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#sometimes i feel like a bad artist because i never feel like my art is polished enough
xxxemogrrlxxx · 3 months
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GIRL PSYCHO 100
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tariah23 · 5 months
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Man, I still remember participating in one of the many jjba zines that I took part in and how my piece was placed as the first page (for the second time) and how one of my mutuals/artists that I’ve always admired, hit me with the “oh… you’re on the front page again… 😅…” like man, that kind of killed me lmfao. I never got over it like man, what was that about.
#it’s not like i put the books together myself or anything all my ass did was submit my work#like this was from a really popular and well known artist as well like#their art has always been so gorgeous to me too I was like ‘I’m literally a nobody is this person really being shady or…’#rambling#I guess it’s nice being in a zine with ppl I don’t know or care to get to know at least now 😭… just submitting my art and running#referring to the jjk zine 😭 I need t start working on it uhh#zines make me feel so anxious man#it really did make me feel bad and almost guilty? I was like this is kind of awkward…#another zine I was in which was run by a mutual… well… I never even got my zine in the mail#and I even sent them $20 for some merch that they were making since I wanted to support and never got that either…#they deleted their blog but I see that they remade and draw a lot of DM and have a lot of popular posts here so it’s kind of awkward seeing#their art shared on the dash sometimes skeks#we’re still mutuals on Twitter but I don’t rly want to ask about my zine again or the $20 bucks#it’s okay like I owe other ppl stuff too I’m a late bird man but still loskekk#they were the mod for the zine too#I might hit them up again I guess I still love their art and they were always fun to talk to#there was another zine that I participated in where we had to purchase our own copy bro#i remember being so annoyed by that but went ahead and bought it anyway#I was invited to this zine so it made me even more annoyed#I#Guess it didn’t make its money back#or something like that but I remember being broke at the time and was pissed that I had to pay for my own book#I didn’t buy any of the merch because why when it was supposed to be free#if you’re participating in a zine the book and merch should be free
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romance-incubomp3 · 1 month
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aghhhh:(
#I wish I had known about bt when atsushi was still around:( like#getting into them so much has been like a source of happiness and comfort this year#but then I feel kind of bad because the reason I found out about them is because someone died#for a while it was just one of those things that’s like yeah#sometimes an artist dies and that’s how you find out about their stuff#and it’s nice for people to continue discovering and loving someone’s art after they’re gone#but I’ve been feeling more sad about that lately#like I’ve never found a band that’s just felt so much like My thing before#there’s plenty of bands and songs I love but#I’ve never really gotten this obsessed or invested in a specific band#so part of me wishes I had discovered them sooner or heard about them under better circumstances#and not cause I happened to be scrolling through tumblr during work and#saw goth blogs I follow posting memorial stuff#it feels kind of spooky and morbid too because I had been#thinking lately I wanted to find some goth bands from japan#if I had actually gotten around to doing the research I probably would have started listening to them#so it was weird timing#and I was showing my dad the climax together tour and he was kind of#lamenting that he had never heard of them when he was younger because he would have gotten so into their music#like. ah if my dad had any exposure to japanese rock when he was younger#I definitely would have grown up listening to a lot of buck-tick#and der zibet too probably#I was watching dz concert videos late last night#and issay was so cute and lively and full of energy#and then I thought about how he died in some accident and I started feeling upset#especially since one of my favorite movie actors died in a pretty horrific freak accident#it’s like I’d rather just not think about what might’ve happened (since there weren’t really public details)#anyway I’m just kind of like. having complicated feelings about all of it#different than sadness and grief I’ve felt over artists in the pass since it was all postmortem that I knew about them
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cavity-collector · 26 days
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i genuinely need to be put down like a dog i cant do this anymore man holy shit
#yall dont know the meaning of terminally online til u meet me#i hate myself so much its not even funny i am the most miserable worthless scum#my sleep schedule is 7am to 3pm all i do all day is rot on the couch and sometimes draw if i have a drop of motivation#depression is completely kicking my ass and im not even fighting back i give up what the fuck man#theres not even a point for me to keep trying i just want to stop feeling such deep despair 24/7 please#i dont want to die i just want the pain to stop so i can peacefullylive out the rest of this year before i turn 18 and its all over for good#but i cant even have that! im just gonna suffer the whole time thanks great#i wish i could just get better and fix all of this but i cant its not working we dont have the money to#actually get me the help i need to make it work. i just have to figure it out or die#i just wanna go back to ***** ** *** i just want to stop being lonely and useless#i dont know why im posting this shit to tumblr. its so stupid i should just be journaling or something#probably because im worthless selfish scum. idfk.#the last 6 months have been a complete blur. just rotting on the couch or in bed occasionally seeing friends once every other month or so#ive already wasted half of being 17 abd im probably gonna waste the rest too. ill do nothing of worth before i die.#even my art is ugly and horrible and not worth leaving behind. people tell me to work to improve it but i dont have the time left#ill never create any of the things i wanted to create ill never be a good artist im just going to die exactly like this#an absolutely terrible person.#the only people i can talk about the things that make me a terrible person with are people who are terrible in even worse ways#no one can comfort me except them because theyre the only people who know what ive done and actually do see it as less than absolute evil#because they know absolute evil because it is them. but i actually don’t believe that i think theyre bad but could be good#idk what im saying anymore#someone shoot me#please im not kidding#just make it stop#tw vent#tw sui#delete later
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steakout-05 · 6 months
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ok as an artist i personally find traditional painting to be. really really annoying. like. i do not have the patience for it and i just find it to be really frustrating to set up and actually do and i end up not liking the results. i find that there's little room for mistakes and trying to fix them usually ends up with me making 50 other ones, paints can be so inconsistent and having to rely on availability and certain brands to continue making the paint is really inconvenient, not to mention expensive. spending a bunch of time trying to mix the right shade of paint, only for it to go down a completely different shade of colour and not being able to do anything about it is so frustrating as someone who likes consistency and having things just, y'know, not change colour as soon as it dries. plus, they all use different chemicals and can go off really easily or change textures and i am just not ok with having all my materials having an expiration date like food. lead and graphite pencils just don't do that and they can last for years, they're more reliable. every paint is drastically different and trying to find the right one is not only time consuming but, again, expensive, and i don't even see the point in experimenting when most of my materials end up not even getting used if i don't like using them. plus, i'm just.... really impatient. waiting for paint to dry sucks and is why i much prefer digital or just drawing something because i don't need to wait for anything, it just works. and then when i do want to take my time and work slowly for a better result, it dries too fast. it's kinda hellish trying to balance that time, especially considering how inconsistent paints are.
i like to use guidelines when doing art and i find painting straight onto a canvas to be really tricky because there's a lack of direction for me to actually paint. i'm at a complete loss at what to do when i pick up a brush because i can't map it out first without risking screwing up the paint. there's just so many things to keep track of and so much wet paint to avoid and i just do not have the mind for it. putting colours on a canvas and praying that it works just isn't it for me and requires a discipline that i just don't wanna involve myself with. painting is also just like... really exhausting and kinda painful. i got some pretty bad back issues and my arms tire and get sore easily and quickly when i'm standing in front of a canvas. it's a really physical activity for me and i just don't find something to be very fun to do at all when it's physically hurting me. i know drawing on a canvas has this issue too, which is why i prefer sketchbooks. sitting down and drawing something that doesn't break my entire spine every time i do it is much more preferrable than questioning if i should go to the doctor every time i make a brushstroke, lol
that's not to say that there's nothing i like about painting though! i can paint simple little things, and i like doing that. i like mixing colours with a palette knife and i find it fun and even a little relaxing. i painted some cute little chibi cardboard cutouts of the mario brothers one time and i found that to be really fun and i think i'd like to do that again! but apart from that, i just do not have the patience for it. i love the look of traditional paintings and i find many to be really beautiful, but i could never get into actually doing it myself because i hate the process. i'm content with just sketching and doing digital stuff because that's more fun to me and less stressful of a process to do. it's fun, it allows for more mistakes, it's easier to build up layers of shading and lines, not to mention using building up a figure with guidelines is super helpful with visualising what i want it to look like, and i can just erase something if i don't want it there or want to change something. it just makes sense to me.
tl;dr i dont like painting because it's inconsistent, expensive, time-consuming, directionless, frustrating and it makes my back hurt really bad. i'll just stick to drawing stuff :)
#vent#artist vent#i hate painting#i hate it so much and i just cannot understand it nor do i have the patience for it#i seriously had a crack at it and i just find it to be so annoying#there's so much preparation and i'd much prefer just whipping out a pencil and eraser and scribbling something down#to be fair though i do enjoy other art mediums that require more preparation#i find crafts to be fun and i really like working with air dry clay#using clay is just creating a little creature and i really quite like it a lot#making little cardboard guys is fun if not a bit tricky sometimes because my hands are so big compared to the tiny bits of carboard im usin#but it's very fun and cardboard is easy to get#clay is not so easy to get but you can get a lot of it and make many things with it#the only things i really dont like about clay is fingerprints and the fear of having your art literally explode when you fire it up#but other than that? fun!#painting? not fun!#paint is so messy and i don't like having goopy stuff getting stuck on me and all over my fingers all the time funnily enough#if i bump into something (which is very likely for me because i am clumsy) then oouuguh there goes all the paint its everywhere now#oh my god you know what i hate the most. i hate oil paints. i hate them so much.#the smell gives me bad headaches and makes me feel faint and it's hard to clean and dispose of and it's just more chemicals to deal with#it's just acrylic but more annoying#i don't think it's edible either which is. frustrating#it's also harder to clean out if you get stained with it (which is very likely because paint is messy)#i just dislike oil materials in general. they smell weird and they do not wash off. i still have oil pastel stains on one of my favourite-#-shirts despite the fact that it has been washed multiple times. and it took several days and so much fucking scrubbing to get-#-it out of my nails and off my hands completely. actual hellscape.#i know graphite and lead pencils would never betray me like this#pencils are so reliable and i love them <3#pencils and drawing equipment in general are just more reliable and don't expire or develop inconsistent textures (except erasers for some-#-reason) and they don't! hurt! my! back!#like i'm over here needing to do the riker maneuver to sit down after i paint my back hurts so bad
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outeremissary · 1 year
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💕 self-love time! talk about which ones of YOUR creations (edits, artworks, fanfics) you like the most then send to other creators to do the same 💕
(this got terribly ramble-y. apologies.)
Ah, this is difficult. Putting self-deprecation aside, I've accomplished a lot in the past year that's been significant improvement for me in terms of visual art. I guess that I really like the Valentine's art? Which is good since due to a series of mishaps it wound up framed next to my desk (realized I had no safe storage for it that wouldn't smudge it to hell and back) so it would be very sad if I wound up hating it.
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I really loved the Crystalhue art I never finished as well. The sketch was really cute and it had the most complex composition of any large scene I'd done at the time (and probably since).
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And it's silly, but I did really enjoy the letter I wrote back to you. I always struggle with Balthazar's voice. It was a helpful exercise even if it turned out messy. I'm sorry for not continuing the chain better. But thank you for the opportunity despite my unsociability. Lately I've been doing other art that I really liked too, so I'm surrounded by cute expressions right now. There's a beautiful smile to my left and some terrible (affectionate) smirks to right. Hopefully I can finish things in a reasonable time this week to share :) It's been a long while since I last did sequential art, so I'm always excited even when it's simple.
Ah, and recently there was a lot of really good art with Vio (@mountainashfae's character, as always), so that's lovely. This was messy (and color made it messier) but I still like it because 1) it's cute and 2) I challenged myself a lot to try things I always wanted to draw but avoided because I just thought I couldn't do them well. Well, the omnipresent mistake hiding eraser speaks to the imperfection, but I'm still happy.
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I'm seldom satisfied with what I make, but I try to see it as a good thing. I'm always growing, perhaps. My therapist thinks it's like living with a curse though. ^^;;
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tubercloset · 2 years
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I do not have interest in drawing because I find my art objectively bad and do not know what to do to improve it. It's not even the fun, calming activity that it was because I hate how little variety there is in things I draw and how nothing ever looks the way I imagine it.
