#so when i find a story that thinks about the same stuff?

[venusinmyrrh]

You said you love a good fashion doc- do you have any more to recommend?

Designers and tastemakers

Very Ralph (2019). The preeminent American designer of our time, one of the very few who can stand toe to toe with the titans of Paris and Milan. To call Ralph Lauren's work "sportswear" is to call the Sistine Chapel "kind of a big painting".

Halston (2019). Speaking of going head to head with Paris, Halston did it first. Skip Ultrasuede-- this is a much better doc about the king of American 70s disco glam.

McQueen (2018). When people talk about fashion as an art form, chances are they're thinking of Alexander McQueen. Worth watching for the pulse-pounding runway shows alone.

Westwood: Punk, Icon, Activist (2018). Obviously you already know about this one, but it's gotta go on any comprehensive list. Without Vivienne Westwood, punk would have been nothing but a handful of noisy assholes.

Diana Vreeland: The Eye Has to Travel (2011). My icon, my north star, my personal hero. The empress of taste and high priestess of personal style. Watch this doc whenever you need encouragement to do and wear whatever the hell you want.

The Gospel According to André (2017). Diana Vreeland's protegé and a godfather of style in his own right. If it happened in fashion in the last fifty years, André Leon Talley was there for it.

Lagerfeld Confidential (2007). I have a high tolerance for difficult and unpleasant people as long as I like their work. Your mileage may vary, but Karl Lagerfeld's immaculate, relentless taste cannot be denied.

Institutions and events

The First Monday in May (2016). Witness all the hustle, bustle, savvy, and stress that goes into planning the Met gala!

The September Issue (2009). Same as the above, but for the famous September issue of Vogue. Watch this to learn who Grace Coddington is.

Dior and I (2014). How do haute couture collections get made? In 8 weeks from start to finish, I guess, if you're Raf Simons during his first season at the House of Dior. A documentary and a thriller.

Scatter My Ashes at Bergdorf's (2013). No matter what other retailers might want you to think, Bergdorf Goodman is the last great department store. A portrait, already halfway to a time capsule, of what luxury shopping used to be.

Peripheral, but may be of interest

Nose (2021). The passionate, delicate art of perfume creation for the House of Dior. The French landscapes where they source their materials will make you swoon.

Larger Than Life: The Kevyn Aucoin Story (2017). As the makeup artist to pretty much every single icon of the 80s and 90s, Kevyn Aucoin invented the image of that era as much as any designer.

Fabergé: A Life of Its Own (2014). Come for the dazzling jewels and sumptuous objets d'art; stay to find out how this illustrious name ended up on hair care products in the 70s.

Crazy About Tiffany's (2016). Another luxury jeweler whose name alone is the stuff dreams are made on.

Bill Cunningham New York (2010). The original street style photographer, since before "street style" was even a thing. A love letter to curiosity, and a testament to the power of taking an interest in the world around us.

Still on my watchlist

Salvatore: Shoemaker of Dreams (2020). Directed by Luca Guadagnino, which is enough to put this Ferragamo doc at the top of my list.

Advanced Style (2014). Portraits of seven women aged 62-95 with truly fab personal style. Top Letterboxd review is seething about how out of touch they are with the real world, which means I am probably gonna love it.

Suited (2016). A study of gender through clothing in modern culture.

Dries (2017). A year-- and four collections-- in the life of Dries Van Noten, who, interestingly, doesn't see the point of clothes that people can't buy to wear, and so does not do couture.

Yellow is Forbidden (2018). This doc about Guo Pei appears to use her career as a framework to understand the gatekeeping of global culture by the West. Dope as hell, if it can pull it off.

American Style (2019). The political, social, and economic history of America through its fashion. Another one that could be really awesome if done with insight and panache.

Quant (2021). She may share the credit for inventing the miniskirt with two other people, but it cannot be argued that Mary Quant invented 1960s Swinging London. And for that we say thank you Dame Mary.

[algerian-lady]

^^^ i second this all. To add up to this:

1. The story with Sansal goes deep, this guy used to work in the Algerian government in Boutflika's era (the same he'd criticize as corrupt), he was a cadre working in trade yet he had 'special relations' with France and the French consulate (we know how some of them were involved in corruption now), many consider that he was a spy to the French government in the corruption era because of his links that extended to the head of state (literally tagging along Macron in his official visits). Sansal was kicked off his position for never being present in it, while confronted by the minister back then he was disrespectful (further showed his involvement with corruption) so he ended his work, that former minister had openly exposed his lies ever since.

Ever since he was fired, he was considered some symbol of freedom of speech (as if he was fired for his writings), given the French citizenship and started his full NeoHarka era where he says everything the French government wants him to say, from Islamophobia, to zionism agenda, to shitting on Algeria, its history and government, saying some unacceptable stuff.

Like you said, he went to visit the zionists, taking pictures in hait al buraq, but what's worse is that he used that to say "hey I did that with the Algerian citizenship, it's completely normal and now I'm allowed on Algerian soils ," while we all know this is completely illegal. But even with everything he said, he was allowed to go to Algeria many times, despite Algerians complaining about it and trying to make a case against him. What was the reason that finally pushed us to arrest him is his latest declaration that the western half of Algeria belongs to Morocco, this is completely illegal in the Algerian law, to question the territorial integrity of Algeria, for some colonialism agenda. (reminder that this guy said the Chouhada were dumb to fight France).

The thing is, the defiance of showing your face after this clear offense to the law was obviously deliberate, Algeria is again a gherbal to hide the disastrous state of France today, as soon as he was arrested and even though it was declared on national news many times "Algeria arrested sensal", was turned to "Sansal disappeared," as if we're a jungle not a sovereign state lol, and all exterme right figures started shitting their pants (ofc a NeoHarka, Islamophobic anti-Algerian spy like that was their ally and still needed, especially now to shit more on Algeria.)

2. The French president said "it is harming Algeria image to keep a sick old man without medical care under lock," when wrong, he is often seeing doctors, and false he wasn't arrested for being an old man, but for doing illegal shit. And I didn't know there was an age for prison in France? Last time I checked, France never batted an eyelash when many countries had been detaining older ppl, including themselves. Is is because he's got French citizenship? Well, before that, he's Algerian and is judged as such.

3. like you said France has no business interfering with our justice, when the French police killed Nahel (who has Algerian origins) and Algeria merely asked where the investigation reached, all of France protested to not interfere in their justice system (that is completely incompetent). This is also the France that illegally financed the FIS, if you go back to their media archives, they used all their means to protect them too (despite being Islamophobic) and are now trying to finance other extremist groups, they also shelter the MAK movement which is considered terrorist here, France whom also illegally jail Palestine supporters. And so on (also obviously France the old colonizer, today neocoloniser)

So yep obviously not a country that can give moral lessons to anyone, least of all Algeria lol. Various Algerians parties have given the French president a proper response, calling his declarations scandalous , yet honestly I just find him cringe and I don't think he deserves our attention. He's just showing the real face of France, how it'd manipulate you will all those petty tactics if you go against their interests.

4. He also said something about "we love Algeria, we have their children" which is similar to what the Algerian president had repeated many times, that we can't cut relations with France because of our diaspora. So here the French president is using another manipulation tactic. Frankly, him saying "Algeria is dishonoring itself" is closely similar to the speech all French media took after Sansal arrestation, albeit a bit softened, since they'd literally say that "the military regime in Algeria is either a dictatorship or with France". I'd like to not that France let all those media talk shit about us for a month (for décennies actually) and after they understood it did nothing, they sent their president, yet again to try and control us, use this case to manipulate us and gaslight us.

5. The second infuriating point of his speech (I actually made a post abt it), was very well responded to by Tchad and Senegal. Not only he is calling Africans, ungrateful, bad-mannered and what was that 'it's not transmissible to humans'? He is simply being decomplexed in his colonialism, flaunting French Interventionism, how it is used to decide for those countries leaders in favor of France, wants Africans to say thank you about that (as if that's something to be thanked for, when you know that's exactly what's been keeping Africa behind, since all those corrupt leaders are never in favor of their people) then he went on and lied about how the French don't get kicked out (apparently they are here for moral reasons lol) but they coordinate their kicking out, they are just polite to let the Africans announce it first, okay, what do you call the fleeting of French armies from Mali and Niger? Coordination apparently, nice job being the kick. Honestly that's such a childish speech, happy to see the two countries responding in detail about it.

6. Yes, France hasn't stopped using the Guillotine long ago lol, in their former colonies that is. And yes I do not care for whether you think some white jokes are more important than our sensitivity, it is about time you start taking amends, change your speech to be more morally acceptable, be hyper aware of the crimes of colonialism, guillotine was considered some morbid symbol of justice, not anymore, now it's just considered a symbol of oppression.

I’m staying away from Tumblr because y’all tend to encourage me a bit too much and lately I don’t need to be encouraged to say what I think. I need to calm down.

But I will make one comment about Macron and France these past few weeks.

Once a colonizer always a colonizer.

[linkcharacter]

I find it interesting when people call Jimmy an unreliable narrator. There’s not really any narrating done in the traditional sense, and we don’t even hear a lot of his inner thoughts. Do they mean “narrator” as in our view of the world and characters are shaped by his POV through interactions and visuals, instead of a verbal, descriptive narration?

Please THANK YOU EXACTLY I WANTED TO TALK ABOUT THIS SO BAD ACTUALLY.

My opinion is that people like to shove terms that vaguely fit the story of Mouthwashing anywhere they can, same with describing characters (Curly for example) as "morally grey". Which in my opinion is reductive and doesn't represent who the character is, it's defined enough for people to 'kinda' be on the same page but also vague enough that it doesn't accurately describe the character and blurs the complexity that makes the character interesting.

I wouldn't apply the term "unreliable narrator" to Jimmy. His perspective of what we are allowed to see in game is limited, but we see exactly what happens, just through Jimmy's eyes. Jimmy isn't twisting the narrative for the viewer because he's NOT NARRATING. Mouthwashing is a game with no narration to tell the story. Sure, characters talk about the events, but they're not talking to the player, and an unreliable narrator's purpose from a storytelling point, is to deceive or mislead the viewer. I think trying to shove storytelling terms anywhere it fits doesn't work and just confuses a lot of people. The game itself plays around with the narrative and reveals things and structures the story in ways to manipulate our perception, like allowing only certain small sections of events to be seen, and ordered in a way to play with our thoughts and attention.

