GRAVITY FALLS SEXUALITY HCS
(If you’re gonna be rude/homophobic/transphobic click off this now please :3)
Also slight spoilers for the Book of Bill
Stanford “Ford” Pines - Bisexual, DemiAroAce, if he gets to know someone enough he’ll try and hit it off with em (slightly biased bc I selfship with this dork)
Stanley “Stan” Pines - Bisexual (actually implied canon)
Mason “Dipper” Pines - trans (semi-canon) Bi-curios, questioning; Mabel tries to help him out discovering himself but we all know what her methods are like
Mabel Pines - bisexual (implied canon via bisexual flag stickers she has)
Jesus “Soos” Ramirez - straight ally 💕
Blubs & Durland - gay (canon)
Wendy Corduroy - bisexual (implied canon)
Robbie Valentino - biromantic, possibly demiromantic & asexual!
Pacifica Northwest - questioning, possibly aroace-spec!
Agent Powers & Agent Trigger - gay. Look at them. Just look at them.
Bill Cipher - considering this man got drunk after Ford “broke up with him” this is the gayest triangle ever— idk really have a sexuality I hc him as I think he just goes after whoever
Anyways I GOT THE BOOK OF BILL YALL RAGGHH
Alex Hirsch is making me go mad over here
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I know several other people have redrawn that one official cloudtail & brightheart art but i wanted to take a crack at it. Hire me harpercollins.
[ID: a digital painting of Cloudtail and Brightheart from Warriors in a semi-realistic style. Cloudtail is a fluffy white cat with blue eyes, and Brightheart is a ginger-and-white cat with one blue eye and heavy scarring on the other side of her face, including an empty eyesocket, shredded ear, and part of her lip torn away to reveal her teeth. The cats are facing towards the viewer, looking happy, with Brightheart leaning her head into Cloudtail's muzzle. They are in a field of tall grass with mountains visible in the background and a tree with a few leaves looming over them. End ID]
Original below the cut for comparison
[ID: a painting similar to the first one, but Brightheart and Cloudtail are drawn in a more realistic style, lacking expression, and not leaning into each other. Brightheart has much less ginger on her pelt and her scarring is reduced to a few scratches on her eye. End ID]
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This is one of my favorite minor details in Dungeon Meshi, firstly because what in the femme fatale, but also because it's one of those little things that raises so many questions about worldbuilding.
The Occam's Razor defense attorney in me says that Ryoko Kui gave Kabru a boot knife because she wanted him to escape from his bonds here. And Kabru is a very competent swordsman, why wouldn't he have a boot knife, sure. He's already got a dagger, he can have this too.
And yet: the implications. Kabru, why do you have that? That is not remotely something that could be easily accessed or used in combat. Nobody is pulling out a pen knife from the heel of their boot during a fight with a monster. It's useless in the dungeon ... unless you're the type of person who isn't just worried about monsters.
I've mentioned this before, but I consider one of Kabru's functions in the narrative as being the character who fully brings the idea of human ecosystems into the story. There's a reason why he's always connected to large groups of people (Toshiro's party, the Canaries). He (along with Mr. Tansu, briefly) introduces the reader to the social and political forces working on the dungeon, showing us that none of this is happening in a monster-filled vacuum. His confrontation with the corpse retrievers, who very nearly kill Kabru's party permanently with their reckless murder-for-money scheme, reminds us that monsters are not the only things that prey on humans. Kabru understands the ways the dungeon causes people to put profit over human lives.
We only get hints of it in the story, but like any gold-rush-style economic boom, it's implied that there is a lot of crime and corruption surrounding the dungeon.
So yeah, it really makes me wonder why Kabru keeps a tiny knife in his boot, meant to be carried on him even in situations where he would otherwise be unarmed. Stored exactly in the place where it's easy to reach, even if, for some reason, your hands are tied behind your back.
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i feel like poolverine easily could’ve been one of those “they’re flirty but it’s mostly unserious” situations, and for most of the movie yeah they were extremely gay, but wade’s been like that with other guys and it was never treated as a serious type of relationship before. they’re willing to die for each other, but even then the romantic aspect of their relationship could be glossed over because it’s a superhero movie, that’s just what they do, and they’re working together to save a whole timeline—it’s not just about them. but then the movie doesn’t end with them saving the day and moving on. i think this’s really the part that sells poolverine as a genuine relationship to me… logan’s leaving, and wade calls for him. he can’t stand to let him go. then he introduces him to his family, and logan stays. he doesn’t really need to stay, but they’ve both decided they’re better off with one another than without
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Just an idea
What about yuu with a paradox pokemon becuase of the whole thing about being from different worlds
ooh, I hadn't thought about that, but I like it! like, I think Grim fills the role of Yuu's pokemon (or vice-versa) (somehow) but I kind of love the idea that he's some kind of far-removed Paradox or alternate-timeline version of another pokemon or something. honestly, there would probably be a lot of theories about what exactly he is! mostly it involves throwing a lot of pokeballs at him and seeing what happens.
also just for fun I want to make him slightly more pokemon-proportioned:
(he would still have to be the one who actually battles though)
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If you're lost, you can look and you will find me
Time after time
If you fall, I will catch you, I'll be waiting
Time after time
finally finished the third in my series of fully rendered dca images, yippieee!!
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