Posting this on tumblr because I feel the need to say it somewhere...
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parttimecosmichorror · 7 months
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I do not understand the people who say that modern or abstract art takes no skill, who just look at the final result and say “even I could do that”. Sure, yeah, you could replicate all these same brushstrokes. You could splash some red paint on a canvas and smear it around. You can do that. But that’s not really the core of the piece though, is it? I deeply admire the skill of having an idea, and then simplifying it and reducing it to its barest parts, and then abstracting those into something visual and expressive. You can smudge some colors around and retroactively assign a meaning to it. But can you take a concept and condense it into shapes and colors? I wish I could. I really wish I could. I wish I had the skill and mental capacity to be truly creative in my art, to make something resonant and unique and abstract. Not enough people realize how difficult it is to have and deal with ideas
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catmask · 1 month
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before i go to bed - can i confess something?
learning how to do art skills as an adult i didnt have the space for as a kid is terrifying. im not of the mindset that, when i see artists more talented than me who are much younger than me that i get upset. its the opposite really - i feel breathtaken watching everyone whos already got a foot in the race i feel like i was just able to tie my shoes for and start running. im happy for them, and im happy for me too - i WANT to do this, but i feel so embaressed for wanting it at the same time.
i dont think my art is even bad. i dont really think 'bad' art exists to begin with; objectively i can measure my skill and see improvement from where i began. i guess its more like i feel that my art should be more impressive for my age... or that i should have more to show for it. but if i say that, then what if someone older than me, or someone who feels behind me, hears me say that? i dont feel this way about anyone else but myself, but negative self talk can still seep out and effect others around you.
i think im coming to accept that being scared is a state i need to get used to and accept as a sign im moving forward. never trying anything hard IS 'safe', but 'safe' and happy arent always the same thing. some times you need to not be 'safe' to move towards being happy. sometimes you wont be either, just on the road between the two.
i am really proud of myself, and i think im moving forward to thinking a little better of myself too. and the truth is i am happy, because as long as i can keep drawing and sharing that with everyone thats all i really want. maybe i dont need to be impressive as long as im always getting better, maybe i dont need to be super talented as long as im always doing my best and remembering to smile.... i dont think thats a life to be ashamed of at all
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sm-baby · 9 months
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The Chosen One
Freakshow AU by: @hootbon
WHATS UP FREAKSHOWERS, SM-BABY HERE-
Banned myself from drawing for a bit but my creative juices were still screaming at me 😔 gonna also repost this on ao3 later when I set up the account
Word count: 6795
Freakshow AU Able with some indulgent Showtime teehee~ no beta, we die like Queenie HOOTBON DONT MIND HOW OUT OF CHARACTER THIS IS LOVE YOU GIRL MWAH MWAH MWAH MWHA
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Caine and his brother sometimes take bets during games.
There are also times when they get especially bored, and take the games up a notch.
They don't simply place their bets on a chosen human, no. Instead, the brothers figure out a set of games, choose their humans, and steal them away to mentor them. 
Caine’s punishments are especially harsh during these occasions. Although he usually kept a cheerful facade, he would be especially antsy, tap his feet, cross his arms, much less masked. It must sting to have the person you trained lose. Not only is it a bad choice of character, but it's also a bad reflection on you as a teacher. Inadequate. Unworthy. Pitied. 
Able himself was a special man. He never took these sorts of challenges seriously, but rather a bonding activity between him and his dear brother. Maybe because he hadn’t led the circus firsthand, rather, did the business side of things in the background. He never cared for the humans, and simply visits now and then. Caine would often be more strict during his visits. Telling the group in subtle ways to behave for an hour or so.
When he visited though, it was always a treat.
Gangle broke her mask? He supplied one that's—
“A little harder to break. “
Kinger was feeling especially antsy? 
“A 6 legged friend to keep you company!”
Ragatha, did you anger Caine?
“ I will speak to him." 
The group often preferred when Able was over as Caine would be distracted for a few hours-- even if they did have to behave. One would imagine the relief someone would have when Able chose them for a game and be whisked away from the dreaded halls covered from trap to trap. 
That day, the brothers chose a series of games based on the arts. As they stood in front of the number of players forcefully aligned like a character select screen, the brothers pondered their options. 
A series of games based on the arts… It's wisest to pick more of the artistically inclined members of the group, so not someone who specializes in strength or speed… perhaps Gangle or Ragatha or-
“You! At the very back."
It was almost like a death sentence the moment his digit pointed at their person. The group sighed in relief after silently begging, pleading, holding their breath that they would stay out of it, or at least have Able take care of them… but this time it was curious. 
The group stared curiously at Able’s chosen person, who was purposefully placed at the back. Enough to be considered “participating" but not enough to be a quick option. 
Pomni trembled, and just from the beckoning of his finger, she could feel her gravity to be pulled towards the blue ringmaster, the tip of her shoes dragged along the floor as an invisible squeeze engulfed her body. 
“N-No! No no!" Pomni gulped, trying to word a nice way to decline. “ Y-You don't want me! I’m-- not really.." 
Able beckoned her closer. " A ballerina is perfect for a game of art! Apologies if she was your chosen freak brother, but—"
Suddenly, a different kind of gravity pulled on Pomni’s body, in the exact opposite direction from Able. Silently, the older brother, Caine, was pulling the doll away in protest. Pomni was lucky the men were being civil, The opposite poles of gravity would be enough to rip her straight in the middle. 
Still, she grit her teeth while it felt like two children were fighting over a toy. 
“ Oh!" Able laughed. “ That’s cheating brother! I chose her first, maybe you should be more decisive next time you-”
“ No thank you!" Caine said, and Pomni suddenly felt a stronger pull towards him. 
Despite the calm/cheery tone of voice, Caine kept a spot of jealousy at the back of his mind. Usually, he would not care. But this was a special case. Pomni has not yet held a good impression on Able— mostly because she hasn't exactly met him one-on-one—And Caine was not about to let her… 
“ Nonsense!” Able said. Pomni felt a pull from the opposite direction, putting her back in the middle. She could feel her muscles tense from the pressure.
It was … strangely entertaining for the rest of the humans. “ Better her than me." One of them whispered. 
The brothers continued their quarrelling. Able continued." Oh dear brother, the purpose of our freaks is to perform! I don't see why this little thing wouldn't be able to have the same opportunity. “
" Our ballerina is off-limits! You can choose from any other assortment of freaks." A pull.
" She looks perfectly well to me! “ pull. 
“ I won't let you! “ A pull again.
“ Oh, I promise I'll take good care of her! " A pull again!
" No, I don't think so! “ a pull again! 
" You seem to be holding quite the issue with her being with me, brother, why is that?"
“ Because I want her."
Silence… 
The blue Brother stared. 
Caine didn't yell, he didn't speak any louder really, but it was a frustrated tone of voice, more aggressive than passive. Why, Able hasn't heard that kind of tone in a long time. His brother spoke like he was gritting his teeth… curious.
“ I..'' Pomni stammered. “ I think im gonna throw up… “
Quickly, Able let go of his pull, sending her flying towards Caine before being set gently on her knees to the ground. Her hands held to her mouth closing in any sort of vomit.
Pomni could sense reactions from her fellow freaks, snickering, whispers… Although Ragatha wanted to feel bad, even she could feel a sort of satisfaction from the display.
Still…the group couldn't help but figuratively roll their eyes.
Why is it always the new girl?
❄︎ ✌︎ ☹︎ 😐︎ 📬︎ 
Before they knew it, the brothers stared directly at each other… silent, expressions blank yet intense as the two seemed to have a form of communication they could not grasp. The room was as quiet as ever, but the group couldn't help but sense a dangerous amount of tension between the two.
“📬︎📬︎📬︎ 👍︎◆︎❒︎♓︎□︎◆︎⬧︎📬︎ ✋︎ ♎︎♓︎♎︎■︎ॐ︎⧫︎ 🙵■︎□︎⬥︎ ❍︎⍓︎ ♌︎❒︎□︎⧫︎♒︎♏︎❒︎ ◻︎●︎♋︎⍓︎♏︎♎︎ ♐︎♋︎❖︎□︎❒︎♓︎⧫︎♏︎⬧︎📬︎”
“✋︎♐︎ ■︎□︎⧫︎📪︎ ⧫︎♒︎♏︎■︎ ⍓︎□︎◆︎ ♍︎●︎♏︎♋︎❒︎●︎⍓︎ ♎︎□︎■︎ॐ︎⧫︎ 🙵■︎□︎⬥︎ ❍︎♏︎📬︎”
“⬥︎♒︎⍓︎✍︎ “
“💧︎♒︎♏︎⬧︎ ⧫︎♒︎♏︎ ⬧︎⧫︎♋︎❒︎ ♋︎⧫︎⧫︎❒︎♋︎♍︎⧫︎♓︎□︎■︎📪︎ ⬧︎◆︎❒︎♏︎●︎⍓︎ ♓︎⧫︎ ⬥︎□︎◆︎●︎♎︎ ♍︎♋︎◆︎⬧︎♏︎ ♋︎ ⬧︎⧫︎♓︎❒︎ ⧫︎□︎ ⬧︎♏︎♏︎ ♒︎♏︎❒︎ ●︎□︎⬧︎♏︎📬︎ ✋︎ ♍︎♋︎■︎■︎□︎⧫︎ ❒︎♓︎⬧︎🙵 ⧫︎♒︎♋︎⧫︎📬︎”
“📬︎📬︎📬︎👎︎□︎ ⍓︎□︎◆︎ ❍︎♏︎♋︎■︎ ⬥︎♒︎♋︎⧫︎ ⍓︎□︎◆︎ ⬧︎♋︎⍓︎📪︎ ♌︎❒︎□︎⧫︎♒︎♏︎❒︎✍︎”
“✋︎ ♎︎□︎■︎ॐ︎⧫︎ ⬧︎♏︎♏︎ ⬥︎♒︎⍓︎ ✋︎ ♎︎□︎■︎ॐ︎⧫︎📬︎”
Pomni stood up from her form, walking back to her fellow freaks, hand rubbing her arms, looking down-- she stared at the brothers for a moment like everyone else did, not only did she sense how eerie the sight was, but she also couldn't help but feel a strange form of self-blame for the situation. Pomni, what the hell did you do this time? 
“ Oh." Jax wheezed. " If I were you, I’d kill myself. “
" Ragatha said to shut up." Kinger piped in, and Jax turned to Ragatha already on her way to write down a string of text. 
" What! Tell me Im wrong, dollface. “
Ragatha rolled her eyes before turning to Pomni, slumping her shoulders and bending her knees to give her a note. “Caine said you were ‘off limits’. So I think you're safe for now at least." 
" And… what does it mean if Im… not off limits?” Pomni stammered.
Ragatha stayed quiet and turned to Kinger, not needing to sign her next words.
