#so what's the point in acknowledging her at all?

[astonmartinii]

other side of the moon: interlude - a tango in barcelona | formula one imagine

interlude: a tango in barcelona

pairing: fem retired formula one driver reader x ??? fem retired formula one driver reader x platonic!kimi antonelli

dancing around her teammate on and off track, y/n looks to boogie her troubles away.

MASTERLIST | TIP JAR | PART ONE | PART TWO | PART THREE

may 2020, spain.

life at mclaren hadn’t started the way y/n had hoped. the days were long and surprisingly quiet, the latter mostly due to her teammate and his aversion to acknowledging her existence. she was tired already this weekend and they hadn’t even raced yet.

the barcelona heat was making her race suit stick to her already just walking to the grid for the national anthem. “it’s hot as balls” y/n whined as she slipped between max and george while the choir set up ahead of them.

“oh my sweet summer child, we haven’t even gotten to singapore yet,” max said taking off his ice vest and fastening it to y/n.

“ugh don’t remind me,” y/n wiped more sweat off of her brow, “i think singapore might kill me.”

george laughed, moving his umbrella to the left so it covered y/n as well, “singapore is a baptism by fire, but you’ve done well so far this season so i don’t think you’ll have too hard a time.”

y/n smiled up at the taller brit, “thanks georgie, maybe if you’re such an expert in singapore you’ll be able to catch me.” she punctuated it with a wink, george nearly dropping the umbrella in response.

“do you mind? you nearly took my eye out with this thing!” max hissed at george, flicking the umbrella. george lifted the umbrella to get it out of eye range of the dutchman, who in turn saw it as an invitation to seek refuge in the shade.

“no way verstappen, this umbrella is for pretty people only,” george grabbed y/n’s hand and moved them a couple steps away.

“if that was so, only y/n would be allowed under it beanstalk.”

“if my height is the only thing you can think to insult me about, i can live.”

“oh believe me there’s a lot more stored up, i just wouldn’t want to give you any inspiration for when you take out a backmarker and blame everyone but yourself.”

y/n sighed dramatically, “already? i thought you two were going to cool it down this season. i don’t even understand how you have a rivalry, you’re nowhere near him on track george…” george let out a scandalised squeal, “oh my bad george, you know what i meant.”

“i think what y/n means is that she doesn’t rate you ‘mr saturday’”.

as george went to bite back but the loud horns of the national anthem cut their quarrel off early. y/n fought to keep her laugh in throughout the national anthem, seeing george seething in her peripheral vision. he was so easy to rattle it was practically a pastime of half the grid at this point.

before george could get a dig back in, y/n and max were back in deep conversation, discussing their approach to turn two with just minutes until the formation lap. he yearned to be the one that y/n spilled her tips, tricks and secrets to but like most of his life, the dutchman had beaten him to that honour. now he knew how lando felt.

lando, george and alex had bonded long before 2018, but their three-way title fight in formula two brought them closer rather than forcing them apart. george cherished that friendship, he found it invaluable to have two of his closest friends with him as they entered the cutthroat world of formula one - he just wished he could’ve been that person for y/n.

lando didn’t often articulate it well, but george understood his curly-haired friend’s struggles. lando had gushed all off season about having y/n as his teammate, chatting animatedly about potential roadtrips, shared flights and sleepovers before it was all snuffed out in a moment. george always suspected that lando felt more about their friend than he let on (or thought he let on). once he had thought it was a victim of circumstance, teenage boys discovering what these new hormones were doing to their body did tend to fixate on the one girl in their midst. but as they grew up, that puppy love crush didn’t seem to wain, not that anyone else around them seemed to notice.

a single comment from one max verstappen crushed that. a late night discord call between the rookie trio and max had naturally seen the topic of y/n arise. lando, as usual, started to wax lyrical about the season ahead, with his vision for their teammate relationship constructed in his head.

“mate, we’ve already started.”

“huh?” lando’s voice stuttered over the call, he cleared his throat, “what do you mean?”

“y/n and i,” max continued, “we’ve already started doing sim runs together, watching onboards and all that jazz.” the dutchman said it so casually, unaware of lando’s imminent heartbreak - george’s too, he just hid it better.

“but why? i’m going to be her teammate, not you? why would she even use your sim, she’s racing for mclaren next year not red bull.”

not noticing the path they were hurtling down, max dug his foot in, “no offence lando, but if y/n wants my tips, i’m going to give it to her. it’s noble for you to want to look out for her, but realistically what tips could you give her that are better than mine… i am the only one here who has actually won a race.”

alex loudly coughed, stopping max before he could continue. “it’s getting late, maybe we should call it a night?”

“it’s nine o’clock?” max questioned.

“no, i’m tired,” lando let out an undoubtedly fake yawn, “i think it’s time for bed.”

“okay suit yourselves,” max said, going back to his iracing, “lando, don’t take it too personally that she chose me. we’ve been friends for so long, we don’t know anything but each other.”

“i’ve known her just as long as you!”

it was starting to get a little heated and despite alex and george trying to interject, the two kept going.

“you may have known her just as long, but you don’t know her. we’ve been there for each other at our lowest and our highest. it’s not a competition. i honestly hope she comes to you next season, i don’t trust your team as far i can throw them. it will be good to have someone in her corner.”

“oh well if you’re that magnificent then why can’t you be her white knight all the way from red bull, huh?”

“you know what lando, we’ll talk about this again once you’ve shaken off this weird primal urge you have to ‘claim’ her. a piece of advice, she won’t like that.”

“oh you insufferable little shit-”

“goodbye everyone!” alex interjected, kicking max out of the call.

“what the fuck was that lando?”

“you heard him, posterising, peacocking and then having the gall to say that i’m being territorial over y/n.”

george sighed, his affection for the same girl was going to have to be buried even deeper after this. “max wasn’t peacocking about y/n, lando. if anything he was showing off his wins rather than her,” alex tried to reason.

“no! he can’t let us - can’t let me have anything. it’s always been this way and with y/n it’s like he knows deep down that i want her so he has to have her instead. he’s clinging on to her and shoving it in my face - it’s not my fault he has a shit dad and he attached himself to her because she was the only one not afraid of him - so why am i being punished for it?”

lando’s outburst rendered alex and george silent. the older one was horrified to say the least, the season hadn’t even started and lando’s jealousy was already out of hand.

“lando, that was too far…” alex said softly.

“no! he thinks that because he has a shitty sob story that he can just claim her? she’s her own person!”

“right. i’m going to stop you there before you say something that’ll make me hate you for real. you need to get over what ever the fuck this is so you can be a normal fucking human being next season,” alex tried to reason with lando.

“i am in love with her!”

“are you? or are you in love with the thought of what could happen? have you actually stopped and wondered whether y/n likes you or even likes men? for someone so protective over her, you haven’t considered her feelings too much.”

lando has the foresight to look a little guilty. george stayed silent, he knows alex is suspicious of him too, but that can of worms can wait until another day.

“you need to get a life and calm down. max is one of your best friends and i know deep down you didn’t mean a word you said tonight but you need to get a grip before you say any of that in front of him or y/n because i’m sorry but i won’t be stopping them if they try to hit you.”

lando doesn’t say anything, but the guilty look on his face says enough.

“goodnight.”

the call ended there and was never brought up again. george watched y/n waltz back towards the mclaren garage, a big gap between her and lando. there had been no more outbursts since that night but if what george overheard from daniel, lando had still managed to completely screw himself. was george that angry at that news? not really.

°❀⋆.ೃ࿔:･°❀⋆.ೃ࿔:･°❀⋆.ೃ࿔:･°❀⋆.ೃ࿔:･°❀⋆.ೃ࿔:･°❀⋆.ೃ࿔:･°❀⋆.ೃ࿔:･

the race was pretty uneventful, barcelona usually was. y/n started in sixth and managed to pip charles to fifth after ferrari screwed up his pitstop once again. despite her deep love for sangria, y/n didn’t really feel like leaving her hotel room after she had scrubbed all of the sweat and grime off in the shower.

she was pleased with her points haul, smiling to herself in debrief as they analysed lando’s first lap incident with pierre gasly that lando just insisted was no fault of his own…

her ring tone invaded her peaceful evening, the name ‘albono’ flashing up on her phone. pressing accept,

“how can i help you on this fine evening, mr albon?”

“well i find myself in this fine dancing establishment, looked around and thought it was crying out for a little y/n y/ln action.”

“dancing you say?”

“i’m 100% serious, sebastian of all people has dragged also to a bar where they’re attempting to teach us the tango…”

“oh i love the tango! it’s my favourite dance on strictly…”

“so what i’m hearing is that i should get a tequila sunrise in preparation for your arrival?”

y/n sighed, “yes you may.”

“score! i’ll send you the address and an uber. see you soon.”

so there goes her quiet night in, but who wouldn’t love the chance to tango with your close friends in under the stars? and she had packed her little red number… maybe the y/n who packed that suitcase all those days knew something current y/n didn’t.

y/n elected to skip most of her makeup routine, her skin sensitive from all the sweat in her balaclava, swiping on some mascara, lip gloss and a healthy dose of blush. like alex said, the uber was waiting for her outside the lobby.

the outside of the bar looked closer to a college dive bar than somewhere you’d expect to find a group of formula one drivers, but she suspects that’s why sebastian chose it.

“buenes noches senorita,” fernando alonso gave her a spin on entry.

“gracias nando,” she curtsied in front of the spaniard, drawing a laugh out of the elder driver, “i am sorry to cut this short, but i am tired and i fear i have already promised my one dance to another.”

“how will i ever recover?”

“i think you’ll find a way old man.”

“you wound me, but alex is waiting for you by the bar.”

y/n made her way through the bar, spotting several drivers caught up in their dancing lessons from the locals. she tapped alex on the shoulder, with the tall driver turning, wielding her tequila sunrise.

“nice of you to turn up at last,” alex teased, handing her the drink.

“i’ll have you know i was snuggled up ready for some netflix action before you called.”

“you came all this way for a dance with little ol’ me?”

“of course, alex. i have missed you.”

“i have missed you too, the red bull stuff is piling up and i have been neglecting my big brother duties, i’m sorry. not that it seems to be effecting your rookie season too much.”

“don’t worry about me alex, i’m proud of you and what you’re doing at red bull, even if they’re being unreasonably hard on you.”

alex led her to the middle of the dance floor and put one hand on her hip, the other on her shoulder. they started to move to the music,

“i just miss when it was more laidback. i barely have time to stop between sim sessions and media duties and performance meetings. i miss sitting in your driver room laughing at your instagram private messages and watching stupid adam sandler movies.”

alex spun her and as she came back to him she said, “we can still do that alex! you don’t have to be alone, we can still watch adam sandler movies and ignore calls from helmut.”

alex smiled at her as the music slowed down.

“i wish i was here for you more in your rookie season,” alex laments but y/n interjects, “it’s only the fourth race. you’re focused on you and i wouldn’t want anything else. there’s time for us to find our way back to each other. you're a brother to me, like blood, there’s nothing that can destroy that bond.”

“i’m sorry lando is being a prick.”

“it is what it is.”

“no it’s not. we had each other last year, he should be there for you.”

“it’s whatever, i have max, i have you, i’ll survive.”

the music came to an end. the two embraced but when they broke apart y/n started heading for the exit, picking up max on the way through, the dutchman having already booked them an uber. y/n turned and waved to alex, she meant it when she said it was just one dance. she made a ‘call me sign’ and mouthed ‘adam sandler’ before rushing out of the bar with max.

alex turned and made his way to george who was still nursing his first drink at the bar. george didn’t respond when alex prompted him. the thai man nudged george laughing about how ‘y/n knows how to make a short and sweet appearance’ but still got nothing.

“you’re not seriously angry about a tango are you george?”

“no.”

“you’re a terrible liar,” alex whispered, “not as bad as lando but terrible nonetheless.”

“at least i’m not taking it out on her like lando.”

“no, you just use max as target pratice on your dart board for shits and giggles.”

“whatever.”

“fine, deal with it how you wanna big boy, but if you turn out like lando right now, i’ll be down two best friends and up two murder charges.”

°❀⋆.ೃ࿔:･°❀⋆.ೃ࿔:･°❀⋆.ೃ࿔:･°❀⋆.ೃ࿔:･°❀⋆.ೃ࿔:･°❀⋆.ೃ࿔:･°❀⋆.ೃ࿔:･

fin.

note: my first interlude! @deviltsunoda and i came up with these ideas so i could write shorter things while i have work and you guys still get fed! so enjoy this lil exploration into y/n and alex's friendship (they are so precious to me!) and why lando is being such an asshole... enjoy! the weekend should bring chapter four.

taglist: @folkloresreputation @hc-dutch @shimmermotorsport @96mcobo @eclipsedcherry @formulaal @czennieszn @gothicwidowsworld @emily-b @suns3treading @henna006 @kazgirl20 @anotherapollokid @littlegrapejuice @daemyratwst @annimausi @yawn-zi @lulu-1998 @xsilkesworld @justaf1girl @daddyslittlevillain @evans-dejong @abq654 @elizamoe133 @wierdflowerpower @t1nkerbel1 @okcurran @raizelchrysanderoctavius @skepvids @multilovebot @fernandoalonso14 @jules-kup-172 @m4xgirlie @rorabelle15 @minkyungseokie @formula1-motogpfan @peterholland04 @miureiz @freyathehuntress @lighttsoutlewis @aleatorio1234 @chaosandevelyn @blueberry648579 @dog-and-cat-person230 @fastandcurious16 @obxstiles @cosmicwintr @becca388510 @savagittariuspy

[luckykiwiii101]

“WHO PUT THE WORLD ON MY BACK AND NOT IN MY HANDS?” 🎶

XOXO | GOSSIP GIRL | XOXO | GOSSIP GIRL | XOXO | GOSSIP GRL

XOXO | GOSSIP GIRL | XOXO | GOSSIP GIRL | XOXO | GOSSIP GRL

ﾟ can I exhale for a minute..? ࿐

p.s. are you feeling stressed? doubtful? regretful? disappointed? hopeless? frustrated? jealous? doomed? out of control? off track? just negatively towards manifestation overall?

Well then this post is perfect for that little outer self of yours who needs a little guidance from your inner (real) self.

NOTE: If you can’t see the darker text, turn your colour palette to goth/rave.

Hey my gorgeous upper east siders. This is going to be a gossip girl informational + comfort post (not much I haven’t told you already), consider this a post you’ll come back to every time you feel like you need internal guidance from yourself, and most importantly, a moment to breathe, and exhale.

Once upon a time, a wise woman asked “can I exhale for a minute?”, and that wise woman is named Sabrina Carpenter. This post is inspired by her song exhale. It’s a very calming song, that acknowledges how it feels to not be listened to, and mental health is very important. Yet it’s such an overlooked topic in the loa community, unfortunately. Especially when it comes to manifesting the things you want. Beating yourself up when another year goes by and you let yourself down, not acknowledging your power.

Sometimes you just find yourself asking “who put the world on my back and not in my hands?”

Well the truth is, that someone is you. We all know it. And this post is not about scolding you for it. It’s about knowing how to deal with that feeling and remembering where it comes from.

First of all, acknowledge that the outer self is the one who’s talking. The outer self is the one reacting that way. Reacting so negatively to the law of assumption. Realise that this outer self is not the one who holds the desired assumption. So why would what the outer self feels affect the desired assumption? It doesn’t.

You may wonder what the point of me telling you that was.

Well it’s because if there’s one thing I can promise you, it’s that your negative feelings towards manifestation come from the outer self. Those negative feelings are never coming from the inner self. I promise you that. And acknowledging that, is power.

