#so the fact that she doesn't even think about trying to do that and perpetuates the cycle instead is super interesting to me

[meowchela]

random ass lps popular thought but i literally dont understand people who treat brooke like shes innocent solely because her mom is shitty??? like to me it seems like a very clear "villain origin story that explains why they are the way they are but doesn't redeem them". her mom is neglectful and abusive, yes, but a lot of her actions through the series are like. completely divorced from that conflict. brooke may be taking ques from her mom with the whole cutthroat social attitude she has going on but her actions are still very much her own, like she only got the baseline ideology of "you need to stay at the top to have any worth" from her mom and everything else (the manipulation, cheating, blackmail, etc) is all stuff she chose to do herself to attain that goal. and even THEN she's doing it all completely to serve herself, her mom couldn't care less about her daughter's status in high school. brooke probably knows this and is doing whatever she can to derive self worth from her social status alone because she's all too aware that her mom just doesnt give a shit. so everything she does is still on her

i guess a more succinct way of putting it is like. brooke's backstory is more of a frame for her mindset than something you should feel sorry for her over, yknow? because as badly as she's treated at home she turns around and treats everyone around her the exact same way. abuse is cyclical and it's crystal clear that brooke is willingly continuing the cycle because she's obsessed with the power it gives her, power that was stolen from her that she's now stealing from others. and the kicker here is she HAD chances to make positive changes, both with her dad treating her nicer while he was still alive which establishes that she does know how to be kind as well as savy being willing to reconnect and give her genuine friendship again which could've helped her out of this toxic mindset. but she threw both of those chances away because she's so power hungry and is CHOOSING to continue acting like her mom because that's what gets her the most power/worth.

she needs help, but she doesn't deserve forgiveness or sympathy because of all the heinous shit she's done. also, you can't help someone unless they accept the help and/or are willing to change, and we've seen that brooke is NOT willing to change at all. idk man i just dont think we should be so fast to absolve her of accountability when she hasn't shown any willingness to overcome her circumstances. like not even "oh i want to change but things are so hard" no she doesn't want to change full stop. shes stuck in her mindset and that's her downfall and that's the point

anyway brooke would fucking love marina and the diamonds. unrelated to everything

[prismalmelonman]

Touching on Gale, Wyll, and Halsin's traumas being a bit undermined in parts of the fandom

So one thing I notice on Twitter is how some people act about the bg3 characters whose abuses were perpetuated by women.

Gale specifically for this reason (but I will touch on others)bbecause I see him dismissed super often as "can't get over his ex".

But Gale's case obviously be has the line of Mystra being like "she was my muse, my teacher, and then my lover" and sure to some that's a red flag in itself (when it comes to adults I don't really give a fuck about teacher/student) but if you view it from not only Gale's own words "ive been connected with the weave for as long as i can remember"

And that doesn't distract from his genuine love of magic of course. And it also doesn't mean that he's actually been in connection with mystra for an amount of time.

However, if you ascend Gale, and he becomes a god, you get a bunch of new little things. Tara reminiscing of course, but you get a letter from Elminster, detailing that Mystra had Elminster scope out Gale when he was eight!

And sure is that pretty cool that he's a prodigy that got the attention of the goddess of magic at that age? Yes. Mystra is, however, known in forgotten Realms lore to seek young young boys who are in tune with magic to make into her chosen. And from context clues, her chosen can be anything from Elminster and Volo, dedicated wizards who try to keep things in check, etc etc. or they're somewhat of playthings to her.

Minsc also has a conversation where me mentions that weave-touched boys in his homeland were hidden away to hone their craft, then suspecting that it was because of Mystra, given Gale's case.

Gale always seems so proud that he got to bed a goddess, and on the surface, hell yeah, that's cool.

Gale continued to have her attention even as he went to Blackstaff Academy, and Mystra eventually did take him on as an apprentice directly to her, later making him her chosen, and sleeping with him.

The reason it bothers me that people dismiss all of Gale's stuff to just "he can't get over his ex" is because that's is like almost textbook grooming? She was in his life from a young age, shaping and moulding him up as he grew up to be her perfect chosen, rewarding him by sleeping with him, and so on. And then of course casting him away when he has his folly with the netherese orb (and to be fair, it very well could have looked like to her that he was trying to seize the power himself and yes the orb does siphon off weave. That is a problem for the mistress of the weave yes).

But she also tells gale to KILL HIMSELF for her forgiveness.

Gale is much more than "unable to be over his ex" this woman was in his life since he was a kid. She's almost all he has ever known. If course it's going to be difficult for him to 1. Say no to her. 2. Get over the fact that he's lost someone that he spent his literal entire life dedicated to. Honestly if asked, I don't even think Gale would acknowledge or really see that what he went through was, in fact, abuse until it was spelled out in front of him. (Which does happen somewhat with the player character pleading to him that killing himself for mystra's forgiveness is actually horrific and that he should in fact be angry for how he was treated)

Similarly, and this one has been discussed a lot, Wyll and Mizora. Wyll was 17 and actively trying to help his people. 17, in a vulnerable state, willing to do anything to help and prove himself. Mizora very clearly took advantage of him, and regards him as a "pet", refers to him being "leashed", and so on. Personally, I do dislike the sexualization of their relationship, because it very much is also grooming (although a different type. Rather than manipulating and shaping his life from the ground up, she takes advantage of a vulnerable and desperate state to manipulate and contract Wyll into doing her bidding. I won't go too deep I to this one because it has been discussed to hell and back. But I did wanna touch on Wyll's situation as well.

Also, Halsin as well, though that has also been discussed in many retrospectives by a very good friend of mine. Halsin's trauma often get dismissed due to his polyamory, open sexual nature, and his own somewhat diminishing/dismissal of it, which honestly I love the representation of, cause for a while I did that with my own trauma. Halsin was a sex slave to a house of Lolth-Sworn drow, a matriarchal society, where the men are generally used as fodder or for breeding, though male Lolth-Sworn drow can be wizards and rise in the ranks if wizardry, but are limited everywhere else. (Minthara mentions that the third male, and every subsequent male child after third are killed for being"useless"). Halsin often referred to them as "hosts" rather than being captors, (though he does touch on that if the Player Character threatens to sell him back into slavery). Again, everything I'd have to say here for Halsin has entirely been discussed top to bottom by a friend, their link is below!!

Anyway, long story short, I dislike it a lot when Gale, Wyll, and Halsin's traumas and abuses get diminished, even if/when the character themself doesn't see or acknowledge the abuse in the same lens that we, the players, do.

[theysherobinbuckley]

a little something I started but probably won't ever finish - alternate first meeting steddie! post s3, pre s4

(context: in an effort to cheer up his perpetually grumpy new neighbor, Eddie broke out his old skateboard and immediately ate shit for it. Cue Red calling none other than Steve Harrington to solve the problem...)

