#so this is a 4-color set i guess lol

[dravidious]

-

Fancy coincidence, I just made some cards that synergize great with this!

They’re part of a signpost set based around the amass mechanic. When it comes to getting +1/+1 counters on creatures, it’s hard to get more efficient than amass!

And this whole thing was inspired by me wanting to make skeleton army cards to celebrate the annual SKELETON WAR!

[vampyrhaus]

[ New (2023) | Old (2019) ]

Get redrawn, stupid

[icewindandboringhorror]

Various images of things

[batbabydamian]

BATMAN AND ROBIN (2023) #14 by Phillip Kennedy Johnson and Javier Fernandez! rambling about the new team and arc!! a jumping-on point for anyone wanting to read recent Bruce and Damian comics 🦇🐥

setting the stage with action!! mystery and intrigue!! expectations for further character exploration for Damian!!

if that's not enough to pique interest, here's a rendition of one of the many cute grumpy Damian panels

first of all THE OPENING ACTION SCENE OH MY GOD (this splash page hello!!)

i love...the collaborative effort in comics...it shines through right from the start, especially when it involves traditional inks 😭

using this single panel as an example from Fernandez’s ig:

Fernandez lays out most of the groundwork in his inks - the fully inked silhouette of the driver in the foreground, the shading suggesting the lighting, the white ink/paint lined and splattered for the rain!!

then off to colors with Marcelo Maiolo!! he elevates the panel to emphasize how it's a shot from within the vehicle looking out the windshield - the lightly tinted inks, the bright lighting from headlights, and the slight window sheen + bokeh!!

one more similar example, with comparison by the man himself - Fernandez already implying the glare, scraping white against Batman and Robin's silhouettes. then punched up with Maiolo's colors/lighting!! WOW!!

OKAY SORRY ONE MORE along with Steve Wands’ consistently lovely lettering, Fernandez included his own sfx in his inks of this page!! not sure how often he does it past this, but SO cool!! ever since seeing Juni Ba's sfx lettering in his inks, it's such a sick extra detail to me 😭

ANYWAY i can go on about what i love about each panel for this scene but gotta move on from the explosive intro of Batman and Robin to the more grounded side of Bruce and Damian (which ends up being just as explosive)!! 🥺

there's small details carrying over from Williamson's run like Bruce making Damian vegan meals and Damian creating comics; otherwise, we have a much more engaging writing of the two almost reminiscent to Tomasi and Gleason's run!

one example being his attitude towards a fancy event interrupting his and Dick's patrol in Batman and Robin (2009) #20

the first line from Bruce and Damian's disregard for a fundraising event is a bit of head scratcher to me when Damian is plenty compassionate, BUT for the sake of a jumping-on arc for new readers it’s a clear point of reference for Damian’s character - a kid who believes more in Batman and Robin work than what could be done outside of those masks. it becomes a matter of how Damian's perspective might change around this subject and how he'll take action in helping outside of Robin 🤔

another similar Tomasi-esque moment is Damian's snark about his grandfather lol, a sentiment that carries over from Batman and Robin (2011) #1

PKJ references his Ra's al Ghul story from Gotham City Villains Anniversary Giant! especially curious when the final line by Talia is "...you will see my father again", when Ra's is currently dead. a fun lil callback or also a convenient nod to future plans? 👀

NOW THE MYSTERY AND INTRIGUE OF IT ALL...

Bruce's attention is caught by this man shouting "You sit atop the wheel" which i'm guessing is in reference to the Wheel of Fortune, especially if we're going by a literal interpretation of the rich and poor (depicting the group among tents and carts).

i'm really reaching here, but wondering if Bruce calling himself “Jack” at some point is also related to the arcana. the only relation i could find is the Page of Wands, and the Jack once being referred to as a "knave"

EDIT: an anon reached out to inform me that Bruce called himself “Jack” during his training! seems to be first introduced in Batman: The Knight (2022) #4

THE REVEAL OF THE NEW VILLAIN, MEMENTO...the first page opens on a deceased person's face, and the last dialogue is "We will see your face again." AND OH BOY WE CERTAINLY DO! 😭

the flames casting a harsh light against the plaster (or stone??) of Memento's mask, and how he looms over Bruce...SO EERIE...

FINAL RAMBLY THOUGHTS

Damian being colored with noticeable melanin...🥺 i can only assume this was a deliberate choice made by PKJ since the editors haven't changed, and for the past issues Damian's colors have been independent to the colorists - the only edit being after Rex Lokus gave him green eyes in #5 but were returned to blue in #6 (for consistency ig). along with the classic teen asian haircut, this feels intentional on PKJ's part and i hope Damian will continue to be colored brown here and other books 🥺👉👈

one of the things PKJ teased in an interview was the idea of Damian wondering if he even wants to still be Robin, much less Batman (begging this is where main canon Damian gives the Batman mantle up lol). so presenting Damian here as someone absorbed in that life makes me wonder what triggers those thoughts - is it going to be this incident or later? more currently, will Damian be able to protect the civilians that Bruce entrusted him with? especially after getting familiar with a few, however reluctantly?

anyway, a banger first issue that leaves you with just enough crumbs to know what you're expecting but still beg for more: what's the mysterious new group/villain, and their connection to Bruce? will Dr. Bashar and the Wayne grandparents have more to do with the story? how will this all affect Damian outside of being Robin? Talia and Ra’s?? so many questions!!

[devotion-disorder]

Hiiii I'm new to your blog :)) I saw it a while back and was recently reminded of your blog, lol!

I really like Noel :> 👉👈 I just wanna smooch him. Just once. (Maybe) (probably not gonna stop at one) but I'm curious what his creation was based off of. Like, did you make him bc you wanted to draw a streamer yandere? Or did a certain scenario cross your mind and thus started his creation.

I hope you're having a good day/night!

(One more smooch for Noel again)

This is a really good question!! If it weren’t for this I’d’ve forgot a lot of this stuff lol

I think I’ve always had vague ideas about the 'yandere' trope and how it can be incorporated into our contemporary setting, I guess? I thought it would be interesting if publicity was sth that was leveraged against the victim. Then there’s also the idea of a universe where yandere-ism is normalised, and I was very into the thought of an influencer that makes content like how to kidnap your first victims, 10 Beginner Mistakes You May Not Know about Blackmailing, lifestyle vlogs about a very very morbid lifestyle etc etc. idk i just think it'd be funny lol.

I actually remembered something about his design as well. I’ve had this very half-baked idea of an OC for a long while, and the only remarkable things about him was that his name was Noel and he had a weird hairstyle. And since i had both of these ideas sitting around, i thought it'd be convenient to just combine them maybe???

ive managed to dig up his ref sheet from like 3-4 years ago and 💀💀💀💀 the art was SO rough ive touched it up abit or else i can't stand to post them now lol

I don’t really remember why his hair was changed but I think i kept the parts of 'unconventional color' + 'pastels'. BUT I do remember that I got the idea for a tri-colored letterman jacket because I saw someone on the street wearing something similar LOL (but it didn’t have the same colors as Noel’s one).

and to be completely honest i still kind of like this noel's design a little bit... maybe i'll reuse him again somewhere hah (getting all my mileage out of him fr LOL)

[meirimerens]

You probably have already made a post about this (in which case I apologize for bothering you) however I really love how you render and color! Do you have any tips?

