#some S2 characters but not based on S2 plot

[andromeda4004]

Fancy a Gothic Romance for spooky season? My "Rebecca" inspired AU starts posting today!

Newly married to a mysterious widower after a whirlwind romance abroad, the second Mrs di Angelo does her best to adjust to her unexpected life as a lady of means. Gabriel di Angelo is a man with everything – wealth, charm, and the famously beautiful estate, Sanderley, on the Cornish coast – and high expectations for his bride to fill the role she has been given. What she finds at Sanderley is a house filled with bitter secrets, a housekeeper determined to let her know she’s unwelcome, the lingering ghost of Gabriel’s adored and inimitable first wife Antoinette … and that nothing is as it appears.

The first two chapters are up, and I hope you enjoy:

[endiness]

Debunking misinformation about Netflix's The Witcher (Part 1)

[Part 1] [Part 2] [Part 3] [Part 4] [Part 5] [Part 6] [Part 7]

"Henry Cavill is a massive fan of the books and the games and he quit the show because the writers wouldn't stick to the books and he just cares about the source material so much."

Henry Cavill not only did not know that the books existed when he started pursuing the role of Geralt, but he actually thought that the books were based off of the video games (and he still didn't bother to read them) and he didn't learn that the games were actually based off the books until Lauren told him (even though the first thing in the game credits is that they're based off the books); as of 2021, he as only read the full series once — right before he was cast in 2018; while he has played TW3, he has only played a little of TW2 (and I've never found any evidence that he's played the first game); and he also has not played the DLC for TW3.

Henry Cavill also started heavily pushing the narrative that he's just such a massive fan of the books and how important adhering to the source material is to him during the press for S2 to deflect from how it was due to his acting choices of cutting Geralt's lines and either saying nothing or just grunting instead that Geralt's characterization — who is much more verbose in the books — was book inaccurate in S1:

He also lied about the situation and tried to act like Geralt was never originally written as being verbose and blamed the lack of dialogue on Yennefer and Ciri's prominence, which cannot be true as confirmed by Lauren:

And tried to act like the lines he was cutting weren't that important anyway so it wasn't really a big deal, which also cannot be true as confirmed by Joey:

He also started pushing the narrative that adhering to the source material is so important to him and it's 'tricky' to do that with Lauren's vision, but his definition of "Lauren's vision" is the show being an ensemble piece with Yennefer and Ciri at the forefront (like the books) and the show in general heavily centering around women (like the books):

So the idea of him caring so much about "book accuracy" is, in fact, not accurate to the books at all as his problems were the prominence of women in the show when Ciri is the main character of the main book series, which the show started adapting from S2 onwards (which is when Henry Cavill started to complain about wanting "book accuracy" in the first place), and when women are very prominent, central, key figures in the books and they often drive the plot forwards.

Lastly, S3 was the closest adaption of the books out of all the seasons so far, so the idea that he quit after S3 because the writers just weren't respecting the source material and the show wasn't following the books doesn't make any sense anyway.

"Henry Cavill is the only reason why the show was even close to the source material at all."

I've not only never seen any evidence of this, but if anything, I've seen the exact opposite: Henry Cavill was either directly responsible for or at least contributed in some way to a lot of things that went against the books or didn't happen in them.

As I already pointed out, he cut Geralt's lines in S1 and either said nothing or just grunted instead which is inaccurate to Geralt's characterization in the books. Here's another quote from Joey affirming that:

(Just to note: During the press for S1, he frequently talked about how the games inspired his performance as Geralt — sometimes talking about them even more than the books despite how the show is based off of the books, not the games — and it wasn't until S2 press that he suddenly changed his tune and started talking about how important adhering to the source material ie the books is to him. He also only started advocating for a more book accurate Geralt because he got dunked on by reddit for his book inaccurate performance in S1.)

He didn't want to play Geralt and Jaskier's friendship as directly as in the books and buddy-buddy with each other:

He didn't want to have any kind of conflict in Geralt and Ciri's relationship in S2 — at least on Geralt's side of things:

Nor play Geralt struggling with fatherhood at all — all of which led to the domino effect of Yennefer's betrayal:

Eskel's death (which in itself also led to things like Vesemir trying to create new witchers and Lambert's attitude toward Ciri):

And Voleth Meir being the big bad of the season:

He didn't want Geralt and Triss to even just platonically find comfort in each other in S2 — which is what happens in the books:

He nixed a sex scene between Geralt and Yennefer in S2 because he didn't think it'd be in character of them to have sex after reuniting which, uh, is absolutely in character of them:

While this is an incredibly inconsequential change, given the prevalence of this idea that Henry Cavill is such an ardent defender of the source material ie the books and how much he wanted the show to adhere to them, I do think it's important to note that he pushed for — and got — more signs into the show even though by his own admission that is more of a game thing than a book thing and he got it into the show for the explicit purpose of catering to game stans:

This is also another incredibly inconsequential change, but again, given how prevalent the idea of Henry Cavill pushing for perfect source accuracy is, I do just want to point out that he would wear his armor 24/7 to make it look worn down:

Even though it is canon in the books that Geralt will buy himself brand new clothes, so the idea that Geralt's clothing has to look worn down and can't be brand new is not actually book accurate.

"Lauren wanted to make Roach's death a joke."

Just to address this point specifically, Lauren wanted to make a meta reference about how all of Geralt's horses are named Roach. That in no way, shape, or form means that she wanted to make Roach's death into a joke or even that the scene had to be played comedically. This is what Lauren had to say about the subject and the 'joke' in question (which, js, actually fits the tone of the books more):

And as far as the "Henry Cavill is the only one who cared about the source material and he's the only reason why the show even stuck to the books at all" front goes... Henry Cavill did change the dialogue in this scene to a book quote/reference; however, the quote in question ("Enjoy your last walk across the meadow and through the mist. Be not afraid of her for she is your friend.") is not something that Geralt himself says and the line/scene from the books foreshadows Geralt's ending in them.

So, at least imo — especially taking into account the incredibly high standard the fandom has set for Henry Cavill as the #1 defender of the books — I don't think this change was actually book accurate especially given the narrative significance of that exchange in the books.

[jackwhiteprophetic]

Hey guys have been doing some data analysis on hit TV show 9-1-1 today as one does, and basically:

- based on data from 7x01 to present (8x04, excluding 7x08 as none of the related characters are in this episode).

- Buck says "Eddie" an average of 0 (ZERO) times per episode if Tommy is not present.

- if Tommy is in a scene, Buck says "Eddie" an average of 2.75 times per episode.

- this is over double Buck's over all "Eddie" average per episode since season 2, which is currently 1.08 EPEs (eddie-per-episodes).

(here is my graph with data from S2 to S7, I will make a new one maybe at end of 8A but definitely by the end of season 8)

More data/analyses under the cut

If anyone is curious on similar data for Eddie:

- 0.4 BPEs if no T.

- 1.125 BPEs if T present.

(currently overall, Eddie is at 0.73 BPEs)

Sorry if I counted anything wrong lmao ANYWAY we bear in mind that when Tommy is present it is due to a Buck/Eddie plot in that episode (because they are often deliberately paired together by the writers) and just have more lines anyway so may be more likely to speak each others' names.

To me this highlights that Buck and Eddie are being heavily linked together whenever Tommy is there, which indicates that the writers want the audience to associate Buck's romantic relationships with Eddie. Also when interpreting Tommy as a storytelling device used to represent part of Buck's queer awakening, having Eddie be tied to this is another potentially interesting writing choice.

Basically gay Eddie is haunting bi Buck's narrative and Buck is narratively condemned to be unable to separate his queerness from his attachment to Eddie

[machineheraldbabe]

arcane, populism, and why viktor is the odd one out (yet again)

as a piltover-anti, a silco criticizer, and a pacifist, i am very very interested in how arcane presents not just the political undertones of both topside and the undercity, but the characters/dialogue through which they communicate those undertones. allow me to use some political science bro lingo to air out some thoughts.

long, long post incoming.

there are 2 ideological struggles at war throughout s1 (and i can predict that the struggle will carry over into s2): neoliberalism and populism - in their broadest terms since we're talking ofc about a fictional show dealing with surface level political machinations. by neoliberalism, i mean a focus on the social, political, and cultural structures of a polity (piltover, for our purposes) refocused into a strictly economic vacuum. and by populism i mean a unifying belief that the existing political systems of a polity fail to adequately represent their constituents, so the masses choose to rally around a specific gripe or issue, i.e., class discrimination, xenophobia toward immigrants, etc. this, in turn, forms a populist party or movement. an applicable example i can think of would be Nasser's Egypt in the 1950s.

*i know these are weighty topics with very real world implications! i just want to separate the theory to apply to our favorite fictional world.

the political struggle in question is put forward immediately by piltover, who, though presented as a technocratic state, embodies crucial neoliberal ideals emphasized especially by up-and-coming counilor mel medarda, much like how fresh-eyed american economists blew up the economic scene in the 1980s with a revival of capitalist, free market enterprise. take how she seizes the advent of hextech, for example:

she quickly sees hextech's potential yet not from the solely intellectual standpoint that jayce and viktor do - for her, it is profitable, literally and in terms of international relations. her goal is for piltover to prosper, but she has no rose-colored glasses on; prosperity means capital gain, and she's willing to override piltover's political and social systems to achieve her goal. an important caveat is that she draws the line at ambessa medarda's progression into militant authoritarianism, which deserves a whole post of its own!

piltover's populism moment will come later. first, let's unpack silco, who is probably arcane's most blatantly political figure, and a masterclass in the merits and failures of left wing, class-based populism.

silco, having been spurned by the classism and xenophobia that piltover's elite proliferate, and assisted by his rampant shimmer operation, fills the vacuum that vander's pacifism opened up. though silco's methods are unilaterally cruel (argue with the wall), the undercity clearly invested faith in him at some point, especially as vander's credibility as a guiding figure wavered over the years. he was fighting alongside vander for zaun's right to exist as their own independent body. in other words, he was uniting the undercity toward a common cause because the existing political system failed their constituents. to quote councilor shoola: "they may not be our preferred constituents, but they're still our people."

the track record of populism in our real world frequently ends in the ruin that silco himself brought upon the undercity. the kingpin is too dedicated to self-preservation, sees himself as too central to the movement, which prevents both compromise and/or a necessary armed revolt (insert your own politics about self-determination here). see italy's right wing populism party, Lega Nord, as a real-time example of this phenomenon.

but arcane makes an interesting plot decision with jayce, a very unexpected and "unwilling" contributor to piltover's abrupt dip into right wing populism. the showrunners love foils!

in arcane lore, i think it's safe to say that jayce's moniker "the man of progress" is pretty tongue-in-cheek. both he and viktor have a bemused tone about it in the run-up to his speech, and jayce is taken aback by heimerdinger's insistence that he deliver said speech. but the glowing, savior-esque imagery can't be ignored, nor can jayce's quick switch into his councilor role, no matter how reluctantly he makes it.

jayce is confronted by 2 forces that he seeks to combat in his quick tenure as councilor: internal corruption and an ineffective governing body. the latter goal is inspired almost solely by viktor, playing into jayce's naivety as a fresh-faced political figure, but this will be especially important to note later on. the innocence he offers up to mel is quickly erased, transformed instead into an uncomfortable - and inexperienced - militancy:

important in the bridge scene to my analysis is the populist "out group," or the designation populists give to those whom they actively oppose, and this opposition serves as their basis for organization. in this case, it's the undercity (keep this in mind for viktor's role!!).

jayce's combined frustrations at the unrest in the undercity and the council's (namely heimerdinger's) refusal to act, to both save viktor and to deal with the undercity's looming violence, motivates him to act like silco for a short time. unsatisfied with the status quo, he unites a likeminded individual, vi, along with the enforcers, to undercut the political system he feels is unable to represent its constituents or act in an effective manner. however, UNLIKE silco, jayce's realizes the inevitable cost the method of violence has and refrains in the end. he returns to the council and capitulates to some of silco's demands in the name of a peace piltover and zaun always thought impossible.

jinx's complete undoing of this underscores the failures of populism, especially as an extended movement over time. she wasn't accounted for. it's common sentiment at this point that she didn't attack the council for political gain. she was not invested in zaun's independence. she did it out of her and silco's twisted parental bond, and thus undid piltover's brief instance of compromise and compassion.

so...where does viktor fit into all this? and what are his implications for neoliberalism vs. populism in season 2?

viktor is neither wholly within nor wholly outside the populist outgroup - though jayce unintentionally shoves him back there in the pivotal bridge scene. furthermore, viktor also makes use of piltover's technocracy. he seems to have had a "raise yourself up by your bootstraps" history in arcane, contrary to left wing populist insistence that neoliberal ideals make this impossible.

this compounds as a double alienation for viktor, who also is straddled with the complications of his disability. a lot of his story is searching for a fellow in arms, if you ask me, and he had that with jayce until the pendulum swung, hence his return to singed.

if we stop there, viktor represents the failing of these 2 very flawed political ideologies. he fits nowhere and arcane uses him adeptly as a symbol of the failings of binaristic ideologues and systems. but let's speculate some more!

i'm convinced that viktor, due to his ambiguous 3rd party role in the story so far, will be one of the central villains (if not THE villain, if you allow me to be admittedly hopeful/biased) in season 2. consult the innumerable very well written theory/meta posts about the subject for more details, but one piece of evidence i want to focus on is this inherent physical, cultural, and ideological separateness that is innate to his character.

can we see him allying ever again with piltover, knowing that there's a split incoming? even without outside knowledge of league lore, singed's damning prediction ("if you take this path, they will despise you") cannot go unheeded. alternatively, then, can we see viktor allying with the supposed jinx-as-revolutionary side? no. personally, i see him as becoming increasingly unwillingly to compromise his a) immediate survival; and b) his ideals, especially after being endlessly sidelined in his attempts to express them in acts 2 and 3. he's also just a loner, guys.

there's some controversy on this point, but i'm convinced that the finger-printed cultists/followers we saw in the s2 trailer are devoted to viktor. starting with the shimmer addict he touched in the teaser, he is accruing a following all his own. and since noxus is here, touting their authoritarian militancy to replace piltover's outdated liberal ideals, nothing that jinx's revolution OR viktor's following does can be apolitical. to organize and to fight is survival under s2's raised stakes.

there aren't any binary spectrums when it comes to political theory in my opinion, so i am prepared to witness viktor introduce an entirely separate totalitarian narrative into arcane. where it will surely lack in militancy, it will make up for in its domination of the arcane. my biggest speculation is that, as they always do, piltover will fold and compromise at the last minute, perhaps yield to noxus, and invest wholeheartedly in taking down viktor's BBEG cultist regime. and by isolating his narrative repeatedly in s1, the writers planned this out expertly.

even if i'm wrong about viktor as third party, i like to think my observations still stand about the specific and qualifiable political divisions between piltover and zaun. the biggest hole this leaves for me is the question: will arcane ever take a stand? they seem very averse to making a blatant political statement, but i think their pervasive anti-police thread makes it clear that we're not meant to sympathize with piltover yuppies or their seasoned, jaded councilmen. let me know your thoughts!

also, as a jayce fan and a fan of arcane's overall story, none of this is meant as a CRITIQUE of him, mel, or silco. as silco said, "we all have our parts to play." i believe arcane's very greatest strength is their archetypal storytelling, and these distinct character roles are crucial to the success and vibrancy of the story.

if you read all the way to this point - ily <3

[vidavalor]

The Movie

The most important thing is that he's gone.

If you're feeling sad that it's not the full season and would like some reassurance about the rest of the story being movie-length, though?

Based on where the story is now? They can absolutely do this in 90 minutes. Would it have been more fun if it was the whole season? Of course. But they can do this in 90 minutes-- and do it well. I think there's actually less to go in the plot in the present than we might realize. How so?

I'm pretty sure the next part of the story has never really been plotted to be Supreme Archangel Aziraphale. The end game seems to me to be a bit more they all have to overthrow Heaven to save Aziraphale and that's how they save the world. Meaning, that was Satan with the coffee in The Final 15 and Aziraphale's fall is the plot. The kickoff here in the movie would be the same as it would have been if we had a full S3: the audience gets the hinted at 2.06 twist revealed in full right near the start when they see Aziraphale get to Heaven and be thrown to Hell by The Metatron. The other characters then quickly learn what's happened to Aziraphale. They band together to challenge Heaven--that's the whole Powell & Pressburger's 'A Matter of Life and Death' trial & how it fits into things.

Aziraphale won't accept a verdict that's just for him and not Crowley as well and the process of all of this winds up exposing and overthrowing The Metatron and Hell, freeing the demons. (Gabriel gets his suit back and is their lawyer, you just know it lol.) By coming together to save Aziraphale, the characters fix Heaven/Hell, which then saves Earth and permanently stops the threat of Armageddon. The remainder of the time is wrap up where Crowley & Aziraphale work through what's happened and then head to the South Downs.

All of that stuff in the present that I just said can actually be done inside of an hour, tops. Especially because no one has to set up the characters and story like they would if this were a stand-alone film. They can just dive straight in. That still leaves at least a half-hour--if not a bit more, depending-- for flashing us back to whatever we need to see that supports what's happening in the present (The Vavoom, 1941, probably Jane Austen, likely one or two other things we don't know we need to see yet). More than likely? This is a series of scenes like the S1 cold open more than it is a longer, single-era, flashback minisode. I don't think anyone would complain about another cold open-like sequence? 😊

The movie can work. For perspective? Look at the chart below.

We are at the Big Twist that is The Act II Climax & it's really almost fully done already. All that's left in that Big Twist is to just overtly tell it to the audience because The Final 15 already did all hinting the set up work for it.