Red was barely in the door when Harringron turned on him, jaw clenched and fingers twitching. Having those dark eyes focused so entirely on him nearly made Eddie dizzy.

His lips were moving and- oh shit. Eddie was totally supposed to be listening.

"Uh, what?"

"What are you doing hanging around Max?"

Eddie frowned. "We're neighbors?"

"So?"

"So I'm being… neighborly? Is that illegal?"

"Neighborly is getting someone's mail while they're out of town. Not a super senior hanging around with a girl who's not even in high school yet."

"You better be fucking careful what you're accusing me of, Harrington, because to be honest, you don't look any better. Don't think I haven't heard your beemer pull up at all hours of the night. What the fuck is that about, huh? King Steve likes 'em young?"

Eddie's back hit the trailer before the last word even left his mouth. All the breath rushed out of him at once as Harrington pinned him with one arm across his shoulders.

"Don’t fucking say that," he seethed. "She's like my sister. I'm not- I wouldn't hurt her."

Eddie reached up to pat Harrington's arm placatingly, sending him as sweet a smile as he could muster.

"Hey, I believe you, man. I'm a little lost, sure, but I believe you." He sent a look to the trailer to his right. "Now can you let me down before Muriel sends Axel out to break your arm?"

Harrington followed his gaze and, upon seeing Muriel frowning from behind her curtains, dropped Eddie faster than if he'd told him he had the plague.

"We're in my kingdom now, Harrington," he said, grinning and waving in Muriel's direction. "These are my people. We take care of each other here. And Red's one of us, whether you like it or not."

Steve frowned, opened his mouth to respond, maybe even protest, but Eddie cut him off.

"I was just trying to make the kid smile, okay? So I got out my old skateboard, did a few tricks, busted my shit." He held up the ice pack he'd stolen from Red's fridge. "She called you 'cause she said you'd know what to do."

Harrington was quiet. Noticeably, he did not apologize for jostling Eddie's extremely sore wrist, but whatever.

"Did she?"

"Yeah, man, I tried to talk her out of it, but she seemed pretty confident you'd pick up. And here you are, so…"

"No, I mean- did she have fun?"

Eddie shrugged. "I mean, she didn't look as miserable as usual. Laughed a couple times when I fucked up a dismount. What's up with that, by the way? The constant dispair?"

Harrington's whole body tensed, and Eddie was almost scared he was gearing up to punch him just for asking.

"You remember Billy Hargrove?" he replied, his voice tight.

Eddie couldn't help but sneer at the mention of that piece of shit. Wayne had always taught him not to speak ill of the dead, but that didn't mean he couldn't think some choice things about him. Like the fact that he was pretty sure the guy was rotting in hell for all the things he'd said to Jeff in the school halls.

"Unfortunately. What about him?"

"He was Max's older brother. Step-brother."

"That's..."

"Fucked?" Harrington supplied. Eddie nodded. "Yeah. So I just- I need to make sure another Hargrove doesn't come around. Sorry I got all... you know. I've been told I can be kind of intense."

"No shit," Eddie laughed. "No hard feelings, I guess. Since it's in Red's best interest."

"No hard feelings," Harrington echoed. "Thanks for looking out for her."

Then, something Eddie had never even dreamed of: Harrington stuck his hand out, clearly expecting a handshake.

Huh.

It was over in a second, but Eddie's hand burned where Steve's had been.

"No problem. I'm kind of the park babysitter," Eddie replied. "Part of the job description."

Harrington lit up at that.

"I babysit too! Max and a few of her friends. 'S why I'm always around. I'm usually playing chauffeur for one of the other gremlins."

"That makes more sense than you having a torrid love affair with Susan."

"Yeah, she's not really my type," Harrington said with a smirk.

Eddie watched in shock as Harrington's eyes slowly, deliberately dipped up and down his form.

Talk about fucking whiplash. Eddie could still feel Harrington's strong arm against his chest, the brush of Harrington's nose against his own, the heat of Harrington's breath on his face. And now the king was checking him out?

"I see. Not into MILFs?"

Eddie was in the middle of making plans to staple his big stupid mouth shut when Harrington laughed.

"I'm more into brunettes."

And boy, didn't that seem pointed.

[pillowspace]

HI….👉👈 AM I ALLOWED TO ASK ABOUT YOUR SIBLINGS AU????

sooo so curious if you have an facts or tidbits to share like! whats their dynamic like? is there any Backstory to this oooor just for fun? i am. very very interested ehe

(only if u want to tho!!)

(About this post and this post)

Mmmm! Let me see what I can think of!

Mal's full first name is Maldu. I imagine everyone would call them Mal except for Odile, since she calls Bonnie Boniface, and would presumably call Mal "Maldu."

Mal is like 12-15, I'm not really strict on the exact age. Since Mal would be the second youngest, they would probably like following Bonnie around even if Mal doesn't really know how to "play" or anything. They just kinda... stand there and try to curiously mirror whatever Bonnie does.

Mal is a bit quiet. They can speak, but they don't do so often, and are more likely to speak when they're upset than when they're pleased.

The red star that hangs from their bandana cannot be seen in colour unless Mal is especially upset. Not the most upset of their life like Siffrin, but even just a big cry could cause the star to shine for everyone to see.

Mal is very sensitive and cries easily. Siffrin's grown practiced at calming them down but still gets freaked out by the sudden tears.

Mal likes quietly watching and listening. They enjoy being taught by their allies how to perform certain tasks, and will give that wide-eyed look of a silent "really??" when praised for doing something right. They soak up praise like a sponge due to a perpetual feeling of doing something wrong.

While their right eye spirals, Mal's left iris is entirely white! It's usually covered by the slanted hat, however.

And! I hadn't actually really thought of a backstory until just now, but does this work? I think it maybe could

Siffrin accidentally created Mal through Wish Craft when he had a mental breakdown as a child/teen soon after the northern island's disappearance, though neither of them know this, and they did not meet until a couple years after this happened. Mal's existence slowly came to be with a clear understanding that they existed for a reason, but they weren't sure why. When Siffrin and Mal eventually crossed paths, it was like finding a second half that you hadn't even realized you had lost. Though even after meeting, the two are still unsure of how this happened to begin with. As far as Siffrin's concerned, the two just "clicked," and does not remember the breakdown. Meanwhile Mal's not really sure where they came from or what they are, but they gladly latch onto the protection Siffrin offers.

Mal is simultaneously an extension of Siffrin, and a separate being entirely. Mal was made from Siffrin's soul, even if Siffrin hadn't meant to share himself like that. When one is hurt, the other shares the echoes of their pain. Mal likely severely panicked when Siffrin lost the eye, and the echoing pain in Mal's own head surely didn't help. If ONE panicked kid (Bonnie) wasn't enough, you also get TWO in this AU! Congrats!

