#so really an obvious choice

[companion-showdown]

What is your favourite non-cannon pairing?

ROUND 0 MASTERPOST

[red-moon-at-night]

okay the whole vase is great but something about Helen sitting on Aphrodite's lap as she wraps one arm around her shoulder and brushes her leg with her hand, staring into her eyes like that... as she is persuading Helen to go with Paris (while Peitho aka persuasion stands behind them) is so incredibly iconic.

and gay. toxic yuri, if you will.

[egophiliac]

was gonna wait 'til I'd done all the poms, but it's been a day, so have Vil with a Salazzle 🍎

[shinynewmemories]

Listen to me Suzanne Collins did not have to give Katniss and Peeta a history before the games. She did NOT have to do that. She could have just had their story begin when Peeta's name was called. She could have had them be total strangers until the moment of the reaping.

Like: "And the boy tribute is... Peeta Mellark!" Katniss: Who's that? Or she could have made them vaguely familiar with each other! Peeta's name is called and Katniss just thinks, Oh, I know that name! He's in my class, actually. Poor boy... Anyway!

Either way, SC could have written the rest of the story exactly the same! I think many authors would have done that! Because if Peeta's purpose in the book was to be Gale's competition, to be one of the 3 corners of a love triangle, THAT WOULD HAVE BEEN THE WAY TO DO IT!! But that's NOT how she did it because that's NOT what Peeta is.

And what is he? To Katniss, Peeta's someone who saved her and her family and received nothing in return except a beating. Peeta's someone she has had her eye on but has never worked up the courage to talk to. Peeta's someone she associates with kindness and hope. And all this before the start of the events of the book! Just because WE, the READERS, met Gale before Peeta and immediately felt a connection with him does NOT mean that was Katniss's experience! And that's what SC is trying to tell us!

To dismiss Katniss and Peeta's past as unimportant or inconsequential compared to whatever Katniss and Gale have in the present is to fundamentally misunderstand Katniss as a character and, as a result, condemn oneself to never fully understand the choices she makes in the future.

Suzanne Collins wrote it that way on purpose because she had something to say. And no one will ever be able to convince me that something wasn't "It was always going to be Peeta".

[anghraine]

ROTJ ruled, as usual— it has more flaws than my beloved ESB for sure, and more than ANH, but the highs are so good and so rewarding in a way that never gets old.

One of my favorite parts this time around comes after Anakin tells Luke it's too late for him to ever go back (a belief explicitly shared by Palpatine, Yoda, and Obi-Wan, but not by Luke until that moment—and only for a little while). Luke withdrawing into "Then my father is truly dead" is always great, especially the shot of him in the lift, surrounded by taller men in Imperial uniforms with his shoulders and back rigidly straight and the warmth in his expression gone. But the thing that really makes it is not ending the scene with Luke disappearing, but letting that rejection linger by shifting to Anakin and just letting seconds tick by as he contemplates what's just happened.

He doesn't actually do much—just walks a few steps and reflects. His body language isn't overwhelmingly despondent or anything. Obviously we can't see his face. And yet we feel how hard that hit and how much he's dwelling on it. He's all but encouraged this response from Luke and yet it feels like it's really, truly sinking that this isn't at all what he wants from Luke.

He doesn't want Luke to call Palpatine (or anyone) master, I don't think; he just considers it inevitable, the only possibility other than Luke's death. And for Anakin, death above all is the thing to prevent.

Everything Anakin says is about things he or they must do, or what cannot be escaped, or destiny, but all of these things he says to Luke are ultimately about Not Getting Yourself Killed. There's no sense of choice beyond submission or destruction.

(Anakin does know he's done terrible things, clearly, but his takeaway from that understanding is that he's gone too far to turn back. That sense of powerlessness, the inability to make a choice that really means anything, pervades his characterization in ROTJ in particular.)

But I feel like, while he still feels powerless after Luke leaves, there's also this sense of a slow, half-buried epiphany. This isn't what he wants.

[fogbreo]

first-time baking :)

they swapped the measurements of baking soda with sugar :(

[the-judicial-assistants-notebook]

not enough discussion about the gavins' complicated relationship with feminine-coded/beauty products, i don't think.

[casualavocados]

What about me? Here we go again. You are so annoying. Could you please just get over it? It was only a one-night thing.