As you can see, we're really just moments away from everyone regrouping for the big, final push of the story-- the Act III Climax/overthrowing Heaven-- before we're into the South Downs Cottage ending. This is one of the reasons why I think that S1 showed us Monday-Sunday of The Last Week of the World: Round One with Armageddon being stopped on Saturday but S2 revealed we were watching The Last Week of the World: Round Two... but then stopped the season early on Friday morning. S3, imho, has always been going to pick up within hours of where the 2.06 cliffhanger ended and show us the mirrored Saturday & Sunday of this week that we still have out there.

They won't need to set up at the start of the film where characters are years later because the S2 story we were watching was always written for S3 to pick up basically right where the S2 cliffhanger leaves off. S3 was always going to continue directly the story of S2 rather than come at the story from a place of a dead stop of years having gone by. I think the best way to look at the movie might be as if it is really the S2 finale. Think of it as if S2 actually has 8 episodes but we've only seen 6 of them so far and we're still awaiting the last two.

Each season of the show, in and of itself, follows that above Three Act Structure, even if the overall series of Good Omens is also following it for its overall story as well. Think back on the last two episodes of S1, which would then be similar in some structural elements and in pacing to this movie.

The Act III Climax in S1 is Armageddon being stopped in Tadfield. That will be overthrowing Heaven in the movie. The Obstacle that followed in S1 as a result of stopping Armageddon and which led into the wrap-up conclusion was Heaven & Hell coming after Crowley & Aziraphale/the body swap plot. When Crowley and Aziraphale solved those obstacles-- in short time, as this is part of the wrap-up-- we then left them dining at The Ritz on Sunday afternoon. These episodes were a very clear-cut example of what an Act III in Three Act Structure within a season looks like and it is likely-- structurally-- going to be very similar to what the model for the finale movie will be. The pacing will be a lot alike, just with some flashbacks in the mix.

Think about how little time it actually took to stop Armageddon once everyone was in Tadfield-- and that most of the finale was just getting characters who had already been set up earlier in the story to Tadfield for that to happen. That's about how much time it's going to take them to overthrow Heaven in the movie. We've actually already watched most of the set up in the story to get to that place in S2. Then, think about how the Obstacles part in S1 was the body swap plot... but how that same type of obstacle wouldn't exist in the S3 movie. Why?

Because this movie is going to stop Armageddon permanently by overthrowing Heaven & Hell. Unlike in S1, when Crowley and Aziraphale were still being targeted, they're going to be truly free for the first time ever by this same point in the S3 movie. So, what are the Obstacles then? Their own stuff. This is where we would get the scenes of two of them having the chance to fully talk through The Final 15 of S2 and, in the process, understand where everything went wrong and have the South Downs Cottage then be the happy ending.

There's plenty of space for this in the story because this is where it's all leading and the part about overthrowing Heaven and Hell-- that Act III Climax that sets up this ending? Going into the movie after where S2 left off, we're actually only a heartbeat away from it already.

This is all very do-able within 90 minutes, with plenty of room for things like The Vavoom and 1941. It might not be the full season that we hoped for but the story is in a way better place to wrap this up with a movie than most shows in this position would be.

[sundrop-writes]

Precious Time Alone

Gar Logan x Fem!Powered!Reader

aka the fic where Gar has a knot

Summary:

Even with the ability to see the future, you never would have guessed that your life would lead you to falling in love with the perfect man - someone sweet, caring, funny, cute. Someone with the passion and fire to protect the ones that he loves no matter what. A precious guy with green hair who had the ability to transform into a tiger at will. And when you finally made love to him for the first time, you never could have guessed how that unique ability affected his sex life.

You weren't exactly complaining, but you wished you had seen this coming. At the end of the day, it was just another thing about him to love.

Or - Neither you nor Gar knew that he has the ability to knot, and you both find out for the first time when you have sex together.

Gar Logan x Fem!Powered!Reader. Established Relationship. Smut/PWP. Set during Season 2, Episode 9.

Word Count: 11,800

DC Titans Masterlist | AO3 Link

THIS IS A RE-POST. This is a fic from my old blog (a blog that was shadowbanned, forcing me to move). This fic is not stolen, it is completely mine, and I am just re-posting it to help people find my new blog, to make my masterlist for this fandom more complete, and to help new people discover my old fics.

Detailed warnings and author’s notes below the cut.

Important Note: for reference, this is not an A/B/O fic - I have nothing against A/B/O fics and I love them very much (it's one of my favourite genres, and I really need to write more A/B/O fics and post them) - the reader character is 100% human and does not have any traits that fall into the A/B/O category. This fic is based off the concept that Gar has a knot due to his animal traits/animal DNA, and it is something that happens to his body because of his ability to transform into an animal. This could be considered a hybrid fic, but Gar's knot is the only animal trait he possesses during sex. If this is your thing, I hope you enjoy. If not, come back later, and I might have something more your style. Or you can check out my masterlist in the meantime.

Warnings: the reader character has a vagina and uses she/her pronouns; this is an established relationship - Gar and the reader have been dating for a while now; mentions of canon events from S1 and S2 (so there is some spoilers from the show - if you haven't seen the show yet and you want to watch it unspoiled, be warned); mentions of canon level violence, including Gar being tortured at the asylum; this is set during 2x09 when Gar is 'home alone' (and the reader is there with him); the reader character suffers from insomnia; the reader character does have powers but they don't really have major involvement in the plot of this fic (idk if I should have even labelled this as 'powered!reader') - the reader character has psychic visions; mentions of clothes sharing - the reader is implied to be bigger/plus sized because Gar wears her clothing and it's 'oversized'; the reader is attracted to Gar's more 'animal' side - she admits to being attracted to him because he protected her with his powers; this fic does use Y/N (I am a proud Y/N truther); Gar and the reader have engaged in sexual acts before (handjobs, fingering, oral) but this fic features their first time having penis in vagina sex; Gar's knot is a surprise to both of them due to it being their first time having penetrative sex (his dick only swells up once it gets inside of her body); though this is both of their 'first times' with each other, I didn't put any big emphasis on virginity in this fic, especially because they have done other sexual acts before; this could be considered Crack Treated Seriously - but like I said, my brain just took the concept and ran with it; there is something in this fic that could be considered consensual somnophilia - the reader character starts performing oral sex on Gar in order to wake him up, but she's not specifically turned on by the fact that he's sleeping, and there is an unspoken consent due to them being in a relationship; this whole thing fluctuates from making love/passionate sex to rough, animalistic sex; slight praise kink - Gar verbally praises the reader and compliments her a lot; there isn't really defined roles here, but Gar is more dominant and the reader is more submissive; as mentioned before - penis in vagina sex; unprotected sex - they don't use a condom (the lore of knots and condoms bothers me anyway, like how would a condom not break under those circumstances??); possessive!Gar; biting kink/marking kink (Gar bites the reader - a lot); Gar cums inside the reader - a lot, because of his supernatural dick (though this doesn't quite make it to cum inflation levels); Gar knots the reader (if you don't know what that is, just stay away); creampie kink - NOT breeding kink; there is mentions of pregnancy in a discussion after the sex is over, but not in the breeding kink sense (Gar and the reader both want kids and there is no mentions of alternate forms of birth control, so if that gives you the ick then don't read this one); slight warning for VERY BRIEF painful sex/pain after sex - Gar tries to pull out not knowing what the knot is and accidentally hurts the reader's vagina because of it (the pain only lasts for a few seconds, and he stops trying to pull out once he is unsuccessful); scent kink - Gar loves the way you smell after being fucked by him; (I was not planning on adding a bonus scene when editing this fic, but it's Gar and I got carried away) more consensual somnophilia toward the end - Gar fingers the reader a bit while she is sleeping, and then he masturbates on top of her and cums over her thighs before cleaning her up (again, this is operating off the pre-existing consent in a relationship, or you can imagine that they had a consent conversation about this before the fic, idc); the ending of this fic is just pure fluff.

A/N: This is one that I wrote in 2022 and I had kind of forgotten about it? But I was going through my older fics on AO3 and I was like 'omg I love that fic, I forgot how much I love that fic'. And because I am trying to post some easy stuff before my move (which will be exhausting and it will mean that I will post pretty much nothing for a few months) - I realized that this fic was an easy re-post because it didn't need a lot of work before being re-posted. So - here ya go! If you haven't read this fic before and you don't know what a knot is (in terms of fanfiction/smut): run away. Run away now. I don't need to be the one to corrupt you lmao. But yeah - this fic was inspired by someone on Tumblr (I wish I could remember who it was and link the post) posing the theory that if Gar is 'part animal', then he might have a knot. And my brain felt the need to exorcise that idea once it entered my mind and literally possessed me, and thus, this fic was created. I think it is one of my better Gar fics - with a very straightforward concept. And if this is your thing, I hope you enjoy it!

...

It was entirely strange to wake up to the Tower actually being quiet. 

Well, quiet aside from the sound of Gar’s snores rumbling beside your head. But there was a lot less noise than usual. 

There was no distant beeping of the coffee machine where Dick had it pre-set to go off at an ungodly hour. No grunting of Jason training because he couldn’t sleep. No rumbling bass tones of Rachel’s music where she played it aloud, thinking no one else could hear. 

No arguing voices. 

Strangely, that was something you missed most of all. You had come to love the chaos of so many people living in your new home. And you had secretly hoped that Dawn, Hank, and Donna would stick around for a while, even if they insisted that they were just going to take care of the Dr. Light problem and leave once again. With them cooking meals and hogging the TV, it had started to feel like a real family. 

You had definitely not expected all of the Titans to barrel out faster than cockroaches fled from light when Dick told them of his past transgressions. But boy - they fucking ran. And naturally, when Gar volunteered to stay at the Tower with Conner in order to hold down the fort, you stayed with him. 

What else would a good girlfriend do? 

You had stuck by him through everything else, so of course you would stick by him through this. 

And even though you missed everyone dearly, and you worried about the long-term impact that Dick’s confession would have, you did see the appeal of The Tower now being completely empty. You would be lying if you said that it didn’t bring some salacious thoughts to your mind. 

Maybe it was that morning silence, truly reminding you of the lack of occupants in the house - or the burning hum between your thighs that had you awake at this hour in the first place. But you couldn’t sleep, and now your mind was brimming with better, hornier things that you could be doing with your time. (Things that you likely already would have started if Gar had been awake along with you.) 

You were sometimes jealous of his ability to sleep so well. Typically, sleep was an area that you did very poorly in. 

Usually, having Gar’s intense warmth curled up next to you did help. And you thanked that perfect human furnace for what little sleep you had gotten the night before. Especially after all the anxiety and the fighting, and the unexpected charge of everyone leaving so suddenly. 

You lifted your head from Gar’s rumbling chest as he snored and snorted away and you looked at the clock on his nightstand - 4:15am. You sighed deeply to yourself and decided to get out of bed. You knew from your experience with insomnia that it was no use trying to fall back asleep again. 

You untangled yourself from Gar’s grasp, careful not to wake him - and then you grabbed a piece of clothing off the floor to shield yourself from the morning chill. 

It was an oversized hoodie that you and Gar often shared. It had originally started off as yours, but now your things had migrated into Gar’s room and it seemed like your lives were easily blending into one. He found himself wearing one of your socks mix-matched with his own, and he often slept under a fuzzy throw blanket you had brought when you moved into The Tower. You used his body wash in the shower, and had some of his nerdy pins on your backpack. 

It always just felt right. 

The hoodie smelled delightfully like your boyfriend - and you couldn’t help but to press the fabric to your nose with a small contented sigh while you walked down the hallway to check on Conner. 

The young man was still deeply unconscious - not making a single movement or a flicker of acknowledgment toward you when you walked into the room. His vitals were stable, with his puppy asleep on his knees. The dog looked at you with curious eyes as you checked on the machines and even used a stethoscope to listen to Conner’s heart just to make sure that he was doing alright. Krypto made no moves to get off the bed, entirely protective of his half-human companion. You shut off the light and partially closed the door as you left (leaving enough room for Krypto to get out if he wanted to). 

Then, without much else to do, and feeling a slight grumble in your stomach, you went to the kitchen. You ate a bowl of cereal as you scrolled your phone, listened to music, and checked for messages from any of the other Titans. There were none. 

After you had eaten, you were still bored and the sun wasn’t even up yet - so you decided to take a shower. 

As the hot water poured over your body, you couldn’t help but think of Gar. 

The two of you had been together since your psychic powers led you to Scooter’s Roller Palace. 

Before that, you had lived a somewhat normal life, even with your visions. You had the very typical ‘loving family, suburban home, thriving at school’ type of life. 

You had been trying to achieve your goals while completely ignoring your visions. 

Visions that you had previously denied had even been able to predict the future - until a horrifying dream of your parents’ double murder came true. You were unaware at the time that the same doomsday cult that was attempting to track down Rachel was also looking for you. A group that had been watching your abilities carefully and wanted to use you to track Rachel and to perceive better outcomes for ‘their work’. 

So with the realization that you could see the future, you knew that you had to act. Especially with visions of the dark, crumbling end of the world plaguing you. You let your powers guide you to that roller rink in search of a purple haired girl who could save everyone and a green haired boy who could transform into a tiger. And since then, you hadn’t let him go. 

It was only when you had been captured at the asylum that you and Gar became truly close. The day that he had first come to your rescue. 

The ‘scientists’ there hadn’t been unable to taunt or shock him into his transformation like they had been planning to. But the moment he had heard your screams of torture and torment from down the hall, he had transformed into the tiger and ripped the cage’s door off its steel welded hinges with his teeth just to get to you. 

When he witnessed them torturing you in an attempt to demand predictions of the future out of you - Gar had snapped. And then, a bizarre vision that you’d had years ago came to life before your very eyes. A vision of a giant green tiger ripping apart a group of men in white lab coats, making them bloody in order to save you. 

He later told you, as you were traveling on the train, that he had never harmed another person before that. He had never used his powers to harm someone before that. But he also told you that he absolutely didn’t regret it. He had told you that if it meant that he got to save you, then he would do it a thousand times over. And that was something that warmed your heart and drew you to him like a moth to flame. 

If you had a schoolgirl crush on him before that, then in those moments, it grew into a heated, womanly lust. You started falling in love with him on that day. 

That animalistic strength, that passion, that courage was what had drawn you to Gar immediately. He claimed it was ‘hero syndrome’ - the thing that made you pull him close and kiss him on the train. The thing that made you call him your boyfriend. He claimed it was only because he was the one that saved you, and if it had been someone else, then you wouldn’t have ended up with him at all. 

But no - nobody else had the primal drive that he did. Nobody else had the same protective instincts that he had. Nobody else looked as good with blood dripping from their teeth. 

It was a dangerous thought to have. But it was one that got your clit throbbing every single time. 

Of course, you loved Gar for all of his soft parts. You loved him for his dorky smile, his smooth laugh, his shy gaze. He was a soft place to land when you were hurt, upset - when you needed comfort the most. But you also loved him for his sharpened edges - his undeniable passion, the way he wouldn’t hesitate to harm an enemy when it came to protecting the ones he loved. The way he bit down on your lip whenever you gripped his cock just the right way. 

You sighed hard through your nose as the water went cold around you. Had you really been in the shower for that long?

Disappointingly, you and Gar had never actually had sex before. 

You had done plenty of sexual things - but it always felt rushed, and it never quite scratched that itch in the way you needed it to. 

The fact that the two of you were pretty much never alone together meant you never had the time to indulge in each other, to properly touch each other the way that you really wanted to. Everything you did together was always quick and haste. Grabbing and groping each other through clothes, shoving your hands into each other’s pants, panting breaths down each other’s throats, desperate to cum as quickly and quietly as possible. 

You wanted nothing more than to feel every single inch of his naked skin against yours. You wanted to be able to spend hours worshiping his body, getting your tongue onto every perfect muscle you had seen when he trained shirtless. You spent far too long fantasizing about him laying you down in the middle of his bed and pounding into you, roughly and savagely - showing off that animal side you loved so much. 

As you wrapped a towel around yourself and wiped the steam off the mirror, you realized something absolutely wicked. The house was empty. This was the perfect opportunity to get exactly what you wanted - what you needed from Gar. 

You dried off your body, abandoning the fresh clothes you had brought into the bathroom with you and simply walking down the hallway naked. It was a strange feeling, to say the least. You were aware of the fact that there were cameras in literally every common area of the Tower (as Gar had pointed out to Rose a few days prior) but you took for granted that nobody would have to review this footage for any reason. 

You slipped into Gar’s room, where he was still fast asleep - splayed out on his back, his jaw wide open as he puffed out air and snorted loud snores. 

He was adorable, almost innocently so. He was so peaceful when he slept. He was wearing a tee shirt with a cartoon of Link from The Legend of Zelda on it - something you only knew about because he had explained it to you in great detail. His green hair was messy in a beautiful way that suited him, his limbs sticking out from the covers at odd angles. Even though you did have some idea of the not-so-innocent things he thought about you on a regular basis, you did feel slightly guilty for disrupting his sleep with your lustful corrupting force. 

(Just not guilty enough to stop what you were about to do.) 

With the morning sun rising at your back, just slightly orange through the curtains, you pulled up the covers and crawled in on top of Gar. Instantly, you were warmed by the natural heat radiating off his body. Apparently something about his ‘condition’ - that thing that made him half-animal, also made him incredibly warm. At any given time, his skin was near-burning, almost like a fever to the touch. It made him so pleasant to sleep beside, so nice to hug and cuddle up against. It was just one of the many, many things that made him the perfect boyfriend. 

