#so the reason I wrote this
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kedreeva · 2 days ago
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Following the author of The Last Unicorn on Facebook is the only thing that makes being on that site worthwhile.
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the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"
just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible
#due to the Great Data Decay academics write viciously argumentative articles on which episodes aired in what order#at conferences professors have known to engage in physically violent altercations whilst debating the air date number of household viewers#90% of the couch gags have been lost and there is a billion dollar trade in counterfeit “lost copies”#serious note: i'll be honest i always assumed it was english imperialism that made shakespeare so inescapable in the 19th/20th cent#like his writing should have become obscure at the same level of his contemporaries#but british imperialists needed an ENGLISH LANGUAGE (and BRITISH) writer to venerate#and shakespeare wrote so many damn things that there was a humongous body of work just sitting there waiting to be culturally exploited...#i know it didn't happen like this but i imagine a English Parliament House Committee Member For The Education Of The Masses or something#cartoonishly stumbling over a dusty cobwebbed crate labelled the Complete Works of Shakespeare#and going 'Eureka! this shall make excellent propoganda for fabricating a national identity in a time of great social unrest.#it will be a cornerstone of our elitist educational institutions for centuries to come! long live our decaying empire!'#'what good fortune that this used to be accessible and entertaining to mainstream illiterate audience members...#..but now we can strip that away and make it a difficult & alienating foundation of a Classical Education! just like the latin language :)'#anyway maybe there's no such thing as the 'greatest writer of x language' in ANY language?#maybe there are just different styles and yes levels of expertise and skill but also a high degree of subjectivity#and variance in the way that we as individuals and members of different cultures/time periods experience any work of media#and that's okay! and should be acknowledged!!! and allow us to give ourselves permission to broaden our horizons#and explore the stories of marginalized/underappreciated creators#instead of worshiping the List of Top 10 Best (aka Most Famous) Whatevers Of All Time/A Certain Time Period#anyways things are famous for a reason and that reason has little to do with innate “value”#and much more to do with how it plays into the interests of powerful institutions motivated to influence our shared cultural narratives#so i'm not saying 'stop teaching shakespeare'. but like...maybe classrooms should stop using it as busy work that (by accident or designs)#happens to alienate a large number of students who could otherwise be engaging critically with works that feel more relevant to their world#(by merit of not being 4 centuries old or lacking necessary historical context or requiring untaught translation skills)#and yeah...MAYBE our educational institutions could spend less time/money on shakespeare critical analysis and more on...#...any of thousands of underfunded areas of literary research i literally (pun!) don't know where to begin#oh and p.s. the modern publishing world is in shambles and it would be neat if schoolwork could include modern works?#beautiful complicated socially relevant works of literature are published every year. it's not just the 'classics' that have value#and actually modern publications are probably an easier way for students to learn the basics. since lesson plans don't have to include the#important historical/cultural context many teens need for 20+ year old media (which is older than their entire lived experience fyi)
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moonscape · 1 month ago
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itsthislake · 8 months ago
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“Icarus.”
it's all about freedom really
Credit goes to An Sifakah for the poem. Enjoy!
Support me on Ko-fi maybe?
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lazylittledragon · 2 months ago
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ok someone please correct me if i'm wrong but am i weird for thinking those 'audiobooks don't count as reading' posts are ableist as fuck????
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letsgofoletsgo · 1 year ago
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Just Like That
TW: Mention of weed, anxiety, bad high
Note: I transcribed the lyrics myself, so they might not be 100% accurate
It was late at night, and Azalea and Luca were in the former’s room. He was holding xem from behind as they laid on xyr bed, yet there was concern on his face. Azalea was half asleep, and riding through the latter stages of a bad trip. Luca had found him half an hour prior, and after a call to Mailika, he deduced the only thing to do was to stay with him and keep him comfortable until the effects subsided.
Azalea was still cognitive, but xyr anxiety was acting up and generally feeling some scary things. Xe found that physical contact helped xem feel calmer, so Luca cradled xem as he rubbed xyr arms, gently whispering to him occasionally. He found that Azalea gradually began to relax, but still hated to see xem like this. While he was intent on staying awake to look after xem, Luca couldn’t help but doze off a bit, just to close his eyes for a few minutes-
“... Luca?” Azalea spoke, voice slightly slurred.
He almost jumped upward, craning his neck to look down at him. “Yeah? You doing okay?”
“Yeah, ‘m okay.” Xe lulled his head to him. “You said you were workin’ with Dennis on a new song, right?”
“Er… We were, why?”
Dennis had been teaching Luca how to play guitar for a couple months, and even offered to help him write a song he’d been working on. It was something he had mentioned in passing to xem some time ago; but why bring it up now?
Azalea wearily met his gaze. “Think you could sing it for me?”
Luca hesitated. He’d only just finished it, and only ever sung it in front of Dennis before. However, the one he loved had requested it, so he figured he’d oblige.
“Well, alright.” He sat himself upward, and took a deep breath.
“Don’t let me die
Like your cigarette
Let me out
Like I’m the last one in your pack
Give me the taste that you can’t forget
I’ll be the last one that you can’t regret
Baby that’s just why we can’t come back
And our back and forth
Leaves me wanting more
I could be your boy
If you want that
And you could be my girl
Just like that
Is it bad for the both of us
If I stayed in your apartment could,
My clothes fit in your closet?
