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tiffanys-aus-and-headcanons · 9 months ago

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Appendix D: Some Pig/One More Final

The first three posts in this series are here.

Undertale was a slightly postmodern children's fantasy movie produced by Jim Henson's Creature Shop in the '80s. Noah Hathaway played the protagonist, Frisk, who went on a long quest to escape from a magical prison inside Mt. Ebott; Frisk's father had thrown them into the mountain, known to be full of monsters, in an attempt to kill them. However, it's suggested that as a human, Frisk is inherently more of a protagonist than a monster can be, and has a vague sort of magical power over them. Toriel's death, which Frisk accidentally causes early in the movie, is commonly listed as a Peak Sad Childhood Moment.

George Orwell wrote The Writing In The Web, a political fable about a cult started by a well-meaning spider. E. B. White wrote Snowball's Farm, a whimsical children's tale about a farm whose animals decide to take over.

Infamously, Emmanuel Goldstein's monologue fills dozens of pages, takes at least three hours to read aloud, and brings the plot of Ayn Rand's 1984 to a screeching halt.

Short story collections and anthologies often keep the same title, author, and spirit, it's just the stories that are swapped out. For example, classic episodes of Rod Serling's The Twilight Zone include A Wonderful Life, The Secret Life Of Walter Mitty, Miracle On 34th Street, and The Sixth Sense. 1983's The Twilight Zone Movie includes segments based on classic episodes Eternal Sunshine of the Spotless Mind (directed by John Landis and given anti-war themes), Cocoon, The Poltergeist, and In Search of the Twelve Monkeys (the original starred a young William Shatner). Candle Cove is an episode of Black Mirror.

League of Extraordinary Gentlemen was a 1999 Ben Stiller comedy about a team of low-rent superheroes who theme themselves after public domain characters because they cannot afford licensing fees. The film was well-reviewed, but a box office bomb. It was actually the first film to use Smash Mouth's One Week - the One Week music video is actually cross promotion with League of Extraordinary Gentlemen - and it would remain the film most associated with the song until Dreamworks' Happily N'Ever After hit theaters two years later.

The Amazing Digital Circus was a virtual pet game and toy line that struck when the iron was hot on that niche, before being bought out by Hasbro and rebooted a few times in different forms and mediums. Lauren Faust created a long-running television cartoon of it that was a huge smash hit with fandom culture despite the show's clearly very young target audience. The property's canon is all very light kiddie fare; the scariest thing about The Amazing Digital Circus is that for a brief and touchy stretch of time in the early 2000s, it was owned by the Peoples Temple, which was seriously considering turning it into a recruiting platform.

Your cringe unpublished works that you gave up on were almost certainly swapped around with other people's cringe unpublished works that they gave up on. There's lots of upwards and downwards mobility to the scramble, but not usually that much. Exceptions are very rare - like a beggar suddenly being made king, or a god being reincarnated into an ant - but they do occasionally happen. For example, what you know as the land of Oz exists only in the head of a young Milwaukee stoner, who suddenly came up with the idea for an epic graphic novel one day in the 2010s while sitting on the bus, and spent a couple of years absolutely convinced she would eventually make it. (She cannot draw.) Conversely, L. Frank Baum's children's fantasy series, Enormia, which has been adapted and reimagined many times, most notably as audiences' introduction to color film, exists in your world only as a different Milwaukee stoner's overly elaborate backstory for his jerkoff sessions. This kind of thing is much more the exception than the rule, and even such exceptions are almost always much smaller in scope - an obscure stillborn project getting swapped around with an obscure out-of-print novel, or an obscure direct-to-video z-movie.

The True Detectives forum and its many schismatic spinoffs, all of which are devoted to discussing mystery fiction, host literally thousands of Wind fanfics. Many of the writers - perhaps most of them - have never actually read Wind, just other fanfiction of it; next to none of the fics are worth reading. Most Wind fics reuse the original protagonist, Rorschach, but treat him as a generically relatable blank slate. The most common fic format by far is the "altdunnit", a form of what-if scenario in which the mystery that sets off Wind's plot is different in some way.