With that heat gathered under his blanket like a sauna, it almost made you want to lay down on top of him and fall asleep again. But the prominent hum between your thighs was a bit more persistent - and you knew that there would be plenty of time to fall asleep with Gar later. His clothes did slightly irritate your sensitive, bare skin - you knew that you wouldn’t have to tolerate the feeling for long. 

Gar liked being naked more than you did. So he certainly wouldn’t mind you undressing him. You knew the only reason he even bothered to sleep with clothes on was because of the general pretense of others being around. 

You pressed yourself on top of Gar, not worried about your weight disturbing him - not after the many times he had told you how much he enjoyed the feeling of being cuddled with you laying fully on top of him. You pulled the covers up over your body as the chill of the room bit at your still somewhat damp skin, and you leaned in to kiss across Gar’s neck. He moaned quietly in his sleep and began to stir. 

You smiled to yourself, loving the feeling of his muscles so relaxed underneath you. It was something that had been too rare as of late - with all the intense training sessions, and the stress of Rose being brought into your home, Jason being kidnapped, and then Conner being shot. For the past few weeks, whenever you had hugged Gar or cuddled against him in bed, he had been nothing but a tense ball of stress. 

You certainly understood that stress. He was worried for his friends and wondering what would happen next. Even though you had the ability to see the future, you couldn’t simply predict what would happen on a dime. You had helped to secure Jason’s safety, but you had been nervous that the others wouldn’t be able to get to him in time. Even though everything had worked out in the end (debatable, seeing the emotional scars Jason had come away with), the stress had taken a toll on you and Gar. 

Life as a Titan was stressful. And you knew that you and Gar were both well deserving of a break. Even though Gar marked this as a tense fracturing of the group, something else to stress about, you knew that everyone simply needed a break. 

And you knew exactly what kind of relaxation Gar deserved now that you had the time on your hands. It was something you hadn’t been able to give him since a late night in the bathroom many weeks ago, when he had to muffle his moans into a hand towel for fear of being caught. You laid a few more gentle kisses against the skin of his neck, and then began to descend downward. 

You wiggled yourself completely under the blanket, loving the warm cave that it created around you - a pleasant fog of Gar’s body heat that easily made your cheeks scorch. It raised your body temperature more already, and made your cunt clench in anticipation. 

Of course, you were going to focus on him first. You pushed his shirt up his stomach, gathering the fabric lazily around his midsection, not really making an effort to take it off. You appreciated the skin that was revealed to you, especially seeing as every single part of him was beautiful. 

You had seen him naked before.

Gar was a smart person - but he wasn’t always clever. So he had unintentionally shown off his ‘goodies’ on more than one occasion when transforming into that mighty tiger that you loved so much. He didn’t always rush to cover himself if he thought that nobody was looking. It was a strange juxtaposition - the fact that you had made him cum before, but you had only seen him completely naked when he used his powers publicly. 

During the times when you had been intimate, you had both been forced to keep most of your clothes on - your trysts entirely secretive, shoving your hands down each other’s pants or dropping to your knees and taking his cock out, keeping everything haste and ready to easily redress in case someone came upon you. 

Now, you were more than ready to make love to him. You were fed him with never having enough time - never having enough of him. You so badly wanted to have your naked body pressed against him completely; to have him naked in bed for hours where there would be absolutely no disruptions. Your pussy throbbed with excitement at the very thought. 

(Perhaps Dick coming clean of his transgressions and pissing off all the Titans had been the best thing that had ever happened to you. Not that you would ever admit that out loud.) 

You kissed along the now exposed skin of Gar’s stomach, loving the little moans he let out as you did so. Clearly, he was still floating somewhere in sleep, his sounds still dull and adorably sleepy. Perhaps on his way to waking up as your wet mouth worked a trail down to the edge of his sweatpants. 

His stomach muscles flexed under your touch as your tongue darted out and traced the light trail of hair leading down from his belly button and dipping into his pants - definitely one of your favorite things about him. You laid a few more light kisses near his hip, causing more cute little jolts, before you lovingly eyed the outline you saw forming inside his pants. Even though the fabric, his cock looked perfect. 

You knew that Gar pretty much never wore underwear. 

It was something he had given up on because it was just another article of clothing to rip off, previously impeding his transformations. And then he simply never wore them in his off-time because once he had stopped, he found them too uncomfortable to wear casually. It was a dirty little secret of yours - but you absolutely loved his commando lifestyle. 

It always made the outline of his dick so obvious through his clothes (even when it was soft). You had never admitted that you ogled him on a regular basis. Especially when he trained - his movements when sparing causing his cock to bob around and move in a devilishly delicious way. 

Maybe you were a bit of a pervert. At least, that’s what some people might call the way your mind worked. But you couldn’t really help it. It probably had a lot to do with the fact that you had found the most gorgeous man ever and he had a sex drive that seemed just as potent as yours. (Though - as previously mentioned - you had been horrendously impeded by a barrage of housemates and multiple crises interrupting your alone time. Until now.) 

You were quick to undo the tie on his sweats, and from there, all it took was a firm tug to get his pants down. The fabric became slightly trapped between the plushness of his ass and the bed - thankfully he was still limp and pliant with sleep, and you didn’t have to put too much effort into getting the clothing down. You took the edge of his pants down to just past his hips, letting his cock free. 

This gave you a perfect view of his long, thick cock - freshly awakened from its slumber and easily half-way to hardness. It was as remarkable as always - pretty pink cockhead (just like the sweet pink of his lips), pale and seven inches long - about nine inches long when he was fully hard. Tugging the fabric of his pants down a bit more, you gently pet your fingers over his round, full balls - one of your favorite parts of him, even if you felt shy admitting it aloud. 

You also loved his so beautifully Gar, bright green pubes. The first time you had seen that his green hair was so entirely all natural (well, natural since the injection of Dr. Caulder’s serum) - you had been shocked and absolutely amused. 

You loved every inch of him, and you definitely loved how this was a solid reminder of exactly who your boyfriend was, even when you were making steady eye contact with his dick. 

You placed your hands on the tops of his thighs and leaned in, taking the head of his semi-hard cock into your mouth. You couldn’t help but to be pleased with yourself, knowing that this was how he was going to wake up. His skin was delightfully smooth under your tongue and he tasted slightly of a musk that was so uniquely Gar. 

You wrapped your hand around the base of his cock, thumbing down over his balls as you bobbed your head down - with your tongue loose and your mouth wide open, you gave a few good, greedy slurps on his cock, simply enjoying the feeling of him hot and thickening up in your mouth as he became harder. You couldn’t help but to moan around him, and he let out a startled snort, and then a deep groan. 

You felt movement above you as his tired arms grappled with the covers - he was definitely awake now. 

His dick throbbed under your tongue as he swelled to full hardness - and you held back laughter as he momentarily pushed on your head through the covers. Clearly, still not quite awake enough to know what was going on - just enjoying the feeling of a warm mouth on his cock. You squeezed your grip tighter around the base and prodded your tongue into the slit, gentle and exploring, lapping up the first bit of precum that he leaked out. 

He let out a perfect shuddering gasp. 

“Wha-? Hmm? Y/N?” He mumbled out, confused in that tired, dumbly adorable way. 

A moment later, the covers were ripped off your head, ruining that lovely cave of warmth you had going, causing a rush of cool air to prick at your skin. With your lips wrapped around his cock, bobbing down over the first few inches of the mighty, thick beast while gently pumping at the rest with a casual grip, you looked up at Gar through your eyelashes. You attempted to look sweet, knowing how sinful you looked with your lips stretched around the girth of his cock. 

You suppressed a moan of your own when you taste more salty precum and his jaw dropped open with a broken moan. 

“G-good morn-ning.” He said, voice tight and raspy, partially from the haze of sleepiness and partially from the lust coating his throat. 

He propped himself up on one elbow and stared down the length of his body at you. He moved to wipe the sleep from his eyes, clearly stunned and awed to be woken up this way. His gaze was hazy with that half-awake look and his chest moved in thick beats as he began to struggle for breath, partially holding back his moans in a practiced way due to your living situation. 

You simply continued your actions, widening your lips to suck more of him down. You bobbed your head slowly as you took the first half of his impressive length like a popsicle, swirling your tongue around it and using your hand on the base. Gar’s chest became tight with trapped sounds, and his hip muscles seized tight as the urge to fuck your mouth overtook his body - but he held back with intense self-discipline. 

“You - oh - you-you’re naked.” He quickly observed, struggling to speak through the pleasure of your tongue on his cock. 

His eyes scanned over your naked body with intense hunger, and he rushed to move the blanket back more, wanting to reveal your bare ass and thighs. When he managed to do this, you quickly felt the coolness of the room against your bare pussy and realized just how wet you were. 

Gar’s eyes went wide in an almost cartoonish way as he drank you in. 

He had only been able to get glances at your naked body before - when you were coming out of the shower and flashed him in an attempt to rile him up, or during your trysts when he had been able to pull off pieces of your clothing, but not everything all at once. Now, seeing you entirely bared to him, in the warm light of the early morning, something that made your skin glow - it caused his heart to speed up inside his chest, and made his dick throb. It was something you felt under your tongue that brought you another thrill. 

You popped off his perfect cock with a wet sound, much to Gar’s disappointment, so that your mouth would be free to speak. 

“I had a shower.” You told him, giving him a little smirk. “I didn’t feel like bothering with clothes afterwards.” 

You leaned back in and licked a broad stripe across Gar’s dick as you waited for his reply, causing a sharp breath to shake his chest before he could speak. 

“But what if someone-?” He glanced toward his bedroom door, thinking of the other Titans. Thinking about the possibility of being disrupted yet again. 

Perhaps he had forgotten of the debacle that happened the day previous. You were quick to remind him. 

“No one else is home. Remember?” You said, your breath fanning out over his cock before you gave a few kitten licks to the leaking, pretty pink cockhead. 

Gar shuddered with delight, gripping the sheets with tight fists. He hadn’t really forgotten, but he had been hoping that someone else would have come home by now. That they all would have gotten over the argument and just wanted to be Titans again. But he couldn’t find himself too upset about those hopes being dashed with your hand pumping his cock and your tongue swirling around him like that. 

“Fuck.” Gar breathed out, squeezing his eyes shut for a moment, desperate to compose himself. “What about - what about Conner?” 

“He’s still asleep.” You told Gar. “That lady - his Mom, guess? She said that he would be out for at least a few days.” 

You paused for a moment, and then, you gently confirmed:

“It’s just the two of us. We’re all alone.”  

You stopped your actions, simply holding his dick in your hand and looking up at him with a small grin, giving the words a moment to sink in. Gar stared down at you, letting it truly work through his brain.

The two of you were alone. You were naked. You were naked in his bed. You were holding his hard cock and you both wanted it to happen - very badly. 

There was nothing stopping the two of you. 

“This is so awesome!” Gar’s voice was pure enthusiasm as he grinned widely at you, his hands quickly moving to rip off his shirt. 

You sat back on your heels, giving Gar room to fully shed his clothing, knowing that he was likely just as excited to be fully naked and uninterrupted as you were. He was slightly clumsy in kicking off his pants - something that made you giggle as he got caught up in the fabric. After a moment of struggle, you reached out and helped him untangle the pant legs from around his ankles and toss the unwanted item to the floor. You were now both fully free and absolutely ready for each other. 

“C’mere,” You let out a joyous laugh, quick to pounce on Gar. 

The second that you were close enough, you got your mouth on his, engaging in hot, open-mouthed kisses while he wrapped his arms around you. He was quick to roll you onto your back, leaving you lying slightly awkwardly, diagonally on the bed with your ankles tangled in the sheets. Not that you cared about any of that for a moment - not with his whole body shadowing over yours, bringing more of that amazing warmth to cover you. 

Then, for the first time, you felt that ultimately satisfying press of pure skin on skin. The feeling made you both moan loudly into the other’s mouth as he leaned all of his weight onto you and pressed your bodies almost completely together, from knees to chests. You felt every single inch of him: his warm, muscled thighs pressing against your own, his hard cock up against your pelvis, creating a deep hunger that caused your pussy to throb hard between your legs, his smooth stomach and chiseled chest pressing against you - the beating of his heart racing in tandem with your own. It was topped off by the breath-taking sight of his big, brown eyes staring into yours as he looked down at you with utter adoration. 

It was so utterly perfect.

He leaned in for another long, hot kiss, and you moaned heavily into his mouth.  After a moment, he pulled away from the kiss with a nip on your bottom lip - something that made you whimper from the back of your throat. A hard, hot pain throbbed between your thighs as your pussy cried out for him, desperately needing him inside of you. 

You had waited far too long for this. His fingers had always felt good, but you knew that his cock would feel so much better. 

“So fucking perfect.” Gar told you, his voice taking on a deep, lustful rumble that had you clenching around nothing, yearning for the fullness of his cock inside of you. “You are a goddess, I swear.” 

As he said this, his eyes raked over your naked body with an intense heat that had you squirming. 

His voice caused even more heat across your skin - an intense tingling raking over you like goosebumps. You felt his words with the genuine intense passion that he intended them with, all the affection that boiled inside of him breaching out and spilling over you. It was something that made you feel more beautiful than any expensive dress or makeup ever could have. 

“You’re perfect too, Gar.” You echoed back, feeling lame and uncreative with the compliment, but absolutely believing it to be true. Every inch of him was something to love. Inside and out. 

Gar drowned any further words - perhaps afraid he would get too emotional - by shoving his tongue past your lips. He ran his hands up and down the sides of your body while yours settled on his gorgeous, plump ass. Your legs naturally fell open for him, your knees coming up to sit on either side of his thighs. 

You let out a moan as his tongue mingled with yours, his hips grinding into you, moving his cock against your mound and partially bumping against your swollen clit. It was a beautiful sharp shock that made you gasp and pull him closer into you. You wrapped your ankles around the backs of his knees, setting yourself in the perfect position to take his cock. 

You were dripping and needy, and you weren’t prepared to wait much longer. 

“Gar, please,” You moaned, pulling away from the kiss to puff the words out against his now wet lips. 

You angled your hips up in a way that directly dragged the wet folds of your pussy along his hardness, beginning to hump yourself against him, showing him the true depth of your desperation. This caused him to groan and buck into you. He echoed the movements right back, humping his cock along your pussy, rubbing across your clit again and sending sharp jolts through your whole body. 

This made you even needier. 

“Gar!” You gasped out in response. “Please!” 

Your voice was a lilting whine that you barely even recognized. Of course, only he could do that to you. 

“Yeah, yeah.” He mumbled back. 

His brow furrowed as he stared down between your bodies, clearly captivated by the sight of your pussy drooling wetness all over his cock. He was now very purposefully jutting his hips to slick that glossy wetness across his dick, to feel the essence of you covering him for the first time. 

“You want me to just-? You-? Are you ready?” He choked on his own words, his mind hazy with lust. 

“Yes.” You were becoming absolutely short on patience, your tone demanding. “Just get inside me. Please.” 

Gar simply grunted in affirmation, reaching down to use a hand on his dick to guide himself inside of you. You hitched a leg up over his hip, opening yourself up more to give him better access. It was only a single moment of staring at his concentrated face - something that was entirely arousing in the situation - before you felt it. 

The thick head of his cock breaching your slicked, needy hole. Your body was so prepared to take him, having taken his fingers (and your own thinking about this very moment) so many times before - you practically sucked him in. He let out a breathy, desperate sound as he let go of his cock and gently rolled his hips into yours, sinking home for the first time. 

It was something that made you dizzy. You were so fucking full. 

You knew how large his cock was - you had seen it, felt it in your hand - but having him fully inside of you for the first time - it knocked the air out of your lungs in the best possible way. The press of his pelvis fully against you, the slight coarseness of his pubic hairs up against your most sensitive skin, his heavy balls brushing your ass - all of it sent jolts across your skin and had your mind so beautifully blank. 

All you could do was grip onto him tightly, and let out a breathy moan of his name. 

“Gar.” 

“Y/N.” He moaned back, his voice absolutely thick with pleasure, lost in a deep haze as the feeling of your pussy clenching him for the first time. You were so perfect - so tight and hot around him, leaking wetness around the base of his dick. The feeling easily sent hot waves rolling over his body. “Fuck, so perfect.” 

He was absolutely smothered - the feeling of you gripping his cock like a vice driving him insane in the best way. His thighs quivered and he struggled for breath as he resisted the urge to pound into you - resisted the urge to selfishly chase his own pleasure inside the irresistible, velvety feeling of you. 

He didn’t want to hurt you. 

The last thing he ever wanted was to hurt you. 

There were the tiniest echoes of logic still chanting in his brain, screaming at him that he absolutely couldn’t risk hurting you. That he had to use self control. 

Even as he looked down at your gorgeous naked body, your tits heaving with your breaths, the slight gleam of sweat across your skin, your kiss-bitten lips, the gloss of lust that had come over your eyes. You were a sexy goddess; you were so perfect, and you made his cock ache, and he wanted to pound into you until you were screaming, and filled with his cum and dripping white around his cock. 

But he could never hurt you. 

“Move, please.” You begged. “Need you, Gar. Please make me cum.” 

With that perfect plea, how could he resist you? 

Any semblance of Gar’s scared self control flew out the window. 

And you became all too thankful for that. 

In seconds, it went from a feeling of perfect fullness to a blur of flesh, his hips pulling back and slamming into yours. His animalistic instincts kicked in, and absolutely took over. That thing in the back of his head chanting at him, telling him to fuck his cock into the perfect hot body beneath him without stopping. 

Don’t ever stop. 

That thing told him that he needed your pussy to live now - and he couldn’t find a lie anywhere in that feeling. 