Jimmy's perspective and presence change the attitude of characters, but this isn't "unreliable narration", it's the reality of how characters act with Jimmy around. I kinda understand what people mean when they say he's an unreliable narrator, that we shouldn't take Jimmy's POV as the whole truth at face value, but that's not because the 'narrative' is being twisted, we just have to take into account the context of the situation. The players aren't being deceived, they're being required to think about nuances. And even when Jimmy starts having his episodes with hallucinations, it's not to deceive the viewer, it's showing us how JIMMY HIMSELF sees reality, we can very clearly disconnect what is being shown from the context of what is actually going on. The dinner scene, for example, is obviously just has Jimmy tweak out, but we as players can tell that it's not real, there's no misleading happening. And we see how Jimmy talks to others during gameplay, we see Jimmy be abusive to others and be a jerk and perform manipulation, there's no narration to make us believe he's not doing all of these things or to even conceal or twist the truth. Jimmy as a character with his words does manipulate others, but not the viewer. You can say Jimmy is an unreliable narrator within the reality of the game, but he's definitely not if we're talking about meta.

The bizarro sequences are a bit different because there's clearly some meta "showing the viewer symbolisms to have them connect ideas of the story, while not being grounded in reality for the characters in the game" stuff going on, but again, there's no narration nor is there a point to confuse the viewer. The point is to show the themes of the story in an interesting and impactful way that leaves a lot to analyze, you're not being deceived, you just have to think about it and see what the game is trying to show, it's encouraging you to look deeper into the story. Mouthwashing IS NOT a game with a clear-cut clean concrete story with no room for interpretation.

[brucebocchi]

Ranking 2024 anime, Pt. 5: #10-1

hey, this post is also available on my ko-fi, so please check it out and consider tipping/donating as i do this for free and am currently between jobs. you can find part 1 of the list here, part 2 here, part 3 here, and part 4 here. all of my seasonal reviews are on my ko-fi and under my anime reviews tag, mixed in with my occasional musings. thanks!

And we are in the home stretch! I didn't want to split up my top 10 like last year, so it took a couple days to get it all together. Thanks for your patience.

​As you may have noticed, some of these reviews are longer than others. I've reviewed most of these shows before, so I didn't want to be too redundant while talking about shows I've already reviewed. You can, of course, go back and read my initial reviews in my previous seasonal roundups.

Also, I just wanted to quickly shout out a few shows that I haven't watched much or any of, but would likely have placed well in these rankings, namely Dead Dead Demon's Dededede Destruction, YATAGARASU, the Spice and Wolf remake, Orb: On the Movements of Earth, Sound! Euphonium's third season, and the late Akira Toriyama's SAND LAND and Dragon Ball DAIMA. I only have so much time in a day, week, month, and year, but those series have been on my radar and I do intend to pick them up sooner or later.

But for now, let's focus on what I did watch. Off we go:

10. Blue Box

This is a slightly biased placement on my end because I picked up the manga this year and quickly fell in love with it, and I’m just happy that it got a faithful, well-made anime adaptation. If you have an issue with that, I’m gonna let you in on a little secret: This whole list is biased. It’s MY list, after all.

After an uneven summer output between My Dear Friend Nokotan and Suicide Squad Isekai, WIT Studio is in full form adapting Kouji Miura’s gorgeous high school sports romance. Rising first-year badminton player Taiki has a huge crush on his basketball star senpai Chinatsu, who practices in the same high school gym he does. He’s happy enough to keep a friendly distance as they improve at their respective sports, but that distance is closed significantly when her parents go abroad for work and she ends up moving in under the same roof as him. The spirit of competition is in the air, and is that a whiff of romance I smell as well?

The reason I felt the need to call out my own bias at the start is because Blue Box’s debut cour is, on balance, probably just “pretty good,” but I was just so overjoyed that this anime even exists that I was willing to overlook the early story’s growing pains. Taiki, of course, is the POV character for most of the first cour, and most of the romantic tension we see so far is entirely from his end as he swoons and huffs and goes into cardiac arrest over any and every gesture Chinatsu throws his way. You know, teenage boy stuff. There have been criticisms that Chinatsu doesn’t get much interiority for a bit and that she’s a bit of an enigma in terms of her role in the central “romance,” such that it is so far, which is a valid criticism of a lot of shonen romance stories. I’m generally of the mind that these things are more potent when the object of the protagonist’s affection is treated as more than a puzzle for him to solve, but I think Blue Box does a fine job of establishing what Chinatsu means to Taiki before we do indeed begin to get a feel for how she operates and what she might think of him. If you found that part a little maddening early on, trust me when I say it’s worth sticking it out.

Regardless, the character writing is what made Blue Box such a hit in Weekly Shonen Jump. Taiki is a flat-out good kid, if a little naive, and his boundless determination to achieve and exceed his goals in both badminton and romance makes him easy to root for. Chinatsu is fairly taciturn, as mentioned, but that’s by design; she’s a notoriously difficult person to read, as even her friends and teammates note that they can rarely decipher what she’s thinking. She’s still an effortlessly charming character, and it’s not hard to figure out why Taiki’s got it so bad for her. The real highlight of the series, though, is Taiki’s classmate and longtime friend, Hina, a rhythmic gymnast and an absolute troll. She is an absolute delight in every scene she’s in, whether she’s knocking Taiki’s knees out from under him, focusing on rehearsing her next routine, or prying into Taiki’s love life and realizing that, oops, she really cares about him too. Hina is wonderful and I just want the best for her.

Characters this likable will need the voices to match, and I am over the moon about this show’s casting. Shouya Chiba is tremendous as Taiki, in a far cry from his Epic Based Stoic Chad role as Ayanokoji in Classroom of the Elite. Every line read for Taiki sounds exactly as gung-ho about sports and devastatingly down bad for his crush as you’d expect of a hormonal 15 year old. Reina Ueda is terrific as the soft-spoken Chinatsu, but I’m looking forward to hearing the always-delightful Xanthe Huynh (Haru in Persona 5, Marianne in Fire Emblem Three Houses) take on the role in the dub just as much. Akari Kitou channels much of the same gremlin energy she did for KamiKatsu to portray Hina’s mischief, and I look forward to hearing her nail Hina’s excellent upcoming character moments. And although it’s a secondary role, the casting I was most excited to hear was Chiaki Kobayashi (Mash in Mashle, Stark in Frieren) as Taiki’s teammate Kyo. Kobayashi’s languid tsukkomi affect was exactly what I had in mind whenever Kyo would put Taiki’s lovelorn antics into stark relief in the manga. It’s like he was born for the part.

This show looks tremendous, perfectly adapting both the soft, doe-eyed character designs from the manga as well as the lower-detail gags. The pastel color palette and gorgeous lighting effects are exactly what I was hoping for while reading the manga.  If I have any complaint, though, it’s mostly that I want to see more of the sports action. The granular details of the badminton matches and basketball games are hardly the focus of the story, but the action panels are usually the best part of Miura’s art in the manga. Shot-for-shot, it certainly does hew close to the manga presentation, but it’s mostly a racquet swing or close-up jump shot followed by an onlooker’s reaction. I’d have liked a bit more follow through. The CGI used for background competitors can get a little distracting after a while, too, but it’s easy to forget about.

Blue Box is continuing into 2025, and I’m waiting for every new episode with bated breath. If you liked the first cour enough but still have doubts, trust me when I say it just keeps getting better. I look forward to coming back to the second half of this season in another year for my victory lap.

9. Girls Band Cry

This is one of the most inventive girls-band anime out there, certainly the most so since that one from 2022 that I swore I wouldn’t bring up by name. Gorgeous 3D-CG animation, stirring original music, and a compelling cast of characters combine to make Girls Band Cry even more than the sum of its parts.

More than anything, I think what makes Girls Band Cry a terrific showbiz series is that it depicts the uncomfortable reality that a lot of artists are just flat-out unpleasant people and often don’t mesh well with one another. Protagonist Nina is messy, stubborn, and angry at the world and her parents and will not hesitate to make it your problem. She butts heads with her friends and bandmates at any provocation, but stubbornness is a major driving factor in the plot: Each of the five members of Togenashi Togeari has something they’re trying to move on from with their music, and while they each have an opinion on how to get there, they do come to realize, after a lot of silly yelling matches, that they want to do so together.

As a vehicle to push Girls Band Cry and Togenashi Togeari as a real-world multimedia experience, this show is a success. It’s a terrific-looking show in ways we rarely see outside of Studio Orange productions (and allegedly Love Live! Sunshine!!, which director Kazuo Sakai also had a hand in); the 3D computer-generated character models and animations are terrifically expressive and lively, and creative visual effects add a compelling sense of synaesthesia to Nina's emotional highs and lows. The voice cast, all pseudonymous contest winners, are also the real-life band members, and they fully nail both elements of their roles. TogeToge’s music in the show is terrific, and as an already-existing Gorillaz-esque virtual band, I’m excited to dig into their back catalog.

Girls Band Cry finally got an official English translation, so there’s no longer any excuse to sleep on this one. It’s funny, it’s heartfelt, and above all else, it fucking rocks. Don’t let this one fade away just because you might’ve missed it when it aired.

8. Frieren: Beyond Journey’s End, second cour

When I ranked the first cour of Frieren as the best anime of 2023, I wrote:

The debut season of Frieren will continue into 2024, and if the quality remains a constant, it could very well be one of the best anime of next year too. It has remained as MyAnimeList’s top-rated anime ever for its entire run, warding off the legion of Fullmetal Alchemist Brotherhood fans. Frieren deserves it.

A year later, it is still MAL’s top-rated anime, and by a healthy margin. Another 12 episodes aired to kick off 2024, and it was indeed one of the best anime of this year as well. I stand firm in my convictions that not only is it one of the best anime of the decade so far, it’s one of the best anime I’ve ever seen.

I really shot my wad by praising Frieren so profusely midway through its run, to the point where I still don’t really feel the need to add much more here. The second cour mostly focuses on the First Class Mage exam arc, allowing us to learn more about the present state of magic in the modern day and adding some much-needed depth to the cast. It continues to strike a lovely balance between the quieter moments and bonkers action sequences, as well as the more serious moments with laugh-out-loud goofiness. It may be a lesser arc in this story, but it would be a standout in so many others.

If I haven’t been clear enough, I remain over the moon about Frieren. The second cour looks and sounds just as incredible as the first, and this show’s success should serve as a reminder to the industry that investment in quality pays off. Madhouse knows they have a banger on their hands, and if the next season can maintain this level of production value for the major arc that is still to come, Frieren may very well earn GOAT status. Even if another season somehow never materializes, I’ll still be talking about this season in five years when it comes time to talk about the best of the decade. Watch this goddamn show.

7. A Sign of Affection

For all the romance anime and manga I consume, I’ve shamefully been lacking on the shoujo/josei front. I really gotta fix that. If reading more shoujo was what spurred Yukinobu Tatsu to make DanDaDan, then who knows what it might do for me? A Sign of Affection isn’t my first shoujo, strictly speaking, but it does feel like one of the first I’ve seen of the good old-fashioned flowery romance type.