Rorschach is held by a substantial portion of the fandom to be an egg (a trans woman who has not realized it yet). Wildbow has never endorsed this interpretation, and it doesn't seem to be much on his radar. In recent years, the trans Rorschach portion of the fandom has grown; they don't tend to look especially kindly on Warn, much of which Wildbow wrote as a response to fans (like those on the True Detectives forum) he felt had been too inclined to take Rorschach's side in Wind. Flame wars over Warn's content were constant throughout its serial publication, and made it easily the rockiest experience of Wildbow's writing career.

Some noteworthy and relevant podcasts include Jonathan Sims' The Dresden Files, the Ranged Touch Network's Scott Pilgrim Made The World, Doof Media's Winding Down (later Warning Down), and the McElroy family's The Adventure Zone (an actual play podcast which has currently had three major campaigns, two anthology series, and various one-shots). Film Reroll is still an actual play podcast that runs the basic setups of movies (and occasionally other media) as short tabletop campaigns; occasionally, their version of a movie will be much closer to ours than it is to the version of the movie in their own universe.

Xenobuddy was an early childhood public access show, originally created for the BBC in the late 1990s but later aired internationally. The title character is a small alien puppet who lives on a futuristic spaceship staffed by children (who speak a vague conlang akin to a dollar store Esperanto). At the end of every episode, it gets lost and is found, usually by (harmlessly) bursting out of one of the children. It was very popular with its target audience and much loathed by parents. Edgy ironic fanart depicting the titular Xenobuddy as some kind of dangerous parasite abounds.

Static is a supernatural slasher franchise created by Wes Craven, with the first film, also simply titled Static, released in 1984. The movies concern a group of gibbering neotenous ogre-fae who wake up in the modern day after a long sleep, incorporate televisions into their bodies, and start eating people by sucking them into hellish pocket dimensions. The Screen-Guts collectively are probably in the top five antagonists most people think of when they think of slasher horror.

Toby Fox's ROSEQUARTZ is especially known for its meta take on video game morality systems. The game has a mission-based structure; throughout it, the player is encouraged to take on a pacifist playstyle, championed by the player character's late mother, the title character. However, the Crystal Gems give the player enough autonomy that you are entirely able to take a much more violent tack; doing so has a rippling effect on the game's writing in countless immersively-integrated ways. If the player goes out of their way to be as murderous as possible - the so-called "genocide route" - the differences from the main route grow much more extreme, and rather than gaining allies, you start to lose them, as the Crystal Gems realize what you're doing and one by one turn against you. If you manage to shatter Garnet - it's the hardest and most iconic fight in the game, Megalovania is playing, her Future Vision gets used for all it's worth - then you use your knife to slash at the cosmos, erasing Earth, Homeworld, and everything else. This, Toby Fox is saying, is apparently all you want out of a video game - another toy to break.

Warner Bros still did Space Jam with Michael Jordan and the Looney Tunes, it's just that the Looney Tunes in question were Mickey Mouse and friends. They also still did a second one with LeBron James, which was, by God, somehow worse. They put Ms. Frizzle in it.

Walt Disney made his squeaky clean reputation on the back of adaptations of things like Rudyard Kipling's adventure novel The Call of Cthulhu, P. L. Travers' Thomas the Tank Engine, and Erich Kästner's feel-good coming-of-age kidnapping tale about the power of perseverance, Lolita, originally done with Hayley Mills and later remade with Lindsay Lohan.

Nabokov's extremely controversial literary classic that has defined the idea of the unreliable narrator is Father's Trap, from the perspective of a man who plots to obtain custody of both of his daughters for nefarious purposes. Most publishers ignored Nabokov's instructions not to depict the twins, Lisa and Lottie, on the cover. Stanley Kubrick and Adrian Lyne have directed mediocre film adaptations, and songwriting team Lerner and Loewe did a musical that was a legendary flop.