He let out a growl that shook your chest - a sound that turned you on far more than you expected it to - causing you to let out a whimper in response. He gripped at your inner thigh, holding you open as he dug his knees into the mattress and pounded into you with impressive might. The thickness of his mighty cock splitting you opened caused sharp pleasure-pain shocks from your pussy that quickly stole your breath. You didn’t think that you would enjoy the slightly venomous bite of the pain so much, but mixing with the pleasure, it made you even more beautifully delirious. 

You knew that you would likely have difficulty walking after this, but you really couldn’t bring yourself to care. 

The pure force of Gar’s hips easily shook the whole bed. 

You were mildly aware of the headboard hitting the wall behind you - a sound that seemed so distant in your sex-hazy mind. It was easily drowned out by the wet, sloppy sounds of your pussy drowning his cock; the wicked slaps of flesh to flesh, and the whiny whimpers you let out. Followed by his near feral groans and deep growls that were absolutely programming a response into you that would likely get you untimely turned on the next time he transformed into the tiger. 

(But that was something you would have to mentally unpack later.) 

It was all so perfect. 

The hot, shocking tingles flowing from your pussy in waves, the perfect pain of his pelvis bruising you every time he slammed into you, splitting you open with his cock. But you needed one more thing. You reached a hand down, needing some form of touch on your throbbing clit. 

When your hand found its destination, Gar was quick to smack it away - something that surprised you. He had never been so rough with you during a sexual encounter before. You absolutely didn’t hate it, though. This new side of Gar sent dizzying waves through you. You fucking loved it. 

“No.” He said, his voice edging on a growl. 

He went so far as to grab your wrist and pin your hand down to the bed - and you let out another loud moan at the feeling. 

Before you could question him, he went on to answer the silent query - why didn’t he want you touching yourself? 

“Mine.” He grunted, his voice almost unrecognizable, coated hazy with lust. 

He moved his touch away from pinning your wrist down, and in a second, he had a thick thumb on your needy, swollen clit in place of your own touch. 

He was possessive - claiming your pussy entirely as his own. The action sent your spine into a sharp curve against the bed as you felt even more waves of white-hot pleasure shooting through you from the touch. He made quick, demanding circles against your clit in time with his hard thrusts, leaning down to dig his teeth into your neck as you desperately gripped at his upper arms for something to hold onto. 

“Mine.” He grunted again, the word solid and demanding against your neck. 

“Mine.” The second time, it became lost, a slur against his teeth as he bit down into your skin again. 

“Gar!” You gasped out. 

You already felt your orgasm coming to fruition, tight and hot in your belly. His touch was so perfect against you - he was so perfect. 

“All yours.” You murmured back, your throat tight and almost too weak to form words. You hoped he even heard and understood what you were saying. “Yours.” 

He sunk his teeth harder into your neck, a sharpness that stung in a delightful way, and then pulled back to lav his tongue over the blooming bite mark. 

“Mine.” He growled into your neck once more - a powerful, possessive statement that made you quiver. 

He pressed his thumb harder into your clit as he felt your pussy fluttering around his cock, as he felt your thighs jumping from pleasure, heard your needy whines. He knew you were tumbling over the edge. He gave a few good, hard slams of his hips - almost as if he was attempting to break your pelvic bone - but it was a roughness that had you gasping with delight, chugging air past your moans. It was a wonderful, harsh fullness that sent a perfect ache through your pussy. Gar played your body as well as played his favorite video games. 

He had you cumming around his cock with a strangled sound, digging your nails into his biceps so hard that you likely drew blood. 

“Fuck, Gar! Oh, oh!” 

It was a dizzying orgasm. Blood pumped through your ears, your whole body tingled - your pussy clenched down on his cock hard, as if determined to keep him inside of you. You felt like you were floating - the only feeling you had left being the hard throbbing where you were connected to him and the dryness of your mouth. Your tongue turned to sandpaper from being exposed to the open air by your slack-jawed moaning.  

You were beyond words. You couldn’t even get out the single syllable of his name, left gargling your own spit and gasping for breath as he fucked you through it and groaned into your neck at the wonderfully wet feeling of you cumming around him. 

He slowed his hips after a moment, still hard and throbbing inside of you, and moved his head up to lay gentle kisses across your hot cheeks and jaw as he finally moved his touch away from your almost numb clit.

“So perfect,” He murmured into your skin, clearly delirious with pleasure himself, his eyes closed as he leaned into your skin. “So beautiful. So good, Y/N. So good. I love you so much, baby. So much.” 

“I love you.” You breathed back. 

You were barely capable of speech, but you knew that you had to return it. Especially after something that spectacular. As you came down from your orgasm, you found yourself still hungry for him at the feeling of his thickness perfectly motionless and full inside of you. 

“Wanna make you cum,” You told him, your voice raspy and rough. 

He laid a gentle kiss on your mouth before he took a breath, gathering his words to make a request. He pressed his forehead gently into yours as he spoke. 

“Can you -?” He paused, attempting to think of the right words or gathering his breath to say it. “Can you turn around?” 

You were slightly confused by this. Fuck-drunk from your orgasm, feeling numb and positively unsure how to move - you had no clue what he meant. 

Gar saw this on your face and drew more words from his mind. 

“I wanna - I wanna see your pretty ass.” He spoke out, hot breath fanning across your cheeks. “Wanna grab it. Wanna fuck you from behind.” 

Those words sent a hazy wave of pleasure through you, and caused you to unconsciously squeeze around his cock - which drew a whiny groan from him. 

“Yeah.” You told him. “Yeah, okay.” 

Gar hesitantly pulled out of you, drawing a small gasp of disappointment at the empty feeling. This left you absolutely gaping from the absence of his large cock. But it was only for a moment as you situated yourself and got comfortable with a pillow under your chest and one under your hips at Gar’s insistence. 

Though that pillow did little to support you, seeing as a moment later, he was using his animal strength to man-handle your hips into the air. He positioned you with your knees bent and your ass high up, your chest and face pressed into his orange tiger striped pillow case. 

He didn’t hesitate this time before plunging his cock back inside of you - something that had you absolutely alight with pleasure, showing the animal inside of him shining through. Especially as he let out another sharp growl and didn’t waste any time before he began drilling himself into your tight, wet warmth. 

“Fuckin’ love you.” Gar grunted out, his words quiet compared to the loud slapping of his hips against your ass as he fucked his cock deep inside your wanting pussy. “Love how you feel on my cock.”

His filthy words had you clenching around him, moaning out so whiny that you barely recognized your own voice. You were so pliant to Gar, so needy for him. But you loved it, because you loved him. You couldn’t help but to love everything about him. You felt like you belonged with his cock inside of you. 

“Love you too.” You gasped back, barely able to summon words at all with the powerful fury of his hips fucking into you. 

Gar groaned out, his head tilting up to the ceiling in a moan as he grabbed a handful of your ass. Just as he had promised, he took a possessive hold on the flesh, tight enough that it would likely leave marks behind. He pistoned his hips into you with a mighty fury, fluctuating between staring at the space where his cock disappeared into your dripping, wanting pussy, soaking his cock with your wetness, and closing his eyes for fear of cumming too soon at the delicious sight. 

You gripped the pillow underneath you, desperate to hold onto something. Your face was half-shoved into the fabric with some drool leaking from your open mouth onto the pillow case as you struggled for breath and involuntarily let out an increasingly loud string of moans and whorish cries for Gar. His cock was so perfect inside of you - a perfect, hot length filling you up. 

Your pussy was dancing somewhere between pain and pleasure, well used by him and tingling with shocks every time he fucked back into you with the sharp movements of his hips. So you almost thought you were mistaken when you felt that thing. That extra bit of thickness prodding to fight its way inside of you. 

“Gonna cum.” He grunted, his voice garbled down to a broken mess of consonances by now. At this point, one word syllables was all he was working with. 

He was already so big, it seemed impossible that there was more of him. But you definitely felt it. That extra bit of something at the base, that extra girth of his already impossibly long cock that he was shoving inside of you with each pass. More and more of him with each time he fucked his hips forward. 

It felt so fucking impossible. 

“Gar!” 

Your voice was a whiny, high-pitched howl that you couldn’t even recognize, a plea for him to slow down, or give it to you - you weren’t entirely sure. Your pussy ached with a hot fire that you had never felt before and you wanted more. You really couldn’t imagine him stopping at this point. If this was going to break you - then so be it. 

“Take it.” 

He growled, shoving his hips so close to yours, spreading your pussy open with the impossible thickness of his cock, and that even thicker thing blooming at the base. It felt like it was going to split you in half, but it felt too fucking good to stop. 

“Take it, fucking take it-” 

His words dissolved off into a shuddering moan as he gripped your ass even tighter, pulling you back into his pelvis, shoving his cock impossibly deep inside of you as your pussy somehow accepted his gigantic size. 

His words had you faint and hazy, the sound of his voice like that making you more drunk than any booze ever could have. You knew that those words - his voice in that ravenous tone, it would echo inside of your mind forever. It would be something that you thought about every single time that you touched yourself from now on. 

He leaned down to drape his body over yours - creating a wonderful slick of sweat and damp skin on skin that warmed you in the coolness of the room as he pressed right up against you. 

He mouthed at the back of your neck and across your shoulders, leaving more sharp lines with his teeth, determined to mark you. Your pussy was almost numb with the pleasure, absolutely throbbing around him, but the feeling of him swelling even more inside of you was unmistakable. Somehow, his already large and impressive cock was growing larger. 

In your babbling haze of pleasure, you couldn’t find your voice to relay this strange feeling to Gar. So you were only able to lay there and clutch at the pillow as he dug his fingers into your hips - hard and possessive, as he shoved his cock even deeper inside of you and began spilling his cum inside of you in hot, thick waves. 

“Y/N, fuck - love you,” 

Somehow, his cock continued to expand inside of you. It was an entirely strange feeling, but not an unpleasant one. It was something your body began to take pleasure in. Something that had you letting out a strangled moan as he bit at the back of your neck and groaned into your skin, gently humping his hips into you as he rode out his orgasm. 

He was so swollen and thick inside of you that it felt as though your pussy might burst, the outer ring of your muscles almost stinging with pain, stretched to the limit where the base of his cock was lodged inside of you. He was slick with your wetness, but not a single drop of his cum had leaked out from where you were locked together - you could definitely feel that. 

Gar moved to pull back, seemingly unaware of the strangeness going on down below. When he did so, a sharp pain rocked you as he pulled at your most sensitive, stretched-out muscles. 

You loudly winced in pain and he immediately stopped his movements. 

“What’s wrong?” He asked, breath puffing out over your neck, his voice returning to its usual brightness as he was shaken from his pleasure haze by his worry for you. 

“Just stay still.” You instructed. 

Your legs were shaky, your muscles weak from the intensity of the sex. You were still high up on your knees where Gar had put you, tiredly trying to support your own body weight. Struggling with that task as your thighs quivered, so fucked out from his excellent job fucking you. You unconsciously squeezed yourself around him and he let out a groan - clearly still sensitive. 

He tried again to pull himself out, not yet understanding the situation, and you let out a sharp hiss of pain as the thickness of his cock tried to breach through you without success. He was stuck inside you. 

The realization flashed through your mind. Oddly enough, you knew exactly what was happening. One too many late nights plagued by nightmares (that had turned out to be glimpses of the future) had caused you to end up reading some… interesting fiction to fill your late night hours. So you knew what this was. At least, a fictional approximation of it. That’s what you get for dating a guy with animal DNA in his system, you guessed. 

“Gar.” You said, a warning in your voice. “Just. Stay. Still.” You gritted your teeth, praying he would listen this time. 

“What? What’s wrong?” He said, his voice quickly escalating with panic and worry. 

He raised his head up from your neck, moving to look down toward the space where you were joined, looking to inspect the problem. This was a movement that jostled things, and caused another a small jolt of pain. 

“Gar!” You gasped, voice warning him to stop once again. “Just - just lower us down so I can lay on the pillows, okay? Be gentle. Please.” 

“Why? I can just pull out, right? Did I hurt you? I didn’t mean to, I swear, Y/N-” Gar began a rambling panic, and you knew the news you had to tell him wouldn’t calm him down at all. 

“You’re stuck inside me.” You told him. 

“Stuck?!” Gar shrieked with shock, his voice sharp right next to your ear in a way that made you flinch. “Wh-what do you mean? Did I do it wrong? Fuck - I must be the only guy who messes up having sex, I am such a fa-!” 

“It’s not your fault, Gar.” You said, quickly cutting him off. Your legs shook more, and you yearned to rest against the bed. “Just lower me down to the bed, please.” 

He began to do so, easing your joint bodies down toward the bed, letting your legs untangle and stretch out - the soreness from how roughly he had fucked you was already setting in. 

“What the hell is happening, then? How did I get stuck? I’ve literally never heard of this happening to anyone ever.” Gar said, clearly exasperated. 

He settled in, laying against you. As he put his weight against your back, his cock sank somehow even deeper inside of you. This sent latent shocks through your overly sensitive, worn-out pussy, causing you to let out a quiet whimper. 

“Sorry.” Gar mumbled as he heard the quiet sound. 

You really didn’t need him to apologize. It had been the best sex of your life. 

“Just - just pass me my phone.” You said. 

The only way you could think to properly explain it to him would be to look up some diagrams and perhaps show him your AO3 history. It was strange to see, and feel some of those wild fictional concepts coming to life right between your legs, but hey - at least you weren’t as unknowing and freaked out as him. 

Gar glanced at both night stands flanking the bed and then sighed. 

“I don’t see it.” He told you. 

Right. You had left it in the kitchen before you went to shower. 

“Then… pass me your phone.” You said. 

He would end up with some very weird shit in his search history, but this was quite literally, his problem. Technically - it was both of your problem, considering it was currently between your legs. And he was your boyfriend, and you definitely weren’t going to break up with him over this. Especially with your reading history, you found it to be more of a turn-on than you were willing to admit. 

Gar reached out to the night table on the other end of the bed, something that caused more jostling and another sharp gasp of pain from you. He mumbled a chorus of ‘sorry, sorry, sorry’ as he grabbed the phone and then returned. He blanketed his body over yours once more, relaxing into his position on top of you as he passed the phone to you. 

It took you about an hour to fully explain the concept to Gar. There were a few diagrams available - ones that had been drawn by writers in the genre. But most of the explaining was done by your hand movements, showing him how it was possible to get ‘stuck’ because he had moved smoothly and pleasurably and first, and then essentially - based on biological instincts, and no purposeful intent of his own: he had knotted you. 

“So you know this from a story?” Gar asked, trying to confirm the source of the information. 

“A few stories.” You told him. 

You didn’t want to divulge just how many stories of the genre you had read and fantasized about before. You were glad that your face was half-buried in the pillow, and Gar couldn’t see the expression of partial guilt on your face as you tried in vain to hide your kinkier side from him. 

“So how do you know it’s true?” He asked. 

“Because you’re literally stuck inside me right now.” You said, voice dancing with a laugh. “And in fiction, it’s usually something that happens with characters who are half-human, half-animal. I think we know which part of you is doing this.” 

Gar sighed, leaning down to rest his head between your shoulders. Clearly he was frustrated at the lack of predictability. He was frustrated that this was just another aspect of his life that couldn’t be normal. 

“Fiction is the only good reference we have to go off.” You said. “Rachel can bring people back from the dead, Kory can literally shoot fire out of her hands, and you can turn into a giant tiger. I think we passed reality a long time ago.” 

“So… when does it stop?” Gar asked. “As much as I enjoy being this close to you, I don’t wanna hurt you.” He rubbed his hand lovingly along your bare side, a genuineness in his voice that made you absolutely thick with love. 

“In the stories I’ve read…” You were also hesitant to share this answer. “Anywhere from a few minutes to… several hours.” 

“Hours?!” Gar let out another indignant shriek, and your muscles tensed. “We’re gonna be stuck like this for hours? Wh-what if it doesn’t go down at all? What if we have to call 9-1-1 and get my dick surgically removed?” 

“It’s gonna be fine, Gar.” You told him, trying to be the soothing calm to his unnecessary panic. “It’s your body’s natural instinct. Your body knows what to do. Just relax. It’ll probably help.” 

“My body’s natural instinct?” Gar echoed back the words. “So what… the animal inside me wants to get you pregnant?” 

Your face burned at the words, and you wondered if Gar felt your pussy flutter around him. 

That did appear to be the truth. A large part of you had wondered why this had never happened to him before. His cock had reacted differently when it had just been your mouth or your hand, or when you had made him cum in his pants dry humping against each other. It was like some animal instinct inside him took over when his body felt your pussy around him - like that thing inside of him really was determined to get you pregnant. 

It was a thought that made your stomach roll with heat. The part of you that loved being Gar’s, the part of you that loved him and everything about him so dearly. Of course you wanted a family with him. Of course you wondered what your little green haired babies would look like. 

“That seems to be the case.” You said, slightly breathless in your reply. 

Gar wrapped his arms around you, tucking his strong grip between your stomach and the mattress to hold you tightly. 

“Would you wanna keep it?” He asked, voice quiet. It was something he did when he was afraid to know the answer. “If you did… end up pregnant?” 

He was leaving the choice entirely in your hands. As though he had no say in the two of you starting a family. But he was good like that - he knew that it was your body you would be sacrificing for those months, he knew it would be asking a lot from you. 

“I wouldn’t want it any other way.” You told him. “I’d wanna have your baby.” 

Gar moaned quietly at this realization. 

… 

You chatted about other things for a while - what you were gonna make for dinner, hopes of the other Titans to make-up and come home, wondering when Conner was going to wake up, wondering what Krypto would eat because you didn’t have any dog food in the house (wondering if you should go out and buy some dog food). Eventually, you dozed into sleep and Gar fell asleep on top of you. 

