#some flaws aside i thought they were pretty good

[beemochi-art]

Kaaaahhh!! *falls & eats the curb and drops all of my chaos Terran doodles.* BEFORE YOU SAY ANYTHING I KNOW CARS ISN’T DREAMWORKS!! I already got erm actually-ed. Spitfire and Am my poor doomed kids.

For both their designs I took a lil spin on it. For Am this the way I like to draw him. He acts gross so now he can look gross. He also doesn’t look baby in the show so meh, No further comments.

For Spitfire I gave her features that make look stronger and meaner even tho she’s mostly supposed to look just like Twitch. To me there is no point in drawing her just like twitch because the evil twin thing can be ruled out because they are completely different colors and they also went with the body swap thing. So I think making her look stockier and emo is more fun. I should draw a side-by-side comparison sometime.

Spoiler S2 rant* I get a little bit into delulu land so bear with me.

Jokes aside. I liked the chaos Terrans and the way they were handled wasn’t right. I hope they are able to make a comeback In the future and get redeemed because they deserve it. I feel really bad for them. It’s like they were labeled as Chaos and not to be trusted from the beginning I don’t think anyone truly understood them. I get that the chaos Terrans had wronged the Malto’s multiple times from the start but I think the way they went about handling them was so laxed. They just let the decepticons have them so they could be further influenced into the wrong path. It’s like they were doomed from the start.

After all they were just kids. I’ve been labeled as the bad, dumb, asshole kid before. Most of my school days I was in special ED and I was also pretty high energy too. So I can relate, if you are already labeled as bad or dumb why try to be anything else? Or trying to be cool and hanging around the wrong crowd just to be taken advantage of in the end.

They weren’t completely chaos either. They listened to the Decepticons. Following orders till the very end, if they were chaotic like their name implying would they just not listen to anyone and do whatever they wanted without any care of anyone else? Here’s what I think. The chaos Terrans (mostly Spitfire.) we’re trying to impress what they perceived as the cooler badder bots. That’s some kid shit, most kids try to get in with the group of cool kids. Why not stay with the Maltos? Cause that’s not cool to them. Do you want to hang out with the teachers pet or steal and break shit.

In defense of Aftermath. He’s capable of playing nice, he’s not evil. Him and Jb had a relatively good day with each other. He didn’t out right attack on sight. I think he took the water cause he didn’t want to seem like a looser in his heavily flawed mindset. Am is more of an impediment of Chaos, he just smashes and breaks shit cause he can. Honestly I think if you him just take him to a rage room he’d be fine.

In defense of Spitfire (who is a wayy more complicated case.) She was literally born that morning how was she supposed to know not hurting humans was an autobot rule. I think deep down she was jealous of Twitch’s family and opportunities. She has a competitive spirit and I think she wanted that mission to impress the bigger bots (even if she was rude to them.) when she was in Twitch’s body and said things like Chaos Terrans are bad and not to be trusted I wound if she was projecting what she thought they were thinking about her already. When she was cast out and went with the decepticons was they don’t like me and they don’t like you either so I’ll just hang with you guys. With that being said she’s naive too (it’s fine BECAUSE SHES A KID.) see the way starscream tells her good job or touches her shoulder, she wants his approval and to make him just like all kids with their parents. And then when she is ultimately betrayed, she’s a deer in headlights, shocked and afraid, probably realizing that she provided the weapon needed to killer her and her brother. She looked up to Starscream. Showing her fear and shock by being betrayed like that really showed us that Spitfire is so much more than just a bad guy. It really made me sad when she was screaming and saying no, god she needed help.

None of the chaos Terrans had gotten the opportunity to really learn or get to find something they like to do. The other Terrans had plenty of time to think about an alt mode, learn lessons get nurtured and cared for. The chaos Terrans had to get their alt modes immediately both out of necessity. Most of the time Am was just wandering around bored, he wasn’t being nurtured or taught anything. The cons didn’t care about them at all, neither did the autobots or Maltos that much. 

Saying Chaos Terrans are going to chaos or decepticons are gonna do what they do. Is super incorrect. It’s just labeling and not expecting anything more from these individuals which goes against the entire point of season one.

HOLY CRAP IF YOU READ ALL THIS. Thanks for coming to my Ted talk. Hopefully Some of this made sense.

[bonebabbles]

Ivypool's Heart: Finished

Just completed reading the new super edition! I'm pleasantly surprised by this one. Overall, this was a very good book, MUCH better than the past 3 which were some of the most boring and unnecessary entries to the entire franchise.

If you were on the fence about this one, I'd recommend it. Just take this warning; it does the Warrior Cats thing where it harps pretty strong on parenthood and nuclear families being a borderline essential part of life, including a ton of bashing on how uniquely horrible this makes the Sisters.

If you can get past that, it's a pretty solid story about grief that makes some really fun additions to the WC lore, including the wildcats, StormClan, and a broad expansion to the afterlife system.

Meandering thoughts below the cut;

One of IPH's biggest flaws is pacing, but it's not nearly as bad as the past 3 SEs.

Not to mention, this is a pretty small SE. If you're ever bored, it won't last long.

Before the book introduces the Wildcats, it REALLY meanders. It'll pick up, but you will have to wade through relatively uninteresting scenes of the cats traveling and talking about their feelings unprompted.

A lot of "quicktime events" happen out of nowhere to fill pages with cats running away from random bullshit.

There's a horse carriage, an apple picker, dogs, weasels, foxes, a storm, traffic, humans, boats, sandwhiches. It's endless. My eyes glazed over during most of these scenes.

I know a lot of people were dreading Ivypool being nasty and unreasonable during this book, but honestly? I was hoping for it and didn't really receive it.

I find her most compelling when she's holding a grudge, acting on her anger, and generally working through messy issues. But aside from her just thinking about being annoyed or angry, she's really not snappy at all.

I feel like there could have been a lot more interesting and organic conflict between Icewing, Dovewing, and Ivypool's personalities instead of boring Quicktime Events. In fact, I felt like Icewing and Dovewing were kind of underutilized.

The conversations often feel quite stiff, especially in the first half. Everyone is very understanding of each other, respect boundaries and knows not to push too far, resolve their personal issues very easily, etc. It's kinda... unnatural.

Personally, I found that disappointing because I WANTED to see the cats actually process their grief over the course of the book. Watch them act out, maybe get in an fight or two and resolve it for the sake of the mission, have them come to a greater understanding of each other, etc.

Because Icewing and Dovewing are both so motherly and gentle and we're in Ivypool's POV, we don't really get to see them process their grief because of that.

They're not TOTALLY neglected though! I just... wanted more from this group.

However. I wanted LESS Rootspring.

I understand he's there to process the loss of Bristlefrost with Ivypool but god, every time he was on screen I wanted to push him aside and talk to Icewing lmao.

Stop trying to sell me "cool, mellowed from grief" Rootspring. He's a silly little hyperactive man and you will never be able to convince me otherwise.

As a silly little hyperactive semi-manthing myself, it would have been a lot more cathartic to see a clown like me going through grief. Not to mention just generally make for better chemistry with the group.

Between Ice and Dove who are already quite chill as characters, Whistle could have used someone more goofy to bounce off of.

I REALLY didn't like the whole implication that Rootspring is going to move on from Bristlefrost and "find a mother" for the kittens he wants so badly, though.

Erins PLEASE remember that adoption exists. He does not need a wife to be a dad. I'm beaming myself directly into your brains and telepathy-ing directions to the nearest cat adoption agency

aaaaaand on that note.... yeah. I did not like the way that this book leaned so hard on the whole "nuclear family" dynamic. Ivypool has had like two major interactions with her husband and one JUST happened in this book.

It especially bugged me that they leaned into Ivypool having been a very active mother, when we saw very little of that in the ACTUAL book. It wasn't even mentioned that Fernsong was allegedly the primary parent of the kittens when they were young.

But... I was able to look past it and just accept the book in a vacuum. There's a lot of good here.

Like the wildcats.

While I'm still wary of these being Scottish Wildcats and reserve my misgivings about the misuse of species that are very unlike domestic cats... I LOOOOVEEE the culture they've set up for them

I LOVEE the way that individual spirits reach out to the kits, guiding them through life

I LOVE the connection to StormClan

I LOVE their idea of the elements and general spirituality

And I LOVED the fact that a big part of Ivypool coming to terms with her grief was the expansion of her worldview. The way that she realized the religion she was raised with is quite small, and that there is an immense beauty in coming to understand other cultures, accept their advice, and see the world as they do.

I just wish the book had been able to tie that to a flaw that Ivypool has expressed since her very introduction back in OotS-- that she's smallminded.

It would have been a FANTASTIC way to really tackle and address that flaw, and pay off literal decades of set up. I really wish she had been messier in this book because of that!

But, digressing.

I'm over the moon that the team's actually playing with the series' spirituality! After such a long time of them outright avoiding some of the weirder elements in the series, like Rock and Midnight, it's exciting that they're finding some freedom in making new magic lore for themselves.

Hopefully, in the next few super editions, we'll be able to get some more insight to StormClan and the Wildcats.

The book really hits its stride in the second half because of this, and the ending chapters are actually fantastic. Some of the best stuff that's come out of the series (on purpose) in a loooong time.

[theyapper0]

THE HEAVEN CAST!!!!! WHOOOOOOO!!!!!

So first off, we got a redesign for the Exorcist Angel armor. I wanted to keep the colors light so they stand out when in Hell. I was also hugely inspired by Crusades armor, since the Crusades fought for religious territory, I thought taking inspo from there made sense.

Then we have Lute, Emily, Sera and Adam's designs. I'll explain it all under the cut if you're interested!!!

LUTE!!!!!!!!!! Sorry guys but she's basically a different character with the same name at this point

So I think that Lute was like a mentor figure to Vaggie, she was the closest thing Vaggie had to a (sorta) mom but it's defiantly like a student-master relationship.

I think that Vaggie trusted and cared for Lute deeply, she devoted all her time and energy into training in order to make not only Heaven better, but to make Lute proud. Lute was a HUGE driving force Vaggie's martyr complex.

But they were close!!!! The care wasn't just once sided, I think Lute did love Vaggie. I think they both care for each other SO much, that's why it will hurt SO MUCH when it's LUTE as the one to de-wing and banish Vaggie. She LOVED her, she TRUSTED HER!!!!!

Trust that I will be delving deeper into this in the future ✊✊✊

So Emily and Sera's designs and roles in the story are pretty much the same, I liked them in canon! They were fun and offered an interesting addition to the show!!!!

The main thing I chose to change was basically their hair and skin color tbh. I understand what the show was TRYING to do, w the fact that they're supposed to be black (and apparently those are supposed to be dreads in Sera????) but.......... It wasn't good.

With their canon skin color, I know a lot of angels have gray skin but to me, it looked like the designers didn't know whether to make Sera and Emily (especially Sera) gray or flesh colored, which then resulted in them trying to meet it in the middle and left us with this,,,, really ashy looking black skin in some shots which I didn't like.

I decided to just make them a darker gray so they can both be seen as black and also keep consistent with angels having gray skin :)

ALSO THAT ONE DOODLE WITH EMILY LOOKING AT CHAGGIE, I PROMISEEEEEE THAT SHE DOESN'T LIKE EITHER OF THEM LIKE THAT, I JUST DID IT TO BE FUNNY!!!!!!!!!!!!

(I think the ship is cute but personally, it's not for me ^^)

And finally..... ADAM!!!!!!!!!!!

So like Lute, Adam is basically a completely different character with that same name just slapped on.

I REALLY didn't like him in the show to be honest. I think we was an enjoyable character at times but he's totally like my second to last fav character (with my LEAST favorite being Lucifer LOL). I think it was an interesting take on Adam definitely!! To see him so cocky and full of himself bc of his title but....... It was just very...... Viziepop with the whole "original dick" thing......

Adam is the literal FATHER of humanity!!!? He is EVERYONE'S FATHER!!!!!! I don't understand the point of making him mean aside from the fact that he's supposed to be an opposing force in the show, but even then, just because he's the opposing force, doesn't mean he's gotta be a huge jerk!!!!!

I think it could be more interesting and add more nuisance to the story is Adam WAS this sweet, caring guy who, like the protagonists, is only doing what he thinks is right!

I'll delve more into Adam in my next post BUT everything he does is out of his trust in God and the Seraphims, he trusts them wholeheartedly and despite the fact that the Sinners of Hell were once his children too, he does what he must because his flaw isn't that he's egotistical or an asshole, it's that he cares and trusts with his entire being.

He's also best friends with Kris Kringle

[hazelira]

in the eyes of a wallflower

⋆˚𝜗𝜚˚⋆ ᴖ̈ ⋆˚𝜗𝜚˚⋆ ᴖ̈ ⋆˚𝜗𝜚˚⋆ ᴖ̈ ⋆˚𝜗𝜚˚⋆

You always felt like a wallflower.

Not in the poetic, endearing sense people sometimes use to romanticize loneliness, but in the literal, sinking feeling of being unnoticed and unseen. It was as if you were the wallpaper of the world—blending in, unremarkable, easily ignored. People passed you by without a second glance, just as one might pass a dull, peeling wall.

Lately, you have started to believe you are the problem.

