#so when i find a story that thinks about the same stuff?

[zarathelonewolf]

Some people need to write in this absence of courage though, and purely because of it, and purely FOR it.

Not to say that I don't get your point: it is a good point and I would like to see more hopeful dark stories, stories similar to what you prefer. I would prefer them too, ideally.

However sometimes people really do not have the courage to "want something better, to know that it was wrong"... Because to THEM (and I say this as someone who is similar to them to an extent, though I fight everyday to be hopeful) it does not seem like an act of courage, it seems like an act of insolence.

Why insolence? Because of a lot of things.

"How dare you (general you, not you, OP) want something better? The result of what was done for you is a negative thing that pushes you to do negative things, how dare you think that you should want something better?"

This is the insolence I speak of. The insolence they think they are culpable of. Sometimes people really do need to show the trauma "bare". They need to write out the negative voice. It's what they know and they feel isolated because people keep telling them it'll get better but they are not there yet, so they want to show their frustration. They may want to reject the idea of not taking up space, alternatively, when they show their trauma: so they show it in a gritty manner and without solution to spite the people that tell them they should just keep it all in unless they have healed, or unless they have the intention of doing so.

It may not be hopeful dark art, that's true. But that's not what dark stories HAVE TO be in order to be "good art", either. They don't want to fix something. They just want to show it. They are "vent art".

And it is needed. By people that don't have the "courage" yet, that maybe won't ever have that courage. They need to see something other than their mind crumble... something other than their body, something other than their voice, something other than their memory while it's crumbling. They need to see a story that crumbles without getting back up. That way they feel less alone, perhaps. They feel that the suffering is real and that it does not need healing to be considered suffering. Especially when others interact with the story and cry alongside them while in a similar situation.

A weird broken sort of solace so to speak.

Is it nice? No, not really. But in certain moments of people's lives it's what they need. In a twisted sense, for some people, all they will ever want to experience. It's not just insolence after all. For certain people, darkness itself is the refuge, because the world outside is too bright and a lot people want to be rid of their dark thoughts and want the victims themselves to be rid of the dark thoughts and find a solution for them, whereas these victims just CAN'T, they can't manage yet and they feel inadequate so they produce something that makes them feel like they matter for something.

Something dark and gritty and hopeless.

Art isn't good due to the fact that it expresses correct values. Art is good because it makes you feel, or merely because you feel drawn to interacting with it. Same goes for dark art. It is good dark art when it makes you feel dark stuff, whether or not it heads towards a good or bad ending.

I say this as someone who is hopeless about herself and himself and hopeful for others. Weird right? But it's how I exist. People's comfort sometimes makes me feel even lonelier. I would prefer silence and reading dark content AND hurt/comfort most of the time.

I come from a place of being pressured into healing. I want to heal on my own now, I don't trust therapists for shit. I will find my hope but not now. And dark content with hopelessness, vent art done purely for the vent and not for the healing helps me immensely because I feel my resistance to healing seen without someone telling me that I can heal because I know I CAN, I just don't want to because people have all sorts of expectations about how my healing should be, but while people can object to my healing not really being healing, they can hardly disagree that the dark stuff I write isn't dark. At least in my experience.

People have differing types of sensitivity, and not all people who are lovers love themselves. Love doesn't have to be total, not all people experience it like that. Sensitivity does not have to make you like dark hopeless stories, but it does not mean you are sensitive only if you prefer hopeful stories OR when you reject completely dark stories. People can be "lovers" and sensitive in all three of cases. So I agree about being frustrated for people saying "you're not sensitive enough" because that's not true, your sensitivity simply differs from theirs.

Vent art can be self care just as much as hopeful art. And dark content does not have to be vent art, it can also just want to make people witness gross stuff because they enjoy gross stuff being depicted for the sake of it (to make an example: people with certain laraphilias that cannot be explored safely in real life).

I am merely playing devil's advocate, with the devil being something I love: my only chance at venting without feeling pressured into a reaction. So I will concede this exposition may seem personal, almost too personal, and angry, but I tend to be passionate about the things I love.

I hope I didn't anger people with my response to this. But then again, I should take up space more often...

too much to say in a post but i re-read (partly skimmed) my manuscript of my book from a year and a half ago and it's so fucking good and also feels like a hemisphere of my brain has been returned to me. like oh yeah. my creative self. the fullness of my being. i missed you

i need to fucking talk about it but it's intimidating

[hellfirecvnt]

Don't Piss me Off (Pt. 2)

John Q. (Simon) X Fem!Reader

Warnings: Smut, oral (female receiving), "public" sex, unprotected sex (don't do that), poor life choices.

Summary: You still can't stand sticking around your parents for too long, but you stay in town for a while longer just to see him play. PART ONE IS HERE!!

Notes: I love him. I'm gonna write a million versions of the same story I stg. I didn't proof read. I got like 6 ideas at once and they're all getting written at the same time.

In the basement of a warehouse you'd assume abandoned, Simon and his band consisting of a handful of less ill-tempered, but just as dirty and dead-looking men set up for their performance. They're all spitting insults at each other as they scramble to plug in each meticulous piece of shoddy equipment they've acquired.

Simon's preoccupied. Clearly stuck on the thought of you. He realized hours ago that he never told you about the show tonight. He's wrapping the wire of the mic around his fist when he overhears the stagehands. "I didn't make it to Y/N's last party, I figured there would at least be one more before she bolted."

"She went back home?" Simon interrupts.

"Yeah, man. She left today, I'm pretty sure." The stagehands hoist a large amp to its spot, leaving Simon in the silence of realizing you two have no way of contacting each other. That's it. He shrugs his shoulders, brushing off any disappointment, as he's used to things falling through. Nothing's special to someone like him, or that's what he tells himself. He reaches into his back pocket and reveals a pair of underwear that had gotten tangled with his clothes when you did his laundry. He chuckles at the thought of how he would've made you think he stole them on purpose. He stuffs them back into his pocket and gets ready to perform as people start piling in the small venue.

You're nearly flooring it back to that gas station. Once inside, you leap over the counter and snatch the poster from the wall. "God damn! You could've just asked for the fucking flyer, man!" The cashier exclaims, certain you were attempting to rob the store.

"I don't have time!" You yell behind you as you sprint out the door. "Old fuckin' Mill building? Where the fuck is that?" You mumble to yourself, frustrated. You read that Psyops isn't set to play for another 30 minutes, so you speed around town to every old and decrepit site you can find. Four failures before you find the warehouse hosting the show tonight. "Finally!" You slam the van in park before bolting to the door.

"It's $10 to get in," a nonchalant man at the door huffs. You shove the money into his hand and he opens the large, black, graffitied door behind him. You're not shy in a crowd, so when you hear the boisterous speakers blasting the sound of guitar riffs through the building, you start shoving. The vibration sends the decently sized crowd into a wave of cheers and you finally make your way toward the front. You can hear a voice over the speakers, Simon. It's hard to make out what he's saying, but once the song starts, the crowd starts moving.

You're being jostled around for most of the set. Song after song, you try to force yourself to the front, but to no avail. Finally, once Simon takes one step off the slightly raised platform on which they're performing, you can reach him. His grip is white-knuckled around the microphone, now's your chance. You lunge forward and wrap a hand around the mic, pulling yourself forward. Confused and annoyed by the sudden tugging, Simon pulls back, effectively breaking through the wall of people blocking you. The moment your eyes meet his, under his ski mask, he grins. In the moment bringing you before him, he'd missed a few bars of the song, but effortlessly picks back up once you're front and center.

It feels like his eyes are locked on you for the rest of their set. You hate to admit it, but it's a hell of a show. The energy of the crowd, their presence on stage. No wonder Simon feels so strongly about it. He's a different person when he's John Q. An alias you found out about when you were seniors, and you hoped staying quiet about it would've shown him you weren't the snitch, but instead it took a coke bender several, several years later. Plus, he wasn't much less of a loser than you were. Who fucking cared back then that he has a stage name?

After Psyops' set, you and Simon slip outside for a smoke. Riled up from the show, he's too abuzz to make sure his face matches the angry stare he usually wears. "Someone said you were headed home already, didn't think I'd see you at a show any time soon," he says, lighting a cigarette.

"Said I would," you echo his words from his promise to back you up next time you got yourself into an altercation. "Can't let fucking John Q. be more trustworthy than me." Simon laughs at the mention of his stage persona. "I like the mask, though."

"Oh, yeah? That do somethin' for you?" He teases, reaching into his pocket for the mask, but pulling out a different wad of fabric. "Oops," he laughs, dangling your panties in front of you.

"Is that my fuckin' underwear, you god damn pervert?" You curl your lip, put off by the invasive behavior.

"They might be yours, I don't know. I get a lot pussy." Simon smirks with his eyes darkened on you.

