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#someone help call 911 or something
rosyhoneydew · 3 months
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When Tommy said, "I didn't say you were, I was talking about me." That changed my life fr we need more relationships onscreen that showcase these kinds of conversations
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theotherbuckley · 3 months
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Okay but Tommy drops out of high school — he told his father he was gay and he told him he could either be homeless or go to military school. He goes to military school and joins the army and he likes flying the helicopters because it means he doesn’t have to do any of the killing himself. And he makes some friends.
There's one guy who's like the squad leader who's a few years old and built like a Greek god and Tommy's young and a little bit in love. And they're friends maybe even family because this whole group of people spend every waking (and sleeping) moment together. And they all talk like a family and they all say they love each other and tease each other and it's nice. And one night it's just the two of them trading a flask of some sort of alcohol that Tommy doesn't know the name of and the man asks Tommy why he joined the army and where he wants to be in five years and Tommy trusts this man. He's half way in love with him so he doesn't even think twice before he tells the story about the time he came out to his family and his father nearly beat him to death before sending him here. And the conversation tapers off after that and he doesn’t register the change in the air but when he wakes up the next morning he’s being dishonourably discharged because he poses “unacceptable risk to the high standards of morale, good order and discipline, and unit cohesion that are the essence of military capability”. He knows what that means.
Tommy joins the fire department because he doesn’t know what else to do. He represses anything regarding his sexuality because he knows now that it’s wrong. He almost feels like he has a family again because his captain seems to like him and some of the guys are cool even if they say things he doesn’t agree with. And then he starts agreeing because maybe they’re right and he’s wrong and he’s just inherently wrong. So he follows their leads and is just straight racist because that’s how he can fit in.
And then a black lesbian woman joins and says she’s a black lesbian woman and Tommy doesn’t understand that either because you can’t be queer you just can’t be because it’s wrong.
But he nearly dies and and an Asian man saves his life and a black lesbian woman comes up with a better idea than any of them had and she tells them she’s no different and she is just as capable. So he improves himself he does and he tries to be better but he still can’t be who he is because the last 2 times he was honest about that he was betrayed.
Tommy leaves the 118 and “don’t ask, don’t tell” is lifted and he meets this guy he likes who likes him back and the 217 don’t seem to have a problem with the gender neutral pronouns and he slowly but surely lets himself open up again and be who he is and when the thing with that guy doesn’t work out because he’s moving to New York and Tommy’s not sure he’s ready to leave, it’s okay because his crew is there and they support him and he can still be himself.
#years later he flies a helicopter into a hurricane for the same people who stopped him from going too deep#into something he didn’t even believe in#and there’s this guy with a birthmark above his left eye and the widest smile there is#and he’s saying absolute nonsense and Tommy can’t help but smile#and there’s this other man too also gorgeous but not his type#who has all the same interests as him and he thinks if anything he’s made a new friend#and then the cute dorky guy calls the next day stumbling over his words saying his name is evan - from the rescue mission#and he asks for a tour of the 217 and Tommy agrees because how could he say no#and then he’s asking to go out but he already has plans but rain check? because there’s something about this guy that maybe…#and Tommy thinks that’s it but then evan turns up everywhere#and then things get a bit funny and Tommy feels like it’s his fault and he has to apologise#so he goes to Evan’s house not expecting anything just to say sorry#and Evans there looking absolutely amazing as always and he’s saying things that Tommy can’t help but read into#and he’s getting closer and closer and Tommy can’t help it#he kisses him and keeps his eyes shut just a moment longer just in case#he doesn’t want to open his eyes and see a disgusted look across Evan’s face so he stays closed just a little longer#but evan just looks like his brain has restarted and he’s nodding and joking when Tommy asks if that was okay#and they’re going on a date#and it hurts when evan says those worlds because tommy has spent long enough in a closet being someone he’s not and hurting people#and he can’t go back there he just can’t and he doesn’t want to be the one to force evan into anything so he leaves#and then he gets a call a stuttered invitation to meet at a cafe and of course Tommy says yes#he doesn’t know what he expects but it’s not this#Evans beaming at him with the brightest smile asking him to be his date to his sisters wedding#how can he say no when he looks like that (as long as he never buys coffee again)#and evan holds his hand even though everyone is around and ok that’s good#he’s late to the wedding and practically dead on his feet but he said he’d be there so he comes and the moment evan sees him#hes kissing him and he’s ok that’s great he could get used to this#bucktommy#911 abc#tommy kinard
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reasonsforhope · 9 months
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Crowdsourcing a question
Okay totally personal post here because, now that search engines suck, my research is failing me. So I'm crowdsourcing my question about the residential care work industry!
Hoping at least some of my followers have experience in/with the industry and some intel on this:
Actual question: How common is it for jobs in residential care work (residential centers, btw, not home care) to actually have two people on the night shift? vs. just saying they always have two people on the night shift in interviews and their official policies, and actually it's not true?
Because my current job was, it turns out, apparently totally lying about "you'll never be on shift alone with clients" at orientation (when it comes to the night shift, anyway). Which, holy fucking safety issues, Batman!
Suffice to say this was a very fun thing to find out like three days before my first regular shift
So, I'm thinking realllll hard about switching companies, and I'm trying to figure out if I could expect to actually have a coworker at a different company, or if it's like an open secret in the field that actually, basically all the night shifts end up being solo shifts, because the industry is so chronically understaffed or w/e
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stagefoureddiediaz · 2 years
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Can’t stop thinking about the fact that it’s a knight that needs the 118’s help at the Ren Faire and the whole knight in shining armour metaphor and how it relates to Buck and the sperm donor plot.
And if it is bees that are the reason for the call and the knight is having an allergic reaction - but is trapped in his suit and can’t get out - and so his allergic reaction continues to get worse becoming anaphylaxis - which is life threatening!
Hello metaphor for sperm donor knight in shining armour Buck who is now trapped in this decision he’s made to be Conor and Kamerons knight in shining armour and it’s actually making his already fragile mental health worse!
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giantkillerjack · 1 year
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Today my therapist introduced me to a concept surrounding disability that she called "hLep".
Which is when you - in this case, you are a disabled person - ask someone for help ("I can't drink almond milk so can you get me some whole milk?", or "Please call Donna and ask her to pick up the car for me."), and they say yes, and then they do something that is not what you asked for but is what they think you should have asked for ("I know you said you wanted whole, but I got you skim milk because it's better for you!", "I didn't want to ruin Donna's day by asking her that, so I spent your money on an expensive towing service!") And then if you get annoyed at them for ignoring what you actually asked for - and often it has already happened repeatedly - they get angry because they "were just helping you! You should be grateful!!"
And my therapist pointed out that this is not "help", it's "hLep".
Sure, it looks like help; it kind of sounds like help too; and if it was adjusted just a little bit, it could be help. But it's not help. It's hLep.
At its best, it is patronizing and makes a person feel unvalued and un-listened-to. Always, it reinforces the false idea that disabled people can't be trusted with our own care. And at its worst, it results in disabled people losing our freedom and control over our lives, and also being unable to actually access what we need to survive.
So please, when a disabled person asks you for help on something, don't be a hLeper, be a helper! In other words: they know better than you what they need, and the best way you can honor the trust they've put in you is to believe that!
Also, I want to be very clear that the "getting angry at a disabled person's attempts to point out harmful behavior" part of this makes the whole thing WAY worse. Like it'd be one thing if my roommate bought me some passive-aggressive skim milk, but then they heard what I had to say, and they apologized and did better in the future - our relationship could bounce back from that. But it is very much another thing to have a crying shouting match with someone who is furious at you for saying something they did was ableist. Like, Christ, Jessica, remind me to never ask for your support ever again! You make me feel like if I asked you to call 911, you'd order a pizza because you know I'll feel better once I eat something!!
Edit: crediting my therapist by name with her permission - this term was coined by Nahime Aguirre Mtanous!
Edit again: I made an optional follow-up to this post after seeing the responses. Might help somebody. CW for me frankly talking about how dangerous hLep really is.
#hlep#original#mental health#my sympathies and empathies to anyone who has to rely on this kind of hlep to get what they need.#the people in my life who most need to see this post are my family but even if they did I sincerely doubt they would internalize it#i've tried to break thru to them so many times it makes my head hurt. so i am focusing on boundaries and on finding other forms of support#and this thing i learned today helps me validate those boundaries. the example with the milk was from my therapist.#the example with the towing company was a real thing that happened with my parents a few months ago while I was age 28. 28!#a full adult age! it is so infantilizing as a disabled adult to seek assistance and support from ableist parents.#they were real mad i was mad tho. and the spoons i spent trying to explain it were only the latest in a long line of#huge family-related spoon expenditures. distance and the ability to enforce boundaries helps. haven't talked to sisters for literally the#longest period of my whole life. people really believe that if they love you and try to help you they can do no wrong.#and those people are NOT great allies to the chronically sick folks in their lives.#you can adore someone and still fuck up and hurt them so bad. will your pride refuse to accept what you've done and lash out instead?#or will you have courage and be kind? will you learn and grow? all of us have prejudices and practices we are not yet aware of.#no one is pure. but will you be kind? will you be a good friend? will you grow? i hope i grow. i hope i always make the choice to grow.#i hope with every year i age i get better and better at making people feel the opposite of how my family's ableism has made me feel#i will see them seen and hear them heard and smile at their smiles. make them feel smart and held and strong.#just like i do now but even better! i am always learning better ways to be kind so i don't see why i would stop
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teaboot · 2 months
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Yo I can't speak for 911 dispatch but working on the ground here are some tips for calling or radio'ing help:
First: Give information in the right order. 911 WILL ask, before anything else: City? Police, Fire, or Ambulance? They need to know who they're sending and where. If you're calling me (mall cop) I know you're looking for security presence, so my assumption is that either we don't need 911, 911 has already been called, or I'm about to be calling, so this part isn't always required.
Second: Location. I can't do shit about the five-foot-six Caucasian female wearing green shoes breaking into your car if I don't know where your car is.
Third: The most distinctive thing you see. Trash can on fire? Yellow truck got busted? Body on the ground? Person brandishing a weapon?
Fourth: If the issue is a moving target, pick the most distinctive trait about them first. Something that can be seen at a distance. "Wearing jeans" is not as useful or as distinctive as "orange baseball cap" or "coveralls". "Truck" isn't isn't useful or distinctive as "brown pickup, busted fender".
Fifth: At this point someone is on their way looking for what you've described, but they're still listening. Now is the time to add details. Heading north? Carrying a weapon? Additional clothing, descriptors, etc.
If you are calling emergency dispatch, don't just start talking. They will usually ask for what they need in the order that they need it.
If you're calling for security or CCTV surveillance: Location, distinction, details.
Note: I've only been in the industry a few years but I get a lot of people giving bad descriptions or misordered ones so I thought I'd put out a general PSA, but if anyone with more experience here has anything to correct or add on, please do
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sweetnans · 4 months
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firefighter!katsuki x reader PLEASEE 🧎‍♀️🧎‍♀️🧎‍♀️
As you wish🪄💫
You knew and everybody did too that you weren't the most appropriate person to cook so you tried baking instead. It turned out that you weren't good either now that your kitchen was on fire.
Thankfully, you were fast on calling 911 and they sent you a firefighters unit to help you out.
A bulky red-haired man entered your house while you tried to extinct the fire with your tiny extinguisher. He grabbed you gently by your shoulders, guiding you out of your house so they could bring all the equipment without you standing in their way.
"I bet they would have been delicious" he gave you the most charming and calming smile.
If only he knew...
You were sitting in one of the trucks. One of the firefighters was taking your statement and checking on you for burns and any sort of wounds. You were dissociating while he tried to make you talk.
In your mind, you thought that, thank god you lived in a house and not in an apartment complex. You couldn't live with the shame after setting your kitchen on fire, having all the people gathered around you for the disaster you made. It wasn't like your neighbors weren't there. The moment that the fire siren made his appearance in the block, the nosy neighbors alerted the others, and now they were all by their windows watching you from afar, in comparison with apartaments, at least they were far away from it and you didn't compromised their houses.
"You can't bake shit"
A tall and muscled man blocked the sun from you and got you out of your thoughts in an instant.
"Excuse me?" You were leaving the haze you induced yourself to keep away the embarrassment from burning down your kitchen while making cookies.
"What he was trying to say is that we extinguished the fire, and everything is perfect. Well, almost... Do you have someone you can stay with?" The red-haired man interrupted the angry blonde.
"Mm yeah, I think so"
The interaction was pretty odd, and you tried to maintain your focus on the problem.
"How do you even set your stove on fire?" The blonde continued while the other gave him a warning glance.
"You were right," you jumped off of the truck. "I can't bake shit"
You looked sad and obviously you were. Your first attempt to do something new ended up on you spending the night at your brother's house.
While talking with the EMTs and other firefighters, Bakugo couldn't help but notice your gaze and your face. You looked like you were about to burst into tears.
A few days passed from the incident, you were tired, working your ass off, day and night, to fix your house so could go back there, filling up papers to see if your insurance covered the damage while giving your brother a hand watching his kids after school.
You were on the verge of crying when someone knocked on the front door.
"Hey?" You opened the door slightly to see a man standing in front of you with a box in his hands. You didn't recall hearing your brother saying something about an incoming package.
"You match the description he gave me. This is for you, " he smiled.
The blonde who looked like he was going to some party handed you the package, turned around, and left you there feeling uneasy.
Most of the time, in this situations you acted distrustful, but the man didn't give you time to think about the possibilities.
What if it was a bomb?
You wouldn't be surprised afted the incident. You had something with fire and explosions.
Grabbing the box, you walked to the kitchen. Thankfully, the kids were asleep in their rooms, so if it was a bomb, you would have some time to run away from the kids and the house.
You expected, well, a bomb, explosives, or some detonating device. Well, you were wrong.
A cute purple box with a white ribbon on laid down.
You opened the box, and for your surprise, there were tons of cookies of all shapes, colors, and flavors. You were shocked until you saw the card.
Hey, the fire department went by your house yesterday, and we noticed that what originated the fire was your stove. The wires were defective. We filled up the papers already, and the company promised to fix your house and equip it with everything you lost in the fire.
Give me a call when everything is ready, I'll teach how to bake properly without losing your house in the process.
Bakugo Katsuki.
...
I'm sorry if this isn't what you expected 😪 my brain is dry
Do not edit or reupload my works elsewhere! All rights reserved.
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firewasabeast · 11 days
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prompt: im not gay, but my husband is.
(I loved those scenes in 911 and lonestar where they only wanted the straight white guy to work on them, so I think it would be funny happening with married, bi buck!)
“No, I don't want you touching me.”
They'd been sent on a call to a woman's residence. She had fallen in her driveway on the way to her car. From the moment they pulled up, trouble had started. She didn't want Hen touching her, wouldn't accept help from Chimney, and the second she spotted Diaz on Eddie's uniform she stopped him.
“Well, you're a straight, white man, Bobby,” Chimney said with a smile. “You wanna take the lead?”
“Wait,” Eddie put his hands on his hip, “do interracial relationships matter to you too?” he asked the woman. “Because, if so, Bobby's out.”
She looked around at everyone in a panic. “You!” she exclaimed when her eyes met Buck's. “You can do it, right?!”
“Yes, I am capable of placing a splint on your leg,” he said with no enthusiasm as Hen handed over the splint.
He bent down to get started but she held her arm out to stop him. “You're normal, right? You're not married to someone,” she glanced up at Bobby, “different, are you? Not gay or anything?”
“Oh, no ma'am, I'm not gay,” Buck assured her, before adding with a flash of his ring, “my husband is though.”
“Y- Your what?”
“My husband.”
“So you are gay?”
“Ma'am, please don't get him started,” Hen begged. “He will not shut up once he gets going.”
“There are actually some people that believe bisexuality doesn't exist,” Buck began, waving a finger to emphasize his point. The groans from the rest of the 118 didn't detour him. “It has been proven to cause mental health issues for people who identify as such, and in extreme cases-”
“Okay, okay,” Bobby interrupted, patting Buck's back a couple of times to get him to stop. “This lady is very clearly “in distress” and we should be focused on helping her.” He stared over at the woman, “If she'll let any of us.”
“Can't you call another team or something? One that isn't filled with minorities and heathens?”
“The 112?” Hen suggested.
Eddie shook his head. “All women crew today.” He looked down at the lady, “I'm guessing you wouldn't like that?”
“They're just not as capable as men,” she whined.
“143?” Chimney asked.
Buck stood back up. “With Captain Garcia?”
“No!” She yelled.
“217?” Eddie offered.
Buck perked up at that. He smiled at the lady on the ground. “You'd get to meet my husband!” he exclaimed. “He's working ground ops today. I could call him, give him a heads up?” He bent back down to the woman's level. “He is the gay one though.”
The woman groaned before pushing herself up and grabbing her purse, jerking away at Buck's attempt to help. “You know what? I'm just gonna take myself to the hospital,” she said as she started to hobble away.
“Say hello to Dr. Cohen for us,” Bobby said, sending her off with a wave. She let out one more angry yelp before getting into her car and slamming the door.
*****
Tommy had gotten home about an hour before Buck, already dressed in a white button down shirt tucked into black dress pants for dinner reservations they had that night.
When he heard the sounds of Buck's car door shutting, he headed to the front door and opened it, leaning against the doorway with his arms crossed over his chest.
“Hey you,” he said with a smile.
Buck smiled back, dropping his duffel the second he reached the porch. He immediately wrapped himself around Tommy, surprising him with a kiss that elicited a moan from him.
“I got to call you my husband at work today,” Buck explained between kisses as Tommy gripped his waist. He led Tommy backward into the house, kicking the door shut behind him. “Twice.”
Tommy breathed out a laugh, pulling back just enough to look into Buck's eyes. “This was your first shift back after our honeymoon,” he reminded him. “So you lasted, what, twelve hours into your workday before mentioning me?”
Buck shook his head. “It was our first call of the day,” he informed him. “More like two hours.”
Tommy hummed, running his hands up and down Buck's waist. “Your whole team owes me double then,” he said before pressing a gentle kiss to Buck's lips.
It was Buck's turn to pull back this time. “What are you talking about?”
“They were taking bets on how long it would take for you to mention you were married. I said it'd be less than twelve hours, and you'd mention it more than once. Wait-” He paused, then gave Buck's waist a squeeze, “did you mention bisexual erasure?”
Buck sighed, his shoulders slumping. “It's an important topic, Tommy!”
Tommy simply smiled. “I hit the jackpot, Babe.”
“You placed bets on me?” Buck asked with his eyebrows furrowed.
“Mhm,” Tommy replied. He shrugged. “I won like five hundred dollars.”
Buck's eyes darkened at that. In one quick motion, he turned them and shoved Tommy against the door, pawing at his shirt to get it untucked. “That's so hot,” he moaned, smashing his mouth against Tommy's in a sloppy kiss.
They never did make their dinner reservations.
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baby-yongbok · 4 months
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𝖣 𝖨 𝖲 𝖯 𝖠 𝖳 𝖢 𝖧
Husband!911 Operator!Bang Chan 𝗑 Afab!Reader
♡ Genre - Angst ♡ Word Count - 1.3k ♡ Summary - Chan has heard a lot of calls being a 911 operator but this is one that he never wanted to experience. ♡ Warnings - Themes of home invasion, Mention of guns [Please read responsibly. This is an emotional fic.] ♡ a/n - I wrote this after watching an episode of S.W.A.T 😭This fic is not proof read.
✧ Masterlist ✧
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He hasn’t been on the night shift since your daughter was born. He liked to spend the nights with Nara when she was first born. He liked to come home to her drooling smiles and gleeful giggles after answering calls all day. He never knew what he’d get when he answered the phone. It could be something small like a cat being stuck in a tree but it rarely ever was. He was on a never ending loop of talking people down during one of their most anxious moments. Something that he hoped he would never have to do. 
“Ma’am, please try to stay calm. Can you repeat your address please?” Chan was laughing with Changbin, dimples on full display until he heard his co-worker repeat the address she was given. He dropped the water bottle in his hand, immediately turning on his heels and making his way behind her to look at the screen.
“Is there anyone else in the home?” It’s his address on the screen. You on the phone. There’s someone in the house with you and his daughter. Changbin comes up behind Chan, peering at the screen with curious eyes that widen quickly. “Is your daughter with you?”
“Chan.” His friend lays a hand on his shoulder in an attempt to pull him out of his shock but it’s no use. He’s too busy trying to hear your voice over the noisy office. Too busy trying to find out if you’re okay. 
“There are officers on the way ma’am just stay put okay?” Chan is tapping his co-worker before he can even process the action. She looks back at him with furrowed brows but her features soften once she realizes who it is. She knows that address, she knows it’s his.
“Give me the headset.” His voice betrays him as it wavers towards the end of the final word but the woman in front of him knew better than to question his request. She hands it over quickly and Chan puts it on with shaky hands. “Ma’am? My name is Chan and I’m going to stay with you through this, okay?”
“Chan?” He can hear the fear in your voice, the timbre shakes like glass windows in a storm and he swears that in that moment he could shatter. “Baby, please tell me it’s you. Please.”
