#HE SIDED WITH HIS OPPRESSORS
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growing up and radicalizing urself then going back to watch ur old favorite pieces of media and realizing you were siding with the true villains the whole time is wild
#so much propaganda#im talking about bbc merlin#when i watched it initially i adored merlin and despised morgana#maturing is realizing she was right#now im like so annoyed how the story played out#idc that merlin loved arthur so much he sacrificed his own people including himself blah blah blah#SHUDDUP#HE SIDED WITH HIS OPPRESSORS#MORGANA STARTED A REVOLUTION#SHE WAS RIGHTTTTTTT#dont get me wrong i still love merlin but GOD did he fuck himself over#i guess thats the whole point of a tradgedy or whatever#doomed from the start#but idc#he shouldve done fucking something#for a man who supposedly doesnt care for titles or status#he really couldnt handle going against a monarch#i wish he wouldve like at least raised a hidden kindom or sactuary for all magic users to go to hide from uthers rage#save ur fucking people dude#OOOOO IM GETTING ANNOYED JUST WRITING THIS OUT#POST FUCKING CANCELED
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Jinx NEEDS to read Silco's diary! When Jinx went into Silco's safe, she didn't actually read his diary.
That means Jinx never read what Silco said about Felicis's pregnancy.
Jinx never learned that to Silco, before things went by the wayside, living and caring was an inherent act of transgression. That to bring a child into their world took bravery because there was no guarantee for their safety, there was just hope that they could make things better.
After Act 2, I can't imagine Silco's diary alone would help completely Jinx, but I think it could offer a piece of insight Jinx never had about Silco or the rest of her family. For the longest time Jinx has convinced herself she's been a curse on her family that she doesn't realize every person who's ever loved her chose to love her. Nothing in Zaun is guaranteed, not food, clean water, health, safety, or even light and but Felicia, Connol, Silco, Vander, Vi, Mylo, Claggor, and Isha all chose to love her, because that's the only risk worth taking.
In Arcane love is treated as something that inherently exposes someone, makes them "weaker". The only way love isn't a weakness, is when the world isn't a place that punishes it. Jinx was loved and still is loved because her family believed she deserved to be in a world like that and fought for it. They fought for her.
I have some hope that when Jinx returns she might learn this because the bandages in her trunk resembles her new top for her endgame outfit.
#arcane#arcane meta#jinx arcane#silco#silco and jinx#also if shecould relate it all to how piltover put them in a system that would inevitabky grind them to dust w/ or w/out her intervention#that'd be great#also she should see this side of silco#i know we the audience understood he loved her but Jinx's self hatred the reason it's not connecting#jinx needs to learn more about silco before the literal worst day of his life changed him forever#she needs to learn about the young man who believed living and loving was an inherent act of defiance against your oppressors#jinx fixes everything#league of legends#this letter needs to be in the show more than Vander's apology letter needed to be#arcane spoilers#arcane season 2 spoilers
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honestly think saying wicked is a ‘story about friendship’ does a disservice to the show when at its crux its a story about discrimination and corrupt governments
#me when friendship is being oppressed by a government and my bestie joining the side of the oppressors#but its okay bc she apologised at the end and they sing a sweet song !!#also why i think its pivotal that fiyero is a poc bc of the way hes treated by everyone in act 2#they dont really like him and he clearly doesnt belong in this world#like the way he tells the guards go let elphaba go and they dont listen to him until glinda gives the greenlight#he always knew if given the chance they would attack him too and in this scene he gave them a reason and they did !#and he got hung up in a field#also makes the moment come off as less white savioury and gives fiyero some more character depth as you see his internal conflict#sure ig act 1 is about friendship with a corruption subplot but in act 2 the corruption is the main story and the friendship is the subplot
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thinking about how we never have an actual flashback from the Ouyang clan execution and how that adds to the unreliability of Ouyang's narrative about his life and death. [sorry, long rant incoming bc i have feels]
Especially in regards to the scene when Ouyang is tasked with execution of Zhang Jr.: he thinks that he willingly chose to avenge his father and to bear the suffering of his fate when he was 10. But did he?
''He was giving him a chance for his death to have meaning. He should be grateful", he thinks in regard to Zhang Jr. So did he himself just stay alive for his death to have meaning? Or - what I suspect - did he just invent all this a posteriori to justify his will to live?
Apart from the fact that the scene with Ouyang killing Zhang Jr. is one of the most memorable in HWDTW for me for the layers that it has, it highlights one of the most fascinating facets of Ouyang: his will to live vs. his deathwish.
Obviously as his whole arc is about falling downhill, we as readers don't see much of the former, while the latter is in abundance especially in HWDTW. But nevertheless this tension is very much there.
As I said, we don't see - even through Ouyang's eyes - what went down that fateful day of the massacre; did he really beg for his life to avenge his family or just for the sake of it. But personally - I'm betting for the latter. Like, come on, he was 10 AND - more importantly - he DIDN'T know that Chaghan would have him castrated as he begged for mercy. He had no idea what the consequences would be. He might have thought about revenge; it's evident that even at 10 yo, the masculine ideals were already drilled into him. But he DIDN'T choose that with full awareness; it's something he told himself over the years to justify his will to live.
And I think this is the deepest root of his shame: that he so desperately wanted to live he could do anything. Him being an eunuch was shameful too, but not so much as the fact that he PREFERS it to being dead. This is what Chaghan calls him out on and this is why the scolding is such a turning point (something I didn't catch at first): Ouyang realizes that if he wants to live free of shame and justify his existence, he must have his revenge. But to do that - ironically - he must destroy himself.
The excuse he came up with over the years to make up for his will to live is that he is a tool of revenge; he is allowed to exist as long as he is this tool. Where the tragedy lies is that he never allowed himself to imagine that he could exist after his revenge is complete. Which is, I think, part of the reason why it took him so long to start plotting it: he wanted to live. He wanted to be with Esen. (The passage "He felt a surge of hatred towards the monk. [...] Without him, how much longer might Ouyang have had with Esen?" is one of the most heartbreaking in SWBTS imo). And I think that deep down he didn't even think his revenge was actually doable.
"[...] the monk had triggered the start of his journey towards his purpose. He couldn’t find it in himself to be grateful. It felt like a violation. A theft of something he hadn’t been ready to give up. Not innocence, exactly, but the limbo in which he could still fool himself that other futures were possible."
I think that these ''other futures'' were futures in which the opportunity for revenge never came; not so much as in ''his enemies were dead by other means'', but as in "Ouyang kept waiting but he just didn't get to meet the Khan" etc. And I think that in his mind, it would have been the best possible option - he could keep on living, waiting for the opportunity that somehow never came, but hey, his excuse of being a tool for revenge was still valid, right?? nobody could tell him that he didn't want it or forgot! he just didn't have the opportunity! oh, such bad luck, sorry not sorry. (And one day he would have died on the battlefield, possibly in Esen's arms, and it would be the best life he could have imagined).
But Zhu gives him the opportunity and he feels he must act on it, which means that his excuse for existing will soon be no longer valid, and it makes him so angry. I still don't get why he couldn't imagine a life after revenge; possibly because despite everything he LIKED this life - or, at least, liked it more than the alternative. Revenge meant destroying everything he enjoyed: his life as a general of the Yuan, and - more importantly - Esen. He probably didn't imagine a life for himself after revenge not only because he thought himself a tool to be discarded, but also because he didn't see in there anything worth living for. And this is when his deathwish comes in. It practically appears as soon as Esen is dead; and the rest is history, with Ouyang's ''I have to live because I must have my revenge and I sacrificed too much for it to walk away now!". But still, it strikes me how at the beginning of SWBTS he's clinging to life as he knows it despite it not being ideal, and how in HWDTW he is awaiting death eagerly.
And - circling back to Zhang Jr. - this is why Ouyang kills the boy: for Zhu it might have been tying up loose ends, but Ouyang at this point sees that staying alive wasn't worth it. He does what is better for the boy in his opinion; he even lets him die with honour, something he himself wants. He wishes he had chosen death all these years ago.
#i mean. i can't wrap my head around the fact that Ouyang wants to live but he feels he lives on borrowed time#this was supposed to be about the execution of Zhang Jr. but i lost control#this scene still makes me feral though#the implication that if Ouyang could go back in time he wouldn't have shown mercy to himself at 10???#the implication that he understands Chaghan at this moment??? that he identifies with his oppressor??#and the chilling implications of ''he stared at [the forearm slash] fascinated. it seemed to have had nothing to do with the boy''#(in a book full of Ouyang's self harm this moment was def the most disturbing for me)#also the cruel irony that HE SHARED THE WILL TO LIVE WITH HIS FATHER!!#THIS WAS WHAT MADE HIM HIS FATHER'S SON!! HE INHERITED THE SAME WILLINGNESS TO LIVE DESPITE SHAME!!#the fact that he thought himself so different from other male ancestors when in fact they were so much alike!!#anyway. bye#also food for thought: if Ouyang stayed by Zhu's side - lived past his revenge and never found out about his father -#would he be able to keep on living with the fact that he killed Esen? would he be able to have even a shred of happiness?#the radiant emperor#he who drowned the world#he who drowned the world spoilers#general ouyang
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kuzan joining the revolutionaries au >>>>
#KUZAN.#when he takes off his anger and resentment on the right people instead#of siding with different kinds of oppressors <333 babygirl you could make one good choice#but i love what a hopeless manfailure he is tbh.
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Vash the class traitor
#nooooooo dont stay neutral during times of conflict therefore choosing the side of the oppressor you're so sexy aha#no but literally nai has a point but just so you're not too confused who to root for he also wants to commit genocide#literally a plotline from rwby#just because vash wants to martyr himself for centuries to come doesn't mean his people should#nai is so cartoonishly evil lololol
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ok but flint / eleanor parallels anyone ?
#thinking abt how they both wield white priviledge even as queer people in a society that abhors them#and how flint (tho he Never directly reckons w his participation in slavery/how he benefits) ends up finding common ground w the maroons#and eleanor ends up hanging a man who was born into slavery (vane) and siding w the oppressor#bc to her she was willing to cut off the part of her that loved max (the part that made her an outcast) to fit in + have a seat at the table#whereas flint was Defined by his traumatic experience of homophobia and is unable to ignore or cut out this psrt of himself#idk its lste and i havent been getting enougb sleep bc ive been try8ng to see my friends#good news tho i successfully spent at least 5 hrs across all my hangouts discussing black sails#canis speaks#black sails
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My unpopular opinion abt the new Castlevania series ig is that I just don't have any care or sympathy for these little church goons that they were trying to humanize this time around... Like Olrox revenge kill go off, I watch u kill that boys mom minute 1 but I'm still in ur corner bbygirl! I see ur thru line.
