#so these will have the album art for the group that is singing the song!

[feralgirlfeelings]

★ what kind of music each love & deepspace boy would listen to! ★

hcs of zayne, rafayel, and xavier's music taste ♫꒰･◡･๑꒱

pairing: lnds boys x reader

warnings: none

zayne:

he listens to classical music 90% of the time. it's not because he particularly likes it, but he just got used it after listening to classical music to focus while studying 12 hours a day as a med student. now, in pavlovian fashion, he'll play it while performing surgeries to really get him in the zone. the other 10% is, surprisingly, cutesy kpop girl group songs. think "russian roulette" by red velvet, "magnetic" by illit, and "only" by leehi. he doesn't go out of his way to find these songs, but he'll hear them in passing and get one stuck in his head. he's one of those people that'll get hooked and listen to a song over and over again, especially while he's working out or when he needs an energy boost. he's embarrassed about it, so he'll try to hide it from you, only listening to music with his earbuds in. but there's been times where you catch him:

"zayne, i didn't know you were into red velvet," you stifle a giggle. you hold his phone up to him, the song "russian roulette" on the lock screen. he crosses his arms, ears turning pink, "what's so funny about that? ...it's catchy." "nothing! i just didn't expect that from you," you laugh. you hand him his phone back, "i can teach you the dance, i know it by heart," you tease. "hmm," he raises an eyebrow, an amused look on his face. "i'd like to see that."

xavier:

he likes a few different genres of music, but he tends to like classic rock and alternative the most. some of his favourite songs are "little dark age" by mgmt, "eyes without a face" by billy idol, and "let it happen" by tame impala. he doesn't like to explore new music often and will usually just stick to what he already likes. he'll often blast music through his through his earbuds when he's fighting wanderers alone or when he's trying to stay awake. he's had a lot of time on earth, so his taste spans a lot of different music eras. there's been a few times when he's complained about how he "just doesn't get music nowadays." sometimes he'll show you a super old song and be surprised that you've never heard of it before:

xavier hands you an earbud, the other one in his ear. he shows you a song on his phone that you don't recognize. after a few seconds of listening, you shake your head, "i don't know this one." "really?" xavier looks at you shocked. "this song was huge in the 80s." you hand him back his earbud, "see that's why i don't know it, i'm not 40," you tease. "they just don't make music like this anymore," he sighs. you laugh, "xavier, that makes you sounds so old!' he smiles back at you, "i think those songs are just timeless."

rafayel:

he's into artsy stuff. he's one of those people who listens to a song or album multiples times to dissect and analyze every part of it, appreciating it as an art form. some of his favourite songs include "my love mine all mine" and "washing machine heart" by mitski, as well as "movement" by hozier. he plays music while working on paintings, because apparently, "listening to complex music helps with the artistic process." he also experiences sound-to-colour synesthesia, which explains why the music helps him paint. he has a really pretty singing voice and will often hum or sing his favourite songs, but will get shy when you ask him to sing for you. despite his usual pretentious music taste, he'll occasionally get hooked on some generic top 40s song, like something by drake.

rafayel had been humming the same song over and over again while working on a painting of you. you couldn't help but close your eyes and focus on the melody, "what song is that?" you ask. he pauses from humming, his concentration on his painting unwavering, "my love mine all mine by mitski." "it's nice, i've never heard of it before," you reply. "i'm not surprised, i have spectacular taste, you know," he boasts. you stare at him blankly, "wasn't your top song last year passionfruit?" holding back a laugh. his ears and cheeks turn bright red, "those are never accurate anyways."

[abstractnaturaldisaster]

is it over now? (was it over then?)

part eight

part nine: see you come running

Eddie was slowing realizing that introducing Robin and Nancy to the Corroded Coffin crew was the perfect way to lose all of his sanity in one go. Eddie had continued chatting with Robin and bouncing ideas off of her but nothing was clicking and Eddie finally broke down and decided the whole crew needed to come together over pizza to write and score some not cheesy but totally grand gesture worthy songs for Steve.

Eddie's label wasn't thrilled with the abrupt u-turn from an angsty heavy break up album to a single song in that vein and then sappy love songs for the rest of the album but thankfully Corroded Coffin had earned enough cachet over the years that Ronnie was able to convince the label that the songs would still have their signature flair just less angsty and more romantic -- more I would bleed for you and less I would watch eagles rip out your intestines and laugh.

As a group, Corroded Coffin was generally ambivalent towards love most of the time. Ronnie was not interested in dating much more content with her plants and foster kittens. Jeff had been dating the same girl since kindergarten basically and while she was lovely and totally worth swooning over, Jeff had gotten his cheese out early on through middle school notes passed through lockers. Frank and Gareth kind of fluctuated between meeting people at shows and trying whatever fad dating site existed for celebrities at the time but hadn't had serious partners in several years.

All that to say, Eddie was fucking banging his head against the wall for the fifth time in so many hours trying to find another rhyme for love that wasn't glove or shove and his bandmates had taken to throwing little pieces of things into his rapidly frizzing messy bun. They needed reinforcements.

By the time pizza and the girls arrived Eddie was laying upside down with his head dangling off the couch singing an over the top version of I Miss You and hoping none of his friends ever told Tom Delonge. Robin and Ronnie promptly cut him off so his hair didn’t land square in the pepperoni.

"Alright let's get the show on the road," Nancy stated after she had ushered the group together onto couches in some semblance of order after the empty pizza boxes had been bussed.

"You can't rush art, Nancy," Eddie snarked which was probably overall a little too daring based on the look Robin sent him.

"But you can actually write something down instead of flipping through Steve's instagram and sigh over his hair," Ronnie responded earning her a high five from Robin.

Nancy had brought over a big flipchart and colored pens and was starting to jot down ideas that were being thrown around the room. So far Eddie had added a doodle of himself looking up at Steve but hadn't really contributed anything else to the board.

"What are you guys known for?" Robin asked.

"Uhm mostly spooky shit and more recently a break up song that low key ruined my life?" Eddie answered.

"What Eddie means to say is that we generally write fantasy based albums that have some sort of an overall theme or story and tend to be a heavily metaphored summation of something one of us was dealing with," Ronnie clarified after thumping Eddie on the back of his head.

"Examples?" Nancy asked.

"So our debut album was basically growing up in our small town and not fitting in but told through the metaphor of the nine circles of hell," Jeff piped in.

"Definitely aren't beating the satanist allegations back home, fam," Gareth chimed in from the kitchen.

"Okay so why don't we do Steve and Eddie's story through a metaphor y'all haven't done yet. Greek myth?" Robin suggested.

"Already done that," Ronnie answered.

"Lord of the Rings vibes?" Nancy threw out.

"Second album," Frank answered.

"Constellations?" Robin asked.

"Fourth album," Jeff said.

"Okay well what haven't you done?" Nancy was growing impatient with twenty questions.

"Eddie, I think it might be time to pull out the original Munson Mythology," Gareth said through a mouthful of cold pizza.

"I feel like there's a story there," Robin prodded.

"I mean, kind of. So I think y'all might know some of this but my family is mostly from Appalachia and I moved with my uncle to a bigger city where I met the rest of these guys so he could get a job at the plant instead of in the coal mines. We all became friends because we were part of a ttrpg group in school and I ran a campaign based a lot on the old stories Uncle Wayne used to tell me about the mountains. It became nicknamed the Munson Mythology and we've been thinking about putting it into an album basically since we started but I could never get it to sit right and our label wasn't the most excited about americana and metal," Eddie summarized as succinctly as he could.

"I think we could get them around to it now. Especially with how popular the single got. We could do a whole like americana cryptid vibe and keep it kind of spooky but ultimately romantic," Ronnie added.

"No pressure though, Eddie. I know Steve is already a personal subject matter but talking about your family lore adds a whole 'nother layer. We'd understand if you wanted to go another direction," Jeff said.

"I think I might be ready for it, guys. I mean Steve's the closest I've come to finding home outside of the mountains and it's something different than we've done before. I think Gare might be right. It's probably time," Eddie said.

"Then I guess we are writing a metal appalachian love story, friends," Robin clapped her hands as if to indicate it was time to get to work.

"Alright, Eddie. Time to tell us some stories," Nancy said.

"What do y'all know about skinwalkers?" Eddie asked as he settled in to tell some folktales.