“It’s me. I’m here.” Changbin takes it upon himself to coordinate with the call operator to track the units. He sprints through the office to his desk in hopes that his inquiry will speed up the process. In hopes that it’ll help save you. “Where’s Nara?”
“She’s in her hiding spot.” You mumble through tears, hushed sobs puffing past your trembling lips. “He has a gun, Channie.”
Chan’s eyes squeeze shut, brows furrowed as he tries his best to keep his cool. He wants to run to you, he wants to kill the guy who had the gall to break into his house. He wants to hold you and Nara and tell you that it’ll all be okay. “So do you.”
“His is bigger.” You quip, hopelessness tingeing the corners of your words. “How long until someone gets -” You’re cut off by the sound of heavy footsteps creaking against the hardwood of the main hallway. 
“Baby, please talk to me. I need to know that you’re okay.” He’s squeezing the edge of the desk as he waits for you to reply but all he hears are the shallow breaths that you’re desperately trying to hold. “Eta?” He asks over to his co-worker sitting below him.
“Three.” Chan’s eyes scan the screen with the call transcript, he’s staring. Waiting for your words to pop up. 
“Is he in the room with you?” His jaw is clenched and his tongue feels heavy with every word but the silence on your end speaks louder than any words that could come out of your mouth. “Baby, listen to me. I need you to stay as still as possible, okay? Don’t move unless you have to.”
You’re quiet, heaving breaths are the only sign that you haven’t been disconnected. The only sign that you’re alive. Chan runs a hand through his hair as his next sentence weighs on the heavy muscle in his mouth. “I love you, okay? I love you and I love Nara with -” 
His voice cracks as tears threaten to fall. He breathes them back, standing up straighter and trying his best to not let the damn behind his eyes break. “I love both of you with every ounce of my being. You’re going to be okay, the police are right around the corner but I need you to put down the phone.”
A sob catches in your throat and the heavy boots roaming your bedroom stop for a second. You watch the shadow from under the closet door with wide eyes. “I need you to hold the gun with two hands, just like I taught you okay? I need you to be ready in case -”
He’s interrupted by a sudden thud followed by frantic rustling. “Hello?” He can hear you, he can hear you breathing. He can hear your frantic movements then he can hear your screaming, your struggling.
“Y/n?” He’s panicking, shattering into a million pieces as he listens in on the other line. “Where the fuck are they?” Changbin runs up behind Chan, his hand returns to its earlier spot as he reports what he knows. 
“They’re outside, they’re there.” Chan’s gaze falls back to the screen, the green glowing transcript is unmoving on your part. It’s empty apart from the sound of your screaming. 
“Baby, I need you to fucking fight.” Tears are falling from his eyes, he’s redder than hot iron and his heart is shaking like a leaf in his chest. 
“Chan!” You’re screaming. Screaming his name, begging him for help and he’s not there. Your sobs are loud, rippling through the receiver accompanied by more rustling. He can hear the grunts of the assailant as he fights you but they’re easily drowned out by the sound of police sirens echoing through the air. 
“Fight, do you hear me?” He’s practically yelling into the headset. Eyes shut tight as he focuses on every single sound until he hears the one that he was dreading. It echoes louder than any scream he’s ever heard. He’s cold as soon as he registers the gun fire, his eyes fly open as he’s swallowed by the silence on the other line. It’s loud, once again louder than any words could be.
“Y/n?” His mind is running wild. His thoughts are swallowing him whole, wrapping him up in a darkness that he never knew could exist. Who fired that shot? “Baby?” His shaky voice is nearly a whisper, a desperate whisper with a hidden plea that you’ll answer him. 
Everything is still around him, time seems to evaporate as he counts the seconds without hearing your voice. Selfishly, he finds himself missing the screams. At least then he was sure that you’re alive, at least then he -
“Channie.” Your trembling voice rings through the receiver and Chan straightens up like a flower towards sunlight. “He’s dead.” 
Chan unravels in an instant. Tears run down his blushed cheeks like a free flowing river and the shards of his heart decorating his insides glisten in the hope of being put back together. “I fought for you.” His hands form fists in his hair as Changbin soothes his friend that best that he can. 
“You did great, baby.” He chokes out through sobs, trying his best to sound strong for you. Trying to be as strong as you’re being now. He listens as your daughter runs to you with tear stained cheeks and quivering lips that you kiss over and over again as you hold her close to your shaking frame. 
“Chan.” You mumble. “Please come home.”
He does his best to collect himself. He wipes his tears and tries to breathe normally. He blinks away the heartache lingering in his stomach and the anger multiplying in his chest. He fights it all away for you. He fights it all away just so you can hear him say this.
 “I’m coming to you, right now. I'm coming.” 
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Thank you for reading! I hope that you enjoyed!
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ladysharmaa · 7 months
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Break in
Jay Halstead x reader
summary: when Jay's girlfriend is home alone while he's at Molly's, someone tries to break into their house
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Y/n was looking disinterestedly through the fridge, closing it with a sigh when she couldn't find anything to eat that she felt like. It was a slow night, her workday had been quiet at the hospital, with only a few patients showing up.
Her boyfriend, Jay, had invited her to join him and the rest of the police department at Molly's. However, she refused, wanting him to spend quality time with his friends, feeling that she had already stolen him from them long enough after he took a few days to take care of her after she fell ill.
Detective Chuckles: Is everything okay out there? The guys miss you! Wish you could be here with me :(
The ringing of her cell phone snapped her out of her thoughts, a small chuckle escaping her lips as she read Jay's message. But she couldn't deny the butterflies that invaded her stomach knowing he was thinking about her. Their relationship was relatively recent, but they had never felt stronger love.
Jay once revealed to her that he realized she was the most important person to him when he was called on an undercover mission. They had only been dating for about 2 months. When he returned, after all the time they hadn't been together, he was shocked to see her waiting for him. He thought she had abandoned him, realizing that she couldn't live with his job, but he was wrong. He ran to her, picking her up and spinning her around a little, her laughter echoing through the room.
After answering his text, Y/n lay down on the couch, watching a movie while waiting for her boyfriend to come home. She didn't even notice when, halfway through the movie, her eyes started to get heavy, and she gave in to sleep.
She woke up again when she heard the lock on the front door click, almost as if someone was trying to get in. Too lazy to get up, thinking it was Jay trying to get in, Y/n tried to call him to remind him he had a key, in case he was already a little tipsy.
At the end of the second ring, the cop answered, but something made Y/n freeze in place, glancing at the door in alarm. She could hear the noise coming from the other people at the bar, meaning he wasn't the one at the door.
"Baby, you there? Is everything okay?" Jay's voice brought her back to reality.
"Jay, aren't you the one trying to get in by any chance?" her voice shook, still standing in the same spot on the edge of the sofa, now raised.
"What? Guys, shut up, I can't hear Y/n. Baby, I told you I'm at the bar with the rest of the group." his voice immediately became serious. "Why? What's happening?"
"Jay, I think someone is trying to get in." Y/n muttered, holding the phone tighter to stop it from falling due to the shaking of her hands. Her wide, frightened eyes were fixed on the door.
As soon as those words left her mouth, Y/n heard a noise on the other side — Jay was shouting something to Severide. Then, there was silence until the sound of Jay's jeep engine was heard.
"Y/n, I need you to listen to me very carefully. You go to our room and lock the door. Then you go to the bathroom and stay in the bathtub until I come and get you. No one else, just me. Do you think you can do that?"
From Jay's voice, Y/n noticed that he went into police mode, speaking calmly but with authority. In fact, this was just so he wouldn't lose control and be able to help his girlfriend, despite the fear that was spreading throughout his body.
"I need verbal responses, baby. Do you understand?"
"I understand." her voice shook.
"Good girl. Everything's going to be okay." Jay tried to comfort her, breaking all the traffic rules and having the sirens on to get home faster.
His heart was tightening in his chest, almost stopping him from breathing. He blamed himself, he knew he should have stayed at home with Y/n, and now she was in danger, and he couldn't protect her.
Behind him, Severide followed him in his vehicle on a 911 call.
"I'm scared, Jay." Y/n's scared voice caught the police officer's attention.
"I know, baby, I know. But I need you to be brave until I arrive. I won't let anything happen to you. I just need you to hold on and then we'll finally go to bed and cuddle. Does that sound good?"
"Yeah." She felt tears coming to her eyes but tried not to let them fall. Just like Jay said, she had to be brave until he came to save her.
Y/n then started to go to her room until she stopped halfway up the stairs when the front door handle stopped turning. For a moment, she thought she was exaggerating and it was just someone who made a mistake in the house. But the panic returned when the automatic rear light came on, indicating that someone had passed by.
Jay only heard the gasp she let out. "What? What's happening?! You need to talk to me, Y/N."
"I think they're trying to get in through the back. I don't know if I locked that door!" She stopped her speech suddenly. "Oh god, I just remembered I left Missy sleeping in the kitchen."
"Y/n, do not go in there just because of the fucking cat!"
Jay didn't even like the little furball who seemed to hate him from the moment Y/n started dating him. However, he knew that his girlfriend would never forgive herself if something happened to the cat.
"Don't scream at me! I would be such a bad owner if I didn't come back to get my cat."
"I don't care about the damn cat when you're in danger!" Jay argued, but he knew Y/n was already heading downstairs to get Missy.
When Y/n arrived, she quickly found the animal on the dining table, looking super calm, an emotion quite contrary to what Y/n was feeling. Picking her up and quickly kissing her head, the girl thought about what her next step in the plan would be: go back up the stairs or find another place to hide.
However, the intruders finally opened the door, and the choice became obvious. Y/n quickly ducked and hid behind the kitchen counter so she wouldn't be seen. On all fours and with Missy under her arm, she grabbed a knife and tried, as silently as possible, to head towards the pantry.
"Y/n, don't go silent on me. Tell me what's going on. I'm three minutes away."
"They're here, Jay. I'm in the pantry with a knife." Her breaths were ragged and shuddering. She had to put her hand over her mouth to stop herself from crying. "I was so stupid. Why didn't I do what you said? I'm sorry."
"Don't apologize. God, don't apologize, sweetheart." Jay muttered with a heavy heart, running his hand over his face in despair, never having felt greater helplessness.
"They're getting closer." Y/n whispered, closing her eyes and holding her hand in front of her mouth so you wouldn't hear her heavy breathing. Jay slammed his hands on the steering wheel, clenching his jaw and thinking about what he could say to his girlfriend. "I love you, Jay. So much."
"Don't say that like it's goodbye, Y/n. I can't take it." He shook his head, using all his strength not to break down and burst into tears. "I'm almost there. One minute."
But Y/n was no longer able to respond. That's because a man, dressed all in black, entered the kitchen and looked around. She was peeking through the pantry bars, hoping he wouldn't be able to hear her and that Missy kept quiet.
She just had to hold on for one minute. Jay would be there on time. Either way, she held the knife in front of her, ready to attack. But deep down, she knew she had no chance against the muscular man. Very easily he would be able to throw her down and take the knife from her. But she wouldn't go down without a fight.
She knew that if it came to that, she would have to try to scratch him to get his DNA under her nails. That way Jay and his team would have a better chance of catching this man.
The man got closer and closer to the pantry. Y/n's hands were shaking uncontrollably. She just wanted to close her eyes and discover that it was all a nightmare. But as much as she wanted to, this was reality and the fact that she could die that day became more and more real and scary.
She didn't want to die without kissing Jay one last time. Without calling her parents to tell them she loved them. Without telling her best friend she should take the first step and text the boy she liked. She wanted to be a mother. She wanted to marry Jay and experience an eternity with him.
But just as she was ready to run out with the knife pointed at him as soon as he opened the pantry door, the man was pulled aside. She heard a moan of pain followed by things falling to the floor. Y/n wanted to go out and see what was happening, but Jay's words echoed in her head: stay hidden until he came to get her.
And then came immense relief. She heard sirens. Before she could process everything that was happening, the pantry door opened. Y/n, in a moment of panic, got up and tried to attack, the person easily dodging and putting his hands up in defense. It was only then that she realized that the person in front of her was Jay, and the intruder was on the ground, bruised, and being arrested by another police officer.
Missy, with all the commotion, quickly ran up the stairs, probably hiding in the guest room until things calmed down. In turn, Y/n dropped the knife on the floor, her face contorting and her lips trembling. She began to cry, finally releasing all the panic and fear she felt. She was pulled into Jay's arms and into his chest.
With his arms around her, feeling his warmth and the movements of his chest, Y/n finally felt safe. Jay kissed her head, saying words of comfort in hopes that she would calm down.
"Jay…" she cried, grabbing his shirt with a very tight grip.
"I'm here, baby. I'm not going anywhere. It's okay. You're safe. Shh…"
Jay then just pushed her away slightly, holding her face with both of his hands. "Are you hurt?"
"No, I'm okay. I was so scared."
"I know, baby. But you were so brave, I'm so proud of you. And I'll never let this happen again, I promise." he gave her a small kiss on the lips, pulling her back to him. She would never disappear from his sight again.
"Hey, sweetheart." Gabby's voice broke the moment between her and Jay. Y/n she turned her head to look at the woman she adored so much, only now realizing that Severide and Brett were watching the scene from afar. However, she continued to grab Jay's shirt, ensuring he stayed close to her. "Do you mind if we go to the ambulance just to make sure everything is okay?"
A moment of hesitation. Brett, realizing the problem, stepped forward and with a gentle smile said, "Jay can come too."
So, Y/n nodded in permission, following the paramedics to the ambulance. Outside, there were two more police cars and neighbors were in front of their houses in their pajamas to see what was going on. Always under Jay's arm, Y/n waited for Dawson and Brett to do their assessment, ensuring that everything was really okay.
After ensuring that there was no need to go to the hospital, despite a lot of resistance on Jay's part, Y/n won the argument with the condition that the next day, Will would stop by to check on her. But at that moment, Y/n just wanted to sleep with Jay next to her.
Once in bed, the man had one arm over her protectively, making sure there was no space between them. "I will protect you until the end of my life. I love you."
"I love you too." she looked at him with just love in her eyes. Finding a more comfortable position, Y/n closed her eyes and tried to sleep.
But Jay stayed up all night. The most important thing is that Y/n recovers after that traumatizing night. And if she had any nightmares, he would be there to protect her.
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deerlino · 4 months
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WHEN CHAN STUMBLES
— chan, who’s usually super serious and all put together, just totally loses it when he sees you. like, his brain completely shuts down—seriously, someone call 911 because it looks like he had a stroke or something. but nah, he’s just crazy in love with you. <3
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words ༯ 0.5k / pairing ༯ bang chan x gn!reader / genres ༯ college au (study night, supposedly), fluff, humor, crack, established relationship / warnings ༯ no warnings for this one, just pure, sweet fluff !
a/n ༯ hey yo heyo! this is my first piece here and i’m lowkey nervous to post it, but here we go! chan is the absolute cutest in this one, love him. hope you enjoy, tho! <3
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Chan had always been the epitome of seriousness. He was the guy who could ace an exam, lead a group project, and still manage to hit the gym—all in one day. Your friends had nicknamed him “Superman,” but to you, he was just Chan. Your Chan.
Tonight, you were hanging out in his dorm room, supposed to be studying for your upcoming finals. His desk was cluttered with textbooks, highlighters, and half-empty coffee cups, but neither of you seemed too worried about it. You’d been dating for six months now, and his dorm had become your second home.
“Okay, if I have to read one more sentence about organic chemistry, I swear I’ll scream,” you groaned, dropping your highlighter dramatically.
Chan chuckled, glancing up from his laptop. “You know, you say that every time we study.”
“And every time, I mean it.”
He shook his head, a small smile playing on his lips. “Alright, take a break. You’ve earned it.”
You stretched, letting out a satisfied sigh as you leaned back on his bed. Chan watched you with that soft look he always got when he thought you weren’t paying attention. But you noticed. You always noticed.
“So, how’s your paper going?” you asked, trying to sound casual.
“Eh, it’s going,” he replied, rubbing the back of his neck. “I’ll get it done.”
“Of course, you will. You’re Chan, the man who does everything.”
He laughed, but you could see the faint blush creeping up his cheeks. “Yeah, yeah. Just don’t let it go to my head.”
You rolled over onto your stomach, propping yourself up on your elbows. “Can I help? Maybe proofread or something?”
Chan glanced at you, and in that moment, it was like his brain short-circuited. His eyes widened, and his mouth opened slightly, but no words came out. It was like someone had hit the pause button on his brain.
“Uh, Chan? Earth to Chan?” you waved your hand in front of his face, giggling.
He blinked, snapping out of his trance. “Sorry, I just... you’re really... distracting.”
You raised an eyebrow. “Distracting? Me?”
“Yeah,” he admitted, rubbing the back of his neck again. “Like, a lot.”
You crawled closer to him on the bed, closing the distance between you. “How so?”
Chan swallowed hard, his eyes fixed on yours. “Because... you’re... you. And you’re here. And it’s just really hard to think straight when you look at me like that.”
You grinned, your heart swelling with affection. “You’re so cute when you’re flustered.”
He groaned, burying his face in his hands. “God, I must look like an idiot.”
“An adorable idiot,” you corrected, pulling his hands away from his face. “And for the record, I think you look pretty hot when you’re all serious and studious.”
His eyes lit up at your words, a shy smile tugging at the corners of his mouth. “Really?”
“Really,” you confirmed, leaning in to kiss him softly.
Chan melted into the kiss, his serious facade crumbling completely. He wrapped his arms around you, pulling you closer until you were practically in his lap. When you finally pulled away, he rested his forehead against yours, his eyes closed in bliss.
“You know, you’re the only person who can make me feel like this,” he murmured, his voice barely above a whisper.
“Like what?”
“Like my brain has completely shut down and all I can think about is you.”
You laughed softly, brushing your lips against his again. “Good. Because I feel the same way.”
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© deerlino (est. 030624) ༯ heyo, did you enjoy this piece? if you did, maybe you could reblog, drop a comment, or shoot me an ask to let me know your thoughts. also, feel free to check out my other stuff! thanks a bunch for the support! <3
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megalony · 8 months
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Protect His Girls
This is an Evan Buckley imagine, I am hoping to turn this into a series if anybody is interested. Feedback is always lovely.
Taglist: @lunaticspoem@sj-thefanthefan@hellsdragon@im-an-adult-ish@crazylittlethingg@allauraleigh@onceuponadetectivedemigod@ceres27@avyannadawn@sleepylunarwolf@coverupps@justagirlthatlovedtoread @musicistheway @avada-kedavra-bitch-187 @luula @missdreamofendless @bradleybeachbabe @woderfulkawaii @topguncultleader @amberpanda99 @daggersquadphantom @marvel-and-chicago-fan @angryknightstatesmantrash @minjix @lyjen @kmc1989 @itsmytimetoodream @noonenuts
911 Masterlist
Summary: Both Evan's wife and daughter have a lot of allergies between them. So Evan does everything he can to look after them and keep them safe.
Enjoy.
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"Alright, and I am-" Evan turned on his heels, a tender smile on his face that faded into a gruesome grimace when something bashed into his chest the moment he spun round. His arms lifted in the air and his chest tightened and sucked in but it didn't make a difference. The carton of milk in Chimney's hands was no well and truly soaked into Evan's shirt and trousers. "-Out."
He muttered defeatedly under his breath, lowering his arms to his sides before he tipped his head back and let a groan break past his lips.
"Fuck,"
"Sorry Buck," Chimney scrunched his nose and pursed his lips as he looked up at his friend with guilt in his eyes.
"This will be my third shower of the day." Evan pulled his plain grey shirt away from his chest but it didn't help. He could feel the milk soaking into his shirt and sending shivers down his legs that were now cold and drenched. Just as he was about to head home. Perfect.
"Why, just go get changed." Ravi pointed over his shoulder towards the stairs, trying to indicate to the locker room downstairs. There was no point going for another shower if he had a change of clothes in his locker he could get into and just head home.
"No, I need to shower."
"Oh, is, is this your cleanliness thing?"
Chimney looked across at Ravi and shook his head. This was not a conversation he should start and it wasn't the right time to get into that either. He could see the grimace on Evan's face at the mention of it. But Ravi noticed the same as everyone else that Evan showered as soon as he got to the station and then again before he left after shift. And Ravi had seen the way Evan would thoroughly wash his hands after touching certain things like they were contagious.
"Didn't you hear?" A colleague Ravi knew to be called Adam passed by Evan, giving him a rather dirty look as if he wanted to rile him up before he wandered over to the table Ravi was sitting at. "Buck's little wife is allergic to everything. Even him."
Adam scoffed around his coffee cup, seemingly unaware that now he had Chimney, Hen and Eddie all furiously glaring at him like he had shot someone right in front of them. Not everyone in the team knew about Evan's home situation and Adam had overheard and put a few pieces together, badly.
"What the fuck did you just say?"
Evan let go of his shirt and turned round on his heels, blazing fury burning deep within his blue eyes when he stared at the person he thankfully never had the pleasure of working with. Adam was rotated on most of Evan's opposite shifts and they never had to work closely when they were out on a big call.
"It's the truth, isn't it? You keep her wrapped up in a little bubble of protection because she's a hypocondriac."
"Why don't you come and say that to my face?"