The whispers in your mind had grown louder, each telling you that you weren’t good enough, that maybe you were the "ugly duckling" in the grand tapestry of life. It didn’t help that people left, and it hurt a little more every time they did. You began to think maybe you had this tragic flaw—something fundamentally wrong with you that repelled others. They’d always start friendly, some even calling you pretty, but by the end, they distanced themselves. The harsh truth echoed in your head: “Maybe your victim mentality drives them away.”

You were aware of that gnawing habit of expecting the worst and assuming everyone would eventually leave. The overthinking, the insecurity—how could anyone stick around when you were in a constant spiral of “what ifs” and “whys”? You wanted to stop feeling that way and letting those thoughts rule you, but you didn’t know how.

Until he came along.

The Australian transfer student, Jake. He was everything you weren’t—confident, charming, effortlessly radiant. He lit up the room like a wildfire. Everyone noticed him and wanted to be around him, and for a fleeting moment, you let yourself wish you could be part of his orbit, too. But that’s all it was—a fleeting thought. Why would someone like him ever notice someone like you?

You sat alone in the courtyard that afternoon, knees hugged to your chest, trying to blend in with the garden around you. In your head, you were just another leaf on the tree, another petal on a flower that didn’t stand out. The other students were like vibrant blooms, and you? You were the wallflower. Always.

A shadow crossed your view, and you looked up, startled. It was Jake, hands tucked casually into his pockets, his warm brown eyes locking onto yours. He smiled, that easy grin you had only seen from afar.

“Mind if I sit?” he asked, his accent lilting with an ease that made your heart flutter.

You blinked in surprise, your mouth opening slightly before you nodded, trying to find words but coming up short.

He plopped down beside you, the two of you sitting quietly. The sounds of the courtyard buzzed around you, but all you could hear was your pulse thrumming in your ears.

“I’ve been meaning to say hi,” Jake started, his tone light but sincere. “You’re always here, and I see you around a lot. Thought I’d introduce myself.”

You frowned slightly. “You’ve... noticed me?”

Jake chuckled softly, the sound like a breeze through autumn leaves. “Of course. How could I not?”

You looked away, staring at the ground. The doubt crept in like it always did. “He’s just being polite,” you thought. “He’s probably saying this out of pity. He’ll leave, too.”

“You don’t believe me, do you?” His question was gentle, but it caught you off guard. You glanced back at him, startled by how he read your thoughts so effortlessly.

“It’s not that,” you muttered, though the lie was evident in your voice. “It’s just... no one notices me. I’m just... there.”

Jake shook his head, leaning forward slightly, his expression softening. “That’s not true. You’ve been beautiful all along; you don’t see it. But I do.”

Your breath caught in your throat, the weight of his words sinking in. You tried to laugh it off, brushing it aside like you always did when someone complimented you. But the look in his eyes stopped you. He wasn’t joking. He wasn’t being polite. He meant it.

“Look, I know what you’re thinking,” Jake continued, his gaze steady on yours. “You think you’re invisible, like you don’t matter. But you do. You don’t have to be the loudest or the most outgoing to be seen. You have this... quiet strength. You don’t need to be anything more than what you are.”

You swallowed hard, feeling the lump in your throat grow. “But people leave. They always do. And I don’t know how to stop feeling it’s my fault.”

Jake exhaled slowly, his hand reaching out, resting gently on your arm. The touch was warm and grounding. “Maybe it’s not about stopping those feelings,” he said softly. “Maybe it’s about accepting you’re enough, even with them. You don’t have to fix yourself to be loved. You don’t have to be perfect. You have to be you.”

Tears pricked at the corners of your eyes, but you blinked them away, shaking your head slightly. “I don’t know how.”

“Then let me remind you,” he said, his voice a quiet promise. “Every day, if that’s what it takes.”

In that moment, something shifted inside you. The weight of being unnoticed, unloved, and invisible seemed to lighten just a little. Maybe it wasn’t about changing overnight. Perhaps it was about letting someone see you, really see you, even when you couldn’t see yourself.

You weren’t just a wallflower. You were more than that. And Jake? He saw every bit of it.

Maybe you could learn to see it, too.

[h-worksrambles]

Ok, so Episode Aigis dropped, they changed some dialogue and now people are pissed and saying P3 Reload ruined The Answer.

If you want my TLDR, Atlus’ changes (both writing and mechanical) for the DLC are overall small, some good some bad, but they’re ultimately band aids that fail to address the much wider flaws of The Answer as a story.

I think there’s a genuine intent to try and better get across the character’s motivations. And for some characters it works well. I think the new dialogue for Mitsuru is a genuine improvement. I’ve seen some criticise it for focusing more on Mituru’s thoughts towards the protagonist then her (rather queer coded) loyalty to Yukari. But as much as I love my SEES lesbians, I genuinely think giving Mitsuru multiple reasons to side with Yukari rather than just blind loyalty, is much more in character for her than FES’ approach (where she comes across uncharacteristically stupid). But I think by only changing minutia like this it just ends up highlighting the bigger problem.

A lot of people hyper focus on Yukari’s role and talk about how irrational she is here. And now you’ve got people complaining that Reload softens and sanitises her character and makes her storyline weaker. But I feel it’s a case of identifying something doesn’t work but being incorrect as to why.

The thing about the SEES group fight is that it’s fundamentally a really poorly done conflict. It sucked in FES and it sucks here too. There’s not enough meaningful disagreement between the group to make it feel earned. The only one acting out and taking the MC’s death badly, is Yukari. When really if this is the climax they wanted to build to, everyone should have been grieving badly and constantly at each other’s throats. It could have been this building frustration and animosity, until they’re all at odds over what to do with the key and a fight breaks out.

What we get is everyone…mostly being pretty chill, aside from Yukari being kind of petty and jealous at Aigis. And I think the reason people react badly to her (misogyny notwithstanding) is that it’s really weird when she’s the only one having this extreme reaction. Instead of everyone dealing with the MCs death in their own distinct way, it’s only explored with Aigis and Yukari and only somewhat. Hell if you didn’t have such a jarring disconnect, and there was a better variety of reactions and thoughts from across the cast, I think more people would praise Yukari’s writing here. As it stands, when everyone else is almost ridiculously reasonable, it looks very jarring.

And then when the group do fight it feels completely out of nowhere precisely because of how agreeable everyone’s been. Everyone willingly jumps into a pointless fight that could get them all killed, one that only one member of the group even wants. All for a very contrived plot point that was set up five minutes ago. It’s executed in such a sloppy way that it makes the genuinely good scene of Yukari’s breakdown ring hollow. You get the sense that the writers weren’t really interested in exploring Yukari’s grief beyond using it as a plot device to make a dumb, unnecessary punch up scene happen.

I can see what they’re trying to do in Reload. They wanted to make Yukari stick out like less of a sore thumb compared to the rest of the group. But if they were gonna do that, they kinda needed to dial everyone else up, not dial her down. Build the tension between the party further rather than decrease it. Because now, if Yukari, and by extension the rest of the party are way more reasonable, it just begs the question even more of ‘they why are you fighting in the first place?’ It’s slapping on a band aid in a way that just exposes the whole scenario’s weaknesses

I genuinely think Episode Aigis needed to either keep the Answer entirely as is, or overhaul it completely. Making little changes like this won’t win over people who hated The Answer the first time, and will just annoy people who liked it as is. As it stands, The Answer is still a mess of good ideas mired by poor execution and Reload’s take only makes a handful of small changes that are ultimately different, not better.

[kopivie]

trick-or-treat.

# — pairing: spidey!kazuha x gn!reader

# — characters: gender neutral reader, spider-man!kazuha

# — warnings: a little suggestive.

# — tags: fluff, kisses (bc who am i if not a madman for kisses), mild hurt/comfort, BANTER YIPPEE!!, this is zuzu's way of making up for the fact that he all but forgot kazuha's birthday, apology fic

# — notes: (PLEASE READ!!) this is... not at all what i intended to do. it's 1:30 am and i just came down from a much needed high. as my head cleared, i noticed that this fic was like, riddled with flaws, but i feel too good about this to second guess it and feel bad. anyways, this is heavily inspired by this fic that 🎻 anon sent in my asks, as well as a follow-up to this fic i wrote on @awlumii last year on kazuha's birthday. i hope you enjoy and please do let me know what you think! i could really use some feedback.

✦ — 🎃 — ✦

There's a knock on your door. You stare at the entry to your apartment and think: "How mean would it be if I ignored them right now?"

In your defense, you've been giving out candy all day. All. Day. You figured that there would at least have been a lull in the early afternoon since children had school to attend, but no — you've been giving out candy to all ages from as early as 10:30 this morning. It's a good thing you stocked up on candy late last month, otherwise you would've had to ruin the days of some very enthusiastic trick-or-treaters. So after setting aside a bucket full of your favorites and giving out the leftovers until about 10 at night, you finally thought yourself ready to curl up on your bed with your softest blanket. You were halfway to dreamland when some monster started pounding on your door.

(So maybe you're exaggerating a little. But who could blame you? You're tired and you want to sleep.)

And so, here you sit, your legs half-tangled in your weighted fleece blanket as you glare at your door and hope that your unwanted visitor is telepathic and gets the message that you want them to leave. Scram! you think. You raise your voice in your head. Get out of here. Shoo! Begone!

…They knock again. (Kind of a dick move if they can read minds.)

The groan you let out is obnoxiously loud and is most definitely heard by whoever is on the other side of the door. You hoist yourself to your feet and trudge to the door, but you don't open it quite yet. Judging by the fact that this person has yet to say anything, you figure that they're old enough to know when their presence is not welcome and left.

Wrong. You're too optimistic. They knock again.

You sigh and once again, hope that the sound carries through the door. "Who is it?" You try to make yourself sound as unfriendly as possible. Considering how cranky you are, you don't have to try very hard.

"Trick-or-treat..?" The voice on the other side is muffled by the door, but also by something else. Fabric, probably. All you know is that their voice is deep enough to be an adult's.

You click your tongue. "Trick." You almost snicker. It's a little refreshing not doling out treats for once. "Go home."

"Can I at least give you a treat?" The person asks.

You blink. They didn't leave? "Pretty sure that's not how it works," you reply. "I give you treats and you… I dunno, TP my house or something."

"Yeah, well," the person at the door chuckles, "I'm pretty sure you're not supposed to say 'trick', either. Since you're breaking the rules, it's only fair that it's my turn, right?"

Well… Shit. They have a point.

Impressed by the stranger's reasoning, you hum. "Fine. Let me find my costume." You turn to gather your costume and notice that you can't find the full thing. You were so eager to get to bed that you didn't hesitate to drop the thing in the wash. Not wanting to make the stranger wait too long, you improvise. You blindly grab the mask and the blue throw blanket you have folded up on your couch and tie it around your shoulder like a cape. It's a shitty excuse for a costume, but you reason that your exhaustion is a good excuse. You swing open the door and cross your arms over your chest. "Alright, what do you got for-- Oh."

Standing on the other side of your door is none other than Spider-Man himself. The two of you stand in silence as you take in each other's appearances. Then, after what feels like forever, he speaks. "So… a cape, huh?"

You don't hesitate — you grab your door and swing the thing shut as fast as you can, but Spider-Man is faster, catching the door in his gloved hand. You turn your back to him. The mask is obscuring his face, but you already know what expression he has underneath. "Don't say a word." You warn him.

Spider-Man pays you no mind. You can feel him lifting your 'cape' as he inspects it. "Hmm… capes are kinda aerodynamic, but considering how dirty my enemies fight, I don't think that's a very good design choice." You can hear the shit-eating grin in his voice. "I'll give it a five out of ten."

"I said shut it!" You snatch your blanket out of his hands and march further into your apartment with Spider-Man's laughter following at your back. He walks inside and the door shuts behind the two of you. "Get the fuck out, webhead," you seethe. Your voice trembles with shame. "I didn't invite you in."

Spider-Man just walks around you to look you in the eye. "Come now, lovebug," he tilts your chin up with a finger, "you look cute wearing my mask."

You grumble and push his hand away as you struggle for words. You want to say something like, "this isn't what it looks like!" to try and save face, but there's no point in trying. This is exactly what it looks like.

Because the mask you'd been wearing for Halloween -- and the mask you haphazardly thrown on moments ago -- was none other than Spider-Man's mask.

To be fair, these things were a dime a dozen. The people of this city adore the vigilante. It was only natural that kids and adults alike would want to pretend to be him for a day, even if they had no powers like him. You're not exactly one of those people — you've seen firsthand just how brutal Spider-Man's job can be. You wouldn't trade your life for his even if you were offered money. But as you stared at the costume while shopping, you couldn't help yourself. There were obviously cooler, much more interesting costumes to choose from but this one just… called to you.

Hindsight is 20/20, after all. You should've ignored that calling.

Spider-Man takes your chin in his fingers and shakes your head side to side. "I never knew you liked me so much, lovebug. I'm touched."

You scoff. "Don't be."

"Y'know, if you wanted to wear my mask so badly, you could've just asked." Spider-Man leans in and presses a clothed kiss to your cheek. You consider yourself lucky; he can't possibly feel the burn of your cheeks through all that fabric.

You stammer. "Ha-ha. Very funny."

"What? I'm sure I have a back up somewhere." He eyes you for a moment. "You'd look good in it."

Against your will, you wonder if he's saying that he wants you to wear his clothes. Would he ever actually loan you clothes that he's worn? The thought makes your face burn hotter. "Why are you here?" You ask. Anything to change the topic.