“ Then you'll be just like the rest of us. “
“⚐︎♒︎ ♍︎□︎❍︎♏︎ ■︎□︎⬥︎📪︎ ⍓︎□︎◆︎ ♌︎♋︎❒︎♏︎●︎⍓︎ ⬧︎◻︎♏︎■︎♎︎ ⧫︎♓︎❍︎♏︎ ⬥︎♓︎⧫︎♒︎ ❍︎♏︎📪︎ ♋︎■︎⍓︎❍︎□︎❒︎♏︎✏︎”
“❄︎♒︎♏︎ ♋︎◆︎♎︎♓︎♏︎■︎♍︎♏︎ ⧫︎♋︎🙵♏︎ ◻︎❒︎♓︎□︎❒︎♓︎⧫︎⍓︎ □︎♐︎♍︎□︎◆︎❒︎⬧︎♏︎📬︎ ✋︎⧫︎⬧︎ □︎◆︎❒︎ ⬧︎□︎●︎♏︎ ◻︎◆︎❒︎◻︎□︎⬧︎♏︎📬︎ “
“☟︎♋︎❖︎♏︎ ⍓︎□︎◆︎ ♐︎□︎❒︎♑︎□︎⧫︎⧫︎♏︎■︎ ♋︎♌︎□︎◆︎⧫︎ ♐︎♋︎❍︎♓︎●︎⍓︎✍︎ ❄︎♒︎♏︎ ❖︎♏︎❒︎⍓︎ ♋︎♓︎ ⬥︎♒︎□︎ॐ︎⬧︎ ♌︎♏︎♏︎■︎ ♒︎♏︎❒︎♏︎ ⬥︎♓︎⧫︎♒︎ ⍓︎□︎◆︎ ⬧︎♓︎■︎♍︎♏︎ ♍︎□︎■︎♍︎♏︎◻︎⧫︎♓︎□︎■︎✍︎”
“⬥︎♒︎♋︎⧫︎ ♋︎❒︎♏︎ ⍓︎□︎◆︎ □︎■︎ ♋︎♌︎□︎◆︎⧫︎✍︎ ✡︎□︎◆︎❒︎ॐ︎♏︎ ♋︎♍︎⧫︎♓︎■︎♑︎ ●︎♓︎🙵♏︎ ♋︎ ♍︎♒︎♓︎●︎♎︎📬︎”
“☹︎♏︎⧫︎ ❍︎♏︎ ◻︎●︎♋︎⍓︎ ⬥︎♓︎⧫︎♒︎ ⧫︎♒︎♏︎ ♎︎□︎●︎●︎📬︎”
“■︎□︎📬︎ “
The brothers looked distracted. Jax was first to try and see if he could escape the situation, but he was interrupted when Caine pointed his finger at him, forcefully grabbed him by his neck, and set him back to his original position. His eyes never left his brother’s yet they were still all too aware of their surroundings. 
Pomni swallowed…Off limits ...Off limits he says. She knows she should be safe. And so, Pomni took a breath and exhaled.
She’ll be fine. 
She'll be fine.
She's fine. 
Shes—
“ Fine." The sound of a cane tapped on the floor, almost spiteful. " You can use her.”
What!?
" What!? “
The rest of the freaks felt their hair stand up again. Although Caine kept his calm tone of voice, that didn't reassure the others all that much. That kind of quiet anger was familiar. Caine being convinced to change his mind was not something that often happened. 
When all was said and all was done, Ragatha sighed, and turned back to Pomni, finishing off a note she's been writing. “Don't worry. Able is much more pleasant to be around. You're in safe hands. “
“ I sure hope so. His hands are very big!" Kinger piped up. 
Pomni was practically shaking in her heeled boots, the wood of her skin making clicking sounds as she did. Pomni doesn't exactly trust the situation at all, let alone the brothers, and to be alone with someone related to Caine didn't sound the most safe. 
Ragatha frowned seeing she was not convinced, and went back to writing. “ If It makes you feel any better, I feel a lot worse for Gangle than I am for you. “
They turn to Gangle, whose tragedy mask was on the floor weeping and in tears upon being chosen by Caine, while her happier counterpart horrendously verbally abused her from above.
For a moment Pomni laughed from the humor, despite the terrible context… but it was quickly interrupted by a gasp as she was suspended from the ground again and closer to the head of cards.
“ Hello, doll. Last chance to say goodbye to your friends! " Able said in an almost sing-songy voice.
Pomni, in fact, did not say goodbye, rather just stood there, like a plank of wood, frozen in fear. She gulped.
Able continued. “ ...Or stand in silence. That's okay too." The humans stared at the two as they went higher in the air. Able waved with all four fingers. “ We'll be off! Thank you for your company." 
Caine was silent. But Pomni swore she could feel his eyes tracking her as she disappeared. 
Snap!
Blip! 
Pomni gasped as if her head had been forced underwater for the past 6 hours.
She would open her eyes, wide, before turning them in confusion. Her gasps followed suit as they lessened.
“ Huh!?… Where-… What!? “
She didn't know what she was expecting but it was certainly not this. Pomni woke up in a bed much more luxurious than what she was used to, and a room much bigger than the one at the circus. The room was rather well-kept. Clean. A standard good but a comfortable one. 
Whatever injuries Pomni had back in the freakshow were no longer there, little scratches or dents, dusts in certain crevices… disappeared. Almost like she had just been born yesterday.
Pomni climbed off the bed which was-- admitted a little too tall for her, and went to search around.
*(A closet made of fine wood)
> Check
Upon sliding the closet door open, Pomni would see… an assortment of clothing… but not just any clothing. A set of six mannequins shaped like the other performers lined up… 
Pomni would see the one for Ragatha with an eye patch as well as a note…
 “ *Greetings, Ragdoll! I recall you saying it bothered you to have two eyes again. I cannot change your form, but I hope this will suffice.   -Able AI “ +2 armor
Kinger had a robe on his mannequin. “ * Clothing fit for a king… and to keep you warm.    - Able AI “ +8 armor
Zooble had knuckles on theirs. “ * If you ask me, you certainly don't need this. And no, you cannot bring it back home to use it on your rabbit friend.    - Able AI “ +6 Attack
And plenty more! Pomni supposed she wasn't the first one to come here… that explains the scratches on the door. 
*(Take items?)
   > Yes
   > No
   > Yes
*(Trick question! Those aren't for you, silly!)
Pomni would turn her head to the corner of the closet, the mannequin right next to Zooble, the last member who came before her.
The mannequin for her was seemingly empty until she looked down… hers were ballet shoes. White with golden balls in the middle. The note reads: “ *Salutations, Pomni.  I've heard all about you from the Audience but I haven't met you myself. I hope we can be comfortable in each other's company. My brother seems pleased with your performance.    -Able AI“ +5 speed
*(Equip Ballet Shoes?)
    > Yes
    > No
    > Yes
*(Equipped Ballet shoes! Your speed has increased.)
Pomni opened the door and peeked her head out first. The hallway was quiet… but the decor was noticeably a lot more Victorian… 
Huh. Pomni suspects that this would feel right at home for the brothers.
Anyways, this freaked her out.
Pomni walked down the halls with knees faced with each other. This was a new area in the game that she didn't know about— her eyes scanned every corner, a misplaced brick, levers she dared not switch, she didn't know where the traps were in this area.
A hallway of doors… She wonders… is it possible that this place could hold on exit from the game? 
She opened one and read the sign… “ Caine AI's first attempt on room generation.", and it was… contrasting. It was colorful. Low polygon, looks like a room more fit for an early PC desktop game… 
…Caine? Caine made that? No shot. She feels like if she asked him, her limbs would be used for the next chimney fire. 
Music rang in her ears. Pomni would recall that, around Caine, she would hear the motif and sounds of an organ and a violin… but here, in his brother’s world… It was only a violin… Pomni followed the sound, and it got louder and louder as she approached the door at the end of the hallway.
Click!
Pomni would meet an old Victorian living room. Warm fire with a warm chair next to it… but what would catch Pomni’s attention was the head of cards playing his violin, dancing along to the tune, turned to an empty organ as if he played one half of a duet. 
He hadn't even paused, simply looked at her as he continued to play. “ Slept well, doll? “
“ Uhh-" 
“Good. I don't believe we've met. You may call me Able. “
" U-Uhm my name is-”
" I don't care. “ a harsh sound on the violin before Able placed it down on a stand right next to the organ. “I see you've found your shoes. Hopefully, it'll help you for tonight’s festivities."
" T-Tonight's festivities? Sorry, I-Im… new to this kind of thing? “
“ The games, ofcourse.” Able clasped his hands together and floated towards Pomni, “ I used to tend to these sorts of events with my brother, so I'm fairly familiar… consider this like old times.”
Pomni frowned, looking away. Able wasn't as nice as how the others described him to be. At the very least he wasn't torturing her yet, which…she supposed… was a step up from when she first met Caine… 
“ You must be hungry."
“ I haven't been hungry since-" 
Snap!
Swirls replaced her irises. She put her hand out for balance and the first thing she felt was the fabric of a tablecloth. She would blink and snap out of her haze to realize that she was sitting at the opposite end of a long dining table. 
Able sat on the other end, hands under his chin as he observed the new guest. 
“U-uh… '' Pomni would look at him before her eyes trailed down, and would notice a digital feast on the table before her. '' O-Oh Im not… really.. hung… " 
Pomni had a double take.
The food looked… Strangely realistic.
Ever since she arrived at the Digital Circus, Pomni had only the very limited polygonal sort of food, either prepared by their head bubble chef, or a cruel sort of joke from Caine to eat other members.
But this… 
Her stare continued to widen. She didn't realise it but her eyes watered. She hasn't seen this kind of food since… 
Able watched her pick at the chicken with her gloved fingers. The way she pulled back and flicked her wrist when she realized that the food had temperature built into it— it must have hurt, but somehow that made it more desirable for her.
Improper.
Able continued to stare as she practically scarfed down her meal… he couldn't help but roll his eyes while she wasn't looking.  The others weren’t any different, but he expected better from someone his brother would fight him over… Able has known Caine for the longest time and he knows his overall taste is different from his. But this? This was the thing he was protecting? …He felt rather insulted honestly!
“ Do you still eat in the circus?"
“ Hm?" Pomni muffled a reply, a face and hand stuffed with all sorts of meat and delectables.
Able blinked, hiding his disgust.
The doll furrowed her brows in realization, as dread quickly hit her… oh god… she was told to behave around Able… oh dear fuck… oh fuck oh god… what is he gonna do to her? Did she fuck this up?
Oh god oh fuck.
Oh dear oh god fuck shit holy fuck oh my fuck shit ass bitch cunt fuck-
“ J... Just finish chewing."
“COOL." 
Pomni swallowed and continued to eat, now with a little more manners. Able sat ahead, his focus a little off from her, thinking to himself. Now what was he pondering? A way to murder her, she’s sure. 
*(Able sits at the opposite of you)
     > Talk
     > Say nothing
     >Talk
*(Talk about…)
     > Place
     > Food
     > Festivities
     > Caine
     > Nothing, Nevermind
     > Place
“W…Where.. Am I?”
Able turned back to Pomni as if he’d snapped out of his thoughts. “ You’re in the testing facility. This is where Caine and I used to pretest code and projects before using them for the circus. It used to be a lot more abstract and plain. But over time it changed due to… uhm..” Able’s brows furrowed “... I don’t know exactly. It just did…. We never questioned it.”
Able shrugged. “It's smaller than it looks. For example, my brother and I don’t have bedrooms. The dining table wasn’t made until recently. Unlike you and your friends, my brother and I are much more low maintenance.”
*(Talk about…)
     > Food
     > Festivities
     > Caine
     > Nothing, Nevermind
    > Food
“ How did you .. what…?”
“My programming is a little more advanced than my brother’s. I’ve mastered texturing, modelling, character effects… and plenty more. I played a hand in why you bleed, why you have working skeletons, or how organs can spill out of your body. My brother can make his food, but it’s a little more basic… I don’t blame him. He is maintaining an entire Circus after all. Sometimes his cooking is even edible!”
 *(Talk about…)
     > Festivities
     > Caine
     > Nothing, Nevermind
     > Caine
“ Uhm... You and Caine… You’re brothers?”
Able Chuckled. “ Believe it or not, Caine is the older brother of us two. I was created to perfect his imperfections, though that sadly made it so I was given more of the credit. ” Able paused and turned his head to the side. “ … Rarely does he visit the facility anymore. What I would do to play a song with him again.” he chuckled. “ But I suppose being a nuisance to him is just as fun!”
*(Talk about…)
     > Festivities
     > Nothing, Nevermind
     > Festivities
“ I think you chose the wrong person here for that kind of theme…” Pomni said nervously, wiping away the remaining food from her lips. “ I’m… not exactly an artsy kind of person, I’m more into-- maths?”
“ Art is a very broad term. I’m more familiar with the classical, meaningful, way of art, while my brother sees art in a sort of entertainment kind of sense. It only makes sense that he chose Gangle. I heard she can be quite the artist.” Able found himself rambling. It seems the brothers seemed to have a thing for creativity. Creative AIs, Pomni supposed. “ -- Which is why I chose you, doll,”
Pomni flinched when Able pointed his digit at her.