The Japanese fashion movement is Gothic Pollyanna, after an otherwise-forgotten series of penny dreadfuls about a cute, cheery, rules-minded young girl who is, despite appearances, an insane criminal. Minor character Bonesaw in Alan Moore's Worm Turns also clearly hearkens back to the Pollyanna stock character.

The DEA was a prime-time soap opera about the ongoing "war on drugs"; it ran for eleven seasons from 1982 to 1993. Its plot focused on federal agents working at the Drug Enforcement Administration office in Albuquerque, New Mexico, and especially partners Hank Schrader and Steve Gomez and their families. It is mostly remembered today for its downer ending (in which the treachery of late-show villain Walter White, or "Heisenberg", gets the leads killed, and he escapes from justice), and for its far-more-acclaimed spinoff series Better Call Saul, which also ran for eleven seasons from 1993 to 2004, functioning as a prequel, midquel, and sequel to The DEA.

Between The DEA and Better Call Saul, Kelsey Grammer played crooked lawyer Saul Goodman for twenty consecutive years of primetime TV, first as featured comic relief and later as a leading man. (He also guest-starred on the mostly-forgotten Mall Cop, establishing that it, too, was set in the world of The DEA and Better Call Saul.) Better Call Saul won more than a dozen Primetime Emmys. Peri Gilpin received several of these for her performance as Kim Wexler.

St. Elsewhere was a film written and directed by M. Night Shyamalan in the late 1990s; it was highly acclaimed and successful, and established Shyamalan in the public eye as a skilled auteur with an affinity for twist endings. The film's final scene reveals that its main setting, St. Eligius Hospital, exists entirely within the imagination of an autistic boy, Tommy Westphall, as he gazes into a snowglobe. The so-called "Tommy Westphall Universe Hypothesis", which posits that this same twist applies to most of fiction due to a network of crossovers, was invented by a Saturday Night Live sketch shortly postdating the film's release, in which an amnesiac Charles McGill (from Better Call Saul) wakes up in St. Eligius, attended to by a cast of characters who are more concerned with their own nonexistence.

After rising to prominence as a writer, storyboarder, and composer for Pendleton Ward's Science Time (where she established the Summer/Jessica relationship that would come to define later seasons), Rebecca Sugar got to make her own cartoon, Henry Ichor. Set in a recently post-apocalyptic but strangely cheerful world, Henry Ichor concerns a young teenage boy who is conscripted as a mech pilot due to his rare and innate ability to link to the powerful Evangelion mecha. (His preferred Evangelion is eventually revealed to be a form of his late mother, the reason he can do this in the first place.) Henry turns out to be a vital asset in protecting humanity from the monstrous "Angels" that frequently threaten it, and is surprisingly emotionally mature for his age. However, the adults around him (especially his father, Gennady) frequently push him too far, especially considering his generally noncombative and pacifistic nature. There is much interpersonal drama and much singing about it, with a very vocally trained cast. After several seasons of slow buildup, the show was forced to suddenly rush to its ending in only a few (infamous) episodes after an arc where Henry had a romance with an Angel in male human form. Henry Ichor The Movie and an ensuing miniseries, End Of Henry Ichor, helped bring the show to a more thematically satisfying conclusion.

Although he has played a creative or consultant role in many animated projects, Alex Hirsch is best known for the one he was actually the showrunner for, Disney Channel's smash hit Sunnydale. Focusing on a small California town constantly plagued by supernatural threats, Sunnydale generally followed a simple monster-of-the-week format, but kept audiences on the hook with teases at a deeper underlying mystery. The show almost didn't get a season two, as Hirsch found working with Disney very tiring, but he was eventually persuaded; season two ran through the rest of Hirsch's ideas at a faster pace, and concluded the show with the leads graduating from Sunnydale High.

