#some of this was them better understanding how to write the characters and their personalities in a way that made sense

[animentality]

I've always harboured a mild dislike for x reader stuff. I never really held it against people because I don't have the time to antagonise them, but it was so upsetting when every time I opened the fandom tag and all I saw were posts and posts and posts of bland x reader stuff that clearly is ooc with no real substance to them at all. So many of the RP blogs seem the same way.

As someone who tries to make analysis posts and art for the same fandom, it is disheartening when I spend hours and hours on an analysis post about a character and it maybe hits 120 notes while an OOC x reader of the same character soars to the thousands. Maybe it's selfish of me to say but I say it anyway.

The fandom is full of youngsters and I never felt comfortable voicing my opinion for the same because it just felt wrong to tell kids to stop existing in communities. But the amount of times I've been put down for shipping characters with each other rather than myself is an honestly surprising number.

Um. I don't really know where I was going with this.

But your post definitely opened my eyes a little bit on even why I dislike x reader so much. It's sinking in a little bit. My hatred for OOC stuff seeps into this, I suppose. So I wanted to say that. Yeah. I agree with you.

Thank you for saying it.

Signed,

A fellow analyser / artist / fanfic writer lmao

— @lunarcloak

I get you, man.

I know self shippers have always existed.

I don't mind them. If that's how you enjoy the media, then fine.

However.

I just don't think that the sudden rise of self shippers over fan analysis and shipping is a good sign.

I think it comes from a lack of media literacy and willingness to actually engage with a piece of fiction. At least shippers and fan analysts actually talk about the world and plot itself.

self shippers imagine themselves dating a character in an au that is completely disconnected from the story, and acting in a way that's not even close to how they are in canon.

which to me is like... you have a creative writing prompt but it's not a story you're actually engaging with. someone showed you a picture of a handsome man and said write a story about how he'd kiss you.

and it's like... ok. there's no crime in just being horny, but... when that's all a fandom is... I don't consider it a fandom, it's just a masturbation fantasy.

I thought the whole point of fiction was to dive into the human experience and try and understand ourselves better. See the perspectives of others. Live vicariously in another person's shoes.

Fan analysis about themes? Perfect. You're thinking. You're feeling. You're articulating. You're growing as a person as you decide what you like or don't like, or try to put together puzzle pieces so that the whole picture makes sense. Shipping? You're imagining scenarios. You're bending canon to fit your interests. You are developing your own ability to write characters, and growing as an artist and a writer.

But self shipping...?

Eh.

You're writing, I guess, but when you reduce yourself to just... idk, some generic girl that Gojo decides is the Bella to his Edward... I mean I'm glad you're happy and all.

But how happy are you

Are you happy at all, or are you frustrated by this aching loneliness deep in your gut that you just don't understand, and it never quite feels whole bc you keep cramming nothing into it.

And it's not the loneliness or the social awkwardness that I'm criticizing here ok, shippers and fan analysts can be just as lonely. I just think that the human relationship to art should be confusion and appreciation.

you should be trying to understand others or yourself.

you can insist well what's so wrong with escapism? why does everything have to be an intellectual exercise?

it doesn't have to be ... but there's a reason people feel so hollow watching marvel movies.

art without substance is consumption. it's a distraction from your own humanity, it is not anything more.

not to you, anyway.

and I don't know.

that's really sad.

I've made so many friends through ships and babbling about canon and gushing about narrative beats.

I feel like I got something out of fandom, if other people force me to see the world in another light. I feel like a story has done its job if it's made me feel something. and it's really done a great job if I feel invested enough to hope two characters smooch.

but self insert?

eh. so you just like the character and think they're hot. that's fine.

not that interesting to talk about either. requires very little analysis on your part.

they just provoke sexual feelings or romantic feelings , which are easiest for you to process, and then you can move on to the next pretty boy you can turn into a Dom.

it irks me, man.

just a tad bit.

[sunflowersandchrysanthemums]

Why is SatoSugu so compelling?

Oftentimes, I gravitate to ships with solid characters who end up with poor writing decisions. Just look at any of my past Kalpollo fics, but SatoSugu defies this. Instead, Satoru Gojo and Suguru Geto are some of the best-written characters I've encountered in a long time. Expertly crafted as individual characters, a duo, and in their respective roles in the larger story of JJK. I believe it is within this masterful writing between these two characters that we find what makes the Ship so compelling.

Stirring beyond the surface of their ship tropes, we find a narrative that simultaneously presents us with two opposing questions: What change would need to happen to impact their fates? and would those changes be enough?

For more details and nerd stuff, see footnotes at the end of the post.

My intention here is not to provide a character analysis or study on what makes Satoru Gojo and Suguru Geto great characters, instead, what I am doing is reflecting on my personal reactions to this ship in order to better understand why I find it so compelling. (1) As well as doing some critical analysis of the writing.

When I get into a ship, I find a sense of compulsion to write fanfiction. My previous endeavors into fanfiction were fuelled by a desire to write these characters better endings and, more importantly, work through some personal trauma. (2) The end result is a fic that satisfies both needs, I get to create or explore these beloved characters more and gain personal insight.

So far, this has not been the case for SatoSugu, like everyone in this ship, I just want to see them to be happy. Similar to before, my first thought upon writing a fic was what would need to happen for them to have a happy ending; it seemed like a simple enough task. Instead of diving head first into writing, I found myself stuck with how well-written they were.

When I write fanfiction, I try to stay as true to the characters as possible, but these two have made this quite a challenge. Gege wrote them so well that I have constantly found myself doubting if these characters would do the things I imagine in my fics. I'll go on a fic planning session feeling great only to learn something new or remember a small detail about them, causing me to completely rethink my perspective.

I, as a writer, am stuck with determining how much would I need to change about their story for them to have an ending where they work together to change their society without completely altering what makes their characterization so compelling.

This conflict helps demonstrate just how well crafted Gege wrote these characters. So much of who they are, their personalities, their quirks, and their uniqueness, is tied directly to the events of Hidden Inventory/Premature Death. It is not an exaggeration to conclude that without HI/PD happening the rest of the events in JJK would not have happened or would have been drastically different. Again, now leaving me with the question, if HI/PD doesn't happen, then how much of Satoru's and Suguru's characterization is impacted? Am I still staying true to the characters? (3)

It is within this conflict that Gege has incited in many of us, both viewers/readers and creatives, that we find why the ship is so compelling to us. It makes us question ourselves, question what choices we would make, and think beyond what is shown to us to understand our interpretations. Never before have I had such a long and continuous visceral reaction when thinking about what happens to these characters. Their stories make me cry, but they also make me think.