Hiiii so I probably indeed already answered something like that but it’s probably time for an #update + realized i can put pictures and it would probably help actually. Slay okay.

THE BASICS: have brushes you like. I have my faves, they’re in my #brushes tag (click below), you might also see them on the screen of my paintings in wip lol. Typically i thicken them up for rendering AND, now this is integral to my liking of rendering these days + the look: COLOR JITTERING. In procreate that’s tap brush -> color dynamics and i adjust the stamp & stroke jitter in the « hue » category. I have my fave brushes quadruplicated as thicker No Hue, 3% color jitter, 5%, 13% depending on the desired look. What this does is give intrinsic interest, variation and depth to your colors, and that way you can have more fun when colorpicking. This will come back again later.

STEP 1: a lineart you like. Doesn’t have to be clean tbh some of my fave linearts from current works were quite messy. ALWAYS colored.

STEP 2: on a layer underneath the lineart, put down flat colors. See what % of color jittering brings you the most #joy. I will do flat colors or i will sometimes already define some areas of light and shadows.

^ you can see the subtle color jitter in the « white » of the shirt and the green of that first image. Second is to show the already defined areas; if i know i want a different hue on here. something else for some pizzazz: tint a color with an adjacent one. not really visible in these screenshots but in matador, at some point, i added an orange tint to burakh's sleeve, the one closest to the red cape.

STEP 3: the shadows. On the same layer as above (you can duplicate it before this so you can always come back to it later if you need to redo), put down your shadows; the trick: COLORPICK FROM A PIXEL WHERE THE COLOR OF YOUR LINEART AND THE COLOR OF YOUR FLATS INTERSECT. You might have to recolor your lineart (use the « alpha lock » feature of your layer or something of the sorts) until you’re satisfied; i typically redden it in the face and hands.

STEP 4: put down the highlight. I typically do highlights the complimentary color as the shadow: if shadow bluer, the highlight is redder (-> pinker), etc.

STEP 5: now this is the scary part. Before proceeding if you’re #scared, group your lineart and colors, duplicate the group and merge one of them so you can always come back to them unmerged. MERGE YOUR LAYERS. You heard me. Merge lineart and color. From then on…

STEP 6: render. Render, render… PATIENCE… est mère de sûreté bien sûr. Here’s my secret: I NEVER BLEND. I ALWAYS COLORPICK. COLORPICK where two colors meet and you’ll have the perfect transition color.

tip: always have an all-black layer set to color mode above all layers that you can toggle on and off to check your values.

This is more of a fun thing i like to do even if i haven’t done it often: use some hints of a geometric brush to add interest when using an « organic » brush (or vice-versa, I’d guess, but i rarely render with geometric brushes). Exemples again:

And well Das Preddy Much It… Your Turn Now….. and because i realize a short demonstration is better than a long speech, have a speepvideo of the two pieces I’ve used as exemples one after the other (matador first to 44 seconds in, moschophoros second). the very beginnings are cut because we’re focusing on the above steps.

Your turn……. To play.

[ofswordsandpens]

Finale Thoughts

The show stuck the ending far better than I thought it would and when compared to the preceding episodes it knocks it out of the park. That being said, I think because the bar was so low going in, that it makes this episode feel spectacular when really every episode should have done this well, at minimum.

Solo Lessons and Ares Battle

I'm so happy they included the one-on-one training sessions with Luke since its so essential to foreshadowing. I also liked the setting in the woods but why was it like autumn/fall in the flashback lol? However, I think that did unintentionally add a dreamlike quality to the scene which I did really like so whatever I'm here for it.

That being said I do wish these scenes were in episode 2/3 alongside the other chb stuff instead of being a flashback in the finale because it makes it just so on the nose that Luke's the traitor. However, the shot panning from Luke's extended sword to Percy's on the beach ate I can't lie.

Honestly it may have been interesting if they had established some of the solo lessons early on in episode 3 and then done periodic flashbacks to expand on them throughout the series. That way, its not so obvious that Luke's the traitor in the final hour and we also get cool transition shots and establishing that Percy is thinking about what he's learned from his lessons with Luke.

#Relieved that the Ares and Percy fight was not a single sword strike and then cut to black. Glad we had some action. Still think we should've pushed the limits much harder tho.

Oh but Percy's wave did go hard. They actually made the wave much bigger than what happened in the book and now I'm just sitting here wondering why we couldn't see some more of this instead of 10,000 cut to black scenes every time Percy uses his powers.

I wish we had gotten this Ares's reaction from the book when he lost: "The roar that followed made Hades’s earthquake look like a minor event. The very sea was blasted back from Ares, leaving a wet circle of sand fifty feet wide." Show Ares's reaction seemed so anticlimactic in comparison.

And no curse???? huh??

I know Ares was like "we're enemies 4 life now" but the curse and dialogue from the book goes so unbelievably hard: “You have made an enemy, godling. You have sealed your fate. Every time you raise your blade in battle, every time you hope for success, you will feel my curse. Beware, Perseus Jackson. Beware.”

Why couldn't show Ares say that??

Olympus, Zeus, & Poseidon

[Insert aw, she's ugly John Mulaney Meme]

sorry Olympus could've should've been prettier.

Like Olympus in the book felt a lot more wondrous and lush and colorful. But in the show it seemed so dull. Idk if its cause the "war's happening" or whatever it was just bland. a wash of dull-looking cgi and then an instant cut to the Big Palace.

Lance Reddick's Zeus was amazing tho. He had that godly presence I've been waiting for.

And Toby Stephens's Poseidon? oh I loved it.

I especially loved their conversation in greek.

I still wish however they would have done effects on the gods' eyes. Like glowing with energy or something when they get emotional. I felt like I was waiting to see electricity burst from Zeus when he was yelling at Percy.

And so it turns out that the reason why they changed it to Percy missing the deadline in the show was to create a situation in which Poseidon surrenders a war for his son.

And listen, if this scene existed in a vacuum I'd be so here for it. I guess a part of me can't fathom the solstice being anything other than a hard deadline. I enjoy the scene without context, within context I have mixed feelings about it.

But the "do you dream?" convo between Percy and Poseidon. Oh my god no notes. I loved it.

Some more book dialogue that I wish made it: “You did well, Perseus. Do not misunderstand me. Whatever else you do, know that you are mine. You are a true son of the Sea God.”

Luke's Betrayal

Okay here's where we get some high highs and low lows.

Some things I sincerely liked:

The setting. Fireworks going off in the background. The lantern illuminating the side of Luke's face with the scar. So visually nice.

Luke actively trying to recruit Percy! I've always joked that if Luke was just a little smarter he would have tried to persuade Percy to join his side rather than immediately kill him. And I do like that the show went this direction.