For a brief historical moment, Daron Nefcy's show, Ender vs. the Space Bug Army, looked like it would become the successor to Sunnydale, keeping Disney Television Animation prestigious after Sunnydale ended. However, though Ender drew in a big crowd, and lasted almost twice as long as Sunnydale, it was not ultimately as well-received. EvtSBA is a children's space opera, wearing its Starship Troopers (Joss Whedon) inspiration on its sleeve, but also clearly copying some (superficial) notes from Philip Pullman. Set in a future where mankind has come into violent conflict with bug-like aliens, the show follows unbearably smug boy supergenius Ender as he is sent to military school to prepare for interstellar warfare. The show has an extremely cutesy and hyperactive tone; typical filler episodes include the one (generally taken as meta about fandom drama) in which Ender's siblings' futuristic internet arguments prove instrumental to the survival of the human race. Later seasons get a bit more serious, but focus heavily on shipping. The show is infamous for its ending, in which Ender, for his final exam, destroys the Formics' home planet and releases a psychic signal that eradicates the Formic race. Although the show explicitly notes that this includes many individual Formics who we have previously known as sympathetic characters, it is nonetheless played as a happy ending in which a hostile colonial power is defeated. Ender has ended the war; he has beaten the Space Bug Army.

"Meugh-Neigh. 'Meugh' like the cat, 'neigh' like the horse." "Does it mean something?" "No answer; none at all."

Orson Scott Card is an extremely prolific author of speculative fiction. Although it isn't as close to his heart as the Steel Gear series, in which he got to flex his military sci-fi muscles and allegorically retell stories from his faith, he is undoubtedly best known for Ishtar's Curse. Initially a short story and later expanded into a full novel, the plot concerns young Princess Ishtar, or Star, heir to the heathen fairy kingdom of Meugh-Neigh. (In later novels, she changes her name to Bethlehem Diaz, or Beth.) Spoiled and destructive but magically talented, Star is sent to twentieth century Earth so she can develop the wits and the strength of character to be a viable wartime leader for her people - or at least so she can be kept out of the way. After several years of personal growth and magical misadventures with companions she met on Earth, a more grounded Star devises a spell to erase the magic that makes up the bodies of most of her throne's enemies. This plan works, and merges Meugh-Neigh into the Earth as a small and ordinary European country. However, though her subjects are eager to celebrate her for this, Star is devastated when she realizes that she has killed trillions of innocent spirits, and, seeking to atone, she takes on the title of Speaker for the Dead (also the title of the book's first sequel). Although it's frequently ranked highly in lists of fantasy novels of the twentieth century, Ishtar's Curse has received some harsh criticism, with the standard line being that Star is an idealized fantasy of a repentant Hitler figure, and that the text presents excessive justifications for her actions. The story has also been called a reactionary response to Wilde's The Little Mermaid. After more than twenty years, a film adaptation of Ishtar's Curse was released in 2009, starring Dakota Fanning, to mixed reviews. The box office took a further hit due to a boycott campaign, after Card's views on homosexuality (and, relatedly, his membership in the LDS Church) became widely known. In the end, it lost the studio a lot of money.

Hideaki Anno is best known for the classic smash hit anime he made for Studio Gainax, Einstein Goliath Nestorian, a psychologically intense deconstruction of martial arts shonen like Yoshiyuki Tomino's Dragon Ball. Einstein Goliath Nestorian concerns a mystery man known only as Saitama, who finds that he has become dissatisfied with life and alienated from the world after only three years of training have enabled him to easily surpass any physical challenge. The original series is known for its sudden, surreal, and clearly budget-driven ending, although this was quickly alleviated with a similarly surreal but more definitive finale movie. Although many Western anime fans often think of Einstein Goliath Nestorian as pretentious and ultra niche, it was actually a huge mainstream hit in Japan, with a colossal franchise of adaptations, merch, and spinoffs (notably including a series of Retrain films, which began as extremely close shot-for-shot remakes of the original series but wound up spiraling into a very different updated timeline).