But then his little shitty church bf sanctioning and standing by all the actions of the church and also we don't talk about the homophobia he's supporting while also being gay and also sleeping w a man his church would have (and did) sanctioned the genocide of several times over... I'm supposed to think the way he shut Olrox down was anything worth feeling bad for, I just rolled my eyes at his self righteousness. Walk away from that man, Olrox!! We saw where this manic Christian love leads, and it's what ur Abbott did (who I also don't give 1 fuck about him or his white xtian guilt especially after That LOL)
I guess I can tentatively respect that the church guard's storyline is gonna potentially be about deprogramming him, but I hate that they seemed to be posing him as correct in accusing Olrox of having no soul, when we as the viewer know it was an act of love that he didn't think he was capable anymore, after what was done to him at the hands of ppl that the church guard. To me all i felt was the heartache from his POV so common in these communities where u thought you have a Good Christian that saw you, but he still sees you as the monolith of his imaginary enemy the second push comes to shove, even though your actions have shown again and again that there's nuance to be had
#the only whites that gave gotten a pass from me is baby belmont and the speaker mom#who's daughter I'm sure will mature i want to like her but she got shackled into a plot w the abott#which means we have to spend a lot of time on his white man pain about how he had the power to do so many terriblw things and chose to do i#anyway just wanted to get this off my chest i couldn't watch it fast enough and don't remember the guards name#and didn't look it up bc i don't want someone looking for him and starting a fight w me#just sucks bc i love Olrox so much and a lot of his fan content is him w this man i can't stomach tbh#i hoped he would be different i hope he can change or that Olrox finds someone else#text posts#i don't want to get into it too much more i have to rewatch this show bc baby belmont and Annette are my kids and Edouard is so special 2 m#bls im not a hater so if u like the guard i don't care#i just have a lot less interest in these types of threads ik some ppl who have been victims of the church find them cathartic#but i often find the storyline too much in the business of comforting the oppressor being represented and find them tedious#raised in American South where a lot of the cultures being examined exist and have flavored it#particularly this time period being looked at w plantation slavery plus French and native relations being v highlighted in my region#ugh anyway let me not get started x2 plus i don't care who's side drolta is on#she's bad and unjustified just insane and likes murder and looks very hot while she does it the end#(i love her every show putting black girls in it take note of the way they treated her hair so many styles 🥺💕)
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can gabe saporta just stop talking please
#literally how does he not get that he's coming from an extremely biased perspective.#how is he just sharing 'unconfirmed' information and okay with it. 'it hasn't been debunked it's just unconfirmed'#then don't fucking share it??? what the fuck is wrong with you#literally how hard is it to want to support and sympathize with both israeli and palestinian civilians#how hard is it to understand there are innocent people on both 'sides' who don't deserve what's happening to them.#demonizing palestine for fighting back after years of oppression is certainly a choice#ngl i unfollowed him and am not particularly interested in any potential future cs content bc of this#people were telling him that he's spreading misinfo in the comments of his post and he essentially cherrypicked ones#that were slightly more aggressive to spotlight on his insta story like#'look at these awful people siding with oppressors and terrorists!! you're all evil'#also bro is acting like this is the oppression olympics#'israel is suffering worse than palestine ever did' he says giving proof that's been almost entirely debunked#i know celebrities are nothing but this is just one of those instances where im like. man. can't even have the comforts of my youth#without the front man ruining it with piss poor political opinions
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i'm rewatching andor and (though it's a stretch) i noticed a parallel
it's driving me insane, cuz the first time i watched it i did't get why Cassian was so interested in Cinta bc it doesn't seem like he wanted something romantic with her but still kept being generally nicer and more smiley with her than the others, and he looked at her a lot too
so i rewatched and it hit me :
ep 1, the lady in the brothel : We have a lovely lady from Tahina who's got those big dark eyes your looking for (most likely a trait shared by all from kenari, including his sister)
Cinta : has got big dark eyes
cassian's sister (not the best picture but i have nothing else) : has got big dark eyes, (and a similar skin tone ? idk i can't see very well)
#star wars#andor#cassian andor#i'm not saying she's actually his sister#but i'm interested their dynamic#the way he said “ur a healer” in ep 5#with the soft smile like he was proud#idk i feel like he sees his sister in cinta#or at least what his sister could've been#someone who fights against their oppressors#but most of all someone who fights by his side
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Why The Arcane S2 Finale Fumbled, Part I
arcane season 2 was artistically beautiful and thematically cheap. every interesting and meaningful thing it did with its characters (even in season 2 act 2) was reduced to romanticized bullshit, utterly divorced from its season 1 roots. it's so bad it can be considered pro-status quo propaganda (and i do mean that). good ships aside (and i do mean the caitivi, jayvik, timebomb holy triad), this season squats and shits on every zaunite character in the show. not just their zaunite-ness, but how it literally shaped who they were as characters.
Let's start with Vi:
Vi and Vander:
Vi's loyalty to The Lanes always went beyond Powder. Zaun was her father's, Vander's dream. Zaun was her friends and her family. When she's giving Caitlyn a tour of The Lanes, we see how much she embodies and revels in Zaunite culture (esp in the food scene). She took responsibility for the vulnerable, like Vander taught her to. Her "protective" trait extended to ALL the vulnerable in The Lanes, because Vander taught her that. It wasn't EVER just Powder. Zaun is her HOME. As a child, she wanted to make a name for herself IN ZAUN "one day, this city's gonna respect us." You can make the excuse that Vander's death meant that side of her died, but it clearly didn't because of how she regarded it while showing Caitlyn around. "Family" to Vander, extended to the vulnerable of Zaun, which is how Vi and Powder came to be his "daughters" in the first place. Because Zaun was for THEM. Zaun WAS THEM. Vander and Silco "weren't allowed to fail" at Zaun (i.e. the two daughters).
Additionally, Vi and Jinx were supposed to succeed where Vander and Silco hadn't: forgiving each other and uniting so they could realize their dream for a free Zaun. A big reason why Zaun struggles to be free is because of their own internal divisions (the different gangs fighting for scraps). But if they united, they would be able to liberate themselves from Piltover (who is still the enemy). The whole reason the others are prosperous in the alternate timeline Ekko and Heimerdinger travel to is because Vander and Silco reconcile (not because Vi dies).
Vander also passes on his sense of responsibility to Vi. He tells a repeatedly vengeful Vi how her ambition to show up her oppressors can overshadow the more pressing priority of looking after those more vulnerable than her i.e. Powder. Like Silco, his advice to his daughter is steeped in his own trauma of getting so zealous he didn’t stop to think what it would cost.
Vi and Caitlyn:
Caitlyn was an interesting development for Vi, particularly because Caitlyn mirrored Vander's care for all people. Caitlyn was an enforcer that wanted to truly understand and help people. This challenged Vi's biases and also gave them a common goal. Caitlyn appealed to Vi because she gave Vi renewed hope for peace in The Lanes. That Zaun could be free through co-operation instead of violence. Her whole teaming up with Caitlyn, romance aside, was predicated on Vi brokering for peace between Zaun and Piltover (and getting revenge on Silco).
The first break-up between the two (Season 1's "Oil and Water") centred around Jinx, more or less. Vi believes Silco is a threat to peace between Piltover and Zaun (even though The Lanes aren't known as Zaun to her, I'm just using the names interchangeably). She believes Jinx is acting out due to Silco's influence, as well (and she isn't wrong). Had Caitlyn not been injured on the bridge (and had Jinx not felt betrayed by Vi), Vi was going to leave her in pursuit of Jinx. Vi has also never fit into Piltover (and that's also shown in Season 2 act 1-2). She makes no connections with Piltovians besides Cait and (an already disillusioned) Loris who we see for like two seconds.
Vi and Jinx:
This show was ALWAYS about a tale of two sisters/cities. When Vi becomes an enforcer, it isn't because she's switched loyalties. She wants peace for The Lanes, she just wants to take Silco's creation--Jinx--out of the equation so it can work. Her priority, like Vander’s, is to keep the vulnerable of The Lanes safe, and both were willing to co-operate with Piltover to protect the people they loved. She believes, like Vander did with Silco, that Jinx (and by extension Zaun) is her responsibility. That the reason bad things happened to Zaunites (Vi’s and Powder’s parents dead on the bridge, Jinx’s mania) is their fault.
Vi blames herself for creating Jinx as Vander does for creating Silco. The only reason Vi agrees to Caitlyn's plan is because, again, their two goals align: get Jinx. The difference is Vi wants to kill Jinx to kill Silco, while Cait wants to kill Jinx to get her city (mother) back. Vi is still explicitly concerned about Jinx, who she has come to see as a threat to other people she loves (e.g. Ekko, Cait, etc). Vi became an enforcer to protect The Lanes and the (appearance) of peace. Vi internalized Vander’s words and doesn’t want war, even if it means Zaun never becomes independent. But she is doing it as penance for what she feels she didn’t do that led Jinx to become what she is.
The show in season 2 TOTALLY LOST THIS FOCUS. Vi's guilt at hunting down her own people with enforcers is ALSO ignored a lot by fandom, especially because her post-breakup scene where she goes full goth is framed as regret for letting Cait down (rather than the self-disgust she would feel for joining her oppressors). Vi played a part in creating Jinx and her enforcer-arc is still centred around Jinx. This gets shoved aside for romance with Cait. All the time we could spend post-breakup focusing on the sisters, quickly circles back to Cait.
Cait, who, literally became a dictator and weaponized the air ducts her mother had created to SAVE ZAUNITES. The whole thing is viewed as Vi betraying Cait instead of Vi betraying Jinx/Zaun/her family and Cait betraying Vi ("promise me you won't change") and her mother. Cait was the one who sought to help Zaun (like her mother) but betrayed who she was when she was willing to kill Isha, an innocent child.
Vi would feel even more guilty at how she is literally in an enforcer's suit when she is about to kill Jinx, the only family she has left. She is literally hunting down Jinx, a Zaunite, like the enforcers had her parents. But we barely explore that. It’s just off to chasing Vander/Warwick only for it to not matter anyways!
(ALSO IMPORTANT: Just to further prove my point on how integral the sister's love for each other was, every show started with a record playing. The cover of the disc was Vi and Jinx. They were always the center focus of the story. The song that the record played? Likely "Our Love" by Curtis Harding and Jazmine Sullivan which goes "Our love is a bubblin' fountain, our love, that flows into the sea, our love, deeper than the ocean, our love for eternity." This love deeper-than-the-ocean can apparently crumble in the face of a dictator girlfriend you've known for less than a year lmao).
Summary of Fumbles:
-Vi's and Jinx's relationship becomes secondary not just to the entire plot of the show but to Vi's arc. Zaun and Piltover's conflict was set up to be the epitome of the show, and the fact that it got shelved for some (ahem military propaganda) epic battle between humans and robots is very telling about the writers and showrunners.
-Vi forgives Cait easily and prematurely, trashing Vi's true loyalties as established in earlier seasons/episodes and robbing Cait’s actions of their appropriate weight.
-(above is an excerpt from Amanda Overton's interview with TheGamer) The culmination of love for Vi's character ends with Caitlyn and not Jinx. Vi's character, whose love is explicitly centred on Zaun and her family, reaches its peak in romance with a Piltovian. To quote Amanda further: "If Vi had no one left to protect, she would fall in love." As if Vi had no ambition outside of protecting her family. As if her dream since she was a kid wasn't tied so much into Zaun. As if the reason she wore an enforcer outfit wasn't because of Zaun. As if Zaunites aren't suffering right under her nose. As if she was the only kid in Stillwater Prison and struggled to survive the whole time she was there. I can't pretend to stomach it. (Again, it's not that Vi shouldn't be happy, it's that the ship had to shove this aspect of her character aside for it to work). If they wanted to really commit to the Vi-in-video game origin story, they should have set it up better and stuck to it.
