#so. its fanservice. which is not a bad thing

[liquidstar]

objectively hilarious that vivinos's youtube channel is basically build on yuri horror/angst content (its basically almost always two girls killing or dying in the most fucked up ways possible) but the first time a video centered on guys is made (cherry bitch club) its literally just fanservice. yeah flip those conventions LOL

[oceanwithouthermoon]

ok i really dont understand why people go "grrr the author wrote something canon that doesnt follow MY headcanon grrr hes wrong about his own character" can someone please enlighten me on why people do this

[perenlop]

terribly sorry for progressively getting more and more annoyed and tired with jn. this show kinda gets a lot more exhausting on a rewatch when you know its not going to get better

[echidnana]

we should probably have a tag for higu posting bc we are doing a lot of it

[stardustizuku]

So, Gushing Over Magical Girls Is The Best Thing To Happen to Magical Girls

Gushing Over Magical Girls get this bad rep. For all the wrong reasons. I’ve seen it be called an insult to Magical Girls, I’ve seen it be called “gooner bait” a term I absolutely despise but that’s a thing for another day. I’ve seen it insulted for everything and anything under the sun.

I first got acquainted with it when I was scrolling through Twitter and I saw someone complain about the PV. However, as an avid Magical Girl Fan, I wasn’t disgusted. I was intrigued.

I decided to read the manga, and oh god.

This is one of the best things I’ve read.

The story follows Utena, a shy girl that loves Magical Girls, tricked to become the evil general that will defeat the Magical Girl team “Tres Magia”.

And it’s a delight.

I binged all the episodes available to me in the manga, and had fun in each and every chapter.

The same, however, couldn’t be said by half the people who watched the anime. And I was extremely baffled. As a queer woman, this was the first time in my life, in which I had seen something so deliberately catered towards me. I saw tell-tale signs of someone who genuinely admires the genre, and is simply using it as an outlet for exploring deeper and more interesting topics that a SFW version of it would not be able to.

Yet, I turn around and I see people calling it the most horrendous stuff, and accusing everyone who likes it of being monsters or men.

Genuinely, I’ve had enough.

Gushing Over Magical Girl is not the Devil. In fact, I think it’s the best thing to come don’t even like Magical Girls AND IT SHOWS.

PART 1: “Magical girls are for little girls!”.

The first criticism you’ll see aimed at “Gushing over Magical girl” is the amount of sexually charged content it has. And it is true. It borders on straight up porn in many instances and it just gets wilder as you go on. By chapter 30, we’re way past PantyShots. Like, I’ve seen some of these girls’ vaginas, and I’m not joking.

Personally, I don’t see anything wrong with it, but there’s people who might disagree.

“Magical Girls are for little girls” some people say “and you’re corrupting it!”

Which genuinely makes me laugh.

This is because this type of argument could only be done by someone with no real concept of Magical Girls aside from maybe Sailor Moon and Sakura Card Captor.

out of the Magical Girl genre in a WHILE (Ignoring Precure, because they just gave us a magical boy and that’s my win of the decade).

People are just, you know, stupid. And reactionary. Enough that they see a boob and lose their minds like a Karen at a Christmas Eve Mall.

My point is, I love this manga. And I’m willing to risk my reputation to defend it. Cause genuinely, half the people who are clutching their pearls over this show - Magical Girl Anime haven’t always been PG, or aimed at girls.

Cutie Honey is a great example. It’s one of the most famous Magical Girl Anime you will find - and it’s a shonen. With the protagonist, Honey, being constantly naked, groped, put in suggestive situations and have outfits that show her cleavage.

And it’s one of the most famous, most popular takes on Magical Girl there is. Yet, I never see any amount of outrage towards it. (Part of me wonders if it’s because the fan service is aimed at men, rather than involving yuri).

There’s also Lyrical Nanoha, one of the most popular serial franchises there is. It spans several seasons and spinoffs, and it’s beloved by many.

And it’s aimed at older men. Yes, it’s a Seinen.

In fact, its origins are far from PG. It’s actually a Spin-off of an erotic game named “Triangle Heart”. It was most definitely not created with little girls in mind, and themes it tackles reflect as much.

There’s Fate/kaleid liner Prisma Illya too, a spinoff of the Fate/Stay Night VN, very obviously aimed at older men, it’s a Seinen. It has a lot of fanservice and scenes where the characters are half naked.

Day Break Illusion is also a Shonen.

And as much as I adora Madoka - I’ve been stating for years now that it isn’t a show meant for little girls. You could argue it’s for everyone, regardless of gender, who’s a little older. But it most definitely wasn’t for little girls.

So, no. This was never an “only girls” club. Trying to paint it as such, is not only wrong but ignorant.

Magical Girl shows can be for anyone. Men, boys, girls, women and I find it infantilizing to consider it “only for little girls”.

No one says “super heroes are ONLY for little boys”

Well, some do. But they’re, you know, bigots. Who don’t want girls playing or adults o have fun.

So no, Gushing Over Magical Girls being a sexually charged anime in the Seinen category isn’t “corrupting the genre”. In fact, I would argue it’s doing exactly what the genre has done in the OVA shadows for a while.

Not to mention, many people have screamed from the rooftop how they want “more mature Magical Girl shows” referring to the success of Madoka. But as soon as an actually mature take on Magical Girls shows up, tackling issues of sexuality and love, you all don’t want it anymore.

(We all know why, though. Americans, and western culture in general, considers mature themes, only that which involves violence. Anything close to discussing issues of sex is no longer “mature” but “Pornographic” and deserving of being shoved into a corner. With all queer themes, gender studies, and any nuance that could be had regarding these issues).

And speaking of sexually charged, have you watched so called “wholesome” magical girls? They’re still very much sexy. Not in the “on the nose” ecchi way Seinen and Shonen are - but they still are.

You’ll find transformations were the girls are naked, zoom in to their breasts, you’ll have panty shots every now and then. Even themes of growing up, having crushes, and innuendos about sex. Inappropriate relationships, taboo romance, and the likes.

Sakura had Rita and a professor’s relationship (mutual in the manga), Sailor Moon had Chibiusa and Elliot’s romance, Sugar Sugar Rune even having an element for ‘lust’ and other different types of love, and let’s not forget Mermaid Melody which has several instances of the girls naked, in compromising positions with other men. And I’m pretty sure Tokyo Mew Mew likely opened a whole bunch of doors for girls to be into CNC.