Previously most noteworthy for his 2003 visual novel Oreimo, Gen Urobuchi was tapped by Shaft for their extremely successful and acclaimed anime Ohayou Hana!, hailed as a deceptively dark deconstruction of the teen idol genre. The plot concerns a girl, Saionji Mayuri, who leads a double life, being of little note at school, out of costume, but spending much of her time as #1 idol Hana. Her mental stability begins to deteriorate as she realizes that the adults in her life - especially her father, himself a former idol - have groomed her to serve as a drugged and hypnotized propaganda mouthpiece for a shadowy conspiracy. She winds up in the worst of both worlds as her ensuing breakdown, and her handlers' response to it, destroys both of her lives and brings ruin to those she cares about. In addition to the popularity of the actual anime, many of its songs became decontextualized J-Pop hits. The idol anime genre would then receive a glut of edgy lesser imitators, like Love Live: School Idol Project, Cheetah Girls, and magical girl fusion Symphogear. Although the original Ohayou Hana! was a self-contained twelve-episode story, it received a sequel movie shortly thereafter, Ohayou Hana! Rebel!, which ended on a cliffhanger that has still not been resolved over a decade later. The upcoming Ohayou Hana! MK Ultra! is expected to get things back on track. An abridged series originating on 4chan, focusing on cropped screencaps from Ohayou Hana!, called the title character "Miss Ohio", producing the memetic tagline "being Ohio is suffering".

Zack Snyder first came up with the idea for Madoka around 2000, a long time before he'd actually get to make it; he put the project on hold in 2006 to make his adaptation of Worm Turns. He developed the idea with his wife Deborah and a cowriter, Steve Shibuya. Inspired by the Disney Princess phenomenon, as well as Naoko Takeuchi's Pretty Cure (one of the few anime that had already become a hit in the States), Snyder wanted to tell a coherent story about fights between magical girls who could make anything happen, who could make any fantastical world or visual appear. In Snyder's film, we follow Madoka Kaname, a teenager attending a Catholic school in Los Angeles. Madoka and her friends are approached by a strange young woman who goes only by "Mommy", and her animal companion (a CGI-ed up squirrel-cat thing), QB. They offer to make the teens into "magical girls", granting them one wish each in exchange for a life devoted to spiritual warfare. (Another mysterious new girl, Lilly, urges them not to take the deal in the strongest possible terms.) This turns out to be a scam; QB is pitting the magical girls against one another for his own reasons, and in the end, every magical girl and her wish gets corrupted. Despite much of the film's plot being a horrific bloodbath - the MPAA demanded a lot of cuts to get it down to a PG-13 rating - there is a happy ending; Madoka finally makes her own wish and uses it to topple QB's whole system. Madoka isn't often discussed nowadays but it was a major discourse bomb when it came out in 2010, alternately being called misogynistic Orientalist trash and a subversive feminist masterpiece. Snyder, for his part, often notes that QB is intended as an allegory for exploitative forces within the entertainment industry that treat young women as disposable resources with an expiration date; this is already clear to anyone who's watched the film, which is not exactly subtle in its symbolism. He also explains that the film sexualizes the girls in an effort to shame the audience, to get people to understand that they are objectifying the characters in the same way that QB does. The soundtrack's got a really cool ethereal cover of Nine Inch Nails' King Nothing on it, which is probably the most remembered part of the film today.

Selena Gomez became a star by playing Violet Parr on Disney Channel's superhero sitcom The Incredibles. While the show was initially a very throwaway villain-of-the-week affair whose leads had to keep their powers hidden from the public and their caped escapades secret from the government for self-explanatory comes-with-the-genre reasons, it would eventually unfold that the show was set in something of an X-Men-style dystopia where superheroism had been outlawed and supers oppressed by the government as a potential societal fifth column.

Brad Bird directed one of Pixar's most celebrated films, Wizards of Waverly Place; it was Pixar's first film with a predominantly human cast. Disney was hungry for a fantasy property after losing a bidding war for the Luz Noceda rights. It had strong populist anti-eugenic themes, with an elaborate wizarding hierarchy of antagonists who seek to remove the Russo family's magic as part of an effort to curb wizard overpopulation. The sequel came more than a decade later, and wasn't nearly as good.