KISEKI: DEAR TO ME Ep. 10 / Ep. 09

[venusiinfurss]

i truly think sunny is going to end with either macdennis kiss or macdennis full penetration (no in-between) and then dennis has an existential crisis walks outside gets hit by a car and dies. cut to black end of series

[valcove]

Okay, hear me out

Imagine with me. Batman, pedaling as fast as he physically can, on this children's bike, chasing a rogue. It was the only option he had, and he knows he'll be made fun of later by his kids, but he has a mission at the moment, so he can't be bothered to care

And then passing him is Nightwing riding a segway (Nightwing themed, of course), Red Hood wearing heelies, Red Robin on his normal motorbike, and then Damian on a little classic child tricycle.

As it turns out, someone (Alfred) had hidden all the normal vehicles for a prank war, left only Red Robin's motorbike to frame him (because who would suspect Alfred??), and was currently receiving pictures from Barbara to add to a photo album.

Alfred knows he's safe from retaliation, even when they figure out who did it.

[ace-and-the-rpg-horrors]

i was sort of wondering why exactly i've been sympathising with Eva so much, apart from, admittedly, bias- i did start considering that due to that, maybe i'd been internally exaggerating how Wolfgang & Co had been treating her. but i replayed some of Chapter 1, and honestly? now i'm of the opinion that Eva was justified to be afraid of Wolfgang, even if what she did in response was inexcusable.

because it wasn't just that Wolfgang told the others to be wary of Eva (and Damon) which caused them to feel othered. consciously or not, he literally attempted to control their movement on at least two occasions- when he attempted to stop them joining in on the exploration of the pharmacy, and then when he demanded to know where they were when they reached the dining hall last.

in his defence, i don't think Wolfgang was being malicious in doing so, i reckon he did genuinely believe he was protecting the others. but in doing so, for the two members of the group he disagreed with, he actively attempted to further restrict their freedom- in a situation where they're all already trapped!! i'm not surprised that Eva, with frustration, mentioned during the trial how much she'd been watched and suspected- multiple times, if i recall correctly. of course it got to her.

but that probably wasn't even the scariest part for her. it was probably just how easily Wolfgang had taken a leadership role within the group and how willing they were to listen to him without question. only Diana really spoke up against him on one occasion and got him to begrudgingly "allow" Eva and Damon to tag along. i mean, on that note, the fact that Wolfgang even casually commented that he wanted group decisions to be allowed by him, following the minor incident of Desmond taking initiative and checking the room locks, was extremely alarming!! like i mentioned, i don't want to villainise Wolfgang, but it does seem like he has the tendency to be rather controlling, whether or not he realises it. i would be willing to bet that the herd mentality implication was done completely on purpose, considering that Wolfgang's animal motif is a sheep and the writing team have done the symbolism in the game so well.

for all this, i can understand Eva's point of view. i know that, as Wenona had mentioned, there's a chance that Eva didn't actually feel threatened by Wolfgang, but i personally am willing to give her the benefit of the doubt. because if she was honest about being on edge, that would be a rather reasonable emotional response, in my opinion.

what else are you to feel when you're at odds with an honoured individual who effortlessly holds the power to turn so many others against you too and potentially put your safety at risk, if not terror?

[cent-scratchnsniff]

something bad did indeed happen to that man. spent abt 25 minutes trying to find a better picture of that one (1) offical piece with his eyes open that wasnt compressed or tiny

[claudiablogger]

louis may (and does) desire armand in paris but that's not the point; he has to barter w armand's desire for him to keep at bay the threat of his secret being revealed. his and more importantly (to him) claudia's lives are in danger bc of what he's disclosed to armand, what armand pried from him, and any foundations of an artless relationship are crushed by that obligatory anvil. like louis' enjoyment of armand's company or the sex is rendered irrelevant by its unquestionable necessity due to his power over louis that armand will not hesitate to weaponize....

[lichqueenlibrarian]

I am distressed

[cacaocheri]

So how do the Main 4 and the totems get involved? (Dr Jupiter is gonna be part of the league isn’t he)

unfortunately I don't involve mythology island in my poptropica rewrite, which means no dr jupiter 😔😔😔 I don't really want to work with a world that canonizes gods (as much as I love mythology island)

erewhon prison still exists though! just a bit different bc I rewrote the whole poptropica prison system