Let me know, I wanna know
I kinda need it now
Are we stuck here on the surface?
Are you spinning down right with me?
I could be your boy
If you want that
And you could be my girl
Just like that
I could be your boy
If you want that
And you could be my girl
Just like that”
As he finished, he looked down at Azalea, who now had a hazy smile. “I love it.”
“Really?” He chuckled warmly. “Was just something I threw together for fun, but I’m glad you liked it.”
Azalea reached his arm up, clumsily patting Luca by the side of his head.
“You’re my boy, Luca… Just like that.”
His heart swelled at the gesture, smiling warmly at xem as he took xyr hand. “Guess I am.”
A couple hours later when Azalea was feeling better, the two drifted off, safe and happy in each other’s embrace. Luca took comfort in knowing that he was Azalea’s boy, and that xe was his in return.
Just like that.
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confessedlyfannish · 1 year ago
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DP x DC Writing Prompt #5
Damian does not glance back at Bruce when he knocks on the door. Instead they both wait in silence.
After a moment, the door opens.
"Hello," Jasmine, Jazz, Fenton greets politely, unsurprised to find the Waynes on her doorstep. Damian's expression grows ever darker at this revelation.
"Hello Ms. Fenton, are your parents home?" Bruce asks, placing a firm hand on Damian's shoulder, to ground as much as to restrain. To his credit he does not shake it off.
"No, they're out of town for a conference," the eighteen year-old says, opening the door wider. "But I think you'd better come in."
Bruce would normally decline, but Ms. Fenton is a legal adult and he has already, even unknowingly, waited 16 years. Damian makes the choice for him, striding past the threshold.
"Please take a seat," Jazz says as she leads them to the living room. She ignores Damian's swinging head as he takes in the home. It is deceptively large, a 90s style house filled with modern furniture. The walls are bright, with purple and green accents that would normally feel garish but somehow work. The stairs leading to the second floor are lined with family photos that Bruce yearns to take a closer look at. "Can I get you anything? Coffee? Water?"
"No, that's alright, thank you," Bruce says, taking a seat on the long plush couch. A men's windbreaker lies haphazardly thrown across one of the arms. A closed container of Oreo cookies sit on the coffee table next to a physics textbook open to chapter 16, half covered in highlighter and filled with sticky notes. There's a child's painting framed next to the tv, a handprint made to look like a thanksgiving turkey in bright blue.
For the home of experimental scientists, it is cozy and well lived-in.
Damian repeatedly glances at the stairs through the doorway.
Bruce clears his throat. "We were hoping to--"
"I've texted--oh, I'm sorry," Jazz says, having spoken at the same time. Bruce gestures for her to go on.
"I've contacted Danny, he should be here soon. He was out with some friends." Jazz explains. As she hadn't pulled out a phone in their presence, Bruce can only deduce they have some sort of camera at their front door. This also explains Ms. Fenton's complete lack of surprise at their appearance.
"So you know who we are." Damian says, the first words he's spoken since they arrived at the house and the longest sentence he's spoken since they arrived in Amity Park.
"I do," Jazz says, calm in the face of Damian's clearly simmering anger. Bruce trusts him not to attack Ms. Fenton, but he still watches him carefully.
"He told you about me," Damian says. It is the same question, but it is also not.
"He did," Jazz says.
Damian swallows. "I see," he grits out.
Jazz's neutrality slips and her face softens in sympathy. "Damian," she starts hesitantly, but before she can say anything else the front door opens.
A moment later Bruce's son walks through the doorway, and Damian is on him.
This is what Bruce hoped to prevent, but despite his numerous checks of Damian's luggage his son has still managed to smuggle a small dagger, which he now produces and swings in a calculated arc at Daniel Fenton's jugular.
Danny dodges cleanly, and dodges every swipe thereafter in a manner that speaks to continued practice long after his time at the League. Damian is a perfect product of his training, but it is up against Danny his flaws come to light. He is just as good as he always was, but Danny is better.
In a matter of seconds Damian grows frustrated and sloppy in his attacks, completely atypical for him. Danny takes Damian out at the knees and pins him down with one arm, pressing his face into the carpet.
"Calm down," he orders. His voice is deeper than Damian's at sixteen to his twelve, the accent that still traces Damian's words completely gone from his speech. Damian growls and thrusts his head back into Danny's face, meeting it with a sharp thunk. He rolls up as Danny recoils, putting distance between them. Danny glares at him from several steps away, hand to his forehead. Damian tosses the dagger into his other hand as he charges, and to Bruce's surprise Danny does nothing more than turn his face to the side, allowing Damian to draw a sharp line down his cheek.
Damian stops dead in his tracks.
"Are you done?" Danny asks, blood beginning to pool at the seam of the cut.
Damian's expression is stricken, eyes stuck on the blood starting to drip down his brother's face.
"I said, are you done, Damian?" Danny asks. His voice is cold.
Damian hears him this time, and he flushes red. "I--you--"
Danny sighs. He looks at Jazz, whose expression is back to carefully controlled.
"Are you alright?" he asks her. She nods.
"You left me," Damian accuses, standing there holding his bloody dagger limply.
Danny turns back to him, raising an eyebrow.
"You left me," Damian repeats louder, rapidly blinking.