They inspire me to not just reflect on their characters but to create something of my own and for that, I thank you Gege for giving the world this deeply compelling ship.

------------------------------------------------------------------------------Footnotes

Academically, what I am doing is phenomenological analysis, most in line with feminist thought; reflecting on personal experience to gain insight into a topic. In this case, I am using my personal reactions to SatoSugu as a part of gaining a better understanding of why I find them so compelling.

See my AO3 fics, Hues of Blue and Gray, and Apollo's Fathers

This is just my personal goal for fanfiction and not a statement on other writers' interpretations of Satour and Suguru

[typewritingyip]

First! Get better soon you awesomesauce typewriting fellar!! treat yourself with some warm tea and some rest!

also for the Q/A thingie i got a few question if it doesnt bother u much!

what inspired you to start writing and how did you get here? (as in writing bangers for the TF fandom we love you man)

For arcturus: do you have like an ending or story in mind? do you have scrapped ideas for the ending? (and may we peek??)

On the Arcturus 3 snippet we got the confimation that no texaid is taking place, however do you have other ships planned/ what are the pairings within arcturus? looking at u with googly eyes rn 🥺

ty for reading :3

Thank you so much!

Okay, let’s go in order!

What inspired me to start writing and how did I get here?

I started writing in middle school, not long after I had a major surgery and was in a dire need of an outlet. I mean back then I was writing on my index cards for class and just trying to escape the hell I was living in.

As for how I got here, I graduated from college back in May and sorta realized I hadn’t posted fanfiction in years, I have a few old pieces up on this blog but certainly nothing like Arcturus. I needed an outlet again cause I was spending 99% of my time studying for the LSAT. I never gave up writing, just gave up on posting it for whatever reason. So when this AU came along my sister and I were talking about it, then I started to write things down before it became my beloved Arcturus. If it weren’t for @keferon I probably wouldn’t have posted for another few months cause at the time I was working on a 10 chapter TFA Rock Star AU, which I’ll get back to at some point. This just was so inspiring.

For Arcturus: Do I have an ending or story in mind? Do I have scrapped ideas for the ending?

So, yes, I have an ending in mind. I’ve had this ending in mind for a bit honestly and love it so much, I just hope you all do too. As for scrapped ideas, well.. originally I wanted Red Alert to be human, then forgot and had him show up. I went back to my outline and just about cried. But it’s fine, I’ve made adjustments.

(As for peeking, mayhaps… I do a lot of stuff that I alter to a document in my commonplace book with other characters/my OC to get the ideas moving so maybe.)

Do I have other ships planned/what are my pairs in Arcturus?

Alright, I actually do have TexAid in this. So, the crew of Arcturus One does not know that First Aid is piloting suit 11, and the Arcturus universe of this AU, they’ve taken to calling that suit Vortex just cause he was such a famous pilot and they all know something isn’t quiet normal with that suit or those first generation pilots (they’d all be in their late 40’s early 50’s rn, so Swindle is maybe 46?). First Aid is pilot 3113, he was originally in Arcee’s spot for Arcturus 3 but I personally think that the eating the alien episode happened right before the announcement and things were moved around while he gets a psych evaluation done and the suit is cleaned. TexAid is canon to this AU even if I don’t know the characters well, I hope to understand them more by the time I write stuff for Arcturus 5.

Other ships? Now that’s where I’m having a blast. The obvious ones are Mirage/Hound, Knockout/Breakdown, Jazz/Prowl (they already are dating, just don’t want to make anyone uncomfortable), and Sunstreaker/Bluestreak for sure (maybe Sideswipe too but I’m still debating on how I want to do that/handle that.. idk yet.) We have background MegOp because it’s just a favorite of mine.

Then, we have Arcturus 3, Ratchet/Drift is just, *chefs kiss* to me, so that is happening but at the moment Deadlock is heavily pinning and Ratchet is oblivious. Honestly, most of Arcturus 3 is completely oblivious and I love that for them.

I plan to have other ships, but I think I’m going to hold those cards to my chest, for now.

Thank you so much for your questions! 💜

[m4ggotm0ld]

Natlan is literally the worst thing Hoyoverse has ever created, and for so many reasons, but they somehow made it worse by k!lling off the only good character from it

[koka-mi]

vent under the cut you don't need to read if you don't want to!!!!!!!

I honestly hateee opening up or oversharing with ppl. it's kind of like eating for me where it feels okay in the moment but then afterwards I just feel awful. it feels like I'm attention seeking or saying someone else's experience isn't valid for some reason and it sucks. I don't do it at all with ppl I just met but with friends I tend to get carried away with it sometimes,,,

It hurts even more because I've been distancing myself from ppl bcz I'm scared of this exact thing happening. People have messaged me before, saying I seem cool and they want to be friends. And I get happy in the moment, but then I get really anxious about accidentally getting too comfortable and blurting out personal things, because then their opinion of me will wane and they'll think I'm annoying or ungrateful. So I subconsciously begin to distance myself and take a while when responding to messages, because I'm scared of getting too comfortable with them. But now I'm anxious that they think I'm cold or distant and that I secretly don't like them. It's just a lose lose situation mannn </3

I have so many DMs I've put off responding to, and I've stopped talking in servers as much bcz I'm scared of getting close with ppl in them. I really feel bad for it, though. I've drifted from friends bcz of that and it sucks because I genuinely love them a lot. I love everyone I talk to a lot and they always make my day better--I just wish I could be the same for them. I feel like it's a chore to talk to me. I honestly don't know what to do. It's even worse when I get close to someone bcz they like what I make/post because again, now that they've seen how I really am and I've opened up, they more than likely see me as annoying or a bad person. Like it hurts enough whenever we become friends naturally talking, but if it's with someone who's seen me at my "best" and has seen things I work on or stories I've created, they ofc associate me with those things, and their expectations of me are through the roof. So when I disappoint them it hurts a lot more. I hate getting attached to people it hurts so much

[sweetandglovelyart]

A little art/comic announcement: While Knightfall in Dream Land is still in progress and I’m still working on that I’ve also started plotting out the storylines for both the Daroach backstory comic and the Susie redemption arc comic that I want to do.

