#solas and varric…….. free them…..

[pinacoladamatata]

Thoughts about where Varric might be, in no particular order (these are not meant to be serious I am spitballing here)

1. Dead 😞

2. He bounced while Rook was still unconscious and went to get the Inquisitor ✌️

3. Trapped in the fade with Solas

4. Ghilly and Elgar took him 😔

5. He merged with Harding or Rook or Solas, Flemythal style

6. He's at the lighthouse, wounded/recovering and the article doesn't mention him because they're trying to make us think he's dead

7. He bounced while Rook was out and went to get Bianca so she could make Bianca 2.0

Anyone else have ideas? I feel like #5 is... ridiculous let's be real that would be, so messy to write that would not happen😂

But like, what else could possibly happen to him?

[dragon-age-here]

Think my first Rook is just gonna be what I usually do for first playthroughs of lore-heavy RPGs when I don’t know the lore (or do but not as well as I maybe should)-

Self insert chaotic disaster making choices that hindsight will haunt me with!

Did it for Inquisition, and again for this! Might lean into my more chaotic and impulsive nature this time since I’m not watching 70+ hours of content to spoil the game before I play.

Just gonna pretend the start of the game sends an isekai!Me into Thedas full MGIT style so I can be giddy about griffons and magic secret bases and fighting dragons.

[pausegame]

Yeah all the companions look great but how is the Paragon of Manliness Varric of House Tethras doing and why can't I still tell him I love him 😭 break my heart BioWare. Break it a thousand times if you'd like 😭💔

[100jewels-between-teeth]

A semi-comprehensive list of every pre-established lore inaccuracy in Dragon Age: The Veilguard

Please note, this isnt me saying you cannot enjoy the game for what it is. This is not me saying you shouldnt play the game. But as a long time Dragon Age fan (started with Origins, has consumed all extra media including books/shows/novellas/etc..) the way Veilguard has fumbled the lore is, to someone who cares, infuriating. I shall keep the list under a read more to avoid spoilers for Veilguard. This will also be added to with more points that are given for people who wish to add

But without further adieu;

Bioware Kind of Forgot...

Bioware kind of forgot...

That Solas, after you choose to drink from the Well of Mythal (whom in Veilguard is confirmed either a lover/mother figure) is fucking pissed

That Solas was not bringing down the Veil to move the Evenuris and put them somewhere else, but to establish the ancient elves once more

The fucking orbs

That the elves were currently, at the end of inquisition, beginning the elf uprising and following Solas

the Elvhen Language

Solas having an extensive spy network that never gets brought up

That most of the Elves would be on board with Solas's plan

Brialla and how she controls Eluvians too

That in Inquisition, it is stated that barely any working Eluvians exist and that the one in Skyhold and the one in the temple of Mythal are extremely rare

The Valaslin and how if all of what happened is common knowledge, that the elves arent currently freaking the fuck out that they are wearing slave markings

Solas does not abhor the use of Blood Magic

That the Evanuris were trapped/locked in the Black City specifically and not the fade in general, so Solas would have to open the Veil either at the doors of the Black City or travel. The gods would not be wandering around the Fade

Using the lore/logic confirmed in Veilguard, the ancient elves being spirits that, with the help of lyrium, were made into elven form, that Cole should technically be one of the most powerful creatures known to man since they gave themselves a human body without the assistance of Lyrium. Bioware kind of forgot...

Slavery in Tevinter (really now there are no slaves shown in Minrathous?)

Varric hates the deeproads/dwarves so why is he so okay with Harding's magic

Hawke in general

Varric is a world famous author so someone would have mentioned his death at some point?????

how the fucking Blight works (seriously the entire party is infected with the Blight)

How spirits work

Morrigan never wanted to become a vessel for Mythal and despises the thought

The Antivan crows bought/tortured child slaves and children from brothels, to be trained as crows, basically nullifying all of the trauma Zevran had gone through

Fenris freeing slaves, still

In the final battle they refer to the head of the Imperial chantry as the "Divine" when it should be the "Black Divine"

More shall be added with discovery

[edenaziraphale]

There's a lot to be said about the weaknesses and strengths of the writing in Dragon Age games, but for me there's nothing that trumps the way the writers' implicit biases shine through in their treatment of various characters. Anders and Solas showcase the very worst of this. Functionally Anders and Solas could (and I would go so far as to say should) operate as foils to one another. Anders is a victim of decades of abuse at the hands of both individuals and a system that demonized him from a very young age. We are given information about his childhood and time spent in the circle that makes it explicitly clear that Circles are an unjust and abusive system that traumatized him so much that he fled multiple times regardless of the fact that he knew the abuse would escalate each time he escaped. In the end, he chooses to chance death and lifelong struggle via conscription because it is his only shot at escaping his current reality. After that, in DA2, it's made clear that Kirkwall's circle is even worse. Karl is made tranquil, the templars are mad with power, and it's heavily implied that the tranquil are utilized as sex slaves and that some templars may even be selecting mages for tranquility based on their desire for them alone. In the light of all of that, Anders makes a very desperate and destructive choice. Regardless of how players feel about his actions, it's not really up for debate that the context surrounding them creates mitigating circumstances and a sympathetic backing. He was attempting to affect positive change for a group of people facing fates that the game makes clear are worse than death. Despite this, the game's writing treats him as an unsympathetic villain whose actions are not only reprehensible, but completely beyond the realm of human understanding. That dynamic at the end of DA2 carries into DAI. Solas, on the other hand, is on a quest to undo his own actions. His initial construction of the Veil and the problems that it caused can be viewed with (some) similarity to Anders circumstances in that Solas was attempting to right a wrong done by someone else, but the key difference is that, unlike Anders, who was a powerless victim attempting to free other powerless victims, Solas was on a revenge quest to avenge the death of his friend and had an incredible amount of power within the system that he existed as a part of.

His actions had horrific consequences that birthed what is essentially an entirely new existence for everyone in Thedas eons before the start of any of the games. He finds the outcome of his own actions intolerable, and seeks to reverse them. He harms friends and allies to do so, and makes it explicitly clear that he does not care who he harms or what the consequences are to Thedas or the people who live there in his quest to bring back the version of the world that he liked better. Functionally, Solas makes an excellent villain. He stands out from Anders (who operates in his narrative as a symbol of the rage and disenfranchisement of the powerless) as a representation of power and ego unchecked and the damage that they can cause.

Unfortunately, the writing of the game treats him as though he is the tragically complex victim of forces outside of his control when he is in fact the over-powered puppeteer. He is very much the master of his own destiny and he intends to be the master of everyone else's destiny as well by ripping apart the fabric of reality. No character in the series better demonstrates the writer's biases than Varric, who, as a narrator for DA2, essentially acts as the moral arbiter telling players how they should and should not feel about events, explaining what is and is not moral. His reactions to Anders stand out in sharp relief against what we see of his reaction to Solas in the Veilguard releases so far.

