#so narratively satisfying

[bookcub]

reread legendborn by tracy deonn in preparation for the third one releasing in march and wow, if it isnt even better on reread. would loveeeee a tv series adaptation one day sooooo much but only if its done well.

[podcast-hoard]

listening to the marabelle episode of naddpod right now was probably a bad idea bc i’m trying not to cry at work

[tackykachowch]

Silco SO should've haunted the narrative in s2 I can't stress this enough. Like, we knew Vander, Mylo and Claggor only for 3 episodes, but their presence was felt aaaall throughout s1. And now you're telling me that a PRIMARY ANTAGONIST of s1, a leader of Zaun, Jinx's dad and The person who started the negotiations with Piltover for Zaun's independence only got a couple of mentions?? Which aren't even relevant to the plot or character motivations??? Are you LEGIT FOR REAL kidding me???? I still can't believe this happened chat.

He's literally a part of the main cast. He literally was present in every single episode of s1. And again, given just How Much was tied directly to him his death should've had just. Massive consequences. For almost every single character. And yet.

My honest reaction to this information:

[retellingthehobbit]

A quick Bilbo/Thorin drawing

[chaos-of-the-abyss]

elrond explicitly preferring his sindarin heritage over his noldorin one and continuing in his own sons the "el-" prefix naming tradition that dior began in honor of thingol... sindar stans we stay winning

[hildegardladyofbones]

all the yt film snobs were kinda right about saltburn being a tumblr movie since apparently everyone on all other platforms thinks it's an "eat the rich" movie?? like girl did we watch the same movie

[the-butch-of-blaviken]

I'd forgotten how exceptional the first episode of Black Sails and the introduction of Captain Flint are. In one (1) episode they point to this soggy, angry little man and go: this is the most dangerous pirate of the seven seas. he wouldn't even win a swordfight. he beat someone to death with his bare fists and is ready to do it again. he probably cries himself to sleep at night. he's the most collected, composed man you've ever seen. he throws furniture around in a fit when he's angry. he talks about the importance of trust and honesty. he doesn't believe any of it. he can completely change someone's mind when he talks to them. the people closest to him know not to trust a single word that comes out of his mouth. he's in control of the narrative. he's trapped in a web of lies of his own making. he's made himself into a legend. everything he's built is just one second away from falling apart. he inspired a whole nation. he's the number one public enemy. he's a hero. he's a monster. he's just one man. he's starting a war against the whole world.

[eddiediazenjoyer]

everything else ASIDE it is truly so so . strange. that the way that an arc about buck being so jealous and fast to get upset at the notion of being left behind that he reacts with violence against somebody that he loves . is wrapped up by. him getting a boyfriend. like it’s wrapped up by him getting a boyfriend who was the third person in that situation that served only as a catalyst for bucks jealousy. and the conclusion to this arc is him dating this person. instead of meaningfully addressing his issues with rejection and the danger of them to those around him. instead of apologizing to the person he hurt. it’s resolved by. he had a crush the whole time. STRANGEEEEEEE

[rigginsstreet]

The thing about billy is that he was marked for death the second his mom left him with neil.

He was either gonna die by Neil’s hands or, as we saw on the show, he was gonna go down such a self destructive path it would send him into an early grave of his own making.

So him dying at 18 isn’t really shocking. The part of it that was never written in the stars for him previously is that in his final moments he got to take some of his power back. He made the choice to stand against his abuser (the mindflayer) in the name of saving someone else. He got to fight back against the thing controlling him and contribute to its demise. Something he likely would’ve never gotten a chance to do with neil.

The tragedy is that he dies anyway, and no one can even give him the courtesy of acknowledging what that tragedy is. Not the writers, not the fandom, not the characters within the show.

His death becomes Max’s tragedy, it can’t even be his own. Nobody cares what billys death means in the context of billys life. Just like how nobody cared about billy when his mom left or when his dad was getting physical with him or when he started lashing out because of the abuse.

Nobody ever cared for billy, so why was he expected to care about anyone else?

He was never treated as a person, just a presence. And an inconvenient one at that. So of course he was never gonna make it to a long fulfilling life. And nobody ever thought to step in and intervene because well, Billys a problem, right? So what does it matter if he’s gone?