This is, by the way, normal.

Completely so.

These stories often talk about the girlhood experience. And girls and teenage girls are interested in all of these things. They’re interested in sex, romance, their bodies growing up, their own sexuality and the likes. It’s no wonder same-sex relationships and romance get included, they’re part of what experiencing the world through the eyes of a young girl is like.

And subsequently, it stands to reason that as people who engaged with MG grow up - they find comfort in exploring their sexuality through Magical Girl themselves. There’s a reason why there’s a growing section of “Magical Girl” in your local hentai site.

“Men get off on corrupting this wholesome girl targeted genre” is actually TERF rhetoric sneaking through the mainstream. It ignores AFAB ppl and gender nonconforming people, who grew up with Magical Girls, simply using a medium that originally started their journey of sexual identity, to explore more “grown up” aspects of that same identity.

In particular, I’m a Cis AroAce Woman. I wrote a lot of Magical Girl NSFW when I first started writing NSFW Twitter threads. They’re bad and they’re cringey. But it was something I needed.

Magical Girls were a huge part of my childhood and early teens. When I was mentally in the space to want to engage with NSFW content: it was obvious I would turn to what first sparked excitement.

So this idea that “men are corrupting Magical Girls with their sick fantasies” is nothing more than TERF-lite propaganda. People, including women and men, have been doing this for ages; for a variety of reasons. And doing so, doesn’t rob children of their spaces - but the gentrification of the internet is a story of another day.

The other argument I have heard is that GOMG is a mockery of the genre. Which is even more laughable in my opinion.

PART 2: Parodies and why I hate Earth Defender’s Club.

Gushing Over Magical Girls loves Magical Girls. It’s a parody, in a way, but it knows very well what it parodies. It’s not surface level in the slightest. And it absolutely is not mean spirited about it.

A lot of the time, shows that reference and parody the Magical Girl genre, do so in ways that feel like they view it as a lesser genre. They take generic images of cute girls in frilly outfits, swap the colors around, and have them chant over-the-top spells. You’re meant to laugh, not only at how silly they look, but people who would love it. Especially if they’re grown ups.

I do not like “Cute High Earth Defense Club LOVE!” For this exact reason - even tho many people praise it to all heavens.

Because

1) It feels surface level in its commentary and depiction of Magical Girls and

2) More mocking towards the genre than paying homage or doing anything with it.

The continuous use of the word “Love” is a very obvious jab at Magical Girls using these words, which feels mean spirited just for the sake of it. Their outfits are almost exactly the same, save for the colors. And they all use the same sticks as weapon, with no thematic link for the shapes of the scepters. The mascot too (a wombat for god knows what reason), I think it’s meant to be a joke of some sort for how ridiculous some of the mascots for the girls get, which rubs me the wrong way.

In general, it feels shallow and mean spirited. But no one calls this an insult to Magical Girls. Because people who like it don't actually care about Magical Girls. They see cute boys doing silly things and love it. Which is kinda sad.

Now, Gushing Over Magical girls has sort of that same problem on the Tres Magias…But they’re not the protagonists. And even then, in later chapters, they get power ups that are different in design, and thematically linked.

The protagonist, and the ones we follow, are Utena and the girls. And they all have very distinct outfits, all with motifs that are tangentially thematically linked, and speak of each character’s personalities in interesting ways.

Utena in particular has THIS outfit. Which a lot of people don’t like, but I actually do.

It’s very obvious it’s taking inspo from other iconic Bad Girls in the genre. Namely, Utau, Kraehe and Devil Homura. All “Enemy characters” that have unhealthy obsessions with other characters. In particular, I think the wings and the feathers resemble Homura - THE character known to have a massive obsession with a Magical Girl (Madoka), to the point of insanity.

There’s also Magia Azure. Who’s a clear reference to the Mean Tsundere girl that is iconic to the genre. She’s also a Miko. Which is a callback to Sailor Mars, arguably THE girl who popularized this archetype.

I also love what they do with the mascots. Unlike Earth Defenders, where the mascot is you know, a mockery of the archetype of a mascot - useless, only there to give power ups, and obsessed with food - the mascots of GOMG is taking a book from Madoka.

It considers the mascots both all-too-powerful and yet limited in their reach. Which is exactly what the mascots have always been in Magical Girls. Beings so powerful they can give mythical powers to girls, yet helpless to do anything on their own. So, they use magical girls as a vehicle to achieve their goals. Most Magical girls try to paint this as a good thing, but newer genres shine light on how dangerous that can be too.

Madoka tackles it with Kyubey as the main initial mascot, only later to turn out to be the villain of the series.

And in a Post-Madoka world, trusting the mascots is just the slightest bit more difficult. That’s why, from the get go, GOMG portrays their mascots as morally corrupt. He’s not a good character, he’s malicious and doing more harm than good. But for the majority of the series, he’s painted more as a useless harmless evil than anything genuinely terrifying or worthy of concern. The attention is focused on other things.

But I love the way that it’s heavily implied that they’re not good. It’s a very interesting take on the mascot and it helps with the themes of the series. Which yes, by the way. Gushing Over Magical Girls has themes.

Which lead me to-

Part 3: Yeah, uhm, Gushing Over Magical Girl has themes.

There’s this idea that Sex is an inherently violent act. In which a man humiliates and sodomizes a woman, and therefore the woman is exploited in some way. And 10x worse is any act that involves BDSM. It’s violence; born out of hatred.

This is TERF rhetoric. I’m not joking. This line of thought leads directly to TERF ideas.

Many on the internet have pointed out as much, and BDSM members have gone to be very vocal about it. In particular, people on the role of the submissive (or the bottoms) are loudly trying to explain the contrary. How they like the act of sex, like the idea of being vulnerable, or being humiliated. There’s also plenty of LGBT+ stories that talk about it, both in western and eastern spaces. Just jump into the section of dom/sub verse at your local manga browsing website, and you’ll find something.

That said, the same is not as common for people who like to “dominate”.

I can only think of two pieces of media that argue that, whoever is the dominant or the sadist, is also a human being. That whatever they’re doing is done, not out of hatred for the submissive or an act of violence, but love.