Spider-Man chuckles, but plays along. "I haven't swung by in a few days," he says, "so I figured I'd try and surprise you as a trick-or-treater." He shrugs. "I wanted to do some reverse psychology thing where I could trick you into thinking I was just some guy in a costume so you would give me candy."

You process his words for a second. "Okay, first of all, you already are a guy in a costume."

He visibly deflates and places a hand over his chest. "Ouch, lovebug. What if you hurt my feelings?"

"Second of all," you continue, "do you have any idea how many Spider-Men I've seen today?"

"...Is that a serious question?"

"Don't be a smart ass."

"I'm gonna go out on a limb and guess twelve."

You pause. You actually aren't even sure if that's the right number or not. You lost count after three hours of giving out candy to cute kids.

"Am I right?" He asks.

"Who knows?"

Spider-Man huffs. "If there's that many of us around, then what am I even here for?" You giggle at his petulant behavior, and he makes another breathy sound, reminiscent of a stifled laugh. "Did you treat them the same way you treat me?"

"What?" His question takes you off-guard for a moment. You chortle. "Oh, definitely."

"You gave them band-aids and kicked them out, too?"

"Mhm." You cross your arms. "Just slapped a few on some pretend wounds and told them to get the fuck off my property."

The two of you laugh together for a moment. Once the laughter dies down, Spider-Man tugs at your cheek for a brief second. You let him get away with it for now. "You're so cute." He sighs and you can hear something somber enter his tone. "I was worried about you. It's been a week since I've seen you."

It has been a week, hasn't it? You may have been swamped with work at the hospital, but there was never a night that you didn't find yourself waiting on your balcony like an idiot in this chilly weather. You had faith that he was okay — the Daily Bugle printed something new about the "masked menace" every day this past week — but that didn't stop you from longing for his presence. Stories can't compare to the real thing, after all. You're far more taken with the masked vigilante than you'd care to admit to yourself.

You hum. "About time someone else did the worrying for once," you mumble jokingly. "It gets tiring worrying all by myself."

Spider-Man stays quiet. "I've been okay. A little worse for the wear for the past two days, but okay otherwise."

You reach for him instinctively. "Lingering pain isn't like you," you say, already in doctor-mode, "did something happen?"

"No, not like that. I've just been… sad. I guess." His confession is soft as he takes your outstretched hands in his own. He's been more vulnerable around you lately and you're not sure if that's good or bad. "It's been a rough couple of days, that's all."

You rack your brain. What could possibly be paining him that you don't know of? He's already told you that he tells you everything (within reason), so maybe it's something that you already know of? You furrow your brows as you dive deeper into your memory. Deeper, deeper… until you happen across a memory from just about a year ago.

The kiss you shared on your balcony close to midnight.

"Oh my God." You voice your incredulity aloud. "Oh my God! I missed your birthday!"

Spider-Man straightens his posture as he inhales sharply.

How could you have forgotten? He confessed to you on his birthday last year that you were the only person he had left in his life since he hated his birthday so much. October 29th was such a painful day for him — to think that you didn't stop for a second to wonder if he was okay that day. It's not like you would've been able to contact him of course, but what if he swung by after you'd fallen asleep? You should've at least left him a note or something.

"Don't beat yourself up over it, lovebug." The confidence is starting to bleed out of him, you notice. Spider-Man walks over to your couch and sits on the floor in front of it. "I'll be okay. It's not like I was going to celebrate or anything."

You move to the couch and adjust yourself so that the vigilante is between your legs. You two often assume this position when you're finished patching him up and too tired to goof around until he leaves. You would place your hands on his head and press your fingers into the fabric of his mask. Spider-Man told you once that the action was soothing, but you have yet to admit to him that it's your way of trying to conjure up an image of what his hair must look like underneath.

Like always, he gets himself into position, draping his arms across your legs. This time, however, he's looking up at you. You're not sure what expression he might be wearing.

"I wasn't saying that we should've celebrated," you say softly. "I'm just upset that you had to be alone. Are you sure you're okay?" You ask as you massage your fingers across the crown of his head.

He hums. "I am now. I promise."

"If you're ever feeling down, you know you can come and see me." Your words surprise the both of you, but you don't regret them at all. He always seems to be around when you need his company the most, so why shouldn't you do the same for him? Who else would? your mind unhelpfully supplies. "I may not be the best company in the world, but at least you won't be alone, right?"

Spider-Man moves so that he's on his knees facing you. He's so close to your face like this; you inch backwards to preserve your sanity. "You're the only company I need." He says it with so much conviction that you shiver. "But does this mean I'm getting special treatment?"

"What--? You mean from the other Spider-Men?" When he nods, you snort. "Yeah, I guess you do get V.I.P privileges. You get extra treats unlike everyone else."

"Extra?" He tilts his head. "But you haven't given me any candy at all."

You raise a brow. "All that's left is the candy I'm hoarding for myself. And before you ask, no, I'm not sharing any. Why don't you try actually trick-or-treating? People would probably give the city hero the best of the best."

He sinks a little lower, seeming defeated. "...Would you believe me if I said I tried that already?"

"Did it work?"

He's silent.

"...It didn't work, did it?"

"...No. They thought I was just some superfan."

Peals of laughter burst out of you at his admission. "So this is how they repay you, huh?" You say between giggles. "No faith and no candy? That's rough, buddy." You get the distinct impression that he's glaring at you, but that only makes you laugh harder.

Fed up with your insistence on laughing at his misfortune, Spider-Man taps your leg. "Since I get special treatment from you, can I ask for a few wishes?"

You wipe a stray tear from your eye. "I'm dressed as a superhero, not a magic genie."

"Please?"

"Fine, fine." You finally catch your breath. "You get two wishes.

"Not three?"

"I'm not a genie. Don't push it."

Spider-Man puts his hands up in defense. "Alright, two it is. The first is… let me stay with you for the rest of the night."

You shrug. Wouldn't be the first time. He's usually gone by the time you wake up, anyhow. "Granted. Next one's your last — make it count, bug boy."

Spider-Man doesn't react to your nickname. Instead, he just stares at you. A familiar sensation tickles up your spine. He's watching you; you know that stare all too well. "I think you know what I'm going to ask for next." His voice is deeper, smoother than it was mere moments ago.

You nod and he eases himself closer to you. You feel your heart pick up an unsteady rhythm and rather than kiss him normally, you lean in close and press your masked lips to his. He makes a surprised noise before he laughs and melts into the "kiss" all the same. When you pull away, he's still laughing. A very welcome change from the bitter smile you're sure he was wearing when talking about his birthday. "Consider that a freebie," you mutter.

"You're too kind," he chuckles.

Soon, your fingers come to the base of his mask to raise it just above his lips when he suddenly stops you. He reaches for your face and you feel something tug at the base of your neck. Somehow, you completely forgot you were wearing that stupid mask. "It's kinda funny," he half-laughs, "having to unmask you for once."

"You... You can't tell anyone about my identity, okay?" You tease.

Spider-Man rolls your mask up just enough to expose your lips and you do the same to him. Neither of you are sure who leaned in first, but you meet in the middle in a kiss that has fireworks bursting behind your lids. The two of you are greedy, pouring a week's worth of longing into the kiss. The mutual yearning is palpable, so much so that you can hear his breath hitch when you sigh. He rises to the couch slowly and without breaking the kiss, doing his best not to part from you for even a second.

You missed him. Oh, how you missed him — you missed how he would wrap a strong arm around your waist and pull you closer like it was nothing; how he would whisper his adoration for you between breaths; how he would chase after your lips whenever you would tease him with barely-there kisses. You missed the exhilaration, the thrill of knowing that you were the only one Spider-Man would ever treat this way. That you were his and he was yours.

He moves from your lips to your jaw, trailing kisses up to your ear and down to your neck. His pace is unhurried, though he seems eager to pull a reaction out of you. You give him what he wants whether you intend to or not. You press yourself closer to him in a silent request for more and he indulges you; his kisses become little nips, and the nips turn to bites as he starts to leave marks on your neck. He eases you back so that you're laying on your couch and he's hovering over you. The two of you stare at each other for a moment.

"Can I use my next wish?" His voice is rough. When you nod, he leans in once more. His uncovered lips brush against your ear as he whispers. "Let me give you a treat."

Something foreign yet familiar makes you shudder as you nod.

Spider-Man attacks your neck once again. Clearly he was holding himself back earlier, because every mark he leaves stings. He makes them dark and obvious, completely disregarding any warnings you may have given him on other days. You normally would tell him to ease up, to hide the marks that he so desperately wanted to leave on you. But now you let him do as he pleases. You gave him an inch and as expected, he took the mile. He soothes each one with a kiss and muffles your whimpers with his lips.

It takes a while before he's satisfied with his handiwork. Kazuha raises himself up with a shaky breath. Your wrists are in his hands and pinned against the couch. Looking down at you now, all flushed absolutely covered in his marks, he feels something uncontrollable stir within him. He has half a mind to tell you to close your eyes so he can take his mask off, but he refrains.

That's all he ever does when it comes to you. You, the greatest test of his endurance that he will ever encounter in his lifetime. No supervillain with any amount of underground connections or otherworldly technology will ever test his patience and restraint quite like you. For years, Kazuha has weighed the pros and cons of telling you who he is. He always wonders if you would still allow this, if you would still treat him like a lover if you knew who he was — if you knew that he's been lying to you. Though your reaction may not be guaranteed, it's a risk he's more than willing to take.

But he doesn't. Not tonight. Maybe another day when the time is right.

For now, Kazuha releases your wrists and sits himself up. He fixes his mask while you take yours off. You sit up and he watches as you ghost your fingers over each of your fresh hickies. You wince a little when you brush the one on the left side of your collarbone, above your heart. The silence that hangs in the air is evident, but not uncomfortable.

Then, you mutter. "I was supposed to give you a treat."

Kazuha reaches out and touches a hickey left on your pulse point. A sensitive spot for you – you shudder in response. He admires the lingering haze in your eyss. "You did. Thank you, lovebug."

✧ my goodness. @perpetualcynicism look at what you've done. you've reawakened a monster in me.

✧ edit: btw, the dividers belong to @cafekitsune!! thanks so much for making such beautiful dividers!

[justanotherwriter140]

Kung Fu Panda 4 - The Movie

The last really, really long discussion post (for now).

Major spoilers ahead!

This review is full of spoilers, so please refrain from reading through it until you've watched KFP4. I would highly suggest doing so, as I want everyone to form their own opinions without my influence. The movie has its flaws (some of which admittedly being a bit distracting), but it's a fun film that has things to offer.

Kung Fu Panda 4 is a fun movie (take that as you will) that takes its audience on an action-packed, surprisingly funny, yet relatively contained adventure on which Po doesn't really do much. It's an inconsequential, safe sequel that doesn't really hurt the franchise but adds close to nothing.

I had a good time watching the movie. It was obviously produced with its theater experience in mind and the action scenes especially reflected that priority. The humor was actually funny sometimes and I enjoyed Po and Zhen's dynamic. During the film, I was able to put most (most!) of my grievances aside and take the movie for what it is. I've discovered that the best way to watch KFP4 is with low expectations and an open mind.

I have a lot of things to say about KFP4, both complaints and compliments (though the former might be taking the forefront in this review), and I hope this review can help those of you who have seen the movie organize your thoughts. I've been having a lot of trouble with that specific aspect of things myself. Those who get it get it.

With that said, let's get into my full review of KFP4! I've been waiting for nearly 2 years to write this and I'm so excited to share every single thought.

I'm going to follow the format of my first discussion post and curate a bulleted list of my thoughts, followed by an analysis of each of these points. Keep in mind that everything I say is IMO and this is more of a rant post than anything else.

Here are my main points:

The Furious Five's role is comically minuscule in the context of the film. Their actions are inconsequential and add nothing to the plot (a confirmed last-minute add), and they have 30~ seconds of screen time. Shifu is also largely irrelevant.

Mr. Ping and Li's presence has little to no effect on the movie (though I won't complain too much because they were pretty fun to watch and this movie has bigger problems). In almost any scenario, I am adamantly against having characters present that don't add anything to the narrative; however, Mr. Ping is an exception. I love Mr. Ping. James Hong is a gem.

Zhen's screen time is not utilized well and her character is underdeveloped. She definitely wasn't annoying, but I didn't find her either compelling or funny enough to warrant the screen time she was given, especially considering it wasn't used to establish a backstory/strong motives. This makes me feel bad for the character because the movie kind of screwed her out of any substantial development.

The Chameleon, while complimented greatly by Viola Davis, is an underwhelming villain. Viola Davis is amazing in this film and I would suggest watching it for her performance if for nothing else, but the Chameleon is underwhelming considering the super cool concept behind the character.

The film feels very rushed. Apologies to those who disagree, but I think the pacing is atrocious and the final fight is anticlimactic. The movie felt like a word-vomit with no discernible intermissions that stops abruptly when the film ends.

I felt as though Po didn't change/grow as a person and the audience never had a chance to either bond with or relate to his character. His internal struggle is kept to a minimum and we don't spend a moment alone with him as an audience, which is disorienting and distracting. Watching the film felt like running into an old friend at the store who's too in a rush to have a real conversation.

The action scenes were strong with few exceptions. Creative art direction was utilized and I thought the martial arts choreography was entertaining and dynamic. I love the color palette of the film and many scenes were very impressive visually.

