fullycompletely

[vonlipvig]

I just finished watching the bits of your life dlc and now I'm wondering if any of the extra paths might also be canon?

i LOVE bits of your life, god i miss that crazy bitch eamon so much (affectionate).

hmm, i mean, if i remember correctly, i don't think any of the possible paths in this DLC are particularly canon-breaking. sure, you can maybe argue that some of them might affect the results of the election in some way (especially those drunk!peter paths), but i don't think any of it would be enough to sway people who were already going to vote for advance. so probably the default path is the most canon one, but you can really pick and choose here.

they're all canon to dave, though, that's for sure!

[shaadowmilkcookie]

One of Shadow Milk’s many prop replicas of himself, left behind. Even though the eyes are forever staring straight into the distance… Oddly enough, you still feel like you’re being watched.

But surely, though, it won’t hurt to take it home and touch up the colours, right? :)

[bixels]

What did/do you like about Pharah?

Uh, gameplay-wise, I really love characters in shooters who rely on three-dimensional movement techs. Chaining together hover and jump to stay in the air for as long as possible and keep momentum is so satisfying, and picking enemies off from the sky made me feel like a bird of prey. I was a good Pharah main.

Story-wise, there unfortunately isn't much to canonically go off because Pharah is so underutilized and neglected. Her personality's pretty boilerplate "heroic hero" (she's literally inspired by Captain America).

But it's the crumbs/bits and pieces that I really latched onto. Pharah's a confirmed lesbian; her short story with Baptiste implies she harbors a crush on Mercy (fucking thank you.). She's biracial Egyptian/First Nations. She has major mommy issues, having grown up both admiring and resenting Ana. She's the bridge between Old Overwatch, inspired by the idealized heroes who surrounded her childhood, and New Overwatch. She's one of the only inter-generational characters in the cast; someone whose experiences span the gap, which is why I seriously believe Pharah would make a great main character.

There isn't much to go off of, though; she's a very uncomplicated character (she's a soldier for a private military corporation, lol.). But that just means she's a blank slate character, so I've seen fanfic writers run wild and create some really interesting takes on her. My favorite interpretation of her's a dense, herbo gym-bro type (a lot of her liens are about work outs, exercising, and playing sports) who's easily excitable under her seemingly self-serious, armored visage. We see how she tends to gloat and hype herself up when she's on a streak too, so Pharah definitely has a competitive and boastful side under her more professional and militant performance.

Now Mercy? Mercy is a real complex character.

[shannonsketches]

Why is the anime so weird, it's not even the same series dude?? It's like,

Anime:

GOKU: I have a great idea to bring peace to the universe, and my leadership and compassion alone will unite us all. I have No Flaws and am A True Relatable Everyman :)

VEGETA: NO! I AM THE BEST AND I WILL CAUSE PROBLEMS UNTIL I AM RECOGNIZED AS SUCH!!!!

Manga:

GOKU: Vegeta what's cornmeal made of? I know it's what the corn eats, but what's it made of? VEGETA: Hey Kakarot let's play the quiet game until one of us dies.

[terukotime]

You say you don’t like the killer reveal, why? I actually think dev made some great choices and I’d love to talk to you about your perspective.

i don't want to get too deep into it because, like i mentioned in my previous post, i don't want my criticism to come off as negativity towards the series or discourage anyone involved in the production of the show because it's honestly not a huge deal. like, it in no way ruins the show or makes it less enjoyable for me. and i don't think the choice of who the culprit is is a bad one at all, i'm mostly unsatisfied with the way the chapter handles it.