Why? Because when you acknowledge that those negative feelings come from the outer you, your inner self cannot take accountability for it. And wait, wait, wait. I know what you’re thinking. Accountability? All I mean by that, is that your inner self (real you) cannot take accountability for those negative feelings, because the real you is not the one feeling them. Those feelings come from the one who sees nothing but limitations and therefore has reason to doubt.

This also applies to fulfillment. When you feel fulfilled, the inner self is the one who is accountable for that. Not the outer self.

So just know that every time “you’re” feeling low, it’s the outer self feeling low. The feeling indicates who you are identifying with. Use that feeling as a weapon. It’s letting you know how to get back on track and who you should be identifying with. It is everything.

Once you’ve understood that, I want you to take a deep breath. Just breathe. Feel the relief knowing that you cannot identify with those negative feelings, because they simply have nothing to do with you. Even if you wanted those negative feelings to be a part of you, they simply can’t. Because they will always come from the outer self, never the inner self.

You are not the one feeling stressed. You are not the one feeling doubtful. You are not the one feeling regretful. You are not the one feeling disappointed. You are not the one feeling hopeless. You are not the one feeling frustrated. You are not the one feeling jealous. You are not the one feeling doomed. You are not the one feeling out of control. You are not the one feeling off track.

The outer self is the only one with the capability to experience such negative feelings. But when you aren’t identifying with the outer self, it literally doesn’t matter. Because when you are identifying with the inner self, those negative feelings are non existent. And the point is, when the outer self is feeling those negative feelings, you start to feel as if you don’t have it and that you’ve “ruined progress”. But as I said before, the the outer self is not the one holding the desired assumption, so why would what the outer self feels affect the desired assumption? Say that i’m holding an apple in my hand, and you’re holding a different apple in your hand. If I take a bite out of my apple, it does not affect your apple, at all. And it’s ridiculous to believe that just because I took a bite out of my apple, that the bite mark would show up on yours.

All i’m saying here, is that when you’re feeling like sh*t, it’s just the outer self feeling that way. It’s not you (inner self) feeling that way. And therefore does not affect the inner self at all. The inner self is never affected by the outer self. The outer self is only affected by the inner self. That’s why you change self. You change self from outer self TO inner self. You are just changing who you are identifying with.

When you realise this, you realise that progress cannot be ruined. There is no progress to ruin because manifestation is not a process. There is only having it now. Know that there are no negative feelings to get in your way. Internal guidance is all you’ll ever need. The answer is always within you. No one else.

SUMMARY OF THIS POST INTO 3 QUOTES:

✩ “this outer self is not the one who holds the desired assumption. So why would what the outer self feels affect the desired assumption? It doesn’t.”

✩ “inner self (real you) cannot take accountability for those negative feelings, because the real you is not the one feeling them. Those feelings come from the one who sees nothing but limitations and therefore has reason to doubt.”

✩ “progress cannot be ruined. There is no progress to ruin because manifestation is not a process. There is only having it now. Know that there are no negative feelings to get in your way.”

A wrong self identification will have you falling hard, but not in-love. XOXO

- gossip girl

XOXO | GOSSIP GIRL | XOXO | GOSSIP GIRL | XOXO | GOSSIP GRL

XOXO | GOSSIP GIRL | XOXO | GOSSIP GIRL | XOXO | GOSSIP GRL

[monster-disaster]

[monsters] New Year's resolution

monsters x human!Reader Good to know: no warnings

Summary: Your New Year's resolution leads to a very intense week in the gym.

“She is the one.”

Kiron frowns. His dark eyes scan through the crowd, searching. “Which one?”

“That pretty girl in the black sweatshirt,” Diran replies, nodding subtly in your direction. “She just left the reception desk.”

“Oh,” Decar hums. The deep baritone of his voice barely rises above the monotone drone of the treadmills. “And she has a membership card. She’s serious.”

Kiron snorts, crossing his muscular arms over his chest. “Yeah, so is half the city. It’s January, after all.”

Decar’s lips curl into a slow, predatory smirk, just enough to show a hint of his canines. “Well, then, let’s make sure she doesn’t quit after a week, shall we?” His vivid green eyes gleam under the bright fluorescent lights as he watches you take a tentative step closer to a row of sleek, whirring machines. Your gaze darts around, clearly lost and unsure and so blissfully unaware of their scrutiny.

“Boys,” Nara speaks up finally. Her voice cuts through the clang of weights like a pleasant melody. “You will scare her away.”

“Well, do you have a plan?” the orc asks, arching an eyebrow in challenge, though, he already knows the answer, of course. Nara always has a plan.

The succubus flashes a sharp, knowing smile that lights up her face with an air of effortless confidence. “Just watch and see.” The promise in her tone is undeniable.

It is the first Monday of the year, and the gym is full of new beginnings. The air hangs heavy with the potent mix of sweat, disinfectant from the freshly cleaned machines, and the weight of resolutions.

The guys watch as Nara strides toward you. Her steps are confident and fluid as she easily waves through the crowd. The blue yoga outfit she likes so much clings to her in all the right places. The light shade looks like the summer sky on her pastel purple skin. Her black hair is piled into a messy bun, with a matching scrunchie holding it all together.

“What do you think she’s saying to her?” Diran asks, tilting his head in curiosity.

The tiger shrugs. The black stripes on his arms flex as he adjusts his stance. “Who knows.”

“I’m surprised they still have their clothes on,” Kiron remarks teasingly. The orc watches you with amusement glinting in his dark gaze. Your wide, timid eyes remain fixed on Nara. You seem caught somewhere between awe and nervousness as your fingers fidget with the sleeve of your oversized sweatshirt.

The minotaur rolls his eyes, though his lips twitch with the ghost of a smile. “We are in public,” he points out, glancing sideways at the orc, whose knowing grin only deepens.

“Exactly,” the male replies. “You know Nara.”

“Look,” Decar interrupts, nodding toward you and Nara when the succubus turns her head ever so slightly to glance back at their group with a sly curl at the corner of her lips. Your gaze follows hers, landing on them for a brief, uncertain moment. “It’s our time, guys.”

Every part of the gym buzzes with life. Seasoned members move around the equipment with familiarity while the newcomers wander around, watching and trying to get through their “newbie” embarrassment.

“Y/N,” Nara says smoothly before any of the guys can get a word in. She gestures toward the trio with a casual wave of her hand. “These are Diran, Kiron, and Decar,” she introduces them in turn. “Guys, this is Y/N. It’s her first time here.”

“Nice to meet you, Y/N,” Diran says first in a friendly and inviting tone, and the others only nod in acknowledgment. Their imposing figures are softened by their smiles, though, Decar's is more of a smirk, and Kiron's grin has a sharpness to it, but the gesture is there.

“Y/N just told me she isn’t sure where to start with her workout.”

The orc has to bite his lip to stifle a comment, his gaze flicking from Nara to you with a glimmer of mischief. “Is that true?”

You nod a bit meekly, feeling self-conscious under the weight of their attention. “It all looks a bit overwhelming,” you admit, gesturing vaguely toward the expansive gym filled with unfamiliar equipment and bustling energy.

“It’s understandable,” Diran says with a reassuring nod. He is calm and grounded, a stark contrast to the others. “We all started somewhere.”

“That’s what I told her,” Nara interjects, flashing a grin as she effortlessly reclaims control of the conversation. “So, I offered to help her out.”

Kiron raises a brow, a sly look creeping onto his face as he exchanges a glance with the succubus. “Oh?”

“I thought we could show her some workout routines,” the woman says, her grin widening. “I don’t start my beginner class until next Monday, but if you’d like, Y/N, you can come early tomorrow, and I will give you a private yoga session.”

Decar snickers at the offer, but the low rumble of his chest gets drowned by all the noises around them. Of course Nara would claim the first opportunity to guide the sweet, wide-eyed newcomer. It’s only fair, after all. “That’s a great idea, Nara." The humor in his tone is evident.

The woman smirks at the tiger. “I know, right?”

The male crosses his arms, his tail swishing idly behind him. “I could show you some boxing moves on Wednesday,” he offers. “It’s a great way to build confidence.”

“And I can show you around the machines on Thursday,” the minotaur adds. “They can be tricky if you are new to them.”

The orc’s lips curl into a slow, dark grin. His tusks catch the bright lights from above. “And when you are all stretched and ready, we can end the week with some weightlifting on Friday.”

[readychilledwine]

can we have rhysand with an emotional reader again? maybe meetings made her feel unsupported

A Heavy Burden

Summary - After a long day of tense negotiations, Rhysand finds his wife wondering if this all was worth it.

Warnings - mental health, implied misunderstanding and communication, implied Azriel was illiterate fan theory, slight misogynistic thing when you consider the places reader was dealing with

A/n - Slowly but surely, you all are about to see the mass amount of things I have queued from old and new requests. All almost 48 and counting of them 🫠 2025 goals include getting better at getting to what is sent to me faster, along with finding a better system for requests so I'm maybe only working with 5 at a time instead of pressuring myself to put out requests instantly.

✨️Rhysand Masterlist✨️Master Masterlist✨️

The clanging of your crown in the marbled floor was the first thing that caught Rhysand's attention. The second was you sitting on the balcony in your dress, in the middle of a cold night, just being still. Today had been, for a lack of better terms, a nightmare. 

Your proposal for remodeling the Illyrian camps had been met with conflict and comments regarding if you truly had power.

Your proposal for creating a shelter system for females and children in Hewn City was met with questions of your status and abilities.

Your family dinner at home hadn't even been safe from remarks from the Inner Circle that he knew had you questioning how they saw you.

He shouldn't have been surprised by you doing this by tossing the symbol of your power aside like it was nothing. Your ideas were frequently met with debate, tension, and sometimes, his advisors screaming like children at each other. As a test, you once had him present the idea you had for it. It had been met with excitment until the passing of the paprrs was signed and stamped by you.

You had a habit of smiling in the face of adversity. Taking a gentle approach instead of using the authority he had given you. You had become the kindness to his image of cruelty. A match many felt was odd but truly made by the Cauldron for balance. You shouldered it all well, but even you, his strong wife, had a breaking point. 

Rhys moved with near silence to you, lowering himself behind you and knowing it was serious this time when you didn't make a joke over his knees popping. “Talk to me,” he murmured as he pulled you to him, wings appearing to wrap around you as if they were a shield.

You only sighed, chin resting on your knees, “I feel insufficient. I feel like no one believes in me. I feel like I'm just here as a glorified placeholder.”

Rhysand hummed, kissing the skin of your bare shoulder, “What about today do you feel made you feel that way?”

“How everything I purposed for the two areas begging the most for change was met. Illyria acknowledges that the camps are rundown. I purpose a cycle of upgrades, funded by us, by the way, that would allow the camps to be safer, warmer, and have more resources. I am told I don't understand Illyrians and what the camps need despite my plans being based on the needs given to Cassian and I.”

You took a breath, eyes shutting to relax and fight tears before continuing. “When we then spend the second portion of our day in Hewn City. I am addressing the so-called concern for female and children resources. It is meant with your uncle screaming at a more forward moving male that I'm powerless. I have no clue what females need, which is odd since I am one. Then, lastly, my proposals do not matter.”

Rhys nodded, nose buried in your hair to calm himself at the memory of everything, “Then we come home and instead of being met with support-”

“Our family tells me I need to take my heart out of things and start acting like a ruthless High Lord and stop offering mercy. That that is the only way fae will ever actually respect me."

“Thus attacking your character when you were already in a fragile state and needing support instead of, well, we will call it constructive criticism, though, I know it did not feel that way.” His voice was soft in your ear, offering that comfort you had been seeking.  “And, y/n, your heart does not need to be taken out of the conversation. Your heart is why I pursued you. It's why we are married. Why I didn't care a mating bond had landed into place yet. Your heart chose me. It is precious to me. It belongs in the decisions we, as High Lord and Lady, make.”

Another soft kiss was placed on your shoulder. Then the nape of your neck, pressing in  as if he could make every nerve in your body calm down with just the strength of his love. “I will handle Azriel and Amren,” he assured you. “Though, I do suspect Azriel realized his comment came across much harsher than intended.”

You couldn't help but roll your eyes, “He's 538 years old. He's been with you all and consistently speaking and socializing for over 525 years. He shouldn't continue to be coddled for his childhood illiteracy and lack of social understanding, especially when we hold a barely 21 year old Feyre to higher standards.”

You felt his shift, the deep sigh as his forehead touched the back of your neck, “He doesn't mean to be harsh with you. Please consider what he does for a living, who he is normally dealing with.”

You nodded, “But he also needs to consider time and place then.”

“He knows, trust me.” You did chuckle at that, knowing your husband was more than likely being yelled at for access to you. His calloused hand moved into the dip of your dress, stopping once it rested over your heartbeat. “This is the most beautiful thing in my world. The most important thing.” He subconsciously synced his breathing to yours, only content once the two of you were in harmony. “I know a heart can be a heavy burden, darling. I know it seems easier to shut it out right now. I know it feels like you should become more cold. I know you're hurting.”

The tears began then. Your thumb moving to wipe them away, “I just feel wearing my heart on my sleeve is counterproductive to what the Court needs-”

“The court needs more of it, actually,” he immediately stopped you, knowing where this was going. “The court as a whole needs more care and heart, Y/n. Change begins when one person cares enough to push for it, and even the smallest stone will make ripples. You have inspired me to take better control of Illyria and Hewn City. You have inspired countless in Velaris to work to help the Court's lower income families. You have inspired my heart, my darling.”

He pulled you impossibly closer, “Be glad of your big heart, y/n. Pity those who don't feel anything at all." One last soft kiss touched the back of your neck. “Come bathe with me. Let's wash today away.”

The idea had your body already relaxing as he stood, knees popping again. “Old ass male.” And there it was. A sign of you. A sign you would be okay. A sign you would fight.

“Cruel little thing,” he purred back. “Mocking my war injuries.” He pulled you up before a tendril of darkness and starlight handed him your crown. “Put this back on. You dropped it.”

[loredrinker]

Inflection, Context, and Elven: Lavellan’s Veilguard Ending (romance state)

Lately, I’ve seen quite a bit of criticism directed at a romanced Lavellan on my dash - particularly in the Veilguard ending, interpreting her as needy, egotistical, or entitled.

And I am wondering: Did we watch the same ending? (I find it fascinating how differently people interpret the same moments - such a reflection of the human experience.) And I couldn't help myself! I felt compelled to share my interpretations so I punched this out the last few days.

The sticking point seems to be Lavellan’s words, especially the ones spoken in Elven.

It seems like a common interpretation of Lavellan’s words here are: 

“It won’t be terrible if you’re with me.” (Implying possessiveness or entitlement - and that she alone will make it better.)

The game’s delivery offers no inflection on any word though. For me, it’s always been: 

“It won’t be terrible if you’re with me.” 

It’s subtle, but very different. This is just one micro-example of how much nuance is packed into the dialogue in the Veilguard ending. These lines shouldn’t be taken in isolation - especially not the Elven ones. They should be understood in the context of what Solas says to Lavellan in Elven just before, and beyond that, within the history established in Inquisition and Trespasser.

Indulgent Solas x Lavellan post ahead.

Note: I respect and appreciate all Solas ships and I will never post negativity towards other interpretations in this space. Everyone deserves to enjoy their creativity and find joy in their community. There’s more than enough Solas to go around. As for Lavellan’s portrayal in VG, it's not perfect. I understand the devs had the impossible task of balancing every interpretation of her. Some dialogue between Rook and Lavellan took me out of gameplay a bit. But I recognized then they had to condense countless versions of her into one, and perfection wasn’t possible. In general I have honest criticisms about the game but try to keep my posts positive overall.