With my main points established, I do believe it's ranting time. Strap in, folks.

Let's start strong with the Furious Five: I'm gutted. Chagrined, despondent, crestfallen, etc.

The lack of the Furious Five negatively affects KFP4 so much, because not only does their absence hurt the atmospheric integrity of KFP as a franchise, it also forces KFP4 to bring in a slew of different characters—all while still noncommittally including the FF at the very end because I believe the marketing team required it—that clog up the cast a bit. It all goes to show how important strong, established side characters are.

The Furious Five are side characters, but the role of "side character" does not equate to being irrelevant, expendable, or exchangeable. I recognize that the Furious Five aren't super developed as characters beyond a handful of lines that allude to traits sprinkled sparingly among the members; however, I believe that the tiny bits of development we have been given have proved impactful in the past. Tigress's development in KFP2 is a prime example of how much narratively conscious changes (however small they may be) can positively affect these movies.

Because of limited runtimes, the Furious Five often operate as more of a singular unit than five individuals. Even so, I don't think discarding them is valid. They're so important to the KFP universe (to Po's universe!) and not having them with him feels so wrong. The Furious Five are fully integral to the heart of Kung Fu Panda, which is why I believe a lot of those who have seen the new movie have expressed something feeling "off" or something being missing.

I agree with this sentiment. To me, KFP4 didn't feel like a KFP movie. I don't need a Furious Five spin-off movie and I can be fully content with a KFP5 centered around Po's journey as an individual as was intended from the beginning, but he can't carry an entire movie on his back. As strong as he is in every sense of the word, he is only one character. He's the centerpiece of the franchise, but a centerpiece can only go so far without the rest of the design, so to speak.

For me, the Furious Five's absence is one of this film's biggest faults. It's huge and glaring. I know I'm not the only one who feels this way, either, because the friends with whom I saw the film refused to talk about any other aspect of the movie after seeing it. Seeing them at the end was better than nothing, of course, but it was a disappointing culmination after eight years of waiting.

That all is to say I feel robbed. Despite all of this, though, I understand that there were reasons why the Furious Five weren't included in the movie. I don't believe the production team would exclude the Furious Five unless they weren't given a choice.

Shifu and Po's dynamic continues to be thoroughly delightful but their interactions are short and simplified. I would have loved to see more of them in this film, especially considering the extreme relevance of teacher-student relationships in KFP4. I (somewhat) digress, though, because the idea of Shifu having to live at the Jade Palace with only Po for an extended period of time is hilarious enough on its own. Maybe that's what the short film is about!

The comedy is odd but has some jokes that stand out. Po maintains a healthy relationship with his inner sass, which I think makes him more fun to watch and kind of eradicates the man-child verdict. Some jokes don't land, of course, but I genuinely thought KFP4 had some funny moments. Mr. Ping was consistently awesome and Po had some good lines sprinkled throughout the film.

As for Mr. Ping, he and Li Shan are the subjects of the film's B-plot as they follow Po to Juniper City out of shared concern for their son's safety. In my mind, they don't add anything to the story that couldn't have been brought about by other characters, but they had their moments of being entertaining. I enjoyed their silliness and thought they had a cute dynamic if nothing else.

Speaking of other characters, I want to discuss KFP4's deuteragonist and why I genuinely feel bad about the way her character was treated.

I want to let it be known that I'm still not on board with Po passing the Dragon Warrior torch to another character. While I agree that his arc is now calling for him to have a student, I disagree with the notion of him retiring from his DW role.

As I stated in my first discussion post:

Didn’t the initial significance and nuance of the title come from the fact that there is only one person who can be the Dragon Warrior, because the concept of the “Dragon Warrior” isn’t so much a title as it is Po himself? The universe (Oogway) must choose the Dragon Warrior because they are a singular being of legend. It is one person, and that person is Po. Wasn’t the point of the first film that the title ultimately doesn’t really matter because there is no “secret ingredient,” so to speak? The title doesn’t actually give Po anything. “It’s just you,” Po says, and that was the resolution.

When it comes to Zhen as a character, contrary to what I predicted I would think of her, I thought she was okay. While I was still a bit distracted by how out-of-place her design looks, I wasn't truly annoyed by her at any point and she and Po had some cute moments. Even so, I think their relationship could have been a bit more refined and developed.

While it's evident that Po and Zhen are meant to have a teacher-student/mentor-apprentice dynamic, I think their relationship feels half-baked. There were parallels that contradicted one another and ended up being confusing come the film's conclusion, and the nature of their relationship seems to vacillate depending on the scene. Additionally, the strength of their bond goes from zero to one hundred within thirty-ish minutes and left me with a bit of whiplash.

We're shown that Po and Zhen care about one another, but we're never shown why. They have a brief conversation during which they bond over being orphans, and Zhen says at one point, "You're actually a good guy," but that's it. This obvious lack of development is a bit disorienting because we're later led to believe that Zhen and Po care very deeply for one another when there's almost nothing to back it up.

A scene that sticks out to me when discussing this is when Zhen attack-hugs Po in a way that explicitly mirrors Tigress's hug from KFP2. This happens around the beginning of the third act, and while it had the potential to be an endearing moment, I think it fell flat.

The impact of Tigress's hug was brought on by her character's hardcore nature and reputation of being heartless, further strengthened with the knowledge that she was hugging Po (which was obviously way outside her comfort zone) as a show of companionship and fundamental understanding. Tigress hugged Po because he needed someone to recognize his strive for closure.

Zhen's hug had little to no impact because she had no reason to do it and it didn't indicate growth. She hugs Po because she's sorry for betraying him and doesn't want him to be killed by the Chameleon, but neither of these things are newly-established via this hug; we have already gathered by now that Zhen regrets betraying Po and doesn't want him to get hurt.

The hug is far from the movie's weakest point, but I think it's unnecessary given the context. I'm big on hugs in movies (an underutilized form of platonic affection, in my opinion), but it didn't fit here. I don't hate it, and I see it as an honest effort to bring emotionality to Po and Zhen's relationship, but it seems arbitrary.

Zhen and Po's relationship has a lot of potential and I'd be open to seeing more of them in the future, but I think some more thoughtful development needs to occur before I can humor it further. Even so, I can see myself featuring Zhen in some future post-KFP4 one-shots—sparingly, of course, because we have a lot of Furious Five content to compensate for.

Overall, they had a cute dynamic and some sweet moments but I'm not attached. I'm on board with Po having a student but I think their relationship needs a lot more development, something that this film unfortunately didn't give them time to either accomplish or earn.

Now, onto the Chameleon!

The concept of the Chameleon's character is admittedly super interesting. She's the deuteragonist's fastidious mother figure who feels that Zhen owes her a debt and as a result holds her to an impossible standard. That dynamic had the potential to be so interesting but I didn't think it was explored at all. There is no indication of Zhen having any internal conflict about fighting the Chameleon, no emotional complexity between them at all; it's disappointing because I think it would've added a bit of earnestness to the film.

Additionally, the idea of a shape-shifting villain is versatile. A shape-shifting villain gives those telling the story a lot of room to experiment with the protagonist and different ways in which the main character can be challenged and tested. It's yet another good idea utilized poorly. Just one idea: the Chameleon could have disguised herself as one (or several) of Po's family, friends, etc. and brought to fruition a new arc with his character (seeing as he arguably doesn't have one in this film), but she only disguises herself as Zhen very briefly in the movie.

Furthermore, the Chameleon completely relies on the powers of previous villains to pose any sort of threat to the main characters. She summons Po's former nemeses from the Spirit Realm (despite there being little logic in doing so considering Kai's literal evisceration) and takes their kung fu abilities for herself.

An excerpt from my first KFP4 discussion post that I think is relevant to the point I'm trying to make:

I don’t think it would be in the best interest of anyone if the past villains were to come back in any way that’s not a flashback (even then, I’m not sure I’d see the point). In all honesty, I thought that the whole point of the villains was that they died and stayed dead. They were defeated by Po once and for all as a testament to the idea of establishing Po's character growth and journey as a person through the bad things he’s able to overcome. It’d be highly contradictory to the messages of the other films if these villains were to suddenly come back.

While there was an honest effort made to portray the Chameleon as intimidating, I never felt as though any of the characters were endangered by either her or her army of lizard henchman. She's a visually appealing character (aside from her eyes, which I thought more resembled those of a gecko than a chameleon) and I greatly enjoyed Davis's performance, but overall I don't see the Chameleon as a notable villain.

The return of Tai Lung (had he been on his own) had the makings to be an excellent story, especially considering the importance of teacher-student dynamics in KFP4. To see him interacting with Shifu would have been incredible and could have led to further closure on Tai Lung's end (because I think that's kind of what the team was going for anyway), but it didn't happen.

It was nice to see Ian McShane reprise his role, but I wish Tai Lung's characterization had been more reminiscent of the way he was in the first film and more complimentary of his overall character arc. Tai Lung isn't a one-dimensional villain with a singular goal and motivation, and I couldn't help but feel as though the complexity of his character was simplified for the sake of KFP4's narrative.

Tai Lung's presence in KFP4 may be odd, but Shen and Kai's appearances are even more so. Kai, if I remember correctly, was fully obliterated by Po, reduced to literal particles on screen (which is kind of wild now that I think about it). Shen being in the Spirit Realm makes sense all things considered; however, Po and Li had no visible reaction to his presence, which seemed a bit unlikely considering Shen's deeds. This plot hole can likely be attributed to the fact that Shen and Kai's cameos (to my knowledge) were last-minute additions to the movie.

I have to talk about the pacing. I have to. I'm sorry, bear with me.

To me, the film's pacing is erratic and disconcerting. While I can appreciate a quick-moving narrative that doesn't dawdle on storylines that aren't interesting/important, KFP4 kind of flings itself too far in the opposite direction and ends up being frighteningly fast-paced. Once the credits began, I felt like I had been holding my breath for the entire movie.

KFP4 is confusing because while the runtime is standard for a KFP movie, it feels incredibly short. At the same time, the film's story moves at a breakneck speed and leaves little time for heart and development. These things culminate into a barreling boulder of a movie that simply doesn't have time to let its characters, story, or audience take a breath.

A fast pace is not inherently negative, but I don't think it worked in the favor of KFP4. The KFP franchise has always been very emotionally grounded (and just very grounded in general), so to see a film in which emotion/heart takes an aggressive backseat in comparison to action and comedy is jarring. While I think it's unreasonable for fans to expect the same emotional integrity as the original films to be present in the current and upcoming ones, I still think there's room for Po to grow and I felt as though the notion of him developing further was brushed aside in this film.

As for Po's growth, I felt it was nearly nonexistent. The previous trilogy wrapped up his character's journey beautifully and I know that KFP4 was bound to struggle with this particular aspect of making another KFP film; however, just because the strongest pillars of Po's character are established doesn't serve as a valid excuse to reverse his development and repeat what he learned in KFP3.

In KFP3, Po learned firsthand that he is capable of spreading wisdom and teaching kung fu. He also learns that he is constantly growing and that change is inevitable; there is always something more to learn.

"If you only do what you can do, you will never be more than you are now."

"I don't want to be anything more, I like who I am!"

In KFP4, Po pushes against this narrative despite fully accepting it in KFP3, actively reversing crucial parts of his character development achieved in the latter. KFP3 was non-ambiguously about learning to cope with change and responsibility, and I can't help but feel like KFP4 is simply copying this message while not adding anything to it.

Additionally, I felt that KFP4's Po generally felt less personal than he has in the past. In every KFP movie up to the franchise's most recent addition, I felt very connected to Po as an audience member. I felt like I was truly seeing the world of KFP through his eyes. I consider this to be one of the franchise's most impressive feats; it's incredibly difficult to build a universe around a character without making the audience feel limited to one perspective and one part of the world.

With KFP4, I felt both limited and disconnected. The world didn't feel as vast and all-encompassing as it has in the past and Po didn't seem fully like himself. This could be me nitpicking (as I'm prone to do), but I can't recall a single moment in the movie in which Po was alone on screen. Scenes like these are crucial for me because I see them as a meet-cute between the character and the audience, a moment for us to cross the bridge into their world in a way that's silent and intuitive. These little bonding moments are absolutely integral to feeling connected to a character.

Po's dream sequence in the first KFP movie is one of the best examples of this. It presents his aspirations, alludes to his way of life up to the point of the movie, and showcases his personality. During Po's dream sequence, the audience is quite literally inside Po's mind; we're there with him, seeing what he sees, subsequently feeling what he feels. Po is a dreamer at heart and makes the audience feel like dreamers, too.

In KFP4, I felt like I little to no point of reference when it comes to how Po was feeling. I didn't feel immersed in him and his world.

I know I've been very "doom and gloom" throughout this post, which is an exhausting mindset for everyone involved. I want to end my critique with something positive because I think some praise is deserved. Let's just say the movie could have been a lot worse, the details of which I'm sure you're all well aware.

Congratulations, you've reached the end! Thank you so much to all of you who took the time to read this unnecessarily long and detailed review. As long as I help someone translate their conflicted feelings into coherent thoughts, I'll call it a win.

KFP4 has its flaws and there are a lot of aspects that I dislike, but the I greatly admire and respect the hard work put into the film by those of the crew who put their efforts forward and tried their best to make it work. This does not at all excuse my issues with the movie, but it's worth saying.

