidal. But I've seen and read aus where him coming to terms with his new disability is and can be very much possible. Hard, and a lot to work through mentally and physically, but not impossible.

JC did not force WWX to give up his core. It was very much implied that he would grow HIS OWN one via Baoshan Sanren. There was no way JC could have assumed that it was WWX's or anyone else's core for that matter when the concept of a core transplant did not exist at that moment in time. He was the first one to have survived and lived to tell the tale.

Plus, his mental state at that time was questionable. On the surface, he was willing to "consent" to anything if it meant getting his core back, regardless of how and why. But because of his vulnerability, that doesn't mean he consents to being treated like a guinea pig, nor should he have been treated like one for that matter. Although the intentions were good and pure, his vulnerability and naivety was still taken advantage of here. That cannot be disputed.

He also did not consent to having someone else's core (someone else who he cares for deeply, mind) being inserted in him. That possibility was obviously something that would have never crossed his mind in that moment. It is unfair and unreasonable to assume it would and claim he consented to something he didn't even know was possible.

He was led to believe that Baoshan Sanren could successfully give him a new core willy nilly, no questions asked because she was a fabled person with amazing abilities. It was that he consented to here alone, nothing else.

So yes, although WWX's intentions were pure and from the goodness of his heart, he did in fact mislead JC. The whole core reveal and the shock revelation behind it is proof of that. What would be the point in that scene otherwise if it was 100% consensual? And Jiang Cheng's famous "why didn't you tell me?" Break down?

It's okay to accept the moral greyness behind WWX's heroic actions, you know? It won't make him any less of a protagonist, nor does it undermine his HUGE sacrifice. You're still allowed to like him, warts and all. I know I certainly do!

[doverstar]

every year around this time I rewatch Julie and the Phantoms, and every year I am reminded how much heart this little tween show about grief and hope has

[sunderwight]

More Demon Saint Shen Yuan.

Shen Yuan resisted the urge to roll his eyes as he endured more of his older sister's griping about the loss at Cang Qiong.

Give him a break, okay? He couldn't win that match! The stupid, worthless System that he had transmigrated with had perked up for the first time in literal years to start badgering him about how Luo Binghe had to win or else it would deduct enough points to guarantee him a one-way ticket back to being a corpse. He had tried to tell her that it wasn't his fault, but he supposed that from the outside, it probably did look a lot like he'd deliberately sabotaged her.

Oh well. That kind of thing really wasn't unexpected between demon siblings.

Actually, the two of them got along unusually well considering that they were expected to be trying to kill one another for their inheritance. Sha Hualing had never been Shen Yuan's favorite wife when he first read the novel 'Proud Immortal Demon Way', which was the setting for the world he had transmigrated into. She was just too mean and vicious and interwoven with all the stupid harem intrigue plots that he liked least about the story. But she was still a prominent character, a popular and even iconic one, and it had been exciting in a way to realize that he had transmigrated into a demon NPC.

Though, being a man in the world of a stallion novel was a dangerous proposition unless one was the stallion in question. Shen Yuan's only hope lay in that he was the male relative of a main wife, someone who could at least expect not to become the direct target of the protagonist's ire as long as he didn't make the mistake of becoming said wife's 'evil' relative. Given that, Shen Yuan had always gone to great lengths to make it clear to his older sister that he didn't want to inherit their father's lands or titles, that he was much too lazy and more interested in things like the arts and writing, and was additionally more interested in playing with frivolous things from the human realms than in conquering anybody.

For some reason, this led to many demons in their father's court to refer to in the same breath as the old Junshang, Tianlang-Jun. Luo Binghe's mysterious father. But at least Sha Hualing saw him more as a lackey than a threat, and only sometimes got suspicious of him or tried to sabotage his own doings.

In light of recent events, Shen Yuan knew to expect her to retaliate somehow. She had already mangled his hair piece, which was an emblem of his rank. Father would probably punish him for letting it be destroyed, though he wouldn't punish her for destroying it. Those were the kinds of standards that he had for such things. However, he knew she wasn't seriously rejecting him, because she'd still deigned to smack him around.

As counter-intuitive as it was to the human part of his brain, the smacking around stuff meant he was still accepted as 'didi' and hadn't moved to being a serious threat in Hualing's eyes. If he'd really fucked up, she would have begun ignoring him or else outright trying to kill him. Demons healed from injuries ridiculously fast, especially demons from the more powerful lineages. Shen Yuan's broken arm had all but completely fixed itself by the time they got back to the southern realms, and his sister's smacks barely even registered as painful when they'd landed. He supposed this explained why demons were generally more violent towards their loved ones. For them a few stab wounds or some broken ribs were little more than love taps.

He struggled to return that kind of affection, but he made a point to smack Sha Hualing's arm when she left an opening. She huffed at him, but she also (finally!) settled down after that.

"At least I saved us some shred of dignity by winning my match," she grumbled. “Even if I was the only fucking one!”

Their father's lackeys, the soldiers she'd hand-picked for her scheme, all but fell over themselves agreeing that of course the young Saint had been incredible, powerful, strong, amazing, blah blah blah. Shen Yuan wandered off to let them puff up her ego, escaping to his own rooms to go lick his wounds in peace.

It wasn't as if he didn't have any pride. That match had been legitimately harrowing! Figuring out how to let Luo Binghe win without just tossing aside his spear and forfeiting on the spot wasn't easy! The System had told him that wouldn't work, though, and even he could concede that it would have made no sense. He'd wanted to throttle Hualing when she'd suddenly decided to pick him for the third match.

Though... as he finally settled behind the door to his rooms and sealed it behind him, Shen Yuan could admit that it had been kind of cool.

He'd finally met the protagonist!

He did a little jump for joy.

Luo Binghe shone with the glory of a thousand suns! His aura was almost too much to handle. Not only that, but he was somehow too pretty for words. Still young, of course, but a promising figure on the cusp of his manhood, with beautiful features and a compelling aura of potential. Small wonder that the ladies would soon start falling all over themselves to win his favor. It had taken a lot of effort on Shen Yuan's part not to try and whisk him away from his scum master and the abuses of his disciple days.

Luo Binghe, come live in the demonic realms right now! There are still plenty of things that will try to kill you, but at least they're honest about it?

That was, of course, an absolutely ridiculous proposal, so he'd had to bite his tongue and ended up saying too many other things instead.

To think that poor kid was going to end up in the Endless Abyss in the near future! It really was unfair. Sure he was forged in the fires of that trial, but seeing him in person, anyone would seethe at the injustice of it.

Or worry about the results. After all, as soon as that kid got out of the Abyss, his next stop was the demonic realms. Specifically, conquering them. Shen Yuan wasn't exactly attached to his demon father, but he didn't look forward to the kind upheaval his death would cause either. But that would be how things would go. First Luo Binghe would subdue the North and win Mobei-Jun's allegiance. Then he'd turn his gaze out towards the rest of the realms, and form an alliance with Sha Hualing. Their father would die, Hualing would inherit, and through her Luo Binghe would take control of enough of the minor kingdoms and fiefdoms to be named Junshang. Only after that would he return to the human world and start ingratiating himself to Huan Hua Palace. Who knew how Shen Yuan would fit into that plot? Hopefully he could scrape by as an unremarkable side character, without also getting dragged into too many of his sister's schemes. His best bet was to remain her loyal subordinate, and yet, that put him in the position of having to back her up even when she was concocting frankly terrible schemes.

He would have to be careful not to cross the line from being the ally of one wife to the enemy of others too, considering that most of Hualing's targets were Binghe's other wives. Hualing would never be punished. But her disposable, adjacent male relative?

Shen Yuan shook his head. He wouldn't say his life as a demon prince had been easy so far, but it was probably going to be a cakewalk compared to what was coming next!

"So how did the glorious invasion go?"

The sudden intrusion of a familiar voice into his musings was startling, but Shen Yuan suppressed his reaction and did not show it. Instead he just sighed in exasperation.

How this development had occurred was still unclear to him. Granted, the novel hadn't gone into much detail at all about what state the Elder Dream Demon was in before he met Luo Binghe, but obviously he was incorporeal, and in some contact with the Sha clan of demons in order for Sha Hualing to set him onto Luo Binghe after his surprise victory.

Shen Yuan had known to be somewhat on the lookout for him, but in his defense he had been born into this new life as an infant. He had a lot on his plate! Relearning how to do absolutely everything, plus navigating the weird social norms of demon society, and trying to figure out how to be a 'good' brother despite his father basically throwing him and all of his siblings into a fighting pit and encouraging them to thin the herd. He'd had a lot more older brothers and sisters than just Hualing back then, and hadn’t done his welfare a lot of favors by throwing himself between his plot-relevant sister and all the bigger, meaner siblings who were out for her blood. But somehow he had managed to survive, despite being perfectly unwilling to murder baby demons. Well, to be fair most of them had only really died during the adolescent trials that started at age ten, which he tried desperately not to remember or think about at all.

It had only been a couple of years ago that he had to start worrying about the plot itself, and it was around that time too when he'd followed Hualing into sneaking into one of the fortress vaults, and picked up a weird looking statue. The statue drew his attention because such crafts were pretty rare in the demonic realms, and most commonly stolen from humans.

But this one didn't look like any of the usual human designs. In fact, it looked distinctly evil in nature. Shen Yuan couldn't have even said what it was supposed to be a sculpture of. It was a little larger than his palm and very abstract, depicting swooping whorls and eyes, grasping, clawed hands, and the implication of entwined figures. It reminded him more of modern horror art from the world he'd left behind than an ancient artifact, but a lot of 'demonic culture' items were pretty much ripped straight from anime and Hollywood aesthetics. Shout out to the hack author for his stunning originality.

The sculpture had begun to glow, and then it had spoken. And then Shen Yuan found out that he'd accidentally picked up Meng Mo's tomb.

Or anchor. Coffin. Totem? Whatever one wanted to call it. The sculpture was currently helping keep what was left of the dream demon somewhat connected to this world after losing his body, though it had been running low of energy to sustain him. The System had chimed in to let him know that he needed to ensure it didn't run out, and Shen Yuan had dutifully tried to foist the object onto his sister, but it hadn't worked. Hualing must have taken it herself in the original story. If he'd been smarter, Shen Yuan would have thought to pretend he desperately wanted the object. That would have had her stealing it from him in no time. But instead he tried to give it away, and she'd been instantly suspicious and refused to touch it.

Which left him saddled with the annoying old geezer.

Usually Shen Yuan kept him in his study, not the main room, but ever since he began feeding more energy into the statue, Meng Mo had gained a supernatural ability to move it around. He liked to spy on people even outside of dreams, and seemed particularly fond of turning up on Shen Yuan's desks and tables and demanding tributes or respect or attention. Like an ill-behaved cat that was also a cursed tchotchke.

"Why aren't you in your spot?" he groused.

The statue glowed faintly as the dream demon chuckled. Parts of it shifted around so that one of the eye-shaped pieces seemed to stare at him.

"It went that well, huh? What a shame, I thought that sister of yours might have a chance if none of the peak lords were around."

"One of the peak lords showed up," Shen Yuan admitted.

"Hm, I'm surprised you're not dead in that case."

"It was only one."

The System chose that moment to chime in, sounding fainter and looking a bit more flimsy than it had when he had been in Luo Binghe's presence, when it had opted to start yelling at him over point deductions. He wondered if it worked less well when the protagonist wasn't around. Yet another good reason to try and avoid the plot, he supposed. Though the System's intervention in his life had been minimal so far, almost all of it involved threatening him with death unless he cooperated, and saddling him with troublesome things like Meng Mo.

Plot Point: Luo Binghe's Demon Tutor is a necessary component of the narrative. Please ensure the Elder Dream Demon encounters Luo Binghe and accepts him as a student. Warning: failure to comply will result in loss of B points.

See? Like that!

At least this presented an opportunity to get rid of a certain freeloader, and get Luo Binghe the teacher he desperately needed in the same stroke.

"Say, Elder, do you know of any cases where a demon had their potential sealed, and pretended to live as a human?" he asked, suddenly very interested in the prospect of getting this plot going. Meng Mo wasn't really so bad, he supposed, but he'd be happier to send him off to help Luo Binghe and wouldn't weep for the number of inkwells no longer passive-aggressively knocked off his writing desk. Or the hassle of having to find stuff to feed the old bastard.

"That's a strange thing to ask," Meng Mo replied. Shen Yuan could hear the frown in his voice, but also an underlying note of intrigue.