One, is the husky and the white cat. In which Mo Ran, among other things, has to come to terms that his love isn’t “pure”. That he cannot love someone without the want to have sex, and to completely dominate that someone.

The second one is Gushing Over Magical Girls.

It’s very clear to me that Utena’s sadism isn’t a violent act. It’s an act born out of love. She genuinely loves the Magical Girls, and most girls for that matter, and whenever she is inflicting pain and fighting with them - what she wants is to ultimately help them in some way.

She wants them to “be the cutest version they can be” and wants them to shine brighter than ever.

There’s this one scene I love, around chapter 20, in which Baiser (Utena) is fighting Magia Azura. And due to Baiser going a bit too far, Azura ends up being Mind-broken. She crawls towards her, calls her “mistress” and begs to become her servant.

In any normal Hentai you’ll find, this is a good thing. This would be the ideal outcome. A character being turned into nothing but a sex slave for the enjoyment of the dominant.

Which is why I found it breathtaking when that didn’t happen.

Baiser is horrified by this. She does not want to break the girls, she wants them to be powerful. She wants them to win. With her, the evil one, being nothing more than a vehicle for them to be even stronger than before.

This is the first time I’ve ever seen dominant or sadist characters being presented both sexually, and in such a positive light. Much less a queer woman in the same position.

It doesn’t treat BDSM sex as a disgusting taboo act, but something born out of genuine love - and a want to see the other person be or feel better.

This is reinforced around chapter 25 where Leberblume and Loco Mùsica are fighting Baiser. For context, Loco Musica wanted to be an Idol, but had terrible singing. She uses her evil power to basically force everyone to listen to her sing (which is so reminiscent of Mermaid Melody btw). When they fight, Baiser wins, and is then set to use her new found power to “punish” Loco Musica.

Originally, Loco Musica points out how Baiser’s sadistic tendencies are “the same” as Lord Enorme, who we’ve seen uses sadism as a genuine form of punishment. Something to avoid. You behave well, because you don’t want to get hurt or humiliated by her.

However, when Baiser uses her own unique type of sadism on Loco Musica, something happens. Instead of causing her physical pain by beating her or using violence, she forces her to get naked and perform her idol song like that. This causes her to get extremely embarrassed. And in the process, she actually starts to sing really well.

This is important for two reasons

1) Baiser is actually taking into account who Musica is. It’s later revealed that Musica wanted a more frilly idol-like outfit but Lord Enorme shut it down, for the sake of a more ‘unified’ aesthetic. Baiser is not just throwing around the same treatment and punishment for all girls - what one might like, the other might hate.

2) At the end of the day, while she did the punishment, it was both embarrassing, but ultimately something that helped Musica and made her feel better.

And that’s really the key here, and why I love the series.

Sadism, sex and kinks in general are not tools of degeneracy. They’re treated as part of our experience.

Also, it’s just fun?

Part 4: Gushing Over Magical Girls is just extremely fun when you don’t have a dumb bitch yapping abt how unholy it is to see tiddies on a screen

Yeah, GOMG just has one of the most creative depictions of the most insane of kinks you’ll see - I could spent hour gushing over Nero Alice.

Seeing all these different kinks being depicted as powers and abilities that these characters have - and seeing how they interact with other people is just interesting.

The sex scenes are both hilarious and kinda sexy. Specially if you do like to see women all hot and bothered. Personally I’m not into girls (or anyone for that matter) but I have to admit the scenes were pretty hot. And there is no shame in admitting as much. No matter what the puritanical Christian on Twitter crying abt “god honoring lesbian sex” Will tell you.

I cannot begin to explain just how hype and relatable it was to see Magia Baiser defeat Lord Enorme with the power of straight up delusion, we STAN.

So, yeah.

It’s been a while since I last saw a Magical Girl Show so unashamed of being a Magical Girl Show. Unashamed of being weird, of praising the genre and just enjoying it.

My essay is titled, in part, as a joking reference to my much more popular series “MLB is the worst thing to happen to the magical girl series”. Which I still think is true.

And while, yeah, maybe GOMG isn’t the best thing to come out of the genre…I still think it’s good that it came out.

A lot of people say they want a more “mature” take on Magical Girls but - this proved to me that just isn’t the case.

Gushing over magical girls proves that the Magical Girl Genre Can Be so much more than what people think. More than glitter and sparkles, more than vapid action scenes, or what little girls want.

Much like any other genre, it can be raunchy, it can be messy, it can explore things outside of the status quo. But it can still deeply respect the source material, and the origins of it.

GOMG proves Magical Girls can be fun. Just. Straight up fun. Regardless of your age. They can serve and connect you to parts of yourself you didn’t realize you could connect to.

I hope it proves to more people that the genre can be so much more than “just for little girls” that parodies can be more than pointing and laughing, and that it can have themes beyond just, “friendship”.

Magical Girls can be so much more. You just, have to have an open mind about it.

[drenched-in-sunlight]

Your genuinely one of my favorite elden ring artists, what would you say is your favorite aspect of elden ring just in general

this might be a big revelation but i think my favourite part about Elden Ring is i... actually don't really like it until the DLC.

the way the base game presented a kinda basic and fragmented story, one i'd even say i were underwhelmed about. because i went in expecting Sekiro-level of character driven writing (they did promise that in an interview) and what i got... ehhhh. that's why my fanarts for the base game is literally just fluff pieces and shipping Malenia with another character altogether that isn't even in the game. meanwhile my AC6, Sekiro and Bloodborne art... i think you can tell i have a very deep emotional connection to those games from the kind of work im putting out for them. (hell, before the DLC i actually was thinking "well i'll probably only draw some general fanarts after the DLC then go back to draw more JJK stuffs lol" famous last words)

but holy mother of God the way the DLC completely blew everything tf up.

sorry Fromsoftware, i were not aware the Sekiro character-driven part is actually about the DLC. im sorry im still not familiar with your game yet 😭