To be clear, I don't hate Solas as a character. I think as a villain, he works very well. His complete and total disregard for the wellbeing of others paired with his affect of wise and gentle mage are compelling to witness. His motivations are understandable from the selfish and self-centered core of us as people. He's a fantastic reminder of what happens when we decide that we know what's best with no input from others, when we pursue our desires above all else beneath the veneer of wisdom. He's fun, well rounded, and interesting. He is not, however, a tragic and morally justified sadboi victim of circumstance, and I resent that the writers treated him as though he was.

[rederiswrites]

Okay so I'm giving @corseque 's super-important audio of all Solas' comments about the Blight a second (or fifteenth, whatever) listen and taking notes as I go.

Solas doesn't think for a second that once the archdemons are gone the Blight will be gone. Which really makes sense because it's the Blight that makes them an archdemon, not the other way around. Supposedly, they're blighted when the darkspawn reach and corrupt them. But of course that begs the question of why it's only darkspawn (and uh, honorary darkspawn like the Wardens) that hear their call. Anyway, the way he says it, it sounds more like the archdemons are a limiting factor than a driving factor.

Varric: "What's so confusing about endless darkspawn?" Solas: "A great deal!" So yeah, whatever the plan was, he didn't foresee darkspawn as a consequence. So did he not foresee them existing at all, or not foresee them being free to cause problems? Worth noting that it's really clear both in general and in Descent that dwarves as a whole were a huge blind spot for him.

He is really really surprised that the Western Approach ever recovered from the Blight. Pretty clear he didn't think that was possible.

He thinks that everything the Wardens have done up til now is a deeply misguided effort that's served (mostly accidentally) as a delaying tactic. Gotta say, with the information we have at hand, this point pairs about as well with the last as a nice dry red with spicy pickles. If the Wardens shouldn't have done what they've done, but he didn't think recovery from the Blight was possible, I'd love to hear what he thought the alternative was.

Same dialogue as above, but when Solas talks about stopping the Blight and when Blackwall and Varric talk about it, one gets the distinct impression that they're talking at cross purposes, because Varric and Blackwall are talking about the experience of Blights, as in, periodic events, whereas I think Solas is talking about THE Blight, that is, its true nature, which is yet untouched.

He thinks Erimond is dumb as shit, which is fair and valid. "That's madness! For all we know, killing the Old Gods could make things even worse!" he says. Well, he knows a lot more than "we" know, but it's entirely possible that he doesn't for sure know this. Increasingly clear that he thinks it, though.

I'd forgotten just how pissed off he was about the Grey Warden plan to kill the Old Gods before they were corrupted. It really doesn't give "hey you're killing my relatives" energy. It really gives "wow that would fuck us all" vibes.

Of course, with a side of my remembering that Solas' besetting flaw was always thinking people should know better even though they don't have access to the knowledge he has. That flaw I WILL grant. He displays it repeatedly--you could even say the writers went out of their way to make the point.

"The Blight is the real problem"

"The fools who first unleashed the Blight on this world thought they were unlocking ultimate power." Anyway yeah those are the absolute core of everything here. The Blight is the real problem and the Blight was deliberate. Deliberately made or deliberately freed.

Even during the events of Inquisition, Solas obviously sees Corypheus as secondary to the Blight as a danger.

Cassandra suggests that the archdemons were really just dragons--"Pets to those who no longer exist", by which she probably means the Old Gods, not specifically the gods of Elvhen, just because of her cultural background. Solas finds this suggestion amusingly wrong--a quiet snort, and "I would not go so far as that."

Last notes: he doesn't sound like he thinks the Blight can be stopped, and he's adamant that it can't be controlled. Which is presumably why he broke the world in an attempt to contain it, assuming I'm right that that was the underlying reason for the Veil. That it didn't quite work the way he'd hoped is also pretty evident, though I wanna be clear that I assume he was working from a place of desperation, and that not knowing every possible outcome of an action is not a condemnation of having taken it.

[fangsandfeels]

Playing Veilguard and making it everyone's problem

I am going to rant, and I will rant a lot, and there will be spoilers, so if you're not afraid of them and the game criticism, buckle up.

Elves and their gods

I am absolutely fucking livid about how Veilguard handles the Dalish and elves in general. The events of Trespasser made it clear that the elves started flocking over to Solas, including the elves working for the Inquisition:

After the events at the Winter Palace, elves left the Inquisition under mysterious circumstances, as did elven servants across Thedas. None could say where they went, but those who believed the Inquisitor's story about Fen'Harel wondered just how large the Dread Wolf's forces were... and what the ancient elven rebel had planned.

Solas had multiple spies working for him during Trespasser, and If I remember correctly, there was even a note, left by one of the elves - they were anticipating the great change and the return of the elven glory. Anyways, the established fact is that: elves learned that the stories about their gods were true and one of them now was going to restore the world as it used to be. At least, this is how they interpreted it (maybe, this is the version Solas didn't debunk) and so they started following him.

You might think, the Inquisitor and their allies are going to have a huge problem with breaking it to elves that their chosen leader isn't going to make things better and that their gods don't love them. Especially, if the Inquisitor is a human or anyone who isn't an elf. You'd imagine any attempts will end in failure because of course elves aren't going to listen to outsiders trying to explain their own culture and gods to them. You'd imagine that their trauma caused by centuries of oppression and discrimination will make it impossible for the Inquisitor and anyone else to make them see the truth.

You'd assume anyone who tries to find and stop Solas will be sabotaged every step of the way, feeling themselves horrible for having to clash with people desperate for a chance of a life without injustice - even if it means burning the rest of the world down.

You'd imagine that they will only change their mind if/when they see the harm done by Solas' actions and get to witness their gods true intentions by themselves - which would lead to a massive crisis of faith and schisms happening between elven tribes and groups.

You'd imagine will get all this incredible drama in the Veilguard, with elves initially resisting the group's attempts to stop Solas, then trying to pull themselves together after the revelation. You'd assume there will be zealous groups doubting Solas (because the Dreadwolf is a liar and a deceiver) and intending to use him to actually free the elven gods. You'd think this is how actually some of them get out.

But, NOPE. Not only Solas ends up working alone, with none of his followers throwing themselves at Rook and the party to buy him time, but also all elves now hate Solas because...Varric said so?

You meet a group of Veil Jumpers (elves devoted to exploring their ancient culture and history, learning more about their gods and reclaiming their heritage) and their leader instantly calls Solas an asshole. Based on WHAT?

I get it, Varric had met them before and told them that Solas was Fen'Harel...