-Vi herself takes a back seat in most of season 2, and becomes a passive, guilt-riddled yes-man to Cait
-Vander's re-introduction is almost completely worthless to the plot and narrative (he comes back just to die), and he is used as a cheap way to re-unite (and then separate) the daughters in a way that has no significance to the themes (also, Silco as Jinx's father is completely ignored during this time)
-Cait's deferral to fascism should have been permanent. Idc about the shippers at this point. Vi and Cait should have never come back from Cait shoving the back of her gun into Vi's injured side (let alone the gassing of the ducts). Vi would've never forgiven her, attraction or no. The fact that Cait could become a dictator after losing one parent is proof of their class divides (after all, Vi held onto hope despite losing all her parents to enforcers and Jinx was all she had left of her family). That should have cemented the death of that relationship (and it would have made for more compelling storytelling on class). I’m thinking it was kept because it matters more to white Western audiences to have a Romeo x Juliet rendition that assuages their classist sensitivities. Cait becoming a fascist made sense and was true to her character and the world. Vi forgiving her (and then having sex with her in the prison she was thrown into as a child?) destroyed both her character and the narrative.
Yeah, yeah, Vi was overwhelmed by the breadth of love and forgiveness Caitlyn had in letting Jinx go, but that's bare minimum shit. Vi "always choosing wrong" because she *checks notes* keeps trying to reconcile with her sister instead of letting her go since she isn't Powder anymore? So she resolves her guilt by choosing her own pleasure and putting herself first for once. Okay, I don't have a problem with that except that Vi and Jinx were supposed to succeed where Vander and Silco hadn't--by reconciling! And you still won't get me to like the fact that so much of Vi's character arc gets held up in a Piltovian who encouraged her to do the worst shit to her OWN PEOPLE and then fucking turned on her when she couldn't kill her sister. It is frankly amazing how we're supposed to celebrate Caitlyn literally coming between the sisters. I'd rather Vi forgiving Jinx than Caitlyn. And if the whole appeal of Vi's relationship with Caitlyn is that she was overwhelmed with love for how Caitlyn forgave Jinx after she killed her mother, I don't see how a relationship with Cait automatically makes Vi feel less guilty, since Cait also makes her feel guilty for choosing Jinx (remember her accusation "you will always choose her" like sorry I don't want to kill my orphaned, traumatized sister who I ripped into for making an honest mistake as a child and who has carried that since). Caitlyn (as others have pointed out) got a whole ceremony for her mother and instantly turned on Vi's people. The Vi I know would have been like, "You really are all the same," and FUCKING DIPPED. And there's a little acknowledgement of this in act 1 where Vi accuses Caitlyn of acting like Jinx.
Both Jinx and Caitlyn are emotional labour for Vi. Vi still wants to protect Caitlyn from Jinx. There's not that much of a difference, lol, except that Caitlyn is a privileged Piltovian and Jinx is a victim of the abysmal childhood she suffered at the hands of enforcers. Yet the show is more or less saying Vi pursuing reconciliation with Jinx was a bad choice for Vi and the reason the cycle of violence continued (for some reason). The sister reconciliation was what I was here for, personally. Cute ships aside. But noooo, Vi should forgive Cait (not Jinx) to stop the cycle.
And having jail sex is a liberating act for her because it's where they had their meet-cute. (And we're all good bc Caitlyn gave up the Kiramman seat, lmao, like sure okay).
It's frankly made the ship that much more unpalatable. If Vi had to be destroyed as a character for the ship to work, then the ship wasn't all that good (even though it started off that way). It's honestly left such a bad taste in my mouth. What a fuck you to oppressed groups that whole subplot was. (And it's made worse by the fact that the creator thought that was somehow an empowering and liberating act for Vi, like fuck that).
Let's Talk About Victor:
Viktor and Heimerdinger:
Heimerdinger and Viktor were the most polar of opposites. Heimerdinger was not only a privileged, ulta-wealthy Piltovian, but he had a comparatively endless lifespan while Viktor's own human life-span was cut short due to being a Zaunite, born at the bottom of the barrel and raised on toxic fumes that led to his terminal illness. Viktor's desperation to unlock the Arcane was explicitly about him overcoming his circumstances, his illness, his premature death. It wasn't merely about his internalized ableism, but the unjust way in which he had to suffer. Heimmerdinger could afford patience because he had all the time and resources in the world, but Viktor didn't. Not merely because he was a mortal, but because he was a Zaunite.
Viktor and Singed:
Viktor's arc with hextech is foreshadowed with his childhood interaction with Singed. I understand that in the games, Viktor is a villain-type character and his catchphrase or whatever is "Join the Glorious Evolution," which the show hinted at from Season 1 when Singed explained his experiments to Viktor. While Viktor is horrified by Singed killing the creature that he eventually uses for shimmer, Viktor later says, "I understand," hinting that he saw the sacrifice (and death) necessary to "heal" the world of its ailments. Both Viktor and Singed grow up in The Lanes, and both have ailments they want to cure (for Viktor it is his lung cancer and for Singed its his daughter's dying). In season 2, Viktor tells Singed that while he understands what healing all those people could cost him, he will not sacrifice their humanity for Singed's cause. This is because of Sky’s death (which is partly why it is her who is in the Arcane with him).
Sky’s death is what makes Viktor beg Jayce to destroy the hex core, since he couldn’t do it himself. He is willing to die if that means no more innocent people do. But here’s where I get a little touchy. VIKTOR didn’t KNOW she was there. Viktor was simply desperate to live. Sky’s death was not malicious (even if it’s true to his character that he’d feel guilty anyways). It is at this point that Viktor has Jayce promise him to destroy the hex core (and by god is this where a lot of my contention with the finale comes from). Also, it is important to note that Viktor’s self-loathing is depicted only in regard to Sky’s death (NOT HIS BAD LEG). Now Viktor feels guilty not just for Sky’s death, but also necessarily for trying to live (AND PLEASE KEEP THIS IN MIND). TRYING TO LIVE is subtly treated as an AMBITION that, for Viktor, interfered with his ethics. (And please note that in the end, Singed, who repeatedly embraces unethical practices for reviving his dying daughter gets what he wants).
Anyway, in S2, Jayce blasts Viktor in the chest and all that conviction goes out the window. All this despite Sky (his conscience and “humanity”) being there with him in the astro-nether. Now Viktor's idea of becoming a higher being is just getting rid of emotion (apparently because Jayce did it or something). Jayce killing him without explanation was all of a sudden all he needed to become a divine dictator. The same Viktor that looked terminal illness in the face and preferred to spare others instead of himself? The same Viktor who's immediate action after waking up with a new body was to go and use the arcane he wished had been destroyed to help others? Because the arcane is corrupting him? That’s convenient for a certain political narrative. Especially because anyone would hesitate pressing a button (in Viktor’s case smashing the hex core) that would guarantee their death. Viktor was being human, not corrupt.
Viktor and Jayce:
Now, I think Jayce's speech had some merit and could have been framed better with a little more time and thought. The philosophical idea of perfection or a perfect world (one which Piltoverians strive toward) being untenable, maybe even undesirable, is a fascinating concept worth exploring. BUT MAKING IT ABOUT SOME INTERNALIZED ABLEISM FROM VIKTOR IS FUCKING STUPID!!!! I'm sorry, but Piltover being the city of progress until it actually included becoming progressive with Zaun was absolutely one of the things Jayce and Viktor's sub-plot was trying to explore.
Viktor WANTED TO LIVE. Viktor wanted his people to STOP SUFFERING. Viktor WAS RIGHT. He wasn't merely eliminating "imperfections" (and of FUCKING COURSE A PILTOVIAN WOULD SEE IT THAT WAY), he was trying to cure sick and dying people who did nothing to deserve it. He was buying them time that people like Jayce and Heimmerdinger had in spades, but Viktor and Zaunites had stolen from them.
Children dying of disease and violence in The Lanes was by Piltovian design! It was not some predestined cosmic necessity. Viktor WAS RIGHT TO HATE HIS FUCKING TERMINAL ILLNESS ARE THESE GUYS INSANE??! Wtf kind of message is Viktor embracing it as part of himself sending to vulnerable, impoverished and ill people? Is that supposed to be some kind of fucking comfort? Fuck off right to hell!
Like I'm glad if it resonated with any disabled people, but Viktor's struggle with his body was a protest against Piltover, not himself, and I hate that the writers gutted that character development. Viktor's and Jayce's paths "diverged a long time ago" because Jayce had the luxury and time of pursuing his dream while Viktor didn't. Viktor, even up there as a scholar of Piltover, was still getting the Zaunite treatment.
Jayce had the time to pursue a better world, while Viktor had to struggle for a little more time. When Viktor becomes part of the arcane, suddenly he has all the time in the world to realize HIS OWN DREAM. Why would wanting a better world for others have to result in "dreamless solitude"? Why does wanting progress equal wanting perfection? You are changing the subject and that is cheating!!!!
Viktor becoming obsessed with fixing what ailed humanity was warranted, and his extremism was hinted to have been due in part to the effect the arcane had on him, but it still made the themes of arcane a joke. There was so much potential and the writers (and showrunners) just squandered it for some more romantic bullshit.
The Glorious Fumblings (A Summary):
-"Humanity, our very essence, is inescapable. Our emotions, rage, compassion, hate. Two sides of the same coin, intractably bound. That which inspires us to our greatest good is also the cause of our greatest evil.” That's a neat quote, but wars don't start simply due to emotions or whatever. This lacks class analysis, and it's annoying that the writers made this the whole theme of season 2 (and retroactively the show) in a story on class divides. Cait did not merely gas the Zaunites because of her mother, but because of her privileged upbringing that made it more acceptable to her to view Zaunites as animals (remember Ekko telling her enforcers “hunt us down like animals"). Cait knew the humanity of Zaunites was real. She just chose to ignore it because she could afford to. While it is interesting that Viktor would come to see being human as a flaw that destroys any hope of achieving peace (conflict theory would like a word with you), it ignored that fascism is not an inherently human trait and detracts from how or why it persists in the first place. It's almost the same as saying men/white people oppress women/poc because the latter were mean to them. It's victim-blaming (and false lmao). The British didn't colonize the Americans because the natives did anything to them. All prejudice is unjustified, that's what makes it prejudice. Again, Cait became a fascist when her mom died, but Vi still drew the line at killing children and even council members despite losing every single one of her family members to Piltover's violence against The Lanes. AND THAT’S JUST IT. Why the Zaunites do what they do isn’t simply because of love and hate, but because of the desperate circumstances they are forced into by their oppressors. Why the Piltovians do what they do, isn’t because of love or hate, but because they are bread in luxury and affluence. Pretending that’s not the case is an insult to the work put into Arcane’s first season (and anyone with a brain and basic empathy).