Before I started drawing Knightfall in Dream Land I did some very simple pencil sketches with dialogue written on them to get an idea for the direction the story of the comic would go in and get an estimate of how long the finished comic would likely be/how many pages it would likely have. That’s the stage I’m at right now with the Daroach comic and Susie comic. I’m planning to start posting actual pages for both of these comics in January 2025, because I want to get a little bit further into Knightfall in Dream Land first before I launch the new comics. The final length may vary a little bit depending on whether or not I decide to add more stuff or change some of the dialogue I’ve plotted out, but when Knightfall in Dream Land is finished I’m estimating that it’ll be around 34-36 pages, so I’d like to maybe get to page 20 or so before I start posting the new comics. Knowing how slowly I update I’ll probably hit page 20 around late December of this year so January is likely when I’ll be launching the new comics.

Like I’ve mentioned before I’m also still very busy with grad school stuff (I’m working very hard to finish up my PhD in the next year and hopefully get a job lined up if I can so I don’t have to live with my parents when I graduate) so comic updates might get even slower than they already are in the coming months. Thank you to everyone who’s been reading the comic even though I update it really slowly, it really means a lot to me to see people enjoying what I’ve created, and I hope you’ll enjoy the new comics too when I eventually start posting them.

[idk-i-want-mcl-content]

lol

[thedevotionaltour]

karen is MY special white woman. my problematic fave. because i understand why she sucks. i think in order to be allowed to be a karen fan you have to actually understand why she sucks. if you don't understand why she sucks then you're a bad karen fan i think.

[ablizmal]

light yagami would eventually manipulate and convince everyone that juliette is emotionally unstable and should be put into a mental institution, and everyone on the taskforce would start to believe it because not only are they being manipulated, but also they would choke on light’s boots if they could.

he would for sure mix misogyny into his reasoning (EVEN THO I’M NOT A WOMAN??? OKAY TWINK BOY LOL) and would start it off “i didn’t want to say this, but…” even tho he LOVES the fact that he’s saying it :/

[br1ghtestlight]

biggest changes over the years have been tina becoming a lot more confident and less anxious about performing or having attention on her, louise getting a lot more mature/empathetic towards other people and gene getting a lot less mean and aggressive for no reason

[wreckedhoney]

^^ "coming to the conclusion that positioning the "can people enjoy things that would be immoral IRL in their fiction" debate as a proship v anti fandom debate is akin to pretending that "should we have the death penalty" is a discussion that only matters in Death Note discourse"

not proshipper not anti but a secret third thing (person who has a career in the media and, through covering legislative politics, has watched "associating with problematic fiction or entertainment is an indicator of moral degeneracy" rapidly become a mainstream GOP position that they are encoding in legislation to target the queer community under the guise of protecting children, thus coming to the conclusion that positioning the "can people enjoy things that would be immoral IRL in their fiction" debate as a proship v anti fandom debate is akin to pretending that "should we have the death penalty" is a discussion that only matters in Death Note discourse — the extent and manner to which fiction affects reality is an issue that is immediately relevant to today's US politics, and to summarize my opinions on the matter in fandom terms would be to diminish the ways this debate is affecting america Right The Fuck Now. and i have stopped taking "this person is bad for shipping the wrong anime thing and being horny about it" in any sort of good faith ever since I saw it literally used as part of a GOP smear campaign against a transgender state legislator in an attempt to defend the right from backlash after they used their supermajority in the Montana house to prevent her from speaking on the floor. Anyway I think everyone on this site, especially Americans, could benefit from ceasing to think in proship v anti vocabulary and instead developing coherent political positions on the nature of fiction that do not directly align with current fascist political tactics)

[kianamaiart]

IDWTBAMG CHARACTER FUN FACTS

Well, some fun facts and mostly lore or character relationship stuff. Under the cut!

AIKA

Aika became the next Star Guardian at age 13. She’s 15 now

Aika’s want to help people and relentless positivity were part of the reason she was chosen to be the Star Guardian: Guardian of the Stars in the first place. While her love for the job has fizzled out, this aspect of her character still a core part of her.

She’s very kind and gentle person but that kinda goes out the window when magical duties are brought into the equation

Her and Hoshi care about one another but their relationship is currently a bit tense. They’re usually pretty quick to make jabs at one another

She struggled to get used to the platform shoes in her magical girl outfit

She LOVES food. And her eyes are usually way too big for her stomach leading to many a food coma

Aika and her teammates worked in secret for the most part, not really being allowed to “exist in the real world”. Because of this, with the free time she had, Aika would read a lot (she’s actually very book smart)

Aika loves extreme sports and is an adrenaline junky. However, rollercoasters freak her out for some reason

Aika drags Zira into lots of new eperiences. Zira usually ends up appreciating the experiences after the fact 

Aika’s a morning person

ZIRA

Zira is smart but doesn’t apply herself in school

They have a lot of artistic interests, particularly art, music and fashion

She likes the idea of writing fanfiction in theory but writing’s sooooo much work. Any ideas she has just kinda live in her head, causing her to zone out and daydream a ton

While shy for the most part, Zira can be very blunt and isn’t necessarily a pushover

Prior to Aika, she didn’t have a lot (any) friends at school but she’s mostly content doing her own thing

They’d hang out in Miss’ classroom a lot, either to show her Moon Sailor stuff against her will or just to have lunch

Zira loves playing video games and especially loves visual novels

Zira develops a crush on Aika pretty quickly. Aika’s kindness, authenticity and bravery is inspiring to Zira. Also Aika’s the only other person her age to really give her the time of day. And also she thinks Aika’s pretty

She thinks Hoshi’s really cool and since Aika doesn’t particularly enjoy talking about her job, Zira usually goes to Hoshi for magical girl questions. Initially Hoshi doesn’t trust Zira with that information but is really flattered to have someone who looks up to them and is interested in everything they have to say. So they indulge when appropriate.

Zira’s a night owl

HOSHI

Hoshi saved Aika when she was really young and has kept her safe ever since

Hoshi and Aika started off kind of like siblings but Hoshi then became her boss, making their relationship a bit strained and more complicated

Their role as a magical mascot managerial in nature. They make Aika and her team do their jobs, follow protocol, teach them how to use their powers, keep up morale, do timecards, etc.