(needless to say if you expect players to find and read other media in order to make sense of the events in the game, you are doing something wrong)

...but why were they so fucking calm about it, instantly eating up the "yep, he's bad" version? Even if the Dread Wolf is vilified in the Dalish mythology, wouldn't they be curious about what that means? Wouldn't they have gotten tempted or excited by the implication that other gods exist too? They weren't told the full story - why the fuck did they instantly accept the "Solas is an asshole" narrative? Especially when Solas comes with a promise of a world for the elves like it was meant to be?

WHY?

The Veilguard has no response for that. I guess, Dalish never cared about their history and traditions, and city elves were dandy about Alienages and oppression, so they easily believed some randos over a literal god promising a new, better world.

I don't even play Dalish, but I love their plotline and arcs - and I was bracing myself for some downright painful choices and conflicts during the next Dragon Age. But it felt like the writers couldn't be bothered with developing such a nuanced narrative, so they just waved it all down with "Nah, elves are chill now and they never really cared about their gods in the first place".

[felassan]

Snippets. 🐺💜

For Game Informer’s July 17th DA:TV article, "BioWare On Returning To The Dragon Age Series, 10 Years After Inquisition", the article is still titled as such on its own page, but it looks like on the GI DA:TV Hub page its listing was updated to "Dragon Age: The Veilguard Is 'Respectful And Referential' To Previous Games Without Making Them Mandatory"

[previous comment for context - Brenon: "we do have "decision saves" before big choice moments, but there are still a bunch that depend on a whole mess of stuff you've done earler...so yeah...RIP"]. Derek on this: "Choice and consequence, baby." [source]

[context: DA official Twitter's news about what's coming in August] Derek: "Buckle up!" [source]

Bryony Corrigan (Rook) on the strike: "I care a lot about this game! @/dragonage. Gutted we are unable to speak more about the game for now but absolutely in solidarity with actors in the US. I hope @/EquityUK are also fighting for better protection against AI clauses in the UK too…!" [source]

Matt Rhodes recently wrote to his mailing list that "The project I’ve been working on for many years is nearing completion. In my rare free moments, I’ve been starting to organize concept art to start posting after the game ships." [source] So it sounds like DA:TV is nearing completion and that he will be posting DA:TV concept art that he created after release. [This] is the link to his website where you can view his art, including some existing DA:TV and previous DA game concept art. If you click the envelope symbol on this page, that's how you can subscribe to the mailing list

from Community Councilmember Ladyinsanity - Lucanis x Rook apparently might be an "angst pairing" and there's maybe another one of these in the game also...? 👀 [source]

A user mentioned that they aren't keen on the word "roadmap". Michael Gamble explained: "all it means is a list of cool things you can expect to see us showing." [source]

Bellara's family name Lutare wasn't recently changed as some users wondered, it was Lutare at least a year ago during development. It seems it was just mis-printed or mis-reported in the GI coverage [source]

This article describes DA:TV as the most beautiful game the writer saw at SGF. It says the prologue is dated 9 years after DA:I. "Varric isn’t a ginger so much as a grizzled gray fox now". On Solas, he "wants to tear down the Veil that separates Thedas from the world of demons, restoring his people’s immortality and glory and sacrificing thousands in the process. But when his ritual goes awry, two of his most ancient and powerful adversaries are released. They seek only to finish what they started millennia ago – the complete and utter domination of our world." The game moves quite seamlessly from action to cutscene, and in the prologue "every cutscene is clearly building toward something larger". Position matters in combat. There is an accessibility option which involves the path-tracing of enemies' ranged attacks. At the beginning of the demo, the devs mentioned that they thought about the way different lighting affects your character. " The animations associated with combat are complex for one reason: responsive character features." CC has "inclusion of thick curly hair and capturing the tightly curled texture of Black hairstyles and natural hair", customizable shoulder-width and "a much-welcomed broad spectrum of skin tones—capturing both cool and warm undertones of both white and brown skin". The article highlighted the fluid movement of cloth. The writer also said, "I’m sure other Summer Game Fest previews will have a lot to say on the evolving relationship between Varric and Solas". [source] ((I don't remember seeing this article til now, it's from June though so I either missed it or have seen it and forgotten. also I don't know how accurate it is but the writer was one of the attendees of the DA:TV demo at SGF))

[character limit text break!]

Malcolm: "When I joined DA:Ve I was really hoping there'd be a romanceable dwarf companion and boy howdy did that come true. Harding is ☀️delightful☀️" [source]

[context: this Tumblr post of some neat art] Malcolm: "This is amazing and I fully went "oh wow that really sounds like Emmrich" before remembering that Nick Boraine is in fact a entire human person." [source]

User: "Speaking of Stalker, as a player the description of Bellara and Veil Jumper i've heard so far, alongside their exploration of Arlathan, somehow reminds me of Clear Sky and Chornobyl in Stalker series..." John Epler: "great eye! roadside picnic, Annihilation and STALKER were all absolutely inspirations" [source]

John Epler: "time to slowly make my way home after an awesome 4 days. thanks for an amazing experience to everyone who was a part of it. back to work." [source]

User: "We know there are returning characters in The Veilguard, so my question is: How would you and the rest of the writers go about writing a returning character who was originally primarily written by a writer who is no longer at the studio? What is the process?" Trick Weekes: "1. Watch videos to get the performance, how the character speaks. 2. Don’t try to replicate the character exactly. Allow them to have grown. Morrigan in DAI wasn’t Morrigan in DAO. She’d grown up. 3. Trust Character Art and Performance/VO. As soon as Morrigan walks in and talks in DAI, it works." [source]

Ali Hillis (Harding) on Twitter: "@dragonage @/bioware @/BioWarePulse @/ea #/DragonAge #/SDCC #/SDCC2024 FOLLOW ON INSTA FOR MORE!" [source]

Alex Jordan (Rook): "To all the D&D loving Dragon Age fans out there, let me tell you about my D&D group, made up of faces from the games industry! Including the voices of Geralt from The Witcher, Clive from Final Fantasy XVI, and Noah from Xenoblade! We are ⁦@/NaturalSix ⁩#/DragonAge" [source]

Erika Ishii (Rook): "Grateful I got to spend SDCC celebrating my roles in 2 games I love. Thank you to the devs (including laid-off workers who deserve full credit!), my friends, and the community. This is the last you’ll hear from me about my games from struck companies until they sign an interim agreement or the strike is won. Keep playing games, but share info from the union and let people know we’re taking a stand for all creatives. See you on the other side! ✊🏼🎮" [source]

Jeff Berg (Rook): "Damn, I love making video games. It’s like the perfect blending of theatre on film, where an actor is encouraged to collaborate and let their imaginations soar. And damn, do I ever love the incredible support from the fans of this incredible medium. Unfortunately, we’re in a time of upheaval in the industry. So let me make it perfectly clear: Video game performers deserve fair wages, safe working conditions and A.I. protections. I call on the employers to #/LevelUpTheContract. Guys, this is no single player game. We need you on our team. #/SagAftraStrong #/VideoGameStrike". Text in the accompanying video reads “Video game performers are stuck in a grind. AI is stealing voices, and companies are hoarding profits. The future of voiceover and performance capture artists is at stake. But out fight isn’t single-player. Whether you’re a gamer, a fan, a performer, a labor ally, or just someone believes in fairness. Keep video games people powered. We need you on our team. Video game companies must offer AI protections to ALL video game performers. Join me and show your support for those who bring our favorite games to life.” [source]