While I do mourn the loss of the scorpion them battling via swords is a great subversion of the sword mentor/mentee dynamic they share. It makes the scene tense and fast pace.

And its all of the above that makes me wonder why we didn't have more of this throughout the show: talking while battling, visually appealing and dynamic settings, unique visuals, etc.

I love how triggered Luke was at Percy's mention of meeting Hermes. I still hate how much Hermes introduction bogged down the show but damn if it didn't lead to one singular funny moment.

Percy getting a hit in on Luke and then immediately apologizing

"I didn't think you'd give the shoes to Grover." Oh that was cold.

Walker and Charlie deserve their flowers and more they were fantastic and carried.

Now things I DIDN'T like:

I don't like how Percy pieced it together with the information he did have... which honestly isn't a lot in the show? If he was going to figure out that Luke was the traitor I would've have had Luke show more of his bitterness like he did in the book. Like the fact the show never even mentioned Luke's failed his quest loses the entire element of Percy succeeding an "impossible" quest and being celebrated while Luke only got a scar and a chip on his shoulder from his failed one.

Luke's scar shoulda been worse idc.

Percy should have been mortally wounded. That's where we run into an issue with there being no scorpion because yeah, a fatal sword injury probably would've been a bit much to depict. I also 10000% think that Luke is enough of a baby to get his daddy issues triggered and then try to off Percy for it even if his original intention was to recruit him.

Also the fact that you see Luke raise his sword for a damning blow and then the very next day you have Percy like "I don't think Luke was trying to kill me." and Chiron agreeing? asdlkfjsdlkf WRONG.

Also, sorry, I don't like that Annabeth was there.

But if you're gonna have Annabeth there, her reaction to Luke betraying her and trying to hurt Percy should've been way more severe than a solemn "I heard everything."

She shoulda been crying, questioning, yelling even if she had suspected him. It's one thing to suspect it, it's another to see the person you consider your family to actually prove it true.

(And this isn't on Leah! It's 100% on the directors cause what was the thought process here? Her brother figure betrays her and she's like :/)

And sure, in the book Annabeth isn't actually all that surprised by Luke's betrayal when Percy tells her about it... but we also never got to see her initial reaction to it. Percy was out for 2 days.

Just, if book Annabeth had been there, she would've been so emotional and that's okay!! let Leah show off her chops!

Sally

I mourn book Sally. I mourn her arc. I mourn the power of Sally unapologetically petrifying Gabe with Medusa's head.

One of the most iconic storylines from the book and it was sanitized in the show to the point that it lost all sense and meaning.

Honestly one of the biggest disappointments of the show for me.

Other

I love the fact that a flower is the searcher's license for satyrs its just so silly and sweet.

I love Annabeth sincerely hugging Percy but also using it for strategizing purposes it feels very on point for her.

Also her braids at the end!! so sweet!

I am very very bitter that Percy didn't see the fates. This + the changes made to Sally's characterization and arc... the show truly doesn't get it.

[nonbinary-alien25]

tag 9 people you want to get to know better!

tagged by @yourlocalegotisticalqueerishere thanks for the tag!

Last Song: currently listening to ICU by Citizen Soldier (at the time of starting this post). before that it was Gone Too Soon by Daughtry. at the time of finishing and posting this, i am currently listening to Lucky One by Simple Plan

Favorite Color: dark purple. always dark purple. dark purple my beloved <3

Currently Reading: nothing atm because i haven't had the chance to make another trip to the library, but the last book i read was The Meaning of Birds by Jaye Robin Brown! Very sad but very good. I've also recently read Stars, Hide Your Fires by Jessica Mary Best, The Many Half-Lived Lives of Sam Sylvester by Maya MacGregor, and I Wish You All The Best by Mason Deaver! I very much enjoyed all 4 of them, but I will say that The Many Half-Lived Lives of Sam Sylvester was definitely my favorite :)

Currently Watching: rewatching Star Trek: Discovery with my dad (and introducing my mom to it at the same time), watching Only Murders in the Building with my mom for the first time, and my dad and I just recently finished watching Star Trek: Lower Decks. plus my mom and I are always in a perpetual rewatch of Legends of Tomorrow and/or Arrow (though they've been on pause a little bit lately). now I'm just waiting for The Walking Dead: Daryl Dixon: The Book of Carol to come back in late September lmao, among other shows

Last Movie: uhhhh I'm honestly not entirely sure. I think it might've been either Heart of Stone or Kingdom of the Planet of the Apes, but I could be wrong about that

Sweet, Spicy, or Savory: definitely savory. i do love salt lmao. i do still have a bit of a sweet tooth but nowhere near as much as i used to, and now it's mostly reserved for white chocolate and other vanilla-flavored things lmao

Relationship Status: i am so, so incredibly, painfully single and i do not see that changing anytime soon unfortunately

Current Obsessions: uhhh, i guess my usuals? Citizen Soldier, of course, Legends, The Walking Dead, Star Trek. those are like. the main ones, idk.

Tea or Coffee: neither. i can't stand to drink either of them, they both taste nasty to me ngl. just let me have apple juice and i'm set

Last Thing I Googled: uhhhh ngl i think it was 'savory definition' just to make sure my "i love salt" comment would make sense LMAO but before that it was the 4 books I've read recently to make sure I was getting the names of the authors correct

andddd idk if i actually have 9 people to tag but i'll do my best.

No pressure tags: @forthehonorofgrey @chocolatemilk25 @for-forever21 @lochjhessmonster @lola-andheruniverse @justpalsbeingals @marimacha-tonto @mari-the-alien and anyone else who wants to! (just pretend i tagged you lol)

[cal-kestis]

HOW TO: Make a Pantone “Color of the Year” Gif

A few people have asked about my Pantone sets which use the “Color of the Year” swatch design. So, here’s a full tutorial with a downloadable template of my exact overlay! Disclaimer: This tutorial assumes you have a basic understanding of gif-making in Photoshop.

PHASE 1: PICKING A SCENE + PANTONE COLOR(S)

I’m starting with this because it’s crucial for planning your gifset as well as making sure the execution is smooth sailing. The steps in this phase won’t necessarily be literal steps but some tips for how I usually go about making a Pantone set:

1.1 – Picking a scene.  Scene selection is everything. To make things easy on yourself, I suggest choosing scenes where the background is mainly ONE color — for example, a scene where the subject has a clear blue sky behind them. To make things even easier, choose a color that isn’t the same color as the subject of your gif. Like, if your subject is a human, I’d avoid using a gif with a red or yellow background unless you want to do a lot more work to mask their skin. 

Rip me using a scene of green lil Grogu in green grass lmao. But I guess that goes to show you could really do this with any scene (I just did lots of masking and keyframe animations to perfect this green shade). BUT selecting your scenes wisely = a lot less work. 

1.2 – Picking Pantone colors.  People often ask me how I choose my colors and there are a few methods which I’ll go over below. 

But note that not all Pantone colors have a cute name, or any name (fun fact: only Pantone textiles have official names and they end with TCX, TPX, or TPG).