***

through a random twist of events (aka someone actually wanting to find my fic which holy crap is so flattering omg) i've come back to this work. thanks anon for kicking me back into this au which is so fun to write. the boys will be back together soon just wanted to add some buddy hijinks as i think Ronnie and Robin would be cautious besties and i wanted to see that happen.

also it's been over two months since i worked on this so if you see plot holes no you didn't. one of these days i will put this up on ao3 and go through and make sure i'm consistent with everyone's backstory but for now just go with it. :p

it is a truth universally acknowledged for some reason i absolutely suck at tagging. i think i have been consistent but all these parts should be tagged "was it over then ficlet" if you have trouble finding them. i also might have to work on a master list situation as i will probably not get better at tagging anytime soon. but here we go:

@lololol-1234 @swimmingbirdrunningrock @zombiethingy @grtwdsmwhr @dreamercec @anne-bennett-cosplayer @strawberryyyenthusiast

@mensch-anthropos-human @kal-ology @ttyrussss @kristmkris @starman-jpg @wonderland-girl143-blog @child-of-cthulhu @legalmenace87 @adealwithher @practicallybegging

@lunaraquaenby @stripey82 @lexyvey @goodolefashionedloverboi @mothmamhasyourlocation @mugloversonly @sherrylyn0628 @steddieinthesun @wonderland-girl143-blog @counting-dollars-counting-stars @bookworm0690

@knightly-reblogs @rjwinterfell @kcsplace @y4r3luv @thedragonsaunt

[jealousmartini]

KPOP DR INTRODUCTION

GO! BEYOND! We are MKB!

∘₊ ✧───────────────────✧₊∘

MKB [initally called MaKe Believe] is a 5 member KPOP girl group that debuted around 2014-2015 under the company of JYP with their winning album : 5ALIVE! and their most popular songs Superstitious, Greedy hearts and What's more?. Adored for their GIRL-CRUSH aesthetic and catchy choruses that is presented in a film cinematographic manner that tells a story through the visuals as well as the lyrics in the genres POP, EDM CITY-POP, fans around the world can't help but feel entranced by the music and the lore that is made along the way.

∘₊ ✧───────────────────✧₊∘

She can sing? She can dance?? She can rap???

SHE'S A TRIPLE THREAT

— BASICS

Date of dr : 2015 02 04

Stage name : rochie (pronounced roe-she)

Most commonly called : keisha/keesha

Birth name : "CR name" keisha rochela banks

Spanish name : audriana rochela banks

Nicknames : rochie, roe, keesh, audrey

Fanbase nicknames : lol doll, jazz hands, dimples, glasses, curly fries

Date of birth : June 20th 1997

Zodiac sign : gemini-cancer cusp

Height : 5"7½

Ethnicity : half puerto rican, half korean

Languages : spanish, korean, english, japanese, portuguese

Group positions : main rapper, lead/main dancer, main singer, visuals, maknae

Representative animal : red panda / bunny

Representative colour : orange

Representative fruit : also an orange

Fanbase name : charmings !

Training period : 10 months

Company : JYP

— KNOWN FOR

Keisha is a witty and ambitious idol who's personality shines brightly through her snappy and energetic choreography, while also showing a raw and passionate side of her through her singing and rapping. She is praised for a her precision, accuracy and emotion by her manager and JYP himself as well as from other Idols.

She is known for occasionally appearing in other k-groups lives either heard in the background or directly in view, rambling about something and coming to say hi to their fanbase. Charmings are shocked to see how close she is to TWICE and BTS in particular, making them wonder how long she has known both groups before she officially became an Idol, and what their relationships are like off camera

She's known for having a pet bunny called Tiffany, Tiff for short. Tiffany often makes appearances in her own lives. Tiffany is very cute and is loved by the fanbase

She is an artist. She tends to draw a lot and can see having piles of stuffed notebooks of drawings in her room. She's too shy to show her art but there was a screenshot of her accidentally leaving one of her notebooks open showing a double page section filled with well drawn sketches of recognised idols. Some from BTS some from TWICE.

She is a spanish black person. This makes her stand out from all other idols. But when she made her first appearance onto a game show, Black fans and Spanish fans of kpop had basically gone crazy seeing a black Idol speak their language for the first time and the number of Charmings doubled, if not tripled.

She is known for being so fucking painfully honest about everything it's funny. She's basically voluntarily called herself out on multiple occasions. Like when she admitted that she likes both man boobs and woman boobs (she's bi) or when she brain vomits her thoughts onto her tumblr page (yes she is in fact a tumblr girly), thinking no one would've seen her viral post that read "namjoon thinks I'm a bad influence on army cus of how vocal i am as if they didnt already want be crushed by his beefy arms before I admitted I did. They just get me (i joke btw.. kinda)" that she had deleted the second she posted it, but of course it got screenshoted and reposted onto twitter☠️

— FUN FACTS

She is older than Jungkook by 4 months

She is close friends with NAYEON, Sana, Chaeyoung, YOONGI, JIMIN, JUNGKOOK, Namjoon, J-hope, TAEHYUNG, Jin, BANGCHAN, Felix, Hyunjin and YUNA

No one knows this yet but she has a crush on 4 of the idols listed and 2 of the highlighted names are part of the four, the other 2 are not

Red Panda is her animal representative because there was a video circulating of her dressed up as a mascot for her highschool as a red panda

She is an excellent cook and loves to cook for her members and her idol friends

She is the 2nd most shipped with trainee in MKB before she even became an Idol. She is now the first most shipped idol in MKB.

She is a genuine ARMY herself lmao😭😭 way too many times has she been caught singing a bts song when on camera

Tags! : @livingmydreamlife5555 @cocozydiaries @theshifterbear @4ellieluv

Side note💌 : she's so silly guys. I hope no one suspects me having a crush on any of the idols in my dr.. — 🍊💭

[crepesuzette2023]

I dont think I've ever heard the take that girl seems to be about Paul, I mean, it makes sense absolutely, but can you expand some more?

Gladly, Anon.

Rob Sheffield (Dreaming the Beatles) said he thinks Girl is about Paul in this episode of @anotherkindofmindpod. The episode is actually an in-depth discussion of In My Life, but Girl came up a number of times, since it's also on Rubber Soul.

I thought Sheffield's statement was interesting, and not in a silly “John saw Paul as a girl” kind of way.

Summarizing mercilessly, and taking a few steps back before returning to Girl:

RS argues that Rubber Soul marks a moment when the Beatles’ songwriting moved from a commercial/craft perspective towards a more open/confessional/personal tone, In My Life being an example of this, with John examining his feelings for all his friends and lovers, and singling out a new kind of love that transcends the loves he’s known before. According to RS and the hosts, In My Life is not only addressed to Paul (I personally feel it could also be about Julian, or about both; as someone who writes, I really feel the “a piece of art is never about just one thing” argument)— it also, by summoning a group of dear people and openly expressing his feelings for them, emulates Paul, who, in John’s eyes, is the more extrovert and socially comfortable of the two. The song is a two-fold tribute.

Girl, still according to RS, forms a matched pair with In My Life, because it, too, concerns complex and intimate emotions; in this case being unsettled by a complex, alluring and confusing person (Paul/the girl). It's a non-generic, specific, highly personal song you wouldn't have found on earlier albums. (You Won’t See Me is Paul’s reply to John.)

Whether you agree with these interpretations or not (by the way, instead of trusting my summary, it’s probably a better idea to listen to RS and the hosts in their own words), I’m happy to see the acknowledgment of the depth of John and Paul's relationship.

RS also makes a beautiful point about If I Fell (which, as we know, John saw as a continuation of In My Life): That John and Paul, as always, tell the truth about each other by the way they sing together.

(Cue the If I Fell/marriage vows quote from Gould’s Beatles bio).

Ian Leslie (no introduction needed) was more direct in his “Hidden Gems” episode on @onesweetdreampodcast. He stated he believes that If I Fell was written for Paul, commemorating their Paris ‘honeymoon’.

And look—people are free to go as far as they want in how they interpret all this, but I personally feel it liberates and elevates the discussion of their songwriting and relationships to include the romantic love or friendship or X or [redacted] or 'tender and tempestuous' but ‘not sexual as far as we know’ relationship between John and Paul as one of its many possible inspirations.

It just feels silly to me to ignore it or act all offended at the mere suggestion.

And when RS writes in Dreaming the Beatles “For John, Paul was the boy who came to stay; for Paul, John was the song he couldn’t make better,” it just feels right.

My two cents.

P.S. When I'm inclined to accept that Girl is about Paul, I immediately want to ask follow-up questions. Because this is a song about a fraught relationship, right? In what sense did John try to leave Paul? In what sense did Paul promise him the earth and cry? I know it doesn't have to be literally true, but some extrapolation, please? This didn't happen in the episode—obviously, since its focus was another song, In My Life. PPS: I wrote this in a bit of a hurry so feel free to get back to me for clarifications, etc.

[scotts-takes]

"Black Out See Saw" is the Climax Alkaloid Deserved

Top Songs from Enstars 2023 Number 1

I was blown away when the album art for Alkaloid was released a few months ago...

This art is such a sharp contrast from their first album art, that shows how they have grown. The basic military style unit outfits have been replaced with regal commander-style ones. The basic emotions that are shown in the original are now much more refined- in particular, Aira has evolved from someone simply happy to be on a stage to someone who is confident in his place on it, Mayoi is putting himself more in center, and Hiiro's confident smirk has become more stoic, as he now has the experience to go with his skills.

All of this went away, however, when we actually got the Alkaloid Climax song...