Evan clenched his hands into fists at his sides and took three daring steps closer to Adam who was taking small sips of his coffee with one hand casually leant against the table, propping himself up at an angle. One step closer and he would be within reach to smash his fist into Adam's face and enjoy the burning pain it would cause them both. Evan hadn't been in many fights in his life but he was no stranger to throwing punches and he could start a brawl right here in the station kitchen if he wanted to.
Adam didn't look like he would be much of an opponent to beat in a fight and after what he just said, Evan was ready to let loose on him.
How dare he stand there and spout rumours that weren't true and talk as if he knew (Y/n). Adam had never met her before, the only one of the team who had met (Y/n) was Chimney and that was only because he had come round to Evan's house with Maddie. Bobby knew about (Y/n) but he had never met her before. Adam knew nothing about her and Evan and yet here he was, stood making jibes and accusations.
Before anyone could stop him, Evan stepped forward and scrunched Adam's shirt up in his fists, yanking him off the table and pulling him closer until they were so close their noses were almost touching. Evan's upper lip curled into a snarl and his eyes darkened when Adam visibly paled in front of him but stayed silent.
Maybe he didn't think Evan would try and start a brawl right here in front of everyone.
"Go on, say it again."
"Alright that's enough!" Reaching over, Hen curled her hands around Evan's bicep as Eddie did the same to his other arm and they both wrenched him back. They pulled him five feet back towards the balcony so he couldn't throw the first punch and be suspended for fighting. That wasn't what anybody needed. And none of them wanted Bobby to come up and find out what was going on between them.
"He's not worth it," Eddie whispered quietly as he patted Evan's shoulder and gave him a certain, knowing look.
"Go get a shower and go home," Hen pointed towards the stairs and gave him a stern look. She was too tired to play referee to a fight this afternoon. But when she turned to look at Adam, her calm expression turned sour. "And you better disappear before you say something that'll get you suspended."
No one was going to give Adam any leeway or slack when he had just insulted Evan's wife in front of them all. He was aiming to rattle Evan's cage and cause an argument, he always was and Evan's family was the one thing that would always provoke him.
Evan jerked his arms out of Hen's grasp when she tried to turn him in the direction of the stairs. He held his hands out and huffed, sending one last glare over at Adam before he marched down the stairs for another shower. And Adam walked to the other side of the annex towards the sofa, seeing he clearly wasn't wanted around the kitchen unless he was willing to sit with the cold shoulder and silent treatment.
Evan slammed his locker open, revelling in the way it smashed into Eddie's locker and left a small dint in the metal. He shrugged off his shirt and tossed it down to the floor before he rummaged in his locker for a towel. He knew better than to try and touch the clean set of clothes in his locker before he'd had a wash. That would risk contaminating his new clothes with the milk that was slowly soaking into him and making him feel sticky and uncomfortable.
"What do you want, probie?" His head tilted back as he threw his towel over his shoulder. Evan didn't need to turn around to know the presence he felt behind him was Ravi, lurking sheepishly in the doorway.
When he turned around, he shut his locker and slumped his shoulders back against the locker, arching his back so his spine clicked into place. His arms folded over his chest, puffing out his arms and his bare chest as he raised a brow and waited impatiently for a response.
"I- I just wanted to uh, apologise. I didn't mean to cause an argument back there."
"Why? You didn't insult my wife." Evan pushed off the locker and looked down at his hands that started to grab and mess with the frayed end of the towel on his shoulder. "And just for the record, she isn't allergic to everything."
He wasn't sure why he was explaining himself. There was nothing Evan had to say to Ravi or anyone else, he didn't have to explain his situation. Bobby was the only one Evan told at first because he was Captain and he had a right to know why Evan could get so tetchy and pent up. But once he got close to the rest of the team, he eventually told them too. Hen was his friend, he confided in her. Chimney was practically his brother in law now that he was with Maddie and Eddie was his best friend. They were his family.
It was the rest of the station that Evan didn't trust. He didn't talk to them all as closely as the little group they had within their team and not everyone was kind. Some people were snarky, like Adam.
"Oh… yeah, I'm sure she isn't." Ravi held his hands together behind his back before he took a daring step into the locker room. "Are you okay?"
"Yeah, I'm just great. Someone who's never even met my wife has just insulted her to my face. Do you know what it's like for us?" Evan knew his pain was talking for him. A lot of the team understood even if they couldn't fully associate with what he and (Y/n) had to go through.
"What do you mean?"
"(Y/n)'s allergic to a lot of things, if I get my gear messed up I take it home to wash. I washed my clothes here on my second day at the station, and when I went home to hug my wife, we ended up in the emergency room. She was allergic to the detergent we use here."
That had been a bad day. Evan had gone home with the intention of telling (Y/n) how strange and full on his first two days at the station had been. But when he wrapped his arms around her, suddenly she couldn't breathe. Her skin came out in a rash, her throat swelled and they had to go to the hospital for three hours because she had a bad reaction to whatever Evan washed his clothes with at the station.
"Most creams and sprays bring her out in a rash, I don't wear aftershave anymore because she can't breathe around me if I do. I wash when I come on shift and before I leave so I don't take any substances of creams or dust home that might affect (Y/n). We leave the house with two EpiPens for emergencies that always happen and you wouldn't believe the food she can't have."
Evan had never met someone with so many allergies as (Y/n). He used to be so nervous going out on dates but his first date with (Y/n) had gone amazingly well, right until he kissed her. His aftershave made her breathless and started her off coughing. So far he had only found two very faint sprays that didn't affect (Y/n).
A lot of food she couldn't have like fish, nuts and eggs.
She used the same creams and body wash and cleaning soaps that didn't give her a reaction. That meant if she or Evan bought new clothes, they went straight in the wash when they got home before they were worn.
(Y/n)'s life was made up of risks and calculations in case she got ill and Evan had to take the same precautions because he loved the bones of his wife and didn't want to risk her health.
"Like milk?"
A small smile tugged at Evan's lips and he looked down at his damp trousers and shook his head.
"Actually, no. (Y/n) isn't allergic to milk, but somehow my daughter is. My house is the equivelant of a clean room to protect my girls."
Evan had been more than relieved when their numerous hospital trips showed that Bella wasn't allergic to everything like (Y/n) was. She had taken after Evan, he had given her some of his immunity which he thanked God for. But Bella had some allergies of her own, she hadn't fully escaped (Y/n)'s curse.
Bella reacted badly to detergents, lavender, plasters and was highly allergic to milk.
To look after his family, Evan had to scrub himself clean after each shift and he couldn't get into the jeep without making sure he'd had a shower first because his family often went in the jeep with him. He couldn't risk taking any allergens home with him and setting one of his girls off. It wasn't worth the risk.
He took every precaution he could to protect his girls.
***
(Y/n) paused wih her fingers dragging halfway through her damp hair when she heard the bathroom door open. Her head turned to look over her shoulder and she strained to try and hear the footsteps in the bathroom to decipher whether it was her husband or her daughter that had walked in.
A shiver rattled down her spine and sent goosebumps rising up on her skin when the shower door opened and Evan poked his head round the door.
"What are you doing?" (Y/n) took a step closer to the wall and pressed her lips together tightly to smother her laugh when he walked in to join her. She was relieved when he shut the door so the draft finally stopped and the water created another aroma of steam to circle around them.
She let her hand drop from her hair and her eyes closed automatically when his arms circled around her waist.
"Joining you." Evan tucked his face into (Y/n)'s neck and pressed his lips against her wet, burning skin. He felt the water drip down and flatten his curls and when it traced down the bridge of his nose and fell onto (Y/n)'s shoulder, he felt her shiver against him.
"Where's Bella?" (Y/n) opened her eyes and looked down when she felt Evan's hands curve round from her hips to grab and squeeze at her waist. His thumb brushed up and down her skin against the water cascading down around them and (Y/n) took a sharp breath when he suddenly bit down on her neck like a vampire.
"Organising the trucks in her room, she's happy."
He had just left Bella's room where she was sat on the floor, lining up, moving and re-organising all her toy fire trucks. Ever since Evan joined the station and told Bella what he did for his job, she had become infatuated and now the trucks were her favourite thing to play with. She would be more than happy and content for a little while if Evan snook away to find out where (Y/n) had got to.
He caught a glimpse of (Y/n)'s dazzling yet shy smile before she turned her head and buried her nose in his hair so she could kiss his damp forehead. The touch made Evan smile against her skin that he was still kissing and nipping at like he was doing his best to create bruises all along her neck.
Taking care to be slow, (Y/n) turned around so she was facing him and dragged her fingertips up his biceps and over his shoulders until she could cup the back of his neck. Her thumbs smoothed across the side of his jaw but she gasped as Evan's hands dug into her hips and he moved her back until she was pressed against the tiles.
They were like ice cubes sticking to her burning skin and the mix of hot and cold made her shake until Evan tilted his head down so their foreheads were pressed together. Most of the water from the shower trickled down the back of Evan's neck but the leftover droplets fell down his forehead and jumped onto (Y/n)'s skin.
She liked the way the water dripped down from his pale pink lips and jumped free from his chin. Each droplet made (Y/n)'s chest tighten until she pushed her hands against his neck and pulled him down to her level. Her fingertips stayed pressed into his skin as she connected his lips down to hers.
She sucked his lower lip between her teeth and gave a little bite until Evan growled and pulled her chest up against his.
His hands moved so he had one arm wrapped around her waist and the other moved to grip the underside of her thigh. (Y/n) could feel his fingertip pinching into her skin so he had a good grip and she squeaked when he hoisted her up. He kept her shoulders pressed against the tiles and pulled her leg until she took the hint and wrapped both legs around his hips so she was sitting on his torso.
"Evan…" She muttered his name against his lips and he seemed to swallow up her moans with deep kisses and a smirk that spread across his face.
"Don't you wanna christen the new bathroom?" His voice was deeper than before and his eyes were hooded and each drop of water that fell from his lashes mesmerised (Y/n). She could feel his chest vibrating with a mix between a growl and a laugh when all she could do was groan against his lips.
They had been in their new house all of a week and Evan was making it his mission to 'christen' each room in the house. The bathroom was next on his list.
"You're insatiable."
Glancing over her shoulder, (Y/n) grinned across at Evan who had his back to her and quickly grabbed his shirt he'd left on the floor. She pulled it over her head and moved to tie her hair up in a loose bobble since it was still dripping wet from their combined shower.
"I believe that's mine."
Adrenaline sparked in (Y/n)'s stomach and she gasped when Evan reeled his free arm out and coiled it around her waist, wrenching her into his chest causing her to stumble over her feet. Her fingers latched around his arm and she leaned her head back on his bare shoulder, smiling innocently up at him.
He looked rather comical, stood in front of the sink with only a towel wrapped around his waist and shaving cream smeared across his chin, upper lip and down his neck.
Evan dropped his other hand into the sink, dipping the razor in the water and he couldn't resist leaning down to kiss her when she smiled up at him like that. His fingers danced across her stomach and he rubbed his nose against hers, smearing the shaving cream across her lips and down her chin as she squirmed in his arm and wiggled against his chest.
"Evan," (Y/n) groaned and glared up at him, wriggling her bum into his crotch to irritate him before she shimmied from his hold and reached out for the hand towel. She knew he was only teasing and it wasn't as if his shaving cream was something she was allergic to. Evan's shower gel, shampoo and shaving foam were all non-fragrance and he got the basic sensitive ones so (Y/n) wouldn't have a reaction to any of them.
She swiped the cream from her face just as Evan hooked two fingers into the back of her leggings just above her bum and reeled her close again.
"You've already christened the shower, what are you aiming for next? The sink?"
"Wouldn't be the first time. Care to recall Maddie's thirtieth birthday party?" Evan teased as he began dragging the razor along his neck and up over his chin while he dipped his right hand into her leggings.
"I remember bumping into your mother on the way out that bathroom." (Y/n) scowled up at her husband when a cheesy grin appeared behind the shaving foam he was shaving away. That had been a good party, one of the best they had thrown and (Y/n) could barely remember most of that night.
But she did remember opening the bathroom door and walking straight into Evan's mother. With her hair skewed and coming loose from her bun, bite marks up and down her neck and Evan creeping up behind her to pull down her dress that was scrunched up around her thighs.
(Y/n) was never going through that kind of embarrassment again. She would much rather have an allergic reaction in front of Evan's parents than be caught in the act like that.
Whatever Evan was about to quip back with vanished when they both heard the doorbell ring.
"Door!"
"No, Bella don't open the door!" Evan hollered back as he dropped his razor in the sink and turned around as if he was about to go out and answer the front door himself. It seemed to dawn on him that he wasn't dressed yet, but it wouldn't be the first time he had gone to the front door like this.
He didn't want Bella answering the door. She was only four and it could be anyone at the door.
"I'll go," (Y/n) pecked Evan's bare shoulder and patted her hand against his bum before she unlocked the door and headed out the bathroom. She was the only one who was dressed.
She picked up the pace and hurried down the hall to catch up with her daughter who was hurrying down the hall with one of her miniature fire trucks in her hand. When she got within reach, (Y/n) swooped down and picked Bella up, setting her down on her left hip before she reached the front door.
(Y/n) couldn't think who it would be.
Evan said he wanted to introduce her and Bella to the team, but he was waiting until next week to do that when Bobby was throwing a barbeque. So it couldn't be any of the team coming round to introduce themselves. The only person who knew where they had moved to was Maddie since they had only just moved in this week.
(Y/n) plastered a smile on her face and opened the door a little apprehensively, tightening her arm around Bella when she realised she had no idea who was stood on her porch.
"Hello,"
"Hi neighbour. I'm Mark, I love two doors down and thought I'd come over and introduce myself."
(Y/n)'s lips parted but she stayed silent and a little shocked when the man took a few steps forward and walked inside without even being asked in. He had a plump but sincere smile that creased his eyes that looked rather uncertain and uneasy.
A small 'oh' left (Y/n)'s lips when Mark reached out and took (Y/n)'s free hand to give her a handshake, but he wasn't really looking at (Y/n). He was taking in the decore. They had been relieved when they moved in that the house didn't need much decorating. They painted Bella's room a mix of white and red as she requested, and Evan went round putting up shelves and pictures and hanging frames like they had in their old apartment.
In less than a week it already felt homely and cosy.
"I- I'm (Y/n), and this is Bella." Leaning over, (Y/n) gently placed Bella down to her feet and closed the front door when she realised Mark clearly wanted a conversation before he left.
"She's a sweetie. I've made a fresh batch of cookies, do you want one?" Mark showed the film-wrapped plate in his hand and motioned the plate towards Bella. Her eyes widened and she leaned up on her tiptoes to see what cookies were on the plate.
"That's very kind but she- oh, no she can't have those."
Pushing forward, (Y/n) reached her hand out and tried to gently nudge Mark's hand away when he offered a cookie out to Bella. She was only four and she didn't grasp the concept of not being able to eat certain things. Especially when (Y/n) and Evan got her special sweets and biscuits and cakes made without milk.
Bella presumed every food handed to her was automatically safe because she was being given it.
"Is it just you two?"
"No, my husband's here somewhere," (Y/n) glanced over her shoulder while Bella silently trotted over to the living room to sit down. She hoped Evan would hurry up and get dressed and come out to save her from this conversation. (Y/n) wasn't great with new neighbours. She never knew what to say or how to act. Evan was the boysterous, outgoing one. He fitted in with any crowd and could start up a conversation about anything.
Evan was the outgoing one, (Y/n) was the indoor, introverted one who hid behind his broad frame for safety and security.
Her hands fiddled together in front of her waist when she noticed how close Mark was standing to her. He was about her height, not nearly as tall as Evan who towered over her like a sky scraper.
Moving her hand to her mouth, (Y/n) pretended to rub her nose and did her best to take a deep breath. He was wearing some strong aftershave. Whatever aftershave he had on was one that was making it harder for (Y/n) to take a proper breath when it was flooding up her nose and tightening her chest.
Her eyes widened when she glanced down at her hand. He must have used hand sanitiser before he came round. The whole of (Y/n)'s palm was starting to swell and blotch. Hand sanitiser brought (Y/n) out in a rash, the rubbing alcohol usually made her skin burn and it wasn't good when it was the new social norm with Covid in the air.
"Evan… I'll just go find him."
"Are you okay? Oh, your hand. Let me-"
"No, no I'm… Evan,"
Panic jolted through (Y/n)'s stomach as she took a step back and kept both her arms coiled up against her chest. She couldn't stay standing this close when he was making it harder to breathe in a very, very bad way.
She could feel her panic crumbling into relief when her sights set on Evan walking down the hall. Without making up her excuses, (Y/n) headed to meet Evan halfway, bumping her nose into his chest with how fast she hurried to him.
His hands automatically moved to clamp down on her hips and he smiled as he pressed his lips against her temple, keeping her as close to his bare chest as he could. He'd grabbed a pair of pants and trousers to wear but since (Y/n) had stolen his shirt, he hadn't found another one yet. But his smile faltered against her temple and he leaned his head to the side when his eyes clocked on someone in the living room.
"Who's here?"
"New neighbour, I um… God, he's setting my allergies off." Tilting her head back, (Y/n) pressed her lips together and held her hand up for Evan to inspect. She watched the way his eyes scrutinised her palm and his hand came up to clamp down on her wrist, bringing her hand in for closer inspection.
"Oh baby. I'll get rid of him."
(Y/n) shivered when Evan brought her hand closer and kissed her palm before he turned her round to switch places, keeping her behind him so he could head into the hall and kindly show their guest the door.
"Hi, my wife said- oh, hey no no don't give her that!" Pushing forward, Evan leaned over the back of the sofa that pressed deeply into his abdomen and crunched his belt into his stomach.
As quick as anything, Evan swiped the cookie from Bella's hand just as the man handed it to her. Evan tossed it back on the plate that was on the coffee table before he reached over and gently held Ella by her sides. He effortlessly lifted her up and hoisted her over the back of the sofa so he could cuddle her into his chest. He didn't want her thinking he was mad at her because he wasn't, they were still trying to teach her what allergies meant and show her the foods and items she couldn't have or touch.
Evan kissed her temple and rubbed his hand up and down her back before he looked at the new neighbour who looked a mix between annoyed and perplexed.
"Thank you, but please don't give her anything. Bella's allergic to milk and most cookies are made with butter."
He leaned his cheek against the top of Bella's head but Evan couldn't fight off the unease in his chest when he looked over at the new neighbour. As if he would just come round and try to hand out food to someone else's child. A stranger no less. He had no idea what allergies Bella may or may not have or if certain foods might upset her or make her ill.
It was a nice gesture to bring food round to get to know them, but not to hand food out to their daughter when their backs were turned.
"Is your wife alright?" He seemed to completely miss the point and talk around the subject but Evan didn't have the energy to try and argue. He needed to keep civil because they were new and it wouldn't do them any favours to make enemies in their first week.
They weren't going to be going round to other neighbour's houses anyway, not with (Y/n) and Bella's allergies. The girls barely left the house which was how (Y/n) preferred things.
"I think your aftershave might be setting off her allergies, but she's okay. Thanks for dropping by." Evan tried to be as polite as he could manage but standing three feet away from this man didn't help Evan's own sense of smell. He could understand why (Y/n) could scarcely breathe around this man.
For the last six years Evan had stopped wearing all but one kind of aftershave and even then, he didn't use much of it to be safe. They used the same air freshner and laundry detergents and cleaning products that Evan had gone nose blind to them all. Now he had someone in his home who smelt like a perfume factory and with their home being like a scientific clean room, Evan wasn't too happy to have someone come in and set off his wife's allergies.
She should be able to breathe and be safe in her own home without any reactions.
Evan followed a few feet behind the new neighbour and walked him out, happy to shut the door behind him and sigh in relief. He turned his head to pepper a flurry of kisses against Bella's forehead until she squealed and shimmied around in his arms. She brought her hands up and cupped Evan's face so she could brush their noses together.
"So baby girl, what are we doing today?"
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lena-in-a-red-dress · 7 months
Text
AU where Kara is still an assistant when Lena becomes CEO of CatCo. She makes some changes but one thing Cat tells her under no uncertain terms is that a) Kara stays, and b) she's destined to become a reporter when she's ready.
I'm going back and forth on whether Lena and Kara are friends at this point, or whether Lena simply takes on CatCo before they meet. But basically I want to see Kara having to a) build new connections to get Lena what she needs and b) learning what it's like to work for somebody who doesn't treat like dirt most days.
Like, imagine her standing dumbfounded the first time she brings Lena her coffee, because Lena simply thanks her, genuinely. And then the flush of pride when Lena comments in pleasant surprise when she discovers the coffee is perfectly warm-- not hot enough to scald, but not the usual tepidness of coffee thats had to travel three blocks to get to her.
Because Cat always took those little efforts for granted, as an expectation. But Lena smiles slyly as she regards Kara anew, and says "I think we're going to work together just fine."
Because Kara worked for Cat, not with her. And that small semantic means the world. Because its true-- Cat, and now Lena, wouldn't be able to do what she does without Kara doing what she does.