Still here? Excellent. (And sorry, it's another long post.)

"Elven is often a game of intents, not direct mapping of phonetic meaning." The language doesn’t rely on straightforward translations of sounds or words into specific meanings. Instead, it operates on a deeper level, where intent and context carry as much weight.

Earlier in the game, when Solas confronts Elgar’nan, he says: “I must speak to you in this tongue. It seems Elven is beyond your grasp.” This insult implies that Elgar’nan has lost the ability to understand the nuanced, metaphorical nature of the language. Elven relies on shared understanding, rhythm, intent, to convey its full meaning. By Lavellan and Solas choosing to speak Elven to each other it's an acknowledgement of their shared understanding - a connection rooted in their history going back to Inquisition.

Which is why I embrace it in my interpretations.

I disliked that Veilguard kept out the Elven words and left only the English translations in. They can be found here: (Elven Language - Dragon Age Wiki)  But for funsies, let's take Lavellan’s actual Elven dialogue and translate it literally: Banal nadas. Ar lath ma, vhenan. We already know from Inquisition that Banal nadas translates roughly to "Nothing is inevitable" - the same phrase Solas uses when confronting the Nightmare Demon. So Lavellan is saying: "Nothing is inevitable. I love you, my heart."  The gall of this woman! 

Since I do my best to keep my posts playing in the game’s sandbox, I’m going to just look at what the game tells us the translations are and not get into actual translations (others have done that far better than I ever could). There are some great fandom language resources linked at the end of this post. 

Let's start where Lavellan enters and speaks in the common tongue: 

This is personal and expansive. On one level, she’s speaking as someone Solas has wronged, reminding him of the pain he’s caused her directly. But on another, she’s channeling the voices of countless others whose lives were affected by him and who will be shattered by his actions. It’s a challenge that blends her role as both an individual and the Inquisitor.

It’s also not a condemnation. Lavellan doesn’t lash out or accuse him of being irredeemable. Instead, she questions him, cutting through to reach the man beneath. She’s speaking to Solas (wisdom).

"Vhenan" is acknowledging his love for her but it’s also symbolic of his heart, the part of himself he’s buried and tried to ignore, suddenly reappearing. Solas has spent much of his journey detached and isolated, removing his heart metaphorically to push forward with his plans without the weight of emotional ties. Lavellan’s presence makes it impossible for him to keep it hidden. His heart is right there, exposed and speaking. And the ellipsis - so many words unsaid.

Immediately Solas looks down (I read it as shame). It’s a reaction back to what he said in Trespasser: that he would not have her see what he becomes. And yet, here she is. She sees him, the terrible path he has chosen, the blood on his hands, the awful things he has done, and what he’s about to do. In that moment, his shame is palpable - because Lavellan is one person he couldn’t bear to face in this state. 

And Lavellan doesn’t hesitate. Her next words are as much about holding him accountable as they are about reminding him that there is still another path. 

This isn’t some starry-eyed, naïve Inquisitor we’re dealing with (at least mine isn’t). Lavellan is fully aware at this point. But her stance is clear: no one is beyond redemption, not even the Dread Wolf himself. And she wasn’t the only one – this message is repeated throughout the game by others. 

Her words challenge the belief that has kept Solas shackled to his path. He’s convinced himself that his guilt and mistakes are too great, that there’s no turning back, and that the only option is to see his destructive plans through to the bitter end.

She doesn’t beg or demand or frame it in a way that’s grand and sweeping – she simply says “you’re wrong.”  

She’s not trying to erase his mistakes or pretend they don’t exist. She's saying, Yes, you’ve done terrible things, but that doesn’t mean you’re beyond the reach of change.

Lavellan’s journey as Inquisitor began with the Anchor - a mark born of Solas’s mistakes and choices. From the moment she touched his orb (yes, it sounds dirty), her path became entwined with his. This isn’t Lavellan selfishly claiming Solas’s path; it’s an acknowledgment that their journeys have run parallel.

Their connection was forged long before either fully understood its implications. Lavellan’s work to stabilize Southern Thedas mirrors Solas’s aim to restore a broken world, including the burdens of being forced to take on titles and labels. She is revealing her own struggles with devastating, blood-soaked choices - choices that, like his, have carried profound consequences.

Solas believes he’s been walking this path alone, but Lavellan shows him she's been walking alongside him this whole time. Now, as their paths converge again, this is a reminder of the power of connection and the burdens they’ve both borne. He's actually not alone.

Her words also carry an unspoken promise: she is ready to continue to bear the consequences with him. She knows the road ahead is painful and fraught with difficulty, but she is steadfast.

Why do I feel that people sometimes forget Lavellan’s role as Inquisitor? She wasn’t defined by Solas; she was the leader of a powerful military and political organization, forced to make horrible decisions. Whether you choose the mages or templars in Inquisition, you doom thousands to torment and death. The Empress of Orlais can live or die based on the Inquisitor’s choices. And if you’re like me and made the wrong calls on the Dalish clan war table operation, her own clan can be murdered and wiped out.  (Yes, I’m still haunted by that moment.) Her hands have blood on them too. This makes me wonder: does some criticism of the Solas/Lavellan romance stem from failing to see Lavellan as her own person? I love Lavellan for who she is as the Inquisitor - not because of Solas. Likewise, Solas is fascinating on his own. Their romance is one layer of the story, not the foundation of either character. Sometimes it feels like there are even some Solas/Lavellan lovers who have a tendency to overlook the depth and individuality of both characters outside of their romance.

Solas’s statement is a raw admission of all the guilt he carries for his deceptions and the pain he has caused her - lying to her about his identity, betraying her trust - not just as the Inquisitor, but as a person he loves.

His words are not an attempt to seek forgiveness but an acknowledgment of the truth - no matter how painful it is for them both. He knows his choices have caused devastation to the world and to her specifically. He's exposing the full weight of his dual burden: the grand, world-altering consequences of his plans and the personal betrayal of the woman he loves, who trusted him. 

Perhaps, on some level, he hopes that reminding Lavellan of his lies and treachery will convince her to abandon him, sparing her further pain. His guilt and self-loathing are so entrenched that the idea of being forgiven - or even supported – either confounds him or terrifies him.

But Solas’s confession is not just a shield to push her away. It’s also an invitation for her to see him - not the wise, compassionate companion she knew, but the flawed, broken man beneath.

This moment to me shows that Solas still values Lavellan’s understanding (we also saw it in his letter to her). He doesn’t diminish the weight of his actions but wants her to see the cost of his deception - not just for her, but for himself. To Solas, his betrayal is unforgivable. 

And yet - this "selfish" woman dares to forgive him anyway. 

Forgiveness is an act of wisdom because it requires understanding - and she reflects that wisdom right back at him.

"All you have to do is stop" is heavy with meaning. Yes, on the surface, it’s a plea to stop tearing down the Veil, to reconsider the destruction. But it’s also a plea for him to stop running, to stop isolating himself, and to stop punishing himself for his failures. She’s asking him to step out of the shadow of his self-loathing and see that there’s another way forward, not by demanding or commanding, but by offering him compassion (forgiveness). (Cole, I miss you.) 

But Solas’s guilt and self-loathing run deep.

With these words, Solas apologizes to his heart - hardening it once more. For a moment, it had softened, cracked open. But he shuts the door.

The bow that accompanies his words is loaded. A bow carries layers of meaning depending on context - reverence, respect, gratitude, apology, greeting or farewell, a spiritual act, acknowledgment, loyalty, mourning, or even a romantic gesture. Solas’s bow can mean all of these. 

He is physically reinforcing the gravity of his apology. It’s a solemn moment. He is bowing to her strength, to all she has endured because of him. And when he calls her "vhenan," it is personal. It's an apology to her and to his own heart for not choosing the life he wanted to have with her.  “...to stay by your side as Solas...as I wanted.”  

The bow also carries guilt. He is acknowledging the pain he’s caused and humbling himself before her. And his eyes in the animation during this moment – I saw haunted, tormented, tired eyes – the eyes of a man grappling with the weight of his choices and the thought that he cannot accept redemption, even if it’s offered freely.

Time for a an indulgent moment - a bow can also symbolize acceptance. What if, in that moment, it’s not just an apology? What if it’s Solas saying, “You’re right. You have walked this path with me. I acknowledge that.” The bow could be a tacit agreement - a recognition of a future with her. What if he’s asking: I’m sorry, but I can’t stop, are you still coming with me? And Lavellan’s eyes right after? She looks down, like she’s contemplating this - what if he tears the Veil down? What happens next? What do I do? Anyway, maybe I indulged with this thought a little too much.  

But, as I’ve said before, it takes a village to stop a Solas. Cue Morrigan and Mythal - but I’m not diving into that dialogue rabbit hole in this post.  

But this scene with Mythal is important. Lavellan has just watched the man she loves completely crumble in front of Mythal. He’s bent over in grief/pain, utterly vulnerable. She hears him say, in anguish, “The things that I have done.” She sees him lift the dagger - perhaps to surrender it, to shield himself from Mythal, or even as a plea to Mythal to end his torment. Whatever the intent, Lavellan is witnessing the rawest, most broken Solas. His guilt is overwhelming, and this is the first time she’s truly seeing the full weight of it laid bare (as is Rook). It’s a moment of heavy sadness for her – and for us as players. 

This scene seems to have created a universal understanding among players who love Solas, regardless of who you ship Solas with. We are all witnessing Solas in this moment of pure vulnerability. Let’s honor that shared empathy. 

Solas is bent over with the emotional collapse of centuries of obligation and guilt coming to the surface. Mythal’s departure leaves Solas vulnerable, stripped of the purpose that has guided him for so long. He is alone in his pain.

For Lavellan, can you imagine the helplessness? All she can do is offer her presence, understanding, and faith in him afterward. That might feel like so little in the face of such immense pain, but it’s all she has to give. 

Where Mythal’s words, spoken in the common tongue, are authoritative and final, Lavellan’s are intimate and personal. Her choice to speak Elven reflects her desire to meet Solas where he is - connecting with him on an intimate level.

Only after Mythal has left him exposed - that Lavellan uses the Elven language. In this moment, stripped of his defenses, he is finally open to hearing and feeling the full significance of the words and their intent.

Lavellan’s words challenge the notion that fate is immutable or inevitable. When she says, “there is no fate...,” she isn’t diminishing everything else in favor of her love; she’s rejecting the tyranny of inevitability. Her words assert that choices - rooted in love, connection, and shared purpose - have the power to shape their path forward. She reframes love as a force just as powerful as fate, capable of creating meaning and direction where there once seemed to be none.

Atonement

And at this point? Lavellan has no idea what Solas will do next. None of them do. But the combined efforts of Rook, Lavellan and Morrigan get through to him. Because Solas makes a choice - a monumental choice. He binds himself to the veil, committing to atonement. Atonement is a powerful, active word. It evokes the gravity of recognizing wrongdoing and the courage to address it. His decision to seek restoration with the Titans, to deal with the Blight, to return to where it all began, reflects the depth of his remorse and his willingness to rebuild the balance he disrupted – from the beginning. 

Solas equates atonement with isolation, believing that his punishment must be borne alone. To him, atonement requires severing ties, including the possibility of love. He doesn’t ask Lavellan to join him because he cannot conceive of burdening her with the weight of his choices and the path he must walk.

But Lavellan’s words - once again - challenge that. She offers him the possibility that his actions, no matter how devastating, do not erase the love and faith others still have in him. This is an invitation.

She's also being vulnerable here. She’s offering herself to him, knowing full well that he still might say no. A risk she’s willing to take. 

He doesn’t try to shut her out or push her away this time. Instead, he shifts the focus - he needs her to understand the gravity of the path they are about to walk. His response reflects his own vulnerability as well, he wants her to know what she’s choosing, but he can’t bring himself to reject her offer outright. 

Solas responds in Elven - his acknowledgment of their shared understanding and their entire relationship and journey that has shaped them.

His words also mark a turning point: for the first time, Solas allows Lavellan her agency. Throughout their relationship, he has taken her choices away. He broke off their relationship in Inquisition. He vanished after Corypheus’s defeat, leaving her no say in it all.

And he knows this! During their confrontation in Trespasser, when Lavellan demands answers, he justifies his deception with, “And what would you have had me say? That I was the great adversary in your people’s mythology?” Her cutting reply, “I would have had you trust me!” lands with devastating clarity. His face falls, struck by the hard truth: the man who values freedom has stripped hers away. And he's going to do it again.

This moment in Veilguard feels like a callback to that. Lavellan is asserting her choice. And this time, Solas doesn’t take it from her.

By framing his destination in such stark, "terrible" terms, Solas isn’t pushing her away out of cruelty. He’s laying bare the enormity of what lies ahead, warning her of the peril while giving her the freedom to choose for herself. It’s his way of ensuring she understands the stakes.

Solas is doing what she requested long ago - trusting her - and what a choice to place that trust in. He’s entrusting her to make an informed decision about stepping onto a path that could shape the future of Thedas. He is trusting Lavellan’s strength and resiliency. And in trusting her, Solas reveals a quiet, unspoken truth: he doesn’t want to face this journey alone. By even presenting the choice, he reveals a quiet hope that she might go with him, despite everything.

To me, what makes this moment so achingly beautiful is the duality in his expression. His eyes seem to plead two things at once: “I don’t want to put you in harm’s way,” and “I can’t deny wanting to be with you.” There’s a raw vulnerability in the way he looks at her.

“It won’t be terrible if you’re with me.” 

Lavellan’s response is a direct challenge to Solas’s warning. He tells her the path ahead will be awful - because of him. But she counters, saying that it’s because of him that it won’t be. This isn’t her forcing herself into his journey or suggesting that she alone will make it better. Instead, it’s her way of expressing that his presence will give her the strength to face whatever lies ahead. She’s trying to ease his mind, while also signaling her willingness to trust him again.

At the same time, her words acknowledge the weight of Solas’s suffering, offering herself as a partner to bear that burden together. She isn’t dismissing the risks or downplaying the severity of what’s to come - she’s choosing to stand beside him, fully aware of the challenges ahead.

It’s not about personal gain; it’s about shared resilience. Lavellan’s focus is on what they can endure together, not on what she might receive from the journey.

And since the Fade reflects emotions, as many have pointed out, their combined trust and love could manifest in ways neither of them can predict. Their bond has the power to shape not just their path but the very world around them.

This declaration is past, present and future; it’s a reaffirmation of their bond, a recognition that they’ve been walking the path of the dinan’shiral together all along. It’s future focused - she is offering to shoulder the burden with him going forward.  

She’s also telling him that she won't abandon him, no matter how hard the road ahead may be. 

And at the end of the day, she's a woman who still loves him. What does Prince Lir say in The Last Unicorn? "I love whom I love."

I've never interpreted Lavellan as someone sitting by a window for ten years, writing sad poetry and sighing into the wind, longing for Solas. She’s been busy - rebuilding a fractured world, navigating political fallout, and seeking understanding. Lavellan’s love for Solas isn’t blind devotion; she’s holding onto the possibility of redemption and the deep impact he had on her life. In my world state, Lavellan’s clan is wiped out. The people of the Inquisition have become her family, the ones she fights for and protects. And indirectly, Solas gave her that family. Despite the pain he’s caused, her love for him reflects the complexity of her journey - one defined not by a single relationship, but by hope, resilience, and the connections she’s forged along the way.