While Hoshi oversees this team, their responsibility is primarily to the Star Guardian

Hoshi, much like Aika, used to be really chipper and a bit more goofy but Aika’s kinda worn them down overtime

Hoshi’s not a fan of Earth, but in an effort to better understand Aika’s feelings, tries out being a human and doing Earth activities

Hoshi takes a while to get used to their human form. They’re really clumsy in it

They have a hard time making hands for their human form. Their hands are slightly different every time but equally terrifying. They eventually get better at making them though.

Hoshi doesn't use their human form too much. Most people just assume their Aika's weird pet bird

Hoshi doesn't need to eat but discovers they enjoy the act of eating

ECLIPSE

Eclipse is one of the few humans that know that Aika and the other magical girls exist

He met Aika pretty early on in her magical girl career and he was immediately enamored with her

Since finding about magical girls, he’s obsessively tried keeping track of them, leading him to start acting out in order to get their attention. They only really care because he knows their secret and they play along

He and Devoid made his current outfit together. DeVoid wanted to make it black but Eclipse was set on making it very bright and showy

Eclipse currently resides with DeVoid. He gets on her nerves sometimes but they both do care about each other

Eclipse is a pretty good cook 

Eclipse isn’t particularly hateful but he’s really got beef with Zira for some reason

It’s hard to tell if Eclipse is really in love with Aika or if he just loves the concept of their nonexistent relationship

Eclipse has a lovely singing voice

His real name is Elio

LADY DeVOID

DeVoid was banished to space by a Star Guardian. For a LONG time she lived (unconsciously) as a sort of celestial being that would spit out monsters that the Star Guardians for many generations would have to face. While not ideal it was better than fighting DeVoid before she got to full power.

DeVoid finally wakes up in the present timeline, with no memories other than being banished by a Star Guardian and wanting revenge and knowing that she’s supposed to be able to create monsters. Unfortunately for her, she doesn’t remember how to use her powers. She doesn’t even remember her name, so she came up with “Lady DeVoid”

DeVoid loves human reality TV. Specifically competition shows. She loves how petty and evil people become

Reality TV is where most of her knowledge of humans comes from

Though DeVoid is pretty stoic, her ears are very expressive

DeVoid taught Eclipse how to do his makeup

She really likes Eclipse’s cooking

When she’s out and about she’s usually wearing sunglasses because it’s simply too bright for her

DeVoid does have to work a normal job in the human world and simply goes by “Dee”

People rarely question her appearance (because that’s just rude). But when people do ask what’s up with her horns she just says “it’s a condition” and that’s usually enough for people to just end the convo there.

MISS

Miss loves her job more than anything. She’s a very accomplished teacher and takes a lot of time to make sure all of her students succeed

Miss cares about Zira a lot. Always staying in her classroom just in case Zira wants to stop by for lunch, giving her advice or giving her extra tutoring as needed 

Because of Zira, Miss has become a closet Moon Sailor fan

Though Aika’s just started attending school, she and Miss have bonded quite a bit. Aika’s positive disposition and cheeriness bring Miss a lot of joy

Miss keeps her personal life (not that she really has one) out of work but finds herself opening up a little more than she’d like to Aika and Zira

Miss used to get really antsy during summer breaks, leading her to start teaching summer school to fill the time

Her workaholic nature was the reason for her and her ex-wife’s divorce

Miss has gone on one date since her divorce. The idea of having starting over is exhausting to her so she’s mostly okay just being single

Miss doesn’t really like coffee but she drinks a lot of it out of necessity

Miss has a ton of tattoos

[luvelydelilah]

Struggling with emotional scenes? Here are some tips for writing emotion!

=========

1. While you’re writing, try to build an explanation for their feelings. What triggered their emotion? Is their reaction rational or are they overreacting? Do they fight, flight, fawn or freeze when provoked? Do they feel threatened? 

=========

2. Show, don’t tell. Describe what is happening instead of plainly stating the situation. Try not to use words like sad, happy, devastated, in pain, angry, nervous, scared, or worried. They cut back on the emotional integrity of the scene and make it hard for readers to connect with your characters. Here are some different behaviors for different emotions.

-Eager-

Bouncing up and down

Unable to sit still

Breathing deeply

Fidgeting

Pretending to do something

Trying to stay busy

Constantly looking at the clock

-Nervous-

Red and hot face

Sweaty palms

Voice cracks

Shaky hands

Biting nails

Biting lips/inside of cheek

Wide eyes

Shallow breathing

Heart racing

-Excited-

Wide smile

Squeal/scream

Bouncing up and down

Fidgeting

Playing with hands

Tapping foot

Talking fast

Tapping pencil

Pacing back and forth

-Scared-

Curling up/bringing knees to head

Closing eyes

Covering ears

Stop breathing or breathing quickly

Biting nails

Shaking

Gritting teeth

Hugging/squeezing something tight

-Frustrated-

Stomping

Grunting/mumbling/yelling

Deep breaths

Red and hot face

Hitting/kicking something

Pointing

Straining/veins become more visible

-Sobbing-

Eyes filling up with tears

Eyes burn/turn red

Red cheeks

Face becomes puffy

Pursed lips

Holding head down

Hyperventilating

Fast blinking

Trying not to blink/holding back tears

-Happy-

Smiling wide

Laughing loudly

Cheeks hurting

Talking loudly

Higher pitched voice

Animated/expressive

-Upset-

Walking slowly/shuffling feet

Head down/avoiding eye contact

Biting inside of cheek

Dissociation

Keeping quiet

Fidgeting

-Bored-

Pacing back and forth

Sighing loudly

Complaining

Fidgeting

Blank face

Looking for something to do

Making up stories

Talking about random topics

=========

3. Try and bring some trauma into your character’s emotions. For example, something might happen that reminds them of a suppressed/traumatic memory. This is an easy way to hook your reader and have them really feel like your character is a real person with real emotions. They might have some internal conflict they need to work through and a certain situation reminds them of that. They might become irritable at the thought of their traumatic experience and they might snap at whoever is nearby. 

=========

4. Most characters won’t dump their entire backstory or feelings in a conversation. Try and reserve your character’s emotions to make more interesting scenes later on. For example, your character may be triggered and someone may ask them what’s wrong. Will they give in, soften up and share? Or will they cut themself off and say they’re fine? Also take into account that your character might not know the other character very well and won’t be comfortable sharing personal information with them, like details regarding their trauma.