As for the future of the series, I only hope that the next installment is more considerate of the franchise's origins and why Po's story is being told in the first place. I fully believe that another sequel could be good (even great!), but only given a strong, passionate crew with a great understanding of the characters and world (and I wouldn't be averse to some previous directors returning, just to put it out there).

Thanks again to those who took the time to read this crazy excuse for a movie review. Feel free to either disagree with me or add things in the replies/reblogs, I'm always looking for more thoughts to think.

Until next time!

[katesmemes]

feel free to change any pronouns, etc. || may contain some nsfw!

“Hell is a teenage girl.”

“I guess I’m not exactly perfect, myself.”

“I recommend you shut the fuck up!”

“I used to be normal.”

“I hate this fucking song.”

“I promised [Name] I would hang out with him tonight.”

“Wear something cute, okay?”

“Those jeans are hella low, I can almost see your front butt.”

“Quit tamponing yourself and get down here!”

“You always do what [Name] tells you to do.”

“You’re totally jello.”

“You’re lime-green jello and you can’t even admit it to yourself.”

“Hey, [Name], you look really pretty.”

“You play your instruments really…super good.”

“Can I buy you a drink?”

“I’ll just play Hello Titty with the bartender.”

“That’s my best friend that you’re talking about.”

“I had to stay home the next day and sit on a frozen bag of peas.”

“He was skinny and twisted and evil like this tree I saw when I was a kid.”

“Maybe I’m going crazy.”

“You do have a tendency to overreact.”

“What is wrong with you?”

“What’s wrong with you, aside from the obvious surface flaws?”

“Well, I’m glad you didn’t die.”

“I’m crazy sorry about your profound loss.”

“You are crying about [Name], right?”

“You know when you kiss a boy for the first time, and it feels like your entire body is on vibrate?”

“She’s just staring out the window like a zombie mannequin robot statue.”

“Well, the bad luck’s gotta be over, right?”

“I mean, it can’t get any worse, right? It can’t.”

“No offense, but you look really tired.”

“Is everything okay?”

“My skin is breaking out and my hair is dull and lifeless.”

“PMS isn’t real, [Name], it was invented by the boy-run media to make us seem crazy.”

“Don’t look at me like that!”

“Um, I actually wanted to ask you something.”

“You wanna know if I’ll go out with you?”

“Well, we’ve been having a lot of fun in class, you and I, and thought maybe you’d like to go see a movie or something.”

“I’m used to boys asking me out, [Name].”

“Why don’t you just come by my place tonight?”

“It’s about this girl who’s, like, half-sushi.”

“So, are you gonna come over tonight?”

“I went to [Location] and picked up more condoms, so—”

“This isn’t really your house, is it?”

“Do you even know my last name?”

“I thought boys like you were really into vermin and death and shit.”

“But we always share your bed when we have slumber parties…”

“I’m not gonna bite you.”

“Is that my [Logo/Brand] t-shirt?”

“What the fuck is happening?!”

“I have never heard you drop the F-bomb before!”

“What do you want from me?”

“Best friends don’t keep secrets, right?”

“They’re basically like agents of Satan with really awesome haircuts.”

“I dunno if we should go through with this.”

“They did go all Benihana on my ass with that knife and it should’ve killed me, and it should’ve killed me but for some reason it didn’t.”

“Anyway, I don’t really remember what happened after that, I just know that I woke up and I found my way back to you.”

“I mean, I’m a really good friend, but I was just so hungry…”

“We’re gonna sort all this out, okay?”

“It’s like some X-Men shit, right?”

“Y’know, [Name] maybe you should talk to somebody about all these…disturbing thoughts that you’re having…”

“I think he may be having second thoughts about you.”

“We can play boyfriend-girlfriend like we used to.”

“You’re breaking up with me?”

“I just need to show you something.”

“You’re acting really fucked up.”

“[Name], I think you need help.”

“Oh my god, you don’t believe me.”

“It’s not safe for us to be together right now.”

“Didn’t you hear me calling your name?”

“I just can’t believe that she would mess with your head like this.”

“I care about you so much, [Name].”

“[Name] didn’t deserve a boy like you.”

“Oh, you’re so salty.”

“I feel so empty.”

“Why don’t you just come here and kiss me again?”

“God, do you have to undermine everything that I do?”

“You are such a player-hater.”

“Wow, nice insult Hannah Montana.”

“You were never a good friend.”

“You could have anybody that you want, [Name].”

“I go both ways.”

“I think I already died before you got here, but I woke up when I heard your voice.”

“I love you.”

“I love you too.”

“You look totally hot in that dress.”

“Oh, you’re clearly delirious.”

“You killed my fucking boyfriend, you goddamn monster!”

“You dumb bitch!”

“Do you buy all your murder weapons at Home Depot?”

“God, you’re butch.”

“I’m a different person now.”

“You just might get lucky for once in your miserable life.”

[dr-spectre]

Talking about Side Order and... Marina. (SPOILERS AHEAD!!!!)

You know, i really enjoyed Side Order, like it wasn't perfect or anything but i had such a blast with it and if they continue to expand on it we could have something REALLY amazing. My reaction to the GOD DAMN TUTORIAL BOSS GOT ME HYPERVENTILATING! IM NOT JOKING! IT WAS SO EXCITING AND SHOCKING!!! THE FINAL BOSS WAS INCREDIBLE TOO! I was singing along to Spectrum Obligato and WHEN THEY BROUGHT IN THE STUFF FROM THE LIVE CONCERT VERSION OF EBB AND FLOW MY JAW DROPPED!!!

However i gotta admit, the story could have been better, what was the deal with the Octoling engineers Marina was talking about? That goes completely nowhere and i thought it was gonna build to something with the repeat playthroughs of the final boss.

And of course, the biggest missed opportunity in my opinion, Marina Agitando.

Now look, i wanna say right off the bat, the design is excellent, it was so smart to bring back her Order outfit and make her into a giant abomination that moves in such a weird way that makes you feel uncomfortable. When i saw her for the very first time when you enter the room, i stood there for at least a solid minute in complete disbelief and shock seeing a giant Marina in some octopus tentacle heart thingy that beats and pumps with the music. The song that plays too "Unconscience" is such a BANGER and honestly it rivals Octo Callie's Bomb Rush Blush remix in my opinion.

The build up for this was pretty good too, seeing Marina say "help me" before she was knocked unconscious and then possessed by Overlorder BROKE ME! I was like "OH NO! ITS HAPPENING AGAIN! NOT MARINA!!" The build up to the 10th floor was so anxiety inducing because you know in the back of your mind that Marina is gonna fight you but you don't know what it's gonna look like, if you were there since Splatoon 2 and have watched Pearl and Marina since the beginning then this build up is even more anxiety inducing and its pretty damn good. And once you free Marina she feels so sorry about what happened and helps you out to put things right, heck she goes through a small character arc of embracing chaos.... but... i have to say...

It is unfortunately not executed that well or with any depth in my opinion because they repeated the whole thing of "oh no a character we know is evil because of (quote on quote) mind control!!!! oh noooo!!" Which is a tired trope in this series that needs to stop or else I'm gonna get REALLYYYYYY pissed off.

I've done enough ranting about Callie's villain arc and how that has been misinterpreted and stuff, but for Marina, i really wish they didn't do the whole "oh no a character is evil because of an evil character oh nooo!! we gotta save them!!" thing again and i wish Marina was more of a villain with a sad motivation for her actions. As much as its cute to see Pearl and Marina act all flirty with each other in Side Order, it kinda ruins the mysterious and dark tone of the story that was teased from the trailers and the tutorial in my opinion. Everything is also explained so quickly early on which really sucks. I really wish Marina was actually conscious throughout her time as Marina Agitando and most of it should have been her fault. She does blame herself for creating Overlorder but it's kinda brushed aside quickly and Marina ends up being totally fine and free of guilt. There isn't enough depth to it which is so lame and a missed opportunity.

Marina is flawed, she makes mistakes and acts emotional and angry sometimes. We have seen a side of Marina where she snaps at Pearl when she loses Splatfests and has shown signs that she still hasn't recovered from her time before she met Pearl.

She picked team Order because she was genuinely scared that her new life would fall apart and she doesn't wanna lose the people (especially Pearl) that she's met and grown to love. Marina is also heavily theorized to be on the autism spectrum and as someone who is autistic, i can see myself in Marina, they could have really explored Marina's psyche and mental health in Side Order but they just... didn't. Instead she's put to sleep and controlled by her ai child and all of the focus is put on stopping it like a traditional "oh no we gotta stop an evil ai!! oh noo!!" story... ugh... I mean Smollusk is cute i guess but there's not a ton to them and they come off as yet another "evil ai that wants order and control!! roarrr!!!"

From reading the most recent interview on Side Order and seeing the concept art, they said that they wanted to tell a story about Marina losing herself to a machine that she created. Could you imagine how tragic it would have been to learn more about Marina and how she's so wrapped up in anxiety that she decides to make this replica of Inkopolis Square and make the Memverse? Maybe at first she makes it to help Sanitized Octolings just like in the dlc, but then maybe due to overwork and burnout (which Pearl mentions in the tutorial by the way), her emotions and anxiety become so strong that she becomes consumed by it, this obsession of order and trying to achieve happiness takes over her and then she gets the idea to spread this order to the real world, where her friends can be "happy" and "safe." Maybe Overlorder is still there but they just whisper to Marina, manipulate and point her in the right direction to continue to her mission of order instead of just fucking knocking her out and using her as a meat puppet for 5 minutes.

Could you imagine how much better the build up would have been to not see Marina until you get to the 30th floor for the first time and you got to unlock her diary entries beforehand? Seeing her thought process and her slow descent into becoming an antagonist. I'm not sure how they would have changed the permanent upgrades but they could have thought of something man. I get that they wanted to subvert expectations but, i think they should have gone WAY further with Marina Agitando.

I was waiting for Pearl and Marina to have their "Tidal Rush" moment where it's this emotional battle between the two, could you imagine how DEVISTATING a remix of Ebb and Flow would have been if it had gotten that "Tidal Rush" type of remix? Pearl singing her parts in this chaotic and emotional way, on the brink of tears trying to get Marina back and calm her down, and Marina trying to fight back against her words, not wanting to believe her because she's so wrapped up trying to make them both happy in her way. She's so caught up in order that she has forgotten what Pearl wants, that Pearl wants to be with her and go against any obstacle that stands in their way together. God i would have cried seeing that I'm not gonna lie. Maybe once Marina starts to think rationally, she breaks free from the machine and then leaps into Pearl's arms, and then we have to go back up the 30 floors to fight Overlorder and we slowly see Marina learn to embrace chaos throughout the floors instead of it just being at the final boss.

I really do feel like Splatoon has this issue of trying to appeal way too hard to kids and being really scared to dive into the flaws of these characters. They are so avoidant of being more serious and they hide it away in optional collectables and obscure posts on social media that creates misinformation and stories that feel way too undeveloped. They just say "oh this character has been brainwashed!!" which is such a lazy and bullshit trope they slap on these characters to avoid getting into their flaws for some stupid reason. (Hell that word has lost all meaning to me now to be honest. Like no, Callie wasn't "brainwashed" per say, hypnosis is not brainwashing or mind control I've said that a trillion times in other blog posts but whatever. Agent 3 was knocked out and had no clue on what was happening. They weren't "brainwashed" they were used as a puppet from a fucking goopy telephone for five minutes while they were asleep. Maybe its poor translation i don't know.)

I know that Splatoon is made for all ages and primarily for children but, i find that to be a stupid excuse for bad storytelling, a good story with depth that's explored and set up properly can be applied to all kinds of age groups not just adults. And the adults that say that shit too, why do you think like that? Why do you wish to dismiss that sort of thing in media? So what if it's made for kids? Adults write these stories and plant themes and arcs into them. Why do you think people cried over the Rosalina storybook in Mario Galaxy and think its the best part of that game? You don't want that kind of stuff in games because "they are made for kids"? Why do you think there are so many adults in the Splatoon community hmm?

I am so worried for Deep Cut in the next game because i really don't want this to happen again, i want an actual proper villain arc for either Frye or Shiver. No hypnosis, no brainwashing, no mind control. Just a pure fucking villain arc caused by the flaws of the characters and without the involvement of a third party. Please, i wanna see growth in these characters that is explored way more clearly and better. Or maybe don't do a villain arc again and just have Deep Cut be fully happy with each other and develop their relationship more with lore and backstory. PLEASE!

Anyways ramble over, thank you for reading!

[saltedcaramelchaos]

Wonderlust theory thoughts !! Just finished the first episode :D (these are very disorganized but we just roll with it)

Troy's first bit is pretty cut-and-dried as far as I can tell, it's very much to show the character in his natural habitat, but we'll probably get more context as the series goes on!

Aside from the character, THE STEAMPUNK VIBES ARE SO COOL AAAHHH!! Using flipbooks as play-by-plays? Whatever that interview camera thing was? Using "cogs" as currency?!? YES PLEASE

Also, I see you May. Where were you going so quickly :eyes:

Runt and the street rats are so interesting to me,,, my first thought was "oh there's poor people even in the 'utopia'", but then they actually were stealing from uplanders iirc!

This implies that Doppler + the gang have some way to get up above, without running into the clockwork soldiers. That will definitely be relevant later.