"When the peak lord showed up at the invasion, Da'jie proposed a series of duels to resolve the issue without us all getting slaughtered. I fought a young disciple, but his power was strange. He fought more like a demon youth than the other humans did," he explained.

"Hm," Meng Mo replied. The statue twisted around in his perception, shifting in minute, eerie ways that Shen Yuan had never been able to concretely pin down. He couldn't have said which pieces went from one place to another. "Sealing demonic power happens, but if that was the case, such a person would be too weak and devoid of talent to ever be taken in by human cultivators. Humans can't just train any one of them up to potential. Most of them don't even have an ounce of ability to cultivate, which is why they're so weak. It's only a few who can ever be on the level of demonkind."

Shen Yuan rolled his eyes. Yes, yes, demon superiority, blah blah blah. It was a complicated social issue in its way, since demons, despite being overall stronger, struggled as communities. It might have been different if demons could live in the human realm, which was a lot less harsh, but there were enough human cultivators to ensure that they were always beaten back or hunted down any time they tried. Demon culture had a lot to say about the superiority of living in a region full of big hostile beasts and plants that would either fuck you or eat you or both, but given half the chance, most would probably love to live where the fortress walls didn't have to be meters thick or buried underground. The only downside would be potentially eating their way through the whole ecosystem and then accidentally starving as a result. But then again, it wasn’t as if humans didn’t routinely do that sort of thing too.

"Well what if he had some potential anyway?" he suggested.

"Ha! For that kind of thing to work, your little disciple would have to be a rare kind of halfbreed," Meng Mo mused. "Nearly impossible. I've lived a long time and even I only ever heard tales of such things."

"Nearly impossible?" Shen Yuan pressed.

"Extremely unlikely. Especially if he’s part human. Even strictly among different kinds of demons, most hybrids that survive infancy just strongly favor one parent or the other. Or else they turn out ugly freaks. Was this kid an ugly freak?"

"No!" Shen Yuan insisted. "He was beautiful!"

There was an awkward pause.

"...So your interest in this human disciple, it's...?"

For some reason he felt a little flustered.

"He just seemed weird, alright? I thought you might know. But if Elder doesn't-"

"Hold on, hold on, when did I say I didn't know? You're the one making snap judgments here, all this elder has to go off is some brat's description of another brat! If I saw him, I'd be able to tell you!"

Shen Yuan resisted the urge to pump his fist in victory.

"Okay then, you should go tonight," he agreed.

"What? Go where?"

"Into his dreams, obviously. How else are you going to assess him?"

The statue flickered a bit.

"Now wait just a minute, it takes a lot of energy to do that kind of thing," the old demon protested. "I'm not going into some brat's dreams on the whims of your say-so, just because he's got a pretty face..."

"What's his face got to do with anything?!"

"Kids these days, thinking they can just boss their elders around, there's no respect-"

"Are you telling me that the great and mighty Master Dream Demon, who terrorized generations of demons so badly that the mere mention of his name was considered a curse, doesn't have the strength to go spy on a simple human disciple? Even after all the tributes I've given? How pathetic. I guess I'll just throw this old rock out into the trash," Shen Yuan goaded, moving towards the table that Meng Mo had situated himself on.

"Mouthy fucking brat! You wouldn't dare!" the dream demon protested.

"What good are you to me if you're so weak?" Shen Yuan reasoned, well-acquainted with demonic cultural attitudes on this point. Such a shitty eat-or-be-eaten kind of a world. Didn't the author know these tropes were unenlightened and problematic these days?

"Weak, who's weak? Of course I can do it! But it's been so long since you gave me any energy at all, why waste it?"

"I fed you before I left!"

"And I spent that energy well, entertaining your mother in her dreams!"

Shen Yuan made a rude gesture at the sculpture, but the old demon just cackled. The jab didn't really land anyway. Shen Yuan didn't mind his mother in this lifetime, but she wasn't terribly maternal. Mostly she treated him like an investment which she expected to see pay dividends someday, and was disappointed in his lack of ambition or willingness to murder his older sister. But she was one of the lord's favored concubines, not his main wife, and also not interested in being killed by the main wife, who was Hualing's mother. So she was pretty diplomatic and circumspect about her disappointment in him, and focused most of her attention on keeping his father's favor. If she really was fooling around with Meng Mo on the side, he just didn't want to know.

"I'm dumping you in the trash," he insisted again.

"Alright, alright, calm down! I'll spy on this pretty boy of yours for you. But after that, you better bring me something good! Dream Jade or dragon scales!"

Shen Yuan made a show of disagreeing, mostly because those kinds of offerings, though rich in energy that could sustain the dream demon, were pretty expensive and hard to come by. No one would agree to that sort of deal easily. But of course, Meng Mo would not be able to collect once he latched on to Luo Binghe and started using his energy to sustain himself, so in the end he agreed and let Meng Mo gloat (as much as a disembodied voice and a weird sculpture could) before shoving him in a desk drawer as retribution.

"Disrespectful little ingrate!" the dream demon shouted after him.

Figuring that his rooms would be too noisy for a while, Shen Yuan headed out again and made his way to the eastern courtyard, where his youngest siblings could be found.

They were the children of less favored concubines. He felt badly for them, but there also wasn't much he could do without challenging his father directly, and if he did that he would have a hell of a mess on his hands even if he managed to actually beat him. Which wasn't likely, at least not at his current level. Even though he was smarter than the average child thanks to his memories, he was only thirteen years old. He still wasn't even as big as Hualing, who was quite petite, and despite his potential he wasn't the kind of thirteen-year-old that could beat up opponents more than twice his size. Not unless they were pretty weak. His father was built like an ox, in the standard fictional paradox of the big ugly man whose daughter was still somehow dainty and fair, and had crushed lesser demons to death with his bare hands.

In other words, his father wasn't a pushover and there was a reason he was acknowledged as one of the most powerful rulers around.

But in the meanwhile, Shen Yuan at least tried to make sure his younger siblings hadn't yet been completely poisoned by the might-makes-right nature of demon society. They were pretty cute in fact, despite that they all seemed to love biting him. And biting anything else that got within biting range.

"Da'ge! Da'ge!" the little voices chirped as soon as he finished passing through the tunnel that led to the above-ground courtyard. Over in this part of the fortress the weather was less kind, and dust storms had passed over the walls, making everything taste like ash and grit. He covered half of his face with his high collar, but let himself be mobbed by little demons.

"Did Da'ge bring snacks?"

"Treats? Treats for Meimei?"

"Did Da-jie get killed by mad cultivators?"

"Can we eat her bones?"

"Don't be stupid! Da'ge will have eaten her bones first! Right after her heart!"

"Wouldn't Ge save us a little of her bones? Just the bones! I'm sure he would!"

Shen Yuan sighed. Well, maybe he was deluding himself if he thought they weren't already vicious little fiends. He reached into the storage pocket of one of his sleeves, and pulled some live lizards and frogs out. With a mental apology to the poor creatures, he let them go. His younger siblings cheered like he'd poured out a bag of candy, and immediately set about catching them and trying to shove them into their mouths.

Back when he was such an age, Shen Yuan had worried his mother by refusing to eat anything that was still alive.

"Da'jie didn't get killed," he explained. "She's perfectly alright, so no one can eat any of her bones or her organs at all."

A chorus of disappointed groans greeted this announcement. mitigated only by the crunching of lizards between tiny, sharp teeth.

Honestly, Shen Yuan had no idea why they were so struck on the notion of Hualing dying. Did he seem like the kind of guy who ought to be in charge of a demon fortress? Not that he expected a bunch of feral demon babies to understand the burdens of leadership, but still. According to most demon standards they should have been bigger fans of Hualing. Then again, maybe she got these conversations in reverse whenever she happened to visit?

He wouldn't put it past his little siblings to play all the angles. Demon kids just grew up that way. Whoever was the strongest in the room, that was who you sucked up to unless you were the strongest in the room!

Shen Yuan watched as they caught the last of their slippery prey, and broke up a few fights over the legs, before he let himself be used as a jungle gym. The feral buns clambered over him and tugged at his sleeves and his spirit ribbons, chewing on his hair and biting at his ankles. He swung them up and tossed them into the air, and roughhoused with them for a while. Honestly even with demon instincts he didn't care much for hurting them, but if he didn't leave at least a few tiny bruises they got upset and confused, so it was a balancing act. And it did sort of satisfy something in his instincts to make playful growling noises and put on a big fake display of pain any time one of them jumped on him.

Sometimes not-so-fake after all; those little elbows were pointy, and the milk teeth were sharp.

Eventually their mothers came back from their hunts, bringing whatever spoils they could collect from the windswept wilds beyond the fortress. Sometimes low-ranking concubines and slaves tried to run, but the terrain outside was difficult to navigate and they almost always got brought back by one of his father's servants, so usually it was only the newcomers who made the attempt. And of course, sometimes they didn't make it back for other reasons. Shen Yuan lingered just long enough to be sure they'd caught something and that everyone had returned in one piece, then he pried his little siblings off and made his way back out again, not eager to intrude on the fullness of meal time. It wasn't pretty.

He'd tried not to make a lot of uncomfortable things that went on in the fortress his business. It was just asking for trouble. But it was easier said than done, when one spent their life being raised in such a place, and came to it with sensibilities forged by a different society.

Shen Yuan was the type of person who could easily settle in if he was reasonably safe and distracted, even if the circumstances weren't ideal. That was how he had managed most of his first life. But that approach depended on a certain minimum of comfort, a decent place to hunker down and hide from the problems of the world. The demon realms offered few such places, and those that existed were temporary in nature. A person couldn't become too comfortable or complacent or else they'd soon become dead. And as to distractions, well, books were not really all that popular among demons. He owned more than anyone else around, and the collection had taken a lot longer to build than it took to read.

So he found other things to keep him from dwelling on some of the ugly realities vying for his attention. But that meant getting involved, like it or not.

He probably shouldn't have gone along with Hualing on her invasion, even though she'd ordered him to. It was courting trouble to even look upon the protagonist. And yet, he couldn't resist.

Shaking such thoughts away, Shen Yuan pursued his next distraction. He headed for the fortress stables.

Demons mostly did not ride, and what they rode was not any normal type of horse. But his father kept a grand carriage for making processions. Until recently, that carriage had been pulled by decently strong slaves, who were themselves not treated much better than beasts of burden. Shen Yuan was no moral paragon but he found the situation intolerable, so over the past several years he had painstakingly trained some of the Dark Sea Hippo Oxen that ranged in the marshes to the southeast, and then convinced his father to give the slaves to Hualing and use the trained oxen to pull his grand carriage instead. The beasts looked a lot more impressive, and his sister was content to have big demons move her furniture and look cool whenever they flanked her on her diplomatic trips. Such trips were increasingly frequent, supposedly to secure her a good match.

Not that his sister actually put any sincere effort into that goal. Shen Yuan had no worries about Hualing being married off, and wouldn't have worried even if she'd shown the slightest interest in the prospect. She just went along with it because it let her take vacations away from their father.

The downside to this arrangement, however, was that the Dark Sea Hippo Oxen only ever really seemed to listen to Shen Yuan. He'd tried to instruct some of the servants in their care, but it was slow going. He wasn't sure if it was just the nature of the servants he'd been assigned or if all demons struggled with the concept of domesticated livestock, or if they just didn't want the job and knew he wouldn't have them executed for failing, but the end result was that he'd mostly put them in charge of cleaning the stalls and did everything else himself. Luckily the big beasts were pretty self-sufficient, as long as there was a comfortable place to sleep and food to eat they came back to the stables, and if they didn't then Shen Yuan needed to only go out with a bell and some treats and eventually they'd come back to him.

The Hippo Oxen had broad backs that could easily carry ten of him. Shen Yuan opened the gate from the stables to let them out, checking first that the dust storm had indeed passed over them, and then hopped up on the biggest to ride out. The two stable servants scattered as if they feared being trampled, even though there was plenty of room.

He sprawled like he was on a comfortable couch as the herd set out, watching the oxen to make certain none were limping or showing signs of discomfort. They'd all been stuck in a thicket of carnivorous dragon plants when he'd first found them, struggling and miserable as they slowly suffocated in the relentless vines. It had taken some doing to get them out, but they'd each made a good recovery, and being demonic beasts they were especially durable. The only real worry was if someone in the fortress tried to poison them or something, but so far no one had dared to.

The air tasted dry and the wind carried grit over to them. After a while Shen Yuan drew one of his war fans and waved it, channeling a thread of demonic qi into the motion. The gust cleared the air ahead of them. Senior Hippo Ox grunted in approval, while a couple of the younger ones made the earth shake as they hopped happily up and down and uncovered a big patch of mud.