And that just makes Kara want to work all the harder. She finds she WANTS to stay late when Lena does, mostly because Lena urges her to go home, and that kind of kindness is the kind that's paid back by staunchly ignoring her and sticking around anyway. And she takes extra effort to learn all of Lena's preferences and idiosyncracies, so that she knows exactly what Lena needs when she's had a meeting with that particular board member she's outwardly civil to but clearly loathes.
The first and only time Kara brings Lena salmon for lunch, she's absolutely devastated when Lena looks at it, shoulders falling. "I forgot to tell you I can't stand salmon," she says, resignedly.
Kara's eyes go wide in horror. "Oh! No, that's okay, I'll just go--"
"Please don't bother, it's my fault, I never told you--"
"It's no problem at all. Just-- wait here okay?"
As if Lena would be anywhere but her desk. But in ten minutes, Kara returns with a greasy paper sack.
"I promise, this isn't a punishment for needing something last minute," Kara says quickly. "These are legitimately the best burgers in the city, and honestly, it's the greatest gift I could ever give you."
Okay. Maybe she's laying it on a little thick. But Lena only looks at her with a bemused smile. "All right," she slowly agrees. Her eyebrow quirks. "I'm assuming you picked up something similar for yourself?"
Kara blushes. "Yeah. Can't help myself."
"Good. Then you can eat with me."
Freezing, Kara feels like a deer in the headlights. For all that Lena has treatedher as an equal, they've never eaten together in the same room. They usually eat at their own desks, working through.
"Really?"
"Really." Lena's gaze turns artificially solemn. "If I'm going to have a self-induced heart attack, I better have someone there to call 911."
Unable to keep herself from grinning, Kara scuttles to retrieve her own burger and fries from her desk. And there, together, they share the first of many, many meals to come.
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fluentmoviequoter · 7 months
Text
A Family at Your Side
Requested Here!
Pairing: Tim Bradford x shy!paramedic!fem!Buckley!reader
Summary: You, Evan Buckley's sister, are a paramedic with the 118. When you're called to a fire, it quickly becomes a crime scene when someone opens fire on you. Your boyfriend Tim Bradford and your fire station family have to work together to save you.
Warnings: angst, fluff, injuries (r is shot), depiction of arson/shooting, lots of teasing. [While r is Evan's sister, I don't put anything specific in here past some teasing, so it could be viewed as adoptive or some other relationship dynamic!]
Word Count: 2.6k+ words
A/N: I've only seen a few episodes of 911 (season 1), so I hope my characterization of them isn't completely terrible. I really like this dynamic though; it's so fun and complex!!
Masterlist | Tim Bradford Masterlist | Request Info/Fandom List
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“There’s no escape,” you whisper under your breath, desperately wishing for some relief.
“Oh, c’mon, we’re not that bad,” Buck replies, knocking his fist against your shoulder. “We’re better than the cop.”
“In every way!” Hen adds, smiling at you. “Why you started dating him is one of the two things I will never understand about you.”
“What’s the other?” you ask.
“How you-“ she turns to point to Buck as she continues, “and him are related. He can’t shut up and you can’t make eye contact.”
“I got all the good genes,” Buck explains, smiling.
“Yet none of the smarts,” Hen argues, pressing her lips together as she tilts her head.
“Or looks,” Nash calls from his place in the kitchen. “Now if you’re done bothering her, can someone set the table?”
You stand to help, and Nash points a spatula at you as he says, “Not you. You do it all the time. Make your brother do something for once.”
“She has no power over me!” Buck yells dramatically. “I have leverage. Like that time she-“
Chimney hits the back of his head, telling him to stop, as your chin drops to your chest. The alarm goes off before you can wonder which embarrassing story he was planning to use, and as you rush to the ambulance with Hen, you’re glad Chimney stopped him. Their attention was bad enough without him divulging your personal information.
✯✯✯✯✯
“This is a suspected arson, meets the MO of a few previous fires. We need that fire out before the police get here so they can get in,” Nash announces.
“Anyone inside?” Hen asks.
As Nash answers, someone screams in pain, and you look at Nash. He hesitates before nodding, and you grab your bag before running into the clear side of the duplex.
“Los Angeles Fire and Rescue,” you call. “Is anyone in here?”
“Yes! I need help!” a man yells from the back of the dwelling.
Rushing through, you radio to the rest of the 118 that you’re looking for an injured resident.
“We can’t get the fire under control,” Buck answers, his voice tight. “You need to get out of there.”
“I see him. Keep trying, Buck. Sir, are you injured?”
“No, I don’t think so,” he answers shakily. “I smelled the smoke and- and I have asthma, but I couldn’t tell where it was coming from, and I was scared to leave.”
“Okay, take a deep breath, sir. I’m a paramedic, so I’m going to get you out of here and then we’ll make sure your airways are clear. Do you understand?”
He nods but refuses when you gesture for him to stand.
“It’s on fire!” he argues.
“Sir, we have a clear track to the front door, but the fire will spread with the Santa Anas blowing outside, so we need to go now,” you explain.
Something crashes outside, and you pull the man to his feet.
“Get out of there! If I don’t see you in ten seconds, I’m coming in after you,” Buck radios.
“We’re coming, Buck,” you answer, pulling the man along.
More sirens become audible as you reach the door, the fire much closer to the front of the building. Several police cars approach, and you breathe a sigh of relief. The man stops, and you turn toward him quickly.
“Sir, we’re almost there,” you remind him, pointing to the ambulance.
“He’s still out here!”
“Who?” you ask, your voice quieting again as the adrenaline wears off.
“The man who set the fire!”
You freeze, a sudden cold rush contrasting the heat from the fire.
“Where is he?”
“I- I don’t know.”
A shot rings through the air, and you drop to the small porch, pulling the man behind the railing beside you. The fire is moving toward you, but with no idea of where that shot came from, you can’t move and risk your life and this man’s.
✯✯✯✯✯
“Everybody down!” Nash yells, ducking behind the truck.
“7-Adam-19, shots fired at my location. LAFD 118 and LAPD in need of backup, dispatch air support for possible sniper,” Tim calls, kneeling behind his shop before rushing to the fire truck.
“She’s still up there,” Buck calls, squatting behind the ambulance with Hen.
“Who?”
Buck and Nash look at each other and then Tim, and he immediately knows they’re talking about you.
“Backup is on the way, but we can’t do anything yet,” Tim explains.
“Bradford, the fire is spreading, we can’t stop it with this wind!” Nash adds.
“Or a sniper taking shots at us!” Buck yells. He drops his head to his radio to ask, “Sis, you okay?”
“Yeah, I’m fine. What’s going on?”
“Bradford and Thorsen are here, they called for backup but we can’t do anything until-“
Another shot cuts him off, and you move back against the railing.
“Talk to me!” Buck yells into his receiver.
“I’m okay, Buck,” you reply quietly. “Our- uh- our guy passed out after working himself up, so…”
“He’s not our primary concern right now,” Buck responds.
“Careful,” you warn, your voice nearly inaudible.
“No, I happen to agree,” Nash adds to the conversation.
Tim pulls Chimney’s radio from his chest to say, “I do too. You take care of you, and we’ll worry about him when we can get up there.”
The radio stays quiet, and Tim looks around the end of the truck. He can’t see you, but knowing you’re out of sight and safe makes him feel better.
“Uh, Tim?” Aaron asks. “Eyes on our shooter.”
Tim turns quickly, looking up. He sees the end of the rifle, and when it lowers suddenly, he doesn’t think before yelling at you.
“Stay down!” he screams.
You drop lower, your face to the concrete as the shooter releases several rounds, making a line of bullet holes across the front of the duplex. The fire is moving slowly, but it’s still closing in on your hiding place.
The cold feeling hasn’t gone away, and as you look at the unconscious man at your side, you can only hope to make it out alive.
✯✯✯✯✯
“Where is your backup?” Buck asks Tim, leaning forward to look past Hen.
“Still a minute out. Aaron and I are going to go through that building, find a way to the roof,” Tim answers.
“Be careful. We all care about the woman stuck back there,” Nash reminds him.
Aaron and Tim nod before moving between the shop and the fire truck, rushing to the main entrance and entering quietly.
“Go left, I’ll go right,” Tim whispers.
As they move up the stairs, Tim hears their backup and the airship approaching. He hopes that the shooter doesn’t do anything stupid when he sees the police and gestures for Aaron to go faster.
“LAPD, put the weapon down!” an officer demands over the speaker of the airship.
“Thorsen, go!” Tim yells, kicking the door open to walk onto the roof.
The man turns the rifle up, shooting toward the helicopter before it moves. Aaron and Tim approach from different sides, and when the gun suddenly drops and the man begins emptying his ammunition toward you, Tim doesn’t hesitate to shoot.
“7-Adam-19, suspect is down,” Aaron radios. “Tim, go get her.”
Nodding, Tim stands, rushing down the stairs and out into the road. The fire has worsened, and the 118 is still in place.
Evan sees Tim and clenches his jaw, stepping toward Tim to yell, “This is your fault! It’s all on you!”
 Tim’s brows furrow, looking to Nash for more information.
“She’s, uh- she’s not responding to the radio calls, and we can’t get up there until we get part of the fire out, enough to get through with our gear,” Nash explains.
“You should have brought enough backup to begin with or gone up there sooner!” Buck continues.
“You think I don’t know that?” Tim snaps. “But she was already stuck when I got here, so work on getting to her and getting her safe, and then you can get mad at me!”
“And if it’s too late?” Buck demands, his chest heaving in anger.
Tim looks away, and Buck moves forward quickly, causing Nash and Chimney to lunge forward and hold him back.
“I’ll kill you if we’re too late!”
“Buck!” Tim yells, walking to him. “I know this is my fault and if she doesn’t make it, her blood is on my hands. I’m sorry, I really am, but there is nothing I can do now except keep people back so you can get this fire out and find out if- and make sure she is okay.”
Buck relaxes slightly, pushing Chimney and Nash off of him.
“Let’s get her out!” Nash calls, directing everyone to their positions.
✯✯✯✯✯
The man beside you groans as you tug him further against the wall. You’re caged in against the fire, and you dropped your radio, watching it burn as you kept your head down.
When water sprays onto your face, a steady stream coming from the street, you force a smile, hoping to get out, get warm, and hug your brother and Tim for as long as you can before they make you shy away from them. You love them for it, you remember, reminding yourself to think happy thoughts.
“Where’s the ambulance?” the man slurs before coughing.
“Just a minute, sir, keep your head down and breathe.”
The fire is driven back by two hoses, and when several feet are clear on the side of the railing, people begin yelling.
“Sis! Can you hear me?” Buck asks loudly, appearing in his turnout gear a moment later.
“Get him to the ambulance,” you reply, standing shakily as he pulls the man over his shoulder.
You walk into the small yard, looking for Tim. The persistent cold feeling is just beginning to concern you, and when you grow dizzy and stop in the yard, you realize that something is wrong. Raising your hands to press against your stomach, you begin to run through a mental list of potential injuries.
“Hey, hey, gorgeous, c’mon, we got to get back,” Tim calls as he jogs to your side. “Are you okay?”
“Yeah,” you murmur, ducking away from his hands on your face.
“Good,” Tim replies, laying his hand on your upper back and directing you to the curb.
“You got lucky,” Buck grumbles, joining your other side across from Tim.
“We all did our jobs, Buck, she’s safe, just leave it,” Tim says lowly.
“No thanks to you!” Buck responds, stepping forward.
You recognize the look in his eyes, an anger he seems to reserve for you. Without thinking, you move a hand from your navel and push it against Buck’s chest to stop him. He and Tim look at your bloody hand before yelling your name as you tip back.
Buck catches you, lowering you onto the grass as he rips your shirt open.
“Hen!” he screams, a pained, guttural sound that draws the attention of the entire 118.
Hen sees you on the ground, unconscious between Buck and Tim, and rushes to you, her bag thrown over her shoulder.
“GSW,” she decides quickly, looking at your stomach, a mess of tattered fabric and blood. “Roll her over, carefully.”
Tim keeps his hands on your side, helping Buck tip you onto one side as Hen runs her hand down your spine.
“No exit wound, we need to go. Now.”
Leaning back, Tim gives Buck room to lift you, running to the ambulance as fast as possible.
“Are you coming?” he yells, raising his arms as he looks at Tim.
“Go!” Nash, Chimney, Aaron, and newly arrived Nolan yell.
Tim nods, rushing into the ambulance and sitting as it lurches into motion.
“I didn’t mean it,” Buck says, looking at you while he speaks to Tim. “It’s not your fault, but I can’t- I can’t lose her.”
“You won’t. We won’t,” Tim promises.
Hen works quickly, muttering under her breath about needing your help.
✯✯✯✯✯
When you open your eyes, you first notice the unmistakable feeling of someone looking at you and touching your side, a gentle touch as fingers drag up and down your skin.
“Is he okay?” you ask, blinking against the harsh light above you.
“The man from the duplex?” Buck asks. “Yeah, he’s fine. Had an asthma attack and then a few panic attacks, but he’s good. You- you got shot and didn’t tell anyone.”
Tipping your head down, you’re surprised he’s standing at the end of your bed. This means the fingers on your exposed side belong to…
“Tim,” you whisper, glancing at him.
“You scared us, baby,” he replies softly, spreading his warm hand over your skin.
He smiles when your muscles tense beneath him, but it quickly disappears when you groan in pain.
“I didn’t mean not to tell you,” you say quietly, pinching the blanket between your fingers. “I didn’t know I got shot.”
“That’s kinda- that’s pretty epic, really,” Buck says, laying his hand on your foot. “Makes a good party story.”
“I don’t go to parties,” you grumble.
“I mean for me,” he replies happily.
“Are you two fighting?” you ask, looking between them.
“No,” they answer together, both squeezing you reassuringly.
“We were scared and upset, didn’t have anywhere else to take it out,” Buck explains with a shrug. “He’s just lucky you stopped me from hitting him. I would’ve removed him from active duty for six weeks minimum.”
“You wish,” Tim scoffs.
“Stop,” you say, chuckling when they look shocked at your bold demand. “Please.”
“You were in surgery for a long time,” Tim tells you. “How’s your pain?”
“It’s fine, manageable. I mean, I can feel it now, but it’s not too bad.”
You glance down, your brows furrowing as you realize why you could feel Tim’s skin directly on yours.
“Wondering where your hospital gown is?” Tim asks, a smile you know all too well on his face. “I put in a special request.”
“Gross. That’s my sister,” Buck interjects. When you look at him with wide eyes, he sighs and fills you in: “They couldn’t get to your stomach well enough with one on. If you want to cover up, we’ll make sure you’re comfortable.”
“It’s okay,” you reply, gently tugging the band of your sports bra down.
“More than okay,” Tim says, quiet enough that Buck can’t hear.
You look away quickly, and Buck makes a ‘tsk’ sound.
“The shooter is in custody,” Tim says, giving you a break from his ‘abuse.’
“Will I have to testify or anything?” you whisper.
“No,” Tim and Buck answer together.
Buck pulls his phone from his pocket, nodding before shaking your ankle, his hand still resting on you.
“I have to go, we’ve got a call, but when we’re done, everyone wants to come by,” he says.
You nod. “Be careful. I love you.”
“Love you, sis!”
Looking at Tim’s chest rather than his face, he takes the chance to tease you. “Maybe you should get a shirt before your team gets here.”
“Get out,” you mumble. “Or give me yours.”
“Whoa! You get shot once and become a whole new person.”
“Wasn’t worth it.”
“No, it wasn’t,” Tim replies, taking your hand. “And I’m sorry that I couldn’t do anything to keep it from happening.”
“’S not your fault.”
Turning your attention back to the blanket, Tim asks, “You get this shy with your patients?”
“No. But they’re not as pushy.”
“Hey,” Tim calls, using his hand to gently turn your chin toward him. “I love you. I’m so glad you’re okay.”
“I love you, too. Thanks for being here through all of it.”
“Try to get rid of me.”
“I do. You never listen.”
Tim laughs, loud and happy, and you smile, turning your face into his arm where it holds your hand, glad he’s at your side, and you have a whole team, a family, to be with you through everything.
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adverbally · 1 month
Text
I'm a Victim of a Bad Crash
Written for the @steddieangstyaugust prompt “Upside Down” | wc: 1,176 | rated: M | cw: car accident (non-fatal), mild to moderate injuries, morbid thoughts about death | tags: panic, being left alone with your thoughts, ambiguous ending | title from “Spellbound” by AC/DC
A follow-up to this story can be found here!
———
When Steve comes back to awareness, the first thing he hears is the tinkle of broken glass and the ticking of the car engine. Everything else is muted, like he’s wearing earplugs, but his ears might also be ringing at the same time? He doesn’t think he fully lost consciousness but he’s clearly missed something. It’s very disorienting.
“Stevie?” The voice is frantic. “Steve, can you hear me?”
He should know who the speaker is, their name just on the tip of his tongue, but his brain is too scrambled to remember right now. “Yeah,” he responds, though it sounds like someone speaking underwater.
“Oh, thank fuck.” The quiet sigh of relief is almost drowned out by more shifting glass. “Are you okay?”
Eddie. That’s Eddie’s voice. Steve was driving Eddie home.
The realization sends a surge of adrenaline through him and he starts to make sense of his surroundings. The glass is from the broken windshield, and probably all the other windows, of Steve’s car. It’s dark and rainy outside, that’s how they hydroplaned right off the road and rolled into a ditch. And he’s… upside down? He’s right side up in his upside down car and all the windows are shattered, and now that he thinks about it, his head is pounding and his arm is sore and his chest hurts every time he breathes in.
“Steve!” Eddie sounds concerned again. Steve must have been quiet for too long.
“I’m okay,” Steve tries to say, but it comes out softer than he meant it to. He hopes Eddie can hear him. He turns his head, ignoring the stiffness he feels, and meets Eddie’s gaze. “Are you okay?”
Eddie is upside down, which is actually right side up because Steve is upside down. His face is littered with small cuts, probably because of the broken glass, but otherwise he looks unharmed. He looks more scared than Steve has ever seen him and that’s really saying something. “I’m okay. Just scratches.” His smile, meant to be reassuring, doesn’t reach his eyes. “Do you think you can get out?”
Steve fumbles for the seat belt release but it won’t unfasten. He tugs uselessly at the strap across his chest. Still nothing. He’s stuck. Is he going to die here? He wraps his hands around the steering wheel to have something to hold onto.
“Hey, it’s okay, take a deep breath,” Eddie coaches, his eyes still wide and terrified. “I’m gonna get you out.”
The sharp pain that stabs through the left side of Steve’s chest makes him flinch. Okay, so no deep breaths. He vaguely remembers his side slamming into the car door as they flipped. That must have broken some ribs.
“You’re not okay,” Eddie observes.
Steve shakes his head carefully. Being upside down is making his head throb in time with his pulse. “Ribs,” he huffs.
“Shit, shit, shit,” Eddie mumbles as he looks around the car for something he can use to free Steve. He must come up empty because he buries his face in his hands for a moment and growls in frustration.
Steve’s throat tightens with guilt. He’s the one who put Eddie in this situation. “Sorry I… crashed us.” His chest is tight enough that it takes two breaths to say it.
“Nope, we’re not gonna do that.” Eddie shakes his head vehemently. “It was an accident, not your fault.”
Fuck, they were just in a car accident. They should call the cops, maybe an ambulance. If they had made it to this stretch of road, they must be close to Eddie’s place. “Home? Call… 911,” he directs, hoping Eddie gets what he’s trying to say in so few words.
He must, because his face twists like the idea is repulsive. “No way am I leaving you. We’re right off the road, someone will see the car and get help.”
“Eds,” Steve sighs, mostly because he can’t seem to get enough air for much more. “Dunno if… I can wait.”
Eddie looks at him intently. It feels like he’s searching his gaze for something, or maybe trying to read his mind. “Okay. I’m gonna go as fast as I can. You better not be dead by the time I come back.” The last part is clearly meant to be a joke but Eddie can’t muster the levity to make it sound like anything other than a plea.
“Promise,” Steve agrees.
For a second, it looks like Eddie is going to kiss him goodbye, but he seems to think better of it about halfway to Steve’s face. Instead, he turns to the passenger side door, carefully eases it open, and climbs out of the car.
Steve closes his eyes and listens as Eddie slowly moves through the debris surrounding the car. It’s not long before he reaches the road and starts to run. Steve is aware of every footfall, every time one of Eddie’s ratty sneakers strikes the wet asphalt, until he gets too far away for Steve to hear him.
Then Steve is alone with his quick, shallow breaths, his thudding heartbeat, the blood roaring in his ears, the creak of metal and the tinkle of glass. There are no other cars driving by, no signs of life other than him. Even the rain has stopped.
He tries to sit up in a kind of partial crunch position to reduce some of the pressure in his head, but it pulls at his chest in ways that make him too conscious of his ribs and lungs. Humans weren’t made to be upside down, he thinks. He can’t think about it too hard or he’ll start imagining how he’ll die alone in this car, suspended by his seat belt, red-faced and blue-lipped for Eddie to find when he comes back…
Steve’s next breath isn’t deep but it is deliberately slow. He has to stay calm. Help is coming. Another shallow, drawn-out breath. Are his lungs not working? Is that why he feels like he’s not getting enough oxygen? Don’t think about it, take another breath. He really hopes his last words to Eddie weren’t a lie. Breathe again. Should he try to slip out of the seat belt? His ribs probably wouldn’t hold up to a bad landing but that’s better than suffocating like this. Again, inhaling through his nose and out through his mouth. Is he suffocating? He would probably be able to tell. Wouldn’t he? Breathe again.