(this turns into a mini rant so imma put it under cut OTL)

before, i were pretty "...." about Elden Ring female cast. i think Melina appears too little, i think NPCs like Fia and Roderika... i can't figure out the significance of them within the narrative at all. and it kinda upset me because it feels like they regress back to the helpless / fanservice maiden trope that was usually seen in DS franchise for no reason. i don't like how Rennala ends up as and i don't like not knowing why Radagon did that to her (which turns to me not liking the way it became a popular fanon that he actually loved her he was just bound by duty etc etc...i mean what?), i actually don't even really like how Malenia's barely-there story turns out (but that's a rant for another day).

as standalone characters, sure, i'd say they all have their own merits, but if they don't play any role within the narrative... what's the point then?

but all of that is because back then, we literally did not know what's Marika's deal either.

and so she became this cardboard that everyone pins all the crimes and bad things in the world on, which is... fine? makes sense. but the following line of reasoning that she did all that because she's just...like that drives me up the wall. if i want another "woman bad" story i'd just replay DS2 😭

and that line of thought also distance her from other characters in the game. those stories are not lining up, so we literally see no point in anything.

but by giving us Marika's story in the DLC they:

shine light on the possible division between two Numen factions (Anna & Jolan story + Sword of Light & Darkness // no one is left in Marika's home (those embraces Light/Gold/ Greater Will and its Stars children) vs the Numens in Eternal City (those embraces Dark/ Black Moon/ opposing GW and its children)

the discontent with the Moon and how there are those who will never accept it as being equal to the Stars

the other half situation

the Marika's eye colour possible reveal (link her to Roderika - Roderika as a reflection of the maiden Marika once was and probably still is deep down)

give Godwyn more agency in his ending (his personal knights are on a quest for Age of Duskborn) -> link Marika to Fia (Fia as a reflection of the mother Marika is)

draw direct parallel between Messmer - the child carrying Marika's vengeance for the past, to Melina - the child carrying Marika's hope for the future

Marika as a God full of human flaws >< Miquella as a God devoid of all human emotions. both are bad in different ways. but share a same gentle origin of a simple wish for a kinder world.

the DLC singlehandedly swipes clean every problem i have with the base game. like im actually in awe they managed to do that so efficiently 😭

all that is to say. my favourite aspect of all is truly how one's perspective of this one character could alter the entire story.

i still dislike the interpretation that Marika is cold and heartless or that's she's cruel for no reason, but at the same time, i can see how ppl viewing her that way affect how they see other events in the game. just like how my view of her changes my entire view of the story itself too. and i just love how the writers pull that off really skillfully. man. and i think that's sth so unique to videogame storytelling. it's amazing!

[milktian]

I think despite everything I still really like the dlc. it's amazing, the music and the boss fights are gorgeous and I'm going to keep cycling through the soundtrack. I'm also just glad there's more elden ring content out with new weapons and npcs.

also messmer and his lore are super interesting and is definitely not what I expected. I won't go super into detail as to avoid spoilers but he truly is just a guy.

I think a part of my disappointment is partially cause i had so many like ideas of what could be in the dlc that, realistically, it wouldn't have held up and I'd always be just a bit underwhelmed regardless. like that's completely on me for setting my expectations so high.

however (spoilers)

miquella's whole Deal feels incredibly rushed, and kind of contradicts the base game? this isn't even like a 'I have a theory I like and this game doesn't match' like no it just straight up is illogical. there are posts that talk about this better so I'll leave it to them.

another thing is, looking back, all the promotional material suggested that miquella would be guiding us and that messmer would be the final boss. but that wasn't what happened. it feels like something changed in-between the trailer and the dlc release? I don't know if that's me misunderstanding the trailer but??

I think I would've preferred a dlc where we sided with miquella and had him guide us almost like melina, in order to free the lands of shadow from the eternal war that messmer has brought (on marika's orders it seems).

also I feel like the best thing they could have done with miquella is keep him kind. I am definitely leaning towards the theory that miquella was misguided in his attempts but was genuinely good natured (I reblogged a post a little bit ago that explains this idea which is the one I'm leaning more towards) but that doesn't change the fact that it feels like they retconned alot of miquella's previously established character details.

everything about the lore in the dlc feels cheap and frustrating and the 'easy' path for this character, which is honestly boring. I wish there was better writing for miquella, radahn, mohg, and malenia (who, as well as the rest of the haligtree, just got completely shafted). it's frustrating.

I'm also coming at this from a "Don't know shit about berserk" perspective as well so the argument that 'this actually makes so much sense because miquella is based off of griffith'.

like ok? elden ring isn't berserk. I don't want to be another franchise. I want it to exist outside of its influences. sure references are fine but if you know jack shit about them, then it makes for a lackluster experience.

this'll probably be the last time I make a ranty post about the dlc. I do still really enjoy the game, but I think im gonna treat Elden Ring Miquella and Shadow of the Erdtree Miquella as completely seperate, because it really feels like they are.

again: I STILL LIKE THE DLC. ITS STILL FUN AND IM NOT SAYING YOU'RE A BAD PERSON FOR LIKING IT.

(also radahn was totally just there for fanservice cause it makes literally no sense that miquella would choose radahn to be his consort like???? they have very little connection in the base game. I feel like they just wanted radahn cause he's such a popular character)

[mr-damian-s-power]

It’s not just the bad lesson in TOH, The Collecor and Stringbean are good examples of how inconsistent the writing became in the final episodes

In the Collector’s case it’s how their characterization kept shifting from Season 2 to the last episodes of Season 3

And how Stringbean became a “snakeshifter” showing how inconsistent the palismen concept became in the world building.

I am of the opinion that as soon as the writers found out the show was being shortened, they should have instantly cut the Collector. With how late in the game he's introduced, there was no time to develop him, and especially not enough time to give him a meaningful or satisfying 'redemption arc'.

Okay, tell a lie, there MIGHT have been enough time to develop him at least a bit if S3 used its time wisely. Did we really need all that crap at Hexside? Could we not have used this time to further develop Belos and the Collector?

That's not even bringing up what you mentioned! Him going from an aloof trickster God who views everyone as nothing but toys in his game, to a 'poor sad little boy who only wants a friend'. People like to call Lilith's redemption bad (which wasn't perfect, don't get it twisted), but look at how quickly ol' Collie changes!

How about this; Instead of Belos gaining power from the Collector, him and the Archivists just don't exist. Belos has been around for hundreds of years, we won't question it that he's managed to learn and keep some very ancient and very powerful types of magic.