Since Mal was created from Siffrin's distraught state, it reflects through Mal in certain ways. How sensitive they are, how timid they are, their unease, their anxiety, etc. Siffrin's helping Mal every step of the way though, and is very protective of them, urging his allies to be gentle with them.

[miharuhebinata]

do you mean twilight princess, in which she held a sword exactly once in a flashback and pretty much immediately dropped it in surrender? or wind waker, where she forgets how to use a sword the second she turns into princess zelda until literally the final battle 🤔? and i genuinely can't think of whatever other time you're referring to that she apparently uses a sword. spirit tracks? ok i'll give you that one, i guess, because phantom zelda is pretty badass, but other than that.........??

"ummm actually it's a good thing that zelda plays differently from link, because link has the triforce of courage so of course he fights and uses swords! meanwhile zelda has the triforce of wisdom, so obviously she's going to find more clever ways to solve her problems teehee ;)" hey did you guys know you can still be excited for the game while also acknowledging it's pretty fucking shitty of nintendo to act like zelda is incapable of picking up a sword in a mainline game.

[stonegoldsxcrxt]

Ah, Star Wars fans. Once again perpetuating the Draco in Leather Pants trope to the point where we're all sick of it. Do I have to beat someone with the 'He's-Supposed-To-Be-Evil' Stick or something?

yeah. the acolyte itself as a show is straddling a line right now that, I'm sorry, I kind of don't think the Star Wars fandom at large is media literate enough to understand.

I've already seen a number of tiktoks and tumblr posts saying, "omg now I understand reylos," which besides being exhausting and annoying, immediately proves my point. There's obviously some differences between reylo and whatever osha/qimir is called within both production and the narrative, but overall what I'm baffled by every. single. time. is how weirdly everyone in the star wars fandom reacts to an attractive male villain blatantly manipulating a young woman.

I think the acolyte is clearly aiming for us to see and understand that Qimir is manipulating Osha. We know Qimir is clever. We saw him successfully worm his way out of being caught by the Jedi by playing up the "quirky sidekick" shtick. What I don't think a lot of the audience picks up on is just how smart he is. During one of his and Osha's conversations, he lets her suggest things and make assumptions, ie:

Osha: Where’d you get that scar?

Qimir: How do you think I got it?

Osha: Looks like someone stabbed you in the back.

Qimir: Someone who threw me away.

Osha: Your Jedi Master?

And then he doesn't correct her or elaborate. He lets her assume the worst. He lets her imagination wander. He's not interested in explaining because he knows the real story, whatever it may be, doesn't make him look as favorable as her idea. It's exchanges like that that are subtle examples of his manipulation, less obvious than the outright goading he uses against her when he gets her to admit she thinks of herself as a failure and that's why she left the Jedi.

There's also the earlier exchange:

Osha: He’s found me before, and his strength in the Force is very powerful.

Qimir: You think that’s his strength? That’s your strength in the Force, Osha. Someone ought to teach you that.

To a lot of people, that sounds like a compliment. But it isn't. Qimir makes a statement vague enough that successfully implies the Jedi have been lying to Osha about her own strength in the Force while also keeping just enough information to himself that he knows Osha will stick around to find out what he meant, instead of swimming to the ship he points out to her right after. And she does exactly that, continues to follow and engage in argument and conversation with him.

In fact, Qimir knows the more Osha talks to him, the more Osha even entertains the idea of talking to him instead of leaving, the more he can get inside her head. His naked swimming jaunt isn't him flaunting or showing off for Osha in some genuinely romantic way– it's yet another manipulation tactic. Though, if she is seduced, that helps him too.

Qimir purposefully makes himself into a vulnerable state in front of her to lull her into a false sense of security. He leaves his weapon with his clothes so she has the opportunity to take it; he is signalling to her that he is "completely" disarmed, though that is not true, since we know he is far stronger in the Force and in combat, and, perhaps, more cunning than Osha. His nudity forces Osha to acknowledge he is human, and Qimir benefits from Osha thinking of him as just a quirky, charming loner who's the victim of the Jedi, who offers her soup and disrobes in front of her.

The reason I know that none of this is genuine is simple. He goes back and forth between flat out acting as if he pities Osha ("Why do you love people who can only go so far?") but that doesn't get him the reaction he's looking for, so he bounces back to antagonizing her ("Why aren’t you a Jedi, Osha?) to finally, convincing her that she is similar to him ("I understand.") None of these things are actually Qimir trying to get to know Osha. Sure, he needs to understand her to manipulate her, but he'd do or say anything to get her to stick around and allow him to corrupt her further.

to me, Qimir is kind of the Star Wars equivalent to like a mimic species in the animal world. He's smart enough to know that in order to get what he wants, he has to act a certain way that isn't necessarily his real personality, and he can exploit Osha's (and anyone else's, for that matter) feelings by molding his personality and actions to achieve his goals so his victims are less likely to notice that he's using them.

The problem is that a big portion of the audience doesn't appear to recognize it, either. We know the rules of the Star Wars universe very well by now. Force Users this deep in the Dark Side cannot actually love someone. Sure, they can be obsessed with someone, but they cannot actually reciprocate feelings as the Dark Side corrupts them.

I've come to the conclusion that the majority of people watching Star Wars are not watching with the intention of picking up on any of this, despite the fact that the acolyte is actually doing it quite masterfully. They are paying attention to Manny Jacinto's muscles, and little else. You cannot argue or convince people who do not want to listen. They did not want to listen in 2017, when the reddest of red flags "You're nothing, but not to me," line was delivered, which had all the subtlety of being hit over the head with an anvil, and they are not listening now. If people are able to be gaslit by Kylo Ren into believing his victim card was validated, they will certainly and inevitably be gaslit by Qimir, who, so far, is much more cunning.

the acolyte even *plans* for this though, deliberately and suddenly cutting to the scene of Jecki's lifeless body, reminding the audience that Qimir is not the quirky, charming, harmless loner who he presents himself to be, but actually a man who we know to be capable of unspeakable acts of violence towards even children. at this point, I can't actually see any reason why the fandom continues to act like he is in love with Osha in any kind of genuine manner when it's so mind-blowingly obvious that he is male manipulator #1.

I think does a huge disservice to the story the acolyte seems to be trying to present at this point to be so blind with lust or whatever it is the fandom feels towards this guy that his own tactics have begun to work on them. it's actually so incredible that it makes me a bit ill. they may find him hot all they want, but for the love of Leia Organa's Star Wars at least recognize his tactics for what they are instead of also allowing yourself to be fooled!!

[chronicowboy]

When Connor finally comes over to the loft, Buck can only think thank god.

Its not that he doesn't like Kameron, he actually really enjoys her company. She's funny and bubbly and enjoys learning whatever new facts he'd found on Wikipedia that day and she has killer commentary for shitty reality TV.