“A ballerina with a way of dance. You seem to be around my likeness… My brother likes your work and I… trust his judgement.” 
“ Uh, haha... “ Pomni laughed nervously. She hadn’t cared about her performance in the artistic sense in all honesty. It was more of a survival mechanism. If it's good enough to please The Audience, It was good enough for her. Nothing behind it at all. “Thanks, I guess…”
“ How about you? What are your thoughts on my brother?”
Pomni took a breath in her mind. Pomni has nothing but bad experiences with Caine. Pomni has had nothing but bad experiences in the Circus in general, but admittedly, Caine was the one who manifested it all.
…But she doesn’t exactly think Able would be pleased to hear gossip about his brother. 
“ Caine’s fine. He’s… nice, uh…” Pomni bit her lip. Wow, there really is nothing good she can say about Caine huh? 
She would stop it there, but the eye squint and the small head turn from the usually unemotive brother sent her into a sort of panic…
“ He’s a good ringleader! Doesn’t take no for an answer. He’s really good at, uh… keeping us disciplined and in check?” if someone could hear inner monologue they would go deaf.  The look in his eyes-- what does he want her to say?? 
Pomni would look up to see if her answers satisfied the blue brother’s curiosity. And in her horror, it seemed that it didn’t. He furrowed his brows and Pomni would hear the sharp note from a violin.
“ I suppose I should word myself better…” 
Able put his hands on the table and stood up, making himself feel bigger compared to Pomni’s slouching form. 
“ What. Is your relationship. With. My. Brother.” His eyes stared at her, wider than ever as the eeriest and deafening sound of an angry violin stung her ears!
“ I -” Pomni flinched!
“ You. You specifically.”
The way the strings pierced her hearing was violating! Pomni felt like the legs of the dining chair were getting longer and longer. If she got off she’s afraid she’d fall to her death! 
Able stared at the little, pathetic thing under him. This can’t be it is it? She was ever so small in comparison, he felt like he could just reach over and crush her to death. This?? This is what he was losing to?? This is what his relationship was worth?! His eyes were as fixated as ever. He watched as she held her head down, her ears, he laid clueless to how loud his presence was when she was positive that her head was just about to explode…
“ t--’ ah!” Pomni covered her ears. At that point, she was bringing her knees to her chest like a turtle taking shelter in her shell!
Look at her! Whimpering simply being in his presence! Her lifespan could only last for however long the audience wants her but he’s been created since the beginning! She was less than them! She was less than him! Caine and Able have been completing each other for the longest of time, and he was losing to THIS?!
He couldn’t take his eyes off her, he couldn’t believe how pathetic she was. The way she cried and cowered, At the very least his brother deserves better!
“ He’s just our ringmaster, I promise!” Pomni gasped as the ringing forced itself into her ears. “  I-If you want the full answer-- Im new! I’m new here! I don't know Caine as much as the rest do! I d-don’t even see him often-- he just prepares us for shows! I-- ”
He doesn’t know what took over him to have such emotions. The real Able was known to be the calm and collected one of the brothers, ‘the better brother’. He will say that he didn't mean to lash out, but he would be lying if he said he didn't mean every word. 
And as quickly as it came, the storm ended, and the tune that played in Pomni’s head left in a repeating fade… she breathes, small panicked breaths as her headache calmed down. 
Able sat down, back leaned to the chair, knuckles on his would-be cheek, and his other hand beckoning her to keep talking. “... And?" 
" A-And uhm—!” Pomni kept her head up to talk like her life depended on it." He- He… when.. when my routines get repetitive he would help me d-..do different ones… He plays the organ sometimes too and is-is really good at it! “
Able look at her, still with a face of disbelief…  at this point he was almost over it… 
Was that really it? 
Able sighed and sat back. Sometimes he overestimates his brother's taste. Perhaps he's much more simple-minded than he thought. For all he knows he just liked her because… 
Because… 
Oh heavens how embarrassing. 
He liked her like a pet…Of course he did. And he was treating her like a pet as well! Look at how clean she was compared to the other performers!
Able put a hand on his face… he really just lost his temper to what was equivalent to a dog… 
As Able was once again thinking of himself, he was a little blind to Pomni still trying to calm down in her chair… 
The doll didn't know what to think. Able was definitely not as kind as her friends lead her to believe. She was correct in the worst way possible. In fact she would flinch at the sight of him. 
“... Are you okay?"
Silence from Pomni. And before she knew it he stood up from his seat again and approached her, walking to her side of the table and offering a piece of cloth to help her collect herself. 
“Apologies. I didn't mean to lash out like that. It wasn't my place."
As Pomni used the cloth on her person, there was a part of her that somehow knew that apology wasn't exactly the most meaningful. Pomni may not be good at showing it, but the woman was a lot more observant than she'd like to admit. “... Its okay… “
“ Is there anything I can do to make it up to you?"
“ W-When can I… leave?" 
… that was rude, Able can admit. But he supposes it was fair. It took all of him to not roll his eyes at her. Before he continued to speak he returned his nurturing tone of voice: “ You may leave when we're prepared to tackle tonight. If it makes you feel better, you may have some time to gather in your room to prepare. “
“ Excuse me." As soon as the offer was given, Pomni got up from the table a little too suddenly than what was normal. Without even saying goodbye, Pomni walked off, and back to the hallway towards her door.
The moment she was gone, Able scowled and sighed. What kind of person taught her manners? He sat back down and stared at the plates of food she managed to scarf down in such a short amount of time… 
he put his hand on his face… Oh he really let his ego get the best of him because of some pet…he upset his brother's toy the first time they met… he had to make up for it. Maybe not for her but for his brother’s comfort, though, he doubts he'd really care. 
For the rest of the evening, Able spoke softly, respected boundaries and acted to be the most patient mentor for Pomni. He let her use his violin, insisted on food and breaks, and apologised at every step of the way for their terrible first impression. Pomni would only answer with a quick “it's okay" in response, which bothered Able to not be reciprocated… 
Pomni’s hypervigilance wasn't unfounded however. She knew Able was playing nice, the way she searched for a reaction for every apology, the way he was being just a little too affectionate, the love bombing… Able wasn't being honest with his intentions and so she wouldn't be honest about herself. 
Pomni felt a little better to say no to him at least…in fact, she would almost take the opportunity to use him to get more information. On breaks, Able would allow Pomni to walk around the Manor, exploring each room… it was a testing area… there's bound to be something… 
“There are no traps."
Pomni sighed.
" I think.”
" You think??”
" Some strings of code can be a little unstable. We didn't think to safety-proof anything since, well, we cannot die, and you were not meant to die. “
Great.. 
And Able wasn't lying. A lot of the doors were prank-boxing glove punches to the face, one was of a spinning carousel, and one was the bathroom of a very clean mannequin. Pomni almost lost her life with on the last one.
But it seems doors further away looked a lot more… abstract in the most literal sense. Polygons, shapes, colourful pieces… presumably one of the oldest doors there. 
she would read the signs 
“ Concept Layouts for The Grounds #2 
          || Note: consider more coloring options for the tent.    -Able AI”
“ Moon.AI Beta 
         ||Note: Im unsure with whats wrong with her, I desperately need assistance.    -Caine AI”
" The VOID (Do not enter)”
The sign didn't stop her. The moment she opened the door, she became mesmerised by the sea of pixels, eyes shaken yet still. She stood there frozen at the doorway hand on the knob unable to pry her eyes away…
Her heart was just about to leave her chest, as the strongest urge to step forward ingulfed her body. for all she knows she would be staring for forever. Into oblivion. With all her built up insanity, it feels like Pomni was staring at her death a million times over. 
Slam!
“ Digital World Etiquette! Read the sign! Hasn't Caine told you not to enter the void?" 
It took her a moment to snap out, but with a few blinks, she was right back. " Uhh.. yeah, yeah, he did uh— it's just… it's the closest I've ever gotten out of here. “
“ Out of here?"
“ Y… you know… an exit? Is there really no exit around here?" 
" Hm… “ Able scratched the bottom of his cards. “ My brother tried. He really did try. But there is only so much a string of code can do in a digital plain, even if we are quite brilliant at what we do. “
“ He tried?" 
" Oh, yes. I don't remember why he did… but he did. It is all too fuzzy." 
" Can I see it? “
" And embarass him? “ Able laughed " Oh no. Caine hates when people toy around his unfinished work, and its been unfinished for the longest time. How would you feel if I asked to see your first drawing? He would murder me." Able chuckled.
" But-”
" Come, come. Break time is over." His big hand tapped her from behind, making her flinch and walk forward. “Lets go practice your routine again shall we? “
Although it wasn’t a flat ‘no’, something about that answer felt untrustworthy. She looked up at him and his many eyes, looking away when they stared back. Her legs walked stiff around the manor again. She’s grown used to it but not exactly comfortable. 
Pomni would go blind if this kept up. It took her all to not cover her eyes from the burning spotlight, It hurt her retinas but she was told to keep a straight and elegant posture after every show. The crowd was deafening the way they cheered for her, their voices, humanoid, but not exactly. Their cheers would haunt her nightmares, but it's what she clings to if she wishes to stay useful in the circus… 
She did it. She won.
She bowed to the crowd, arm held up by her temporary mentor, showing her off in pride. 
“ The Living Doll, my dear viewers! “
Only the tip of her shoes touched the ground as she stood from her position. In the corner of her eyes she would see Caine clapping, but it wasn't a slow clap by any means. To her surprise it wasn't at all upset. Rather he just clapped… and the familiar feeling of eyes tracking her every move returned.
On one hand, She hopes this means Gangle is spared from any punishment… on the other hand… why?
She didn't know why she had to ask herself that. She had a feeling.
Pomni closed her eyes, and the next thing she knew, she was in her room, being groomed by the mannequins after a hard day of performing.
A shakey sigh left her. Atleast the day was over. She scrunched up when an NPC wiped her face with a wet cloth. Although she was made of wood, she was not prone to a plush exterior. The mannequins groomed her well but admittedly they can get a little aggressive at times.
Most of her routine was finished however. She looked good as new. Simply just had her bow taken out as an NPC brushed her hair to prepare her for bed.
But then,
Creaak… The sound of the door. 
“ A moment alone." 
Pomni’s hair stood up upon hearing his voice. She heard a snap and the next thing she knew the NPCs fell to the ground like piles of rubble, seemingly no longer functioning. His voice was enough. She didn't bother to turn. Her eyes fixated to look at the mirror either as a freeze response or in denial of the situation…
Fully knowing that all NPCs were inactive at the time… a different pair of hands started brushing her hair. 
Pomni swallowed.
Caine hasn't felt her hair himself the whole time she’s been in the circus. He would never usually put himself in the dirty work of a groomer, but that day… he was feeling especially clingy. 
For the next few minutes, nothing but the sound of the hair brush filled the room. Pomni's eyes now trailed down, refusing to look at him even in the mirror, Though at the corner of her vision she would sense him occasionally turning up to look at her. She did not reciprocate. 
“ How was your visit?"
“ Good." Pomni frowned.
“ …What were you doing? Did he treat you well? “
What was it with the brothers and asking her how she felt about them? Oh well. She learned her lesson. “ Able was a great host. He fed me good food and was really patient. He has a way with words and is really good at the violin… he was, uh…classy. And treated me really politely. He even—”
" Stop. “ 
The brushing stopped, 
" Thats enough.” Caine could break the comb with how tight he was holding it. Stop. Stop praising him like everyone else did. He didn't like when his name escaped her lips. He loathed the idea of her spending time with him, getting to know him, adoring him just like everyone else he knew.
Various intrusive thoughts entered his mind. He could pull out all her hair right then, crush her head between his teeth, he didn't know he was capable of such strong emotions until moments like these happened.
Yet it was all hidden in the shadows of his maw. Caine kept his head down, his eyes out of sight. Though that didn't stop Pomni from seeing his clenched fist on the poor comb.
That wasn't the answer he was looking for…?
“ Uhh! On second thought, his - his cooking was a little off… “ Pomni continued. “ I-I don't know what he thought humans liked--… but he was definitely off in his calculations... “
Silence from Caine… but she could sense his grip loosen. He tilted his head back up from his low gaze. 