-

Now onto Stringbean! I don't like Stringbean! I don't like what she represents! First of all, she's just fanservice! I'm sure people debated on what Luz's Palisman would be, and the writers couldn't decide so she's a shapeshifter. So, Luz gets a 'weird' Palisman that can be whatever it wants to. Weird? That's the coolest thing ever! Yep, Luz gets a really cool and special Palisman because she's just that great.🙄

Also, I found it incredibly shitty that Hunter loses Flapjack, his best friend and disability aid, then Luz very shortly afterwards gains her super cool and unique Palisman that is better than all the others. Just me?

How about this instead:

Stringbean is a little Snake Palisman (because Luz likes Snakes) who has been abandoned! She was thrown out by her previous owner when she was damaged and was deemed 'useless'. Her old owner couldn't use her to perform magic as powerfully anymore, and tossed her away like nothing. Luz comes across this poor hurt creature and feels pity for her. She finds it unfair to be thrown away when you've 'outlived your usefulness' like some rubbish.

Palismans are meant to be companions, not disposable tools! This is also under the impression Stringbean is introduced a bit earlier on. The whole time, she's upset at being abandoned and tries to help Luz despite her now limited magic capacity. Luz has to reassure her.

"you don't have to be useful to gain my love. I don't care if you're the most powerful Palisman that ever existed, or as powerless as me. You're more than just my Palisman, Stringbean. You're my friend, and nothing will ever change that. Everyone deserves love, and nobody should be made to prove that they're deserving of it."

-

Thoughts?

[ouroborosorder]

query: what is undead unluck

Undead Unluck is my favorite manga of all time. It's an absolutely absurd, creative, passionate, and earnest manga that feels like the perfect execution of the story you always wanted to write for your middle school OCs.

The protagonist, Fuuko, has the power Unluck, which makes it so that anyone she touches experiences a stroke of bad luck, the severity scaling with how much she loves the target. The first time it appeared was when she went to hug her parents at an airport as they boarded their flight. The airplane exploded on the tarmac, killing everyone onboard instantly.

She's not the only one this happened to, either. The story is about the Union, an organization of Negators - people given powers by God at times specifically chosen to ruin their lives with ironic tragedy. So out of revenge, the Union are trying to kill god, who is treating humanity like its playthings, ruining their lives because it's fun.

UU is an absolutely batshit insane manga with pacing that runs backwards at the speed of a bullet train going downhill, absurdly brilliant power systems, well-written characters, and genuinely phenomenal art. It's also one of the very very rare female-led shounen manga, and Fuuko's arc is legitamately great, she's easily the best character in the entire story. I love her so much.

The only asterisk I can give to UU is that the first 9 chapters have a lot, a lot of weird uncomfortable gropey humor and bad fanservice. This stops literally instantly at chapter 9, which is also when the story goes through a series of retcons that reads more like "alright motherfuckers let's get this shit back on track" than anything else. it's got a ROUGH start, but please stick with it, it's a genuinely delightful blast that made me weep like a baby and reconsider a few things about how I approach life and the people I love.

Also read the manga. The anime is out there and it's real and it's fine but I genuinely do not think it holds a fucking candle to the manga. The tone is completely jacked, they tried to make it like, a dramatic prestige thriller when it's more akin to rapidly oscillating between Jojo's and original Dragon Ball. And god, no anime production budget can keep up the level of pacing needed to make UU work, and you can fucking tell they're straining hard to make this show functional.

[centrally-unplanned]

👀 are you interested in fire emblem and would you tell us your opinions of the franchise, I’d be very interested

I do like Fire Emblem! I have played FE6-8, smatterings of 9-10 (never owned them, played with friends), and all the games past Awakening/13. I did also play a bit of FE1, no shade on the limitations of the time of course but it sucks, not worth playing. So I am not a grand FE master but I have a lot of exposure to it.

I admire Fire Emblem for its simplicity of design & stakes - the combat system is "hit enemy, deal damage based on attack power - defense" kind of stuff, how everything works is super clear. All the complexity emerges on top of that. Your army is all individual people, permadeath means you need to pursue strategies with a lot of care such that difficulty doesn't get trivialized even if it is still easy (there is a big gap between "my odds of losing are 5% - exciting, I'm doing well!" and "my odds of losing are 0% - boring, why can't I skip this"). When it is doing its best you have a squad of guys with clear stakes and challenges that are overcome via smart kiting and tanking, it is rarely "did you equip the White Hooded Cat Ears to a unit with the Lapis Pendant to double proc a high initiative archer with Glacial Rain for opening gambit AOE freeze spam to prevent Featherknight Magic Guard from activating?" Which to be clear can also be a ton of fun, each game should just be its own thing - FE is just often best-in-class at its niche.

Fire Emblem also has great aesthetics, it aims for that "classy" style of fantasy typically and everyone authentically buys into all that nobility medieval stuff, which for a video game story can be fun vibes. I love their character designs, normally it is a game series with the right level of fanservice (Camilia -_-), and as someone who enjoys romance sideplots in video games FE typically gives you fun sidequests along those lines that sometimes has gameplay implications to boot - I loved the "eugenics simulator" of FE Awakening, as the fans affectionately called its system of child units inheriting traits from parent units. Tharja you are gonna torture Gaius for eternity via marriage because your faildaughter Noire needs Galeforce, I don't wanna hear any god damn objections okay?

As a series it is far from perfect, as anything running this long must be. The plots are normally "meh", in particular the series just doesn't care about logic that much? People do dumb shit alllll the time; FE7's plot is an absolute mess, Three House's story is hung together by macguffins and asspulls, and so on. It is better when it is simpler - in FE6, our boy Roy has gotta beat a bad guy, he conquering the world with dragons, oh no - great, no notes. More modern games need more involved plots due to market demand, but FE has not yet mastered it imo.