Its not even the whole pregnant thing. He laughs when she balances her plate on her belly and he always braves her adventures in craving combinations even if it ends with him gagging and swearing never to eat tuna or jelly ever again - sidenote: chips and whipped cream is a new go-to snack.

He's just fed up of feeling like a perpetual roommate in his own apartment yet again. And his couch fucking sucks.

Also, like, its great that Connor and Kameron are starting to talk things through.

But his couch sucks.

So, when Connor comes over looking sheepish and apologetic, Buck welcomes him in with a smile. Kameron... not so much.

"I'm... gonna head upstairs," Buck mumbles into the awkward silence of the kitchen, "and get into my running gear." He nods once before fleeing up to his bedroom.

Buck dives for his headphones when their hushed voices start hissing at each other, connecting them up to his phone with fast hands and blasting his workout playlist as loud as he can bear. He strips efficiently, pulling on a pair of shorts and a tank top in the bathroom when the voices get louder. Then he's rushing downstairs and grabbing his sneakers, wondering if it would be wise to run all the way to Eddie's house.

His hand is an inch away from the doorknob when Connor stops him. With a silent sigh, Buck pops a headphone out and turns to face the scene in front of him.

Kameron is leaning on the kitchen island, palms flat against the marble, fingers curled under her hands, head hung low. Connor is wide-eyed and pleading, his grip on Buck's wrist tight and unyielding as he keeps him fixed to his spot.

"Buck, tell me you could raise a kid that wasn't yours," he begs, something frantic to his voice. Buck thinks he recognises the fear in Connor's eyes, thinks it looks a lot like Chimney haunting the loft weeks after Hen and Eddie had returned home. Not a fear of covid or DNA, but a fear of fatherhood cloaked in a thousand defences. "Tell me that it wouldn't bug you every single day."

Buck blinks. He opens his mouth, but something thick and cloying crawls up his throat and stops the words from coming out.

He sees flashes. Too-long curls and crutches and glasses. Nights spent huddled on a couch in front of the same shitty kid's film that Buck would happily watch a hundred times over, days spent hunched over worksheets at the dining table, mornings heavy with sleep but light with joy. Trips to the zoo, visits to the aquarium, tours of the observatory. Nightmares and tears and a run away on his doorstep. Sodden clothes and clasped hands and such visceral fear that Buck had thought he was dying. Saying no to one last game, mixing veggies into the sauce, putting his foot down on screen time. A bag full of pharmacy supplies and the tiles of the bathroom floor cold under him and growing pains Buck feels in his old bones.

"It wouldn't," Buck croaks, it feels a lot like a confession. "My captain has been more of a dad to me than my father ever was." Buck shakes his head, shrugs. "Its not about DNA, Connor, its about love."

"But." Connor's chest heaves with panicked breaths. "So, you'd do it? You'd raise another man's kid?"

Buck recognises the fear again, but this time its his own. Connor is feeling the same fear that had Buck staggering through the ravaged streets of Los Angeles. The same fear that had Buck withdrawing, trying to chase Eddie and Christopher out of the door with a list of all his sins. The same fear that had Buck reminding Eddie of Christopher's biological family. The fear Buck feels every time he has to say goodbye to Chris.

Its then that Buck's phone buzzes. He glances down at the new notification. A picture of Eddie scowling down at a cookbook captioned uh oh - backup needed ASAP.

"Oh," Buck breathes down at the screen.

All the flashes suddenly comes together, one beautiful mosaic of parental devotion.

Buck remembers the way Chimney's dad's words had lodged something sharp and painful into his chest, remembers wondering why. He remembers a quiet conversation on opposite sides of a hospital bed, remembers wondering why me. He remembers scribbling hearts together for an assignment, remembers its his turn to save you. He remembers wondering if he could be a donor not dad and Eddie asking if he knew any of Christopher's secrets.

"Buck?" Connor prompts.

"I'd do it," Buck says, only looking up from his phone when it fades to black. When he says it, it sounds a lot like you know I wouldn't. "Because... even though that kid might not be my blood, he'd still be mine," here, his voice cracks right down the middle. "I'm sorry, I have to go."

"What? Buck!"

"Sorry." Buck yanks the door open and looks over his shoulder with an apologetic shrug. "My kid needs me."

[remembrancer-of-heresy]

POV: You are a perpetual and you had a long term romance with one of the primarchs (something between 100 – 150 years). Although the relationship proved itself useful and even pleasant while it lasted, you ultimately grew weary of your partner('s antics) and are now actively ghosting him. The question is... How well will he take you disappearing on him like that?

Tag List: @kit-williams, @druidwolf21

I thought about this question for a long time. I think it doesn't matter whether the reader is a perpetula or not. What matters is that she leaves the primarch.

The best reactions would be from Vulkan, Jaghatai Khan, Corvus Corax and Rogal Dorn.

Vulkan will be sad about your choice to leave him. But he loves and respects you, so he lets you go. Jaghatai Khan hates himself most of all for the fact that Chogoris joined the Imperium. For choosing slavery over freedom. So he decides that you also chose freedom.

Corvus Corax also loves and respects you. However, this does not mean that it will not affect him. Most likely, he will fall into an even deeper depression from what a monster he is. Rogal Dorn will accept your decision with all the fortitude he has. But it is unlikely that he will open his heart to anyone again. Perhaps he still believes that you will return to him.

Alpharius and Omegon would also most likely not resist your wishes. They would not try to bring you back. If you want to break off relations, then fine. But that does not mean that they want to break off… yes, they do not interfere with your life. But that is because they carefully monitor you and do everything to make sure that you live comfortably.

Magnus the Red, Sanguinius and Roboute Guilliman. I do not think they will like it. Most likely, they will try to bring you back and as gently as possible. They will try to talk to you, find out what the reason is.

Horus Lupercal, Fulgrim and Lorgar. Just like the previous primarchs, they will try to bring you back as gently as possible. Only there will be much more manipulation. Oh, they will use their charisma of the primarch to the maximum.

Leman Russ, Ferrus Manus and Lion El'Johnson. They will simply bring you back. They will not touch, they will not arrange manipulations. They will just wait for you to stop acting like a crazy cat and understand that you will be better off with them.

Perturabo and Konrad Curze. Not only will they be angry, hurt and horrified by your departure. Not only will they kidnap you. They will lock you in four walls. They will torture you psychologically. Maybe even physically. You belong only to them. You must love them as they love you. Leaving them would be the biggest mistake of your life.

Angron and Mortarion. Like the previous primarchs, they will kidnap you and lock you in a room. But their approach is completely different. Angron will ignore you for the most part. Sometimes he will come into the room and stare for a long time. He made you his slave, although he hates slavery. And yet he cannot allow you to leave him. You are his salvation. The best thing that has ever happened to him. The entire Imperium will burn, but you will not leave it.

