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#solo flute is beautiful
strawberrystainedd · 7 months
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i love flute so much i hate how unappreciated it is :(:(:(
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poorlittleyaoyao · 6 months
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You know that bit in The Prince of Egypt when Moses encounters Miriam and Aaron as an adult and Miriam quietly reprises the lullaby portion of “Deliver Us” a cappella, and it’s haunting and impactful in its simplicity?
That’s the vibe Wangji singing Wangxian.mp3 in the cave SHOULD have had, but unfortunately CQL is allergic to ever having the song be diegetic!
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inkskinned · 1 year
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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
#writeblr#warm up#this is longer than i wanted i really considered removing that part about myself and what i went thru#but i think it really fucking bothers me that EVERY time i talk about being an artist#ppl assume i just like. had the skill and ability to drop everything and pay for grad school.#like sir i grew up poor. my house wasn't a safe space. i gave up a FREE RIDE TO LAW SCHOOL. for THIS. bc i chose it.#was it fucking hard? was i choosing the hard thing?? yes.#but we need to stop seeing artists as lazy layabouts that can ''afford'' to just ''sit around and create''#when MANY - if not MOST - of us are NOT like that. we have to work our fucking ASSES off. hard work. long and hard work#part of valuing artists is recognizing the amount we sacrifice to make our art. bc it doesn't just#like HAPPEN to us. also btw it rarely has anything to do with true talent.#speaking as someone with a chronic condition i hate when ppl are like u have it easy. like actively as i'm writing this my hands r#ACTIVELY hurting me. i haven't been posting bc my left hand was curled in a claw for the last week#this isn't fucking luck. after a certain point it's not even TALENT. it's dedication & sacrifice.#''u get to flounce around and do nothing with ur life'' is a narrative that is a direct result of capitalism#imagine if we said that about literally any other profession.#''oh so u give up 10 yrs of ur life to be a doctor? u sacrifice having a social life and u get SUPER in debt?#u need to work countless hours and it will often be thankless? well i wish i was that lucky''#we should be applying that logic to landlords ONLY#''oh ur mom and dad gave u the money to buy a house? and all u did was paint it white and rent it? huh.''
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kosmikowboj · 3 months
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you know now knowing that as kids shawn played bassoon and gus played clarinet it’s truly criminal there was never an episode involving a local symphony orchestra. like, one of the principal musicians dies—call it the principal flutist—and foul play is suspected, so shawn convinces the chief to let them go undercover. gus is still using his old clarinet, but henry got rid of shawn’s bassoon like ten years ago so shawn makes the department rent him a really nice one. lassiter’s huge qualm this episode is that he thinks shawn and gus are making a mockery of the beauty that is classical music. shawn actually feels very strongly about the case because one of the pieces they’re performing has a majestic bassoon solo that he was supposed to play in the eighth grade until he got stiffed for first chair. gus and jules are the only ones being normal.
lassie and jules end up arresting the second chair flute player because it seems like a jealousy case, but shawn isn’t convinced. he goes down the rabbit hole and uncovers this crazy romance subplot about how the principal bassoonist and the principal flutist were sleeping together, but then the flutist slept with someone else in the orchestra—call it a percussionist (they’re always doing that)—and so he killed her. shawn claims he learned this through the instruments speaking to him. the high stakes moment of the episode is when the bassoonist tries to kill the percussionist, but our fave crew end up saving the day.
the episode ends with shawn and gus playing in the concert and shawn doing the bassoon solo since the principal was arrested for murder. biggest plot twist of all is that he actually sounds pretty good.
another random note is that lassie has it out for the second chair flute because he used to play oboe when he was younger and got relentlessly bullied by the flutes. shawn finds this out and forces bonding between the two of them by sharing his bassoon trauma. lassie does not seem to care. because the percussionist gets injured in the scuffle near the end of the episode, shawn convinces the orchestra director to let lassie play the triangle in the concert. later on in the series, there’s a throwaway line about how shawn can’t get ice cream with gus after a case because he’s busy. there’s a honk outside the psych office and shawn jogs out, gets in lassie’s car, and they go to community orchestra together.
oh also the henry subplot of the episode is that he and the director of the orchestra go way back for some reason and that’s the only reason that shawn and gus are allowed to go undercover. shawn is pissed at henry for getting rid of his bassoon and henry tries to turn it into a lesson about responsibility that is immediately undermined by the department renting one for him.
do you see my vision
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justmystyles · 1 year
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literally just came up with this so suddenly but imagine plusiszereader being like an old member of the band or something. like she was apart of the love band back in 2021 but left just to do her own stuff BUT her and harry have been in a relationship since then. it’s obvi private but fans like absolutely love and miss her. then, for the final show when harry is doing the 10 minute ballad she comes out as one of the flute players for one last show and people just going nuts.
then at the end just a shit ton of love dovey stuff like them both crying and comforting each other cause its the final show.
OH LORD IM DELULU YALL
Heart Song
read my other work here!
pairing: Harry Styles x plus size reader
*i say it's a plus size reader, but it is not something that i focus on explicitly in my fics, because your size should not define you. it will only come up if it comes into the story organically.*
word count: 1.7k
summary: as a former member of the Love on Tour band, and current girlfriend of Harry, he asks you to reprise your spot for the final show.
a/n: this was such a cute ask, thank you so much for sending it! this is the last final show fic i have planned for the time being. who knows what the future holds? i'm trying to catch up on asks, so if you're waiting on one that you've sent in, keep an eye out!
tags: @allthelovehes @ameerakane20 @ash-craze @bethanysnow @blue-ballad @blueraspberryreader @brightlightsinlife @creativelyeva @cute-as-ducks420 @deannaard @fanficismydrug @gem1712 @golden-hoax @gothmingguk @groovychaosavenue @hillzrry @iceebabies @indierockgirrl @jerseygirlinca @jng4kook @jooniesbabie @kaverichauhan @laurxn-robinson @lexiecamposv @likeapplejuicenpeach @lilfreakjez @mrs-anna-styles211994 @n0vaj3an @potterheadandsherlocked @rach2699 @ravenclawdirectioner @stylesfeverr @superchrystaldrug @tenaciousperfectionunknown @tiaamberxx @thechaoticjoy @theekyliepage @walkingintheheartbreaksatellite @youknowwhaaat
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You sit on the piano bench beside your boyfriend, at a complete loss for words at the song he just played for you. He had been so excited to show you what he was working on, he said that it was a song for his fans, that he wanted to play it for them at his last Love on Tour show.  
“Is it… do you like it?” He asked tentatively. 
“Baby, it’s so beautiful. No words?” He shook his head. “It’s perfect.” 
He grins, his dimples making your heart melt. “Well, almost.” You give him a curious look. “It could use some accompaniment, perhaps a flute?” He said with a wink. 
“Who, me?” Harry laughs at your reaction. “But I haven’t been in your band for a year and a half.”
He takes your hand in his. “And I’ve missed you every show. So have the rest of the band, and the fans too.” 
“I don’t know, Harry.” 
“Please, baby?” He pleaded. “This has been such a huge tour for me. For us. We fell in love on this tour, it would mean the world to me if you were by my side when it was ending.” 