More modern games have also stacked complexity on the combat system - skills that proc, squads that attach to units, most recently "Engage rings" that buff and give spells. These can be good! The thing is the simplicity of say FE6 gets boring over so many hours, what works for a 10 hour game gets stale over 40, you need to grow. Sometimes they do that well - I thought Three Houses generally was smart on this front, the skills are more passive, the squads and gambits were (generally, they fucked up on movement buffs) flexible and didn't break things while giving you toys to play with. But Engage, while a good game, did get too complicated by half with many of its systems, and Awakening literally broke itself with pair-up & stacked skill procs, you can easily trivialize the whole game. And meanwhile to spike difficulty they would give every random enemy fighter different lethal skill procs that you would have to triple check every turn, a problems-beget-problems moment. But! I like that they are experimenting. Would have been real easy to capitalize on the success of Three Houses and just repeat it with Engage, but they didn't.

Also while permadeath is conceptually good, restarting a whole map because of a cheese crit is fucking awful, and I am glad modern games have time reset systems to obviate that. I do not play the older games without an emulator that can save state.

Tier listing the games I have played, lets see:

S Tier: Sacred Stones, Shadows of Valentia

A Tier: Three Houses, Blazing Sword

B Tier: Awakening, Engage, Binding Blade

C Tier: Fates

Edelgard best girl, and I think that covers it!

[bonzos-number-1-fan]

TMAGP 26 Thoughts: Sam is awkward. Celia is hot.

Yet another guest writer episodes and this time it's Muna Hussen. She' co-creator and producer on The Silt Verses, and produced and acted in I Am In Eskew. The Silt Verses is a show I can wholeheartedly suggest giving a listen. It's great in just about every way a thing can be. I might leave a pitch for it as an addendum. I Am In Eskew is in the forever pile of things I may one day get to. It's a really well written episode too, I liked this one a lot. It is, unfortunately, another pretty explicit one so I don't expect to have a load to say, but that's not the same as it being bad.

Spoilers for episode 26 below the cut.

Celia and Sam's conversation doesn't have a load of note in it. Yes, they're going to meet Helen but that's for later. The important detail here is how Celia categorises her incidents. Which she does with the least effort imaginable. She's not had any misfiles yet which tells me that either those no longer happen or you just need to get it in the right Section. But more importantly than that it's also a good look at just how little she cares about the job. We've all known she's had ulterior motives from her introduction but it's nice to see ways that is reflected.

Much like the last incident there isn't too too much to rip into for what I talk about. I'm not sure the themes of this one speak to any greater connection and the characters are all new as far as I know. Which only really leaves one detail to talk about. The Archivist or, rather, *an *Archivist as that's the more interesting detail. The Archivist here didn't really do much we've not seen before. The forced running isn't to dissimilar to the forced drowning and Jarrod did seem to be mumbling in classic fashion. No statement to be heard as such but that might just be because of the framing. However, unlike previous run ins with an Archivist they're very much aware that they're not the only one. Whether this leads to something more grand or not is hard to say but it's an interesting detail.

Alice is finally up to episode 11 with the plot. More seriously it's nice to see her piecing things together now. I do wonder if that was Chester's point or not. Gwen was a little weird in this interaction IMO. Alice and Gwen shared a fairly major revelation together, that this ties into, but she seems to have distanced herself a lot from that emotionally already. Which isn't out of character but does come a little fast.

Helen is *very *Helen here. I think of all the returning characters she might have changed the least. At least from where she started. It's lovely to see her back, although I do wonder if maybe they're leaning on these characters a little too much at this stage. It's hard to know if this is one-off fanservice or the way of things going forward. I hope it's the latter because the less of the old cast we get the more of the new cast we'll see. There isn't a huge amount to say here but its good to see them getting more information about the Institute. Also, unfortunately Helen is still a tory. Categorically disproving the "these characters are now living their best life" theory. It's all still hell. I'd also include the transcripts note for the laugh but that's a TMA spoiler and probably one person hasn't seen that show. Besides if you know, you know.

Sam and Celia finally fucked. Good for them. Well, bad for them if TMA is anything to go off for couples in this setting. But, y'know.

------------------------------------------------------------------------------

Incident/CAT#R#DPHW Master Sheet and Terminology Sheet

DPHW Theory: 4463 is pretty normal for this, I think. No major surprises.

CAT# Theory: 1 is a 1. I'll maybe try to write an essay on this before the season ends. No prommies tho.

R# Theory: BC seems about right.

Header talk: Exhaustion (Athletic) -/- Compulsion (Tape). Also very very normal.

I guess I will write that addendum then.

------------------------------------------------------------------------------

Addendum: Go listen to The Silt Verses.

It's a horror audio drama that's more or less a world where the modern religious landscape is a polytheistic one, with fabricated corporate gods putting pressure on local ones, outlawed religions, and all sorts of fun stuff. But it's a world where religions, fabricated or otherwise, are also powerful and gods do exist and perform miracles. It follows two worshippers of the Trawler Man, and outlawed god, on their pilgrimage up its great black river. As you might expect things don't go smoothly and soon enough there's a man hunt, run ins with cults stranger than theirs, and all sorts of revelations.

The world building is a real high light too. It's just the right level of "this world is horrific yet treated as mundane". It's worth listening just to see how that's all built on.

I rate it a strong prisoners-buried-alive-in-the-foundations-of-new-construction-projects-to-bless-them/10.

[causticadversary]

i love davekat because in the way i talk about it its like

dave: *spouting the most inane shit ever known to all living beings in the medium*

karkat: "**he's so fucking stupid i need him to pail me right now**"

while in my mind its a thick stew of canon material, association with real life mythology, religion and other aspects, with post and pre-sburb headcannons for extra spice and it hurts me soooooo bad when people call davekat fanservice or semi canon content just because davekat didn't get that many scenes or because they only happened in the meat epilogues (candy epilogues when i catch you candy epilogues when i catch you) because here's the thing, davekat didn't get that many scenes because they were always linked together in THEIR INDIVIDUAL LORE INSTEAD OF BEING DISPLAYED TOGETHER, UNLIKE VRISREZI WHICH ALWAYS HAD EACH OTHERS LORE INTERTWINED RIGHT BEFORE US, DAVEKAT DIDN'T.

anyways i dont wanna use up all my points for now i need to make an actual ramblepost about this, davekat is canon and if you think im wrong fistfight me in a ring :3c (also if anything here is wrong in canon please tell me politely i will bite anyone who's mean)

[lyx-lii]

ANOTHER ZZZ RANT

I can’t take it anymore dawgs, like why are ppl acting like zzz trailers are affecting gameplay ☹️

Literally everyone quit idc, I’m having fun we don’t want you here anyway.