Jessica Clark (Neve): "Aaah a true bucket list moment!! Thrilled to play Neve Gallus a Private Investigator & one of the companions in the upcoming DragonAge The Veilguard Video Game!! We are appearing at the San Diego Comic Con as we speak!! With so much thanks & appreciation for the most fantastic team @/bioware & inspiring fellow cast members including (not limited to) @/missalihillis @/nickboraine @/zach.mendez @/jeffberg1 & more 🙏🏽 Draon Age The Veilguard releases this Fall 2024 & from what I've seen... It's truly epic!! You will love it & yes, it's worth the wait. (SAG-AFTRA issued us a specific window to promote & celebrate at Comic Con & from Sunday night onwards we will all be joining our fellow actors in the picket line for the Video Game Strike)." Text in the accompanying video reads "I’ve wanted to share this for so long! Thrilled to reveal that I play Neve Gallus in the upcoming Dragon Age The Veilguard!! Appearing at Comic Con San Diego as we speak” [source]

[source]

Jessica: "Last night's Comic Con San Diego's Fandom red carpet celebrating Dragon Age The Veilguard! Releasing this Fall 2024!!" [source]

Zach Mendez (Lucanis): "A truly amazing first day of SD Comic Con at the @/dragonagegame poster signing at @/darkhorsecomics booth. Thank you to the fans who made my first con unforgettable #/sdcc /#sdcomiccon #/dragonage #/darkhorsecomics #/lucanisdellamorte #/voiceacting #/bioware #/eagames #/theveilguard #/babysfirstcon" [source]

Zach: "Dragon Age. Dancing. Derulo. Thanks @/fandom for a killer party" [source]

Nick Boraine (Emmrich): "Thank you @/bioware @/ea and @/comic_con - had an incredible time! #/dragonage #/theveilgaurd #/emmrichvolkarin @/zach.mendez @/missalihillis @/thejessicaroseclark - can’t wait for the fall release date." [source]

Ali: "Honored and thrilled to have been a part of another epic @/bioware story w @/ea . Thanks from the bottom of my heart to the whole team! We worked hard, and put our all into this one. Can’t wait to see you all at #/sdcc2024 this week to celebrate @/dragonagegame #/dragonageveilguard" [source]

Ali: "1st day of San Diego Comic Con 2024 !! The lines were long and the signings so much fun! Met some really nice fans, hung out w dragon age performance director @/ashley___barlow , companions @/thejessicaroseclark @/zach.mendez & Nick Boraine . So SO grateful for this #/dragonageveilguard family!" [source]

Ali: "I love every one of these people. There, I said it! What a warm welcome we received! Thanks to ALL! For EVERYTHING!" [source]

Ali on SDCC: "Gooooooood times. ❤️" [source]

Here is a 'behind the scenes at the DA:TV SDCC panel' photo -

[source]

Here is a photo of Erika Ishii with Rook's blue knife -

[source]

Here is an excerpt from Brianne Battye's website:

Text reads: "Dragon Age: The Veilguard Defy the gods. Rise as Rook, Dragon Age’s newest hero. Be who you want to be and play how you want to play as you fight back and lead your team of seven companions, each with their own rich story. Together, you will become the Veilguard. Coming soon From EA/BioWare. I was responsible for a companion story arc, significant side characters, faction content, exploration content, and helping develop and expand worldbuilding lore."

[source]

Also, last year Zach Mendez (Lucanis) made a prior podcast appearance:

Zach: "I was lucky enough over the pandemic to have just hit a really nice commercial, and then I got this beautiful job on a video game where I was doing motion capture. Motion capture? Okay, so you put on this leotard, this black suit, and those little dots on, and you do all the motion for a video game, and you get to do the voice, and they put all these black lines on your face, so they capture your performance and whatnot. And so I was doing that and had some commercial money, so throughout the pandemic, for the past few years, I’ve just been getting to live off acting, which is great." -- Zach: "[Voiceover is] what I'm working on right now." -- Zach: "My father's from Spain." -- Zach: "I'm currently working on a video game, I can't say which video game." "It is a big one, it's not a big deal, it's a big one, I'm one of the main characters, it's not that big a deal." The interviewer asked about how acting in video games works. "Somebody's giving some performance that of course, they layer on imaging afterwards, like in graphics, right? But you're giving facial expressions, that's what gives it the reality, that's what I find so fascinating about motion capture, is that, you get to give big performances, because you're playing these crazy characters in crazy situations, and a lot of your performance is coming through in the final product which is, just gets me excited about the future of things about all the different ways. It's my voice, a lot of my facial features, I voice, I think, one or two characters in this game."

[source (dated ~a year ago. source link isn’t work-appropriate. I don’t recommend the podcast)]

[vael-fire]

Who is Rook?

We have no Keep to keep our memories this time my friends, so I made a thing. Use it as you will, take pieces, use parts, do the whole damn thing, whatever. Thanks to @mageofquandrix for the backup on this!

Leaving the spoilery part beneath the cut.

Who is Rook?

Name:

Pronouns:

Race:

Faction:

Class:

Specialization:

Before The Veilguard

Where was Rook born? Who were their childhood family and friends? What did they spend their free time doing as a child? What did they want to be when they “grew up” if anything.

Where and how was Rook educated? What did they enjoy learning; what did they dislike learning? Who did they admire most? Who was an example of what not to do or be?

How did they experience gender as a young person? Did they grow up in an environment of strict gender roles and expectations or were they allowed to be themselves? 

What was their take on sexuality as a young person? Did they experiment with romance or find it entirely uninteresting?

What was their take on spirituality as a young person? Did they grow up around one particular religion and if so how did that affect their beliefs?

What childhood fear(s) did Rook carry with them into adulthood?

How did Rook become involved with their chosen faction? Who did they meet first, and how, and where, and why did they join up?

Was Rook interested in finding a life partner of some kind when they joined their faction? Why? Who were their best friends and how did they meet? Who were their rivals, who did they trust?

Did Rook have any scars or tattoos? What’s the story behind them?

Did Rook ever strongly identify with a particular nationality, city, race, creed, or religion? Is this something they explored on their own or a tradition that was passed down to them? Did this identity evolve as they grew into adulthood?

Lightning Round - PREGAME VERSION

Favorite scent:

Favorite food:

Favorite animal:

Favorite book or story:

Favorite drink:

Favorite item of clothing:

Favorite keepsake:

Favorite place:

Favorite person:

Favorite little treat:

During The Veilguard (HEAVY SPOILERS BENEATH THE CUT)

Act 1: Signs and Portents

What was Rook’s status with their own faction at the beginning of the game? Why were they recruited by Varric?

