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dustedmagazine · 3 years ago

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Listed: Jeffrey Alexander

Jeffrey Alexander is a fixture in a free-wheeling, Grateful Dead-loving, guitar jam underground, a founder of the Iditarod and Black Forest/Black Sea and a sometime member of Jackie O Motherfucker. His Direwolves splice acid folk with a buzzing, humming motoric-ness that edges near Stereolab, but his latest band, the Heavy Lidders, is pure transcendental pleasure. In her review, Jennifer Kelly noted that, “These songs take their time to loosen and relax, pursuing repetitive vamps until the edges melt away and the hard colors swirl into pastels.” Alexander is also a DJ and here he lists some of the music he spins for listeners.

For this Listed, I decided to run down some of the bootlegs and quirky things that I often play on my radio show — hope you dig it. I started doing radio back in college in the 1980s, where I was also the record librarian. The archives at the station opened me up to a myriad of sounds and new zones. Radio for me is like a new mixtape — not knowing what is going to come next… or waiting for the next mic break to try and find out the name of that killer song they played 15 minutes ago. The mystery of it all is still exciting, like remnants of pre-internet music fandom when we searched through record stores, made lists from music magazines and traded tapes. I had a spell as a commercial FM DJ on WRNR in Maryland in the 1990s, but it wasn’t until moving to San Francisco that I started my own program called Pome Pome Tones. PPT currently broadcasts Wednesdays 7-9pm Central fortnightly on www.dunebuggyradio.com. Podcasts are up at www.mixcloud.com/dwlvs.

Fairport Convention — Reno Nevada — April 27, 1968

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Recorded live on the French TV program Bouton Rouge. Brooke Sietinsons of The Espers turned me on this this when we were VHS tape trading in 2000 and I’ve been retreating to it every so often for 20 years. This is Fairport at their most delightfully blinding San Francisco ballroom jamming free flight. It’s just so fucking good. I love the crisp dual vocals of Judy Dyble and Ian Matthews, I especially love that they both sit down and look so bored during the guitar jam out. Especially Judy, just like a Donna Jean icy stare. But the jam out is super nice too — modal jazzy freak-outs, some of Richard Thompson’s best ever captured on video. This takes the most boring song from my favorite Richard and Mimi Farina album to incredible new zones. I also tend to play a lot of Ian Matthews’ early 1970s records on my radio show, as well. Such a pure voice and perfect ringwear rock vibes.

The Smiths — How Soon Is Now? (Chopped + Screwed)

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The chopped + screwed style coming out of Houston, TX in the late 1990s/early 2000s is so fascinating. Full-on Robitussin-fueled shamanism, it’s like the modern-day version of dub. There are so many examples of this across the spectrum, but this 10-minute chopped version of The Smiths takes the cake — probably because 16-year-old me in 1984 sat on the floor listening to the original version of this over and over again, studying the gatefold. But this version is so much better. Thank you Scobed + Robed.

I’m Still In Love With You (Alton Ellis, Sean Paul)

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Althea + Donna’s Uptown Top Ranking is one of my all-time favorite songs, and one of John Peel’s as well. A well-worn Jamaican riddim starting with Alton Ellis in 1967 and made famous again by Marcia Aitken in 1977. DJ Algoriddim has expertly mixed together a boat load of these variations here and it’s a killer 30-minute jam.

Jon Rose – Paganini’s Last Testimony

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When things get autumnal each year, I gear up for a spooky edition of my radio show. One of my favorites featured this Jon Rose piece which he originally broadcast on ABC, Australia in 1988. It’s an amazing sinister collage of bible-belt radio bits, demonic violin, and Rose reciting devilish text from Paganini’s own letters. The CD is long out of print but you can hear the entire 57 minutes of this glorious creation on an old episode of Pome Pome Tones here.

10cc — I’m Not In Love 1975 Disco Purrfection Version

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12-minute remix version of a favorite song from my early childhood — unbelievably smooth mix by DJ Disco Cat. Read the comments on the YouTube post for the full mix backstory. Purrfect.

Sun Ra Arkestra — at Victoria Theater, San Francisco California — Aug 3, 2013

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I’ve been super fortunate to experience the live Arkestra a handful of times, and this set from 2013 simply floored me. They completely consumed that old ratty theater space with their magical floating power.

Dire Wolves — at Festival of Endless Gratitude, Copenhagen Denmark — Sep 13, 2019

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Live DWLVS ! Yeah, I play my own music on my radio show all the time, somebody has to. This is a short rough audience clip — the proper audio of the whole set was released on LP by Feeding Tube / Cardinal Fuzz with a fabulous poster.

Flow & Heady by Dire Wolves Just Exactly Perfect Sisters Band

Copenhagen 2019 was the last time I saw these DWLVS bandmates in person, but we have plans to meet up again at the Milwaukee Psych Fest November 19-20, 2021, unless ya all spreadnecks shut it down.

Chuck Brown and The Junkyard Band — at Wilmer’s Park, Brandywine Maryland — Sep 19, 1989

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I grew up in Baltimore and spent a lot of time going to punk and hippie shows in DC (old 9:30, DC space) in the 1980s, but Wilmer’s Park in southern MD was totally the place. All-day and night go-go shows, mini festivals with overnight camping, shows from Hot Tuna, Zero, Allmans, Root Boy Slim (!!!) and some of the best BBQ I’ve eaten, oh man. There was a lot of crossover of punk/funk/crunchy scenes back then, I loved it all. I went to a lot of Trouble Funk gigs, but this was the only time I witnessed the legendary Chuck Brown.

Alice Coltrane — at Palace of Culture, Warsaw Poland — Oct 23, 1987

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Harp solo during her appearance at the Jazz Jamboree festival in 1987. Perfect, transportive.

Bardo Pond — What Are Their Names?

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Probably the greatest band of the last 30 years covering one of my absolute favorite David Crosby songs, what could be better? I curated this Terrastock festival in Providence RI in 2006 and assembled a CD compilation of some of the performers for a micro release on the label I used operate called Secret Eye. The original features Jerry Garcia, Neil Young, Phil Lesh (what an amazing LP!) and this Bardo version somehow channels that essence in a slow fried perfect hash jar tempo.

#dusted magazine #listed #jeffrey alexander #fairport convention #the smiths #Scobed + Robed #alton ellis #sean paul #jon rose #10cc #sun ra arkestra #dire wolves #chuck brown #the junkyard band #alice coltrane #bardo pond

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highladyluck · 4 years ago

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For the ask game: Tuon (WOT) and Kuvira (LoK) high school AU.

I wrote an entire fic summary here, sorry not sorry! Most of it’s under the cut because it got pretty long. So first off, this is clearly a Japanese high school anime- personally, I'm visualizing Ouran High School- and for some extremely silly reason the high school has combined executive power (Student Council President) and social power (Prom Queen) into a single position, "The Empress". (This was translated in early fansubs as "President Queen", and some fans still call the position that.) Naturally, Tuon and Kuvira both want this role.

They start out hating each other. According to Kuvira, Tuon's been queen bee of the school far too long, coasting on her mother's position on the school board. Plus, she's entitled, snobby, and keeps trying to poach Kuvira's entourage. (It's easier than it sounds, most of them don't like Kuvira that much, while Tuon's entourage is fiercely loyal.) Kuvira, on the other hand, clawed her way up the social hierarchy with effective leadership (Tuon: "I think you meant to say 'blackmail'?") and is widely popular with the student body as a whole.

We see in a flashback that earlier in their rivalry, Kuvira slammed Tuon up against a locker in a way that onlookers would later describe as 'suspiciously homoerotic'. After staring at her expressionlessly, Tuon simply broke Kuvira's arm to get out of the hold. Kuvira spent the next few weeks stomping around glaring equally at Tuon and her arm, muttering "It's useless now!" Tuon made her point and Kuvira isn't interested in beating up on someone who can fight back that hard, so now they just snub each other icily in the halls.

This status quo changes when someone starts spreading nasty rumors about Tuon. They are close enough to the truth that they're making Tuon really uncomfortable, and she's not sure how to handle it. Kuvira discreetly offers to do damage control, given her expertise with blackmail propaganda. Kuvira is doing this for blackmail material, so Tuon will owe her a favor, and to get in close and see how she works. Tuon is very surprised, but she accepts, partially because nothing she's doing is working and she's very practical- when your friends can't help, call on your enemies- and partially because she believes in keeping your friends close but your enemies closer.

As they work together, Kuvira becomes grudgingly impressed with Tuon's judgement and integrity (while noting that she still has blind spots, especially around her privileged background). Tuon is also grudgingly impressed with Kuvira; she thought Kuvira was a jumped-up social climber and bully with no real skills, but eventually realizes that Kuvira works hard and at least sometimes has good intentions (while still thinking she can be very heavy-handed).

This whole time they're also still competing for the Empress position- but they don't talk about that, for the most part, although Tuon does get a rather closer look at Kuvira's tactics than she normally would, since Kuvira is using some of them to save her reputation. Their meetings, which are still ostensibly about damage control, become less laser-focused on that and start being more social- they talk about shared interests, things they agree on re: school governance and event planning, and they're each trying to find out stuff about the other without revealing anything about themselves. They also start realizing they're attracted to the other; Tuon is the first to figure it out but she mostly just compartmentalizes it. It's a distraction from the matters at hand, and while she suspects Kuvira might also be into her, she isn't interested in pursuing it unless Kuvira brings it up. Kuvira, on the other hand, literally doesn't realize she's into Tuon until she has the opportunity to betray the actual details of Tuon's secret to Varrick and Valan Luca (who are the B-couple here, they fall head over heels in the background of the first episode and team up to run the school festival, with Valan Luca doing crowd work and organization, and Varrick running the books and coming up with ideas.) Kuvira chooses not to betray Tuon, and as she's kicking herself afterwards she realizes that all she could think about was how Tuon would look at her with absolute, icy disdain again and MEAN IT, not as a joke between them but in all seriousness, and she can't bear that, and OH FUCK SHE'S IN LOVE WITH TUON, WHAT IS WRONG WITH HER, UGH. Kuvira has no idea Tuon is into her too, and gets extremely weird and awkward and fidgety around Tuon the next time they meet. Tuon is suspicious and alarmed and thinking through all sorts of nightmare scenarios with her usual poker face, but all she says is "You're being weird. What happened?"

Kuvira says that Varrick and Valan Luca approached her about the rumor. She hastily adds, "I didn't confirm anything. I stuck to the plan." Tuon is sure she's lying, because she's clearly covering up something, and while normally she'd have the stamina and patience to winkle out the truth, suddenly she's super angry and not thinking clearly. "You're lying. Once a blackmailer, always a blackmailer. I should have stuck with people I trusted." She gets up and leaves the room, slamming the door on the way out. Kuvira is devastated and also relieved, because at least things are familiar now. She doesn't tell Varrick and Valan Luca anything, though, and continues doing her end of the damage control- she tells herself that it's to prove she's better than Tuon, that she kept the faith even after Tuon gave up.

Their rivalry for Empress steps up again and continues at a fever pitch right up until the voting. The Empress election event is completely, unnecessarily formal, in a way that makes you extremely confused about how this is all being run by a high school, and the candidates are brought up on stage to hear the winner declared. Tuon narrowly wins the contest, and before she can accept the crown, while the ceremonial music is playing (it's Empire, by Alpines), Kuvira leans over and whispers "Congratulations. You earned it," entirely sincerely. Tuon stares at her and sees that she actually means it. Heartened, Kuvira adds, "I didn't tell Verrik and Valan Luca, because-" and the rest comes out in a rush, "I love you." Tuon's eyes go very big and she looks like she's about to say something, but then the music ends and the crown is presented to her- it's made of a bunch of small pieces, woven and linked together. Tuon eyes it and then presents it to Kuvira, pointing at specific points in the middle. "You're stronger than me- can you bend those two metal links apart a little?" Kuvira, extremely confused, nonetheless does what she's asked. Tuon takes the loosened links and separates the crown into two pieces. After crowning herself (because of course she would) she turns to Kuvira and gestures at her impatiently to bend her head a little. (Tuon is only 4'11" and she literally can't reach the top of Kuvira's head without help...) Kuvira catches on and allows herself to be crowned. While Kuvira is still bent down towards her, Tuon kisses her in front of God and everybody. Kuvira kisses her back. Rose petals fall from the sky for unexplained reasons.

Their reign is long, glorious, and actually pretty irrelevant because Varrick and Valan Luca are the school's actual power couple, but that won't become completely apparent until later seasons.

#wheel of time #legend of korra #kuvira #tuon paendrag #problematic fave tuon #tuon/kuvira #kuvira/tuon #crack pairing #crack pairing blurb #ask meme #fic summary #parodies #this is mostly a parody of Ouran High School Host Club but also a little bit Princess Tutu #thank you for this ask it's everything I never knew I wanted #kuvira empress of my heart #wow I have blog-specific tags for both of them which certainly says something about me

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authenticcadence18 · 4 years ago

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30 Questions About Me

THANKS FOR THE TAG @bugaboo-n-bananoir ILY!!!!

(Nick)name: Cadence

gender: cis female

Star sign: Pisces

Height: uhhhhh I am not sure, it’s taller than 5ft at least

Time: night! (Well I wrote most of this last night, but now it’s the evening of the next day!)

Birthday: well I’m a Pisces, so my birthday is between Feb 19th and march 20th!

Fave band/group: Pentatonix! Or For King and Country. Or the piano guys, the vitamin string quartet, Voctave.....also Phineas and the Ferbtones👌

Fave solo artists: I really like Lauren Daigle, and Jackie Evancho used to be my FAVE. Aaand idk if this counts but Michael Giacchino! love his scores, especially the score for Inside Out. There’s also this guy called Clay Kramer on YouTube who makes KK Slider covers of popular music, his stuff gives me so much seratonin😅

Song Stuck in my Head: Well I’m listening to music rn and “I’m Me” from Phineas and Ferb is on so I’ll say that! (I’ll revisit this one when I finish the list and update it with whatever song i’m listening to/is stuck in my head then) (ok the music has since been turned off and now I have “Status Quo” from High School Musical stuck in my head so! There ya go!) (now it is the next day, and I’ve got “when the party’s over” stuck in my head...i think these three songs are an accurate reflection of my taste in music🤣)

Last Movie: uhhhhh oh yeah, The Sorcerer’s Apprentice! It was SO GREAT because Jay Baruchel plays the main character (and the main character is super awkward), so I felt like I was watching Hiccup from the How To Train Your Dragon franchise learn magic and it was GLORIOUS. And also Nicholas Cage is great. And I liked the love interest in the movie as well!! She had a role to play in the story and felt authentic and genuine, which I appreciated!

Last Show: ok well the last show I watched by myself was Phineas and Ferb! Specifically, the episode with the Mardi Gras block party and then the one where Candace and Stacy compete in an obstacle course against Isabella and Ginger (omg wAIT ginger and Stacy are sisters and Isabella and Candace are GOING to be sisters mY HEART I—AH🥺). I hadn’t watched those episodes in forever, so they were really fun to revisit! I think the last actual show I watched was Kids Baking Championship or something, lol. (Those kids are AMAZING. So skilled!)