“Gooner game!”, “most fanserviced game” Oh my god shut up??? You clearly haven’t seen a lot of games in your life have you???

Caesar’s trailer made me lose it omfg. They got so pressed with Jane’s trailer when it wasn’t even that bad because its a fucking INTERROGATION.

Bur Caesar is out here stripping and taking a shower and the voices sound like kids 😭

Like Jane is actually good, blame Hoyo if anything.

“Played for like 30 minutes and dipped” okay 😐😐😐

TBF A LOT OF UNNECESSARY THINGS WERE ADDED TO THEIR TRAILERS.

But you can blame allat on Hoyoverse devs guys 🙏

I’m going to fucking die.

I did not wait just 2, maybe even more, years for ZZZ to release just for it to get so hated because of poor trailer and marketing choices.

The trailers don’t affect the game…. Just don’t watch it 😕

The game itself doesn’t even have fanservice like that, like what…

But I can’t really blame the fans for not liking the trailers because of how uncomfortable they are to watch.

Hoyo please do better and fucking learn 🙏

I just don’t get the people who say they’ll uninstall just because of THE TRAILERS.

They don’t affect the gameplay + if you play long enough there is truly fanservice in the game 😕

And to be fair I also think its those creepy fans’ fault as well, considering how they sexualized Ellen and Zhu Yuan when they first came out.

Which btw Ellen is still in school guys 😁 her age isn’t confirmed but I swear she looks like a highschooler who’s just working a job.

The amount of gooner fanart I’ve seen of those two is unreal which probably gave trailer makers what to market for Jane and Caesar.

But anyway, this was just another rant, I won’t stop playing zzz because I enjoy it a lot, I just avoid trailers and play for fun it’s not that serious

[itsclydebitches]

Cinder is a lot more sexualized then the male parts of Salem's inner circle

Like tyrian is shirtless sometimes but that does not feel as...drawn attention to, as say, the lingering shots of Cinder's butt or thighs. Or her wearing short shorts and high boots you know what I mean?

I do, anon. RWBY got a lot of attention back in the day for its anti-upskirt technology, but that doesn't give it a free pass for all the other ways you might (and it does) sexualize the cast. I've never been inclined to give RWBY too much shit in this regard because it is pulling from media with a LONG history of such designs and cinematography - it feels unfair of me to act like RWBY is uniquely responsible for such problems when I'm simultaneously willing to overlook, say, the 90's "gag" of Yusuke flipping up Keiko's skirt - but there's nevertheless a voice in the back of my mind constantly asking things like, "Why are so many of the girls fighting in heels?" and "Why are they dressed like they're going to the club and not the literal TUNDRA??" I'd kill for the whole cast, but the girls in particular, to get a re-design that focuses on fashionably compelling practicality, rather than sexy fanservice. (Though Ice Kingdom did a good job overall, particularly for Ruby.) Sure, RWBY didn't give us panty-shots, but one of the first characters we're introduced to is literally designed like a dominatrix.

If we're talking about outfits though... I'd say Emerald gets hit the worst out of Salem's minions. Yeah, Cinder is definitely sexualized in a more general sense as the tall, white (that's not a coincidence), long-legged beauty who sensually conjures fire as she prowls towards the heroes, camera focused on her hips swaying. But Emerald?

She suffers from the same problem Yang has. AKA, if your woman isn't classically beautiful (like Wiess and to a different extent Blake), or cute / child-like (Ruby, Penny), but is instead going for a sporty, comparatively masculine-esque vibe... then they've got to show a LOT of skin. RWBY makes it sexy by just denying them clothes. You're entering dangerous battles on the daily? You want to protect yourself? Too bad. The audience needs a midriff and cleavage and your whole arms to stare at. Shorten the skin-tight pants so we can see some leg too. Oh, Yang has to have long pants because she's heading into the coldest Kingdom in Remnant? Never mind that, cut a strip out to show her thigh.

"But Clyde, the girls don't need to wear armor because of aura--" then why the hell does Jaune bother wearing that heavy-ass suit? Is it weight training? Does he just think it makes him look cool? ...or does it exist in case his aura breaks and he's allowed to wear more protective gear because there are different gender expectations attached to his design? The aura argument is just a modern rehashing of the Supergirl sun argument: using made up lore to "justify" getting your women characters into skimpy outfits, despite the men rarely being held to the same standards.

Tyrian is actually an interesting exception here and if I were less tired I'd think through this argument more, but something something as the "crazy" character he's allowed more leeway in breaking those expectations. Also the open shirt shows off his scars, which likewise help sell how dangerous he is. With the exception of characters like Cinder and Nora - whose injuries are Important Character Moments the audience gets to see play out - scars are surprisingly uncommon in Remanent. Or, again, they're severely downplayed so as not to interfere with that classic beauty design (like Weiss', or even Yang who gets a perfect cut when losing her arm). So when you see a character with giant scars spanning the length of his chest, an open shirt drawing deliberate attention to them... that makes you go, "Oh shit. What's he been through to scar like that in a world where most people make it out of fights with no permanent damage?"

[neomedievalistbr]

good god i hate gacha games

every new month there will a new ultra popular gacha game (this time there were 2! limbus and honkai [again]!), everytime ppl will play them, everytime after a certain amount of time ppl will grow tired of them and notice how it's affecting them negatively, theyll get too addicted to it and end up playing it too much or will spend money on it

and everytime damn time someone comes out of it after getting completely fucked over and says "guys please stop playing this game its literally doing bad for yall" and they'll get harassed bc theyre speaking against a largely "neurodivergent and q*eer fandom" or whatever

ppl will always get addicted to these games bc theyre made for it. limbus is no different, the difference is that ppl are Much more defensive over it bc of its "good story" "no fanservice" "actually well written female characters"

(its always the same shit. arknights is the same thing too)

the game has a system that forces ppl to keep replaying it for HOURS (but not too much, bc then youll lose interest) just for you to play the main story, fail and have to wait a whole day to repeat the process

or just spend money to make it go by much faster

but its not that bad, obviously! bc project moon is "incompetent"

which is my most HATED adjective to any company

theyre not "incompetent" they have full knowledge of what theyre doing (THEIR GAMES ARE LITERALLY ABT THAT) youre just incredibly stupid and prefer to look the other way while ppl are starting to go in debt trying to spend more

its actually disheartening to see so many stupid ppl coming together to defend companies that actively hate them and just leech off of them.