"Jesus Christ, what the fuck-" you're ready to lay into him, too violated to make any excuses despite how attractive he looks with messy hair and drying sweat.

"Calm the fuck down, they got mixed up with my shit when you washed my clothes at your house," he laughs. You roll your eyes and jump to grab them, but he's too quick. You miss the swipe and are now a great deal closer to him. "I'm gonna hold on to these," he says with a low voice as he scoops you against him with a hand placed on the small of your back. A second passes like an eternity and the two of you lock lips as he stuffs your underwear into his pocket again, allowing some of the silk and lace detail to hang out. As the kiss deepens, his hands move down your body, to your thighs before he grips your ass roughly. Soft moans escape against his lips as he gropes various parts of your curves.

"Do you know how worked up you get me?" He whispers between the press of your kiss. "Thought you left before I could get a taste." He reaches for your eyelet belt, but you stop him.

"Someone's gonna see us."

"Call it an encore," he mumbles before going back at your belt, but you swat him away again.

"At least take me around back, dumbass." You grab a fistful of his shirt and nearly drag him around the corner. It's dark and concealed from any passerby. He lifts you up onto a pad-mounted transformer and wraps your legs around him, still moving his head in sync with yours as each of your tongues explore each other's mouths.

"I guess I was kind of a prick to you back in the day, huh?" He whispers, running his hand through your hair.

"You were an angry piece of shit, yeah. We fuckin' or having a breakthrough?"

"Shut the fuck up for a second," he snaps. "I'm trying to apologize." He slips your denim shorts off your legs and all but falls to his knees in front of the large metal, green box you're sat on. His nimble index finger hooks around your thong and pulls it to the side. You barely have time to process what his "apology" will be before he plunges his head between your thighs. You fight to stifle a surprised moan as he conducts his skillful movements against your sensitive skin.

"Simon, oh, my God!" You whine, arching your back against the friction. He laughs against your skin sending waves of vibrations through your legs. One of his hands is occupied holding your panties to the side, the other is hooked around your hip, holding you securely in place as he meticulously works you over the edge.

"You want me to stop?" He asks, lips framed with drenched facial hair.

"No! No, I-" he cuts off your plea, resuming his position.

"Then stop fighting me," he snaps, harshly pinning you to the metal with the hand he had hooked on your hip. The stimulation quickly builds up, becoming too much, too quickly. You throw your head back and tangle a fist in his hair as he guides you through the high. Your legs shake and threaten to close around him, but his grip is too strong. You remain exactly where he wants you until you've ridden out your orgasm. You're slumped back on your elbows with your head down, breathing heavily as you return to reality.

Simon towers over you where you lay, staring down at you with his dark-circled eyes. You look up and watch him teasingly wipe his mouth, licking his lips like you're the first thing he's devoured in months. He slips your shorts halfway up your legs for you, leaving the rest of the work for whenever you can feel your legs again. "Um," you sigh. "Apology accepted."

"Tits."

"Is 'tits' good?" You furrow your eyebrows. He sighs, rolling his eyes and shaking his head.

"You're leaving tonight, huh?" Simon lights a cigarette.

"Well... That's the plan." You feel a pit in your stomach when you think about going back home. The place is nice, it's far away. It's what you wanted, but life is full and meaningless. You don't have friends out there, it didn't strike you how hard it'd be to meet people in your mid 20s.

"You don't sound so sure about that plan, Y/N." He exhales a cloud that illuminates under the street lamp's orange glow.

"It's boring out there, but it's quiet. It's peaceful. My parents aren't in my ear telling me trying something new could kill me." You shrug.

"That's why you're running? Because of your frigid bitch mom and dad?" Simon laughs as if it's the funniest thing he's ever heard.

"Okay, well. You know, maybe don't call them that or I'll lay you the fuck out, but yeah." You stand and fasten your shorts and belt, knees still threatening to buckle. "You had a hand in me leaving too."

"I know, I apologized!" He gestures to your trembling legs and you laugh.

"Yeah, yeah," you wave your hand at him. "Where'd you go? I was in town for weeks. I thought you were in the pin."

"I didn't want to overstay my welcome," he chuckles. "Or watch another fuckin' 80s movie with the volume on ten." He turns to look at you and he smirks.

"Well, my parents are in town now. I still have the rest of this week off. I was gonna spend it getting unpacked, but-"

"Fuck that. Let's go, you're driving." He walks off around the building toward the parking lot and you're dumbfounded for a moment.

"Of course I'm driving, it's my van!" You scramble after him. He hops in your passenger seat and you pull out of the lot, leaving his disgruntled band mates to pack up their own equipment. "You're not gonna help them?"

"What for? My shit's in the van. It's a microphone."

"Yeesh, sorry. Forgot you're actually kind of the worst when your head's not between my legs," you tease and Simon can't suppress a smile. As you cruise down the dark road, bright blue lights ignite in your mirrors. "Fuck. Get it the back." Simon wastes no time, he throws himself in the spacious rear area of the van as you pull over. You both wait anxiously for the cop to approach the window. Everything feels silent, until you finally hear the footsteps.

"I'm gonna run," Simon whispers, hand on the rear door latch.

"Don't." You demand sharply, rolling down your window for the cop. The air feels still and tight. It seems like it takes hours for the cop to speak, but when he does it's a routine traffic stop. He asks you if you knew how fast you were going and you innocently explain the floating nature of your speedometer. The officer laughs when he reads your ID and sees your last name.

"You're Frank's kid, right?"

"Yeah, his one and only." You beam, proudly. Happy to name drop your wealthy family.

"You just try to slow it down and tell your dad I said hello, alright?" The cop taps your door twice and sends you on your way. As you pull off, Simon peeks out from under the blankets and sighs with relief.

"Holy shit, with the way this thing looks, you should've been strip searched." Simon tosses himself back into the passenger seat.

"Don't shit-talk my van," you hiss. Simon proceeds to tell you where to go, each turn and shortcut, until you reach a large white house, almost as status defining as your parents'.

"My parents are out of town." He points to a concealed area to park and leads you to a basement door. He fights with a key for a moment before leading you inside. It's a messy basement room with red walls and posters from ceiling to floor. Instruments take up most of the space, aside from the bed.

"Do you avoid your parents like me, or do your parents avoid you?" You ask, bluntly, not considering the weight of that question.

"Both, I guess." He says after a long pause.

"You... Wanna smoke?" You ask, unsure how to navigate the silence.

"Can't. Fucks with my motivation," he grins. You shrug, rolling and smoking a joint by yourself while Simon works on some songs. He's got an ear for every instrument in his room, and he layers them over each other, creating complex instrumentals. It's nice to listen to while you lie on his bed and watch the swirling tendrils of smoke twist into the light and air above you.

"It sounds nice," you hum, settling into the cozy divot in the center of his mattress-on-the-floor.

"Write something for it," he commands, tossing a notepad and pen at you.

"Like lyrics? Why?" You stare at the blank page, unable to read the layers and layers of writing indented into it from Simon's heavy, angry hand.

"You need an out, I'm giving you one." He leans back in the rolling chair he resides in, staring me down like a hawk.

"I don't think I'm a very musical person. I think I'm more of a doodler, really," you argue, scribbling in the corner of the paper.

"Just fuckin' write something down and stop being a pussy." He snatches the pen from you and tosses it onto the pad.

"Bitch- How does that make me a pussy?" Your eyes narrow at him.

"It'd be too vulnerable. You're no tougher than that kid you were in high school. It's all fake now." It's clear he's taunting you. Making a fair attempt at reverse psychology.

"Fuck you, give me a minute," you huff, writing a line or two to start with. "Play your shit again." And he does. Restarting the instrumental he put together just for you. After a while, you've written something and you sling the notepad at Simon. He takes a moment to read through it a few times, almost trying to decode the melody of how I'd sang it in my head.

"Perfect. Now sing it." He nods toward his microphone stand.

"Fuck's sake, dude. Are you serious?" You whine, pushed further and further out of your comfort zone.

"Come on, let's see what you got," he says in a tone that lets me know I've already lost the argument.

"It doesn't feel good to be vulnerable to you."

"Tough it out." You roll your eyes at his demand, but you do it. You tough it out and recite your song over the music he provided. He hits 'restart,' and then 'record,' and then he points to you. After a measure you begin to sing. Low effort, but still angelic. Your song is about the feeling of being homesick no matter where you end up. It's about running and putting up a face as a defense mechanism. It's about wearing a mask.

When you're done singing and the music fades out, Simon slides the headphones off his ears. "That... Was tits." He looks elated. Like a poor painter with a new pallet.

"Is 'tits' good?" You ask again, emphasizing the lack of answer last time you asked.

"Yeah, 'tits' is good." He grins. "That was good."

"Fuck you. Who's not vulnerable?" You curl your lip, clearly more moved by the challenge than the release he was offering. Simon just shakes his head.