Your expression softened at his words, he was right. You had been hired to play in his band, and got so much more than you bargained for when the two of you fell for each other. You fell hard and fast, but before you knew it, you were saying goodbye to Love on Tour. You had only signed on temporarily, leaving to pursue some solo work. Just because you said goodbye to the tour, didn’t mean you were saying goodbye to Harry. The two of you maintained your relationship, keeping it out of the public eye, allowing Harry a modicum of privacy.  
You let out a sarcastic sigh. “Well, I suppose I am going to be there anyway. I was looking forward to just being an audience member, but I guess I could pop onstage for a few minutes.” 
Harry threw his arms around you, pulling you into his embrace. “I love you so much, thank you thank you thank you!” 
After finishing Fine Line, Harry retreated to the backstage area to prepare for the encore. This was your cue to head back there yourself to prepare for his final song. Before you head into the changing area, you rush over to the wings, hoping to catch him before he goes back onstage. 
You finally see him, he’s pacing, clearly trying to compose himself. You pause for a moment, debating whether or not you want to bother him, but when his eyes lock on yours you feel drawn to him like a magnet. 
“How are you holding up?” You ask, brushing a loose curl out of his face. 
He shakes his head, taking a deep breath. “It’s almost over.” 
“I know baby,” you place your hand on his cheek, stroking gently. “You’ve still got a few more songs, go out there and give it everything you’ve got.” 
“You’re still coming on for the finale?” He asks hopefully. 
“It’s why I’m here,” you assure him. “I’m gonna run and go change real quick.” 
“If I send someone to get your jumpsuit for you, do you think you could just throw it on here?” He pleads. “I need you close while I’m out there. You make me stronger.” 
You smile softly, placing your lips against his in a soft kiss. “Whatever you need, Harry, always.” 
He smiles gratefully, kissing you once more before running up to one of the production assistants, and instructing him to get your outfit and flute from his dressing room. He returns to you, taking your hands in his. “It’ll be here in a second. Thank you, my love.”
“Nothing to thank,” you say plainly. “Nowhere I’d rather be. Now get out there and knock ‘em dead.” 
He brought your hands to his lips, kissing the backs of them, and headed back onstage. You followed as far as you could without being seen so that you could watch his final few songs. You looked on proudly as he gave his all. 
You loved this man with all your heart but more than that, as a musician you admired him more than anything. His dedication to his craft, and his fans, was unwavering. Time and time again he would give himself to everyone, first with the heartfelt music he would write; and then dedicating nearly two years of his life to traveling the world in an effort to bring that music to his fans. 
The PA that Harry had sent to retrieve your things promptly returned, handing you your things. You thanked him quickly, not wanting to take your eyes off of Harry. You slip your jumpsuit on over your clothes, and change into the custom Love on Tour adidas sneakers that had been made for the band. 
Kiwi ended, and Harry waved and bowed to the crowd before running offstage and immediately into your arms. 
“You were amazing, Harry. I’m so proud of you.” You whisper to him. You feel him nod against your neck in reply. 
You allow him a few more moments of comfort before you know you need to set yourself on stage. The band had stayed out there, getting position for this final song. “Baby?” You ask softly, getting his attention as you step back from your embrace. “I’ve gotta get out there, you going to be okay?” 
Harry nods, pulling you in for a quick kiss. “You’ll be close, yeah?” 
You smile at him, placing a comforting hand on his cheek. “Right next to the piano.” You give him one last kiss and make your way to the stage. 
You step out, smiling and nodding at your former bandmates, hearing the whispers and questions from the crowd start to pick up.
“Is that Y/N?”
“He must have asked her to come back for the last show.” 
“But why is she only coming out now?” 
The murmurs quickly turn to cheers when they realize that it is in fact you on stage. This meant that whatever was about to happen was definitely going to be something big. As you waited for Harry to re-emerge, you looked out over the crowd. You had been in the thick of it during the show, but seeing it from the stage was an entirely different experience. 
As you were admiring the hordes of people who had come out just to see Harry, you were pulled from your thoughts by an eruption from the crowd. You looked to your left and watched Harry return to stage, quickly wiping away the remnants of the tears he had shed backstage. 
He took a seat at the piano, looking up at you. When you looked back, you saw a storm of emotions, but mostly you saw vulnerability. Harry was never one to shy away from expressing emotions onstage, but this was different. 
He spoke a few quick words in Italian before moving the microphone away and beginning to play. You had heard him play this song so many times since he had initially brought it to you a few weeks ago, but hearing it like this, as he intended it to be, was an unreal, once in a lifetime experience. The crowd of over one hundred thousand people were completely silent, everyone’s attention directed at Harry. 
You felt a nudge, and your attention quickly turned to your right. You saw the rest of the band preparing to come in, and you remembered that you were there to do a job. Your time just being the supportive girlfriend was on pause, you had to be a musician now. You lifted your flute to your lips, and joined in, your eyes never leaving Harry. 
Before long, the last note was played, and Harry stood from the piano. The crowd burst into cheers and applause like you’d never heard before. He bowed to the crowd before turning to face the band, mostly to express his gratitude to them, but you knew it was also a chance for him to compose himself. 
His eyes locked on you, and he immediately started moving in your direction, wrapping you in his arms. You returned the embrace, rubbing soothing circles over the bejeweled fringe on his back. 
“You did amazing, Harry.” You tell him. “This is all for you, go take it in. You deserve it.” 
He pulls back and gives you a tearful smile before taking your hand and walking to the center of the stage, signaling for everyone else to join. The group takes a bow to thunderous applause. As you all stand, Harry steps forward, drinking in every second of the fanfare. He moved to either end of the stage, thanking the fans by waving and blowing kisses. When he returns to center stage, he pauses again this time dropping to his knees, his hands covering his face. Completely overwhelmed by the emotions of the moment. 
Even though the band is sharing their own moment, hugging and congratulating each other, you are frozen in place, eyes locked on Harry. You were so focused on him that you didn’t even notice the tears streaming down your face. 
When he finally stood, he gave the crowd one more smile and wave before turning to exit the stage. As soon as he turned around, he saw you and smiled walking straight for you. You both moved at the same time, cupping each other’s faces in your hands wiping the other’s tears away with your thumbs. Chuckling at the synchronized movements. 
You pulled him into your arms, and his face immediately nuzzled into your neck. You could feel the moisture from the new tears dropping onto your skin. 
“I’m so proud of you, Harry.” You coo. “It couldn’t have gone any better.” 
He pulled back to look at you. “Thank you for being here.” 
“Nowhere I’d rather be.” You state plainly. He smiles and starts leaning in toward your lips. You jerk back quickly. “Baby, we’re still onstage.” 
“Don’t care,” he leans back in, pressing his lips to yours in a slow kiss. 
You pull away with a smile. “Ready?” 
He nodded silently, stepping out of your embrace and turning to the crowd one last time to blow them a final farewell kiss. He then took your hand and led you off the stage and into your new post-tour life. 
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milgram-tournament · 9 months
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MILGRAM Best Song Tournament, Round 1, Match 9 CAT vs. THE PURGE MARCH
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Propaganda for both options under the cut!
