#something extremely important to me about them

[nightingale-prompts]

Do NOT Touch a God- DC x DP Prompt (Tim x Danny)

Correction: don't touch Danny.

A rule has been added to the house rules of Titans Tower. It started after the arrival of the summoning of the interdimensional teen that takes residence there.

Despite being only a teenager the power he held was at the level of a god. He causally reshaped reality around him to his liking. Rooms are made bigger on the inside but remain the same outside. Danny's hate for things getting too dirty made all clothes left on the floor for too long disappear into the laundry room and spilled drinks evaporate. The tower became self-cleaning as everything found its place on its own. Danny said it was just what he prefers, lab safety and all that. Sometimes Danny would turn off gravity, no reason be just likes it like that.

Unfortunately, he doesn't go on missions except for extreme situations where he is needed. He is content to spend his time in the med bay as the resident healer. He is also one of the few that can fix up Cyborg. Danny doesn't get involved unnecessarily. This has led to a few arguments in the past over how unhelpful he can be despite being able to help them. Danny shrugs it off and disappears when it happens. It was not fair on him, if he didn't want to fight he shouldn't have to. He was an asset and he offered his help freely.

So why does the No Touch rule exist? Well, Danny doesn't like touching people. He wears gloves for a reason especially when he is working in the bay fixing up everyone after a mission. He also avoids others touching him, shrinking away when someone tried.

Everyone respected that boundary but after a rough mission in particular Kon started an argument with him. The injuries were severe and he was just mad that M'gann was hurt. Danny was already overwhelmed with healing everyone and Kon seemed to strike a nerve. When Kon almost made contact with him Danny flickered out of existence and reappeared further away.

After several hours of fixing broken bones and open wounds Danny retreated.

Tim decided to check on him later. Kon was sorry for overreacting and blaming Danny for something he couldn't control but Danny probably didn't want to see him right now.

Danny looked worse for wear when he opened the door. He looked tired, weary from using his energy. He wrapped a blanket around himself.

They talked for a while. Mostly about nothing important, other times about how stressful things were right now.

Tim often found it hard to believe that Danny wasn't just a normal teen. Then again, what did he know about normal?

But he had wondered something.

He reached out and tried to hold Danny's hand but Danny moved away quickly noticing.

"You shouldn't do that." He said simply.

Had he been Dick he would repect the boundaries and if he was Jason he'd probably agree. But he was Tim and Tim was very bad at boundaries. That's kind of how he got here.

"Why not?" Tim asked.

"It might be too much," Danny said cautiously eyeing Tim who held his hands up.

"Try me."

Danny sighed and removed one of his gloves and touched his hand to Tim's shoulder.

All at once different sensations filled his senses. A comforting touch of a friend, a light fluttering of a passing stranger on the street, a strike of a hated rival, the steady hand of a family member, the playful tap of a classmate, the caress of a lover...all at once. Each feeling is defined but also blurred. It was almost like being pulled in thousands of directions as they tried to claim a part of Tim into their reality.

A single touch sent him into a trace. When Danny pulled away he expected to have broken Tim like how a child accidentally snaps their toys when playing. He knew his touch could overwhelm people almost to death. Clockwork said he'd be able to control it some day but Danny didn't even want to test it. Being able to fracture someone's mind was scary. Seeing it happen once was enough. So why did he try it on Tim? Did he not care what happened to him?

It's a bit selfish and embarrassing to admit but...not being able to touch another person was awful. He's not clingy but it feels like he has lacked sensation for a long time. Tim willingly asked for this and Danny wanted this as well.

Tim wasn't broken. Infact he had never felt more alive. When Danny removed his hand he found himself pulling it back to him. He couldn't explain it but it felt like...everything. Indescribable but amazing. It was contradictory but all of it made sense.

"Do it again!"

Things kind of escalated from there. It would probably be crass to even say it but let's just say that neither was lacking sensation. It was profound, not purely physical nor emotional, something else entirely. The religious sort would call it divine or a blessing, perhaps it was what heaven feels like. Others would call it sinful, partaking in things no human was meant to know or experience. The folly of humanity.

It was certainly addictive though. Whispered words echoed in every tongue. With every contact a new chorus created. The memories of long dead god flashed and worlds yet unawakened showed themselves. And just when it seemed like everything in the universe had collided and finally made sense...it was over.

There was a knock on the door.

Danny managed to roll the breathless, Tim off with a groan. He stretched feeling a bit locked up. He had been holding each other for a while now.

He opened the door and saw Kon standing there nervously.

"Look, Im sorr-"

"Danny?" Tim called out groggily interrupting whatever Kon was saying.

"I'm busy," Danny said quickly closing the door to go back to...you know.

(So were they having sex or just cuddling? I have no fucking idea and I wrote this. I feel like it's a secret third that is somehow worse.)

[shadyhouse]

making a new post bc the other one is pretty bulky, im about to be severely overdrafted when i pay my rent in a few days and i really really really cant let that happen :( pls if you have anything to spare i'd appreciate it, im in the process of finding a new job because my current one refuses to give me hours. im transmasc and i dont have a car so finding a job has been difficult but im doing everything i can to make ends meet. even just spreading this around helps

pp: paypal.me/bewearrr

vnm: tobias_leviathan

thank you 🥺💕

90/450

[olderthannetfic]

https://www.tumblr.com/olderthannetfic/767420735500271616/so-the-thing-with-content-is-that-is-literally?source=share

The thing that makes the jellyfish hat content is that it is an object containing paper mache, fabric, cardboard, and the assorted accoutrements of jellyfish hat-making (the optional but popular add-ons go listed here in your head).

and implies that the container is more relevant in this specific context than the thing contained

No. that's not an implication. That's a thing you're making up in order to have an excuse to get angry about someone using a word you don't like, but it's not true. If I say, "I dumped open the contents of the box onto the floor", it is very easily discerned by most readers I am looking for something specific that is within the contents of that box. It is insanity to insist that the word content = the container being the most important thing on Earth. If I write "he opened the small box, revealing its' content: a single, small wedding ring" and you think the box is the focus, I just flat-out don't know what to tell you.