He should’ve been counting. Breaths, seconds, anything to help him keep track of how long it’s been. He could look at his watch but it’s useless since he didn’t make note of the time when Eddie left. It feels like hours. It can’t have been. But why else would he be so tired? Steve is pretty sure he doesn’t have a concussion this time, but he should probably stay awake anyway. Even going against gravity, his eyelids feel like lead weights. It takes forever for him to blink. His eyes hurt, so he closes them.
Eddie will wake him up when he gets back.
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confused-pyramid · 8 months
Text
There Is More When You Let Go | s2
pairing: aaron hotchner x childhood bsf!reader
summary: Hotch and his childhood best friend working together at the BAU: a slow burn across the seasons.
word count: 18.8k
warnings: canon!typical violence, mentions of abuse, death of a spouse, kidnapping, torture, drug use, specific episodes mentioned in this part are 2x01, 2x05, 2x06, 2x13, 2x14, 2x15, 2x16, 2x18, 2x23
a/n: here's season 2 of the anchor series! I had a lot of fun writing this one (hence why it got so long lmao), and I included a lot more direct show content in this part, so I hope you like it. Also more flashbacks:) Title is from Benediction by Luke Sital-Singh
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A gunshot. That's the last thing you hear before Elle's front door flies open, almost throwing you back onto the stairs. The shock of seeing the Fisher King standing right in front of you almost makes you miss the puddle of blood that has started seeping across the floor to your feet.
"Elle," you gasp, your moment of distraction enough time for the man to push you behind him and make a break for it. You fall forward with the force of his shove, but he's much slower than you are. If you ran after him now, you could almost certainly catch up to him, but the sight of Elle bleeding out in front of you makes you immobile.
Making the split second decision to abandon the chase, you throw yourself forward and press your hands against her wound to control the blood flow.
"You're gonna be okay," you tell her, even as her blood trickles out from below your palm. "I need to call for help."
Pressing one hand down harder, you try to ignore the sounds of her gasping in pain as you reach behind you for her house phone. After dialing 911, you hold the phone between your ear and shoulder and bring your hand back to apply more pressure.
The paramedics arrive within five minutes, and they pry you off of her as they pull out a defibrillator. You had been so focused on stopping her from bleeding out that you hadn't even noticed she had stopped breathing. How could you have missed that?
"Charging to 200."
You lean back against her couch as tears leak from the corners of your eyes.
"Clear!"
***
"They took her into surgery," you say when Hotch meets you at the hospital. Your eyes keep darting around, like you're looking for something, but you don't know what.
"What happened?" he asks, placing his hands on your shoulders to regain your focus. The pressure calms you down.
"I think he was waiting for her," you whisper, your throat tightening. "He had to have been. It all happened so fast."
His eyes stay on yours, as though trying to predict your next movement. "I'm glad you're okay."
More agents filter into the hospital and he begins to turn away to talk to them, but then you stiffen under his hands. "I had him, Hotch."
"What?" he frowns, looking at you again. "What are you talking about?"
You lift your hands to your face to brush away a strand of hair, barely noticing the stains all over your skin. "He was right there. The unsub. I could've grabbed him...but I didn't."
Anderson walks over with a question, but Hotch doesn't take his eyes off you. "You went to Elle. It's okay, you made the right choice."
"But the girl he took," you protest, shaking his hands off, "this could have lead us to her, but she's still-"
"You did the right thing," he cuts you off, waving Anderson away to speak with someone else. "It's not your fault."
You grit your teeth, your voice still tinged with guilt. "How do you know?"
"Because," he sighs, running a hand through his hair, "it's mine. I sent her home."
You open your mouth to tell him how unfair that is, but he cuts you off with an order to go wash up before he leaves to explain the situation to the other agents.
The only bathroom on that floor of the hospital is at the end of the patient ward, so you trudge down the hallway and into the single family restroom, trying to avoid the worried glances from all around.
You haven't seen your reflection since before leaving with Elle, and you know it can't be a pretty sight, but the face staring back at you in the mirror is still a shock.
The bottom of your shirt is matted to your skin, and your hands are covered in now-dried blood that looks flaky and dark. When you look up, you see a streak of blood smeared over your nose from when you swiped at your face earlier.
Grabbing a fistful of paper towels, you run them under the faucet before scrubbing at your face and peeling your button down off to rid them of any trace of Elle's blood. When you're sure there isn't anything left, you turn the faucet back on and stretch your hands forward, watching the warm water turn a muddy red color as it swirls around the drain.
Eventually, the water runs clear, but you can still see the blood in your mind. You are suddenly ambushed by a memory you thought you had pushed down long ago. Red blood, cold skin.
How was there so much blood in the human body?
Your department-mandated therapist told you at the time that you would be in denial for the first few weeks, but you weren't denying anything. You had seen his body, seen the blood pooling around him as the coroner snapped photographs for the crime scene report. You knew he was dead. You just couldn't get that question out of your mind.
The memory shifts and suddenly you're seventeen again. You're seventeen and you are reaching for your first aid kit for the second time this month as Hotch sits on your bed with what feels like a permanent wince fused to his lips.
"Hold still," you whisper as you pour rubbing alcohol onto a cotton pad and press it into the cut on his hand. There's also blood under his nose and in his teeth, but he doesn't seem to notice.
He hisses as the alcohol makes contact, but he doesn't pull away. He's used to this routine now. You both are.
"I'm sorry I came by so late," he whispers through gritted teeth as he watches your fingers peel open a bandage. You want to berate him for apologizing, for feeling so much guilt all the time, but it's fruitless. It's like he was born with it inside of him, always clawing its way out at the slightest inconvenience.
"Don't be." You shoot him a look that he knows to mean 'be quiet and let me finish this'. He heeds your unspoken order, but after a few minutes, it's you who breaks it. "How did this one happen?"
He looks down and you immediately want to take it back. "You don't have to answer."
He's quiet for a beat. "He was drunk and I cleared his bottle away before he was finished with it."
Your lips thin and you press your hand to his knee, desperately needing to connect yourself to him in some manner.
"I tried to keep him in the kitchen, so Sean wouldn't hear, but I guess the noise woke him up." He takes a deep breath, and you can almost feel the determination entering his body as he sits up straighter. "I couldn't let him get to Sean, so I finally did it. I fought back."
He looks down at his bandaged hand then, and you can see pride accompanying the blood etched into the lines of his face. "I finally fought back."
Your eyes refocus and when you look at yourself in the mirror again, there's no trace of Elle's blood on your body anymore.
***
When Elle is discharged from the hospital, you spend the rest of the break helping her move out of her house and into a new apartment. When you drove her back home, the blood had been cleaned off of her floors, but you could see in her expression that it wasn't enough. This place would always be a reminder of what had happened to her.
The apartment search was quick, only a week between finding a place she liked and signing the new lease, but she saved the actual move out for the last few days of your break, instead hopping between sleeping in your guest room and a motel in town.
That's why you find yourself in Elle's old bedroom on the final Saturday before you're due back at work, packing some of her clothes into a suitcase while she works on clearing her bathroom. She tossed out almost everything she didn't absolutely need, only packing up her basic clothing and a few other sentimental keepsakes from her past.
"What about these?" you ask, holding up a pair of dark wash jeans that you remember her wearing to the bars with you a few months ago. God, has it really only been a few months?
She peeks out of the bathroom for barely a second. "I told you, I don't care. Keep it, toss it, your choice."
You don't know how you feel about being in charge of her future wardrobe, especially since you tend to live in loose jeans and old tee shirts when you're not at work, but you can understand where she's coming from. The instinct to hand off every decision to someone else.
You remember how hard it was for you to even decide what to eat for dinner after Jeff died. You also remember Hotch slipping pre-packed meals into your fridge whenever he came over to keep you company.
It takes you a couple of hours to clear out her house, and another hour to drop her and her stuff off at the new place, with promises to visit whenever you can over the next months of her leave.
You don't realize how exhausted you are until your front door shuts behind you and you collapse onto your couch, still in your dirty clothes. The summer sun is completely below the horizon as you lean back into your throw pillows and grab the tv remote. You haven't used your tv in months, and you figure that a vacation from work is the perfect opportunity to dust it off.
The screen comes to life on a local news channel, where a young reporter with teased-up hair is announcing a recall on a vacuum cleaner brand you've never heard of. She finishes her spiel before handing the mic off to an older woman who starts reporting the details of a car accident that took place in a neighborhood a few miles from yours.
These reports don't usually get under your skin - you have seen enough to know that it happens everyday - but suddenly, you can't stand to look at the crime scene tape flashing on your screen. You don't wait long enough to see what caused the accident. Whether it was a simple mistake, or if it was a drunk dri-
Grabbing the remote, you turn the television off and stand up, shaking your limbs out in an effort to rid yourself of the anxious feeling that's been growing inside of you.
You make yourself a quick microwave dinner and wolf it down in a few minutes, before trudging upstairs and hopping in the shower. You take your time washing the dust off of your body, and only emerge when the hot water runs out.
Even after cleaning yourself off and climbing into a fresh set of sheets, sleep doesn't come easily. The minutes tick by slowly as you stare at the ceiling, and before you can overthink it, you grab your phone off your nightstand and hit the first number on your speed dial.
It rings twice before the line connects. "Is everything okay?"
"What happened to 'hello'?" you ask, huffing out a laugh as you sit up in your bed.
Hotch grunts quietly. "Hello." You can hear the tiredness in his voice, but he sounds alert. You didn't wake him up. "What can I do for you?"
"So I have to need something to call you?"
"Y/N."
"Sorry for wanting to talk to my friend-"
He sighs so loudly, you can practically see his eyes rolling. "Are you going to tell me why you called or not."
"I helped Elle move out today."
That gets his attention. "How is she doing?"
You shrug, even though he can't see you. "As good as can be expected. We threw out almost all of her stuff, you know. She ended up with just a suitcase and three boxes at the end."
"That's just her way of coping, I guess."
"When we got to her house, it was..." You pause for a beat. You don't know the correct way to bring this up. "Well, it was clean. The blood was gone."
He doesn't say anything, and you know you were right. "Hotch, it was you, wasn't it."
He exhales quietly, as though he's trying to control his volume. Shit, maybe Haley's sleeping next to him. This is why you don't call someone after midnight.
"She didn't need to see a crime scene in her own home."
You wonder if he knows how he sounds right now. How caring and compassionate he can be when he doesn't try to tamp down that side of himself.
"You're a good unit chief," you say, leaning your head back against your wooden headboard. "I don't know why you keep things like this hidden."
You do know why, but that isn't what's important right now. There's a small creaking sound over the receiver and you imagine he's getting out of bed and crossing the room. Then the click of a door closing. "All that matters is that it's done."
You can't control the exasperated sigh that leaves your body. "Who are you trying to kid, Hotch? This is me you're talking to. I know how you worry that you aren't setting a good example for the team, but it's things like this that go a long way. It really wouldn't hurt for the team to see you showing some emotion."
"That's what they have you for," he says, his voice tightening the slightest bit. "They don't need that from me. When my emotions get in the way, I can't do my job properly."
You scoff. "And what job is that, exactly?"
"Keeping you safe."
He doesn't need to raise his voice to make you feel his anger. "If I had kept my emotion out of it, I wouldn't have sent her home. I wouldn't have let you accompany her, and I wouldn't have put both of you in danger."
Your hand comes up, rubbing circles into the skin above your chest. "Aaron...that wasn't on you." You can sense his protests coming, so you try a different tactic. "It wasn't on me either. No one but Garner deserves any blame for what happened."
The line is silent for a few moments, and you take the little victory. "I'm sorry I called you so late."
"Oh, it's alright," he chuckles. "You know I was up anyway."
***
She came back too quickly. You can't get the thought out of your head as you watch Elle restlessly tap her foot on the ground as she waits for the final word on whether she will be acting as bait for the serial rapist.
You don't think she's ready, and you've made your opinion known to the team, but Gideon made up his mind quickly.
"You think Elle's ready for it?"
"We'll be there for her."
You watch her vigilantly from Hotch's SUV as she enters the house and drops her keys on the table by the window. She's wired, which is a small relief, but Gideon's instruction not to have her gun on her has you more anxious than you'd like.
"Why isn't she leaving?" Hotch says from next to you, echoing your thoughts.
A car driven by a man fitting the profile pulls up on the opposite side of the street and you hear Morgan dialing Garcia. After a few seconds, he's back on the line. "William Lee. It's him."
"Bingo," Gideon's voice exclaims through your earpiece. "She's on the move."
You turn away from the car and see Elle exiting the front of the house. She glances at the man on her way to her car in the driveway, and it's only then that you notice the gun stuffed in her waistband.
"Her gun's out," you whisper, mostly to yourself. "What's she doing?"
"She's panicking."
"We've got no reason to bring him in."
"Don't blow it, don't blow it."
A chorus of yells echo through your earpiece as Elle stomps down the drive and points her gun at the unsub. "FBI, put your hands where I can see them!"
You throw open the car door and run over to apprehend the man as he fervently denies all of her accusations. "I was just stopping to look at my map."
The police put him into an interrogation room back at the station, where Hotch and Gideon try to get him to confess by showing empathy for this motive. It seems to be going well until his lawyer shows up, putting an end to the conversation.
She's been tense all day, so you're not surprised when Elle blows up. "You're letting him walk?"
Gideon is the first to step in. "Back off, Elle."
"You don't know what he's done," she yells, as though trying to reason with the police. The pain in her voice is palpable, but you can't deny the truth, even if you aren't able to voice it to her.
Hotch doesn't face the same issue. "The only reason he's walking is because you panicked."
"I'm supposed to believe that you've got my back?" she fires back, her anger redirecting to fly in his direction.
"What are you saying to me?"
"The last time you sent me home, Hotch, it got me shot."
All of the air leaves the room. You grab Elle's arm and pull her back, expecting more resistance than you get. "Walk with me."
She follows you across the hall and into a little meeting room that's scattered with evidence bags and files from the case. You let the door click shut behind her before you start speaking. "You need to take a breath. I know you, Elle. I know exactly what you're capable of. You just need to give yourself time to heal."
The fury in her eyes hasn't abated since you apprehended Lee a few hours earlier. You're not sure it will in this environment. "Take a walk. Get some air, and then come back."
She doesn't meet your eye as she pushes past you and storms out of the station.
***
"There's no reason for us to stick around anymore, is there?"
Gideon shakes his head and you purse your lips, glancing at the doors behind you. You haven't been able to shake the feeling that something terrible is going to happen, but you suppose that's a common notion on this team.
"Wheels up at noon tomorrow."
You're walking out to the parking lot with the team when the feeling hits you again. The last time you felt this level of dread was right before you got the call from organized crime just over two years ago.
Your fears are confirmed when Hotch's phone rings with a call from the local PD that they have Elle at Lee's address. The drive over is silent, and even though you're always the first to call Hotch out on his guilt spirals, you can't get the thought out of your head that this is all your fault. You knew she had come back too quickly. Never mind that it wasn't your call. You should've fought it harder.
Lee's bullet-riddled body is like a beacon of your guilt as Elle insists it was cut-and-dry self defense. "I was having a conversation with him and he drew his weapon and I fired."
The police don't let any of you talk to her as they load her into the back of their cruiser, but you know what you have to do if you want to be able to sleep tonight.
"I'm going to the station," you tell Hotch before flagging down another one of the officers on the scene. He moves to stop you, but you sidestep him and level him with a glare that high school you would have been proud of. "I have to do this."
The station doesn't finish processing her until halfway through the night, but you couldn't fall asleep even if you wanted to. When they finally remove her cuffs and bring her out, you stand up from the plastic chair you spent the last four hours in and stretch out your legs.
She doesn't spot you immediately, but when she does, her body almost deflates. "I'm fine, L/N. You didn't have to come here."
She stops in front of you, her jacket hanging over her arm as she stuffs her badge back into her pocket. If you didn't know her so well, you would be surprised by how relaxed she looks. You wouldn't recognize the front she has had up since she stepped off the plane.
"What happened, Elle?"
That catches her attention, and you watch as the mask slips by a hair. "You don't believe me?"
You don't want to accuse her of something you have no evidence of, but you also can't ignore all of the signs in front of you. "Can you really look me in the eye and say you didn't go there hoping Lee would provoke you?"
She just looks at you, and you watch in real time as the mask slides back into place. Without another word, she turns around and walks out of the station.
***
The next case doesn't come until a few days later. Elle gets cleared by the bureau's internal investigation, but you can't imagine Hotch won't tack on a psych eval just to be safe.
"Nicholas Faye of Ozona, Texas, was beaten to death roughly 13 hours ago."
JJ clicks her remote and the screen in the conference room changes, displaying the crime scene photos.
"God," you curse, averting your eyes for a moment. "He's just a child."
"Blunt force trauma to the head," she continues with a forlorn sigh. "He's the second young boy in Ozona to die the same death in the last 2 months. Local hunter found his body in the woods."
Morgan looks down at the case file. "First victim's name: Robbie Davis. Are these boys connected somehow?"
JJ shrugs. "Ozona's population's roughly 2, 500. Everyone has some kind of connection."
"Well if they weren't linked before, they most certainly are now."
Hotch and Gideon's absences from the conference room don't escape your notice, so you keep an eye out for them upon leaving the briefing.
You spot them discussing something in hushed whispers by the coffee station, and you wait for them to finish before you approach Hotch.
"You missed the briefing."
His eyes pinch, and you notice that the lines in his forehead are more prominent than usual. "What is it?"
"Elle missed her evaluation."
Your breath releases like a sigh. "I can check her apartment."
"No," he says matter-of-factly, with a shake of his head. "Gideon wants all of you in Texas for this one. I'll go look for her."
You would normally argue, but the horrific images from the briefing are still imprinted on the backs of your eyelids. "Okay. I'll see you soon."
He leaves you with a nod, and you grab your go-bag before following the rest of the team to the jet.
"You guys see Elle's cleared?" Reid pipes up as soon as the plane takes off.
Derek nods, his lips thinning. "Self defense."
"So it was a good shot."
"She hit what she was aiming for."
Reid frowns. "That's not what I meant."
"I know."
"If they cleared her how come she's not here with us?" You glance up and realize Reid is looking at you. "Or Hotch?"
You don't want to reveal more than is necessary, especially when the situation is this precarious and personal, but you're saved from responding when Gideon turns around and yells, "Focus on the case!"
JJ turns the conversation back to the unsub's motivations, and you all discuss a possible profile until a new female victim emerges that strays from the previous victimology.
Gideon doesn't waste any time delegating tasks. "When we land, Morgan and Reid, go to the new crime scene. The little girl."
He turns to you. "We'll look at the scene where Nicholas Faye was found."
The murder site is so far into the woods, that you can't help but imagine what it would've been like to be the little boy who was brought all the way out here with no hope of return. You can't believe that a young child would come this far out of their way unless they trusted the person they were following. "I think the victims knew their killer."
Gideon seems to be on the same train of thought. "They followed him to this spot."
"What makes you think that?" the local officer asks.
Gideon looks at you expectantly, and you take the invitation with a grateful nod. "Well I guess they went this deep into the woods because they trusted him. He probably stashed his weapon here beforehand. This means we're looking for someone intelligent, methodical."
The police officer accompanying you doesn't look sure of your assessment. "He bashed the kid's head in, it looks like a moment of rage to me!"
"I agree," Gideon muses, turning away and looking further into the woods. "It doesn't make any sense."
After informing the town's parents of the five PM curfew, and the children of the new buddy system in place, you excuse yourself to go call Hotch for an update.
"Anything new?" you ask when he answers the phone.
"I went to her appartment to talk to her," he explains, "but she was leaving with an overnight bag."
Your heart collapses in your chest. "She's running."
"I don't know, I hope not." He pauses for a beat. "I'm following her."
"All right," you sigh, wishing there was more you could do from here, "I really hope I'm wrong about this."
He's silent for a second, and you realize your slip up. "I just mean, I don't want to- I mean, fuck."
"I know," Hotch whispers. You can hear his car starting in the background. "But Gideon's right. She's innocent until proven guilty."
He ends the call with a promise to keep you updated, and you head back to the station, where another child has been reported missing. The missing boy's little brother draws your attention to a local legend that leads you to a Mr. Fennigan's so-called "haunted" house up in the hills.
***
"Garcia," you say into your phone before putting it on speaker and setting it down at the table you're sitting at. After establishing that Finnegan's house was empty, you and team have been searching the property for any indications that he's the unsub. "You got anything for me?"
"Only that Fennigan's house on the hill is like the Bates Motel of Ozona, Texas."
You roll your eyes, even though she can't see you. "We heard the legend from that counselor, Charles I think."
"Be careful, though," she says, her voice going lower as though she's telling a campfire story. "People that go into that house supposedly never come out."
"Garcia."
"But then there is that matter of his missing wife."
Deciding to humor her, you clear your throat and whisper, "Do you think she's still on the premises?"