"Let's mix it." He beelines for the computer and begins fine tuning the song. You're watching in awe of his quick skill at this craft. As if watching him play all those instruments wasn't impressive enough. The night grows older. Simon offers you your favorite party favor, but you're over it. So the two of you share a joint.

"You don't ever get tired of living in a circle?" You ask through a cloud of smoke.

"A fuckin' circle?" He looks at you.

"Just, still in this town, still avoiding your parents, still making music alone in your room."

"Fuck," he huffs, offended but acknowledging the truth in your words. "Do you ever get tired of running from it?"

"Touché." You bring the joint to your lips as you lie in his disheveled bed. His arm snaked around you ages ago, slowly pulling you closer and closer to him. Like he's worried you'll float away.

"If our only two options are run away or get sucked into this shit hole of a town, I think we're a little fucked, don't you?" He chuckles to himself.

"Maybe those aren't the only options. We just don't have all the answers yet. I don't think anyone does." Your voice is wistful and quiet. You can feel Simon's eyes on you, but you stare at his dark ceiling. He rolls his eyes at your corny words, but he knows you're right. "It's funny, because if I could run from the uncertainty too, I would." You giggle, aware of your vices and poor coping skills.

"Yeah, you would," Simon mocks.

"And you? You're just going to live with it? Sit right beside the discomfort and accept that for yourself? Have you ever tried to give yourself more, even if it meant running?" You're slowly building up a sense of passion behind your words and Simon just listens, staring deeply into your eyes as you speak. Suddenly, you're cut off when he wraps a hand around the back of your head and pulls you into a kiss. His lips crash into yours and the two of you melt into each other.

You can't even remember what you were saying, you just know you don't want to stop touching him. The heat of the kiss begins to swell as Simon's hands trail up and down your body. He's grabbing at you in a specific order, like he's been waiting to get his hands on it. Really get his hands on it. You grasp at the hem of his shirt, tugging in semblance to take it the fuck off, and he does.

His broad, pale chest rises and falls with anticipation as you strip off the same article of clothing. "Jesus Christ," he moans, pulling you to him to shove his face directly between your breasts. He breathes deeply, taking you in. With one swift motion, he's hoisted you on top of him, your legs straddling his waist. Simon unfastens the button on your jeans before tossing you to the side to undress you.

You're both naked and greatly anticipating the next moment your skin will touch. Seconds feel like hours until you're pressed against each other again. Simon buries his face in the crook of your neck as he guides his throbbing erection to your entrance. You're squirming and arching beneath him, and he releases a breathy laugh as he watches you writhe. "You're aching for it," he groans.

"Fuck you," you hiss, pulling him closer to you by his shoulders. All he does is chuckle before slowly slipping inside you. You moan loudly as you adjust to his size. Something about a lanky, dead-eyed man. His pace is steady as he rocks his hips against yours, picking up speed as you gush around him. Soon his thrusts are hard and rough, and your loud, vulgar moans echo off his bedroom walls.

"God, you're so fuckin' tight," he huffs, pulling out of you and tossing you aside. Simon quickly repositions you in front of him, on all fours. You let your back arch naturally, putting on a bit of a show for him as he watches you. His eyes are darkened and his smirk sends chills down your spine. You can't help but smile wide in excitement. With two round hands, he grabs your waist and positions you at the perfect height. His hands wander the soft flesh of your ass as you press up against him. "You drive me fucking crazy..." He sighs as he slips inside you.

Simon digs the tips of his fingers into your skin, pulling you against him with every violent thrust. You do everything you can to contort your body to give him more of you. He throws his head back, falling into a sloppy, unsteady pace. His breathing is wild and primal all the way up until the point of climax. You release a loud, fluttering moan as he fucks you through your high, quickly withdrawing to finish on your back and ass. You're both breathless for a while, the room is silent but for the sound of your lungs filling and deflating.

Simon climbs off the bed, but you're too fucked out to even raise your head up to watch where he's going. Moments later, he returns, towel in hand. He cleans you up and lands a hard smack on your right ass cheek. The sound is thunderous against the silence. You yelp and break into quiet chuckles.

Finally, you have the strength to roll over. You sit up against the mess of pillows that became a sort of headboard for his bed, feeling beautiful and bare before him. It's a nice feeling that you're not used to. Sure you've had your flings, but it's never occurred to you how quickly you tend to leave or cover up after. Not this time. You're both fully exposed and Simon's eyes drink you in, one last time before he speaks. "Don't go back." You stare at him for a long while, silent.

"I won't," you gasp, surprised by your own promise. As soon as the words leave your mouth, his lips are on yours. In the next few days, you quit your job and Simon rides with you to go back and get the most important of your shit. The rest goes with the trailer when you sell it. You don't run a single thing past your parents and you don't tell them you're coming back to town. It's a new sense of peace and adventure, though it feels like abandoning your old life.

After a month of van living, you and Simon get an apartment and constantly receive complaints about the noise, but nothing stops the music overflowing from your floor of the building. A new sense of bliss. It's comfortable now.

[cilil]

Hi, do you have any advices for budding writers on AO3 or here?

Hey! :)

I've given this some thought and compiled what I hope might be some helpful pointers, but if there's anything else or anything specific you want to hear more about, feel free to ask again. Also I'm assuming this is about the amazing craft of fanfic and not, uh, building a platform or whatever (I wouldn't be very helpful with that, I'm a nobody x)).

Share what you feel comfortable sharing.

So since you're asking about budding writers on AO3 and Tumblr, I take it you're at a point where you feel comfortable sharing your writing online, which is amazing. Nevertheless, I feel the need to once again mention (just for anyone who may be in the same or a similar situation) that it's completely alright not to be comfortable with it (yet) or not to share everything you write. I share almost everything simply because I'm annoying and it makes me feel accomplished and since I've grown pretty comfortable with it, I might as well; but not everyone feels that way and feelings also change. It's completely alright to write just for yourself or a small circle of friends.

Don't worry too much about "being good".

I will be the first to admit that I deeply relate to struggling with perfectionism when it comes to writing (and other creative pursuits). However, as someone who's been reading fic for many years, tends to be into quite niche and obscure things sometimes and is rarely spoiled by big fandoms' abundance of food, I want all writers, especially new ones, to know that you don't have to write the most amazing, perfect, publishing-ready pieces. What matters is your passion and creativity, which will show in your writing regardless of skill level. Not to mention that fic is free and in fact a tool for many to experiment.

That's not to say you can't strive to improve or be good - by all means, I find it admirable if you want to hone your craft and make progress as you continue to write. Just don't let perfectionism ruin your fun and stifle your creativity.

How to get better without trying overly hard.

Aside from just writing, writing and writing (that is the most important part though), how do you improve without making it a point to do so? Well, if it works for you to read/watch guides or you enjoy specific writing exercises, that's great, but one thing that I find gets overlooked a lot in writing spaces is simply: Reading. Just reading for fun.

I find that I often discover little things in other people's writing that I really like and then I think to myself "wow, that's really neat how they did that, maybe I could take a page out of their book" (pun intended) and make it a point to pay attention to these things when I write. Essentially, it's like creating a nice patchwork blanket which is your style, made up of your own voice and preferences as a writer and cool stuff you picked up on the road.

Let me just name some examples, which, yes, are also an excuse to shamelessly blow some writer friends of mine a well-deserved kiss of appreciation. @sauron-kraut writes incredibly polished short stories with beautiful wording and atmosphere that have a lot of little hidden things to discover and dissect, and I want to steal her ability to set the stage and hide those easter eggs. @a-world-of-whimsy-5 is an absolute legend when it comes to writing medieval and medieval-adjacent stuff, and I learned so much from her fics. @i-did-not-mean-to has a way of writing with such esprit and wit that I always end up in a good mood after, a style of narrative voice I've adored for over a decade, and I've greatly improved my humorous writing in particular thanks to her. @crackinthecup has the marvelous ability to craft extremely emotionally evocative scenes, which have encouraged me to be more courageous and experimental in my sentence melody and structure. @tragedybunny has a way of writing that reminds me of coming home to a warm and comfy place, and I will find out how she did it and how I can do it as well.

So as you can see, it can be super helpful to compare notes with your fellow writers. Never be discouraged by someone else's ability; instead learn and expand your own.

Feedback, criticism and community.

Let me just get one thing out of the way: You don't have to take criticism from everyone. Or at all. As far as I understand, the fanfic community has come to to agree that we're doing this for fun and don't give criticism unprompted/when we aren't sure it's wanted or welcome. As a general rule: Take criticism from those you would also seek advice from. Ask for feedback if you feel comfortable, and if not, that's a valid boundary to have and I will gently smack anyone who presumes to pick apart writing that was made for fun and generously shared with the community for free.