When i created this blog: November 2019! It was riiiight after the season 3 finale of miraculous aired and absolutely wrecked my emotions. I had some fanfic written that I’d never posted and had been thinking about making a tumblr/ao3 for awhile, and seeing the finale made me finally go, “.....you know what, yeah. The finale is aired, no more spoilers.....it’s time to make a blog.” So I did! And I posted my first fic! And I’m so happy i did :)

What Do I Post: a bunch of multi fandom stuff XD. This blog started off as 90% Miraculous, 10% other fandoms I like...but now it’s just kind of a hodgepoge of my favorite fandoms (with a focus on Phineas and Ferb, lol). I reblog a lot of posts, and then I post original stuff too! I write fanfic, nowadays for Phineas and Ferb but for Miraculous in the past (and probably in the future!), I draw art (mostly Phinabella art because I’ve been drawing them since i was 11 and it feels good to return to my roots), and OCCASIONALLY I will write an analysis post (I’ve got one in the works rn actually 👀), attempt to make a meme, or dip my toe into salt just SLIGHTLY before quickly backing away, lol. If I were to list the fandoms I post about in the order of how frequently I post about them, I’d probably say: Phineas and Ferb, Miraculous....and thennnnn everything else is pretty random and depends on the day, lol.

Last thing i googled: Jay Baruchel 😂. Couldn’t remember how to spell his last name!

Other blogs: this is my only blog! Sometimes I think about making a separate blog for my art and writing, but I am not sure if I should or not....maybe I will someday, but idk. I also have an AO3 for fanfic and an Instagram for art! All are under the name “authenticcadence18.”

Do I get asks: sometimes, yeah!! Sometimes I reblog ask games/prompts and get some asks for those (I’ve got so many prompts in my inbox I want to write/draw things for...ah it’s fine, I’ll get to it eventually😅), and sometimes lovely people will leave thoughts or nice messages in my inbox🥺💕. I’ve got a specific tag for all those nice messages so I can read back over them whenever I need a boost!

Why this url: it’s a music pun! When a song/section of a piece of music ends with a dominant chord resolving to a tonic chord (if you’ve read a certain fic of mine you should know allll about dominant and tonic chords👀🤣), it’s called an authentic cadence! There are different kinds of cadences, and authentic ones are my favorite. One example of this is “Twinkle Twinkle Little Star.” I also use this blog to be my authentic, fandom-loving self! So I like authentic cadences, and also, I’m Cadence and using this blog to be authentic! Woo! (And 18 is just my favorite number, lol) I’m glad I ended up choosing a name that doesn’t tie to a specific fandom becaaaaaause this ended up being a multi fandom blog!

Following: 232!!

Followers: 292!!! (THANKS SO MUCH Y’ALL ILY 💕)

Average amount of sleep: wellllll for the past week and a half I was sick so I was probably getting 9ish hours a night (because I would sleep in really late, lol). but NOW? In my immediate future? I suspect my average amount of sleep is going to go down because I’m really bad about staying up late even when I have to get up early😅. Hoping to be good about getting at least 7ish hours a night!

Lucky number: 18! But y’all probably already guessed that, lol.

Instruments: my voice, piano, ukulele, viola (but it’s been a HOT minute), aaaand i used to be able to play guitar but then I got a ukulele and forgot all the guitar chords. (I also dabble in songwriting! I primarily use voice and piano when writing music.)

What I’m wearing: my favorite sweatshirt (that was last night, rn I have on a tanktop), some leggings, and socks!

Dream job: I’m currently learning to be a teacher, and I LOVE teaching and working with kids so that is definitely a job I’m really excited about!!! I would also love to portray characters at Disney or something (well, maybe not at Disney because I hear they’re strict, but like....I want to be Rapunzel or Anna or something, that would be so fun). OR, I would LOVE to work in tv animation somehow, be it voice acting, writing scripts/music, and/or story boarding. basically if I could do what Dan and Swampy did for Phineas and Ferb/Milo Murphy’s Law, I would LOVE THAT. (Especially the writing music part. Getting to write music for established characters and get PAID for it would be SO COOL.!.!.!) Also I think it would be so fun to write Disney storybooks! Like, those books that are about Cinderella baking a cake or Ariel befriending a seahorse, stuff like that. Those brought me a ton of joy as a child!

Dream trip: I want to visit alllll the Disney parks someday😅. (Not right now because, ya know, Covid...but someday!)

Fave food: uhhh i really like pizza. And popcorn. Also hummus and guacamole!

nationality: American

Fave songs: “Times” by Tenth Avenue North; “Can’t Help Falling in Love” (I made an entire playlist of just this song when I first started writing my fic of the same name, so I like the original and a ton of covers of it!), “Show Yourself” from Frozen II, “What Might Have Been” from Phineas and Ferb (and lots of other songs from that show, i made a whole post about that once but I can’t find it, oof); “Rescue” by Lauren Daigle; “Thank You” by Pentatonix; “I See the Light” from Tangled; “Your Hands” by JJ Heller; “Perfect” by Ed Sheeran.....i like a loooot of songs so this is just the tip of the iceberg, but I think that’s good for now, LOL! (As soon as I post this I’m going to remember another song I love, lol)

last book: I got the book Unbirthday for Christmas! It’s basically Disney’s Alice in Wonderland, but if she’d never gone to wonderland and things went horribly wrong there. (I think, I’m not that far into it yet, lol)

Top 3 fictional universes I’d love to live in: 1. DANVILLE, PLS. Especially as a kid, I SO would’ve loved to hang out with Isabella and Phineas and the rest of the gang! Danville is so vibrant and unique and people are always randomly breaking into song there, that’s my kind of place! 2. Fairytopia (from the Barbie movies!) because I could be a fairy OR a mermaid OR BOTH and eat seeweed to breathe underwater even if I wasn’t a mermaid. Like, that’s the dream right there. (I’ve always loved mermaids and fairies, lol!) 3. Maybe San Fransokyo from Big Hero 6? All of the technology in that universe is really cool! And I would love to eat a noodle burger, lol .

Oh! That’s the last one! Wow! This was so FUN!!!!!!! Thanks again for the tag, Maddy!!!! :)

I’ll taaaag @sketchy-panda @macaronsforchat @simplynewyorkbound @inkjackets and anyone else who’d like to do this! (And pls don’t feel pressured to play at all, or answer all of the questions! I was definitely vague with a few of my answers, lol)

#long post #cadence rambles #tag game #this was so funnnnn!#i also got your other tag maddy🥺#going to get to that post soon!

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servinglemonade · 5 years ago

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My first reaction to Disney +

Hello... It’s been a while since I have posted here. I had exams, then summer vacation and then I finally started college! So now that I’ve settled in I thought it would be fun to give you my thoughts on Disney+! Yes, you read that right! Disney+ is here... in the Netherlands. Exclusively. Disney is having a free trial here which started on September 12th and goes on until launch day on November 12th!

So let’s dive into Disney+

Interface & Features

The interface is pretty standard. It looks like Netflix, but obviously with a nice Disney touch! The home page looks really great in my opinion. On top, there is a header that showcases one movie per category (Disney, Pixar, Marvel, Star Wars and National Geographic). You can browse per category as well. When you hover over the brand you get a little animation. Disney has a castle with fireworks, Pixar has the clouds, Marvel has their intro, Star Wars has stars and National Geographic a scenic mountain view. On the search page, you also have several collections like the Princess Collection (all princess movies and series) or Disneynature (all Disneynature movies). Hopefully, they’ll add some more soon. It’s a handy feature in my opinion. You can also create a watchlist.

I find the movie-watching experience great as well. It’s simple and sleek. You can choose from multiple languages for both audio and subtitles. It’s also really nice to have all the movies in HD. Some of them are even in 4K/HDR! These are mostly Marvel, Star Wars, Disney Live-Action movies and 2 animations (Ralph Breaks The Internet and Aladdin!).

There is an awesome feature that I stumbled upon while I was doing my research for this post. You can change the way the subtitles, from the color to the font. Even the opacity of the background and the font size! I did see some people complaining about subtitles. I didn’t mind them, however, the fact that Disney is truly listening to the users and trying to fix all these issues is great! Two thumbs up for ya Disney! The last thing I want to touch on here is the extras for the movies. These extras mostly include deleted scenes and trailers. However, some of them have some really cool behind the scenes stuff. The making of Beauty and The Beast, Staging The Ball from the Cinderella Live-action and the making of Sleeping Beauty just to name a few! Really great that all of those are on Disney+ as well.

Profiles

Just a quick little thing I wanted to touch on before I go to the content. You can choose from a significant number of Disney characters for your profile picture. Ranging from Disney Classics to Marvel & Star Wars to villains and princesses and even Disney Channel!

There are so many to choose from! It’s overwhelming. Here are just a few

Now it’s time for the most fun part: the content. All of the originals are not on the service yet, those will come out when Disney+ officially launches on November 12th.

Disney

What isn’t on this page?! The amount of content is so incredible. And not even everything is on it yet! Here you can find your classic Disney animations from Snow White and the Seven Dwarfs to Ralph Breaks The Internet. All in glorious HD or even 4K sometimes. They also have some true Mickey Mouse classics like Steamboat Willie. All the Live-action movies are included here as well. From the more recent remakes (even Dumbo is on here already! If you haven’t seen it yet, please do) to absolute classics like The Princess Diaries, Mary Poppins and all the Pirates of The Caribbean movies. If you grew up with Disney Channel, all your favorite movies and shows can be found on Disney+ now! Hannah Montana, Wizards of Waverly Place, Camp Rock, The Cheetah Girls, That’s so Raven, Halloweentown, Descendants and so many more (all the seasons and sequels for everything). For the little ones, there’s some Disney Junior content, like Mickey Mouse Clubhouse.

Pixar

All the Pixar animated classics are here. From Toy Story to The Incredibles 2. Hopefully Toy Story will be streaming soon too. If you love the Pixar shorts, you’ll be happy to hear that these are all on Disney+! Like Piper, Bao, Knick Knack, For The Birds and more. There are even shorts with characters from some of your favorite Pixar movies like Monsters Inc, Ratatouille, Cars and Toy Story.

Marvel

I just want to thank Disney and Marvel for basically having all the MCU movies here on Disney+! From Iron Man to Captain Marvel. Most of them in 4K as well. And a surprise… Avengers Endgame will hit the service tomorrow!! I’m already preparing to cry my eyes out again. The only movies that are not on the service yet are The Incredible Hulk and Spider-Man Homecoming. I really hope Spidey will be on Disney+ as well. I need Far From Home in 4K. Besides MCU related content, you can also watch multiple Marvel animation shows. Like a lot of Spider-Man shows, Rocket and Groot, X-Men, Fantastic Four and many more. Some of the newer live-action Marvel shows are also on the service, like Agent Carter and Agents of SHIELD.

Star Wars

Now for Star Wars. I started watching the movies back in the summer. Disney+ was not being tested yet. So I was excited that all of the entire Star Wars saga can be found here! From Episode I The Phantom Menace all the way to Episode VIII The Last Jedi. It’s been really great to have 1 place to watch these movies. You can find the spin-off movies Rogue One and Solo here too! You can also watch some animated shows like Star Wars The Clone Wars, Star Wars Rebels and lots of Lego Star Wars shorts.

National Geographic

To be honest, I haven’t anything from Nat Geo yet. However, they do have a very exciting original coming tomorrow! However, they have Brain Games! I used to love that show, so I’ll definitely watch that. They have some amazing documentaries. Drain The Ocean, Titanic 20 years later and Free Solo just to name a few.

Disney+ originals at launch

Here is a list + some thoughts:

Star Wars: The Mandalorian (series) (trailers looked very good, so I’m excited for this) Lady and The Tramp (movie) (again trailers looked amazing, great cast as well! Really excited for this!) High School Musical The Musical The Series (series) (yes, that is the actual title, not sure about this one as a massive HSM fan, however, I will check it out) Encore! (series) (not really interested in this one, might watch it one day) The World According to Jeff Goldblum (series) (this is the nat geo original I was telling you about. Such a great idea, who doesn’t love Jeff?! Will watch this 100%) Noelle (movie) (a Christmas movie?! Yes please, I’m in full Christmas mode already so bring it on) Marvel Hero Project (series) (might watch at some point after I have watched all the other things I want to see first) The Imagineering Story (series) (as a huge Disney Parks fan, I might be most excited about this, so that will be the first thing I will watch tomorrow) Pixar In Real Life (series) (I didn’t even know about this until a week ago, looks like a lot of fun, so I will watch this for sure)

The Disney+ app

The app has been pretty solid. It basically works the same as the web version, it’s just on your phone or tablet. The app also has a download feature. Which means you can download anything on the service and watch it offline. How handy is that! If you have a chrome cast, the app is a must. You can cast all of the movies and shows on your TV, which is great because you won’t have to look on your small screen.

Some issues

This was obviously a test version of the final product so it wasn’t perfect from the get-go. The app struggled in the beginning with the continue watching feature. When you were watching a show, it didn’t let you watch the next episode from your continue watching. However, this has been fixed and now works like you would expect. The other big issue was the chrome cast compatibility. When I had just subscribed for the trial it would start normal, however, after a while, it would freeze and the image would get all distorted. So that was pretty annoying. Lots of people were having this issue and by magic, it was fixed a couple weeks later and now works as expected!

Is it worth it?

Now if you either love Disney, Pixar, Marvel or Star Wars or you love everything, yes it is worth it. Even if you just love Marvel and/or Star Wars, I feel like it’s worth it. You have The Mandalorian coming at launch and so many more in the years to come. Like Falcon and The Winter Soldier, WandaVision, Loki, an Obi-Wan show, and so much more. So maybe if you’re waiting for that, you can get it when those shows will be on Disney+. Plus for the price, it’s a pretty sweet deal. Just €6.99 per month or €69.99 per year (which if you calculate it, can save you €13.89 per year). I love everything so for me it can’t get any better than this. Lots of the movies I watched on Netflix were mostly Disney or Marvel movies, so for me, this service is perfect.

Wow, this was a long one. If you have read it all the way through, thank you so much! I hope it was informative.

So how excited are you for Disney+? Will you be getting it at launch or will you wait? Plus if you are getting it, what will you watch first?

Have a magical day!

Yenai

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metabolismmusic · 6 years ago

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Paramore taught me to be my own rockstar.

What was the first artist you were a fan of? Let me try that again. What was the first artist that reached into your chest, pulled on your heart and soul, ripped them out, and fed them back to you? That’s what being a “real fan” is all about, right? How deeply it touches you and leaves you panting for more, drooling at the thought of the next song, the next album, photoshoot, interview, tour. Everything they did, you worshipped. This artist was a religion.