"I got two words for you, my friend: 'rear window'. That guy probably chopped that lady up into delicious bitesize pieces."
You suppress a laugh. "Pen, do you really think that's gonna scare me?"
She huffs and you grin, tugging open one of the drawers next to you and peeking inside.
"You're no fun. Reid was scared shitless."
"He's just afraid of the dark," you smile, before your eyes catch on something bright under the table beside you. "Garcia, I gotta go. And cut Reid some slack."
"No promises, Mama."
You tuck your phone away and reach below the table, where you find a small pink backpack with the last victim's name scrawled on top in Sharpie. "Guys! I found something."
The clues from Finnegan's house lead you back to Charles, the town's guidance counselor, and then to his son, who the police are able to catch in the act of luring away Tracey Belle, another young girl. You don't relax until she's back with her parents, and even then, there's still a tension in your shoulders.
Cases involving children never get easier, but you can't help the kinship you feel to little Tracey Belle, who had the same look in her eyes that you recognized in yourself when you were ten years old. You don't remember your mom's funeral much, mostly because you were so young, but also because the whole day was a blur. The few flashes that come back here and there are your father's eyes, red from crying, and the cold gray of the headstone that you visited with him every year on the anniversary until you graduated.
The plane ride back is morose, and no one looks up from their reading material until it's time to disembark. Hotch isn't at the office when you drop off your case file, so you rub the exhaustion from your eyes and drive home.
There's a figure sitting on your porch when you pull into your driveway, and you're a moment from panicking when her face comes into the light.
"I turned in my badge," Elle says after you lock your car and walk up the steps.
Something twists in your gut, but the one emotion you aren't feeling is surprise. "Do you want to come inside? How long have you been waiting?"
She shakes her head, and you give her some time to formulate her thoughts. After a minute, she meets your eye again. "You were kind to me."
You don't know what to say, but you can see the change in her since just last week. She already looks lighter, and you can't help but think about how heavy the job can be. It's a weight on each of your lives that never seems to let up, and while you're going to be sad to see her go, you understand. It's the right choice.
Elle presses her lips together before curving them into a small smile. "You supported me after...after Garner. I'm gonna miss you."
You smile at her, even as your heart fills with sadness. "i'm going to miss you too."
Her body shifts like she's making to leave but then she turns back one last time. "You're too good for him, you know."
You get the sense that you know what she's referring to, but it's not something you can acknowledge without sending a flare shooting up your spine. She nods once, like that's all she wanted to say, and turns away into the night. You blink your eyes closed, squeezing them tightly as though it will somehow make the last few months a nightmare you can wake up from. But that's not how this works.
You give yourself a minute to pretend, but when you open your eyes again, she's gone.
***
The case that takes you to Golconda, Nevada feels almost unique to Gideon, as he takes each of the unsub's decisions personally in a way you haven't seen before.
Once you give the profile to the local police, the sheriff, Georgia Davis, leads you to a woman with a story to match the previous victimology.
"Jane," she says softly as she walks into the holding area at the back of the station. "These people are from the FBI. I'd like you to tell them your story."
Her story takes you through a tale of alien abductions and young love, but the kernel of truth underneath sounds awfully similar to the unsub's M.O. Her eyes still shine with a childlike tenacity that you don't usually see in other victims of such prolific and disturbing killers.
"Her subconscious mind has created a delusion that she was abducted by an alien," Gideon sighs after Sheriff George sends you all out of the room to let Jane rest. "She didn't show him the fear he wanted, so he let her go."
When it becomes clear that he is still in town, you disperse around the local R.V. park in search of his vehicle.
Hotch pairs you with Emily Prentiss, the new agent who joined the team after Elle left, and you welcome the opportunity to speak with her more than you've gotten the chance to since she arrived.
"How have you been settling in?" you ask her as you both stroll along the edge of the R.V. park.
"The team has been very welcoming," she says as she continues to scan the vehicles around you. "I'm just glad to be joining such an accomplished unit."
"That's kind of you," you smile, noting the extreme focus in her eyes. Her intelligence and intense concentration on each of the cases you've worked made much more sense when you learned about her history. Her background must have sparked more than a few nepotism claims over the years, so you don't mind letting her overcompensate, if it means she will prove to herself that she deserves to be here. "Everyone seems to like having you around. I certainly don't mind."
She shoots you a smile that you return by patting her forearm comfortingly. You were worried it would be hard for another agent to settle into the space Elle left on the team, but Prentiss has made easy work of it. She has the same humor as Derek and Penelope, and you've seen how well she gets along with you and JJ. Even Reid has welcomed her with open arms.
"This team is kind of famous," she says after a moment, piquing your interest.
"Oh?"
She shrugs, turning into another row of vehicles. "You've all been through so much, but it just seems to have made you more of a family."
When you first joined the team, that was all you wanted. You were by yourself, completely alone, and the team had become your family in the blink of an eye. It was exactly what you needed. These days, you're not so sure anymore. More family just means more people to lose.
"Can I ask you a question?"
You look at her with a nod. "Yeah, of course."
"It's about Agent Hotchner."
You should've figured. Every new agent tries to vie for his approval, until they realize it's not something you can force. "Yeah?"
She sighs, and you can tell this isn't something she wants to be talking about. "I don't know if I understand him. You're the only person who seems to have his ear. I guess I'm just wondering how I can do the same."
"I got his attention and respect through decades of friendship," you say, watching her eyes widen as you speak. "But he's not the enigma you may think he is. Showing off won't help your cause, but working hard and doing your job well is all you can really do."
She nods, taking in your words. "Thanks. I'll keep that in mind."
You smile, bumping her shoulder to lighten the mood. "Don't worry about him. He knows your worth, I can tell."
Prentiss leans against you for a moment before shaking out her legs and turning back to the lot. "I don't think the unsub is here. We should meet up with the rest of the team."
Once Gideon puts it together that the unsub is hiding out somewhere in town, Hotch suggests that you all turn in for the night, but the older man doesn't want to listen.
"We could wait till first light, Gideon," he stresses, turning his body to stand between him and the officers. "It's gonna be dark soon."
"Do what you like," Jason grunts, shoving past him. "I'm gonna find him."
Hotch starts to go after him, but you step forward and put your hand on his shoulder. "Let him go. Maybe the walk back to the station will help clear his head."
He sighs heavily, and you know it's all the agreement you're going to get right now. "Let's head over there too. He needs our help if he wants to crack this before morning."
The stress lines on his forehead are almost as noticeable as they were the day Elle left the bureau, and you grab his wrist as he tries to turn away. You raise your eyebrows, knowing he'll be able to read the question written in the ridges of your face. How are you holding up?
Hotch rolls his neck to the side, stretching it out after what has been a very long day. When he looks back at you, you wait for a nod that comes after a moment. Alright. Been better, but alright.
Back at the station, the work is slow going, and you don't feel like anyone is helping with how uptight Gideon is acting. The air inside the small building has started to feel suffocating, and you finally get your chance to escape when Sheriff George grabs her car keys.
"I'm gonna take Jane home," she tells you when you approach her at her desk. "It's been a long night, and she needs to sleep in her own bed."
"You need to rest too," you say, noticing the droop of her eyes from sheer exhaustion. "Go home, Sheriff. I'll take her back. I remember her address from earlier."
She doesn't look convinced, so you lean in with a smile. "It's getting really stuffy in here. I need some air too."
That's all it takes to satisfy her, and she pats your arm with a nod before handing you the keys to the cruiser and walking to the exit.
You only see Morgan as you pick Jane up from the holding area, so you tell him you'll be back in a half hour and head out to the back lot.
"How long have you been living in this town?" you ask Jane as you make the short drive to her house.
"Since I was a teenager," she says dreamily, her eyes gazing out the window.
"You never wanted to live anywhere else?"
She shakes her head profusely. "Why would I? This is where I can be found."
You frown at her words, but it's not the oddest thing she has said today. When you arrive at her house, you park the cruiser out front and lead her up the porch steps, where she slowly unlocks the front door. "Do you want to come inside?"
You figure it wouldn't hurt to scope out the place, so you accept her invitation and follow her inside. "This is a beautiful home, Jane." Trinkets are scattered everywhere, and rudimentary sketches cover the walls.
"Thank you," she responds from another room. "You're very nice." You follow the sound of her voice to her kitchen, where she is struggling to lift a pitcher of juice from her fridge.
"Here, let me help you," you say, taking it from her and setting it down on the little breakfast table in front of her stove. "Do you have any cups?"
She walks over to a cupboard across from you, and you unclip your side-holster and set it on the table until the sound of a footstep behind you makes you spin on your heels.
You're assaulted by the sight of a tall, white man, who you immediately recognize from Gideon's profile earlier that day.
"Jane!" you yell, inching toward the table where your gun is. "I need you to run."
"Come with me, Jane," the man says, ignoring you completely. You use the moment of distraction to reach for your gun, but he's quicker than you. A sharp pinprick of pain shoots down your neck as your hand knocks over the pitcher of juice and your limbs suddenly feel like they weigh a million pounds.
"Jane, he's a murderer," you yell, hoping your voice doesn't sound as quiet as it does in your head. Your vision is already blurry, and you wish Reid was here to distract you by spouting off a list of fast-acting drugs from memory. "Jane, run!"
The last thing you hear before you black out is the sound of hurried footsteps receding into the background.
***
None of this makes sense. As each minute ticks by, he can't shake the feeling that they are missing something that's right under their noses.
"JJ just called," Morgan says, walking back into the station with his phone waving in his hand. "Apparently an anonymous caller called the tip line and claimed they saw an R.V. driven by a man who fits the description we gave to the media."
Hotch frowns. "Claimed?"
"Well, not a single R.V. or trailer has passed through any of the roadblocks."
Morgan's words click in his brain, and he instinctively glances beside him as an idea forms, but you aren't there. Now that he thinks of it, he hasn't seen you in over an hour.
"Who does the number belong to?" he asks, shifting his focus back.
Morgan is about to respond when Deputy Silo runs into the office, shoving past the other cops in his way. "We got a call from outside Jane's house. I think it was from the unsub."
Hotch stands up immediately, grabbing his jacket and gun, but next to him, Morgan stills, his face going slack.
"We need to head over there now," Hotch says, listing off a few instructions to the deputies nearby. Where are you?
"Hotch."
"And have some of your guys check in town," he continues, "in case he took her with him."
"Hotch."
He turns around. "What is it?"
"L/N drove Jane home."
His heart drops.
***
Just stay for a few more minutes, Jeff implores, his fingers dancing over your arm as you try to sit up.
You laugh as he tries to pull you back into the bed. I can't, I have to go into work.
Just five minutes, I promise. He pouts as you slide your legs out from under the covers. Three. One. One minute, please. I miss you.
I miss you too, you sigh, pressing a kiss to his lips. I'll see you tonight.
His hands reach up to caress your face, like he always does in the mornings. Cupping your cheek with his palm and running his fingers through your hair.
You settle into the feeling, wishing you had more time to just lay in bed with him. But you don't. Because Jeff's not here anymore.
Your eyes snap open right as the unsub tapes your mouth closed.
***
His hands grip the steering wheel as his SUV barrels up the small country road leading to Jane's house. He can't seem to press the gas pedal hard enough, and Reid's incessant foot-tapping in the backseat is driving him crazy, even though he understands the anxiety coursing through his body.
He beats Deputy Silo to the house, and flies out of the car without waiting for the other agents to open their doors. He's not sure what he's expecting to see inside as he pulls his gun from his waist holster, but he doesn't give himself a chance to think about it before kicking the door in.
"What the hell are you doing?" Morgan yells from behind him as he checks around the door and makes his way through the small hallway. The house is silent, aside from the footsteps of the agents behind him, but the pounding of his heartbeat in his ears is almost deafening.
"Clear," he shouts after checking each room up to the kitchen. When he steps inside, there's juice all over the floor, and he spots the pitcher on its side beside the fridge. Juice, not blood.
His eyes flash to the table and his breath catches in his throat. He would recognize your holster anywhere, especially since he was with you when you bought it.
What do you think? It's not too bold, is it?
I definitely wouldn't mess with you.
"Why didn't she reach for her gun?" he wonders out loud.
"Because she couldn't." He turns around to see Reid holding up a large, empty syringe he found under the table.
He can't take his eyes off the juice on the floor, splattered everywhere as though someone had knocked it off the counter. The image of Elle's blood spilled all over her living room is still fresh in his mind, and he can't get over how easily the dark red cranberry juice seeping into the floorboards could have been yours.
Growing up, it was a common occurrence for you to patch him up and wash the blood off his skin, but there was only one time when he had to return the favor.
He still remembers the proud glint in your eyes after you had literally head-butted a man who had grabbed you in a college bar by Georgetown. Already a year into law school, he would've thought you'd have more forethought than to injure yourself in the hopes of getting back at the jackass, but once he saw your bloody grin, his annoyance had fizzled away.
"What on earth were you thinking?" he had asked as you stuck a scrap of napkin up your nostrils to control the flow after the head-butt broke a few blood vessels in your nose. He hadn't seen you much throughout undergrad, but he was glad that you hadn't changed too much, even if it meant you were just as wild as before. "I'm getting you ice."
A few minutes of angry haggling later, he returned to your side with a small bag of ice that he held to the bridge of your nose. Nothing he said could have ruined your mood that night, especially since the man had been kicked out of the bar and banned for life.
"Did you see the look on his face?" you had asked, your eyes twinkling behind the quickly melting ice.
"I did," he sighs, before breaking into a grin. "I'm just glad that your future law degree will give you another method of retaliation against scumbags like him."
You had laughed then, causing a few drops of blood to spray out of your nose, but all he could think about as he jerked back to avoid the mess was how happy he was that you were back in his life again.
Hotch flies back to the conversation happening around him, his brain refusing to let him imagine the worst case scenario.
"Those footprints," Morgan is saying as he starts listening again, "they got to be Jane's."
Reid nods, following along. "They go to the back."
"She escapes. The unsub knows the ketamine's gonna wear off, so he's got to act."
"No," one of the deputies says. "He hasn't got what he came here for."
His voice returns to him all at once. "So he took Y/N for leverage."
"He thinks we have Jane. Which means he wants a trade."
"Whatever he wants, we need to find Jane and your agent fast."
His agent. He feels sick at the thought of whatever that man is doing to you. "Garcia can track the phone number from the anonymous caller. You go to town, we'll find Jane."
***
Your eyes are blurry as you try to clear the fogginess in your head from whatever he injected you with. You can see the shape of the unsub moving around the room, and you squint your eyes to get a better look at the anatomical posters and drawings on the walls.
When your vision begins to focus again, the man comes toward you with a smile. "You're awake." He reaches forward to check the tape on your wrists and you try to jerk away from him, but your body is still flowing with the drug. You can't move as he brushes your hair behind your ear and smiles down at you, a sinister lack of emotion in his eyes. You stop trying to move, realizing it's no use. He's been doing this for years. Mutilating women. Cutting them to pieces.
You can feel your heart rate increasing, and you try not to look at the knives and saws littering the tables around you in an effort to keep yourself calm. Your team is looking for you. Derek knows where you went.
When he grabs your arms and starts lifting you off the makeshift operating table you were lying on, you try to scream, but the tape just pulls at your lips, tearing at the thin skin underneath.
Your eyes widen as he drops you into a metal coffin-like box, but he just looks at you with a shake of his head. "No need for that," he tsks before closing the lid over you, enveloping you in eery darkness.
***
Reid and Prentiss help him inspect Jane's house further for clues as to where the unsub could've taken you. The wind chimes of rib bone blowing in the breeze on the front porch catch his attention almost immediately.
His chest feels tight and he clears his throat. "He's obviously been here before and left these gifts for her."
"How romantic," Prentiss grimaces.
"Well, his version of romance."
Prentiss frowns. "What, are you trying to say you think he keeps coming back here because he's in love with her?"
"That's impossible," Reid interjects. "A sexual sadist can't feel love."
"Well," he says, "define love." He doesn't know if he can. He knows he loves Haley and Jack. He likes to think he always wants to be with them, but when a particularly excruciating case arrives on his desk, his desire to catch the bad guy trumps everything else in his mind. He knows he will always try to protect them from anyone or anything that wants to do them harm, but is that love?
It must be, because he feels the same instinct to protect you, but it manifests in him differently.
"Chemically, it involves surging brain elements called monoamines, dopamines, norepinephrine, and serotonin."
Of course that would be Reid's answer.
He continues rattling off a list of foods that contain these chemicals, and Hotch tunes him out, turning back to the house. They're missing something, they have to be. It's not until they spot a small trailer out back that it clicks.
***
You don't know how much time passes until the effects of the drug finally wear off enough for you to rub your wrists together to loosen the tape around them. The noises outside the coffin stopped a while ago, and you assume the man has left, likely to resume his search for Jane.
When the tape finally breaks, you let out a relieved gasp and let your arms rest for a few moments, before you begin slamming your fists into the bottom of the lid. It doesn't budge, no matter how hard you pound at it, so you change tactics, instead clawing your fingers at the seams in search of a hinge or screw you can loosen.
You're still trying to pry open the lid when you hear a muffled voice speaking outside the coffin. Despite your determination to stay calm, your heart squeezes in your chest as you bring your hands up to fight back in case he opens the lid. You feel someone slide your box across the floor, before opening the top and flooding your eyes with light.
When you adjust to the brightness, you see the familiar faces of Hotch, Reid, and Prentiss standing above you, and you almost cry with relief. Hotch reaches down with a small "thank god" and pulls you up and out of the coffin. Prentiss carefully peels the tape off your mouth, wincing as some of the skin of your lips comes away with it.
When you're standing up again, your legs give out as the fear leaves you, and you collapse into Hotch.
He catches you easily, holding you against him tightly as you shake from the sheer relief of being found before something irreversible happened. You're acutely aware of your teammates watching you hang onto your unit chief as though your life depends on it, but you can't bring yourself to let go.
It's only after your hands stop shaking that he finally pulls away.
***
When you return from Texas, most of the team heads straight home, but Gideon hangs back, calling you into his office.
"How are you doing after today?" he asks as you shut the door behind you and take a seat in front of his desk.
"Fine," you say simply, looking him straight in the eye. You're not sure exactly what you're feeling, but it definitely isn't fine. The few times your eyes fell closed on the flight back, you could still feel Frank's fingers pressing the tape onto your face.
Gideon scrutinizes you for a moment, his brow crinkling as he waits for you to elaborate. You can appreciate his intention, but you really don't feel like talking about it right now. Not when the memory of the cold metal on your skin is still fresh.
"Okay," he concedes after a minute of silence. It's not really a concession - you can already hear him recommending you for a psych evaluation - but it's enough for the moment. "You don't have to do it right away, but you need to eventually fill out an incident report. I can get you the paperwork now, but I mean it, take your time."
He reaches into his accordion file folder and pulls out a sheet of paper that's mostly blank, except for a few lines at the top. "Just hand it in to me or Hotch when you're done."
You accept the paper and leave his office, with a promise to head home soon. You heard his suggestion to finish it in your own time, but you can't imagine coming back to this at a later date.
Dropping into your chair, you lay the paper down on your desk and read over the form. The first section is the same as every other form you've had to fill out at the bureau: name, date, badge number.
The second half is just one line of instruction before a vast sea of white space. Describe the incident in detail.
Images from Frank's workshop flash in your mind. A roll of silver duct tape. A bloody washcloth. A rusted scalpel. Nothing you can effectively put onto paper.
The words don't come, even as the lights in the hallway automatically turn off, and the hushed voices from the nearby offices go silent. You eventually stand up to shake out your legs and get another coffee, not because you need it to stay awake, but because it feels like the normal thing to do. The idea of sleeping just takes you back to the darkness of the coffin, and a shudder runs through you as you pour yourself a cup and dump the muddy remains of the pot in the sink.
You're about to head back to your desk to fruitlessly stare at the form for a little while longer, when your eye catches on a small lamplight from Hotch's office at the top of the stairs. Gulping back a mouthful of stale coffee, you toss the rest in the trash and grab your report before hiking up the stairs.
"You're still here?" he asks when you knock on his door and push it open. "I thought you left hours ago."
The same question Gideon asked you earlier is etched into his face, but you know he won't voice it just yet. He was always good about knowing your boundaries (and when to push them).
"I could ask you the same thing," you smile with a shrug, before flopping down into the chair by his desk. "You really need to replace this chair, by the way. It's horribly uncomfortable."
He snorts quietly. "It's a perfectly fine chair."
You laugh, the sound quickly turning into a yawn.
"Go home," he stresses, dropping his pen and fixing you with a pointed stare.
"You first."
"I have work to do."
"So do I."
He looks down at the paper in your hands. "Gideon gave you the form already? I was going to give it you in a few days."
"I'm glad he gave it to me today," you say, before dropping your eyes with a sigh. "I've just been having some trouble finding the words to describe what happened."
"You don't have to do it now..." he starts, but you cut him off.
"I do. I don't want to come back to this later. I need to finish it now, while I still can."
"Okay," he accepts after a moment. "Then take your time. I'll be here."
You fall into a comfortable silence as you bring your pen back down and start writing.
***
He doesn't finish his own paperwork until well after midnight. When he looks up from his reports, you're asleep, your head resting on your crossed arms over his desk.