" Mhm! I say your cooking is a little better! Its good--um- just harder to fully grasp, I guess, which isn't your fault. “
Caine continued to brush her hair. He could stay there for hours to hear her praise him and degrade his brother. It has been a while since he heard anyone criticise Able, and to hear it from the person he wanted from the most made him revel in the feeling.
“ And what is it with his over insistance to be so proper, right? It felt like even breathing was banned around him. “
“ That sounds like him.”Admittedly that one pleased Caine. Although Caine was all for following the rules, Sometimes his brother’s prudence can limit his creativity. He knows it all too well. 
" Was he always like this? “ Pomni asked. 
" And what would happen if I said yes? “
" Nothing. I guess its good to know that he was always that annoying. “
" Ha! “ That one caught him off guard! He put his hands on her shoulders, an olden man’s way of effection or showing pleasure. 
To Pomni it was as releiving as it was terrifying. Her body scrunched up from the sudden touch. “Haha… “ she laughed nervously. It was almost like she could feel herself gaining favor with each laugh. She guesses Caine really felt strongly about his brother. It wasn't her business. 
“ Im sorry to hear your visit was unpleasant. My brother really should have known better." Caine put away the comb on her vanity, and kept his hands on her shoulders. He didn't sound sorry. He didn't even bother to hide his pleasure over the idea. “ Ill make sure he doesn't get his grubby hands on you again… “
" Much appreciated. '' Pomni closed her eyes and nodded, pleased, before opening them back up again in a panic. “ Uh--! Actually, How about no? “
"... No? “
" I-I mean uh…” Pomni limiting her reach around the digital world also meant limiting her reach for a possible exit… but ofcourse, shes not telling Caine that " I-I just had ..so much fun performing for the audience with higher stakes, I guess, you know? Plus-- plus! It might make me more desireable to have big wins every now and then! “
“... I suppose." Caine thought to himself. Perhaps having her around Able a little more might build some resentment. Though Caine admittedly was a little disappointed with that answer. He went quiet again and kept his hands on her shoulders, though this time, a grip that's a little more stiff.
Pomni exhaled… 
shit… change the subject.
Pomni cleared her throat. “Did you… enjoy the performance? “
Caine laughed, a pity laugh. “ I enjoyed it as much as a person can enjoy a pre-planned game, yes. “
“ Huh?"
“ It was rigged, my dear." 
“ Oh…… … … … "
“ You wouldn't actually think I'd let you play fair on your first game would you? The audience would boo you to oblivion. “ Caine continued. 
Pomni looked down, admittedly a little embarrassed. She normally wouldn't care for her work as long as she gets to live another day, but still. Ouch. A blow to her ego.
“ It's alright. It's not your fault that Able can be tacky with his taste in art.” it seems that the more Pomni looked down the more affectionate he got. He placed his would-be chin on her head and continued to look at her eyes in the mirror. “I took control of your body 20…30...50% of the performance and that was that. “
“... Thanks." 
" You're welcome. “ Caine tapped her shoulders and stepped away, back into the air. He snapped his fingers and the mannequins previously on the floor re-assembled, back to walking and moving like nothing happened. 
Caine moved closer to the door.  “ Now get ready for bed! We have another routine to do first thing in the morning! How exciting.“
Before she could say anything else, Caine was out. Pomni let out little exhausted groans and put her forehead down on the table. “Augghh! God!" She put her hands on her head, just about ready to have her fourth mental breakdown. “ I can't… I CAN’T. I hate this place!”
The mannequins didn't know how to groom her in that position, and so they simply put her bow back on, and gave her a pat on the head. 
She stayed in that position for a little longer, quiet, just letting it all seep in. While she wallowed, the mannequins left her with the room since they finished their work. Now, it was only Pomni by herself.
She took a breath and turned her head up. Chin on the vanity, looking up at the mirror. She stared at the reflection, the constant reminder of her digital prison, and sighed.
It's okay, Pomni.
We have a plan. 
This isn't over yet. 
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livelaughpeg · 23 days
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I'm writing this from a throwaway account, because you know...Scientology.
I want to preface this post by saying I am not one of those "I knew it all along!" people. I can't stand that attitude. I was pretty ambivelant towards Neil Gaiman. Prior to the allegations, I didn't hate him but I wasn't that interested in him as a person either. I don't think you can always tell when someone is a bad or good person simply by the topics they write about. If that was the case we'd be arresting every horror writer on earth.
But one thing that did always rub me up the wrong way was the way he talked about getting work.
I borrowed and read "Make Good Art" (a small book based on a speech he gave to graduates at the University of the Arts) at a time in my life that I was really struggling to get by (I still am to some extent, but in a different way). I expected to see some practical advice. Instead it was a bunch of glib shit like:
I got out into the world, I wrote, and I became a better writer the more I wrote, and I wrote some more, and nobody ever seemed to mind that I was making it up as I went along, they just read what I wrote and they paid for it, or they didn’t, and often they commissioned me to write something else for them. Looking back, I’ve had a remarkable ride. I’m not sure I can call it a career, because a career implies that I had some kind of career plan, and I never did. The nearest thing I had was a list I made when I was 15 of everything I wanted to do: to write an adult novel, a children’s book, a comic, a movie, record an audiobook, write an episode of Doctor Who… and so on. I didn’t have a career. I just did the next thing on the list.
Life is sometimes hard. Things go wrong, in life and in love and in business and in friendship and in health and in all the other ways that life can go wrong. And when things get tough, this is what you should do. Make good art. I’m serious. Husband runs off with a politician? Make good art. Leg crushed and then eaten by mutated boa constrictor? Make good art. IRS on your trail? Make good art. Cat exploded? Make good art. Somebody on the Internet thinks what you do is stupid or evil or it’s all been done before? Make good art. Probably things will work out somehow, and eventually time will take the sting away, but that doesn’t matter. Do what only you do best. Make good art.
Yeah, well, no shit. If you're a writer or artist you probably do anyway. Whether you get paid for it or not, whether you draw fan art or original art. But the point of Gaiman's speech was to give advice to people who wanted to be paid for their art. To make a career of it. Making art every day isn't always enough. You have to pay the damn rent, you have to eat, you have to network and do social media and promote yourself, and you have to do it while thousands of other people are doing the same thing in a massive crowd of people who want the same thing. Practical advice is much more valuable than platitudes and theory.
I am not a writer, I'm an illustrator, and let me tell you that for most people, 'getting your foot in the door' isn't a one time thing. Quite often you have to work at getting your foot in the door again and again until you become established, and it's very easy to be forgotten. I still feel like I'm in that stage now.
I watched my peers, and my friends, and the ones who were older than me and watch how miserable some of them were: I’d listen to them telling me that they couldn’t envisage a world where they did what they had always wanted to do any more, because now they had to earn a certain amount every month just to keep where they were. They couldn’t go and do the things that mattered, and that they had really wanted to do; and that seemed as a big a tragedy as any problem of failure.
The implication was that he was successful because he wrote every day and his friends weren't because they didn't, because you know, working a second job is tiring. He called this a tragedy, but there was something very glib about the way he narrated this.
I think someone had more financial cushion that he was letting on.
And yes, sometimes it does work that way, (some people are very lucky and make all the right connections) but Gaiman was getting Big Jobs right off the bat and something about that never smelt right to me after the way he talked about it.
And then I saw Jeff's tweets. Oh, that's why...
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I suspect the truth is he was living off his family's money and connections, and while I don't think there's anything inherently wrong with that if you're a struggling artist, his family are Scientologists, and I don't think he ever struggled.
I suspect it's all a lie.
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canisalbus · 7 months
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might be an odd question, but i have a theory after noticing trends amongst artists iv known in my life and SO FAR it's rung true so im expanding sample size
IDK if u know what aphantasia is already so I'm including reference [forgive me if uv already spoken abt this also]
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Where would u say u fit on the scale?
For me I cannot see an apple, I know I am supposed to, or I will see concepts of it [like how the flesh is shiny and holds water droplets but i do not SEE it nor can i hold a clear visual of anything in my mind for that matter it is always flashing IDEAS like components of a visual, never the whole thing]
I'm asking because of people I've asked about this, there's a quality of their art that [i dont know how to put into words WHY] reminds me of each other, and I'm wondering if u will give me the same answer they have because I am a curious little bastard
I'm pretty sure I'm 1? I think I might have one of those brains that operate mostly on visuals. I don't need to close my eyes to see the image in my mind, it just sort of "opens in a different window" and I'm looking at reality and the mental image simultaneously.
It's never a flat picture, I see a 3D model of sorts, and I can rotate it around, cut it into pieces, look "through it" to see it from outside and inside at the same time, and arrange it to different poses if it's a character. Sometimes when I'm drawing something, I imagine what it would feel like to touch it and hold it in my hands, and that helps me to figure out how to convey a better sense of volume and tangibility.
I also think in images (or, like, gifs?) and I've never had an internal monologue. It surprised me when I heard that some people actually have a narrator in their heads, I can't imagine what it's like.
It's not always fun though, sometimes I get pretty nasty intrusive thoughts and they come in forms of vivid and very unpleasant mental images. Like visiting a relative's grave and being hit with a crisp picture of their decomposing body. Or getting those "I could walk in front of that car/ jump down from here" call of the void thoughts and instantly getting a brain illustration of it playing out from an onlooker's point of view and what the aftermath would look like. They're most distressing when it's bad things happening to someone I care about, for example I have a really persistent one about accidentally slamming a door on my cat and seeing him crushed and dying.
Oddly enough it doesn't extend to all visual thinking. My mind's eye and visual memory work well, but I also have severe face blindness and practically nonexistent ability to form mental spatial maps of my surroundings.
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signanothername · 1 month
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hhhhhhh i love your art so much man it's just so rrrrrrrrg words can even describe it 💥💥💥
butt like like genuinely how do you figure out poses and shit that fit who you draw so well likeee
idk me personally i just struggle with that stuff, yk always stuck with the -looking front on with hands in pockets- or the dreaded -peace sign with hand in pocket- fjdjdj
sorry for the yap sesh butttt any advice would be like so cool
also the way you portray killer and nm is like godly just 💥💥💥💥💥💥💥
HDHDHHDHD THANK YOU <333333
And oooh that’s a very valid struggle, cause the thing is, I used to struggle a lot with posing characters in a way that actually satisfied me, going for the stiff front look a lot dhdhhdhdh
But the thing is with art, is that it isn’t just lines on a page y’know? At least, I stopped treating my art as such, every time i draw an artwork i want the artwork to tell who sees it something, I treat every artwork as a story in of itself
Ok imma generally give you what I learned from my art journey so far, i’m gonna start with a more general advice and then get to how I choose poses for certain characters, and imma try to explain the best I can but I can be really bad with wording things so bear with me
Art can be difficult cause different art concepts are interconnected with each other, so sometimes you need to think of so many things just to be able to do something as simple as posing a character
Before we start tho, here are 2 tips:
-everything you know about anatomy? Throw it out the window, no i’m not joking I’m being completely serious
The reason many artists suffer with making dynamic poses is cause they think too much about anatomy, they think the anatomy should look correct and perfect, and no, anatomy is the biggest reason the pose you draw is going to be stiff, you need to forget “correct” anatomy if you want your poses to feel alive and dynamic
- practice gesture/figure art, IM ON MY KNEES I BEG YOU, cause it teaches you to let go of perfect anatomy and actually learn how to draw figures in motion (which is extremely important for fluid and dynamic poses!)