In addition to Worm Turns, Alan Moore is notable for the heavily metafictional comic Pagemaster, about a boy, Richard, who finds a magical library that contains all stories that have ever been or could ever be told; he becomes lost and imperiled in assorted pieces of historically noteworthy literature (initially ones in the public domain, though later volumes would start using legally safe serial-numbers-filed-off versions of modern stories). The 2003 film, in which Sean Connery played the librarian in one of his last film roles, is widely regarded as a terrible, deeply-toned-down adaptation that didn't grasp the tone or themes of the original story at all; it only covered the first half of the first volume, in which Richard meets "genre spirits" who wish to sort all stories into rigid categories. In a later volume, Pagemaster Millennium, an aged Richard Tyler, who has since taken on the mantle of librarian himself, meets a teenage girl, heavily implied to be Luz Noceda, who has also become lost in the library. She has become corrupted by an eldritch book, or "Necronomicon", written by "the Wrong Author", heavily implied to be the devil (and/or Hugo Astley, an Aleister Crowley caricature from W. Somerset Maugham's The Winged Bull). Flushed with demonic power and enraged by what she's become, a monstrous Luz tears through the library in a blaze of hellfire, seeking to destroy all of literature and the world. It is only through the intervention of the Fat Controller - heavily implied to be God - that Luz is defeated; he mercifully erases her by hitting her with a train, and laments what she became.

#queued post #the scrambled timeline #I tinkered around with the ordering of these entries so much that I guess this is a scrambled post for the scrambled timeline #credit to hieronymous-botch for the Alex Hirsch's Sunnydale idea #credit to Lorelei for the Orson Scott Card's Steel Gear idea

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ancha-aus · 6 months ago

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RealAgeAU Drabble - Market

I am back again! Are you guys ready for more domestic fluff? I hope you are!

First Drabble (with original prompt by @spotaus ) Prev Drabble Next Drabble

Ready for the guys to be trying to settle more and get used to things? I hope you are!

*---------------*

Horror leans back to look at the new gate with the newly made attached sign. The name Haven proudly displayed on it. Horror nods. All stable and ready.

A honk of a truck and Horror looks over his shoulder. Seeing the familiar truck of Crop and Straw. Horror raises a hand and leans against the post. Waiting.

They stop the truck nearby and Straw grins widely "Looks amazing! you guys made quick work of it."

Horror shrugs "Aside from Dust we are all jobless. We had free time." he snorts at the looked both brothers wear as he turns back to their house. It is still very empty with only a few necessities but that didn't matter to them.

Crop coughs before grinning "Either way. We had a bit of a question for you guys regarding that and Dust's job situation."

Horror stops and shoots them a look "What about it?" he still leads them back. Even so today is suposed to be a relax day and Dust had taken the time to pull Nightmare close and read with him. Horror would feel terrible about ruining that.

Crop follows along "You guys probably don't know but this week is kinda a festive thing going on in town. All the farms collect some goods to have a big sale and trade and everything. Some people set up games and competitions. We may be a small community but we are far spread and it brings people."

Horror nods slowly "So... why need Dust?" it does not sound like a place Dust would enjoy. At all.

Crop rubs his neck "the cooler broke. The big big cooler in the big barn we use to meet up. the city service is being difficult about coming to fix it and is asking for extra for the short notice and some excuse about some unknown holiday."

Horror frowns and turns "That sounds like active sabotage."

Straw waves his hands "we know we know we all know but that isn't the issue. wihtout that working we are either going to have to cut things short as produce kept there won't be kept fresh long enough."

Crop nods "Not to forget the actual fire hazard it makes. We were setting up there when we heard about what was going on and were wondering if Dust could come fix it."

Straw nods and looks hopeful "And it will be great for you all to partake too!"