=========

5. Last but not least, you don’t need to have a major event happen to connect emotionally with your audience. You don’t have to kill off a character every time you need to spice up your story, even simple interactions can just help your readers understand your character better. Show how they react to certain topics or situations. Describe their feelings, their surroundings, their body language. Their defense mechanisms will help the audience to better understand what kind of person they are.

=========

[literaryvein-reblogs]

Writing Notes: The Shape of Story

by Christina Wodtke 

Start with Conflicted Characters

The character needs a goal, a motivation and a conflict.

The goal can be alien to your audience,

but the motivation must be shared by them, and

the conflict creates struggles that increase engagement.

Paint a Picture

Details transport you into the story.

The world disappears and you have a story play in your head.

Even though there are no literal pictures.

But be careful—Too many details and the story gets bogged down.

Make the Protagonist Suffer

���Be a Sadist. No matter how sweet and innocent your leading characters, make awful things happen to them - in order that the reader may see what they are made of.” (Kurt Vonnegut, How to Write a Great Story)

And when it can’t get any worse, make it worse before it gets better

The two key moments that create the peak of excitement in a story is the darkness before the dawn, and the dawn. 

The climax is the moment when the protagonist is either rescued or rescues themself.

In older tales, we saw a lot of Deux ex Machina (the hand of god) rescuing the hero. A hero could be rescued by luck, a partner, another hero…but modern audiences strongly prefer stories where the protagonist helps themself.

Resolution is Boring, Keep it Short

Interest grows with every additional conflict, but once the hero figures out the solution, our fascination collapses.

Don’t natter on while the audience’s mind is drifting.

Also Consider:

You need a good inciting incident to move your protagonist to action.

A setting is more than a place, it’s a situation and a moment in time. A vivid place has details.

Modern audiences prefer “return home changed” to “return home the same.”

EXAMPLES: ARCHETYPAL PLOTS ALONG THE ARC

Boy Meets Girl

Internal conflict is always satisfactory (e.g., she believes love interferes with his career, he believes love interferes with his beer.)

The crises usually revolves around betrayal — lying, cheating — and the climax shows it was a misunderstanding or we get atonement.

The struggle is always about them being separated.

The resolution is about binding them more tightly together than ever.

The Quest

You seek things, and find yourself.

Return home changed and don’t pass go.

Common elements include companions, a mentor, great losses and extreme character arcs.

The Underdog

Even though they do not have a shot in hell, the underdog wants something. They want it so bad.

Common elements include an enemy who blocks their path, and a coach who helps them forward.

In this case, they do not return home changed but rather move into a new life that fits their changed self.

Coming of Age

Naive person has the world teaches them a hard lesson, and they become a better person for it.

Struggle revolve around life sucking and then sucking more.

The hero grows and becomes better because of it, and via new understandings becomes competent.

In some tragedies, the world breaks them.

They can return home changed, but more often they move to a new life they have earned.

More Examples. Justice & Pursuit:

Weaving Multiple Plots:

Weaving multiple plots together to make subplots can further increase tension.

Multiple plots woven together makes the whole story not only unique but very compelling.

Writing Notes & References ⚜ Writing Resources PDFs

[grandline-fics]

Hello! Hope your having a good day today! Can I request mihawk, shanks and buggy with the prompt "sleeping separately after an argument" You can just do one of the characters listed if your busy! Or change them into a different character it's totally fine with me! - 🪼

DESCRIPTION: Prompt: Sleeping separately after an argument

WARNINGS: slight angst, arguing couples, ends in comfort 

CHARACTERS: Mihawk, Shanks, Buggy

WORDS: 4,199

A/N: Thank you for this request! It's my first Buggy request and first time writing for him so I hope he's to your liking. I tried to keep things varied with these and are on the long side to include a happy ending.

*REQUESTS ARE OPEN*

DIRECTORY | PROMPT LIST

———————

MIHAWK

“So what? You were never going to send word to me that you were safe?” You’d demanded glaring at your lover that you hadn’t seen in months. Ordinarily you were used to the time and distance apart but he was always in contact with you in some regard. This time however you had no idea about his whereabouts, not until that stupid poster fluttered out of your morning newspaper and you travelled across the sea to Cross Guild to see him for yourself, otherwise you doubted he’d have ever contacted you. 

“Well you would have known from the poster’s existence that I was perfectly safe.” Mihawk answered coolly. He hated how he was speaking to you but in his clear view of the world, in the long run this would be best. Underneath his calm exterior, seeing you stroll into Cross Guild had both sent a mix of conflicting feelings through him. On the one hand he loved the sight of you and wanted nothing more than to close the distance between you and welcome you properly. On the other he felt unnerved. He hadn’t been expecting you, if he had known perhaps his approach would have been more thought out but you were the only person to ever rattle him.

All he knew was he needed you gone so he could clear his head and he needed you out of Cross Guild before Crocodile came sniffing around. Acting on instinct, he’d abruptly taken your arm and led you out of the room filled with people. He didn’t need them listening in on any private conversation of his. However you’d only let him get as far as the corridor before you pulled out of his grip and began to interrogate him over his actions. Mihawk refused to tell you the truth, he refused to admit his only worry. Now that he no longer had the protection of Warlord, you would have a clearer and larger target on your head if anyone knew you were romantically involved with him. As much as he knew you could look after yourself he didn’t want to bring any added hassle to your life, nor did he want you to change your life by remaining in Cross Guild just to give him the peace of mind you were safe. “You’ve wasted your journey coming here.”

“Don’t fuck with me, Dracule.” You snarled meeting his steady, impassive stare with your own burning in intensity. You knew he was being guarded for a reason but after all this time you were frustrated and hurt that he wasn’t being honest with you. After all you’d handled together and after proving you were strong enough to be considered his equal, he still wanted to push you away. “You don’t get to stand there and throw some generic one-liner at me. I know you better than that and I deserve better than that. Now talk to me properly and explain yourself.”

“Since when have I ever had to explain my movements?” Mihawk asked arching an eyebrow at you while you continued to glare daggers at him. It never ceased to amaze him that you could always meet his stare. “Cross Guild is new and needed my entire focus, you would have just been an unwelcome distraction and a possible liability.” 

As much as his words hurt, they baffled you even more. Hopelessly you stared up at the man in front of you, trying to understand. None of it made sense. You both knew your lives took you in separate directions and you’d never once tried to force yourself into his business just as he respected yours. The only thing you both ensured was contacting the other if something unexpected happened so neither of you worried. Had he just done that, you wouldn’t have come looking for him. You stared at Mihawk and saw he wasn’t going to give in or tell you the truth, whatever his reasons were it was clear he didn’t respect you enough to be honest then was there any point in saying anything more. 