As a teenager, Paramore was as close as I had ever gotten to religion. It ignited a spark I hadn’t realized was simmering in my soul. It wasn’t until I was in my 20s that I fed that flame. Despite this ignition, I still think some fans might scoff at my level of dedication. I mean, I don’t know every single lyric by heart, I missed their last tour, and I don’t have Hayley Williams’ face tattooed on my body. But this was never an artist I bragged about loving. It was a quiet obsession. A few people in my life knew I was a fan and I’d seen a couple of their shows and owned a few t-shirts. Until now, I had no idea why I was internally obsessed. Ten years later, I still harbor that obsession deep in my heart and soul. And it’s taken me about ten years to realize why that is.

It all started with the reality dance competition show, So You Think You Can Dance. I’d watched the show for a few seasons and during every episode became excited by the music featured each week. One episode, in particular, changed my (musical) life forever. It was the Season Four finale episode, where the final four dancers perform a culminating piece together as a group. I still get choked up watching this routine. The entire performance was stunning, but the music grabbed my hand and pulled me along with it. It was a beautiful, driving instrumental song with only string instruments titled “Hallelujah” by the Vitamin String Quartet. After seeking this song out, I found it was actually a cover by VSQ, a group that exclusively covers modern music with classical twists. This connection led me to the original artist: a band called Paramore. As soon as I heard the original, I was hooked. “Hallelujah” will always hold a special place in my heart. The song itself was so different than anything I’d ever heard. This was rock n’ roll religion. It was a spiritual experience I wholly engaged with and subscribed to.

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That year, I was 12 and had just entered the public school system. I had been homeschooled up until then and had some friends through extracurriculars. But that year, I realized identity was everything. If you didn’t know who you were, what you wanted, and why, you were one of the other hundreds of fish in the school. Discovering this band, and more specifically Hayley Williams, introduced me to “aspirations.” Until then, I never thought about what other people thought of me or what I wanted to do in the future. Williams was only 14 when she was discovered by Atlantic Records and 16 when Paramore’s first album, All We Know Is Falling, released in 2005. 12-year-old me was transfixed by Williams’ expressive hair colors and fashion sense. I quickly started emulating her style of rock t-shirts and skinny jeans, accessorized by the occasional pair of Hot Topic earings or fingerless gloves. To this day, Paramore’s first album contains some of my favorite songs, but it was the 2007 album Riot! that grabbed me, which features “Hallelujah” and some of their biggest hits. Here I was, being brought to tears by emo pop-punk music. And it felt amazing.

Riot! was an album that cried out everything my angsty, emotional teen-self felt at the time. Williams�� writing was incredibly relatable. She sang of feeling misunderstood, insecure, lustful, and rebellious in a way I could see myself singing clearly to the world around me. This was the first person I could look at and say, “That’s me. That’s what I want to be when I grow up.” Sure, being a rockstar sounded cool, but it was the persona, ownership, and independence of Williams that I adored. To put it in perspective, I spent 10 years mustering the courage to follow in her footsteps and dye my hair a vibrant color as she had for all those years. And why do so many of us fetishize the rockstar persona anyway? Because rockstars don’t give a shit. Their music comes from the darkest and most fragile parts of themselves. They throw themselves at the music and trust-fall into the arms of an audience. We’re being told to avoid these “no good rockstars” who’ll amount to nothing, while at the same time encouraged to embrace the very things they represent. Rockstars bare their souls and embody everything you wish you could be: independent, rebellious, creative, talented, sexy, strong, confident, a go-getter. After discovering Riot!, I dove headfirst into a fantasy where I could be the rockstar of my own life. The music was a place to picture yourself at your peak. I saw myself strong and confident, fearless, expressive, a leader, a pioneer. In what? I have no idea. But my 12-year-old self didn’t care.

Two years later, Paramore released their third album, brand new eyes. I was 14 and had just started high school. This coming-of-age era was the perfect petri dish for self-discovery. This album more than the previous two showcased Williams’ sheer talent. So many tracks featured her breathtaking vocal abilities, something I was supremely jealous of. Paramore was also one of those bands that were consistently on-brand. Their music was undeniably Paramore and had little variation from what they did best. Each song was fresh but familiar. They had the perfect balance of identity and unique expression. Every thought and feeling I had during this time was set to music via these three albums. These three identities made sense: All We Know Is Falling was a discovery of self, with Riot! we were figuring out who we were and how painful it is to be young and confused, and brand new eyes introduced a glorious new vulnerability of identity. The latest album was one step away from the answer to all our problems. And then the band broke up.

I waited four years for their next album, Paramore. This self-titled piece was the answer. I was now a freshman in college and this album said: this is you, you’re nearly there, kid. This new album charged forward with me into new territory and even more discovery. Paramore felt like the moment where you realize you can just be. I spent my next four years of college contemplating this new identity. But there were still people telling me what to do and how to be. The theme of this era - and this album - were: I am small but I matter. I am tiny but mighty. I spent four years at a college I hated, with a useless major, and a dead-end relationship. I also spent those four years convincing myself I’d get over it. I didn’t. A long, drawn-out breakup and dramatic family matters changed everything, and I found myself rediscovering Paramore. Like a time capsule, it took me back to a place where anything was possible and “everything would be okay.” But it wasn’t okay. Nothing felt like it could go right: my family was broken, my secure relationship was over, many of my best friends were moving, and I myself had to move out of my apartment in a few short months. Then, right when it seemed hopeless, Paramore reached out and took me by the hand and said, “We’re not done yet.”

My self-proclaimed tragic timeline was as follows: February, break off my relationship; March, find out my best friends are moving; April, sexually assaulted; May, my mother has a mental health crisis, I graduate college with no prospect, and friends and lovers move away. But in May 2017, Paramore released After Laughter. After four years, Paramore had transformed. Their music had gone from hard-hitting and badass to sophisticated, new wave, pop rock. I was taken aback at first. I knew I liked the album, but, like most fans, felt betrayed. How could they change? And sound nothing like the “old Paramore”? There were certain tracks, however, that tugged at my heartstrings and made me feel something, although I had no idea what. But I had to trust the artist; they’d never let me down before.

I could still point to this band and say, “That’s me.” Every new phase and turning point of my life until that point, each new era, had been defined by this band. They had released new music, their own era, during each of these points. Riot! became my new-teen anthem, brand new eyes rocked me through high school, Paramore pushed me through college, and finally, After Laughter was wrapping up my young adult life with a syncopated change in identity.

Since 2017, I have moved on literally and figuratively. I live someplace else, with someone I love, and miss my friends and family terribly. After an unexplained hiatus, I turned to Paramore once more. I’ve developed new struggles and challenges in life. After listening to Paramore regularly again, their music made me feel badass and confident, just as I had always hoped I’d feel when I was a teenager. At some point, I became more curious about what they’d been up to and caught up with some interviews and articles over the last couple of years. It was then I learned that Williams considered After Laughter a companion piece to her struggles with her own family and depression. I found myself listening to this album constantly. The music helped me reflect and consider the reality of my condition. It felt like someone was there saying, “Hey, it’s awesome that you feel badass sometimes, but we all have problems. I hear you and know you can face them fearlessly. You need to trust that feeling.”

#paramore #music #essay #Riot #After Laughter #Hayley Williams #metabolism #music blog #metabolism blog

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head-and-heart · 7 years ago

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The 100 Highlights - “Sleeping Giants” (5x03)

Hey, guys! It’s Kate back this week to recap the latest episode of The 100, “A Dad Story”, by listing some of my personal highlights of the episode. I have to say, every single episode of Season 5 so far has been super solid and this episode is no exception to that. Can’t wait to dive into this one!

Can I just start off by saying that I love how tastefully they have been implementing music into the show this season so far? I absolutely love Tree Adam’s score and its honestly weird sometimes to think that we had an entire two seasons without his genius, but I also think there’s power in not using any music at all for certain scenes. It creates a different vibe (and it becomes more effective when music is used). My one beef with the score in previous seasons has been that there were certain scenes I felt music wasn’t required, and that scenes would actually be more powerful without it (such as in the scene where Bellamy finds out Octavia is “dead” in Season 4 - I felt the music was detracting from his cries of grief). But I have noticed this season that they have quite a few scenes, compared to usual, where the music is used extremely liberally if not at all! And it gives a different vibe to the show - reminds me of TWD a bit at times. I love it.

Hi there. Charmaine Diyoza is joining Niylah, Luna, and Jaha on the list of characters who have the most soothing/pleasant voices to listen to on this show. It’s hypnotic. Honestly. God.

I’d like to take this moment to say that Emori and Raven’s friendship and trainee/mentor relationship is EVERYTHING!

The dramatic irony of Bellamy and the others listening over the radio and thinking the woman they are talking about is Octavia ... it’s A Lot

“She’s a feisty one. Pretty too.” Yasss that is my QUEEN

I have to say that the new characters we’re getting this season are possibly the best new characters we’ve ever been introduced to. Kara Cooper was amazing. Charmaine is a chilling, smart, yet reasonable antagonist and every line she says is fascinating. Madi has so much character potential, and McCreary is just the right kind of sociopath that can fuck our heroes up and ensure the show is always interesting (and also the kind of villain I feel JR has been so hesitant to incorporate into the show in the past, with the whole “there are no good guys” everything-must-be-morally-grey stance). Not to mention Zeke, who is just like ... everything I could ever want guys. THE NEW CHARACTERS ARE JUST SO GOOD. And the acting has been REALLY strong.

CHARMAINE DIYOZA IS SO FUCKING COOL AND RUTHLESS AND BADASS AND I ALREADY LOVE THIS NEW ANTAGONIST. She manages to be both authoritative and intimidating without ever having to raise her voice or pull out a weapon. That’s power.

Seriously fam, I can’t get over how awesome these new characters are. We really hit the jackpot this season. They’ve opened up so much room for future story by introducing all these new people.

I really love how they have managed to show just how close the members of the ring are with each other while also demonstrating the tension between everyone, and all the ways that they can push each others buttons. There are so many layers to all the dynamics up in space and I am pleasantly surprised by it because, with how the season has been described, it sounded like the factions were going to be spacekru as a unit vs the bunker vs Clarke/Madi vs Eligius. But by showing all the conflict within these small groups, it creates potential for allegiances to shift around more than I was expecting. The bunker is built upon internal chaos, Eligius is far from being a unit (with a handful of loose canons and Zeke thrown into the mix to switch things up), Spacekru has some conflicting opinions/beliefs, and even Madi and Clarke are not completely on the same page about how to deal with the new threat. It’s really exciting all the different things the writers might do with that.

The scene where they find the cryo chamber felt like it could have come straight out of a scene from the mummy, where one character walks past a coffin and disturbs one of the dead. And when Kodiak’s eyes popped open, it was like a mummy awakening from the crypt. There was just something so eery about the vibe in there. The suspense was glorious.

“Murder ... murder ... arson resulting in murder ... armed robbery ... resulting in murder” I love one (1) comedian

Great-great-grandpappy Blake had four pHD’s. Bellamy is descended from a family of nerds: confirmed. I love winning.

The debate between Bellamy, Raven, Murphy and Echo over what to do with the sleeping army was just so tense and SO GOOD. Every single one of them had a good point. This is The 100 handling moral dilemmas at their finest.

“Clarke didn’t die just so we could go back to the ground and make the same mistakes.” THIS IS BELLAMY AT HIS BEST - THIS IS WHAT HIS ENTIRE CHARACTER ARC HAS BEEN LEADING TO. THIS MOMENT. He finally got to face that sleeping army of 300 once again and had the opportunity to choose differently this time. And he did. isaythatsmybabyandimreallyproud.gif

ZEKE SHAW IS AN ANGEL I FREAKING LOVE HIM. “Believe it or not, this is the best conversation I’ve had in over a hundred years.” HIS SMILE IS THE CUTEST THING I HAVE EVER SEEN Y’ALL HAVE NO IDEA HOW MUCH I WANT TO JUST HUG THIS KID

But seriously, let’s talk about Zeke Shaw. Hearing someone take about life before the apocalypse is just ... wow??? I didn’t know how good it would feel to find a character that we can actually relate to, that understands our time. Hearing him talk about being an altar-boy just outside Detroit, being a fun-loving adventure-seeking kid with a Harley Davidson, made my heart warm.

“God, I miss that bike. More than most of the people.” First of all, relatable. Second of all, my heart hurts. When you think about it, Zeke’s story is pretty tragic. Leaving his whole life behind only to wake up a hundred years later to discover that everyone he once loved is dead and the world is irreparably changed. Imagine how fucking jarring that would be? Even if he doesn’t show his sadness much, I’m sure he must be feeling it, if his reminiscing is anything to go by.

HIS SMILE IS SO BRIGHT. WHEN DO WE EVER GET GENUINE SMILES LIKE THIS. LIKE, GOD, I MIGHT BE FALLING IN LOVE WITH THIS GUY

I’m never going to be over how awesome these new characters are fam. They’re so well-rounded already I’m shaking

“Start with how the world ended.” “Which time.” MOTHERFUCKER I’VE GOT CHILLS. HOW TO BE A BADASS WITH TWO WORDS: A GUIDE BY CLARKE GRIFFIN

“I left Clarke behind to die and I can’t - I’m not doing that again.” MY BOY GOT CHOKED UP IT’S BEEN SIX YEARS AND HE’S STILL SO AFFECTED BY HER LIKE F UCK

But real talk, that BR scene was beautiful. Their relationship has been chronically strained in the past but it really feels like they’ve built a true partnership up in space and I’m super here for it. They’re a good team, and they have a bond that kind of reminds me of a sibling-like bond (one that’s not as fucked up and dysfunctional as what the Blakes have). I really loved it.

“There wasn’t an escape pod.” “...Wut” Congrats, you PLAYED yourself. What a classic Murphy move dam

“You know what, you’re right: dying alone would have sucked.” I LIVE FOR THESE SEASON 2 PARALLELS

Real talk though: I may not ship them romantically but Lindsey and Richard have hella good chemistry and Raven and Murphy’s scenes together always pop so this is a GREAT sign for 5x04

“Just breathe” Bellamy Blake is the daddest dad to ever dad you heard it here first

BELLAMY AND EMORI BELLAMY AND EMORI BELLAMY AND EMORI

HAVE YOU EVER SEEN A SMILE MORE BRIGHT

“She’s just a kid.” Bellamy, this is the most on brand thing you have ever said.

“Bellamy. Clarke knew you would come.” CUE MY SCREAMING AND FLAILING HOLY F UCK I KNEW I WAS GOING TO DIE WHEN MADI AND BELLAMY MET BUT THE FACT THAT SHE RECOGNIZED HIM ENOUGH FROM CLARKE’S DRAWINGS (and JUST him) OH MY GOD. This is the fanfic meeting of my dreams.

Madi: *grabs Bellamy’s hand* Me: *dies*

“Madi ... no.” “Madi, no.” I LOVE TWO SOULMATES

“I won’t let anything happen to Clarke. I promise.” Even after all this time he’s always looking out for her. And Madi just trusts him. So easily. Ugh my heart.