Mortarion will often visit you and cry. Ask why you left him. He will promise to be a better man. Just don't leave him okay? The whole ship is trash, a rotting wound and waste. You're in this wonderful room like a fairy in the Garden of Eden. He doesn't deserve you. But he needs you. Let him be near you.

[cyborgartalchemist2]

Imagine being so fucking aggressive about a ship you make jokes about Magneto and that very groomer scene from X-Men 97 that just... excuse the behavior? Because that doesn't sound very progressive in my opinion. Like yeah... rape culture in relationships just permeats fucking shipping but lets do nothing to argue against it. Lets make jokes that perpetuate the behavior and excuse men taking advantage of women.

To me having Magneto take advantage of a much younger mutant under his tutelage because she's desperate for physical connection and he's the only one she can touch is meant to showcase A) how Gambit contrasts Magneto and B) remind us that Magneto is never above using mutants for his own gains.

If this were reality most people would be calling Magneto a groomer and worse. We know Rogue was still a teen when Mystique took her in. We know that she's been an X-man for a few years. So Magneto was patient enough to wait until she turned 18?

Historically he hasn't done well with his love life. Scarlet Witch and Quicksilver's mom left him without telling him he fathered children because she was scared of him! (I'm only going on TAS and 97 here since this is an adaptation.) So where in the high heavens does everyome think he would be good for Rogue?

I don't care about the 'better than Remy' arguments because that's not the point! The point of who you ship Rogue with should be about if it's a relationship that is good for her! Is she their equal? Does she get treated with respect? Magneto looked at the Genosha council and without asking Rogue said "I'll lead but only if this woman I am trying to get back is my queen". LIKE DOES THAT EVEN SOUND MATURE? Magneto shows up, sees Gambit and Rogue being even mildly affectionate and starts pulling asshole moves on Rogue. And the narrative did nothing to make Rogue stand up for herself (which she would have) she should have told Erik "I'm a big girl I can get my own sugar for my coffee." She is shown numerous times to remind everyone she is no one's 'territory'.

Also wish to address the fact that making Rogue x Magneto comes with a 'sex is the only thing that matters!' Flavor that is exactly what so many of us are tired of in shipping. When did shipping stop being about the drama of a couple fighting against a narrative that pushes them apart or about finding love in the most unconventional of places, like alien hunting? And become solely about how nasty they can fuck? Seriously?

AND it's so blandly hetero it's not even funny. Because honestly the ways in which a couple can experience pleasure that don't involve traditional p in v penetration is vast and wild and there are enough types of gear and costumes and the like to facilitate that between Rogue and Gambit. Because that's all the argument has to stand on, is which man can fulfill her sexual needs. WHICH SHE HERSELF REALIZED WASN'T ENOUGH. She kisses Erik and goes "nope they're ain't any sparks there. This isn't going to be fulfilling ever."

Not to mention the fact that I can't genuinely see Magneto offering to die for Rogue. Sorry that grandstanding in Genosha was not the same. It was barely a heroic move... he still didn't save the Morlocks he promised to protect... he still failed. He couldn't save Leech and he couldn't stop the Sentinel either. Because yeah Magneto attempted to save Rogue and Gambit, but he did nothing to save the Morlocks at his side and he also survived without taking out the giant killer robot... but Gambit? Gambit said fuck it, gonna take this motherfucker to hell with me. He stopped Rogue from facing the sentinel so he could. And he actually stopped it. All on his own. Because that's what an x-man would do. Sure Magneto protectdd two people but sacrificed the morlocks yet again...

AND ON THE SUBJECT OF ROGUE x GAMBIT

Has Gambit always been great with Rogue? No, but that was the 90s and now look at how he handles shit? Comics writing has grown. It was a lot more heternormative and still had lots of rape culture hold overs in it.

Look at the episode when Cody shows up. He uses Rogue's connection to him from the past and then puts her in a situation that almost takes away her humanity. Her powers, which was what lured her into this trap in the first place, saved her from a man taking advantage of her. And the one time Gambit (in TAS) takes advantage of her, Morph in her form, told him to come and get some from her first. (So while he should have paused and woke Rogue up before kissing her, he had what he thought was an invitation.)

Gambit takes Rogue's decision to rule Genosha with Magneto incredibly well. He doesn't get mad, he doesn't call Rogue names, he doesn't do anyhting to hurt Rogue the way she is hurting him. He accepts it like a gentleman. Unlike Magneto who pursued Rogue's affections in unhealthy ways.

So uh... yeah that's my fucking rant.

[mister-tom-a-dildo-lover]

You know that new anime where the guy hears his bosses porny thoughts about him whenever they end up touching? Think of that for Tomarry. I know you said you don't do porn for these, but that doesn't meant you can't make Harry experience a wide range of Tom's interesting thoughts! Also congrats on the milestone! :3

A Cherry Magic! AU. XD

Fandom: HP Ship: Tomarry RATED: M-Rated(for language and descriptions XD) TAGS: Cherry Magic! AU, Drama, Humor, Explicit Language, Innuendo, Flirting, Pornographic Thoughts, Magic(in-universe version), Homophobia(in thoughts only)

~.O.~

For Want of a Cherry!

It was just supposed to be a legend! A little folk tale that was supposed to shame people for not being sexually adventurous or something! Because, of course, people would have to put so much stock into whether or not you have sexual experience.

The day that Harry James Potter turned 30 his world was flipped upside down. His friend, Ron, had told him about that. little legend last week, teasing. him about the fact that he was still single. His wife, Hermione, who had been their friend since they were in primary school, had smacked him upside the head and told him that there was no shame in not being in a romantic relationship, nor was their shame in either sleeping around or not sleeping around.

He'd been on blind dates of all sorts over the years. Some even set up by his friends themselves, but maybe he was just really boring. None of them had elicited any kind of reaction, regardless of how attractive the other person was.

Maybe he was just one of those people who was not destined to be in a romantic relationship of any sort. There were people who went their whole lives not getting married and not having children, and they weren't miserable for it. It was completely possible to live a fulfilling life without having a partner at your side.

But the one thing that Harry could never really let go of was the fact that he was kind of bitter. People his age liked to go out to the clubs, or go drinking, or try out illegal substances. They were experimenting with different forms of entertainment and finding the places that helped them be themselves. And Harry had no interest in doing things like that.

He was probably the biggest introvert in the world, despite all of the sports he played back in school. Despite all of the events he had been forced to attend to support his parents and their business. Despite all of the dinners the company he worked for orchestrated constantly.

Harry James Potter was just avoidant and hated when he had to go places and be with people!

But deep down, he did wish that he could finally have some kind of reaction to somebody! Being, the perpetual third wheel that was resting outside of all of his friends and their romantic relationships was really annoying.

And now here he was on the day of his 30th birthday. Now, suddenly, frighteningly aware of the fact that that little tale that Ron had told him in jest last week was apparently true!