-Jayce's speech would have been cute in another story, but it's downright insulting in Arcane's. Yes, yes, Jayce's words would have been the only ones to have broken the real Viktor out of Arcane Viktor's grasp by appealing to this deep childhood wound, but Viktor's desperation was not to belong (because his leg kept him from playing with other children) but TO LIVE (because he was dying of an illness). Jayce's speech isn't bad, just misplaced. Like most of the finale.
-Viktor did not have to become a fascist-aligned deity in his quest to heal people. It is a typical MCU thing to have a "villain" that's technically right and then destroy their entire character to make their (correct) philosophy untenable by making them do something extreme. Typical pro-status quo propaganda trope. I DON’T CARE if it was so we could get some game version of him. Viktor was right in bringing progress and his discoveries to The Lanes instead of devoting his efforts to Piltover, the fake city of progress.
-While I am annoyed that the climax of the show hinged on Jayce and Viktor and hextech (a tool to explore the inequalities of Piltover and Zaun) instead of Jinx and Vi, I think it kinda makes sense. Hextech built what Piltover has now become. Jayce, Viktor and hextech kinda represent Piltover (what it could be) and Jinx and Vi represent The Lanes (and the Zaun it could be). Both would have been integral, but the story shouldn't have hinged on hextech, IMO. Hextech should have remained a tool to explore the politics of both cities, but instead it overshadowed everything, cheapening the story's themes, characters and world-building.
-Jayce calling the Zaunites to arms was downright absurd. But not as absurd as Zaunites volunteering.
And Then There's Jinx:
Jinx and Isha:
Isha's only use, as far as I'm concerned, was to be a reconciling force between the sisters. When Cait was willing to shoot her to get to Jinx, that should have stopped Vi right there and brought her back to defending Jinx 100% I DON’T CARE. When Isha sacrificed her life to save Jinx, that should have been Jinx's wake-up call right there and helped her understand why Vi kept leaving her out of missions as a kid. But instead what do we get? Depressed, suicidal Jinx and an astoundingly even more resentful and indifferent Vi. Now Jinx sees herself as even more of a poison to those she loves (because she can’t protect them like Vi can and frequently kills them while trying to do so). Jinx, who has always wanted to be useful to those she loves. Who pursued her own hextech inventions in order to give her siblings a fighting chance when facing down Silco. Who wants to give Zaun a fighting chance as Silco's daughter (and Isha’s surrogate mother). To be useful to the goals and dreams of her family. Isha was the perfect opportunity to bring the sisters together and get Jinx to embrace all she is (both the Jinx that Vi rejects and the Powder that Silco rejected), but no. Instead, the kid was some kind of foreshadowing to Jinx's own heroic self-sacrifice for her sister (a message that left both sister's arcs unfinished). Or perhaps, Isha was a commentary on the cycle of violence. But that this sub-plot really wasn't needed given what we'd already established in Season 1.
Why do I say this?
Because the cycle of violence is not a "Jinx" issue, but a Piltover one, and the writers making it an interpersonal issue instead of a political/sociological one damaged the story and what Jinx's character could have meant to mentally ill people like her. It wasn't illogical storytelling, just far less meaningful than it could have been. It would have been more powerful and moving and impactful for Jinx to realize where the true cycle of violence (as established the whole fucking show from the dead parents on the bridge, to Vander and Silco, to Jinx and Vi, to Jinx and Ekko, to Isha and Warwick, to Cait and Vi, etc) was coming from.
Jinx needed to accept herself and the love others showed toward her (Silco, Vander, Ekko and Vi). Jinx keeps blowing things up because she repeatedly rejects herself (both Powder and Jinx), ignoring the good she's done and tried to do. Isha was a call back to the good Jinx has done and can continue to do for Zaun and others. Isha and Sevika understood (even though Silco unfairly set it up) that Jinx was actually their good luck, their hope, more than just a hex (pun intended) on the city. After all, Jinx made Sevika her new arm (even though she's the reason Sevika lost her arm in the first place), which further proves that Jinx had the capacity to fix some of what she broke. It would have been better for her to embrace responsibility and have the faith to try and fix things (ESP her relationship with Vi). While it is not unrealistic or necessarily bad writing that she would fake her own death to run away and start over (or just die) trying to save Vi, the arc people she represented deserved was her embracing Vi back, not accepting that she was a curse in Vi's life. And most definitely NOT romanticizing her pain.
Jinx and Ekko:
Ekko's and Jinx's relationship is precisely an exploration of how Piltover's violence against Zaun forced these children with entire futures ahead of them (they are both child prodigies) into endless war and hellish heroism. Ekko and Jinx are repeatedly shown to be hesitant and even unwilling to participate in violence against others, especially their own. Ekko does not hate Jinx, though he wants to, and Jinx does not like who she is when she's violent. She is trigger-happy because she already expects Vi and Ekko to want to kill her (projecting her self-loathing on them, but not entirely unreasonably). She doesn't have faith in their love or mercy because she doesn't see any part of herself as redeemable or loveable, which is why she consistently sabotages her life (but not without help from Vi and others).
Ekko and Jinx are symbols of progress for Zaun AND Piltover (and Heimerdinger saw that, especially when Ekko insisted he had to go back to his timeline, even if the one he had landed in was better). Heimmerdinger saw what they could have been in the alternate timeline, all the genius that was squandered in The Lanes. Jinx and Ekko are the ones most willing to put an end to violence and injustice because both of them are nostalgic for their families. All that’s ever kept them going is the love of their families. Jinx just doesn't have the same faith in her ability to be their hero as Ekko does, but Ekko manages to convince her for a moment anyways.
Ekko recognizes (like Silco, Viktor and Isha) how integral Jinx is to the creation of a new world. She injects colour and life and hope into Zaun and is the only one who can unite all warring factions in Zaun in the first place. I know people have gripes with this Jinx being the hero of Zaun when she literally killed Silco, opening the market for other gangs, but her most famous act is the bombing of the Council, which pretty much all Zaunites were unaware was about to grant them independence. To the average citizen of Zaun and Piltover, Jinx was the symbol of a revolution (even if Jinx didn’t see herself that way and didn’t really want to be). Both her and Ekko are rebel leaders, but that is hardly used in Zaun's interests in the end. (ALSO THAT WHOLE CONVERSATION WITH VIKTOR AND JINX WHERE HE SAID SHE COULD BE USEFUL TO HIS WORK. This show would have won with a Viktor and Jinx team-up to unite Zaun--also in parallel to Jayce and Vi's team up. We could have had it all!)
Jinx and Silco:
This, is only second to Vi in the most FUMBLED things about Jinx. Silco was her guide once Vander died and Vi ran away. Silco not only took care of her, but gave her purpose (someone to love and be loved by and protect) and nurtured her talent (one that many others scorned). Silco accepted Jinx even though he weaponized her (which backfired for him). As much as Silco WAS WRONG to lie about Vi (manipulating Jinx) and even try to kill Vi (which was a dumbass move on his part), he wasn't wrong about Jinx's path to healing: self-acceptance and self-forgiveness. And even though Silco's own stupidity led Jinx to "embrace" Silco's version of Jinx to the point that she bombed the Council right when they'd granted Zaun independence (I wanted to fucking kill myself watching that), Jinx was still not ENTIRELY a jinx as Jinx (e.g. when she rescued Zaunites from Stillwater Prison). This fucked up dude did a whole John-the-Baptist thing where Vander tried to drown him with Jinx so she could embrace her Jinx-ness. But I don't think he was telling her to embrace that she was a curse like Vi meant it, but to embrace her new life (baptism is all about death and rebirth) and her new self and take responsibility for it.
Silco, like Ekko, was the one who saved Jinx from death and offered Jinx a home. While everyone else patronized Jinx for her own childhood trauma, Silco was gentle, understanding and provided space for that, even when her psychosis killed him. He showed zero resentment toward her. But when Silco dies and Vander returns, Jinx just . . . oopsie, doopsie! Forgets about Silco until one final hallucination she has of him in the jail cell. The only one she has where he talks. And what does he say? She needs to break the cycle. How? Not by eliminating Piltover or gaining Zaun's independence like he'd talked about and dreamed about. Not by accepting herself as Jinx and Powder, the inventor, the fighter, daughter of both Silco and Vander, but by offing herself? Leaving her family to think she's dead? Embracing the lie that she really was the poison in their lives and the reason none of them could be happy? The reason they died? NICE! SWELL! WHAT A SATISFYING, INSPIRING CONCLUSION! Even worse, they made her "death" staged. I'm sorry, but do we really believe that this same girl who killed herself multiple times in front of Ekko just 24 hours ago somehow found the will to live and escape into air ducts when she was falling with Vander? She decided to live right when she was about to die? And let's not forget that she was falling to the same song that was playing when she was trying to commit suicide. Why? And why would a heroic death (staged or not) be any form of character growth for Jinx in the first place? When her whole thing is distrusting the love offered to her? Or was she accepting herself by being the one to kill Vander because she knew Vi couldn't? Either way, it's cheap!
I Wonder Who Put All Those Holes In You (Fumbling Summary):
-Vander's letter to Silco could have been why she hallucinated Silco talking to her about forgiveness, but breaking the cycle here is about forgiving (unapologetic) Piltovians instead of herself, which needed to happen to complete her arc.
-Isha and Vander misery porn
-(above is an excerpt from Amanda Overton's TheGamer interview) to paraphrase: "SO OUR GRAND CONCLUSION TO VI AND JINX'S ARC WAS TO CONFIRM THAT YES, JINX WAS INDEED A JINX (AND NOT PILTOVER OR ANYTHING HAHA) AND THE SISTERS WOULD ONLY HAVE PEACE IF THEY NEVER RECONCILED - JUST LIKE THEIR FATHERS BECAUSE THAT WORKED OUT SO WELL THE FIRST TIME! :D THE REASON THEIR LIVES ARE IN SHAMBLES ARE PURELY BECAUSE OF THEIR OWN PERSONAL FAILINGS AND NOT AT ALL BECAUSE OF THE SITUATION PILTOVIANS HAVE PUT ZAUNITES IN! XD WE THINK THIS IS ALSO A FANTASTIC THING TO TELL MENTALLY ILL PEOPLE." :)
-Jinx being the reluctant Girl Saviour of Zaun after clinging onto her identity as a jinx so she didn't have to take responsibility for Zaun should have been the completion of her arc, IMO. As far as Jinx's arc is concerned, she was meant to reject the identity of jinx that Vi gave her and embrace the identity of Jinx that Zaun gave her. Loveable and capable of doing the right thing and saving others. Using hex-tech, something Jayce and Piltover had levelled against her people, against them. And she does this to some extent, but we don't even get a hint as to why Ekko's speech worked (and how he got her to fight alongside him and the Firelights in the first place). We know she does so for Vi, but she so quickly gives up once she and her sister are back on the same team. She allies herself with her sister just to die and then fuck off to another land? BRUH! Like act 3 is SO FRUSTRATING!
Conclusion
If the focus had been on the coming war between Zaun and Piltover, then we could have better explored the internal struggles happening with Vi's and Jinx's characters. Using Isha and Vander as misery porn for Jinx was a bad move. I stand by that. Isha didn't need to die that uselessly. Jinx did not need more "trauma" for any character development (positive or negative). It's not unrealistic that Jinx would be depressed after Isha's death (and that Isha was likely meant to symbolize the constant cycle of violence), but that this sub-plot really wasn't needed given what we'd already established in Season 1.