… 

Gar woke up before you did. 

His cock had slipped out of you while he had slept, and he felt an insane sense of relief to look down and see his usual soft member hanging out between his thighs, no longer stuck inside of you. 

Then - he became very distracted by something else. 

The sight of your pussy - fucked raw, slightly gaping, with white cum flowing out of you. So much cum. 

Gar bit his lip, suppressing a groan - he wanted to be quiet. It would be rude to wake you. 

His eyes flickered over to your sleeping face, wanting to check - and yes, you were in the middle of a deep, peaceful sleep. You had been worn out from the intense, rough fucking. You deserved to get all the sleep that your body needed now. 

Gar’s eyes went back to your pussy, and entirely against his will, his cock stirred to life between his thighs. He was still covered in the mixture of your wetness and his own cum, and god - the smell. He knew that his sense of smell was infinitely more sensitive due to that animal part of him, and fuck - this had to be his new favourite smell. 

The tang of your natural wetness mixed with his own cum. The undeniable scent of him just pouring out of you. The fact that he could smell how well he had claimed you. 

Gar itched to touch you more, and gripped a fist tightly, resisting the urge. 

It would be rude to wake you. 

But maybe - he didn’t have to. 

While sitting back on his heels, he inched his touch forward, and oh-so-gently eased two fingers into your pussy. He just needed to feel you - he needed to feel what he had done. Your pussy easily gave way to his touch, and more of his cum came gushing out around his fingers - he was met with another pungent burst of that perfect smell, and his cock ached between his thighs. 

He couldn’t help himself. 

He gently scooped through the mess, careful not to be too rough with your sensitive, fucked-out pussy as he gathered the mixture of your cum and his on his fingers - and then he brought this hand toward his hard cock, spreading the mess across himself. He choked down a loud moan, wanting to stay quiet for you. 

He wrapped a tight fist around himself, and began jerking off earnestly - he needed to cum. He needed to capture this moment in his mind forever. 

His eyes couldn’t race fast enough to take all of you in - your beautiful, peaceful sleeping face, the soft muscles of your back, the way your breasts were pressed against his pillows, showing off the gentlest peak of the side, round fat. The thickness of your spread thighs, slightly marked by his dull nails scratching you earlier, the perfect plumpness of your ass, and your perfect pussy leaking his cum - the ultimate mark of his claim on you. 

All of it had Gar fucking his own hips into his fist fast, biting down on his lip hard to conceal growls deep within his chest. 

Within a minute, he was overwhelmed - by your beauty, by the perfect smell, but the idea that he had you, perfect you, and he would get to have you forever - and all too soon, he was cumming again. Not nearly as much this time - a meager few stripes that leaked across his fist and sprayed out across your thighs and his own. 

Perfect. 

He felt much better now. 

He knew that it would be polite to clean you up, so that you wouldn’t have to wake up to the mess. The first thing he spotted was his own shirt that he had shed off in a haste earlier, and he wiped you down with that (and let out a growl when even more cum came spilling out of you the more he wiped) - before he went to the bathroom in order to get a warm cloth. 

Once you were as cleaned up as he could get you (he was partially impressed and partially embarrassed by just how much cum he had fucked into you) - he found a pair of your panties and slipped them onto you, leaving a small kiss on your ass through the fabric before he covered you up with a blanket. He could have spent all day in bed with you, but you had requested pasta for dinner. And he was nothing if not a servant of your every need. 

… 

You had dreams of a green haired little boy with your skin tone, and you wondered if it was purely fantasy, or your powers trying to tell you something. 

… 

You woke up feeling unpleasantly empty. 

You knew in a moment that Gar’s knot had gone down and he had successfully pulled out of you. It left your pussy sore, but not unpleasantly so. He had also managed to dress you while you were sleeping. Well, he had put a pair of panties on you. 

Your body must have really been exhausted from the sex for you to sleep so deeply, but it was something you were grateful for, considering how many nights you had laid awake sleepless due to your nightmare-like visions and the worry they caused you. 

With your upper half bare, you still felt a slight chill - you got up and grabbed an oversized, cotton band tee shirt that Gar often liked to steal from you and shoved it on. As you moved, you noticed that the modest cotton underwear he had put on you were slightly damp against your pussy. You didn’t think much about it. 

You continued on, shoving your feet into a pair of slippers you had left in Gar’s room to shield you against the coldness of the floors. You heard music coming from the kitchen and followed the sound, smiling widely when you saw Gar stirring a pot and swaying his hips, dancing to a Cardi B song. He was dressed in an oversized green hoodie that made him look delightfully cozy and a pair of sweatpants. The moment he saw you, he put down the spoon he was using and turned to pause the music. 

“You’re awake.” He gave you a small, lop-sided grin. “I tried to clean you up as best I could, but there was a lot… a lot of… cum.” 

His hesitance to say the words was entirely adorable - especially considering how filthy his mouth had been just hours before. His persona outside of sexual encounters shifted entirely, and it was one of those things you loved so much about him.

That would explain why your panties were damp. 

He cleared his throat, quickly shifting the tone of the conversation when you didn’t respond. 

“Look, I’m sorry about earlier, I kn-” He began to apologize, and you were quick to cut him off. 

“Don’t be sorry.” You said. 

Gar’s brows curled with confusion and you stepped closer to him, leaning your body against him, reaching up to smooth your hands over his arms and across his shoulders. You pressed your forehead into his and his hands took a natural place on your waist. His expression softened as he realized that you weren’t mad at him or upset with him in any way. 

“Don’t even think about apologizing, Gar.” You told him firmly. “You don’t have to apologize for what happened earlier, because I loved it. It was fucking amazing. That was the most amazing sex ever.” 

Of course, you had to start by assuring him of this fact. His skills were well pronounced and he had to know that he had made you feel a multitude of pleasure that you had never felt before. Something that you knew you wouldn’t be able to get with anyone else but him. 

“The ending… I know it was… weird. Neither of us really saw it coming. Which is strange, considering my powers.” You said, chuckling lightly as the joke flowed naturally from your lips. 

Gar let out a laugh at this. 

“But I love that side of you.” You declared, absolutely certain. “I love the animal part of you as much as I love that sweet, soft side of you.” 

You leaned in and gave him a gentle kiss, skimming your teeth along his bottom lip in a tentative bite as you pulled away, showing him a little roughness of your own. 

“I’ve never been afraid of the tiger, you know.” You added on, your thoughts on the matter absolutely final. 

Hearing you say that made Gar’s heart flutter. It was something you had told him before - after he had taken down your attackers at the asylum. But back then, he had been convinced that you were just trying to placate him. He had thought you were just trying to soothe his anxieties about hurting someone for the first time. Now he heard it for the genuine sentiment that it was: you saw his animal side, and rather than being afraid of it, you embraced it. 

“I love you so much.” He said, a heartfelt whisper that warmed you from the inside out. 

“I love you so, so very much.” You told him, and he kissed you again. 

“I made dinner.” He announced. “The pasta you wanted.” 

It was something you had discussed earlier, when you had still been locked together in that slightly uncomfortable position, a lovely food smell now filling your nose. He was a talented cook. Just another thing about him to love. 

Krypto wandered in, the padding of little doggy feet catching your attention. When you leaned down and began petting him, cooing at the dog with a sweet little baby-talk voice - Gar couldn’t help but imagine the two of you in your own family home, with your own pets, making dinner for your kids some day. Maybe it was a pipe dream to think a couple of super-powered freaks like the two of you could have the white picket fence dream, but Gar wanted it so badly, because he wanted it with you. 

“I also made cookies, but they turned out weirdly… flat.” Gar said, moving to the counter, and picking up a large plate that was covered in plastic wrap. 

He presented them to you, and you couldn’t help but giggle as you saw something that you easily recognized as an amateur baking mistake. He had either set the oven to too low of a temperature or neglected to refrigerate the cookie dough before baking them, causing the butter to melt before it actually started cooking. 

“I’m sure they’ll still taste good.” You assured him. And to make sure of this, he handed you one to sample. You tasted it - the mixture of sugar and butter and chocolate chips could never go wrong. “Delicious. Everything you do always turns out right.” 

It was a clear hint at what had happened earlier, and Gar grinned at you. 

“Everything I do for you always turns out right.” He corrected. “And I’m thankful for that.”

...

A/N: Please keep in mind - this fic is a oneshot, and there will not be a continuation or a 'part 2', so please do not ask for one. If you are going to comment, please comment about the body of work that has been written. Reblogs and comments are appreciated, and if you want to check out more of my Gar Logan fanfics, definitely check out my DC Titans masterlist!

[qqueenofhades]

Good Omens Season 2: Some Thoughts (and also Screaming)

First, /screams

Second, obligatory disclaimer that this meta contains MAJOR SPOILERS for all six episodes. If you somehow have managed to remain virginally unspoiled, look away now, scroll past, or add "good omens s2" and "good omens spoilers" to your block list, as those are the tags I have been using for all posts and reblogs.

Third, /screams more

Okay okay okay. Deep breaths.

Anyway, so, uh, how about all that, huh? First, the good thing about the tone of the season overall was that it felt considerably darker and more adult, in a good way. We didn't have the precocious kiddies, the kitsch and literally-comphet Anathema and Newt, the so-clever narration, etc. All that was gone, which makes sense when you consider that a) the end of last season saw them reboot into an entirely new universe, and b) the fact that God has gone silent is, in fact, a major plot point for the season. We don't have Her slyly telling us the story, or indeed anything, and everyone is left to make their own judgments and take their own actions. Which, obviously, gets them into a lot of trouble, especially when Metatron (the Voice of God, aka someone acting in the belief that they're speaking for God and therefore doing terrible harm) swoops in with the ultimate buzzkill at the end of episode 6. But we'll get to that.

The downside was that the main, present-day plot (hiding Gabriel in the bookshop and trying to get Nina and Maggie to fall in love) was fairly thin, felt stretched out and at times weirdly paced, and otherwise existed mostly to get us to That Ending and the setup for season 3. But the ending was so damn good (if obviously, very painful) that I can't be TOO mad, not least because we spent six episodes with them just making absolutely no pretense about the whole thing being as incredibly homosexual as possible. I'll be honest: I did not think they were going to actually, explicitly go there. Neil Gaiman has been so consistent about "your interpretations are valid and you're welcome to read it however you want, but the only canon is what's on screen," which I think is frankly a good thing (not least since the Neil GAYman Cinematic Universe is consistently very, very good to us queers), that I just... didn't quite think they'd pull the trigger. Sir Terry is dead and can't have active input, this is based on a book published 30 years ago, maybe they didn't want to make it LIKE THAT... etc. I certainly hoped, but I didn't really think they would.

Uh. Well.

As I said in my various semi-coherent liveblog posts, I honestly don't think there was a single straight person in the entire season, among both major and background characters. Aziraphale/Crowley and Maggie/Nina are the obvious paralleling couples, but Beelzebub (using "they" pronouns and addressed as "Lord" despite presenting as femme/femme-adjacent) is clearly nonbinary and therefore also queer, and the countless gay/queer side characters were just /chefs kiss. From Job's son making a sassy pass at Aziraphale, to the random Scottish goon with Grindr on his phone (which he then gives to Aziraphale, because what is subtlety), to the interracial couple with the trans spouse at the Pride and Prejudice ball, there was just a lot of casual, unremarked, non-story-critical queer representation visible at every turn. It's like the NGCU saw the bigots wailing about Sandman season 1 being extremely gay and went CHALLENGE ACCEPTED, LET'S MAKE GOOD OMENS 2 EVEN MORE GAY.

God bless.

Obviously, Jon Hamm as Amnesia!Gabriel stole the show (he was SO fucking funny) and it was also incredibly fun to watch Miranda Richardson repurposed as a scheming demon. Nina Sosanya also reappeared as Nina the coffee shop owner, which leads us into the Maggie-and-Nina subplot. They're obviously, wildly, incredibly clearly an analogue for Aziraphale and Crowley themselves, but they're also each, crucially, a mix of both. On the surface, Maggie is Aziraphale: the plump, blonde, earnest, sweet-natured one owning a slightly dated book music shop and somewhat clueless about emotional nuances, while Nina is (also on the surface) Crowley, the hard-edged dark loner who doesn't want to open herself up to people or be spotted caring. But emotionally, Maggie is Crowley: the one openly pining, clearly besotted, only wanting to hang around their crush and do whatever they can to make themselves useful, while Nina is Aziraphale. Interested but reticent, attracted but conflicted, trapped in an abusive relationship with a demanding offscreen "lover" (Lindsay/Heaven) who tries to constantly control and shame them without ever offering much, if anything in return. By the end, they bring themselves around to what Maggie/Crowley are offering, but by then, well. We've got a lot more problems on our hands.

As I also said in my earlier posts, this entire thing has always been a metaphor for religion, queerness, and what religion -- especially abusive, fundamentalist, organized religion -- does to queer people, but they really cranked the FUCK out of that metaphor this season. Aziraphale is guilt-tripped, controlled, and shamed for his attraction to Crowley at every turn. He is torn between his imagined duty to Heaven, in all its ignorant, uncaring, bureaucratic, gratuitously cruel system that he still insists on seeing the best in because he can't bear the alternative, and the chaotic and sometimes grey but genuinely more good morality that Crowley offers him. (Can I just say, we were explicitly shown that the two of them together doing "just a little miracle" are more powerful than Heaven AND Hell combined.) And at the end, he's told that the only way he can be with Crowley -- what Metatron explicitly blackmails him with -- is if they both go back to heaven, submit themselves to the cruel system again and give up everything that has made them who they are: their home in London, their human friends, their reliance on each other, their independence, their own ways of doing things. You can be queer in this (religious) framework, but only the limited, watered-down, controlled, controllable, constantly-under-supervision kind of queer, which relies on both you and your lover "converting" back to the true faith. And if you don't cooperate, they will literally kidnap you, lie to you, manipulate you, take you from your soulmate, and force you right back into doing the one thing (destroying the world) that you never, ever wanted to do in the first place, because in their minds, that is still better than this. It's for your own good.

Ouch.

And the thing is: that's why the ending a) hits so hard and b) is so fucking painful, because of course Aziraphale agrees. He has no conception of being able to defy Heaven on his own; he has always, always needed Crowley for that. In the flashbacks, when Aziraphale is faced with an order from Heaven that he desperately does not want to carry out (such as letting all Job's children get killed), he still relies completely on Crowley to "outsmart the rules" and find a better way. Crowley is A Crafty Demon; that's what he does, and so Aziraphale rationalizes it to himself that therefore that must be fine. Even in season 1, when he really didn't want the Apocalypse to happen but initially thought it was his duty as a good Heaven footsoldier, he relied on Crowley to talk him out of it and allow him to do what he really wants instead. That's their whole dynamic in a nutshell, as exemplified in that scene in episode 2, where Crowley tempts Aziraphale with the "pleasures of the flesh" while sprawled on his back in Ravish Me mode like the giant walking gay disaster that he is. (Sorry, buddy. That beard. Can't do it.) Everything that Aziraphale's existence is, that makes him who he is, that he loves and cherishes the most (in this case, food and wine) comes from Crowley. Everything else is just background noise.

Throughout the season, what we see is Aziraphale increasingly coming around to the fantasy of being with Crowley. He's coy and flirty; he talks about "our car" and expects Crowley will let him (which he does); he wants to have a Jane Austen ball and for them to dance together (oh my heart); he even thinks, at the crucial moment, that the best way for them to be together is to go back to heaven just like they were in the beginning, once more perfect angels, as if those entire six thousand years of struggle and grief and pining and separation and falling didn't happen. And Crowley -- poor, poor, brave, devoted, heartbroken Crowley -- has just heard for the first time in said six thousand years that actually telling the person you love how you feel is an option. Maggie and Nina tell them point-blank that their whole stupid plan failed because people aren't chess pieces who can be moved and automatically achieve the desired result. And of course this gobsmacks the dearest and dumbest Ineffable Husbands, because they can't conceive of anything else. People are chess pieces in the Great War of Heaven and Hell; Aziraphale and Crowley themselves are chess pieces who have been desperately trying to get out of being moved by external forces, but that doesn't change the fact that that's what they are. They don't have volition or agency aside from that which they can sneak for themselves in brief and stolen moments. That's it.

Until, well. It's not it. They discover that this whole would-be war is actually an elaborate ruse to cover up another angel-demon romance, that of Gabriel and Beelzebub. (I'll be honest, I'm 99% sure they did this storyline because they saw the fans crackshipping them, but I appreciate a fictional narrative that values and incorporates its fans' input, rather than trying to constantly "trick" or "outsmart" them or "do what they don't expect.") And Gabriel and Beelzebub get to be together, but only by leaving their world forever. They have to desert their homes, their structures, even their own identities, and never return. And Crowley and Aziraphale are so rooted in their "precious, perfect, fragile" life in their little corner of Soho, with their bookshop and their Bentley and their dining at the Ritz (which they didn't get to do in the end because METATRON /shakes fist), that that just doesn't work. Neither of them can conceive of doing that. So Aziraphale thinks "go back to heaven and try to make the terrible system do some good and take what we can in terms of being together" and Crowley just... pours out his heart. He's ready to fucking propose. He barely stops himself from saying something to the effect of "I want to spend eternity with you." He begs, he pleads with Aziraphale to go away not in the literal sense, but the emotional/metaphysical: to finally break this toxic dependence on Heaven and tell them once and for all where to stick it. And because he is desperate to make Aziraphale understand, he finally throws all caution to the winds and recklessly, desperately, adoringly kisses him, the one thing he's wanted to do for ages and...

Gets. Shot. Down.