"Yes. I did." Danny provides no excuse nor any explanation. His stance is unyielding.
Damian's eyes bounce wildly, shifting to Jazz and Danny slides smoothly in front of her, protectively. He looks at Damian warily, not as if he is his brother, but as if he is a danger. Damian flinches.
Hope is the last to die, Bruce thinks, watching as that last bit of hope Damian had is extinguished, the knowledge working its way through every inch of his body like ice in his veins. His eyes darken. He turns and runs from the room, the front door slamming shut not a moment later.
Jazz stands up, pulling a few tissues from the box on the coffee table. She presses them to Danny's face, cupping his cheek until he holds it himself. "I'm going to go get the first aid kit," she says gently. It is a thinly veiled excuse to leave them alone, and Bruce is grateful for it as she heads for the stairs.
They both wait until her footsteps have faded, taking each other in. Bruce looks at his mother's eyes and the sharp turn of Talia's nose. Damian's everything, four years older.
"You shouldn't have come here," Danny says, throwing himself on the armchair Jazz has just vacated.
"You know who I am," Bruce says carefully.
Danny glares. "I've kept your secret. She nor my parents know."
"I know," Bruce says. "That's not what I meant. You know who I am. And who I pretend to be. So you know I am familiar with masks."
"And?" Danny asks, looking vaguely bored.
"And so I can recognize when someone is wearing one. Damian will too, once he's calmed down."
Danny's expression sharpens. "No, he won't. Because you are going to go to back to whatever bed and breakfast you're staying in, pack up, hop in your private jet and fly him back to Gotham immediately before the League realizes you've gone. If they haven't already," he mutters.
"This is about the League then," Bruce says. "Do you not believe I can protect you?"
"I don't need your protection," Danny snaps, and watches Bruce actively extrapolate with a dawning resignation. "So this is the World's Greatest Detective at work," he says, slumping bonelessly into his chair, the first teenager-y thing he's done.
"Damian's in danger from the League," Bruce says. Danny glares from his slump. It's almost cute. "And as long as the League doesn't know about you, he's safe."
"Draw your own conclusions," Danny says, baring his teeth. Damian often makes the same face. "As long as you leave."
"I can protect him. I can protect you both," Bruce says. "Let me help you."
Danny closes his eyes. He centers his breathing in an exercise someone has clearly walked him through in the past. Bruce would bet money on the adoptive sister waiting patiently upstairs.
"Mr. Wayne. You are not my father," he says. "My trust in you extends to the point that I left Damian in your care, but that is where it ends. And that was when it was sanctioned by the League. By coming here you have endangered those sanctions."
Bruce disregards the sting, doubling down on his analysis. Talia had left Damian with Bruce well after Danny had left the League. But Danny speaks as if the decision had been his.
Or perhaps, Bruce realizes, it is not that Danny decided upon it, but that Danny allowed it to continue.
Bruce takes a second to review what Oracle had gone over with him before they left for Amity. Daniel Fenton had by all accounts, since leaving the League, lived a fairly normal life. His adoptive parents were eccentric scientists dabbling in the occult but their findings that bordered pseudoscience circulated a very niche community of like-minded eccentrics. The bulk of their income came from alternative energy, a more viable source of study that they'd veered harder into in the past year or so, a government contract with the EPA currently in the works. This had in part funded a vacation to an all-inclusive resort the family had taken that past summer.
Danny received average grades in school, above average in science and mathematics, declining sharply in his freshman year and sophomore year before evening out around the second semester. He had gotten into fights repeatedly with one student in particular, suspended for two weeks following an incident that resulted in a the student receiving a black eye. Teachers reported him to be highly intelligent but distracted and removed. They had recommended he be evaluated for an attention-deficit/hyperactivity disorder. He had no social media. He had missed multiple picture days. The ones he had attended he was sneezing, or a blur of movement, even going so far as to fall off his stool, legs flailing. Bruce had drank up every last one as Barbara had waited patiently.
A normal life. A family vacation to Bermuda. Average grades.
His freshman year, distracted and removed. The same year Damian had arrived at Bruce's home. Masks upon masks.
"You have informants within the League," Bruce says. Danny, to his credit, has no discernible tell. But there is no other explanation. "What will you do, if they find out you are alive?"
"That is none of your concern," Danny says, but he might as well be saying whatever I have to.
He never stopped practicing, after all.
"If they go after Damian, it is my concern."
"And that is why you need to take Damian back to Gotham before they do." Danny says. "I will take care of it."
Damian had barely spoken since he had realized Danyal was alive. But Bruce had seen the reverence in his eyes as he looked at the file.
"الوريث الصحيح" he had murmured. The rightful heir.
"You are proposing going after the entirety of the League with no backup," Bruce says. "Even if you think they won't kill you, you won't win either."
"Maybe they will," Danny says lightly. "Kill me. That would also work."
Bruce inhales sharply. "Danny," he starts.
"Go home, Mr. Wayne," Danny says, pushing himself up with one hand. The other still clutches the wad of tissue to his cheek, partially soaked with blood. "Go take care of your son."
"I'll go," Bruce says, "I'll take him to the Watchtower. And then I'll come back."
"Mr. Wayne-"
"I should've come for you," Bruce interrupts. "Sixteen years ago. I should've come for you."
