We as a society do not talk enough about how Kaz Brekker, Dirtyhands himself, the Bastard of the Barrel, carved an entire underground tunnel from his club ... To his besties house
There is no explanation for this other than that he is king softy
Like just imagine how much money that would cost, and how much work. Like sure bro is rich as fuck but like be fr, there is no way he would do all that for crime and gang business, it's just not practical. Like take the surface roads it costs nothing and it's probably not that much slower
Like bro fr just wanted a secret short cut so he could drop in on his babes whenever he wants and never be seen by the masses
Got a reputation to uphold after all
Can't have the pigeons seeing Dirtyhands taking another trip to the Geldstraat to visit his favourite boys
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A little comedy drabble for @kyanako5972 in return for their very impressive musical skills! (The Jailbreak mix wouldn't have fit together without ya👍) Fuuta gets his hands on some slime... They've done some art for it here :3
[I couldn't think of something funny enough, but insert broadway bootleg Milgram Slime Tutorial joke here]
Fuuta was open-minded. Of course he was. He was the most open-minded guy here. He knew that vengeance could come in many shapes. Sometimes it took the form of beautiful, poetic violence. Sometimes it was cutting words and a grand victory. And other times, it appeared as sticky craft slime. You just had to have an open mind to see it.
Not everyone was in as receptive of a mood.
“A-are you sure it’s not a, a toy?” Haruka asked.
“It’s not.”
“B-but,” he pointed, “it’s --”
“No! It’s a weapon.”
“I don’t know if you know what a weapon is…” Amane looked down at the table. “You couldn’t have requested something a bit more… sharp?”
“Eh!? This is a pri-son. Like they’re gonna give me something like that. I’ve got to take matters into my own hands.”
To prove his point, he picked up his creation. The color wasn’t as flashy as the others’, but it held the perfect consistency for what he needed. It had taken some time to formulate the perfect plan of attack. There were rules he had to work around, after all. (No matter how open-minded he was, rules were rules.) There was a no-violence ban. Fuuta had already tested that one -- several times, actually -- and was sure he couldn’t get around it. Their requests were monitored, and it wasn’t as if he could go and order weapons. And then, even if he did get his hands on something truly dangerous, the original ban would stop him from using it. That left him with only one option.
“It’s definitely a toy. The others are playing with it.” It was true, Haruka, Muu and Yuno had their own colorful creations. Amane herself hadn’t grabbed any, though she sat with her eyes glued hungrily on the others’ projects. Her interest in it wasn’t helping Fuuta’s case.
“Exactly, it’s the perfect disguise! They’ll never see it coming.”
“There’s nothing to see coming…”
Muu poked at hers. “Look~ Mine’s cute and pink, see? I’m even going to add some glitter when Haruka’s finished with it.”
“I-I Uh, I think I added too much… sorry…” Haruka’s slime had lost all appealing texture, turned into a clumpy, sparkling mess.
Fuuta heaved the loudest sigh he could manage, but the others continued paying him no mind. He was doing this for them, shouldn’t they care? Es had slapped Haruka during his interrogation, for god’s sake! That was child abuse! Yuno was only a year older and returned from her interrogation with complaints of violence! And Fuuta --! Well, he actually hadn’t experienced any of that, but that didn’t matter. No hero of justice would let all that go unpunished.
His moment came quicker than expected. He’d planned on ambushing Es coming in or out of their room, but they surprised everyone by coming into the common area. It was fate.
“I heard you all were playing with some crafts in here.”
Amane glanced at Fuuta. He shot her a look back that meant “don’t say a single word.” His exaggerated expression only drew Es’ attention.
“Something to say, prisoner three?”
“Yeah!” He wound up his arm.
He had an open mind, but not necessarily a quick one. With more time, he could have come up with a righteous cry, something along the lines of: “this is for Haruka and Yuno, you damned scoundrel!” Or even: “meet your judgment, tyrant!”
But as the slime came careening toward’s Es’ face, the only thing he managed was, “fuck you!”
Splat.
The common room fell silent. Fuuta froze. The slime had hit its mark perfectly. It hit Es squarely on the side of the head. It splattered onto their hat. A good deal had tangled itself in their hair. It oozed toward their shoulder, clumps falling onto the uniform. As they tried to wipe it from their face, the material clung to their gloves, getting stuck between their fingers.
Their eyes moved slowly from their ruined clothes to Fuuta’s still outstretched hand, to his face. “I see.”
They turned on their heel and left.
“That’ll teach ya!” He called out, a moment too late after they’d gone. He turned to Amane, who was watching with a mix of amusement and disappointment. “There’s no way that stuff’s washing out easy. Maybe they’ll have to put on a spare uniform in the meantime.”
“You shouldn’t have made them so mad,” she said.
“Pah! What’s the brat gonna do? Name me guilty over it?”
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Crocodile having such an explosive debut in his early 20s and such deep trust issues could also point to him having an even EARLIER start a la Shanks as an apprentice or something to an older pirate and their crew as a child/teenager — doubling down on the humiliation factor from facing off whitebeard as also a failure to “come of age” and broader sense of betrayal in watching eager encouragement fickly turn to “what did you THINK would happen”s like the kid who gets egged on by their peers into doing something dangerous and then immediately abandoned when they hurt themselves
Can't say if he did have like an early start for sure, since we really don't know anything about Crocodile's early childhood
But simply considdering how Oda typically layers backstories, I absolutely agree, I do think it's more than likely he has somekind of pre-Whitebeard trauma, be it either unrelated childhood trauma or early-pirating-life trauma (or something else)
Like the way Oda structures backstories, although we always remember like The Big Life-Changing Tragedy that happens at the end of the flashback, more often than not the flashback already begins with something horrible to indicate the character's already had a rough life
Robin was already alone, abused and rejected by most of Ohara even before the Buster Call Incident (followed by a life of running in fear for decades)
Franky had already been abandoned by his family before he lost Tom and got ran over by a train
Law had already lost his entire family before Doffy killed Rosi
Etc etc. Like not all the flashbacks are entirely like this, especially the East Blue-saga ones, but the backstories have been growing in complexity and structure, adding layers to the tragedies (like 🧅 onions 🧅) as the story has gone on
And with Kuma, his backstory doesn't end at two layers of tragedy. Like there's the early childhood tragedy of slavery, then there's the tragedy of losing his loved one in the most cruel, inhumane way possible, and we know there's at least one more gut-punch of a tragedy coming in the next two chapters to finish it all off
So with Crocodile especially I feel like... Like yes, possibly getting betrayed once in his life and having his dreams crushed by Whitebeard could break the man's psyche. But considdering just how seemingly broken his psyche might be, I do absolutely believe there's more layers here. Like his trust must've been broken more than once for him to end up the way he has.
Which alone gives Crocodad a bit more plausibility in my mind, because being rejected by the person you loved and trusted the most would most certainly break your heart (even if it was understandable why). And that really would make for a fine Final Nail on the Coffin for Crocodile's ability to have faith in others
But to really get that broken trust to be an on-going theme in his life that just happens again and again.... yeah it needs to start earlier
Personally, I think some kind of early childhood trauma would make the most sense, at least to me, not just because it could help Crocodile get started "on the wrong foot", but also because Rough Childhoods is just. A General Theme in One Piece lmao. Of course, it wouldn't be The Key Life-Changing Tragedy (I think Dragon would be that), just a "bad start"
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