The barista at the coffee shop he went to every day had always given him a bad vibe. He couldn't really explain it because she had always been positively pleasant, but it always felt very fake. Enough for Hermione to smack him and tell him that judging without just cause wasn't good and made him look sexist.

He didn't personally agree with that but knew it was something Hermione took seriously, and he'd never experienced anything sexist save for the time a guy thought he was a girl back during fifth form.

But today the bad vibes were proven to have been legit!

He'd reached out to accept his iced spiced coffee and his hand brushed the barista's fingers in the process. His mind was instantly flooded with her voice despite her mouth being closed.

He's so hot! He'd be great boyfriend material if he was more masculine and less poof-y!

For a moment he thought he'd imagined it. But no... he'd frozen in place and as such, their connected hands revealed more of her mind to him.

Maybe I can turn him straight!

He mumbled a nervous word of gratitude and shuffled off before he could hear any more.

Harry had to find out how this worked and if it was there to stay!

Also, the barista was a homophobe. Nothing like vindication for the vibe check failing.

~.O.~

God, his hair is perfect. It just flops around when he moves and gets in his eyes so adorably! I want to tuck it behind his ear and cradle his face between my hands!

I wonder if my mom will make curry tonight.

Those glasses made him look so dashing too! I could stare at him all day.

Sandra looks like shite, as always. I've always been prettier than her so what does John see in her!

Maybe, if I play my cards right, I can get him to agree to come to dinner with me tonight. Maybe I can even convince him to come back home with me. It's his birthday after all. I'd treat him so well too.

Fucking birds shat all over my bloody car and now I have to deal with this bastard's cheery face all damn day.

I don't even like him like that but he keeps coming on to me and he knows how I feel about it but he just won't stop! I'll need to call my brother. He'll scare Ted away.

I would bend him over the desk in my office and eat him out so well he wouldn't be able to walk afterward.

Harry flushed instantly and looked around, finding himself trapped in the lift with about a dozen people and five of them were touching him at once!

A hand on his shoulder made him jump, and he found Tom Riddle, his boss, standing behind him. The person Harry was practically leaning against in the far corner of the lift to try and avoid everyone else! The owner of that delightfully built torso.

The only one on the lift who could possibly know it was Harry's birthday... meaning... those horny thoughts had been from... him...

"Are you well, Harry? Your face is flushed," he said, placing a hand directly on Harry's brow to check.

His mind was flooded with Tom's thoughts immediately.

His skin is so smooth. I want to put my teeth on his neck and leave it ringed in bruises. I'd have him sit on my face as I decorate his thighs with my marks. My tongue shoving so deep inside that he sees star-

"I'm fine!" Harry said, backing away a bit, only to be assaulted with the thoughts of too many people at once. He stepped right back into the near-circle of Tom's arms, and tried to ignore how pleased this seem to make the man who usually seemed so unaffected by everything.

Since when was he harbouring... thoughts of this nature?

About Harry of all people?!

Tom's horny thinking was definitely more preferable than a whole host of screaming minds all complaining about different things at once, but God, was it embarrassing. He just thought like that when his face showed absolutely nothing!

If we were alone in here, I could have my way with Harry all I want. Hell, I'm certain I could fuck him from behind without anyone even noticing him sitting all pretty on my cock. It's sixty floors until we get to ours after all. If I stand in the corner with Harry leaning against my chest, I could get him off well before we'd have to leave. Shove my cock between his thighs and fuck them good and hard and push just the tip in at the end- he'd be a mess all day.

And Tom's hands were just resting on Harry's waist, holding him still as his face displayed concern that did not match what his mind was going on about!

Eventually, Harry was freed from the confines of the lift, but still found Tom at his side, holding to his elbow with most avid attention. "Perhaps you should take off for the day," he suggested kindly, brows knitted together. "I'd much rather you be healthy and whole."

And in good condition for when I wreck that arse of yours.

Harry flushed and shook his head. "I'm fine," he reiterated. "I can work just fine." And get to his desk which was across the office from Tom's personal office.

"Let me know if you change your mind. If all goes well, I'll treat you to dinner tonight to celebrate your birthday."

And then take you home and fuck you good and proper.

Wow.

So, it seemed... that Harry's body could react to something after all.

It just required Tom Riddle to be the one saying it.

~.O.~

A/N: Here you go! XD

I can't believe I did this.

[Ko-Fi]

[eastgaysian]

okay here's one post i have to make. Finally racism confirmed real in succession. other people have talked about this before but it is a huge blind spot of the show not to acknowledge the intersection between racism and capitalism, and the excuse that the characters are the 1% and the 1% are vastly white is pretty weak. the fact that the show sidelines its existing characters of color while every now and then broadly gesturing towards race makes this worse, especially as the show more directly focuses on fascism and just Doesn't bring race into it. like i don't even think race is totally absent as a concern of the writers but it's clearly not a priority. i think a lot about how mo's widow is a filipino woman

anyway. ken and rava's conversation in this sense doesn't really qualify as, like, revolutionary in terms of succession's commentary on race esp since it's a discussion between two white parents about their brown daughter without her present. the point of interest to me really is that kendall completely fails to recognize racism as a systemic issue, much less that he works for and is trying to sustain a company that actively works to perpetuate that hegemony. his questions are why was sophie on the street? why wasn't rava there? in the same episode where he calls matsson homophobic for saying the numbers are gay. socially aware king

it's not particularly revelatory to say that a rich white man doesn't grasp the concept of systemic racism LOL but i do think it's more than that for kendall, and i also think this trait is something his siblings don't share. it's like how he doesn't realize he's in a position of power over anna and she was pressured into attending the recny with him, and his adoption of a faux-feminist stance in s3 while continuing to treat women like shit. kendall's whole concept of Everything, including systemic social issues, goes back to logan. there's no system outside of dad. the doj doesn't find the cruises evidence compelling? that's because they're scared of logan. logan's the source of the evil in the world, therefore opposing him is inherently progressive, leaving kendall with even less of a coherent moral framework after his death. and he's completely unable to process the idea that he could be participating in and benefiting from the greater racist or sexist system, because that's fundamentally incompatible with his logan-based idea of his own identity.

i don't think roman or shiv or even connor share this particular nearsightedness. roman 'we do hate speech and roller coasters' roy knows what's going on but he doesn't really care and he doesn't believe it can be changed (or, maybe more accurately, that there's any point in trying). he doesn't buy into fascism on the ideological level, exactly, but the spectacle appeals to him and he does believe it's profitable to align with it, so he's perfectly happy to do so. i think he's the most similar to logan in this regard. and shiv and connor have actual political ideologies, even if they're far from being meaningfully opposed to fascism, which requires a base awareness of the fact that We Live In A Society and That Society Has Systems In It. for kendall it really boils down to logan and logan alone

[five-one-two-station]

Everybody should have their own fun, and this isn't trying to harsh anybody's buzz, but I find the impulse to make your own cutesy/badass Replika oc doing funny or heroic or badass things a little odd. Like, that character you designed as a super badass soldier, or well-armed and armored steely eyed cop type... who would they have been built to fight or police exactly? Remember who all those guns and weapons were intended for use on?