That was his cue to get down!

He slid off of Senior Hippo Ox's back and moved away, letting the big beasts go splash around in the fresh mud pit and forage among the vibrant plants at the bank. When he was satisfied that nothing really dangerous was around, he took a seat on a nearby patch of earth and pulled some drawing tools and paper from his storage sleeve.

He mixed some crude ink (his own recipe), and then he sketched the oxen. It was his millionth attempt, and he'd definitely been no artist before his rebirth, but he thought he was getting better. He'd abandoned trying to make realistic looking renderings and instead focused on stylized versions, letting the kinds of strokes he could make with a simple brush and limited pigments dictate the form of his illustrations. After a while a Soul Biting Blister Beetle wandered onto a nearby rock and began doing one of its territorial dances.

Since Shen Yuan was still sat a safe distance from its venomous spittle attack, he switched subjects and started drawing the beetle instead.

He stayed out until he lost the good light. Another storm was threatening on the horizon. He didn't even need to call the oxen, as they'd also had their fill of the mud pit. This time he walked, of course, not interested in getting himself covered in mud as well. When they got back to the stables he left the oxen be; in the morning the mud would be dry and flaking and easier to clean off, and as he'd learned, they preferred it that way.

He was out of daylight by then, and with a deep internal sigh he headed back to the inner corridors of the fortress to try and escape to his room.

The main banquet hall was lit, sconces bright against the dark walls of the inner chambers, with smokeless fires burning blue, purple, orange, and black. Demons allegedly didn't really make a lot of artistic craft items in the way that humans did, and yet, they did still make a lot of art. Fires and lights were common displays, as were manifestations of qi. Jade was hard to come by, and wood was mostly reserved for structural uses, but bone carvings and chimes were common. Since demons healed quickly, piercings and tattoos didn't last as long as on humans, but that just meant they were constantly being refreshed or redesigned. Textile work in the demonic realms was often ludicrously difficult, due to a lack of supplies and stable supply chains, which meant that clothing was made to last as long as possible and imbued with as much protection as possible.

But, clothing was uh... pretty scarce. Especially in these warmer climates.

Shen Yuan averted his gaze from the nude demons settled in the banquet hall, and the ones who were nearly nude, the vast expanse of skin that he'd never entirely gotten used to. Men and women alike, no less! Hualing was no exception, lounging topless at the main table while she regaled some of their father's people with accounts of her singular victory at Cang Qiong. Next to her, a pair of her lackeys were busily doing one another's tattoos; baring their teeth and laughing through the pain.

"Didi!" she called, and he cursed that she'd caught sight of him. "Come join us!"

"No thanks!" he called back.

"Get over here!"

There was enough snap in her tone to know that she meant it. Kissing his hopes and dreams of a quiet evening goodbye, Shen Yuan reluctantly turned and headed into the hall.

At least their father wasn't there. Small mercies. He wouldn't be back from his latest campaign for a while yet, according to Hualing's own projections. She would know better than him, given that she was the favorite and held their father's ear, for all that she seemed to loathe every minute spent in his company.

Why couldn't she loathe every minute spent in Shen Yuan's company?

Oh right. Because he didn't want her future husband to kill him.

Hualing nodded approvingly as he navigated the minefield of the banquet hall and settled onto a cushion that was, with some shoving, cleared next to his sister. She plonked an empty bowl beside him, and he dutifully filled it with wine for her. Demon wines mostly tasted like either blood or vinegar, but their father had particular tastes for fruit wines from the human realm, so Shen Yuan poured some for himself as well. It wouldn't get him drunk the way that a demon wine would, but that was better off anyway. And it almost tasted nice.

"I was just telling everyone about my fight," Hualing said, as if her voice hadn't carried well beyond the banquet hall.

"You did well," he assured her, even though he honestly thought her match was idiotic. She did win it, though, somehow. Everyone agreed on that point anyway, even the other side, so it had to be true.

"Of course, of course!" Hualing agreed, thumping a fist over one of her breasts. "I'm the greatest of our generation! But what the hell was with your fight? Everyone's talking about it, even more than mine! It's a bigger mystery how you lost than how I won."

She sounded displeased with that. Of course she is, he thought. She wants them all praising her, not wondering about her weird brother's weird behavior.

That thought brought a nostalgic feeling, almost. His old meimei and Sha Hualing were like night and day, but he'd also used to overshadow his sister's accomplishments with bad news in that life. Not that he meant to do it, in either case.

He sighed, and accepted that he wasn't going to keep dodging her questions forever. He probably wasn't even supposed to. She should be getting interested in Luo Binghe around now, shouldn't she? Well she'd laid eyes on him so of course that would be the case. As long as he kept the attention there, it would only further the inevitable bond between the protagonist and his future wife.

"Didn't you notice? That disciple was really strong," he said.

Sha Hualing made a face at him. It wasn't a dreamy, 'oh yes he was' sort of face at all.

"You had him beat in the first few minutes."

"He wasn't really fighting in the first few minutes."

"But since when do you care about fighting? You've never been eager to see someone's 'potential' before! Not even mine!"

Hualing pouted, as if recollecting their own past matches. Shen Yuan would rather forget those. They were so unpleasant. He couldn't win, but he also couldn't lose so badly that his own sister killed him. It was like walking a tightrope covered in ice on a dark winter night. He was glad they were past the age where their father would throw them into a pit together and demand they prove that they were worth feeding and housing by ripping into one another until he was satisfied.

"I was just curious," he settled for saying. "Something about him was unlike the other humans."

"Unlike them how?" Hualing narrowed her eyes. But she looked like she was considering it.

"If I could easily say what it was, I wouldn't have tested it by challenging him," he bullshitted, quite reasonably.

"Hmm."

"I was right, though. He did beat me. He had a lot of power. That piece of shit master of his just didn't teach him anything about using it."

For some reason that comment made Hualing grin at him.

"You thought the Xiu Ya sword was a piece of shit?" she latched upon, amused. "I think that one's ranked second in the Cang Qiong hierarchy, isn't he one of their strongest?"

"Not necessarily. His peak has the second most authority, but the Bai Zhan War God is surely stronger," he said. Then he hesitated. Liu Qingge would be dead now, wouldn't he? Murdered by Shen Qingqiu. What a waste...

Sha Hualing shrugged.

"He still must be tough, though. Surely they only make the strongest ones successors? How else would they hold onto their power?"

"Lots of ways. Money, family connections, vital skills that the others can't replicate... but he did seem pretty strong, even if he had to use underhanded tactics."

"That's because the demon race is always superior! Even the strongest humans can't win otherwise!" Sha Hualing announced, and cheers went up.

Shen Yuan finished his wine.

"Good talk, I'll be going now," he tried, but Hualing rolled her eyes and yanked him down into the seat again before he could go, and forced him to endure more 'celebrating'.

The sky was fully dark by the time Shen Yuan managed to escape. Despite his having lost his match, he luckily didn't get dragged too hard by the others at the banquet. Maybe because only Hualing had won, or maybe because it was kind of a dull sport to try and make him feel bad over things that he didn't care about. He ended up drinking most of the fruit wine and nodding along to his sister's boasting before finally fleeing back to his room, and by then he was tired enough that he only stripped and fell into his bed, and was soon unconscious.

"Hmph. Took you long enough!"

Shen Yuan blinked himself to awareness, and found that he was standing back at the pavilion on Qiong Ding Peak. Or rather, that this was what the dream around him looked like at the moment. He knew the signs quite well, after looking after Meng Mo for this long. Contrary to his sleeping state, Shen Yuan was back to wearing the same outfit he'd worn during the invasion, complete with his weapons and all.

Near to him stood a projection of the dream demon; Meng Mo had the look of an esteemed elder, well-dressed and meticulously groomed, in a fashion that hadn't been seen in the demon realms since before the last big war with the human realms. He stroked narrow fingers through his white beard.

Shen Yuan made a face.

"What? Why am I here?" he protested. "I thought you were going to investigate Luo Binghe?"

"Is that his name?" Meng Mo groused. "You didn't give me much to work with!"

"I didn't think the Esteemed Elder Dream Demon needed much," Shen Yuan countered, irritated enough to let his distaste show. Just why was he being involved?! He didn't want the protagonist associating him with an awful nightmare! Shoo!

"I don't," Meng Mo snapped. "Insolent brat. You'd think you'd show a little more appreciation for the lengths I'm willing to go through at your say-so. If I'm going to delve into this random human's mind, I need to know what I'm looking for. I'm not going to waste energy all night just rooting around when there's probably nothing to find!"

Shen Yuan wanted to protest. Wasn't that what the dream demon had done in the novel? Why were the rules different if Shen Yuan asked him to do something instead of Sha Hualing? You shitty old bastard, this poor transmigrator is doing you a favor! Don't you realize that the protagonist is your last hope of living as anything other than some random decor item? That he's going to be your greatest student that you can pass all your teachings onto? A host with enough power that he can sustain your existence indefinitely?

"Just do it yourself," he protested.

Meng Mo glared.

"If it's not worth your time, why should it be worth mine? Useless."

The dream started to dissipate. Shen Yuan raised a hand.

"Okay, wait, stop. It's definitely worth the time," he declared. At the older demon's skeptical expression, he snapped. "Why are you being so difficult? Haven't I taken care of you all this while? And when have I ever led you astray? What an ingrate, do you want to spend the rest of your existence depending on me to keep you around? At this rate I'm going to get tired of you and let you rot in a cupboard 'till all your energy runs out!"

"You wouldn't dare!"

"Your statue is ugly!"

"It is art! High art! Like the kind not seen in this world for centuries!"

"It’s trash."

"You-!"

Meng Mo paused. For a moment Shen Yuan thought that he'd legitimately run out of comebacks, and was a bit concerned. He'd never seen that happen before. But when he opened his mouth, the elder raised a hand and stopped him. His dark eyes narrowed. Then the dream around them began to change, shifting like something out of Inception or a high-end video game. The Qiong Ding pavilion disappeared, stone by stone, to be replaced with the structures and buildings of a rundown city street. Not a modern street, thankfully, not something like the kind from Shen Yuan's past life, but one that would be perfectly at home in Proud Immortal Demon Way.

"Found him," Meng Mo murmured.

So he had been looking. Maybe he genuinely did struggle to pinpoint Luo Binghe this time, for some reason, and brought in Shen Yuan's memories of the invasion to help. He felt a bit chagrined at that. True, Meng Mo didn't seem to need much to try and stalk a victim, but he probably hadn't given as much detailed information as the Sha Hualing of the novel had when he tried to put him onto the protagonist. After all, Sha Hualing would have been gushing like a lovestruck girl, not calmly and objectively explaining the situation the way Shen Yuan had done.

A moment later, Meng Mo's appearance shifted to resemble one of the faceless NPCs that populated most dreams. This was a common trick of his for observing things without drawing notice -- just blend into the background like some other less-formed part of the dream.

Shen Yuan followed the direction of his gaze. Sure enough, he found himself looking at Luo Binghe. Ning Yingying was beside him, holding on to his arm.

Their gazes met.

The protagonist's eyes widened in recognition.

Then the dream faded away as Meng Mo unceremoniously booted Shen Yuan out of it. He wasn't sure if he felt more relieved or disappointed, though of course that was foolish. Like he said, it wasn't as if he wanted the protagonist to associate him with a nightmare!

But even with that mere glimpse, perhaps the damage had already been done?

Dear Meng Mo, haven't I done you a bunch of favors by now? Please go easy on that kid, don't give him such a harrowing trial that he blames me for all of this later on!

[mindless-existence1]

Hiii!! I wanted to request a shadow x fem! reader who in the movie verse is a college student that found shadow and now partly takes care of him. Knowing shadow, he’d still be a loner but I’d like to think having an another younger female influence in his life could help him with Maria’s passing. I also think it’d be super cute if she taught him gen z/modern things. He’s just too precious in the movie omg☹️❤️

Authors note: I love Shadow he's my boy. Also I didn't come up with how they met so this is just them hanging out in readers apartment watching a movie together

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Your apartment in Green Hills wasn’t anything fancy—just a modest space with a small kitchen, a worn but comfortable couch, and a TV that sometimes acted up. But it was home, and apparently, Shadow thought so too.

The first time he came over, it had been an unexpected visit. You’d found him on your balcony, his crimson eyes scanning the street below like he was waiting for something to go wrong. You’d invited him in, unsure if he’d accept, but he had.

Since then, Shadow had started dropping by when he needed to escape the chaos of the world—or his own thoughts. Tonight was one of those nights.