Mihawk watched as something switched in your demeanour and the spark in your eyes seemed to snuff out. He didn’t move as you approached and reached out. When your fingers skimmed against his jaw he had to steel his nerve to not give into the temptation you always brought him. It only got worse when you leant in and pressed your lips against his. Mihawk felt his resolve begin to snap but the kiss was over just as fast as it began. You pulled back and stared at him, no longer with understanding but firm resolve and finality. “I’m glad you’re safe and I wish you the best of luck with Cross Guild.” 

With nothing left to say you left Mihawk, heading for the entrance to let the stubborn man you loved get back to his new focus only to stop abruptly when Crocodile stepped around the corridor and all but blocked your exit. You stopped and looked at the man you knew mostly from newspapers and reputation. You kept your expression even as Crocodile stared down at you, his keen observation taking you in before drifting up to Mihawk who glared warningly at his business partner. “Leaving so soon?” He asked simply, returning his attention back to you. “You just got here.”

“I was never planning on staying.” You answered dryly, stepping around the broader man only to sigh when he called after you.

“It’s too late for sailing though. There’s plenty of rooms for you to stay in if Mihawk’s room isn’t to your liking.”

“Not necessary.”

“Suit yourself, just know there’re undercover Marines camped out at the only inn on this island. I use the term ‘undercover’ lightly. Still better to know now just in case…” Crocodile’s voice floated towards you and you stopped walking. You turned to watch the man light a cigar, completely at ease. Briefly you flickered your gaze towards Mihawk and you bit your tongue. Looked like you were becoming the liability Mihawk had predicted you’d be. 

“Just show me to a room.” You muttered to a smug Crocodile. “I’ll be gone by morning.”

Mihawk couldn’t sleep. In the times he was apart from you he had adopted a talent for forcing his body to rest at least a little and grab naps here and there through necessity. However when you were both in the same vicinity as each other he could never sleep without your body beside his. Knowing you were just a few rooms away was like the cruellest form of torture. Now that he’d had the time to actually think about it all and his actions, he knew he was an idiot and had reacted and let his worries for you direct him when he should have just talked. Mihawk let out a low growl and rose from his bed. Crocodile was a smug, interfering bastard and had made sure to stop by and casually inform him which room you’d be staying in so he found you in no time. Knocking once he waited. 

Slowly you opened the door, your eyes stinging with tiredness. After all the tossing and turning you’d done your body was exhausted and so nearly ready to give in and let you sleep. Then Mihawk had to disturb that by knocking. His golden eyes scanned yours and he frowned to see the dark circles. Another thing for him to apologise for. “The last thing I want is for you to feel forced into stopping living your life how you want to. I was worried that with my Warlord status now being gone you’d be targeted to hurt me were people to find out we’re a couple. I know you can look after yourself but I’d hate to think you ever got hurt because of me. I acted poorly and pushed you away without thinking because had I really thought about it, not having you in my life was the worst thing I could think of.”

“You should have just told me sooner. You get so much more talkative when you’re sleepy, did you know that?” You asked with a small smile. “So I’m not a liability or unwelcome distraction?”

“Never a liability.” Mihawk swore, relieved that you’d stepped away from the door and allowed him to move closer to you. “A distraction most definitely but always a welcome one.”

“So I can stay?” You asked, leaning into his touch as his hand cupped your face and lowered his head so your foreheads touched, finally getting to enjoy the reunion at last. 

“For as long as you want.” 

SHANKS

“What the hell were you thinking?!” Shanks demanded angrily as he stared at you, his eyes zeroed in on the large and painful looking bruise against your cheek and your bandaged leg.  

“What do you mean ‘what the hell was I thinking’ Shanks?!” You snapped back viciously. Why the hell was he blaming you for something that was clearly an accident. “I was thinking about stopping one of the recruits from getting crushed, obviously.” 

“You weren’t even meant to be there in the first place.”

“It’s a good fucking job I was there.” You retorted, holding your ground fiercely and unwaveringly. “If it hadn’t been for me, they could have been severely injured or killed. Why are you berating me for doing the right thing?” Shanks rarely admonished you or anyone on the crew for that matter. Usually looking out for other members was something he praised. This was just so out of character for him. All you wanted was an explanation, to just understand what it was you’d done that was so bad to deserve all of the animosity. “Had Benn or Lucky been in my place would they be getting this tirade?” From outside the room you and Shanks were arguing in, Benn and Lucky shared a nervous look. Why did they have to be brought into this? Everyone on board bustled about, trying to see to their tasks without making too much noise from fear of drawing yours or Shanks’ ire.

“That’s not the point. This is about-”

“No, it very much is the fucking point.” You interrupted, your blood boiling and patience fraying. “Answer the question. Would you be speaking to them like this had they done the exact same as me?”

“They’re my right and left hands. You’re…” Shanks stopped clumsily and stared at you. This was the crux of the matter. You were different, he cared for everyone on his crew but to see you hurt had made him realise just how much he’d loved you and never faced that feeling before. He had been terrified that afternoon when he’d heard the yells, the heavy crashes of cargo falling after the ropes securing them had snapped from the strain and their age, and came across the seen of you lying on the ground. For a moment he’d feared the absolute worst and because of that, he’d reacted badly and still he was too scared to vocally tell you why. “You’re…”

“Right…” You sniffed slightly, nodding as the pieces seemed to fall into place for you. “I’m just the Captain’s current bedwarmer.”

“What? No!” Seeing the hurt in your eyes at your misinterpretation of the relationship you had, managed to jolt him out of his anger. He took a step toward you, reaching out and watched as you flinched and stepped back. “I didn’t-”

“Don’t bother.” You uttered, continuing to the door. “I’ve had enough of this.”

For the rest of the day you stayed as far away from Shanks as you could but no matter where you were you could feel his stare on you. It felt strange to not be so close, to let your presences mix together in a balanced sense of warmth and strength but at the moment you didn’t want to be near him. You didn’t want to listen to the sound of his voice that usually reassured you and made you smile. Exhausted by the events that led to the argument and the argument itself, you retired to bed early when you’d finished your dinner. Shanks said nothing but watched as you walked away, his frown deepening when he saw you walk in the opposite direction of his quarters that had also doubled as yours since you two got involved. With a long sigh Shanks rubbed his face, as much as he wanted to go after you he wanted to respect your wish for distance. 