Danny's brow furrows. "You had no idea I existed."
"But if I had. I would've come. I never would've left you there. And now that I know, I am not leaving you now."
For the first time Bruce watches Danny be completely caught off guard. He openly gapes at Bruce.
"You would've died," Danny lands on, voice thin. "They would've killed you."
"Unlike you, I would've brought backup." Bruce says, mimicking Danny's lightness.
He's lying. Sixteen years ago he would've thrown himself at the League to save his newborn son without a plan, without a thought beyond rescuing his baby.
Danny barks out a laugh. "You would've laid siege to Nanda Parbat with The Big Blue Boy Scout?" he looks wistful. "That would've been rad."
Bruce sees his opening. "Danny," he stands, eye to eye with his son. "Let me help you."
Danny evaluates him. "The Batman," he says softly. "I didn't want you to come, then. I didn't need one more person I had to prove myself to. All I wanted was to live amongst the stars, in the quiet of the cosmos."
"You want to be an astronaut," Bruce says. At Danny's cocked head, he says without shame, "I read your essay on personal heroes. You wrote about Edward White. Ad Astra Per Aspera."
Danny smiles slightly, sadly. "It is a rough road."
"You can be whatever you want to be," Bruce says. "I won't stand in your way."
"Even if I want to be Danny Fenton?" he asks.
"Even then."
Danny sighs. "I don't need your help Bruce," he says. "No," he says as Bruce opens his mouth. He pulls the wad of tissues away from his cheek. Underneath the splotches of dried blood the gash in his face has cleanly knit itself together, a faint white line now all that remains.
"I don't need your help," he says clearly. He holds a palm forward, and a green fire grows from its center, until the flames are licking delicately up his fingers.
"I know The Batman does not kill. But I am not a Robin. I am something else entirely," Danny says, his eyes reflecting the green of the flames. Or not, as he looks up at Bruce, his eyes green all on their own. They are sad. This is why he stayed away, Bruce realizes. Not out of fear. Danny is not afraid. Danny is tired.
But for his brother, Danny will wake up.
"And If the League takes one step towards Damian, I will raze them to the ground."
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jq37 · 1 month ago
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Aelwyn is sixteen and preparing for midterms at Hudol. Uniform pressed and starched, head full of incantations and spell components. She doesn't mean to bump into Adaine and get orange juice all over her shirt but today isn't the day she's going to start showing weakness.
"You know, you really should watch we're you're going," she says archly, playing off the clumsy mistake as a purposeful jab.
Playing it off a bit too well because, the next thing she knows, Adaine is flipping her off and a bolt of queasy looking, green energy is coming towards her. Ray of Sickness. And she can't spare the spell slot for Counterspell because she needs it for her exams.
"You little bitch!" Aelwyn says once she's emptied the contents of her stomach down the front of her shirt.
"Good luck with your exams," Adaine says sweetly.
Aelwyn is eighteen and the oldest, mangiest cat she's ever seen in her life has just vomited on her shoes.
"My," she says, casting a shield spell around her ankles to stop the cat from clawing at them. "You weren't kidding. He is a little bastard, isn't he?"
The shelter volunteer looks mortified. "Oh, gods! I am so sorry. I tried to warn you--I mean, not that I'm blaming you but--"
"No, it's alright. I did ask you to show me stragglers."
The shelter worker gestures to another pen on the other side of the room. "I can show you the kittens we just got in or there are some very well behaved older cats as well if you'd--"
But Aelwyn cuts her off, scooping up the old cat--though she holds him at arm's length for now, just to be safe. "No need. I haven't changed my mind. I'll take this one." She looks at the tag on his collar. "Hector."
Aelwyn is three and, as of a month ago, no longer the youngest Abernant.
She's had baby dolls in the past but never a baby sister and this is exciting new territory. She's full of questions. When is she going to be able to walk? When is she going to be able to talk? When will she be old enough to have lembas bread instead of formula?
Her parents seem less fascinated by the new addition to the family than she is but her mother is amused when she slaps away the hand of a colleague of her father's who tried to touch Adaine before sanitizing his hands, standing between the much larger man and her sister.
"So defensive. Perhaps she'll be an abjurer."
When Aelwyn asks what that is, her mother says that it's a kind of magical protector and she likes that a lot. That sounds like a good thing to be.
At night, Adaine cries. Except, she doesn't hear it because the mobile above her crib is etched with runes that cast the Silence spell.
"But what if she gets hurt?" Aelwyn asks.
Her father brushes her off. That's what the Unseen Servants are for. But she thinks that's what an abjurer might be for too and even though she isn't one yet, that doesn't mean she can't start practicing.
So, every night, Aelwyn waits until her parents have put Adaine down for bed and then tiptoes into her room. She checks to see if Adaine is silently wailing and if she is (and even sometimes if she isn't) she presses her face between the bars of the crib and sticks her little hand over Adaine's face.
"Don't cry," she says, even though the Silence spell mutes her words as completely as the tears. "Mum said I'm an abjurer. Nothing will get you. Don't cry, baby."
Adaine grabs her hand with impressive grip strength for something so small and, within a few minutes, she's trancing peacefully.
Aelwyn is seventeen and her sister is off to save the world again. This time from a Night Yorb--whatever that is.