And you start to realize how inherently cruel the entire stranger things narrative is because there’s a clear line of people “worth” saving and those who aren’t. And if someone’s too much trouble then well, they’re expendable.

Billy was too much trouble for his mom to make her clean escape. He was too much trouble for not fitting in to Neil’s ideals of the perfect son. He was too much trouble for max as a brother. Too much trouble with all the rage and hate he had built up for the world around him for not protecting him.

So in the end, really, what was left for him to do?

[novelconcepts]

The more the show progresses, the more I want to see the 90s cast infiltrating the modern timeline. We've gotten hints of it with Shauna and her younger self, her Jackie hauntings. We've gotten a little more with adult Lottie seeing teenage Nat (and Laura Lee), and with Natalie getting teenage Lottie in her final moments. I want more. I want the teen cast to be absolutely invasive on pivotal adult moments, infecting their adult counterparts when least expected. I want Taissa's argument with Van to dissolve into their teenage selves, their bond endless and timeless and inescapable. I want Misty absolutely wrecked by young Natalie lurking around corners, watching from mirrors. I want to see these women unable to navigate adulthood without the specters of their teenage selves cropping up absolutely everywhere, more and more as they let the memories in, as they stop being able to repress the trauma. They didn't grow up. They never could. You are always doomed to regress around your high school teammates. You are haunted by the phantom elements of your misspent youth. It is a comfort, and it is a gift, and it is a trial, and it is a curse. I would love to see that reflected with greater intensity, until the lines blur, until the timelines have no choice but to intersect. They haven't escaped themselves at all. They didn't grow up. They just got older.

[blueskittlesart]

Would love to hear more about what you dislike in Arcane?

Not to be rude everyone can have their own interpretation but just curious because I felt the majority of the women were treaty well by the narrative.

it's about the focus of the narrative as a whole. in season 1 we were primed for a story centered entirely around vi and jinx and their relationship. for the first two episodes in there entirety, jayce doesn't exist beyond one background line--we don't even see his FACE. he and viktor are, in season 1, essentially set dressing. they exist to explain the magic system of the world and the class struggle that exists within it, and while they may have had their own secondary narrative it was SECONDARY to the MAIN CHARACTERS OF THE SHOW, jinx and vi. (and to a lesser extent cait and mel.) by season 2, though, jinx and vi are afterthoughts in their own story. they become the secondary narrative to jayce and viktor's insane magical cult thing. the final episode dedicates about 5 minutes total to the two of them and ends with jinx implicitly dying off-screen. can you see how insane of a writing choice that is. to spend a full 10-episode season setting up the central relationship between two female characters and then dedicating MAYBE 5 minutes to resolving it by KILLING ONE OF THEM in the last 10 minutes of the very last episode of your show. not to mention mel, who by the end of the series functions basically purely as a deus ex machina and whose growth as a mage happens entirely off-screen while her own mother exists purely to be a villain in jayce and viktor's story. it's just so abundantly clear to me that the writers decided that what they'd written jinx and vi into was going to be really complicated to resolve, and so rather than taking the time to make an interesting resolution out of it they threw it out and poured all their energy into their male faves. what we're left with is a story that doesn't feel FINISHED, let alone cohesive, because the writers literally threw out the buildup of season one in favor of their male side characters.

[nyoomerr]

i've spoken about this in a couple discord chats already but the idea of a binggeyuan frieren au is so so tasty and yet there is no fucking way i am ever going to attempt it bc i just KNOW it would be sad in order to be good

the idea of bingge traveling alongside frail mortal shen yuan for some years, watching the way sy interacts with the world, letting sy coax him into using his immense power to help save some group of people (or beasts, or whatever strikes sy's fancy). bingge goes along mostly for amusement - life gets quite boring, when you're as old and powerful as he is - and at the end of everything he goes his own way without thinking twice.

later - much, much later - bingge thinks that things have gotten quite boring again, and he wants to go find the little mortal that had amused him for some years.

the little mortal is dead.

bingge is furious, of course. he hasn't allowed anyone to deny him anything for centuries now, and he hasn't had to actually deal with a mortal's death in nearly as long for the way he surrounds himself with other powerful demons and cultivators. the solution is simple, though: bingge will simply resurrect shen yuan.