Also it might end up being important who exactly it was that they were stealing medicine from

Come to think of it, why is it always medicine that's being stolen/transported? It could just be a way to show that the characters are kind and care about others, or it could be emphasizing a deep flaw in the system Reclaim runs on...

side note that moment when runt saw the moon and went "how'd they make that".... ough. I don't think that adds a dimension to the worldbuilding other than the character detail of "SHE'S NEVER SEEN THE MOON BEFORE and most people here probably haven't either", but wow, way to emotionally destroy me with a single throwaway line grizzlyplays

More steampunk gadgets yaaayyy! so far between the clockwork soldiers and the mites, all the security measures up above seem like they go WAY TOO HARD. Is it a way to control people through fear? Do they secretly know there's a whole society underneath? Is it to protect something, maybe those purple stones? Is it just the person making them being unconcerned if people die at their hands? I'm so sure this means something (<-"troy's dad is a villain" truther)

Blink's turn! This man has SO many secrets and I can't wait to learn all of them. What was his relationship to Aeon? Why is he here now? Why is he on the run?

More specifically, he said something to- maybe shopkeeper guy-? about how he can't stop helping people. It sounded like a personal-promise-slash-oath kind of thing. He's clearly already been through character development; in his conversation with Aeon neither of them were happy about how the other has "changed"... that's so fascinating to me, is he a paladin? He does this out of the goodness of his heart, sure, but he sure talks like he's at least emotionally bound to it. What could have happened to cause his adamance that helping people is the right thing to do, and that Aeon isn't doing that?

Speaking of Aeon, I 100% agree with the person that said she got to Troy first. It did strike me as suspicious that he had a whole chase scene with Blink Specifically and not anyone else

From what I caught, the vixens are pretty much the self-imposed policemen/tax collectors of Reclaim! I wonder what the general public thinks of them...

that's all I can think of at the moment! let me know if anything on here has been proven or disproven because I tend to ignore the very obvious details for the character/worldbuilding ones LOL

[shallowseeker]

The Exodus convo between Lucifer and Gabe was so good, really.

You see, I think the conversation between Gabriel and Lucifer in Exodus 13x22 was good because they were both right, and they were both wrong!

Gabriel is leaning too far into Chuck's POV, blaming the victim, blaming Lucifer for the things that happened TO him.

GABRIEL: (incredulous at Lucifer’s gall) Okay, you think Dad was the ‘bad guy,’ and you were a victim? You were not a victim. That was just your excuse. LUCIFER: My excuse for what? GABRIEL: For it all, Lucifer. For it all.

It's great because Gabriels is a little bit wrong here. We've seen the Mark up-close and we've seen how it takes away free will. The fact of the matter is that, even in Chuck's own words, Lucifer was a victim. Chuck's line about "Lucifer always casting a jaundiced eye" is a rationalization—Chuck sidestepping his own culpability.

Because even if Lucifer had those undercurrents, the Mark, as we saw, eradicates impulse control. Choosing not to act on ugly thoughts is an essential component of free well.

Lucifer was both a victim AND a perpetrator.

///

Responsibility, wants, and needs:

But Gabe's also right, that at some point Lucifer has to take responsibility for his own actions instead of blaming everything on "a bad childhood." (See Vince!Lucifer's words: "And because being Lucifer? So much Judeo-Christian baggage. But Vince? He's famous. Everybody loves him. And I need love. I had a really jacked childhood.")

(((Aside/// Ah, yes. The two SPN character archetypes: "I need/deserve love" and "I'm unworthy of love."))))

Anyway, It's a bit of a thematic warning that everything Sam and Dean do can't be laid at the feet of John Winchester. At some point, as an adult, you have to stand up and take responsibility for your actions.

GABRIEL: (amused at Lucifer’s frustration) It is really killing you, you’re not out there impressing your kid, huh? Lucifer, do you really see a version here where he sticks by you? LUCIFER: (shrugging) I think the kid is pretty blown away by his old man, so... Yeah. I do. GABRIEL: He’s a kid. He likes shiny objects and magic tricks. But he’s not like you. I can see it in his eyes. His mother’s bloodline, the Winchesters’ influence... LUCIFER: I can be an influence.

Lucifer wants.

But Jack's humanness, his human-centered locus of morality, separates the two of them utterly.

///

Redemption for thee but not for me?

It's interesting a little bit because we see all sorts of evil characters get redemption. Amara spends an entire season sucking out souls and bringing on immense destruction to earth (see: TVss filled with storms, fires, and destruction), and yet... characters like John Winchester, like Lucifer, when it comes to the faintest whiff of redemption, we balk.

I'm not saying they necessarily should get redemption, but our instinctive reaction to the idea is interesting to me. Certain characters' symbolism with respect to evil is so deeply embedded that we cling to our own revenge against them.

And when we care more about who they hurt, we tend to be less forgiving.

///

Too late for Lucifer // Too late for Chuck?

LUCIFER: I’ve changed. [Gabriel stands and walks over to Lucifer.] GABRIEL: Dude, it’s me. I’ve known you since the stars were made. You can’t change. You’re incapable of empathy or love. You live to be worshiped or feared. Or both. LUCIFER: Okay. I--I see that you’ve -- you’ve drunk the Kool-Aid. Fine. [Lucifer pouts, shooing Gabriel way as he turns back towards the truck.] GABRIEL (sarcastically): Oh, is this the part where you tell me that, uh, Dad made up all those so-called lies about you? Got it. LUCIFER (getting angry): Yeah! Yeah, Pop locked me up, okay? GABRIEL (also getting angry): Don’t you get it? Humans were innocent and beautiful. But you...you couldn’t stand that the old man loved them more than He loved you. So you tempted them and corrupted them just to prove how flawed they were. LUCIFER (threateningly) You better be careful, man. GABRIEL: Dad saw that your evil was like the first few cells of cancer...that it would spread like the disease unless He cut it out. That is why He locked you up, to stop the cancer. But it was too late then. And guess what? It’s too late for you now. [Gabriel turns away, leaning on the truck bed and looking back at the camp. Lucifer stares at Gabriel, a lone tear falling from his eye, before he too turns the other way and stares off into the darkness.]

Is it ever too late? I think that's the biggest question of all. And it sticks out to me too that while Gabriel blames Lucifer for his own corruption (the Mark), he gives humans a pass. In Gabe's mind, they're not responsible for their own corruption! Bit of a conundrum, isn't it? Because it's hypocritical to Gabe's overarching point about being responsible for your own actions...

For that matter, what was the "cancer" Lucifer corrupted them with? Was it evil... or was it free will?

Aside/// It's also interesting to me... After Gabriel pronounces his judgment, he turns away so as not to be moved by Lucifer's tears, but note: he is moved by them—he doesn't leave Lucifer's side.

///

Anyway, Lucifer may have killed Gabe, but simultaneously, Gabe is one of the people Lucifer still loves and who still loves Lucifer. It's why the conversation actually hurts.

It's perhaps one of the reasons Lucifer steps up to face off again against AU Michael, even when he's already lost so badly to him, because we have to remember Cas's words: Lucifer’s deeply, deeply afraid of this Michael, too.

It's...hm. It's something. Lucifer has purpose when he's fighting, and however selfish his motivations were, Jack gave him something to fight for. He stepped in front of Gabe to fight Michael, at first.

That's. Hm.... it's something.

///

Cas and Gabe... the only people who seem to be able to put up with Lucifer somewhat effectively, lol.

///

Anyhoo, speaking of redemption...

This conversation reminds me just a little bit of the deleted conversation between Chuck and Metatron in 11x20. Metatron shows his humanity to Chuck, who chops it up and conceptualizes those emotions as "story." It's a bit of flagrant, writerly dehumanization, and Metatron's reaction to Chuck's lack of humanity is so interesting to me:

METATRON: I did. (gets up) But Cas-hat... he spared me. He showed mercy. (sits down opposite CHUCK) And do you know what was the first thing I heard when I woke up in my cold hospital bed? It was hands-down the sweetest, loveliest song I ever heard in my whole, long, sad bottom-feeder existence... My heartbeat. I was still alive. The joy of knowing that you're still alive, and the simultaneous panic of knowing that someday that heart is going to stop beating, that's humanity. It's frail and it's flawed, but damn it, it's worth fighting for. CHUCK: That's a really sweet story, Metatron. Good details, nice balance, and a healthy dose of truth. But it's a little late for a redemption arc, don't you think? METATRON: For me, or for you?

That's...hm. It's definitely something.

Maybe it's easier to get redemption when you haven't irrevocably hurt the people we love... When their victims are... more distant.

[erikahenningsen]

5 cadina!

5. “Wait a minute. Are you jealous?”

Out of everything that happens during his junior year, what Damian expected the least was becoming friends with Regina George.

A few weeks after spring fling, their English teacher told them to pair up for a project. Damian was feeling generous that day, so when it became clear that nobody wanted to work with Regina, he graciously volunteered.

What he learned—aside from the fact that The Old Man and the Sea is boring as hell—is that Regina is smart, and funny, and a much better companion at the mall than Janis.

And somewhere around the time Damian offered to reorganize Regina's closet in exchange for Regina writing their paper for them—she actually liked the book—they became friends.

They're seated on a bench outside after school, Regina helping Damian decide which Telfar bag he should ask for for his birthday, when Damian spots Cady and Aaron exit the building, hand in hand.

"Oh, there's Cady and Aaron," Damian says, about to raise his hand to wave.

Regina pulls his arm down. "Ugh. If I have to hear about how Aaron beat some new track record or helped his mom plant flowers right now I'll puke." She says plant flowers how Mr. Duvall says marijuana at their anti-drug assemblies—a little disgusted, a little bit in disbelief that anyone would do that.

"I thought you were over him," Damian says.

"Of course I'm over him," Regina says, waving a hand dismissively. "He's so boring, and he somehow always needs a haircut, even right after he gets one. I don't know what Cady sees in him."

Damian studies Regina more closely. She seems to be going for nonchalant, but there's an edge to her voice, and her eyes are a little sad, and then Damian realizes she's not looking at Aaron.

She's looking at Cady.

"Oh my god," Damian says, so many things clicking into place in his brain. Regina stopping Cady in the cafeteria on her first day and telling her she was pretty. Regina randomly going after Aaron as soon as she learned Cady liked him. Regina telling Cady she liked her in the bathroom at spring fling. "Wait a minute. Are you jealous?"

"Of Cady? Please," Regina scoffs.

"No, Regina," Damian says. "Of Aaron."

For a moment Regina looks confused. Her eyes widen comically, then start darting around the courtyard.

"What? No. That's crazy. Why would you think that? Absolutely not." Damian has never seen Regina look this flustered. Her face is actually red.

"Because you are obsessed with that girl. I can't believe I didn't see it sooner."

"Shut the fuck up," Regina says, but it has no bite to it. She drops her head into her hands.

"It's okay to have gay thoughts, Regina," Damian says, patting her back. "I actually think this world would be a more peaceful place if everyone had gay thoughts."

"Can we not do this right now?" Regina says tiredly. She lifts her head, and she actually looks a little frightened. "And please don't tell anyone."

"Of course I won't," Damian promises. "I know what that does to a person," he adds pointedly, and Regina has the good sense to look down at her hands remorsefully.

"I know," she says. "Thanks."

"Now, I can't say I've ever been attracted to the fairer sex but I am here to support you on your lesbian journey in any way I can," Damian says.

Regina whacks his arm. "I will kill you and make it look like an accident."

"What are you gonna do? Push me in front of a bus?"

"Of course not," Regina says. "That plan obviously has flaws—I mean, I didn't die. I'd get a sure thing."

Damian rolls his eyes. He knows she's just joking.

Or, he's pretty sure.

[gale-gentlepenguin]

Gale Reviews: Netflix Avatar: the Last Airbender (Book 1)

(Thanks @knightsweeties for this cute GP)

Now I have AVOIDED looking at spoilers, and opinions of others until After I had made my own conclusions.

A lot of people are mixed on this series. With only one thing being consensus:

The last airbender movie < Netflix Avatar the last Airbender < Avatar the last Airbender

Aside from that, opinions have been all over the places. On how great or how bad the show is.

I will be going over my thoughts on it in the following categories.

The Action (fight scenes)

The Effects (from bending, CGI, and costumes)

The characters

The Plot

The changes

Does it capture the Spirit?

How does it stand on its own?

Conclusions.

(Spoilers below, but let’s get Right into it)

____________________________________________

The Action

So I’m going to say this. The action in this series is great. In my opinion it’s the strongest point in the series.

The battles from invasions, to simple one on one fights are very well done, some aspects even surpassing the original. Like the invasion of the Northern Water Tribe, you really feel the place is under attack.

And the bending battles are pretty gorgeous. It’s impressive to see the fight between Katara and Paku done serviceable well.

Though one flaw is the fact that sometimes showing the fight or attack actually took away from the impact of story beats done in the original. Seeing the attack on the Air Nomads actually took something away from it. Seeing Aang discover that horror is much less impactful.

And seeing Zuko fight in his Agni Kai against his Father also took a lot of bite from the scene. If Zuko never fought back it would have been so much more traumatic.

But they were still good fighting scenes.

Solid 9/10

____________________________________________

The Effects.

The Costumes in this are Gorgeous! Especially Kyoshi warriors. The characters mostly look as if taken straight from the cartoon. The Face stealer himself being ABSOLUTELY HORRIFYING to look at in Live action. He is a sleep paralysis demon.