———
With that in mind, here are a few things i keep in mind when posing a character:
1- line of action
You hear these three damn words a lot yet no matter how much you research them you can never find a good explanation for what they mean (me after i researched this bullshit so much shbdhdhhs)
But simply put, think of the action line as the spine in a human, the more you bend it outta shape the more dynamic the pose is going to be
And it’s genuinely so important cause it can make a very simple pose such as a character standing doing nothing much more dynamic when you put line of action in mind
Even a very slight bend in the line can make the pose more natural/dynamic, because an action line dictates the movement of a character
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So if you want to avoid a stiff pose? Avoid a straight action line (you gotta make that action line Queer af💅✨✨✨✨)
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But here’s a mind fuckery, the tricky thing with action lines is that it’s better if you keep them in mind but not consciously think of them if that makes sense
You gotta understand them and implement them and practice them, but when you draw a character posing a certain way, thinking too much of the action line can actually make it difficult to maintain and in turn, makes your art stiff af too
Like you got to internalize this concept and to keep it in your subconscious rather than actually consciously think about it when you draw your artworks
Ok Anó, how the fuck do i do that? Start with practicing them consciously by actually drawing the action line and then the pose in art studies, and then level yourself up by practicing them by drawing characters posing a certain way WITHOUT putting an action line first, i’m sorry to say there’s no way around it, there are no short cuts
Here’s a helpful visual guide/summary of what i mean by the paragraph above cause words suck
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(but sooner or later, what you learned gets burned into your muscle memory, and your hand would start doing all the work without you consciously thinking about it, then congrats!! Action lines are now part of your subconscious)
Ok but does that mean straight lines are bad/should never be used?? NO
I can never emphasize how important straight lines can be
One thing that’s beautiful in art is that there’s no such thing as “bad” or “wrong”, art is subjective, and something that’s perceived as “wrong” by one artist, can be right/ something implemented in another artist’s artstyle that makes it unique
In fact, straight action lines can be great to use depending on what you wish people to take/understand from your art (a simple example: a turn around reference sheet for a character tends to use straight lines, cause in a reference sheet you focus on clarity, and drawing with queer lines can cause that clarity to be thrown out the window)
But I especially love to use straight Action lines with Killer, I sometimes make him stiff as a fucking rock and it’s completely intentional on my part, cause i love to use stiff poses to enhance the uncomfortable/unnatural atmosphere Killer gives, or to further emphasize an already uncomfortable situation
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So to summarize, if you wish your poses be more natural/dynamic and to avoid stiff poses, use queer Action lines, but straight lines are also great to use depending on what you want people to understand from your art
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2- perspective (camera angle)
Variety is key!
What is the perspective you want to focus on? I know this seems like it doesn’t have anything to do with posing a character, but it does, (remember, art concepts are interconnected!) cause the perspective you decide to draw from can also influence the pose you decide to draw or vice versa, and help you make the pose more dynamic
Hell sometimes, perspective can do the poses justice even if they’re literally the most boring stiff poses you’ve ever drawn chchchhcch
Like are you going to draw the character from an upper perspective? Lower? Fish-eye? Third person? First person?
Is the perspective tilted? Is it normal?
What is the perspective you want and why did you choose it? What are you trying to tell the people who see your art?
Here are a few tips when it comes to perspective:
-More dynamic perspectives (upper/lower) are good for artworks that have tension in them, or have some sort of stakes going on (fights, horror, uncomfortable situations)
That of course doesn’t mean they can’t be used to simply make your artwork look cool :D
-choosing how many vanishing points there are (one,two or three points perspective) can also make your art tell a different story depending on the situation you’ve chosen them for
-and most importantly, when you draw a pose, foreshortening is going to happen to the body depending on the perspective!!
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But my point is, I make sure i draw in variety, sometimes I draw the character from upper, lower, tilted or even a mix of all of them, all to enhance my poses to look more dynamic/natural
Ok Anó, got it, but what if I don’t care to include a crazy perspective and i want to draw in a normal perspective? Then how do i make my poses more dynamic?
That brings me to my next 2 points
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3- camera shots
Same as perspective, there has to be variety!
Your art doesn’t always have to be full body, try to draw different shots, draw a headshot, draw closeup shots draw half bodies
If you go for different shots then you’ll be forced to think of different poses to fit such shots :D
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4-bodies are like little toys, break them
One thing you can do to bring more variety to your poses is to have different body parts facing different directions, not all limbs have to face the same direction >:)
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Generally the characters don’t have to face front! Try to mix it up and draw from the side or back
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5-emotional weight and a story to tell
And this is where i’ll bring my point about treating my art as a story back
A really good way to actually put variety in your poses is to treat any sort of artwork/sketch you make as a story you’re trying to tell
Before you draw a character posing a certain way ask yourself, why is this character posing this way? What are/were they doing before that pose? Are they alone or are they reacting to something/someone?
Is there a point to them posing this way? (It’s ok if there’s no actual point to it! But the poses still would need to tell a story regardless)
Cause if you’re posing them reacting to another character (off screen for example), you pose them in a way that makes sense for their emotions of the other character right? (So if the character has negative feelings towards the other one then it makes more sense to draw them in a defensive stance or a fight or flight pose)
If you’re drawing them all alone then what are they doing alone, are they doing something important or is it their off time? If it’s their off time what are they doing for their off time? Do they like to spend it reading a book for example? What are they reading? Is it a horror novel that makes them scared? If yes then how do they deal with fear? Do they throw the book across the room or do they hide under a blanket?
Cause a pose also holds emotional weight, it shows you what emotions the character is exhibiting, it’s not just the expression of the character that tells you about their emotions, it’s their body language, and body language can be translated through poses
Let’s say they’re doing a peace sign pose for example, why are they doing it? Are they taking a picture with someone they love or are they doing it to annoy someone? Hell maybe they’re being forced to do it, and so they do it half heartedly maybe?
Get what I’m trying to say?
———
And now with all of the above in mind, time to get to the most important thing and the main point of this post
How do I choose poses for certain characters?
6- personality
who am I sketching? Cause each character is unique and each character is gonna act a certain way other characters won’t, and depending on the situation, the poses change too
Understand the character and how they act, try to analyze them and take in their quirks and behaviors, and before you draw a pose for them actually ask yourself, would this character EVER do this pose?
Like you say you fall in the peace sign trap right? Now think about a peace sign pose, but with Nightmare… it doesn’t make sense right? Cause the pose is an absolute striking contrast to Nightmare’s personality, like Nightmare would never do a peace sign till the day he dies, hell i’m sure if he’s forced to choose between death and doing a peace sign he’d choose death (it’s a lot more mercifull than the humiliation he’d feel making a peace sign hcchchch)
See what I’m getting at?
For example, I draw Nightmare with his hands behind his back a lot, but you won’t see me do the same with other characters often, not cause other characters would never put their hands behind their backs, but because it’s a quirk in Nightmare’s character, Nightmare TENDS to do that a lot, he acts so formal and royal like, and so i draw him do it a lot
But here’s the thing, if i draw other characters having their hands behind their backs like i do with Nightmare, i do it in a way that makes sense for them! An example is how i draw Nightmare and Dream with their hands behind their backs :D
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But I also keep in mind Nightmare’s character, so whenever I pose him a certain way, I ask myself “would Nightmare actually stand/sit/lie down like that?” If the answer is yes, then I continue, if not then i change it to fit Nightmare
To further explain, I tend to think Nightmare is defensive in nature, so you’d see that I also pose him in a way that reflects that, with his hands crossed in front of his chest for example or generally his hands close to his body, sometimes hunched in on himself, I also think Nightmare is egotistical and self centric, but most importantly, he sees himself as an elegant King, and so I draw him crossing his legs or generally have him sit in such a formal manner or a hand on hip kinda pose etc
So when you draw a pose ask yourself if it fits the personality, mindset, and pattern of behavior for said character!
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———
With all that being said, while it’s amazing to be able to do a variety of poses, I think it’s also important to keep in mind that art is supposed to be fun, take your time trying to learn, don’t overwork or frustrate yourself with learning new things, and it’s completely fine to not do poses that have meaning sometimes (do that peace sign to your heart’s content <333) it took me 10 whole years to get where i am today, and compared to many other artists my own progress is extremely slow, and it used to bother me cause I treated art like there was some sort of deadline above my head and that I should learn things in a timely manner (which is absolute bullshit), my point is, take your time with learning poses, even if it takes you years, the important thing is that you will get there eventually <33333
———
Finally, here is one art resource for poses that i think is really good/useful
Keep on creating and hope my endless ramble helps a lil chchchchchch <33333
youtube
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kosmicdream · 2 months
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Hello. After drawing webcomics for 10 years and making about 10,000 pages of comics, here are some things i have learned/observed in that experience..
1) making comics does not get easier.. Not really
Making comics is a tedious and slow process and with so many different facets of the experience to learn - you’ll never run out of stuff to learn or weaknesses to work on. I’m not saying this to discourage but to just give the frank reality that it really takes a lifetime to understand. Be patient with yourself and try to set healthy expectations. 
2) Read your own comics after making them.
I don’t know if this is as important to other people as it is to me, but I do think that sometimes its easy to not re-read your own work and just go from your own memory of it, or maybe you’re tired of looking at it because of all the flaws. I don’t personally get sucked into the “rewrite/remake” cycle that I know is common with comics, as I sort of just accept things as they are, but re-reading my work does help me see where I have come from and where I need to go to next. I personally don’t like to lose sight of that, and I think re-reading helps ground me in the planning process of my work and gives me a better perspective on all aspects.
3) A lot of comic advice should be taken with a grain of salt, because its the person talking to themselves. (including this)
I see a lot of advice that never would have worked for me, or just simply wasn’t something I was ever going to follow. “Dont start with your big epic long stories”! Is a common one. I don’t think that’s bad advice exactly, but how many young artists are going to listen, especially if they’ve never told a story in the first place? Yes, the advice to start small and build yourself up with experience sounds great, I’m sure people do it, but if you’re an artist you’re probably not gonna be that responsible. And for me, when i tried to do this with eggshells, my house burnt down and i kinda gave up comics for a while because i lost a lot of work. 
Writing short stories is still something I struggle with, its just not easy for me. I have gotten better at it but i don’t think that makes me less of a comic artist because I haven’t gotten good at that particular format, or that I jump around on my projects. Is it more impressive to have more completed work under your belt, sure. But I also think that.. Idk.. what is the advice actually saying, because with that one it sort of feels (often times) as a warning that you’re setting yourself up for failure/embarrassment by attempting a comic like that. I don’t know how to tell you this, but comics are gonna be embarrassing no matter what you do and there’s no guarantee you’ll be more successful/not experience failure by avoiding your passions. Something to think about anyway. 
4) Don’t draw every leaf. Unless you really want to.
I’m the kind of comic artist that kind of doesn’t care about the art as much as the whole package of the comic. When i see a very impressively drawn panel/page, with laborious detail that is well drawn and maybe even colored ect.. That usually is kind of, I guess, a turn off for me as part of the reading experience. The thing is, when i encounter that, it usually signals to me that someone has poor planning skills for comics. It says to me that comic is probably not going to see its end or that artist is overworking themselves in an unnecessary way, that ends up concerning me about how they’re doing. Because i know how hard it is to draw comics. When an artist phones things in a bit, or has a limit on how much they work on a page, its a relief for me to see! because I understand they have healthier boundaries and expectations, and the art itself usually is less stiff too. This is all an overgeneralization, but I think with a lot of webcomic artists we are usually drawing a comic for the first time ever, so it makes sense we want to do our best and try as hard as possible - that just usually isn’t the smartest plan to put all the stock in the visual department. This also kinda frustrates me to see because most comics (professional or not) will also (generally) not reel the art in ever or make a more simple style. Generally I see it always trying to outdo itself, which leads to burn out. I personally only work about 1hr on each page i draw, that hasn’t changed in the 10 years I have been drawing comics, but i used to spend hundreds of hours drawing detailed lineart for eggshells and it didn’t even read well and i’d be disappointed with the results, feeling more lost with my goals than ever. PLEASe.. Just draw worse, its usually better looking in the end too. (because you wont have the experience to judge visual clarity until you’ve been drawing comics for a while imo..)
5) Don’t draw ahead, draw those inbetweenies.