Setting that aside: holy shit, please calm down. I'm a bit busy with organizing resources for my local trans community at the moment but I promise you, there are worse problems than someone using a word you don't like. There was an election this year - don't know if you noticed - that impacts real people. Looking at all your anon and off-anon replies, the thing I keep thinking is, "Holy shit, who fucking cares? There are actual issues going on in the world right now!"

The fact that something I sent in during a ten minute snack break at work and quickly forgot about lives rent-free in your head to this degree days after it was said is highly, highly concerning. I cannot convey enough to you how much I did not mean to set off an episode in you, and at the same time, I am also very genuine when I say this may be a hill you're willing to die on, but it's not a hill I'm willing to kill you on. I kill people on important hills and jellyfish hats ain't it, chief.

It's wild to spend my time IRL trying to help people figure out what to do if our state makes it illegal for them to get HRT in-state and then pull up my phone and see someone this pressed about the word "content". Surely your life also has an important issue you could spend time on? No one is having a particularly good time right now. Maybe focus on a thing with literally any relevance to your quality of life whatsoever? I know that sounds glib. However, having had manic episodes where one thing someone said to me sent me over the edge, I'm not being glib. I really mean it when I say that redirecting your focus onto something important helps snap you out of it. It's how I got myself out of it before I was able to get medicated for my Bipolar Disorder. I take zero joy in seeing someone forth at the mouth because one person said one word and that made them spiral. I really do apologize, and I can see that this panic is a very real, valid emotion on your end. But 'valid' here is used only in the sense of 'I believe you when you say you feel panicked', not 'the panic is a logical, proportionate response to the trigger'. (As a side note, after this many anon and off-anon messages indicating fixation and extreme emotional overinvestment, I don't want anyone saying I misused the word trigger. This is not a proportionate response to someone using one word you dislike.)

The jellyfish hat contains materials needed to construct a hat. It doesn't need ads or legal agreements in order to contain cardboard, paper mache, etc. You are trying to make a mountain out of a molehill. Likely, you are taking your anger at something that actually matters and redirecting it onto this, a thing that does not matter. I'm not saying that in judgment - we all do it - but I am not going to be replying to this further. You may have a desire to use other people's words as an excuse to spiral but you'll have to find someone else to use the reason you're losing your shit.

The hat contains the materials needed to construct a hat. It's not that deep.

--

[miraculouslbcnreactions]

Do you think that Ms. Bustier is overhated?

Not particularly. I don't have any strong feelings about her, but she's clearly a terrible teacher who is in way over her head. I totally understand why she sets some people off. If she was a real person that I actually had to deal with, then she'd probably set me off, too, because she so perfectly encapsulates toxic positivity. If you're not familiar with that term, then here's a quick definition:

Toxic positivity is the act of avoiding, suppressing, or rejecting negative emotions or experiences. This may take the form of denying your own emotions or someone else denying your emotions, insisting on positive thinking instead. Although setting aside difficult emotions is sometimes necessary temporarily, denying negative feelings long term is harmful because it can prevent people from processing their emotions and overcoming their distress.

Read that definition and then look at this scene from Zombiezou:

Marinette: But Miss Bustier, it's so not fair! It was Chloé, pulling another...Chloé! And...I'm the one who's getting in trouble?! Miss Bustier: Of course you're not in trouble, don't worry! As the class representative, I want you to set a good example for your classmates. Don't give into feelings of anger. Try to forgive Chloé instead. Marinette: I don't get it... Chloé is the meanest person I've ever known. Miss Bustier: Come on... There are much worse people in Paris right now than Chloé Bourgeois. I'm sure people like Chloé are capable of great things. The problem is, they only think of themselves. They don't understand the meaning of love, and we can't force them to change. But perhaps we can show them by setting a good example. That's why Marinettes are so important in today's world; because they have a lot of love to give. I'm counting on you. Marinette: Yes, Miss Bustier.

This is toxic positivity in action. Marinette is told to set aside her extremely valid feelings as if anger is a terrible thing, but it isn't. All emotions have their place and ignoring them can do real harm, a lesson that Miraculous really struggles with. It seems to see "negative" emotions as bad and they're really not. What matters is how we express and address our emotions, not that we experience them. If you want to see a family friendly piece of media do this topic right, then go watch Pixar's Inside Out.

There's also the fact that Chloé is never punished for her actions in this episode. She ruined a gift that probably took Marinette hours and yet Miss Bustier puts the onus to fix things on Marinette, blaming the victim and doing nothing to actually fix the situation. Canon mildly complicates this with Chloé's father's willingness to meddle, making punishing her apparently impossible, but Miss Bustier doesn't even acknowledge that here. The stated logic is that you need to be nice to your bully and that will hopefully magically fix things, which is a terrible lesson that I don't want any kid to learn! What kind of logic is that?

I'll admit that I'm a big fan of "an eye for an eye leaves the whole world blind," but that doesn't mean that you should never acknowledge harm or fight back. It just means that you need to be measured in your responses and pick your battles wisely. If this episode was about that, then I'd be fine with it, but that's not the lesson here. There is no point where the wrong done to Marinette is even mildly acknowledged. Miss Bustier's initial reaction to seeing Marinette's ruined gift is:

Miss Bustier: Well, I think this present is wonderful. It'll be my new cosmetics bag! Then I'll be able to think of both of you every time I use it.

And we go straight from that to the toxic positivity.