[spoilers beneath the cut, obvi lol. and please remember this is just my opinion. me having and expressing my opinion is not hate towards the series. i'm nervous enough as it is posting just this and not a bigger essay on all my thoughts because i really don't want to have this be misconstrued, nor do i want any criticism i have to give, regardless of how innocent and respectful my intentions, to make drdtdev or anyone who works on the series feel bad.]

i think Ace being the killer DOES make sense. i have no qualms with him being the blackened, in theory. do i think he could've made for a great survivor, or have really interesting growth throughout the coming chapters? yeah! i would have loved for Ace to be kept around for much longer. but him being the killer this chapter isn’t inherently bad. it's now clear that there's a specific direction Ace's character was meant to go in this story and i think that's fine.

my problem is with what *didn't* happen with Ace's character up to this point.

the chapter hasn't concluded yet so there's still a chance for my thoughts to change, though i don't think it'll make much of a difference. but i'm still waiting to see if it can stick the landing. and even if it doesn't, that's okay. i've already accepted it, i'm just still disappointed by it all the same.

Ace, honestly, hasn't played much of an active role in the story. he's been a source of conflict and comedic relief, and that's okay, not every character has to be as important as Xander or David...but he hasn't really gotten to *do* anything. this series is very character-driven, and thus is very focused on the relationships between other characters. Ace has only had one notable relationship (outside of his feud with Nico, but i'm not really including that as a "relationship" for obvious reasons), and that was with Levi. and that didn't even stay positive for very long. and we also know now that Levi didn't even care about him to begin with because he doesn't care about people in general.

not only did Ace never really get to establish any other relationships, no one ever LIKED him. of course a good portion of the fandom likes him, but in the actual story, no one cares about him. no one will miss him. his death is honestly kind of meaningless character-wise. does it serve as a lesson to some of the other characters? sure. but he's going to be dying here with no one ever liking or caring about him.

Min's story wasn't just a cautionary tale. people did like her, people did care about her. she was friends with a lot of characters, she got to have an impact in the daily lives of others. we got to know her better, the things she liked, her deeper thoughts and opinions on things. she got to do stuff, and we got to learn about her. her death meant more to the characters beyond just being the first culprit. she died as a person, not just as a character.

most of the stuff we know about Ace is surface level or things confirmed in Q&As. he doesn't get to contribute much aside from the aforementioned conflict/comedic relief. i understand where the show is going with that idea, and why him not being liked by anyone is a specific part of what led him to murder, but that's not really what irks me. it's that Ace never got to really be a *person.* he's essentially a plot device, serving the greater "good person" theme going on this chapter, and filling in the smaller roles in the story when needed, like an antagonist in a scene or delivering a gag. yes, his admittance to killing Arei and eventual post-trial trauma dump will give him a bit more humanity and character...but that's not really enough.

we only get to see Ace how the other members of the cast see Ace: his loud, combative, aggressive side. the side that makes people think he's nothing more than an angry meathead who can't do anything right. we never got to see much of his other sides, of a much more somber, melancholic Ace. receiving even a hint of the Ace we see in his confession of guilt beforehand would have given him the depth we needed before this point.

to explain what i mean: imagine how unsatisfying it would have been if we never got to actually see Arei's breakdown in the playground. if Teruko had left before it happened, and we only get to learn what happened from a flashback from David's perspective. we already feel the weight and tragedy of Arei's death when her body is discovered because we knew beforehand why she behaved the way she did, how she never even liked being the way she is, and wishing she could be a good person like Eden. if we didn't get to see that happen beforehand, Arei's death would feel very flat and detached. her character growth would've happened entirely retroactively.

that's how i feel with Ace. it's not like he didn’t get enough spotlight this chapter, he certainly did. but every scene he was in really didn't really add anything new to him. the only thing that "progressed" with him was his hatred and paranoia. we just see him descend with no uplifting moments, no emotional hook to make us feel anything for him. the closest we get is the scene where he's arguing with Nico and Veronika at lunch, ranting about how poorly everyone thinks of him and that they all assume that he's for some reason happy to be the way he is. but it's really the barest of scrapes towards the deeper layers of his character.

