#so much propaganda

[justaz]

growing up and radicalizing urself then going back to watch ur old favorite pieces of media and realizing you were siding with the true villains the whole time is wild

[alrightsnaps]

the way suzanne saw people romantically shipping haymitch and maysilee for years and said i’ll give you something even better. that’s actually his mean girl sister that he loathed for years and then grew to love like family! easily one of the best dynamics in the series

[poorly-drawn-mdzs]

Trapped in a vicious cycle of pining? Try gay sex! (More things to learn over at Tiger Tiger!)

[whatis-aleks]

these guys are so annoying just kiss already

[dovewingkinnie]

i love propaganda by crusher so much i'll animate it

[linkedin-offficial]

assorted doodles and sketches

[littlecrittereli]

Elemental AU my beloved

They're so dear to me

I'm working on refs for the villains but I don't have much energy for colored stuff rn

[nothatsmi]

Lovely isn't he.

I finished the third book. It's been a few days already but with work and stuff... Anyway now I'm digging through the additional content Nora posted on Tumblr, took me a while to understand how it works but now I am pleased.

I cannot express the emotionnal damage these books have done to me, but I'm not finished drawing any of the foxes. Just saying.

[astral-herald]

Viktor's (subverted) Aristotelian Tragedy

A common sentiment I’m seeing throughout post-finale Viktor discourse is an understandable concern or distaste for the element of choice lost throughout his story. I know a lot of us – myself included – expected more time spent on his transformation, along with emphasis on the anger/rage/betrayal fueling it. But seeing him allow Singed to “begin the process” in episode 8 reminded me of Arcane’s origins – tragedy. Bear with me for another long analysis :)

Aristotle wrote the following on the tragedy: “A tragedy is the imitation of an action that is serious and also, as having magnitude, complete in itself…with incidents arousing pity and fear, wherewith to accomplish a catharsis of these emotions.” He also emphasized that the true tragic hero couldn’t be perfect, and his downfall into such catharsis-inducing circumstances was reliant on a fatal flaw, oftentimes pride.

Viktor fits this mold, as do many Arcane characters, and it stands to reason that this was intentional since the writing team has reiterated that the show is a tragedy, at its core.

Regarding Viktor’s fatal flaw, I’d argue it’s pride, but it manifests very uniquely. He never makes any grand declarations about his success and doesn’t draw attention to himself in any clear way throughout season one (“Progress Day” comes to mind). Instead, his pride manifests as staunch independence and self-reliance that lead to his downfall; his unwillingness to break his stoic mold arguably led to his use of the Hexcore…so it goes.

Fascinating caveat: Viktor’s pride is a defense mechanism, a necessary tool he built in order to survive and succeed in a hostile environment to people of his station. His self-reliance is increasingly desperate as his illness worsens. He’s cornered by fate but banks on the sanctity of choice at every turn – in season one, Viktor is bound by the conviction that we all have a choice. It’s why he’s so distressed when Jayce makes the wrong one regarding weaponizing Hextech.

“There is always a choice.”

Viktor’s choice to fuse with the Hexcore is the classic Aristotelian fatal flaw moment, the singular incident that opens the flood gates for eventual catharsis. We watch Viktor make an irreparable choice, one that we know to be bad, and endure the repercussions. He then makes the choice to abandon the Hexcore, and end his life, but audiences can’t shake the feeling that those consequences aren’t leaving anytime soon.

So why is Viktor so anti-choice in his final season 2, act 3 form?

Choice is Viktor’s weapon. Pride is what leads him to abusing it. Despite how uncomfortable and depressing it is to watch, Viktor’s slow descent into the Herald is a perfect twist of fate. The Arcane is even so insidious that it meshes with his original intent, to help those suffering in the undercity, while convincing him that their subservience is healing. He becomes responsible for their choices. He knows what’s best because he’s relieving the Gloriously Evolved of their suffering, right? The utopia is for the greater good, yes?

Admittedly, it was really hard watching act 3 Viktor descend fully into his choiceless ethos. But we can still relate it to his tragic flaw – his pride has mushroomed into coldhearted omniscience; not only does he know what’s best for everyone, evolution, but he also has the sense to make the choice for them to supersede their “baser instincts.” The grief we feel upon seeing this perverted, violent version of himself, as far removed from Viktor as possible, is the culmination of Aristotle’s treatise on tragedy. The catharsis is the rock-bottom Machine Herald.

"Choice is false."

But then Arcane decided to basically make Jayvik canon (get out of here, Christian Linke) and destroyed the early drafts of this post. I’m going to rapid-fire this next bit:

Jayce forces Viktor back to life. Viktor has no agency in his season 2 inciting incident. Again, it’s distressing when we mourn his agency, but it remains in accordance with Aristotelian tragedy.