What a gorgeous show. A Sign of Affection looks terrific, sounds terrific, and above all feels terrific. This is just a lovely, fluffy romance with low stakes and easy payoff; just two pretty people getting to know each other and learning to overcome their differences. It’s low on gimmicks and plot contrivances, and for as much as I like romcoms and romance stories with a unique bent, I love a good straightforward romance just as much sometimes. Everyone looks beautiful and likes each other and Jesus Christ look at the lips on these boys. There’s even a double-date to Costco, and what better depiction of marital bliss could there be?

I’m still pleasantly surprised at how this show handles the main character’s disability. Protagonist Yuki’s congenital deafness isn’t a single-note character quirk or a plot device to make her seem helpless; it simply is. It’s a part of her life that serves as the lens through which all of the people in her life see and treat her, and it leads to the only thing that resembles a major conflict in the show. Itsuomi, the main romantic interest, doesn’t baby her or walk all over her; he instead gently tests her boundaries while learning to accommodate her in a way to ensure her comfort. Her childhood friend Oushi, on the other hand, is very jealous of this development because he seems to feel entitled to her just because he did the bare minimum to accommodate her. The circumstances aren’t common, of course, but it’s a good lesson for a shoujo to have: Don’t settle.

My praise for A Sign of Affection mostly boils down to “it’s just really nice,” but it does “just really nice” so goddamn well. It’s fluffy, it’s comfy, it’s cozy, all of those adjectives that would set off my fight-or-flight response if I heard them from someone else, but I was enthralled by this show week in and week out. I can’t believe I neglected to start reading the manga, and I’m gonna have to get on that ASAP because I can’t wait for another season.

6. The Apothecary Diaries, second cour

I found myself more intrigued at The Apothecary Diaries at the end of 2023 than most other shows I’d watched that year. I grew more and more invested in the idiosyncratic Maomao as she investigated mysterious ailments and navigated imperial palace politics, all the while being a lovable little shit. 

Before I’d realized it, though, the 2024 half of its run knew it had its hooks in me and took me for a ride. What looked at first like a series of one-off puzzles quickly began entangling into a much larger mystery, rapidly gaining momentum until exploding into a massive emotional payoff. So many of the small details in what you assume are episodic mystery-of-the-week mini-stories become relevant in unexpected ways and draw you in ever further. I adore this kind of lowkey long-term storytelling, and for it to be part of such an appealing package is basically catnip for me.

For as gorgeous as The Apothecary Diaries can be visually, sonically, and sometimes even emotionally, it’s worth mentioning that this show is also hilarious a lot of the time. Maomao is on permanent goblin mode whenever she isn’t carrying out official business, and any time the palace officials have to rein her in is a delight. The push-and-pull between her and Jinshi is endlessly entertaining to the point where I can wait forever for that payoff if I have to.

I neglected to read the Apothecary Diaries manga after the first season went off the air (though I nearly bought all of it sight unseen), and with the second about to drop, I guess I’m holding off for another six months. Can’t say I mind, though. I’m along for the ride and I want this show to keep surprising me for as long as it can. This is easily one of the best anime of the 2020s so far and I’m gonna be there front row center for every new episode.

5. Bang Brave Bang Bravern

People say “peak fiction” too goddamn often these days. Not that it was a meaningful term to begin with, but it’s been memed to hell and back and is mostly just thrown out ironically to mock garbage writing. To be honest, I’m not above it myself, but I prefer to ascribe it, even jokingly, to stuff that can only truly come from a brilliant and/or deranged mind. Preferably both. Peak fiction, to me, is the intersection where talent meets insanity, no matter the degree of either.

Bang Brave Bang Bravern is peak fiction.

I gushed about this show after the winter season, and I almost don’t want to say anything further about it, mostly for two reasons: Firstly, because I don’t really want to give the game away any more than I already did back in April, and secondly, because I think it may have permanently burrowed into a specific part of my brain and then melted it. All I’m left with is “this show fucking rocks, dudes rock, you need to see it, it’s peak, don't ask questions, just watch it.”

Indeed, Bravern is the Dudes Rock anime of the year, and an essential piece of Dudes Rock media. It’s Top Gun with aliens and a giant talking robot. And the robot wants to fuck his pilot. This show is loud, horny, stupid, and self-aware, combined just so into a cocktail of legitimate brilliance that is, for better or worse, unlike anything I’ve seen before or since. Nearly every single episode had me clawing at my hair and shrieking “WHAT THE FUCK AM I WATCHING,” and that is the highest praise I can give just about anything.

I might be overselling it just a touch, but Bravern is just as earnest as it is utterly wild. It’s an intentionally hilarious show, but it means everything it does and says. It’s a love letter to mecha anime and tokusatsu, and with its top staff sporting Gundam and Macross bona fides, that love oozes into every aspect. The mechs, both manmade and alien, all look tremendous, the music is a throwback to the goofy bombast you’d find in series like this as far back as the Showa era, and the ensemble cast outside of our silly leads are just as gung-ho and serious about Saving The World as you’d find in just about any other mech show. Anything that can be this goofy with a completely straight face is going to hook me in.

All in all, Bang Brave Bang Bravern is hypercompetent lunacy with heart. Call it weaponized genre awareness if you must, but it knows exactly what it’s about, grabs you by the collar, and takes you for a ride, all while doing badass tokusatsu poses and calling out special moves with silly names. This is legitimately what fiction is all about. 

Also, if you don’t like Lulu just because she screeches a lot, you’re a weakling. Gaga-pi, motherfucker.

4. The Dangers in My Heart, season 2

This was a series whose first season was conspicuously absent from my 2023 rankings, but I caught up shortly after finishing that list in order to catch up to the second season. I’d watched a glut of slice-of-life romances in 2023 and figured I could afford to miss this one. I’m overjoyed at how wrong I was.

To paraphrase the second season’s exceptional OP, The Dangers in My Heart is indescribably beautiful. As I said with A Sign of Affection, I love me a straightforward anime romance, and this middle school slice-of-life is just that: Underdeveloped edgelord boy ends up making unlikely friends with, and falling for, the cheery popular girl in his class. This is easy wish-fulfillment on paper, but that’s hiding the trick: Kyotaro isn’t gonna get anything he wants by keeping his quills out for anyone who comes near, and he has some growing up to do if he’s ever gonna get what he wants.

Season 2 picks up right where the first left off, with Kyotaro’s arm still broken from his family trip and Anna feeling guilty because she thinks her distraction was what led to the injury. Right out of the gate, we see the care these two have developed for one another: Anna wants to help while he can’t do his own schoolwork, while Kyo is quick to try to cheer her up when she no longer feels like she’s able to. Already we’re seeing Kyotaro’s character development coming to light: The Dangers in My Heart isn’t a story about a Nice Guy getting the girl just by being there; it’s a story of self-improvement, of trying to become the type of person whom your crush would want to fall in love with. For a story about and ostensibly marketed to early teenagers, that’s a good lesson to have, and I absolutely devour stories like that.

As can be the case with plenty of adolescents, most of the conflict here is internal. Kyotaro spent the early part of his middle school education keeping a safe distance from everyone in order to avoid getting hurt, and as you can imagine, that did a number on his self esteem. Though he’s mostly kicked the chuunibyo mindset, Kyo still prefers to keep his distance, less because he doesn’t want to get hurt, but now because he doesn’t want to hurt anyone else. Specifically Anna. So much of this story is about him learning to be okay with letting people in and not just falling in love, but making friends and becoming somebody whom people just want to be around. It’s a chuuni rehabilitation story. You love to see it.

With all due respect to mangaka Norio Sakurai, the biggest surprise that came from reading the manga was how much better the anime looks than its source material. The anime looks tremendous in its own right, but compared to Sakurai’s doodly, occasionally messy style, the love put into the show stands in stark relief. Characters, backgrounds, and lighting are all soft, squishy, and warm, almost like the entire thing was run through the filter through which only a 13-year-old in love can see, even as a little edgelord. Little flourishes in the environment and music highlight the minute but consequential motes of progression in Kyo and Anna’s relationship. The OP ended up shaking out as my favorite of the year, even with 2024 being bookended by Creepy Nuts bangers. It’s that special to me.

And just like that, The Dangers in My Heart went from “eh probably not for me” to “yeah this is one of the best anime of the decade so far.” It’s a simple slice-of-life romance on paper, almost literally so in the manga, but this is a transformative adaptation. There’s much more of the story to tell, and I wouldn’t complain about more, but as it stands after two seasons, The Dangers in My Heart is damn near perfect as it is.

3. Oshi no Ko, season 2

Another year, another season, another top-four finish for one of the best manga adaptations I’ve ever seen. 

The anime adaptation of Aka Akasaka and Mengo Yokoyari’s showbiz-revenge manga made shockwaves last year following its thunderous feature-length premiere, and its source material made even more waves due to some questionable plot developments that fortunately went nowhere. Doga Kobo was undeterred by any negative attention brought to the brand, though, and pressed forward into the next arc with a level of swagger you rarely see brought into an anime’s sequel season.

The 2.5D stage play arc in Oshi no Ko’s manga wasn’t my favorite, but it was one that you could tell just from reading it would translate well to the screen. Even then, I wasn’t prepared for just how hard Doga Kobo would go in adapting it. Character animation is sumptuously fluid, color used to amazing effect, and personal expression bursts forth into impressionistic abstraction to such a degree that it made manga artist Yokoyari cry. Everyone looks and sounds incredible beyond any way I could’ve imagined from reading the manga, which, at the risk of sounding defensive, is still very good as a whole.

This being a story largely about the music industry, the music remains as on-point as ever. It’s too soon to tell if the second season’s OP/ED pairing tops the instantly-iconic “Idol” and “Mephisto” from the first, but these are no slouches. This season’s OP, “Fatale,” is a whiplash-inducing banger by Tatsuya Kitani and idol Kento Nakajima, performing under the collaborative name of GEMN (itself a relevant name to the show; twins without the i/Ai, DO YOU GET IT???) with visuals that might actually top those of Idol. The new ED, “Burning,” is Hitsujibungaku at their fuzzy, 90s-style alt-rock best, and it takes on a brand new meaning by the end of the season. Of course, there’s also the story-relevant music; while the bulk of the season focuses on the stage play, the last few episodes give us a glimpse into the pop music process, with the season capping off with an in-universe music video that, while not sonically my exact cup of tea, features 90 seconds of some of the best-looking dance animation I’ve ever seen in my life. That’s a flex if I’ve ever seen one.

And just like the first season, the second capped off with an announcement that Oshi no Ko will indeed be returning for another season. At this rate, and with the anime’s success, they will adapt the entire work, which will raise some eyebrows. I’m not going to litigate the manga’s later controversial developments nor its widely-panned ending, but if Doga Koba was able to handle everything that came before those things with such aplomb, I have faith that it will at least be done well.