What did Rook think of Varric when they first met? Did Rook support Varric’s choice to confront Solas alone?

Did Rook take Neve or Harding with them when they went to interrupt the ritual themselves? Why?

How did Rook engage with stories of the elven gods at the beginning of the Veilguard? Were the familiar or strange? Was it disorienting to have them rewritten or did it make no real difference to them?

What was Rook’s instinctive reaction to having Solas in their head and dreams? How did Rook respond when Solas asked them why they should be the one to lead the Veilguard?

Did Rook think Neve was right about needing more investigation before acting or that Harding was right that there was no time to spare? What made them think that?

What did Rook decide to do with Mayor Julius of D’Meta’s crossing? Why?

How did Rook react to Harding’s new magic? Were they supportive or wary or a mix of both? 

How did Rook feel among the ancient elven magic and ruins of Arlathan? Did they find Bellara’s work disturbing or fascinating or something else?

How did Rook feel about working with a bunch of assassins, the Antivan Crows? Were they familiar with the organization, a Crow themselves, or something else? How did they feel about Lucanis, specifically about Lucanis and Spite?

How did Rook feel about the Shadow Dragons? Had they ever been to Minrathous before or just heard stories? How did Neve strike them at first?

What did Rook think of the Wardens when they met them? The First Warden? Antoine and Evka? Davrin (and his tits)? And of course, the MVP, Assan?

Did Rook choose to help Minrathous or Treviso? Why?

How did Rook feel after seeing what happened to the city they couldn’t save? Who did they talk to about it, if anyone, and how did they feel toward Neve and Lucanis in the aftermath?

Had Rook ever been to Rivain before? What were their impressions? Did they have any experience with Antaam or Qunari outside the Qun? What did they think of Taash and Shanthann?

What was Rook’s first impression of the Nevarran Necropolis? Were they interested, disturbed, or something else? What did they think of Emmrich and, most importantly, Manfred?

What did Rook think of the Inquisitor? Did they become personal friends or did they keep it professional? Who was the Inquisitor’s lover, if any, and did Rook have an opinion of that?

At the Siege of Weisshaupt, how did Rook deal with the First Warden and why?

Act 2: The Price of the Past

How did Rook react to the aftermath of Weisshaupt? Were they sad, angry, scared, all of the above, or something else? Did they blame themselves? Lucanis? The First Warden? Ghilan'nain? Who did they talk to about it, and did they show their true feelings to their companions?

Had Rook developed a romantic interest in one of their companions--or someone else!--by the time Weisshaupt fell? If so, were they eager to explore it or afraid to? Why?

Who were Rook’s closest companions, and what did they like about them? Who irritated Rook, if anyone, and how?

How did Rook respond to Davrin and Lucanis’s animosity finally boiling over? Were they sympathetic to one or the other or to both?

When Elgar’nan took the Dalish prisoners to use as sacrifices, what was Rook’s first reaction? Were they resolved, raging, sad, or some combination? Did they talk to any of their companions about it?

What was Rook’s reaction to The Butcher’s proposition to them in Treviso? Did they respect it, think it was bonkers, or something else? Did they discuss it with any of their companions after the fact?

Did Rook express concerns about Illario’s behavior to Lucanis? Did Rook encourage him to punish or to forgive Illario? Did Rook encourage Lucanis to work with Spite to save Catarina or to punish Illario? What were Rook’s impressions of Catarina both before and after her kidnapping? How did Rook feel about Lucanis becoming First Talon?

Did Rook support Bellara in her desire to save Cyrian or did they encourage her to be more forceful in stopping him immediately? Did they encourage her to keep the Nadas Dirthalen or to destroy it?

Did Rook encourage the alliance with the Threads in Dock Town? Did they encourage Neve to bring Dock Town hope or to become a darker protector-figure?

What was Rook’s reaction to the revelations about the Titans and the residual anger their downfall and exploitation at the hands of the Evanuris  left behind? Did it change how they felt about Harding’s new powers, and if so, how? Did they encourage Harding to embrace the Titan’s anger or to remember their compassionate side?

How did Rook encourage Davrin to train and interact with Assan? Did they suggest discipline or kindness or some mixture of both? What were Rook’s feelings on seeing the twisted recreation of Weisshaupt, The Profane City? How did the blighted First Warden react to seeing Rook again there? Did Rook decide the griffons should go to the Anderfels with the Wardens or stay in Arlathan as protectors of nature?

What did Rook think of Emmrich’s confession that he wanted to attain lichdom? Did their views on necromancy change as they got to know Emmrich and the Mourn Watch better? Did they encourage Emmrich to attain lichdom or to revive Manfred?

How did Taash’s journey to finding themselves strike Rook? What did Rook think of Shathann once they got to know her better? Did that change after her death? Did Rook encourage Taash to embrace their Rivaini culture or to fall back on the strength of their mother’s teachings about the Qun?

(If Rook didn’t romance Harding or Taash:) Did Rook encourage Taash to get a gift to express interest in Harding? What was it and why? How did they feel about that relationship going forward?

(If Rook didn’t romance Never or Lucanis:) How did Rook feel about Neve and Lucanis’s Romance? Did they encourage it?

(If Rook didn’t romance Emmrich:) Did Rook encourage Emmrich to take Strife to the caves or the forest on a date? How did they feel about that relationship going forward?

How did Rook deal with the friction between Taash and Emmrich? Did they encourage them to find common ground or to talk about other things? How did they feel about that relationship going forward?

Did Rook romance any of their companions after all? What was that like for them, and how did it happen? Did the other companions have an opinion?

Who did Rook feel closest to by the time they were making plans with the Inquisitor to stop the gods’ ritual at the eclipse?

Did Rook choose Davrin or Harding to lead a second team at Tearstone Island? Why? How did they feel in the aftermath of Tearstone Island about that choice? How did they honor their fallen teammate later?

Did Rook choose Neve or Bellara to take down the wards at Tearstone Island? Why? Did they regret their choice? How did they come to terms with it after?

How did Rook deal with learning they’d been magically gaslit into thinking Varric was alive all this time??????

Did Rook find the Mysterious Circles?

Did Rook find all of Solas’s regrets after the Inquisitor gave them the first? What were their reactions to the revelations about:

The Golden City/The Black City and The Chantry’s doctrine being false

Mythal convincing Solas to take a mortal form

Solas being willing to sacrifice his followers for his end goals

Ancient elves originating as spirits who took mortal form

The elves -- particularly Solas and Mythal -- killing and exploiting the Titans to win the war against them

The blight being the Titan’s lost, angry dreams

Solas regaining his power pre-Inquisition by killing Mythal’s current host

Bonus Round: Were Solas and Mythal doing it?