METHOD A: Google Search “Pantone [Color]” Source: Google Easy but not always fruitful, all you do for this method is open Google and type “Pantone [insert color here].” For example, when searching for teal colors, I searched several things including: Pantone Teal, Pantone Turquoise, Pantone Blue, Pantone Green, Pantone Blue Green, etc. Then, just sift through the Google results and click on whatever comes up from the official Pantone website! Since Pantone’s site blocks some info behind a paywall, you won’t be able to get a hex code from them. But you can just screenshot the swatch from their site, put it in Photoshop, and use the eyedropper tool to figure out the color.

METHOD B: Color-Name Site Source: https://www.color-name.com/ This handy website lets you search by colors using the upper navigation bar. Or you can just type something like "magenta" or "blue pantone" or even “frog” and see what comes up lol. Color-name can put together palettes too! I like that this site also tells you the hex code of a color, which is really helpful for getting the right code to put in my overlay. Note: Not every color on this site is a Pantone textile, so not all of these names are Pantone-official names. You can tell it’s official if, in the Pantone row of the Color Codes table on the middle of the page, it has a code that’s 2 numbers, a dash, 4 numbers, and either TCX, TPX, or TPG.

METHOD C: User-Made Pantone Colors Archive Source: https://margaret2.github.io/pantone-colors/ For my Wednesday characters as Pantone colors set, it was all about matching the color name to the character’s vibe. So, before looking at the actual colors themselves, I wanted to find the perfect color names. I stumbled upon this page. The pros = it lists pretty much all of the current official Pantone names. The cons = it’s not convenient since there’s no filtering tool. You can do Command+F and search for keywords, but that’s it. I literally scrolled through this whole page for my Wednesday set and read every single name, which... I think means... something’s wrong with me /lh /hj

METHOD D: Official Pantone Color Finder Source: https://www.pantone.com/pantone-connect This is last on my list because I don’t actually recommend it. Unless you already have access to this resource from your school or work or something, I would never pay for it and it is a paid feature only. Boooo 👎 But there is a free trial (which I’ve never used), so if you want to see what it’s about, you can definitely go for it.

PHASE 2: MAKING THE BASE GIF

Again, just some super quick tips for making a gif that, I think, looks best with this kind of set — but if you’re still learning how to gif, I do have a basic gif-making tutorial here for extra guidance!

2.1 – Uncheck “Delete Cropped Pixels” before cropping your gif. When you use the crop tool, this checkbox appears in the top toolbar. Unchecking it allows you to move the positioning of your gif later on, which is handy in this case when you want to choose which part of your gif will be underneath the Pantone swatch. You can read more about this tip in my basic gif-making tutorial (linked above; Step 1.5 – Tip B).

2.2 – Make your gif 540px width. My gifs for these sets are usually 540x540px but I think 540x500px will also look good. I think it’s more impactful though to make a big gif to show off your coloring.

PHASE 3: ADDING THE PANTONE OVERLAY

3.1 – Download my template I made this template myself, so all I ask is that you don’t claim it as your own and that you give me proper insp or template credit in your caption if you decide to use it! Get the PSD with the transparent background here!

3.2 – Download the font Helvetica Neue Bold The font I use (and I’m pretty sure it’s the same font Pantone uses) is Helvetica Neue Bold, with some very specific letter spacing (which I determined by studying Pantone’s official Color of the Year Very Peri design). It’s already set in my .psd but here are specs in case: color name spacing = -40, color code spacing = -75 (sometimes I’ll do -25 for the numbers after the dash if I don’t like how tightly they’re packed together). 

I uploaded Helvetica Neue Bold to my dropbox here!

3.3 – Import my overlay You can either drag the whole folder onto your gif from tab to tab or right-click the folder, select Duplicate Group, and select your gif as the destination document. Just make sure this overlay group is above your base gif!

3.4 – Fill the color swatch In my .psd, on the layer labeled “Pantone Swatch,” just grab the hex code of your chosen Pantone color and fill that layer using the Paint Bucket tool! I’ve already put a layer mask on the layer for you so it fits perfectly inside the square outline.

If you’re using my .psd, all the blend mode settings are already in place! I usually set the colored square behind the Pantone logo to the Color blend mode, but sometimes, I prefer the way Hue looks. It’s up to you! 

You can also adjust the drop shadow settings to make your text more visible as needed. The layers are arranged in this order so the drop shadows don’t interfere with the semi-transparent part of the colored swatch. 

3.5 – Insert the color name and code My .psd has two versions to choose from: (1) a color name that fits on one line and (2) a color name that requires two lines. Use the one that applies to your color name and simply type that and color code into the corresponding text layers! 

Note 1: Pantone doesn’t keep their font size uniform for every color of the year. They’ll sometimes shrink the text to fit longer names, but I like being consistent. So, I use this one font size for all my colors.

Note 2: My template has all the text left-justified and matching the starting point of the P in Pantone. BUT, sometimes the gif looks better if you nudge the text a bit so it looks more centered. Use your discretion when aligning the text!

Note 3: Btw, you definitely don’t have to use the TCX/TPG codes like me. (I’m a nut and there’s no way I’ll ever do a Pantone set and not use those types of codes to maintain uniformity across this series lol.) I’ve seen others do sets inspired by mine using different color codes or even just the hex code itself!

PHASE 4: COLORING THE BASE GIF

The key here is to make a majority of your gif feature your chosen Pantone swatch. If you’re really smart with your scene selections, this should be a breeze! If you’re stubborn like me and want to use specific scenes with the opposite color of your chosen Pantone swatch, there will be a bit more color manipulation involved... However, this isn’t a coloring tutorial, so again, I’m going to give some tips and resources that will hopefully help you out!

4.1 – Color matching. Now that you have the Pantone swatch on your gif, you should be able to reference that center square set to Color/Hue to match the rest of your gif to that color. Feel free to paint a little blob of your color onto another layer anywhere on your gif so you can refer to it closer over a specific part of your gif. For example, I put a little circle over Grogu’s head to see how closely I matched Pantone’s Peapod color, then I tweaked my adjustment layers a bit more until the colors matched near perfectly and I couldn’t tell where that blob begins or ends. The left is the solid color and the right is set to the blending mode Color (like the square):

4.2 – Moving the base gif. This isn’t really about coloring... but remember when I said to uncheck “Delete Cropped Pixels” in Step 2.1? Well, here’s your chance to adjust your canvas and move the gif around so the exact part you want under the color swatch is in the right position. I personally think these kinds of sets are more impactful when you put a differently colored part of your gif under the swatch so you can see through it and the difference is clearer. In my example, I put Grogu in the center so the green box would cover some of his brown potato sack robe.

4.3 – Color manipulation. Color manipulation is when you transform your media’s original color grading into a completely different color. The Grogu gif isn’t a great example because the original scene was already a green-yellow color:

I mean, the difference is still pretty drastic but that’s mostly because my file was HDR and washed out as a result.