These are where my gripes with Jinx's and Viktor's arcs in S2 really lie: the story tries to strip the political from the personal! Viktor, on waking up with the arcane in him, goes back to The Lanes, and what does he see? The cycle that Silco mentions in Jinx's hallucination in the cell. This cycle is not merely coming from the interpersonal struggle Zaunites have, but rather, the forces behind those struggles: the starvation, the lack of resources, the poverty. All caused by Piltover. Where Season 2 fails while Season 1 succeeded, is it points the camera away from Piltover as the origin of all this mess, and instead, makes it a stupid cosmic clash between chaos and order (kinda fascist ngl). Zaun lost, and Arcane Season 1 had the tits to show why those in The Lanes were always on a losing streak: Piltover. The commitment to saving Piltover instead of destroying it ruined so many arcs, most notoriously Vi's and Jinx's. This should have ended in a war between the two cities, not one where both fought against robo-people and Ambessa.
But what, instead, do the writers brandish as this solution to the cycle?
Fucking forgiveness (of those who harm and oppress you) and acceptance of your (physical) imperfections (like that's what we were apparently talking about, which no, it wasn't). By refusing to acknowledge Piltover's hand in the desperation and violence and struggle the Zaunite characters find themselves, the show inadvertently ends up excusing Piltover.
TLDR: Bad message to send to oppressed people, mentally ill people, and people dying of terminal illnesses, lmao. The Zaunites ALL LOST with this one.
And I'm going to make a Part 2 to really get into it, but from the perspective of three Piltover characters (and one Zaunite) that really prove my point: Jayce, Mel, Caitlyn and Ekko.
P.S.: It's okay if you think the show is good because it succeeds in many other things, I just think it drops the ball in the places I've mentioned. But if your main criticism of my criticisms is going to be defending your ships, please find another post. Oppression is a serious reality that deserves serious depiction and it's insulting to have such necessary political discussions devolve into dumbass ship wars.
EDIT: I honestly did not expect this post to get more than 20 likes lmao, and i must admit that this was more of a thought dump than a super-deep analysis, but i'm glad a lot of it has resonated with so many of you!
EDIT AGAIN: Here's PART 2.
#zaun#arcane#arcane season 2#jayvik#timebomb#ekkojinx#caitlyn kiramman#vi#vander#silco#jinx#ekko#isha arcane#jinx and isha#caitvi
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don’t watch the percy jackson show on disney plus. rick is a zionist and so is disney.
and for those who say they’ve “waited forever” for this show…you went your entire life without it, i’m pretty sure you can continue living without it.
free palestine 🇵🇸
#he posted this on his blog#he has a neutral stance on what is going on#being neutral means being on the side of the oppressor#and a way to boycott disney is by not watching their new stuff and cancelling your disney plus subscription#this way we can pressure disney because obvi it’s hard to boycott everything disney#anti rick riordan
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Young God | Feyd-Rautha
The mercy you show towards an enemy in the aftermath of battle yields tragic consequences for you and your people.
Warnings: NON-CON, Fremen!Reader, Kynes!Reader, Kidnapping, Unrequited Love, Mentions of cannibalism, Knife Play, Masochism
This is a dark story. Heed warnings before reading under the cut.
The aftermath of battle is often the same ritual. Corpses are taken away to scavenge for bounty and salvage the water in their bodies. Moisture is too precious, too rare in the air and the dry desert sand covering your home world to be wasted. Harkonnen foot soldiers especially. No sympathy is spared for the cruel beasts who slaughter your fellow fremen, ravage your land, and bleed your beloved home planet Arrakis of its most valuable resource. The Spice.
Today is one of these days. After fending off another attack by the Harkonnen army, your entire tribe is sifting through the desert fields. The proud white-skinned soldiers weren’t expecting the swarm of Fremen that unleashed upon them. Thankfully Muad'Dib had a vision of the attack and managed to convince enough of your people to raise their blades in unison to stand against their oppressors. While you balk at violence, preferring to stay back and sink into your role as a healer, you still wish to offer assistance in cleaning up the battlefield and checking for any potential injuries. You were a little shocked when you arrived and were struck with the realization that there is so little for you to do, the number advantage having been so overwhelming.
Still, you find a few warriors that require medical attention. Their injuries are deeper than you expect. Apparently one of the Harkonnen soldiers wouldn’t let himself be slain, unleashing a storm of fury all on his own and taking several down with him. You gingerly finish dressing your last wound, lifting your head as you notice your cousin heading north.
Wiping the blood on your hands with a rag, you get to your feet.
“Chani, where are you going?” you inquire.
She stares ahead, crysknife in hand, determined.
“Some may have survived and slipped away from us. We’re checking the caves nearby.”
You give a nod and follow after her. “I’ll come with you.”
While your voice didn’t waver earlier, your stomach is in knots as you join the search. You and Chani split up. She points in a direction and you acquiesce, rushing the opposite way. You sneak underground, climbing down a row of steep, slippery rocks before you find a small cave.
You practically have to crawl the rest of the way inside, the lichen-draped overhang almost too bent and crooked for you to advance any further. It’s no wonder no one thought to check this place. It’s hard to imagine any wounded Harkonnen soldier gathering the strength to hide in such a place.
You’re forced to swallow your words however when you find the outline of a pale form lying across the cave floor.
Your jaw drops. You inch closer to the corpse, already planning on calling another Fremen to help you extract the water from the body.
But the man’s chest lifts, his mouth shuddering ever-so-slightly.
Tamping down your fear, you hunker down and inspect his armor. Your brows knit. A long, deep jagged cut slashes his side. The kind of deadly injury that makes you wonder how the man is still breathing, as it’s impossible no internal organs haven't at least been nicked.
Yet, somehow he is, still breathing that is.
Though you gather not for long based on the way blood gushes from the wound.
You hear your name called from outside the cave. Pulse soaring, you climb your way out of the concealed shelter with haste.
You’re faced with Chani’s questioning stare. She must be done with her own search. You note the tinge of crimson on the tip of her blade. Your insides wrench.
The lie flows from your tongue with frightening ease.
“I already checked that one. It’s empty.”
She nods and walks away. You wait for her to be at a safe distance to return inside the cave.
As your slow, fearful steps bring you closer to the wounded man, your mind rages, at war with itself.
You are of two worlds. Daughter of the fallen Liet-Kynes, imperial planetologist, and a member of the Sietch Tabr. The Harkonnen are your people’s ancestral enemies. Oppressors who annihilate whoever stands between them and their unquenchable thirst for more wealth and power.
They are monsters. There is only one rational thing to do when one is faced with one of the pale-skinned warriors. Only one thing that is right to do.
You unsheathe the crysknife at your thigh from its scabbard. The blade is shimmery and new. So perfectly sharp. For you have never used it. Not even once.
You approach his unmoving form and lift the blade high in the air.
The crysknife in your hands quivers above his chest. It’d be so easy to end it. So quick. Over within a few minutes. You’ve seen countless members of your sietch do it, not a sliver of hesitation in their smooth, practiced motions. Some even enjoy it, reveling in seeing that spark wither in their enemies’ eyes.
For a moment, you let yourself wonder, picture yourself snugly gripping the blade and driving it through the Harkonnen’s alabaster throat. The watery coughs he’d let out. The blood seeping from his neck and pooling around him. The light in his onyx orbs flickering before going out.
It should satisfy you. After all the evils they’ve inflicted upon your people, upon your planet, the prospect of retribution should fill you with immeasurable joy.
Yet it doesn’t. Chest heaving, you slowly lower the weapon until it slips out of your hands, its clattering echoing in the cave.
Your shoulders sag as you unleash a tremulous breath, one you didn’t notice was even caged inside your lungs.
An unyielding truth swaddles you as you watch your pale-skinned enemy draw feeble, dwindling breaths. You can’t take a life. You are a healer, through and through.
You gasp when you suddenly feel the cold bite of metal against your throat.
Your eyes widen. The Harkonnen is awake, heavy, wheezing breaths bursting from his chest as he presses the blade against your neck.
“I-If you kill me, you will not survive,” you stammer, your chest clenching in fear.
He shocks you by flipping the blade and handing it to you.
“Then give me a warrior’s death,” he says, his gaze unwavering. You study him. He looks worse than before. What he just did must have taken his last bit of strength.
Steadying your hammering heart, you glower at him.
“The glory you seek isn’t in a dank cave, Harkonnen.”
As soon as he collapses over the cold, hard stones, you get to work. First, you check his pulse. Though it’s faint, you find a steady heartbeat. He must be quite strong, you surmise. You’ve never seen anyone survive this long with an injury this deep. Logically, he should be dead.
But he isn’t. So while you shouldn’t feel this way, every fiber of your being craves to pull him from the brink.
You peel the layers of his armor off him. Heat nestles inside your cheeks as your gaze roams over the hard, defined planes of his muscular form. You shake off the sensation, reminding yourself that you can’t proceed unless you have complete access to the wound and need to assess for other potential injuries.
You reach for your medpak and pouch. You use a mix of wound sealant and medicinal herbs to curb the bleeding. You then clean the wound with antiseptic and press onto it firmly. Eventually, it stops. Once the bleeding is under control, you pull out a needle and thread from your pouch and begin sewing the wound. Every stitch is nice and neat, so tight that you know he will barely scar. You squint as you work, the dim lighting of the cave making you miss the right spot in his skin a few times. You keep a cool head the entire time, simply starting over whenever necessary.
After the wound is sealed, you set up a hypovial with a plasma bag. Finding the bulging vein in his arm isn’t too hard. It’s quite easy in fact, as every part of him appears carved from stone. You slip a dash of spice melange in the IV. A potent cinnamon smell fills the air. Just the right amount to keep him awake. Now that his life isn’t on the line anymore, his peculiar body chemistry should do the rest and recover.
You unleash a deep breath and wipe the sweat doting your forehead. You sag against the cave wall.
Your eyes drift to the night sky, visible through a small opening in the overhang.
For the first time since you snuck inside the cave, the tension woven through your limbs comes loose.
Nights on Arrakis are a thing of beauty. You are willing to bet there are no more beautiful skies in the entire galaxy. None so clear and vast and with stars twinkling this bright. Mother used to say the same thing, that the boundless empyreans of Arrakis were the most beautiful sight she ever laid eyes upon. And as an imperial envoy, your mother traveled far across the known universe. So she must have been right.
You cast one last glance at the Harkonnen warrior. He’s stable. Or stable enough at least.
It’s time for you to return to your sietch before too many questions are asked.
“You were gone a while,” your cousin blurts out when you return to your sietch. You weigh her tone. There is no suspicion laced in it, just curiosity.
“I was just making sure we didn’t forget any of them,” you casually reply.
Chani heaves out a deep sigh. “You don’t have to. You have no heart for killing, cousin.” She turns her focus to the rest of your tribe. “We need you here, tending to our wounded. It’s where you shine best.”