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Propaganda for CAT:
"You like jazz? Jazz is chaos within order. Got to love the whole band. Vibraphone, saxophone, trumpet, flute, piano, guitar, drums, bass… Go, rhythm section, go! The song sounds tender at times and aggressive at others as different instruments pop up at different times. Sometimes they follow Kazui’s voice (“follow the king of the masquerade”). Sometimes they get to be the focus. You have the chill piano one moment and the screaming guitar in the next.
You’ve got a lovely “jingle” (“Lie until it gets better…”) which occurs at the beginning, middle, and end. It fits the “newspaper ad” style of the video really well. Also at the very end, there’s one more line that gives the jingle an upward contour, giving a sense of finality. “Until you can meet the king of the masquerade.” You’re there now.
The two verses start off differently before they take on a similar melody. It feels like Kazui is talking to a different person in each verse.
The chorus is a beautiful façade the first time and a sinister truth the second time.
The opening for solos shows that this jazz song means business. I love how the saxophone and trumpet especially get in your face. And with the tacet on vocals, the walking bass really shines if you lend it your ear.
And the smoke break! Silence is golden. Glass click. Lighter. Huff.
As always, Kazui’s voice is super deep. He hits even lower notes this time around. He’s a fifth lower than the next lowest singers (Haruka and Shidou)."
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-Great instrumental choice. Kazui and jazz is *chefs kiss*
-Symbolism. THE SYMBOLISM. I can’t type out all my thoughts but ifykyk
-The almost comic like style of the MV is really appealing.
-Lyrics!! There is so much to unpack but it’s really cool.
-Kazui eating the dove… fricken iconic.
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FIRST OF ALL the vocals????? BEAUTIFUL. His va put his whole pussy into this song and you can tell!! The way he sings the chorus is so damn addicting I'm so in love with him. His voice is more or less stable throughout the entire thing until the final chorus but you can hear the emotion peaking out which fits perfectly with Kazui keeping everything hidden. The way his voice turns into a sort of whisper during "all the things I wanna do that I can't say outloud"??? The way his voice starts trembling during "this feeling it's yearning to be satisfied"???? The way his voice turns into a sort of whisper AND starts trembling during "hey, if I said I liked-liked you, what would you?"?????? HEAVENLY! You can really feel how afraid Kazui is under his disguise and my heart breaks a little everytime I listen. Not to mention how absolutely powerful his voice gets at the climax!!!!!! It's insane!!!!!!! It's genius!!!!!! It makes me wild makes me crazy makes me eat my walls!!!!!!!!!!
THE SMOKE BREAK?????? What other song has something as powerful as that huh???? This isn't just a song produced by the milgram machine using his memories, this is HIS song and he is OWNING IT! The music builds up so much and gets so intense right before it, I can literally feel myself get tense and starting holding my breath right before he takes the break and everything relaxs… it's not just a break for him, but a break for the viewer. The song is spiralling out of control just like his life and his lies and he has no choice but to put it to a quick stop before its too much to handle.
THE IMAGERY IS WILD!!!!! He's a magician!!! Little magic guy!!!! Using tricks and lies to amaze and captivate the people around him! Trying desperately to magic his own feelings into something else! But it's all fake! It's all tricks and no matter how hard he tries he can never actually change himself into what he wants! But he's trying to convince himself the same way he's convinced his audience!! And when you're watching a magic act, are you there for the magician themself or are you there to watch the show?? The people in his life only cared for him when he performed for them, but they didn't give a drop of love to who he was a person! ALSO the transformation of the wedding ring to a cigarette to the dove at the end??? Makes me wild every single time! Right infront of his wife, he showed her that their marriage was something unhealthy for him that was slowly killing him from the inside. AND THEN he uses it to harm himself???? And then he turns that cigarette into a dove- a representation of love and literally TEARS INTO IT. He tears his marriage apart with his mouth!!! AKA HIS WORDS. makes me wild. Also fun fact Kazui says he started smoking because when he was younger it was "just natural for everyone to smoke" and that lines up with his reasons for marriage perfectly.
Kazui looks really hot in it. You should vote for Cat because Kazui is insanely attractive. What other reason do you need huh? Hot gay middle aged man.
Propaganda for THE PURGE MARCH:
"Despite the shorter length, the Purge March has several distinct sections in its structure.
It starts with a rolloff, and then… they don’t follow it. Amane isn’t here to follow the beat.
There’s the spoken-word intro and the upbeat first verse listing the tenets. The prechorus (“dou shiyou mo nai…”) has an amen break. The most-sampled four-bar drum beat. Well, there’s half of it. Is it supposed to mean something? Can I get an amen?
The chorus is so, so cheerful… unless you’re actually listening to the lyrics (“I’ll crush your throat too”) or watching the video. And it’s super catchy. 
The second part of the verse dials things back. Now we’re in reality. This is how Amane breaks her tenets. All the while, those tenets are spoken into both ears over the singing. Get some good headphones. She sounds different in each ear.
The music picks up again with the amen break as Amane happily strolls back home, and then-
Oh.
The somber second chorus, with Amane’s lower singing voice and mournful spoken words, leads into the final chorus, with new lyrics and a more forceful tone. The once-meaningless chanting now has real words. “You’re sorry? I don’t care! Please go ahead and die already.” You can hear Amane’s anger despite the cheerful melody. She harmonizes in the final phrase, as if to say “we’re in this together, me and my little color guard troop.” And finally, it’s just her. Speaking. "Oboetemasuka?" Accompanied by only a single drum.
She is both Amane Momose and not. She upholds the doctrines that she was raised with, but she can’t."
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"Purge March is geniunaly one of my favorite pieces of fiction both in and out of the context of trauma. Its fantastically directed and composed. The batton twirling is spetacular and energetic, the set and character design of Amane conveys a lot about the world she’s in and the story she’s telling. Purge March contextulizes a lot of Magic in both expected and unexpected ways (insert the entire cat symbolism thesis here) Purge March casts Amane in the role of a scary child. The glowing eyes, the framing of Amane as Above the viewer, the brutality and catharsis of it all. It seems tailored made to make you Scared of her. It’s a continuation of the cycle of abuse that we the audience repeated in T1 when we gave her that verdict. A red flashing warning sign about the Inhumanity and Monsterous qualities of Amane Momose. But Amane as a monster is fufilling and freeing. Again, its deeply cathartic. I would write more if I wasnt so sleepy at the moment but its just some Fantastic work overall. Purge March is also just fantasitic vocally and also hids electricity sounds in the instrumental which I think is evil and awesome."
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-Amane’s vocals and how they slowly get more and more off the deep end is both really sad and cool to watch.
-The symbolism of the marching band and the flags. Ifykyk
-The beginning where it sounds like a propaganda TV show… really shows just how far Amane’s thinking is rooted in her cult and how that’s shaped her perception.
-The LYRICS. They work so well but it’s also creepy AF considering it’s a child who’s singing it.
-“So there is no second time, I’ll give back the judgment that you gave to me!”
-The overlapping part… gives me chills everytime.
-Building off the last point, the last “I’ll crush your throat too.” Ouch.
-“Remember MY cries, MY repents, MY words of “I’m sorry” that I said to you?”
-The song also does a great job of showing how much the guilty verdict messed with her.