in conclusion:

gacha fans try not to defend that terrible capitalist company challenge (impossible)

[dearweirdme]

https://www.tumblr.com/dearweirdme/758369111349903360/httpswwwtumblrcomdearweirdme7582784106026926

Wait but what is the difference between this conversation and Taekook’s ITS talk? Y’all have been the ones always talking about how Jikook is a ship pushed by the company and how the travel show was for fanservice and how the ITS talk was obviously scripted because why would the members choose to talk about feeling distant on camera? So I ask what is the difference? Why would the company that pushes Jikook and hides taekook air moments of Jikook talkinh about not calling each other? If jikookers choose to say Jikook were just pretending you would judge them even though all of you refused to acknowledge the ITS talk and called it scripted. If Jikookers choose to call this talk scripted too? Because some of y’all couldn’t accept that the ITS talk was real because Taekook were still very physically affectionate for two people who felt awkward but here we have Jimin and Jk openly admitting that they didn’t keep in touch with each other but we still see them caring for each other, cuddling and smacking asses like no man’s business. If anything, this just proves that the ITS talk was never scripted as y’all would like to believe. one of the things that makes BTS so loved is how relatable they are. They have never only tried to show us just the good image. They don’t mind if we know that they have good and bad times. They don’t mind if we know that sometimes they get distanced or are not in the best place. Also I hope that from now, y’all will stop calling Jikook fanservice because it is clear that anything they do, they do because they want to and not because they are forced or mandated to by contracts. They also clearly don’t have an agenda to feed shippers or let people think they are in a romantic relationship because if they did, they wouldn’t say certain things on camera. Bighit also isn’t hiding taekook because if they were they wouldn’t air Jk’s call to Tae only to clearly cut out the conversation Tae had with Jimin (we could clearly see Jk taking the phone back from Jimin but the conversation between Vmin was cut. I wonder if that is because BH is hiding Vmin too)

Jikook is not real. Taekook is not real. They are all just friends who go through the ebb and flows of life. Taekook went through a distant moment and in recent years we see that they have worked on that. Jikook also clearly did and we have to wait for the future to see how things would evolve with them.

In one of your posts you said Jikookers focus on the big moments and ignore the little things but that is not something only jikookers do. Taekookers do it too. As a matter of fact, I am sure that in the vminkook episode next week, Tae and Jk might alod say things which debunk the idea of them being a couple but y’all will ignore it too and focus on any other sweet moments we get. Y’all have literally been ignoring the things they’ve been saying for the longest time and finding ways to explain them away. Like now you are coming back at jikookers by talking about jikook talking about drinks as if Taekook literally didn’t say the same thing on ITS. Jk said he had once invited Tae out to drinks but Tae didn’t go. They also spoke about not seeing each other at all during a month - 6 week long break. They talked about how they started feeling some distance and awkwardness after they started spending time apart but these are things you all ignored and you try to come up with timelines to disprove their words. So tell me, how different are you from jikookers because you are scrambling just as much as jikookers are right now.

Hi anon!

Bahaha, I bet Jkkrs are gonna like you comparing the Jkk talk to the ITS talk 😂.

So, I've seen this in my inbox a few times now.. mostly in rude asks.. I don't particularly like your tone, but I still wanted to talk about this. I'm fully aware you will not agree or see my point of view. I highly suspect that even though you might not be a Jkkr you have you strong own bias talking here.

I'm just gonna go rogue here. Jkk and Tkk are not the same. Jkkrs and Tkkrs are not the same. Our ideas about relationships and life and queerness and the music industry are different.

Jkkr's basically believe in the 'private not secret' idea. They think BH supports them and that Jm and Jk are able to be romantic and engage in sexual behvior on screen. That is because Jm and Jk had little to no limitations to how they were able to interact. They are pushed forward both as singers and as a friendship duo, and their ship is being pushed by the company. There are no mysteries, everything is clear. It's an unrealistic way of thinking about a queer couple in the biggest band from a homophobic country. I don't care if you think Jkkrs and Tkkrs are alike.. Jkkrs are actually insane for beliveing what they do about South Korea and the music industry and how they would deal with a queer couple. They are insane for thinking a queer couple from BTS would enlist together. I can forgive them for not being able to see through the differences between skinship and romance and friendship, but I cannot excuse them for being absolute idiots about how the world works.

Jkkrs (and you apparently) love the idea of the company allowing BTS members to be honest. That is such bs though. Idols have images to uphold. They will have actual clauses in their contracts that prohibit them from saying and doing things that will damage their image. This is true for most artists, if you think kpop artists (or BTS in particular) are exempt from those clause, you are naive. Kpop is known for their harsh contracts. We have seen how BH treated the members. They are not their friends. I think these days things are better. I think BTS is of such standard now that they have earned some freedom, but they are still under contract. BTS members are as honest as they can be with us, but they themselves have said that there are limits to what they can share.. and I absolutely think those limits firmly entail their relationships and sexualities.

While there are some Tkkrs who think Tae and Jk are 'private not secret', I think most would agree that they are a closeted couple. We have seen signs of them being in love, which made us believe they are in a closeted relationship. Everyone who knows about queer artists who have formerly been closeted, knows that it comes with lies. It isn't pretty, it's sad.. and it's hurtfull. But if you believe in the possibility of there being queer idols (and seriously, you'd be a fool not to believe that), you have to believe that some idols are at the moment closeted. I simply believe, that in order for Tae and Jk to stay closeted, measures were taken. The ITS talk having been one of them.

It isn't a case of looking at the ITS talk as an isolated event and thinking, that's fake. But in context, it just makes no sense. What makes sense though, is how the ITS talk is a continuation of how there has consitently been a push to have Tae and Jk look distant. I'm not going to go into a full discussion on the ITS talk, you can search my tags for that.. I have done so quite enough times.

So how are we different from Jkkrs? Our use of proof, context and understanding of bonds between members, our understanding of the music industry, our understanding of relationships, our understanding of friendships... and we're probably funnier too 😜