He was sprawled on your couch, arms crossed, his usual stoic expression softened by the dim light of the TV. You had a movie playing, some action-packed thriller that you thought he’d enjoy. But Shadow seemed more interested in quietly existing in the moment.

“Popcorn?” you offered, holding out a bowl as you curled up on the other end of the couch.He glanced at it skeptically. “I don’t understand humans’ obsession with this.”

“You say that every time, and yet you always eat it,” you teased, shaking the bowl slightly. Shadow’s lips twitched, the barest hint of a smile, and he reached out to grab a handful.

As the movie played, you got caught up in the action. One scene showed the protagonists making a mistake that ended in a dramatic explosion. You couldn’t help but comment, “Oh man, those guys are cooked.”

Shadow’s ears twitched, and he turned his head slightly toward you, his brow furrowed. “Cooked? They’re not being prepared as food.”

You stifled a laugh at his literal interpretation. “No, it’s slang,” you explained. “It means they’re done for, like there’s no coming back from that.”

He frowned, clearly processing your words. “Why use a term that implies food preparation instead of saying what you mean?”

“Because slang is fun, and it makes language more expressive,” you said, grinning. “Besides, it’s just how people talk sometimes.” Shadow huffed, leaning back against the couch. “Humans are strange.”

“And yet, you keep coming here,” you shot back with a playful smile.Shadow didn’t respond immediately, his gaze fixed on the screen, but the corners of his mouth softened just slightly.

“Your apartment is… peaceful,” he said finally. Your chest warmed at his words. Shadow wasn’t exactly forthcoming with his feelings, so every little admission felt significant.

“Well, you’re always welcome here,” you said, nudging his leg lightly with your foot. “Even if you think popcorn and slang are weird.” He didn’t reply, but his crimson eyes flicked toward you for a moment, a quiet gratitude in his gaze.

By the time the credits rolled, you were explaining another piece of slang—this time, “vibe.” Shadow looked vaguely unimpressed.

“So, when someone says ‘good vibes,’ they mean a positive feeling or atmosphere?” he asked, his brow furrowed slightly.“Exactly!” you said, grinning. “See? You’re getting the hang of it.”

He shook his head, muttering something about “unnecessary complications,” but you just shook your head with a small smile. As the night wore on, you found yourself leaning against him, your head resting on his shoulder.

He didn’t move away, simply letting you stay there as the quiet hum of the TV filled the room.

In these moments, you knew Shadow found something he didn’t often allow himself: peace. And for as long as he needed it, you’d always make room for him in your little corner of Green Hills.

[literaryvein-reblogs]

Writing Notes: Plot Method

The Save the Cat! Beat Sheet was originally developed by Blake Snyder to help screenwriters plot movies, but it works just as well with novels.

It breaks down the 3-act structure into small, specific sections (sometimes just one scene long).

Each section pushes your story forward in its own way.

The exact word count/page count of each section depends on how long your novel is and what type of story you’re telling, but you can use the colored chart below and the percentages in the instructions as a guide. 

Context Note: This method is based on the concept of the Three Act Structure, which is an inherently Western approach to plot. It can be a useful way to tell a story, but it is by no means the only one.

ACT 1

Opening Image (0-1%)

Show a “before” snapshot of your protagonist and their world.

What is life like before the adventure begins?

It represents the struggle & tone of the story.

Set-up (1-10%)

Expand on the “before” snapshot.

Explore your protagonist’s life, including the internal flaws and external challenges they’ll have to overcome in order to change for the better by the end of the story.

Present the main character’s world as it is, and what is missing in their life.

Also introduce important supporting characters.

Theme Stated (happens during the Set-up)

What your story is about; the message, the truth.

Usually, it is spoken to the main character or in their presence, but they don’t understand the truth/lesson…not until later, when they have some personal experience and context to support it.

Thus, include a scene where a character says something that hints at what the protagonist’s big life lesson will be - how they’ll have to change and grow by the end of the story.

Catalyst (10%)

The moment where life as it is changes.

Examples: It is the telegram, the act of catching your loved-one cheating, allowing a monster onboard the ship, meeting the true love of your life, etc.

There’s no going back to the “before” world from here… What is the inciting incident that pushes the protagonist into the next phase of the story?

Debate (11-20%)

But change is scary and for a moment, or a brief number of moments, the main character doubts the journey they must take.

Show the protagonist questioning themselves and resisting the path ahead - wondering whether they have what it takes, or whether or they should just run home and hide under the bed.

“Should I just…?” “I really shouldn’t because…” “But what about…” Can I face this challenge? Do I have what it takes? Should I go at all?

It is the last chance for the hero to chicken out.

ACT 2

Break Into 2 (20%; Choosing Act Two)

The main character makes a choice and the journey begins.

We leave the “Thesis” world and enter the upside-down, opposite world of Act 2.

They make the choice to begin their adventure/transformation/journey/new thing.

Show your protagonist deciding to plunge into Act 2.

The Promise of the Premise (21-50%)

This is when the reader thinks “Ah, now we’re getting to the good stuff they hinted at on the back cover of this book!”

It’s also one of the longest sections in your book.

Show your protagonist getting used to their new world - loving it, hating it, making mistakes or doing well, meeting new people (see more below) and keeping the reader entertained.

This is when the main character explores the new world and the audience is entertained by the premise they have been promised.

B Story (happens during The Promise of the Premise)

This is when there’s a discussion about the Theme – the nugget of truth.

Usually, this discussion is between the main character and the love interest.

So, the B Story is usually called the “love story”.

Introduce a new character or characters who will eventually help the protagonist learn their life lesson.

Friends? Mentors? Love interests? Nemeses (nemesi?)? Who are they? How will they help?

Midpoint (50%)

This moment is when everything seems “great” or everything seems “awful,” depending on your story.

The main character either gets everything they think they want (“great”) or doesn’t get what they think they want at all (“awful”).

Either the Fun and Games section has lead to a false victory for your protagonist (they think they’ve been doing great so far) or a false defeat (they’ve been having a hard time so far).

What happens in this moment, halfway between beginning and end?

But not everything we think we want is what we actually need in the end.

Bad Guys Close In (51-75%)

Get ready for a bumpy ride. If your Midpoint was a false victory, now things start to go wrong for your protagonist.

If the Midpoint was a false defeat, well, things seem to be looking up, but the bad guys are getting closer and will have something to say.

Note: Bad guys can be actual physical enemies, but they can also be emotional enemies, like doubt or jealousy or fear.

Doubt, jealousy, fear, foes both physical and emotional regroup to defeat the main character’s goal, and the main character’s “great”/“awful” situation disintegrates.

Show the protagonist’s newly-built world beginning to unravel.

This will also be one of the longer sections in your novel.

All is Lost (75%)

This is when something happens to make your character hit rock bottom.

It’s the absolute lowest part of your novel.

Maybe someone or something dies (either literally or figuratively).

The initial goal now looks even more impossible than before. And here, something or someone dies.

It can be physical or emotional, but the death of something old makes way for something new to be born.

What does this moment look like for your protagonist?

Dark Night of the Soul (76-80%)

Your protagonist now has time to react to their “All is lost” moment, to mourn what they lost and wallow in hopelessness.

They’re worse off than they were at the beginning of the novel.

Show how low things have gotten.

Mourning the loss of what has “died” – the dream, the goal, the mentor character, the love of your life, etc.

But, you must fall completely before you can pick yourself back up and try again.

ACT 3

Break Into 3 (80%; Choosing Act Three)

The “aha!” moment; the “lift yourself up and try again” moment.

Show the protagonist realizing what they need to do in order to tackle their problems, both external and internal.

Thanks to a fresh idea, new inspiration, or last-minute Thematic advice from the B Story (usually the love interest), the main character chooses to try again.

Finale (81-99%)

The protagonist does what they decided to do in the Break Intro 3 beat, and (because of all the learning/growing they’ve done and the support or insight from the B Story), their plan works.

This time around, the main character incorporates the Theme – the nugget of truth that now makes sense to them – into their fight for the goal because they have experience from the A Story and context from the B Story.

The Bad Guys are defeated, the world is changed for the better.

What are the battles? How will the protagonist triumph (or not)?

This is another longer section, so you’ve got the space to make things dramatic and intense.

Act Three is about Synthesis.

Final Image (99-100%)

This is the opposite of the Opening Image, the “after” snapshot instead of the “before.”

Show the reader how the protagonist and their world have changed.

THE END

Sources: 1 2 ⚜ Writing Notes & References

[hayatheauthor]

Hello! I just found your blog and I love it!! How would I write a good protag's best friend character (or sidekick but not really) Much appreciated!!!

Thank you for the ask! Sorry it took me forever to get to it

How to Write a Protagonist’s Best Friend (Without Making Them a Sidekick!)

A great best friend character does more than just stand beside the protagonist, here are some tips to help you capture that:

What Makes a Best Friend Character Strong?

A well-written best friend character has qualities that make them stand out on their own. Here’s what sets them apart from a generic sidekick:

They Have Their Own Story – They shouldn’t exist just to serve the protagonist’s journey. Give them goals, conflicts, and motivations that intersect with the main plot but don’t revolve around the protagonist.

They Balance the Protagonist – A best friend should contrast the protagonist in meaningful ways. Maybe they challenge the protagonist’s worldview or complement their weaknesses with different strengths.

They Change Over Time – Just like the protagonist, they should grow. Their relationship with the protagonist should evolve based on the events of the story.

For example, in Percy Jackson, Grover is not just comic relief—he has his own mission (finding Pan, proving himself as a protector), and his strengths (resourcefulness, empathy) balance Percy’s impulsive nature.

What Role Should They Play in the Plot?

A best friend character shouldn’t just be there for emotional support—they should impact the story. Here are some ways to make sure they play a meaningful role:

Driving the Plot – Have them take actions that change the course of the story. Maybe they uncover crucial information, make a decision that alters the protagonist’s fate, or even become a source of conflict.

Acting as a Foil – A best friend often highlights the protagonist’s strengths and flaws through contrast. Are they more cautious while the protagonist is reckless? More idealistic, while the protagonist is cynical?

Having Moments of Leadership – The protagonist shouldn’t always be in charge. Let the best friend take the lead at times, making key choices that drive the story forward.

Common Mistakes to Avoid

Even well-meaning writers can accidentally flatten a best friend character. Here’s what to watch out for:

Making Them One-Dimensional – If their entire personality is “supportive and loyal,” they’ll feel like a cardboard cutout. Give them flaws, ambitions, and struggles.

Using Them as a Plot Device – They shouldn’t just show up to deliver emotional support or conveniently solve problems for the protagonist. They need to have agency.

Forgetting Their Growth Arc – Just like the protagonist, they should be affected by the events of the story and change accordingly.

A common complaint about Ron Weasley’s character in later Harry Potter books is that he sometimes feels like just a sidekick, while Hermione and Harry have more direct influence on the plot. Had Ron been given more individual agency in key moments, his presence might have felt stronger.

How to Develop Their Relationship with the Protagonist

A strong friendship isn’t always smooth sailing. Consider:

Conflict & Tension – Friends fight. Maybe they disagree on how to handle a situation. Maybe one feels overshadowed by the other.

Moments of Distance – Do they ever drift apart? Are they forced into situations where they can’t rely on each other?

Loyalty vs. Individuality – The best friend doesn’t always have to be on the protagonist’s side. Maybe they make a choice that goes against the protagonist’s wishes.

Examples of Well-Written Best Friend Characters

Here are some standout best friend characters and what makes them strong:

Samwise Gamgee (The Lord of the Rings) – Sam is fiercely loyal, but he’s also stronger than Frodo in many ways. He makes tough calls, pushes Frodo forward, and carries both emotional and physical burdens.

Inej Ghafa (Six of Crows) – Inej is Kaz’s closest ally, but she doesn’t just follow him blindly. She has her own sense of morality, her own trauma, and her own dreams beyond him.

Peeta Mellark (The Hunger Games) – Peeta isn’t just a love interest—he challenges Katniss emotionally and strategically, making choices that directly impact her fate.

Robin (Stranger Things) – Unlike the stereotypical “supportive best friend,” Robin has her own quirks, insecurities, and motivations that make her dynamic with Steve stand out.

These characters don’t just exist to assist the protagonist—they challenge them, change them, and make the story richer.