So, here’s an example I made using a gif from my first Pantone set for ITSV (I’m not doing this demo to the Grogu gif because it’d be too much work to manipulate a green background with a green subject. This ITSV scene is perfect bc the majority of it is blue while the subjects are mostly red.)

For the “basic coloring,” I did everything as I normally would: mostly levels and selective color layers.

For color manipulation, my fav adjustment layer is Hue/Saturation (those are the screenshots that are on the gif above). When you’re smart with your scene selection, it’s pretty easy to manipulate colors with one Hue/Sat layer because you usually only need to tamper with 1-2 colors and, hopefully, they shouldn’t interfere with skin tones (obviously you’ll do other layers to further enhance your gif’s brightness, contrast, etc. — but I just mean the heavy lifting usually only takes me one layer with a good scene choice). 

All you have to do is figure out what color the majority of your gif is, toggle to that color’s channel, and fiddle with the hue slider. In the gif above, you can see that I played with both the Blue and Cyan channels. Here’s why:

If I only adjust the Blue hue slider, I get those speckles of cyan peaking through in the gif above. Unless you’re working with completely flat colors — like 2D animation with zero shading/highlights — a color is never just one, solid color. Blue isn’t just blue, it may have some cyan. Purple isn’t just purple, I often have to toggle the Blue channel too. So, yeah, be mindful of that!

I’ll sometimes go in with the brush tool and paint over some areas of my gif to really smooth out the color and make it uniform. When I do that, I just set that painted layer to the Color blend mode. Some of the resources below go into that technique a bit more!

4.4 – Coloring resources. While not all of these tutorials cover the same type of color manipulation I did in my gifs, I think the principles are similar and would be helpful to anyone who’s a beginner:  – color manipulation tutorial by usergif/me: I go a bit more in depth here (I think lol) – how to change the background of any gif by usergif/fionagallaqher: a great tutorial for using keyframes so you can manipulate the background of a gif with lots of motion – bea’s color isolation gif tutorial by nina-zcnik: this tutorial has more tips about hue/saturation layers as well as masking your subject – elio’s colouring tutorial by djarin: this tutorial shows a lot of examples of first manipulating the colors then brushing over the gif with a matching color for extra coverage

And just one last note on coloring, I always try to appreciate gifs with the mentality that “good” coloring is 100% subjective. One of the only things I would classify as “bad” coloring is when you whitewash or [color]wash someone’s skin tone. So, as long as you keep the integrity of your subjects’ natural skin — especially if they’re a POC — you should feel good about your coloring, because it’s yours and you worked hard! <3 

PHASE 4: EXPORT

That’s it!! If you work in Video Timeline like me, just convert from Timeline back to Frames, export your gif, and voila! 

Easy PEAsy. 🥁 

If you have specific questions about this tutorial, my ask box is open <3

Also, check out these other Pantone-inspired sets by my friends @nobodynocrime (Mulan set) and @wakandasforever (Ponyo set)! There are so many ways to use Pantone colors in your set, so I hope this inspires you to create something beautifully colorful <3

[skriblee-ksk]

“I checked the drinks… Princes’ outfits are up to code… Grimmy’s with Ryoko right now… I didn’t forget anything, did I?”

“Okay. Ready as I’ll ever be…! Let’s make this ball a success!”

Set to Home Screen: Are you ready? I’ll wait for you, if you need me to.

Home Transition:

1: Woah… The chandeliers are so bright and sparkly… 12 arms from the bottom bowl, which are four more than the one in the Mirror Chamber, but the top… Ah, sorry!

2: Deuce called me Lady Kiyuu earlier, which really made me happy. I would have worn a pretty dress, but these clothes are a lot warmer and comfier. I think I managed to make myself look feminine either way!

3: Kalim’s really enjoying talking to the attendees. He seems to be getting friendly with everyone, including people from RSA! Must be because he’s familiar with hosting parties.

4: So many attractive people are here… I wonder if I’d be bothering them if I said I wanted to take a picture of them…?

Home, after Login: This ball is really fun! If I lean back on this wall and squint, it just looks like a blur of blue, white, and gold. I think it’s nice that there’s a time these schools can merge like this.

Tap Home:

1: I’m excited to vote for the Belle of the Ball! Huh? Oh, no, I never had any intent to participate. I just enjoy seeing pretty people.

2: Ah, what? Oh, I’m just reviewing my notepad to make sure I’m not forgetting any etiquette. I’m doing perfectly well, so far! I reviewed it before I entered too, but just in case, you know?

3: Oh, no, wait, Grim’s gonna devour the entire table of finger foods at this rate. I’ll be right back!

4: I know I’m supposed to be helping the princes out, but I’m not sure if I’m doing a proper job here… Hm? You think I’m doing pretty well? Mm… Hehe, thanks!

5: It’s a little bit harder than usual to catch the attention of the attendees here since there’s so many people… Well, I guess I just have to find better ways to make my presence known!

Glimmering Soirée is a twst fan event hosted by: @starry-night-rose!!

Groovy Lines: Unlocked

Notes and stuff under cut!!

Groovy art coming soon!! maybe. hopefully. i have the sketch done so hopefully i can finish lol. I slightly tried imitating the twst shading style, but idk.

I searched up men’s victorian era clothing and ended w making this design. few obvious design changes in the end (color) result, mostly the gloves.

Here’s the pic without the SR thing! And the sneak peak for the groovy (which i rlly tryharded on so maybe i should’ve listed it as an ssr but whatevs i’ll leave that to my friend + ryoko because ryoko deserves that ssr title)

And tag list for my friend who rlly wanted to be tagged in Kiyuu stuff (if you wanted be added, just tell me!!): @kathxrat-01

[cupcakeslushie]

LITA MAY LITA MAY LITA MAY

Ok ok so I have like a bunch of questions feel free to ignore BUT

I) she has a tail. Is that a Kraang feature or do all the turtles in your universe have tails and hers is just extended?

II) Uh pink? Pink like Kraang? Did she choose her life colors, or???

III) Is. Is she. Is she autistic too

IV) Draxum-Hamato sooooo what does she call them? Did they argue about nicknames? Also was it Donnie’s choice to include Draxum’s name as well

V) Lita in the comics???

VI) Is there a reason her shell isn’t smooth like Donnie’s?

VII) What does she call Renet?

VIII) Ninpo question mark?

IX) Pupils! I love the way you draw her pupils. Is there a reason or is it just fun

X) Does she have a certain resistance to Kraang mind digging? Like that thing they did to interrogate Raph in the movie? To read his memories?

XI) So the cloak/scarf thing is Leo, the purple accents and stripes are Donnie, and the kneepads are Mikey. Any Raph references in her clothes?

Apologies if you’ve answered these before and I just didn’t see them! Have a good day and give Lita one too for goodness sakes girl’s had it rough already

1. It’s more of a Krang feature. I do love when the turtles are drawn with tails, but I didn’t do it from the beginning, and so for consistency sake in the EW universe I’ve held off. Maybe one day I’ll just say “fuck it” and give into the urge to give them all cute little tails. But even if I did, Lita’s would be much longer than any of the family’s (except Raph’s hypothetical tail lol).