Lavellan then leans in to kiss him, and Solas allows himself to be drawn in. This moment is acceptance - a silent vow, a promise sealed in their shared vulnerability. It’s an intimate connection forged in front of those who have just witnessed the emotional storm that brought them to this point, as if to say, “This is where we stand, together.”

While I won’t dive into fly-cam images (you can find some here), there are some tender subtle details: the way he caresses her hands with his thumbs, the way he holds onto her one hand as she pulls away, as if he’s not ready to let go. But I promised to stay within game constraints.

And then Solas turns to Rook and says, “Thank you.”

Solas doesn’t thank Rook when he hands them the dagger, nor when he’s preparing to walk into the Fade. He says it after the kiss. Make of that what you will but Rook’s is symbolic for me, especially after thinking about this ending a bit.

In thanking Rook, Solas acknowledges not only their actions but also their understanding of the connection he shares with Lavellan. Rook, transformed by their own relationships and the bonds they’ve formed throughout their journey, embodies the themes that have always defined Dragon Age to me: connection, fellowship, community, love, and redemption. These games (again, for me) have always been about how people, despite their flaws and struggles, can come together to make the impossible possible.

Rook’s symbolism in the redemption ending feels like the culmination of this ethos. They represent how even those who begin on the periphery of great events can become central to forging bonds and creating change. Solas’s gratitude is for Rook's empathy, their recognition of the importance of connection, and their role in bringing these threads of love and redemption together. I'll go cry now.

And off they go into the Fade.

The Final Translation 

"With Elgar'nan and Ghilan'nain dead, and the Inquisitor finally reunited with her true love, it looked like one of the biggest stories the world had ever seen was finally drawing to a close."  

Varric’s narration ties the ending image back to the connection between Inquisition and Veilguard. Inquisition is the Inquisitor’s story; Veilguard is Rook’s. Solas serves as the thread linking them. Varric frames this moment through Lavellan’s perspective, narrating the story like one of his novels - not to diminish Solas, but to highlight the Inquisitor’s journey. After all, Veilguard wouldn’t exist without Inquisition. Rook wouldn’t be working with Varric or searching for Solas if not for the Inquisitor.

As much as I would have loved a deeper focus on Solas, Veilguard wasn’t his story. If Inquisition is the Inquisitor’s story and Veilguard is Rook’s, this ending is a shared culmination: for a romanced Lavellan, it’s the personal resolution of her journey; for Rook, it’s recognition of their critical role in saving Thedas.

Okay, indulgence over - whew, that was long! I really need to practice shorter posts.

In the end, those who dislike this romance or this ending probably always will. That’s fine; I just wanted to share my interpretations because I genuinely love this story for all its complexity.

To everyone who made it to the end of this post - thank you for joining me in my indulgence. May your own Solas ships continue to bring you joy and inspiration.

Elven language resources: 

Project Elvehn on AO3 

Elven Translator 

World Anvil Elvhen Resource 

Reddit on Elvhen Poetry 

[annabelle--cane]

i wasn’t here when tma reached the height of its popularity (i only joined last year) so could you describe the Vibes (how bad the drama was, did it feel like there were too many people, etc.)

only if you want to :]

I've said this before, so this may be a familiar spiel to longer term followers, but 2020 tma fandom was honestly not the worst fandom I've ever been in, it was just by far the biggest thing I have ever been actively into at peak popularity and so the 1% of insane people that are found in every fan space were 1% of a much bigger total population. most people were fine and chill, but there were a vocal minority who Weren't.

major ingredients in the discourse pot:

from my observations, tma had a small but devoted listener base for its first few years, then it got a little bump in mid 2018, then a considerable bump in late 2019, then hit proper virality in early 2020, so there were a lot of people with hipster complexes about being Real Fans who were there first and weren't just part of the masses.

at this point I'm not even sure if this part was true, but the above was compounded by the perception that the earlier og listener base were mostly adults and the new wave of fans were mostly tweens and teens. whether the different waves actually fell along those age lines or not, a lot of people felt like the fandom was split into 80% Cringe Zoomers Who Are Here For Ships And Memes and 20% Millennials and Gen X'ers With Media Literacy Who Are Here For Horror. nice dichotomy, idiot, now what lies outside it, etc and such and such. our blessed fandom etiquette vs their barbarous dni lists.

which isn't to say that suddenly having a huge number of people, including young people, become interested in a single piece of media at a time of global stress where everyone had to be much more online and the content of the media itself was at its darkest and most socially relevant had no downsides. oh no. Oh No.

"my headcanon is not only objectively the best headcanon but it actually invalidates all of yours and if you hc something different then it's an act of bigotry against my Correct Headcanon." / "I have drawn up a list of Good Characters you have to like and aren't allowed to criticize and a list of Bad Characters you have to hate and can't acknowledge exist unless it's to make fun of and completely condemn them." / "I saw her username in the kudos of a jonelias fic" "girl what were YOU doing in the kudos of a jonelias fic" / "this latest episode handled a social issue unforgivably badly, I haven't experienced it myself but the vibes were off, everyone demand accountability and boycott the rest of the show" "hey that one was actually based on jonny's personal experiences" "ah fuck not again. well boys let's remember this for next time. this latest epis--"

honestly most of the discourse was down to like two or three friend groups. there was one group of people who you will probably remember if you were there at the time whom I have sometimes seen referred to as the Clown Gang. Clown Gang were ground zero for a good 90% of fan discourse ("hcing melanie as ace is ableist and lesbophobic" "fan content that focuses on jon's asexuality is biphobic. what's pansexuality I've never heard of it." "desolation tim aus are inherently ableist and racist"), but eventually they had a big falling out with Clown Prime and things calmed down. to be very clear I hold no ill will towards any of these people for four year old bad takes, hence why I'm not using any names, but god was it a time.

and this is only about the tumblr side of things. I was barely active of twitter so idk what it was like there but I was on tiktok for about a year during that time and the vibes were wildly different. iirc people there were less confrontational and there wasn't really a callout culture like on tumblr, but the extremes of the takes were FAR worse.

[cinnablu3]

RECKLESS - ALL I WANTED WAS YOU

Masterlist

Ch 18, i lied about 20 chapters we might have 21.

After Utahime leaves, you find yourself alone, your heart racing. The time for Choso's arrival is drawing near. "I have to be honest with him, no matter the consequences," you remind yourself. Just then, there's a knock on the door.

Immediately opened the door and pulled Choso inside. "Easy, I know I said I couldn’t be spotted, but you were quick with it, doll," he teased.

"Cho." He immediately embraces you, wrapping his arms around your waist and squeezing you. He presses his lips against your forehead.

"Glad to know you miss me."

"I'm sorry about--" "Don't even finish that sentence. It wasn't your fault." He said, hiding his face inside your neck. "Give me a minute, I miss you, Doll."

It was a peaceful silence as he pulled away slowly. "I'm sorry. I wasn't even in jail for that long, but even then." He laughed. "I did miss you."

You couldn't hold back your smile, feeling the ache in your heart, knowing he wouldn't have the same feelings for what you were going to tell him.

"Choso take a seat please I need to get something off my ch--" "That you agreed to the kiss?" He interrupts, you can feel your heart drop. "He told me." He gives you a bitter smile.

"I'm not angry, I shouldn't be upset since we aren't even together," he says as he takes a seat on your couch. "Though, you wouldn't believe how frustrated I was when we had to share a cop car and a cell." He crosses his arms.

"He complains a lot, it really did makes me wonder what you saw in him."

You couldn't help but chuckle at his statement.

"I'm serious, I can't find anything attractive that could have caught your attention."

"That's a little harsh even for you."

"I told him, got in a fight in the cell." He grins, "I was supposed to get out much earlier but someone got offended and took another beating."

"I'm trying my best to be serious with you, I can't with you telling me all this information." You sighs holding back a smile.

He pushes back a strand of hair behind your ear. "Just know I forgive you, even though I was hurt about it, I just want to know." He turns serious. "Did you feel sparks?"

"I didn't, that's when I realized he wasn't someone I wanted my name to be attached to."

"Good, because being attached to mine is way better. Sounds better as well."

"I want to be with you, Choso. I do," You paused. "I want to talk to Satoru, can I? Just to clear everything and end things completely."

"That's a terrible idea, Name. He doesn't need an explanation. You don't have to acknowledge him anymore."

"Choso.."

"I'm serious. Write a letter if you have to.. that sounds terrible I'm sorry.." He puts his hands on his face embarrassed of his words. "I just don't want to feel like my feelings are being played with."

"You're valid for how you feel, I'll write a letter and that's it no more." Giving him a serious look.

"Promise?"

"Promise Cho."

"That's a promise. Just don't give me false hope that's all I ask." He intertwines his pinkies with yours.

"Since you kissed him, it's only fair that I finally do." He leans in and gently cuffs your face before pressing his lips against yours.

You couldn't hold back a smile.

"Glad to know you're out of jail, in good piece" Shoko teases pointing at Satoru eye as he sticks his tongue out.

"Don't remind me. That emo said I whine too much."

"He's not wrong."

"Shoko, don't you think it's rude to bully a friend?" Suguru speaks up.

"Thank you Sugu-"

"Especially when he has two ugly blackeyes by his nemesis." He smirks.

"My manager is going to kill me." He throws himself on the couch pouting. "Maybe don't respond so quickly especially when you can't fight Satoru," Shoko replied.

"I can fight, I was just drunk." He groans, "Speaking of drunk does Name know you're here?" Shoko looks off to the side and is silent.

"Utahime and her are currently not speaking to her after the whole party." Suguru chimed in putting a hand on her shoulder.

"That sounds like Utahime doing, not Name. She is not someone that often cuts people off."

"Look, can we not talk about this guys? I cannot have another reason why I need a cigarette again." She rubs her head.

"Why don't you storm for Utahime and ask to take you back?" Satoru looks up at her while she raises a brow.

"What?"

"For once, I'm desperate. I want my friends back, tell me. You guys can't be my only friends."

"So.. I was thinking.."

Taglist is now closed and full 💞 @miiiturix @superdonkeypatroleggs @inthedarkshadows000 @kumori-suwan @chilichopsticks @prized-jules 1ndee @lov3vivian @yuuuumii @chiiinglebells @sakurayashiro @ghostlyfanenemy @cisseadven @totallygyomeiswife bemebiu @chckn-pi @for-hearthand-home @sh0ot1ngst4r @muthic @lukaerith-morningstar meowforluv @uniquenicefangirl @4rmins @corvid007 @beautifulwitchcandy @iluv-ace @tartartagliaboo @genxnarumi lafrone @coffee-addicted-demigod @cupidsblonde depressedemosantaclaus @drownedbytears @s777athv @linaaeatsfamilies @lun4rchive @moonlitwitchdaisy @kooksbunnnn @shoma-nom @reagan707 @kaged-kitty b0nez9 btsinthesoop @shokosbunny @sleepykittyenergy @sad-darksoul @ghostswhoretbh @raquel12 @missthatgirl @explosivelywuisa @bunviixo @rifran @therealanxiety @harryzcherry

[bonniepop]

“hey.”

you swivel your head, hair fanning around you. atsumu is standing to the entrance of the sparring grounds in just his shirt and trousers, and your mind betrays you by acknowledging his handsomeness. your face falls into a familiar scowl. “what do you want?”

he nods at the sabre as he walks closer, ignoring your animosity. “done with practice?”

“all my students refused to spar me,” you grumble, wiping at the sweat on your brow with the back of your hand. “cowards.”

“i’ll spar you,” he says then, eyes flitting to you.

your eyebrow hitches up. “you’re joking.”

“i may not be as good as my wife,” he says, moseying over to the sword rack. “but i can handle myself.”

you watch as he picks something relatively pliable, similar to the one you held in your hand. the word wife makes you bristle, and your nerves light up. “and if i kick your ass?”

he pauses briefly, and says, almost solemnly, “then i’ll deserve it.”

your eyes follow him as he walks to the center of the empty training arena. you walk, taking tentative steps closer until you were a duel’s distance away. brandishing your sword, you get into position, and atsumu mirrors you.

“widen your stance,” you tell him, and he looks down to adjust. you ensure that the next thing he sees is you charging at him.

there’s an unreasonable anger within you as he fluidly parries your attacks, because he’s a prince, of course he was trained in swordfighting, but the fact that this wouldn’t be an easy victory ticked you off.

he deserved to have his ass kicked.

he’s quick on his feet and has a long reach, so you find yourself dodging a few swings, but the second you see him flick his wrist in a move that looked like a retreat, you’re incensed. “are you going easy on me?”

you dart down and swing your leg, catching his ankles. he yelps as he falls, but he manages to roll away and get back up. you cry out, opting to hurl your sword at him.

he dodges, but it’s by crouching low, and you ram yourself at his torso. your shoulder hits his rib and he lets out a pained huff, but you make quick work of disarming him, sliding his sword in your grip as you push him unto his back and straddle his sides. you point the tip of the blade at his neck as the dust settles around you.

his brings his hands up to surrender. “okay, okay, i give up,” he breathes, a thin sheen of sweat shining on his forehead. “you win.” your chest heaves in time with his, and you lean back and toss the sword to the side.

when you get up, he pushes himself up by his elbows. “for the record,” he croaks as he cradles his side, “i didn’t let you win.” 

“you withdrew your blade,” you point out, collecting the fallen swords and putting them back.

“you were going so fast i didn't even know what i was doing,” his face crumples in effort as he stands up. “holy shit, you kicked my ass.”

“yeah, well,” you say, sheathing the sword so roughly that the rack rattles. “i’m mad.”

“i know,” he says, hobbling over to you. “look, i’m—”

“save it,” you say, raising your hand before walking away. “i’m not interested whatever you have to say.”

you can hear atsumu hobble after you. “i know, but—i’m sorry. i just... i’m sorry, okay? i fucked up.”

“yes." you don’t want to hear it, you just want to go and leave and hide somewhere you won't see his face, but your feet slow in their tracks.  "you did.”

“but i didn't do it."

you turn to him slowly and look at him straight in the eye. "didn't do what?"

"i didn't sleep with her," atsumu admits, coming closer. “i lied.”

your temper flares to an alarming degree that you force yourself to close your eyes and take a deep breath. it calms you none. “why?” you demand when you open your eyes to glare at him. “we were doing so well, atsumu. we were finally making this farce of a marriage work, and then you go and—”

“because,” he interrupts angrily, “i want this to be a real marriage.”

the answer takes you by surprise, and the rest of your retaliation dies in your throat.

“when this first started out, i wasn’t under any illusion that this marriage would actually turn into the real thing,” he says, visibly annoyed. “you didn’t want me—hell, you didn’t even like me! you’ve made that very, very clear, and i got the picture. i was willing to just be the husband who didn't give a shit about his wife, just like damn near every fucker in this kingdom, but then i got to know you, and i—” it's as if his rising frustration hit a ceiling and evaporated into smoke. he sighs, defeated. “i wanted to get a reaction out of you.”

you huff. “why?”

“because—" he hesitates, "because after the banquet—"

your memory flashes quickly. the gentle of his hand on your lower back, the heat of his breath near your ear. it was pretend, you kept telling yourself that night, pretending that things were not the way they were, the agreement you'd both discussed that whatever ire had wedged itself between you two be forgotten in the face of neighboring kingdoms.