2. DanDaDan

I want to preface this by saying that I agonized over whether this or the final entry is my anime of the year. I’m comfortable with what I chose, but if I’m being realistic, DanDaDan is basically 1b. This is a masterpiece already.

Although the source material was a bit of a cult hit until this year, DanDaDan came with a considerable amount of hype. If you were even peripherally familiar, it wasn’t hard to see why: Yukinobu Tatsu’s art is absurdly detailed in almost every panel, character designs are easily recognizable (one of the leads dressing similarly to a Persona 3 character was fortuitous for the anime to drop in the same year as Reload), and so many bizarre things happen in the plot that relaying them to anybody who wasn’t already familiar would make their brain briefly touch the void. Above all, though, Science SARU was tabbed to animate it, and any project by them is immediately worth your attention.

Sure enough, DanDaDan made an instantaneous splash, its first episode adapting the manga’s bombastic, twisty 63-page opening chapter nearly beat for beat. I’m not gonna “don’t look it up, just go in blind” this one, but almost too much happens for me to properly detail it all without just writing a complete synopsis. It boils down to “lonely nerd boy believes in aliens, angry kogal believes in yokai, it turns out both are real and now they have to deal with it.” It’s silly, it’s wild, it’s action packed, and if you can stomach the sexually-compromising alien abduction of the girl, you’re along for the ride.

I’m not gonna harp too much on that last point. It does stink that the female lead, Momo, is stripped to her underwear for the sake of alien sexual “research,” but said aliens get their comeuppance before anything happens to her. It’s still not great, and it’s not the last time female characters are portrayed in their underwear, but I do promise it’s for story reasons, it takes a backseat to the onscreen action and is pretty clearly not done for the sake of fanservice. I know such things can be beyond the pale for some people, but if you think you can compartmentalize that, I recommend you watch the first episode with that caveat in mind and decide from there. You may be pleasantly surprised.

DanDaDan is effectively two stories at once; on one side, we have Momo and the boy, Okarun (a nickname Momo devised for him to preserve her own sanity), gaining wacky supernatural powers in order to fight back these occult threats and regain what was stolen from Okarun from his first encounter with the unexpected (IYKYK). Because these threats can come out of nowhere, their daily high school lives can completely pop off without warning. On the other side, we have quieter slice-of-life tension as Momo and Okarun get to know (and frequently misunderstand) each other and realize they are completely and hopelessly head-over-heels for one another.

Surprise, motherfucker: DanDaDan is a romcom.

Yukinobu Tatsu, formerly an assistant on the first saga of Chainsaw Man, long struggled to get his own work serialized. At his editor’s urging, he read something like a hundred manga for inspiration, including several shoujo romance series. That research shows through in DanDaDan; although the bonkers action sequences and off-the-wall monster designs are what draw in readers and viewers alike, what’s kept this many people along for the ride is the beating heart just barely under the surface in the form of the romantic tension between Momo and Okarun. It’s easy to write this off as some “lonely nerd gets the cute gyaru just by being a Nice Guy” wish fulfillment, but that’s not really the case here; Okarun was a weird little twerp right from the jump. Similarly to Kyotaro in the aforementioned Dangers in My Heart, Okarun believes early on that he’s nowhere near Momo’s league, completely unaware that she quickly grows to actually like having him around, so he puts in the effort to become a more well-rounded person so that he can be confident enough to be seen next to her. He also just wants Momo to think he’s cool, and she thinks that’s adorable. And she’s right! These two are cute as fuck together.

So you come for the wild action and stay for the tremendous character dynamics. It should go without saying that Science SARU nailed all of the above, but I’m gonna say it anyway. Reading the Manga+ comments on each chapter as I read through the manga, readers were begging a top-flight battle shonen studio like MAPPA or WIT to pick up the series, and I think these fans got more than they bargained for. Masaaki Yuasa hasn’t been in charge of a series at the studio since Eizouken, or anything they’ve put out since Inu-Oh, but his influence is all over their recent works, including last year’s fellow top-three series, Scott Pilgrim Takes Off. It’s beyond impressive how, much like Scott Pilgrim, this series manages to maintain the source material’s art style while still looking very much like a Science SARU anime. Everyone is bouncy and malleable as their moods dictate, line weights are wildly varied, and action animation is kinetic and unpredictable. Each fight with an alien or cryptid is awash in eye-searing color or eerie greyscale. The music is a boatload of fun as well; even putting aside the Creepy Nuts OP (banger after banger after banger from those dudes) and Zutomayo ED, regular proceedings are punctuated by a wildly varied score, from funk to folk to an insane chase scene set to an electronic mashup of the “William Tell Overture” and the can-can. Everything about DanDaDan keeps you guessing.

I was looking forward to DanDaDan enough that I went to the theatrical premiere of the first three episodes and was sufficiently blown away. If you’ve seen the show, it shouldn’t come as much of a surprise that it looks and sounds incredible in a cinema setting. I left the theater positively buzzing, telling anyone who’d listen that they had no idea what was coming, but even knowing the entire story, I wasn’t prepared for more of what was to come. The literal next episode after what I’d already seen in the theater had one of the most bonkers action setpieces I’ve seen since Gurren Lagann, and just four episodes later an unbelievable emotional gut punch, prior knowledge of the manga be damned. Every single aspect of DanDaDan as an anime was given the same level of love and care that Tatsu put into his own work. It’s one thing for an anime adaptation to be faithful to its source material, and another entirely for it to elevate and transform it. DanDaDan is somehow both.

If there’s anything that held this back from being the anime of the year, it’s that this season kind of just… ends. With the 12-episode runtime that was given to the debut season, DanDaDan ends its first run right after the beginning of the manga’s next arc, which feels bizarre. There’s no resolution, but there’s no real cliffhanger here either. Which I kind of get, the story is driven by a constant forward momentum, but a little warning that the season was ending would’ve been nice. It’s only a six month break until the show comes back, but judged on its own, the way this season ended left me feeling a bit cold and the season itself feeling incomplete. Even shows that have year-long breaks between cours rather than seasons tend to put some kind of cap on each individual run, but DanDaDan just kinda left the toilet unflushed, and next to it a Post-It note promising to come back later. For something this lovingly crafted, that seems like a bizarre oversight.

That was hardly enough to temper my enjoyment though. Anything this well-made is deserving of the attention and success it’s attained, but to have this story, with these characters and this level of bonkers action made this well, is just an embarrassment of riches. And God help me, I’m shamelessly greedy. July can’t come fast enough. I need all of it.

1. Delicious in Dungeon

At the end of its run midway through the year, I declared Dungeon Meshi the best anime of the year up to that point and that I’d be impressed if anything would manage to overtake it. Though the other two entries in my top three made extremely strong cases, nothing else quite hit the spot and nourished the soul quite like Dungeon Meshi.

Barely a year removed from one of 2022’s best anime, Cyberpunk Edgerunners, Studio Trigger kicked off 2024 with another Netflix original, this time with its first proper manga adaptation since the studio split from Gainax a decade prior. It seemed an odd fit at first to have a studio known for wacky, hyperkinetic action productions like Kill la Kill and Promare to adapt this quirky fantasy dungeon manga, but hey, they also did Little Witch Academia. It turned out to be an odd fit, but in the best way: Dungeon Meshi is pretty offbeat as it is, so for it to get picked up by one of the more oddball prestige studios ended up making a tasty stew.

I struggled to elaborate on what makes this show so good after each of its cours, and six months later I remain a little lost for words. It’s an exceptional story adapted exceptionally well. Between the characters, the story, the setting, the emotional stakes, the comedy, the highs and lows, they nailed it all. Trigger just gets it. Even when characters go off-model for the sake of an intentional animation quirk, it still has that inimitable Trigger charm to it. It sounds just as good as it looks, too: The orchestral score highlights the quieter, sillier moments just as well as the tenser action setpieces, the foley work behind the dungeon’s bizarre and varied flora and fauna is immaculate, and the cast is perfect in both Japanese and English (I rarely ever say so but seriously, shout out to the dub).

I’m just as sick of saying “this show speaks for itself” when I have trouble finding the words as you probably are of reading it, but I have little else to add here. I’ve written plenty already. Just go watch it. This is already one of my favorite manga ever, and by the time the series wraps up at the end of its second season, it will easily end up as one of my favorite anime ever.

[writingwrongwjc]

First Date With the Munson Boy

Eddie Munson x Reader

Warnings: maybe slight angst for a second otherwise all fluff!!

“Should I wear this one or the red one?” You look past yourself in the mirror at Steve and Robin lying on your bed. Steve looks up hastily from the magazine but gives no response. Instead offering a lost expression

“Why are you even going on a date with this guy again?”

Robin props herself up, throwing the nearest object she can find toward Steve.

“Dude you can’t just say stuff like that.”

“Why not? I’m being honest he’s kinda… well he is a freak.”

“He’s... sweet.” You say, swinging around toward them; making sure your dress swishes as you do so.

“Plus I could make fun of you for so many girls… Linda!” Robin Chimes in.

“Okay, glasses Linda? That’s not fair becau-” Steve begins to ramble but you interject before his poor excuses can manifest themselves.

“You guys! You are no help.” You throw your hands in the air, flailing the dresses as you move.

“Red.”

“Red!”

They both say in unison. Given their struggles with finding love, and your growing irritation you opted for the white dress.

“Mmm it’s classy.” you quip, leaving the room to put on the dress.

How you met Eddie is a story you’d rather not share with them just yet. Although Steve and Robin are your best friends they don’t exactly know about your habitual love for Mary Jane. They know you’ve smoked before, even trying a little for themselves when drunk and adventurous. You have just been embarrassed to admit that you enjoy the little herb, and many of the outcasts that come with it on a consistent basis. One such outcast is the man who started to sell it to you in the first place, Eddie Munson. Town Outcast, drug dealer, and according to neighborhood moms; occultist! After you started buying from him more the two of you started to hang out in those woods more consistently, even when you didn’t want to buy, but knew he’d be back there.

“We can’t keep meeting this way.” He’d say one day, cocking his head with a gentle smile.

“No? Then maybe you should take me out somewhere?” You cocked your head back at him with a slight of mischief on your face.

So now, you stand in your living room all dolled up to go out with the Munson boy.

“He’ll be here any second you guys need to leave! Go!” You shout, pushing Steve and Robin out the front door; giggling as they shuffle through at the same time.

“Have fun!”

“Don’t get murdered!”

“Oh yeah. Use protection!”

Not even a minute later Eddie pulls up in his beat down old van blaring some Iron Maiden song. Rather than allowing him to retrieve you from the house you meet him at the curb so that your parents don’t berate him about where he’s taking you and what his intentions are. He stumbles over his own feet in an effort to reach the van door before you can.