Something is wrong with this woman. You shouldn't even take this approach with preschoolers! While I could see this being a good final solution to something like Chloé scribbling on Marinette's drawing, Chloé's behavior still needs to be addressed. She is still the one in the wrong here. The one whose behavior needs to change.

This is one of many cases where there are two paths to take with this character. The writers clearly want Miss Bustier to be a wonderful teacher, but they wrote a victim-blaming disaster who shouldn't be in charge of anyone. If you're ever adapting her, then it's up to you if you want to redesign her into her intended self or if you want to lean into the bad writing. I think both paths have merit because the writing is so bad that there is no way to make canon Caline work as a good teacher. She's too fundamentally flawed so you either acknowledge how awful she is or do a major overhaul where she's much less forgiving and actually acknowledges things like the Chloé problem.

[gay-mooshrooms]

Part 1 of Spock TOS vs AOS

Ok so from popular demand I’m posting this. I made a post a lil while ago about writing an "essay" looking at the differences in Spock's characterization and relationship with kirk in TOS vs AOS so this is the first part of that cus I actually polished it up XD. First couple paragraphs under to cut :)

A lot of things bug me about the AOS movies and there’s a whole nother essay there, BUT, one of the biggest things that’s always bugged me is the difference in Kirk and Spock’s dynamic from TOS to AOS. If you’ve seen both you know exactly what I’m talking about. Obviously a large portion of the difference comes from the changes in individual stories and personalities. Kirk is made much more aggressive and the “macho man” he has become known to be in popular culture, and Spock is also shown to be more assertive. The timing in AOS is also different, in TOS they’ve already known each other for a short period of time, Kirk is already the captain of the Enterprise and Spock is already the First Officer, we meet them when they already have professional respect and admiration for each other. In AOS we don’t get that. They meet each other much earlier and at very different stages of their character development. This causes tension from the get-go which will continue pretty much throughout all 3 movies to some extent.

However, I think a lot of the changes in the relationship and personality, specifically on Spock’s front, can be attributed to the change in his relationship with his parents. In TOS we see, primarily in the episode Journey to Babel where we first meet Spock’s parents, that he has at least a semi-strained relationship with both of them. He hasn’t visited either of them in years, and Sarek declines to have him as a guide around the Enterprise. Amanda tells Kirk that the reason for this strain was Spock’s choice to enlist in Starfleet, which went directly against Sareks wishes and Vulcan teaching that he had been forcing on Spock from an extremely young age. In AOS we see something entirely different, while it is true Spock was originally going to go to the Vulcan Science Academy, as his father wished, he chose to enlist in Starfleet not due to a sense of alienation or a longing for a place to belong, but out of righteous anger at his and his mother’s treatment from the Vulcan’s of the Academy, so while Sarek might not have approved entirely, he didn’t object either. 

Sarek is not the only change we see, Amanda is changed a lot in AOS, and her change is arguably more important. The Amanda we see in AOS is a very kind and understanding woman, and Spock is shown to care very deeply for her and she was likely the person he was closest to before enlisting in Starfleet, which we can tell from how he reacts to her death. But the most important thing is how she treats him and his choices. It is established extremely early on that she would love and support Spock no matter what path he goes down, even when he asks outright if she would support him going through Kohlinar(the purging of all emotions), which would effectively eliminate his human side(or at least he hopes it would), and permanently distance her from him. This is EXTREMELY different from the Amanda we see in TOS. In TOS Amanda does seem to somewhat understand her son’s struggle, but she neglects to realize her own hand in that struggle. She so badly wants Spock to be human like her and tries to force him in that direction many times even when it’s clear he is unwilling or unable to do so, going so far as to slap him. Spock in TOS effectively comes from a divided household, as Sarek and Amanda have such different ideas about who they think he “should” be, Vulcan vs Human, which causes Spock himself to have even more inner turmoil. He is constantly being pulled in two different directions depending on what will make Sarek or Amanda the most pleased, rather than them trying to think what will actually be best for Spock himself.

---------------------------------------------------------------------------------------------

Will post the other bits later <3

@neil-perrys-glasses i know you wanted to read this so here ya go <3333

[lucozaynkisses]

A guide to being the local fashion icon 🐆

1. THRIFT THRIFT THRIFT!

I am someone who lives for unique clothing. My biggest tip ever for anyone who wants to stand out and be more fashionable is to start thrifting. Not only is it beyond fun this is a place where you can get pieces no one else has for CHEAP. nothing feels better than finding ur dream clothing piece at a thrift store. And you can get high quality clothing for way cheaper than a new poor quality item you get online. I’ve thrifted since forever so I might post thrifting tips soon.

2. Do a closet cleanout

It is so important to get rid of clothes you won’t wear anymore. I struggle with this and found myself keeping clothes as “backup” so much that I ended up with filled to the brim drawers full of clothes I find extremely ugly or that I just didn’t ever wear anymore. And this caused me to forget the nice clothes I have and only wear the same outfits all the time because I couldn’t find my other clothes. So GET RID OF CLOTHES!

3. Find your staples

My staples include black boots, leather jackets, denim jackets, and a few good pairs of jeans. Now this can be completely different for you. You need to figure out what the items are most needed for the outfits that go with your style.

4. Avoid shopping on SHEIN

Hear me out. I used to be a shein addict and I know how addictive it can be to buy cute clothes for cheap. But I just don’t find it worth it at all anymore. And I don’t even own any of the hundreds of clothes I bought on Shein anymore because the ones I wore often got ugly crazy fast. I hate to be the one to say it but you can almost always tell when a clothing piece is from shein. Now you do you, but if we’re talking about being that it girl, the one who always looks so cool and stylish and somehow nobody does it like her, buying quality clothing is key. Trust me you can find a better option at the thrift for almost anything you’re buying from shein. Shein also mostly sells clothes that will go out style in a few months.