Sigh...it was the seasonal Halloween event for the year. Yes, the idea of incorporating hospital/illness and Tatsumi's relationship with it is an interesting story to tell...but Alkaloid deserved so much more, especially as the "Protagonists" for the !! era of Enstars. I was frustrated that the end of this era of Enstars for Alkaloid was wasted on a seasonal event, but was at least able to take solice in that Alkaloid gets 200 chapters of the main story dedicated to them, and we still had solo songs for each character to come from the album. December rolls around, and the album releases. After jumping through hoops to buy it, I throw my headphones on to give the album a listen. The first track, "DiZZineSS" is a weird 30 second preamble with no singing, not something I was expecting. However, it rolls directly into the first new song on the album

Bam

Black Out Sea Saw is a violent wall of sound, unlike anything else that has been done for Enstars before, and I can understand fans not liking it. The reason it sounds so different is because it was produced by TK of Ling Tosite Sigure, a 20+ year going Prog Rock group. I listened to the song 3 times before moving on, and waited for the MV release to come, as is usual with the "B" side track from Albums. And what we got was one of the most well constructed videos for Alkaloid fans, and the climax that I was looking for that wasn't provided by the Halloween song.

The video opens...strangly, especially if you haven't heard the song before. The opening is intentionally choppy and rough, almost like it was an unfinished song that still needed production. There is a weird reverb effect happening- which you can especially hear when Mayoi hits the high note, that led to a friend saying "it sounds like they recorded this in a bathroom or something". The other thing that really jumps out is how robotic and synchronized the movements of all 4 members are. This is a BIG deal. In just about every Alkaloid video, you can find little inconsistencies at various points- Aira is sometimes a bit slow to do something, Hiiro is sometimes a bit too fast, Tatsumi's movements are less athletic, etc. The robotic movements are all in perfect unison, especially at points where characters do things together, like make hand bridges. It's a sign of Alkaloid's growth as a unit- they started as a collection of rejects, and now they haver come together and become a great unit together.

As we go to the first chorus, the intensity of the song ramps up- it becomes FAST, yet every member is in perfect harmony. The dancing becomes more intense- and everyone stays perfect. And then we get to the final line "It's Error-Error", and things start to change- we start to see more finger movement, the motions become more flowing and less robotic (the robots are malfunctioning! error! error!), and more personality is shown by each member.

We then get a wonderful effect of feathers raining from the sky, before, and then we get to see everyone smile, including Hiiro with this soft and expressive look. (that I wish I was able to time slightly better when I took my screenshot!)

Why is this important? Lets take a look at the first Introduction of Hiiro, in his first close-up in Kiss of Life

It's a look of focus, of determination, and NOT one of joy. Hiiro NEVER smiles at any point in Kiss of Life except during the SPP- he maintains a focused look the entire time. Additionally, you can look at just about any Alkaloid video, and Hiiro rarely smiles- if anything, he just physically assaults the camera in every one of them! The final chapter of the main story is titled "Smile", which is a discussion between Hiiro and Rinne on what it means to be an idol, and Rinne telling Hiiro "Whenever I see you smile, it makes me smile too", with Hiiro responding that he will do whatever it takes to make people smile

Hiiro wasn't able to smile in Kiss of Life, as his focus was on putting smiles on the faces of others. It's weird, because when he isn't preforming, a smile is basically plastered on his face permanently. He has a very loud and infectious laugh, and he's just happy to be doing anything at any time. On stage, for him, its different. And Black Out Sea Saw is the first time that Hiiro is able to not just smile, but show kindness in it, as opposed to simple joy or excitement. It's a MASSIVE step forward for him- the kind of thing that, you know, you might build a Climax story around?

And then, we come to the end, where the intensity of the song does not let up, before it all crashes to an end as the lights go dark and Alkaloid go still

To me, this is the Alkaloid Climax, the song that I will remember. They have gone from a group thrown together to a cohesive unit with a sound unlike anyone else in the franchise, and all of whom have had character growth. It's the one that they deserve going into the new era that is upcoming, and even has a level of finality to it, seeing as how it was released right at the end of the year.

Alkaloid deserved better than Undying Holy Love, and boy, did they get it...

[she-posts-nerdy-stuff]

Literally not a single soul asked for more information about my idea for a Florence + the Machine jukebox musical of Shakespeare’s Othello (because, well, why would they?) but I have a lot of time on my hands so buckle up because you’re getting more information

(If you want to be able to better picture my mad rambling, I'd recommend playing the songs so you know what parts I'm referring to)

Opening number: 100 Years (from High As Hope)

We open on an almost empty stage with Desdemona slowly stepping into the spotlight as she sings the first few lines (I believe in you and in/our hearts we know the truth/And I believe in love and the/darker it gets the more I do); if we want to get super specific she’s wearing a white dress that’s a similar shape to the one Florence wears on the album art because just yes yes yes and also angel imagery for the win and ALSO over the course of the production her dress becomes pale pink or grey and then very gradually gets darker but in fact the nightdress she wears when she dies is back to white again. She does not bleed, people, she is the only character that dies without bleeding (!!!!!!!) and I will never shut up about that. Anyway, she sings up to the repetition of “and never, and never turn to night” with orchestral accompaniment and then when the “Then it’s just too much” line hits and the beat comes in things change. More lights come on and the chorus (wearing all black) move slowly into the stage; they’re tap dancing, creating the beat/ rhythm of the song. As they’re moving in Desdemona seems to show some level of fear towards them, constantly switching focus to see them approaching her on all sides; they represent the inescapability of her being the tragic hero. Notable: Desdemona is performing ballet and maybe some lyrical but I’m kind of imagining her en pointe for a lot of this; the chorus is performing tap. At natural breaks in the music and rhythm the tap dancers freeze in place for Desdemona to dance whilst she sings the next lines. On the second rendition of “then it’s just too much” vocal accompaniment to Desdemona’s melody begins and members of the chorus grab Desdemona’s shoulders and arms to pull her backwards, as she continues to sing she tries to break away from them and they follow her/she falls into other chorus members. They close in on her and she is completely covered until the rise in the music on the next rendition of “And then it’s just too much” when she reaches upwards and is lifted above the group, set down on the same line. The chorus continue to seemingly fight her through the next two lines. Then entrance of Othello comes on “I let him sleep, and as he does”. He does not sing yet. What we’re seeing here is more about Desdemona’s thoughts than it is actual events; Othello enters and takes Desdemona’s hand to briefly dance together, including him lowering her almost to the floor and then snatching her back to her feet again on “my heart bends and breaks so many, many times”. They stand opposite each other for “And is born again with each sunrise” and Desdemona reaches to touch his cheek. Othello catches her hand in the air and holds it so she walks with him as he begins to exit (he is walking backwards) and he sings the repeat of the line, but as they approach the wing he turns and exits alone, abandoning Desdemona on stage to be taken hold of by the chorus again in the following instrumental. For the final verse the chorus join Desdemona in singing but she is still the only main character on stage

Othello and Desdemona Duet: I’m Not Calling You A Liar (I should mention I’m not listing these in any particular order and also I do not have a copy of Othello with me rn to double check that I've got order right so I won't be trying just in case I get mixed up)

Gonna be so honest I feel like if you know the song then this one is self-explanatory, but I would also really love a quiet, sad, short reprise of it in the last scene with Desdemona on the bed reaching up to cup Othello's cheek and whispering "And I love you so much/I'm gonna let you kill me" before she dies

Emilia and Iago Duet: Back In Town

Iago and Emilia are alone on stage. The song begins after the exit of Desdemona at stage left and Emilia, who followed her almost to the wings, is subsequently standing alone at down or centre stage left and does not immediately know that Iago is standing somewhere behind her upstage right. Emilia steps slowly away from where she was been watching Desdemona leave and slowly starts to approach the audience as the music begins, and sings the first two lines believing she is still alone - Never really been alive before/I always lived in my head. Iago steps forward from the shadows and sings the next two lines (And sometimes it was easier/Hungover and half dead) taking Emilia by surprise, as though he is simply stating fact to her and she is forced to nod along and accept them . At this point Iago takes over the song and from now on sings most of it as a solo. He approaches Emilia across the stage and takes hold of her - notably by the wrist, not by the hand, to pull her in as he sings “I’m back in town why don’t we go out?” and on “spin” of the next line twirls her across the stage and straight into him so she falls against his chest and he is holding her up. The choreography continues in a relatively similar fashion as the song goes on; it is a slow dance, they are constantly close together, it is not entirely believable that Emilia wants to be there. To a casual eye it may appear that they are simply dancing together, but when you actually watch them you can see that her movements are always half a beat behind his, and always in the direction that he moves her. He never lets go of her for long, and in the brief moments of freedom that she catches she tries to move away as though it is part of the dance, as though she thinks she can hide her true intent beneath fluid motions that mimic his own, but every time he notices and forces her back. This is both a metaphor for their entire relationship and foreshadowing of her death. By the time he’s sing “And if you get spat on that’s just your big city baptism, you’re the star of the show” it is plainly evident that he is trying to convince her to do something for him. On this line Emilia finds herself with her back pressed against Iago’s chest as they both face out to the audience, his hand raised as though showing her a name is glowing lights, and she follows the movement of his hand with her head and with awe, eagerness, and the slightest edge of terror in her eyes. From here, as the lines continue, Iago turns and dips her slowly towards the floor. Emilia’s leg extends and he reaches his free arm to force her raised foot into pointe/demipointe; she is not committed to this dance, but he will force her to be. On the final lines Iago lifts her back to standing and pulls her close to him, moving her hands so she is clasping them together and he is clasping hers to his chest. He lifts her chin with his fingers so she is forced to look up at him as he sings “‘cause it’s always the same”. Still holding her chin, he looks out to the audience when he sings “I came for the pleasure but I stayed,” and it is Emilia who sings the echo “Yes, I stayed,” not at first looking at the audience but directly up to where his hand is now retracting from where he moved her to. She slowly turns her face towards the audience as they harmonise together for the final words: For the pain. On the final, low beats of the music Iago paces away and Emilia stumbles as she realises that he truly was the only thing holding her up. He exits stage right and Emilia sinks to her knees, watching him - a direct reflection of her watching Desdemona leave just three or four minutes ago on the other side.