but since shen yuan has been dead for years at this point, there is no body to easily restore, and in this au there wouldn't be so many convenient resurrection tools in this universe to begin with. it would turn into the whole frieren-esque adventure, perhaps with bingge picking up a kid that shen yuan had been mentoring before his death - perhaps one of bingge's own neglected kids, in fact, that shen yuan had picked up in part bc he missed bingge.

and as bingge adventures onwards towards a miracle resurrection tool, he'll occasionally run into situations that could easily be solved through pure power and callousness, and he... won't. he'll think about the way sy would scold him for being cruel, and he'll sulk and throw tantrums but in the end he'll avoid whatever the easy but cruel option was. the journey will take far longer for bingge than it necessarily would have to, because the goal of the journey has put sy at the front of his mind and now he can't stop thinking about all the stupid ""lessons"" sy had tried to give him.

and this is why i could not write this au: the most fitting ending i can think of for this au would be that the only way to resurrect shen yuan would be through some horrific sacrifice of hundreds of other innocent lives, and bingge would choose not to do it.

it would make him furious - it would drive him to the edge of qi deviation, to the edge of declaring some stupid pointless war just so he can work out his anger and get those innocent souls to resurrect shen yuan anyway. but he wouldn't. this whole slow adventure has reminded him bit by bit of just why he'd spent so long following that foolish little mortal shen yuan around, of the way that living a kinder life had felt so relaxing after years of constantly being ready to spill blood at a moment's notice.

shen yuan would be so disappointed in bingge if he choose that method of resurrection, and so bingge can't do it. bingge would be unsatisfied with that method of resurrection, just because he'd know sy would dislike it.

shen yuan stays dead, but his memory haunts bingge for the rest of his nearly immortal life, and bingge ever so slowly shapes himself into what that memory was.

[aparticularbandit]

If Rio is Death and is after Billy for escaping his death.

If Rio cannot kill Agatha.

If they maintain the end of the initial Road story.

I think we might see an Agatha sacrifice for Billy.

Because she would be keeping him alive when she couldn't keep Nicholas alive.

Because dying might mean she could be with Rio.

Because finding a way to reverse her siphoning would mean that she can control it.

Because Rio cannot kill Agatha.

(Rio cannot kill; Rio takes what is already dead.)

Because if Agatha dies, Billy can probably bring her back.

If Billy dies, Agatha cannot bring him back.

[the-one-that-weeps]

I find it a little poetic that, usually, plays have 5 acts, but isat has 6. And the sixth one is responsible for breaking the cycle. Like telling the viewer that "hey, it's not over. Your life isn't theatre. So go out and live."

[hamable]

Ify using his DM minute to save Barsimmeon, summon more APS, successfully launch his car to land on the airborne White House, and unquestionably win the NSBU kill count competition by killing 10% of the world’s population (it’s okay they were all white supremacist super soldiers) managed to be simultaneously the exact brand of insanity that giving a PC full power would entail, while also all being satisfactory, story relevant, and tonally appropriate and I think Ify keeps proving he should DM a season in The future

More on Ify’s skills as a storyteller in the tags⬇️

[hinalatte]

A Thematic Analysis of Chapter 2’s Killer

Drdt spoilers. Obviously

There’s a lot of people who have started liking Ace more since this episode. I am not one of those people. He’s always been my favorite character. I’ve suffered from paranoia as well, and it sucks when people don’t take that shit seriously. Just because it’s irrational doesn’t mean it’s not harmful, and just because it’s stupid doesn’t mean the person suffering from it is stupid. I related to him a lot because of that. His issues are constantly downplayed by the people around him. Either that, or they think he’s irreversibly crazy for fears he can’t really control.

But besides that, I like him because his brain is fun to pick apart. He has so many problems. It’s a genuine shame he’ll never be able to get over them. It’s not the direction I expected his character to go, but it makes a lot of sense.

All that glitters is not gold.