5. don’t put yourself in a box

Create your style without trapping yourself in an aesthetic. The beauty of fashion is you can always try new things and be creative and express yourself through it. Don’t be afraid to try new things. Wear something a little different every now and then if you feel like it. You don’t need to dress a specific way all the time.

6. Find inspiration

One thing I like to do is to write down the people whose style I like so that I can get inspiration from them and see what I can take away from their fashion choices. Another thing I do is making a Pinterest board for every season every year that way I can look at it when I want ideas.

7. Shop with a goal in mind

A lot of the times we end up buying things we barely wear because we bought it just for the sake of buying something. I like to keep a list of things I really want t and look for those specific things when I’m shopping to avoid buying things I don’t actually want.

8. Add a bit of color to your outfits

Look, I am someone who literally only ever wears neutral colors. But the times I choose to add a bit of color to my outfits it upgrades them so much. I mostly do this with red because it’s pretty much the only bold color I don’t despise. But a bolder color can really make ur outfits stand out so much more. This works best if it’s only 1 specific part of ur look.

9. Accessorize

I know we hear this all the time but accessories really brings an outfit together. You can have the most basic outfit, but if you add some jewelry, a bag, and a pair of sunglasses it suddenly looks not basic at all. Or maybe you add a cute belt. Accessorizing is key to spicing up your outfits.

10. Find a makeup that fits you

Recently I’ve been loving a 90’s makeup look. I think finding a makeup style that suits you changes everything. I don’t feel complete if I’m not wearing some lip combo. So try out different makeup styles and see what you like best.

11. Have one interesting factor in ur outfit

Having one thing that stands out from the rest of ur outfit makes it so much more unique. This can be anything from a pattern, to a texture, to a color etc. having only ONE is important because it makes your outfit interesting but keeps it from looking messy.

Hope this helps u become a fashion diva 🫶🏼🙂‍↔️

Xo, Ary 💋

[kris278m]

My prediction for the Chapter 1 Victim

So I haven’t really been able to look through the tag, so I’m not sure if anyone else has mentioned this, but I thought I would get my thoughts out anyway

I predict that the first victim is gonna be Mark.

I know, I know, but hear me out.

I know that everyone, including me, likely noticed that Toshiko was missing the whole trailer, and that is a huge red flag. However, the Eden’s Garden team has to be smarter than just leaving this extremely damning clue in there. I think it’s a red herring, and that they altered trial footage to trick us. Mark is also one of the people who doesn’t have any voicelines in the trial. I think it’s safe to say that the ones with voicelines in the trial are safe, victim-wise.

But then, while going through the trailer once again, frame-by-frame, with my friend, there was something that stuck out to me a bit. This moment right here.

And no, I’m not talking about Wolfgang or what he's saying. What stuck out to me was the tiny little detail in the corner, which only appears in a second.

This right here, on the podium beside Cassidy. It sort of looked like a hand to me, on my first watch, but then I looked into who was supposed to be standing there. So I went back and found footage of the prologue trial, and-

It was Mark? But that “hand” didn’t look anything like Mark. Moreover, when looking at where on the podium the silhouette starts, it’s way too thin to be Mark. He would have to lean extremely far to the side for this to even be considered as one of his sprites. Speaking of sprites, I looked through all of the released ones. None of them matched.

And then it hit me.

Could it be a Death Portrait? If you look close, you can even see something that looks to be the side of a frame, sticking up from the top of the “hand”.

Now, this didn’t completely convince me either, but I also found one more piece of rather incriminating evidence.

After finding this, I noticed all the names at the bottom of the official poster, crediting all the voice actors.

And since I was with my friend, I asked them to help me figure out who voices each character. At first I wanted to do this, to see if the order of the names would give us a hint regarding who would be more “important” in this chapter (like the blackened perhaps). Sadly, I quickly found that all the credited names are in the same order as in the official VA-cast reveal.

However, that doesn’t mean it was completely fruitless. Another much more important detail, that I honestly didn’t think would be left in there, was found by my friend.

Mark is missing.

And he’s the only one. Every other character, even Tozu, is credited. The only other non-credited characters are Cara, who’s not alive, and Mara, who doesn’t speak and doesn’t have a voice actor (to our knowledge).

Mark’s voice actor isn’t credited, even though everyone else is. If Mark is the victim, that would make sense. All the voiced lines he has would be during the Daily Life segment of the game (those small exclamations or grunts), all of which are recorded and have been presented to us during the prologue. The only other times characters speak actual unique lines are during special events where we are shown CGs (which doesn’t need to include Mark), or during trials, where he would be absent.

This isn’t perfect proof, but I do think there are some things to consider here. Would love to hear you guy's thoughts.

[one-sleepy-dragon]

okay, so, this isn't a dig at @thatgentlewife, who seems like a lovely person overall, but i do want to use her post to dissect something that's been itching at the back of my head for a while now.

it really feels to me like a lot of women have a fundamental misunderstanding of what modern feminism actually entails. i see a lot of (especially) young women online equating feminism with the "girlboss" image, the cutthroat executive climbing the corporate ladder, getting the corner office and earning the big bucks. that was a popular image in the 80's, back when neoliberal capitalism was booming and trying to win the female workforce over by presenting "empowered women" as successful CEO's.

it's also an ideal that modern day feminism has largely tried to distance itself from because it's inherently anti-feminist. the girlboss isn't interested in female solidarity; she isn't interested in bridging the gender gaps across the board or in addressing the problems created by them. the girlboss doesn't care about dismantling a male-dominated system; she only cares about winning at it. girlbosses don't lift anyone up with them; as long as they get to break the glass ceiling, they don't care if no other woman (or minority for that matter) can.