You nod in acknowledgement. No one in the sietch ever expected you to fight but you often wish that you could do more. You think of your mother’s untimely death, of the way Fremen laid down their lives today. Your heart sinks. If anyone learned of what you did, you would be exiled. Rightfully so. Your eyes wander to your cousin, now besides Paul Atreides. Longing gazes lock and fingers twine before they disappear into their shared tent. You look away.
You hope one day that twisting inside your chest whenever you see them will cease. You are happy for them; you truly are. Nevermind that you felt a pull towards the heir of House Atreides from the moment you met him, that you felt it was returned when his gaze rested upon you. That all of it vanished the moment his eyes crossed Chani’s.
A seer from your tribe foretold that a woman in your family would have a great destiny, one that will change the fate of worlds. You now understand, that woman is Chani, and she and Paul aren’t just destined to one another. They are fated.
And who are you to stand in the way of fate?
“You must be insane, girl,” the Harkonnen soldier scoffs as you remove the needle in his arm. Since he appears to have regained some color…or whatever consists of “color” for a Harkonnen, you elected to remove the plasma bag this morning.
A sliver of shame flutters through you that you were almost relieved to find him alive. You saved a life. Perhaps not the most worthy one, but a life nonetheless.
“Striking an enemy while he’s down isn’t brave,” you reply with nonchalance.
A crooked smirk cants his plump lips, baring a hint of the black teeth underneath.
“Insane and stupid then,” he sneers, the gristly echo of his voice resonating in the cave.
Ignoring the way his comment chafes you, you retrieve the little vials you packed this morning.
“Drink that.” He sits up, humming low in his throat with the movement when you’d expect him to wince or groan at the pain. It’s almost like he’s enjoying the pain he surely must be experiencing, but you discard that thought, because it’s ludicrous. What kind of person enjoys pain? “It’s water.” He studies you, making no move to grab the water. You fidget, unnerved that you can’t read his expression, his lack of eyebrows making it even more difficult. “I could only steal a little from the deathstill. It’s all I could get before anyone could see me.”
You briefly considered trading your mother’s water rings, the ones you inherited upon her death. The symbol of her standing and wealth within the Sietch Tabr.
Though while you may have saved your enemy, you want to hold on to that piece of her for as long as you can.
“I also have some food.” You rummage through your pouch to pull out dried fruits, slices of meats, bread and spice honey. It’s the best you could gather on short notice without drawing suspicion.
His dark gaze flicks over you as he taunts, “Perhaps I shall eat you. You look far more appetizing than…whatever this is.” You shudder, acutely aware that while cannibalism isn’t widespread amongst the Harkonnen…it’s also not unheard of.
He snickers at your expression. “Do not fret, desert rose.” His gravelly voice drips with suggestion as he licks his lips. A chill runs through you as his black tongue and teeth are bared to you. “I’m not quite that hungry…yet.”
Your shift, discomfort slithering through you. There is something profoundly unsettling about the Harkonnen, even more so than a typical one. The blood leaking through the bandage draws your gaze.
“I should dress your wound and redo the stitching,” you offer, clearing your throat.
When your hand stretches towards his wound, he growls at you.
Your heart leaps and you retreat your hand.
“Please,” you insist. “You’re bleeding.”
When he doesn’t make another threatening sound, you take that as your cue. You quickly gather your supplies and approach him. The drumming of your heart inside your ears is a clamor, but you pretend it isn’t there, removing the bandage and driving the needle through his wound to sew it shut again. He doesn’t flinch, showing no hint of even feeling the needle. His sizzling scrutiny sears through your flesh, almost causing your usually steady hands to quake. You sharpen your focus, remembering your grandmother’s teachings. Steady heart, steady hands.
He tilts his head, dark gaze trained on you. “I threaten to eat you and you tend to me still. What a peculiar creature you are, desert rose.”
The days fly by in a strange haze, your days spent preparing for the new Reverend Mother while you sporadically check on the stranger. He recovers faster than you expect, even without you needing to use the spice melange again. Considering he was at death’s door when you found him, you can’t help but be a little amazed.
You sense the time to go your separate ways is near. You have done a lot, likely more than you should. The alabaster-skinned warrior is well enough to roam the desert and find his way back to his people through his own means. You brought him supplies, food and a stillsuit. Whatever befalls him will be up to fate and his own wits. You don’t plan on returning after tonight.
“You’re looking better,” you note, checking his wound for the last time. You leave the bandage for good measure even if it’s clear he doesn’t need it anymore, the wound having begun to fade since you removed his stitches yesterday.
He pins you with that unsettling stare once more.
“That song you sang…” he rumbles.
“A song?” Your head tilts as you comb through your memories. It comes back to you. You sometimes hum it to yourself. It calms you down. You didn’t even realize you’d done it in his presence. “Ah, that song.” You shrug, a small smile sneaking onto your lips. “It’s just a lullaby my grandmother used to sing to me before she passed, to teach children about the Shai-Hulud.”
He looks at you in what you believe to be confusion at the name, though you can only assume.
“Your people call them… sandworms,” you explain. “They are sacred and should be revered.”
Silence hangs between you and the Harkonnen. His deep raspy voice shatters it after some time.
“Songs…I had a blade in my hands from the moment I could walk.”
“I’m sorry,” you blurt out, unsure what else to say. He doesn’t seem sad, more reflective, but it seems you should say something. “Do you…Do you ever think of what your life would be like if you weren’t Harkonnen?” When he looks at you blankly, a nervous laugh peals from your lips. “I’m sorry. That was a silly question.”
Your crysknife materializes in his hands from behind his back. Your blood runs cold as you pat your thigh. You don’t remember ever leaving it around him.
“My older brother...He took me from our parents when I was a baby,” he utters, sounding detached, almost as if he were recounting someone else’s life. “My uncle raised me. I don’t remember my father. And my mother…” His lightless gaze slams into yours as he smiles, exposing his glistening, black teeth. “I killed that whimpering, meddling bitch.”
Your breath snags in your throat. Perhaps…you let yourself get too comfortable around the Harkonnen. The crude reminder of who he is, who they all are, yanks you back to reality.
You bolt to your feet, coaxing a tremulous smile onto your face.
“It’s getting late. I should return home before the sandstorms grow too strong.”
As you prepare to leave, the muffled pitter-patter of footsteps above you freezes you in your tracks. Your eyes bulge. Dread sinks within you as you realize someone’s right above you.
Before a single sound can make its way past your lips, the Harkonnen’s large hand envelops your mouth. He pulls you flush against his bare chest as he whispers into your ear, “Quiet.”
His muscles go taut against you. You catch him twirling the blade with smooth precision, clearly ready to fight if need be. You hold your breath, bridling your stuttering heartbeats.
Two men in full Harkonnen livery leap inside the cave. Panic rushes through you.
However, instead of a fight breaking out, relief fills the soldier’s faces as they see him.
“Na-baron. We received your beacon.”
Na-Baron…The air is knocked from your lungs. The title isn’t that common amidst the known universe. In fact, it’s quite unique and you only ever heard of one man from one specific house using it. Na-baron Feyd-Rautha Harkonnen, the heir-designate to Baron Vladmir Harkonnen.
He is a monster, a ruthless killer…and you nursed him back to health. Allowed him to get well enough to hurt, maim and kill as he pleases. The cave seems to twirl off its axis around you.
Perhaps he was right that night. You might be an insane idiot.
You feel the subtle lift of his lips against your scalp.
“Right. Did I forget to mention my name?” he taunts, as if he could read every thought zooming across your head. Giving you no time to even try to run or fight him off, the na-Baron slams your head against a nearby wall.
Pain explodes inside your skull. Your vision dims as you grow too weak to stand, your knees buckling beneath you. You fall into his arms and he holds you against him. He strokes the side of your face, a fire burning in his onyx orbs. Consciousness slips from you, his last words reverberating inside your ears.
“You and I are going home to Giedi Prime, my desert rose.”
You awake startled, jarred by the softness of the sheets and the largeness of the bed around you. This is nothing like the cot you used to sleep on in the desert. You leap from the bed, clutching your face and hugging your frame, stunned to note you are without your stillsuit and face mask.
Instead, you are wearing a sheer white tunic that hugs your curves in a way that leaves very little to the imagination. The outfit is unlike you, impractical in every way. Your pulse escalates.
You rush to rise and nearly crash down on the bed again.
Your forehead creases.
You wobble around, struck by the difference in gravitational pull, humidity and atmospheric pressure. Every breath you take exerts you, bearing heavily on your lungs.
Your head spins as you glance at the unfamiliar room. Every single detail of it is cold, somber, opulent.
Horror twists your insides.
You’re not on Arrakis anymore.
“You’re in the Harkonnen keep, darling.”
The gravelly voice erupting at your back has you whirl around. A half-exposed Feyd-Rautha fills your sight, his carved alabaster muscles and bald head shimmering silver in the low light.
You swallow hard, fighting to keep yourself breathing normally in the brand new air.
“The Harkonnen Keep on…”
“Giedi Prime, yes,” Feyd-Rautha finishes.
While you understood it on your own, having it uttered out loud sends you in a renewed state of alarm. You are away from your family, your friends, your home. You are alone on a foreign planet. A hostile, enemy planet.
“In secluded apartments away from my other concubines,” he further informs. A shadow of mirth lurks in his gaze. “They’re quite the jealous kind. They may even try to take a bite out of you if they learn of your existence…” He leers at your shivering frame, making no effort to hide his lust, the evidence already bulging in his pants. “Though I don’t think I could entirely blame them.”
He inches closer to you. “How does the weight of a real planet feel?” he asks, a twisted excitement swaying in his dark orbs. “Is it crushing your bones? Is every cell in your body screaming in pain, my desert rose?” He grips your chin, studying you oddly, almost as if he wishes he could absorb every bit of your agony and discomfort.
You glare up at him, your insides white hot with rage.
“H-How could you do this? I saved you.”
He frames your chin, squeezing tightly. “Oh darling, you should have killed me…” A squeak spills from your throat as he drags his tongue across the side of your quivering cheek. His lips brush over your earshell as he mumbles under his breath. “Because there’s nowhere in the galaxy you will ever be able to hide from me now.”
“I belong in Arrakis with my people. You have to let me go,” you plead.
You search his impassive face, scouring for an errant ounce of humanity. The emptiness you find has tears rushing to your eyes. You mourn the tragic loss of moisture, willing yourself to stop crying. Ever since you were young, you were taught never to waste your precious water...especially on something as trivial, as painfully unnecessary as tears.
...But you can't quell your weeping.
He tilts his head.
“You belong with me…No, to me, desert rose. In my arms, screaming as I ruin that pretty cunt of yours with my cock.”
Fear floods your entire being. Your eyes scan the room. A faint spark of hope blooms inside you as you spot a long, sharp knife on a stone table nearby.
Pushing past the queasiness you experience every time you move on the unfamiliar planet, you race across the room and grab the knife.
You point it at him. Instead of cowering, Feyd-Rautha opens his arms, smirking.
“Do it,” he urges, making no effort to protect himself from the sharp blade in your hand, inviting you to strike him as his tongue darts across his lips.
His uncanny anticipation coats the air. Confusion fills you.
“I will,” you say, trying to appear braver than you feel. Still, the blade quakes in your hand.