Appa and Momo both look great. The effects of the cities, and the blending are beautiful.

The bending also looks pretty clean. Though I admit the water bending was a bit lacking but the Fire looked ESPECIALLY fierce.

There is so much detail jam packed in this it’s amazing.

Though, I will say that it’s not flawless, some of the things do come off a touch goofy. But that could be more of uncanny valley with some of the bending.

8/10

___________________________________________

The Characters

And it wouldn’t be Avatar without the Characters in it.

And before we do anything, let me say, ALL of the characters look like the character they are playing. It’s like Netflix genetically modified them to Look like the character.

Dallas James Liu’s Portrayal of Zuko is PERFECT. Matching Season 1 Zuko’s personality to a T.

Zuko actually gets more development and his relationship with Iroh and the Crew are expanded upon more. That Funeral scene with him and Iroh broke my heart.

Maria Zhang’s Suki is also an incredible performance.

DANNY PUDI AS The Mechanist. (They cast Abed!) that was a fun surprise.

But now that we talked about what I loved about the characters… now to get to the negatives.

Aang feels so mopey. Yes Aang has his sad moments. But instead of being a hyper optimist with a penchant for fun, he is more like a depressed kid that has occasional bits of being a kid. I don’t blame the Actor, I just feel it’s more the writing

But if Aang got a downgrade in character, Katara was SHREDDED to practically nothing. The strong yet caring Katara was so… Passive. Even her big moment fighting Paku felt so… lack luster. It pained me to see this girl who was so strong come off so… passive.

Sokka did lose a chunk of character and development, but it wasn’t AS detrimental as one would believe. It’s still cruddy. But there was some stuff added that helped cushion the blow.

Appa and Momo were not as present because expenses (but at least they were fine)

King Bumi is dead. I don’t know WHAT was the plan behind Bumi, but this felt so… twisted and off. This isn’t the Bumi that taught Aang the lesson about how not everything is as it seemed. It hurt me to see such an accurate look be so inaccurate.

Azula and her friends felt like a down grade. I know what they were trying to go for. But I just didn’t feel that EDGE she had. It felt so.. pitiful.

On a positive

Jet and his team were still fun and a bit psychotic.

Ozai actually coming off as more competent.

And Admiral Zhao being incompetent yet super Egotistical was a change I welcome.

The bounty hunter Jun, flirting with Iroh was a change I wasn’t expecting but loved.

The Face Stealer may have looked more terrifying… but his actual action was mid… aside from the nightmares.

The rest of the character acting was a mix.

I gotta put this at… 5/10

When most of the main cast feels so bland it really takes away from the story.

____________________________________________

The Plot

So the season still follows the general plot of Book 1 of ATLA.

Katara and Sokka find the Avatar who got frozen for a long time. They go travel to help Aang find a Waterbending master so he can start learning to bend and save the world.

Now interestingly since it only has 8 episodes it sort of Blends together several plots into one episode. And this causes a lot of changes… and the effects of it are… well… a mixed bag at best and almost completely undefinable at worst.

Episode 4 being especially messy.

Now there are additions and changes from the original because of the constraints of Live Action.

Like not specifying that Aang has been gone 100 years, and actually changing certain story beats to references in order to save on time.

In some cases, it’s understandable. In facts being a one to one retelling would be boring.

The problem is that the story feels more like it’s pushing the characters rather than the characters pushing the story. Aang had agency, but now there is even more forced Agency.

I did like the changes that made the fire nation more competent. (I’ll discuss further in the next section)

But overall, I felt that the story was speed blitzed and super monologue heavy at its worse. It’s nothing incoherently awful. But it’s very lacking.

4/10

_________________________________________

The Changes

There were a Lot of changes done to this in comparison to the original series. So for this. I decided to make a new system.

I will list the change. If you see this Symbol (+) it’s a change I am fine with. If you see (-) it’s a change I didn’t like. And if you see (\) it means I’m indifferent to it.

-Fire Lord Sozin wiped out Air benders in person (/)

- Aang got lost in a storm by accident, not actively running away (-)

- Katara and Sokka lose the feminist development (-)

-No penguin sledding (- -)

-No Haru (-)

-Avatar Kyoshi take over (+)

-Zuko has a journal about the Avatars (+)

- Jet in Omashu (/)

-Teo and his father in Omashu (+)

-Bumi is jaded. (-)

-Secret tunnel early (-) (it’s weird that Sokka and Katara go in there, there is more I don’t like but I will just leave that out for now)

-The Funeral for Iroh’s son. (+++)

-The Agni Kai with Ozai was changed (-)

-The crew of Zuko is revealed to be the division that would have been sacrificed. (+)

-Aang never Water bends (-)

-Azula’s whole character alteration, and earning the blue flames (-)

-Less Serious Roku (-)

-Koh’e whole deal (-)

- Zhao’s death is different. (-)

-Yue having a bigger connection to Sokka (+)

-Fire nation demonstrates far more competence (+)

-

There are more but most of them I’m more understanding because of Time Constraints.

I will give credit that a lot of the changes I didn’t like but they did try something.

3/10

______________________________________

Does it capture the Spirit?

This is where I have to say Kind of.

When you see the references, Cameos, and the small details. You can tell there is some love for the original series. The attention to details and the bending choreography is gorgeous and Almost seamless.

It’s where we get to the core of the show that feels different.

For example. The Netflix version of One piece. There are a TON of differences, but the core of the characters felt the same. The spirit of the show was still clear. It was handled with love.

With this series, I can say there is a respect for ATLA, but the core seems to have a different focus.

So I put this at 5/10

As there are some things that you can see have reverence, but other things that don’t.

_________________________________________

Conclusion.

The stark defenders of the show say you shouldn’t compare it to the Original because it will seem worse. While also then comparing how much better it is compare to the live action movie.

Here’s the truth, if you watched ATLA, you are not going to expect this show to be better than the original.

If you didn’t watch the original show, you would probably be entertained, and since this show explains basically everything, you won’t need to know as much as the viewer going in… but there is also a lot going on.

If you were to go in and watch this show with 0 understanding of the show. I’d say 6 maybe 7 out of 10.

But if you are a fan that cares about the show. I have to put it at 5/10

And that’s where I put it.

5/10

It is watchable, but I’m not absolutely smitten with it.

I’m willing to give book 2 a chance… but I’m iffy. On it.

[anthurak]

So I’ve been thinking about the whole theory of ‘Poly-STR’ that a lot of the fandom seems to have started latching onto recently, particularly with the revelation/confirmation that Summer and Raven were a LOT closer than anyone (aside from Rosebird shippers) thought.

And the funny thing is, I don’t think anyone really appreciates the fact that the theory of Summer, Taiyang and Raven having been in a polycule is actually built on an incredibly shaky foundation.

See, let’s consider for a moment where the theory of Poly-STR comes from; that this ship wasn’t created all on its own, but is simply the latest interpretation of a Summer-Tai-Raven dynamic that we’ve known about since Volume 2 when Yang explained her family backstory to Blake. That Raven was Tai’s first love and the two of them had Yang together, only for Raven to vanish without a trace. And sometime afterward, Tai got together with Summer and they had Ruby together. And sometime after that, Summer left on a mission and never came home.

Now if you’ve been with the fandom since Volume 2, you should know that there have been a number of different interpretations and developments of the dynamic between these three over the years; That Summer is Tai’s second love who stepped in after his first love Raven ran away. That there was some kind of outright love-triangle with Summer and Raven rivaling over Taiyang. And most recently, that Summer, Tai and Raven were in a polycule.

But here’s the wrinkle that I don’t think anyone is really appreciating:

This whole idea of a Summer-Tai-Raven dynamic that the fandom has been drawing all these ideas/ships from is based almost entirely off of YANG’s story that she told to Blake back in Volume 2.

And it is becoming very clear, especially after this latest episode, that Yang’s knowledge of her parents and family is in fact EXTREMELY flawed/limited. Even as early in the show as Yang’s very conversation with Blake in V2, we’ve known that Yang seemingly didn’t even know that Raven was her birth mother until AFTER Summer vanished. Then in Volume 3 we and Yang learn that Qrow has actually been in on-and-off contact with Raven for all these years and even has a pretty good idea where she is. Then when we learn about her bird transformation and portaling semblance, it becomes clear that, far from being ‘gone without a trace, never to return’, Raven has been around quite a bit and keeping an eye on Yang, and likely Ruby as well. And it’s pretty easy to guess that Qrow and Tai almost certainly KNEW about this, and DIDN’T tell Yang or Ruby.

Then in Volume 7, we and Ruby learn from Qrow that neither he, nor Tai, nor even Ozpin has any real idea what Summer’s final mission was even about. As Qrow puts it, this wasn’t an ‘Oz secret’, but a Summer secret.

Now at the end of Volume 9, we get a glimpse at just how little Ruby and Yang REALLY know. It turns out that Summer deliberately lied to nearly ALL of her friends and family about the true nature of her mysterious mission. And it turns out that Summer and Raven were FAR CLOSER than Yang or Ruby ever had any inkling of. With Summer apparently trusting Raven above all others with helping her on this secret mission, with Raven herself acting much friendlier with Summer than she has with ANYONE else we’ve seen.

Basically, I think all that we’ve seen calls pretty much EVERYTHING Yang told Blake about her family past during Volume 2 into question. You know, that very same conversation that the fandom has based much of, if not almost their entire perception of the Summer-Tai-Raven dynamic on?

Remember that RWBY has at this point a long and consistent history of both unreliable narrators and mentors/leaders/parents concealing VERY important information from their kids/our heroines. So should it really be so surprising there is a LOT that Ruby and Yang are wrong about concerning their parents and family?

It’s why I find it so interesting to see how some people seem so convinced about something like Poly-STR being a thing.

Like when I hear people say things like ‘Tai and Raven were definitely a couple’ or ‘Summer was definitely Tai’s second love’ or ‘Tai is definitely Ruby’s father’, I can’t help but wonder; ‘Are you sure? Are you really sure?’

Simply put, I don’t think much of the fandom really appreciates just how IN THE DARK we really are concerning the details of Team STRQ and what was REALLY going on before Ruby and Yang were old enough to fully remember.

[co-mixed]

Daredevil by Chip Zdarsky Pt.1

It's not easy to sum up a run like this. Nah, it's actually pretty impossible. It's a long road with so much going on with so many faces, you have to record every single one of your thoughts. So I’m gonna go character by character, taking every arc and dissecting it. 

I have, in fact done it a while ago, right after I finished the run, but it took me some time to post it. And I wanted to make it feel more like a review but that didn't quite work out, so here it is, my essay or analysis of some of the character arcs in this run. Spoilers ahead too!

Zdarsky’s run finds Matt right after the short rehab series. And I have to talk about that a little: the truck that kicked Daredevil out of the game, poetically replaying his childhood accident, left him dealing with all the old injuries. In DD’s line of work, those tend to pile up. So the few issues were a short detour into Matt’s identity crisis as he was about to give up and had to seek help from his fellow Defenders. It was a very recovery-focused story with flashbacks and the fears that haunted him. For a man without fear, he sure has plenty of nightmare scenarios so questioning and reevaluating this status is a constant process for him. This idea circles philosophy but to me, it just reminds again and again of how much Matt Murdock depends on the way people see him. 

When Zdarsky’s run starts, Matt is already going out at night and throwing his clubs around. But he’s not exactly living his previous life anymore. Here, the status quo is fully restored after Waid’s detour and the brooding hero on the roofs in the rain is back. Well, almost back. He can’t fully heal his body or his mind so he ends up accidentally killing a man. And then Zdarsky finally pushes Daredevil into the trap that's been sprung for him ever since he killed Bullseye. At the time, I was a bit disappointed that Waid allowed Matt to walk away into a new life, never having to deal with emotional repercussions. It felt to me like he was repressing that event so hard, his entire personality had changed. While the run was good, it felt like a bizarrely loud cry for help. I felt like that was not Matt, at least not the ever-guilty martyr we all know. 

But now, here, he gets a chance to live through this hell. The beautiful part, in terms of narrative, is that Daredevil right away becomes erratic and paranoid: he goes digging through his enemy list, convinced that someone had set him up. And he fools you easily. Despite him being off his game I truly thought there was a Fisk handprint or just The Hand behind it. But you know what? No. It was just an accident. Probably caused by Matt's lack of trust in Daredevil or his not being at 100%. 

DD gets so bad, he actually ends up getting a talking to from none other than Spider-Man. Aside from the usual suspects that is. Which, think about it, all heroes have gone through trauma at one point. But compared to a spiraling Daredevil they still seem very together. Granted it's his book so the main drama has to come from him.

There’s a moment when he’s in a room with Jessica, Luke, and Danny, and he calls them all murderers, quickly correcting the ‘you’ to ‘we’. It’s like a new light in which he sees the whole superhero game: like he thought they were truly above the law because they made no mistakes. So yeah, after all these years he saw for the first time how flawed each one of them truly is. 

What he refuses to see is that they are all working through that, not dividing the world into the good and bad. Meanwhile, Matt has Daredevil on a pedestal as someone who must never allow the line to become blurry.  

Matt's disturbing as hell. And yeah, have to admit I like him more when everything is awful, simply because he always knows how to make things worse.

For a brief time, Matt hides the costume in his closet and works as a parole officer. But it turns out he is actually terrible at compartmentalizing and he's even worse at self-inflicted penance. 