"—i wanted to know if things had changed.” his eyes meet yours. "that by any chance, that the—" he stops himself, but your memories are faster.

the feel of his lips, softer than you thought they'd be, warmer than they had any right to be, against the back of your hand, against your cheek, against your mouth. fast, fleeting.

wanting.

his eyes meet yours, as if hearing your memory. “if what we have has a chance at the real thing.”

your chest flares with warmth, but then a sharpness takes over when the night plays further in your head. him pulling away, flirting with another woman in plain sight; him, flashing you the most antagonistic sneer you've seen on his face as the ballroom thins and he escapes with a woman, making sure you've seen.

he hurt you then.

“you betrayed my trust,” you say, trying to control your voice, but it croaks pathetically. it’s a feeble excuse, even to you.

“i’m sorry,” he mutters sincerely, coming closer. “i'm sorry, i truly am. trust me. i—” he huffs, “i miss you.”

your throat tightens and you sniff.

“getting to know you," he continues, "even when you were a nightmare, was—was fun. sneaking around and playing games and making fun of people was fun. i actually… i grew to like you, because you’re not as bad as i thought you were, and at this point i’m hoping that you don’t think i was as bad as the asshole i made myself out to be in the beginning, and at the banquet. and i—” he swallows, “i’m hoping that, now that you know me… that this could be... that things could be different."

he groans and looks up at the ceiling. “god. what is happening to me.”

it’s such a juvenile reaction that it makes your lip twitch. “do you even know what you’re asking?” you ask, trying to school your expression. “what makes you think this will work?”

he tips his chin down to look at you. “we’ve survived this long, right?” he asks, coming closer. “what’s another eternity? besides,” he reaches forward to brush your hair back. “you’re not so bad.” 

you sniffle and he presses his forehead to yours, eyes closing. “i’m really sorry,” he whispers. “please forgive me.”

you swallow, wanting to respond with so many things, but instead, you say, “you’re not so bad either.” 

he pulls back in surprise, and the smile that takes over his face is blindingly bright.

[vxsellie]

‧₊˚┊simple living things﹗

a hunger games!au ellie williams fanfiction.⌇ 𝔠𝔥𝔞𝔭 𝔦𝔦

summary. to give a final goodbye to someone you love is generally the last thing anyone would ever wish to do. though, when being shipped off to your death, it's the equivalent to being given a final meal whilst on death row.

content warnings. abuse, mentions of death, implications of murder, and (the worst of all) a lesbian breakup

total wc. 5,225

notes!! here she is! i wrote this in one sitting on the night before christmas, literally up until two am bc my thoughts wouldn't stop flowing (ive had writers block for the past few months so you couldn't pry my keyboard from my cold dead hands). anyway here she is! once again, reminder that it's better read on ao3!

𝜗𝜚 series masterlist ⸝⸝ playlist ⸝⸝ ao3 𝜗𝜚

14:45.

DISTRICT SEVEN.

“What were you thinking?” 

Despite how loud Marlene’s voice is, it sounds rather muffled. Ellie’s thoughts all jumble together into a plethora of unintelligible abstraction. This results in outside noises becoming equally as cryptic.

After the Reaping, both tributes were escorted into the Justice Building and forced into separate rooms. Having grown up amid the Games, Ellie’s aware that this is the part where she’s supposed to say her final goodbyes to her loved ones — an hour of time allotted to these farewells. And, despite knowing that all twenty-three other tributes are going through the same thing, Ellie couldn’t feel more alone. There’s a sickening sense of finality to this. Like she’s cattle bred and born to await death. Like there’s nothing more to her life aside from this — being Reaped to never return.

And, with the time given, Marlene has opted to use the entirety of her visit reprimanding Ellie for how she’d acted on stage. Not that she doesn’t deserve to be chastised, she knows she does, but it’s still fucked up.

See, after her name had been drawn, Ellie’s entire world fell out from under her feet. She knew there was a possibility of her name being drawn, she’d be a fool not to at least acknowledge that fact. But to look that fate in the eye and have no way of revoking it? That’s an entirely different pill to swallow. As she stood atop that stage, the escort’s piping voice ringing through her ears, Ellie simply could not seem to comprehend it. But then she felt a weight in her hand, a warmth. She turned to see Riley, her jaw set and her eyes darkened. She grabbed Ellie’s hand and hoisted it into the air.

To Ellie, it was a rather odd thing to do. But, as Marlene is pointing out presently, it was an act of defiance against the Capitol itself. Ellie had no idea. Not that she doubts it, what with Riley’s outward distaste for the government, but it just hadn’t dawned on her that the mere act of holding a friend’s hand would piss off the Capitol. It’s kinda funny.

“What could you possibly be laughing at?” Marlene groans, her pacing coming to a halt as she whips around to face Ellie. Her expression isn’t one of rage, as initially expected. Instead, it’s one of genuine panic. Well shit, apparently holding hands really is treason.

Ellie doesn’t respond, her face dropping instantly. She pins her gaze to the floor, staring at the same rusted nail she’s been looking at for the past ten minutes. In fact, she’d been so zoned out that she hadn’t picked up a single thing that Marlene was trying to say. Usually, this would amuse her. But now, with her impending doom so leering, she can’t help but feel ashamed. She may never see Marlene again. And then what? Her last memory of the girl she’d raised from infantry would be of her zoned out whilst curled into a ball on a dilapidated sofa. That’s rather pathetic, is it not?

She shudders, pulling her knees even closer to her chest at the thought. She doesn’t yet know who was Reaped from the other Districts, but she’s sure they aren’t all pouting on their couches like children. Still, she can’t seem to remove herself from this position — one of self comfort. 

Something touches her knee and she flinches, tearing her gaze from the floor. She looks up to see Marlene sitting beside her on the couch, her gaze softened. Ellie hadn’t even noticed her approach. Fuck. See, this is the exact thing she’s worried about. If she were to zone out like this in the arena, she'd be dead within minutes.

“You didn’t hear anything I just said, did you?” Marlene asks with a sigh. A wave of guilt washes over Ellie’s body before she nods, admittedly having heard nothing. “I was saying I’m sorry. I don’t mean to shout at you like this, especially considering the situation. I’m only lecturing you because I’m worried. I’ve seen the Capitol kill people for less than holding hands.”

Ellie shakes her head, though the act is faraway. “The Capitol can’t kill us now that we’re tributes. To do so would only result in more defiance from the viewers. They’re anticipating a show, to kill off the characters would be antiprogressive.”

“No, but they can surely make your time in the arena worse.” Marlene points out. 

Ellie thins her lips at this, but ultimately says nothing. This is not what she wants to hear right before being sent to her death. She wants consolation and comfort, not reminders of how little control she has in her own life. But that’s just how Marlene is — she gets stressed and rambles. Most of the time, it's a harmless habit. Right now, though, it’s proving to be rather taxing.

“Look,” She sighs, “I’m not good at this whole thing, talking. Everyone knows that. It’s– Well, it’s the entire reason I never had any kids of my own.” She sighs again trying desperately to make sense of her thoughts and word them in a way that doesn’t sound like an insult. “I never wanted children, but raising you was the best thing that ever could have happened to me. Losing you would thereby be the worst thing to ever happen to me. I only shouted at you because your safety means everything. But— you’re strong, Ellie, and so very brave. If you put your mind to it, you can make it out of that arena. I believe in you. All you have to do is believe in yourself.”

Ellie is certain that’s the most Marlene has ever spoken in one go without shouting or giving up halfway through. And for that, she’s grateful. Ellie swallows harshly, her throat suddenly feeling too big for her neck. She leans forward.

She doesn’t hug Marlene, not necessarily. She simply flops into her, thumping her forehead onto her shoulder. Her body is stiff and her jaw is clenched tight, but the act of the touch still carries a sense of sentimentality to it. Especially considering she and Marlene never hug. In fact, she thinks she only ever hugged her once in her whole life. Again, it’s not anything to pity her for, it’s just their relationship. A fact of life. Some people are touchy, others aren't. And Marlene is definitely among those who are not.

She rubs a hand up and down Ellie’s back, though it’s more so to do something with her hands rather than to comfort her. 

They remain like that for a long time, sitting in silence because neither of them are skilled at voicing their emotions. Ellie’s mind continues to move at a million thoughts per second, though it slows a little in the absence of Marlene’s shouting.

Roughly twenty minutes go by before Marlene pulls away. She has a hand on each of Ellie’s shoulders, a foot between their faces. She stares at her, brown eyes flicking across each one of her features, as though to memorize her before departure. Ellie mimics her, taking in the sight of the woman who raised her — from the slope of her nose to the arc of her brows. Afterall, this might be her last time to do so. No matter how hard she believes in herself.

“I ought to go visit Riley.” Marlene says with an awkward cough, standing from the couch. “She doesn’t have any family aside from you and I.”

It’s true. Riley’s family is rather complicated seeing as she doesn’t have any. It took seven years of being Riley’s friend before she confided in Ellie about her past. And, after hearing it, she couldn’t blame her for her hesitance. 

Her father was a rebel. He hated the Capitol and everything related to it. He wasn’t married to Riley’s mother when she got pregnant, hadn’t even been dating. They simply had a fling and moved on — hence his oblivion to the fact that she’d been a Peacekeeper. Riley’s dad lived a life of tranquil solitude, aside from frequent whippings as punishment for opposing the Capitol so vocally. Truly, he’d been lucky to not be assassinated on the spot for his insubordination. The entirety of Seven knew him for his rebellious nature.

So, when Riley’s mother came forth with an infant in her arms, he was shocked. He couldn’t believe that she’d gotten pregnant. Though, more importantly, he couldn’t believe she was a fucking Peacekeeper. He tried to keep his calm, civilly agreeing to partial custody over their daughter. 

But, when Riley was about four years old, their refined consensus came to an abrupt end. They got into an argument. And a bad one, at that. Nobody knows the exact details to its origin or entailments, but it’s widely known how it ended — Riley’s mother dead and her father as an Avox for the Capitol. His punishment for her murder.

Riley subsequently grew up in an orphanage, though she inherited her father’s rebellious nature and oftentimes escaped over the fence. She’d spent more time in the woods than she had in the decelit building — chopping wood and climbing trees and visiting the Hob. She’d grown rather skilled at it, the illegality of escaping. She met Ellie in elementary. She’d been scaling the fence, intending to flee the school. Ellie had caught her and insisted she teach her how to do it. Begrudgingly, Riley agreed. From there, with many details gone unmentioned, they became friends. Now look at them Reaped for the Hunger Games together. Ugly ending to a beautiful story.

“Yeah.” Ellie agrees curtly to Marlene’s suggestion. “Yeah, she’d appreciate that, I think.”

Marlene nods in agreement prior to turning on her heel and exiting the room.

Ellie sits alone for a few minutes, returning to her humiliating fetal position. She hugs her legs to her chest, dirty shoes on the cushion of the couch. Though the sofa isn’t in the best shape considering the prodding springs and frayed stuffing. She rests her chin on her knee, staring at the rusty nail she’s grown so fond of.

She’s not sure how long she sits like that before a knock is heard at the door. She groggily tells them to enter, causing the door to creak on its hinges. A face pokes inside prior to the body attached. Cat.

Her black hair is done up, pinned into a purposefully messy bun, bangs cut shorter than usual. It looks put together, but in that I-woke-up-like-this way. Her eyelids are colored in a shiny crimson, her lips in the same glossy tint. Her skin looks inhumanly smooth, her eyebrows impossibly thin. She’s wearing a strapless baby pink dress that’s uncomfortably close to the shade of her skin, coming to her midthigh. Her shoes are the same red as her eyes and lips, clicking against the wooden floor as she walks. She looks like a Capitolite in the way her features are accentuated, though human enough for Ellie to still find her attractive

She instantly straightens, confused. “Why are you here? Aren’t you supposed to be on a train to the Capitol?”

“Well,” Cat begins, shutting the door softly behind her as she walks over to the couch Ellie is curled atop. She sits down beside her, the cushion dipping under her weight, which instinctively pulls Ellie toward her. “I caused a bit of a scene, insisting I had to see you. And, considering it’s a hassle to find another stylist so late into the Games, I simply dared them to fire me. They didn’t, of course, and instead opted to just give me time to see you, albeit minimal.”

Ellie laughs, though the sound is hollow. This draws a tight expression from Cat as she takes in the sight of the girl before her. Ellie suddenly feels self conscious, wearing a wrinkled linen shirt while Cat looks like a literal fucking deity. Not to mention the pathetic way she’s presenting herself — small and weak. She sits upright, swallowing as she runs her hands down her shirt in a futile attempt at flattening it.

Cat stops her, placing a hand on her wrist. Ellie looks at the place where she touches her, taking in the sight of her perfectly done nails. Baby pink with crimson colored accents. God, every single detail of her is altered for the Capitol’s preference.

“I got you something.” Cat whispers, removing her hand from her wrist to reach into the purse Ellie hadn’t even noticed she carried with her. She holds out her hand, a small piece of metal resting in the center of her palm. A ring, in the shape of a moth. The body is the centerpiece, the wings made to wrap around the finger. “Here,” Cat grabs Ellie’s hand, pulling it forward before slipping the ring onto her index. 

“I love it,” Ellie breathes, holding her hand out in front of her to admire the ring.

“I made it myself.” Cat says. Ellie should have guessed. She knew Cat enjoyed making jewelry, using spoons and other random hunks of metal to concoct something ugly into something pretty. She’s spoken of the hobby before, though she’s never revealed any of the end products. This is Ellie’s first time seeing one of them.

She suddenly recalls the rule that tributes are permitted to bring one token into the arena from home. One thing to remind them of their identities — which are sure to be lost in the Games. Ellie had completely forgotten about the rule, it never having crossed her mind. But looking at this ring now, she’s certain this is the perfect thing to bring. A reminder of home. Not of a place, but of a person. Of Cat.

“I love it.” Ellie repeats more furtively, turning to kiss her.

However, before their mouths are able to touch, Cat lifts her hand to Ellie’s chest. She pushes her away. And, though the act is as gentle as possible, Ellie still feels as though she’d been shoved. She leans back. Cat’s expression is pained, not at all matching the cheerful makeup she wears.

She shakes her head, eyes squeezed shut. “I love you, Ellie. Truly. A part of me likely forever will. But– to be in love with you would only end in causing us both an insurmountable quantity of pain. I can’t consciously do that to you. Even our current relationship is deteriorating your mental health. You’re too dependent on what we have, too afraid to lose it. To allow you to continue down this road would be wrong of me. To even have begun it was wrong. And now that you’re going into the arena, I just– adding yet another burden to your shoulder would be wholly immoral.”

Ellie doesn’t know when, but amid that confession, she’d begun crying. Not just due to the breakup, though, if she could even consider it that. But due to everything. Riley distancing herself recently, the Reaping, Marlene’s shouting, Marlene’s halfhearted farewell, and now this? On top of it all?

“So you’re breaking up with me to ease your own fucking conscience?” Ellie snaps. She doesn't mean to say it. She doesn’t. It’s just all become so much for her to carry. And it’s so easy to drop it on Cat after what she’d just done.

“No.” She insists, nigh pleading in her denial. “Ellie, no, you know that’s not what I’m saying.”

“Then why even give me this?” She asks, holding out her hand with the ring on it. “For me to bring a reminder of your absence into the arena?”

“No, no.” Cat continues to deny Ellie’s accusations. “Not to remind you that I left, but to remind you why I left.”

Ellie scoffs, “Now you’re just saying shit. You’re not even trying to make sense.”