Emilia Song 1: What Kind of Man

This will immediately follow on from the one above, thus beginning with Emilia knelt on the stage alone somewhere near centrestage right, looking out into the wings. She will sing the very opening lines exactly where she is, I envision only a very brief pause between these songs, and then slowly begin to stand and brush herself off so that she is ready to start walking towards centrestage by the time she is singing “I’d already had a sip, so I reasoned I was drunk enough to deal with it”. She sings alone at first; the stage is dark but for a spotlight on her, the orchestral accompaniment is relatively low to add emphasis to quite how complete her loneliness is in this moment - she is not safe, she does not know what to do, and the one person she can usually confide in and trust (Desdemona) is not only not here but also the very subject of the terrifying questions Emilia must now grapple with. On the higher background notes surrounding the line “and with one kiss” Emilia raises her hands and thrusts them towards her chest as though there is a blade between them, as though these hands belong to someone other than herself. She is both foreshadowing her own death with this movement, in the very pattern that her husband will commit it, and also presenting the image of her very first kiss with Iago being the thing that sealed her fate rather than anything within the content of the play: Emilia was doomed from the start, perhaps arguably doomed by the narrative, because her marriage is not one that she would have ever been able to survive. On that note I would really like to emphasise the youth of these characters so I would probably change “a fire of devotion that lasted 20 years” to “the fire of devotion that’s lasted all these years” so that we don’t get confused and tangled in the numbers of it. On this line (You inspired the fire of devotion/That’s lasted all these years) Emilia looks towards the wing where Iago exited with longing in her expression, but as she turns away her face hardens and her voice gains new vigour for the disgust and outrage with which she spits “What kind of man loves like this?”. And now we get the beat dropppppp. The music swells and gets louder; the lighting change is remarkable - lines spotlights running up and down stage, overlapping each other in places, and through them we can see the chorus moving into place. The slow, balletic movements of Emilia that have been the remnants of the control Iago instilled in her during Back In Town are abandoned completely in favour Contemporary as she paces backwards and the lights settle to illuminate the entire stage. The chorus are two lines of people all in black and Emilia, dressed in either red or grey I haven’t quite decided yet (maybe she is in grey and Bianca is in red??), is at the centre of the front line. The take up various positions with arms raised at strange angles and on the low notes of the background music turn their wrists until the beat hits - when they stamp their feet and snap their wrists into position. (Pls note I am not looking a score of anything I’m just listening to spotify so I might be badly screwing up musical terminology/details but I’m hoping you can gather which parts I mean) All participate in this until the lyrics begin. The “oohs” are sung by the chorus. When the lyrics begin Emilia steps forward to sing them, maintaining the same energy, and the chorus continue the same choreography until the repetition of “What kind of man” begins. As the repetition of these lines begins Emilia paces backwards and the two lines of chorus morph into a crowd that semi-circle close around her back. They grab Emilia on each beat, releasing her in between, and pull her in different directions as she sings (+the chorus are providing vocal accompaniment).At first it doesn’t particularly appear that she’s fighting them but as we exit the chorus to approach “You’re a holy fool all coloured blue” she does; she throws herself forwards on this line and the chorus are forced to relinquish her. She spreads her arms and the chorus are thrown backwards

Damn I just reached text block maximum whoops

The chorus are thrown backwards and spiral out to create a larger curve. Two chorus members take hold of Emilia’s arms to lift her and carry her a short distance upstage as she sings, raising and lowering her within the confines of the line “You do such damage how do you manage?” At the end of which Emilia is briefly lost in the crowd before she appears trying to force her way between two chorus members who are creating a wall in front of her, reaching out towards the audience as she sings “trynna crawl in back for more”. She gives in at the end of this line and sways sidewards as though fainting, caught by chorus members and lowered to her knees as she sings the repetition of the “and with one kiss” refrain. This time she remains on her knees for the first “What kind of man loves like this?” and then bound to her feet and continues to dance for the following. The chorus sing the following lines as Emilia dances I don’t have super specific moves in mind for this but continuing the same energy and the same style, I want everything about this to both vastly contrast and deeply reflect who she was in the previous song. Emilia begins to sing again for “But I can’t beat you/Cause I’m still with you” and the following verse, for which the chorus continue to provide vocal accompaniment. The chorus join her again when the What Kind Of Man chorus begins again. The dance and choreography continue in a similar fashion until the very last line; the chorus exit in a whirlwind and leave Emilia alone on stage as the music dies down to sing much quieter “What kind of man?” She has fallen still, her hands clutched closer to her stomach as though she is already holding the wound that will kill her

Ensemble song with Othello and other solos (maybe even to close act 1??): Howl

Starts with the stage empty except for Othello. The chorus slowly move in, all wearing flowy white costumes. The dance is one of slow, consistent movements during the intro music but on the accented notes they make sharper hand or leg motions before continues the same smooth line much slower as the music relaxes. Othello is mostly still during this but he does pace slowly into centre stage. Desdemona also slowly walks in during the intro, having returned to a long white dress instead of the pink or grey or something like that that she'll have been wearing in her previous scene. She moves very much like the chorus do, whilst Othello moves just as he usually does. Othello takes Desdemona's hands and pulls her in to dance with him as he sings the opening lines "If you could only see the beast you've made of me/I held it in but now it seems you've set it running free". It is very much that Othello is controlling the dance and Desdeoma is following him, an eerie parallel to Iago and Emilia during Back In Town. He spins her beneath his arm on the lines "Screaming in the dark/I howl when we're apart" and she leans back with her weight on one demi-pointe and in the arm he has around her, the othr leg extended. Othello sings "Drag my teeth across your chest to taste your beating heart" and leans into her, his other arm wrapping around her so the audience can barely see her. Desdemona drops into him and to her knees, now facing the audience kneeling directly in front of Othello, who takes tight hold of her shoulders and leans down towards her ear as he sings "my fingers claw your skin/try to tear my way in/you are the moon that breaks at night for which I have to howl". For most of this the chorus have been in pairs mimicking a similar dance to Othello and Desdemona, but now they have turned and are watching them, moving slowly closer. When Othello repeats the last two lines his voice is more desperate, clinging to Desdemona whilst she stares blankly out at the audience, barely seeming to notice his presence. On the rising repeat of "howl" the chorus closes in around them and pull the pair in opposite directions. Othello and the entire ensemble sing the word "howl" together. The following two lines are a repeat of this word, during which the dance becomes more rhythmic and Othello and Desdemona are moved to face each other on opposite sides of the stage. Though the chorus still appear to be attempting to separate them, they sing to each other across a gap that has formed down centrestage and are fighting to reach other. They exchange lines of the next verse as follows:

Desdemona: There's no holding back

Othello: I'm making to attack

Desdemona: My blood is singing with your voice

Othello: I want to pour it out

Desdemona: The Saints can't help me now, the ropes have been unbound

Othello: I hunt for you with bloodied feet across the hallowed ground

During this exchange they break free and meet in centre stage, taking up a dramatic dance that is mostly in hold. However, Desdemona pulls away from hold on her "The Saints can't help me now" line, and Othello draws her back in on his. Desdemona steps forwards, as though telling the audience, when she sings "like some child possessed, the beast howls in my veins". Othello grabs her by the shoulders and pulls her in, leaning over her almost as though he would go to kiss her neck as he sings "I want to find you, tear out all your tenderness". Desdemona throws herself free as both of them sing the repeated "howl" lines, joined again by the chorus, but this time Desdemona's voice can distinctly be heard differently from the rest because she is not singing from any kind of power or passion but from genuine terror. By the end of this chorus Othello and Desdemon are in an almost violent dance together, half in hold and half out, big sweeping arm movements and I'm imagining that Desdemona's skirt would unpin to fan out and show a gorgeous wide black or dark red skirt that would properly like swish around whilst they were dancing and stuff (does that make sense???). They continue to dance without singing whilst the chorus, who are back in their pairs and dancing faster, more intense dances than before but none quite to the extent of the main couple, sing "Be careful of the curse that falls on young lovers/Starts so soft and sweet and/turns them to hunters". I'm imagining that the chorus' skirts could also unpin in the same way so either Desdemona's would turn black and all of theirs would turn red or vice versa, but I want to kind of see some variety in the chorus outfits maybe (??) instead of them all being identical so I might have to put a bit of thought into that. Anyway the point is that after this line we get a big rhythmic chorus dancing moment and it looks super cool, they're singing the low "hunters" "howl into your heart" repetitions and moving their swishy skirts and dancing and then they part to show Othello and Desdemona again and Desdemona is now dressed in a super dramatic dress that is entirely the colour that was hidden inside her skirt and the skirt of this new dress is insane and Othello all but carries her to the front centre stage and he is all over her as he sings "the fabric of your flesh, pure as a wedding dress/Until I wrap myself inside your arms I cannot rest/The Saints can't help me now" and everything kinda continues in a similar style with some gorgeous choreography. I'm kind of imagining there being a table on stage by the end because I want Othello to lift Desdemona onto it and her to lay down on it, don't ask me how the table got there I don't know, but this happens with the massive dramatic flowing over the sides of the table and onto the ground whilst the chorus sings "A man who's pure of heart and says his prayers by night/May still become a wolf when the autumn moon is bright" and I'm picturing that they would sing these lines like they were a Church choir gathered around Othello and Desdemona, and they continue to sing the closing lines of the song as Desdemona stands up and Othello climbs onto to the table after her. He unpins the skirt and the fabric all falls away (removed from the stage by chorus members) like a waterfall so that he and Desdemona (who will be wearing trousers/leggings/a leoptard) beneath the skirt) can dance together on the table top whilst the chorus continue to sing, moving away from the choir-imagery and back to the earlier style. This continues right up until the very last line ("I hunt for you with bloodied feet across the hallowed ground") where Othello drops to his knees and clasps his arms around Desdemona's legs on the word "ground" and the curtain falls.

I am wondering if this would work for the act 1 closer????? But I'm not 100% sure where the interval would be

Emilia Song 2: Which Witch

If this isn't Emilia questioning herself for "betraying" Desdemona and whether or not she should give Iago the handkerchief then I don't know what is. I don't have loads to say about this one but the most potent lyrics for it in my opinion are these ones:

And it's my whole heart/deemed and delivered a crime/I'm on trial

Who's a heretic now/ am I making sense?

I'm miles away/He's on mind/I'm getting tired of crawling all the way

I'm not beaten by this yet/You can't tell me to regret/Been in the dark since the day we met/Fire help me to forget

And it's my whole heart/while tried and tested, it's mine

And it's my whole heart/burned but not buried this time

We'd have all of these lines (ie most of the song) whilst she's weighing up what she ought to do and she'd feeling really strong but then there's a small musical interlude where Iago comes on stage without her expecting him to, they speak briefly and she hands the handkerchief over; he walks away as she tries to ask him what he intends to do with it, chasing after him until he physically shoves her off and keeps walking. Emilia falls to the ground and as the music sweels again she sings the closing lines "Chained and shackles, oh/I'll unravel, oh/It's a pity, oh" [she gets to her feet] "Never to return/But I never learn/It's a pity, oh" and then repeats it with particular emphasis on the transition from "Never to return" to "Say I won't return". By the time she finishes the final rendition of "it's a pity, oh" the orchestra has almost completely died out and she wanders alone offstage humming the final few notes to herself

I could keep going...

Maybe I will at some point but I'm tired now

[staplersalad]

I did it all backwards.

I listened to "Now and Then" a couple of days after it was released because I saw the channel "The Beatles" posted it- hey isn't this that old famous band? I vaguely remember back when those "guess the logo" games were all the rage, an illustration of the abbey road album cover was shown for The Beatles on a "guess the artist" version.

I was so blown away by the song, it was beautiful. I listened to it for days. I read about john's death because a lot of the comments talked about him. I'd definitely read about his death in the past because reading the wikipedia article gave me deja vu, but it must have been just another drop in the ocean of content I consumed.

2 months passed, I listened to the song sometimes, discovering new scenes in the music video because I never actually sat down to watch it, I'd just play it in the background. I remember reading a comment about how John said that Ringo wasn't even the best drummer in the Beatles- what a dick! anyway who's Ringo? [john never said that btw, one of many false Beatles stories]

In February, somewhere between the 22nd and 26th- I had the brilliant idea of going to their yt channel and looking at their other songs. I came across the music video for "Only Sleeping", god what a great song! And after finding out about Em's painstaking work- what an incredible piece of art! I'd listen to the song for days, this time with my eyes glued to the music video in mesmerization.

Then it's all a blur. I first listened to all their popular songs on the channel, then the less popular ones [relatively obviously], then each album, each song, each interview, suddenly my pinterest was flooded with their pictures, I fell in love with each of them: John, Paul, George and Ringo. I was fascinated with John and Paul's dynamic. I was fascinated with the group. I suddenly sympathized with all the One Direction and BTS fans. I'd never felt this way for an artist before.

The funny thing is, the Beatles being so big meant that their music probably reached your ears before you even knew them. I remember recognizing "Blackbird" from "Boss Baby" and "Beautiful Boy" [john solo] from "Mr. Peabody and Sherman". I remember singing "and I will sing a lullaby" in the same tune as "Golden Slumbers" when I was younger.

I remember hearing "Yesterday" for the first time, my lips parted in recognition, some part of my brain recognized this as a famous song. It was like if someone played you an extremely famous classical piece, you wouldn't know know it but you'd recognize that it was famous. I was absolutely floored by Paul's work.

Then I'd re-read about john's death, this time it felt so different. I'd almost forgotten about it all really. I'd watch the get back documentary, I'd read more about events from 1970 to 1980, I'd get into their solo work, I'd fall in love with even more music, I'd read about their families. I'd learn to adore them but not put them on a pedestal because they were imperfect human beings [perfect musicians however].

Now john and george's death hit twice as hard. John's death angered me tremendously. I'd look at paul and ringo's recent interviews and pictures, finding it crazy how all this media I'd consumed at lightning speed all happened decades before I was even born. I'd learnt of 4 people, grew infatuated with them, learnt of their flaws, the fights, the breakup, the love, the friendship, the music and mourned their death- all in weeks. And I still have so much to listen, watch and read-it's brilliant really.

I remember listening to "Now and Then" much later, I'd avoided the song like the plague. I remember my eyes welling up, taking in john's voice, the lyrics, the four of them on my screen jumping ages. Just a couple of weeks changed the entire meaning and love I had for a song I just happened to stumble upon.

[ac3-76]

Ninjago Music Headcannons

their music types and stuff

warnings: none🐩

Cole

He listens to everything

heavy metal, love, country, Indy, alternative

literally any song that he likes is his music type

Because he's not picky, he knows a lot of underground artists

He can play the piano and electric bass

If a song comes on in a movie he knows the name, artist, album, and probably the Year of release

ALWAYS HAS HEADPHONES

He cannot function without music playing

His Spotify wrapped is hectic

Yk in Episode 1 Season 1 of Lab Rats when Adam says he listens to Taylor Swift bc she's soothing

Yea, Cole has the same reason

(Musular himbos🤝liking Taylor Swift)

However he won't listen to her on anything except for YouTube, and it's those lyric versions made by fans that she doesn't get paid for

He doesn't like Billionaires and doesn't wanna give her more money

Nya

She listens to a lot of underground artists

Backseat Vinyl, Club Coward, Tiger Print

She has an alternative/Indy vibe

She can play the electric guitar

She LOVES Lady Gaga

She bought floor tickets to one of Gagas concerts

best decision she ever made

she took Skylor and Pixal with her

She won't sing on the shower but she'll lipsync music

She loves ABBA

All of her Instagram stories and posts have music playing

she just thinks it's awkward if her post/story doesn't have music

Lloyd

He hyperfixates on an artist for a week or two and then doesn't listen to them again

He hates country with a burning passion

he cannot stand when Coles on aux because one minute ur listening to Honky Tonk Bondakadonk(Trace Adkins) and the next ur listening to Dealer(Lana Del Rey)

He listens to music that fit how he's feeling

His go to sad song is Medicine by Daughter

Kai introduced him to Daughter

He listens to old school music while doing graffiti, his favorite old school songs are:

Punk Tactics(Joey Valence & Brae)

One Way or Another(Blondie)

City Lights(Ese 40'z)

P.I.M.P(50 cent)

I'm a Player(Too $hort)

Zane

He's the only one in the group who's knowledge of music rivals Coles

When he had to sleep he would listen to Idea #22(Gibran Alcocer) on repeat to fall asleep