The community aspect, however, should be taken into account on other fronts. While I won't tell anyone they have to interact and believe that, in an ideal world, everyone's writing would just speak for itself, it is helpful to engage with the community. Things you can do (both on Tumblr and AO3 if also applicable/possible) include: Respond to people interacting with your works, interacting with other people's works (for example while you're doing your reading sessions and looking at other writers' styles) and just overall being present, being talkative, going with the flow.

Again, this is not a must. But I will say that pretty much all of us want positive responses and interactions on their work and that just won't work if you expect everyone to show up for you all the time and never show up for anyone else. Engagement, passion and community are our "currency" in the absence of money and reciprocity is an important element of that. A lot of friction and complaints in the fanfic community regarding lack of interaction or entitlement are rooted in misunderstandings of this fundamental principle.

But don't take this in a cynical manner. Seek out what you enjoy, share the joy and passion and you'll make friends just accidentally - which is the part that I find makes fandom on AO3 and Tumblr so much fun! (I don't even want to be a "traditional" author anymore, I want this instead😁)

Find your groove and groove along.

Lastly, make sure your writing is fun for you or else it'll become a chore and eventually get ruined for you as a hobby. This is unfortunately a continuous task as your needs and interests shift - for example you might be in the mood to do an entire drabble challenge one month and during another month you feel so drained that you couldn't do another one. Or you might want to write something different for a change. Or whatever it may be.

Either way, one recent lesson I've learned is that I got too tied up in obligations and it left no space for spontaneous inspiration, so I never got to write what I wanted to write in the moment and it pushed me quite close to burnout. Do yourself a favor and always hold that space for yourself. In practice, this could for example mean that you do one event and on the side write this cool new idea you had, instead of doing three events - which is fun and games until it starts getting too much and you don't have time for your passion projects.

Finding your groove also includes the whole technical aspect, such as which writing programs you use, which device (or none at all), where you write, how to make yourself comfortable, how to get in the right headspace for things. I would also like to encourage all of you to be a bit crazy and whimsical about this: For example I've gone to the perfume store, picked out a scent for a specific character in a specific scene and sniffed it while writing the description several times now. Do what it takes. And say goodbye to your squeaky clean search history - you will research some weird stuff just to get that one line right.

So yeah, these are just my random thoughts on fic writing and what has been helpful in order for me to have lots of fun with this hobby. Happy writing!

[bokettochild]

so did you ever explain how legend met ravio in opera house? you've said he was one of legend's strays but i wasn't sure if you actually mntioned how they met (also ravio should totally work at a souvenir stand when not backstage. whenever i go to musicals they always have merch stands)

Well, I'm still working it out, but I know Ravio is in Hyrule illegally, and he's definitely trying to keep a (somewhat) low profile as a result.

I know though that most of Legend's strays are not people he sought out, but rather people who thought he was the stray just to find out he actually was about to drag their ass out whatever in thanks for them helping him. Ravio probably met Legend in Crown City by chance.

I like trying to emulate the events for their ages when and where I can (I.e. Twilight met Midna while in jail, Sky and Sun went to school together, stuff like that) so Legend probably got involved in something and Ravio helped him out, so now Legend's trying to return the favor somehow and that involved getting Rav a job, and the two of them sort of becoming friends.

Legend would have been freshly back from Koholint and being stranded in the middle of the ocean, so he was in rough shape at the time, which may have been part of why Ravio ended up helping him.

I'm thinking maybe it's just a thing in the story that the crew jokes that Legend's fae, because if you help him out for any reason, your life starts looking up. Mostly because he actively tries to help you in return, but Ravio, Hyrule, and probably a couple other people they know all had the same thing happen, so it could be funny if that's sort of a gag to the gang where most of his strays/friends his age are just random people who helped him once and he helped get a new job/home as thanks.

If people have ideas though about Ravio (or the rest) I'm open to hearing them!

[hydrangeapartridge]

My completely biased review and opinion about companions in Veilguard (major spoilers of course)

(Side note : english is not my first langage, I hope I can express myself clearly enough for you all to understand my points)

- Neve

I like Neve, she’s cool. I loved the detail of the noise her metal leg makes when she walks.

Her questline was however a bit bland. We had better portrayals of power hungry blood mages in previous games and Aelia wasn’t that good an antagonist. She lacks charisma and isn’t seen much before the last quest so you don’t really care about her. It could have been more dramatic, like if we had to fight people of Minrathos being controlled, idk. Also not much about slavery.

I get that Bioware tried to make Neve’s quest like detective work, searching for clues and stuff, but for me it wasn’t that exciting, and Venatori are the mobs I like the least, I don’t like the crystals you have to break in order mechanics and stuff.

I chose to make her the hero of Minrathos and it was satisfying.

- Harding

I can’t find it in myself to call her Lace damn it XD

Of course I was happy to see Harding again after Inquisition ! She is a ray of Ferelden sunshine. I really enjoyed her questline with the Titans ; it was mysterious and you really felt the danger in the deep roads, and the potential threat of her newly acquiered magic. I liked the giant oracle and the design of the lyrium caves. It was a nice throwback to the first games.

The end scene of her quest was nicely done, with Rook trying to reach her while the whole cave was collapsing and then a group hug.

I chose the path of compassion.

- Lucanis

His accent was more funny to me than endearing (as is his signature « Mierda ») and I was surprised to find that he was soft instead of suave. I didn’t save Treviso so I feel like I missed a lot of his quest (and the decision at the end) and in the end he was OK but not that interesting to me.

There was also the problem of Illario ; the second he was introduced I smelled the family treason nd so there was no suspense to this quest. It felt like a bad telenovella.

I like that Zara had a literal blood bath in the quest of the same name. It was a cool fight.

I didn’t bring him out much but I enjoyed that he ended up with Neve.

- Bellara

Bellara is adorable. I liked her quirkiness but her dialogues were sometimes terrible. When she talked I felt like she kept repeating the same things phrased differently and sometimes I felt the itch to skip (I usually never skip dialog!).

I had high hopes for her questline because of Anaris and finding that her brother wasn’t dead, but it all flopped in the end when Cyrian got killed by being sent flying away and Anaris didn’t turn out that scary. It felt stupide that Cyrian was not dead and then really dead…

I chose to keep the Archive but that choice felt like the less impactful of all the companion choices.

- Davrin

I didn’t expect Davrin to be so brash ! I enjoyed his banter a lot and the growth of his relationship with Assan. That griffin is an absolute cutie !

His quests were cute for the Arlathan ones and impactful for the one with the Gloom Howler. I enjoyed Isseya’s story and saving the griffins.

I still felt Davrin to be a little too « jock » coded, but his banter with Emmrich and Manfred was perfect ! I enjoyed seeing the wardens again (Antoine and Evka <3) and am glad he was a true Warden this one.

I chose to release the griffin in Arlathan because my Rook was an elven veil jumper.

- Taash

In real life, Taash is the kind of person I would have trouble connecting with. They’re obtuse and a bit rude. I felt like I was intruding during the parts with her mother (it is probably the goal of those moments but it made me uneasy). I wanted to be supportive so I was but I didn’t feel like my Rook and them ended up great friends. The identity crisis wasn’t handled that well I think, but it wasn’t as bad as people make it out to be and maybe I’ll get hate for that but they come out at first more Trans than non binary given their problem is being misgendered as a girl mostly or expected to do girly things? They even say it feels right to be called a man I think I remember? (but I respect whatever pronouns she chose in the end)

I really enjoyed the dragon hunt quests however and their last quest was cool too. Their mother’s death was a sacrifice that made sense and it pained me.

Their romance with Harding was cute (mostly because of Harding’s reactions and that height difference XD)

I chose to push them towards embracing the Rivein life, even if I think they could have made peace with both ?

- Emmrich

Of course my favourite. And not only because he is the handsome older man who swept my Rook off her feet.

To give us a scholar necromancer that was the antithesis of the cliché : a man poised but a tad insecure, nerdy, gentle, kind, a bit posh, extremly elegant and whose favourite colour is lilac ! Genius !

The Necropolis had such a distinct ambiance that every quest there felt special, with amazing details and wonders of finding a wisp, a spirit or hearing a dead’s last words.

To me his personnal quests are the ones with the best handled rythm. The first one in the peace and quiet of the beautiful garden sets the tone : serious but poetic, sad but hopeful, and dares to tackle very real and grave subjects. Death and regret but also life and love are perfectly handled in his story and brought me lots and lots of feels.

There is a great antagonist whose motives are simple but dangerous ; a friend turned rival, similar but so different from dear Emmrich. Johanna is simply iconic (her hand gosh and the fact that you keep her skull in the end, brillant). The fights are well balanced, the cutscenes and dialogues perfect for immersion. And don’t get me started on Manfred… I love this little guy to bits.