BELLAMY STEPPING OUT OF THE HEADLIGHTS LIKE AN ANGEL. BELLAMY HOLDING UP THE BEST DAD IN THE UNIVERSE MUG. BELLAMY BARGAINING FOR CLARKE’S LIFE. BELLAMY HOLDING CHARMAINE’S ARMY AGAINST HER. BELLAMY PERFECTLY BALANCING THE HEAD AND THE HEART. BELLAMY.

i’m turned on

Let’s be honest though that “Best Dad in the Universe Mug” is the MVP of the show for sure. That mug has singlehandedly carried the whole season. Riley who? Nothing but respect for my new fav character.

No offense but Clarke immediately dissolving into tears on the floor at the sight of Bellamy is highkey relatable. Me too bitch the fuck

SHE.

IS.

BOOM OUT MOTHERFUCKER

okay okay okay I gotta backtrack though because when Bellamy says those words he is literally JUST staring at Clarke, right into her eyes. Because those words were not for Charmaine, they were for Clarke. So she would know just how important she is to him. So she knows that, even though they have aged, their connection has not. I mean, fuck.

THIS EPISODE WAS SO FREAKING EPIC GUYS. IT WAS POSSIBLY EVEN BETTER ON REWATCH. IT WAS JUST SO GOOD.

And 5x04 is gonna kill us all so expect some WORDS from me next week. Byeeeeeeee

#the 100 #bellarke #bellamy blake #the 100 5x03 #the 100 sleeping giants #posts by moi #the 100 highlights series

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supere1113 · 6 years ago

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The Artist In Me - Track 11: Advancement

If you’ve been reading since track 1, Out of the Cobalt Blue and you’ve made it this far, let be take second to say I can’t hope to thank you enough for your interest in the details of these songs and the inner workings of this album. If your eyes are tired, just know this is the last one. But seriously, thank you for reading this! It literally means the world to me.

Success. It means different things to different people. Some people think it’s based in monetary value. Others think of it as a more occupation-based... thing. Other people still think of it as a metric of spiritual wealth or simply their own happiness. To some it means something different altogether.

The concept of success has kind of evolved over time for me. It means something different now than it did when I was 11. But the closest answer I can give about my definition of success is that it is measured by multiple metrics, some on the spiritual side, others on the more concrete side of things. What we’ll be talking about here is what success meant for me at age 13.

Ever since its conception, Advancement has been poised to be an epic piece of art. The simple, dramatic title, the nature of the subject matter and consequently, the instrumental. I created it sometime in 2016, and I knew quite early on that I wanted this song to be the ending of The Artist In Me. (I even did an instagram post where I allude to this song. I archived it, but I may put it back up just for this) I wanted a good benchmark to conclude the album, but one that could also be built upon in the future if desired.

Advancement is about success (you probably knew that by now). Particularly, the success of advancing in academia in my case (I say “in my case” because I want to keep these and all of my songs open to interpretation, open to you guys putting your own meanings into the art that I put out. I made it for me, I shared it mostly for you. This album is yours now. Do what you want with it. That’s what it’s for). I was 13. Leaving my first school and going to another, completely different one for jr. high. Getting the academic accommodations I needed in order to have my grades reflect my level of intellect. And a year later, I would be making my biggest advancement yet: going to high school. And not just any high school, a career high school (Shoutout to anybody from Dubiski reading this! I love y’all to death!) with different options on what you could study, and lo and behold, Architecture was one of them (Architecture is a huge focus on this song as it pertains to my future. In the single artwork above, I am standing in a crowd in downtown Dallas, Texas in 2010 or 2011 pointing to Dallas City Hall behind me. It is the COOLEST city hall in the world (you can’t @ me, so there’s no use in trying) and it was designed by famous architect I. M. Pei. From the west side, the building actually looks like a postmodern abstraction of the state of Texas. I love that building). After putting my head down, doing the best I could to deal with my own inner doubts and concerns, I was finally emerging fully as the academic powerhouse I always had the potential to be. In addition to that, I was getting to where I was doing a pretty good job at being a young adult. Sidenote: in jr high, I also picked up bass and took a trumpet class (I kinda hated it, though. I thought it was just confined to jazz music back, so I wasn’t as enthused about playing it. Plus, thanks to YouTube, the rest of the internet and a new desktop computer my parents bought for my sister and I, I had access to virtually all the music in the world, and was exploring other genres like Rock and Metal, and Alternative, and Christian Rock by this point. Gene Simmons of KISS had a bass guitar as did John Cooper of Skillet, so I got a bass guitar). Then, at a science fair in 8th grade after making a 3rd rate science project in 7th, I bought a bunch of lamp pieces and created a Whimshurst machine, a type of static electricity generator for my science fair project (that’s where the lines in the song “You built a generator from a lamp/You showed the world with your guitar amp” came from). I named him Zeus. He’s still alive to this DAY! (I can hear how you read that if you’re reading this in 2018 or 2019 and have seen recent memes) I got second place to my friend, William, who built a solar-powered phone charger. 8th grade was wild.

The issue here was that not being able to effectively address my doubts, issues and concerns led to another issue...

I was experiencing a young adult renaissance, going to the high school of my dreams (I was 14 at this point) and held some of the best grades in my class. But all the while, I found that I... couldn’t really enjoy it as much as I knew I would’ve had the following dynamic not been at play: I still was dealing all the things I mentioned over the past 5 tracks, and I still had pretty much no solution. Like the space shuttle ejecting its parachute after reentry to slow down, all this unresolved.. stuff, kept me from being able to enjoy all these good things in my life as much as I wanted to and could have otherwise. You ever find yourself at a ceremony or party celebrating something cool that you did, but all the while, you can’t help but feel that something’s off? Maybe even a feeling like you don’t deserve all the good stuff that’s come or is coming to you? That’s exactly how I felt.

This song is about being celebratory, but it feels empty because something you can’t seem to fix is bothering you. Don’t know if I explained that well enough.

Like I said before, this song is a good benchmark in my life to end the album on (”graduating” middle school and going to high school), but it also leaves enough of a cliffhanger to build upon where it leaves off in the future. I like that about Advancement.

The musical composition of Advancement is interesting, and different from that of all the other tracks. Because I was listening to more alternative music, I drew from that genre and atmospheric music all from 2010 as well as music from Linkin Park and Marina and the Diamonds. The song is longer than any other on TAIM at 5 minutes, 22 seconds to signify a glorious, epic ending to a very polished and hopefully timeless project (also, it’s not uncommon for songs by alternative artists to far exceed radio-length, This signified that as well). The relative grittiness of the instrumental signifies a shift from mainstream music and “old school” stuff I grew up on, to modern, more avant-garde than mainstream, underground music that I was discovering on YouTube and from the MTV sister channels that still play music like Hits, Jams and MTVU, that college music. There’s a certain musical element, a wispy wind blowing sound that plays near the end of the song (and consequently, the album) and it falls out of sync with the snare drums as time goes on. This signifies a growing imbalance and that the “engine” for the album if you will, is breaking down, leaving room for the next chapter. Finally, this cataclysmic epoch of a song concludes with a very unsettling, yet exhilarating crescendo composed of a bunch of weird, trippy, atmospheric sounds I found on my computer. The song suddenly cuts off as they all come to a head, and it like I said, it leaves room for whatever I’m going to do for the next album. clean-cut, but still quite abrupt, very much like in the Sopranos where every time an episode ends, they go to black in mid-sent-

Advancement is somewhat somber of an ending. While I was writing it, I realized all the things I was feeling back then, but could never explain in those moments. I wrote about a third of the lyrics for TAIM during a really depressing time in my life, so there is a little bit of cynicism found in some of these songs.

Thank you again for reading this and sticking with it. I bear my soul in my art, and I appreciate your engaging with this piece of my autistic, artistic world. If you just got here and are starting from the top, scroll down if you want more information on all the other songs on the album. ♥

What does success mean to you?

You can listen to Advancement here if you want. This link will take you to wherever you listen to music. YouTube included. ❤

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easyfoodnetwork · 5 years ago

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The New and Old Food-Adjacent Shows We’ve Been Streaming This Week

HBO/Curb Your Enthusiasm

Looking for something delicious to watch this weekend? We’ve got you.

Like most people living under shelter-in-place orders or voluntarily socially distancing because of COVID-19, Eater staffers are watching a lot of TV right now. Coming from series past and present, here are the best food-related scenes, episodes, and shows that we used to cope this week.

Party Down (Seasons 1 and 2 streaming on Hulu)

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The gist: The failed dreams and enduring delusions of a Hollywood catering company’s employees are all on excruciating, glorious display in this criminally underwatched 2009 comedy series, which ran for two brief but glorious seasons on Starz. Each episode is set at a different function where the crew has been hired to sling hors d’oeuvres: a funeral, a college conservative union caucus, a preschool auction, a singles seminar, Steve Guttenberg’s birthday party, and one spectacularly unsuccessful orgy night.

While food and booze give the show its reason for existence, it’s the personal struggles of the caterers — and often their clients — that provide its brand of satirical, irreverent, and often very biting humor. Almost all of the company’s employees — the failed actor, the aspiring screenwriter, the stage mom, the struggling comedian — have been chewed up (or at least teethed on) by the Hollywood system, which lets the show examine and skewer the industry’s class struggles and pretensions with a hilarious lack of remorse. That said, Party Down wouldn’t be nearly as effective without its cast, which includes Jane Lynch and Megan Mullally, along with the then-relatively unknown Adam Scott, Lizzy Caplan, and Martin Starr. Watching them grimly work a room armed with cheese platters and shrimp puffs is one of life’s more specific pleasures, and also among its most reliable. —Rebecca Marx

The original Queer Eye for the Straight Guy (available to purchase on Amazon Prime)

I’ve been getting real joy out of watching Ted Allen on the original run of Queer Eye for the Straight Guy, which upon second watch is hilariously antagonistic toward the straight guys. Unlike Antoni, who tries to meet these men on their level by having them make avocado toast or pancakes, Allen basically cooks everything himself and gives his subjects busywork. Men can assemble crudite, if they want, or whip egg whites while Allen has already infused cream with vanilla beans and has it melting with expensive chocolate on the stove. In one episode, Allen orders his subject $50 jars of kosher foie gras to make armagnac-infused mousse, to be served with shaved black truffle, because “people are pretty accustomed to” pâte (???). And then, when the guy’s girlfriend doesn’t seem to like it, he bemoans “that’s $150 of foie gras!” like it’s everyone else’s problem for having bad taste. This is not about teaching men a new skill. There is nothing practical about most of Allen’s cooking, and it’s thrilling to watch men who have never set foot in their kitchens pretend like this is the sort of entertaining they’ll be doing from now on. —Jaya Saxena

Project Runway (Season 10, Episode 2, available on Hulu)

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I’m going to admit outright that I had embarked on a journey to rewatch all the Project Runway seasons available on Hulu even before this pandemic started, but now that a lot of us are confined at home for the indefinite future, there are few better background-television choices I can recommend than the original drama-filled fashion competition reality series. One standout episode is the second in Season 10. In “Candy Couture,” the designers raid boutique candy store and New York City staple Dylan’s Candy Bar, snagging licorices, gummies, and jelly beans to create outfits that range from “wow!” to “not bad” to “that?” To hear snatches of catty comments and catch glimpses of a lively, bustling NYC in between footage of designers burning their fingers with hot glue guns — ah, different times. —Jenny Zhang

ZeroZeroZero (Season 1, Episodes 7 and 8, available to stream on Amazon Prime)

ZeroZeroZero, an Amazon Prime series that follows a shipment of cocaine through four countries, has some predictable drug cartel narrative arcs — double crossing, violence and cruelty, me softly saying “it’s just not worth it” over and over again — but one nice change was the Calabrian mob’s dining table mainstays: a hunk of cheese, salami, bread, and wine. When the going gets tough for these guys, they just need a hit of carbs, cured meat, and some salty, creamy dairy, washed down with adult grape juice. Who among us can’t relate?

I wonder who out of the mob grunts makes sure they’re stocked. Are there wheels of cheese in the trunk of their car? Salami hanging from the coat hooks in the back seat? Are they kneading their own sourdough, letting it rest, firing up the wood oven that they just built after feeding some poor sod’s corpse to the pigs? Who cares! These guys are committed to the “simple ingredients, done well” philosophy, and for that, I commend them. — Pelin Keskin

Playtime (available to screen on the Criterion Collection)

I cannot say that I’ve ever experienced a true restaurant shitshow. The closest I’ve come is perhaps witnessing a bartender slip and fall at a restaurant where I received no service for an hour and then got up and left. I sometimes envy my colleagues in New York, who used to regale readers with tales of ninja servers and tunamatos during their annual Shitshow Week (may it rest in peace). But now I can safely say I’ve experienced a shitshow, thanks to the 1967 Jacques Tati film Playtime, currently streaming on the Criterion Collection. This movie is, on its surface, toying with sound editing (if you’re into that sort of thing) and poking fun at the strangeness of midcentury aesthetics and American tourists in Paris. But it’s the second half of the movie where Playtime really hits its comedic stride, at a restaurant opening where just about everything goes wrong. The kitchen runs out of food. The air conditioning stops working. The harsh metal chairs leave marks on the backs of the patrons and rip the pants of servers. The ceiling falls in. While it’s billed as a comedy, it’s the Criterion Collection, so we’ll file it under amusing. Nevertheless, I highly recommend this for anyone missing restaurants — even truly bad ones. What I wouldn’t give for an uncomfortable metal chair right now. — Brenna Houck

Curb Your Enthusiasm (Season 10, available to stream on HBO GO)

Absurdist times call for the comedy of Larry David, so I’m particularly grateful that he brought back his HBO hit Curb Your Enthusiasm just in time for an election year and global pandemic. Season 10, which premiered in January after a two-year-plus hiatus, is a comedic buffet of food riffs: Larry reignites his rivalry with coffee-slinger Mocha Joe when he opens a “spite store” called Latte Larry’s directly next door to Mocha Joe’s cafe; Larry realizes he’s consistently seated in the “ugly section” of a trendy Italian spot with a condescending host (played to smarmy perfection by Nick Kroll); Larry and Jon Hamm fight with Richard Lewis about the appropriate allotment of appetizers; Larry wears a MAGA hat to lunch so that his dining mate will cut the meal short; Larry gets a sweaty server (Abbi Jacobson) fired after she shamelessly declares that she’s suffering from diarrhea, then gets diarrhea himself from his favorite licorice; Larry offends the staff of a Catalonian restaurant when he knocks out his tooth and pronounces everything with an unnecessary “th” sound. Then, of course, there’s the season-long debate: What makes a good scone?