2. Lita being albino and pink in the IDW comics pretty much made that Krang connection for me lol. I didn’t have to reach too hard with her design. She leans into it.

3. I have her personality very close to Leo’s canon personality, so she’s more on the ADHD side. She does have some sensory issues with sound, which a lot of ppl with adhd have (👋🏻). But being raised around the quiet and solemn Time Masters Sanctum it’s like really noticeable. When she visits the family, it can be very overwhelming, but rather than shutting down, she gets insanely riled up and can’t contain herself. It works though—everyone is more than happy to let her ramble on.

4. She never met either of them but Splinter of course would’ve been Jiji and Draxum would’ve been just Grandfather. Nothing too out of this world lol. And yes, Donnie chooses to embrace Draxum’s name.

5. Sorry idk what exactly this is asking. Like yes? Lita May is based off IDW Lita, from the comics 😅 sorry if I’m missing the question.

6. She is a spiny soft shell like Donnie, but yes, her spines are significantly more pronounced, thanks to, you guessed it!

7. Master Renet, or Aunty Ren in a more causal setting.

8. 🤫 we’ll see (I’m still trying to think of something cool and not too OP lol)

9. Her eyes are just for design fun, and to link her to Donnie some more!

10. That’s gonna be another big 🤫, but less because I haven’t decided and more just for the big spoilers! 😜

11. She’s kinda got two outfits atm and I think I might end up merging the two. Her simpler outfit of just her wraps and mask are very Raph coded, so I wanna figure out some sort of middle ground with the two.

[boul3vvard]

Bring your child to work day･*.:+

Sanemi AU x GN! Reader DRABBLE!

S/n = sons name

I started writing this story back in nov 2022 I abandoned it and came back to it March 2023 erased the ending and rushed it so sorry if this isn’t up to par I’m just trying to get this out of my drafts lol. Now a few pointers

★ Sanemi is OOC I just think that it would be really cute to picture him in this sorta dynamic.

★I tried to keep it gender neutral as possible this is also my first time writing a gn story so feel free to give me any possible feedback

★also as I always say this isn’t proof read AT ALL!! so there might be a ton of grammatical errors idrc HAPPY READING

There are only 3 characters who are color coded

Y/n sanemi and s/n

“Are you sure you’ll be fine taking him with you I mean he’s only 4, He won’t be too much of a distraction for you?”

y/n said while doing their sons hair making his curls pop out a little more.

“He’ll be fine we’re not doing too much in class today anyways” sanemi sighed as he was getting dressed for work. “You’ll be good for daddy right?” y/n asked s/n while looking at him in the mirror. “MMHM” s/n said happily. Y/n was a little nervous at first about this whole ordeal when sanemi brought it up but all the doubt disappeared when y/n saw how giddy their son was to spend time with sanemi this was also the first time their son is going to be around a bunch of people at once, let alone a bunch of teenagers. how will he react? “he’ll be fine plus I’m there if anything does happen, which nothing will so stop worrying, You act like we’re going to war or something” sanemi chuckled as he patted his partners shoulders. “I know I know I guess I’m just a little worried” they sighed “for nothing, we’re gonna head out inna bit I have to get to work early. where is the little guy so I can put his shoes on?” “IM RIGHT HERE DADDY” his son squealed excitedly “LOOK”. sanemi sighed, a soft smile appearing on his face. “your shoes are on the wrong feet you dork c’mere” Y/n packed everything sanemi needed for Haruto in his book bag so he wouldn’t get bored. “are you all set and ready to go?” sanemi said while picking his son up into his arms. “Have fun you two” y/n waved at the two before they left.

Sanemi got to class 1 hour early so he could prepare his classroom for the day. students started rolling in and filling in their seats, two of his students ran into his classroom one slapping the other repeatedly. “INOSUKE STOP HITTING TANJIRO FOR THE LAST TIME I WILL NOT REPEAT MYSELF” Inosuke gruffed as he plopped into his desk. “hey sir, who is that child sitting in your chair? if you don’t mind me asking” Tanjiro asked pointing to the child as his classmates started to quiet down since they all wanted an explanation. “He’s my son. I decided to bring him in with me today he won’t be too much of a distraction” sanemi said as he started gathering all of the papers on his desk into a neat pile. The class all became strangely quiet so he looked up to see what was wrong “yes?” He said as he quirked his eyebrow. “YOU HAVE A CHILD??” they all yelled in Unison. “FORGET ABOUT THE CHILD YOU’RE MARRIED??” Zenitsu yelled freaking out. “Is that a problem?” sanemi started to get angry. “I just feel bad for the sorry sack who decided to tie the knot with you” Inosuke said bluntly. Sanemi threw an eraser at the boys forehead. “Before we get started on today’s plan how about I let him introduce himself to you all” just before the boy was about to speak everyone zoomed in on him making him feel so small, he hid behind his daddies leg. “it’s okay remember how we practiced in the car do it exactly like that okay don’t be shy” sanemi said as he pushed him up front, everyone weirded out about how soft he got for a sec-. “h-hello my name is s/n and I’m 4 years old” he showed everyone on his fingers. All of the girls in the classroom started cooing at the young boy. “AWWW HES SO CUTE” they shouted. “thank you” s/n said blushing at his shoes, he ran back to his dad and hugged him. “You did good, now go sit down for a little bit alright daddy has to do his job okay” “okay” s/n said shyly as he ran back to sanemi’s seat.

The rest of the day went smoothly as s/n opened up throughout the day and became more talkative. During passing periods Haruto would run to the other teachers classrooms to greet them. He ran up to the first classroom and walked in. “Uhhhh mr Iguro Theres a Child standing in the door way” one of his students said confused. Iguro was about to tell the child off before he raised his eyebrows in confusion. “s/n?? What are you doing here?” “I’m with daddy today he let me come to work with him today” he basically shouted happily “I see, well im in the middle of teaching right now how about you come back later okay? “Okay see you later” on his way back to his fathers class he stopped by Uzui’s class, they were all circled around a bowl of fruit quietly drawing it on their own. “I LOVE DRAWING CAN I DRAW TOO?!” The entire class was startled by the broken silence. “s/n??, What are you doing here kid? And what a flashy way of entering a room” Tengen said smiling at the kid ear to ear “I’m here with daddy” “of course you are but where is he? “In his classroom” “well I’m kinda in the middle of a class kiddo so how about you run back to your father and I’ll catch up with you later, how does that sound” “OKAY BYE BYE” just as he was about to run off again sanemi scooped him up “there ya are punk, you can’t go running off like that especially not at my job,what if principle Ubuyashiki caught you before I did huh?” “Sorry daddy I went to go see uncle Oguro” “let’s go eat lunch y/n packed you something delicious” sanemi said “YAYYYY”.

overall he enjoyed being at work with his father and seeing what he did daily. Some of the kids would chat with him which he loved of course and even colored with him. The class fell in love with him very much only knowing him for such a short while. I liked today Do you think I can come to work with you tomorrow daddy?” “Of course you can.” Now let’s go home I’m sure y/n can’t wait to hear all about your day today”

©Boul3vvard. ALL RIGHTS RESERVED. SO ANY FORM OF PLAGIARISM OF MY CONTENT WILL NOT BE TOLERATED.