modern-day feminism places so much emphasis on the importance of community as an antidote to the obsessively individualistic age we live in. it encourages women to support and defend one another, to build communities and support networks amongst themselves -- to interact and intersect with other communities, whether that be poc, lgbtq, or the countless men who suffer the consequences of gender gaps as well. it encourages people to treat one another with empathy and understanding, and to integrate as many causes as necessary into their fight, because modern-day feminism is painfully conscious that none of us will be truly free until we are all free.

this is precisely why there's such an emphasis on sustainability as opposed to consumer culture within the feminist movement nowadays. there's a growing awareness to the fact that investing in industries which a) disregard fundamental human rights to meet a quota and b) catastrophically threaten the planet our children and grandchildren will inherit, is inherently anti-feminist. it's a slap in the face to the image of the girlboss driven and measured by material success; many modern-day feminists embrace securing freedom, safety and joy for their communities as the most successful legacy they could aspire to.

so why does the image of the girlboss persist? why do so many young women understand "feminism" to mean "selling your soul to a company and trading in your humanity for a paycheck"? personally -- and i may be wrong here -- i have a feeling that the reason is twofold: one, a consumerist-driven economy only benefits if it can convince as many people as possible that true success lies in how much you can afford to buy; two, a conservative movement that fundamentally relies on keeping women confined to the domestic sphere will go out of its way to make any other alternative seem extremely unappealing.

so, on the one hand, you have an entire advertising industry selling the idea that having and spending as much money as possible is actually empowering, and on the other, you have an entire sociocultural movement capitalizing on the soullessness of such an idea in order to push their own agenda -- in other words, so they can appeal to young women who (very understandably) reject the notion of wasting away behind a desk for the rest of their lives. much like an advertising powerhouse of their own, conservatives are selling the "traditional, stay-at-home wife who gets to spend her days gardening, cooking, cleaning, and devoting her time to her beloved family as God intended" as the ONLY alternative to the lonely, bitter, dehumanized girlboss -- who, by their logic, embodies feminism as a whole.

but this could not be further from the truth. real feminism seeks to broaden women's choices, not limit them. it's why feminism encourages women to enter the workforce -- not because you're a failed woman if you're not a company hotshot -- but because you're so much freer and safer that way. having your own income -- and i cannot stress this enough -- is the safest and most free you will ever be. managing your own finances means you'll have a safety net for whatever comes along, whether that's an unexpected child, an illness, an accident, etc. it means you'll have the capacity to leave an abusive situation instead of staying trapped there. earning your own income is not a measure of success because you're making money -- it's a guarantee of independence no matter what.

and here's the other big secret: earning your own income does not have to mean selling your soul to a company. my aunt, who was a stay-at-home mother during most of her life, has now established herself as a professional potter, because ceramics has always been her passion and, with her children all grown up, she has the time and energy to invest in a career she loves. you do not have to make money at the expense of your humanity or your family -- the whole point is just to be able to have something that's yours, something you own entirely. maybe that's selling baked goods, or teaching sewing workshops every friday, or doing hair and makeup for local bridesmaids on the weekends. if you can afford to survive on a single income, and you have the luxury of having your basic needs taken care of by your husband, then that's all the more reason to seek out a job where making a living wage is not your main concern, where you can establish your own schedule and follow your own passions.

one last thought; i've seen one too many posts for my liking along the lines of "why would you work for a boss who doesn't care about you when you could have a boss that truly loves you." and the thing is, your spouse should never be your boss. you know why? because that immediately invokes a power dynamic that does not belong in the domestic sphere. your boss has power over you because they determine whether you get paid or not. BUT your boss is also legally restricted from establishing any inappropriate relationship with you; they cannot demand anything from you besides what's strictly in your contract -- no sexual favors or intimacies of any kind. and they cannot withold your pay for any reason other than stated in your contract -- in other words, they cannot use their power to deprive you of your means to survive without risking the consequences. you are legally protected from your boss at work.

your spouse, on the other hand? your spouse can exercise their financial power over you with very little consequence. if they manage the household finances -- if the bank account, the house, and/or any other assets are in their name and their name only, then legally, they can do with that money whatever they fucking please. if they want to starve you, they can; if they want to refuse you access to healthcare, they can; if they want to decide how you dress, how you act, the way you cut your hair, what personal items you can and cannot have, they can; if they want to control you, they can. if they eant to withold your basic needs from you until you satisfy their demands, whatever those may be, THEY CAN. and, legally, that's one hell of a mess to try to get out of, because unlike with your boss at work, there's an emotional dimension to your relationship with your spouse, and that always makes everything more complicated. so no, your spouse is not simply "a boss that actually loves you and cares about you." an employer-employee relationship is always strictly professional because when an emotional dimension is introduced to a power dynamic where one person has financial control over another, it becomes inherently unethical and prone to abuse.

to sum up: it saddens me to see so many young women who have been made to believe that feminism is inherently dehumanizing and romanticizing "the grind" as opposed to real human connection, and it scares me for the situations that so many of them might end up in because of that belief.