Tips to Make Your Best Friend Character Stand Out

Here are some practical ways to make sure your best friend character is strong and memorable:

✅ Give them distinct personality traits – Don’t let them blend into the background. Make sure they have mannerisms, speech patterns, and habits that set them apart. ✅ Let them struggle – Just like the protagonist, they should face obstacles that force them to grow. ✅ Make them essential to the story – If you could remove them from the plot and nothing would change, they’re not well-integrated enough. ✅Let them ride solo – Just because they're friends doesn't mean they have to be glued to the hip the entire story! Maybe they get separated during a key arc, have a bit of tension that splits them (think Ron and Harry) or have different offices/schools/hobbies. ✅ Show their relationship evolving – Friendships aren’t static. The ups and downs should feel natural and meaningful.

Looking For More Writing Tips And Tricks? 

Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!

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[tahbhie]

Effective Ways of Creating Relatable and Realistic Conflicts

As a writer, whether you're a beginner, intermediate, or expert, you've likely heard about the importance of creating "relatable and realistic conflicts." This advice appears in almost every writing guide. Yes, it's crucial.

However, this recurring statement might seem vague. Let's break down what these terms mean. We'll discuss how to create conflicts in your style that work, and what can lead to the opposite results.

✧✧✧✧

This is a flexible guide, not a strict set of rules. Let's begin.

✧✧✧✧

First, relatability is different from realism, at least in this context.

Relatability offers an experience that people have gone through before. They can easily identify it as something that happens.

Realism, on the other hand, can be a fresh experience or something entirely fantastical. Here's the catch: it must stay true to your setting and plot. For example, in a fantasy setting, your conflict could be the protagonist's dragon falling sick on the eve of a big race.

In the real world, we have no dragons. But in your setting, your situation with this creature feels real. Now consider an instance where we have intelligent insects with no apparent reason or explanation. This is an example of an unrealistic conflict that doesn't align with its setting. It's either you adjust a few things in the settings or adjust the conflict that stems from their intelligence or is solved by it.

Now that we've established that, let's consider what to keep in mind when writing conflicts.

Conflicts can be resolved instantly or extend further. They can begin your story, occur during it, or happen after a sweet moment.

Before writing a conflict, think about:

1. The Setting:

Where is your world set? This matters a lot! You can use our real-life world but still create your own rules, as long as you make that clear. Your conflict could come off as both realistic and relatable. However, where you have a total no is when your world is the normal world we know, with no changes, and your conflicts are unrealistic and unrelated.

You have such examples in some Bollywood movies. No offense to anyone in love with these movies. This is just a case study for clarification purposes.

Think of the fight scenes. The physical conflicts often stem from a grander conflict. You'll understand where I'm coming from.

2. Duration:

How long will this conflict last in your story? Earlier, I mentioned lasting conflict and fleeting conflict. The former helps create more meaning for your plot. The latter adds excitement that drives the plot forward.

3. Solvability:

Sometimes, the resolution to your conflict can render it meaningless, even after you've nailed the creation. Resolve your conflict in agreement with your plot.

4. Interesting Premise:

Conflict ideas sometimes come naturally as you write your story. I remember when I wrote high school stories, conflicts came to me as I wrote, but this doesn't happen every time. Sometimes, I knew I needed something more exciting and less predictable.

For example, it's common for a new female student to be rivaled by the school's most popular girl. This is usually because of the love interest—the most popular guy in school. But what if they become best friends, and the love interest turns out to be the popular girl's brother?

She mistakes the protagonist's friendship with a different guy as cheating, and the feeling of betrayal turns them against each other. This twist offers a fresh take on the usual antagonizing characters. It could make your story more interesting. This time the antagonist is doing what she feels is in her brother's favour not herself.

5. Character's Involvement:

This is slightly similar to the above. The difference is that it deals directly with the characters themselves, not just the conflict they face. The actions towards the conflict give the situation meaning.

6. Aim and Goals:

What do you aim to achieve with your conflict? Do you wish to entertain, hook the readers, drive the plot forward, or introduce a new object or character? It's best to aim for two at a time. Trying to achieve all in a single conflict could lead to complications.

Which conflict have you read in a book that made you wish you wrote it?

Aiming for a powerful plot? Check out this plot progression planner that helps you plan the aspects you often overlook. You get a free gift!

If you love what I do, support my work to enable more content production.

[egoitsharu]

Cheng Xiaoshi is a good protagonist

Cheng Xiaoshi's development is one of Link Click's strongest points. At first, we meet him as someone impulsive, emotional, and even a little immature, which contrasts with Lu Guang's calculating personality. However, those initial characteristics not only make him very human, but also lay the foundation for his evolution.

Past and motivations

The loss of his parents during his childhood deeply marked his character. This turned him into someone who struggles with feelings of abandonment and guilt, which often leads him to get too involved in missions. However, that same vulnerability is what makes him connect so well with the stories of the people he helps.

Constant Evolution

A good protagonist doesn't stay stagnant, and Cheng Xiaoshi continually evolves. He learns from his mistakes, faces his fears, and strives to grow, making his journey interesting and meaningful.

Relationships and emotional growth

Cheng Xiaoshi learns a lot from his relationship with Lu Guang and Qiao Ling. Although at first he depends a lot on them to make decisions, the experiences he goes through, especially the most painful ones, push him to mature. The way he begins to recognize the consequences of his actions, such as when he puts his life at risk for others, shows evident growth.

The Weight of Choices

One of the recurring themes in his development is his difficulty accepting that he cannot change the past without consequences. Throughout the series, we see how he faces that harsh reality, which leads him to be more thoughtful. Even in his moments of greatest pain, he remains someone with a huge heart, willing to sacrifice everything for those he loves.

Strength and Hope

Despite the traumas, Cheng Xiaoshi never loses that spark that characterizes him. He is a person who always seeks to protect others, even at the cost of himself, but over time he learns to balance his desire to help with a greater awareness of the risks.

He represents the internal struggle

The constant dilemma of wanting to help others, even if it sometimes destroys him inside, makes him a very real character. His struggle between doing the right thing and accepting the inevitable is a universal conflict that many can relate to.

Sacrifice and bravery

Cheng Xiaoshi is not a hero who acts out of ego or to gain something. His actions are always driven by a genuine desire to protect others, even if this puts him in danger. That makes him admirable.

In short, Cheng Xiaoshi is not just a great protagonist because he is brave or has interesting skills, but because his emotional and moral journey resonates deeply 💕✨

[picturejasper20]

Steven Universe as a character is someone who has been mischaracterized and flanderized over the years, to the point people who aren't into the fandom or haven't watched the show believe that mischaracterization to be a fact rather that a product that comes from memes and jokes

The truth is that Steven often fights in the series when it is needed, usually by fusing with someone else like Connie or Amethyst since he is still developing his powers in the original series. He doesn't cry when he has to fight back or defend himself, with exception if the person attacking is someone he considers a friend. Because, yes, for a 14-15 old teenager it isn't fun having to do something like that and it can be traumatic.

He also doesn't start to cry the moment someone refuses to change their mind or is being mean. He often isn't afraid to be sarcastic or call that person out. He didn't cry when Aquamarine mocked him in ¨Stuck Together¨ nor when Jasper didn't apologize for poofing Amethyst in ¨Crack the Whip¨

However, what we see is sometimes him blaming himself for not being able to help people that, more often than not, have been hurt by Rose Quartz, his mother, in some way. After Season 3, Steven fears a lot that he is going to become like Rose and he is going to hurt people the way like she did.

In general Steven deals with an Atlas complex in the show. He feels like he has to fix his mother mistakes and deal with ¨what she left behind¨ even when Rose wanted for him to be his own person as seen in the tape she left for him as it was revealed in the episode ¨Lion 4: The Alternate Ending¨.

Steven also defines his identity a lot for being to help other people and fix their problems. He believes that he has to be ¨useful¨ for others. So when he believes that he failed to help someone, that may lead him to think that he isn't living up to his ¨purpose¨ or that he is a failure as a person.

In reality, he isn't that much different from other hero protagonists from other animated shows. Those who are kind and emphatic and willing to listen to other people and give them a second chance if the person changes their ways. You probably like an animated show that has a protagonist like this. (Who was probably taken inspiration from Steven if the series came out after SU).

The main difference, i think, is that Steven goes a bit more than those protagonists do when it comes to listening to other people, understand their motivations and give them another chance if they regret their actions. A lot has to do with how he is aware that his enemies (usually gems) act the way the do because of the system they were born into rather ¨they are evil just because¨. He gets that their motivations come from the system that hurt them or lead them to believe that their actions are justified.

Another common mischaracterization is that Steven becomes super buddies with every person he helps...when this isn't always the case. There are some occasions that Steven shows discomfort around people who he has given a second chance. Just because he gives them a second chance doesn't mean that he immediately considers them close friends, maybe allies at best.

A good example of this is the gif above of Steven's interactions with White Diamond in ¨Homeworld Bound¨. White Diamond touches Steven very close to where his gem is- which makes Steven distressed since in his battle again White, she ripped his gem out to prove that Pink was still ¨alive¨. In most of the episode Steven shows to be very uncomfortable around the Diamonds and Spinel, to some extent. They bring him bad memories, which is the main reason he has been doing everything to avoid going to them to ask for their help until this point in Steven Universe Future. He even almost accidentally hurts White's gem by smashing her head against a pillar when she lets him control her to talk to himself. This being result of a intrusive ¨vengeful¨ thought.

I wouldn't say that Steven hates the Diamonds,but- he doesn't want to be their friend neither and wants to avoid in general because he feels nervous and bad around them. It's something like ¨I'm glad that you are changing but i don't want to be associated with you. Please, i would appreciate if you kept your distance from me.¨ dynamic.

On last point, Steven is someone who usually pushes his feelings down in certain situations and buries them down, which has led him to have strong emotional outbursts in bad moments. He usually prefers to ignore his own problems and take priority on others. Again, this comes a lot from his desire to be useful and be needed, making him trying to ignore how he feels about certain people and pretend that he is doing fine.

This explains why we don't see him lash out that much to others in the original series, and, why he feels so frustrated and angry in Future, since all that anger and negative feelings can't no longer be ignored as they used to and they are having a negative impact in Steven's mental health. This, of course, isn't meant to be seen is a healthy coping mechanism. It is in fact potrayed as something pretty self-destructive for Steven, as a huge flaw of his, that over time he comes to learn that it isn't the best way for him to deal with his problems.

These are some of the most common misconceptions i have seen about Steven's character online. I could go in more depth with some of them but i think the points should be clear enough. This could be considered a general analysis of how Steven is as a character and how he operates, leaving aside more specific things that can be covered in other posts.

[fixyourwritinghabits]

No Such Thing As Filler

Okay, so yes, this is another post based on something I saw that irritated me, but it seems like this idea keeps coming up, so I need y'all to internalize this. There is no such thing as filler in good writing. None. Do not approach your work thinking you have to fill space in a story, I will beat you with this wiffle bat. Don't ask me where I got the wiffle bat. Don't even worry about it.

The idea of filler comes from a very particular place - when an anime or TV show has to fit in a certain number of episodes, but doesn't have enough content (hasn't caught up with the manga, the source material isn't long enough, etc) to cover those episodes. An episode has to be written, but the characters can't really progress, and so are given something else to do. Many a trope has come from these episodes, and they're sometimes necessary. Filler in this context is something that makes sense.

The dark side of filler is the idea that you need some space between Big Event 1 and Big Event 2 in your story, therefore you need throw anything in there to take up space and make your word count. This is a mistake I've made and I've seen plenty of other writers do it too, but it's a huge waste of your time. You do need something between those big action scenes, but you should always be writing to accomplish something.

Instead of thinking of that writing as filler, try to approach it with three things in mind:

Move Forward With Character Development and Backstory - Your characters barely survived a huge gunfight, and they won't encounter the big bad again for another few chapters. How do your characters decompress from that gunfight, and what does that say about them? Did a cocky character go in guns blazing, only to be deeply shaken by how a real fight works? Did that fight spark a moment of deep trauma for the main character that they have to reflect on afterwards?

Filling this space with meaningless scenes is a huge waste of opportunity. Think about how to dive deeper into your characters.

Move Forward With Plot and Subplot Development - The bad guy beat the heroes to the stolen gem, but they left behind a clue to why they want it. However that clue could reveal some painful truths about the protagonist's beloved great aunt... Carmen Sandiego???

A major goal following a big action scene is having the characters figure out what to do with what they've learned and what to do next. It's where romance subplots or secret relative subplots make progress, when truths are revealed and next steps are taken. You can absolutely do this in any setting - a flirty conversation while at the battling cages, a tense moment of feelings while hunting down a wayward chicken - but your main goal is making progress for both the characters and plot.