If you worry that Curb Your Enthusiasm would seem particularly trite while the world is figuratively on fire — well, it is trite. And it always has been. Nitpicking on life’s small annoyances to the point of embarrassment is kind of the point. — Madeleine Davies

John Mulaney & the Sack Lunch Bunch (available to stream on Netflix)

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John Mulaney & the Sack Lunch Bunch is a very tender and funny one-hour comedy special on Netflix lightly satirizing Sesame Street, and everyone with a soul should let it gently touch them. Mulaney stars alongside a cast of impossibly cute child actors and guests like David Byrne, and it’s all built around musical numbers like “Grandma’s Boyfriend Paul,” which will probably make you cry, and “Sacha’s Dad Does Drag (and the Act Needs Work!),” which might also make you cry. There are two great food tie-ins, not including the sack lunch of the title. There’s a brief stub of a song called “Let’s Play Restaurant,” in which — when Mulaney plays along — the restaurant is closed for a private event, sorry, you should have checked their website. And then there’s an instant classic of a song that’s near and dear to my heart as a once-upon-a-time very plain-eating child, called a “Plain Plate of Noodles,” in which Orson Hong, a little boy, explains his gastronomic limitations in song and dance. The lyrics! The choreography! Thirty out of 10. — Caleb Pershan

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HBO/Curb Your Enthusiasm

Looking for something delicious to watch this weekend? We’ve got you.

Party Down (Seasons 1 and 2 streaming on Hulu)

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The original Queer Eye for the Straight Guy (available to purchase on Amazon Prime)

Project Runway (Season 10, Episode 2, available on Hulu)

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ZeroZeroZero (Season 1, Episodes 7 and 8, available to stream on Amazon Prime)

Playtime (available to screen on the Criterion Collection)

Curb Your Enthusiasm (Season 10, available to stream on HBO GO)

John Mulaney & the Sack Lunch Bunch (available to stream on Netflix)

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#Blogger #cooking #Eater #food #recipes

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stargleeksil-blog · 7 years ago

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Criminal Minds 04e10 Brothers at Arms review - or more aptly named, the only time you will hear Lucifer saying the word ‘Playboy’ and referring to a gangbanger, Derek is still hot, and I think my birthday present this year should be a defibrillator.

Episode 10 – Brothers at Arms

Hey guys! So last episode was a definite breather, really loved it. I actually had to gasp a few times because I laughed so hard at how Derek asked Spencer to wingman him, how that loser made fun of Derek and how Spencer ended up the one scoring. It was glorious.

Let’s hope this one is good. Though the title doesn’t bode well.

We’ll see what happens.

God, that young cop is really getting on my nerve. How did he get past the academy like this?

Don’t the police have higher standards?

Oh wait, it’s 2008, never mind.

Shit. Two cops were shot in this. Fuck.

God, I really don’t like how Jordan is shooting down every one of their theories. I’m relaly not rooting for her here.

“Gang members don’t usually take trophies. They don’t need to. This is an unsub with something to prove.”

And you would know this, how, Derek?

Oh yeah, you were on the Chicago PD. Forget it sometimes.

Also, I’m willing to stake my beloved Inissia Nespresso machine and bet that the killer is a cop.

Don’t take me on this, please, I love my Carl.

Ayn Rand: “We are all brothers under the skin. And I, for one, would be willing to skin humanity to prove it.” Powerful stuff.

Especially in Shemar’s yummy voice.

“Okay, while you birds have been in the air, I got the 411 on the first shooting.”

“Mon dieu. He was a single parent. Two daughters.” Oh honey, I love how you relate to the victims.

Oh honey, I love how you take it personally because you were a cop. Baby! “Will do, but I should warn you, it will not be cake, because I have been on the phone with these guys all morning and pulling files from them has been like pulling molars.” I love her analogy.

“Be prepared to hit a blue wall of resistance.”

Oh boy.

HEY! LUCIFER! AWESOME!

Oh boy. He’s really not liking the FBI. Damn.

So the captain is determined on sending them away? Ha. Like Morgan will agree to that.

Oh god, they’re just hitting walls on every corner, just like Garcia said. Damn.

“Walking into a potential ambush every time they take a call.”

Damn.

Oh boy, that asshole caused a distraction for them to split up again. Oh boy.

Why is he automatically pointing the finger at the banger he mentioned earlier? “You saw Playboy there?”

“No, but – we all know he did it, agent.”

“No, we don’t.”

Damn straight.

“Lieutenant, you think I don’t know how bad you want this guy?”

“I was a uniform just like you. I saw a lot of cops go down.”

“Before that, I watched my father get shot.”

“He was killed doing his job, a cop’s job, so don’t think I don’t know.”

Wait, Derek’s dad was a cop? Oh, honey!

“We can forget cross-referencing. These guys were just assigned this beat.”

“He’s enjoying the hunt.”

Oh dear.

So basically they’re dealing with a narcissist asshole who’s trying to show he’s better htan everyone, knowing that the cops, the feds and the press are watching him? Damn.

“These guys are still trying to pin the shootings on a gangbanger named Playboy.”

“I have a feeling we’re not going to be able to hold them off much longer.”

“Hello, Playboy.”

That’s the dummy? Oh god, he looks nothing like what I imagined. Then again, I was imagining some hunky beef like Shemar, so.

“Since we’ve got this guy, why don’t we see if we can use him?”

Oh boy, is Derek going to talk to a gang leader? I’m loving this.

For all the wrong reasons.

“I said I know you didn’t kill those cops, but he doesn’t. And they don’t.”

“And trust me, they don’t care, man.”

“I don’t give a damn about you.”

HA.

Someone needs to arrest him for hotness.

“Without your say.”

Oh god, his ‘hood talk just came out and I’m loving this.

“I mean, if I’m you, I’m thinking I want this guy gone for good. What you think?”

Oh god.

“This cat goes from cold to hot in a heartbeat, nothing in between.” DAMN.

Hey! Don’t antagonize Playboy, Lucifer!

“I’m helping you, he’s not.”

Too true.

Oh god, Lucifer, I swear to god, man, I’m gonna let Playboy loose all on your pretty face.

“Playboy, don’t do it.”

God, it’s like watching Shemar talk to his doggies, man.

Crap. Another one.

Wait. They cornered the shooter? But it doesn’t make sense. He shoots at night.

Not the same guy.

Called it.

Did one of them just fall out of the window after being shot? Oh damn.

Why are they making out the captain look so stupid? I don’t get it.

So he’s already got the media on this? And he’s only giving Hotch four hours to prove it’s not the right guy? Oh god.

“Muy pronto.” I love you, Garcia.

Oh, he’s good at looking cocky.

“No offense, lieutenant, but we’re not wrong.”

Nope.

“So Diablo went after the cop who put him away, assuming it would be lumped in with the other murders.”

Oh boy.

Lucifer with glasses. Someone make this a fic.

“He said Bobby Q’s necklace was missing.”

Oh boy, so the asshole started with Playboy’s lieutenant? Oh dear.

The guy also attacked a bouncer at a bar that wore a ballistic vest.

“Apparently they don’t serve Shirley Temples at this establishment.”

Oh honey.

So the bouncer was into a fight club? Ew.

I hate the idea of fight club, never could get through the movie. Philosophically, it’s brilliant, but graphically? I had to bury my head in my couch pillow.

Oh crap. FBI cracking down on a fight club. Damn.

“I think he’s trying to let us know they have the right to be idiots.”

GENIUS!

“It’s owned by the city, which means …”

“Y’all are going to jail.”

Oh god, this guy’s description of the fight is making me sick.

Yeah, Rossi, haven’t you seen fight club? You don’t talk about fight club.

“How about a description?”

At least Morgan has some sense.

Wait. Isn’t giving out a press conference Jordan’s job? Hahaaha, they still don’t trust her. And rightly so.

“This is his last stand. He’s gonna want to make it count.”

Oh boy.

“But of course. Okay, real time satellite image shows … not a whole heck of a lot.”

I love her lines.

Why is Morgan always at the front of the line? Are they trying to screw me into an early heart attack?

Is the junk food not doing its job?

“Stay safe, my loves.”

Word.

Less than six minutes, let’s catch this asshole.

So weird seeing Lucifer with a gun.

So the first call in was a false alarm.

Don’t worry, babies, you’ll get him.

HOTCH BEHIND YOU!

YES! THEY GOT THE FUCKER!

WHOO! “You knew he wouldn’t be at the first address.”

“We figured he’d wait until Hotch was alone.”

Well yeah, they did mention they’d painted a target on his back.

“So the tip was a diversion.”

Well, intended to be.

“Something like that.”

Exactly.

“No thanks necessary, lieutenant. We did it together.”

Aw, honey!

Oh shit. Playboy shot the asshole. Lol.

And oh my god, why are you driving down the streets with music blaring? This is a small neighborhood, don’t be a dick.

Sorry, it’s my stressor ;)

“I think I’m going to stick around. There’s something I want to do.”

What?

Oh honey. I love you.

No one should be allowed to look this hot in a suit.

Oh my god, I can’t handle Shemar interacting with kids. It’s too much.

Fuck, where’s my defibrillator? Oh, I don’t have one? *quickly going to Amazon*

“Sam, your father was a hero.”

Oh shit. I can’t. Where’s my Kleenex?

William Shakespeare: “For he today who sheds his blood with me shall be my brother.”

Seriously? They had to end this one with Shemar quoting my favorite playwright? Oh god.

Okay, so this episode was rough. But well-planned. They peppered in enough humoristic one-liners that made up for the seriousness of the episode, they had some character development by shedding some light on Derek’s background as a cop, they had him do his gangster Shemar voice which was super hot. They had Mark Pellegrino, who is a big favorite guest star of mine. On any show. And they ended it by making me nearly sob when Derek interacted with the dead cop’s kid … I can’t handle hot people being sweet to children, it’s too much.

And of course, Shemar’s sexy voice just quoted Shakespeare and I need both a yearly supply of Kleenex and a defibrillator.

Damn.

I’ll see you all next time, hopefully it will jumpstart my heart and I won’t need to spend money on that thing.

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pafsins2 · 8 years ago

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Everything RIGHT With Summer Belongs to You!

1.While a bit simple compared to other specials, I rather like this very short intro. I don't know, there's something charming about it.

2.A simple and nice set up for the Candace plot.

3.I JUMP THEREFORE I AM

4.I LOVE the You're Watching Television Gag. If only because Disney Channel was really bad with this kind of thing at the time.

5.The Big Idea is genius here. The idea to go around world in one day is an idea that has a lot of possibilities for comedy and drama, and of course this special takes full advantage through many ways we'll get into.

6.I DANGLE THEREFORE I AM

7.”By busting the boys, I bust myself” Deep. Jokes aside, she's got a point.

8.”I'm also packing this book of puns” Nice.

9.Heh, Stacy's clearly been through this before.

10.I notice the animation is REALLY good in the first Act of this episode. Especially in this backyard scene. There's extra shading and lighting on the characters, it's very noticeable with Buford while he's going on. Slightly clashes with the rest of the special but it still looks great.

11.”It's a name, followed by a big number!”

12.Here's our set for Phineas' conflict. This whole plot tests his world view, and Buford's bet very nicely sets this up. Even if they have to lampshade the fact that he's seen them do the impossible, he's clearly trying to see if he has his limits.

13.This cutaway is funny and adorable.

14.Clay Akien and Chaka Kahn are a win, as this really good song. A nice example of this kind of song while lightly spoofing it.

15.Heh, Chaka gets to say Where's Perry.

16.”Coincidence? ...A Hundred Percent Yes!”

17.Candace's plot is rather interesting. At this point, people weren't quite sure if they were flat out a couple or not and this episode has Candace wonder that as well. Good further set up for her arc.

18.Vanessa/Doof's arc is also great. Vanessa understandably doesn't want him to put “work” over her and like everything else, it's nicely set up and developed.

19.And Doof isn't flat out neglecting her, he thinks Vanessa wants in on evil as we see her. So they don't go full on “Dumbass dad”.

20.Phineas is on a soap box, nice.

21.Besides the concept of going around the world being good in general, the other plot lines tie into it really well. Candace wants to see Jeremy in Paris, they pick up Vanessa in Tokyo, and Isabella wants to be all romantic in Paris. Everything is tied together neatly so it all flows well.

22.Clay and Chaka being forced to clean is funny.

23.Doof's plan is rather evil/smart by Doof standards.

24.This was the first time they said OWCA's name in canon and it is glorious.

25.This song is incredibly odd but also incredibly fun. Fun Fact: They came up with the lyrics by putting it facts about Japan through layers of Google Translate, just like those YouTube videos you see.

26.”Basically I'm 35 percent metal”

27.Phineas and the rest of the kids meet Vanessa for the first, plus the Candace/Vanessa friendship really started here.

28.The Klimpaloon is a win.

29.Team Doofenshmirtz is funny/

30.”So Candace, what is Ferb short of?” “...I don't know” Nice. Oslo, the irony of her being the one to reveal it in AYA is nice.

31.Arguably the most pointless song, but it's also my 2nd favorite. Love the melody and style to it.

32.Sabu himself is fun for the short screentime he has and his rubber band ball moves the plot forward.

33.Sad Klimpaloon is funny

34.Love Handel is always a win.

35.Bujeet kiss tease complete with lady and the tramp reference.

36.”Uh Yeah....rented”

37.The Paris section is where everything gets more complex, starting with Candace. She starts to see that Jeremy does have a life outside of her, and feels guilty for being so creepily obsessed with him. A pretty bit especially with the music.

38.Oh boy, let's talk about Isabella. First off, City of Love is great. It's a great sad tune with good use of French and even some good jokes.

39.People have been split on this part, with some chastising Phineas for being obliviosu or Isabella for not realizing that getting home is a tad more important. They are both right, as that's where the brilliance of this plot comes in. I'll have more to say later, but for now this sets up Isabella's side brilliantly.

40. Oh and yes, Alsyon Stoner is great here.

41.”Hey you stop letting my balloons go!”

42.Buford speaking French is great, and gets explained later on.

43.”Sometimes if you love somebody, you have to meet them halfway” This is the other central theme of the episode besides the other obvious one. This of course reflects the Doof plot but it plays into all the others extremely well, as we'll see.

44.The way it plays into Vanessa's plot is oblivious, as she decide to take a bit of an interest in his work while he of course has to set aside work more often. Meeting haffway.

45.Monobrow.

46.A nice little tragic moment for Ferb. Interesting how this was pretty much the end of the Ferbnesa stuff. IT WAS THE END I WILL NOT HEAR OTHERWISE.

47.Isabella's head exploding gets me every time.

48.”That's good because I was thinking of getting a cowboy hat”

49.”Summer belongs to you” Title Drop!

50.This is another great scene, with them encouraging Candace to believe in herself. I can't quite do it justice here but it's awesome.

51.Nice continuity too.

52.And we follow up one great scene with another. First off, Candace meets Jeremy halfway by deciding to perhaps back off from the obsession while he does so by officially becoming her boyfriend and showing up later.

53.And in general it's extremely sweet.

54.Good use of Voltaire, Buford.

55.Follow of the Sun isn't quite as good as the other songs here, but it's nice and fits well here.

56.”Everything reminds you of Karen Johnson” “...I hate being a sailor”

57.”That was our worst landing yet” Only Phineas could say that happily.