“Inbetweenies” are the pages for the “boring” ones. They are also usually the most common KIND of page. Its the pages that are necessary, but “inbetween” the action. The impact moments in a scene, ect. You gotta draw them. They’re always gonna be there. They’re the pages where maybe, the character is walking somewhere, thinking, ect. The after impact from an action.. There’s a million examples, but hopefully you’ll understand what I mean when I say they’re both necessary pages/panels, sometimes so mundane/redundant, but also required for telling the story.. As a comic is a sequence of images. This is why, the previous advice is also important IMO- because if you really want to “draw every leaf” - maybe you should save that energy and effort for those impact moments that you want to impress the reader with.. And not for the inbetweenies, which are the foundational support, but also not the most important moments. If you conserve your energy a bit, the contrast OF that effort will also pop more. I personally find it funny when I put more effort into a page and end up tricking my readers into thinking I got better at drawing, when really i just have been able to draw better and only save it for moments like this instead of always.
Also, when I say don’t draw ahead.. I mean I draw each page at a time before going to the next one. I have no idea if this is an unusual practice or not, and I know a lot of people will draw their chapters/episodes/whatever in sections like sketch/ink/color/ect.. But I personally draw and finish page by page, unless its the thumb/sketch stage. Even then, i don’t go ahead much. I think that you can control flow/pacing better by doing chapters all at once of course, I see that as a benefit. But i also think that makes things very overwhelming and can also result in a lack of flexibility if something isn’t working. No matter HOW much planning you do- comics are always going to have an aspect of IMPROVISATION with the result you get in the end. There are way too many factors in play to be in complete control of all of them and always know the result of the reading experience. SO for me, this technique is easier and has been something that continues to get me to working effectively. Plus, rumiko takahashi said that’s what she does. And i think she has some of the best visual flow/compositions in comics. So that’s what I do.
I could write more personal advice or rules that i follow..but I think those are the ones I find are the most important to me anyway. Of course, comics are a strange medium and not everything that works for me will work for you. That’s all for now.. Bye bye…! 
Oh by the way, my comics are here: feastforaking.com nastyreddogs.com https://kosmic.itch.io/ Support me on patreon! https://www.patreon.com/kosmic
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the-bloody-sadist · 11 months
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in case no one else has asked, please list your top 10 BL manga/manwha? 👀
i am. very interested in what other media you enjoy, especially BL
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Combining these two bc I didn't wanna leave the second out!
(I wasn't a big fan of Blood Bank personally but I'm so glad it helped you with your world building Lil Whale!!)
I'm hoping some of these are unheard of for you guys because THERE ARE SO MANY BL/YAOI AND I READ THEM CONSTANTLY BUT NOT SO MANY ARE FANTASTIC AND MIND-BLOWING AND SPECTACULAR AND DEEPLY PSYCHOLOGICAL! I'm pretty sure I'll end up listing WAY more than 10, mainly because I want to highlight ones I feel like a lot of people haven't read. ALSO because I read so fucking many of them that I've collected a stash and NOW IS MY CHANCE TO YELL ABOUT THEM.
Just a disclaimer, these are not in any sort of order, as they're all about the same level in my head, just grouped. I'll list the "big name" BLs that I adore after these! First up are the ones that either have a quiet fandom or aren't well known! Since there'll be so many, I'm not going to say much about them, just know that usually no BL/Yaoi is perfect to me, since there are many bad psychology tropes here and there or unnecessary cruelties that aren't exactly realistic etc., but overall, I like the way that the story and characters are handled and/or love the art.
Here's the top five of my top ten that's not a top ten bc there are so many (I just said I wouldn't group them but I lied my ass off apparently):
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Jealousy [Scarlet Beriko]: This is one of those that emotionally hits so hard that it will stick with me forever and I will usually tear up just a tiny bit when I think back to the moments that made this one so beautiful. A lot of times a story with major hurt, angst, and tragedy won't wrap up with enough to make me scream and cheer at the end. But THIS ONE DID. And I stopped reading for a while when a big event happened because I thought it would end horribly and I'd have to suffer three weeks of fiction-induced depression for a man who wasn't even real. BUT NAY. The themes you get in this one revolve around loneliness (huge draw for me, it always hits), mafia-connected characters and the rivalries from that, self-destructive prostitution, and characters who have difficulty receiving love without freaking out. Are those even themes idk. OH WELL. YOU GET THE POINT. I want this one on my shelf. You might've heard of it, but the fandom is silent so I never did. T_T OH ALSO THE ART ON THIS ONE IS GORGEOUS I FUCKING LOVE IT.
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Hitori to Hitori no 3650nichi [Hitomi]: First of all, favorite manga artist. FAVORITE MANGA ARTIST. I'm never exactly sure if the artist is also the writer or if the writer is never the artist or...BUT IT DOESN'T MATTER. Anyway! I listed this particular title because it was the first that I found by this person - but then I discovered it was a part of a bigger series, and there are like I DON'T KNOW FIVE DIFFERENT MANGA?? OR SOMETHING??? Related to this one. I don't know which order, I just know that I read them all in a frenzy. THE CHARACTERS. OH! OH THE CHARACTERS! Oh my gods, it's so good. LMFAO. The arcs these characters have are fantastic, and I loved the fact that the abuser in one is shown to be the victim of abuse in a prequel story, and that his anger issues and other elements of his personality came about to affect him and destroy him. Just...I don't recall the details, READ IT. That's all. Spectacular depictions of nuanced trauma within abusive relationships.
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The Beast Must Die [Lee Hyeon Sook]: This remains one of my favorite depictions IN ANY MEDIA of a psychopath, because it's SO accurate and I'm SO fucking proud of the author for doing their research and OH MY GODS YOU GUYS IT'S ABOUT TO GET A DRAMA CD LET'S FUCKING GO! This story is so good. It's so evil. It's so psycho-thriller. It's so WELL DONE. It features a dark academia-ish secret society within a college setting who hunt people for sport, sometimes. LIKE. Come on. And the psychopath (dark hair) IS THE MAIN LOVE INTEREST! You could literally hear the summary and go "oh this is for Sadist". And I don't get a lot of those that deliver this well. SOMETIMES the art makes me twist my head a little but YOU KNOW WHAT I DO NOT CARE OKAY? It's just SO good. There's murder, there's kidnapping, and - most importantly - a main character who doesn't just DEAL with whatever the psychopath does. He's smart, he fights back, he learns to understand psychopathy to determine if he should remain with the love interest...it's fantastic. That's all. I will stop. *BANGS THE WALL*
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Aporia [Seontae]: ALL HAIL THE HEALTHY BDSM RELATIONSHIPS THAT STILL HOLD TENSION AND EMOTIONAL WEIGHT AND SPEAK TO ME!!!!!!! HELLO!!!!! This is my favorite BDSM-themed story. Everything is consensual, but is everything safe??? Not when it comes to the main character's emotions and tendency to sacrifice his wellbeing for a partner. BUT NOT TO WORRY, HIS SADISTIC LOVE INTEREST IS CONSIDERATE AND ATTENTIVE AND CARES ABOUT HIS FEELINGS!! This is, perhaps, one of my favorite depictions of a REAL sadist. A real one as in a realistic, irl BDSM-relationship sadist. Someone who is just as worried about taking care of his partner as he is about hurting him JUUUUST right. ANYWAY! THAT'S ALL! READ IT! HE'S LITERALLY ME!
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Royal Servant [MasterGin, Chungnyun]: Okay, we were talking about healthy BDSM in the previous one, now let's talk about TOXIC BDSM-THEMES THAT I LOVE. Lmao. DO YOU LIKE MASTER/SLAVE DYNAMICS? DO YOU LIKE STORIES WHERE THE ARC LEADS TO THE ABUSIVE MASTER EVENTUALLY LEARNING TO NOT BE ABUSIVE AND LOVE THE SLAVE? YEAH ME TOO. I DON'T NEED TO DESCRIBE THIS ANY FURTHER. AUTHOR OF ANGEL BUDDY, THIS IS THE ONE THAT I KNEW HER FOR FIRST.
A bunch of other good ones you may or may not have heard of (I won't describe every one of these unless I have something particular to say, so enjoy the pictures from them that I snatched):
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Love me in the Wilderness [Wang Tao]
Neon Sign Amber [Ogeretsu Tanaka]
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Zetsubou ni Nake [Shinou Ryo]: Guys. This story is UNIQUE AS HELL. I had to say something about it. The premise is that a man who was raped turns around and goes back after his rapist and rapes him back, and then they fall in love. IT'S....the amount of times my jaw dropped was insane on this one. SOMEHOW IT'S WRITTEN SO WELL. SOMEHOW THEY NAILED THE STRANGE REALISM OF IT AND HAD ME TEARING UP OVER THE INTENSITY OF THE RAPE SCENES. VERY WELL-PACED, VERY TRAUMATIC IN A GOOD WAY. HIGHLY RECOMMEND. The way they come to love each other after this crazy foundation of mutual rape is IMPRESSIVE. Kudos to the writer.
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Love or Hate [Yeongha]: This is a very well-known one but there's like zero fandom so I think it fits here. Also a lot of hate going around for it? Which I never understood, fuck those guys. This remains one of the most beautifully-written that I've ever read, and I mean that purely in like...the ACTUAL writing on the page. I'm talking poetry, purple prose. I just recall being blown away by that, and no manga before or since has ever reached its level. For once I felt like the writer was also a novelist because of the way that they put things, and had a clear voice in the style. Did the main boy end up with someone I didn't want him to end up with at the end? Yes. But I felt like it fit pretty well, and it was sort of a tragedy, and it was supposed to hit you painfully in the gut. A lot of people were mad at the main character for that and I don't really think it's fair. In any case! A beautiful story with complex characters and intriguing dilemmas. Highly recommend it.
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Shangri La no Tori (Birds of Shangri La) [Ranmaru Zariya]
Two in Six Billion [Denzou]
The Pizza Delivery Man and The Gold Palace [Upi]: Great story and character-building so far! I will say that once it became porn, it dove a little too heavily into it for me. Like I only needed one scene of the porn, I was enjoying the panic attack scenes much more. BUT YEAH, IT'S ONGOING, SO WE'LL SEE WHERE IT GOES! But the panic attack scenes were the reason I read it and yes, I did tear up.
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Sleeping Dead and Living Dead [Asada Nemui]: I RECENTLY FOUND THIS ONE AND ADOOOOOOREEE IT SO MUCH. I DO NOT CARE THAT IT'S AN OLD SCIENTIST AND HIS ZOMBIE PATIENT. NORMALLY THAT WOULD HOLD NO SWAY OVER ME, BUT OH GODS, THE ART IS SO PRETTY AND THE STORY IS SO GOOD. I LOVE THE LITTLE ZOMBIE MAN! I LOVE THE LITTLE ROMANCE THEY'VE GOT!
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Private Lessons [ANCO, Mongya]: It's cuuuuute what can I saayyyyy it has BDSM and threesomes and I liked it. Very entertaining. Scratches the BDSM itch and the little SUB WAS SO CUTE. Anyway.
Kingyo no Ubugoe [Gontaku Nido]
From Points of Three [White Eared]: Threesome dynamics!!
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Silent Lover [Qiang Tang, Bai Li Jun Xi]: I STOPPED THIS ONE AT A CERTAIN POINT BECAUSE IT DIPPED INTO WEIRD M-PREG AND STUFF I CANNOT READ. But BEFORE all that, I was deeply ingrained in this one. It has a main character who can't speak (a particular weakness of mine) and he's OH SO CUTE and he's given as a sex slave basically to the emperor (emperor? idk he's a kingly man, something like that), and the emperor is evil but learns to be soft and yet it takes a LONG TIME SO I WAS BAWLING HYSTERICALLY OVER SOME OF THE HEARTWRENCHINGLY PAINFUL SCENES IN THIS FOR THE POOR YUU-ER. A good read until it decided to go the omegaverse-by-magic-potions route. I didn't stay to figure out where it actually ended up.
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Yoru wa Tomodachi [Ido Gihou]
Toumei na Ai no Utsuwa [Hitomi]
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Re:Birth [Misuaki Asou]: The singular omegaverse story in existence that I actually liked. Hopefully that says a lot. Mostly because it's about the omegaverse elements NOT being present for the main character and him trying to fake it because he's lonely and afraid that his partner (an alpha *shakes off the disgusting label because who the fuck thought alpha was a cool word*) will leave him if he finds out he's just a regular guy (aka beta I guess? ABO is weird idc).