Despite your desperate need for rest and sleep, it just wouldn’t come. You’d tossed and turned in what had been your old bed that now felt unfamiliar, simply unable to let your mind settle. With that being coupled with being unable to get comfortable in anyway you let out a long sigh and rolled over, staring at the ceiling in frustration. How did it come to the point that without Shanks your body was like a stubborn toddler, refusing the sleep it wanted and clearly needed? Absently your hand settled over your chest and you closed your eyes, trying to think about anything other than the man who you’d fallen for yet had been hurt by. Suddenly from outside your room you heard a muttered curse and dull thud. Dragging yourself out of bed you opened the door and looked down in bewilderment to see Shanks curled up in the corridor with a pillow and blanket. At the sound of the door opening he’d slowly rolled onto his back and looked up at you cautiously. “What are you doing?” You asked tiredly, leaning against the doorframe. 

“I didn’t mean to wake you…”

“You didn’t.” Your tone and expression was even but underneath it all you were unsure. “Answer the question, please. What are you doing down there? You could damage your back if you’re not careful.” 

“It’d be the least I deserve for speaking to you the way I did.” Shanks muttered, his shame evident. “I didn’t want to sleep in our bed, not without you. It didn’t feel right and I also wanted to give you space but…I still wanted to be near. This was the only thing I could think of.”

“Our bed?” You repeated with a tilt of your head. 

“Yes our bed, in our quarters.” Shanks insisted as he sat up but remained firmly on the floor. The fact that you were even willing to speak with him and that you hadn’t slammed the door in his face was enough to give him the courage to say what he should have that morning instead of running his mouth without thinking. “You’re more to me than some ‘bedwarmer,’ you always have been and I’d been too much of a coward to admit it. When I saw you hurt I feared the worst and just panicked. I shouldn’t have spoken to you the way that I had and I certainly should have told you how much I love you before now. For all of that I’m so sorry and will do what I can to make it up to you, only if you’ll let me that is.”

“Okay, three conditions and I’ll forgive you.” You conceded after a few heavy seconds and you fought to hold back your smile at the sight of Shanks’ face lighting up immediately.

“Name them.” He swore with no hesitation, watching as you knelt down beside him.

“First, I get your favourite pillow for the next month.”

“You can have it forever.” Shanks grinned, his hand sliding over your waist as you inched closer. “Next?”

“You carry me back to our room so we can sleep.” Immediately Shanks had you scooped up and was off the floor in a fluid motion that pulled a surprised yelp from your lips. In no time at all you were both back in what you now knew to be your shared quarters and not just his. Shanks settled you on the mattress, making sure your head was cushioned by the pillow you’d only jokingly wanted before he crawled under the covers and held you close. In unison you both felt peace settle over you both, the sleep that your bodies had refused was now creeping through you now but Shanks refused to fall over just yet. “What’s the third condition?”

“Tell me you love me again.” You murmured, your eyes already closed and body pressed against his chest. Shanks sleepily chuckled and held you tighter, vowing to never risk letting you go again. you were his heart after all. 

“I love you.”

“I love you too.”

BUGGY

Everyone knew Buggy had a short fuse. They knew that a good mood could turn sour without any warning, all it would take would be the wrong thing at the wrong time and he’d implode his fury on the closest thing possible and it wouldn’t matter if it was to blame or not. Today it seemed you were the focus for his anger. You’d walked into the big top merely to tell your lover that he was needed by both Mihawk and Crocodile. “Hey Bug-”

“No!” You stopped mid-step when the clown’s head detached from his body and whirled through the air and glared down at you. Stunned, you could only stare into his angry eyes and listen to his vicious rant. “I have had it with the sheer incompetence of everyone! How hard is it to listen to simple instructions?” You were sure that Buggy didn’t have any idea that it was you that he was shouting at. When he got like this all he really saw was the person’s outline and no discernible features. Still though, you opened your mouth to try and calm him before his face got as red as his nose but he just got lost in his anger that had reached boiling point. “What did I just say?! Get the hell out of my sight before I use you for target practice!”

The idea of Buggy hurting you caused the amused smile and light laughter to appear out of the sheer absurdity of it all. You were the one Buggy loved, he’d never bring you harm. But all Buggy saw and heard was insubordination, mocking his authority and his status. Now that Mihawk and Crocodile were around the big top was the only place he still had any power. For someone to laugh at him here was only adding fuel to the fire. 

His hands detached and grabbed your upper arm, hauling you off your feet so you were now eye level with him. Only now did he blink through his fury and realise who it was he was about to physically punish. But still he was angry and his lack of authority had made him shaken. If he immediately apologised now, he’d seem weak. He needed those who followed him to see he was in charge. You saw the recognition in Buggy’s eyes and thought he'd lessen his hold and set you back on your feet but instead he kept you in the air. “Why do I tolerate you and your lack of respect? Just be grateful for my mercy. Keep out of my way and out of my spotlight! Is that clear?” 

 Ever since the founding of Cross Guild you'd done your best to reassure Buggy that he was still important and still powerful. You’d navigated his low self-esteem and tantrums for years, knowing him longer and better than anyone. You loved him and you knew he loved you but this made your own anger begin to light. His behaviour like this towards you would not be something you'd let him get away with but you also didn’t want him to lose face in front of the crew who were watching with held breaths. “Crystal clear, Captain Buggy.” You responded in an empty monotone. “Thank you for your mercy. The spotlight is yours and yours alone. If you can let me go I’ll keep out of your way, it won’t happen again.”

“G-good.” Buggy quickly uttered and set you on your feet before releasing your arms. His mind was slowly clearing as he watched with uncertainty as you fixed your clothes and headed for the door. Absently he wondered why you’d been in here in the first place. Dread filled his stomach now, had you come in just to visit him and unintentionally been brought into the firing line? You opened the door and refused to look his way. 

“I’ll let Mihawk and Crocodile know you’re busy, Captain.” Your remark made his eyes bug out and he was frozen in place. What did those two want with him now?! Panic filled him as he abruptly dismissed the crew and he hurried for the door you’d left through. When he was in the hallway he saw you were heading for one of the lounge rooms and not Cross Guild’s meeting room, Buggy sighed in relief. He made a mental note to talk to you after and hurried for the meeting. 