Move Forward With Worldbuilding - Worldbuilding has it challenges, believe me. You don't want to write a chapter on how an airship works only to have to cut it later. But you should still try to flesh out your world, and you should do so with the perspective of how to use that worldbuilding to your benefit. Maybe a critical scene hinges on the main characters knowing how that airship works, or that lake your main character often stares at is the setting of the big Act 3 Boat Battle. The weather can play into both perspective and emotions. Knowing what the main character's house and car looks like can reflect a lot on their personal character or backstory.

When you're struggling with a scene or a chapter, rather than writing filler, take a few steps back and think. What can you establish with your worldbuilding? What can you reveal about your characters through their dialogue and actions? What subplot could you explore or add in these between moments?

Filler from a fandom perspective - Now let me make this clear - if you're writing a fanfic just to have a cute moment between the characters you like, or you really want to force everyone to do that weird Twilight baseball scene, that's fine. You don't need a grand goal to achieve for every story, there's no need to justify your fanwork in any way other than you wanted to do it.

But I'd also argue fanwork doesn't fall under the filler label either - something you create, be it a character snapshot or a 'what if the gang meets Slenderman' parody, isn't taking up meaningless space. It's something fun you did that you and others enjoy, and there's nothing wasteful or pointless about that.

[eelclaw]

the protagonists of the broken code. who's rootspring

i am tbc's number 1 hater! negative thoughts below

shadowsight: other characters sometimes acknowledge that he was manipulated by ashfur, but the narrative puts all of the blame for the ashfur situation on him, neglecting that (a) he did exactly what he was supposed to do as a healer (obey and take messages from a starclan cat), and (b) the codebreaker hysteria was far more a product of clan culture than the actions of a single apprentice. he isn't treated like the victim that he is, and it is frustrating and not cathartic.

bristlefrost: what the hell does she even do. what does her spy arc accomplish or contribute (like mother, like daughter). she finds out that bramblestar isn't bramblestar far too early. she's so perfect and she has no flaws and she's so empty. i want her to be worse. how much more interesting would she be if she was sneaky and selfish? if she was loyal to the imposter because she truly believed in what he was saying? not to mention how she reciprocates rootspring's feelings with literally zero warning, and ceases to have what little character she'd had to begin with. i genuinely don't care that she dies, they did nothing to make her an engaging character. miss bristlefrost, i'm sorry they did you so bad.

rootspring: first rootpaw thinks he's weird because of his father. i hate this because i hate tree. later, rootpaw thinks he's weird because he can see ghosts. so they give him this "i just want to be normal" deal, and the clans suddenly pretend that ghosts are silly and not real. sure, rootspring and tree are the first clan cats with this specific power. and i get that the clans have very rigid beliefs, and they are afraid of anything that contradicts those beliefs, and that's interesting! but ghosts have been appearing to clan cats all the way back to tpb. fireheart tries to kill clawface at one point and he senses spottedleaf's spirit beside him, there to avenge her death. so rootspring's issue is stupid and he's nothingburger to me.

bramblestar: the arc really depends on me giving a shit about what happens to him. which i don't.

i think bramblestar is unintentionally a bad person and a great character. he proves himself by rejecting tigerstar, but he's still deeply insecure. he makes mistake after mistake (conspiring with tigerstar; hesitating to save firestar from the fox trap; forsaking his children after finding out they're not biologically his; using his power over squirrelflight as a warrior, deputy, and leader to control her), and for none of these mistakes is he held accountable (no thunderclan cat except leafpool learns that he plotted with tigerstar; he is allowed to remain deputy; his children think he was the best father ever; in every situation, squirrelflight seems to bear the consequences of his actions).

in other words, bramblestar gets chance after chance to redeem himself, and he keeps fucking it up. again, that's interesting! there is a story here about how difficult childhoods affect adults, and how powerful men are not held responsible for hurting people. except that's not how he's written. he's written as a completely good person, a brave and noble leader, and all of the clans respect him and they need to get him back.

there's a crazy amount of bramblestar worship in this arc. even rootspring, a brand new skyclan apprentice, thinks about how important bramblestar, the thunderclan leader, is, and how all the clans wouldn't be the same without him. i can't take it seriously.

graystripe: graystripe also got a crazy amount of worship. i couldn't stand reading every few paragraphs about how great he is.

side note: shadowsight, bristlefrost, and rootspring all want the same thing. they advocate against killing bramblestar's body. wouldn't it be more interesting if the protagonists had different perspectives and opinions? if they wanted different things? for example, it makes sense that shadowsight wouldn't want bramblestar dead. he feels like the only way to make up for his mistake is to recover bramblestar alive. but bristlefrost could be in favor of killing bramblestar, because the only way to make up for her mistake (supporting the imposter) is to get rid of him. putting our protagonists at odds would generate some interesting conflict.

conclusion: i also have problems with ashfur (why does ashfur try to stir up trouble with codebreaking which will certainly get him caught when he could just take over bramblestar's body and live quietly with squirrelflight), tigerheartstar, mothwing, starclan, the dark forest insta-death water, firestar possessing rootspring, the pacing (oh my god! they were debating whether to kill bramblestar for like three books! and for three more books they were running in circles in the dark forest!), etc. but i've already written a lot and i'm out of steam lol.

let me finish by saying these are kids books, and i'm not expecting them to be the cream of the crop, but there are a lot of writing choices which are incredibly misogynistic and/or completely baffling from a narrative standpoint. i still have a soft spot for this series though. dammit. okay bye

[matchanon]

apocalypse novel au

AKA you transmigrate into a doomed world and resolve to hug the protagonist phainon’s golden thigh

after arriving to this doomed fantasy world that your online friend had pushed unto you, you instantly proceed to have the absolute worst 6 days of your fucking life. after all it’s a doomed fantasy world. you nearly die from both monsters and humans and if it weren’t for novel protagonist phainon, you would’ve become an extra ingredient in a cannibalistic ritual for god.

you used to regard novels as piece of fiction that exaggerate for shock value and entertainment, but less than three days into the apocalypse and you accept that sometimes they don’t kid around.

oh, and you are sure that is the protagonist. snow white hair, his blue doe eyes, a golden birthmark peeking briefly from his dirty collar. there’s a ragged feel to him that almost scares you — especially when he caved in the fish heads’ cranium with his bare fists — but then he smiles in relief and weariness.

you two are surrounded by corpses and there’s no mistake that the protagonist phainon is also shaken, but he still asks if you’re okay as he drapes his cloak over your nude body. you nearly burst out sobbing, which in turn makes the protagonist drop his darkly-steeled knife to check over your injuries in panic. gosh, he really is so nice. you had almost been killed by bug people, humans, wolves, idiots, monsters, fish and a cat dozens of times. there is no one in this world that cares whether you die or not. you are an alien in this world. phainon’s sincere concern is like a soothing balm and makes you cry like a child.

this world is the worst. why couldn’t you have been reading a fluffy childcare novel instead or something? you could almost turn green from regret.

looking up at the protagonist as he wipes away your tears and murmurs soothingly, he then half-supports you as you two hurry your way out of the cave. he might just feel sorry for you but you will take it, because right then and there, you resolve to butter up to and hug phainon’s thigh for the rest of your miserable little life.

(haha. you didn’t even read half of the fucking first book, and even less said about the following volumes. fuck, you are so dead.)

so as any self-conscious person that is acutely aware of your own physical feebleness and squishiness. you do your best in order to cling like a burr to your golden thigh. shame and pride are absolutely nothing in the face of a novel that does its best to punish a genuinely kind, nice, doe-eyed protagonist through series of shitty scenarios. you guide him to his cheats earlier than the novel. you convince him to throw away some of the scummier npcs. you steer him away from some of the routes he could’ve gone without in the novel. you even comfort him and learn to make this world’s food and shove it down his throat if necessary.

you also keep an eye on any mental breakdowns he could have, so far none, but he sometimes looks so depressed that you worry he will have a meltdown. who knows. perhaps your efforts really pay off, the protagonist does seem happier. and you’re glad, because although you genuinely see him as your golden thigh, you also start to genuinely like him. it’s hard not to. phainon is really as great as he was in a book— kind, but ruthless when need be. smart. silly. charming. optimistic. strong. cute but also handsome. confident. charismatic. it would be almost demoralizing to stand next to him if he wasn’t so goddamn cute when he gave you that boyish smile or insisted on being with you. the seamstress aglaea was not wrong to call him perfect in the novel.

so perhaps the protagonist can act sometimes a little too clingy, he talks too much, and is more into physical contact than you think a normal person ought to. but that’s fine. after all, you can understand being attached to one of his oldest and (if you say so yourself) most hardworking companions. and he had these few quirks that are maaaaybe a tad out of boundaries between friends, but who wants to be normal friends!? you didn’t work your pretty little head off to be just a normal friend. you staying by the protagonist’s side and having him become protective over you is the best plot armor ever. for him to trust and like you and (like classic protagonist behavior) do everything to protect his dear comrade is the one thing you have been striving for.

then one day, the morning after you have consoled and somehow proceeded to roll the sheets with the protagonist, you come to the earth-shattering realization:

holy shit, you think, the protagonist LIKES me

the romantic kind of like. the “i would do the nasty with you and then clean you when you pass up and stay afterwards” kind of like. the kind you’d only see in romance josei manhwa. holy shit.

phainon is already awake and watching you. he looks like a kicked puppy as he inches closer, his arms tentatively hugging you and getting bolder when you don’t reject him at all. he soothingly - timidly - palms and kneads the soreness in your lower back and waist. it honestly feels amazing, as if he had been born with the skills or done this dozens of times, but you still maintain your stern expression.

this is the protagonist of the fantasy apocalypse novel 《flame reaver》 and he likes you

the protagonist mumbles your name, peers at you with those pretty soulful eyes of his, his face so pure and beautiful and pitiful, a contrast to the hungering, madness-stricken expression that seized him the night before. he is so cute. and he likes you.

holy shit, you think again, i have won the freaking jackpot.

[champion-of-love]

the writing choices in between the earlier specials (true hearts day, thronecoming) and the latter ones (dragon games, epic winter) kind of felt insulting to be honest. and i'm not talking about apple. her going back on her word on not making raven to follow her destiny is an example (to me) of regression and not an erasure of her character journey. people, teenagers especially, are not perfect creatures and sometimes we commit mistakes even though we swore not to make them again. growth isn't a linear line. what gets me are the character assassinations (daring) and heavily underdeveloped characters shoehorned into the spotlight (crystal). daring's story could've been fine in epic winter IF the last few seasons didn't just show us a more nuanced and believable portayal of his character. crystal's story could've been fine IF she was just a side character and not made to be the main protagonist of an entire movie that requires a well-written character which she wasn't. i know this show is aimed for kids but it's kind of demeaning to think that kids won't be able to spot bad writing.

[literaryvein-reblogs]

Writing Notes: Flat & Round Characters

Flat Characters - Consist of only a few features (usually based on clichés). They’re generally static characters meant to serve the story.

Round Characters - Have depth. They have weaknesses, strengths, flaws, fears, tastes, and dreams. They are well characterized in order to seem real. They're dynamic and change over time. They feel affected by the story’s events because they suffer their consequences and learn from them which makes them more realistic and believable.

The use of flat characters

Flat characters are often used in TV comedies (30-minute sitcoms with canned laughter) because comedic stories usually focus on the anecdote and the joke.

Thanks to their commonplace situations and characters, sitcoms are able to transmit a sense of familiarity to the spectator.

Flat characters also have a supporting role in stories with round main characters in order to achieve one of these effects:

Fast recognition: You need your readers/audience to easily recognize the type of characters you are presenting.

Contrast: Flat and/or static characters can highlight the internal or external evolution of round characters.

When to avoid flat characters

Unless you’re specifically looking for one of the previous effects listed for flat characters, it’s best that your characters (especially the protagonists) are round in order for your readers to identify with them.

Creating round and deep characters

Consider the following:

1. Internal Changes

Do your characters undergo any internal changes throughout the story?

Think about their situation at the beginning of the story.

Is it the same as it is at the end? It shouldn’t be.

They can be worse or better, but the story’s events should have affected them in some way.

2. External Changes

Do the external circumstances surrounding your characters change throughout the story?

Just as their personalities suffer variations, their external conditions should as well.

For example, one of your characters could be a farmer at the beginning of the story and then become a warrior by the end.

3. Goals

What do your characters want?

They should have a conscious desire – something that moves them into action.

4. Wishes

What do your characters need?

Regardless of what they think they want, there’s something they need at an unconscious level – something different from what they consciously desire.

That contradiction will bring depth to your fictional heroes.

5. Achievements

What do your characters attain?