I believe the culmination of his incompetence in life is an affair with a married woman. Married to a mob boss’s son. It's truly classic Matt Murdock at this point - got no one to cheat on, well, at least she does. He is Exupery’s drunkard and he's brilliant at that. He wakes up next to Mindy thinking about the terrible sin he’s committing. Gotta give her credit though, she gave him a piece of hell for making it about himself. 

And then his circle of violence as he calls it (courtesy of late Vanessa Fisk), pulls him back in again. 

He has doubts and fears about putting on the costume again and we'll, it's hard to blame him. But he still lives in Fisk’s city and the city is getting worse every day. 

When Matt came face to face with The Purple Man, he said that the thing he fears the most is hearing all the tragedy and doing nothing. Zdarsky just puts him in this reality and Matt's got no other choice than to put on the mask. Before he fully embraces it, he trains with Elektra. Did he break up with Mindy? No, of course not. He just ghosted her until she needed help. The good ol' Matt. 

But with Elektra, this time it's different (not really - she has her own plan as she always does.)  I have to admit, the more they get together the more I realize one thing - Matt really can't break up with women. They have to die, otherwise he’ll be hung up on them for years. Elektra is the love of his life no less than Karen was. She just came back from the dead, unlike Karen, and I’m pretty sure deep inside Matt thinks it's for him. Plus, she knows his identity which makes it so much easier. And she's deadly which makes her so less killable. 

But most importantly Matt’s obsessed with Elektra because she's from his past and he’s notoriously bad at moving on from his past (see Exupery's drunkard again). Here’s why I kind of root for them: I do like the adversary/lover connection they have and they exist in the same world. Can they make it work? I doubt it. 

Before I get too deep into more of Matt's disastrous relationships (and believe me you, there is more) I should refocus on the arc.

We got Matt running from the law while making adjustments so he could represent that same law. And he has an interesting new addition to the cast in the form of detective Cole North. I’m gonna talk about him later since he's one of the narrators in the run. But North is hell-bent on holding vigilantes accountable and Daredevil is his idée fixe just as he is for Fisk. 

Daredevil manages to sway North by saving his life as corrupted cops attempt to kill him and that leads to three interesting events.

One - his parolee learns that he is Daredevil. And his parolee is none other than the brother of the man he accidentally killed. 

Two - North starts seeing him as a protector rather than a criminal. But he still wants to hold him accountable. 

Three - it sets the tone for the rest of the run, showing the cracks and imperfections of the US criminal justice system.

Either way, that day Matt goes free. And when he puts on a costume again, he is convinced that now he's gonna act smart (because Elektra told him to gather information before leaping into action, duh. All that education and you couldn't figure it out on your own…) It's also a different costume and Matt even convinces everyone who’d listen and a couple people who won't, that he is now a new and improved hero who is not Daredevil at all. Yes, he actually believes it and I think it's still his desire to wash his hands off of everything connected to the accident. He thinks he sees things clearly now but it feels like he's never been more blind. Yet somehow, he will be. 

This repetitiveness becomes very noticeable when you read through run after run. It’s a very clear pattern that Matt goes through: every time something changes he makes the decision. This time… this time… this time… and it always comes back to the same conclusion. 

He immediately gets duped by Elektra into stealing money from the bad guys, of which she pocketed some. And then the bad guys rain Inferno upon Hell’s Kitchen. 

That's a fun little event during which another one of Matt's exes, Typhoid Mary, reappears: prior to that she's been therapied into a nice nun who's been helping Matt whenever he ended up in church. The first time I saw her I thought “Oh no, he's not gonna sleep with a nun…” but then, he already had. Uhm, anyway, the nice uplifting moment was the people of the neighborhood dressing up as Daredevil, turning him into a symbol. They'd been doing it for a while and some had been moderately successful too. But when the battle was won, one of them died in Matt's arms, so he turned himself in as Daredevil. 

Now that's the thing, that's where the main idea of this run starts really growing. And not because Daredevil goes to prison or refuses to fight for his freedom, but because of what's awaiting him there. It's not the superpowered villains, it's all the people he’s been sending there for years. It's such a simple thing - to take these “street level” bad guys, put them face to face with Daredevil, and tell their stories. 

Daredevil in jail is a stupid idea. Smart from the narrative point of view yet stupid for him as a person on many levels. First of all, he is doing it out of misguided loyalty to the law. He's still a lawyer after all. He's also religious but he kind of sorted that out for himself already. He says he wants to show everyone how even superheroes have to be held accountable if they step out of line. 

He wants to feel good about himself and again, a part of me thinks he wants to feel like he's better than the others: he loves that moral high ground, and whenever it shakes underneath his feet, everything around him falls apart. Mostly because he destroys it, but he doesn't focus on that. 

Cole, Kirsten (yeah, she's back too), and Foggy, they all tell him he's wrong. And they are absolutely correct too. He wants to be an example, sure, but he really needs people to see him the way they did before. It's not about his guilt, he's been forgiven in fact. 

The one big regret I have is that this run and this prison time didn't give him more therapy. Because the therapist calling him out on his usual BS was incredible. And she, along with another inmate reminded him that he's fooling himself and trying to fool others. All that makes more sense considering he still hides his identity, so whenever he chooses to leave, his crime and his time won't affect anything. None of that will ruin his life. 

The way the story leads to this social or rather political issue, it's very organic. It's something he’s been dealing with for years as both his personas: the revolving door between a police station and the streets, the poverty and desire for a better life that lead to crime, the mean streets. He's the perfect hero for this story and his flaws are most vivid here. He had both put people in jail and kept them out of it, he'd been a mayor, and he’d been accused and stood trial. But all of that he had been doing from his high horse.  

The truth in that story is grim and realistic - prison isn't helping reform anyone and only serves billionaires in their quest for more wealth. 

As Daredevil discovers that and makes a deal with the FBI, he gets released. And once again, he wants to go for that one big win. He always falls into that same trap, he always attempts to stand alone or with friends and win everything, save everyone at once. He’ll keep trying to, all the way to The Fist saga. 

But to get there, he needs to step over one considerable obstacle.

Wilson Fisk

Like I said, Daredevil and the rest live in Fisk’s city. He is still the mayor and he is going after all vigilantes and I mean all, including the Avengers. But that’s just a part of it. Fisk has an interesting story as he decides to move from the underworld politics to the real thing. He makes a decision, he retires the title of Kingpin of crime, but he forgets the one crucial part – he can’t retire his persona. He will go on to the next level with his hands still soaked in blood. And that’s something he shares with Matt: where Matt needs to be absolved, all Fisk needs is to just turn around and pretend he’s done nothing wrong.

The ironic detail is, he’s so used to doing his dirty work himself, he finds it impossible to fit in with polished high-class criminals. Politics seems like a natural next step for him but somehow the shadow games turn out to be more than he can chew. Thus the Big Bads of this run are Stromwyns - the richest people in New York. They pull the strings and even Fisk struggles with that idea. 

In all this, he has a few defining moments:

He wages war on superheroes, including mutants, which leads to X-Men Devil’s Reign

He goes to fight on the ground during Inferno (which was organized as you might have guessed or known already, by the Stromyns).

He kills Mike Murdock thinking he’s Matt Murdock. 

Oh, right I forgot to mention that Mike’s back. And he is seemingly real now, has his own arc, although still can’t escape the title of a spare Matt Murdock. 

Anyway, back to Fisk. Of course, when the time comes for reelection, Fisk wants not just to run but to guarantee his victory, which is not surprising at all. I mean take a criminal who gets a fraction of power, would they ever let go of it? In this regard, Fisk is your classic villain. And just like every other villain, he decides to cheat and use The Purple Man’s power to sway the voters. All of that leads to his ruin and retirement.

But not before he marries Typhoid Mary. Can’t call the ceremony lovely really because they both creep me out and I’d like them or at least Fisk to pay for his crimes. It’s not just the fact that he never does or it never sticks, it’s that later he’s received diplomatic immunity from Krakoa, and sure, he helped them during Fall of X and the drama with Orchis. But it’s still the same damn Kingpin. That hasn’t changed and he will return to make everybody’s life hell again. 

Why? He’s absolutely evil and we see that in a panel during Devil’s Reign. There’s no non-evil or non self-serving for him. 

Yeah, Fisk and Mary rowed off into the sunset but not before Fisk killed Mike. And really, that’s another opportunity missed by Matt. Could’ve played around scaring him in both his personas instead of going after him right away and revealing his existence. But I get it, he had other engagements including his actual engagement to a woman we all know all too well. 

I ran out of the images limit, so there is a Part Two.

[soapsinthebox]

character ask um sona thouughffs perhappps 😁do soba. Sona :)

Greets Gekko!! and of course, im always happy to talk about my cancelled aunt, she is my pfp after all

Favorite thing about them

Oooh this one is hard... "Favorite" is a little too wide of a definition for this, so ill narrow it down to what hits the hardest for me, and that is most definitely, the "flawed mother" angle they were going for her.

Sona isnt perfect, as much as she wants to claim otherwise, she believes in ideologies that actively put Frisks friends in danger time and time again, and as shown, is even willing to act on them in the imperfect routes, but they still love and see the good in her, because thats what theyve grown up with their whole life, and for someone who has a mom in a pretty similar situation, that hit so fucking hard for me.

Sona... they could never make me hate you Sona...

Least favorite thing about them

I dont really understand the hair motif they were going for, it feels unnecessary, out of place, and compared to all the other powers she could have had in the concept art (Doll powers, omega form, ect) just feels... idk, boring to me? i just feel there was so much more potential for her.

Favorite line

"If you dont have determination, you have to fake it!" lives rent free in my mind. its the perfect way to show off one of her main ideologies, In Sonas mind, theres just simply no thing called weakness or imperfections, and anything that is lacking can be fixed right up like a doll, who cares if itll never be as genuine as the flawed and complex human being that they used to be?

Theres also the iconic "I only take the souls of children if they disobey me!" line, which i like for a lot less complex reasons. just, out of context funny lmao.

BrOTP

The possible relationships she can have with Dalv, and her relations to integrity are both very intriguing to me.

Like, for Dalv theres this whole thing with them that they are both flawed individuals who ran away from their problems in the past, but ended up with completely different outcomes (Dalv was ripped away from society, while Sona actively got herself involved in it) but also like?? for something fluffier, i like to imagine that Dalv is good with kids, and the idea of him running an orphanage with Sona is really cute to me.

And integrity... oughh, its seen both in the no romance endings and the perfect sans route of kc that Sona really cared for integrity (their ending having the most lore, only second to Justice because...well, uty reference, her giving them flowers in that one cg), So the idea of her in a uty scenario (cough cough kcy cough cough) finding out about what they did and their fate is a REALLY interesting angle to consider for me. so many thoughts, oh so many of them.

And then last but certainly not least, theres her and Chara which i feel like i dont talk about NEARLY enough but since this section is getting long, ill just end this off on that kc shouldve had more Sona and Chara interactions.

OTP

... Its Sonaroba, is anyone surprised.

Theyre so interesting and mentally ill and evil i need to put them in a snowglobe and shake them as hard as i can. Like, you have two woman who were both wronged by the world in some capacity, and when proven wrong, are so tunnel visioned that they basically just beg for death. only that one is past that arc and has learned to grow, while the other, despite having the chance time and time again, hasnt. They're two sides of the same coin, they're two different outcomes of the same person they're they're they're-

My incoherent ramblings aside, i also really enjoy Sonanny, they're the doomed old woman yuri ever and i refuse to take any criticism /j like, theres a reason Nanny is the only adult not controlled by Sona right? IM GOING INSANE-

nOTP

... Im actually at a loss for what to put here lol. I mean, i guess theres Sona and Sans, but its just so stupidly evil and toxic that i kinda just, thrive in it now

I guess her and Starlo?? but theyre not compatible anyway so i dont really get why people would even ship it to begin with.

Random headcanon

The hat she has in the concept art right?? i imagine she actually still has that hat somewhere, and wears it on special occasions like anniversaries and birthdays. its just so cute i cant help myself rahhh-

Unpopular opinion

Im actually not that familiar with what the major idea around Sona is since i only really hang out in niche spaces, maybe i should hang around Andrews community more-

But since "Sona isnt just some random racist mom and her character goes so much deeper than that" isn't really a fun answer, im gonna say that i think we (and by we i mean like, the twelve people in the kissy cutie community) Really dont explore her Mexican origins enough. theres so many fun things you can do with it like the original game does-

Song i associate with them

The main two songs i associate with her are Suburbia by Will wood and the tape worms, and ruler of everything by tally hall.

Suburbia in particular feels like her trying to fit herself and eveyone into a "generic" standard, and the ar-15 part in particular feels like Chara speaking to her like "cultures not your friend" and "Culture is more afraid of you then you are of itself", making it a duet between the Siblings?? ouggh can you see the vision.

And ruler of everything... oh ruler of everything my beloved, everything about it fits Sona so well for me, especially the chorus?? Ayaygdgyduhhuh

I actually was story boarding a ruler of everything Sona animatic, i lost interest since school started, so heres the rough beatboards

Favorite picture of them

The little full body Xan cut out lives in my mind rent free, like look at her guys shes so full of bliss and whimsy

Thanks for the ask!! sorry this got a little long lol, i am a yapper at heart