He can play most instruments but his favorite to play are the drums

He's really good at singing

HE SINGS IN THE SHOWER

the ninjas find it kinda annoying but also nice because he's a good singer

He's a really good DJ

Once the ninjas went clubbing in Ninjago City and Zane ending up DJing for 7 minutes

(he's honestly the life of the party, him and Kai love to party and go clubbing)

(Him and Kai would also be invited to Tara Yummy parties)

(They would go and the fans would lose their minds)

He listens to music that fits the vibe

Jay

Listens to Ayesha Erotica

His favorite genre is rap

He listens to Coolio and Eminiem while he invents

World tours in the shower

He hates ABBA

He knows the lyrics of songs even if he's never heard it before

"It's just easy to tell where the lyrics are going based off of the instrumental part🤷‍♂️"

He's really good a karaoke

He watches Glee

His favorite Glee characters are Santana and Blaine

Kai

Listens to Broadway Musicals

His favorite are Hadestown, Heathers, Hamilton, Dear Evan Hansen, and West Side Story

He has Say No To This(Hamilton) memorized

He loves listening to sad music even if he's happy

His favorite sad artist is Daughter

He introduced Lloyd to Daughter when they went to their art studio together

(Lloyd's good at art and Kai's also good at art so they bought an art studio and go there together to work sometimes(most of the time they go there seperatly bc of how busy they both are))

He listens to music while he paints or draws

Prefers wired ear buds over bluetooth

It's because the Bluetooth audio is "funky and echo-y"

He can play the electric guitar and the electric bass

Wu

Listens to classical music and old school 90s or 80s rap

His favorite pianist in Tony Ann

His favorite old pianists in Motzart

He knows all the lyrics to C.P.R by CupcakKe

no one know why because none of the ninjas listen to it excessively

He just knows all the lyrics to it

They all use Spotify(they got the family premium plan(pretend the family plan includes 7))

[miguelsfangservice]

BEYOND THE SPOTLIGHT

Pairing: Miguel O'hara x F!Famous Idol Reader

Warnings: Negative and positive stereotypes about the industry (idk, probably later in the story), and not the best english lol (sorry in advance). Summary: It doesn't matter he's at HQ trying to keep the multiverse afloat, your face, your voice, your smile and laugh follows him everywhere. No, he is not loosing it (yet); it's just that its kind of inevitable when most spiders under his command are... how did Gwen called it? Ah-staning you? Well, he can't really complain, it's his girlfriend,after all.

“The first time you hear it it may seem shallow, but I’m telling you,bro,when you pay close attention  it’s one of the best pieces of art depicting the oppression of individuals for expressing their sexuality, y’know what i mean.”

An awkward silence settled in the room before Pavitr and Miles let out some nervous chuckles.

“I thought it was a love story” Miguel's ears hurt just by hearing Pavitr retort with his mouth full of god knows what..

“...I’ve listened to it a couple of times and I have to agree with Pav.”

Before Hobie could open his mouth to reaffirm his earlier claim, Miguel slammed his fists on his desk.

“Do I need to remind all of you we are trying to have a serious discussion here?”

Silence. For at least a few seconds before Pavitr can’t resist anymore and turns to Hobie once more.

“What part of the song are you referring to, because I think-”

“It’s specially obvious at 1:30 when she sings-”

“Get out- If you’re not taking this problem seriously,OUT”

“ But I'm…” Miles tries to argue back, but at this point and with how exhausted Miguel is, he just doesn’t care about whatever they have to say.

“THE THREE OF YOU, GET OUT OF MY SIGHT”

While leaving his office, Hobie and Pavitr still have the absolute audacity to continue their discussion in hushed voices (mostly Pavitr, Hobie does not care if Miguel hears him”; Miles doesn’t speak again but Miguel can see him trying to hide his amusement.

If Miguel had eaten anything, if he had gotten enough sleep or, most importantly, if he had seen you at least once today, he miiiiiiiight’ve been in a better mood to confirm that yes, Hobie was right, it was kind of your intention to convey those themes in your last single.

He would know, he was there giving you feedback  and taking care of you when you put your heart and soul into writing that song.

Also, even if he had the mood to discuss it with those kids, he wouldn’t try his luck and let them get suspicious enough for them to put everything together and figure out he’s been dating you for over a year now.

Miguel wouldn’t hear the end of it if any of the spiders knew about their huge and scary boss dating the “pop divinity”, the “fan´s delight”. Besides, it would get a lot harder for you to sneak into the HQ to spend some time together after your rehearsals or just when about every spider went home.

Although, he couldn't deny he was getting tired of keeping the relationship a secret; he hated hiding to every person he deemed close to him the fact that he wanted to spend the rest of his miserable (and probably very short) life with you.

But he knew you were not quite ready yet. Not until you were able to live with the fact that yes, your boyfriend is Spiderman, and he’s not only putting his life and sanity at risk in your universe, but also putting an unimaginable burden on his shoulders by trying to keep several other universes safe.

You already had a lot on your plate with the sudden burst of fame and all the work you were putting into creating your first solo album.

Sometimes, Miguel kinda wished you were still doing activities with your girl group, it put a lot less pressure on you and your health. But he felt guilty just for thinking about it.

This was your dream, having your own solo activities, showing the world your songs and what you were capable of. And he was so proud of you, so happy to see your face light up after you finished writing a song or when you learned a difficult choreography. 

Miguel O’hara had the heart of steel to do a lot of harsh things, to take the decisions no one else wanted to take for the sake of hundreds of universes and yet, he couldn’t bring himself to see your sad face if he ever questioned what you were doing to achieve your dreams.

“Lyla, I'll be calling it a night. Got to get home.”

Just when he was about to exit, she appeared right in front of him with a huge magnifying glass in which he could see her eye getting bigger, examining him; Miguel grunted and tried to brush her off as if she was a bug

“This early? Who are you and what did you do with my boss? I’m gonna put the emergency lockdown if you don’t answer me right now-”

“I’m trying to recall at what point of your creation I made you this damn noisy.” he hissed, walking faster and then swinging away from her. “Besides, no te hagas tonta (don't act dumb), you know damn well where I’m going and with who.”

“And I appreciate the trust you put in me by telling me your secret–” she started saying, solemnly.

“We both know I didn’t have much of a choice.”

“But, as your best friend and the one who knows you best–”

“Firstly, I don’t have a best friend and secondly, the one who knows me best is Y/N, not you!” Miguel interrupted and pointed a finger at her, trying to poke her, but his complaints were ignored as Lyla continued with her ramblings.

“I think I have enough authority in your life to give you some well needed love advice” Miguel couldn’t help but snort at the ‘authority’ affirmation.

At this point he decided to completely ignore her voice and focus on getting to your shared home; it had been a long day and all he wanted to do was bury his face in your shoulder and try to sleep with his girl by his side.

❃❃❃❃

A/N: Well, this is my first fanfic for the fandom. If you liked this, please, consider following, leaving a comment, like or reblog, I would really really appreciate it, specially cuz I'm not sure if anyone would like to read more about this.

[sparklefangs]

WTF, Ghost Fandom

Spent pretty much the whole morning watching the slow motion car crash that is the Ghost fandom. We got a quick sneak peak at the silhouette of the new antipope and a partial set of tour dates, yay! And people are just absolutely tearing out each others' throats over stupid bullshit.

There have been a thousand and one hints that the new antipope could potentially be a new person entirely, which would be neat! I'm gonna be sad either way because I loved the Papa IV character. All the Papas have been played by Tobias Forge so far, but he's an absolute theater kid and he developed unique mannerisms, speech patterns, and even singing voices for every single one of them. So regardless, it'd be different. If the new antipope is Zombie Papa III as some folks say, it'll be different. If it's Papa IV's twin, it'll still be different.

The worst furor is over the possibility that not only could the new antipope be a different person, it could be a woman. Oh, no. Not that. Not a woman fronting a band whose most recent studio album began with a song about religious fervor leading to the public stoning of a woman using her voice where she didn't belong!

He's said in many interviews that he never wanted to be the singer, and that he'd love to step back and let someone else be the frontman so he can focus on playing guitar and other forms of performance. He has emphasized over and over that before the next album and tour cycle, there is going to be a massive change. He just released an entire movie about how things change and change is hard but we have to accept it and allow for new, exciting things. He's also said he never intended for Ghost to be a long-term project (though I'd be happy for Ghost to keep going through an eternal rotation of Papas).

The key word there, though, is "project." Ghost is not a band in a conventional sense. It is a project. No matter who is singing prancing/stomping/wobbling around, and making crude sexual gestures on stage, it'll still be The Tobias Forge Show.

Ghost is, before anything else, theater. Every move on stage (at least, every move that isn't, say, someone stomping himself off his platform and falling behind the stage) is choreographed, and half the shit we hear in concerts is prerecorded so that the audience can get the best experience possible. It's fantastic. It's art. And I'm here for whatever Tobias Forge wants to offer us. I trust his creative judgment.