Viktor clings to humanity as long as he possibly can. When Jayce calls out Viktor’s trajectory, alleging that his old partner had died in the Council chamber, whatever is left of Viktor gives way to the Arcane because his last tether has been snapped.

Jayce knows the game – Old Man Jenkins Mage Viktor told him so. Jayce becomes the linchpin in subverting Viktor’s tragedy. He knows what must happen. He understands now.

Machine Herald Viktor is given the chance to undo his fatal flaw, to reverse the catharsis, when he sees Old Man Jenkins Mage Viktor. With Jayce’s help, he takes it.

Given that it’s a version of Viktor who ultimately frees him from himself by empowering Jayce, we can gather that Viktor has liberated himself from his tragedy.

Aristotle’s catharsis is rapidly transformed from something based in release to something healing – Viktor’s tether to humanity returns. He grasps it. The walls of his pride and self-reliance collapse. He accepts Jayce’s help, finally being seen as the full individual he is. Catharsis ensues, for sure, but I don’t think it’s based in the typical tragedy genre.

All this to say, I think Viktor’s arc was, in fact, carefully constructed. He represents the Aristotelian descent into a fatal flaw and that’s very distressing to see unfold, especially since he embodied the tragic hero archetype so well from day one. However, Jayce undoes this narrative and we’re given an incredibly subversive ending that I, personally, never saw coming.

I’m sure that Mage Viktor has a much larger bearing on this analysis than I’m accounting for. But for now, suffice to say that he is Viktor’s way out of the tragedy. TALK ABOUT CHOICE!

This doesn’t erase anyone’s discomfort for Viktor having less and less agency, but I’d like to emphasize the logic and literary precedent behind the story decisions.

PS: here's a quick source I looked at about Aristotelian tragedies. I hope to re-up on Greek tragedies so I can get more specific about the parallels Arcane draws from them.

[jon-sedai]

Thinking about how one of the most important motifs in Dany’s childhood memories is a seemingly nonexistent lemon tree. Or rather, a tree that her memory insists exists where it naturally shouldn’t. And thinking about how, in her last Dance chapter, at a pivotal moment of development, she reflects that while she wanted to plant trees and watch them grow, dragons don’t plant trees. But how funny is it that her narrative ancestor, Princess Daenerys of Dorne, left behind a legacy of planting an entire garden of trees — a place where children of all backgrounds could come and bloom within it? And then thinking back to Dany’s moment in Clash, when she comes upon a barren wasteland. A place that, despite its harshness, has many types of trees growing within it. For a brief moment, she considers staying to nurture and watch it bloom.

Sure, her childhood memories are false. But the lesson isn’t that she doesn’t belong anywhere because she dreams of lemon trees in Braavos, where they don’t exist. Maybe the lesson is that she can plant these nonexistent trees elsewhere.

Lemon trees don’t grow in Braavos, but Dany can grow them wherever she chooses to plant them. And this is something she will have to understand when the Long Night comes. Winter means death. It means the trees will wither and no new ones will grow to replace them. But Dany is the mother of dragons, and her life is tied to the very process of life and death, destruction and renewal. The Long Night will be marked by dead trees that bear no fruit. But that’s okay. Because Dany has spent her entire arc dreaming of trees where there aren’t any. And isn’t THAT the dream of spring?

[reya-eats-art]

MK..

so i won first round of lmk oc competition now have this, THANK YOU!!!

Original by lemus on twitter 🥲🥲

@lmk-oc-competition

[steakbite]

...we're just living in it!

[kiis1k]

-

I am head over heels IN LOVE with this fanfic, called All That Remains. The story as a whole is unfinished, but the first part is done and let me just say IT IS WORTH THE READ! If you want to read a tragic but fascinating Legolas AU, this is the one to read!

And my favorite thing in the whole story, a spoiler and not a spoiler, is the relationship between Glorfindel and Legolas. My faves! My blonde bombshells! Trauma buddies if you will!

Just do me a favor and show that story some love and give it a read if you haven’t

[poorly-drawn-mdzs]

Get Their Ass.

[First] Prev <–-> Next

[abel-draws]

My faves should meet

[getindumdums]

HALF of the "Get in Dum-Dums!" turtles have arrived! Shame 12 and 03 were busy, but hey! My readers know Rise and 87 are the REAL stars of the show! ;)

@tmntaucompetition

---

A little about the GDD crew. The Rise bros are their CANON Post-Movie selves. And the 87 turtles are "old men" that got stuck in their universe. They're just in a new "reboot", that's why they got new designs. They go through this every so often, it's normal, don't worry about it.

It still counts as an AU since 'Alternate Universes' are involved right? Right?

"Get in Dum-Dums, We're Going Vandalizing!"- Fic!

2024-First, Prev