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hogoflight · 5 months
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Potentially consider writing that (from that one version) Athena, instead of cursing that one specific flute, cursed every single flute that would ever be made but the curse is just Apollo hates you for playing it now. Euterpe: (epic flute solo) Apollo: Wonderful! Truly, your skill is unparalleled for creating such a beautiful sound on such a DISTASTEFUL and UGLY instrument!
Euterpe: Apollo: Euterpe please why did you pick this weak tube you could have picked any other instrument to master and elevate to divine- Euterpe: dude can you chill literally once. come on man
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hey y'all!
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you can call me Mouse! i'm a nerdy, artsy-craftsy, music-loving, socially awkward, incredibly enthusiastic GEEK.
i love chatting with people and making new friends, always feel free to shoot me an ask/dm :)
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about me
☼ she/her pronouns are great! ☼ i'm a minor ☼ lesbian (or something like that) ☼ i'm a dancer! (ballet, pointe, modern, jazz, tap, and hip-hop) ☼ i play the piano, flute, and ukulele, and i'm learning trumpet ☼ i love hugs and physical touch ☼ i use a ton of pet names-lmk what you're comfortable with! ☼ pisces sun/moon, scorpio rising ☼ infp-t 2w3 (explanations linked, if you're curious) ☼ one (1) beach completed, on my way to becoming an Official Certified Ken (credit: my very dear @green-binder) ☼ i tend to forget things-please don't take anything i do/don't do personally! chances are it just slipped my mind. ☼ i love interacting with people, but i do sometimes burn out. sometimes i just don't have the energy to reply to something or continue a conversation, please don't take it personally!
not rlly doing chain mail atm, sorry!
i've got a funky lil tma sideblog @consumedbywhatlovesme if you're interested, hyperfixation still going STRONG 💪
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things i love...
☼ cavetown!! ☼ the magnus archives ☼ coraline ☼ hozier ☼ plants/gardening ☼ ancient greek mythology and culture ☼ microbiology ☼ slime molds! ☼ mushrooms and other fungi ☼ stranger things ☼ pjo ☼ cats! ☼ good omens ☼ baking ☼ crochet/knitting ☼ long bike rides ☼ sketching and painting ☼ rainy days
... and people i love!
@15millionfireflies, @bleep-bloop-boo, @brains-out-rn, @ch3rry-t0mat0, @currently-becoming-potatoes, @dormienscattus,
@fairyycoffin, @forever-bi-panic, @galaxys-universe, @green-binder, @hugallurfriends,
@i-eat-so-much-grass, @joespookyregardinghappenenings, @margaret-the-duck, @marisolebio, @mossy-stormcloud,
@remithegayshoebill, @sad-girl-shit11, @sagaofa-dying-star, @scatteredraysofhope,
@small-giggle, @that-dam-heartstopper-fan, @the-chaotic-snek, @theladyofpaintedstars, @thestrawberryapologist,
@totheidiot, @trans-lobotomy, @urlocalsadkid-l, @wistfulenchantress, @yelenapines
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comfort books...
☼ a psalm for the wild built, a prayer for the crown-shy, coraline, the electric kingdom, the song of achilles, truly devious, a wrinkle in time, inward, heartstopper, the secret garden, severance, they
... movies, tv, and podcasts...
☼ coraline, the magnus archives, heartstopper, spirited away, stranger things, good omens, various concert films, over the garden wall, gravity falls
... and foods
☼ hot cocoa, peach tea, lemon cookies, asparagus, fresh sourdough, grapefruit, chocolate chip cookie dough, berries of any kind
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currently listening to
favorite artists
☼ cavetown, hozier, lizzy mcalpine, luz, wallows, girl in red, taylor swift, mother mother, billie eilish, david kushner, madilyn mei, coin, tv girl, fuvk, gregory alan isakov, mxmtoon, boygenius (+ solo work), hayd, maya hawke, pomme, the paper kites, novo amor
songs i try to live by
☼ talk to you (cavetown) ☼ hug all ur friends (cavetown) ☼ carry you (novo amor) ☼ words (gregory alan isakov) ☼ pancakes for dinner (lizzy mcalpine) ☼ let light be light (lizzy mcalpine) ☼ cold (novo amor) ☼ crooked the road (mon rovia)
please send me music recs!! i usually listen to indie pop, indie folk, and indie rock/modern rock, but i'm always happy to listen to something new :)
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moodboard by my darling @wistfulenchantress <33
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congrats on making it all the way to the end haha!!
have a beautiful day/night sweetheart, love ya :)
(dividers by @/saradika-graphics, their stuff is absolutely gorgeous)
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hiromusicarts-blog · 5 months
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4月12日は、恩師が企画し、演奏したコンツェルトを聴きに行ってきました。
音響があまり良くないと噂の愛知県芸術劇場コンサートホールでしたが、その中でも、比較的良いとされる場所を知っているので(2回の最前列)確保しました。日本最大級のパイプオルガンがあり、それで、ちと話題はあるものの、残響やエンハンスされる音域など、気になる部分も多々ありかと。まぁ、それは置いておいて、名フ��ルが、大コケしなくなった事が、この日最大の驚きでした。毎年「不安」しかなかったからなぁ。ジョイントするピアノ、フルート、バリトンなど、まずまずの出来で、これも安心できたかな。恩師のピアノ(モーツアルト)も、無事に。オケとのギクシャク感は各所で見られたものの、総じて良かった。
で、客演のミキエロン女史。ショパンのP-Conだったので、曲はあまり好きではなかったけれど、堂々とした演奏だった。そして、私と解釈が違うところも含めて、全体的に良かった。アンコールもショパンのピアノソロだったけれど、こちらでは、ペダリングの美しさに、まさに陶酔してしまったわ。低音(単音)を、ものすごく良いタイミングで、ペダルを。うねる事なく、まっすぐに伸びた音に感動!
On April 12th, I went to listen to a concert planned and performed by my teacher. The Aichi Prefectural Art Theater Concert Hall was rumored to have poor acoustics, but I knew of a place that was said to have relatively good acoustics, so I secured a spot (front row for both concerts). It has one of the largest pipe organs in Japan, and although it has been talked about a lot, there are also many things that are of concern, such as the reverberation and the enhanced range. Well, putting that aside, the biggest surprise of the day was that the Nagoya Philharmonic didn't make a big deal of it. Every year I felt nothing but anxiety. The joint piano, flute, baritone, etc. were all pretty good, so I guess I was relieved. My teacher's piano (Mozart) is also safe. There were some awkward moments with the orchestra, but overall it was good. And Ms. Michieron was a guest performer. It was Chopin's P-Con, so I didn't really like the piece, but it was a dignified performance. And it was good overall, including the parts where my interpretation was different. The encore was Chopin's piano solo, but here I was truly mesmerized by the beauty of the pedaling. Pedal a bass note (single note) at a very good timing. I was impressed by the straight sound without any undulations!