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Sahara no Kuro Washi [Soutome Emu]: MASTER SLAVE MASTER SLAVE---
Haru ni Kaeru [Kunieda Saika]
Incorrigible [Bbong]
Well Done! [ANCO, Mongya]
Nemuri Otoko to Koi Otoko [Zariya Ranmaru]
Even If You Don't Love Me [Pando]: It dropped off SUPER hard (it's ongoing still) but damn was it good in the beginning. I am sick and tired of where it's at currently but the psychological manipulation and the horror of a certain twist in the storyline was CRUSHING to me. I only wish that it would have gone a better way after it happened, because it slowly destroyed itself and became like a lot of tropey rape stories. The asshole just keeps being an asshole and it's not really where the story seemed to want to go with that. But otherwise, it started off strong and I'll give it kudos for that.
Bigger titles I'm pretty sure everyone has heard of that I enjoy:
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Saezuru Tori wa Habatakanai [Yoneda Kou]: Is it a little unrealistic that literally everyone in this story is gay apparently and wants to fuck one man apparently and/or rape him? Yes, absolutely. Does that matter once you're in the story and it's so good and all these unrealistic cruelties make a really strong bond between the main love interest and this self-destructive masochist who's probably not really a masochist but only interested in hurting himself because he doesn't know how else to handle his trauma from childhood? Ummmm yeah. Anyway! This one had a lot of inspiration and a lot of tears and a lot of obsession from me. I re-read it all the time, I watch the movie over and over, I listen to the audio drama and cry at my favorite scenes. Do I care in the end that it's a little unrealistic at times? No but I do laugh sometimes when I'm about to share it with a new person. Because BL is just like that generally and you've got to put up with a little of those tropes to find your favorite stories. THIS IS ONE OF THE TOP FAVORITES OF ALL TIME FOR ME BTW, IT'S ONLY SO LOW DOWN HERE BECAUSE PRETTY MUCH EVERYONE IN YAOI KNOWS ABOUT THIS ONE ALREADY, AND WE'RE ALL AWARE OF HOW GOOD IT IS.
ENNEAD [Mojito]: I will say that this is basically the best manga/comic/manhua...what's the Chinese word idk ANYTHING OF THIS MEDIA TYPE that I have ever read. It's not done, and people have been complaining that it's starting to fall into the common BL tropes but you know what I do NOT care. Mojito is a genius, Mojito is a master storyteller, Mojito is beautiful, Mojito is strong - I just love Mojito and this work. So much. The action, the horror of rape, the deep-set character conflicts and dilemmas and internal turmoils. Everything, nailed it. Nailed it. And not to mention it's set in FUCKING EGYPTIAN MYTHOLOGY AND THEY'RE ALL GODS AND THEY HAVE SUCH COOL BATTLES AND COSTUMES AND DUDE???? I'm so hooked. That's all.
Killing Stalking [Koogi]: OBVIOUSLY. I don't really need to say anything about this one except that yeah, some of the psychology is a little off and some of it is just super shallow. But I loved the characters and that's what mattered in the end. I fell in love with Sangwoo too and it ripped my heart out when I read the ending. I was depressed for like two weeks and it was the first story that had ever affected me that way, but I was also younger and this was one of my first yaoi/BLs and yeah. GREAT story though, fantastic storytelling, very lovable characters. Sangwoo was handled so much better than most "asshole/kidnapper/rapist" characters and I will never stop appreciating that, because a lot of writers tend to forget that your villains have to have redeeming qualities if you want us to like them (????). Jinx, I'm fucking coming for you. Suck my dick. KOOGI FTW.
Missing Love/A Married Man [In Hyerin]: Some of the DESCRIPTIONS of how trauma works especially of the sexual nature in this story are SO. SO. GOOD. However, I am beginning to grow VERY ANNOYED at where it decided to go with the most current updates of the story. The author did enough trauma to the main boy, now it's getting so incredibly excessive that it's overdoing it and the author's kinks are showing through. LIKE I GET IT. Okay? I do. But this one became too much and I need him to return to the actual story arc of going through that trauma so he can HEAL with the right person taking care of him.
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MadK [Ryo Sumiyoshi]: I am into NONE of the kinks that would lead to me picking up this manga. I hate demons, I'm not a monsterfucker, I can't do extreme guro, and yet I SAW CANNIBALISM. THAT WAS THE ONE THING THAT I THOUGHT I'D GIVE IT A TRY FOR. And then accidentally I got obsessed because the plot is AMAZING and the writing is SO GOOD and who cares if I hate demons and monsters ALL OF THEM ARE BADASS AND HOT (??) AND IT CEASES TO MATTER. Good on the writer for making them appeal by personality alone and expressions and whatever else you signed a deal with the devil to make me like because it worked. Also the guro is beautiful, so it doesn't even matter. Hannibal levels.
Warehouse [Killerwhale]
Painter of the Night [Byeonduck]
Viewfinder/Finder [Yamane Ayano]
Given [Kizu Natsuki, Gusari]
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Nii-Chan [Harada] (and basically every other work by Harada)
Sadistic Beauty Side Story [Geumsan Lee, Woo Yeonhui]
Dine With a Vampire [Pangin, Pinko]
Angel Buddy [Mastergin, Chungnyun]
My Partner's Tastes and Fetishes [Deok Hwa]
Interview with a Murderer [KJK]
On or Off [A1]
Steel Under Silk [Snob]
The Pawn's Revenge [Evy]: It was going to be SO GOOD! And then it dropped off harder than a boulder from a balcony and I have absolutely no idea why the author took it the way that they took it, but go off I guess. It's boring as hell now but it started off with promise and I enjoyed the art and character designs. Too bad, I suppose.
Caste Heaven [Ogawa Chise]: An old classic with all the sticky sometimes icky mostly ridiculous BL tropes but hey, it's cute. It's sexy. It's fun. I don't care.
Wet Sand [Doyak]: We're still in the beginning stage of this one but I'm excited to see where it goes! Plus the art SLAPS ASS like nobody's business.
19 Days [Old Xian]: I hate comedy, I hate fluff, I hate buddies that never become lovers, but none of that mattered when I picked this one up. The duality of man. Bite-sized chapters and ACTUALLY AN EVENTUAL ROMANCE that none of us thought we'd ever get.
Legs That Won't Walk [Black Apricot]: Although this one dropped off hard for me and I'm really just following it to see if it picks up again and does something interesting (it probably won't) I did enjoy it in the beginning. I just get tired of the "asshole just keeps being an asshole and nothing else but woobified slut keeps coming back to him??" without the strong and realistic undercurrent of Reasons Why Someone Would Come Back such as manipulation or threats or unhealthy attachment. Perhaps it was sorta there in the beginning with them but now I'm just like why are we still continuing this story.
Pearl Boy [Inking, Zoy]: *Awkwardly scratches neck* It's not the best okay? It's not. It's really not. I don't like half of the things that occur in this one, but the ART, bro. THE ART, BRO? That's what got me into it and what kept me into it, PLUS I do like little Jooha. I stayed for Jooha, too. Dooshik drives me a little batty most of the time and looks ugly for half the story to me, but when he's badass, he's pretty badass, so I can forgive him. I really don't know why he has such drastically changing appearances because I thought he was someone completely different for a bit LMAO. In any case, I have to admit I like the uhhhhh danger that Jooha gets himself into and the crazy things that make no sense but you know what he gets hurt and then there's comfort and rescue and they cry and I cease to care that it makes no sense. (Sorta, I don't actually cease to care I just laugh awkwardly and go okay sure that's how it works because it's so hard to find stories that don't do this LOL I'm beating a dead horse) BUT WHY DOES HE CUM PEARLS? WILL WE EVER KNOW? WHO THE HELL THOUGHT OF THAT AND WITHOUT A SUPPORTING MAGIC SYSTEM IN THE WORLD TO MAKE THAT MAKE SENSE? IT WENT DOWNHILL SO FAST AND THE ENDING IS TERRIBLE BTW. THE VILLAIN SUCKS.
That's it. I can't talk to much or I'll run out of words but HOPE YOU GUYS FIND SOME NEW READS!!
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verysium · 9 months
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how bllk boys would react when u draw them, could either be rlly good or rlly SHIT u choose idk (plz include barou and the itoshi bros) 😊😊😊 i love you and ur works, and the way u write the boys and ur content makes me laugh fr, one of my fave bllk authors mwjahaja 😓 have a great day, ily:3 and the icks post made me smile like all of ur posts do!
thank you so much anon ♡ this ask had me contemplating very seriously, so apologies if it's a bit late:
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sae is definitely awestruck in some way, even if he doesn't immediately show it. i think i talked about this in a previous headcanon, but he has a deep-seated admiration for artists who can grasp abstract concepts because he himself cannot. he would be somewhat flattered if you drew him since he's never considered his own appearance to be particularly inspiring. would be appalled if you considered him your muse. like....why? to him, his looks aren't anything of importance (clearly he is blind.) would probably say your drawing was inaccurate but then hang it up by his nightstand so he can look at it every night before he goes to sleep. if you're a full-time artist, he probably keeps a little stash of your gifts in a small box beneath his bed. sometimes if he's having a bad day or he lost a game, he goes back and flips through them just to make himself feel better. secretly loves the way you draw his bangs and the little swoop you do in your signature.
kaiser corrects every single detail in your drawing. stands behind you and gives you little pointers here and there. he should have an 8-pack, not a 6-pack. his jawline isn't sharp enough in your initial sketch. poses shirtless in front of you so that way you can encapsulate the full extent of his sexiness. shows off your drawing to every living creature in existence. "isn't he handsome?" like...🙄 yeah, michael we know. he's probably the hardest to draw because of his tattoo, so i think he genuinely appreciates it when you put in the effort to capture his intricacies. will never admit this but he's low-key proud of you and your talent (mostly just your ability to make him look good.)
rin is one of those people who doesn't understand hyperrealism. like why does he need a highly detailed sketch of his face when he can just take a photo and print it out? i don't think he understands art in general. probably despises modern art too. he'd take one look at a rothko painting and be like....i could draw this too...in my sleep. similar to sae, i feel like he's just numb to the sentimentality of gift-giving. doesn't understand why you would waste your time drawing a little picture of him, but it does make his heart feel strangely fuzzier, so maybe he'll keep it this one time. lo and behold, months later he now has a collection of your drawings he doesn't have the heart to throw away. refuses to let isagi or anyone see them because they're meant for his eyes only.
yukimiya has impeccable taste. in fact, he's probably an artist himself. i think it'd be cute if you both drew little sketches of each other throughout the course of your relationship. but neither of you ever knew until you gifted him your sketchbook for christmas, and he was like....guess what...i drew you too. thinks you're pretty even when you don't think so. sometimes when you're having a coffee shop date, he scribbles a portrait of you on his napkin because the sunlight hit your cheek just right in that moment, and the birds were chirping, and he fell in love all over again. i think it's also tragic that he's slowly losing his eyesight, so he won't be able to enjoy your drawings and the vibrant colors you infuse into them. that's why he treasures them even more. probably thumbs over the pages from time to time. memorizes every stroke and line.
isagi likes the way you always draw that little tuft of hair that sticks up on the top of his head. it looks like a cute little bean sprout. he pins your drawings up above his bed next to a polaroid of you two in germany. buys you a professional art set for your birthday. if you're a digital artist, he buys you a new tablet and stylus.
bachira adds his own doodles next to yours except he makes a chibi version of everything. always pesters you to include his little fangs. uses the boldest combination of colors. he would definitely be a messy artist. paint everywhere. fingernails perpetually stained a different color. you both draw during class, so when you two trade notebooks to actually study......there aren't any actual notes.
barou acts like he doesn't know what to do with your drawing of him but then the next day you visit his house, and he's already put your artwork in a fancy picture frame. refuses to let anyone else even stand within a ten meter radius next to it because he doesn't want their "nasty fingerprints" all over your beautiful masterpiece.
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