“Your chariot awaits you.” He bows, hand still on the door, eyes lingering on your form for a moment. “You uh, wow.” He says, shaking his head in disbelief releasing a huff of air. “You look amazing.”

“Oh thank you,” you say blushing at his genuine comment. He shuts your door hard, galloping over to the driver’s side, jumping into the seat. The music is now at a comforting volume rather than its usual roar.

“So, where are you taking me?”

“I was thinking we could hit some takeout, then drive out to the quarry and have a bit of a soiree?” Eddie seemed unsure of his idea now that he’s presenting it to you.

“Who knew you were a romantic Eddie!”

“I just, I thought that the stars would be brighter out there, and… you wouldn’t have to actually be seen with me.”

The street lights lit up the sadness glistening in his eyes, although he hid it well under his vibrant expressions and smiles toward you as he spoke.

“If I didn’t want to be seen with you I wouldn’t go out with you, dummy.” You jabbed him in the side in order to lighten his mood.

“I yearn for adventure! There’s no adventure in a drive in. Just making out before you're ready.”

He laughs vibrantly fidgeting with the rings on his fingers as he palms the steering wheel. Quicker than you thought that you would, you arrived at the quarry with takeout cheeseburgers in hand.

Eddie parked at the edge of the water away from the main road. As romantic as it truly was, Steve's words popped back in your head for a moment: “Don’t get murdered.” Not that Eddie would hurt you, just the fact of how dark it is way out here and the colorful history of the area. It's peaceful, but in an eerie way. While you’re thinking about how eerie it is Eddie got into the back of his van to grab a blanket.

“Here it is! Only the finest silks for a lady.” He approaches you staring into the darkness. “Oh. Are you okay?”

“Yeah. Yeah! It’s just dark out here. Spooky.” You wiggled your fingers at him when you said the word spooky. You take the blanket from him and turn to find a spot while he turns on some music.

“Okay so options, killer options by the way. We have Iron Maiden, Judas Priest, Dio, Slayer. Oh I have my guilty pleasure prince tape! Or, behind door number three, surprise mix! I have no Idea what’s on this one, I think I was high when I made it or it’s like one of those things where we listen to it and a quest starts”

He holds up each cassette tape like a salesman attempting to get your buy. You couldn’t help but admire his features, complimented so well by a nice leather jacket, cleaner, sturdier than his usual jacket but it suits him so well.

“Door number three, Surprise me! Now come eat, it's getting soggy!”

“Oh one more thing!” he leans into the van once more sliding the cassette into place then reaching to grab something. The first song on the surprise cassette is certainly a surprise to you. Africa by Toto.

He holds up a small hand rolled joint with a crooked grin on his face.

“We’ll save it for dessert!” you say as he sits beside you on the blanket warming the brisk air.

“Oh I thought I was gonna have something else for dessert.” He looks you up and down, biting his lip slyly. Not sly enough, you push his face away from you.

“Eddie! Who do you think I am?”

Rather than taking your shove for what it was he threw himself to the ground with haste feigning injury. Making you burst into laughter from his theatrics. Sitting up again he looks at you with puppy’s eyes.

“I meant Ice Cream, freak. We can go get some ice cream!”

“Oh yeah sure you did, but I’ll hold you to that now.”

After stuffing your mouths and talking a bit in between, Eddie lights up the joint offering you the first hit. You can feel his eyes on your lips as you draw in the smoke. His gaze is soft and his eyes dart across the entirety of your face. As you go to hand him the lit joint you hear a crackle in the woods beside you. Reacting with instinct you gasp harshly scooting your body closer to his, dropping the joint onto the blanket.

“Oh. shit.”

“Shit. Sorry.”

The two or you scramble to pick it up and snuff out the embers, tangling into one another while doing so. Your arm is now hooked around Eddie’s bent leg and his arm under yours, hand resting on the tops of your knees. The tension between the two of you is palpable but you both laugh off what just happened, especially since the weed is now settling into your system.

“You’re honestly such a mage.” Eddies says out of nowhere.

“Huh?”

“I was just thinking if you were a class in D&D it would be mage.”

“I have no idea what that is.” You say looking at him confused but eager to learn more.

He takes the time to thoroughly explain the D&D classes and other game mechanics you didn’t fully understand but thoroughly enjoys the enthusiastic expression on his face while he explains something he loves.

“Basically, they’re very versatile in their magic, like you. Pretty, funny, smart, it's all magic!”

“So would you be a bard then, because they play instruments?” The glow leaves Eddie's eyes and his expression drops, pouting his bottom lip out slightly.

“Well, they play lutes and stuff, it's not the same.”

“I mean sure it is, your electric guitar is just a way cooler version of a lute.”

“There’s more to it than that I’m more of a rogue.” He stands up, broadening his shoulders, with an over dramatic sneaky look on his face.

“Whatever you say, oh great D&D expert!” You hop onto your knees fanning your arms up and down at him. “I dare not question thee. Forgive me my Lord.” Sarcasm thickens with each word.

“I’ll forgive you, fair Lady. Stand!” Eddie poses himself as a king making his decree. “On one condition!”

You stand to your feet with a bit of a wobble, choking back a giggle as the song that is playing ends and the song Hungry Eyes comes on.

“That is?”

Suddenly the air shifts. No longer do you feel playful, but a tickle of anxiety. Nothing surrounds the two of you now. Eddies searches for words to say but can’t think of a royal decree. He crosses his arms loosely.

“Man I suck at this.”

“Or you're distracted.” you offer up walking closer to him until your hands meet his shoulders. The leather cold under your palms. He lets his arms unfold, grabbing you by the small of your back.

“Yeah that’s-” He trails off nervously. You can feel his shaky warm breath amid the cool autumn air.

“Next time I want to go to the most popular spot in town.”

“Next time?” He smiles.

“Yes next time, dummy.”

You slide your hand onto his jawline and then to the base of his neck, burying your fingers into his mess of brown hair. He leans forward slightly, pausing just before he kisses you allowing you to direct the moment. You pull his head closer to yours, your lips crashing together sweetly. His lips full and passionate yet not hungry for more instead satisfied in the moment. You linger in the kiss allowing passion to blossom. When you pull away you linger close to one another, Eddie’s deep brown eyes locked onto your’s, his cheeks are full of color, and his lips forcing themselves upward.

The sweet silence is finally disrupted when you speak up,

“Did you know this mixtape is full of love songs?”

He says nothing, instead stifling laughter as he pulls away from you unable to hide his expression.

“You did, you sneak! Surprise, door number three my ass!”

“So how bout that ice cream, my lady?”

Authors Note: Steddie and Stucky Fics are coming soon! I know I write a lot of x reader but I am workin on others as well!!

[billysgirllol]

"it does look like feathers." maybe that's how her mama decided to design it, thinking so as the songstress sweetly smiles. "thank you, that means so much to me." that he likes the way she sings. lucy gray laughs at first before shaking her head to correct him, "because you and horses have good hearts and brave ones." she just had to be careful praising someone's heart before really knowing it first, just like the moment of phrasing you seem like a good man, coriolanus snow. she scolds herself constantly for being so naive. "they're smart and you're smart." knowing how to survive like this. "and you are a lot taller than me way down here, so that could be another thing..." her turn to tease.

perking up in interest, brows raising as she sits with his fingers in her hair. finding what he's saying really fascinating when it sounds familiar to something she'd say. "i used to think they were made, too. sometimes i have my doubts." if coriolanus was right, people like him really were born that way. "but maybe now there's proof, they're either born or made." with him being the twin to coriolanus. then he tells this next story and a strange flash of fear strikes through her. that was a coincidence, right?

shifting slightly to glance at his face, making sure he once again wasn't somehow coriolanus– not going to drown her in this water while she's not looking after telling her this story, mind backtracking all the way back to her first theory of his mind being twisted by dr. gaul. until she realizes there's no way he knows all that stuff about district thirteen, that this type of kindness can be faked and she's back to reality. she really has to stop doing that... when she realizes even her heart's picked up speed beneath her chest.

"well, snake's and me are very familiar with one another." forcing herself to chill out, a wry laugh quietly emitting from her. "and there's a lot of irony in that..." she points out, an odd smile gracing her face, "when i placed a snake out, i set it as a trap. to stall time for myself. it bit coriolanus and i knew it wasn't venomous, then that's what really set him off to go shooting at me." wasn't like he wasn't going to do that anyway, probably. but that's what's so crazy about the similarities with billy's story. "the one who went back to the village. that's the one who lived a happy life?" she answers, while feeling scared that's how coriolanus probably feels towards her... hating her guts, obsessing over hating her guts each day, ready and waiting for the second chance at killing her for revenge. "i agree... i could have definitely turned rotten by now, yet i've not. and the same for you..." as long as he's telling the truth about it all.

that’s sweet of him…how kind he talks about birds, it makes a smile appear on the brunette’s face despite stressing over her hair. “i like to think i’d be a bird, too. thank you.” happily speaking, a sweetness touching her heart at that compliment. “you never know, they just might. i bet they are real magical to see. and i hope they are.” real and free, because free and wild horses is an idea that makes her happy. “you’d be a horse.” a little laugh sounds from her at the peacekeeper comment, then her mind drifts off to coriolanus coming back to twelve as a peacekeeper. her mind hating that thought because that’s when her problems really began. not even the day of the reaping, but the moment he came back for a reason she couldn’t figure out when he wanted to kill her in the end. and now here’s the other, caring about her hair, calling her a sweet name such as little songbird and reassuring her she won’t need a next time to run. “how are you so kind?” it was a weird thing to randomly ask, but she can’t help but dwell on the relative of his— how vicious, manipulative and heartless he is. just for his twin brother, the brother who grew with him, to not share at least something that cruelty. she can’t get over the fact coriolanus really wanted to kill her and didn’t give it a second thought. it’s frightening as equally as it is gut wrenching. if she hadn’t slipped away and the guns hadn’t been found, he could have just strangled her later on or found something poisonous in the woods and put it in her food while she wasn’t watching— she knew how much he enjoyed poison. it’s eerie. maybe she should start testing his dark haired sibling … provoke him on purpose and see how he acts when he’s angered. if he’s genuinely this kind, she’ll feel a lot of guilt. but it’s mandatory at this point she tries to think on some things that she could do to find out how he acts towards her with different emotions just because she’s going insane if she’s really sitting here with a kind person or someone who can just fake all of this really well a second time. briefly glancing at him, the bruise on his jaw… it’s surreal, that should’ve showed her how he acts when he’s angry and reassured her by the fact he didn’t do anything hurtful in return. but for some reason, her mind still isn’t convinced and needs more evidence. “i mean, nevermind. that’s an odd thing to ask someone, you don’t gotta answer that but it is…interestin’.”