[hordraomin]

Krita tutorial the way I know it.

Basics: What is where.

Gimmicks.

Specific advice on specific tools.

Basics: What is where.

Upon opening the program this is what you're met with. First of all, must comment: The layout is HEAVILY editable so you can just drag menus anywhere you want, even leave them floating amidst the sheet you're drawing on.

You can create custom art templates, I have two o'mine here as both have my signature background color.

As well, you can edit the custom document settings, as in what size you want it, what resolution, even the initial content of the image. As well you can create from clipboard: Just copy some image from your browser and Krita will recognize it (useful for making meme edits lol).

Now, once you have your file, I will show you what is where.

Brushes:

Brushes are easy to edit and there are tons of free bundles to download online. I myself only got one bundle, Jackpack (bit hard to find now due to original source being lost, it is still available but bit tricky to come by).

There. Are. Tons.

Some of these are my custom brushes for calligraphy in neography, you might even guess which ones. You can edit existing brushes, make new ones from the ones you've edited without changing the original, and all sorts of stuff (more below in the third chapter).

There are numerous packages of brushes once you enter Krita, but only one/two are available when you first open it. To unlock them all, click here:

And make sure all bundles are dark gray in color (example of both dark and light below).

Now Tools Options: those will pop up depending on what tool you're using.

Symmetry: Fun stuff. You can drag the lines depending on how you need them and then center them back to the center of the screen if needed.

Gradients and Textures also have their tools options, you can play with those to get the feeling what they can do (more in third chapter).

The Filters tab is useful too. Blurring, motion blurring, color mapping, artistic filters and all that: Quite fun.

Gimmicks.

Krita allows you to customize your workspace freely. Floating menus, tabs, anything you want. It has quite many drivers at that-

To access the workspace templates, go to Window and choose Workspace.

Krita allows for copy-pasting any image onto the sheet. Though, for me it sometimes crashes if I accidentally copy-paste text into it without choosing the Text tool first.

The software allows for both raster and vector work. It is basically Photoshop sharpened to be used by artists primarily.

There are some interesting mechanics regarding the Eraser (default bind E).

You can use it with any brush, allowing for textured erasure/quick work. Good for sketching.

You can use it on gradients (given there's a transparent point on the gradient preset).

There's a Multibrush tool:

People say Krita is good for animation but my brain can't wrap around it yet honestly @~@.

The keybinds:

B - Brush tool.

E - Erase tool option.

M - Mirror (useful for checking accuracy from a new angle).

Ctrl - Color pick (when used with brush or other color-using tools).

Shift+L.Mouse+drag - Changes the size of the brush by dragging left and right.

Ctrl+E - Merge layer with the one below.

Ctrl+G - Group selected layers.

Ctrl+A - Select whole sheet.

Ctrl+Shift+A - Deselect everything.

F - Bucket tool.

G - Gradient tool.

Ctrl+S - Save document.

Ctrl+Shift+S - Save As document.

Ctrl+N - New document.

Ctrl+O - Open document (will be seen in a new tab on top of the sheet).

Ctrl+C - Copy selected layer or selection.

Ctrl+X - Cut selected layer or selection.

Ctrl+V - Paste copied/cut layer or selection.

Q - Multibrush tool.

R.Mouse - Interesting thing: Opens up a quick selector for brushes and colors you've already used in the piece.

1 - Zoom 100%.

2 - Zoom to fit the piece vertically.

3 - Zoom to fit the piece horizontally.

4, 5, 6 - Turn 15 degrees (4 and 6) or undo the turning whatsoever (5).

Ctrl+I - Negative filter applied to layer.

Ctrl+U - Color editing on the layer.

Ctrl+Y - Soft proofing mode (for color mistakes and stuff like that, mostly annoying for me tbh).

Ctrl+T - Transform selection/layer.

Ctrl+R - Square select tool.

Ctrl+J - Lasso select tool.

Honestly you can just hover your mouse over tools and see their shortcut binds, as well. Or edit them in Settings.

Specific advice on specific tools.

Brush:

Brush editor is a great tool for making custom brushes, and it even has a sratchpad to test them out. Lots of settings, but no need to be afraid; Most of them you might never use on purpose.

Use Brush Smoothing for great and pretty lines in lining pieces or making calligraphy.

Gradient:

The four icons to the right top are:

Mirror gradient.

Arrange by lightness value.

Arrange by color value.

Space the stops evenly.

Click the gradient to add a new stop. The three things to the left are:

Make the stop use Primary Color.

Make the stop use Secondary Color.

Make the stop use a fixed color.

[fountainpenguin]

Riddle watches New Wish - Post #5

They're so cute...

OH, she set them up!! Here we go!

Wanda making squeaky toy noises when Cosmo hugs her is all I've ever wanted.

"We're real, all right! ... Real fairies. Not real humans."

BUDAWHAAAAAAAA-? Thank you Cosmo for just confirming elastic skin, which has been one of the most important headcanons in my worldbuilding. I did not expect you to do that for me, but... thanks?

Pfft, Wanda changing her legs.

ERG??? Is that you?

Okay, there's that "We've been retired for 10k years" implied time travel bit; I think I remember that from the story bible + early convos with my friends, so at least I came prepared to expect that.

This is either time travel - which plays perfectly into my established "Cosmo ate a time key during dinosaur times and has been running around through time unsupervised for ages" headcanon anyway, LOL - or they're flat-out lying to Hazel, seeing as the audience already knows Timmy is confirmed as a recent godkid, so... Hm.

SLDKFJSD I love how the guy who accidentally sent his baby stroller down a steep hill is wearing a #1 Dad hat. "My expensive stroller! ... I mean, my baby!" - Yeah, we're still in FOP. All the parents are terrible here.

Setting her up as loving french fries and then turning her into a fly who found french fries was clever.

Cosmo once again being so close and yet so far to his mark. Good to see him back!

Me when I return my would-be murderer's daughter, who is a bug.

I AM SO GLAD that even in 10,000 years, Wanda's small talk skills have not improved far beyond "I'm Human McRealPerson" and "My husband is a grilled cheese sandwich" from back in the day, sdlkfj. That's my girl!

oh no, the Venus flytrap gift they brought over is about to go so wrong.

Yep, she's still goin'. Talking about the carwash.

GIRL check your fingers.

OH MY GOSSSSSSH, he's dressed for a classy party in Fairy culture. Cosmorella? We thought you were dead!!

... That's an ant? I would've guessed tick.

It's a guy ant? Buddy, are you sure you're supposed to be foraging?

Let's go!!

SDLKFJSDKLFJSLKJF noooo... No, no, no, no, no... Not the thing I use to symbolize memorials for the dead, c'mon!

It IS an accurate item for a Fairy house- these were all over the place in Fairy World during the old show, AND in that color, though you usually see more than one "wand" per pot.