Do they achieve any of their goals?

How does that affect them?

If you have the answer to the last question, you’ll have a clearer idea of how the story’s events have changed their way of facing life.

For instance, if they achieve what they wanted at the beginning of the tale but that’s not what they really need, they can learn from their mistakes and try to correct them.

However, they might also give into frustration.

6. Weaknesses

What are their weaknesses?

Everybody makes mistakes and has fears and flaws, so if you want your characters to be more believable, they’d better have weak points and see themselves in need of facing them if possible.

Your characters overcoming these weaknesses or not depends on the story you want to tell and on the type of evolution you want them to experience.

Some overcome them and progress while others don’t and fail. The contrast between them is what makes the story more believable.

7. Strengths

What are their strengths?

Apart from weaknesses, your characters can have strong points they may or may not know about.

Sometimes, they discover them and learn how to make the most of them.

Other times, they do not know, and it leads them to failure.

You, as a writer, should be clear about those strengths and so should your readers be in order to better understand your characters.

8. Conflicts

What’s your characters’ inner conflicts?

Once you’ve answered the previous seven areas of question, you’ll find this one easier to answer.

Every good character must deal with an inner conflict throughout the story such as a mental debate between what they need and what they want or a moral struggle between what they’re trying to attain and what they consider correct.

This type of dilemma makes your characters interesting, and their experiences can turn into life lessons for your readers.

Source ⚜ More: Writing Notes & References ⚜ Goals & Motivations "Well-Rounded Character" Worksheet ⚜ Conflict ⚜ 170 Quirks ⚜ Flaws

[threepandas]

Bad End: Games Played

As children, we learn to play the Quite Game.

It's rather simple. You scrunch down real small, ball yourself real tight, and find the bestest most hard to reach hiding spot you can! Then? Oh THEN, children, we all get really, REALLY quite. Until mummy or daddy find you. And no matter what, no matter WHO, you Do Not Move, until THEY come and find you.

Not for treats. Not for hugs. Not for threats or scary noises.

No. Matter. What.

To the others, it was a game. But to me? Born just a bit... different? I looked my parents in the eyes, saw the fear that lived there. That hunted them and haunted their dreams. I watched the way they acted. Guarding me. Never letting me wander. Keeping me between them as they slept. Holding me, shielding me. Both whispering their lessons, their love, each moment they could.

And I knew it was no game.

I was an obedient child. Perhaps that is why I lived, where others did not.

Or perhaps? It was my vague, half remembered, knowledge of this world. To be more exact, the chronological series of Otome games, set in this world. Endless streams of political and social clusterfucks, that cast the map into conflict after conflict, all for the selfish romances of a few. Pseudo-historical straight to pseudo-modern magical realism.

Clans of mages. Elves, werewolves, the whole shebang. All trapped in an endless cycle of conflict. Sometimes silent, sometimes open. Always, soaked in blood.

But hey... at least the Protagonist is happy! Right?

We should be furious. We should HATE them.

Our Clan? Did shadow magic. Unfortunately. Because unsurprisingly, Otome troupes ran true, and we? Have a complete Edgy Little Fuckboi as our Clan Heir. Worse still, I RECOGNIZE that Edgy Little Fuckboi! The fucking chuunibyou is a romance target!

I'm sorry, I was under the impression the Clan Heir's job was to KEEP US ALL ALIVE! Not get your DICK WET! But, my bad! My fucking MISTAKE! How COULD I have BEEN so foolish! You go on, then! Just piss RIGHT off, and leave the rest of us to suffer, while you chase SOMEONE ELSE'S GIRLFRIEND!

Fuckwit!

Ha ha.... oh god. We're all gonna die. Aren't we?

We should trust Alphard. No one else understands us.

Everyone? Absolutely fucking EVERYONE? Waves it off. 'Just a phase' and 'he's young, he'll get it out of his system'. As though the problems doesn't run deeper. As though the Clan Head isn't an old man, barely holding us together. As though he isn't planning to hand it all over to a chuunibyou who refuses to sit still and LEARN ANYTHING. Who picks fights he expects US to win for him. Expects US to die for him.

So he can look 'cool'.

Alphard is basicly running this place. But does the Clan Head care? No. Because Alphard is a 'half-breed'. Because ALPHARD has the audacity to be, what? Fire Mage?! Oh dear god! Not ANOTHER GROUP OF HUMANS!? Gasp! Shock! Someone call the fantasy church! Fuckers.

Ooooh but their TEMPER! Everyone knows how UNSTABLE they are!

We should show them 'Unstable'. Make them regret what they've done.

'Bout to see up close and in person MY 'temper' and 'unstable' fuckin BOOT, old man!

No, I don't care if that made sense! Shut up! Fuck you! I get to be upset, okay!? This is nepotism and it's dangerous! And... and NO ONE LISTENS TO ME! It's like they're merrily marching towards a cliff and calling ME paranoid for pointing it out! Telling me to calm down. To stop exaggerating. It's a CLIFF!

The only one who listens? Is Alphard.

Alphard is our friend. Alphard listens to us. We should Trust Alphard.

Storming towards his office, shadows writhing in my wake, I seriously wonder. Would I have gone completely apeshit by now with out him? Left the clan? I don't know how he can bear it. The weight of their stubbornness. Their wilful blindness, which IS going to get people hurt. Killed. Probably already fuckin has.

How many more clansmen do we have to LOSE?

They'd tucked him away in some side wing, like some dirty little family secret. I'd always hated it. Big whoop! He gets two powers instead of one! Jealous ass little shits. It was fear and politics. I KNEW it was! He refused to say so, but I KNEW. And no amount of pained smiles and changing the subject would make me drop it!

It wasn't RIGHT.

God, the more time went on? The angrier I felt about it. The more it burned me. Ate me up inside. It's like my temper just...? Gah! Fuck this and fuck THEM! We don't need them! We should leave! Just the two of us. Go and never com-!

.....wait a second... that's not... right....

My head pounds with the worst sort of migraine. Shadows hissing like angry cats, as they crawled viciously around my head. Chasing whisps of something they can't seem to catch. I stopped between hallways. In one of our Clan's many, MANY shady areas. Leaning more into the darkness... helped. Made my head hurt less.

God, I've got to talk to talk to Alphard about this. It's starting to really worry me. The anger, the snarling flare ups, the dark moods. Not to mention the obsessive thoughts. It wasn't like me. Might be a curse? Maybe. Could be fire magic or related, so he would know. And if not? Well, nothing beats Fire for burning curses away.

....actually, Light, might. But we are A PROUDLY BIASED household here, thank you. So like? Not gonna SAY Shadow magic is BEST magic... BUT it absolutely, totally IS. And Alphard? OBVIOUSLY the greatest Fire Mage alive! No I will not be taking questions, thank you and goodnight.

We should see Alphard, we miss him.

Yeah... yeah I do really miss him, dont I? Where is he?

My head throbs viciously. Ow. It's been getting worse. My control too. My shadows fighting me at every turn. Which? Scares me more. Because YEAH, others? Have been big on the 'beat them into submission' tract of Shadow Mastery. But ME? No, no. I know for a FACT. You can not rule through fear. Not for long.

Bribery and alliances work wonders. Friendships and love. My shadows get FED. They get CUDDLES. I take my shadows for enrichment walkies and give them interesting puzzle boxes to play with. They fuckin LOVE me. Would meat thresher through CITIES if I asked.

So to suddenly Stop Listening?

It means they think I'm... I'm not myself. They are making the executive decision to act on my behalf, to protect me, even if they have to do so FROM me. And... and I don't know what's causing it. Don't know what's wrong or how to fix it. I'm getting scared.

Because something is very wrong.

Everything is fine.

Another wave of vicious hissing, of throbbing pain in my head. This time though... THIS time? I think I felt that. The discordant thoughts. The contradiction. That isn't me. There's something in me head that DEFINITELY isn't me! No there isn't. No WONDER my Shadows are so pissed! Fuck!

I stick to the darker hallways. It helps with concentration, the pain. Whatever is in my head? Is like sticky, burning, spiderwebs. Like trying to grab at thin lines of super heated metal, covered in tar. How... how LONG has it all BEEN there?

You should leave it. You don't know what you're doing. You could get hurt.

Oh fuuuuck YOU. Get out of my HEAD! Where is Alphard?

I stumble down the final hallway to his so called 'office'. It was a guest room once. As a kid, I helped him convert it. Back when the old fuck refused to step down, despite his son and heir, the next clan head, being DEAD. And? AND!? That Heir's fuckin chuunibyou kid being a tiny, insufferable, brat.

We get it! You're hurting! EVERYBODY'S hurting! Your fuckwit parents got HALF THE WARRIORS KILLED! We STILL haven't recovered from that. And Edgy pants goes on and ON about the 'glory of his ancestors' as though? He's not talking about his PARENTS. One generation fucking BACK!

That family ORPHANED me. But do you see ME starting shit? No!

Yet? God forbid the Old Bastard do what's RIGHT for the Clan! No, no! Between a literal infant, a FUCKING ZYGOTE, and a fully grown adult? Better pick the baby! Who CARES that Alphard was the better choice!? Chuunibyou brat is BLOOD! And we CAN'T have the 'half-breed' nephew in charge!

Better connections? More accomplishments? Fully trained and, once again, AN ADULT? All irrelevant. He's too fucking well liked! Too TRUSTED! Too much a THREAT to your precious little legacy and hold on power. So hey, fuck the rest of the Clan! Right? Why would WE need competent leadership!? You can just shove all the work you can no longer DO, on to Alphard.

Force him to rule in all but name. All but honor and title. Spit in his face then tell him to thank you.

Bastard!

He isn't there, in his over crowded office. Piles of paperwork. Empty tea cups, long cold. Mismatched pillows I'd stolen from around the compound, to make it feel less depressing. His classy art pieces mixing with my cheap, shitty ones. The souvenirs I'd brought back, again and again, because I do not forget my friends.

My head hurts so bad. How long has it been building?

Another wave of pain, as my Shadows hissing and growl in outrage, writhing like electric snakes around me. Safe and stronger, here in the unlit office of a friend. They want 'it' out. Hunt and hunt, but can not catch hold. How strong must the caster be? Older then me, probably. Far more experienced. I've been pretty diligent.

They'll stand no chance, though, against Alphard.

He's the best curse breaker I know. Honestly? He's the best at a lot of things. It's been great to learn from him. And he's? Gonna lose his SHIT. He already worries when I go out without him. But to find out somebody slipped a curse on me? Ooooh, shit. I'd almost laugh, if my head didn't feel like it was in a VICE.

Man's gonna feed them their KNEES.

As a PASTE.

.......I wonder, now that I think about it? Looking around the crowded office space? If Alphard has any pain meds? He SHOULD. There's no way in hell, he deals with chronic stupid all day without headaches. He should? Definitely have something for this. Probably. Might not actually FIX it, since it's magic based, but it can't HURT.

Decided, I get up. Slowly. Spread my shadows out. They love doing simple, achievable, tasks. Like 'find the box!' Or 'open this puzzle!', usually for treat rewards. (Cup time, usually. Or bits of my food. But honestly? They LOVE cup time. They like to hide under it and push it around the floor. Each group of them have favorite cups.)

Nothing but paper, cups, snacks, a couple piles of pillows, and a coat I had forgotten. Huh. Maybe his desk? Would make the most sense I suppose. It'd be on hand. Head and neck, one big regret, I stiffly shambled over. Organized chaos. More nonsense and damages caused by chuunibyou and his sycophants, in the name of luuuuuv~. God damn it.

At least no one died... this time.

I tear my eyes away from the top page. The one next to it? Shouting reports. Elves: pissed, werewolves: pissed, everybody: pissed. Guess who's fault? Oh fantastic! So THAT'S why he's not in his office. Probably trying to keep us all from dying. Another report after that. Protagonist-chan.... wow that's unflattering. Word it a little harsher, why don't you?

My eyes absent-mindedly keep scanning, as I look for a med box. Some sort of pill bottle. Something that might hold headache medication. Nothing on top of the desk. Drawer? Should be top right one, right? Since he's right handed? Easiest to reach. Let's see... pens, pens, spellwork paper, brushes, mints, bottle! AaaHAH! I hold it up to what little light there is and squint.

Wow. That's pretty strong. And not just for headaches.

.....should I have a talk with Alphard? Probably. Maybe? Definitely keep an eye on this. Don't wanna be jumping to conclusions, here. Still! Helpful. Down the hatch!