“Please. I beg of you,” he purrs, gliding towards you. As he watches you hesitate, he cruelly reminds you, “You will never go home, never see your beloved planet again. In fact,...” He hums, his eyes lighting up as if a wonderful idea just occurred to him. “I think I might slaughter some of your family and friends just for sport.”
A wave of wrath surges through you. Bereft a thought behind it, your hand slashes across his chest, a small cut forming there. Droplets of blood so dark it appears black drip down onto his alabaster flesh.
“More…” he rasps, pleasure leaking from his gravelly voice.
The sight of the bleeding wound rattles you, causing you to retreat.
But he doesn’t let you remove the blade, his fingers cinching around your wrist and keeping its sharp tip over his bulging pec. You sob as he forces you to drag the blade across his chest, a blissful expression spreading across his features. A long dark cut oozing dark red blood decorates his body now, going all the way to his defined abs.
Terror and confusion tangle within you. You stagger backwards, the dagger slipping from your lingers and hitting the floor.
“You’re sick.”
“I didn’t realize there was such a fire inside you, desert rose. If I don’t have you now, I think I’ll go mad.” His hoarse, lewd tone scrapes against your eardrums, causing your insides to twist in dread. He cracks his neck, black tongue sweeping over his lips as he approaches you. “No, I definitely will.”
It’s the only warning you get before he tosses you on the bed and rips the clothes off your frame. Tears brimming your lashes, you squeal in protest, scratching and punching every part of him within reach. You slap him hard and he cackles, baring his black smile in sheer delight.
“Come on, desert rose, I’m sure you can hit even harder,” he sneers.
To make him eat his words, you hit him again. Harder than before. His laugh gets louder as you watch a faint bruise form on his cheek.
Pinning your wrists besides your head, he bends over your chest. His tongue swirls around your nipples, his cool tongue causing you to hiss and shake. Sharp teeth graze your breast and the breath hitches in your throat. You squirm on the sheets, completely at the mercy of Feyd-Rautha as he licks, bites and kisses every part of your flesh. As if he wanted you covered in marks of his ownership, wanted to ensure there wouldn’t be a doubt in anyone’s mind that you were his if they stole a glance at you. You loathe the way your traitorous body writhes and pants, a disgusting dampness gathering at the apex of your thighs.
The tears in your eyes swell. Your body is divorcing your frazzled mind little by little, yielding to his rough, wanton touch.
He grabs your thighs and dips between your legs, diving straight for your center. He licks a long stripe up and down your folds and you tremble. As his devilish tongue swirls around your clit, your eyes flutter, blinding pleasure building in your core. Hot waves of delight engulf you as he gathers your arousal with his tongue and drags it around your tender spot. The slow, unrelenting patterns he traces with his mouth have you fight the urge to buck your hips into his jaw. Your juices drench the entire bottom of his mouth, but he doesn’t seem to mind, greedily devouring your cunt as if he’ll never get to do it again.
As you quiver against him, your orgasm flowing through you, he chuckles against your wet cunt.
“Your body can’t even deny how much it craves me, desert rose.”
Shame pulses through you with his words.
He crawls over you, cutting his pants loose with one aggressive shove downwards. Only a glimpse of his thick alabaster cock, glazed with his need at the tip appears in your vision before he shoves the entirety of himself in you. The pain is so intense, flames alongside your walls, that it robs the words from your throat. He sinks inside you until his tight balls chafe your cunt, his hand wrapping around your throat while the other keeps your wrists above your head.
You whimper beneath him, defenseless against his sharp, piercing thrusts. Pleasure builds within you, his cock overwhelming you with shameful sensations each time it grazes your sensitive places, making you see stars. Gargled sounds pour from your throat as his girth splits you apart.
He grunts as your walls constrict around him, slamming into you even harder.
“You’re so delightfully tight around me, darling.” He bends over you to whisper, “I bet I’ll turn you into my perfect little cock-hungry whore in no time. Have you on your back and knees for me whenever I wish it.”
The Harkonnen heir’s pace fastens, his cock hitting spots that have you question your sanity. So delicious that you can’t help but let pathetic little moans escape from your throat.
He buries himself inside you even deeper, the pain and pleasure blending in crescendo. Your eyes roll back as you near your peak. Meanwhile, Feyd Rautha’s hunting his own release, his quick thrusts growing sharp and slow, his bald head grazing your bare chest.
Pleasure rolls over in a tidal wave, your back curling alongside the sheets. His own release comes after yours, thick ropes of his seeds painting your sore, sensitive walls.
As you crash in a boneless heap on the sheets, he wraps his hand around your jaw and steals your lips for a sloppy, heated kiss.
You cry out in pain as he sinks his teeth into your neck, placing a visible puncture wound that won’t disappear for a while.
Still nestled in your warmth, he scatters more bites along your shoulder.
“Any man would be insane to let you go after tasting such a sweet cunt, desert rose.”
You know he wants you to see, doesn’t want you to miss a single second of the spectacle. It was a split second moment, one that could have easily resulted in his death.
But at the very last second, Feyd-Rautha prevailed and dodged Paul Atreides’ attack. He then proceeded to stab him in the heart in front of his heartbroken mother and your cousin.
You don’t want to believe it. It must be an awful dream, one you will soon wake up from. One that lasted entirely too long. While seeing Paul’s body sink to the floor, your heart shattering into a million tiny pieces…Watching Chani glare at you with pure hatred in her eyes from across the room is almost worse. You want to run to her, embrace her, tell her you never meant to leave, tell her you aren’t a traitor to your people despite what clothes you may wear now, what marks may brand your skin.
But it’s all for naught. Paul is dead and with him the hopes for your planet, for your people have died as well.
And you are left with nothing, no one. A stranger in a strange world.
It’s what he reminds you as he has you caged beneath him that night, burying himself inside you again and again with abandon.
“You’re mine, desert rose. And nothing, no one can take you away from me. Not my uncle. Not Paul Atreides. Not the Emperor.” He chuckles darkly, whispering against your ear. “...And not even you, darling.”
He is right. You are his. And with no one to challenge the rule of the now Baron Feyd-Rautha, ruler of House Harkonnen, it is as he said…There is nowhere in the galaxy you can hide where he will not find you.
#feyd rautha#feyd rautha x reader#dune fanfiction#dune part 2#dune#feyd rautha harkonnen#feyd-rautha#feyd-rautha harkonnen#dark fic
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When I want to read dark fics, your writing just hits. One of my guilty pleasures recently has been dark!winter soldier stuff and I was hoping you could write one.
If you can, can you make it where Bucky is still the Winter Soldier and finds himself completely enamored with the reader. He stalks her briefly and decides he has to have her. So where it gets dark is mean, brooding soldier kidnaps reader and makes her his housewife. (I’d like to think that some of Bucky’s 40ness is still there along with some good old fashion 50s idealization where he basically molds her into being his perfect little housewife.)
He can still be with hydra or not but this thought has been buzzing around in my head recently and I personally am not good at writing dark fics.
Um, hell yes I can! Also, not me having almost exactly the same idea (it was in my drafts and I totally merged it with yours). Sorry for being late uni kicks my butt hard TT. Also, please note that this is a headcanon kind of situation type deal but apparently there's a limit to how many bullets you can put per post so that's why it looks the way it does! Hope you like it still. Unedited ❤️
Warning(s): Dubcon (just to be safe), stalking, kidnapping, housewife kink, stockholm syndrome, spanking, misogyny, domestic discipline, breeding kink (dash), age gap (I mean, man is over a century old). Contains mature content. Browse at your own discretion. MINORS DO NOT INTERACT!
You are absolutely shit faced as you stumble out the backdoor of the club with two of your girlfriends tangled around each arm.
You are all giggling, stumbling and slurring out curses, trying to shush each other as you trudge your forms to your apartment complex that is close by because driving is obviously out of question now.
Were it not for your overly intoxicated state, you would have totally noticed the dark silhouette that stills in the dark alley facing the backdoor.
The man masked in the darkness tilts his head to the side as he tries to read your party, having gotten caught off guard by the sudden bursting open of the door.
One of your friends stagger in his direction and he moves back, his labored breaths warm in his mask, watching the girl as she retches her guts out.
Silence follows the wheezes and gags of the girl.
Then there is a sound– a melody in the air.
Soldat feels something stir within himself.
Something his masters did their best to suppress.
Not that they would be doing any more of that.
They needed to be alive to do something like that ever again.
His eyebrows furrow as he scans your group for the source of the sound; you.
You are laughing.
At your friend that is throwing up.
Hands clutching your hurting sides, eyes scrunched, head thrown back, flushed and sweaty face vibrant under the bright moonlight as your hair frames it in the most perfect way possible.
A shaky breath escapes the man covered in tears and blood of his captors and oppressors.
His eyes scan your form.
Beautiful.
His metal hand clenches into a fist and he makes his resolve almost instantly;
Mine.
Soldat cannot recall much of his past except for a few things like his name.
But he knows that it has been a long, long time.
And it's time to go home.
But a home is not walls and concrete.
It is the people that live in it.
His head is a mess as he scales a wall and follows you to your building, skipping from roof to roof effortlessly with a careful eye on your form.
James had finally broken free against hydra yesterday morning while they were experimenting something more brutal.
And during the following hours, all various leaders that made the organization what it was were dead.
For what is a structure without its pillars?
He had plundered them single handedly.
And now he was a slave no more.
James would live, and he would take.
Just as had been taken from him.
You woke up the next morning, sprawled across your bed.
As you winced and sat up, you could swear you had knocked out on the couch last night.
But since you couldn't teleport, it was probably just a gap in your memory.
Right?
The second sign was the painkillers and water next to you on the bedside table.
The third was the window of your room that was open wide.
But you shook your head as you were behind on your schedule for the day and got on with your busy university student life.
You should have taken notice of the signs.
How things would always somehow work out when you were struggling with some sort of a problem.
Regardless of whatever type of an issue it was.
Your friends joked about it as Divine Providence.
And Divine it was, you lived to learn.
When it happened, it wasn't after a dramatic chase or anything.
You had simply woken up in a room you had never seen before, tucked in the bed like it had been yours for ages.
What even happened?
You had finished an assignment before heading to bed for an early class the next morning.
But now you were timidly surveying the room, more and more panic filling you by the passing second.
The house is beautiful and bright outside the dark room you had woken up in, big glass windows facing tall trees and various other type of greenery outside.
A loud gasp escaped you when you were somewhere in the middle of the living room.
You turned around to find a huge and by that you mean, giant man standing a few steps away from you.
You could swear he wasn't there a minute ago.
But now he is towering over you, head tilted to the side as if interacting with something from an outer planet, eyes scanning your form slowly.
As if he's savouring the sight of you in a…
Your blood runs cold as you look down to realize that you are dressed in a white sundress with yellow and red flowers printed on it.
Your eyes widen in horror.
Because you had been wearing your PJs last night–
Or, rather, the last time you were awake.
Before you can say anything, he extends a hand towards you invitingly, nodding sideways to what seems to be the kitchen.
Something in his hand glints in the sunlight coming from the windows.
It is when your panicked vision realizes that the hand and the whole arm is made up of metal, your body backs away.
With your mouth agape, you demand shakily.
"Who the hell are you?"