58.This is my favorite scene, it's where the Phineas plot really comes together. First we him slowly running out of optimism, so matter how hard he tries to fix things.

59.Hey, OWCA finally tries to arrest Doof!

60.Vanessa saving Doof and showing some evil is awesome.

”Look, a sponge and starfish! There's gotta be something we can do make out of this! Oh no, that's ridiculous” … +2

63.”We...we can't” This scene is beyond heartbreaking. It's so sad to see Phineas flat out give, and the pacing, plus Vincent Martella, really sell it.

And the Isabella plot comes full circle. She finally has a chance to sit down with Phineas, but it's right at his lowest moment. This is where her side of meeting halfway comes in. She sees that getting home is at the moment, more important for Phineas. She has a chance but would rather get him out of this, knowing she'll have another chance some other time which she get!

See, that's what I mean by most sides being right. They show both sides, and use it to explore this beautifully. You know, + 2 again!

66.”That's not the Phineas Flynn I fell...into this situation with”

67.”We got about, I'd say 11 minutes/' Nice.

68.”We go have this rubber band, made with super special density” Again, Nice.

69.This whole bit is nice, with Phineas coming up with a crazy but smart way to get them off the island.

70.Remember back in Swiss Family Phineas, when Candace suggested using a slingshot to get off that island? Epic Foreshadowing is a win!

71.”I finally ate a bug!”

72.The Substitute teacher gag is great.

73.And now Buford starts to get sucked into Phineas' goal. Nice.

74.Buford giving everyone their bikes back to help them is awesome.

75.'GET ON THE TRIKE!” All jokes about the trend this started aside, this is really awesome in so many ways.

76.I BELEIVE

77.Exciting climax with extremely satisfying payoff!

78.See, Isbella gets a moment with Phineas at the right time, like I said!

79.While I'm not on the “best song ever” train, this finale song is still pretty excellent. It's very upbeat, fun and is a perfect ending to the special capping off everything very nicely, mostly with Phineas, Isabella and Candace.

80.Candace's verse is best due to the sweet lyrics that have her saying how awesome her brothers are.

81.Also, slight sweet moment with her and Ferb!

82.This song also shows the more obvious main theme: Make the most of every day. The show in general pushes this but especially this episode. In general this episode does an excellent job of having two major themes are fit together perfectly so thus an extra win.

84.And in the middle of this, Candace and Jeremy finally get together with a kiss. Awesome!

84.And awe end this emotionally heavy special with a funny gag.

85.Of course, gotta win the use of the great song in the credits.

86.To Recap, we have multiple equally excellent characters arcs, tied together with the main concept, all of which tie into two major themes really well, with plenty of emotional moments, development,, and hilarious gags. Yeah, this is why this is to me the best episode objectivitly, even with all the specials that came after it. Which is very impressive!

87.In airing order, the next episode was Nerds of a Feather. Best Double Feature ever!

88.In production order, the episode right before this was Candace Gets Buted. Can say Best Apology Letter Ever?

EPISODE WIN TALLY: 88

REWARD: Finally eat a bug.

Yes, this had more wins than sins.(The past had more as well). I I admit to trying to do that on prupse but in this case it happened naturally, moistly. Nice. Helps that there's a lot of good jokes and character moments. I put extra effort into this, to really show why it is possibly the BEST episode, even if NOAF is my favorite. This another one I talk a lot about, so hopefully this is a good finale to my discussion of it.

I do have other ideas for win post and such but I had only so much room. And speaking of finales, tune in tomorrow we finally tackle the official series finale. Yep, it's gonna be....fun. See you all then.

#Season 2 Wins #Special Wins #Phineas and Ferb #Wins

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zrtranscripts · 8 years ago

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Radio Abel, Season Three

Part 2 of 7

ZOE CRICK: And we're back. So, as we were saying before the break, Eugene and I have been working on a little project recently. Lots of the messages we get from our listeners include their own stories of surviving the outbreak, and what they did in the days since.

A lot of these are very personal and often very touching, so we didn't want to belittle these experiences by prattling on about them. Instead, we wanted to play you all a collection of these stories, to give them the respect they deserve.

EUGENE WOODS: Exactly. We know how hard it is to talk about experiences like these, but we also know how important it is to do so. So here we go: your stories of the outbreak.

CALLER: How did I survive? Well, I'm a family practice physician, and my patient, Mister Smith, started to change while I was getting ready to go into the room to see him. It's like nothing I'd ever seen before. I yelled for my nurse. That was a bad idea. I was able to get myself out of the way, but he attacked her. The next thing I know – something different – he started to change faster, and so did she. We later found out he was patient zero here in the Portland/Vancouver area.

Well, I cornered them into the exam room as best I could. The only thing I had available was one of the electronic automatic defibrillators. It wasn't the best idea, because when it went off, I ended up with two zombies that were partially on fire. The only thing I had left was the ax that was near the fire extinguisher. I was able to finish them off, and that's the only way I survived.

SCOTT: Hey, guy! My name's Scott. Long time listener, first time caller. [laughs] I've always wanted to say that. Before the zoms, I was actually a radio DJ myself! Strange to be on this side of things. You're doing great, by the way. Keep up the great work.

Um, but... memories. One of the things I always enjoyed doing before the outbreak was to sit out under the fall evening sky with my wife, and I'd play her songs on my guitar. And those were always such peaceful moments. That's actually what my wife and I were doing when we got the word of the outbreak. A neighbor screamed the details from his yard as he was packing his family into the car, and they ended up speeding away.

I can't remember his name, and we'd been neighbors for three years. I take time to learn names now, though. Might sound funny, but somehow it seems more important. Anyhow, uh, even with the heads up from my neighbor – man, I wish I could remember his name – we just didn't move fast enough. It's amazing how quickly things can shift from calm and peaceful to just utter chaos! I still play guitar from time to time, it's just a little harder to do without her.

CALLER: During my second year of college, uh, there was this one storm in April that knocked down a bunch of trees on campus, and we lost power for two whole days. So my friends and I spent the next two days making blanket forts and raiding my supply of glow sticks, and joking about what we would do if the apocalypse had actually happened.

Then it did, and I'm halfway across the world studying abroad while they're back in America. But mostly I just... I really want to know if they carried out our zombie escape plan, and if they actually are on some remote island in the Bahamas, making blanket forts again.

JACK HOLDEN: We'll be back with more of your stories after this.

PHIL CHEESEMAN: Now it's time for more of your stories.

FIRST CALLER: I am – well, I was – an astronaut in training for NASA. My four crewmates and I were doing a six week mission in NEEMO, an underwater laboratory off the coast of Florida. We had been at 60 feet deep for about three weeks, simulating a trip to Mars. We were allowed to check in with our teammates on the surface – whom we referred to as Mission Control – for just a few minutes once each day.

On day 22, we made our daily check-in and were told several people had just come down with some sort of virus. We assumed it was a particularly nasty flu, maybe even food poisoning. On day 23 we got a very brief transmission that mentioned... well, zombies. But we just thought Mission Control was just playing a joke on us, although honestly, we didn't find it very funny. That was the last time we ever heard from Mission Control.

We waited three more days and then decided to abort the mission. It took us six hours to go through the decompression protocols, make it to the surface, and take our emergency boat back to shore. We never found a single living human.

SECOND CALLER: Hey. Thanks so much for all you do. It keeps my spirits up, even though some days, when I miss my dad and my dog, I feel bad just being here. Anyways, I thought that if I pass on something that lifts my heart, it might make me feel like I'm giving back.

On those dark days – or nights, really – I got outside and look up at the stars. The fact that we can not only see the brightest constellations like Orion or Ursa Minor, but without the light pollution, we can also see the glorious sweep of the Milky Way again. Teeny tiny stars that must be millions of light years away, shining down on us from so long ago.

I don't know... I guess feeling small makes me feel better. Weird, huh? Anyway, I better get back to digging for worms. We're going on a fishing trip today, and I can't wait to taste some fresh fish. Thanks!

THIRD CALLER: I missed hot chocolate. A lot. It kept running through my head as I ran from zombies, shot zombies, hid from zombies. I just couldn't stop thinking about it! So I snuck into town and raided a high-end chocolatier. Pulled a sack of vacuum-sealed powder out of the back.

Then I needed milk. Whole milk, the thick and creamy stuff. Did you know that milk cows go feral if you leave them alone long enough? Yeah. Did you know that feral milk cows make enough noise to attact zoms if you try to milk them? That was a fun surprise.

So, [coughs] now I'm sitting here in the rundown remains of a hastily-barricaded dairy farmhouse, heating this [coughs] milk very carefully so it doesn't scald, while the bite in my leg festers. I'm going to drink the best hot chocolate in the entire world, and then I'm going to use my last bullet. And it was totally worth it.

ZOE CRICK: I really hope that was one incredible hot chocolate.

JACK HOLDEN: I'm sure it was.

EUGENE WOODS: I just wanted to take a moment on behalf of all of us to thank everyone out there for sharing their stories. Our hearts go out to you all. Stay safe, everyone.

JACK HOLDEN: Now, our next set of messages are... pretty interesting.

EUGENE WOODS: I love them.

JACK HOLDEN: Well, you do have a well-documented love of crackpots and weirdos.

EUGENE WOODS: Still with you, aren't I?

JACK HOLDEN: ... walked right into that one, didn't I?

EUGENE WOODS: Could not have made it any easier.

JACK HOLDEN: Well, you know what they say -

ZOE CRICK: Do you think you could leave the flirting for the music break, boys? It's lovely and all, but -

EUGENE WOODS: Oh! Sorry. Guess we get a little -

JACK HOLDEN: - carried away. [laughs]

EUGENE WOODS: [laughs] - carried away sometimes. Anyway, the sounds you're about to hear are transmissions we picked up from across the pond. Ever since Janine upgraded the receivers around here, we've been catching bits and pieces of other stations out in the states, and we thought we'd bring you some of our favorites.

PHIL CHEESEMAN: They're your favorites. You left out the best one.

ZOE CRICK: Someone reading old phone books on the air hardly counts as entertainment, Phil.

PHIL CHEESEMAN: Aw, it was soothing! She had such a calming voice. It was like listening to the shipping forecast.

ZOE CRICK: You really are a man of singular taste, aren't you?

PHIL CHEESEMAN: Well, you know what they say -

JACK HOLDEN: Oi!

PHIL CHEESEMAN: What?

JACK HOLDEN: Pot, kettle. Flirting.

PHIL CHEESEMAN and ZOE CRICK: We are not flirting!!

JACK HOLDEN: [snorts] We know, we know. Just colleagues. But the point stands. Now, let's get on with it, shall we?

EUGENE WOODS: Yeah, we're running on now. Let's do a song first.

JACK HOLDEN: You're the boss. And we'll be right back with our transatlantic transmissions.

JACK HOLDEN: Okay, here we go. Now this first transmission is certainly something special.

ZOE CRICK: [laughs] That's one way of putting it.

EUGENE WOODS: Here he is – Nick Trapezius, with Brawn of the Dead!

[epic rock music]

NICK: What up, swole-diers? This is Nick Trapezius, back with another Brawn of the Dead. Somebody asked me the other day, "Nick, why are you still hitting the gym and getting so huge? Doesn't the zombie plague mean we've got to be lean and mean?" No, ma, it does not. Running all day is fine if all you want to do is run away. But if you want the bad guys running from you, then size matters!

I know. "But Nick, zombies don't fear muscles." Doesn't matter, ma, because muscles don't fear zombies. You don't need a shotgun when you've got these guns. Sweet bicep flex. [rock music] Until next time, bros, this is Nick Trapezius saying keep picking things up and putting things down.

EUGENE WOODS: [imitates NICK] Ooh yeah! [ZOE CRICK laughs] You don't need a shotgun if you've got these guns.

PHIL CHEESEMAN: Sound, sound advice.

JACK HOLDEN: [imitates NICK] Sweet bicep flex.

[ZOE CRICK and EUGENE WOODS laugh]

PHIL CHEESEMAN: We all heard the clip, guys.

EUGENE WOODS: [imitates NICK] Keep picking things up and putting things down.

[JACK HOLDEN and ZOE CRICK laugh]

PHIL CHEESEMAN: All right! Enough! Could you please play a song, Zoe?

ZOE CRICK: [imitates NICK] What's the matter, Phil? Did you never dream of being a swole-dier?

PHIL CHEESEMAN: Not really, no. Music!

ZOE CRICK: [laughs] All right, all right, party pooper.

PHIL CHEESEMAN: Okay, we're back! And even though it's not my favorite, here is a transmission that I did enjoy. We've got Father Neil here with some lovely biblical discussion.

[soothing music]

FATHER NEIL: Welcome to another episode of "Revelations." I'm Father Neil.

Thomas writes, "Father Neil, wasn't Jesus a zombie, since he rose from the dead?" Well, Thomas, I can't find a single instance in the Gospels of Jesus biting anyone, before or after the Resurrection. And while Christ did bear the marks of his crucifixion (John, chapter 20,) there is no mention that his flesh was rotting off his bones, which is, I think, something the apostles would have noticed.

So to answer your question, Thomas: no. Not everyone who rises from the dead is a zombie, just like not everyone who swims is a fish. [soothing music] Until next time, this is Father Neil, reminding you to praise the Lord, and pass the ammunition.

ZOE CRICK: Not exactly the most holy of discussions, is it?

PHIL CHEESEMAN: What do you mean?

ZOE CRICK: "Was Jesus a zombie?" It's hardly the stuff of great scripture.

PHIL CHEESEMAN: Well, in case you hadn't noticed, Zoe, we're a bit short on bishops and pastors right now, and I'd rather have this sort of discussion than some meathead talking about his "guns."

ZOE CRICK: [laughs] Am I detecting some jealousy here?

PHIL CHEESEMAN: What? Why do you think I'd be jealous?

ZOE CRICK: Well, it's not like you have an arsenal of your own, is it?

PHIL CHEESEMAN: How - ? I don't know - ! Oh, stick it up your arsenal. Play a song, would you?

ZOE CRICK: Ooh, touchy!

EUGENE WOODS: All right, we've had Phil's favorite -

PHIL CHEESEMAN: My second favorite.

EUGENE WOODS: - Phil's second favorite, so now it's time for mine.

JACK HOLDEN: Oh. Oh, it's so creepy.

EUGENE WOODS: Well, you know what I like.

JACK HOLDEN: ... I do. I do.

EUGENE WOODS: So here's Eric Luke, all the way from Hollywood.

[static]

ERIC: Hello? Hello? Is this transmission being received? Will I ever know? My name is Eric Luke. I am camped in the hills above what used to be Hollywood. I look out over the endless necropolis of the film industry, now crowded with zoms that careen through the streets with the same howling hunger for human flesh that propelled them through their careers.

I found a high-powered rifle scope the other day and was finally able to peer into the top floors of all the studio towers that I used to haunt, making pitch after pitch. I'll be damned if in every palatial penthouse office, there wasn't a rotting corpse sitting at every massive desk, staring into space. Some things never change.