[mandy-asimp]

Wait ok here's the plot to the story (I bet other people have thought of this is a very generic plot) but I won't ever write it because I just wouldn't want to try and figure out butt stuff😭

Uhh proceed with the warnings that there's corse language, very light smut, some fluff, and then some😚

but it starts when they're in the teachers lounge and Jacob mentions Goldilocks and what not and melissa goes "if a girl broke into my house ate my food and slept in my bed, yeah id eat her ass." Or whatever.

so reader, you, is a fucking comedian or whatever so later that night you do exactly that! You quite literally break into Melissa Schemmenti's house!

And so she wakes up once she registers the smell of her leftovers from dinner, and that woman knows her cooking in one whiff. So you though leave the small eaten plate and dance around her, knowing the lay out from the few times you had been over.

Let me clear here though you guys are friends, not close but comfortable. And with a woman like her you obviously caught feels, hence why your breaking in trying to get her to eat your ass.

This was honestly insane if you asked anyone else, you could've easily told her how you felt but this was another way I guess🤷‍♀️

so after managing to get your way up into her room, you had another number planned inside your honestly brilliantly scheme. You untie your black sneaky coat and think Sabrina Carpenter tour outfits. You're basically in one of those cute pieces or whatever you find on Pinterest to help see the vision (it's what I do for everything).

you then crawl to the middle of her bed and wait patiently for her to finish searching her entire home. And when she does she's shocked to see you in her bed. "Hun, what the fuck?!" She shook her head in disbelief. Who wouldn't, you broke in.

Now you're a bold person in this story. You don't back down easily and you get mostly everything you want by your own way. Ava loved you when you mentioned how good you were at it. It's why she hired you, in return you have to do a few things here and there.

Anyways though you look at her and you tell her you wanted to see if she would.

"Would what?"

"Eat the girls ass if she broke in, ate your food, and slept in your bed."

She was dumbfounded in that moment. What the fuck? Was she dreaming? You could see the blankness and decided to fix that. You slipped from the bed, letting her see you in that outfit you chose and so that's when shit clicks.

Y'all are kissin'.

Touchin'.

Basically fuckin'.

And then she does. She eats your ass. And she likes it. And I mean she really likes it. And fuck so do you cus if your reading this knowing it's about butt stuff you gotta either be curious or into it and I guess since I'm writing this a part of me has to be if I'm writing it so actually-

Anyways so you both really fucking like it and it's not until she's fucking you in the ass with a strap. Her fingers reaching around you and fucking you there. Her palm bumping your clit, oooh child you were feeling this. And you guys went for a good minute too like she fucked you like a slut you were for her and same really like same.

So the next morning, she wakes you with soft kisses to your face, completely contrasting the woman she was the night before. "How are you feeling, baby?"

You were confused as to when you went from hun to baby but you assumed it was sometime after you blissed out. "Goldilocks never stood a chance." You groaned, yet your arms slipped around her bare waist and you hurried your head into her chest.

"Well, maybe you'll double think breaking into people's homes."

Your head came back up, "first of all this is the first house I've broken into. I just got lucky the bear was you."

"Yeah, but next time maybe just ring the doorbell instead of making me search my entire home."

"Awfully a lot of complaining for someone who was saying they just couldn't get enough of me last night." You softly laughed under her.

Her eyes narrowed down for a second. "We have work in a few hours. Do you need to go home and get something to wear?" She changed the topic.

"No, as planned I have a bag in my car. I'm very good with making sure things go as planned if you couldn't tell yet." Your lips curled into a cocky smirk.

That morning you both spent together spinning around and getting ready. Passing kisses to bare skin as you left putting on anything more than a bra and underwear till the very end. Neither of you could keep your hands to yourselves. Not after...

To end it, nobody at work had noticed your slight hobble as they were too busy focused on the volunteers.

Another bonus is Deandra had tried to put one single move on you at the end of the day Friday and Melissa had pulled you away almost instantly, throwing the excuse that you had a dinner date to get to together. It ended up being your first date and it's a so forth story😋

[hauntedrain]

Frat boy!Luigi x gothic!reader hc???

Frat! LM x Gothic! Reader

✮▹A/N: I hope this is good. unfortunately Its been a while since I've written anything. Also this feels kind of vague because of all the different subcultures and stuff, but also general reader yk? anyways enjoy! NOT EDITED.

Okay, I'm starting this by saying that personally, I don't see frat Lu as some typical jerk frat boy (I mean, look at the photos; it looks like a bunch of nerds hanging out), but anyway...

He would be immersed in your style and interests. He wouldn't necessarily act like it's abnormal but most certainly would be new to him.

He would sit and listen to music with you, trying to learn about the music culture, and might even make a playlist so he can play that for you when you guys hang out.

Would wait and sit while you do your makeup, especially if you're doing trade goth, and ask you about literally every step of what you're doing and why. (Lowkey asking too many questions, but you can't bring yourself to be annoyed because he's just being curious and cares.)

He would be like those cats in the "I'm a girl with a boy cat doing ---". He's just enjoying the entertainment. I also think that frankly you could convince him to let you do his make up or let him try to do yours for fun (whether it turns out good or not is a completely different story however).

I think in regards to the first time bringing you around his frat brothers, he would be mildly shy about it simply because he knows that in general, the relationship dynamic brings attention. However, he would assure you that he isn't embarrassed or ashamed about anything.

Along with that, after establishing the relationship, I think he would kind of flaunt you around in general but definitely to his frat brothers and friends. He's all about you, and he wants others to know that.

This also goes back to how he and his frat brothers seem like just a bunch of nerds and them asking him how he started dating you and in general being baffled that he was able pull you???? And He's just like "no clue, I'm also confused."

Lowkey concerned if you guys are too different and if you would prefer someone similar to you and your style. If you have friends similar to your style and take the same interests as you, he would be kind of nervous when you're talking about something or someone he knows nothing about and start to form the idea that you would prefer him to like and be different so you guys could also talk about that stuff together.

Genuinely believe that he would ask on a random night while getting ready to go to bed after hanging out with friends if you think you guys are too different and if you would prefer someone more similar to you. This would then in turn lead you to explain that you don't mind being different in style and interests and he has nothing to worry about. But you do offer him the option if he wants, that you can show and teach him certain things, and he can do the same for his selective interests.

When getting ready, you would ask for his opinions on outfits and make him rank them. I think he would enjoy this sooooo much; he likes the different styles, layers, accessories, etc. However, at the same time, I think he would be stumped at what to choose because all are great outfits, and he doesn't seem to see what you say when you dislike or criticize the outfit.

Would like it when your makeup rubs off on him. I see him blushing if he realizes your lipstick or base comes off on him and getting all giddy about it. (He would also pretend he didn't realized it was there and keep it on until someone else mentions it.)

Would take you to frat parties and make you stay close to him to ensure that, 1.) you're safe, but 2.) that no one tries to take you from him. (low-key protective)

Gives you pet names that other people may find weird. I can see him using "my bat" and "my raven," to name a few. I also think along with the pet names he would reference couples in movies and TV for you guys. my personal favorite (obviously by my PFP) but Morticia and Gomez.

⭒❃.✮:▹A/N: sorry its not a lot! I have school and other requests to work on but still please send requests or thoughts, I will make a formal posts for requests if need be but just send them in my inbox for now! much love <3

[evil8keta]

Could you do the mercs with a short reader who's strong enough to pick them up? (Except for Heavy lol, maybe they can pick up Sasha)

thank u anon this request is very funny

mercs x reader who's STRONG

SCOUT

- he constantly asks you to arm wrestle and fight with him because he just refuses to believe that someone THAT small could be THAT strong... of course, scout always looses every match with you and hurts his own ego in the process. on another note, if you were to pick him up, i feel that he might enjoy it a little? strangely enough? he just finds ur strength impressive haha... he's NEVER telling you that though!!!

SOLDIER

- so proud of you, whenever you show off your strength soldier wipes a tear from his eye because to him you are the peak american citizen (even if you're not american). he respects you a lot and constantly boasts about you to the others. ofc they all know you're strong but in case they ever forget it, soldier would be here to immediately remind them by gently yelling into their ear "LOOK AT MY STRONG LITTLE WARRIOR! THEY CAN PUNCH THROUGH A TREE!"

PYRO

- oh they look up to you!! and they think you're soooo cool for being so strong!! they're curious what your limit might be, so sometimes pyro just yanks you by the arm and leads you somewhere, then they point at various objects like "can you pick this up? what about THIS?" and it's like a table or whatever and ofc you can pick it up. then pyro points at themselves like "what about me? :3" HEHEHE

HEAVY

- ok you definitely tried to pick him up at least once but sadly yeah this guy is above your limit. it's okay though, he doesn't have the heart to tell you, so whenever you ask him if you can pick him up again, he says yes, fully knowing the outcome... you might be strong enough to pick up his gun, which is quite impressive. but does he trust you enough to hold it? hmm maybe that's another story...

DEMOMAN

- you two are frequently seen carrying one another. your strength is very handy when demo gets too drunk to walk, sometimes the others call you like "hey you go take care of demo again..." and yes he's pretty strong too, so when you need carrying, or you know you're just a silly individual who likes to be picked up, then my bro will carry you with a smile on his face. friendship

ENGINEER

- aww he's like so proud of you. he has no reason to but he is trust me. if your strength isn't inherent and you actually work out or lift weights, engineer will definitely give you daily doses of healthy motivation. yes you may pick him up, he think it's so cute when you sweep him off his feet with a hug. also he MIGHT use your strength sometimes around his workshop, like asking you to carry heavy tools or parts of machinery and stuff

MEDIC

- ngl if you can pick him up he'll start blushing and giggling and shit. not even in a romantic way he just finds it very charming. he's just vibing somewhere and then he spots you, maybe you're not even approaching him but if you happen to be in the general vicinity of him then he's gonna be like "oh! oh no! a big bad merc is coming to get meee!" and he starts like, pretending to run away. does he want you to chase him? what a weirdo!!!! also asks for your help during operations sometimes. like yes please help me carry demoman onto the patient bed so i can do lobotomy on him, thank you

SPY

- DONT PICK HIM BRO!! he's not gonna like that. spy thinks it's a bit strange how you can be tiny and lift incredible weights at the same time but if you're only using your strength to torment him then he's gonna start avoiding you lol. however, if you are kind enough to not pick him up without warning, he might start asking you to do stuff for him since you're so strong. like opening a jar of pickles.

SNIPER

- lowkey chill about it. he thinks you're admirable but he's not gonna be making a big deal out of it. you can pick him up but please ask first, otherwise he might learn to distrust you... and we don't want that fr. BUT if you're nice to him then it's the opposite. most of the men on the base are strong but he trusts YOU the most. he'll definitely ask you for help. sniper isn't weak but he's a bit lanky, so if he ever struggles with carrying something heavy, you're the first person he asks!