He would normally wake you and tell you to head home, but you look so peaceful for the first time in too long. Haley and Jack would have gone to bed hours ago, so he figures it won't hurt to stay with you for at least a little while as you get some much needed rest. He can't imagine that sleep has been coming easy - he saw you shaking yourself awake each time you closed your eyes on the plane - so he lets you slumber.
He still hasn't gotten the image of you with your hands and mouth taped out of his head, and he doesn't know if he ever will. When your legs had given out, his arms had instinctively shot forward to grab you before his brain could catch up. He can barely look at the bandages on your wrist now, where the tape rubbed your skin raw.
Standing up from his chair, he slides his suit jacket down his arms and steps around his desk. Being extra careful not to wake you, he drapes it over your shoulders and lets you sleep.
***
Hotch gives you the next week off, but the quiet solitude of your house is too much to bear with all of the memories swirling through your brain. You know he would have called you if there was a case out of town, so a few evenings later, you find yourself in your car, driving over to the Virginia field office.
When you walk into the bullpen, it's empty aside from Reid at his desk and Prentiss at the coffee station. It's late, and you assume Reid is just taking some notes down from the last case, but you aren't sure why Emily is still here.
"Hey," she says when she sees you sit at your desk. "Don't you have the week off?"
She looks exhausted, but you understand where she's coming from. The urge to overcompensate for being new. For not being the agent you're replacing. You felt it with Gideon when you were transferred here. She likely feels it with Elle.
"I needed to get out of the house," you explain, adjusting your seat and settling back.
"I hear that," she says, before putting a lid on her coffee cup and grabbing her bag. "I should actually go home for once, but I'll see you in a few days."
Spencer doesn't look up from his notepad until the sound of the door closing behind Emily jerks him from his stupor.
"You're here," he states, as though he's not sure if he is supposed to be asking a question or not. "What are you doing here?"
You shrug, smiling at him. For a genius, he can be kind of clueless sometimes. "I wanted to see you guys."
"Oh," he says, placing his pen on his desk, "well, it's just me here."
You grin. "Works for me."
That makes him smile slightly, but it falls in an instant. "I'm glad you're okay."
Your heart leaps into your throat. "Thanks, Spence, me too."
You expect him to return to his notes, but he just looks down and back up again. "Are you? Okay?"
You frown, more out of a lack of understanding, but he starts backtracking immediately. "I'm sorry, I shouldn't press-"
"It's fine," you reassure, pressing your lips together. "It's what everyone's thinking anyway."
He doesn't say anything for a moment, so you continue to fill the silence. "You just can't let the stares get to you."
"How, though?" he says after a beat. You're not sure what he's asking, but the confusion you're feeling must be mirrored in your expression, because he elaborates. "Ever since my mom came here for the Garner case, I feel like everyone has been looking at me, with all this...pity."
Your chest squeezes as you think about all of the lingering stares that followed him around in the week after Garner killed himself. Even Morgan couldn't hide his shock when Mrs. Reid showed up at the field office. "Have I?"
He shakes his head, and your chest relaxes with relief. Spencer glances up at you, and he looks so young for a second. "You're one of the few who hasn't."
"I guess I just understand the stares better than anyone," you sigh, feeling the familiar ache as your memories return to you in flashes.
You hear him suck in a breath as the realization dawns on him. "Agent Adler..."
You nod and Reid gives you a second to take a breath before he continues. "He was my instructor once, you know. At the academy."
You smile as your eyes shine with unshed tears. "Yeah, I know."
There's this kid in my hand-to-hand combat seminar.
Kid?
He can't be more than 20, maybe 21 years old. But the kid has guts.
You remember those nights before Jeff joined organized crime so fondly these days. The calm before the storm.
"He never treated me differently."
You look up with a sad smile, the memory receding as Spencer shares his own. "Hotch made me take a few physical training classes at the academy after I joined. All the other instructors acted like I was a joke, or a prank being pulled on them...but he never did."
That doesn't surprise you. Jeff was so nurturing and kind, much better than you ever were before you met him.
"I really miss him sometimes," he whispers softly.
You reach forward and press your hand on top of his. He doesn't pull back. "Me too, kid."
***
You can't remember the last time the team went out together. There was one night, what feels like years ago, when you all got dinner together after an especially cut-and-dry case that ended within the first day you arrived on scene. When the cases are long and hard-fought, it's not the same; everyone bolts the minute the jet hits the tarmac.
Tonight, something feels different. There hasn't been a new case in a couple of weeks, and everyone seems lighter.
"I'm back," Haley smiles, carefully setting two drinks down on the little high top table you are crowded around. "Spicy marg for Emily, and mojito for me."
You're still nursing the old fashioned you ordered a half hour ago, and Hotch is only halfway through his pint of Guinness.
"How are they treating you at the BAU, Emily?" Haley asks, before putting the straw in her mouth and taking a large sip.
"She means is he being nice to you," you grin, cocking your head at Hotch as he shoots you a look of mock-offense. You know I'm right.
He flashes his eyes. And?
"Everyone has been incredibly nice," she says with a smile as a waitress approaches you with a drink in her hand.
She sets it on the table in front of you and glances behind her. "That man over there bought this for you."
Haley starts hooting before the waitress has a chance to leave the vicinity. She's definitely starting to feel her mojito, but you would never judge her on her one night away from the baby.
"That was weird," you say, hoping you don't look as awkward as you feel.
Haley leans forward and grabs your hand, an earnest smile on her face. "You should go talk to him! Only if you want to, of course."
"Yeah, it's your night off," Emily agrees, shooting you a smirk over the rim of her margarita.
"I don't know, guys," you say, sliding the drink to the center of the table.
You can tell Haley isn't done encouraging you to have a wild night, so you brace yourself for the pounce, but thankfully, Hotch stands up just as she's opening her mouth, and takes her hand. "Come on, honey, let's go show them how it's done."
"Oh!" she smiles, her face lighting up as she follows him onto the dance floor. "You ladies don't have too much fun without me."
"Wouldn't dream of it," you grin, before downing the last of your original drink.
Emily watches them shimmy into the crowd, her chin resting on her palm. "They are so sweet."
"They've been that way forever," you agree, glancing back over at them as they dance lazily in the center of the dance floor. Haley's movements are a bit looser as she slides through his arms, but he keeps a firm grasp on her hand, keeping her upright even when it looks like she may fall.
He still looks at her the same way he did in high school, when he saw her at that first rehearsal for Pirates of Penzance. There's so much wonder in his eyes, like he's seeing her for the first time, every time.
***
You should be happier right now. You're done with high school, sitting in a sea of green caps and gowns with all of your friends, but all you can think about is how soon he's going to be gone.
You're going to be at different schools next year. Him at Harvard, you at UCLA, opposite ends of the country, for four years. The gravity of what that means didn't sink in until this very moment, the worst possible timing, because you're supposed to be happy right now.
"High school couldn't end fast enough," the girl next to you grins, her cap decorated with the glittery letters of the school she will be attending next year. "I'm so ready for all of this to be over."
You're not. You force your lips into a smile and let yourself glance a few rows up, just for a moment. When it's just the back of his head, you aren't confronted by the confusing emotions that have been swirling around your brain for the last few months. Of course you would realize you're in love with your best friend a semester before school ends. But that isn't the only reason your timing couldn't be worse.
You wave at your dad in the crowd, you is wearing more school colors than even you are, and he waves back enthusiastically. It distracts you for a moment, but then you face the front again, and your eyes are drawn back to the same place.
He turns back then, with a grin meant just for you, and your heart flutters like it's in a butterfly enclosure. You smile back, more genuine this time, but his attention shifts behind you after a quick nod. You don't have to turn back to know who he's looking at in the stands.
You shouldn't be surprised they got along so well, you practically set them up. After their first date, he seemed lighter than air, giddy with the impatient brush strokes of a first love. The look in his eyes now is the same as it was that day.
How did it go?
I'm gonna marry that girl one day.
You don't know why you had just assumed he was joking around. Hotch never joked about things like this.
Eventually, he turns back around in his seat, and you stare at your hands as you clasp and unclasp them over and over and over again until you no longer feel the cavity in your chest where your best friend used to be.
***
The next case comes in as you're working on your second drink. JJ corrals everyone at the bar into taxis, and sends you all off to the airport where the jet is already fueled and waiting.
"You missed a fun night," you note as Gideon climbs into the plane, a few minutes after the rest of you arrived.
"I had a good time," he says simply, before sitting by himself a few rows over. He hasn't spoken to you since he gave you the incident report, but you know it's not about you. Being forced to let Frank get away was hard on him, but you don't know how to assuage his guilt about your kidnapping if he won't even look at you.
Derek flips open his case file and huffs out a breath. "Well, good time's definitely over."
"The Kyles," JJ says, beginning the briefing as the plane takes off, "Dennis and Lacy were murdered an hour ago in their suburban Atlanta home."
You look up, assuming you heard her wrong. "Only an hour ago?"
"Police were on scene unusually fast," she nods.
Derek frowns. "Why?"
"One of the unsubs called them and told them that the other was about to murder the victims."
Prentiss lets out a humorless laugh from across from you. "You're kidding."
"From inside the house."
JJ scans the file again. "According to the dispatcher, the first male sounded terrified and begged them to get there before the other, who they both identified as Raphael, was about to kill the sinners that lived there."
Gideon enters the conversation with a confused frown. "Sinners?"
"Also, when they arrived, the police found this displayed prominently on the bed." She holds up a photo of a page that looks torn out of a book.
"Revelations, chapter 6, verse 8."
Gideon sighs. "They're on a mission. And mission-based killers will not stop killing."
***
Gideon was right, as he usually is. The killings don't stop, and videos of the murders are posted online, spreading the killers' message for them.
"JJ, why don't you and Reid go out there, see if you can find Mr. Hankel and see if he remembers something."
"On it."
Garcia calls almost immediately after they leave. "There's a new video from our psycho."
Hotch stills. "Get it on the monitor here as soon as you can."
The police officer you met at the first crime scene joins you, Hotch, and Morgan in front of the computer as the video appears on the screen. The first thing you see is the dirty mattress. Then come the dogs.
You avert your eyes as the woman's screams for help fill the room.
"Jezebel's death," Hotch whispers, almost to himself.
"My god," Morgan grimaces. "You can turn it off."
The officer suddenly leans forward. "Oh, wait."
"You haven't seen enough?" Morgan asks, disgust coloring his tone. He has two sisters, both of whom he protects fiercely. You can't imagine what he's thinking about as he watches the screen.
"Those dogs," he says, his voice growing in strength as he speaks. "Those three dogs attacked someone a couple of months ago. I would have had them impounded, but the victim knew the owner."
"You have the owner's name?"
He checks his notepad, flipping through it rapidly. "Hankel."
Your blood runs cold. "Hankel?"
"Tobias Hankel."
You're on your feet before he can finish saying his name.
***
The drive to the Hankel farmhouse is filled with hand wringing and nervous leg bouncing. You keep catching Hotch glancing over at you, but you don't care. You just need him to drive faster.
When he pulls up in front of the house, you and Emily throw your doors open before he can come to a complete stop. Hotch and Gideon head toward the house, so you lead Prentiss and Morgan over to the barn, where you can hear the faint sound of panicked breathing.
Lifting your gun and flashlight, you push open the barn door and are greeted by the sight of JJ pointing her gun at you. "JJ, it's L/N, Prentiss, and Morgan. You're okay."
She looks frenzied, her hair and clothes covered in a layer of sweat and grime. When her flashlight comes down, you notice the dead dogs on the ground.
"Tobias Hankel is the unsub," she gasps, stumbling over to you.
"We know, honey," you whisper, taking her arm and leading her outside, before glancing at Emily behind you. "Call an ambulance."
She nods and rushes over to the clearing in search of better cell signal as Derek steps forward, his face still twisted into a worried frown. "JJ, where's Reid?"
"They just completely tore her apart," she babbles, her eyes still frantic even as you put your hands on her shoulders to steady her. "There's nothing even left-"
"JJ, look at me."
Her eyes snap over to Morgan, and he brings his voice down again. "Where's Reid?"
"We split up," she says, her voice still tight, but slightly calmer. "He said he was going to go in the back."
"House is clear," Hotch calls from behind you, making you spin around, your mouth twisting with dread.
"So where is he?"
JJ's eyes glance back at the cornfield behind the house, and suddenly you're running. You can hear someone calling your name, but all you can think about is Spencer with an unsub who's idea of torture is biblical and cruel.
There are two sets of footprints in the dirt by the edge of the field, but after a few feet, they turn to drag marks. Oh no, oh god no.
***
The whole team - except for Reid, your brain keeps reminding you - sets up in Hankel's house, with even Garcia joining you on the scene to limit communication time.
You can't sleep as you alternate between reading Hankel's journals and hovering over Penelope's shoulder as she pores through his downloaded images and videos. Even as exhaustion pulls at your eyes, you periodically splash your face with water from the bathroom to keep yourself up. If anyone can understand how terrifying it is to be taken by a psychotic killer, it's you. Succumbing to sleep feels like a defeat, like you've given up on him.
You don't find anything useful until after Emily and JJ return from meeting with Tobias's N.A. sponsor, but in the sixth hour of scouring his journal, your brain clicks with a realization. "Guys, some parts of this journal match his father's handwriting. But they were written after he died."
"The bedrooms upstairs..." Gideon mutters, his eyes shifting up like they do when he's thinking. "One of Tobias's personalities may be his father."
Your brow furrows and you look down at the journal in front of you even as your eyes burn with fatigue. "Then who is Raphael?"
"My guess," Gideon sighs, "a mediator between the two."
Hotch looks at you, and you can see the concern etched into his face. "We need to start profiling Tobias's father. He may be the one who chose where to take Reid."
Morgan nods. "I'll get Garcia on it."
He leaves the room and Hotch comes over to the table, where you're still staring down at one of the journals. Your hands are covered in pink half-moon indentations where your nails were pressed, and he fights the urge to take you away from here, to save you from this hurt. "You should get some rest."
"I'm fine, Hotch," you whisper through gritted teeth. He can hear the worry in every word that leaves your mouth. The terror at the prospect of losing the team's youngest profiler.
"You didn't sleep at all last night," he points out gently.
"Neither did you."
You're not wrong. He didn't get a chance to shut his eyes either, but he's used to the sleepless nights. He supposes you are, too.
Your focus returns to the journal, and you don't notice as he slips out of the room and finds Gideon by the front of the house.
"Reid's brilliant," the older man sighs when he notices Hotch, almost like he's trying to convince himself. "He'll make it."
"I take advantage of Reid for his brain," he says softly, "but I never teach him how to handle things emotionally."
Jason shrugs. "Lead by example."
"What kind of example is that?"
For a bunch of criminal psychologists, you all still have no idea how to truly deal with losing people. Maybe that's just how life works. He thinks about the weeks after Jeff's death, when he wasn't sure if you would ever be okay again. Even as he held you while you cried, and promised that you would feel okay someday, he's not sure if he ever actually believed it.
But then one day, your eyes stopped shining at the mention of his name, and you no longer fell apart after each time you had to question a victim's widow.
Even after your mother's death, you were stoic. He remembers holding your hand at the funeral, but your grip was almost stronger than his, like you were holding him up with your sheer willpower to stay upright.
Seeing you now, he's not sure what will happen if Reid doesn't come back. He just knows he doesn't plan on finding out.
He and Gideon rush back inside when Garcia's voice frantically calls for everyone to look at Hankel's monitors. His eyes squint inadvertently as the video feed of Reid tied to a chair lights up the screens in front of them, almost like his brain is trying to block out the image.
Your hand flies to your mouth, but not before a small anguished sound escapes. "He's been beaten."
"This is for us," Garcia whispers, tears streaming down her cheeks. "He knows we're here."
"I'm gonna put this guy's head on a stick," Morgan spits out, before turning around and slamming his fist into the room's wooden door.
Gideon leans closer to the screens, clearly trying to take in any detail he can from the scene. "Why can't you locate him?"
"He's rerouting to a different I.P. address every 30 seconds," Garcia explains, her voice thick through the tears. "I can't track him."
***
The screens shut off and the video feed of Spencer is gone. Penelope starts frantically typing away at the keyboard, likely in an effort to regain the signal, but it doesn't seem to be working.
Your body feels heavy, like there are weights on all of your limbs. Realistically, you know it's mostly the stress and exhaustion, but you can't stop thinking about the frightened look on Reid's face and how he must be feeling.
When you walk back through the house, the sound of a hushed argument in the kitchen catches your attention.
"JJ, what do you want from me?"
You recognize Morgan's voice, and you almost turn away to give them some privacy, but something in JJ's voice as she responds keeps you at the door.
"I just...I want someone to tell me the truth."
"The truth is one of you is here, and one of you isn't. You gotta figure the rest out for yourself."
You're walking inside before you can stop yourself. "Morgan, go help Penelope with the video file."
He looks surprised when he sees you, but he doesn't argue before leaving the room.
JJ rakes a hand through her hair as you approach her slowly. She doesn't shy away as you stand next to her, so you reach out and squeeze her forearm once before pulling back. "I was terrified when Frank took me in Texas."
She looks up with a shocked expression, her eyes finally meeting yours for the first time all day.
"I was terrified," you repeat, "but I never lost hope, because I knew you guys would come for me, no matter what."
Her eyes crinkle with sorrow and you pat her arm again, almost as much for you as for her. "I didn't blame anyone for what happened to me, JJ. Reid isn't blaming you either."
Her lip trembles, and you pull her into a hug as the tears finally come.
***
"Your team members...choose one to die."
Spencer gasps on the grainy computer monitor. "Kill me."
"Tell me who dies."
"No."
The back and forth continues as Hankel stalks toward him and lines his revolver up with Reid's forehead. "Choose."
"I-I choose Aaron Hotchner."
The room stills.
"He's a classic narcissist. He thinks he's better than everyone else on the team. Genesis 23:4. 'Let him not deceive himself and trust in emptiness, vanity, falseness, and futility, for these shall be his recompense. In emptiness, vanity, falseness, and futility, for these shall be his recompense.'"
Reid's words sink in and you unconsciously reach towards Hotch, but he's already walking out of the room. You follow him into the other room, the rest of the team on your heels.
"I'm not a narcissist," he says, his voice lighter than you're expecting. He grabs a Bible from the table and quickly flips through it, landing on the verse Reid mentioned.
"Come on, look," Gideon urges. "You can't think anything from that. He's not in his right mind, Hotch."
He waves away everyone's concern. "No. Stop. Stop. All right, everybody right now- what's my worst quality?"
No one says anything. You can feel Morgan revving up, so you jump in to start things off. "You're a workaholic."
Your mind flashes back to your hometown's library, all the late nights where you would fall asleep in your chair as he worked away into the early hours of the morning. His home was a trigger after his father died, and you could see the guilt eating away at him as he realized he didn't miss his dad as much as he was supposed to. As much as Sean did. The guilt that wore him down as he struggled to figure out how to be there for his brother, when he couldn't understand his pain.
He nods at you then, and there's nothing but determination behind his eyes.
"You're a bully," JJ chimes in.
Morgan adds, "You can be a drill sergeant sometimes."
Hotch is still nodding. "Right."
"You don't trust women as much as men," Emily says, her voice wavering slightly.
"Ok, good," he says, tapping the page with his finger. "I'm all these things, but none of you said that I ever put myself above the team, because I don't, ever."
"Hotch, what's your point," you whisper, chewing your lip as you anxiously glance back at the screen.
He shushes you with a wave of his hand. "Reid and I argued about the definition of classic narcissism, and he knew that I would remember that, and he also quoted Genesis, chapter 23, verse 4. Read it."
You lean forward, taking the book from him. "'I am a stranger and a sojourner with you. Give me property, forbear a place among you that I may bury my dead out of my sight.'"
"He wouldn't get it wrong unless it was on purpose."
"Bury my dead," Morgan repeats, his eyes widening. "He's in a cemetery."
***
Hotch heads to the nearest cemetery with Morgan and Gideon, while you follow closely behind, with JJ in the seat next to you and Emily in the back. The drive is short, and you all throw yourselves out of the SUV when you park, as everyone spreads out to search the cemetery.
"Come with me," you tell JJ when you see her eyes flit around the darkness, a slightly panicked expression on her face. "We'll find him."
The wet mulch of the graveyard sinks under your quick footsteps, and you keep your eyes peeled as his name choruses around you, from all of the officers milling around.
The search ends with the sound of a gunshot, and when you get to the source, you nearly collapse with the relief of seeing Hankel on the ground as Reid kneels beside him.
"Spencer," you gasp as the other agents examine Hankel's body. He looks up at the sound of your voice and his face contorts for a second as you kneel in front of him.
A small sound leaves his mouth and suddenly your arms are crushing him to you, your panic ebbing away with the rapid rise and fall of his chest. "You're okay. You're okay."
Hotch reaches out when you break apart and helps him up before Reid pulls him into a tight hug that surprises everyone. "I knew you'd understand."
Hotch tightens his arms for a moment, before they both pull back and JJ throws her arms around Reid. "I'm so sorry."