It feels cruel that Adaine should have to go risk her life again so soon after she just almost died--not almost died, she did die before being raised by her cleric.
She wants to come with, to help in some way. Surely she could be helpful--last quest they brought Gilear for Helio's sake!
But Adaine doesn't ask her and she can't bring herself to say the words she needs to have the conversation she wants. So, instead, she lightly whaps Adaine on the shoulder with her spellbook as she's packing for the quest.
"I know you haven't done much studying lately what with your grades being based on how many hobgoblins you kill or whatever ridiculous system Aguefort has cooked up," Adaine rolls her eyes at that, "But if you don't mind a little cram session before you leave tomorrow, I can show you how to cast Teleport like I said. Might help you stay a touch less dead on your quest."
Her tone is light but her eyes betray her: Please, please, please don't die again.
Adaine's expression softens but then she scoffs, playing her half of their game. "I don't know what a Hudol dropout who's been in jail for the past year is gonna teach me but do your best."
Aelwyn is seven and her father is cross with her.
"Really Aelwyn," he says and even though they're talking via crystal she can feel the frost of his glare. "You thought it was appropriate to call me at work for no good reason? How many times have I told you and your sister to not bother me while I'm working."
She hates the word bother. She doesn't want to be a bother. She tries very hard not to be. Maybe she just didn't explain herself well enough.
"I know, father. But Addy got really scared and panicky on the playground. She was breathing really hard and--"
Her father makes a noise of disgust. "I don't have time for this. She is in primary school now. Stop coddling her. And her name is Adaine, not Addy. Please speak properly. I'm raising you better than that."
He hangs up before she can say anything else.
Aelwyn is eighteen and most of the claw marks on her arms have healed, which is nice. On her lap asleep is Hector who has apparently decided he likes her enough to use her as a radiator but not enough to submit to medical treatment without using her arms as a scratching post.
"You little heat vampire," she says as she slides her thumb across the screen of her crystal, searching for a video that will help her out. Eventually she finds one that looks promising and she calls it up.
On the screen, a halfling is standing next to a cat who is actively shredding her sweater with its claws. "You're going to be tempted to use some kind of a shield spell when applying the ointment," says the halfling. "But cats can smell abjuration magic and they don't love it. You won't get close enough to do the job. Isn't that right my darling?"
In response, her cat hacks up a hairball.
"Darling indeed," she says under her breath.
But even laced with sarcasm, the word is sweeter against her tongue than she anticipated.
She sinks her hand into Hector's fur and scratches his back for a few moments before tentatively speaking aloud. "Sleeping well, my darling?"
Hector says nothing--he's asleep and a cat. But warmth blooms in Aelwyn's chest--more than enough to make up for what Hector is leeching from her.
Aelwyn is seventeen and her father has just given her the most horrible command she's ever received in her life--and she's counting being made to sink a ship full of people in that calculation.
She knows her father doesn't expect her to delicately extricate the knowledge he needs from Adaine's mind. He expects her to get it at all costs. To ransack and pillage the memories if necessary with no heed of the consequences on her psyche. He'd probably prefer it that way--the more broken Adaine is, the easier it will be to mold her into a version of herself that is more useful to him.
Aelwyn is usually a smooth talker and a convincing liar but now, she stumbles all over her words, babbling out a stream of deflections and pleas as her heart squeezes tighter and tighter in her chest until she can't hold back the truth that she's been suppressing for years anymore.
"Adaine's just…she's a baby."
Aelwyn is eighteen and her apartment is full of cats.
She's always thought that the phrase, "One thing led to another" was a bit of a cop out--clearly there were key steps between point A and point B being glossed over--but in this case, there is truly no better way for her to articulate how she went from zero cats to ten cats in such a short amount of time.
She's sure that if she was still living with Jawbone, he'd have something to say about it but that's exactly why she isn't currently living with Jawbone.
She portions out food for all of the cats, saving Hector for last because he likes to eat curled up next to her.
"My darling baby boy," she says, lifting him onto the couch with her because the jump up is a bit much for him and his old bones. She kisses him on the top of the head and then pulls out her crystal. She scrolls mindlessly for a bit before checking her messages despite the fact that there's conspicuously no notifications.
Not that she has many people to expect texts from but she hasn't heard from Adaine in a few weeks and it's unsettling. When they weren't getting along, they were still living under the same roof. She was able to keep tabs on her, more or less. Now, they're closer than they've been in ages but barely talking.
I'm the older sister, I suppose, Aelwyn thinks. I should take the initiative.
She pets Hector with one hand and drafts a message with another: Are you alive, bitch?
She's about to press send but then she frowns and deletes the draft. After a few moments of thought, she taps out a new message: Can't believe I'm gonna say this. Miss my little sister. Everything all right?
Aelwyn is seventeen--though she doesn't feel like it.
Her mind is telling her that she's sixteen and that she was just been broken out of a jail cell in Solace but Adaine is telling her that she's just been broken out of an entirely different prison after being tortured for months even though she doesn't remember any of that.
But her body feels frail and Adaine says she's been in her mind which means she must have used the hard reset.
She's suddenly feeling very vulnerable--not because of the disorientation or the of the levels of exhaustion she can feel weighing on her like leaden chains. No, it's because of the fact that Adaine using the reset means that she must have read the treacle-y note that she left there for her to find.