I pop back one of his pills, stealing one of his fancy tea in a can. He may complain, but we both know he won't stop me. Nor does he even mean it when he does. I'm like this sorta needy, demanding, housecat. I wander in, eat his food, tell him to pay attention to me, then wander off. Should have known better then to feed me, that first time~! He got stuck with me ever since.

Briefly a burning wire escape my grip. We should-Stop THAT! I beat it back down. Violently. It's taking a lot more concentration, more pain, then I'd like to admit, to fight it. Damn near wack a mole in my brain. There's no-CEASE! Desist! You are NOT welcome! Get! GET!

The pain meds are definitely helping. A LOT.

In fact...? Huh. Looking around? Without the pain to distract me? Those... aren't my shitty art works. Not the meme-y ones I bought, that I thought he'd like, nor the pieces I made in various art classes. They're just...? Random cheap art.

What the fuck?

Was Alphard ROBBED? Also? Where are HIS pieces? That one with the lady and the clearing? The couple dancing near the lake? That little statue? It's all random snobby fake art. Like someone wanted to give the IMPRESSION that nothing had changed, but had cleared out everything personal...

Alarmed. I looked down at the can I grabbed. It was the kind he offered to guests. Kept for me. Because... because he couldn't STAND it. Too sweet. Tearing the mini fridge back open? Nothing but cheap tea cans and teas he hated remained.

I slammed it closed. Urgently reached for the tea cubbies. Fancy LOOKING teas. The kind Alphard always makes fun of. Quality is in the tea, not the pretty pictures on the box, he says. His tea is GONE. Worse? MY drinks are gone! Why are MY drink-? The coat!

My hand snaps out. The coat flung into it by my shadows. The instant it touchs my palm, I know it is wrong. Too rough and too new. Some modified mimicry that my shadows could tell apart from the original. It's not their fault. They don't have senses like mine. I stare at it, feeling a building sense of panic, before look back up at the room around me.

Is... is ANYTHING where it should be?

Gaze snapping from place to place, shaking as the panic starts to swallow me whole, I realize... No. Not a single thing. It's all staged. Made to LOOK like nothing's wrong. When... when everything IS. Oh god. Where is Alphard? What the FUCK have they DONE to him?!

I drop the coat. The drink. Adrenaline slamming into me like a truck. Slamming the door open, I flood the hallway beyond with writhing, furious night. I AM Shadow and it IS Me. We run. Hunting, hurting, FURIOUS. If they have hurt our friend? If they DARE have-!

A howling whistle splits the night, closer, Closer, BANG. The compound rocks with the force of the explosion. The wards hiss to life like great titans of black sand. Ink dark, they nerely block out all light. Casting eerie spell light over the buildings below, as lights flip on. More whistling. Booms.

We are under attack.

For an instant, I am torn in two. Half of me? Demands I find my friend. They other half? Knows that I must protect the Clan. We stand together or we DIE together. Loyalty wins out. My parents, Alphard, the people I care about, they would never forgive me, if I abandoned my post now.

I turn from my hunt. Race towards the ward stones out front. I'll have to help the others reinforce them. Lend the Clan my strength. As long as they can't get in? We should be-

The wards SHUT OFF.

Even as I run, fast as I can, I watch with horrified eyes... as they slide back away. No. No no NO! They should do that! That CAN'T DO THAT! That's IMPOSSIBLE! Those are SEIGE Wards! Built over generations! Hundreds of mages poured power into them! Went over them with pin prick combs! They don't 'malfunction'!

Oh god. Please, God, NO!

Did someone SHUT THEM DOWN?!

Ahead, the sounds of violence and chaos draw near. Above, I can finally see what's raining down on us. It's war magic. FIRE war magic. Thrown from air ships, who's spotlights bathe the compound in a terrible, all consuming light. All the better, to prevent our Shadows from reaching even a single one of them.

Someone told. They didn't know about that limitation to our powers before. Our front gate! Open! Traitor, traitor, TRAITOR! WHO!?

Across the chaos, the bloodshed and death, familiar color catches my eye. Explosions and spotlights light him from above. The airships blades, kicking up leaves and dust. That familiar, familiar color. From his Father.... the fire mage.

Alphard stands so calmly, one hand still resting on the command stone for the wards. As chaos reigns around him. The pleased little smile on his face, the one he wears, when all his plans come together, ever so nicely. No. Please. No.

His eyes are so cold. So flat.

He feels nothing as they die. Doesn't even glance, at the kinsmen desperately calling his name. Dying at his feet. He... he doesn't look away. Just raises one hand, one finger, and...

"Shhhhhh~ Be. Good." He says, utterly silent in his betrayal.

My world shatters.

I run.

Slamming my palm against the evacuation alarm, sirens begin to blare. It's over. It's all... all fucking over. How could he? H-How COULD-? Grief wants to choke me, blind me, but I don't have the TIME. I have to get out. Survive. I.. I can cry later. Mourn for the friend I THOUGHT I had, later. I trusted him. FUCK, I TRUSTED him!

I skid around the corner, heading towards the closest exit. Gotta grab my bug out b-!

Shadows in the darkened hallway surge, up and over, like a heavy hand slamming down. I barely drag myself out of the way. Lose my footing as I do. Go crashing to the floor. Scrambling, I turn as my shadows hiss, only to be met with deeper rumbling thunder. Shit. No!

I try to get up. Fling my self up into a run. Only to meet a shadow formed backhand. Smashed, thrown. Finding myself slammed back, onto the floor, wheezing. The air knocked out of me. Lightly, dark shapes takes form. Alphard stepping through blank and barren wall, using the Shadows under his control as a medium.

Not a hair out of place.

Just the two of us.

Alone.

"Why the rush, mischief?" He teased lightly, as though my world was not collapsing, all around us. As though my best friend had not betrayed me, betrayed US, to our doom. Up and down the hall, sirens blared. "You look upset."

I snarled. Grief and betrayal twisting into something ugly in my chest. Hand whipping out, I aimed for his fucking throat.

"Ah~, you're mad. Is this because I didn't consult with you first? Mischief, there was so much to do! You know you hate all those boring political meetings. Alliance work and archival research. Sweetie, there were stake outs! You hate those."

Effortlessly, he leaned out of the way of my attacks, looking amused and unbothered as he continued to speak. I RAGED. Screamed. Taking chunks of the wall behind me, to use as projectiles. Anything. Anything, anything, ANYTHING! Just HURT, damn you! TRAITOR! How COULD YOU!?

In the distance... the haunting, damning, final cries of my kin, as the died.

I Trusted You!

"I know~" he laughed, as though nothing had changed. As though this were a fucking GAME! "It was so easy, too."

His voice became two toned in a way that could only be magic. One that was heard, one that was felt. One that... that I had...! Realization did not crash. It seeped, like the cold and fatal poison it was. His betrayal was not NEW... was it? Not SUDDEN.

I... I had been betrayed long, long ago.

No you weren't. Alphard loves you~

How long had he been in my head? He was my magical instructor. I had hated the Clan's main teachers. Right? DID I? Could I even know? H..How much? For HOW LONG?! I was a CHILD! Had no defenses against the manipulations of my mind! Would you really stoop so LOW?! Was ANYTHING real!? ANY part of out friendship-!?

I choked, on the sob I refused to let him have. He... he didn't have the RIGHT.

"Oh, Mischief." He said, sounding mournful as he strolled easily through the ruins I had created around us. "Don't cry. Shhh, shhhh. It's okay, dear. You're upset. This is upsetting, I understand that. But we will preserver, overcome, and together? We will get through this."

We? There was no 'WE'. N-Not anymore. Not after THIS.

"Oh but that's where you're wrong, Mischief." He breathes out, like the confession of the truely insane, his voice soft. Yet, somehow? Bonechilling in how loud it seemed.

"I get you."

"That's the first thing I demanded, after all! No more idiots. No more dead weight. No insults, fools, or brats I can't break! Ha ha! Just me and my Mischief! Free at last! And all it cost me? Was my chains. Best of all? All the idiot Fire brat wanted for it all? Was his 'competition' out of the way! Ha ha ha! Gods bless, usefull fools!"

He stood before me now. Head thrown back, hand over his eyes in disbelief, as he laughed and laughed. Unhinged with his euphoria. With the machinations, that had lead to his victory. And... and I could not recognize him. This... this monster wearing the face of my best friend. I felt numb. Cold and far away. I... I just... I wanted to go away... please, God. Far, far away.

Stop it. Please, Alphard... Stop it...

P-please...

My shadows curled around me. Battered, torn, but ever loyal. They would not leave me. Not even now. Not even to save themselves. Weakly hissing. Thrashing, trying, in their own small ways, to appear bigger and stronger threats then they were. In... in the vain hope that... that the thing that was hurting us? Might believe them.

Might leave me alone.

I had never felt so unsafe, surrounded by the shadows sworn to my once friend. How many times? How many times? Had I fed and played with these very Magics? Snuck them charcoal? Interesting toys to burn? Creatures of fire and shadow. Massive and rumbling, the very Shadows that once played with my own... now tore them apart.

It burned. Hurt. Who...? WHO was this man? This monster? That wore my best friends face? I couldn't... I can't... please! God, please! Don't make me do this anymore...

My mind, somewhere between delirious and screaming, for some god forsaken reason? Reminded me of the Quite Game. I... I wondered, terrified and full of grief, if the children would know to run. Not to wait, for parents that... that would not be coming. Not this time. Not ever again. All because of this man.

The smoke on the breeze terrified me. Everything terrified me. How? How could I possibly hold so much fear? How could there possibly be MORE? Just as I think I can not feel it anymore deeply. Once again, Alphard teaches me I am wrong. This... this is not how he, is... is supposed to be... how WE are...!

"Oh sweetheart, mischief, darling..." He again attempted to sooth, hand slipping away from his face as he rolled his head down to peer at me. Kneeling with almost boneless fluidity. "None of that. No more tears. Alphy's here, okay? I know change is scary. And you're upset and confused. But Alphy loves you just like always, and nothings gonna happen to you, alright?"

"Remember how you wanted to travel before? See those festivals? Go abroad? We get to do that now! Alphy can take CARE of you, now. Properly. Get you all the things you deserve. It'll be great, Mischief. No more stress or tears. Cuddles for days. You'll love it, I promise."

From beneath his feet, spreading like a terrible rot, black fire spread. It didn't touch me. Couldn't, as it seemed to reach, with greedy hands, down the halls. Consuming the only home I'd ever known in this life. Consuming everyone it touched, if the distant sounds of panic, were any indication. He was killing them all. Friend, foe, what difference was there?

Everything burned.

Numb, I could only sit there, before the stranger I thought I'd known.

"Our love story's been a long time coming, sweetness. My perfect, beautiful, Mischief~♡. Once we're free? We'll never look back. Have the happily ever after we deserve. Let the rest of the burn."

"I'm so glad I found you, Mischief. So glad I made you mine. It's going to be beautiful, darling. I promise. You'll thank me."

"Now come here, to Alphy. We're gonna play a game~♡"

[hustlerose]

as i slowly exit my "bethesda's writing and design are literally satan" era, i find myself less angry about their many missteps, and more melancholy about what might have been. fallout 3's pre-broken-steel ending, for example

everyone makes fun of that one moment. your super mutant buddy you just met tells you "we all have our own destinies, and yours culminates here. i would not rob you of that." like sorry player 1, you have to die here for no good reason because it's dramatically satisfying

i submit this ending pissed people off not because it's bad, but because it's the wrong ending for fallout 3. fallout 1 and 2 had endings and they felt just fine, but fallout 3 is not a narrative-driven game like those ones. it's a big fun sandbox that you play in to your heart's content. a bittersweet ending with hints of destiny is unwelcome here. even ending the game at the climax is a mistake. the only sensible ending to a bethesda game is "play til you stop having fun." so they did that ending instead, as dlc

what pisses ME off about the ending is that it's so inspiring. i can't help but wish i'd played the game that matched that ending. imagine a version of fallout 3 where all the characters talked like that. imagine the chosen one narrative was dialed up to 11, where every moment of narrative was suffused with tragedy and inevitability. imagine if more characters talked metatextually, musing on your role as player and protagonist. think about all the cool foreshadowing that could have been done to set up a tragic ending where you make the ultimate sacrifice for the greater good. you could wring so much moral complexity out of this moment, as it could force you to reflect on your charcter's choices. you are the most important character in this world. fate bends around your story. what if the other characters could tell, and had opinions on that fact?

i want to read that story god dammit! sometimes i think it's up to me. maybe i have to rip that great ending right out of fallout 3 and stitch up a whole new story around it. one that actually supports fawkes' dialog as its central theme