I chose to revive Manfred and for Emmrich and Rook to live the rest of his mortality together. In Undying Love

[esmereldapearl]

I feel like two things COULD happen in the TSATS sequel

SPOILER WARNING FOR TSATS, TOA, AND BASICALLY THE ENTIRE SERIES (especially Jason Grace)

(Also this is just a theory and what I think— if you have any ideas feel free to lmk— I really want to hear ideas on this stuff)

- I’ve said since I finished the first one that this whole thing with Nyx isn’t over yet. I don’t feel like it is— I feel like she’s not just going to stop where she is.

- Something will happen with Jason. I feel like this plot point has been opened since Apollo asked if it was Jason instead of Bob. I feel like the fact that Jason cannot be located is also something. There’s this part of me that would find it AWESOME if he was in Valhalla but also, Jason wouldn’t age if he were there. The difference between Magnus and Jason is that Magnus has his friends there with him— none of them will age. But Jason’s friends aren’t there— so he’d have to go through it the same way Thalia will.

(As a valgrace shipper— or even not as one, it would be painful to loose like that all over again)

I really like the point that @aroaceleovaldez brought up (hoping I tagged correctly)

Originally, I would’ve thought Orpheus until one of their posts. (Don’t know when it was posted, but they brought up how there are already at least three-ish parallels to Orpheus so maybe it wouldn’t be that way)

Nico was angry at Leo for what he pulled at the end of BoO— but that could’ve been because he didn’t tell him- but maybe also because Leo cheated death? Idk. But, if Nico is less inclined to pull strings— what if it comes up that he has to?

Like, last time, Nyx had made it so Nico had to revisit bad memories— what if it’s more? What if she brings Jason along for the ride— it’s the newest wound that Nico has.

So what if that leaves Nico with no choice but to bring Jason back somehow— for a while I wondered if Nico could like raise the dead and Will would heal them but I’m not sure that’s how it works.

But the biggest thing is that I don’t think it’s specifically known where Jason is and I feel like that could play a key role.

Jason has such a bad narrative— he’s down the same one Bianca had gone down. Their deaths were only in there to raise another character up. Apollo to change once he got back to Olympus and Nico to be a hero. This is a chance for Jason to have a new narrative— he had to live through the Jason in mythology’s story so what about rewriting his narrative. A chance to change the story.

Jason’s character was “boring” because Jason didn’t know who he was. Jason had no memories and didn’t have a personality. (Mean that nicely) The reason why all of the characters are lovable is because they have personalities that make them stand out.

My overall point is: I feel like Nyx is going to be bringing more trouble to Nico and Will. I feel like it may include Jason as well since it was sort of alluded to when they 1) Don’t know where he is and 2) Apollo and Nico both wondered if Jason would play a part into the original Tartarus expedition.

[cartoonsinthemorning]

Hi forgive me if this has been addressed before! I'm a little new to your fem!stan stuff (I saw your ask reblogged by Boston and snuck out of the back of their foodtruck to send this) but I love the idea and was wondering does stan pretend to be Stanford when he falls in the portal? (If that is the route that's taken in the au at least) because it would be really interesting to see if constance would enjoy the freedom that comes with being a man but at the same time I think it would drive (incel) ford up the wall if he came back and saw his sister running a successful business out of his house. There would be this extra layer of tension as ford has to grapple with his own learned misogyny. Though I also imagine exploring the multiverse and seeing the way gender is explored or even ignored in other worlds would probably force him to have some realizations before hand but whether or not hed really allow himself to internalize those realizations is another story. Bros got an easy excuse to not analyze his own sexism since hes trying to hunt down bill

And then when he comes back and sees his sister is doing just fine would probably wound his pride a little bit. All those fantasies and unfair expectations of their roles hes built in his mind are forced to come crashing down once again

I'm also just kind of obsessed with the idea of constance finally learning how to be /stan/ in gravity falls because she never had the freedom and safety to do so before. I'm sure a large part of rejection of any femininity whatsoever came from not having the option to do so in the past. But then she watches the kids over the summer and sees mabel embracing makeovers and grappling hooks hand in hand. Dipper is insistent on being a "man" but never once tries to tell mabel she needs to be a "woman"

This ask is all over the place sorry I think i had a point to the start of this and now I'm just rambling about your own au to you lmfao

Anyway love the concept (and your art!!)

-🐶

Hello! Thank you for passing by and sending me such a nice message, sharing your own ideas with me! and many thanks for the compliments too, of course ❤ That said, I'm afraid my answer will be a tad disappointing. Because, the fem!Stan I enjoy to imagine is cis, and I can't imagine a cis woman being able to consistently pretend to be a man for thirty years, without losing their mind (in the same way it's detrimental for most trans people to supress their true identity for a lifetime, non?). Especially, in the same way canon Stan is very masculine (with a sprinkle of femininity, despite his shame about it), I like to imagine Constance as a lady who is very proud and comfortable in her womanhood- despite her loud voice and direct and somehow brash manners. Even in her younger years, when she was classified as a tomboy by most, she loved girly things- dresses, make up, gossip magazines, etc. without issues. I think of Stan in her 60s wearing tacky jewelry, lipstick, and hair-curlers at night, tbh. That's why, in this AU, my mind skirts around the part were Ford gets stuck into the portal.

For example, I sometimes imagine 30s Ford simply having a change of heart and dismantling the portal, and (now former) Drifter!Constance living with him from that point on (and, of course, I elaborated this one up until Stan and Mabel get into the picture, but for the sake of brevity I'll stop here). Or, I bend canon a little, making up that the people of Gravity Falls only heard of some researcher who was gonna build and live in a shack in the forest, but they never actually got to see them, let alone find out if it was a man or a woman. It's a version were the chaos Ford caused in town while posses by Bill either never happened or he did it without getting caught by police or getting seen. And, about the name on documents and stuff-- Constance was a marinated and resourceful conwoman at that point, she simply found a way to make things work. Hell, they have the same last name- maybe this time she registered Ford as deceased, passed herself as his wife, and inherited the Shack and the rest of Ford's possessions. I know many, reading this, would think it's heartless of Stan, but to me this trick is fucking hilarious. Especially, I'm grinning like a maniac imagining how mad and appalled Ford would look as he realizes the trick Constance pulled- not only because what a fucking ASSHOLE she's been, to use his "death" to appropriate his stuff- but also!! secretly!! because WHAT the FUCK- he often fantasized about Stan being his wife, but this is the most cruel and ironic monkey paw situation EVER!! To reconnect back to your speculations about sexist!Ford being humiliated and mad about Constance running a business independently: I like it! it's fun to read! But, I have to go deeper. I usually think of Ford's sexism toward Constance to be the outside layer, so to speak. I think deep down Ford always knew Stan had the potential to be strong, resourceful and independent, despite what their ma, pa, teachers and other people said. Ford grew next to her, he knows what this girl is capable of, how determined she is. And that's the point...What he really dreads, what he really hates, is the idea she doesn't need him, at all. That's what would make Ford actually upset about Stan running a business: knowing that, hadn't she brought him back, she would had been fine, without him. Sexism would be the mental shield Ford uses to protect himself from this painful acknowledgment: He's just mad because his fraud of a sister thinks she's being successful, but all she accomplished was using her physical appearance and womanly ways to seduce and manipulate. That's all, really. I roll my eyes at him, here, which is a good indicator I got him in character, if I can say so myself. The last scene you shared, with Stan realizing her nephew and niece aren't as oppressed by gender roles as she herself used to be- and bypassing them, even- is SO sweet 🥺 I have absolutely no doubt in my mind: one thing that does NOT change in either the canon universe and the genderbend one, is that Stan would love and adore Dipper and Mabel- and learn a lot from them ❤ PS: is the puppy icon your anon signature? it's so cute! 🐶 look at this fine boy. Great choice.

[dragonydreams]

BuckTommy Fic: Stuck in the Middle With You

Title: Stuck in the Middle With You Fandom: 9-1-1 Rating: Teen Audiences And Up Pairings/Characters: Evan "Buck" Buckley/Tommy Kinard, Evan "Buck" Buckley & Eddie Diaz, Eddie Diaz & Tomy Kinard Additional Tags: post-episode: s08e06 Confessions, this is not a buddie story, second chances, Eddie's a good friend, Fix-It Summary: Eddie promises Buck he'll talk to Tommy to try to get his friends back together. Word Count: 2,701 Disclaimer: I claim no ownership over these characters. I am merely borrowing them from Reamworks, Brad Falchuk Teley-Vision, Ryan Murphy Television, and 20th Television. Betas: Thank you to @medieshanachiefor looking this over for me. Author's Note: I'm not really sure where some of this came from. I had a line in my head and it kind of spiraled from there. Then Tommy got notions and wouldn't give them up. 

Read on AO3

They drank their beers in silence, but after a few minutes when Buck was still staring at the fireplace with that kicked puppy expression on his face, Eddie couldn't keep his rising worry in anymore.