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my thoughts on prelude to ecstasy:
the intro orchestral movement?? it felt like something out of a roman period piece. it was so perfect and just *chefs kiss* and the ending crescendo was so gorgeous
burn alive felt so dramatic like watching the lead up to a murder “let me make my grief a commodity” and “there is candle wax melting in my veins” are just such poetic lyrics. the guitar riff during the verse feels like a warning- eerie and stark. “i am not the girl i set out to be” is such a raw line it makes me feral omfg. abigail morris’ final line felt like an open wound
i’ve heard caesar on a tv screen before but in the context of the album as a whole changes it. it’s almost like a sequel of sorts, showing what she “set out to be”. musically, the contrast between the verse and chorus itches a scratch on my brain. “champion of my fate” feels so spiteful idk why
the feminine urge gives lana vibes maybe cause of the darker imagery and tone. it feels like a performer cracking their mask. “i am a dark red liver stretched out on the rocks” is sUCH A GOOD LYRIC. “to nurture to wounds my mother had” killed me my god
again i’ve heard on your side before but the album changes the feelings within it. if the feminine urge was the cracking of the mask then this song is the removal of it. it is vulnerable and raw and open about love and shame. the vocals feel like they’re pleading but already resigned- it’s heartbreaking
the flute opening for beautiful boy sounds so wistful. this so is so queer omg. “what good are red lips when faced with something dark” the lone piano chords in the chorus plus the harmonies are so ethereal they make me feel like i’m at my funeral service.
gjuha makes me feel like i’m intruding on something private, a ritual between a girl and a god. THE TRANSITION OMFG
the placement of gjuha before sinner MAKES ME FEEL THINGS OMG. like the contrast of imagery, between sin and holiness. “TURN TO THE ALTAR OF LUST” this song made me feral when i first heard it and it makes me feral now like omg. the religious imagery in this entire album is so interesting
my lady of mercy’s bass line is so groovy and perfect and amazing. and the percussive claps are so amazing. again, this so is so queer™️. the heavier sound in the chorus is so amazing and the bridge makes me feel like i’m fighting my final stand and praying to win
i love the stripped back piano of portrait of a dead girl compared with my lady of mercy. even further in the track, it remains kinda mellow and softer but no less direct. “the dignity of letting me go” when it finally gets more upbeat it the chorus it rly doesn’t disappoint. and the strings omg. also song title could be a nod to the album cover or vice versa??
the beginning of nothing matters feels like a prayer and the harp is so bloody good. “a sailor and a nightingale dancing in convertibles” the guitar riffs in the second verse are so funky i love it and the solo just makes me want to dance.
mirror feels like the end of the battle- the drums and solemn voice. it’s the end of the performance, the final death. “pretty glass and empty heart” death of the performer is the death of the album. but the final fifty seconds feels like a rebirth in a way, growth and renewal.
i don’t know if u could tell but i fricking loved this album like it’s everything i’ve ever wanted in terms of vibes and blend of dramatics and sincereness. i’m just praying that i get tickets omg
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Super Star Spectacle (Revue Starlight)
It's beautiful, it's dazzling, it's painful, it's frustrating/To take, to be taken from, it's heartrending/Being captivated, growing closer, being attracted, parting/In you, I end up losing myself
"I'm going to try to not say anything about the source material itself and start by saying this song has everything. It has the somber ballad at the start! It has the audio nightmare (loving) for dramatic effect! It has the more upbeat, catchy melody! It has the flute solo! It has the moment where it finally turns somber again, but in a more bittersweet way! Finally, it has the grand closing audio, sending off the song, the scene and the series as a whole! I will admit right now, between the scene it was in and the song itself, I began weeping the first time I heard that ending because of what it represented, and I won't deny that I sometimes cry over it! There might be songs from this series which I ultimately prefer just by a little, but no song fucked me up as much as this one did."
Spiral of Ants (Lemon Demon)
Over and over/The pheromones, the overwhelming harmony/Consuming the colony/Creating its own gravity/Before we knew it we became a hurricane/And the bugs who laughed got blown away
"The instrumental is so melancholy but somehow so groovy, and I love the bassline and the singer's voice and the synthesizers. Not to mention the background vocals and the ominous humming at the end. Mmm just let me lay on the floor in the dark and let me sink into the void while I contemplate my mortality and my fleeting existence. Anyway this song is about how sometimes ants get stuck following their own scent trails and end up walking in a circle until they all die of exhaustion, but metaphorically it's about how conformity can cause a society to collapse. Not to mention this is the last song of the album. The last line is "The Circle rules your life" for a song about death and the first song, Lifetime Achievement Award (a song about reviving the dead) starts with the line "Die hard fans adored your hands" making the album a loop of death and revival linked by ominous white noise."
Super Star Spectacle submitted by @insertbrowsinghere
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emp-t-man · 3 months
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so my friend @delaneytalks-tostatues very kindly sent me a prompt for the ask reblog and of course i had to blow it out of proportion so here’s a long and ramble-y description of what musical instruments would represent the cast of wolf 359 in an instrumental score (by a music major)
minkowski would have trumpet motifs. they’re bold, and loud, and often the leaders of the brass section, but can also have a beautiful and even melancholy sound when played in the right situation. trumpets are often used to solo, and hardly play as much as other brass or woodwind instruments in an ensemble, the way minkowski often places upon herself the entire fate of the crew and the mission and is reluctant to accept help when it doesn’t come to aspects of the mission itself. i can just imagine the slow, emotional solo that would play in the background of her breakdown in pan-pan and it’s. ugh /pos
lovelace would be repped by a trombone— very close to a trumpet, but slightly deeper, with more of a dark timbre behind it, reminiscent of the people she’s lost and what she’s had to go through to be where she is. they’re also more friendly in terms of playing with the rest of the ensemble and more flexible in moving between notes, but just as strong.
eiffel has french horn motifs. is it because the french horn is my favorite of the non-string instruments? maybe. but also it has such emotional depth behind it. it’s so full, and hauntingly beautiful, and i think it’d be a good representation of how deeply eiffel strives to be a good person to try and forget his past.
now, these three all have something in common, and that’s having their instrument be a member of the brass section. brass just seems very fitting for the protagonists of the series— it’s hopeful, it’s strong, it’s driving. but i’m missing a couple members of the hephaestus crew who i think wouldn’t be represented by brass motifs for one reason or another.
starting with hera. i think hera’s motif would be played by a flute for a number of reasons. for one, she just gives me flutist vibes. for two, flutes aren’t a member of the brass family, just as hera isn’t seen as a true member of the hephaestus by a lot of people for a long time. while the flute is a beautiful instrument on its own, it can sound sort of lonely among a big, strong brass ensemble. however, a soft, lilting flute melody above a brass accompaniment could be just what the ensemble needs to achieve the mellow timbre a piece could call for, just as hera’s persistence and determination and intelligence is often what pulls the crew through when they’re stuck doing nothing but yelling at each other. i think it could especially be really pretty with a muted trumpet as a duet, in the same way hera and minkowski grow to be very close and work rather well with one another as they go through everything together.
there’s another we gotta talk about but i gotta bring up SI-5 first—
while the hephaestus crew is represented by the brass section, i think it’d be cool to have SI-5 represented by woodwinds. they aren’t as strong aurally, but add essential undertones and accompanying cues that could make or break an orchestra.