It was just an insurance policy, she tells herself. There was wisdom to buttering up your savior to make sure she'd do what you needed her to do.
She manages to mostly believe it. But the small, truthful part of herself that knows how deeply she meant the words is so uncomfortable that she antagonizes Adaine until she's annoyed enough to hit her with a spell, sending her into blissful unconsciousness.
Aelwyn is nineteen and she's going to kill her mother.
Well, not alone of course. Adaine deserves the kill at least as much as she does if not more. It'll be a group effort.
It's a strange mix--the cold fury at her mother mixed with the warmth she feels for her sister, sitting across the table from her. She summons a flame to her palm, a preview of what their mother has waiting for her. She watches Adaine's eyes harden with resolve and she sees the face of her baby sister, left to wail alone silently for hours, soothed by her presence. "Let's get her."
"Yes, my dear," she says, the endearment coming freely as if this has always been their dynamic. "We'll get her."
But there will be time for that later. Right now, it's time for ice cream and seeing Adaine so content in such a simple pleasure causes the warmth in her to surge so suddenly that it would be startling if it wasn't so pleasant. The urge to voice it is so powerful that she doesn't know that would have been able to stop it at any point in life, let alone now.
"I hope we get to eat ice cream and cast magic forever," she says, words that would have been impossible for her to say one short year ago and impossible not to say now.
And, to her delight, Adaine agrees.
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cicada-heart · 3 months ago
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bonaventure cemetery 🤍
august 2024
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artilite · 3 months ago
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fuck you *lethal companies your in stars and time*
(long) exposition under cut (spoilers for ISAT + lethal company logs)
This au takes place around the time of sigurd's logs/before them (i haven't decided if Sigurd's crew exists here or not yet)!
Siffrin was someone who used to live on the Golden Planet before it got eaten. They may not remember anything beyond being found in an escape pod, but they're still paralyzed by fear when getting close to the selling window. He's always first in the facilities, making jumps, braving traps, and heading as deep as he can for scrap.
Mirabelle and Isabeau are the medic and fighter respectively, who both came from the same moon colony. They were both pressured into taking jobs by a work-based society, and applied for the company under the impression that it was a short, high-paying internship with nebulous risks.
Odile is their resident ship manager. She keeps a watchful eye over everyone and relays information about monsters, scrap, etc. In absolutely dire situations, she may come help with scrap. Despite claiming to be a first-timer, her badge says Leader??
Nille and Bonnie ended up with the crew after taking a chance to run away from their parents. Seeing a high-paying job that provided everything and would take them far away sounded too good to pass up. Nille lied about Bonnie's age to take them with her. After seeing the reality of this job, though, she regrets not finding another way out. Bonnie is permanently on ship-duty; they mainly type in whatever numbers Odile tells them. Nille is also a fighter, though she prefers the weighty stop sign as opposed to Isabeau's shovel.
Loop, after hundreds upon thousands of quotas, dying every possible death, learning everything they could- even the real identity of The Company- realizes there was one thing they've never done before. They've never died to The Company. Desperate for a way out, and haunted by the whispers and screams beyond the wall, they give themselves up. Maybe that would finally satisfy the monster- to have devoured every last piece of the Golden Planet. Maybe their crew could finally rest easy that way. Well, they didn't loop back. But through the dark and damp, there's static on the walkie talkie. Loop picks up, and hears their own voice just beyond the wall.
(Loop's design is the most different by far, since instead of consuming a star, they themselves are slowly getting digested. They're inspired by the visual of red crying faces from the logs :D)
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useless-englandfacts · 1 year ago
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so if you didn’t know, last week rishi sunak was due to meet the greek prime minister to discuss — amongst other things — the parthenon sculptures that we've been hoarding in the british museum for a couple of centuries. rishi cancelled last minute for no good reason and one greek newspaper came up with a great response:
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going through my old journals as part of therapy homework and i'm reading a section written in the emotional wreckage of a full-on breakdown when i get hit with this line:
There is never a satisfying answer to ‘Why didn’t they love me?’
like wow babe. good fucking point
#like you were on the ground biting the carpet and dry sobbing while you wrote that and still. good fucking point#not a shitpost#cptsd#and it's true. there's never a satisfying answer#the truth is i know why i wasn't loved#i analyzed my parent's traumas and abuse to death. i understand why i alienated and was alienated from my siblings#i know why my mom was too overwhelmed to be capable of nurturing#i know why my dad vanished into addiction and avoidance#the details of our cycles of trauma and cptsd and family history i have a phd in all of it#i understood perfectly. i spent years studying and now i knew the answer#and guess what? IT WAS NOT SATISFYING!!!#because they still didn't love me! and i still couldn't change that!#it was still a completely unsatisfying state of affairs!#so like. when the people who are supposed to love you...don't.#when the people who are supposed to take care of you...fail to#you can look for answers and reasons and explanations#but that's not actually going to FIX your situation.#and it's probably not within your ability TO fix the situation. (and definitely not your job)#because you don't need answers--you need a new situation#*inserts Just Walk Out. You Can Leave!!! (Running Skeleton) Meme*#and yes. walking out isn't always possible.#but for you i hope it will be one day soon. and i hope you build the courage to take that leap.#stepping away from the people who failed to love you...it feels like being untethered but also like being lighter than air#new and scary. immensely relieving. the future opens up. empty but empty like a canvas. blindingly bright until your eyes adjust#like climbing out of a pit you called home and for the first time realizing how bright the light of day can truly be#when you aren't just getting glimpses from the bottom of a hole
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rcmclachlan · 2 months ago
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fanclub dues (bucktommy, tommy & maddie friendship)
Buck's just pulling into the parking lot when the realization that he left his recertification paperwork on Tommy's kitchen counter hits him like another lightning strike, and he drops his head to the steering wheel with a whine. His cert expires today and absolutely has to be postmarked by noon or else Bobby's going to decapitate him, or worse: be really disappointed in him.