Hard to believe, but with the city shut down, the desert is reclaiming its own. And it gets cold up here at night. To keep warm, I'm burning the Hollywood sign one bit at a time. First, it became Holywood. Then, Holywod. Then, Holywo. Then Howo, then Owo, then just O. Or zero. You tell me.

This is Eric Luke, signing off. Oh, and if you've got a second, I've written an audiobook called Interference. See, it's about an audiobook that starts killing people when they listen to it. And you're listening to it, see? And there's this guy, and he's – [drowned out by static]

JACK HOLDEN: Well, at least he's not as bad as Father Michael.

EUGENE WOODS: I still don't know why you hate that guy so much.

JACK HOLDEN: Uh, because he's about a 10,000 on the creepy scale. He's an evangelical preacher, and a conspiracy theorist. That's like sharks with lasers.

EUGENE WOODS: Yeah! Perfect! I wonder what happened to him.

JACK HOLDEN: Probably wandering around the wilderness somewhere, trapping people in pits or something.

ZOE CRICK: You know we have no idea what you're talking about, right?

JACK HOLDEN: Oh, it's um, it's just this old thing that Eugene thought was great, but actually it was really disturbing.

ZOE CRICK: Fair enough. Do we have any more recordings to play?

EUGENE WOODS: We do, actually. One more, and it's just for you two.

PHIL CHEESEMAN: This isn't another trick, is it?

EUGENE WOODS: No, no! Wouldn't dream of it! Don't worry! Let's have a song, and then we'll get back to our last transmission.

ZOE CRICK: Sounds good. Here's one for you, Eric.

PHIL CHEESEMAN: All right, Eugene, what do you have for us? I'm all nerves over here.

EUGENE WOODS: This is something that came in the other night. Jack, ready?

JACK HOLDEN: Yup! Here we go.

CALLER: So the camp I'm at is letting us send out messages, try to find family if we can. I don't have anyone left, and I promised myself I'd do this if I ever could, so... before all this, I had a crazy overactive conscience. Like, "couldn't even be mean in video games" level of guilt. Not really surprised it never went away, even given the circumstances.

Jack, Eugene, you guys were a bit of bright in this darkness. And Phil and Zoe, when you took over, I judged you guys unfairly, and since then, it's been eating me up that I did that. Solo shows, all together – you guys are helping people feel safe and happy, and that's huge. So I'm sorry, even if it doesn't mean anything to you guys. Guilty conscience, promised myself, all that. So there it is. Thanks for everything. All of you.

PHIL CHEESEMAN: Oh...

ZOE CRICK: What a nice message.

PHIL CHEESEMAN: You didn't... like us?

ZOE CRICK: Not the point, Phil.

PHIL CHEESEMAN: But-but we were trying so hard!

ZOE CRICK: They like us now! That was the whole point of the message.

PHIL CHEESEMAN: Yeah, but... I thought we were doing a good job.

ZOE CRICK: We are doing a good job.

PHIL CHEESEMAN: Well, but - !

ZOE CRICK: Listener, thank you for your message. It was very sweet of you to let us know, and we're glad we brought you around.

JACK HOLDEN: Amen. Listeners, uh, well, it's been great to hear all your messages, and we want to thank you all for sending them in.

EUGENE WOODS: We really couldn't do what we do without you guys, and we hope we've brought a little light into your lives, wherever you are.

ZOE CRICK: But that's all we have time for right now, so until next time: stay safe out there, everyone.

ALL: Stay safe out there!

[paper rustles]

PHIL CHEESEMAN: [clears throat] The names for tonight: Olivia Bore, Joseph Cates, Hailey Corlitt, Fay Corney, John Crips, Christina Decker, Peter Grier, Odelle Kennan, Duncan Knox, Alexander Lassiter, Sonja Liggens, Jared Little, Anita Little, Bertram Lund, Finn McDonald, Danielle Onstadt, Dale Platt, Marguerite Robicheau, Gillian Scoville, Lucien Siba, Omar Sip, Louise Stockhard, Marty Stockhard, Katherine Williamson, Sigrid Witter. May they all find peace. We return shortly.

PHIL CHEESEMAN: And now, a moment of silence in which to remember all of those we've lost. Let us give special thought to those out there who knew today's interred.

[silence]

[door opens]

EUGENE WOODS: Oh, hi, Phil! I, uh... sorry, uh...

PHIL CHEESEMAN: Shh.

[silence]

PHIL CHEESEMAN: [whispers] In nomine Patris et Filii et Spiritus Sancti, amen. [out loud] Sorry, Eugene. Can't sleep? Want to sit down.

EUGENE WOODS: Yeah. Thanks.

PHIL CHEESEMAN: No problem. We're about to go for a break anyway. Listeners, we'll return shortly.

EUGENE WOODS: So you do this every night?

PHIL CHEESEMAN: Unless I'm ill or there's an emergency or something, yeah.

EUGENE WOODS: And the names?

PHIL CHEESEMAN: Uh, the cleanup crew make sure to check for I.D.s or anything before the burial. I asked them to start keeping a list.

EUGENE WOODS: That's... that's very kind, Phil. Why do you do it on your own?

PHIL CHEESEMAN: I don't know. It felt right, I suppose, and I wasn't really sure Zoe would understand.

EUGENE WOODS: I don't know. She puts up a tough front, but -

PHIL CHEESEMAN: - she's a softie, really. Yeah, yeah, I know. Still, felt like something I should do on my own. [laughs] Uh, my granny used to tell me how she waited for my granddad to come home. All those weeks waiting, not knowing if it would be him knocking at the door or if it would be a letter from the Army. She said not knowing was the worst thing.

When I started doing the radio, I thought, you know, if only there'd been a man on the radio for my gran. We can't send letters anymore, but I thought for the people we know are gone, we can do this. Because knowing is better than not.

EUGENE WOODS: I... yeah. Yeah, I suppose it is.

PHIL CHEESEMAN: Would you like a cup of tea?

EUGENE WOODS: That'd be nice, thanks.

PHIL CHEESEMAN: No problem. Here's a song while they brew up.

[PHIL CHEESEMAN snores]

EUGENE WOODS: [slurps tea, sighs] Hm. Oh. Oops. [laughs]

[PHIL CHEESEMAN snores]

EUGENE WOODS: [sighs] Good morning, guys. Afraid it's just me right now. Phil's asleep, and uh, well, I'm not sure where everyone else is. [clears throat] It's nice to have some peace, to be honest.

One of the things about the apocalypse – one of the things you don't think about before it happens – is how hard it is to get your own space. You're living in each other's pockets, sharing a bathroom with dozens of other people. You can't go off anywhere in case you get, you know, eaten. [laughs]

But I guess you have to take pleasure in the small things, sometimes. So I'm going to sit here with the sun coming up, trying to ignore Phil's alarmingly heavy breathing, and enjoy this cup of tea.

[PHIL CHEESEMAN snores]

ZOE CRICK: [indistinct conversation from outside of the room] It took me a while to get used to it, as well, but you'll soon learn the layout. I once got lost trying to find a bathroom, somehow ended up on the other side of the castle, [laughs] locked in a pantry! [JACK HOLDEN laughs] Oh, here we are.

[door opens]

JACK HOLDEN: Ah, home away from home sweet home. Aw, hey, Gene! I was wondering where you'd got to.

EUGENE WOODS: Shh! [whispers] Phil's sleeping!

JACK HOLDEN: Oh! Oh. [laughs]

ZOE CRICK: Oh God. Again? The amount of times I find him sleeping up here, you'd swear he didn't have a bed to go to.

JACK HOLDEN: Shove up a bit.

EUGENE WOODS: All right, all right.

ZOE CRICK: [quietly] Phil. Phil! Wakey-wakey! [out loud] Oh, for God's sake. Phil!

PHIL CHEESEMAN: [jolts awake] Good - good rise, ci-ti-zens! It's time for morning and shine here on Radio Cabel!

[others laugh]

ZOE CRICK: You're a true pro, Phil. Come on. Let's give you some time to wake up, eh? Listeners, your normal programming will resume shortly.

PHIL CHEESEMAN: [mutters] Tea.

ZOE CRICK: All right, and we're back! How are you feeling, Phil?

PHIL CHEESEMAN: [yawns] Oh, bright-eyed and bushy-tailed. Thanks, Zoe. You're not normally up this early.

ZOE CRICK: No. I promised to show Jack the ropes in the breakfast line.

EUGENE WOODS: Ah, getting the grand tour without me, eh, Jacky boy?

JACK HOLDEN: Yeah, well, we couldn't find you. Sorry.

EUGENE WOODS: Hey, no problem. I was enjoying a nice cup of tea with Sleeping Beauty here. Any insider tips for the New Canton resident?

JACK HOLDEN: Ah, well, you know how in Abel, you have to get lottery tickets for laundry and showers and stuff?

EUGENE WOODS: I remember the smell in the shower

JACK HOLDEN: Yeah, well here, it's all divided by where you live, and you get to do laundry and showering and stuff according to that.

EUGENE WOODS: Okay, I see how that could work. When's our next day?

JACK HOLDEN: Uh, well, we're in Unit 15, so um... Zoe?

ZOE CRICK: A week on Thursday.

JACK HOLDEN: Oh.

EUGENE WOODS: Great.

PHIL CHEESEMAN: Oh, don't worry, Eugene. I've been keeping something to one side for this very occasion.

ZOE CRICK: Clean socks?

EUGENE WOODS: Deoderant.

JACK HOLDEN: Febreze? ... what? It's an effective solution to certain hygiene issues.

EUGENE WOODS: No comment.

PHIL CHEESEMAN: But no, it's none of those. What I do have is this tub of Vicks VapoRub.

JACK HOLDEN: Phil! I did not take you for a raver, you sneaky beast.

PHIL CHEESEMAN: What?

JACK HOLDEN: Oh. Uh, nothing.

EUGENE WOODS: I'm not sure I see how this is going to be useful.

PHIL CHEESEMAN: Well, Eugene, I'm glad you asked. You see, all you need to do is take a little bit of the stuff and rub it just under your nose.

EUGENE WOODS: ... okay...

PHIL CHEESEMAN: See? Now you can't smell anything. [sniffs]

EUGENE WOODS: Oh God. My eyes are watering. Oh God, this is strong stuff, Phil. Ow, ow, wow, wow. This is powerful.

PHIL CHEESEMAN: Well, um... sorry. You might want to wipe that off, then. But trust me, once it gets muggy in those bedrooms, you'll be glad of a bit of menthol.

EUGENE WOODS: I'll take your word for it. Okay, listeners, we're going to send you off for a song while I get this stuff off my lip.

ZOE CRICK: [laughs] Back soon, guys.

EUGENE WOOD: So, I tell a story -

JACK HOLDEN: No no no, you tell two stories, one true, and one false.

ZOE CRICK: And then we all guess which is which.

JACK HOLDEN: Right, right. And if you get it wrong -

PHIL CHEESEMAN: We drink some cider.

EUGENE WOODS: And why can't we just drink cider anyways?

JACK HOLDEN: Because this is more fun, Eugene. Come on!

EUGENE WOODS: Fine, fine. Okay, who goes first, then?

JACK HOLDEN: Phil.

PHIL CHEESEMAN: No. Uh, I mean, uh, why don't you go first and show us how it's done?

JACK HOLDEN: [sighs] Fine! Okay. So, um... [whispers] sorry, I need to think of a story. Uh, story... Uh, okay, story. Here we go. [clears throat] So, I have been arrested -

ZOE CRICK: Truth.

JACK HOLDEN: Ha ha ha. No, no, I've been arrested. Was it either for a) being naked in the town hall, or b) stealing a bottle of wine from an off-license?

ZOE CRICK: Hmm. Okay, let's figure it out. You probably would have got off with a caution for public indecency, but not for stealing.

PHIL CHEESEMAN: You seem to know a lot about this, Zoe.

ZOE CRICK: You haven't heard my stories yet, Phil.

PHIL CHEESEMAN: All right, all right. So it's probably A, right? Jack's never been to prison, have you, Jack?

EUGENE WOODS: It's B.

ZOE CRICK: You sure?

JACK HOLDEN: No no no, don't listen to him!

PHIL CHEESEMAN: Ah, you've let it slip. Eugene's sure to know all this stuff. It's B. I choose B!

ZOE CRICK: Okay, B.

JACK HOLDEN: Nope! It was A.

PHIL CHEESEMAN: What?

JACK HOLDEN: Everyone drink!

PHIL CHEESEMAN: That's a gyp. Eugene was so certain.

EUGENE WOODS: Oh no, I knew it was A. I just wanted to drink some cider.

JACK HOLDEN: Speaking of which, drink up, everyone. Forfeit's for stalling in my game.

JACK HOLDEN: Okay, Zoe's turn.

ZOE CRICK: Oh God. Okay, okay, um... okay, so. Story one: I have broken so many bones that my local hospital has enough X-rays to make up a complete X-ray version of me. Story two: I have never been admitted to hospital.

PHIL CHEESEMAN: Uh, definitely one. Zoe is super super clumsy.

EUGENE WOODS: I don't know, that's a lot of broken bones. But then, it's also hard to believe that you've never been to hospital.

JACK HOLDEN: Well, my uncle was like 70 and he's always said he'd never been admitted to hospital.

EUGENE WOODS: Your uncle is also an inveterate liar, Jack.

JACK HOLDEN: Oh... oh yeah, yeah. Um... whatever. Story one is true. That's my guess.

EUGENE WOODS: You're so wrong. Story two.

ZOE CRICK: Phil? What's your poison?

PHIL CHEESEMAN: Oh God, I don't know. [sighs] On one hand, my first thought was story one, but then maybe it's two, and... okay, yup. Two, two, two. It's two.

ZOE CRICK: Wrong! I was a very clumsy child.

PHIL CHEESEMAN: Damn! This game is going to kill my liver.

[ZOE CRICK laughs]

JACK HOLDEN: Hey, you're the one that made the cider, buddy.

ZOE CRICK: Exactly. It's your own fault, Phil, for giving us such encouragement. Now get drinking.

PHIL CHEESEMAN: Yeah, yeah. Yeah, yeah.

PHIL CHEESEMAN: All right. Seems I can't seem to pick the right thing, and I don't want to die from booze, I think it's my turn to tell some, um... uh, to... stories.

EUGENE WOODS: Yep, yep.

JACK HOLDEN: The floor is yours, Philip.

ZOE CRICK: Oh, I like that!

PHIL CHEESEMAN: Right, right, right. Okay, okay. Uh, story one: I am the reigning world champion at the game Donkey Kong... Junior. Story two: when I was a baby, I was the face of a popular brand of toilet tissue.

ZOE CRICK: Two.

JACK HOLDEN: Yup.

EUGENE WOODS: Has to be.

PHIL CHEESEMAN: Wait, don't you want to have a chat, or...

ZOE CRICK: Nope. Definitely two.

PHIL CHEESEMAN: Bugger. Fine, yeah.