[mask131]

I am re-reading the Silmarillion, and something strikes me. The women of Tolkien's world have been talked about TO DEATH especially with all the recurring debates surrounding the Rings of Power series.

As we all know, Tolkien was not a "feminist" in the modern sense of the word. He had a very male-centric point of view and appreciation of the world, he had male-driven and male-centered stories, and actual women characters were sparse and rare. There are only five really big female characters in "The Lord of the Rings" - the quintet of Galadriel, Eowyn, Goldberry, Lobelia and Shelob. [No, don't talk to me about Arwen, she only really was a character in the movies, in the book she's just there in the appendix and she was literaly an afterthought of Tolkien to act as Eowyn's romantic double...]

Consider this. Galadriel, Eowyn, Goldberry, Lobelia and Shelob. This tells you everything you need to know about Tolkien's women, in good and bad.

The Silmarillion has the same motif of having a lot of female characters, only for most of them to be just footnotes, secondary characters with no lines, under-developped one-liners... with in a contrast a handful of super-cool, super-badass, complex and developed heroines at the center of the plot.

Aka, on the bad side, when listing the Valar, while Tolkien gives an interesting personality, great domains and cool attributes to all the male ones, half of the female ones are just... there. And do one stuff. And never appear again. I mean come on... Vana and Nessa? Estë and Vairë were done dirty... That's the actual type of "non-feminism" Tolkien has. It isn't about him hating women or trying to be offensive in his depictions - it is about him just, not putting as much thought, effort and care into his female characters as his male ones, a bit the same way he creates the vast expanses of the East and South of Middle-Earth and then never bothers actually developing more of it or seeking to tell tales of it - but that's for another discussion about Tolkien's "racism". Here we talk about women.

But here's the thing, aka the good side... When Tolkien does find the time and care to develop and flesh out a female character, by Iluvatar he goes all out! Again, we are back on what I said earlier: the women of Lord of the Rings can be counted on one hand... but these fingers are Galadriel, Eowyn and Shelob, so you can't claim he isnt writing powerful, important or uninterestng female characters. Which leads me to my original remark - as usual I get driven away in digressions of all sorts and kinds.

Have you ever noticed that Melkor's greatest enemies, the ones he fears the most, and his most effective foes... are women? Tolkien might not like to put them front and center of his tales, and he might have been a man of the early 20th century England in culture and mind, but boy does he has something to say about how women are actually the first enemies of the literal embodiment of evil and destruction! I mean think about it. Varda of the Stars, and Yavanna of the trees. Nienna has her ambiguous relationship to him - her tears work against him, and yet without her plea for him he likely would not have been released from the dungeons of Mandos. You have Melian with her Girdle, and Luthien with her Hound. And of course most of all Arien, guardian of the Sun, not only one of the rare fire spirits that Melkor couldn't corrupt (despite him basically ruling over all fire), but that frightens him so much he keeps hiding away and doesn't even dare to attack her... [I also reblogged some times ago a post praising the brilliance of Tolkien keeping the old European sun-moon motifs but switching the genders. The weaker, inconsistant, lustful, whimsical, disorderly, untrustworthy Moon is now a male principle, while the steady, dangerous, strong, powerful and beautiful Sun is a woman.]

It is actually REALLY easy to do a feminist retelling of Tolkien's work. Melkor doesn't fear Manwë as much as Varda. Aulë's works and servants get corrupted by Melkor, while Yavanna's do not. Melian and Luthien actively works against him. He friggin' pisses himself when the Woman of the Sun shows up. Sure, there are some evil female characters that serve him down the line and are relegated to the "obscure footnotes and undescribed secondary characters" zone - Thuringwethil the vampire or queen Beruthiel. I coul also dropped deleted characters from early drafts, like the ogress Fluithuin. But among them stands Ungoliant... THE only true female big bad on the dark side of Arda. THE badass, nightmarish, creepy eldritch abomination. And who ends up double-crossing Melkor, almost KILLING him, and again making him basically shit in his pants - as Varda and Arien do.

The first enemies of Morgoth are not the Valar, or the Maiar, or the Elves... It's women.

[secondsonaym]

Ayo so what's going on

Hey so. No doubt you've noticed I am Not Really Doing Shit here anymore.

And. There's a lot of reasons for that.

Gonna put the bulk of it under the readmore, but I highly recommend you look it over, if you ever enjoyed the AU to any capacity.

The one I've talked to you guys about a loooot is that my disabilities (chronic fatigue+migraines) flared up pretty hard in the later half of the summer last year, and have been in constant flux following, only just recently having stabilized a little to the point I can be somewhat regularly productive.

But they're still disabilities, and they could pop back up at any point.

Another reason is simply that my focus has drifted elsewhere. I have ADHD, and experience fixations a lot, and while Cult of the Lamb was one of my longer ones, it's definitely started to wane (There's a mix of reasons why it is, but none I can really articulate without sounding like I'm blaming others, which I don't want to do)

So my mind has been drifting back to a more neutral state, letting myself enjoy other things without the constant feeling of "I should be writing the AU. I should be drawing the AU. I should be updating the AU."

And when in this neutral state, I've been letting my interests drift carefully back to my Original ideas and projects. As in. Stories and characters I made up with my own brain, separate of fandom.

Because while I love fandom, fandom can't exactly pay the bills unless your fork over your soul to it, and I don't really want to do that.

So I've been finally returning to my original story and large headworld, Court of Fools.

I want to make a game for it, I want to make things for the larger lore and worldbuilding, I want to share it with people. But I can't do that if I'm focusing on fandom work to the extent I did with the AU.

Would I like to have the AU in a sort of finished state where people aren't left with a billion questions? Well, sure. But it would be a lot of work still. There's still a LOT of story beats and details in my brain, but I just never got a good chance to get them out, and now the prime opportunity has passed.

I wouldn't say that means I'd leave this blog a wasteland, perhaps I'll come back with doodles and stuff now and then, but. I guess, basically, the AU likely isn't going to be touched in any large capacity for a while? Maybe if I can organize some sort of schedule, I could find a way to dripfeed more stuff back here, so I wouldn't say it's 100%, totally, for-sure, absolutely dead. It's just... Not my creative priority.

I would hope that through the AU, I have made you interested in my art and storytelling as a whole, because if you did enjoy those aspects, separate of the fact that it was a fandom work, then I would highly recommend you stick with me and see my work on Court of Fools and its larger world--It's my passion project, so I'll be giving it my absolute best all the way through, too.

Things have been silent on it for a while, primarily because of my fixation on Cult of the Lamb, so I'm really gearing up to get back to it.

My first plan is to make a smaller game, or games, set in the same world--something to get back into Ren'Py properly, practice implementing certain gameplay elements I want to have, and so on. I'll be sure to make a proper announcement on the relevant spaces when I do get into that more formally. Catch me on bluesky!

In the meantime, if you'd still like to be in my general sphere and see me create, I do still do adopts and stuff over on my ko-fi. For as little as $1 a month, you can see my concepts, preclaim adopts, and get monthly doodles, so please consider checking it out--I'm, currently trying to meet a goal for survivability, as my disabilities really destroyed my ability to do things the past few months.

Sooo, yeah. I think that's the bulk of what I wanted to say? In summary:

AU is going Super Dormant and you likely won't hear from me here without long stretches in between

I'm working on more original stories and projects, hopefully a game

You can find and support me on ko-fi, which will really help mitigate stress from not being able to do much last year

Really sorry if this disappoints or surprises you, though I'm fairly sure a lot of you saw this coming. So. Here's just a formal confirmation or whatever, I guess.

I'll catch you later!

[rollinouttahere-writes]

I appreciate how you mentioned that lucky would give up on going back to their home world when they get their memories back because that would literally be me. (Also I feel that its unrealistic for people to want to go back to a boring world, but hey I practice escapism through stories so maybe I don't get it.)

Memories gone: I probably have a family and people who care about so I should go back. :(

Memories back: so... am I a permanent member because I would like to stay please.

Strawhats: :0 :D yay no more escape attempts!

I can't remember but did you say anything about how this sudden change may effect the mood of characters.

I'm glad you like that decision!

The general idea behind her not wanting to go back was to go against what pretty much every other isekai fic does, because like you said, it isn't particularly reflective of the people reading it. I mean really, what maniac is choosing taxes and a shitty desk job over fucking around in a magical anime world? Not me, and not most of the people that go out of their way to read reader insert fics lmao

Lucky's memories trickle back in pretty quick, so by the time they all get to the Grand Line, she remembers enough to know that she doesn't want to go back. Abruptly, she goes from trying to figure out where she came from and who she was, to never talking about it or bringing it up. If any of the Straw Hats do question her about her memories, she becomes shifty and shrugs off the inquiry by saying that she hasn't remembered anything new. Most of the crew interprets this as her quietly implying that she wants to stay with them, and they're content to leave it at that.

She doesn't outright state that she wants to stay until after her and Luffy have a heart-to-heart about the actual state of her memory and where she came from after the Enel fight. Luffy lowkey forgot that she was ever even trying to find a way home, so the new information doesn't really phase him that much. He already assumed she was here to stay. The other world stuff catches his attention a little bit, but he gets over it pretty quickly because it doesn't sound very fun if he's being honest. It's no wonder Lucky doesn't want to go back to that.

The only member who does have a distinct sense of relief over Lucky openly stating that she has no interest in going back is Nami. She was the only one that was really agonizing over the possibility of Lucky trying to leave. It's a weight off her shoulders, and it prompts her to make a "joke" that it's a good thing that Lucky wants to stay, otherwise Nami would have had to force her to pay off her tab first.

Everyone else was in the same train of thought as Luffy where they were already working under the assumption that Lucky had no intent on ever leaving. This revelation, however, was the first time that Chopper was introduced to any of this information, so he is wildly confused but simultaneously vindicated that he was right about Lucky smelling weird. He didn't think that it was because she was from another world, but at least he doesn't feel like he's imagining things anymore.

Also the Straw Hats literally never have to worry about escape attempts from Lucky. If she's missing, she was either kidnapped or fell victim to the usual Straw Hat hijinks lol

[xiii-e]

[ECHO.EXE RUNNING]

◂▸ ... hey Sally. You're right yeah, I know the basic gist I think. You take care of yourself kiddo, I can handle this.

◂▸ Alright. I'm going to go over this with as little personal input as I can manage, please just- assume at any given point that I think what happened was fucked and miserable and never should have come to pass. It's an HA black op. If I make an aside every time I experience abject horror on the subject, I wouldn't get through the report. I'm just... going to talk about this stuff, the way I found it on file.

◂▸ No I am not supposed to have access to these files. I am also not supposed to be talking to any of you so just- don't worry about it.