I know we're all sick of discourse over who "gets" the game, and I'm by no means scolding anybody for something that harmless, but what's interesting to me is the sense that designing overtly "cool" Replika personas and OCs, complete with the propaganda poster style imagery, feels a little...

I mean, bluntly, it's like the in-world propaganda worked, unironically, on some level, for many people. Kolibris aren't scary, they're whimsical and fun! Storches aren't notably cruel enforcers and chain gang drivers, they're Protektors! Falke isn't a camp commandant, she's a beautiful angel!

The Replikas aren't cool and heroic figures in the reality of the game. They're the carefully crafted organs of a system of control so dreadful it could do what it did to Elster and Ariane. They're victims to that system themselves too, sure - and humanising them is a nuanced and valuable observation of how totalitarian regimes maintain themselves - but that doesn't negate the fact they're also the ones who operate, enforce and perpetuate it, a big part of what the game knows and communicates about such societies. It's notable that the game makes it clear few, if any, of the Replikas actually buy into the Nation as an ideal at all - they enforce it no less pitilessly anyway, incapable or unsafe to imagine anything else.

Their affectations, pasttimes, trinkets, and even affections for each other, all serve to draw a stark contrast to how callously they regard the gestalts they keep suppressed. Their disposability is something they're conscious and fearful of themselves, but fail to recognise as a commonality with the people they brutalise every day, their business as usual. The only grief, tragedy or suffering they acknowledge is their own - they have no regard for any such things in the humans they have... well, dehumanised.

But S-23 Sierpinski was such a hellhole for most of its denizens under "normal" conditions that the nightmare it becomes is arguably an improvement; if only because there are fewer people left now to suffer it. There's a dark poetry here - because the place's banal cruelty is "off camera" to us, it's very naturally less real to us than the grief of the crying Eule. It's only natural, too, to forget how grim the Replikas' purposes are when you don't have to see anyone endure the brunt of it.

And isn't that the very same effect a state like the Nation is seeking in the first place, by disappearing people away to such dark little corners to have it done? In our world, no less than that one.

That works like a kind of propaganda too, not being able to see it - a propaganda of hidden things, as powerful as any poster. A space that's been intentionally left blank.

Kolibris are literal thought police; they intrude on people's very minds, interrogating them to death as a matter of course, with hardly a care either way. The various Protektor classes are functionally concentration camp guards and slave drivers. Falke and Adler are overseeing what amounts to a gulag, one so unimaginably awful Ariane preferred to spend years of her life alone in space to the prospect of being sent there, and inevitably worked to death, far underground.

I think there's a reason we never see one of those posters for LSTRs in game. How could we be asked to forgive our own if we ever did?

[juju-or-anya]

I have an existential question that I can't stop pondering.

Why is Eloise called an idiot, careless, a slut, and accused of not thinking about the consequences for meeting with Theo, when in reality nothing inappropriate happened? The most "scandalous" thing was an almost-kiss that never actually occurred. Their meetings were centered around discussing rights, politics, books, and investigating LW, without causing harm to anyone. So why do people insist on portraying Eloise as someone who doesn't think, simply because she comes from a privileged position and knows her family will support her no matter what? It's as if the fact that her family loves and supports her is seen as a cardinal sin.

Now, if we apply this judgment to Penelope, it seems the situation changes drastically. Penelope is glorified and sanctified, seen as a hopeless romantic for allowing Colin to touch her intimately, kiss her, and meet with her alone. Penelope isn't labeled a slut; on the contrary, she's seen as a powerful woman who knows what she wants.

This is where I completely lose track of this logic. How is it possible that a woman who wants to break out of her bubble, who seeks to understand the reality of people outside her status quo, who meets with a male friend to have intellectual and respectful conversations, is labeled as stupid, a slut, and careless? Eloise, despite any possible feelings for Theo (which I personally hope exist, but that’s a personal preference), hasn't done anything inappropriate, neither sexual nor even close to a romantic relationship. Her relationship with Theo is a beautiful and respectful friendship, based on mutual intellectual admiration.

However, Penelope, following this same logic, isn't judged in the same way. Her behavior is justified and celebrated simply because she is the favorite. Additionally, another factor is added to the equation: Penelope’s body. Some people consider her to be plus-sized, others say she’s medium-sized, and although I try not to comment on other people's bodies unless explicitly asked, it disturbs me that this aspect influences so much in the perception of her behavior. It seems that everything she does is justified because she doesn’t fit into traditional beauty standards, which shouldn’t be relevant when judging her actions.

So, where is the coherence in this logic? Why is such a different measuring stick used for Eloise and Penelope? Why is a woman demonized for seeking knowledge and genuine friendship, while another is exalted for her romantic and intimate actions? The inequality in these judgments seems incomprehensible and deeply unfair to me.

It seems to me that this logic is terribly flawed and reflects a worrying double standard. Not only are different actions being judged with unequal standards, but the context and intentions behind these actions are also being ignored. It's a logic that, ultimately, perpetuates harmful stereotypes and undermines the complexity and diversity of women's experiences and choices.

[a-star-that-burns-brightly]

Honestly, I think that if Kotoko doesn't have any kind of tragic backstory or deep-ridden trauma and did have a relatively normal upbringing like she says she does, it will probably heighten my enjoyment of her character and her narrative even more. I've said it before and I'll say it again, my favorite thing about Kotoko's narrative and role in the story and why she is my favorite prisoner is the fact that she is the perfect encapsulation of what I think Milgram is trying to teach. It is unfair to put her, or any of these prisoners into boxes of good and bad because both are cruel oversimplifications that only serve to dehumanize them regardless of if the audience's intentions are good or bad. By dehumanizing them and partaking in the fucked up justice system that is Milgram, you are emotionally distancing yourself from them. When you emotionally distance yourself from these people, you become more ignorant to the possibility that you could do the very thing that they're doing. That Haruka, Yuno, Fuuta, Muu, Shidou, Mahiru, Kazui, Amane, Mikoto, and especially Kotoko could all be you and you won't know it before it is too late. That is why even within this system that pushes black-and-white nuance-less thinking, the narrative itself encourages you to look beyond the surface depiction of these prisoners that we are presented with. Because in the words of one Will Wood - "If you were in my shoes, you'd see I wear the same size as you" But what does any of that have to do with Kotoko and her backstory? Well, @/archivalofsins / Gunsli made a very good post that explains exactly what I'm going to talk about in more depth, but I'll give it a rundown nonetheless. It would be very easy for someone to look at a person who has gone through tragedy or trauma who has done bad things, and say in response: "See, I can't become like that because she is abnormal. I could never do that, that would never happen to me.". Now I would hope that you don't need me to tell you that this way of thinking is a white lie cake rich with ableist frosting, but that is a discussion dug into by Gunsli's post. And I do believe, if Kotoko is revealed to have a tragic traumatic backstory, this will happen to her. Because it happened to Amane. And that is why Kotoko having a 'normal life' would be so important to me and, in my opinion, heighten her already amazing narrative and writing. Her role in the story is to be a audience parallel, she is an embodiment of the system and mindset Milgram as a story criticizes and her actions are a direct consequence of our involvement in it. Milgram is already not subtle about this fact, but Kotoko's ordinary upbringing is the thing that fully hammers the nail in the wood. Anyone can become like Kotoko Yuzuriha, trauma or not. Her beliefs, her bigotry, her fascism, her violence, and her fantasy to be the chivalrous hero who protects the weak are not things that are alien or only things that form within an "abnormal" brain. In fact, they are very normal things that a lot of normal people across the globe perpetuate wholeheartedly whether they realize it or not. Kotoko isn't some one-of-a-kind individual She is literally just a girl