EUGENE WOODS: What can we say, Phil? It's just clear you were a very, very cute baby.

JACK HOLDEN: Hey, hey, wait, wait, now you have to drink, because we all got it right, and we're the best, and you suck!

PHIL CHEESEMAN: Seriously?

ZOE CRICK: Yeah. It's the rules.

PHIL CHEESEMAN: This game is the worst.

ZOE CRICK: I'm really not sure.

JACK HOLDEN: Oh, come on, Zoe! It'll be fun!

ZOE CRICK: It's not exactly my idea of a relaxing getaway.

JACK HOLDEN: Well sure, we'll be working, sort of, but still -

EUGENE WOODS: It'll be nice to get out, have an adventure, meet some new people, see some new places -

ZOE CRICK: Like the inside of a zom's stomach?

EUGENE WOODS: We'll have protection.

ZOE CRICK: Forgive me if I don't have much faith in the ministry's goons. They can't even land a bloody helicopter properly.

EUGENE WOODS: Hey, to be fair, I think that was a mechanical failure.

JACK HOLDEN: Smoke monster.

EUGENE WOODS: Mechanical smoke monster failure, right.

ZOE CRICK: Still. How do we know they'll keep us safe?

PHIL CHEESEMAN: We don't.

ZOE CRICK: Exactly.

PHIL CHEESEMAN: No, I mean, we don't know it for sure, but listen. We can stay here for the rest of our lives, staring out at the world, straining to hear whatever scraps of news come our way until we starve, or die of old age, or zoms break through the walls, or whatever.

Or we can take the Ministry up on their kind offer, roll out the gates in that van, tour the country raising morale, find out how people are living out there, and spread the good word. We can survive stuck in here, or we can go out and live out there.

JACK HOLDEN: I think I'm going to cry.

EUGENE WOODS: That was a very rousing speech, Phil.

PHIL CHEESEMAN: Thanks, Gene.

ZOE CRICK: Oh, bloody hell.

JACK HOLDEN: Are you in? You're in, aren't you? Yes! She's in! [laughs] [sings] "We're all going on a zombie holiday. No more sitting in this stupid room."

ZOE CRICK: I already regret this decision. [laughs]

EUGENE WOODS: So, it's decided, then.

PHIL CHEESEMAN: Yup.

EUGENE WOODS: We're going for it.

JACK HOLDEN: We are actually bloody going for it.

ZOE CRICK: I guess we are. Yeah. Yeah, let's do it.

EUGENE WOODS: It's decided, then!

ZOE CRICK: It's decided.

EUGENE WOODS: Cool!

JACK HOLDEN: Cool, cool, cool!

PHIL CHEESEMAN: Torch.

ZOE CRICK: Check.

PHIL CHEESEMAN: Spare batteries for torch.

ZOE CRICK: Uh, you're kidding, right? Spares?

PHIL CHEESEMAN: [laughs] I know. Nice one, Mister "CDC Emergency Preparedness Plan." What are we, made of batteries?

ZOE CRICK: "Pleased to meet you, dear chap. Mister Pennyfeather Cornelius Rockefeller at your service. Here, have some batteries. No, no, I insist. They're spares." [sighs] That was a bit of a long walk, wasn't it?

PHIL CHEESEMAN: Yeah. Just a bit. Anyway, the torch is one of those windup doofers.

ZOE CRICK: All right, what's next?

PHIL CHEESEMAN: Thermal blankets.

ZOE CRICK: Pair of old rugs, check.

PHIL CHEESEMAN: Tinned food?

ZOE CRICK: Hunting knife and trapping cord, check.

PHIL CHEESEMAN: Bottled water.

ZOE CRICK: Having lived like this for bloody ages and knowing how to clean your own water, check.

PHIL CHEESEMAN: Okay. Last one: "Though we do not condone violence in any situation, it would be wise to have something with which to defend yourself."

[weapons clatter]

ZOE CRICK: Check.

PHIL CHEESEMAN: My God, Zoe, that's... that's a lot of weapons. Is that a machete?

ZOE CRICK: Runner Sixty-Two owed me some favors.

PHIL CHEESEMAN: I thought you were the non-violent type.

ZOE CRICK: Well, you know what they say: better to have it and not need it than need it and not have it.

PHIL CHEESEMAN: Well, yes, but this looks like you're planning an armed coup in a Central American state.

ZOE CRICK: Viva la revolución!

PHIL CHEESEMAN: Quite. Ooh, can I take the ax.

ZOE CRICK: But that's my favorite!

EUGENE WOODS: [clears throat] All righty, what's on the list?

[paper rustles]

JACK HOLDEN: Spare jumpers.

EUGENE WOODS: Check.

JACK HOLDEN: Bobblehead dog from that insurance advert.

EUGENE WOODS: Check.

JACK HOLDEN: Flappy hat.

EUGENE WOODS: Check.

JACK HOLDEN: Sword.

EUGENE WOODS: Check.

JACK HOLDEN: Sir Geoffrey the cricket bat.

EUGENE WOODS: Check.

JACK HOLDEN: Swanny the cricket ball.

EUGENE WOODS: Check.

JACK HOLDEN: No Pun Intended.

EUGENE WOODS: Oh God, not that, please.

JACK HOLDEN: Oh, come on! Look, you know it's dear to my heart. I had to trade my flick knife for this. You remember, with that girl in that hotel.

EUGENE WOODS: I remember Ashley, Jack, but that doesn't mean I like the jokes.

JACK HOLDEN: Look, I'm still packing it.

EUGENE WOODS: Fine, whatever. What's next?

JACK HOLDEN: A hug.

EUGENE WOODS: You are such a softy! Aw, come here.

[JACK HOLDEN and EUGENE WOODS hug]

EUGENE WOODS: So it's north to start with?

ZOE CRICK: Yup. Until we hit this settlement here.

PHIL CHEESEMAN: They're going to take us in?

ZOE CRICK: Mm, the Ministry says they've agreed to resupply us and let us shelter there for a couple of nights.

JACK HOLDEN: Well, that's nice of them.

ZOE CRICK: I imagine they're getting something in return. Increased patrols, medicine. Hell, even just food.

EUGENE WOODS: I had no idea we were so important.

PHIL CHEESEMAN: Well, we are post-apocalypse Britain's flagship light entertainment and informational broadcast.

JACK HOLDEN: Fancy. You just made that up, didn't you?

PHIL CHEESEMAN: Well, not just.

ZOE CRICK: Moving on. After that, we'll head east northeast for a while. The Ministry's keen that we include some coastal settlements on the tour.

EUGENE WOODS: Must want to make sure they hold up until trade routes can be restored.

JACK HOLDEN: Either that, or they want to make sure we get nice tans.

PHIL CHEESEMAN: On a British beach?

JACK HOLDEN: All right. Either that, or they want to make sure we get bitten to death by midges.

ZOE CRICK: Sounds about right. And after that, well, they've told us we'll receive further instruction en route.

PHIL CHEESEMAN: Sounds like a plan to me.

EUGENE WOODS: So what do we do now?

ZOE CRICK: Now we wait for the green light.

JACK HOLDEN: All right. So, music it is.

#zombies run #zrs3 #s3 radio #s3 radio part 2 #zr transcript

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HBO/Curb Your Enthusiasm Looking for something delicious to watch this weekend? We’ve got you. Like most people living under shelter-in-place orders or voluntarily socially distancing because of COVID-19, Eater staffers are watching a lot of TV right now. Coming from series past and present, here are the best food-related scenes, episodes, and shows that we used to cope this week. Party Down (Seasons 1 and 2 streaming on Hulu) The gist: The failed dreams and enduring delusions of a Hollywood catering company’s employees are all on excruciating, glorious display in this criminally underwatched 2009 comedy series, which ran for two brief but glorious seasons on Starz. Each episode is set at a different function where the crew has been hired to sling hors d’oeuvres: a funeral, a college conservative union caucus, a preschool auction, a singles seminar, Steve Guttenberg’s birthday party, and one spectacularly unsuccessful orgy night. While food and booze give the show its reason for existence, it’s the personal struggles of the caterers — and often their clients — that provide its brand of satirical, irreverent, and often very biting humor. Almost all of the company’s employees — the failed actor, the aspiring screenwriter, the stage mom, the struggling comedian — have been chewed up (or at least teethed on) by the Hollywood system, which lets the show examine and skewer the industry’s class struggles and pretensions with a hilarious lack of remorse. That said, Party Down wouldn’t be nearly as effective without its cast, which includes Jane Lynch and Megan Mullally, along with the then-relatively unknown Adam Scott, Lizzy Caplan, and Martin Starr. Watching them grimly work a room armed with cheese platters and shrimp puffs is one of life’s more specific pleasures, and also among its most reliable. —Rebecca Marx The original Queer Eye for the Straight Guy (available to purchase on Amazon Prime) I’ve been getting real joy out of watching Ted Allen on the original run of Queer Eye for the Straight Guy, which upon second watch is hilariously antagonistic toward the straight guys. Unlike Antoni, who tries to meet these men on their level by having them make avocado toast or pancakes, Allen basically cooks everything himself and gives his subjects busywork. Men can assemble crudite, if they want, or whip egg whites while Allen has already infused cream with vanilla beans and has it melting with expensive chocolate on the stove. In one episode, Allen orders his subject $50 jars of kosher foie gras to make armagnac-infused mousse, to be served with shaved black truffle, because “people are pretty accustomed to” pâte (???). And then, when the guy’s girlfriend doesn’t seem to like it, he bemoans “that’s $150 of foie gras!” like it’s everyone else’s problem for having bad taste. This is not about teaching men a new skill. There is nothing practical about most of Allen’s cooking, and it’s thrilling to watch men who have never set foot in their kitchens pretend like this is the sort of entertaining they’ll be doing from now on. —Jaya Saxena Project Runway (Season 10, Episode 2, available on Hulu) I’m going to admit outright that I had embarked on a journey to rewatch all the Project Runway seasons available on Hulu even before this pandemic started, but now that a lot of us are confined at home for the indefinite future, there are few better background-television choices I can recommend than the original drama-filled fashion competition reality series. One standout episode is the second in Season 10. In “Candy Couture,” the designers raid boutique candy store and New York City staple Dylan’s Candy Bar, snagging licorices, gummies, and jelly beans to create outfits that range from “wow!” to “not bad” to “that?” To hear snatches of catty comments and catch glimpses of a lively, bustling NYC in between footage of designers burning their fingers with hot glue guns — ah, different times. —Jenny Zhang ZeroZeroZero (Season 1, Episodes 7 and 8, available to stream on Amazon Prime) ZeroZeroZero, an Amazon Prime series that follows a shipment of cocaine through four countries, has some predictable drug cartel narrative arcs — double crossing, violence and cruelty, me softly saying “it’s just not worth it” over and over again — but one nice change was the Calabrian mob’s dining table mainstays: a hunk of cheese, salami, bread, and wine. When the going gets tough for these guys, they just need a hit of carbs, cured meat, and some salty, creamy dairy, washed down with adult grape juice. Who among us can’t relate? I wonder who out of the mob grunts makes sure they’re stocked. Are there wheels of cheese in the trunk of their car? Salami hanging from the coat hooks in the back seat? Are they kneading their own sourdough, letting it rest, firing up the wood oven that they just built after feeding some poor sod’s corpse to the pigs? Who cares! These guys are committed to the “simple ingredients, done well” philosophy, and for that, I commend them. — Pelin Keskin Playtime (available to screen on the Criterion Collection) I cannot say that I’ve ever experienced a true restaurant shitshow. The closest I’ve come is perhaps witnessing a bartender slip and fall at a restaurant where I received no service for an hour and then got up and left. I sometimes envy my colleagues in New York, who used to regale readers with tales of ninja servers and tunamatos during their annual Shitshow Week (may it rest in peace). But now I can safely say I’ve experienced a shitshow, thanks to the 1967 Jacques Tati film Playtime, currently streaming on the Criterion Collection. This movie is, on its surface, toying with sound editing (if you’re into that sort of thing) and poking fun at the strangeness of midcentury aesthetics and American tourists in Paris. But it’s the second half of the movie where Playtime really hits its comedic stride, at a restaurant opening where just about everything goes wrong. The kitchen runs out of food. The air conditioning stops working. The harsh metal chairs leave marks on the backs of the patrons and rip the pants of servers. The ceiling falls in. While it’s billed as a comedy, it’s the Criterion Collection, so we’ll file it under amusing. Nevertheless, I highly recommend this for anyone missing restaurants — even truly bad ones. What I wouldn’t give for an uncomfortable metal chair right now. — Brenna Houck Curb Your Enthusiasm (Season 10, available to stream on HBO GO) Absurdist times call for the comedy of Larry David, so I’m particularly grateful that he brought back his HBO hit Curb Your Enthusiasm just in time for an election year and global pandemic. Season 10, which premiered in January after a two-year-plus hiatus, is a comedic buffet of food riffs: Larry reignites his rivalry with coffee-slinger Mocha Joe when he opens a “spite store” called Latte Larry’s directly next door to Mocha Joe’s cafe; Larry realizes he’s consistently seated in the “ugly section” of a trendy Italian spot with a condescending host (played to smarmy perfection by Nick Kroll); Larry and Jon Hamm fight with Richard Lewis about the appropriate allotment of appetizers; Larry wears a MAGA hat to lunch so that his dining mate will cut the meal short; Larry gets a sweaty server (Abbi Jacobson) fired after she shamelessly declares that she’s suffering from diarrhea, then gets diarrhea himself from his favorite licorice; Larry offends the staff of a Catalonian restaurant when he knocks out his tooth and pronounces everything with an unnecessary “th” sound. Then, of course, there’s the season-long debate: What makes a good scone? If you worry that Curb Your Enthusiasm would seem particularly trite while the world is figuratively on fire — well, it is trite. And it always has been. Nitpicking on life’s small annoyances to the point of embarrassment is kind of the point. — Madeleine Davies John Mulaney & the Sack Lunch Bunch (available to stream on Netflix) John Mulaney & the Sack Lunch Bunch is a very tender and funny one-hour comedy special on Netflix lightly satirizing Sesame Street, and everyone with a soul should let it gently touch them. Mulaney stars alongside a cast of impossibly cute child actors and guests like David Byrne, and it’s all built around musical numbers like “Grandma’s Boyfriend Paul,” which will probably make you cry, and “Sacha’s Dad Does Drag (and the Act Needs Work!),” which might also make you cry. There are two great food tie-ins, not including the sack lunch of the title. There’s a brief stub of a song called “Let’s Play Restaurant,” in which — when Mulaney plays along — the restaurant is closed for a private event, sorry, you should have checked their website. And then there’s an instant classic of a song that’s near and dear to my heart as a once-upon-a-time very plain-eating child, called a “Plain Plate of Noodles,” in which Orson Hong, a little boy, explains his gastronomic limitations in song and dance. The lyrics! The choreography! Thirty out of 10. — Caleb Pershan from Eater - All https://ift.tt/3aIhVEC

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