And frankly I wouldn't even blame him if he wanted to hang up the mitre after this tour, because people are harassing his damn teenaged kids over some rumors about one of Ghost's touring guitarists on Twitter.

Nobody seems to hate Ghost more than the Ghost fandom. Speculate, but have fun with it. The whole point of Ghost is that we need to be better to each other and stop fighting with each other based on made-up divisions between isolated cultish social groups. Stop being such fucking dickheads to each other.

[sopheadraws]

Thanks for the tag, @birdofmay!

Okay, so I don't actually have any playlists of my own; I entirely use playlists made by other people/generated by Spotify/actual albums, so I had to improvise. I stuck all six Spotify "Daily Mixes", my top 100 songs of 2021, 2022, and 202; my "On Repeat" playlist, and my "Repeat Rewind" playlist into a brand new playlist that contains 563 songs. I'm not good about favoriting songs, so I thought this was the fairest system. Some songs I don't actually know may come out of the Daily Mixes, so if that happens, I'll listen to it for the first time. Okay, cool.

1. Taylor Swift and Ed Sheeran do a cover of the "Thriller/Heads Will Roll" Glee mashup.

Well, Taylor and Ed are two people, and this is a duet, so that's a good start. However, that's as far as my enthusiasm goes. Taylor has a *good* voice, however, she's not really a belter, which is all the "Heads Will Roll" part is. And Ed Sheeran covering Michael Jackson is not something that needs to happen.

2. The Warblers from Glee cover "I Feel Pretty/Unpretty"...also from Glee.

This is a song a female insecurity (arguably with lesbian undertones). I do not want an all male a cappella group involving themselves. Terrible idea.

3. Johnny Cash covers "Girl on Fire". Specifically the Glee arrangement.

This is so stupid that I love it. Johnny "Ring-Of-Fire" Cash covering a 2010s pop song about a woman being metaphorically on fire is hilarious to me. And the Glee arrangement is the icing on the cake.

4. Johnny Cash covers "champagne problems" by Taylor Swift.

Interesting that I got Johnny Cash twice in a row. Anyways, I think this just might work. I can't explain why. But it would.

5. Brittany from Glee covers "Million Reasons" by Lady Gaga.

Brittany can only really pull off heavily produced dance pop, and this song is a belting-heavy ballad. Sorry, Britt, but it's a no for me.

6. Simon & Garfunkel cover "obsessed" by Olivia Rodrigo.

I can't * f a t h o m * how this would sound. I am intrigued to hear it, but I sense it would be terrible. But, then again, Paul Simon is a musical genius and I could listen to Art Garfunkel sing anything.

7. Natasha Bedingfeld covers "Last Kiss" by Taylor Swift.

Natasha Bedingfeld is one of the never-heard-of-this-person-before-in-my-life musicians I warned you might appear on this playlist. Having heard one song, she's a generic pop artist. Sort of a Beyoncé vibe. I'm sure she'd do just fine covering Taylor.

8. Avril Lavigne covers "Operator" by Jim Croce.

Avril is another person I don't actually listen to (I actually know who she is this time). Uhh.. this cover would be wack, but I'm not sure if it's wack in a good or bad way.

9. Darren Criss covers "Talkin' Bout a Revolution" by Tracy Chapman.

(Yes, this was a DC original song, not a Glee cover.) Okay, so, having been on Glee, Darren knows how to do a killer cover, and I'm sure this would be no different. Kind of a tone deaf song selection on his part, however.

10. Olivia Rodrigo covers "Heaven Is A Place on Earth" by Belinda Carlisle.

I do know this song, and it's not *out* of my taste range, but I don't think I've ever listened to it on Spotify before, so. Anyways, I think this is the best combination I've gotten! I really want to hear this now! Best for last!

Well, Sina, and these the crazy combinations you expected from me? Very Glee heavy and most of the combinations would be horrid, which seems in character.

I would like to see what @doctor-whu @porcelainvino @wheresurboytonighthelookslikeenj @katyobsesses @angelhummel and @hevanderson get if you want to try :))

[kawaiichibiart]

Wisteria

Welcome Wisteria, the idols who do their best to provide their own music. Wisteria's goal is for to inspire people to enjoy what life brings and the friendships you make along the way.

Wisteria's creation was brought upon by Airi, who wanted to help Ena find some inspiration for her artwork. The two girls would eventually meet Ichika and Saki, who were both trying to get over the, seemingly, end of their friendship with Shiho and Honami. What started as two pairs of friends talking about music and exchanging albums at the music shop, turned into a tentative new friend group that decided to try making music together.

For a while, they enjoyed being an unknown band, but the more they played, the more Airi missed performing in person. Missed being an idol. But she couldn't go back to just being a tv personality. So when she's approached by someone wishing to make a deal, she wants to take it. But she won't take it alone. She doesn't want to join another idol group. She wants to be with her friends. She wants to be a respected idol. This is something she wants, but she won't go through with it unless she has people she trusts by her side.

Her passion is what ultimately leads her to being the face for Wisteria (being a well known idol helps as well).

It took some convincing, but the other three girls were willing to give it a go. But they had just one condition: they would make their own music. Their manager wanted a certain sound? Fine, they can make a few demos or go to a music studio with them. They're expected to sing a cover? Very well, give them the music for it and they'll provide the instrumentals.

TRIVIA:

Wisteria is the only one of the first three groups that was already a group (they were a band for a short time).

Airi will talk about her relationship with Shizuku with the rest of Wisteria. She likes getting their input for future dates.

Ena and Saki got closer when their brothers joined the idol industry and shot up in the ranks. It's just easier for them to get together and talk about upcoming events/performances they have. If Wisteria and Fantasy Dreamers are collabing, the four (five if Toya's around) will practice the songs their singing together.

Because neither Ichika or Saki were too willing to give up making music, one of the things Airi had put down in their contract was that they would be able to make the music themselves. Nothing prerecorded by someone else. It's kinda her way of keeping the band alive despite them no longer being a band.

Since Ena attends night school, Wisteria has to adjust for any days she's unavailable for performances done during her schooling hours.

They also have to accommodate for Saki. Because of her time in the hospital and her needing to be careful to not get sick/injured, sometimes Saki has to take it easy. It's all dependant on the day and how she feels. The first time she tried to pass off being fine, Ena was quick to send her home, even offering to go with her so she wouldn't have to be alone, should no one else be there.

Unlike Mafuyu and Kanade who met relatively quickly face to face, it took a while for Ena and Mizuki to meet.

Ena likes recording their practice sessions to use as potential references for her art. While being an idol pushed her original dream aside, it's still something she's invested in and wants to make a reality.

Bonus Video:

[theangrycomet-art]

Loontics Unleashed: Tunnel Vision

The latest band climbing up the charts in Acemtropolis, they are one of the first non-human bands to gain recognition (as well as notoriety) in recent years after winning a record label with Acme Records in 2068.

They're technically a rock band, though they tend to explore genres.

They are scheduled to preform at the 2774 Basherball Championship halftime show, despite the more recent threats sent to them.

Lore Below:

Don't mess with any of the band member's equipment ESPECIALLY their instruments. Jax get's particularly nasty when her guitar is touched.

Dakota Frog

performer name: Lily Pad

she/her

lead vocals/bass

Writes most of the songs with Jax

in charge of choreography

Descendant of Michigan J Frog

used to suffer from severe stage fright so she could only sing in front of one person at a time

luckily she's conquered this fear with Tunnel Vision

cool headed though she isn't above getting into mischief

Jesse Rabbit (Rodger/Jessica Rabbit descendant)

Performer name: Dust Bunny

he/him

Speaks several languages-> translates their songs

Drummer/ male vocals

Descendant of Rodger and Jessica Rabbit

clutsiest of the group, he does the least amount of stunts during their shows

smooth talker- he manages their contracts and ensures they get paid fairly

acts dumber than he is so people underestimate him

Marcy the Martian

Performer Name: Asteroid Bebe

she/her

Proper Title: Crown Princess Mihl’ah Tyr'ah,

Keyboardist/ rapper

sound engineer with Jax

Daughter of Empress Tyr'ahnee and Commander X2, cousins with Melvin

though polite and well-meaning, she is regularly impeded by her short temper (this has improved as she has found an outlet through thier music)

initially visited Earth as a culture study

she's perfectly content to chill on earth for the next century or two

tranlsate's their songs into Martian, giving them a LARGE fandom amongst the Martian Empire

Jacqueline “Jax” E Coyote

performer name: Sandy Lane

she/

9 string guitar/ lead vocals

sound engineer with Marcy

Writes most of the songs with Dakota

See Link^^^

protective over her bandmates, she's usually the one to tell people off if they are crossing a line

Tech's sister

Albums:

2769: Sour Candy (the love song/bittersweet album going over the highs and lows of a relationships)

Tug a War

Heart Murmurs

Eat it Too

Mind over Matter

(I love you, Lady!) Buh bye!