a big problem is that there were a lot of chances for his character to actively be *explored*, but instead, the narrative perspective of him stays completely stagnant. the time we get with him this chapter doesn't give him any greater focus. and sure, you could say that that might be a big giveaway to him being the culprit, but i think if the time between character spotlight is distributed evenly, that would be easily circumvented. there was a lot more time that could've been spent building Ace's character beyond his animosity and self-loathing tendencies. we could have had someone actually attempting to bond with him, even if it doesn't turn out well. even if all the characters distrust each other to varying degrees, there's still a lot of characters that like each other or have unique bonds with each other that make them stand out and feel worth remembering, because those bonds contribute something to their characters. but with Ace? he truly gets the short end of the stick, because this isn't just the characters neglecting him, it's the story itself. if Ace got to have a moment like Arei, maybe someone to confide in, even if he wasn't really friends with them or liked them at all, him being vulnerable just once and having a moment with someone else would have rooted him in more as a person who fell victim to what the killing game wanted from him and not just a fictional character fulfilling the purpose required of them in the story.

honestly, it's a bit of a slap in the face, the way the show goes about it. because in hindsight, Ace's whole character is *meant* to be wasted potential. after all, his related phrase on Mai's bio page is "a girl who had a bright future".

he was set up to have the potential to change, the potential to add more to the story, the potential to show us more than what we were given. and i think the show kind of knows that and specifically perpetuates that. the scene where Teruko tells Levi to give up on trying to apologize to Ace almost reads as the show itself telling you to give up on Ace. that, why should we care about him? he's not going to amount to what we want from him. there's no use in investing our feelings in him.

whether or not any of that actually was intentionally doesn't matter, unfortunately, because rewatching so many scenes having this new context really makes it all seem like Despair Time doesn't want you to care about Ace. that Ace is meant to be a waste, that that's the core of his character. him being the epitome of wasted potential could have been great, actually, if they chose to use even a slight bit of that potential to build him up more before his inevitable demise. instead we watch him eat shit throughout the entire show thus far only for him to get royally fucked at the very end in the worst way possible. Ace's theme of wasted potential is only wasted potential because nothing is ever done with him. not actively, anyways. whatever his post-trial confessional is like won't really give us what we needed from the start. Ace didn't just deserve better in his life. he deserves better as a fictional character. he deserved to be a person and not *just* a character. he deserved to have deeper, emotional character moments outside of the trial, long before his murder confession and rapidly approaching demise. he deserved to be 3-dimensional.

again, this is all just my personal opinion, and there's still a chance the show can stick the landing and make Ace as the culprit feel a lot more natural and deserved. i'm not really confident in that happening, but drdt is full of surprises as well as a lot of great writing. that being said, even though i believe they kinda fumbled the bag with Ace here, i don't hate this turn of events. although he's a big favorite of mine, i still wanted Eden to be innocent over him, because she's also a great character and her killing Arei would not only be pretty huge character assassination, but would also make Arei's death meaningless. and i also think there were other characters who could have been better candidates as the chapter 2 killer (not just Hu, i think Levi, Arturo, and maybe even J also could've made for compelling culprits with the right reasons).

i'm content with this. i'm heartbroken he's going so early and i wish the execution of his guilt had been a lot better, but overall it's not terrible. he just deserved so much more in many different ways.

[soupmanspeaks]

the topic of Helpy makes me go insane /pos like I have this headcanon that William/Springtrap just, DESPISED Helpy because William took heaps of pride from the Funtime line of Animatronics, he saw it as his son's crude mocking of HIS creations, when in reality its just Michaelangelo S Afton trying to use humor to once again cope with the horrors™️ Like I've probably said this here before but I headcanon that Helpy found his way into the PizzaPlex's marketing is because after the FNAF6 fire he just was under the rubble remarkably preserved or something and instead of going into the RockStarRow Museum, the FazExecs had dollar signs in their eyes and were like "yeah, that one will make us bank, ong" Ive also probably said this (bad memory sozzz) but a headcanon to go in tandem with that headcanon, is that Glamfreddy sighs in resignation whenever he passes by one of those Helpy monitors (he wasn't paid royaltys <//3 ) AND LIKE I GOTTA KNOW WHAT (glam)MIKE WOULD THINK OF THE ENTITY THAT IS SATAN DISGUISING HIMSELF AS AN AGENT OF LIGHT (Helpi) WOULD HE FEEL SAD? ANGRY? AT THE MIMIC? THE COMPANY?! please the topic of helpy is so interesting PLEAs-

[humming-fly]

do you fw he/they greedling

I mean when referring to the collective greedling character it's more of a 'they/them' situation isn't it? :P

[dynamitekansai]

THE USOS REUNITE WWE SMACKDOWN (OCTOBER 25, 2024)

[givemewallywestorgivemedeath]

Wait, fuck, hold on-

THEY CAN'T FUCKING BRING OUT AN ANTI-HERO ARTEMIS WHEN I'M IN THE MIDDLE OF STUDYING FOR FINALS!!