◂▸ So. A couple decades ago, the HA Purview incorperates a new world it will come to call Port Mariut. It goes... pretty normal, for an incorperation. Despotic leader gets ousted by military force, there's a honeymoon period where people are cheering, then reality sets in that "naturalisation" is a nice word for conformity. The usual process. And, the usual process leaves the usual folks by the wayside. There's an influx of orphans who are now wards of the state, because their families went missing on either side of the "liberation" war.

◂▸ There's a few things that usually happen to war orphans, running the spectrum between humanitarian and fucked. This one was... bad. Military commander put into a position of power over the planet is one Captain James Maverick. He has a particular interest in the old Enkidu projects, has been looking for an excuse to revive them. He sees... an oppertunity, in the orphans of his new holdings.

◂▸ Justification on paper is that, as wards of the state, these orphans are subject to military service same as any prospective citizen of the Armory. Service guarentees citizenship, and all that. So, the Sekhmet project gets initialised. Couldn't tell you who rubberstamped it, that stuff was way heavier in encryption. Possible it didn't get rubberstamped at all, with the kind of guy Maverick seemed to be from the back reports.

◂▸ So, they press some McCarthy guy who's local to the planet into being their chem specialist for the op, they pick out the most promising candidates from the children they had to work with, and they start working to revive the Enkidu program. It's- I don't think details on what they did to these kids are necessary here. Lot of them are obscured anyway. Suffice to say, it involved a lot of real strenuous training, bio-mods of dubious ethical standards, and chems from a young age.

◂▸ There was a high flunk rate when the program kicked off about a decade into it. Lots of... failures. Kids whose bodies or minds didn't stand up to the machinary they were being thrown into. Time the project stabalised there was only one of the original subjects left. According to all records I could find, it drove the Captain nuts trying to figure out why that specific pilot made it through, while other more promising candidates flunked. So he got stupid.

◂▸ Ordered an op with bad odds, as a testing ground. Made a real stupid call regarding stims. Predictably, things went badly and... well, that pilot went awol. Far as the top brass were concerned, it was time to write the whole thing off. Union started poking around in the whole business not long after this op went bad to boot so... it got scrubbed. They love doing that, with embarrasments.

◂▸ ... that's about it for the story. Best I know, the Captain and most of the researchers involved got shipped out to a state prison. Don't know if they're still being put to work or not, nothing of the date from out there gets onto the main databases. But, well- they're pretty behind bars already, Veta. Don't know if there are many skulls left to crack on this one.

◂▸ Xie's still... they're not back yet. Sounds like the eggheads wanted to take a detour through a spaceport or something. I'll tell them when they get back, if you don't mind Sally. If... if they'll let me. Sometimes they don't want to know about the kind of stuff I poke around in during my own time, they get worried about getting us both into trouble. I think they might give a little on this one though. They care about you, a lot. I think if I mention you said you wanted to share, they might cave.

◂▸ Alright. Hope you're doing okay kiddo

[ HELIOS-8 ]

//

Maybe I’m just stupid, but…

Why? Why would you put yourself in an Enkidu, of all frames? You talk about how it’s a choice, but I can’t understand why anyone would make that choice. Can you explain? I’m genuinely curious.

//Ashlyn

well thats the thing. i didnt. i gott forced.

when i finaly gott free i stayed in SLAG KITTY cause shes all ive ever nown. shes part of me. i NEED her. i cant change that part of me.

if u wanna know y some1 with a CHOICE would wanna pilot 1, ask sharko or slaggy. some peopl r born 4 it...

[mystery-moose]

Someone in my life posed some interesting questions about stories recently! In considering them I figured I'd keep a record of my thoughts here on my tumblr web log, because what void should I holler into if not this one?

First, how I think about stories. I try to avoid thinking about them as morality plays or parables (mostly because this can keep me from engaging with challenging art) but I also don't like thinking about them purely as escapism. Each story has a reason it exists, whether that's entertainment, communication, or contemplation. They're designed to draw out our empathy, communicate a feeling, create a mood. Sometimes that's in service of something important to the author. Other times, it's something meant to distract. I don't judge a story based on its pretensions, or on its naked commercialism -- I try to judge based on its execution, how it's doing what it's doing, and how well it succeeds. There are great artists right now working solely with other people's licenses, doing work-for-hire gigs, and their skills are just as worthy of praise and appreciation as the latest semi-original high-concept novel hanging in the middle of the New York Times bestseller list.

Basically, I think about stories like stories! Or, if I absolutely have to be metaphorical, like buildings. Are the foundations strong? Is it doing anything special? Can I navigate it easily? How accessible is it? That last matters a lot to me, because it doesn't matter how cool the interior is if most people can't find their way inside.

Second, what do I need a story to do to recommend it to someone else? I'm gonna go with "accessibility" at the top, not in the disability sense but the populist one. Yeah, playing to the cheap seats can hurt a story a lot, and you obviously can't please everyone, but ignoring your audience doesn't make me appreciate your story much myself, let alone get me to recommend it to anyone else. You have to find a balance where what you're communicating isn't absolute nonsense to most of your audience. Not all! Just most. Effective communication of your thoughts, feelings, and ideas to a layman is something I think a lot of storytellers could stand to care about more when it comes to honing their craft, and that goes for folks outside of the arts especially. So if I find a story with a big concept, beautiful craft, intense emotion, and it's not too esoteric or inaccessibly written? That's great art in my book, and I'll tell everyone about it.

Next, what do I look for in stories? Now that is a tough one... I guess, beyond sheer execution (if your prose is good enough you can take me almost anywhere) I look for something that makes me care about its characters as it introduces me to their world, and does so without me feeling like I'm being told why I should care about the characters or what their world is like. This goes for everything from period pieces to stories set in places or communities I'm unfamiliar with, just as much as it goes for fantasy or science-fiction. I do generally have to care about the characters in a piece to really devote a significant amount of time to a story, though. If I don't, the other elements of the work (craft, originality, feeling) have to carry a whole lot more of the weight in order to get me to finish something.

What are red flags for me? Honestly, a big one is feeling either preached or condescended to. Even if it's politics or perspectives I agree with, if I feel like I'm being told what to think rather than thinking it on my own, or if I simply think the author doesn't trust me to understand what they're trying to say? I check out. Beyond that, when a story excuses terrible behavior in the interests of forcing me to sympathize with a character the author clearly favors, I also check out. There's other stuff too -- I don't much care for certain tropes when they feel obvious or sufficiently undisguised (at least try to put some kind of spin on it!) -- but those are the big ones I think. If I see those, my desire to continue drops real sharp.

A recent example of a story I really loved, because I try to stay positive: earlier this year I finished a book called A Memory Called Empire by Arkady Martine, which almost instantly became one of my favorite stories. I had to sit with my feelings for days before I really settled on that, too! I worry about recency bias sometimes, that an impact will dull with time, but Empire has lived in my head since I read it. It's a well-told and compelling yarn that dips into a number of my favorite genres (science-fiction, murder-mystery, political intrigue, thriller) told from one of my favorite POVs (first-person) that also happens to dig into concepts that I find super cool and interesting! Things like history, how it's recorded, who makes it, what matters versus what historians only think matters. Things like the colonialism, cultural imperialism, and the politics of empire -- the pressure of being a small community being subsumed by a larger, more dominant one, the complicated nature of being a person from two worlds, whether by choice or by birth, and so on. It's got a lot of thoughts about that stuff, and it can't touch on all of them with the depth that they deserve, but it knows enough to know there's no easy answer for a lot of its questions, and it manages to make that feel like a natural conclusion rather than a copout. A great novel, and one I recommend to most everyone I know!

One I'm still in the middle of that I need to get back to: Gene Wolfe's Book of the New Sun. That's a work that I think is a bit inaccessible, with characters that I don't necessarily love (the protagonist is a professional torturer, if that tells you anything) but the sheer craft on display... my god. There are whole sections I've read, passages that describe a feeling that I've had before but never put to words, and it expresses them so effectively and with such excellent language that it carries me forward on those passages even when I'm unsure what this person's quest is or whether or not I even like them. And that's to say nothing of the depth of the text itself -- Ursula K. Le Guin famously called Gene Wolfe genre fiction's Herman Melville, and that's been borne out in what I've read so far. I've been listening to the Shelved by Genre podcast as I've been reading the book, and their own insights and analysis illuminate whole sections of the text that I would never have noticed otherwise, or would have without knowing exactly why! Awesome stuff.

[roses-and-revolutions]

A little while ago while hanging out at the manor for game night, Stephanie introduced the family to another one of her current favorite artist.

This was nothing unusual, Steph had a new favorite artist almost every other week. But this one was different. It wasn't just a single person but a group that called themselves ‘Team Phantom’.

Every song was different as every song was sang by a different person. So there was a song for everyone, including Jason.

He feel in love with the soft smooth voice of ‘The Sister’. Her songs were so dreamy and melancholic, and told stories that he often couldn't understand but made him feel like if he were there doing whatever she was doing. Feeling whatever she was feeling.

It was amazing. Her voice was just so beautiful. So calming. So additive, the way it calmed the pits. He didn't know why but every time her songs played it was like the pits disappeared. And so did ever constant green haze that haunted him.

The sense of clarity he was left with when one of her songs ended was like a fuckin high and he couldn't get enough.

Long after the game night he sought after her music. Her songs. Her voice. It was his medicine and his drug. His addiction. Which sucked because just like every other addiction, withdrawal was a BITCH.

It's been six months since ‘The Sister’ has released a new song. Since ANY of Team Phantom had released any new songs. And it was really suspicious considering how consistent their schedules were. But that was okay, kinda. Life was life and maybe something happened. He'll just listen to her old songs on repeat like he's been doing for the last six months.

Is what he said until they posted a new video to their channel.

It wasn't the 3 to 4 minute animated or stagnant image music video he was uses to. Instead, it was a dark shaking video, as if someone was running. Then bright teal eyes appeared on the screen. Everything stopped for a moment. Then came the still soft and smooth but now trembling voice of ‘The Sister’.

She uttered a single word.

“Help.”

Before it ended and turned black.

It could honestly just be a prank. But something told him other wise.

Before he even decided what course of action he was going to take. A message came in through the family group chat. And from the Demon child no less.

‘We need to help Team Phantom. NOW!!!!!’

Everyone agreed.

And Jason felt very validated that he wasn't the only one secretly addicted to their music.

Now it's time to save Team Phantom.

[agirlinthegalaxy]

I think that I'm always going to be irritated about the way that Supernatural handled Anna Milton. Genuinely, she was such a fascinating character and had so much potential that was just wasted. It doesn't help that her death was just another example of the way that Supernatural tortured, vilified, and murdered their female characters. I think that she held the potential to genuinely be one of the most fascinating characters on the show with one of the most interesting storylines (and dynamics with other characters), only for it to be wasted.