"Not that I'm not happy to see you, but what happened?" he asked.

Buck looked at him as if seeing him for the first time. He watched Buck take in his bare face and legs. "I could ask you the same thing," Buck said, rather than answering.

"A priest told me to do something joyful," Eddie said. 'Your turn."

"A priest…? We're coming back to that." Buck takes a swig from his beer bottle. "Tommy dumped me."

Eddie nearly dropped his beer in his haste to turn to face Buck. "He what? But you just had your six month anniversary!"

"Took me by surprise, too," Buck said. "I don't think he was planning it, but as Athena would say, I went full Buck and scared him off."

Eddie winced. "What happened?"

"I asked him to move in with me," Buck admitted.

Eddie blew out a breath. "Is that how you phrased it?"

"Yeah, how else would I do it?" Buck asked, confused. 

"You didn't suggest moving in together, but for Tommy to move in with you," Eddie said.

"What difference does the phrasing make?" Buck asked, getting annoyed. He came here for comfort, not an inquisition.

"At any time while you were deciding to ask Tommy to move in, did you remember that Tommy has a house with a two car garage?" 

"I– What–" Buck's brow furrowed. "Of course I've been to Tommy's house."

"And you asked him to move in with you," Eddie said, again. 

Buck huffed in frustration. "I didn't mean my loft, literally."

"Did he know that?"

"I don't know, he was too busy breaking up with me to discuss where exactly we'd live," Buck said. "Why are you taking his side?"

"I'm not," Eddie said, holding his hands up. "I'm just trying to understand what happened."

"Did you know he used to be engaged to a woman?" Buck asked. "To Abby?"

Eddie's eyes went wide. "Not your Abby?"

"Yes, my Abby. Although I guess she was his Abby first," Buck said. "How could the two most important people I've dated been engaged to each other?"

"That is quite the coincidence," Eddie mused. "Is that what led to the idea of moving in?"

"Maybe?" Buck admitted. "Josh said all this stuff about me coming out in a post-Glee world, but he and Tommy came out in a pre-Glee world that wasn't so understanding and I wanted Tommy to know that I respected how hard it must have been for him and show him that I was all in."

"Had the two of you said I love you yet?" Eddie asked. 

"Why does everyone keep asking me that," Buck muttered. "No, but had you and Marisol said it before you asked her to move in?"

"No, we had not, and look how that turned out," Eddie said. "Our exes definitely had some big secrets."

"Yeah, but I knew about Abby before asking Tommy to move in. You didn't find out about Marisol being a nun until after," Buck pointed out.

"Almost a nun," Eddie corrected him automatically. 

Buck slumped back against the couch, draining the rest of his beer. "I went too big, too fast, didn't I?"

"You do have a tendency to act before thinking things through," Eddie agreed. 

"It's part of my charm," Buck said.

"Is it though?"

"Apparently not," Buck admitted. "I thought people liked big romantic gestures. Tommy loves all that rom-com stuff."

"Maybe, but not when it's a reaction to learning about a shared former lover," Eddie said. 

"How do I fix this?" Buck asked, tears filling his eyes. "I don't know that I am... Was… am in love with him, but I'm not ready to be without him."

"I don't know that this is something that you can walk back," Eddie said. 

"He said that while he may have been my first, he wasn't going to be my last. Did he tell you that he wasn't in this for the long haul?" Buck asked.

"We tried not to talk about you too much when we hung out," Eddie said. "But from what I could see, he was in it as much as you were." 

"Then why would he say something like that to me? Just because he's the first man I've been with doesn't mean that I want to be with other men."

"I can't speak for him, but maybe it's been his experience that when one man is just starting to date men and the other isn't, they don't usually stay together that long," Eddie said. "I'm just guessing here. You'd have to talk to him."

"Or-or you could," Buck suggested. He sat up on the couch, suddenly eager. "Yeah, can you do that? Can you go tell him that sometimes I leap before I look and I don't want this to end?"

Buck was looking at him with such sad yet hopeful eyes, that Eddie found himself saying, "Okay, fine, I'll try. Once."

Buck tackle hugged him. "Thank you. You're the best friend ever."

"I can't promise I'll change his mind," Eddie cautioned. 

"I'm not asking you to. I just need him to talk to me," Buck said, pulling back. "And now I think I need to know where your pants are."

Eddie laughed. "Yeah, um, so have you seen the movie Risky Business..."

~~*~~

Eddie stood before Tommy's front door, food offering in hand, and took a deep breath before ringing the bell.

It took a few minutes, but Tommy opened the door looking as rough as Eddie expected. 

"Had a feeling you'd need this," he said, holding up the bag containing a couple of breakfast burritos. 

"Did he send you?" Tommy asked, warily eyeing the bag of food.

"Yes, but I also wanted to see how you're doing," Eddie admitted. "I'm your friend, too."

Tommy stood back and let Eddie in before following him to the kitchen. Eddie got down a couple of plates while Tommy started making coffee.

"Should have known he'd run straight to you," Tommy muttered. "That man has been in love with you for as long as I've known him."

Eddie snorted. "No, he's not."

Tommy stared at him with an eyebrow raised. "I know he claimed he was trying to get my attention after you and I started hanging out, but I can tell you, he was most definitely not."

"He may have been trying to get my attention, but that's just the way our co-dependent friendship works sometimes. It's not because he's in love with me," Eddie protested.

"You tell yourself whatever you need to," Tommy said. 

"If he was in love with me, why would he have come to my house last night with a six-pack of beer and practically beg me to come ask you to talk to him to try to change your mind about breaking up?"

"Because you're his best friend," Tommy said.

"His straight best friend," Eddie reminded him. He idly wondered why he had to keep telling men he was straight. 

"You sure about that?" Tommy asked. "Should I kiss you and see if you have the same revelation Evan had?"

"Thanks, but I'll pass," Eddie said. "Because one, I'm not bicurious and two, I'm here on behalf of my heartbroken best friend."

Tommy poured them each a cup of coffee and they moved to the dining table. They each took a few bites before the conversation resumed.

"So, Buck's Abby was also your Abby," Eddie said. 

"It appears so. Did you know her?" Tommy asked.

Eddie shook his head. "She was before I moved to L.A. But I was there for the aftermath. Did he tell you about their breakup?"

"We didn't really get into that," Tommy admitted. "He just said she was one of his most transformative relationships, before me."

"From what I've heard, Buck slept around a lot before Abby. Bobby actually fired him his probationary year because he kept stealing engines for hookups."

Tommy choked on the bite he'd just taken. "I'm sorry, he stole fire engines to have sex? He wasn't kidding when he said he was a himbo."

Eddie nodded. "That's not the guy that I met, though. I met a guy who was living in his girlfriend's apartment even though she'd been traveling in Europe alone for months after her mom died."

"I did read about that. I sent her flowers," Tommy said.

"She basically ghosted Buck. He was staying true to her while she ran around without any real intention of coming back. She broke something in him."

"Because I broke something in her," Tommy said.

"That's not what I'm saying," Eddie said, quickly.

"Then why tell me about it?" Tommy demanded.

"To help you understand Buck. In case you haven't noticed, he has a fear of abandonment. Of not being enough," Eddie said.

"Who doesn't?" Tommy countered.

"He also tends to overcompensate when he's afraid," Eddie said.

"You're saying that he asked me to move in to his loft because he was afraid I'd leave him for a woman once he knew I used to be engaged to one?" Tommy asked, incredulously.

"No, I'm saying that between learning about Abby and something Josh said to him about how hard it was for gay people pre-Glee he wanted to show you how "in" he was in this relationship by asking you to move in."

"He's done this before? I'm not sure if that makes me feel any better."

"Did he tell you about suing the city after Bobby wouldn't let him return to work as soon as Buck wanted to after the ladder truck crushed his leg? Or asking Taylor to move in with him instead of just telling her he'd kissed Lucy back after she'd kissed him?"

"So he has done this before," Tommy said, solemnly. "Wait, Lucy Denato?"

"Or the time he tried grooming Ravi to take his place because he was convinced we all hated him after Chimney went chasing after Maddie when she left after Jee-Yun was born?"

"Or the time he thought he was cursed because he grew boils after an allergic reaction?" Tommy added.

"Exactly. He gets stuff in his head and reacts without thinking."

"And instead of talking it out, I just reacted to the words he was saying instead of talking to him about where they were coming from," Tommy said.

"Do you love him?" Eddie asked.

"Not yet, but I was close," Tommy admitted. "I didn't get into this relationship expecting love. I wasn't looking for it, but it was starting to sneak up on me."

"And that scared you," Eddie guessed.

"It did, because, as I said before, I didn't want my heart broken when you finally realized you were as in love with Evan as he is with you," Tommy said.

"I told you, I'm not," Eddie insisted. "I'm not gay, or bi."

"That's why you grew a Freddy Mercury mustache? To show how straight you are?" Tommy asked.