Cross joins them looking confused "partake in what?" he looks messy and covered in mud. Which is fair as he and Killer have been trying to figure out their terrain and make it safe. They haven't had much progress so far.

Straw gives the same explanation to Cross and Cross looks troubled as he glances at the house "I mean... he and Nightmare were kind of having a break day..." Cross must have made the same conclusion horror had in mind.

Cross frowns "on the other hand... that place may be a good place to get more information on the whole farm thing and see more options for us..." he shoots him a look.

horror thinks before shrugging "I will ask Dust and Nightmare. Can you ask Killer?"

Cross nods and just shouts for the other down the terrain. Knowing Killer will come then. Horror goes inside the house.

The house is still rather empty and aside from a very large comfortable nest by the downstairs fireplace they really have hardly anything. It was to be expected as it was their first week even living in here. Maybe they can even see some stuff for their house at this market thing?

Horror pauses and smiles as he watches Nightmare just lean fully against Dust, clearly looking half asleep as Dust slowly reads a story out loud. Holdign Nightmare against him as he lounges in the nest with their babybones.

Horror feels terrible for breaking the peaceful scene as he quietly joins them and tells them the situation.

Dust thinks it over and looks at Nightmare. Ngihtmare shrugs and mutters that it is fine. They don't need to stay there long.

Dust thinks it over before agreeing. Just to quickly fix stuff and then he will come back as soon as possible.

Horror shakes his skull "We can all go together. We will look around and look for usefull things for the house while you fix it." with someone watching his back. Horror does not like the timing of which this thing broke and how difficult those people in the city are being. better stay alert.

Dust mutters stuff about it being fine but easily enough agrees to make it a group outing.

They meet up with the farm brothers and get all get in the truck.

They get to the town and the whole main road has been filled with stalls and people getting ready.

Cross agrees to stay and help Dust fix the things that need fixing while Horror takes the hold on Nightmare over. He can see the anxious look Dust shoots Nightmare before looking at him "don't put him down."

So Nightmare had been feeling a bit sore when he woke up. easy enough. Horror nods and makes sure to have a secure hold on Nightmare and that his spine stays fully supported.

Straw grins and quickly leads Dust and Cross towards where the electrics are being set up for the big market.

Killer looks around as he stretches "Well... guess we can walk around and ask people about farm stuff?"

Crop is nice enough to help and show them around. They introduce themselves and people keep looking excited when they realise they are the new group of people. Killer grins and seems to like the excitement until people glance in Nightmare's way.

Either way they talk with people and learn about what each farm specialises in. And how the introduction of magic make it possible for a lot of small farmers to survive and really keep producing without a lot of the complicated mechanism.

All around it is interesting. The meet up wiht Gerson and confirm that he can come visit one of these days to see how the house ended up looking and wave at Ellie and Dani who are clearly hard at work with trading some logs with others already. Clearly most of their work will be early in the event.

They end up playing some of the games. They find an axe throwing ring and Killer grins madly at him.

Horror sighs "No Killer."

Killer whines "Come on H! You cna win this easy peacy!"

the person manning the stand laughs "That is what everyone thinks! But the axe is a lot harder to throw and aim than people think. But! If you hit the bullseye you get to pick a prize from the highest plank!"

Killer looks at Horror "Come on H! looks at those plushies!"

Horror sighs as he shoots Killer a look before looking up. They are big and soft alright. He notices Nightmare staring at them with slightly shiny eye lights. But he just turns around to snuggle closer.

mmh.

Horror looks at Killer "Do not put him down."

Killer immediantly understands and nods as he takes Nightmare over and coos and nuzzles his tiny skull.

Horror walks over and pays enough for one game. It is expensive and normally a scam. luckily Horror has some very unfair advantage.

The man grins widely clearly thinking he won this. "Okay! You get three chances to get as many points as possible or one chance to hit the bullseye for the large prize!"

Horror takes the axe "one throw." and goes to the right spot. He feels the weight of the axe and throws it up and down a few times in his hand. Not as balanced as his own axe and the blade looks dull. So even if you aim right there is a large chance the axe won't even stick to the bullseye.