Ugghhhhh. I'm suffering all over again. Aziraphale wants him, hungers for it, for them, and yet he's been so abused and so conditioned by Heaven (he's still blithely repeating to Crowley's face that "Hell are the bad guys!") that he just cannot accept that kind of desperate, blind, limitless, lawless affection. He even forgives Crowley for this "transgression," just to really twist the knife, and Crowley just can't take it, can't face up to how terribly this has all gone up in flames, after he went to heaven trying to find the answer for Gabriel's situation. Gabriel, who he fucking hates. Gabriel, who tried to kill the angelic being he loves (and for which Crowley has transparently never forgiven him). And yet at one pouty puppy-eyed look from Aziraphale and a warning that whoever is harboring Gabriel might be in danger, Crowley leaps headlong into the Bentley again and rushes to the rescue while "Good Old Fashioned Lover Boy" is blaring. He stoutly protects Gabriel; he does a miracle to disguise him; he lets him have hot chocolate and stay in the bookshop; he guards him from the literal demonic horde outside. All because of Aziraphale. That's it. And then, it still doesn't work. Not only that, Gabriel's absence and decision to forego Armageddon gives Heaven the one tool they finally need to take Aziraphale away from him.

I repeat: Ugghhhhhhhh.

(In a good way. Ngl, I love this angst. This is the kind of angst my brain Thrives on, the Thematic Parallel Romantic Character Arc kind. Nom nom nom. But also: AGONY.)

I also need to talk about Aziraphale driving the Bentley, aside from the obvious metaphor of him being in Crowley's home while Crowley is in his. Last season, we had the "you go too fast for me, Crowley" scene with them sitting in said Bentley, which was Aziraphale saying he's not ready for a relationship. In this season, as noted above, we see Aziraphale increasingly embracing the potential fantasy of being with Crowley. But here's the catch: when he's in the Bentley this time, driving it, setting the pace, acclimating to the idea, he's driving his own idea of what the Bentley/his relationship with Crowley is. It's not the real thing. He plays classical music; he supplies himself sweets; he turns it yellow; he drives too slow. Crowley calls him in another old-married-couple snitfit to complain that Aziraphale's messed it up, but what Aziraphale has actually messed up (or will, by the end of the season) is far more consequential than just a car. He's changed the entire shape of their relationship to the one he thinks can make it work, and it just doesn't. It has to be them -- "we could have been... Us" -- or it's not even close to the truth. It's not worth their time.

I repeat: Ouch.

Speaking of the writers validating fan theories, I know we all picked up and screamed about on Crowley's idea of Peak Romance Guaranteed To Fall In Love being sheltering from rain and gazing into each other's eyes, which confirms that that poor bastard was indeed ass-over-teakettle gone as soon as he met Aziraphale (again) in Eden. I also need to talk about the 1941 redux, because wow. This time, the danger comes from Hell, which we see being its usual self: gleefully, pointlessly cruel, pettily backbiting, dirty, sniping, tedious, endless, determined to mindlessly destroy because They're The Bad Guys and they like it. So they blackmail, spy on, miracle-block, illicitly photograph, and try to prove that Aziraphale and Crowley are secretly a couple, right after Aziraphale himself has just had the Light From Heaven realization that he's in love (which we all also picked up on in s1). They're forcibly outing them (to speak of more Religious Queer Trauma) in order to break them up/get them into trouble with their authorities/families. Aziraphale and Crowley manage to escape it mostly by dumb luck, but Crowley having an altogether freakout, hands shaking, barely able to actually point the gun at Aziraphale even in the knowledge that it's supposed to be fake, is just... wow. He can't even fathom the idea of ever trying to destroy him in earnest, especially when he knows on some level that Aziraphale also finally just realized his own feelings. So I just need to --

/screams

Anyway, Aziraphale's entire arc this season is doing what he thinks is the right thing and then inadvertently causing harm and damage as a result. In the Edinburgh flashbacks (live slug reaction of me: SEAN BIGGERSTAFF???!!) he tries to stop Elspeth from stealing bodies and gets Morag killed and Crowley drinking the laudanum to save him (though that part with David Tennant just riffing left and right, using his natural Scottish accent, and being Tiny Crowley/Huge Crowley was hilarious). He invites his neighbors to a Pride and Prejudice ball and makes them all the target for demonic attack. And of course the Job episode: Aziraphale, horrified at Heaven's callous cruelty, desperate not to get Job's children killed, willing to go along with Crowley's tricks to save them somehow, tempted by Crowley to do the fucknasty with their angel bits eat some food and decide that he likes it. As mentioned, the whole thing about God being silent this season is a major thematic choice. The only time we see/hear God is Her communing with Job from afar. Aziraphale enviously imagines the answers he must be getting (he's not, he's baffled and perplexed), while Crowley longs beyond words to even have the opportunity to ask the question: why? Why do this? Why is this your plan?

And of course, this absence culminates in the Metatron, the Voice of God, the person arrogantly claiming that they're speaking for God and know exactly what Heaven wants, being able to seize Aziraphale by the short hairs and absolutely fuck him over. Gabriel is gone/decommissioned/eloping with Beelzebub, so Heaven needs a Supreme Leader (God apparently is no longer a factor in the equation). And what this Supreme Leader needs to do is finally unleash the Apocalypse that Gabriel decided to pass on (the Second Coming). Aziraphale needs to be punished, taken away from Crowley's influence/love, and put back under Heaven's explicit control, so Metatron spots a great opportunity to do all three at once. It's not an accident that the exact tool he uses to get Aziraphale to agree is "now you can actually be with Crowley!" Aziraphale and Crowley have been trying so hard to hide out from their respective Head Offices, but now all at once, there's this seemingly miraculous opportunity for them not to have to do that anymore! They can be together! They can be sanctioned by Heaven! They can give up all this hiding and sneaking around and lying! Isn't that better?

... As long as, of course, they give up absolutely everything that makes them who they are. No big deal. Minor catch. Probably nothing.

Metatron doesn't let Aziraphale have time to escape, or think it over, or reflect, or anything. He pressures Aziraphale to come with him immediately, or be once more subject to Heaven's implicit wrath/destruction/judgment. Believe me, Aziraphale already KNOWS he's made a huge mistake, as soon as he hears what Metatron really wants: bringing him back to unleash the Apocalypse that Aziraphale and Crowley have given up literally everything to prevent. He doesn't need time to reflect. By the time my man is in that elevator, he's well aware of what a catastrophic misjudgment he's made, and yet --

Aziraphale needs this. He has, as noted, literally always relied on Crowley outsmarting Heaven's cruel orders in order to prevent himself from having to do them. He's relied on Crowley rescuing him ("rescuing me makes him so happy," WELL BUB, IT'S BECAUSE YOU ALWAYS NEED IT). He admits to Crowley's face that "I need you!" He hates Heaven's sadistic meanness, but he has absolutely no framework, in and of himself, to defy it. When the rubber hits the road, he will crumple and try to go along with it, and now he's been put in a position where he's going to have to stand up, defy Heaven, and make the break once and for all BY HIMSELF. He doesn't have Crowley around to do it for him, he has no support, he is going to arrive in Heaven and be shuttled straight off to the Apocalypse 2.0 War Room. The only way he gets out of this is if he actively stands up, if he chooses himself and Crowley and their life, and he has to.

The thing is:

Aziraphale has lived his entire eternal existence Looking Up. Up is the direction of Goodness and Heaven. Up is where Angels go. Up is where Aziraphale comes from and where Demons and Hell are not. But now he's going Up, in a position to take over the whole shebang, and it's the last thing he wants.

So he's going to have to come back Down.

He's going to have to Fall. He's going to have to get back Below at all costs. He's going to have to finally, once and for all, understand what led Crowley to make the choice to leave Heaven and never come back. It's only then that they can possibly be together on any kind of conscious, equal, deliberate footing, claim their own agency, reject Heaven AND Hell, and try to really earn that South Downs cottage and that happy-ever-after, and it's gonna hurt so good.

Now if you will excuse me, /screams

[jaegerisim]

Vent post y'all are gonna hate me for.

I viscerally hate how the Duffers treat most of their non white or queer characters and I hate even more viscerally, how y'all big byler blogs in your circle jerk of other 5 big byler blogs casually like to ignore many red flags the show has.

Y'all like to say: "tHe DufFeRs ArE gReAt WrIteRs" and it's like girl, who are you lying to??? They aren't top shit writers at all. The Duffers are pretty mid imo. Yeah, they run a good show that's fun to watch and theorize abt , but that doesn't mean they're good writers cuz they're not.

1. they completely side lined Will during s3 for the sake of their straight romances: lumax, jancy, mlvn, duzie and partly stobin (even if stobin wasn't endgame, thankfully, Steve's intentions were clearly wanting to date Robin and they gave it a lot of screen time). Will was sidelined bc he didn't fit the straight romance plotline bc they planned to make him gay or whatever. Now in s4 Will and his feelings have been used as mlvn toilet paper. Yes, we like to say this is build up for byler but canonically, Will's feelings have been used to clean the shit mlvn leaves behind.

2. Billy was sympathized a lot during the last 2 seasons. They gave him the sad backstoryTM in order for ppl to feel sorry for him. Billy's backstory is literally Jonathan's but whatever.

3. El's anger issues are constantly girlboss-ified. They down play her bullying situation and literally just use it for El to be a ''girlboss" without realizing how triggering that is. As someone who has lived bullying, seeing it be ignored by canon and fanon is super sad. The whole Rink-O' Mania experience must have been so traumatizing for her yet, everyone absolutely forgets abt it 🤷🏻‍♀️

4. Robin, Erica and Argyle are stereotypical characters. Robin is the quirky lesbian with social anxiety, Erica is the badass black woman and Argyle is the Latino stoner that sells weed to white kids and works as a pizza delivery guy.

5. Altho Argyle and Eddie both do drugs, (Eddie actually sells K-12 to a minor and nobody batted an eye. He has a huge fan base). Eddie is held in a pedestal bc "poor thing 🥺 he lives in a trailer with his uncle 🥺". Tell me a single fact you know abt Argyle that isn't "he smokes weed", "he is Jonathan's only friend", "drives a van" and "he works at a pizzeria". Exactly, Eddie is given a useless backstory and Argyle isn't.

6. Dustin stopped being important to the plot sometime around s2 and s3. He is only there to curse and be mildly funny. My guy needs to hangout with ppl his age cuz he only hangs out with seniors.

7. El needs to stop having so much "I'M THAT BITCH" screentime like I need in s5 for El's arc to not just be her becoming more powerful and falling in love with Mike. I need the Duffers to explore her trauma and problems.

8. Angela should have been run over by the van.

9. Patrick should have been given a backstory that isn't the basic "strict black parents that hit their kids cuz they are a disgrace". Patrick's backstory is actually racist af, fight w the wall.

10. As Lex already said, they didn't trigger tag the ep where Jason and his friends assault Lucas and Erica. Like wtf? Why was that necessary? Why did I have to see a black boy being held at gunpoint by some white guy?? Was it relevant to the plot?? I don't think so. And then I've got to see ppl online be like "Jason wasn't that bad. He was just mourning" like bitch you can stfu. This is what happens when you make the racist assholes conventionally attractive.

Also the fact that Lucas's arc is fulfilled by him fist-fighting Jason and "embracing his weirdness" aka accepting he is black. His arc was not fulfilled at all cuz that ending spoke so loud to me. It showed how little empathy ppl have towards the struggles poc ppl living in the Midwest have. Y'all circle jerks can only see racism when it's super obvious.

Furthermore, parents complained when ST showed "an excessive amount of smoking" yet nobody batted an eye when Billy tried to run over Lucas, when Erica (an 11 y.o ffs) was chased by white kids or when Lucas was held at gunpoint by Jason.

All of this happened while they focused on Max's guilt and mourning that, yeah, are important but certainly not less important than racism!!!

11. In s3, they gave us that whole Nancy vs The Bigots arc that was honestly just triggering and useless. It didn't help Nancy's character at all, quite the opposite it put unnecessary angst.

12. Lonnie being presented as an abuser just for him to never be spoken of again. Can we please get to explore the trauma he left the Byers's with?

13. The fact that both queer relationships are considered "sloppy seconds" is extremely sad. Both Vickie and Mike are rebounding from their failed relationship with Robin and Will. These 2 ships have caused more commotion than Jancy and Jopper together! (These last ships are technically sloppy seconds too but everybody forgets that. Shocker!!)

14. Last but not least, ppl blame Argyle for being the one to get Jonathan into smoking weed as if Jonathan probably wasn't the one looking for it. Let me tell you, that you only find weed if you look for it.

[imthepunchlord]

It's really funny how despite the things he did in his debut appearence, people were saying that Felix was better than Adrien because "the show never tried to justify what he did", and then comes Season 5 to say "Nope, every bad thing he did was ok! He's actually a good guy!"

I'm not sure you want to come to me about Felix being problematic then made good as I am one of those who really like Felix far more than Adrien, this including PV and canon's initial intro of him. There are definite issues of s4 finale and s5 and how they handled Felix, but I do still like him far more than Adrien, and I do still think he's a better lead option.

Keeping the topic on canon, Felix for the first few eps, based on what I heard, was doing everything that I've been wanting.

Adrien and Gabriel, who for some reason, are just unconditionally liked by characters? No one dislikes them at all?

Well in comes Felix who dislikes them both.

Adrien's been long due to have some sort of adversary, especially with Marinette technically getting 3 from Chloe, Lila, and sort of Kagami who was occasionally antagonistic to her. But Adrien never got one. Not even in Luka who isn't even an actual rival to him given Adrien had no romantic interest in Marinette.

So Felix came in and hit that want. Shame it didn't stay.

Then I get to hear that Felix comes back, dislikes Chloe, and messes with her?

And then his, what, 3rd appearance, Felix discovers Gabriel is HM, and plots a heist against him. Boy is doing the job Adrien was supposed to do back in s2 when he discovered his father had a Miraculous related book, and did nothing.

If anything, the inclusion of Felix just confirmed to me that we got the lesser lead.

And base on what I hear, the s4 finale and onwards just ruins Felix but hey, by how ML is with it's inconsistency, those are details I can choose to dismiss/ignore. Especially as those can clash with initial intro, which wouldn't be the first time (like Kagami and Trixx are very different form their initial intros).

But yeah, I agree that he was better than Adrien. He actually does stuff vs Adrien who spends most seasons sitting in his room watching the news. Plus, Felix was openly and acknowledged as problematic in contrast to Adrien who does problematic things but it's not acknowledged to be.

But that is just me as I've been disapproving of Adrien since s2.

[bridgertonnteas]

Are they trying to shift Bridgerton into more of an ensemble show like Grey’s instead of the anthology feel we’ve been getting in s1 and s2?

Do you think Polin will have a big subplot next season?

Yes, that's what I have been getting & what I have been hearing too. They slowly started it in s2 in a subtle way but went with it full force with s3 because both Pen & Colin are already known characters that have been building up through past seasons, so they felt that it wasn't needed to give them extra focus

Things I already know about s4:

1-Fran & Michaela will have a side plot to build Michaela as a character

2-If Ben is the lead, they are going to make Eloise the biggest side story and build for her romance/season with Phillip, some of the rumored production locations are related to Eloise story actually. In Ben season think of her side story as Fran side story in Polin season. If Eloise is the lead, Ben will have the biggest side story of him searching for the person he met at the masquerade ball. Again I will say that so far the talks around is that s4 is Ben's season, but we shall see when they are done with rewrites & make an official announcement

3-Polin will be back and possibly going to get more plot based on the success of their season. They are both important to Ben & Eloise's seasons, so they should get a decent side plot regardless. Pen keeping her column opens a door for a bigger storyline for them. The heir plot in s3 was to get them to live near the Bridgeton house so they could always be there too

[andromeda4004]

WIP Wednesday - Antoinette

My Halloween mystery AU (borrowing a few ideas from Daphne du Maurier's Rebecca) will start posting on Monday 2nd October, so here's a little taster. The story is from femme!Aziraphale's point of view, and this scene is from a few chapters in, where we meet her new in-laws, shortly after a whirlwind wedding...

The butler had admitted two persons, and as I peeked down the corridor to see, I thought more mismatched persons I could not have imagined.  The lady was tall, slender, precise, dressed in a grey tweed skirt suit and frilled white lace blouse; I knew in an instant that this was Gabriel’s sister Michelle, the similarity was born out in every line of her expression.  The gentleman was short, plump, cheerful, in a cream outfit suited to boating on the Thames, and a pastel plaid cravat and pocket square.  He had got himself a little tangled in his overcoat as the butler was attempting to take it from him, but was extricating himself from the sleeves with the utmost good will. 

“Very well, Dagon, very well, and kind of you to ask,” he said, finally removed from his coat.  “And how goes everything here at Sanderley, eh?  I suppose old Sandy never changes, does it?”

“The household goes on very well, sir,” said Mr Dagon, his voice entirely flat.

“Well, some things change,” said Michelle, “since my brother must apparently be such an idiot as to marry a holiday fling.  I’m not surprised he’s not home yet; I would not be surprised if he doesn’t show up for lunch at all; he knows I’ll have words for him.  The shock you must have all had here!  What’s she like, Dagon; what’s the damage?”

I knew the butler had spotted me, though he gave no sign of looking in my direction.  “The new Mrs di Angelo arrived late yesterday,” he said, “and has been making herself acquainted with the house this morning.”

Much as I wished to hide until Gabriel came home, I knew that I should make myself look ridiculous by sneaking away now, and so I straightened my spine and adopted my most perfect smile, taking a few steps forward onto the reverberating marble of the great hall. 

Mr Dagon turned in my direction.  “Ma’am, your lunch guests have arrived.”