maxwell has english horn motifs for little reason other than it just— sounds like her to me. it can either sound like a sunrise of a new day or the creeping sensation of dread as lights dim depending on what mode you’re in and what the accompaniment is like, just like maxwell is seen by hera as both a friend and someone who doesn’t respect her in the slightest at different points in the series, and sometimes at the same time. it’s bright, and beautiful, but sneaky, and i think that kind of motif would go hard
jacobi would be played by a bassoon. again, this is a little bit because two of my closest friends are bassoonists and i love the instrument to death but ALSO because it’s deep and looming and intimidating but can also be extremely moving and emotional if you listen closely enough.
now kepler, he’s represented with saxophones. the instrument that looks to be a brass instrument but in reality is part of the woodwind family, just as kepler appears to have the crew’s safety in his best interest and to want to be their friend at first, but is rather quick to let them know his only interest lies with himself and his mission. it’s also a very charismatic instrument and is used to charm people a lot of the time, just as kepler relies on to pull in and trap other people in his “big picture” before they even know it.
all of this leaves hilbert. hilbert, to me, would be played by a cello. it’s a string instrument, and has no part in the band ensemble, just as hilbert has no alliance with any of the other crew members. he does his own thing, and the decima project means more to him than any individual. it’s deep, and full, and just like eiffel’s french horn motif, hauntingly beautiful.
i’m too tired to come up with what goddard’s motifs would be (cutter, pryce, and rachel), but i might do them another time if this gets enough traction—
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misslavenderlady · 9 months
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Once Upon a December 🖤
David/Crysta (OC)
Summary: Crysta has found true love with her darling Lost Boys. Little does she know that David in particular feels an extra special connection to her because of someone he knew long ago...
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Surprise!! This is a birthday present for @hypocriticaltypwriter! Cherry, you've been such a wonderful friend, I thought you deserved something special! 🎁🎂🎉
This fic has references to the OC of @hypocriticaltypwriter, Crysta and the scrapped Lost Boys prequel script, of which there is a love interest for David. It also references the song from the animated movie/musical "Anastasia". Please enjoy!
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Crysta couldn't have been happier. She was living a good life with not one but four amazing, handsome, caring men. Though her lovers happened to be bloodthirsty vampires that sucked the essence from any human who crossed them, she didn't let that get in the way of her happiness. 
Each of her boys was an absolute gem. So stunning and wonderful in their own unique ways. They treated her like a queen and took the best care of her. Being a human, she was seen as a more fragile, delicate being to them. The four boys would do anything to keep her safe and sound. Always making her feel loved. 
Though she often had at least one of them by her side at all times, the daytime was when she was by herself. One day she'd be on the same sleep schedule as them, but for now, she could keep herself occupied during the day. 
Whenever she wasn't working at the salon or running errands, Crysta’s favorite thing to do was dance. It was the perfect way for her to get in some exercise while having fun moving to the songs from her cassette collection. Today was no different. With her leotard and sheer sash around her waist, she was a dancing beauty. 
Swing music was her favorite thing to dance to, but a good Prince song got her energy up too. Crysta kicked her legs up high and moved her hips to the rhythm of “When Doves Cry”. A smile was stuck on her beautiful face as she danced around the empty hideout. The music fueled her heart and soul, truly making her feel alive. 
Before she knew it, the sun outside was fading. The day started to come to an end. The darkness would soon come, as would her boys. Surely they would be awoken by the sound and smell of her hot, pumping blood. They were such frisky things~ 
“Guess I'll pick something for a cooldown,” Crysta said to herself. 
She shut off the Prince cassette and rummaged around the container for something slower to dance to. KISS, Def Leppard, Ratt, Poison, Twisted Sister. All too wild and fast for a proper cooldown to her workout. She was about to give up when something special caught her eye. 
A simple cassette with a handwritten note on the cover. “1906” written in faded ink. 
Crysta tilted her head in curiosity, studying the writing carefully. Was it supposed to be a year? That was when the hotel that once stood on the bluff crashed into the sea, leaving behind treasures to be lost or decayed within the cave the Lost Boys called home. If that was what it referred to, what did it have to do with a cassette?
“Only one way to find out.”
The redheaded girl stuck the cassette into the boombox, pressing the play button to see what music would await her. 
To her surprise, it was the complete opposite of the boy's style. Rather than a loud electric guitar and killer drum solo, the soft sound of chimes greeted her ears. Crysta’s eyes widened as she took in the sound. It was quite magical. Soft notes that dazzled her senses. She felt it to be similar to that of a lullaby from a music box. 
Stepping backward to where her dancing space was, Crysta started to take in the melody some more. Follow the rhythm as it went on. She could work with this. Her body began to move slowly as more instruments joined in. The soft tones of a flute, clarinet, bassoon and more. All of their sounds worked beautifully together as they welcomed in the lyrics to the song.
Dancing Bears
Painted Wings
Things I almost remember
And a song someone sings
Once upon a December
Crysta’s senses grew fuzzy as her body took over for the dance. She gravitated to a more ballet-style dance routine, gracefully gliding across the floor and swaying her hands in rhythm. One would think she was under a spell if they were to see her moving in such a way. 
Little did she know that such a thing was actually happening. 
In one corner of the main lobby of the sunken hotel, a tall, platinum-blond vampire stepped into view. David had awoken just a bit earlier than usual, eager to see his beloved human. The spurs of his boots clanged with each step, yet Crysta did not notice. She was far too focused on her dance. The lyrics guided her every movement.
Someone holds me safe and warm.
Horses prance through a silver storm.
Figures dancing gracefully across my memory.
David was stuck in place, overcome with shock at hearing this song. Though he had managed to find a recording of it from a modern singer, there was a time decades ago when he had heard this song live. Visions of candelabras, string quartets, and marble statues filled his mind, bringing back the memory of the resort when it still stood above the sea. 
His ice blue eyes were fixated on Crysta as the faded vision of someone he knew long ago began to take over. A lovely, dark-haired lady with a shy, yet sweet nature and soft lips that he had kissed when they were hidden away from prying eyes. His long-lost love.
His legs began to move again, carrying him to where Crysta danced. He feared the memory would slip away again if he did not go to her. The graceful movements of her dance had grown stronger as the music built up more and more. A choir sang out, filling the cave with an echo of vocals that would shake a man to his very core. Crysta was so deep within her dance that she nearly jumped in surprise when she turned to see David right behind her.
“David, you scared me!” she scolded. “What are you do-”
“Dance with me.”
Crysta was shocked by such a request. Her lashes fluttered and her eyebrow raised in curiosity. 
“What?”
David’s lip curled slightly, showing off a gentleness in his smile that was unfamiliar to Crysta. No sneakiness or devious expressions. Just a look of love.
“I wonder if I might have a dance with the princess?”
Crysta would be lying if she said she wasn’t charmed by such words. Her cheeks flushed a light shade of pink and she smiled warmly back at the vampire. She slipped her hand into his, allowing David to take hold of her waist with his other. 
“I’d be delighted.”
Someone holds me safe and warm.
Horses prance through a silver storm.
Figures dancing gracefully across my memory.
David and Crysta moved around the lobby with sheer grace. They danced in time, creating a perfect waltz together despite it being such an unfamiliar dance to the human girl. To David, it was like riding a bike. He never truly forgot how to do it. With Crysta as his dance partner, it was even easier. All he had to do was look into her eyes, and it all came back to him.