"Is that why the hot priest was hitting on me?" Eddie wondered aloud. 

"I'm sorry, a hot priest was hitting on you?" Tommy made a noise that sounded suspiciously like a giggle.

"He called my mustache very handsome," Eddie said.

"So you ran home and shaved it?"

"No, I shaved it because I realized I didn't need the mask anymore," Eddie said. "And not to mask that I'm straight. That's just the truth."

Tommy held his hands up. "Okay, fine, you're straight. You have no interest in bedding Evan."

"No, I don't. I'm not a threat to your relationship."

"There is no more relationship," Tommy said.

"If you're willing to try, there still could be," Eddie said. 

"I need to think about it," Tommy said.

"That's all I'm asking," Eddie said.

~~*~~

Can we meet for coffee?"

Buck nearly fumbled his phone as he read the text when they got back to the station after a call, four days after Tommy had dumped him. He frantically looked around for Eddie.

When he spotted him on a couch he ran over to him, holding out his phone. "Eddie, Eddie, he texted."

"Are you going to respond?" Eddie teased. 

"Oh, uh, yeah, of course," Buck said, pulling his phone back.

Yes! When and where?

Tommy responded right away. 

Tomorrow morning, 10am. You know where.

The coffee shop of second chances. Third? I'll be there.

"So?" Eddie asked.

"We're meeting for coffee tomorrow when we get off shift," Buck said, his face lit up with his smile.

"That's great, man. Good luck," Eddie said.

~~*~~

Buck was sitting at an outdoor table, two cups of coffee before him. The main difference this time is that he knew he had Tommy's order right.

"I'm feeling a bit of deja vu," Tommy said as he sat down across from Buck.

"Coffee should be better this time," Buck said.

Tommy brought the cup to his lips and hummed with appreciation. "At least you didn't try to be cute and order the wrong thing knowingly."

"I'd never do that to you," Buck said, offended.

"I know," Tommy said. "I'm sorry, I know that I have no right to be snarky."

"I'm the one who got dumped," Buck pointed out. "If anyone's going to be snarky, it should be me."

"I'm sorry, Evan," Tommy said.

"So it's Evan again?" Buck snarked.

"I deserved that," Tommy said. 

"What are you sorry for?" Buck asked.

"I'm sorry that instead of talking out my concerns that you were moving too fast I pulled away completely," Tommy apologized.

"And I'm sorry if you thought that I meant I wanted you to move into the loft. I was just so excited about the idea of living together, I didn't stop to think about where it would be," Buck said.

"I guess that's something we'll both need to work on; pausing to think before saying things," Tommy said.

"S-so there's something to work on?" Buck asked, hopefully. "Are we getting back together?"

"I think we need to have some long conversations about what we're looking for in this relationship, but I'm willing to have those discussions," Tommy said.

"Me too," Buck said, eagerly.

"But first, I want to ask you something that I should have done from the beginning," Tommy said.

Buck licked his lips nervously and nodded. "Okay, ask."

"Are you in love with Eddie?"

Buck laughed, then noticed the stern look on Tommy's face. "Oh, you're serious."

"Very."

"No, I'm not in love with Eddie. He's my best friend. My soulmate, but my platonic soulmate."

"Are you sure about that? Now that you know you're bi, are your feelings for him still just platonic?" Tommy pressed.

"Totally," Buck assured him. "He's always going to be an important person in my life, but he's not the one I want to share a bed with. My turn for a serious question."

"I deserve that," Tommy said.

"Can you handle Eddie and Christopher's role in my life? I'm always going to drop everything if one of them needs me. Are you going to be okay with that? Most of my girlfriends couldn't."

"Hell, I'll probably be the one driving you," Tommy admitted. "They're both pretty special people."

"They're the best," Buck agreed. "And I think you should take Eddie to the Lakers game instead of me. I really hate basketball."

Tommy laughed. "You know, somehow I just knew Eddie was going to end up at that game."

"Can we kiss and make up now?" Buck asked. 

"God, yes," Tommy said, both of them standing and reaching for the other. 

The kiss was fairly chaste since they were in public, but their hunger for each other was clear. This was something they both desperately wanted.

"You wanna get out of here?" Buck asked, somewhat breathless.

"Come back to my place?" Tommy suggested. 

"I'm right behind you," Buck said.

"Hmm, no, I think we should be face to face," Tommy said, smirking. 

Buck's face flushed. "That's not what… I mean yes, absolutely."

Tommy kissed Buck's cheek. "I'll see you soon."

The Beginning (Again)

[ssnowiejo]

(Dropping a little rant; feel free to scroll if this isn't for you. I should be sleeping but whatever.)

When I first became a fan of Joseph back in 2022, I was genuinely rooting for him. I was thrilled when he was cast in AQPDO and Gladiator II,even if those weren't the types of movies I usually enjoy. I wasn't as enthusiastic about FF, since I always felt he had more potential in indie or independent films. Still, I was ready to support him because I was a true fan. There’s a little story I’ve never shared before (but maybe some of you will relate to it before everything with the DC stuff unfolded).

Like many women, I've had my share of terrifying experiences with men, many of which happened when I was a minor, being chased by older men, catcalled, and even touched inappropriately on public transport. These moments left me with social anxiety that only worsened after high school. I wouldn’t leave the house unless I was sure I’d be accompanied by someone I trusted. The idea of going out alone was terrifying. I canceled plans often and sometimes felt ashamed for being “an adult” who was too anxious to leave her own home.

Then, when I became a fan of Joe, I saw photos and videos of him walking around London. I know this may sound silly, but I thought to myself, “He looks so confident. He doesn’t seem to care about walking alone. I want to be like that.” A few weeks later, I worked up the courage to go outside by myself, no friends, no one, just me. It was incredibly scary, but I did it. I even laughed a little, thinking that I did it just because I wanted to seem as cool and carefree as Joe.

I always thought he’d be the type of person who might understand a struggle like that. But after seeing who he chose to date, I can't help but feel disheartened. It makes me wonder if he would laugh at my struggles alongside Doja. It stings and makes me feel a bit insecure, even though I know deep down I was never going to meet him. Yet, the thought that people like him and Doja exist, and that I could cross paths with people who share their mindset, fills me with dread.

This might sound ridiculous to some, but for many years, being a fan provided a sense of safety. I truly believed it would be the same with Joe, I was happy to be a part of his fandom for the past two years. Now I realise that there isn’t any real “safe place” in celebrity culture. It saddens me deeply that people with money, fame, and status often get away with so much. Selfish people who hurt others continue to thrive, while the rest of us have to endure and “just deal with it” because that’s how the world works.

What makes it worse is knowing that, in the end, he really doesn’t care,his fans don’t care, the industry doesn’t care. As long as he and Doja bring in money, they’ll keep thriving. And even if their moment in the spotlight fades, they’ve already secured enough to live comfortably forever.

If they’re still happily together or just hooking up or whatever I just find it so disappointing and disgusting.

I’m just tired, man.

[mystery-moose]

Someone in my life posed some interesting questions about stories recently! In considering them I figured I'd keep a record of my thoughts here on my tumblr web log, because what void should I holler into if not this one?

First, how I think about stories. I try to avoid thinking about them as morality plays or parables (mostly because this can keep me from engaging with challenging art) but I also don't like thinking about them purely as escapism. Each story has a reason it exists, whether that's entertainment, communication, or contemplation. They're designed to draw out our empathy, communicate a feeling, create a mood. Sometimes that's in service of something important to the author. Other times, it's something meant to distract. I don't judge a story based on its pretensions, or on its naked commercialism -- I try to judge based on its execution, how it's doing what it's doing, and how well it succeeds. There are great artists right now working solely with other people's licenses, doing work-for-hire gigs, and their skills are just as worthy of praise and appreciation as the latest semi-original high-concept novel hanging in the middle of the New York Times bestseller list.

Basically, I think about stories like stories! Or, if I absolutely have to be metaphorical, like buildings. Are the foundations strong? Is it doing anything special? Can I navigate it easily? How accessible is it? That last matters a lot to me, because it doesn't matter how cool the interior is if most people can't find their way inside.

Second, what do I need a story to do to recommend it to someone else? I'm gonna go with "accessibility" at the top, not in the disability sense but the populist one. Yeah, playing to the cheap seats can hurt a story a lot, and you obviously can't please everyone, but ignoring your audience doesn't make me appreciate your story much myself, let alone get me to recommend it to anyone else. You have to find a balance where what you're communicating isn't absolute nonsense to most of your audience. Not all! Just most. Effective communication of your thoughts, feelings, and ideas to a layman is something I think a lot of storytellers could stand to care about more when it comes to honing their craft, and that goes for folks outside of the arts especially. So if I find a story with a big concept, beautiful craft, intense emotion, and it's not too esoteric or inaccessibly written? That's great art in my book, and I'll tell everyone about it.