Crop looks uncertain "Guys? It is fine. We can look around first more." Crop obviously know they are still low and money "These kinda games are often scams-"

the man manning the stand huffs "They already paid for it. just be quiet." Crop glares as he huffs.

Horror nods and listens to the intructions where he is allowed to stand. Then he takes aim and throws the axe, just using pure strenght.

The axe hits the bullseye and plinters the wood as it sinks in. and it sticks.

horror slowly pulls his arm back and looks at the man "Hit the bullseye and the axe stuck. just like you explained in the rules." he takes Nightmare back and nudges him gently to look up "Which one do you want?"

Nightmare looks at the plushies and ends up picking a very large and round plush bat.

the man stammers but takes the prize down for them. Nightmare hugs the plushy and purrs softly in his hold. Horror smiles. very much worth the money. Horror is sure that Dust will agree.

Moments later they see the lights on the big barn, an old barn that got remodelled into a community center, lights up with fairy lights all along the roof, windows and large open door.

Killer grins "Seems like Dusty pulled off a miracly fix again!"

Crop grins widely "I know! lets go see and share the great news!"

They meet up with Dust and Cross and see Dust cleaning his phalanges as he speaks. something about salt and sugar in the engines of the generators and while a mess it was an easy fix once eh figured it out.

Horror nods. So it is what he thought. clear sabotage. Fitting if some large corperation wants to buy these farms out it is fitting they try to ruin one of the few large markets they have. especially as there are used to trade and show off goods and probably get more customers.

Straw rushes off to no doubt share the great news that everything can continue as planned as Horror hands Nightmare back to Dust. Dust sees the large plush bat and shoots them a look. Horror rubs his cheek sheepishly "Killer really wanted me to play the game..."

killer grins widely and speaks about the axe throwing and everything.

Dust snorts and nods as cross looks more anxious "Guys! those things are always scams!"

Killer grins widely "we scammed the scammer! Wlel not scam as Horror won fair and square but still!"

Cross groans "It was probably so expensive..."

Dust shrugs "Just money." he just looks at Nightmare as Nightmare holds part of the large bat, that Horror is still holding for him, as he leans against Dust.

Cross blinks but nods "okay i guess... and the market?"

horror half listens as Killer gives Cross and Dust an update on what they saw and what type of farms are around. Dust however seems more interested in a group of people speaking on their phones after shooting the barn shocked looks. Seems like Dust located the saboteurs.

Luckily after a quick check with the mayor the area gets locked off. The mayor gives their deep thanks to Dust and reassures him something about payment coming their way. Dust shrugs but Killer catching on and quickly explains they are from the new farm Haven and that they can be generally found there.

The mayor thanks them againa nd goes about his way.

Cross tilts his skul as he crosses his arms "Who knew that they way to get people to like you is just to fix all their stuff."

Dust shrugs before looking around "We staying or looking?"

They end up taking the time to look around and meet some more people as they are there anyway. Also get a general idea how expensive phones are in this universe and what their own options for a farm are.

Before they know it is it time to eat and they eat out at the market before gettin Crop and STraw to drive them home.

The day had been busier than they had all expected but all in all not bad.

*---------------*

First Drabble Prev Drabble Next Drabble

#utmv #realageau #deaged nightmare #nightmare sans #cross sans #dust sans #horror sans #killer sans #bad sanses #farm sans #farm papyrus #What is this?! a bit of plot and worldbuilding?!#In my drabbles? It is more likely than you think #not too much to say this time.#just the guys getting more settled making their house theirs and getiing ideas for what to make their farm do as they all try to spoil #nightmare wiht the little things they have and can.#and dust oming in clutch with his tinkering ability. the community is so happy he is there #honestly they could probably get a workshop to fix things and call it that for work #but the guys don't like that idea because it would put too much pressure and work on Dust as he is the only one with the knowledge #so the tinkering is an extra thing.

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