Mythal's essence. How did they get it from her? Was it a fight or a matter of discussion? How did they feel, meeting her?

Act 3: The Wrath of Ages

Were all Rook’s allied factions at maximum strength when they launched their attack on Elgar’nan? Which ones weren’t, and why? Did Rook favor any of them? Their own? Someone else’s?

Who did Rook choose to support the Veil Jumpers in the final battle dealing with magical wards or protecting others?

Who did Rook choose to support the Crows and the Lords of Fortune in the final battle fighting mages or attacking by surprise?

Who did Rook choose to support the Wardens and the Mourn Watch in the final battle fighting massive enemies and constructs?

Who did Rook choose to take with them for the final battle against Elgar’nan and why?

Did Rook plan to trick Solas with the fake dagger or did they think they better not risk it?

Did Morrigan give you Felassen’s Rune? How did Rook use it?

Did Rook have a lover to talk with before the final battle? How did they feel in that moment?

After defeating Elgar’nan, how did Rook deal with Solas and the veil? Was it different than they had planned? If so, why and how?

What did Rook do on the day after saving the world?

Lightning Round - AFTERMATH VERSION

Favorite scent:

Favorite food:

Favorite animal:

Favorite book or story:

Favorite drink:

Favorite item of clothing:

Favorite keepsake:

Favorite place:

Favorite person:

Favorite little treat:

[vir-tanadahl]

[DAV Spoilers] My Thoughts on Solas

Look, I know this might be an unpopular opinion, but these are just my thoughts. Take what resonates with you, and feel free to leave behind what doesn’t.

Under the cut, because spoilers!

I don’t think Solas was acting OOC.

TDLR: We are dealing with the Dread Wolf for most of DAV, not Solas.

This is not the Solas we know from DAI. In DAI, Solas concealed his identity as the Dread Wolf, embodying a part of himself from before he fully assumed that role. Now, however, he has fully embraced the mantle of the Dread Wolf.

 2. The comment about hating blood magic? It was a lie. Solas knows that, in this world, blood magic is despised and viewed as evil. The truth is, he sees it as a tool—both in DAI and in DAV. He lied to the Rook, manipulating his words to earn their trust.

3. I don’t think he intended to kill Varric—I think it was an accident; if that were his goal, he would have done it long before. If you slow down the cinematic, you can see him lower his head, a gesture of shame. But then again, this is the same man who killed Felassan. It is still shitty that it happened though.

4. Solas doesn’t trust the Rook, and he isn’t going to be as open with them as he was with the Inquisitor. Unlike the mentorship he offered the Inquisitor, Solas sees the Rook purely as a tool. He will never confide in them about his feelings for the Inquisitor, whether as a friend or a lost love. This time, he’s a tactician, a strategist—cold, calculating, and entirely focused on his goals. In my opinion, if Solas were to confide in the Rook, it would feel out of character. They haven’t developed that level of trust, so in my opinion, it would come across as fan service. 

5. I don’t believe Solas and Mythal had a romantic relationship. Although Mythal called him ‘love,’ the evidence in DAI suggests it was more likely reverence than romance. As Brené Brown describes, reverence—a deeper form of admiration or respect—is often rooted in a profound connection to something greater than ourselves, encompassing adoration, worship, or veneration.

6. It’s possible that Solas was bound by a geas, which would explain his intense reaction if the Inquisitor drank from the Well of Sorrows. This could also be why Mythal remains central to his story. He tells both the Rook and the Inquisitor that he cannot stop—not that he won’t, but that he cannot. Perhaps, before her death, Mythal commanded him to avenge her, binding him to her will and compelling him forward.

Update to 6: However, if it wasn’t a geas, then it speaks volumes about Solas, his choices, and the theme of regret that runs through DAV. Honestly, I hope it wasn’t a geas, because that would highlight his fallibility, showing just how far he’s gone and the struggle he faces in trying to reconcile (and failing) with those choices. It would also explain why he feels bound by his actions, believing he cannot turn back and why Mythal remained central to his story because he came into this world for her and he "failed" her. By releasing him from her service, Mythal allows him to see that his path wasn’t shaped solely by his own choices. He’s been carrying the weight not only of his decisions but of hers as well—and he isn’t responsible for her choices. Mythal had to be the one to make him understand that.

7. Solas's wisdom has twisted into pride. He's fixated on erasing the mistake he believes he made, on fixing what he thinks he broke. But this pride blinds him to the beauty of the world he inadvertently created. If his wisdom had remained pure, he might have seen that this new world, born of his error, holds its own beauty—and that not every mistake needs to be undone. It feels like Solas embodies Wisdom, while the Dread Wolf represents Pride.

8. Solas does care about people, but his wisdom has twisted into pride. The Dread Wolf, however, leads him to view their deaths as necessary sacrifices—a means to an end

9. Solas/The Dread Wolf created a prison that even the gods could not escape it—because escape would mean confronting the pain they caused and accepting any regrets tied to their choices. The gods refused to do this, seeing their actions as justified. Solas, too, remained bound, unable to face his own regrets and the pain he caused, needing to believe there was purpose in them. He is shocked when the Rook escapes, as he doesn’t believe (or literally just cannot accept this due to being under a geas) anyone can truly accept their regrets and move forward.

10. The Dread Wolf using spirits of chaos—and other similar entities—as tools in his war makes sense. He chose spirits that wouldn’t be corrupted by the task, a calculated and strategic move, even if it’s ultimately a morally questionable one.

IDK take it or leave it.

UPDATE:

I also believe that the essence of Mythal, which released him from her service, ‘died’ after freeing him. The essence he carefully preserved could only watch and observe the world, as Mythal herself stated she couldn’t exist outside the Fade. I think Solas knew that. This fragment of Mythal, the one he knew, who just released him from her service no longer exists anymore.

[olexiss-s]

What’s interesting about Solas’s portrayal in DA4 is that we see him mostly from Rook’s perspective. Rook only knows what Varric has told them and what they observe through encounters with a cunning and distant Fen’Harel in their dreams—dreams controlled by him through blood magic, as we later discover. The Veilguard unveils his deepest regrets and judges him at his worst. Solas doesn’t try to change Rook’s mind about why the Veil must fall, he doesn’t bother painting himself as the ‘good guy’ or explaining his motivations. He repeatedly dismisses them with, ‘it’s beyond your comprehension’ and ‘you can’t understand what was lost.’ He dismisses Rook as a God would.

Though he grows to respect Rook, it changes nothing, by this point, he’s at his absolute worst. He embodies Pride to a fault. The gentle, wise, and truly idealistic aspects of his character we saw in Inquisition have been lost to what he believes he must become to achieve his goal. The Veilguard focuses on the Mythal-shaped void in his past. It might seem as though his loyalty to her was the only thing driving him, because ultimately, her releasing him from this duty stayed his hand.