WHAT THE FUCK, DC?!? HOW AM I SUPPOSED TO FOCUS?!?

oh i am so excited holy shit. am i the only one getting slade vibes from her?? because im getting massive slade/rose wilson vibes from the single eye cover and im wondering if artemis is a plant, someone unconnected from slade who wouldn't be considered a threat, to go undercover and get close to the titans. this is also like, high-key a chance to make jade and artemis sisters and/or half-sisters in canon which would be neat. i know comics fans aren't huge on changes to the canon based on outside things but making them half sisters doesn't really change jades backstory, nor artemis'.

[arklay]

RESIDENT EVIL → THE WESKER FAMILY

To the public, little is known of the families behind some of the world’s most renowned bioterrorists, but the question remains: did they play a role in causing their children to walk down the path that they did? Or are these individuals simply ambitious criminals with delusions of grandeur?

For Diana Wesker (née Afanasyeva), her introduction into the bioweapons black market trade was upon discovering her employers were using her research into limb regeneration with salamanders to further their experiments in creating enhanced soldiers, instead of developing human therapies with which she was recruited for. Although the prospect of using biological weapons in the military did not appeal to her, the concept remained fascinating for her own selfish endeavours. Born on the 27th of October, 1963 in Sydney, Australia to Russian immigrant parents, Diana had harsh expectations placed upon her at a young age, ones that no matter how hard she tried she could never live up to. Her mother, Tatyana, was an unfeeling woman, absent for long stretches of time with little regard to how it affected her daughters, much more concerned with her craft as an accomplished opera singer. Viktor was no better. A strict man whose role as father and ballet master blurred, he pushed his girls to one day follow in his footsteps. Whilst Sofia enjoyed ballet, and went on to become a professional ballet dancer, Diana’s heart was set on going into the field of biology. She wished to make a name for herself, separate from her family – to which she succeeded.

Diana was married to former U.S. Marine, Dave Monroe, for only a year until he was declared dead in 1992 after succumbing to injuries sustained in a horrific car accident. Foul play was ruled out while Diana played the role of the grief-stricken widow, but in reality, she had snapped after years of mistreatment at her husband’s hands, and opted for something she could pass off as an accident to be free of him. For years she believed he was dead – and he was, legally – but that proved to not be the case when he found his way back into her life again in 1999. Unbeknownst to her, she had been lied to by the police and coroner, who were paid off by her employers when they took Dave’s body for themselves and used him as one of their first test subjects in developing supersoldiers. Before he could ever hurt her again, Diana’s second husband, Albert Wesker, tracked the man down, captured him and tortured him, before allowing Diana to get her violent and bloody revenge.

The origins of Albert Wesker’s involvement in bioterrorism, alongside his twin sister, Alex, are much different than that of Diana’s. The two hail from London, Canada, but unfortunately, they hold no memories of their lives there, nor what happened to their biological parents when they were eight years old. Agents of Oswell E. Spencer, an aristocratic billionaire and eugenicist, took the twins from their home and executed their parents as per Spencer’s orders. Albert and Alex were then placed in a home funded by the Spencer Foundation where they were given new names and a privileged upbringing. They had access to the best education possible, free to pursue whichever field they decided, but it was by no accident they both went into virology and bioengineering; at home, their adoptive parents – agents whom they believed to be their real parents – instilled them with the beliefs of Oswell E. Spencer, harbouring disdain for war and pestilence, and believing humans to be an evolutionary dead-end in need of a rebirth. They were only two of the hundreds of children “adopted” as part of what is known as Project W, a plan intended to develop an advanced race of human beings. The most promising candidates were headhunted by Umbrella Pharmaceuticals, the twins amongst them, where they went on to create bioweapons for the company founded by none other than the man who had handpicked them for his plan. The final stage of this was to infect the thirteen Spencer saw fit, however, only two survived; Albert received the intended effects, now possessing superhuman abilities, however, Alex was only offered more time to live due to her terminal degenerative illness.