As the day wore on, Buggy’s mood lifted significantly and the morning’s incident with you was unfortunately pushed further and further to the back of his mind. It wasn't until the evening time that he realised he hadn’t seen much of you. When he passed Alvida he asked if she’d seen where you’d gone. Alvida regarded him silently, confusion pulling at her features. “On your way to apologise?”

“What does my flashy self have to apologise for?” Buggy asked with a confident grin. 

“Well this morning, remember?” Alvida asked with a smirk as realisation flickered in Buggy’s eyes. “Yelling at nothing subordinates is one thing, but your lover? You need to talk to them. Sadly I haven’t seen them since you told them to keep out of your way. Hope you find them.” Buggy watched hopelessly as the woman continued on her way, not even bothering to assist him in finding you. Grinding his teeth anxiously, Buggy continued his search. He finally found you in your shared room and with a sigh of relief, believing he didn’t need to apologise after all he flopped himself down onto the bed. 

“Been looking everywhere for you. Hey, where’re you going?” He immediately sat up when you moved for the door, watching you turn to look at him with a frown. 

“Keeping out of your way Captain Buggy.” You explained. “As per your orders.”

With a sigh Buggy prepared himself to finally apologise. “You know I didn’t mean it. Not with you.”

“But you don’t make mistakes, Captain.” You shook your head, not allowing him to talk him way out of his actions so soon. “Don’t worry I’ll keep out of your spotlight.”

“There’s no spotlight here-”

“Where you are, the spotlight follows that includes here.” Your eyes moved to the bed he was lying on. The last time you and Buggy had slept separately was when he was in Impel Down and it had been the worst time of your lives but you had to do something. Buggy knew that you’d have to be severely hurt by him to even consider putting yourself through that and he knew he was to blame for it. So he could only numbly let you leave to have some space from him. “Sleep well, Captain.”

For hours Buggy tried to sleep but it just refused to come. Even though he knew your body wasn’t beside him, his hands still searched across the cold mattress in the hopes of finding you and his head always turned towards your pillow, eyes desperate to find your face in the dark. With a sigh, Buggy rose, his lesson well and truly learned. Trudging down the silent hallways he moved to the lounge he’d seen you head towards after he’d yelled at you that morning. Stopping in the doorway he saw you lying on the sofa, staring at the ceiling with heavy eyes that stubbornly wouldn’t close. “Can I come in?”

“It’s your circus, Captain.” You mumbled, still looking at the ceiling and too tired to move. “You don’t need to ask me for permission for anything.”

“Yes I do.” Buggy insisted, slowly walking into the room and stopped at the foot of the sofa. “You’re not some subordinate and the second I realised it was you I was shouting at I should have stopped. I should have apologised. Any orders I have are for those morons, never you. I’m sorry you had to do this to make me see that.”

Finally you dropped your eyes from the ceiling to observe Buggy, seeing he was free from his makeup and flashy outfit. Not Captain or figurehead, just your Buggy. Slowly you moved your blanket aside to wordlessly invite Buggy to join you. Tiredly you smiled when he wasted no time in moving down to lie with you, his arms circling you and his lips pressing lovingly against your cheek. Buggy relished the way you relaxed against him but knew he still had a hell of a lot of making up to do and come the morning he’d do jus that until you were sick of his flashy apology and spoiling you.

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[calmlb]

It’s been clear that the Tanizakis aren’t siblings from the very beginning

here’s some evidence now that it’s been confirmed canon…

everyone who’s read irl Tanizaki’s book knew that Junichiro & Naomi weren’t siblings as soon as they introduced themselves

BUT just because the Tanizakis aren’t siblings doesn’t mean you can’t feel uncomfortable about them. if you feel uncomfortable, GOOD. that’s exactly what they want

the Tanizakis, Mori— they all use these disturbing ruses to disarm or distract people in order to protect themselves, or to accomplish their goals. this is a writing device that asagiri commonly employs as a way to parallel the irl literature (it’s actually ingenious)

there are 4 main indicators that have always made it clear to me that Junichiro & Naomi are not siblings:

1. most obviously— their character designs. Harukawa is extremely intentional with character designs, & she very intentionally made Naomi & Junichiro look nothing alike

their eye shapes are purposely different

their color palettes are contrasting

even their differing styles of clothing have meaning

this was all done so that the audience could PLAINLY see that they’re not related— so that WE know that they’re lying when they say they ARE related

2. how the people around them respond to their act.

the general reaction is “don’t question it”— which is exactly what they want. “be distracted by how uncomfortable you feel so that you look away from what we’re hiding” (this is likely a protective measure)

3. most importantly, this is meant to parallel irl Tanizaki’s book “Naomi,” where the main character Joji picks up Naomi to raise her into his ideal woman, but since she's so young (& a minor) they call each other cousins (Joji makes no sexual advances on young Naomi btw)

however, his plan backfires because when Naomi gets older & they get married, she flips the script on him & manipulates HIM so that he's under her thumb (which is why bsd Tanizaki is at a domineering Naomi's mercy). Joji let her have her way because of his masochistic tendencies

4. lastly is the emphasis that Asagiri and the Tanizakis themselves put on calling each other siblings.

over & over, it’s “my brother this” & “my sister that”

like they’re desperately trying to convince us that it’s true (“don’t let your lying eyes deceive you”)

here are just a few of many examples from the light novels…

again, if you’ve read “Naomi” you knew that Junichiro & Naomi weren’t siblings as soon as they introduced themselves

just like if you’ve read irl Mori’s works, it’s clear that bsd Mori isn’t a pedophile

just like if you’ve read No Longer Human you know that Dazai’s an unreliable narrator. he makes you think he’s a bad person bc he believes he’s a bad person, but those around him see him differently (btw this doesn’t mean he’s never done anything “bad,” though bsd isn’t about morality— but that’s another discussion)

anyway, i’m so excited for the Tanizakis backstory to be revealed so that we can better understand why they use this defense!!

also let this be a reminder to READ THE LITERATURE if you’re able to!! even reading synopses & analyses of the coordinating books makes bsd make much more sense 🥹

reminder that this how you’re supposed to react while reading bsd:

also, if you’re interested in a post explaining how Mori isn’t a pedo, i wrote this analysis on twt. OR you can read this document that one of my moots sent me (remember: analyzing a character does NOT mean you condone any actions they may or may not commit!)