He pats her back, and for a split second, you can almost imagine he's comforting her, instead of the other way around. "It's all right. It wasn't your fault."
She steps away from him and he asks for a moment alone, so you all move back a few paces, allowing him the time to come to terms with the death of the man who somehow both tortured and saved him. You use the second of space to catch your breath as you will yourself not to let the tears of relief fall.
When Spencer finally stands up, you grab onto his shoulder as he wraps his arm around you, and you help him over to the ambulance that is waiting by the edge of the cemetery.
"Thank you," you gasp as he sits on the edge of the vehicle, suddenly unable to help yourself.
He frowns, his hair hanging in sweaty pieces in front of his face. "For what?"
"For staying alive."
***
The next case takes you to New York, where you find yourself hyper-vigilant as you watch Spencer try to acclimate to the job again. You can't help but notice the small changes in his demeanor, including the snappiness in his tone as he responds to everyone's questions, but you attribute it to the shock of his kidnapping.
After returning from the city, you decide to take some time to complete the paperwork you've been letting slide. Hotch managed to head home at a decent hour for once, and JJ and Prentiss are no where to be seen, but you spot Morgan twiddling his thumbs at his desk, his eyes darting over to peer at Reid almost as often as yours do.
An hour into scribbling out a case report, you head over to the coffee station to refill your mug. It has cooled down since you made it a couple of hours ago, but it still tastes just how you like it.
Burnt, Hotch's voice grumbles in your head. Even when he's gone, he won't leave you alone.
Topping off your mug, you turn around to get back to work and end up bumping into Reid, who looks worse for wear than he did on the jet.
"Shit, sorry," you smile, trying to get him to meet your eye. "I didn't see you there."
"Watch where you're going," he snaps, before stepping around you.
You don't let him get away that easily. Grabbing his arm, you hold him in place as he tries to wriggle away. "Spencer, don't do that. You know you can talk to me about anything, right?"
"I'm fine," he says simply, his expression almost emotionless as he glances back at you over his shoulder.
"I'm serious," you say, putting extra emphasis on your words. "I know what you're feeling. I can help."
His expression shifts into one of animosity and something else you can't place. "You don't know anything about what I'm feeling."
His words are like a slap to the face, and he uses your break in focus to tug himself out of your grip and stalk over to the bathroom around the corner.
You press your lips together, willing yourself not to take it personally. He's just been through a horrifying ordeal. No one can expect him to continue on like normal, at least for a little while.
"Something is up with him," Morgan says from his desk, before spinning in his chair to look at the spot where Reid walked away. "He's acting...hostile."
"He's just adjusting," you say quickly, your protective instinct coming out in full force. You close your eyes for a moment to calm your voice down. "This is a normal reaction for what he went through."
Derek doesn't look convinced, but he doesn't press the issue. You don't even know if you're convincing yourself, because you know why this kind of hostility and irritation manifests: when you're hiding something.
You weren't a particularly crazy teenager, so you didn't have much to hide from your parents, but there was one secret you held until you left for college that manifested in your daily interactions. One secret that changed how you acted around your best friend, how you spoke to him, how you even looked at him.
You push the thought away before turning to stare at the bathroom door as it falls shut behind Reid. You know Morgan's right. You just don't know what to do.
***
"Hey, Reid," Derek says, looking at him with a small smile. "What's going on up there?"
He shrugs. "Just thinking of this old friend of mine from Las Vegas, Ethan. Pretty sure he lives in New Orleans now."
JJ called you at home a few hours ago with the briefing and an instruction to pack for warm weather. Wanting to pack light, you threw on the tank top you planned to wear, and a button-down for the flight. A few cursory glances around the jet tell you that almost everyone else had the same idea. Of course, Hotch is still in his suit, and Reid has on a sweater vest that you're sure he won't take off, even if the temperature skyrockets.
"Really?" Derek asks. "You going to give him a call?"
Reid shrugs again, and you absentmindedly wonder if his shoulders hurt from the number of times he has used that motion over the past week. "We grew up competing against each other in absolutely everything. Spelling bees, science fairs. We also both had our hearts set on joining the Bureau but first day at Quantico he backed out."
Emily, who is sitting next to you, looks up with a grin. "He probably just couldn't take the heat."
"It's not really for us to judge, is it?" Reid states, and her face falls immediately.
"Right. My bad."
He hasn't been as irritable in recent days, but sometimes a random response will rub him the wrong way. You find Emily's hand on the armrest and squeeze it once. She looks down at her hand and then at you, a grateful smile on her face.
JJ directs everyone back to the images that were recovered as you approach Louisiana.
"A slaughter like this takes time," you note as you examine the depth and shape of the wounds on the dead man in the photos before you.
"Andrei Chikatilo fantasized that the men he killed were his captives," Reid adds, chiming in from across the cabin, "and that torturing and mutilating them somehow made him a hero."
Gideon nods, looking up from his file. "This city's barely back to life. Something like this could cripple its psyche."
"So," you say, looking at JJ. "Where do we start?"
She sighs. "All of the records were washed away in Katrina."
"With no case files, there's only one place we can start," Hotch says, drawing your attention. "Square one."
The plane lands soon after, and you disembark into the midday heat, heading to the latest crime scene immediately after dropping your bags off at the station.
Instead of a body, there's a very alive man waiting for you all at the scene.
"You must be BAU," he says, reaching out to shake JJ's hand. "Will Lamontagne."
She smiles at him, accepting the handshake. "Hi, Jennifer Jareau, we spoke on the phone."
The detective is looking at her so intently, you almost feel like you're interrupting something by bring here. "Okay, then. I pictured you different."
You glance over at Emily, who is already looking at you, a smirk on her face.
"These are Agents Gideon, Morgan, Prentiss, and L/N," she introduces. "This is Detective William Lamontagne Jr."
He nods at you. "Appreciate you guys being here."
"Of course," you say, trying to keep the smile off your face as you shake his hand. Beside you, JJ has turned a light shade of mauve that you presently allow her to pretend is just from the heat.
***
"Morgan called," Hotch mentions when you finally meet him back at the station. He hasn't seen you since you got off the plane. "He and Prentiss think the unsub is a woman."
You ponder the idea, your eyes lighting up as the gaps in the profile get filled. "All straight male victims, killed while on a night out at the bars. Always in groups of other men, drinking. A woman would be able to lure them away. That makes sense."
He nods, turning back to the letters from the unsub. He's about to call the rest of the team back in when he notices your forehead crinkle out of the corner of his eye. You look up at him. "Wait, you said Prentiss and Morgan think it's a woman. What about Reid? Didn't he fly out with them?"
He sighs, mentally kicking himself for letting that slip. He doesn't want you worrying about Reid any more than you already have been, but he knows there isn't anything he can do to stop you. "Apparently he missed the flight. They couldn't get ahold of him."
"What?" Your brow furrows with concern, and he quickly interjects to keep you from spiraling. "They will be back from Texas any minute now, and Gideon said he spotted Reid heading over here a few minutes before you arrived. Nothing has happened to him."
"What are you talking about?" you exclaim, before bringing your voice down. "The worst thing happened to him. He's hurting more than any of us can possibly imagine. I just don't know how to help him get through it."
He doesn't correct you. He doesn't say that almost every single member of this team can at least somewhat relate to what Reid may be feeling, including you. Instead, he puts his hand on your arm and says, "You're doing all you can."
You sigh. "And what's that?"
"You're promising to be there when he's ready for your help." He sees the tension visibly leave your shoulders, and he pulls his hand back. "That's all any of us can do."
***
When another body is found in the French Quarter, the plan changes. Everyone disperses in pairs to cover the streets in the hopes of catching the unsub in action.
Even as night falls, the temperature doesn't, and you strip off your over-shirt, leaving you in a pale pink tank top. When you emerge from the bathroom, Hotch is the only one waiting for you outside, with all of the other pairs already patrolling Bourbon Street.
He gives you a funny look when he sees you tying your button-down around your waist, and you bump your shoulder against his with a laugh. "What are you looking at?"
He exhales in a quick burst, before meeting your eye. "You look different."
"That doesn't sound good."
"No," he shakes his head, his eyes blinking shut as he clearly regrets his choice of words, "no, it's good...uh, you look good."
Your stomach flips and you turn your face down to hide the smile that's threatening to appear. "Thanks, Hotch."
He huffs out a laugh before leading you up to the bars, where tourists are bustling around in large groups. The sounds of buskers playing their accordions at the street corners loosens a memory from your brain, and you turn to him with a bright smile. "Remember your first performance of Pirates of Penzance?"
He frowns. "I remember it being my first and last foray into the world of theater."
"No," you giggle, glancing around you periodically even as you continue the story. "I mean, do you remember how that one accordion player tripped and almost fell into the orchestra pit like ten minutes into opening night?"
His eyes light up at the memory and he laughs. "I thought it was hilarious, but Haley was so stressed out the whole performance. To this day, I've never seen that vein in her forehead get so big."
"You were pirate number four," you chastise him with a grin. "She was one of the leads. I hardly think you can compare experiences."
He shrugs, his eyes still scanning the vicinity. He looks like he wants to say something, but then you both notice Morgan and Reid rushing towards one of the side streets and your conversation halts. "Let's go."
***
With help from Detective Lamontagne and his late father, the team is able to catch the unsub right before she kills another man. Once she's in custody, you wait outside by the ambulances, watching from afar as JJ and Will talk by his car.
After a few minutes, she hands him something and walks back over to where you're standing. "I can't believe I just did that."
"What did you do?" you ask, trying not to laugh at how freaked out she looks.
She puts her face in her hands for a second, before looking at you with a sigh. "I gave him my number."
"That's good!" you smile, squeezing her arm. "That's good, right?"
"I don't know," she says softly, her eyes squinting as she looks at you. "He seems really sweet. And he's clearly great at his job. I think the distance just worries me."
"You can take it slow," you tell her earnestly. "This doesn't have to be any more serious than you want it to be."
"What if I want it to be serious? Eventually, I mean."
You can't help but smile at the look on her face. You recognize it on yourself from when you first met Jeff: the excitement of possibility. "Then that's up to you too."
She nods, and you let out a smile. "Let loose, JJ. He seems like a good one, and you definitely deserve something good."
JJ glances over at the police cars, where Will is talking to one of the paramedics. "I hope so."
***
You sit by yourself on the flight home, giving yourself a bit of time to unwind from the case. You don't encounter female unsubs often, but the ones that arise always have a tendency to get under your skin. Maybe it's because their motivations seem so different from the others. Or maybe you just feel bad for them.
You're so zoned out that you don't realize Spencer is sitting next to you until he taps your arm. "Hey."
"Hey, Spence," you smile, trying to keep your tone light so he doesn't think you expect too much. "What's up?"
He looks down for a beat before meeting your eyes. "I'm sorry."
Your heart twists and you press your lips together to keep from speaking too quickly. "You never have to apologize to me."
"I do," he says, shaking his head. "Please just let me."
He looks so strong all of a sudden. You haven't seen him look so steady in months, and it makes your chest feel lighter. "Okay. I forgive you, Spencer."
He nods, making a move to get up, but you don't let him get away just yet. "Just promise me something."
He purses his lips, like he's unsure of how to respond, but eventually he dips his chin into another nod.
"Promise me that next time you feel this way, you'll come to me."
He looks at you with an expression you can't decipher, but it quickly falls into contrition. "I promise."
***
"What are you thinking about?" Hotch's shoulder bumps yours as he sits down on the edge of the desk next to you.
"Nothing," you say quickly. He's not sure why you're lying. He can sniff out your dishonesty from a mile away.
"I thought you and Reid got a chance to talk on the plane last week," he frowns, following your line of sight.
You sigh, turning your gaze away from the younger agent. "We did. I just keep thinking about what he said about the unsub at the last scene."
He's like a drug addict.
It would be almost impossible for him to quit without help.
"All of us knew," he says softly, his eyes turning up, searching for something he can't see. "To some extent, we knew. But he's doing a lot better now. We just have to give him time to trust us with the truth."
Your eyes find his. "How did you know you could trust me? When we were kids, I mean?"
Your question takes him aback. He wants to say something profound, to mention a specific moment when he realized that he could share the worst parts of his life with you without the fear that the world would end, but it wasn't that poetic. All he knows is that you were a kid, and he was too, and the first time you saw the splotches of black and blue painting his skin, you didn't turn away. You looked at him, not with pity or sorrow, but with a strength that he still draws from to this day. "I think I just knew you would always be there."
You ponder his words, your eyes traveling back to Reid, who is flipping through a book he brought with him. He knows there are a lot of ways you could take what he said, but he believes you'll take what you need, because he was telling the truth.
You really were always there for him. Even when you weren't - either because of physical distance or because you were in a fight - he never doubted that you would be there if he needed you.
"Come on," he says after a beat. "Let's head back."
You nod, your mind still a million miles away. "Okay."
***
Friday nights used to be your date night. Jeff would promise to be home by seven, usually with a bottle of wine and a bouquet of flowers, and you would cook something special together before watching a movie or falling into bed.
After he died, Friday nights became your least favorite time of the week, serving as a constant reminder of what you should have, and no longer do.
Today, for the first time in over two years, you think you might be ready to remember those nights you used to love. Grabbing a bottle of cabernet from your pantry, you pull out a thin-stemmed glass and pour yourself some wine. Your heart thuds heavily as you swirl the wine around, and you are willing yourself to bring the glass to your lips when your pager goes off. You feel a shameful sense of relief as you set your glass down and reach for your purse.
181 Arthur Street. Why does that look familiar?
You wrack your brain for a second before it clicks. It takes you less than a minute to toss your wine into the sink and grab your coat.
***
"Where's Gideon?" you ask when you spot Hotch and the team standing in his kitchen.
"He's not here," he replied. "It seems he left in a hurry."
Morgan looks at him with an urgency you recognize in yourself. "PD thinks he did this?"
"They have six witnesses who saw him running down the street covered in blood, wielding a gun."
"Okay, he was probably chasing the son of a bitch who did do this."
Hotch shrugs, and you can feel the momentary helplessness in the motion. "Either way, we're under strict orders not to get in the way of the investigation."
"Gideon's a suspect," Emily nods, "we're his colleagues."
"Conflict of interest," JJ agrees. "There's no way they'll ask for our help."
"Which he needs badly right now."
You turn into the bedroom to look at the crime scene for the first time. The mutilation of the victim's body brings a familiar nausea to your stomach that you swallow down. "Do we know who she is?"
Hotch comes in behind you. "An old school friend." He turns back to spout off a list of instructions to JJ, but you can't take your eyes off of the woman.
Evisceration of the torso. Removal of various organs. No defensive wounds.
Something in her hand catches your attention and your eyes flicker down to see what she's clutching. Using one of your gloved hands, you pry open her fist and reveal a broken piece of bone. A rib bone.
"Frank," you whisper, almost to yourself. "It's Frank."
"What did you say?" Morgan asks, stepping up next to you. You unfurl your hand to reveal the bone, and he swears under his breath. He turns around to address the rest of the team. "Frank's back."
After JJ snaps a dozen photos of the crime scene on her phone, you all head out into the night air to regroup and formulate a game plan. You hang behind the team on the walk out, your mind spinning with memories of hands and voices you still see sometimes when you're trying to fall asleep.
"Y/N." Your eyes snap up to Emily's as she strolls alongside you. "You okay?"
She looks sincere, and you find yourself wanting to talk all of a sudden. You nod, heaving out a sigh. "Yeah, it just feels very fresh all over again."
"I can imagine." She takes your hand and gives it a small squeeze. "You can come to me if you need a break from all of it."
She leaves you with an earnest smile, and you realize, not for the first time, how glad you are that she's on the team.
***
You aren't able to save Rebecca Garner this time. Frank kills her, and you once again feel that familiar bitterness of nausea rising in your throat as you see her mutilated body.
When you realize he's going to go after children again, you join Hotch and Morgan as they go to Tracey Belle's house.
"We need a crime scene team," Hotch barks into his comm when the home comes up empty, no trace of anyone inside.
"That's my house!"
You turn around and see Tracey's parents running up to the entrance, panic reflected in their eyes.
Hotch steps forward to block them. "Mr. Belle..."
"You have to let us in. My daughter's in there."
He turns to the mother. "Ma'am, you can't go in right now."
"Where's Tracy? Where is she?"
You can see the interaction pulling him down, like a ship anchored to the sea floor.
"What's important to know right now is Tracy is alive, okay? Your daughter's alive."
S.W.A.T. takes the parents aside to explain the situation to them in more detail, and you go to Hotch's side as a pained expression crosses his face. More than anything, you want to comfort him. To tell him that Tracey isn't Jack, that this won't happen to him...but how can you?
Gideon's girlfriend was murdered tonight. Jeff was killed while undercover. Your mother was killed by a drunk driver. No one is ever really safe.
Your eyes flash back over to Mr. and Mrs. Belle, and your chest tightens almost uncontrollably as you imagine how scared Tracey must be.
When Emily and JJ find Jane in a holding cell at the local precinct, her knowledge of Frank's backstory provides more clues about his whereabouts. You go with JJ and Reid to his mother's apartment in Manhattan, while the rest of the team heads to the train station to find Frank.
The idea of Tracey being all alone, frightened for her life, plagues your every thought as the three of you drive to the city. You try to clear your mind as you push through the front door and check for any sign of life. Instead, what you find is the dusty corpse of Frank's late mother.
"Guys, over here." Reid points to a latched door. Stepping around the bed, you immediately unlock the door and throw it open, revealing the tiny, shivering form of Tracey.
"Oh, sweetie," you gasp as sits up in fright, her posture only relaxing once she sees the FBI vests. "You're okay, honey."
You undo the ties on her wrists and she all but falls forward and into your arms. You pull her into a tight hug, making sure to be careful of any possible injuries she could have sustained. The feeling of her chest rising and falling against yours brings you a familiar comfort, and you squeeze her tighter, before finally letting go.
***
He finds himself in Strauss's office again as he explains what happened with the Frank case. How he killed himself and Jane, but he can't bring himself to take that as a failure, because he knows she never would've found the strength to leave him anyway. "Once again, the team has battled a monster and won."
"The future of the BAU is not in the balance here." Her eyes are brimming with scorn. "The residual impact as a result of the investigations into the crimes and criminals you pursue is. Every cause has its effect."
He almost scoffs. "You think I don't know that?"
"I believe you are no longer effective in your post."
There it is. He knows she never liked the way he handled his team. The next words are out of his mouth before he can stop them. "The modern furniture, strategically placed magazines, the framed diplomas, the art on the wall are all in conflict with your family photos."
Her eyes widen but he just continues, undeterred.
"You have three children, but you favor the middle one, your son."
"What do you think you're doing?"
"Of course you love all your children," he shrugs, "but not like your son."
Strauss twists her hand into a fist. "That's enough."
"The bonsai that you obsessively nurture is to compensate for feelings of failure as a mother..."
"Agent Hotchner," she says, her voice bordering on rage. "I said that is enough. My position is not in question here. As your superior I am questioning your ability to lead your team."
"My team?" he scoffs, unable to keep the malice from his tone. "Let me tell you about my team. Agent Morgan fought to protect his identity from the very people who could save him. Why? Because trust has to be earned and there are very few people he truly trusts.
"Reid's intellect is a shield which protects him from his emotions and at the moment his shield is under repair.
"Prentiss overcompensates because she doesn't yet feel she's a part of the team. She needn't worry.
"Every day, Agent Jareau fields dozens of requests for our team. And every night she goes home hoping she's made the right choices.
"Garcia fills her office with figurines and color to remind herself to smile as the horror fills her screens.
"Agent Gideon in many ways is damned by his profound knowledge of others, which is why he shares so little of himself. Yet he pours his heart into every case we handle.
"And Agent L/N," he pauses finally, taking a moment to find himself again, "she has taken the immense loss that life has handed to her and transformed it, not into cynicism, but into empathy, for her team, for the victims, for the world."
Strauss doesn't say anything, and he can't help the vindication that shines through his voice as he says, "I stand by my actions and I stand by my team. And if you think that you can find a better person for the job, good luck."
"Agent Hotchner," she emphasizes, making him look back at her one last time.
"How do I know you favor your son?"
She simply looks at him, a mixture of irritation and shame on her face.
"I'm good at my job."
***
"What's wrong?" Hotch looks up in surprise as you sidle up next to him. He was staring at the portrait of the FBI director, hanging in the hallway outside the bullpen, and he only does that when he's professionally stressed.
He looks like he wants to avoid the question, but you fix him with a glare that makes him sigh. "We're being evaluated."
"Doesn't that happen every year?" you ask, still not understanding.
"It's six months early."
You take a deep breath. This past year has been tough for everybody, but you think the team has come through the other side better people. "So they're assessing our unit. It'll be fine, we did great work this year."
"The only file they didn't request was mine."
That sends a spike of anxiety through your bloodstream, but he doesn't need your fear. "They could never fire you. You stepped up to the plate when Gideon left. You helped make this unit what it is."
You're the reason I joined at all, you want to say. You made this unit my family. I can't imagine being here without you.
But that isn't fair. He doesn't need to carry this with you. This burden of having no one else.
So instead you just smile at him, bump his shoulder with yours, and say, "You're going to be fine. This team wouldn't be the same without you."
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