Ladies and Gents

Double Blind Date

My Demons are my Angels

rock cover of “Hello my Baby”

2770: Don’t worry, this is Just a Test (experimental album)

No Martian’s were Harmed in the Making of this Song

What is this thing?

Pliers and Wires (the diffusing bomb song)

Murphy’s Law (The Disaster Song)

Self Destruct Button

Never Have I Ever

Never again

Zap!

Gravity (thou art a heartless bitch)

No Sounds in Space

2772: Open Season (the angry album) 

Count the Teeth

Leash Laws (This Bitch Bites)

Playboy Bunnies (Bad Hare Day)

Bring back the Noise (I hope you Croak)

Four Digits are All I Need (to Slap You)

Swallowing Honeybees

Pelt on the Wall

Feather Duster 

Dynamite in my Piano

2773: Insurance won’t Cover This (direct callout to how the comet situation was addressed)

What’s up, Doc?

Second Skin

You wanna put what in my what?

Arm Cast

Scalpel to the Forehead

Surgery won’t fix This

The Bone Doctor

Empty Vase

Blow my Chest Clean Off

Hospital Fees

Freaks

2774: Highlighter Pack (dedicated to the Loonatics)

Comet 

Start your Engines 

Let’s Jet

On my Radar 

Eye of the Storm

TNT’s the New Ibuprofen 

Dodging Bullets, Throwing Stones

Lab Safety

Highlighter Pack

[longeyelashedtragedy]

september 2024 favs

the pain of loving you - dolly parton/emmylou harris/linda ronstadt (this is one of my aunt's favorite albums and i have weirdly fond memories of listening to it with her on this chaotic car ride? also we sang this at my singing group last week)

365 - charli xcx

with or without you - u2 (funny story...my dad used to play this song all the time when i was a kid and i would get so upset because the high pitched sounds at the beginning made me imagine 'the end of the world' and i'd start to panic...me as a small kid aesthetic lol)

moonlight - kali uchis (thank u to the david raya comp a goonerina made that had this song in it)

another zuzu album recommendation!!! hot paradox by martin dupont...AMAZING 80s aesthetics. fav tracks so far: full moons and mouths hot paradox my analyst assez inside out

*

first to love - blaqk audio (saw this live with davey at his gay best and i remembered how much i listened to it when it came out)

you're makin me high - toni braxton (WHY would someone think hot to go was good horny sentiment when this exists. someone please help the young gay girls)

still haven't found what i'm looking for - u2

kneecap (duhh): fine art obviously but the 3cag EP has been a little more my speed this month, it's more stripped-down so a different vibe

work it - missy elliott (every once in a while i have to revisit this video because not only is the song a true blast from the past, missy elliott's gender vibe in this is sublime)

[the-phantom-author]

she’s playing maybe the biggest venue she ever has, it’s a monumental moment for her and she’s so happy that hasan is there to see it

hasan is there in the crowd obvi, maybe he’s brought the fear& group plus caroline and lud, the whole night everyone is nudging him when popstar looks his way, maybe she winks at him at some point or points his way and he’s BLUSHINGGGGG

there aren’t even songs about hasan out yet. maybe tonight she surprises everyone with a new song. (“slut!” by taylor) (might something about that song and popstar!gf with hasan soon)

she says she was going back and forth about when to release it but she really wanted to play it tonight, no certain reason 😉😏 and everyone is like ???????????? girl it’s a work of art but we’re confused???????

hasan and his group are VERY MUCH not confused, they allllllll know it’s for him and he’s a puddle on the ground, austin’s hooting and hollering because if popstar!gf has one fan, it’s austin, if she has no fans, he’s dead

she goes back to her regular show, maybe she’s touring the album guts by olivia rodrigo, it’s very ragey and self reflective and looking back on a bad relationship with anger. fans are wild but confused because is she saying she’s in love but she’s literally performing vampire and saying some dude is a blood sucker, fame fucker, etc

it’s almost midnight, she’s wrapping the show up, it’s final number, hasan has went over to where she’ll come off stage and is waiting for her

after the final bows, thank yous, etc etc, she’s leaving, she’s coming off stage and searching until finally she sees him and she just starts running 🥹🥹🥹

he opens his arms wide and she throws her arms around him and gives him a big smoochy!!!!!

she doesn’t care who sees, she’s with someone who is secure enough to handle the criticism, someone who isn’t ashamed of her and isn’t ever trying to diminish her in anyway.

he doesn’t care who sees either. he doesn’t care her hair is wild from sweating and she’s damp from sweat from dancing, he’s kissing her right back and as soon as they pull away from each other he’s telling her how amazing she was, how proud he is of her. how he can’t wait for the next year and he can’t wait to spend it with her.

they finally come out of their love bubble, noticing the fans can see them and they’re yelling that it’s midnight, they were each others new years kiss

gf and hasan KNOWWWW this is gonna be viral when they wake up the next morning.

Imagine the people live tweeting the show

The new year kiss hard launch!!!!

Her just being in the middle of the show touring the breakup album, and is like "wait hold up, so I have a song, and I know it clashes with the tour theme, but I really want to sing it tonight. Who knows when it'll be official released tho." And just goes for it with "Slut!"

Also Hasan, fear& their partners being at the concert!! Don't be you'll make me cry. I'm not even touching on Austin and her relationship, but I will say "beautiful and natural" becomes a regular thing she says.

Popstar!gf knows she not supposed to ran, jump, and kiss Hasan at the end of the show, especially not when she premiers Slut! but she can't help herself. Partly because Slut! got such a great reception from the audience, partly from post performance adrenaline, but mostly because she's never had someone wait for at the stage door after a performance and is just over come by her love and adoration for Hasan.

The entire time they're in their little bubble,they have the most love struck look on their faces, and during that time neither of them are letting go of eachother.

The next day, Hasan's stream is just full of chat asking so many questions and sending tiktok that people have made of the two of you with the audio of Slut! from the concert behind it. You wake up to much the same, but also lots of calls from you team.

But ya'know it's worth it for once.

[sayorseee]

Rating songs from ZOMBIES: The Re-Animated Series

Disclaimer: who cares what I have to say? If you disagree that’s fine cuz I’m just a girl with a phone.

Link to the album on Spotify.

1. Songs I Like cuz Nostalgia

My Year (Re-Animated Remix): 10/10. It’s always great when My Year is involved. I lowkey wish it wasn’t the theme song solely so we could have a music video of the full song rather than just the theme song bit!

2. Songs I Like cuz they’re just GOOD

Repeat: 10/10. Need I say anything else? It’s perfect. Group song, check. Fun lyrics, check. Vocals on point, check. Zed and Addison being in love, check. Bucky arrogance thrown in the middle, CHECK!!!

Work of Art: 8/10. We don’t have the episode yet but I don’t need the episode. Anytime Milo sings my brain explodes. It has such a good vibe and beat it’s perfect. And the message is so sweet!

3. Songs I like cuz they’re zeddison focused

Work of Art: zeddison

Brighter with You: zeddison but extreme. 7.5/10. This is another where the episode isn’t out yet but it’s a really good Addison song. It’s probably the best Addison song in the entire franchise.

4. Songs I like cuz the episode made them Good

We’re Bringin It: 8/10. Should be longer. Eliza morphing into the top Bucky is the best thing any has written ever. Bucky being reduced to a background dancer in his own musical number is perfect because he’s always interrupting someone in their solo of a song.

Be an Alpha: 6/10. It’s only good cuz the premise of Willa and Bucky training Wyatt to be an alpha and him horribly misconstruing the lessons is HILARIOUS. Points off because unfortunately the vocals aren’t great (they’re so bad, my sisters screams and threatens to run away when Wyatt’s verse comes on…)

When Worlds Collide: 5/10. I’m personally not a fan of Baby Ariel’s voice, buuuuut I like the general news of the song. Like the music and I like singing it, but I don’t like hearing it.

Be like Me: 8/10. Good Bucky song where Bucky isn’t singing.

5. Songs that are. They’re alright. I guess.

It’s Okay: 7/10. Again, I don’t think these are our strongest singers of the bunch. But I love the message. Just maybe less of those guys singing. (Also Wyatt hallucinating Willa doing a musical number is pretty funny)

Back to Back: 4/10. It’s good. Meg Donnelly has a great voice. But it’s just like there. Like there wasn’t really a need to have this song. It doesn’t move the story along or provide a fun break in the episode. It’s just there to be there.

6. Songs I don’t care for cuz I don’t care for the storyline or performance

Meant to Combine: -1000/10 everyone knows I’m a wyliza hater (WILIZA -WillaxEliza- FOR LIFE)

7. Bad

It’s Free Period: -10/10. I don’t like when Disney channel makes their shows and movies have raps in them they’re never good and they use so much auto tune it sounds even WORSE.

8. Honorable Mentions

Work in Progress: episode isn’t out yet. I’m not a fan of Wynter’w voice but hey maybe when the episode is out it’ll move up a few categories

Lemme know what you guys think! Anything you disagree with, or thoughts you might want to add!