[flowerflamestars]

Timeloop au snippet

“Honestly,” Lucien murmured, soft bird song painting the air like colors existed that weren’t silver, like he’d been thinking about beauty or wonder or anything but her living, this glorious, quiet place he’d brought her, “I have nowhere to go.”   No point in lying to her.   No doubt she’d see through him.   Even wet, even rasped from her throat, Nesta’s laugh had a sting to it. “Bullshit. You’re heir to three Courts. You’re the only faery of any rank the humans will treat with.”   Just Lucien and Jurian, trying to help with what had only been harm for so long Lucien let every insult, every horror, slide right off him.   “Not so much,” Lucien admitted. “Not anymore.”   “Anymore what, Vanserra?” She’d gone sharp, suddenly, stillness a razor edge.   “They tried to kill me,” Lucien sighed. Breathed. How could he blame them? Who was he to say that a thousand years of slavery didn’t deserve recompense? That Hyberns machinations had been repaid? Lucien was High Fae. It wasn’t the fault of mortals he’d tried to bury his own losses in a quest to help them. “A few times. I’m no longer welcome on the continent.”   “I’m not a project,” Nesta hissed, deathly. “Because you need something to do with your bleeding goddamn heart. I’m not going to fuck you. I’m not an Archeron you can have.”   You had to be a body, to bleed.   Lucien felt like more magic than person, most of the time. Caged in useless goddamn bones, had been so useless-   “Funny,” he admitted, hollow, honest heart pounding away, because he was just flesh and blood, fire and fervor, and he wasn’t ashamed but he was so, so, so tired, “I can’t fuck anyone.”   It unwound her, just a little.   “There’s potions for that.”   And just as sudden as she’d taken him off guard the first time, every time, forty eight insane hours and her devastating, endangered delight- Lucien laughed. “Not for losing your mind every time someone touches you.”   Nesta’s grip on his wrist disappeared so quickly it might not have existed at all. Might never had been, had Lucien not turned, looked up from the floor to her white, furious face, shadows beneath her eyes deeper than bruises.   “You’re fine,” Lucien murmured. “I”- he had to swallow. Stop. Breathe as he’d been teaching himself just to fucking breathe. Stop himself from saying something as deranged as the fact that a woman who’d drowned in his arms less than two nights ago felt absolutely safe, to him.   Lucien was a very fine liar, could manage most of the time, but Nesta- whirling in his arms, dying in his arms, stopping his fucking heart, all silver fire-   Nesta Archeron was something else entirely, and it was not the time or the place to even think it.   “I’ll tell you,” Lucien said, slowly. “And you tell me. Please.”

[gingermintpepper]

In my Zeus bag today so I'm just gonna put it out there that exactly none of the great Ancient Greek warrior-heroes stayed loyal and faithful and completely monogamous and yet none of them have their greatness questioned nor do we question why they had the cultural prominence that they did and still do.

Jason, the brilliant leader of the Argo, got cold feet when it came to Medea - already put off by some of her magic and then exiled from his birthland because of her political ploys, he took Creusa to bed and fully intended on marrying her despite not properly dissolving things with Medea.

Theseus was a fierce warrior and an incredibly talented king but he had a horrible temper and was almost fatally weak to women. This is the man who got imprisoned in the Underworld for trying to get a friend laid, the man who started the whole Attic War because he couldn't keep his legs closed.

And we cannot at all forget Heracles for whom a not inconsiderable amount of his joy in life was loving people then losing the people around him that he loved. Wives, children, serving boys, mentors, Heracles had a list of lovers - male and female - long enough to rival some gods and even after completing his labours and coming down to the end of his life, he did not have one wife but three.

And y'know what, just because he's a cultural darling, I'll put Achilles up here too because that man was a Theseus type where he was fantastic at the thing he was born to do (that is, fight whereas Theseus' was to rule) but that was not enough to eclipse his horrid temper and his weakness to young pretty things. This is the man that killed two of Apollo's sons because they wouldn't let him hit - Tenes because he refused to let Achilles have his sister and Troilus who refused Achilles so vehemently that he ran into Apollo's temple to avoid him and still couldn't escape.

All four of these men are still celebrated as great heroes and men. All four of these men are given the dignity of nuance, of having their flaws treated as just that, flaws which enrich their character and can be used to discuss the wider cultural point of what truly makes a hero heroic. All four of these men still have their legacies respected.

Why can that same mindset not be applied to Zeus? Zeus, who was a warrior-king raised in seclusion apart from his family. Zeus who must have learned to embrace the violence of thunder for every time he cried as a babe, the Corybantes would bang their shields to hide the sound. Zeus learned to be great because being good would not see the universe's affairs in its order.

The wonderful thing about sympathy is that we never run out of it. There's no rule stopping us from being sympathetic to multiple plights at once, there's no law that necessitate things always exist on the good-evil binary. Yes, Zeus sentenced Prometheus to sufferation in Tartarus for what (to us) seems like a cruel reason. Prometheus only wanted to help humans! But when you think about Prometheus' actions from a king's perspective, the narrative is completely different: Prometheus stole divine knowledge and gifted it to humans after Zeus explicitly told him not to. And this was after Prometheus cheated all the gods out of a huge portion of wealth by having humans keep the best part of a sacrifice's meat while the gods must delight themselves with bones, fat and skin. Yes, Zeus gave Persephone away to Hades without consulting Demeter but what king consults a woman who is not his wife about the arrangement of his daughter's marriage to another king? Yes, Zeus breaks the marriage vows he set with Hera despite his love of her but what is the Master of Fate if not its staunchest slave?

The nuance is there. Even in his most bizarre actions, the nuance and logic and reason is there. The Ancient Greeks weren't a daft people, they worshipped Zeus as their primary god for a reason and they did not associate him with half the vices modern audiences take issue with. Zeus was a father, a visitor, a protector, a fair judge of character, a guide for the lost, the arbiter of revenge for those that had been wronged, a pillar of strength for those who needed it and a shield to protect those who made their home among the biting snakes. His children were reflections of him, extensions of his will who acted both as his mercy and as his retribution, his brothers and sisters deferred to him because he was wise as well as powerful. Zeus didn't become king by accident and it is a damn shame he does not get more respect.