In the summer of 1995, Diana was working undercover within Umbrella to gather development data on their projects for her company. Here, she had a chance encounter with Albert, an intelligence officer at the time, which permanently altered the course of her life. The two were never seen far from one another’s side, marrying in 1998, and they went on to become notorious in the bioweapons industry. The development of the Uroboros virus was where things took a turn for the worst. Although Diana’s infection was successful and she bore abilities that rivalled her husband’s, the plan itself did not succeed as they had hoped, and almost cost Albert his life at the hands of his former subordinates.

Now, they work within the shadows, with Diana declared missing and Albert believed to be dead. Their legacy, however, lives on with the mark they left on the world. As visionaries in their field, they influenced bioterror attacks carried out by countless individuals and organisations. In turn, they also inspired others to fight against such atrocities. One such person happens to be Albert’s son from a former relationship, Jake Müller, whose existence he was unaware of.

[hellogoodbyeitsme]

Broke: Damian is bad at being a Robin because he's too violent

Woke: Damian is bad at being a Robin because he's afraid to hurt people

[mars-ipan]

hey folks did you know i love super dangan ronpa 2

[punchurlightsout]

maybe Herbert West isn’t misogynistic and Meg Halsey isn’t homophobic. Maybe you guys are just weird

[mamawasatesttube]

you guys i have so many thoughts about tdr. i have so much to say. like i don't want to be super mean but dude that comic fucking sucks and i can't lie i think it made me kind of homophobic actually

[aletheialed]

Right now, wine glass in hand and staring vacantly into the dark corners of the room in which he dwells - Barok can't help but think about his brother. To think about Klint during hard times, the man who he's always admired so much, has always come naturally to him - but it can't bring him any comfort now.

The truth is, Barok doesn't know what he should feel more betrayed about. The fact that the brother he'd wanted to emulate all his life was nothing but a killer, who's actions resulted in the ending and ruining of so many lives, including Barok's own? Or... is it that, until the very end, Klint was too afraid to share that horrible truth with him, even when that fear allowed him to be controlled into committing the most heinous acts imaginable?

It makes him want to laugh with a bitterness he hasn't felt in years. It makes him feel ill; desperate and angry and like a fraying rope about to snap. Perhaps it's sinful, and a sign of Barok's own weak character, that Klint's lack of trust in him might be what hurts the most. Had he thought Barok would break under the weight of the truth, and sought to protect him from that fate? What's worse is that Barok doesn't know how he would've reacted deep down. What's the scarier thought - that Barok would've turned away in despair and been unable to carry on just as his brother feared, or that he would stand with Klint, perhaps even turning a blind eye to his crimes...?

...There's no point in thinking about it now. But if he doesn't think about Klint, then there's no shortage of other things to take his place at the forefront of his mind. Such as the true identity of the Reaper, and how Barok had been complicit in his crimes for the longest time - allowing himself to be used and manipulated like a puppet on a string, even when he didn't see the full extent of it all.

His whole life, these past ten years in which he thought he'd endured so much, all for the sake of the people of London... what were they all for?

When he hears the knock on the door, it's tempting to ignore it entirely - he barely has the energy to stand, anyway. He doesn't know who it could possibly be, considering everything, but... in the end, he rises like a man possessed, and finds himself walking to open the door as if in a trance. What he sees when the door opens is the last thing he expects.

"Mr... Naruhodo...? You... pray tell, what are you doing here at this hour?"

@tenacquity ( starter! )

[carnivalcarriondiscarded]

current favorite thing about Psych: Shawn and his on-again off-again unofficial sometimes boyfriend Despereaux