“Yes, of course.  How lovely to meet you both.  I’m terribly sorry Gabriel isn’t here yet; he must have been held up.”

Michelle gave me a hard, incalculable stare for two whole seconds, then burst into smiles of her own.  “Oh!  So you are my new sister!  How wonderful to meet you!”  She took my hand and kissed my cheek, and I wondered that her touch did not burn like acid.  “I’m Gabriel’s sister Michelle Constable, but you know that, don’t you?  And this is Murray – Murray, pay attention!”

Murray, who did appear to be paying attention, and was smiling at me in a manner that reminded me forcibly of a labrador puppy I had the pleasure of meeting once, shook my hand as well.  “Wonderful to meet you,” he said, and I believed him to be quite sincere.  “So glad Gabriel found himself a lovely thing like you!”

“Oh, well, I-”  It was immediately as impossible to dislike Murray as it was to like Michelle, and the dichotomy was dreadfully confusing.

“Murray!” hissed Michelle, and then showed me that smile again; it looked as though it was operated by hooks in her cheeks.  “Just like Gabriel to get caught up in something when I had told him what time to expect us!  It would serve him right if we started lunch without him and ate all the best of it before he arrived.  No, of course, we won’t, but do let us go through and sit, and you can tell me all about yourself.  Dagon, have tea served, would you?”

She pulled me through the parlour out onto the terrace, where the sun was bright and cheerful and the rose garden smelled divine, and I understood with absolute clarity that Michelle had been raised here at Sanderley, knew it like she knew her oldest friends, and I would never be as at home here as she was.

[moments-on-film]

Moments on Film: The Bear Season 3

Now that I have had a few days to process and fully…..digest S3, I am back with my most visceral thoughts.

I must say, distance did not do anything to ameliorate how I felt about this season. There were some beautiful moments, I really enjoyed episode 1, for example, and I truly appreciated the opportunity to learn more about how Sydney comports herself as a leader, Marcus‘s beautifully inspired and fresh creativity as a chef, Tina’s journey, Natalie’s inner struggles, and more backstory on chef Luca.

What I am having so much trouble with this season, is Carmy. I knew this would happen. I knew S3 would be the belly of the beast, as I predicted 🔗 here , but it was still so hard to take in.

Those of you that have read my work know how much empathy I have felt for Carmy. I have rooted for him. I see how much help he desperately needs and I am always hoping he will find a way to course correct when he gets off track. Carmy ditching Sydney in S2 and lashing out at Richie in the finale felt like a punch to my gut. I was so hoping those two relationships would be nurtured this season but in fact they got worse.

I want to be clear, I have had so much compassion and empathy for Carmy and his emotional problems, due to the cycles of abuse he has had to endure. What I absolutely cannot excuse or reconcile this season is how his behavior and actions are hurting, stifling, and traumatizing those around him.

Another thing I really want to uplift is that yes, this is a show that emphasizes found family. But at the end of the day, this is a business, he is in a leadership position, and everyone who works there is an at-will-employee. In my opinion, Carmy has completely failed as a leader, on all fronts. He has never exhibited leadership skills, with consistency. And as supportive member of the “family”, real or otherwise, he is nowhere to be found. Carmy has actually created a hostile work environment that is legally actionable and litigious with his mood swings, verbal and physical abuse and erratic behavior.

It is a stone cold fact.

I was rooting so hard for Sydney and staff to walk out the door this season. That’s how bad his behavior is. Sydney deserves better, plain and simple. Everyone working at The Bear does. Another point I want to uplift is that while Christopher Storer created the show, it is his sister, Courtney, “Coco” Storer who is the chef on whom he based much of the plot. Courtney has also moved from Culinary Producer in seasons past of The Bear to Co-Executive Producer and even “Story By” credit on this season of the show.

There is something Courtney said a few years ago on a podcast that has stayed in the back of my mind because I always wondered if it would be used as a plot point for Sydney. She shared a story of a restaurant she worked at in Los Angeles. She was promoted to CDC, loved her team and really enjoyed working there. However, it was not all perfect. She was constantly burnt out and at a physical and emotional deficit due to the stress. She suffered panic attacks. She also shared that she was not officially a partner with a stake in the restaurant, and she felt like she needed to have her own back because at the end of the day, no one else did. Although it was a difficult life decision—-she quit.

Forget Michelin stars. If Carmy cannot create and maintain an environment people want to work in, with him, he will end up completely alone. It also may already be too late.

I understand this season is apparently in two parts, I understand that everything happens for a reason. What I can’t understand is how I am meant to root for a character that has contributed to Sydney having panic attacks, has hit Richie, has yelled at Marcus during what must be the worst time in his life and who was about to lose it on Tina if Sydney hadn’t stepped in, saved her, and saved him from himself. Completely unacceptable behavior.

Carmy needs professional help. I have said this many, many times before and I am going to say it again. Carmy. Needs. Professional. Help. He cannot continue to let his triggers and emotions be his master. He is in a leadership position and peoples jobs are depending on him. He cannot offer any more hollow apologies, he has to back them up with consistent action, or I will continue rooting for the staff to leave or for him to step down.

If he doesn’t make the time, energy, and effort to stop the madness, slow down, take a beat, remember all of the gentle and beautiful mentorship he actually did receive through his rise as a chef, lead with his heart, build trust and repair his relationships, especially with Sydney, with Richie, with his sister and her new baby, he will lose it all, because he will have lost the one thing that truly matters, the people he is supposed to care about and the people who care about him.

Does he have it in him to turn this all around? At this point I am not sure. And if he doesn’t, I believe what “grows together”, and they really did, all grow—-will in fact, go together.

©️moments-on-film 2024

[longbobmckenzie]

Things I'd do...

... if I were a Fusebox writer. Fusebox, if you're reading this, feel free to take these into consideration. I know you won't though because it would require more work on your part.

(note: this ended up being a lot longer than I expected, but I probably should have expected that)

5 girls, 5 boys

Let's go back to the early seasons when we started off with a full lineup of 5 couples to start off with. Like I said, this means more work, more characters. But it also allows for...

More unromanceable characters

Hear me out. The last truly unromanceable male character was... Toby? I think? But for the most part, all the male characters from S6-S9 are available in some way (even if it's only at the finale/reunion, which is really just a copout from FB because they don't want to branch routes but still want to be able to say that everyone's romanceable).

Here's the thing. Everyone wants to romance their favourite characters, nobody wants to meet a character and really love them only to find out you can't have them. Trust me, I've been there. But it's also not the end of the world, and it means you can read/write fanfics for that character, pine for them from afar, etc etc. Maybe it's my sadism talking, but it kind of makes things more interesting in a way? To me it's kinda boring to have all these guys in the villa who would get with me at the drop of a hat (obviously excepting the slow burn LIs).

But the thing about unromanceable characters is that you NEED them in order to write a realistic season with distinct characters who aren't just interchangeable with one another based on MC's choices. Those characters can help drive the plot, they can have canon storylines, they can be friends, they don't have to share dialogue, etc etc.

First coupling

So with those first 2 points out of the way, here's what I'd like for the first coupling:

Of the 5 guys, 1 is completely unavailable to be chosen, and another is not an endgame LI. Think Noah and Rocco in S2 - one can't be coupled up with but is still a slow burn LI, the other CAN be coupled up with but is always going to be dumped. I think this formula from S2 works so well because it still means you have 3 OG guys to be endgame LIs but also allows for the other 2 to be part of fixed plots.

I want the boys to choose instead of the girls. HOW HAS THIS NOT BEEN DONE YET?!?!?! On the show, the girls only picked on day 1 for the first... 1 or 2 seasons? and then it was always boys choosing until they started messing around with other options. But this could work SO WELL for the game! MC has the choice for each guy to step forward or not. If she steps forward for the unromanceable guy, he picks someone else. If she doesn't step forward for someone, he won't pick her. If she steps forward, gets picked, and then steps forward again for someone else, that person steals her and it gets acknowledged throughout the game a bit (minor branching!) If she doesn't step forward for anyone, she ends up being the last picked. IT WOULD BE SO MUCH FUN

Couples/Sneaking around

You shouldn't be able to do bits with someone you're not coupled up with except under certain circumstances:

Casa Amor

You're developing a relationship with someone but not able to couple up with them (or one of you gets stolen) and you're upfront with your partners about going to the daybeds together

You're sneaking around behind people's backs but there WILL be consequences

Just honour the couples, that's the point of the game. Stop letting people go to the hideaway with people they're not coupled up with.

Consequences/Drama

Further to the above, there should be consequences for BOTH parties if you sleep with someone you're not coupled up with. Even if you go to the daybeds and your partners know about it, they should be able to say how disrespectful that is to them.

Sneaky kisses always have a way of coming out on the show, so the same thing should be done in the game. It's harder to branch because some players may choose not to kiss anyway, so those people shouldn't be attacked for something they haven't done. But if you kiss someone and your partner finds out and breaks up with you because of it? And the partner of the person you kissed also dumps them? That would be fun!

Female villains

Just stop with the whole thing where one girl constantly gets up in MC's face. Whether it's because the girl is gunning for the same guy or for other reasons, it's so tired and annoying. Or a girl being a bitch for absolutely no reason.

And especially stop making them WOC!

More filler scenes

This has been one of the big complaints over the last few seasons, and that's the lack of filler scenes. There needs to be a balance, obviously, because you don't want too much filler - but this is how we learn about the characters' personalities. Let us be involved in fun chats, give our MC a personality other than "everyone loves me except that one bitch who hates me for no apparent reason," let us chill with the other islanders instead of constantly being involved in drama, eavesdropping on conversations, investigating who slept with who, and doing a million challenges

(Slightly) Longer season

Season 2 is the only deviation from the typical 13-14 "day" season (S1 is technically 7 weeks squeezed into 14 days, later seasons use volumes instead of sticking to a morning/afternoon/evening format but they fit so much into them that they just feel chaotic). Adding a little filler and stretching the seasons out a bit (5-7 volumes seems reasonable?) should make them more enjoyable to play (and replay?)

Cliffhangers

I love cliffhangers (insert joke about all the LIs I like who do rock climbing), but not every episode/volume needs one. It's perfectly fine to find a natural ending to an episode (like going to bed at the end of the night, which was common in S2), and save the cliffhangers for when they really matter

Make the challenges make sense

I didn't play S8 and I'm not playing S9, but I've heard some complaints about the order of challenges - playing Mr & Mrs in Casa Amor, etc. And I saw that today's volume included the Excess Baggage challenge, which is fine, but that one should always be near the beginning

Have the 'get to know people' challenges (kissing challenges, truth/dare, never have I ever) in the first few volumes. Once people are coupled up and relationships are developing, hit 'em with the snogathon to maybe create some drama (and do it when new bombshells have just come in so you get a chance to kiss the new guy). After Casa Amor, you can do Mr & Mrs, any other couple compatibility challenges (or do one of these just before Casa Amor to create some drama just before splitting up the couples), and of course Snog, Marry, Pie.

Have a few of the random obstacle course challenges, food challenges, building tents/sandcastles/whatever challenges interspersed throughout, but make them mean something.

And for the love of donuts, make the challenges in Raunchy Races objective - none of this 'coolest person' or 'hottest person' or whatever, just stick to tallest/shortest/oldest/etc or 'one person must snog the person they fancy the most' or whatever like in S2

Casa Amor

I think CA is a great plot device, but there's a fine line between 'too long' and 'not long enough' that's hard to figure out. But either way, let's stop with the hideaway and sending couples on dates, because nobody's coupled up in CA. Give everyone a chance to get to know everyone. Have a couple guys who aren't interested in MC. If MC is wlw, give some scenes with her LI where they can talk about the future and wanting to couple up when they have a chance, etc.

WLW Routes

I don't do WLW routes in the game so I don't know exactly what the experience is like, but I know that it's not great - carrying on a romance with someone with no consequences but also not being able to couple up with them and sometimes watching them also be carrying on a relationship with whoever they're coupled up with.

I don't have any brilliant solutions, but why not spend every night on the daybeds together until being able to couple up? Why not have two guys who couple up together on these routes, like in S3? Or bring in another character like Sammi in S1 to even out the couples? Or an NB/bisexual character who could couple up with a girl or guy depending on what MC does?

Ultimately, the show and the game are extremely straight-coded, and it's not easy to account for players being able to couple up with female LIs early on, but every option should be explored instead of just doing what they're doing every season.

[thats-ill-eagle]

HELLUVA BOSS DEVIATING FROM ITS ORIGINAL PREMISE FUNDAMENTALLY DESTROYED THE SHOW

So, it has already been discussed many times in HB critical community that HB deviated from its premise after S1 and that anyone with an once of media literacy can tell that you can't describe it in any way other than horrible writing.

Now, I'm going to ask you this for a second - imagine that you haven't seen S1, the pilot or read the premise of Helluva Boss anywhere. Imagine that you watch all (available) episodes of S2 and are asked to write a premise about it on some movie review website. How would you briefly describe what happens in S2?

Oh, you can't or are having major trouble doing it? Don't worry, you are not media illiterate, my friend. That is the case because IT'S LITERALLY IMPOSSIBLE TO TELL WHAT HELLUVA BOSS IS SUPPOSED TO BE ABOUT ANYMORE.

There are many flaws that your writing could possess - inconsistent characterization, too fast/slow pacing and so on. However, they do not automatically derail your work. It is very much possible to recognize those faults, learn from them and do better in the future.

But the premise of your work is its literal BONES. You build up the plot and characters based on it. You just can't expect your show to be good, if you tear out its basis. Of course the pacing, character development and how plot points are wrapped up in HB is horrible - how can anything function without the very thing that holds it all together?

And I MEAN that the premise of HB completely disappears, not shifts or changes. Like, seriously, what the hell is HB supposed to be about now?

Stolitz?

Their interactions indicate zero meaningful development and are tediously spaced out to the point that it's hard to care about their relationship. It is made even worse by the fact that Stolas, just like in S1, still keeps pressuring Blitzo, despite him being clearly uncomfortable.

Blitzo making amends with people he hurt?

Even ignoring S1's nonexistent buildup of this plotline (Blitzo looking at photos on his phone doesn't count, since it's literally the ONLY moment that barely suggests it), there's no buildup in S2 either, when it comes to both Barbie and Fizz. It is certainly not helped by the fact that Barbie just vanishes after Unhappy Campers and Blitzo and Fizz's beef is resolved in a single episode.

Any other plotlines of S2, like Fizz's job, Crimson, Striker, or Stolas and Stella's separation are just too small or insignificant to be considered part of the supposed premise, INCLUDING the assassination business, which arguably takes up the least amount of time of aspects of the show listed.

It's no surprise that Helluva Boss is slowly crumbling. At this point, it's just a paralysed zombie who completely forgot what it once was. And it's damn sad to watch, because the show comforted me during some dark times and, despite Viv being an awful person, I truly hoped for HB to be great.

[calderacitylovers]

Zutara SlowBurn FanFiction: Personal Favs, part I

·        I AM STILL HERE by owedbetter Published: 2017-10-09 | 77K words | 7 Chapters

After the Last Agni Kai K heals Z with the help of bloodbending. Very sweet.

 ·        THE SUMMIT by AJLenoire

Chronicles post-war years, as Gaang and other characters gather for annual summits to keep peace and build relationships between the Four Nations. Katara yearns for a bigger purpose than the Avatar’s companion and slowly grows into a shrewd diplomat. Very sweet slow burn ZK story. Has mature scenes.

 ·        CLOTHE ME IN SEASONS, DRESS ME IN SNOW by sadladybug Published: 2015-01-05 | 62K words | 7 Chapters

Follows old Zuko as he reflects on his life and what would have been if he kept Katara closer. Absolutely beautiful, but also a devastatingly heart-breaking story about loss and pain.

 ·        SILENT DECLARATIONS by Megara Pike (Megara_Pike) Published: 2021-01-20 | 2,6K words

A short story based on animation by Hayley Wong. Z finds K asleep in her study and carries her to bed. Very sweet, gentle story.

 ·        COVERED IN YOU by evergreenonthehorizon Published: 2021-04-02 | 55K words | 14 Chapters

Eight years after the war Z convinces K to take on a role of a Southern Water Tribe ambassador in the Caldera city. Both are completely clueless about each other’s feelings. Features political talks, big gestures, and a ball. Very cute, sweet slow-burn story. Has mature scenes.

 ·        TEN STRIDES IN THE RIGHT DIRECTION by evergreenonthehorizon Published: 2021-04-03 | 29K Words | 12 Chapters

A collection of short stories filling in the gaps between some of the events of ATLAS3 and up to the Last Agni Kai. Features accidental cuddling, embracing in the rain, sharing a bed for warmth, post-Ember Island Theater discussions, being discovered, waiting to be kissed, Suki & Katara being good friends, battle plans, Zuko & Sokka getting drunk, slow burn & angst. Very sweet.

 ·        THE SWAY OF THE SUN by TheBlackBriarSparrow Published: Published: 2019-10-14 | 102K Words | 27 Chapters

Two years post-war Gaang reunites in Caldera city for a secret party in honor of the overworked Fire Lord’s birthday. Rebels attack the palace setting a thrilling consequence of events in motion. Adventures, investigations, and fights ensue. Z & K work together and enlist old friends to help find missing people. Beautiful slow-burn story with an exciting plot.

·        A WARM EMBRACE by ewinkie Published: 2020-10-06 | 19K Words | 7 Chapters

An ATLAS3 rewrite from Southern Riders to the Last Agni Kai. Katara and Zuko have to hide in a cave following their encounter with Yon Rha. Comforting turns to cuddling, which turns to waking up on Appa's tail in each other's arms. Katara is shocked at how comfortable she is. Zuko is shocked that Katara doesn't hate him for it. Features sharing a bed, being discovered, slowburn, and lots of teenage silliness.