“Moths, Ellie.” She says, grabbing her hand in desperation for her to just fucking listen. “They’re attracted to the light. No matter where they go or– or what environment they’re placed in, they find a light. Something to always keep them going. Something to fight for. Something to reach. I’m holding you back, don’t you see? I don’t want you to fight to get home. I want you to fight because you know you’re worth it. You’re worth living for, even without me or Riley or Marlene. For you. Be your own moth, your own light.”

Ellie wipes roughly at her face, fists scrubbing at her eyes painfully. She wishes she had something clever to say. Something smart that would make Cat rethink everything. But all she can muster is a mumbled, “Moths are fucking ugly.”

14:45.

DISTRICT FOUR.

Your ears are ringing, a loud chiming sound that makes your head swim. Despite this, you keep your chin high as your mother shouts orders at you. You’ve long since tuned her out, which is something you’d never had dared to do prior to the Reaping. But you’re being sent to the arena — you’ll either die in there and never see her again, or you’ll come back a victor and thereby be of higher status than her. Whatever you do now matters naught.

She’s rambling on about something regarding orders to return home. Not because she cares for your wellbeing, but because it’d shame the entire family if you were to die on live television. 

She’s standing across the room from you, her pale blue dress somehow perfectly cleaned despite the journey she made across the grassy courtyard to the Justice Building. Her wrinkled face is contorted into an unreadable expression, the illegibility irritating you. Her golden cane is perched under her clasped hands. God, the woman is the embodiment of power despite having earned none. 

“I get it.” You cut her off, tone just as sharpened as hers, almost as though you’d spent years honing it into a blade serrated enough to challenge her. “I’ll come back. If not, you’ll be embarrassed. Poor you, right?”

The expression of shock on her face is almost worth the punishment — which ends up being hit by the end of her cane. Had it been the usual wood, the pain would be tolerable. But it’s pure gold, causing your mouth to fill with blood. You spit onto the floor and she begins to reprimand you for doing that, deeming it to be improper. You ignore her, massaging your newly bruised face.

The punishment for your statement would likely have been far more severe if you weren’t destined to be put on camera for the country to gawk at. A wound on your face would be shameful. A bruise, though? Your prep team can surely cover that up with a bit of makeup.

She finishes her castigation, seeming to have worn herself out. She then turns and storms out of the room. You almost didn’t notice her swift exit, as she’d made no effort to say goodbye or wish you luck. Just ten minutes of shouting prior to causing a splitting headache and a bruise to the jaw, uncaring to hear you utter a single syllable. Best mom ever.

See, most people deem this event as emotional — an hour allotted to parting ways with your loved ones. But your mother doesn't see this as a parting. She expects to irrefutably see you again. And very shortly, at that.

You’re alone in the room for only a few seconds before a shy knock is heard at the door. You’re confused by this, unsure of who else could be here to see you. “Come in.” You call out, moving to stand over the stain of blood you’d left on the shiny hardwood floor. Thankfully, your dress is long enough that the skirts cover up the space beneath you.

The door opens and a wrinkly old man pops inside. Your lips part at the sight of mister Alden entering the room. You rush forward, offering your aid in his walking. He takes it, looping his arm around the crease of yours.

There’s a small couch with two cushions in the corner of the room. You walk him over to it, easing him onto the sofa before sitting next to him. You cross your legs, “What are you doing here? I know it’s a far journey from where you live.”

He sighs, “You’re like a daughter to me, Y/n. And, though neither of us are willing to address that aloud, we’re both well aware of it. I’ve known you since you were three years old and just learning how to walk. In fact, I can vividly recall the very day I’d met you — you were asleep on your brother’s back, clinging to him like a sloth as he made the trek down to the docks. You were such a small thing, then. Chubby little face and a diaper that didn’t fit.” He smiles fondly, looking at you as though he still views you that way, a baby. “The point is, to not visit you would be cruel. And I’m not a cruel man.”

Your eyes burn as you listen to him. He’s right. You both know it. You and Ruben are like children to him. And he is definitely not a cruel man. You wonder if he’d visited Ruben when he was Reaped. Probably. But you don’t dare ask, not wanting to speak of your brother any more than necessary.

“Oh!” He jolts as though he’d just remembered something vitally important. 

You watch as mister Alden reaches into the pocket of his coat and pulls out a dainty necklace. A white pearl resides in the center, acting as a pendant to the thin silver chain. Your gaze softens as you look at it hanging between his shaky fingers.

“It’s beautiful.” You tell him.

“I want you to have it, to take it into the arena.” He says. “You remember my granddaughter, the one who was facing her first Reaping today? She made it for herself, and planned to wear it into the arena had her name been drawn. She spent weeks searching for the perfect pearl, then another few weeks saving up money to buy the chain.”

Your chest twists at hearing this. You could easily buy something like this from a small shop down by the beaches. It wouldn’t even cost you a day’s allowance. You shake your head. “I can’t take this from her. It’s too special.”

“I insist.” Says he. “When she heard your name called, she instantly turned to me, slipped the necklace into my pocket, and demanded that I bring it to you.” He lets out a light chuckle. “Her ferocity reminds me of you, actually. I don’t even remember telling her about my visits to your house. No shock she found out, though, she’s so bright for her age.”

With a grunt, he pushes to his feet. You rush to do the same, standing beside him in case he needs assistance. Instead of asking for aid, he tells you to turn around. Without hesitation, you oblige. You then feel something cold wrap around your neck. You look down to see the thin necklace now placed across your collarbones. It’s absolutely stunning. Mister Alden fumbles with the clasp, his shaky hands struggling to work the tiny thing.

When he finally gets it on, you turn around to see that he has tears in his eyes. He takes in the sight of the pearl necklace paired with the navy dress, the silver chain matching the silver diamonds adorning it. He nods, wiping roughly at his eyes. “You’ve grown into such a lovely young woman.”

You swallow the lump in your throat before pulling him into a hug, having to hunch over a bit due to his lack of height. He hugs you back, sniffling. It’s rather telling that the random stranger that you buy your seafood from is more caring than anyone in your family. But he’s not a stranger, is he?

After a few minutes of sentimental embrace, he finally parts from you and leaves. On the way out, you catch a glimpse of a tear rolling down his cheek, the droplet catching the light for a split second.

Alone in the room with about ten minutes remaining, you walk over to the window. You look at your reflection in the shined glass, taking in the sight of the necklace. Knowing how long it’d taken to create only adds to its beauty. The dresses your mother has fitted for you are paltry; replaceable. But this? Nobody could recreate the months spent making it, nor could they recreate the small hands that did so.

The sound of footsteps entering the room draws you from your thoughts. You catch his reflection in the window before he’s even fully through the door. Your entire body tenses, something shifting in the air at his presence. Something deep, deep inside you. Like the atoms that make up your very being have been furtively yearning for this moment. For his proximity.

You turn to face him fully.

Ruben.

You’ve seen him around, of course. You’d seen him less than an hour ago. Everyone has seen him, what with the Capitol flashing him around nigh as much as the country’s flag. He’s their brightest diamond and their largest star — the abnormal mixture of UY Scuti with Sirius, creating something impossible to tear one's eyes away from.

You two have spoken as well, albeit in short increments and only when mandatory. So, truly, you’re not sure if it counts in terms of conversation.

He shuts the door slowly, facing you with an unreadable expression. No– that can’t be right. You could always read him, you could always understand him. But right now, not a single word comes to mind as you look at him. He’s a closed book that you’d once memorized every page of.

He stares at you for a moment, gaze lingering on the bruise forming on your cheek. You wonder if you should hide it or not. But he likely knows exactly how it was induced — knowing the feel of your mother’s cane all too well, as he’d grown up taking hits for you daily. It takes a few minutes, but he eventually tears his eyes from your face and looks around the room, looking at the intricate ceiling or the swaying chandelier.

“Been a while, huh?” He huffs a laugh, though it’s dry and lacking any scrap of genuine humor.

You think about this, about what he said. It’s been a while. The world’s biggest understatement, that is. You’re suddenly filled with an immeasurable amount of rage. It’s been eleven fucking years. And he has the nerve to say it’s been a while?

Eleven years since he was Reaped. Eleven years since he was the one in this room. Eleven years since you came to visit him, sobbing and begging him not to go to the arena. Eleven years since Ruben returned from the arena. Eleven years since your brother never returned. Eleven years since the boy who raised you, who protected you, who taught you to walk and talk and eat, vanished.

You say nothing to him, not trusting yourself to speak without either screaming or crying. Or, most likely, both. So, insead, you remain silent.

Ruben sighs, leaning back against the wall with crossed arms. Something about that action makes you visibly wince. He’s so confident. The Ruben you knew was an awkward young boy, made complete with lanky limbs and oversized eyes. Strange little habits — like the way he didn’t ever know what to do with his arms, or the way he always tapped his left foot when he was nervous — made him human. But not anymore. He now knows exactly what to do with his arms and he wouldn’t dare show when he’s nervous. His humanity is just another thing the Capitol stripped him of.

“You don’t have to say anything, just listen.” Says Ruben. He then inhales deeply, his jaw set and eyes piercing; a Capitolite in all but name. “This is the last time we won’t be monitored. After leaving this room, everything will be tracked and recorded and analyzed — the train, the center, the arena. From here, you’re never alone. Even in the bathrooms, privacy doesn’t exist.”

You narrow your eyes at him, “So you’re saying you need to tell me something the Capitol can’t hear?”

“Yeah,” He breathes, “Exactly.”

“Okay, so what is?” You ask, crossing your arms over your chest. Of course that’s what he’s here for. Not to wish you well or say goodbye — though he likely also expects you to win; he was raised by the same monsters, after all — but, instead, to warn you. To make sure you survive the arena so as to not penetrate the family name.  

“Something is wrong with this year’s Reapings.” He explains. “Districts Two and Three both had a pair of siblings Reaped – Lev and Yara from Two, Sam and Henry from Three. Then, if that weren’t enough proof as is, Districts Five and Seven both Reaped a set of best friends — Selene Jones and Ariande Evans from Five, Riley Abel and Ellie Williams from Seven. Not to mention the pair of lovers that were Reaped from Six — Roland Jennings and Archie Bardot.”

You take in what Ruben is saying, thinking hard about it. You were Reaped alongside a small child, a little boy who you’d never seen before in your life. That doesn't seem rigged, but there ought to be some kind of intentional malice behind it.

“How do you know all of this?” You ask, though you know the answer. “The Reapings haven’t aired yet.”

“I know people.” He says rather ashamedly, as though he’s already aware of the kind of reaction this will draw from you. 

Anger sparks up once more at the mention of his ties to the Capitol. Not only is he using the Capitol to help you in the games — a perk no other tribute has — but he’s managed to fucking memorize every name name of importance. You don’t want to be treated as some sort of celebrity. You were Reaped with equally poor luck as Lev, Henry, or Ellie; or whatever their names were. You should therefore be held to the same expectations, not given hints into the Games. Which, by the way, is highly illegal. Not like Ruben would be punished. He could probably murder a Peacekeeper on stage and manage to get away with it. 

It makes you sick.

“Okay, great.” You bite. “You told me what you needed, you can leave now.” “No, Y/n, you’re not understanding.” He insists, taking a step forward. You take one backward, almost on instinct. A pained expression crosses his face, though it vanishes just as quick as it’d appeared. He sighs, running a hand down his face. “These tributes won’t be killing for the sake of winning, they’ll be killing to save themselves alongside their loved ones. Had you and I been in the arena together, our strength would have doubled. Just imagine that. For at least five other Districts, their wills to live are multiplied. And the—”

His words are cut off as the door slams open and Peacekeepers come filing into the room to rudely announce that your time is up. It’s time to board the train to the Capitol. To the Games.

[post] notes!! don't really have any (for once), i'm just so so so so excited for u guys to read this bc i write things way prior to posting bc i like to proofread like 50 time before releasing it. anyway yeah, u guys barely know abt this bad boy while im typing this

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[aritsukemo]

Invisible Scars | Multiple Characters

Summary: In which the night before leaves you traumatized and causes your emotionally constipated/emotionally reserved friend to seek you out.

Warnings: Purposely vague descriptions ahead ( no names are mentioned besides yours ). Reader killed someone and is negatively reeling from it. Blood is mentioned but nothing seriously descriptive. All that said, read at your own risk!

A/N: I got the idea to write this after scrolling through @creativepromptsforwriting's sideblog and finding this prompt. I plan to tag characters who come to mind, but this is really an open drabble so feel free to imagine whomever you see fits! :D

Tagging: @nursedflowers and @saioratral

The high-pitched screech that bounced off the walls was a sound one would typically associate with tea at it's boiling point or maybe a hotpot screaming to be eaten. One thing that certainly would not have come to mind was a running faucet—specifically one that ran water so hot that it made even the durable metal cry out in pain.

The incessant shrieking, as annoying as it was, didn't faze the girl who sat before the sink. It was as if the noise was never there...which actually wouldn't be that far off from the truth.

In reality, she couldn't hear a thing aside from the same bloodcurdling screams.

Her hands worked as if they were trying to create a fire. They slide together at blinding speed, rubbing against one another so hard that a few more minutes of it would surely cause a tear in the skin of her palms.

Part of her wished that would actually happen.

A knock on the door sounds followed by the mellow hum of her friend's voice as he called from the other side, "Y/n. Are you still in there? It's me."

Heavy silence replaces her much needed answer, and if it weren't for the faint sound of running water, he would've been none the wiser in assuming she wasn't in there. Since that wasn't the case, however, he had no other choice but to try again.

"Y/n," He calls only for the same result. He then tries a third time, "Y/n!"

Silence. He sighs. Guess he has no other choice.

"Forgive the intrusion," With that gentle request serving as a small warning, he takes his time to twist the knob, giving her more than enough time to make herself presentable if need be as he swung the door open at a turtle's pace and peered inside.

As he suspected, she was standing at the sink, her back facing the door and preventing him from seeing what she was doing—not that he needed to. The steam, the running water, the uncomfortable sound of her hands sloshing together and sounding like two blades clashing...it all gave him an inkling of what was happening.

But how long has she been doing this for? He was almost to scared to ask. Almost.

"You've been in here for a while now," He said, and unlike his usual tone, his voice was dipped in uncharacteristic gentleness and sounded rather withheld. It was as if he was being held at swordpoint, and even then, it was surprising to hear him sound that way.

Maybe if she was paying attention she would've heard it and teased him about it. Possibly cracked a joke or two about him finally growing soft enough to warm up to her after all these years.

But instead he received silence and that scared him more than any enemy he's has faced in his lifetime.

"Hey," He called out again, but this time more sternly. He also didn't give her nearly as much time to answer. Not that she likely would.

"You can stop now. I doubt your hands are that dirty.." He's slow with his steps, closing the distance bit by bit, "Hell, by now, your hands are probably cleaner than mine."

She doesn't move, flinch, or do anything that would acknowledge that his words had reached her. It was as if she was in a trance, put under a spell of some kind or was a victim to some hypnotism caused by unknown means.

In a sense, what was happening right now was kinda like that.

In the matter of a minute or so, he's close enough to reach out for her delicate wrist. He does just that, but not too long after he snatches his hand away. He then paused, looking at his hand before looking back up at her with horrid shock gleaming off his hues.

This water was hot. Really hot. Hotter than any water boiled for food or tea.. He's surprised that the droplets don't just evaporate as soon as they leave the faucet.

"You don't feel that?" He leans in, getting closer to her face as his brows furrow, "Does that not hurt?"

He already knew the answer—of course it did—but the fact that she wouldn't answer him struck a nerve and in the end he finds himself grabbing her roughly by the wrist and snatching her away from that molten lava altogether.