[vaguely-concerned]

just had the thought 'in the end the most important thing varric taught rook was how to make a home for, with, and in other people' and then I had to go lie down on the floor and clutch at my head in unceasing agony for a few hours, as you may well imagine. hawke and the kirkwall crew........ in the end you kind of saved the world a bit in the most characteristically indirect and chaotic of ways. not by anything in particular that you did or achieved or accomplished (lmao imagine!), but just by -- having existed, and by the love that was always there, despite it all, in all its imperfections, even when no one was saved by it in the end. you're not here right now and you're not quite haunting the narrative but I hear your voices bickering and arguing and laughing from the other room. (and so, I think, does varric. all the time.)

'did you think you mattered, hawke? did you think anything you ever did mattered?' yeah actually, varric says with da2 and keeps saying through the series. you were here. and I loved you. and as it turns out that mattered more than almost anything in the world, no matter how long it lasted or how fucked up it was at the time or what else happens, because varric manages to pass that feeling, that intangible... home, that echo of you all as you were together, that love, hopefully the best parts of it, on to someone else for them to bring with them on their journey, with their family. and maybe the world will be kinder this time. you never know. merrill's line of 'Everything affects everything. We were born, a bunch of things happened, and now we're in a mess with our friends.' varric's greatest fear of becoming his parents. even through the wreck and the ruin of the world, ghosts upon ghosts upon ghosts of love -- malcolm hawke, who we never even see, but his life touched hawke's and hawke's touched varric's and varric's touched rook's and rook is passing it on to the family they're creating. the unbroken legacy of love shines through in ways that are stronger and stranger than any magic. help

[p1x1x]

[tubbytarchia]

I have so many smallidarity thoughts but Im scared of having my head skewered on a stick if I spoke of them. You guys dont know the thoughts that plague my mind. You wouldn't survive a day in my twisted world.

[iamfuckingsorry]

Thinking about that mural from DE

You know which one

TRUE LOVE IS POSSIBLE ONLY IN THE NEXT WORLD, FOR THE NEW PEOPLE. IT IS TOO LATE FOR US. WREAK HAVOC ON THE MIDDLE CLASS

The next world mural. In the game, you encounter this piece very early on if you interact with everything available, you probably see this mural before you've ever even heard of Dora or before you've started to get really serious about your commie tendencies, if that's how you choose to play. And the reaction is like, "wow, this is kinda profound actually". Or maybe it's like, "oh lol, this game really is commie af isn't it" (even though later on it turns out that the game is much more critical of communism than you'd think at first). And the story in the ledger provides some insight into Harry and Jean and how they work together too, so it feels like it makes sense, it fits in very well at that moment in the game and that's it.

But looking back at this mural after you've played through the entire game, knowing what you know of Harry's relationship with Dora...

It's Harry's own fucking love story in a way, isn't it?

Him and Dora came from very different backgrounds. He's genuinely poor, grew up checking the trash cans on the streets for tare and edible food, spent his teenage years running around with a bunch of kids who all OD'd or got themselves killed one way or another over the years. He had dreams of getting an education, getting a chance to use his creativity and curiosity and learn about all that that is worth exploring in this world (which is everything), but those dreams are long dead. She's solidly middle class, with access to all the education and art and music he's always dreamt of, with her family to always fall back on. She's everything Harry's ever dreamt of growing up. She might as well be living in another world.

They fall in love with each other and she moves to Jamrock to live with him. Jamrock, the biggest fucking ghetto in Revachol, full of tweakers and gangsters and just thousands upon thousands of poor people permanently down on their luck trying to get by, with no proper aid or government and a police station so understaffed and underfunded they never even stood a chance. And they can barely make ends meet even living in Jamrock, moving from shithole to shithole, never knowing when they'll have their electricity cut, when something will happen that gets them thrown out, desperately scrambling for a new place to stay. And Dora could never do that, not really - she never actually lived in Jamrock, she always had the possibility of leaving, of going to work across the river and visiting her parents whenever she felt like it or just escaping, packing her shit and getting on the tram and never going back. And as long as she knew she wasn't really, truly stuck in this miserable shithole forever, she wasn't ever really living in Jamrock. And it could never be enough for her.

And she wanted more - for herself, for Harry, for their family, who even knows. Maybe she saw Harry struggling trying and failing to make a difference as a gym teacher and thought he could do more good with the RCM. Maybe she was getting desperate, living in this fucking shithole, and thought they needed more money. Maybe it was something completely else - but what is certain is that Harry ended up joining the RCM, and the 41st, and everyone there is on speed, everyone is miserable and desperate and always running behind playing catch up with the case load, with the crimes, with the drug addicts and rapists and murderers, and Harry, who's always been like this close to a genuine mental breakdown, just fucking falls apart. He needs to help people, needs to make a difference, and working at the 41st, with the budget and case load and staffing situation and the pure fucking misery in the area. He goes out and meets a miserable person after a miserable person and he can't do anything else than be nice, make their day a little bit more manageable, do his best- but he knows that no matter what he does, his best won't be enough. He won't be able to make a dent in the pure fucking misery that is Jamrock. But he needs to, so he drinks, he smokes, he does drugs, he loses any semblance of control he ever had over the voices in his head, the dude telling him to hit shit and the dude telling him to forget everything and just get fucked up and Revachol herself screaming at him about her imminent death. And in the end Dora can't stand it anymore and she leaves (and, honestly, good for her. I'm happy for her. But this is about Harry, and Harry isn't, he isn't able to be happy for her at this point in time).

And like. I personally doubt that she'd have left just because of the money if everything else was good. I honestly even doubt that the money was that big of an issue for her to start with, it was all the other issues first and then the fact that they couldn't even rent a fucking VHS and play it at times became just one more thing on top of this already massive pile of shit that broke the proverbial camel's back. But in Harry's mind, he was never rich enough for her. She was always the middle class girl who settled for the poor fuck, and he was never gonna be good enough for her because he was just a broke dude from Jamrock. She was perfect and so so beautiful and at one point her love was the only thing keeping him going, and then she left because he couldn't even

And from what we can see in the game she was the only person he's ever really, truly loved.