To understand Solas, we have to know that he was Wisdom spirit first. He gained a physical form, and Mythal turned him into a weapon for a war he never believed in, a trauma that still reverberates through everything he does. Her final admission, that she was wrong and she's freeing him from this burden was just the breaking point of an already weakened resolve, that had one final push in the 3rd act. This vulnerability allowed for an opening for the grief he’d kept locked away unresolved, grief for her, for his lost spirit self, for his people, the Elvhen, for the magic he separated from the world, for his rebellion, for Felaasan, and for all those he betrayed and hurt in his quest to set things right. This powerful moment stripped him of his pride.

Then he sees Lavellan, kneeling before him, just as he had done for her in Trespasser. In that moment, she's a glimmer of hope, there's a sudden realization that, though this grief will be the hardest thing to bear, she’s proof that this world went on. Its people have kept fighting, and there is still beauty and goodness worth saving. And with that, there's the possibility of redemption, not giving up but letting go and facing the world and himself. A new purpose arises, and now, he won’t be blinded by solitude that tainted his heart for so long.

[dragonagecompanions]

DAI Companions reactions to repeatedly being mistaken for a young/teen Inquisitor's parent or older sibling.

Cassandra: At times it feels like she is, and yet it is never something the seeker begrudges. This young person has stepped into a role no one their age should have to fulfill, and with so many relying on them to save the world at least one person should be standing in the role of guardian and protector of their interests. She only wishes it could be her sole priority.

And if, in quiet moments, to have a sibling again is a balm then it a truth no one else need know.

Varric: He was a lousy brother, though is was not as if Bertrand was winning any awards either. But he never really understood the pressures his older brother was under until stepping into part of that role— and Varric never had the strain of ailing mother or the loss of Orzammar on his shoulders. No, he is not sibling material.

But no father could be prouder of a child than he is, watching their young leader stitch the world back together. Kid needs looking after, and Varric Tethras is honored in the burden.

Solas: If the Inquisitor is elven, no matter his plans for the future, the rift mage feels a sort of obligatory kinship to the da’len so far from clan or kin. Children have always been precious, especially to the Elvhen who did not conceive so easily as humans.

For any other inquisitor he does not correct those who make the mistake, and will turn it into a familiar joke later that the herald must be the most attractive of thei species to be mistaken for an elf. It hides how little he cares for the comparison.

Kin slaying is a terrible crime. Best not to build the relationship from the start.

Blackwall: In another life Thom Rainier had scorend the idea of children, and taken pains to ensure that his dalliances would not conceive a bastard he had no intention of claiming. Now his family name is hardly worth the claiming, and he is grateful his only sister took her husband’s name long ago and is free of his legacy.

But as a warden, true or otherwise, Blackwall is honored by such a comparison. If his presence has had any small benefit to the young person upon whom such a task is laid then he is honored by the comparison. And while he would be the first to argue that no one is better off in his care or keeping, Blackwall would be the first to lay down his life to protect theirs, and will do everything he can to make sure they are well.

Vivienne: For the sake of his grown children- and the wife who had done her duty in the bearing- Bastian could not have given her a child. Even if he could have protected it from the clawing hands of the Circle, whose laws had forbidden such a gift. To be a mother was not in her future, and in her youth Vivienne had taken steps to ensure such an accidental fate could never befall her.

But she could have been. In the quiet moments through out the years she had imagined how such a child might grow, might flourish under the love and guidance of two parents who so deeply wanted it. And while the Inquisitor is neither replacement nor surrogate for that dream, in this young person Madame de Fer can see a reflection of what might have been.

If she takes care to guard their appearance, coach their behavior and prepare them as best she can for the great game, it is easily couched in the truth that it benefits the Inquisition to do so. The truth of her affection is hidden away, no further burden on shoulders already heavy with titles and too few years.

But she can dream.

Sera: When she does think about her childhood, the few times it has to be examined, Sera would not have minded another small person to have run about with. It might have made the lessons and the lies less lonely, to know someone else was there to ride through it with.

But there wasn’t. And she didn’t. And she likes the Inquisitor, is happy to have them as both friend and Friend. But family is a sore spot in the tapestry of her life, and adding patches to warped thread does not fix the faulty loom.

Dorian: It is the worst nightmare of most high born alti, that one’s parents might conceive a second child to rival them for the familiar seat in the magisterium. Never a risk for Halward and Aquinea, whose duties to each other and the marriage bed ended w it the birth of a living and magically inclined son.

And yet Dorian would not have minded a younger Pavus knocking about when he had been a boy, someone to share the duties and adventures of Minrathious in those few years before duty locked away simpler pleasures. But when he is first mistaken for the Inquisitor’s father, first mistakenly assigned that guardianship and all it brings?

It staggers him, how deeply the role could fit. For all that their creation is anathema to them, Dorian Pavus would never scorn a child of his blood. Of any blood, in truth. If their herald is young enough and without guardianship, without a future once Corypheus is defeated…

It is a thought for later.

The Iron Bull: Where is the lie? Was he any less worthy of the imereki than those who had left them behind? The feelings that well up when the mistaken role is given do not surprise him, and Bull is perhaps the easiest of any besides Cassandra with taking on that burden. The Chargers are his family, and if they survive the Storm Coast the little Herald is gathered up into that fold without question.

And even with one eye he can see the second Dorian accepts and even relishes the idea. The Iron Bull didn’t come South looking for a family, but one may well be within his grasp regardless.

Cole: “Shared name, shared memories, tied together by all the things that matter. Even when we don’t agree there is still love and trust, striving for something greater than we are. Yes! We are a family. That makes sense.”

Mod Fereldone

[dragon-age-here]

I have the stupidest idea for a Veilguard AU and I can’t stop rotating it in my head.

[lillotte17]

I don't want to jump on someone else's post and Start Something, but like...

Varric and Harding explaining that Solas wants to bring back the world he knew is NOT wrong? It might be simplifying things a lot, but it's still accurate.

The conversation that Solas has with Dorian about Tevinter "destroying" Arlathan is not comparable. It's a different conversation completely. That's about ARLATHAN. That's about the elvhen EMPIRE. Their empire was not the world, even if it was the greatest power in it at the time. He's telling Dorian not to romanticize the Empire, because it was flawed and corrupted and built on the backs of slaves, and if Dorian wants to do right by the people that he thinks his own people destroyed, then he should start by freeing all of their slaves and becoming better than the elvhen empire ever managed to. Of course, Solas has a smaller sense of loss when it comes to talking about the downfall of the empire, he was actively fighting against it!

He's not sorry the empire ended. He's not sorry the evanuris got pulled down and sealed away. Those were his goals the whole time!