He shuts off the water quickly after that, putting the annoying whistling it produced to an abrupt end. It seemed only then that the trance she was put under was broken and she was finally able to think and move for herself again.

As he lets go of her wrist, she finds herself opening her palms and staring down at them. She stares for a long while. Just opening and closing her palms repeatedly and rubbing her fingertips together, as if she was examining a foreign object.

The skin of her palms looked as if she had ran them across a rough surface for an hour; puffy with an angry hue of red to them.

They were a deep shade, just like... She clenches her teeth. He's quick to notice.

"If this is about the other day.." He began, his words dying in his throat as he watched as she flinched away at his very words.

He knew this would happen in the end. He tried to warn them all but nobody wanted to listen to reason. They sent this fragile glasswork into that cage of knives and sharp fangs without a care in the world and left him with the job of mending anything that was broken back together.

It truly irked him. More than something like this usually would.

"If... If you were in my shoes yesterday.." She began slowly and quietly, and despite her voice sounding like a mouse's squeak and a part of his blood boiling at the sound of it, he bit his tongue and held back his snapping comment.

Right now was not the time to be reckless. Too hard of a hit—or any pressure at all really—would cause his dear friend to shatter into a million pieces and he can't have that. How would he be able to fix her up in that condition?

"If you were me last night, if... If you had your weapon to that person's throat. ...If they begged you through their sobs and reduced to a blubbering mess...going on and on about how they needed to live.." She pauses, whether that was because she noticed how her voice grew more and more unsteady with every word she spoke or the fact that her hands had begun to tremble was unknown to even her. It seemed that at this point she was unsure of, well, everything.

And at that point, her friend saw no better of a time than to take a risk and speak his mind.

"If you plan to continue on to ask me if I would've still killed them than let me spare us both the time; I would in a heartbeat."

She laughs at him, her giggle sounding like a sick bird trying to sing. It should be comforting to here despite it's raspiness. After all, despite it not sounding exactly like her usual laughter, it's a miracle she's able to laugh at all. He should be sighing out of relief that she still seems to be gripping onto her sanity enough to find humor in such a dank situation.

But he couldn't, and all because of the simple fact that he had grown used to her sounding so full of life. It was truly a pity.

"I suppose that was a silly question of me to ask you of all people."

In all this time, he's noticed she hasn't looked up from her hands once. It was unnerving to see her like this, but there was nothing he could truly do about it. He could direct her attention elsewhere, sure, but that wouldn't stop the swarming of her thoughts or reduce her heightened awareness of what was once staining her hands and forearms. And, it surely wouldn't halt the constant loop of that incident from playing in her mind—that moment of her taking a life with her own hands, in a quite grotesque way at that.

Her mind was stained just like her skin and just like how she couldn't truly rid herself of the grimy feeling of blood sticking to her skin no matter how hard she scrubbed, he couldn't wipe her mind of what happened. They were both truly powerless.

But he had to do something. Now that they've gotten her foot out of the door, she has to walk through it. There's no backing out of this, she knew this when she went on that mission yesterday. There was no way but forward. He knew that better than anyone.

"Nevermind what happened, come on," He slides his hand up her arm, over her shoulder, and dips down to the upper part of her back where he gently pushes her in the direction of the door, all as he tells her, "You should get off your feet and actually rest. You'll need it for tomorrow.."

For the first time that night, she glances up at him. It was for a mere moment, but that quick second was all he needed. Her eyes..were like a starless sky; completely devoid of it's usually glimmer of life. It was as if he was staring at a solider who's spent the last decade at war.

Truly astounding how such a look was formed just after a single night.

Wordlessly, she allows him to push her in the direction of the door as if she weighed nothing. She walked slowly, and as she did she looked back down at her clean, reddened hands. Her eyes sinking even more as she does.

She finds herself wondering if the blood she felt would ever go away—if it were possible that her palms would be capable of ever being truly clean again—and that led her to softly murmur to the only one she could think of turning to; her companion and partner in crime, him.

"Does it.. Does this ever get better?" She asks to which she receives probably the heaviest sigh she's ever heard in her life. It tells her all she needs to know but does little to quell the turmoil in her heart. It has her questioning if she'll be able to handle the path forward. If she'll reach the end or go insane halfway through.

Whatever happens, she finds herself praying that she'll be able to walk this path hand in hand with someone who's treaded this gravel before.

..And it so happens that a person like that is leading her to her bedroom right now. How convenient.

Dividers were made by me, pictures used are from Pinterest, post formatting is inspired by @xxsabitoxx

[disciplecat]

i was at relief society when one of the older ladies at church (i’m using this as an excuse for her ignorance) made a comment how if she’s having a faith based conversation and someone mentions that they are anything OTHER than LDS — she simple tunes them out. their opinion is irrelevant to her and she does not care anymore because they are wrong.

as members of the church we are used to being ignored and judged for our faith but there comes a point where we have to acknowledge our own silent judgements when it comes to other people no — matter how minor they are.

in her case it wasn’t minor. if this was an year ago i would’ve stayed quiet and let her continue to spill the same hate, but fortunately i am no longer that 17 year old girl hiding a book of mormon from her parents and i know that my opinions are just as important as someone who has been here longer than i have.

i raised my hand and told her that there are millions of people who do the same to us — and if they were to keep the same attitude as her, to tune out due to difference, then bringing people to christ would be impossible.

i wouldn’t be in that room.

i refuse to believe that my parents are damned just because they worship differently. i refuse to believe that this is the only way and i was just “extremely lucky” because i was able to find it. my mothers prayers sound different when she hums them over me, but they still feel all the same. on easter, i go to church twice because there’s a girl inside me that still does the sign of the cross and hangs a rosary over rear view mirror. religion is so confusing at times, but it only has to make sense to you.

God loves you regardless of what building you walk into, but it’s our job to make sure that people feel comfortable walking into ours — that the seat next to us is full of love.

[mollywog]

What are your thoughts on Possibility of Peeta in Canon feeling guilt over a perception that he forced Katniss into the Star crossed lovers?

Oooo -Thank you for giving me an opportunity to talk about this.

One of Peeta’s main survival tactics is his ability to read people and situations…. And he’s pretty good at it (which probably was helpful to him far before the arena with a volatile mother but that’s maybe more the stuff of HCs so moving on)

With that in mind:

One of the first things Peeta says to Katniss upon her discovering him in the arena is:

"Lean down a minute first," he says. "Need to tell you something." I lean over and put my good ear to his lips, which tickle as he whispers. "Remember, we're madly in love, so it's all right to kiss me anytime you feel like it."

Even in his fevered state, Peeta is aware that this is an act (at least on Katniss’s side)

Later - when he’s trying to convince Katniss not to go to the feast and she claims that she isn’t, he says:

"You're such a bad liar, Katniss. I don't know how you've survived this long." He begins to mimic me. "I knew that goat would be a little gold mine. You're a little cooler though. Of course, I'm not going." He shakes his head. "Never gamble at cards. You'll lose your last coin," he says.

‘I knew that goat would be a little gold mine. You're a little cooler though. Of course, I'm not going.’ -> all moments he (accurately) clocked where Katniss wasn’t being 100% honest if not outright lying

The ‘I don’t know how you’ve survived this long’ part is particularly interesting to me but I digress.

So then fast forward to after the feast where Katniss risked her life to save him:

"No! Just don't, Katniss!" His grip tightens, hurting my hand, and there's real anger in his voice. "Don't die for me. You won't be doing me any favors. All right?"

I'm startled by his intensity but recognize an excellent opportunity for getting food, so I try to keep up. "Maybe I did it for myself, Peeta, did you ever think of that? Maybe you aren't the only one who ... who worries about ... what it would be like if ..."

I fumble. I'm not as smooth with words as Peeta. And while I was talking, the idea of actually losing Peeta hit me again and I realized how much I don't want him to die. And it's not about the sponsors. And it's not about what will happen back home. And it's not just that I don't want to be alone. It's him. I do not want to lose the boy with the bread

"If what, Katniss?" he says softly.

I wish I could pull the shutters closed, blocking out this moment from the prying eyes of Panem. Even if it means losing food. Whatever I'm feeling, it's no one's business but mine.

"That's exactly the kind of topic Haymitch told me to steer clear of," I say evasively, although Haymitch never said anything of the kind. In fact, he's probably cursing me out right now for dropping the ball during such an emotionally charged moment. But Peeta somehow catches it.

"Then I'll just have to fill in the blanks myself," he says, and moves in to me.

In this moment Katniss inwardly acknowledges that she has real feeling beyond the act and Peeta, again, reads those feelings correctly.

This is the turning point for him.

So, then imagine his surprise on the train tracks (and all the self doubt):

"It was all for the Games," Peeta says. "How you acted."

"Not all of it," I say, tightly holding on to my flowers.

"Then how much? No, forget that. I guess the real question is what's going to be left when we get home?" he says.

(Just picture Peeta replaying the games in his head and trying to figure out where he missed the tell.)

We often joke about Peeta being oblivious to Katniss’s feelings for him in Catching Fire, but really: He’s been burned by ‘misinterpreting’ her before and he’s trying not to make the same ‘mistake’ again.

In a way

“You love me. Real or not real?

Is a remnant of that doubt.

Anyways - back you your original question:

There wasn't a single person in Panem expecting the Gamemakers to allow for two winners prior to the rule change... 73 years of one Victor: It's unprecedented.

The star-crossed lovers strategy, under normal game circumstances,

Benefits them both. The romance makes them both fan favorites to sponsors. But, at the end of the day, there can only be one Victor. So when one were to die, public sympathy would swing sponsors towards the broken hearted other.

Relied very little on Katniss; she didn't have to opportunity to state her feelings for Peeta to the audience after the interview and in the arena, up until the rule change, she barely saw him. Had he died before the (unprecedented) rule change, there wouldn’t be much for her to do but appear sad. The star-crossed lover but is eventually just a sound bite.

No one could have predicted that both Katniss and Peeta would be crowned victors and have to maintain the strategy indefinitely.

So yes, on top of believing he mistook Katniss’s feelings for him in the arena, he then discovered they’d have to maintain the pretense of lovers for the rest of their lives… I’m sure he felt all sorts of miserable ways about that.

[our-ensemble]

haiii question,,,, sorry for being kinda dumb here but what would be the point of sending emails to hapiele? the story is written already and akatsuki redebuted (???) so what Will they do then? would they just take back the things that happened in the event? sorry again for the bother! i dont go to twt or social media that much so im lost,,,

Thank you for asking, and this isn't a dumb question at all. Of course, contacting HappyElements has been quite the undertaking, so it's only natural to want to know what we should expect. This is a bit lengthy since I wanted to put as much perspective as possible, and as always, I do not mind if others wish to add to this.

The most important thing to acknowledge is that this is an unprecedented scenario, so we're making estimates about how HappyElements will respond. At best, we hope that HappyElements complies with the requests made in the emails and nothing less, with these requests being a) the removal of Ibuki from AKATSUKI since this plays into the existing discrimination and Japanization of Ryukyuans and b) the careful consideration of how Indigenous characters are written going forward. Other additional goals may be added at individual discretion, but in relation to AKATSUKI and Ibuki, this is our main focus.

There is a chance that Enstars can edit or change the story. For example, in Izumi's event, "One Drop * A Specially Chosen Mad Party in UNDERLAND", fans raised concerns about how Izumi and Leo's backstory was mischaracterized in the story, and the line was later changed. However, when it comes to AKATSUKI and Ibuki, we should acknowledge that our concern is with the story as a whole, not a few lines, and so this is not likely. Should HappyElements decide to edit the story, they would likely be attempts to soften the blows that they dealt - but especially for a subject matter like this, it most certainly does not change the fact that the blow is still being dealt.

Another hope is that, even if it does not change AKATSUKI's event, it will push HappyElements to be more considerate in the future with regards to discrimination and characterization. We know that Enstars has been able to change its trajectory with how it approaches topics. For instance, Arashi's earliest stories contained both homophobic and transphobic stereotypes (specifically, she had many stereotypes associated with gay men, which is why the earliest translations of !-era stories tend to use he/him pronouns exclusively. At the time, her gender was not explained.) However, as years passed, the quality of her stories has noticeably improved, with a greater emphasis on her relationship with her gender. Hopefully, pressure from fans will encourage HappyElements to consider the racist, anti-Indigenous message that its pushing, and reevaluate how to approach Ibuki and other marginalized characters.

Some fans are also taking the angle of focusing on mischaracterization as a sort of "foot-in-the-door" technique. Again, as was the case with Izumi, if we can argue that certain things are out-of-character and that the continuous mischaracterization will be a threat to HappyElements' profits, then we might be able to use that momentum to target the racism in the story, since for AKATSUKI, the mischaracterization has been done to facilitate the discrimination that we see, and thus is not wholly separate from the issue. (Though on that note, fans have been asked to emphasize the treatment of Ibuki, since we must not treat occassional mischaracterization as comparable to active discrimination rooted in prejudices that continue to affect Ryukyuans in the present.)

At the same time, we must acknowledge that HappyElements has not made any efforts of note regarding other concerns raised by fans. Most relevantly, the event "Answer * Matrix of Stars Drawn Towards One Another" contains racist, anti-Indigenous sentiments in its depiction of the Amagi village. Instead of taking inspiration from Ainu culture as has been the case with the Amagis thus far, they made the Ainu village a sci-fi setting. Japanese imperialism has worked tirelessly to erase the culture of the Ainu in order to assimilate them. By making the Amagi village less culturally rooted and more fantastical, Enstars erases the presence of Ainu culture from their world - likely because it wasn't deemed interesting enough, since Enstars does value its shock factor - which is insensitive to the plight that the Ainu face to this day.

With all this in mind, we have to remind ourselves that this situation is still developing. The reaction to fans' emails has been mixed in the past, and the response to concerns of discrimination especially has been disappointing. Though, we also need to acknowledge that this is arguably the strongest, most concentrated reaction of the fans towards HappyElements, and we cannot allow them to intimidate us, nor can we allow them to forget that they are enabling dangerous anti-Ryukyuan sentiments that are not without real-life consequence.

Lastly, as I personally see it... even if "nothing" happens, I still ask that fans continue to pressure HappyElements. If HappyElements cannot treat marginalized people with respect, then at the minimum we should do the opposite and show marginalized fans that we stand with them. As I've mentioned time and time again, what we have seen in Enstars is reflective of real-life prejudices that are actively harming people. Even if HappyElements' mind does not change, other people observing the situation may reevaluate their own biases, and we can counteract whatever harms could occur as a result of HappyElements' lack of care.

[the-crooked-library]

I noticed something near the end of Dracula when Jonathan and Mina separate for a final time (so she can go to Dracula's castle), that a difference between Harker and Hutter is also near the end.

For context, several chapters earlier Jonathan gets two weapons “put these flowers round your neck”—here he handed to me a wreath of withered garlic blossoms—“for other enemies more mundane, this revolver and this knife;.

Then when Mina and Van Helsing are about to depart for their ride to the castle, Jonathan keeps the knife and gives the revolver to Mina. Even for me a large-bore revolver; Jonathan would not be happy unless I was armed like the rest.

I know the phallic analysis of the weapons in the book are overstated in scholarship but I think it's telling that Jonathan insists Mina to be armed with a big gun while he lets her go do what she wants without him. Thomas didn't arm her and likely wouldn't even it were suggested imo.

omg yes! That is definitely another detail that really stood out to me during my watch, and yet another reason I genuinely start getting annoyed whenever people conflate Thomas with Jonathan - because frankly, that is allowing Thomas to reap what Jonathan sowed, so to speak. I've seen a lot of people absolutely in love with him, and yet the traits they list as the reasons are none that he possesses; in fact, the great majority of them are in exact opposition to his canon personality, and this is one of them.