 ·        FOLLOWING BLUE by Boogum Published: 2018-11-07 | 39K Words | 10 Chapters

ATLA S2 rewrite. After Katara falls from Appa’s saddle during a pursuit, the Blue Spirit becomes her reluctant companion and helps her reunite with her friends. Ba Sing Se scenes are completely rewritten, and Z ends up joining the Gaang much earlier. Thrilling beginning, sweet middle, average ending.

 ·        ANOTHER WORD FOR ALCHEMY by FanPanda13 Published: 2014-08-19 | 108K words | 24 Chapters

Five years post-war Aang summons old friends for a summit and invites them on a trip to investigate mysterious locations where he experiences loss of bending. Features Gaang setting Z & K up, travelling on Appa like in the olden days, lots of sparring, royal courting, magnificent navy ships & war ballons. Thrilling story with fun banter between old friends. Slowburn, mature content.

 ·        CONSUME ME WITH FIRE, FLOOD ME WITH DESIRE by Dacamia Published: 2020-08-14 | 86K words | 24 Chapters

Steamy ATLAS2 and ATLA S3 rewrite. Z & K accidentally meetup on their way to Ba Sing Se and decide to travel together. Features aged-up characters, lots of intimate scenes, staying in a beautiful cave, helping villagers, betrayal in Ba Sing Se, reunion, forgiveness, etc. Explicit mature content.

 ·        ROOTS AND WINGS by zukoscomet Published: 2020-08-14 | 250K words | 25 Chapters

A series of short stories of Z & K as they grow closer, confess their love for one another and start a family.

 ·        THOSE WHO FAVOR FIRE by hiwasseelane Published: 2021-05-02 |29K Words | 13 Chapters

An ATLAS3 rewrite. Sweet, teen-appopriate.

Here’s a link to Part II of my personal favs.

Here’s a link to Wholesome Zutara Short Stories.

[vidavalor]

Hello!

Do you have any theory on how S3 could start ?

Hi there. 💕 Thanks for the ask. Please help yourself to anything in the kitchen. I made this watermelon pasta salad with basil, burrata & blueberries, if you're interested. 😊 Yeah, I've got some ideas for the start of S3...

Wait until I tell you that I don't think looking at The Final 15 is the only place to see how S2 ended and how S3 might start but that the spot is actually... the beginning of the S1 finale?! Specifically, the positioning in the episode of this scene here:

To see where I'm going with this, we have to look at the timeline around Armageddon in the first two seasons.

In S1, our main characters know in their storyline in the present that Armageddon is imminent and, in that main storyline, the action is based around them trying to prevent it from happening, right? As we follow them on this journey, we are given little cue cards in the present-- just as we are in the past-- to identify when the scenes we are watching are taking place in time. In doing this, it's made very, very clear that we are watching the last days and hours until Armageddon was supposed to take place. During the story in S1, we know what day we're on the whole time.

S1 takes us smoothly from Monday through Sunday of the last week of the world, with the end of the world averted on Saturday, yes?

In the mirrored S2, though?

The most noticeable absence in the entire season is the time-marking cue cards. We still are told time when it comes to the flashbacks but the cue cards in the present are gone and the present time is only shown to us in terms of characters mentioning what day it is or the audience noting when a day changes.

At first, none of this seems to matter that much because we mistakenly think the stakes are not the same. In the S2 finale, though, we learn that we've actually been watching Round Two of the last week of the world.

Worse, Armageddon is different this time around as it's The Second Coming. It doesn't need eleven years to percolate. It's happening now. Suddenly, what day of the week it is in 2.06 in a show with this much mirrored storytelling seems a lot more relevant.

If we then go back and look at S2 with the idea of a timeline for its story in the present in mind, we might notice a whole bunch of scenes that mention that The Meeting Ball takes place on Thursday night. Two scenes even mention that it takes place beginning at 6:30pm. Just with this one point on a timeline alone, we can go back and look at the rest of the week that happened before it and realize that Gabriel arrived at the bookshop on Monday morning. S2 begins on the same day of the last week of the world that S1 began with. The timeline for the events between Gabriel's arrival on Monday morning and The Meeting Ball on Thursday night hold up perfectly. The last parts of 2.06 are taking place the morning after The Meeting Ball-- around the 7am hour on Friday morning.

So, if we're now in another round of Monday through Sunday storytelling of the last week of the world like we were in S1? Then, we haven't gotten all the way through that story with S2 because 2.06 ends very early on Friday morning. We're missing the pivotal day-- Saturday-- and the fallout/resolution day of Sunday.

S2 stops the story just shy of the last day of the world.

Like its paralleling (if also very different) bandstand breakup scene, The Final 15 takes place on Friday and we've yet to get into any Saturday Morning Funtime and the whole plot about the last day of the world in S2. To me? That makes it seem likely that S3 involves the weekend of the week we were watching in S2.

But, wait, I can hear you saying... don't we need a big time jump?

Don't we need months or years to go by with Aziraphale trying to hold back Armageddon while he works as the Supreme Archangel of Heaven? Isn't Crowley going to require at least a decade of drinking before the plot can resume?

In my opinion? Not really...

If you think that Aziraphale is The Supreme Archangel, you're probably more inclined to think that a decent chunk of time is going to elapse between the seasons. I've never actually thought that's the plot which is why I'm looking at this differently.

I don't see where The Metatron would ever, in a million years, let a demon be seen as an angel again because that would collapse his regime and take all his power. If Heaven were to say they fucked up and made a mistake with Crowley and make him an angel again, every single demon would challenge their own cases with Heaven and Heaven's ability to be seen as perfect and holy and infallible amongst the angels-- let alone the demons-- would be destroyed. It would be inviting a revolution. Something like this will happen in S3 in that they're going to overthrow The Metatron but it won't be because The Metatron let it happen in S2.

However, a perfect temptation for Aziraphale from Satan's perspective is Crowley's safety in a way that Aziraphale himself feels like he cannot fully provide. Since you're asking me for a theory, you might have seen other posts I wrote about how I believe that, in The Final 15, Derek Jacobi is playing Satan who is appearing to Aziraphale as The Metatron. The reason why Satan would need to appear as The Metatron is because The Metatron is the only person that Aziraphale believes could give him the power to restore Crowley's status as an angel in Heaven, which is what Aziraphale thinks needs to happen for Crowley to be safe. It's not the right path to take with this but it's easy to see why Aziraphale would want to stop pain for Crowley and why that would be the only thing that Satan could ever use to tempt him, right?

Not to mention that The Metatron is not about to put the angel that rebelled against Armageddon: Round One in charge of Armageddon: Round Two. He doesn't want free-thinkers or change. He wants someone to do his bidding and help him maintain power. Aziraphale stands in the way of him and Satan getting their Armageddon on.

Meanwhile, the most pivotal flashback in S2-- and maybe the series as a whole so far-- is the Job minisode and what happens in it? Hell did Heaven's punishing for them. And what are we told to remember by writer-stand-in character Furfur in his only real line of dialogue in the group scenes in 2.06?

The suggestion is then pretty heavily that all of the Hell references and plots in S2's flashbacks are leading towards the end of S2 being Aziraphale's fall. He's not actually being offered a job by The Metatron. He's being tempted by Satan and the job offer that comes with an apparent guarantee of Crowley's safety is the temptation.

Alright, so, let's say that's the story then and that Aziraphale getting into the elevator with Satan sets up Aziraphale's fall. It's here that we have to go further back to the start of 1.06 and see what I mean about how that can affect the start of S3.

Just like the end of S2, 1.06 begins with a scene that we think we understand the first time we see it... but will later learn we wrong about because we didn't question our perception over who it is that we were looking at.

*pause* Sounds relevant to this idea that who we think is The Metatron is really Satan, right? 😉

It's an unusual scene for Good Omens and its existence to me suggests that we might be about to get something similar to it somewhere very early on in 3.01. The difference is that everyone basically is fooled by the opening shot of 1.06 because we haven't yet had a single clue about the body swap plot and nothing like it had happened at that point in the story yet whereas the 2.06 paralleling twist is a bit more noticeable if you're looking for it-- mainly because we now know to look in the first place, when we didn't so much in 1.06.

If you recall, 1.06 opens with a flashforward-- the show's first-- in which what we think is happening is that Crowley is being escorted in handcuffs into Hell. He's brought to Beez in the bathtub room, who explains that he's about to stand trial. The scene begins with a shot of who we believe to be Crowley coming down the hallway into the room, having just gotten off the elevator.

While a lot of scenes stripe alternating light and darkness over the characters faces, the fact that the most significant elevator moment related to Crowley and Aziraphale prior to the end of 2.06 is this scene at the start of 1.06 that also holds on who we think is Crowley but is really Aziraphale for a long time as the light/dark stripes over him... and that this scene in 1.06 is intentionally deceptive about what's happening and how that is being presented to the audience... just like, imo, the end of 2.06... all of that makes them paralleling, mirrored scenes to one another.

So, the parallel scene to the elevator in 2.06 is that time that Aziraphale went to Hell back in 1.06, further suggesting the idea that that's really what is going to end up happening as a result of the end of 2.06.

But the real kicker is how the 1.06 scene ends.

The first time you watch it, you think that you are watching Crowley the entire time because you don't yet know about the body swap plot that is coming later in the episode for which this is a flash forward. Crowley might seem slightly off if you're looking closely but you chalk it up to nervousness and it is not, on first watch, enough to really garner the audience's attention. Nothing prior to this in the story has existed where one character is appearing to be another, really, so we aren't predisposed to think about that as an option.

As the episode continues and we approach the body swap plot, we have a series of scenes that result in clues that allow some of the audience to figure it out before it's revealed in full what's happened. Even if you don't notice these things, once Crowley and Aziraphale both survive hellfire and holy water, you've begun to put together that they've swapped and, if you still haven't after it's over, there's the scene where the show just tells you that's what happened and shows them swapping back:

Because this plot existed in S1, the audience is more inclined to look for something like it in S2 and, because the show is doing a lot of mirrored storytelling, the idea that Crowley and Aziraphale fooled the antagonists by appearing to be one another in S1 makes the idea that the antagonists who were fooled-- Satan and The Metatron-- teaming up against them and winning a battle (not the war but a battle) by one of them (Satan) taking on the appearance of the other (The Metatron) is... kinda delicious, actually 😂... and one of the reasons why I think this is what is happening in S2 that leads into S3.

Back in the scene that starts 1.06, though, wherein "Crowley" arrives in Hell? We can easily be forgiven for thinking that we are looking at Crowley and that we understand what's happening, even if we haven't seen what led up to it yet. What's genius about the scene is really two things: the fact that, upon rewatch, it is so evident to us that this is really Aziraphale and not Crowley, even if he's doing a very great imitation of Crowley... which is such a magic trick, really, and a fantastic bit of acting... but also the very last line of dialogue in the scene.

"Crowley" looks at Beez, Hastur and Dagon and says:

"Guys. What appears to be the problem?"

This line is almost not even heard by the audience. We think this is Crowley on first watch so it sounds like more of his smartass humor to a point that we don't really hear it. Immediately after this, we get the VHS rewind effect that runs through the rest of the episode and takes us back to the moment that Crowley arrives in the burning Bentley at Tadfield Air Force Base. We "press play" on that and the episode starts in earnest. Within seconds, we've forgotten about this line and the question it asked us.

When you rewatch, this line and its impish delivery-- Aziraphale in there, having a ball trolling the demons who don't know who really stands in front of them-- is one of the highlights of the episode. It's asking a question, though, that we might want to ask about its parallel scene in 2.06 as well:

"What appears to be the problem?"

We think we know that Aziraphale is going to Heaven to be the Supreme Archangel and that the being in the elevator with him is The Metatron. We think we know what the problem is. As the paralleling 1.06 scene showed us, if we take what we're seeing only as it might appear on the surface, we likely have it backwards.

There's a body swap, of sorts, happening-- it's not The Metatron, it's Satan. In 1.06's start, we thought we were watching Crowley arrive in his home territory of Hell in trouble but we were really watching Aziraphale in Hell. In 2.06's end, we think we're watching Aziraphale about to go to his home territory of Heaven as the new boss but we're really about to watch the bit of this mirror that will hold: Aziraphale winding up in Hell as a result.

I think we might see a scene early in 3.01 that is like the 1.06 opening but which picks up with Aziraphale arriving in Heaven and being brought to... The Metatron. The actual, floating head Metatron and likely some of the other angels in a parallel to Hastur & Dagon in the 1.06 scene. Instead of the holy water situation, though, it's Aziraphale's fall. The audience will be confused at first as to why Aziraphale is considered a traitor and not the new Supreme Archangel, which is when the show might rewind-- literally, as it did visually in 1.06-- but this time back through stuff we've already seen: The Final 15 back through until the bookshop attack-- and drop us back somewhere around "I think I might have just started a war" after Aziraphale blew up his halo. Why there?

Because of this extremely important bit of Aziraphale dialogue in 2.06 right here:

Aziraphale tells whom he's been told is The Metatron that he doesn't think they need to have a chinwag because there isn't anything left to be said and he's made his position "quite clear." In other words?

Aziraphale told off The Metatron.

Excellent news! When the fuck did that happen? lol Clearly in a scene we haven't seen yet. It's one that is so important, though, that we will need to see it in S3.

Notice how everything was left lining up perfectly for Aziraphale to have spoken with The Metatron very soon after he blew up his halo. When Aziraphale opened up the circle, he literally asked if anyone was there. All of this is calling back to how he summoned The Metatron in S1. He then discorporated a bunch of demons with the circle. The circle was still open when Aziraphale blew up his halo. There is no way that all of that didn't get the attention of The Metatron.

So, The Metatron got on the little Heavenly Zoom feature of the circle and started losing it on Aziraphale, who had had enough. Aziraphale lost it right back on The Metatron and told him that he was done being an angel and dealing with all of this ridiculousness. He more or less told The Metatron that if he wanted to use the circle to discorporate some demons or blow up his halo if he felt like it, he was damn well going to do so because it's his mind the halo is crushing and his bookshop and he and this shop are independent from Heaven.

So, The Metatron didn't take all of that well and told Satan that Aziraphale was fair game and that's how near the start of S3 we are going to see Aziraphale be tossed to Hell by The Metatron upon his arrival in Heaven. Heaven will likely take his memories but Aziraphale won't spent the whole of S3 without them. Just until not long after he reunites with Crowley, which will likely happen faster than some people think it might.

I'm pretty sure that The Bentley was made into an unintentional fly while Aziraphale was driving it in S2 so, basically, I think Crowley and Aziraphale will fall ass-backwards into discovering that if Aziraphale gets into the car, he's probably going to get his memories back... which, I'm realizing as I'm typing this, is a pretty funny mirror of the immediate aftermath of The Final 15-paralleling bandstand breakup, isn't it? 😂

I'm basically saying that I think that S3's storyline in the present is the missing weekend of the last week of the end of the world that S2 began showing us. I could be wrong but I'm pretty sure that the time jump between the seasons is virtually non-existent.

I also wouldn't be surprised if The Ancient Times Vavoom isn't pretty early on in the story... possibly the very first scene of 3.01. Dropping that as the start of S3 would be wild after 2.06 and that is kind of why I think they just might.

One thing I noticed is that the very beginning scenes-- Eden and Before the Beginning-- are both beginning each season's story with an aspect of a first in Crowley & Aziraphale's story that also ends with a canopy element, in the sense that they're protecting each other from rain or celestial rain with a wing to end both scenes. If S3 holds that pattern and opens 3.01 with a flashback that parallels Eden and Before the Beginning, I think the thing that would fit that the most is their first kiss-- with the canopy this time being not one of them sheltering the other from a form of rain with a wing but both of them sheltering together from rain under a tree canopy.

S3 has to have a happy ending which I think means that they need to more or less eliminate the threat of Armageddon. The only way to do that is to free the angels and demons from The Metatron and Satan and give them the opportunities to start living their own lives and learning what it is to live in the first place. I think Aziraphale's fall is what sets that into motion because Crowley and Gabriel and everyone else will never accept it. It will begin a real challenge of The Metatron's power because Aziraphale is the bridge too far.

If The Metatron says that Aziraphale is a demon then The Metatron is suddenly going to have a lot of people who are just not going to believe that. A lot of people who have been having their own identities defined by The Metatron and allowing him power over how they see themselves and who now are going to realize as a result just how wrong Heaven can be about this. A lot of people who are going to start pushing back on Heaven and challenging Aziraphale's status.

What happens when Crowley and Gabriel and the angels and demons on their side go to The Metatron and demand to speak directly to God?

What happens when they realize that The Metatron can't meet that demand because God doesn't have dominion over The Universe-- Her creations do?

Aziraphale falling is ultimately what can expose The Metatron as a fraud, cause the angels and demons to realize that the demons weren't judged by God-- they were targeted and harmed by an evil angel who used the idea that he could speak on behalf of God to manipulate them.

Aziraphale falling is what can lead to a democratization of Heaven and destroy Hell because the idea of a demon is something The Metatron made up to control the angels. The demons are all just tortured angels and the angels are just like the humans-- most of them neither perfectly good or perfectly evil. Just people.

The only way to get to the South Downs Cottage ending is through Aziraphale's fall because the, well, fallout lol, of that is that it will break the system of Heaven and Hell, which is necessary for peace. So, yeah, that's why I think the jumping off point of S3 is showing the audience that Aziraphale has fallen, having the other characters learn that, and that being the beginning of the end for Satan and The Metatron.

After all, we're still waiting for the pay off of the end of the later body swap scene in S1...