His first instinct is to call Tommy, because Tommy's starting a lovely stretch of 72 hours off, and if Buck called him he would absolutely drive the packet over.
Except Tommy's spent the last week reminding Buck to mail the stupid thing before the postmark deadline. If he calls and asks, Tommy won't say I told you so, but he will pause for a second like he's thinking about it before he tells Buck it's no problem. Which is in the exact same pantheon as Bobby's disappointment.
So, he does the next best thing.
"Actually, that works out, because I'm going to be in that area anyway," Maddie says. He can hear the rush of wind and traffic over the line. She must already be driving. "You know how we got on the waitlist for that kindergarten I was telling you about? Looks like a spot is going to open up next year and they asked me to come in for a tour."
Buck frowns. "You're already talking about kindergarten?"
"Jee's four, Buck," Maddie says long-sufferingly. "Kindergarten starts next year."
"That's insane, and also illegal. Tell that girl to stop growing or else she's getting arrested. I know a cop who would absolutely do it, no questions asked."
Maddie laughs, which makes him grin at his reflection in the rearview like an idiot. It always feels like he's won something when he manages to make her at least crack a smile, even when they were kids.
He thanks her profusely, texts her Tommy's address, and then rides that wave of joy right into the station, which continues to carry him through the first couple of hours of his shift.
Around 10:00, his phone chimes with a message. Just pulled up! Front of the house looks great! :-) :-) :-)
Buck smiles down at his phone. He helped plant the flower beds last weekend, and even though he's still finding bits of mulch in weird places because Tommy had pressed him back into the dirt and kissed him filthy in broad daylight in full view of his street, until their smiles got in the way, he can't argue with the end result. They do look good.
This little handoff probably will only take five minutes. Tommy still feels a little awkward around Maddie for reasons Buck cannot fathom for the life of him. Maddie is the kindest, coolest person on the planet, and she's so happy that Buck is happy and Buck is happy because of Tommy, so there shouldn't be any sort of weird vibe. But this is the first time Tommy's ever been in a relationship that made it to the stage where he gets to meet the family and he's so terrified of leaving a bad impression that it's translated into him acting like a robot whenever she's around.
It's maybe a little mean of him to send Maddie to Tommy's literal doorstep. He can just picture the deer-in-headlights look on Tommy's face when he opens the door, but Buck figures exposure therapy can only help. The more Tommy sees Maddie, the more he'll hopefully relax. Small moves.
Maddie will probably send a text in another few minutes about her ETA, but then the bells go off and Buck doesn't give it another thought until a few hours later when they're climbing into the truck to head back to the station.
Unearthing his phone, Buck is expecting a Looks like you're out on a call. I left your stuff on Bobby's desk. See you later!
He's not expecting a video.
Blinking, he checks the timestamp of the message—not twenty minutes ago—and feels the first nibbles of worry in his gut.
What if something happened at the station? What if Gerrard made an unexpected appearance, hoping to, like, challenge Bobby to fisticuffs to get his job back but found Maddie there instead? What if he says something to her, or tries to burn the building down while she's still inside? Maybe she took a video as proof before the ceiling caved in—
He nearly drops the phone trying to press play, and Chim slides in next to him just in time to see Maddie fill his screen.
But instead of evidence of their bitter ex-captain committing arson, it's a selfie video of her in a pair of sunglasses and a cap dancing and singing along to a song Buck doesn't recognize. He does recognize the kitchen behind her, though, because he'd eaten breakfast in it just this morning. There are two bottles of wine on the counter, one empty.
And after a moment, Buck realizes the sunglasses are Tommy's aviators and the pilot cap is the same one Buck accidentally stumbled upon in one of the upstairs closets and made Tommy wear a few nights ago.
But before he can process any of that, Tommy cha-chas his way into the background holding a plate of what looks like sandwiches. He's singing along too. Maddie turns around to look and starts laughing hysterically, the entire screen shaking like they're in the middle of a 9.1 earthquake, when Tommy starts hip thrusting.
Buck's jaw drops. "He said those dorky-ass dance moves were for my eyes only!"
"Wow, I never realized there was a patron saint of FOMO, but here I am sitting next to him. What an honor," Chim says with a laugh, but something in the video must click because his grin is suddenly swallowed by sheer outrage. "Wait, are they having a George Michael dance party without me? Maddie knows how much I love George!"
"What's your definition of dirty, baby, what do you consider pornography!" Maddie and Tommy shout gleefully at the camera.
Chim gasps. "Oh, divorce!"
"What was that about FOMO, Chim?" Hen asks sweetly, but she's grinning so wide at the video—even from her upside down vantage point—that the dig doesn't stick the landing.