Don't get me wrong, I love Thomas as a character. I think he is quite sympathetic - and, on the Watsonian level, really trying his best; but at the same time, I think it is essential to acknowledge that he is deeply flawed, if only because on the Doylist level, these flaws are fundamental to his arc in the story. It is purely a question of structure and function; because, at the end of the day, he is a fictional character, and thus, a narrative component, rather than a person.

In this case, his choices prior to the vampire hunt provide the viewer with further evidence -> of an aspect of his characterization -> that acts as one of the driving forces behind the plot of Nosferatu. Specifically, he does not notice that Ellen is lying to him; he leaves her at home as he goes off to "fight"; he doesn't even consider arming her; and he does all these things because, even though he does care for Ellen, he never really thinks of her as a person.

Thomas doesn't notice that Ellen is lying, even though she is clearly nervous when she does it, because he doesn't know what she looks like when she's hiding something (I personally think it is because she masks around him, at least to some degree - throughout the film, he is uncomfortable every time she's honest). He doesn't bring her to the hunt because it doesn't occur to him that she could help with tracking down Orlok - despite him being aware now of her immense psychic abilities, despite Von Franz describing her as a native in a world he is only visiting. And, exactly as you said, he doesn't even think to leave her a weapon; because, even as he sets out on his "quest," even after she's told him of Orlok's obsession, even though the point of the hunt is apparently to "save" her, he doesn't consider the possibility of Orlok going after her.

Contrast that with Jonathan - who knows Mina so well that they can get concerned over three lines of writing, who works with Mina's brief psychic connection to Dracula in order to track him, and who arms Mina before the final fight, because he is not satisfied unless he can do everything in his power to ensure her safety. When it comes to their relationship, Mina's revolver, while not exactly phallic (seriously, why is that topic so overwrought?..), becomes a narrative symbol of his thoughtfulness.

The difference here is that, while Ellen is important to Thomas, this importance only extends insofar as she is his wife. He sees her as a responsibility, but never as herself; and, ultimately, he never actually considers her a factor that could conceivably affect his - or anyone's - decision-making. He plans their life without even asking what she wants from it, he neglects her emotional needs, and he leaves her like a sitting duck during the hunt, without a weapon or anyone to guard her. She continuously slips his mind, utterly inconsequential beyond whatever their surrounding society defines as her role and value; and Thomas, tragically, is unable to overcome this ingrained, rigid set of rules.

This is an essential aspect of his character - because, as stated previously, the plot wouldn't happen without it. If Thomas took Ellen's wants into consideration, he wouldn't have been so hell-bent on chasing a promotion, and he wouldn't have left her right after their honeymoon to go to another country, especially if she begged him to stay. If he knew her better, he would've picked up on the plan she made with Von Franz - or she would've told him!.. Most certainly, if he saw any real personhood in her, he wouldn't have dreamed of leaving her unarmed and undefended.

Nosferatu is about Ellen's continued systemic dehumanization. The point of the story is that every single human character contributes to it on some level, despite whatever love and best intentions they might have for her. It's about the inherent monstrousness of being othered by humanity, and Thomas is - inherently, narratively, crucially - human.

[wen-kexing-apologist]

Well, I was tagged in this reblog (linked for context because that post is wayyyy too long already and I’m prone to run on sentences) so I am going to respond to the part of this that @doublel27 quoted me on. 

I want to make some things clear before I start: 

Critiquing shows does not mean I always hate those shows, few shows are perfect, and for me it is worth discussing what a show did and did not do well. 

I do not care if people like the shows I do not like, and I do not care if people do not like the shows I like. It is extremely rare that people agree on everything in the same piece of media. Everyone is entitled to their own enjoyment of their preferred media and I guarantee you that Shan, Turtles, Ben, Twig, etc. etc. will say the same. Also, since you mentioned Twig’s post about We Are, please let me direct you to the episode of The Conversation where Twig, Ben, and NiNi talk together about their differing opinions on that very show. And in case you were genuinely concerned about Ben and Twig’s feelings on the quality of Thai BLs this year, you can stick around for the second half where they talk about Knock, Knock Boys! Hopefully that will assuage your fears.

Some of the issues I have with vague posting are (a) it can lead to confusion, especially in a case like this where, according to you, maybe boys do love posted a response to eight different people’s commentary simultaneously without attributing which op’s thoughts he was responding to at any point. (b) By bundling eight responses in to one post without @ ing people, it makes it seem like he has misinterpreted other people’s commentary or taken something in intentionally bad faith (c) other tumblr users in a fandom will let people know when an “unrelated post” makes commentary specific enough to be recognized as a response to someone else’s statements thus drawing them in to the conversation. It’s why I prefer to be tagged in responses to the thoughts I share. This is a public forum, whatever I post in here is able to be reblogged, tagged, or commented on. If I didn’t want people to interact with my posts…I wouldn’t post them. If you don’t feel comfortable tagging people who you are responding to, then at least acknowledge them in your writing. We love a cited source.

I don’t love policing language, but since you were more than happy doing it in your post, then I’ll say one thing here: the tone of maybe boys do love’s post does not read, to me, like it is intended to welcome people who appreciate that there is “not a single stance about what qualifies BL as good work.” It reads like it is “reminding” the supposedly eight people he is vague-posting about that they are being unreasonable in their expressed opinions. It especially does not read with the primary intention of welcoming others when Maybe Boys Do Love’s response to Turtle’s initial reblog was to comment on her “respectfulness” and Shan and Ben’s lack thereof simply because they blocked him on Tumblr. A thing which people do every day for any number of reasons. But I digress.

As for my part in your response, you referenced a statement from my tumblr post A Pause for Reflection: Part 2- Only Friends, Racism, and the Commodification of Queer Asians: 

“We all need to, but white Westerners especially, be extremely careful and introspective with the ways we are engaging with queer Asian media”

On the seriousness of this statement, doublel27, you and I are agreed. I think it is valid to state that this should apply to the decisions of writers, directors, etc. of BLs. And I also agree that preventing infantilization and removal of agency from writers, directors, actors, and audiences is a good addition. That said, I do not think critiquing media is in any way shape or form an infantilizing or agency-removing act. 

I do, however, think you are falling victim to the western paternalism/white saviorism you are so upset about by going on to a South East Asian woman’s post and chastising her about not speaking for a South East Asian audience when you are a white westerner?

Also, I think there I might be missing a step in your logical progression when you say “I’m of the opinion that what’s good for queer Thai television is not for foreign audiences to decide, ultimately. That’s for queer Thai people to decide.” It would amaze me greatly if this hypothetical monolith of queer people in Thailand were to be 100% in agreement about what constitutes good queer television. Personally I see your belief that no one outside of queer Thai people is allowed to critique queer Thai shows as actually undermining the legitimacy of this genre as a source of entertainment for audiences outside of just queer (in this case) Thai people. Media is frequently made with an intended audience in mind, but that does not mean people outside that target audience are barred from engaging with it. No one is saying “this is a bad queer Thai show and I am deciding that for all queer people” they are saying “here is what or why I did not like the decision they made about x,y,z."

If you are going to quote me, then I hope you also read the first half of my Pause for Reflection posts Taking Pause for Reflection- Part 1: Respectable Promiscuity and Only Friends where I talk about respectable promiscuity and discuss the ways in which respectability politics have resulted in “current LGBTQ+ political movements shifting away from highlighting sexual liberation as an aspect of queer culture, in order to make queer people more palatable to the overarching heterosexual society. And how that bleeds through in to the kinds of media that exist, the types of queer people portrayed within that media, as well as how often gay sex is shown, the type of gay sex shown, and the number of gay sex partners depicted. (Read: generally infrequently, generally vanilla, generally one).” Just so you are aware of where I stand in all of this and what people like Shan and myself are talking about when we critique the decision to remove sexual content from queer stories for the sake of storytelling or viewership.  

I haven’t mentioned this one in awhile but I used to talk a lot about my perception of queer content being able to be categorized in By, For, and About Queers formatting. For example, a film like Pariah (2011) is a story about a queer person created by a queer person with a narrative that feels like it is made for the enjoyment of queer people above all others (but of course anyone can watch).

^I think this was made by abl, who I am not tagging because I do not want to drag them in to this conversation, but whose image I still want to cite.

This is obviously subjective, and I’m not saying it should always be used, but I know some people can find it nice to organize things by categories. 

Again, this is subjective but I’ll give a short list of a couple of BLs that I personally would categorize as being For queer people- by which I mean it feels like a love letter to queer people, I can see something of myself and my experiences in it, and I would not be surprised if the primary intended audience was queer people:

I Told Sunset About You

The Miracle of Teddy Bear

What Did You Eat Yesterday

Koisenu Futari

Here is a short list of some BLs I would personally categorize under About queer people- that is, queer people are the main characters but the piece feels like the primary intended audience is not queer people:

Kiseki: Dear to Me

KinnPorsche

My School President

Spare Me Your Mercy

That does not mean the shows about queer people aren’t queer stories, but it does mean the intention behind the work is different. Which brings me all the way back to Spare Me Your Mercy since that’s what started all of this in the first place: 

Lux Sirilux in an interview before the show came out stated:

“Having NC would steal the attention of the story because what we were going to talk about was dark drama and euthanasia.”

She also says: 

“The characters are gay, but we don’t offer [fan]service in every episode or include NC (explicit) scenes."

(I got these statements above from this post by clariredaring who I am not tagging in this because I do not want to pull them in to this whole ordeal any more than they already have been).

Lux is absolutely allowed to make the decision to remove NC scenes from SMYM if she believes that it will detract from the vibe and the overarching theme. Sammon is absolutely allowed to approve and accept the removal of NC content from the Spare Me Your Mercy television show. No one is arguing that. (And I feel comfortable speaking for Shan here at the very least because we talk about shows a lot and I know what her post was actually saying as it relates to viewership). I already wrote a post about my feelings on this matter where I discussed why I feel that choice went wrong in this case. That does not mean anyone else has to feel that way, and I’m not forcing anyone to agree with me. And if people disagree with me, fine, they are welcome to discuss with me why they feel like the story worked as is if they want to and ignore me if they don't. (And literally as I was writing this a great example of someone disagreeing with me came through in this post by elimstillnotgarak who I will not be tagging in this simply because I don't want to drag someone who is not involved in this in to a very different discussion). But there is a level of disingenuousness that comes with the statement 'you should not say anything negative ever about the stories you have watched from cultures outside of your own.' I'm not saying this is the belief you hold, but I am saying that is how I interpret your statements about not speaking for a queer Thai audience.

And, as someone who has written multiple essays breaking down sex scenes in BLs, let me just say that I believe there is a fundamental difference between NC scenes and fanservice. I think there are instances where fanservice can result in positive changes (The Magnus Archives, for example, updated their ending after seeing how much fans were shipping Jon and Martin together and I think the ending was better for it) but I think there are a lot of times when fanservice actually does undermine the narrative. As for NC scenes, there are definitely ones that detract from the story at hand, and there are ones that I think people throw in as a bandaid in the hopes that they can get higher viewership (Playboyy and Battle of the Writers are examples of that imo) but I think there are a lot of times when NC scenes actually improve the narratives they are a part of expressly because they can tell you a whole hell of a lot about a character’s relationship and feelings to another person in a very short period of time. 

For me, I think Sammon and Lux here engaged in respectability politics operating under a belief that NC scenes between these queer characters would take away from the larger story they were trying to tell. And I think that the believability of the romantic relationship between Kan and Tew suffered for it. This is a show that already was written for a larger general audience because most of Sammon’s work places some medical mystery narrative at the front and center (which makes sense because she’s a doctor). 

And personally doublel27 I feel you are drawing a false equivalency between critique and infantilization and I would appreciate it if next time you quote me, you make sure you read the entirety of the post so that you can better understand that I will continue to be critical of people who submit to respectable promiscuity and make the choice to tone down the queerness in their story because they are worried it will distract the audience at large.

[bitkahuna]

Dáin was on his back, slowly being crushed under the weight of a dead troll. Twenty minutes ago, he had become aware of the spear in his shoulder, keeping him pinned to the ground. He gave up on trying to crawl away and focused on his breathing. It was getting harder and harder. He did his best to suppress the panic that threatened to take all his air, as something warm and wet leaked from various points of his body. The edges of his vision were blurred and his head pounded. He wouldn’t stay conscious for long.

There was a shouting voice, strained and desperate. He couldn’t understand what was said from under the troll. He tried to take a deep breath. It burned.

“Fucking move it!” That strained voice roared as the troll’s body began to shift. He could hear clearer now.

“’S fuckin King Dáin!”

The king let out a sob of relief when he realized what this meant. The fight was over. They won. He was being rescued.

What he didn’t expect was for some small hobbit to begin assessing him the moment the troll was off. The dwarves, many his own men, surrounded them but stayed back at the hobbit’s instruction.

“Dirt’s fine, blood’s deadly. Who has clean cloth?” The hobbit barked as he began ripping at the king’s tunic around his exposed shoulder, revealing the wound.

“I’ve some.” A melodic voice answered, some elven woman ripped part of her dress and offered the cloth. Dáin wondered if he was dead, because there was no way an elf just did that.

“What’s your name?” The hobbit’s voice turned kind and comforting, speaking as if they were good friends.

“Uh, Dáin.” He answered slowly, feeling as if he was on the edge of wake.

“Dáin, you’re bleeding a lot, but you’re gonna be alright. Okay? Can you take a deep breath for me?”

He tried, but winced.

“Where does it hurt?”

Dáin tapped at the armor on his stomach.

The hobbit’s quick hands undid it and pushed it aside, revealing another wound. Dáin couldn’t see it, but he saw the hobbit freeze as he took careful control of his reaction. It was bad.

“Dáin, this is gonna hurt pretty damn bad. You’ll have a fever and be exhausted the next few days. No matter what, never turn down water. Understand?”

Dáin nodded and winced once more, grimacing as the small hobbit tore the spear in half before the king was pulled into a seated position, the spear staying in the ground as what remained passed through him. Alcohol burned his wound before the hobbit wrapped his shoulder in a soft and stretchy fabric from the elf’s dress.

He was laid down again and the hobbit tended to the wound on his stomach, continuing to bark orders to others as they did their best to help others who were injured. The hobbit chugged half a carafe of water that he was handed before dumping the rest on the king’s stomach.

“‘Ave some fuckin respect! Tha’s King Dáin!”

The hobbit didn’t even turn to acknowledge the shout as he knelt down to better examine the wound, gently pushing a puss out. “No. This is Dáin, my patient, and he’ll get the same treatment as anyone else. Unless you’d rather take over?”

Silence.

“Whatever got you was poisoned. Not too badly, though. Tremors and stiffness ‘ll set in soon, you’ll have a fever by nightfall. Drink water and rest often. I’ll make another round at night. Keeping that puss out of you is a priority. You’re going to be okay, Dáin.”

From there, the next three days came to Dáin only in flashes. Most of them being the hobbit kneeling over him, tending to his wounds and whispering reassurances. In some lucid moments of his dreams he could still hear that kind voice. That kind voice that seemed to care so much. Whispering to him that he would be okay, he just had to keep breathing, he would be okay. The voice that comforted him and make him unafraid, regardless of how bad it got. He was okay.

-----

Yavanna, Guide Me chapter 16, I couldn't resist making Bilbo a medic in the aftermath of the Battle of the Five Armies