[elasticitymudflap]

god, okay. fuck. i hate to say that i really underatand where simon's coming from, like, with his misunderstanding of betty and their relationship. because, well, autism. he's obviously used to being alone and people thinking he's stupid and weird, and is just very passive in his approach to other people in general. i know that feeling. it's a barrier you build around yourself to get through a world that refuses to understand you, and by this point you're so used to getting burned from making social missteps that you eventually stop trying to vocalize your own feelings and desires, so you're perpetually waiting for the other person to make the first move so you can follow:

'this cool girl i met has read my work and is really into it, she's so smart and even sees things in it that i missed! and she really wants to come with me on this next expedition? oh wow, okay, great! i mean, she's so excited about it she basically dropped her own plans and invited herself along, so this is clearly something she really wants to do! who would i be to deny her that?'

'and wow is she ever great! on our expedition together she always knows how to handle obstacles, she doesn't even need my help! i really should be following her lead, she really knows what she's doing so much better than me! i'm so glad she wanted to be here and help me!'

'i can't believe we found the enchiridion together! but she doesn't want to come along with me and take credit for its discovery? even though she helped me out so much and is so incredible and i really really like her- wait!! i shouldn't say that last part!! that would be really weird!! i don't want to make things weird!! she had a good time, and since all of this was her choice i won't try to stop her or make her feel bad or do something she doesn't want to. best to keep it professional.'

'oh hey! she left a note for me in that book i was going to check out, god she's so funny-wait. oh my god, SHE thinks we had something special too??! she says she's going on that trip, but she wishes she could travel the world with me??! she even gave me her address so i can come find her??! okay, mesage received, I GOTTA GO TALK TO HER!!!'

'uh oh, i don't know what to say to her, i obviously said the wrong thing just now and she thinks i don't feel the same way. i know she feels embarassed about the letter. i'll tell her letter was great!! it was incredible!! i want her to know that i want exactly what she wants, and that i feel the same way about her, i'll even say it to her the same way she did!!'

all i'm saying is... from somebody of This specific perspective, i can totally see why he didn't question her not getting on the bus, dropping everything to come with him, and all of her other desicions she made in ooo:

'okay i'm FINALLY going to apologize to betty for how the crown made me scare her away 1000 years ago! wait, hang on, she seems really confused that i'm saying goodbye to her?'

'oh no, we're running out of time but she feels really bad about the fact that she left me!! no, it's okay!! i want you to know that love you, and i forgive you for leaving me!! please don't feel bad about it!!'

to him, betty is unquestionably strong, competent, capable, and confident in everything she does. if she didn't want to do something she simply wouldn't do it, much the same way that he knows she would move heaven and earth if she wanted to make something happen; and who would he be if he didn't give her the chance to let her try? he simply doesn't PERCIEVE her to be insecure, overly self sacrificing, and in need of him to be a lot less passive about her choices, the way that someone from the outside looking in obviously can.

autism4autism couple my FUCKING beloved.

[theshadowsingersraven]

Can I just say that as someone who is in this for Azriel's HEA primarily, E/riels are most frequently the ones who remove his depth in favor of their ship? And it drives me insane. I've interacted with a few, probably 4-5, that can at least agree that he has a tendency to go for unattainable women/women he puts on a pedestal. A few can at least agree he has a very apparent hero complex.

But a lot of them, especially on Tiktok, will not entertain any analysis at all if it's even neutral towards their ship. They refuse to believe Azriel has a clear hero complex, and that it's not a coincidence that he has a pattern of trying "save" a female from one of Beron's sons. First Mor with Eris, now Elain with Lucien. They refuse to believe he's biased and is likely projecting his own perceived "failures" to protect his mom, too.

But that's what makes him so interesting to me! The way he falls into these self-punishing patterns. The way he projects his frustrations outwards and thinks nothing of himself and how jealous and lonely that makes him. And they ignore all of that! Gwynriels, Eluciens, and Azrises have all been willing to at least hear these types of analysis.

But E/riels ignore that Azriel, base level, is actually pretty kind and considerate. Yes, he absolutely has walls and walls built up and a mask perpetually, so it's not easy to see. Yes, he tortures people as part of his job. So those things definitely helped hide those traits, but he thing that clued me in was the first time he was vulnerable with Feyre. When she confessed that she didn't feel like she belonged anywhere as a Made fae, Azriel tells her that after 500 years, he doesn't feel like he's found where he belongs either.

And given that Azriel, per Rhys, is nearly impossible to make "break" or say anything he doesn't want to, that reads to me as genuine. He's willing to let that guard down a little bit if it means he can help someone. And that's only the first moment he has with her.

But E/riels will insist that everything he did for Elain is special, that he wouldn't do it for anyone else.

I'm sorry, Mr. "Be careful how you speak about my High Lady" wouldn't go save Feyre or Nesta in Hybern? He wouldn't give Feyre or Nesta Truth-Teller to protect themselves once he saw them refuse Cassian’s knife and determine they needed something more to feel comfortable? He wouldn't sit and talk with Feyre or Nesta for a long time about their interests, despite the fact that Azriel and Feyre played a game at Rita's where they bet on which person in the club would try to make a move on Rhys? He wouldn't spend time with Nesta even though he got her a thoughtful book light and accepted her hug? Even though she is the only person we've seen him directly mention loving, literally from his own mouth, per CC3?

He would. He would do that. Azriel is traumatized and externally cold, yes, but it's clear he is generally thoughtful and considerate towards the Inner Circle. Those are his people. Actively taking away his depth by lessening his kindness in favor of a ship is such a disservice to his character and the hints that we have towards what I believe will be his later complexity.