The WORLD is a different matter entirely. He DOES miss the world before the Veil. The loss of magic. The trapped and tortured spirits. The aging and enslavement of the elves. The confinement and abuse of mages. (I'm not sure how the Veil ties in with everything that happened to the dwarves and the qunari, but I'm sure it effected them, too)

I agree that a lot of people misinterpret Solas' motivations because he said he wants to "bring back the world of the elves," but that phrasing is SO important. It's the WORLD not the EMPIRE. And that's what Varric said as well- that Solas wants his WORLD back. Which is true! It's easy to conflate one with the other, I agree, but I think Varric deserves a bit more credit. And so does Solas.

[kcwriter-blog]

The Theme of Forgiveness in Cole’s Personal Quest

The theme of The Veilguard will be regret. But there is more to getting past regret than just deciding to get over it. To experience regret is to experience shame and guilt. It is to feel sorry for causing pain. It is about penance and forgiveness.

While I don’t know how that will play out in The Veilguard, I believe we see some of those same themes in Cole’s personal quest, Subjected to His Will. As Trick Weekes wrote Cole, Solas and presumably the quest, I think there are aspects of it that could be relevant to Rook and Solas’ arcs in Veilguard. Since there are potential spoilers, I will put the rest under the cut.

The quest revolves around the question of whether Cole should become more like a spirit or more human. There are pros and cons to each, and I really don’t think there is a right or wrong answer. What is interesting is how very Old Testament that section of the quest is.

Cole, Varric, Solas and the Inquisitor find the man responsible for the real Cole’s death. Cole’s immediate reaction when confronting him is, understandably, anger. It’s not so much that Cole wants revenge as it is that he feels he must seek it. The man was responsible for the real Cole’s death; therefore, he must die. Basically, an eye for an eye.

It’s an interesting set up because we aren’t being asked to decide whether the man will die. As Varric points out, no one is suggesting that. We are being asked to decide how Cole will heal. Will it be by exacting revenge or by offering forgiveness.

One thing we always overlook during the quest is the ex-Templar himself. We don’t consider his feelings. Feelings he has been living with since the day the real Cole died.

What we know immediately is that he is an ex-Templar. He wouldn’t be buying black market lyrium if he wasn’t. We also know how harsh a life that is due to Cullen and Samson’s backstories. As the Templars wouldn’t care about the real Cole’s death, he wasn’t kicked out because of that. Which means he probably left the order because he couldn’t stand to be reminded of what he had done. He regrets it. He is sorry.

So, on one side we have a man who feels so guilty, he leaves the order, subjecting himself to a precarious existence because he can’t forgive himself. On the other, we have the person harmed by his actions, seeking recompense.

Cole has two options. Or rather, we are given two possible paths for him. If the Inquisitor sides with Varric, he is offered the opportunity to exact revenge. This helps Cole grow but I would argue it is the easier option. Vengeance is simple. It makes us feel better right away. Forgiveness is much, much harder.

Why then does Solas advocate for it? Because forgiving someone who is truly repentant is an act of compassion. Cole is a spirit of compassion. To become more of what he once was, he must find compassion in himself.

And it is hard. I love the imagery of the scene where Cole confronts the Templar. The man realizes his sins have caught up to him. He sinks to his knees in front of Cole. Now he is at Cole’s mercy. At which point Solas steps in and asks Cole to feel the man’s pain.

Solas is asking Cole to empathize with the man, to try to understand not why he did what he did, but how he has felt every day since then. He wants Cole to understand that the man has been punishing himself. He has been doing penance. It isn’t working because he cannot forgive himself. He needs to be forgiven by the person he hurt.

Once Cole understands that the man has been punishing himself, he no longer feels the need to kill him. Forgiveness is Cole’s to grant or not grant. He has that much power. He chooses to forgive and in so doing frees them both.

While both ways of resolving Cole’s situation are valid,I believe that withholding forgiveness does not do Cole any good. All Cole learns from the experience is that taking a life for a life doesn’t solve anything. That doesn’t mean you heal. It just means you accept. Cole will never truly be free of the knowledge that the person he tried to help died. He was too late.

I should add that this doesn’t help the Templar either. He remembers what he did and apologizes because he fears for his life. Afterwards? He thinks the person he kills lives which means all he has done since then was pointless. That can lead to bitterness, resentment and possibly him hurting others because of it.

Now what does all this have to do with Rook and Solas? Well, Solas is carrying around about a thousand years worth of regret and guilt. Rook is probably carrying some also. Both for something they did that was supposed to save the world and ended up making things worse. They both will need to heal which means they will both need to find or accept compassion so they can forgive themselves.

[dareactions]

*pride month feral mode activated*

pleasepleaseplease write about the inquisation at a pride parade let them have fun ITS PRIDE MONTH AND MY INKY IS DECKED FOR THE OCCASION

Cassandra: She is the water-mom. She has sunscreen, she has pronouns pins- you cannot tell me this woman is NOT READY TO BE AGGRESSIVELY SUPPORTIVE. Has to rethink her entire sexuality at the end of the day admittedly- but that was to be expected.

Blackwall: The man is struggling. Everyone is pretty it's bright people are everywhere and on god he is not made for this kind of energy. He gets into it but he for sure was not ready for the sheer amount of stuff going on. Does make tiny little pride horses the year after to give out, because who doesn't like tiny wooden horses?

Cole: This man is overstimulated and too excited to care at once probably. People are happy, he can feel it and he eagerly moves through crowds with the Inquisitor.

Dorian: Admittedly, a bit nervous about going. As someone from a less than supportive household, Dorian constantly struggles with the line of being proud and feeling that gnawing shame he is working on. But he is happy to be there, he is loud, he is dressed to the hells and he will not be silenced for who he is and well- he just feels free. And he supposes that's what it's about.

Iron Bull: My guy probably knows the organisers. He is probably part of it all, the guy runs the kink section with the gentlest iron grip. He ensures safety, he ensures pronouns is respected and he will try and probably has so much trans things to give Krem at the end of the day he's practically an Etsy store on two legs.

Sera: This could go both ways- Sera could think the whole thing is overrated and think people are trying to do that pesky little thing of categorising themselves too much again- or she is hype. Either way she will go if asked and be everyone's favourite lesbian problem and I personally respect it.

Solas: That one supportive boyfriend who absolutely does not understand what is happening, but god he is trying so hard. Man still uses the dictionary to find words instead of googling synonyms but damn if he won't help his partner feel happy and represented.

Varric: Goes every year with Hawke, is legally not allowed to not go according to Hawke. He is that one guy who just knows...everyone? Like it's a pride parade of thousands of people what do you mean you know the random person handing out the pronouns pins and also the person who handles the floats? Varric who are you?

Vivienne: Ultimate mother is mother-ing moment. She keeps an eye on everyone, ensure things goes smoothly. It's all a bit too rowdy for her and she isn't sure if she adores the corporate feel of it all but if people are happy who is she to ruin the fun? For sure looks the best with Dorian, like actively makes it a personal challenge.