I'm super impressed the artists studied the old interior design customs. Huh.

Cosmo lives here. Also, BABY!!

OOH, I'm excited that Cosmo and Wanda's window overlooks Fairy World because it's kind of a portal. I did something super similar with a rat cage in an upcoming Frayed Knots scene, where Anti-Cosmo and Wanda are godparenting together during school. Nifty!

He even confirmed it's a spell on the front door! Wow. Somehow, Past Me nailed that.

"We can choose which world we go out into!" -> /Me with my 'fic where Kevin Crocker is confused that Shirley's Pizza Parlor has an exit on the other side that goes to Retroville.

Cosmo: We lived in Timmy's fishbowl for 20 years. Wanda: It was 7.

You are both wrong- it was like 68 <3 But honestly, I forgive you for not wanting to tell Hazel time was frozen for 50 years. I don't think she'd like that. Actually, I don't think she was born yet, because my vision is time freezing at the end of Season 4, and Dale was rescued in Season 2, so... Yeah, she wasn't born. Still, you don't wanna just drop that on someone.

That's actually very funny that Cosmo and Wanda are struggling because they're out of practice during their retirement.

THERE'S THE SIGN!! Way to go.

Oh, and the credits are done in a similar style to the old ones? Even the colors? That's so cute! That's also nice that Hazel's VA was a story editor too- That probably helps with the passion and vision.

That was cute. I liked it. Huge relief to see something well-researched and made with love after "Fairly Odder" was a struggle for me.

I've got a little more time tonight, I might be able to get one more episode done before bedtime.

[simplydannie]

Fanfics

I guess i cant do to many links in one post, so now will all my fanfics will be linked here (until i run out of space again lol). I will attach this link to my pinned post! <3 I will also continue updating this post as I continue writing. Ty so much!! ❤️

MiniFics:

Surprise!

Family Vacation

One-Shots: Trolls 3 Alternate Ending I Got Your Back We Got This Stupid Brother! She Owns You No, It’s Me! I Have To Go Back It’s My Fault Never Again Nicknames The Penalty Different Not Less The Birthday The Set Up The Set Up: Rescued The Set Up: Just Us Two Now The Betrayal The Games Part of the Job A Little Too Much Vacay Island

It’s a Girl Thing

New Kind of Family

Sacrifice

Tragedy (Velvet and Veneers Version)

There and Gone

Miscellaneous Fanfics: It Has To Work (Part 1) It Has To Work (Part 2) It Has To Work (Final Part) He Was Hurting You (Part 1) He Was Hurting You (Part 2)

Before the Fame: The Accident Before the Fame: Dad Prison It Is (Part 1) Prison It Is (Part 2)

Unforgiven Unforgiven (Part 2) Separate Ways (Part 1) Separate Ways (Part 2) Separate Ways (Part 3)

Separate Ways (Part 4)

The Beat Goes On (Part 1)

The Escape The Escape: Waiting Game The Escape: Catch!

It Was An Accident

It Was An Accident (Part 2)

The Bail

We Were Family!

The Illusion

The Illusion (Part 2)

Just Trolls

Notebook

Poison AU Fanfics: Give It Back (Part 1) Give It Back (Part 2) True Colors Poisoned (Veneers Version) Poisoned (Velvets Version) Poisoned (Velvets Version #2) Under Rageous AU Fanfics: Back to the Underground Back to the Underground: Find Them Back to the Underground: Poisoned Back to the Underground: Side Effects Back to the Underground: The Troll Back to the Underground: The Hideout Back to the Underground: The Call

Back to the Underground: Pursued

Back to the Underground: Run and Pursue

Under Rageous: The Runaways Under Rageous: The Meeting Under Rageous: Black Market Under Rageous: The Threat

The Runaways: I Had Too

It Takes Three

I Had A Brother

I Had A Brother(Part 2)

I Had A Brother (Part 3)

I Had A Brother (Part 5)

Unknowing

After Rageous

Pick Your Poison (WIP)

Infection AU: I Couldn’t Save You (Prelude) I Couldn’t Save You The Infection

[kinnbig]

this is going to sound like a dumb question, but hi! i happened to stumble over your coloring tutorial from back in february, and i was wondering how did you managed the linear transition to show the difference between the of scene and the one you edited. thank you so much for your time.

✨ gif transitions using clipping masks and keyframes ✨

hi!! it’s not a dumb question at all, thank you for asking! I think this is the gif you mean, from my gif colouring tutorial. to do the transition I used clipping masks and keyframes - full explanation beneath the cut!

(I apologise in advance if any of this is confusing - to be honest I worked this out by just fucking around and guessing on photoshop, so it took me a little while to reverse-engineer my steps to work out what I did lol - but I hope it makes sense!)

so the first step is to make your gifs. you need two - one coloured and one uncoloured, saved separately. make sure that they are both the exact same number of frames, and that they're both running at the same frame-rate.

load both gifs into photoshop and put them in timeline mode. then copy the uncoloured gif and paste it onto the same timeline as your coloured gif, with the uncoloured gif on top. like this:

next, add a layer that is just a white rectangle of the same size and shape as your gif. my rectangle tool is hidden in a secret pop up menu attached to my line tool, for some reason:

put this rectangle layer between the coloured and uncoloured gif layers, and then clip the uncoloured gif layer to this rectangle by right-clicking on the uncoloured gif in the layers panel and selecting 'create clipping mask'. this will automatically clip the gif to the rectangle layer beneath it.

now your layers panel should look like this:

at this point I personally hide the visibility of my uncoloured gif layer, just to make it easier to see what I'm doing. like this:

which should mean your gif just looks like a white rectangle. this seems wrong but it's not!!

and now we need to fuck around with keyframes. basically what we're doing is telling the rectangle to move out of the way while the gif is running.

to start using keyframes, click the little arrow on the left hand side of your rectangle layer in the timeline panel -

which should bring up this drop-down menu.

now, with the red timeline bar set to the very beginning of the gif, click on the little stopwatch button next to 'Position' and also 'Vector mask position'. it should put some little diamonds on the timeline, like this:

next, take your white rectangle layer and move it just off the right edge of the gif canvas, like this:

(you can't see it because it's not in the canvas, but photoshop still knows it's there!)

then move your timeline bar to about 4/5 of the way through your gif, and click on the stopwatch icons next to 'position' and 'vector mask position' again. like this:

now, if you slide your timeline bar back and forward between those two points you marked, you should see the white box moving across the gif - from its first position covering the gif, to its second position just off the canvas.

now you can make your uncoloured gif visible again - and it should look like a transition between an uncoloured and a coloured gif when you move the timeline bar around.

save as normal!!

you might want to mess around a bit with where you put those second keyframe markers depending on how long you want the completed coloured gif visible before the gif replays - just play with it and see what works for you.

sometimes I find using keyframes makes the frame-rate a bit weird when you save the gif - if that happens just save as usual and open the saved gif to fix the frame-rate afterwards.

I hope this was helpful!! lmk if you have any more questions :D