But in his mind, they could never be together again. They could try as they might, but it was never gonna work out, because she was a rich girl and he was just a poor miserable fuck. He grew up looking for change on the streets, she took piano lessons in a fancy part of town. The difference was just too large to ever truly be bridged.

So for post-breakup Harry, prior to Martinaise and even during the events in Martinaise, true love was never actually possible. It is possible only for the new people, in the next world. It was too late for him - he had his chance, and it was an impossible thing, it could never have worked out and now he's wasted it. Because of the inherent differences between different social classes. It is too late for him. So yeah, fuck it, wreak havoc on the fucking middle class. Fuck those rich bastards who took Dora from him, and fuck Dora too.

On another note, this was also one of the most recent cases him and Jean worked on prior to Martinaise. I don't remember the date exactly, but it was in his last ledger, it must have been pretty recent. Do you think he saw the mural and thought about it the same way I did? Maybe this was the one that truly pushed him over the edge? The impossible love. It truly was too late for him. The only way to fix it is a new fucking start. And how do you get that?

After life - death. After death - life again.

[uramitashi]

kind of a new personal quest i want to try for myself is to stop highlitghting/noticing another woman's beauty for the next week (and my own!)

so because i am very much against our actual conception of female beauty because of the tremendous focus we put on the least important part of a person (their body) i want to actively start training myself to stop caring. Like seeing a beautiful, stunning, aesthetically perfect woman and simply not focusing on her appearance, doesn't matter how hard.

Also stop noticing if a random girl has nice lips, or good hair, or a nice outfit, or if she's hot. If i find myself thinking about it, redirecting my thought on something else. Becoming totally neutral to a woman's outer appearance.

This is also valid for me: for a week i will start caring about my body only from a neutral kind of way (do not shave even if i feel pressured to, dont put makeup even if i fell pressures to, dont care about my body type, dont use any particular jewelry etc.; only care about physical self for hygienic and practical purposes). For a week, i want to try to become a person who doesn't care if "her skin is the softest" "her outfit is beautiful" and all that. I want to be neutral. I want to notice new things.

I do think that even beauty critical women still notice other women's beauty, and the fact they passively give importance to another woman' aesthetic conquest does influence their relationship with their own self. I'm one of those women. Therefore it is only right i shut up the aesthetic gaze inside of me

Will update from time to time!!

[rmbunnie]

Red Hood Characterization

This is really long so I'm putting a cut here, I've been thinking about Jason Todd's character motivations and the question of whether or not his actions are based in a Moral Code (I don't think so, not to say he's without any morality) and I talk about that in more depth here.

I saw someone say on here that Titans: Beast World: Gotham City was some of the best Jason Todd internal writing they'd seen in a while, and I've been a Red Hood fan for 8 years or so now? pretty much since I read comics for the first time, so I went and checked out and I thought it was good! The way the person I saw talking about it as if it was rare and unusual made me wonder though, because as well-written as i thought his stances on crime were, there wasn't really anything in it that went against the way I conceptualize Jason?

This kinda plays into a larger question I've been thinking about for a while with Jason though, which is that, do people think that the killing is part of a fundamental worldview that motivates him a la batman, and that worldview is the reason he does the things he does?? Because 8 years ago i was a middle schooler engaging with fiction on the level that a middle schooler does, so I simply did not put much thought into it beyond "poor guy :(" but ever since I actually started trying to understand consistent characterization, I don't really see Jason as someone who's motivated by a moral code in his actions the way batman or superman is!

tbh my personal read is that he's a very socially-motivated guy, his actions from resurrection to his Joker-Batman ultimatum in utrh always seemed to me like every choice made leading up to his identity reveal was either a. to give him the leverage and skill necessary to pull off his identity reveal successfully, or b. to twist the knife that little bit more when he does let Bruce find out who he is. Like iirc there's a Judd Winick tweet like "yeah tldr he chose Red Hood as his identity because it's the lowest blow he could think of." And I think that's awesome, I think character motivations rooted so deeply in character's relationships and emotions are really fun to read! I also think it's where the stagnation/flatness of his character comes from in certain comics, because if his main motivation is one event in one relationship that passes, and he is not particularly attached to anything in his life or the world by the time that comes to pass, it's a little harder to come up with a direction to go with the character after that, because there isn't much of a direction that aligns with something the character would reasonably want? But I do think solving this by saying "all of the morally-off emotionally driven cruelty he did on his way to spite Batman was actually reflective of his own version of Batman's stance that's exactly the same except he thinks it's GOOD to kill people" isn't ideal. To be fully honest, it seems to me like he never particularly cared one way or the other about killing people to "clean Gotham of crime," he just did everything he could to get the power necessary to pull off his personal plans, and took out any particularly heinous people he encountered along the way (like in Lost Days.) Not to say I think the fact he killed people keeps him up at night anymore than everything else in his life events, I just never really thought he was out there wholeheartedly kneecapping some dude selling weed or random guy robbing a tv store for justice.

Looping wayyy back to my question, Is this (^) contradictory to the way he's written/the overall average perception of the character? Because like I enjoyed his writing in Beast World i have zero significant issue with anything there, I just didn't believe it would be a hot take, like yeah, that is Jason. It's been a while since I've read utrh and lost days, but I don't think my takeaway directly contradicts either of those too bad iirc. Idk all this to say I think Jason killing and being alright with killing is an obvious and objective fact, but i guess i've always seen it as more of a practical tactic than a moral belief, and I think taking the actions made during the lowest points of a character's life where he is obsessively focused on this ONEEEE thing and trying to apply it as a Motivating Stance to everything he's done after that, doesn't really follow logically for me.