The title made me think that a “good person” would be the killer, but it was Ace, a “bad person.” And his victim was Arei, another “bad person.” The people who died this chapter were the cast’s “worst people,” people who were outcast by everyone else for being bullied. But this chapter also shows their human sides—maybe they were only bad people because they were never given a chance to be good, like Arei. Maybe they were pushed to extremes because nobody treated their problems seriously, like Ace. Meanwhile, the cast’s “good people” are all revealed to be worse than they seemed. That was the thematic reason behind the motive secrets. Some of the others have done things far worse than Arei or Ace.

Nico was someone most of the cast liked. They were never mean to anyone, and they were constantly the victim of Ace’s bullying. They were easy to like, or at least easy to not hate. They quickly formed a bond with Hu (because Hu seeks out people she thinks need her protection). But in this chapter, they tried to kill someone. They admit themselves that it was reprehensible. Nico is a “bad person”.

Hu was supportive of everyone in chapter 1, positioning herself as a motherly figure. She was kind, caring, and helpful. But in chapter 2, she infantilized Nico to the point that she thought they can’t speak for themselves during the trial. She let biases cloud her judgement. She derailed the trial without good reason, because she wanted to be helpful to Nico, even when they weren’t asking for her help. Hu is a “bad person”.

Levi was called a good person by Eden at the start. He’s polite, takes care of other people, and reached out to Ace of all people. But in this chapter, it’s revealed that he did all of that for his own convenience. He doesn’t care about other people. He’s a murderer. He’s a “bad person”.

Levi threatened Ace, making Ace’s paranoia worse. Nico tried to kill Ace, confirming Ace’s idea that he was going to die if he didn’t get himself out of the killing game. Hu defended Nico, confirming Ace’s idea that everyone was against him.

The so-called “bad people” are cursed to die, while the so-called “good people” are shown to have been bad all along.

And isn’t that far more interesting than showing that good people can do bad things, and ending it like that? Now all the so-called “good people” have to live with the fact that their actions led to Arei’s death, without having been Arei’s actual killer. Arei was killed by the cast’s mistreatment, negligence, and trivialization of Ace Markey.

Thematically. Not literally, of course. Ace did that.

But their culpability in Arei and Ace’s deaths, even tangentially, shows in full color the consequences of letting their flaws go unchecked.

And in the context of Nico and Hu specifically, I can’t wait to see how that impacts them in the long run. Chapter 2 was all about facing the darkest sides of some of these characters. So wouldn’t it stand to reason that Ace’s death would influence some of them (like Nico) to examine their actions more closely and try to grow from them?

I can see Nico cutting off their friendship with Hu after this. She refused to acknowledge their fault in the situation. Since Nico is an objective person, I think they’ll understand the part they played in the Ace/Arei situation, and want other people to understand it as well. They won’t want Hu’s misplaced protection anymore.

And for Hu, I have no idea where she’s going after this. After her performance in this trial, where her flaws were pointed out to her by all the other characters, is she going to reflect and change? Or is she going to regress first, especially now that Ace, who she believed to be a villain, actually snapped and killed someone?

A big theme of chapter 2 has been growth. Ace shows the consequences of not growing. He was pushed to murder because of the rest of the cast not confronting their flaws, and he himself committed the murder because he didn’t know how to change.

It’s a bit of a hopeful spin on his death, but I’ll be honest—I’m still majorly bummed out about it. His life has just been terrible and will be terrible until it ends. He’s a horrible person with blood on his hands. He’s a coward and a bully who is hated by everyone. It’s all he’ll ever be, because he’ll die before having the chance to be someone else. Nico, through the sheer coincidence of having their murder interrupted, will be able to grow and change. Ace never will. A terrible life and a terrible death for a terrible person. And he won’t be missed. Not like Arei. Not like Min. Not like Xander. People like Nico, Rose, and Eden may feel bad about it, but no one will miss Ace specifically, because no one likes him.

If you were able to change and become a better person, it only means you were a good person to begin with.

If you weren’t able to change, it means you were doomed from the start. There’s no use trying.

There’s another world where people took Ace’s fears seriously. Where they didn’t dismiss him as a joke at the start and a volatile dog at the end. He might’ve survived if that happened. No matter what David says, bad people can change, if they know how to do it.

When this chapter finishes, I might make a full thematic analysis of it. There are still a bunch of things to say. I’ll just leave this post off with: Nico survivor stocks going up! Invest now!