Without any hesitation, David leaned in to kiss her. The warmth of her skin made his head spin far more than any waltz could. He remembered a similar kiss behind a ballroom pillar, hiding away from a stern chaperone. Now, with colder skin from his inhuman nature, it was all so much more intense. His heart ached deep within his chest.
Far away,
Long ago,
Glowing dim as an ember,
Things my heart
Used to know
Things it yearns to remember
“You are the beautiful something I dreamed about, Anastasia.”
The spell David and the music had over her was broken, and Crysta looked up at the blond with confusion on her face.
“Why’d you say my middle name?”
David stopped the waltz once the gravity of his mistake hit him. In the blink of an eye, the vision was gone. The memory had faded away. No longer did he have a princess in his arms dancing in a ballroom. The age and decay and quietness of the cave overwhelmed his senses, making him realize how much time had passed since he had become a vampire.
And Crysta. God, did he feel guilty for his slip of the tongue. Looking at her pretty face, he did see a familiarity of his first ever love. She looked so much like Anastasia. Even the shade of her eyes was identical, as it was something he had studied carefully each time they were together.
But she wasn’t Anastasia. She was Crysta. She was her own person, not the ghost of someone he once knew. David would forever mourn her, yet he knew how truly lucky he was to have Crysta by his side here and now. He loved her more than anything, and he wanted a life with her and his boys. It wouldn’t be fair to her to get lost in the past. 
“I’m sorry, Cherri,” he cooed, taking hold of her cheek in his hand. “I think I’ve been around Max too much. I know he calls you that all of the time.”
Crysta let out a snort of laughter, amused by David.
“Oh God, don’t tell me you’re turning into a big nerd too, Davi!”
David laughed, bringing her in for an embrace and spinning her around once again. She squealed with delight as he lifted her up. The two of them were practically giddy with their playfulness. 
“I’m not changin’ at all,” he promised, setting her back down on her feet. “Now let’s go wake up the others so we can grab a bite to eat.”
Crysta eagerly wrapped her hands around his arm, allowing him to lead the way to the sleeping chambers of the boys. With them out of sight, the last few words of the song played for nobody to hear. 
And a song someone sings
Once upon a December
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Tag List: @mjtheartist04 @cryptic-michael @vampirefilmlover @oceansrose2002 @ghoulgeousimmaculate @starlahuskyz @ria-coolgirl
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komelrebi-san · 10 months
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songs without words
was in band practice yesterday daydreaming about inumaki toge and it gave me ideas
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synopsis: in which, you! the concert pianist in the school orchestra, caught their eyes... feat.: (my husband)gojo satoru, suguru geto, inumaki toge, itadori yuji, fushiguro toji
don't like, don't read.
when they walk into the room, carrying their music sheets and instrument, their eyes land on you. eh, wait, you're new! they haven't seen you before, have they? are you even supposed to be here?
but you don't take any notice of them as you played transcendental passages on the piano, dextrous fingers dancing over the keys, beautiful melodies resonating from the strings of the piano. smiling bashfully, you stop playing and walk over to talk to the proud-looking conductor, yaga masamichi.
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gojo satoru - principal flautist
jeez, you cannot, cannot tell me this man is not the principal flautist
bags any and all solos he can, may or may not be competing for attention with a certain principal violinist
quote: 'what do you mean the violin gets to be concert master??? i'm also a principal musician! the flute is a solo instrument too!!!'
always always always be flaunting his skills - insane scales and arpeggios, fingers pressing and releasing the keys faster than one can comprehend - wait, how can he even tongue the notes that fast??
never never tunes to the principal violinist nor the oboist though it's normal orchestral procedure to tune to one of the two
bro skips to the piano to ask you for a tuning note, doesn't forget to add that he doesn't care which note it is because he's that skilled that he can tune to anything
(it's normal orchestral procedure to tune to concert-pitched A, frequency 440 or 442)
refuses to use a tuner/tuner app, bro has perfect pitch
goodness, he's such a menace, he's always belting out high notes
conductor yaga has never regretted anything more than giving satoru the piccolo part
(for those of you that don't know, the piccolo is basically a mini flute, same fingerings but just higher pitched)
i think everyone's ears died, oh god
wait, don't blame him though, he just wanted you to notice him
(oh, the little giggle that came out of your pretty lips when he belched high notes on his piccolo)
suguru geto - the said principal violinist
the said principal violinist satoru tries to take solos from
oof he always looks so good, sitting up straight int he front of his chair, hair swept to the side as he sits his violin on his shoulder
the little smirks he sends you as he plays, god damn
quite literally enchants everyone with his playing, fingers effortlessly reaching across the violin fingerboard
was so so so tempted to ask the principal percussionist to chuck the huge gong mallet at satoru's head
does this thing where he nods at you with a confident smile before rehearsal officially starts, and that's his signal for you to play the concert-pitched A so he can tune, then the rest of the string players will follow, and then the rest of the orchestra
relishes the fact that he's the closest to you in terms of seating and never forgets to rub it in satoru's face
has given your piano part a few tries on his violin just to spend more time with you, ends up laughing at satoru once again because whilst the violin can play multiple notes at the same time, the flute cannot
always brings hand cream with him! he doesn't use it but he makes you use it (trust me playing piano after massaging your hands slightly with hand cream feels infinitely better)
bonus! offers you his jacket if you get cold hands easily
inumaki toge - the principal oboist
somehow always gets dehydrated? like
needs to have water with him at rehearsals
probably started following you around like a lost puppy a little bit after that one time you gave him water and told him very nonchalantly that you aren't saliva conscious when he forgot to bring his bottle
well i mean, in his mind he probably was like 'wait, they understand me!!!'
welllllll, there was supposed to be another oboist but they always skip rehearsals lmfao
have i told you that this boy has the prettiest lips??? they look so kissable
partially the instrument's fault bc the reed is so small, so oboists really have to preserve their lips
loves loves loves loves onigiri, like, you never see him without onigiri during rehearsal breaks
and he look so cute when he eats!! does this thing where he puffs his cheeks out as he chews, bro probably just stuffed his mouth full of onigiri bc of his love for them 😭😭😭
started bringing extra onigiri with him so he can offer you one
actl speaks quite little, so he settles for actions instead
always comes to rehearsal 10 min early just so he can warm up and tune his oboe but in reality is just an excuse to sit with you
itadori yuji - actually supposed to be first trumpet, but ends up substituting as a percussion player a lot of the times
loud
have i told you that he's loud???
i swear, music classrooms are soundproof af but you can hear his laughter down the corridor even as you warmed up on the piano
okay, the principal trumpet is great, but wait, how does itadori's sound always manage to overpower their's???