Next, what do I look for in stories? Now that is a tough one... I guess, beyond sheer execution (if your prose is good enough you can take me almost anywhere) I look for something that makes me care about its characters as it introduces me to their world, and does so without me feeling like I'm being told why I should care about the characters or what their world is like. This goes for everything from period pieces to stories set in places or communities I'm unfamiliar with, just as much as it goes for fantasy or science-fiction. I do generally have to care about the characters in a piece to really devote a significant amount of time to a story, though. If I don't, the other elements of the work (craft, originality, feeling) have to carry a whole lot more of the weight in order to get me to finish something.

What are red flags for me? Honestly, a big one is feeling either preached or condescended to. Even if it's politics or perspectives I agree with, if I feel like I'm being told what to think rather than thinking it on my own, or if I simply think the author doesn't trust me to understand what they're trying to say? I check out. Beyond that, when a story excuses terrible behavior in the interests of forcing me to sympathize with a character the author clearly favors, I also check out. There's other stuff too -- I don't much care for certain tropes when they feel obvious or sufficiently undisguised (at least try to put some kind of spin on it!) -- but those are the big ones I think. If I see those, my desire to continue drops real sharp.

A recent example of a story I really loved, because I try to stay positive: earlier this year I finished a book called A Memory Called Empire by Arkady Martine, which almost instantly became one of my favorite stories. I had to sit with my feelings for days before I really settled on that, too! I worry about recency bias sometimes, that an impact will dull with time, but Empire has lived in my head since I read it. It's a well-told and compelling yarn that dips into a number of my favorite genres (science-fiction, murder-mystery, political intrigue, thriller) told from one of my favorite POVs (first-person) that also happens to dig into concepts that I find super cool and interesting! Things like history, how it's recorded, who makes it, what matters versus what historians only think matters. Things like the colonialism, cultural imperialism, and the politics of empire -- the pressure of being a small community being subsumed by a larger, more dominant one, the complicated nature of being a person from two worlds, whether by choice or by birth, and so on. It's got a lot of thoughts about that stuff, and it can't touch on all of them with the depth that they deserve, but it knows enough to know there's no easy answer for a lot of its questions, and it manages to make that feel like a natural conclusion rather than a copout. A great novel, and one I recommend to most everyone I know!

One I'm still in the middle of that I need to get back to: Gene Wolfe's Book of the New Sun. That's a work that I think is a bit inaccessible, with characters that I don't necessarily love (the protagonist is a professional torturer, if that tells you anything) but the sheer craft on display... my god. There are whole sections I've read, passages that describe a feeling that I've had before but never put to words, and it expresses them so effectively and with such excellent language that it carries me forward on those passages even when I'm unsure what this person's quest is or whether or not I even like them. And that's to say nothing of the depth of the text itself -- Ursula K. Le Guin famously called Gene Wolfe genre fiction's Herman Melville, and that's been borne out in what I've read so far. I've been listening to the Shelved by Genre podcast as I've been reading the book, and their own insights and analysis illuminate whole sections of the text that I would never have noticed otherwise, or would have without knowing exactly why! Awesome stuff.

[dead-girl-tells-stories]

A little while ago while hanging out at the manor for game night, Stephanie introduced the family to another one of her current favorite artist.

This was nothing unusual, Steph had a new favorite artist almost every other week. But this one was different. It wasn't just a single person but a group that called themselves ‘Team Phantom’.

Every song was different as every song was sang by a different person. So there was a song for everyone, including Jason.

He feel in love with the soft smooth voice of ‘The Sister’. Her songs were so dreamy and melancholic, and told stories that he often couldn't understand but made him feel like if he were there doing whatever she was doing. Feeling whatever she was feeling.

It was amazing. Her voice was just so beautiful. So calming. So additive, the way it calmed the pits. He didn't know why but every time her songs played it was like the pits disappeared. And so did ever constant green haze that haunted him.

The sense of clarity he was left with when one of her songs ended was like a fuckin high and he couldn't get enough.

Long after the game night he sought after her music. Her songs. Her voice. It was his medicine and his drug. His addiction. Which sucked because just like every other addiction, withdrawal was a BITCH.

It's been six months since ‘The Sister’ has released a new song. Since ANY of Team Phantom had released any new songs. And it was really suspicious considering how consistent their schedules were. But that was okay, kinda. Life was life and maybe something happened. He'll just listen to her old songs on repeat like he's been doing for the last six months.

Is what he said until they posted a new video to their channel.

It wasn't the 3 to 4 minute animated or stagnant image music video he was uses to. Instead, it was a dark shaking video, as if someone was running. Then bright teal eyes appeared on the screen. Everything stopped for a moment. Then came the still soft and smooth but now trembling voice of ‘The Sister’.

She uttered a single word.

“Help.”

Before it ended and turned black.

It could honestly just be a prank. But something told him other wise.

Before he even decided what course of action he was going to take. A message came in through the family group chat. And from the Demon child no less.

‘We need to help Team Phantom. NOW!!!!!’

Everyone agreed.

And Jason felt very validated that he wasn't the only one secretly addicted to their music.

Now it's time to save Team Phantom.

[liquidstar]

a friend who'd wait :)

[cuteniaarts]

@katkastrofa, circa 40-ish hours ago: Hey, what if our newest bunch of OCs adopted a baby from one of the other brothel girls who knew she couldn’t afford to raise one? That would make for some fun shenanigans :D

Me, with a notoriously non existent sleep schedule, instinct of self preservation or concern for my poor wrist: Alright, bet. Watch how fast I can make you fall in love with this hypothetical baby >:)

Daneli as a gentle and loving caretaker-turned-adoptive-mother is something that can be So Personal, actually, and originally I was going to leave it at this quick sketch, but then I got carried away thinking about what this child will grow up to be like raised by this little gang of misfits, so…

Here she is!! A little older and so, so beautiful, I need more of her in my life immediately, she’s way too precious

And, because I wouldn’t be me if I didn’t also add a sapphic element to this absolute cinnamon roll, a small crack ship that I’m only half serious about for when she’s a little older still:

All in all, we may be getting impossibly far from canon, but I for one already cannot get enough of sweet darling Kumisai <3

(I fully drew three pieces from scratch in 9 hours I cannot feel my brain or my hands anymore send help)

[cinnabundolly12]

Listening to this youtuber give misunderstood information on lmk macaque is killing me and I want to go through the screen and shove all the evidence and timestamps in their face PLSSSSS

THEY HAVE A MACAQUE PFP TOO LIKE EXCUSE ME THATS OUR BOI DONT DO HIM DIRTY LIKE THAT WJDNWJDNSJ

And no it's not cuz I'm obsessed with lmk and a "I told you" person it's literally in the character sheet and hidden details you have to look closer at (because writing and the way the episodes are made makes it obvious that its gonna be relevant or explained later if lego would just give them the time or opportunity to do it later AND ITS IN THE TOY-) and also basic information on the og book description of macaque or something

Has 6 ears ESPECIALLY ON HIS MECH HE MADE so they didn't ignore or cut it out technically idk about his hearing the past or present magic tho tbh I don't think they've hinted at it cuz I'm pretty sure we would know of it by now

Season 3 “benched” white tail is not an animation error it’s tangs (and/or piggsy's?) magic kinda fucked up macaque's glamour (caught him off guard I think is the wording?)

And season 4 “a lifetime of mistakes” the broken portal thing sun wukong caused kinda has this thing around macaque possibly showing the 6 ears existence finally (kinda sounds like a stretch but it's rly weird when you think about the animation looking closer fr)

[mad-hunts]

i like how barton went from being like... a hippie in terms of how he viewed sex in his early twenties, then kind of abstained from it for a few years / became sexually repressed, which... definitely isn't such a good thing. BUT then he became even more of a freak (and i do mean that in the good way this time LOL) around the time he started residency because WOW is that shit stressful. though that was also unfortunately around the time when he really started to spiral as well 😬 but we don't need to talk about that ahahhh

like the way this man learned how to express his sexuality REALLY came full circle in the end considering he was like 'yeah, back in the early days that i was in college, i was a freak. but now i'm not anymore... though do you want to see me do it again anyway?' like 💀 JSJSJ if he weren't so demented, i'd almost be inclined to say good for him, y'all LMAO feeling comfortable with your sexuality and perhaps even having a bit of fun with it (though maybe too much in barton's case, because he literally weaponizes it in order to lure in his victims. BUT once again, we don't need to talk about that right now psshhh. i actually fully intend on talking about that in the tags NGL) is more often than not a good thing after all

[bmpmp3]

thank god for indie devs making like tiny little maximum 10 megabyte freeware games on itchio keeping the art of filesize optimization alive. ASSET REUSE FOREVER!!!!!!!!!!!!!!!!!!!!!!!!!!