Buck looks over at Eddie, who is watching the video serenely, like he's not shocked to see his cool friend full-on shimmying his chest while shoving a grilled cheese into his face.
"Are you not surprised by this at all?" Buck demands.
Eddie shrugs. "If you ever came to karaoke like we keep asking you to, you wouldn't be either. I don't know what you want me to say, Buck. Your man's a dweeb."
He's so annoyed that this is something Eddie's seen so many times before that it doesn't even warrant a reaction that Buck almost forgets to be upset about Maddie and the aforementioned dweeb day drinking and bonding without him. He's oh so glad to see Tommy got over his fear of impressing Maddie enough that he thinks he's allowed to do the fucking running man while in the same room with her.
"C-c-c-c-c-come on!" Tommy howls. Off screen, Maddie cackles and whoops like she's at a rodeo show.
Buck turns to Chimney and says grimly, "After this? You totally get me in the divorce."
Chim makes a face. "Can I contest that?"
"No," Buck says, swiping out of the video before he throws his phone into the street. Almost immediately it chimes with a new text. In a new group chat.
Faxed ur stuff bc ur bf still has a FAX MACHINE and CONNECTIONS at the dir!
Yes and arent uoy glad???1? EVan youre all set baby
BABY lmao gross Going to Jees school now tell u how it goes
When Bobby hauls himself into the front seat, he looks back at them and pauses. Buck doesn't know what his face is doing, but by the dubious expression on Bobby's face, it's nothing good.
"Everything... okay?"
Buck shrugs. "Other than my niece being destined for a career of slinging burgers at In n' Out because my drunk sister and boyfriend are about to get her blackballed from the Los Angeles public school system? We're copasetic, Cap."
'Copasetic,' Eddie mouths, then starts snickering. Buck kicks his foot.
"Hey." Chim smacks him in the chest. "Don't diss fast food workers, they're the backbone of our society. You're just mad you're not cheating Jee out of an education with said sister and boyfriend."
"Aren't you?"
"Well, yeah, but I'm well-actualized enough to simply rise above the betrayal," Chimney says easily.
Hen rolls her eyes. "He's not. Between the two of you, we're going to be hearing about this for the next four years."
"Sorry, Maddie and Tommy are doing what?" Bobby asks slowly.
The corners of Chim's mouth twitch downward. "Dancing to I Want Your Sex. Without me, might I add."
Buck's head turns so fast he hears something pop in his neck. "It's called what?"
"Oh god," Hen mutters. Eddie looks like he's ready to start dozing off.
Buck's gearing up for a really good rant when his phone goes off again, and when he opens the message, it's a selfie of Maddie and Tommy pressed together in someone's backseat—hopefully an Uber's—and grinning so hard it almost looks a little painful.
Jealousy starts to rear its head like a snake, but before it has a chance to strike he clocks the name of the group chat.
The Official Evan Buckley Fan Club.
Be safe out htere! We love you!
"I'm just saying," Chim gripes to a visibly unsympathetic Hen, "Maddie wasn't even a George Michael fan until I made her listen to Hard Day!"
Buck turns to Eddie and kicks his foot again. "Want to join The Evan Buckley Fan Club?"
"Dude, I've been treasurer for like seven years," Eddie says without opening his eyes. "And I cast the deciding vote when Tommy ran for president at the end of last year."
Once upon a time a there lived boy in Hershey, Pennsylvania who never dared to conceive the idea that multiple people might someday love him enough to start a fan club over it.
"You over it yet?" Eddie asks.
Something warm and sweet wells inside him and he ducks his head around a pleased laugh. "Yeah, for now."
He does make a mental note to have a serious talk with Tommy about the proprietary nature of those hip thrusts, though.
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raindropsyndrome · 1 year ago
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HIII I’M BACK! And I like Trigun now
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arrgh-whatever · 5 months ago
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ambipotentsbestie · 9 months ago
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i need to talk about how much i love the pjo show's way of introducing annabeth's character's backstory, specifically through her getting used to percy's chronic loyalty
the way she attacks him with a hug both times she thought he might've been gone forever??? (the arch and after he returns to chb) this girl who doesn't hold her breath over people staying around for her, who is so so relieved everytime percy comes back to her
the way she is absolutely appalled by percy's insisent reassurance. his "i'm perfectly comfortable with that, people make mistakes" his "people who love you shouldn't treat you like that" his "you are better at this than me, you just are" this is just percy being percy, always seeing the best in people, and never once treating her like she has to prove anything to him to be treated with care
and she's so caught off guard every time!! she tells grover to tell percy to pull himself together. she tells him "i guess so" when he asks if he has to earn it with her too. she is IMMEDIATELY at a loss for words when percy tells her that she's the one meant for the quest. that she's better at this. that he's not trying to sacrifice himself for his own glory, it has nothing to do with him, he's only thinking of her
and that's so new to annabeth!! someone who isn't trying to make her prove anything! someone who from the beginning saw her worth! not someone like her mother, who would see her die because she felt embarassed by her. not someone like her father, who loved her at first and because of someone else, began to not(or at least she thought so). not like Thalia, who made her prove herself, who for all valiance, still died, still left her. not like Luke, who promised family, and then betrayed her.
she's not used to someone who stays just for her
or in her own words,
"He's not like that, he's better than that"
i love annabeth chase
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