please, yaga doesn't even know 😭😭😭
okay, itadori is great, but the problem is he always manages to somehow come in at the wrong time or play the wrong note, on top of being really super loud
welp, so he started subbing for the percussion
oh no oh no, everyone's ears
but hey, his crash-cymbal part is done ON POINT, so might as well keep him there
always comes early to set up his percussion stuff, so when you joined as the concert pianist, he also sets the grand piano lid for you, it's so damn heavy
bro's always hungry, so he always carries candy or sweet stuff with him, and he tries super hard to hide them from the sweet-toothed principal flautist
but uses them as on opportunity to start conversations with you and offer you some, and deny satoru in his face
and he's always rushing off to some kind of sports training session afterwards, lmfao
toji fushiguro - guest saxophone player
badboy upperclassman fr 😩😩😩
saxophone is a side job, but bro looks so fucking sexy while playing, and he makes sure he perfects every solo bit he can get his hands on
actl in like a band with his classmates or something, pretty sure you saw him playing drums with his friends at the school concert once
probs knows how to play guitar and bass too, so he helps his friends rearrange the parts and teach them parts they cant play
but! mediocre at the keyboard
so when he saw you?
thought 1: oooof she's so hot, i wanna ask her out
thought 2: hey, she can join my band!
so he used idea number two as an excuse to talk to you lmfao, but wasn't gonna give up when you told him that you were busy so you had to think about it
made a point right then and there to talk to you every single rehearsal he can come to
either to show you videos of them/solo cams of him playing, or to complain they cant find a good keyboardist and they are suffering lmfao
literally almost started fighting satoru for your attention lmfao, and my bro right here actl went ahead to wack satoru's head with a drumstick
oof arm muscles flexing oof so hot
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viperwhispered · 3 months
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Please please please tell me about Overblot Metal Band, anything you might have one them at this point
What are the positions you imagine each of them in?
(In reference to this)
Hasfgh thank you anon.
I was supposed to sleep, figured I'd jot down a few thoughts, and realized I ended up with a full-fledged post all of a sudden.
I'm definitely open to hearing other people's ideas tho because these literally are what first came to mind.
Vil: gets to have the obvious pick of singing (I thought of trying something different but honestly he slotted well there in the end)
Idia: keyboard / synths. Obviously. (yes my metal tends more melodic / symphonic)
Jamil: harsh vocals I guess? For that good old beauty & the beast vocal vibe. Maybe he also needs some exotic folk instrument to round things out for when he's not got so much singing duties (my mind's going to like hurdy gurdy because Patty Gurdy but because Finnish personal bias I kinda wanna give him an electronic kantele. Oh oh actually of course he should have a Scalding Sands flute and funky solos).
That or he just mass hypnotizes the audience into a mosh pit and cackles (my Jamil bias may be showing throwing all the things his way)
Azul: drums. The things he can do that no one else can, with all the tentacles going at once
Malleus: I don't know why I want to give Malleus bass but I kinda wanna give Malleus bass. Just powerfully thudding along in the baseline (I don't know music I just listen to it but maybe someone catches the vibe).
Leona: was gonna be destroying the drums but then I thought of Azul’s potential so I guess he's getting guitar. Lead guitar maybe?
Riddle: tbf, rhythm guitar kinda makes sense for him? Follow the rules and keep the thing together (I mean arguably the drums are probably more important for that but again I don't really know what I'm talking about here)
And now I definitely have in my head a scene focused on Vil & Jamil dueting on the stage for like some adversarial song and being all dramatic about it while explosions go off
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cjkie22 · 10 months
Text
A non-exhaustive list of why you should listen to hit dirtbag boyband Bears in Trees:
their music is really amazing. you'll love it.
especially if your Spotify wrapped was on the pov: indie side of things
and even if it wasn't.
songs for every emotion
absolutely beautiful lyrics
sometimes these lyrics make sense. sometimes they don't. that's part of the fun.
songs about platonic love !!!!!
songs for the queers! the aros! the aces! the enbies! the trans community!
my dad likes them. doesn't sound like a lot, but it's an achievement.
(more underneath the break)
iain (bass/vox/lyrics) has "ginger" tattooed on the back of their head. if that isn't iconic I don't know what is.
on the note of iain, they were the first person i was aware of that used they as a pronoun, and that changed my life
they have a discord server! it's a really lovely community. i am not biased in the slightest. (discord.gg/sandbox) (https://discord.com/invite/thesandbox) (i will personally send you an invite i don't actually know what the link is)
they should DEFINITELY be on the heartstopper soundtrack
if I'm remembering correctly in the tiktok where they said they should be on the heartstopper soundtrack, they also said 3 out of 4 of them were in some way queer. seems like a good thing to me.
they opened for you me at six earlier this year. it was my first time seeing them live. and WOW.
I met some of my best friends through this band. I'm not joking; big shout out to the mojo dojo castle house, I'll never forget that weekend.
they're hilarious on the internet
you might cry at several of their songs for a million different reasons
BearBerry records
they have a tumblr blog @/bearsintreesofficial (iirc). I'm not gonna tag them but
BiT gigs are a safe space. I may have almost fainted at my last one (new cross inn, August 2023) but I've never met so many kind strangers and genuinely lovely people
merch is super comfy and really cute.
it gives stardew valley and animal crossing (trust me I'm right)
after the new cross gig (sweatiest gig in the world), despite surely being exhausted, callum (uke/keys/vox) took my bereal and i got my mini lesbian flag signed by them all
I turned out not to be a lesbian, which possibly makes it funnier, but the flag is stuck on my wall still
cryptids would LOVE their band
dash.
there's also a community minecraft server for discord members
BiT postcards !!!!
gosh and the bit stickers
they covered stick season on an Instagram live
they also do the funniest twitch streams
iain and the mountain
the raccoon email address
george (drums/production) is elite. the drum fills in doing this again? iconic. also has a specific really cool shirt I want to steal
wedding. dress. tiktok.
callum doesn't wear shoes on stage. apparently this was common knowledge but it sure surprised me at new cross.
the austrian soft drinks advert
iain make up looks
callum plays the flute. I want to say classically trained flautist but i may be wrong.
none of them have EVER bribed any members of law enforcement
their songs are very tattooable
talking of tattoos, nick (lyrics/guitar/saw him play the uke on stage once) has L + R tattooed on his forearms (iirc). absolute genius and I am stealing it when I get more of my patchwork sleeve done
iain releases solo music to under the name pet yeti. it's ethereal. callum also plays flute on one of them.
trumpet joe
the four of them never look like they are dressed for the same event
someone once edited the bears in trees wiki page to say that Ryan Ross was in their band
silly geese
that time we got singing? poetry? performance art? of THAT harry potter fanfiction
according to tiktok, iain and nick once had to sneak into their own show because they were underage
nurby
I have a video in the depths of my camera roll of them covering Mama by My Chemical Romance on a twitch stream
sonick
all of them give me gender envy at different times
their newest single (bart's bike) features banjo
patreon content
yelling it gets better with a room full of people was a healing experience.
tilly
modern baseball and fall out boy adjacent in my brain
if you like bears in trees you're automatically hot and really cool
they did a song with noahfinnce and its really super good
callum also featured on a myriad song which is also really super good
bit songs feel like coming home. they feel like hot chocolate and a blanket on a cold night. they feel like a warm hug. they feel like surviving and falling in love with life again and overcoming the worst things. they feel like victory, because you didn't think you'd make it to adulthood. but I'm 20 now. and I'm still here. I've almost graduated uni. and that's what bears in trees feels like.
all of their songs!!!! amazing!!!!
please feel free to add to this list. I'm taking suggestions.
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