He sighs.
"What the hell is this place? Why am I here? What the fuck is going on?!"
The man's features scrunch in disapproval.
Your choice of words is much unappreciated.
"Good little wives don't ask questions."
In his angry, fried and entitled delusional mind you are as much in love with him as he is.
Otherwise, why would you just accept all the favours he did for you during all these months he was building a perfect home for the both of you and your future children?
He takes a step in your direction and you leap back.
After a short game of cat and mouse, you are trapped against the glass window.
He is too close.
There is a heavy looking vase on the table next to you.
The shock on his face is evident.
He hadn't expected you, his wife, such a small and innocent girl to disrespect her husband like this.
You whimper in horror when he doesn't budge against the decoration piece exploding against his brow bone.
James' eyes narrow as he leans in, a thick stream of blood running down the hurt side of his face.
"Bad girl" and you take off without a second thought.
Thankfully, the door is straight ahead and surprisingly unlocked.
You run without looking back.
The man is not chasing you like you expected.
But you don't want to stick around and find out why.
Though the reason is soon revealed when you race through the little garden and out of the fence door.
You are looking behind you and at the house so it is not until you are a good distance away from it do you turn your head to look ahead.
Icy horror pierces its way down your spine.
Sand and palm trees dominate your vision as far as you can see where you are and your right side.
A devastatingly vast ocean washes the shore you are running on from the left side.
That doesn't stop you until your body gives up after a few minutes.
You ran into the jungle for some cover.
Sobs and tears burst out of you as you collapse on a blanket of leaves.
Your body is weak and confused.
Many hours pass.
You wander and starve.
You hide and shake.
You tip toe and give up.
There are wild animals all around you.
You can hear them.
It's terrifying.
So terrifying that when you hear the stranger's voice some time after dusk, you are almost glad.
Are you done? His bright blue eyes that you can make out even in the dim light ask you silently.
"How'd you even find me?" You were sure you had run a good couple miles.
He refuses to respond until you place your shaking hand in his awaiting metal one.
"I can smell you" his accent is almost foreign as he pulls you up, frowning at your hurt bare feet.
It took you hours to get to where you were but it only takes James a few minutes to get you back home.
"Before I clean you up, I need to punish you." You are baffled. "Good wives don't run away from their husbands."
He doesn't listen to any of your protests and reason that day or ever.
"Little girls don't know what is right for them. Only their husbands can decide that."
He thoroughly washes you that night after giving you the worst spanking, paying no mind to your begging and crying.
You are sniffling as you sit on the bathroom counter wrapped up in a towel an hour later, your sore ass buzzing under you.
Your captor is kneeling in front of you as he tends to your hurt feet.
He tells you your rules as he does so.
"First, you are to always obey me no matter what. Second, your body belongs to me as I am your husband, so you should not try to deny me of it because it will never end well for you. Third, you will respect me or you will live to learn to do so. Four, you will do your chores like a good wife and fulfill your wifely responsibilities. Five, you are to always accept your punishments and thank me for disciplining you after I am through with you, should you choose to break a rule or misbehave. Six, you will not indulge in any activity that can potentially corrupt your little mind. Seven, you will speak with respect and never out of turn. Eight, you are to always greet me when you wake up or if I have been gone a while. Nine, you can try to run. I will never stop you. But when you return home after failing, you will take your punishment obediently. Ten, you must never touch yourself. You are mine and mine alone."
Since the spanking is still fresh on your skin you panic a little and fear forgetting them.
But you find them pasted on the fridge the following morning because he knew you were too dumb to remember them.
A few days pass before you explode about not being his wife and call him crazy.
"You weren't saying that when I did you all those favours."
Horror dawns upon you as you realize that it was him all along.
You don't give up easily, though.
You try to run more times than you can keep count.
Every direction, every plan and every map you make proves to be useless.
Because the last time you do so, you realize that you are on a fucking island.
And since there is a dock near the house with the pantry never running low on groceries, James has a means of transport hidden somewhere is no mystery.
But you don't know when he does it.
So far you haven't been able to figure out a pattern.
Either he was right about you being dumb or your captor was really good at staying one step ahead of you.
Anyways, you have no choice but to return to him crushed and sobbing as always.
He is reading something when you collapse between his legs; ready to accept your punishment as you have learnt that hiding and denying only makes it worse.
James isn't so bad if you follow his rules.
He is just a kidnapper and a misogynist with dangerous reflexes.
His face is smug as he puts the book away. You have noticed that he is not as stiff and troubled as he used to be when you first woke up here months ago at this point.
"How was it, doll?" He loves to hear you talk about it as he bruises your ass. "Any luck?"
Today, though, something different happens.
You don't know if it's resignation and surrender finally settling in or if you have actually started to like this life.
How James gives you a nod of approval and pats your head rewardingly whenever you follow all your rules without any trouble.
The way he lets you stay up past your bed time (yes you have one because good wives are healthy for their husbands) to read a book or watch a movie.
If you were extra good and talked to him (though he was a man of a few words) and helped him out with a little farming thing he had going on in the backyard/patio, he would even let you sleep in the following morning.
No stress or pulling yourself through classes and tight budgets.
Just being what he considered good and then whatever you would mention briefly would be in the house within the next few days.
When he is done punishing you, you thank him and apologize according to routine. But then you hug him.
You tell yourself it is due to the sad reality that your torment is your comfort.
Has to be.
You have no choice.
And then something unexpected happens in the course of the next few days.
While trying to make the best out of this situation, you start to notice the little things, quirks and rituals, habits and mannerisms of this man.
How he doesn't say anything if he doesn't like a certain ingredient or condiment in something you cooked but pushes it aside to use as compost later.
The way he holds you extra tight some times when he mutters a foreign language in his sleep.
How he stares at the scary metal arm after a long day while waiting for you to finish up dinner.
Or the way he struggles to hold himself back whenever you are in a close proximity to him because you cried once he crept his hand up your ass in a sexual way.
You don't get him sometimes.
His morals are as mysterious as him.
Because he kidnapped you and forced you to be his wife in a '40's way, strips you to spank and humiliate you during punishments, then bathes and comforts you in his own way of silently holding you against his chest in his arms until you calm down.
Your tears don't effect him.
But then he refuses to touch you sexually after the one time he tried.
It takes you a while to make the most peace that you can with James, but it happens eventually because you don't have a choice.
The loneliness starts to drive you mad otherwise.
You are helping him with his farming one day when you collapse.
James isn't happy to find out that you haven't had any of your daily water intake for the day.
After he is sure you are hydrated, it is punishment time because caring for yourself is also a rule you are supposed to never break.
Your ass is red and seething by the time he's done. Everything is pretty much routine except that you don't sit up to apologize and maybe hug him like usual.
Not even when he pats your ass to signal that he's done.
"H- Hubby?" You sniffle as you use the endearment.
It had been a proud discovery of yours.
James always gave in a little whenever you used it.
"Yes, little mouse?" You bite your lips as your thighs tremble.
Fuck.
"Y- You say we are husband and wife…"
"What about it?"
You bite your lip as you push your ass out and towards him, letting your legs part.
"Then why don't we act like it?" James is good at concealing his emotions and showing restraint.
But he can't help the way his cock hardens at the sight your pretty red thighs reveal to him.
Your perfect pussy is glistening with your creamy arousal, the entrance of your vagina blinking to indicate its need to be filled.
Fuck.
Though James starts off small and slow with his fingers rubbing your cunt, the night ends with him balls deep into your pussy with his length rearranging your organs.
Whatever was left of you to own for him, he does so after that night.
You cannot go on for long without having some sort of physical proximity to him.
The sex is wild and it's amazing with his stamina.
It is also instrumental in bringing you two closer than ever.
James opens up to you slowly, but only when you ask about it.
You had done so in the past as well.
But since it's genuine curiosity now, he feels comfortable telling you all about it.
It is a lot for you to take in and you almost don't believe him until he shows you some of his belongings from his time.
Things drift on as smoothly for a while as the waves outside your house.
And then comes the ultimate test.
Which decides the course of your future with him.
He is still asleep one morning when you wake up.
It isn't a usual occurrence.
But you had introduced him to comics lately and he had been obsessed with them despite claiming that they were too childish and unrealistic.
While he had a metal arm himself…
You adjust the quilt before getting ready for the day and heading out to make breakfast.
It is when you realize in panic that there aren't any apples left even though James had asked you to make a grocery list (that started when he started trusting you more) and you had assured him that you had enough apples for a while.
"I am gonna get the hairbrush today, I swear to God!" You mutter to yourself as you rush through the house like a headless chicken.
Thankfully, your garden had an apple tree so you could save yourself from a breakfast spanking at the very least.
But something standing next to the dock catches your attention before you can the apples you try to budge free from their branches.
A motorboat.
Before you can decide what you think of it, you are standing next to it on the dock.
It has fuel and a map. The key is in the ignition.
You narrow your eyes and feel your head splitting.
A lot goes through your mind.
Flashbacks play before your eyes.
It is almost a full circle moment.
And then you are standing in front of James who is seated on a stool next to the kitchen counter you use for dining.
His head is lowered as he sips on his coffee and stabs at the breakfast you prepared with a fork.
"Hubby?" Your captor freezes before he slowly looks up at you.
The blue of his eyes is troubled. He is in disbelief. As though he wasn't expecting you to be standing here.
"There is a boat outside. Do you think someone could be–"
"You didn't leave." His voice is heavy.
"What kind of a wife leaves her home?"
You two just stare at each other for a while.
No words exchanged.
Then, for the first time ever, James gets up and hurriedly closes the distance between you two, enveloping you in his arms before pushing you against the wall behind you.
"I felt so angry and wronged that I thought I could take anything because I deserved it after everything that happened to me but… I love you too much, mouse."
He has never spoken this earnestly before.
"I just realized that I do too."
James kisses you passionately before you wrap yourself around him and close your eyes blissfully.
He tightens his own arms around you gladly.
He would have hated to end up back on square one with you had you chosen to try and escape.
The boat would have blown up a small fuse that would have been loud enough for his enhanced hearing if someone– you, were to turn the keys in the ignition.
Yes, he wasn't expecting you to be back but only too soon.
It was a test and you passed.
As always, James stuck to his ways and rewarded you for being such a good wife.
By giving you a ring, a new wardrobe and a baby that was the first of many to come.
.
What do you think hAH-
#ask kai#anon love#bucky barnes#bucky barnes smut#winter soldier#winter soldier smut#dark!bucky barnes x reader#dark!bucky barnes#dark!bucky x you#dark!bucky x reader#dark!bucky smut#bucky barnes x oc#bucky barnes imagine#bucky barnes fanfiction#bucky barnes x reader#bucky barns x reader#bucky barns fanfiction#bucky barns imagine#bucky barns x y/n#winter soldier x reader#winter soldier x you#winter soldier x y/n
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haze | suna rintarou
synopsis. on nights when you doubt yourself, suna rintarou reminds you who you are.
pairing. suna rintarou x fem!reader | wc. 2.6k | genres. timeskip!suna, fwb!suna, late night convos, insecurity, comfort | warnings. sex mentioned/implied, alcohol consumption on reader’s part and a little bit on suna’s
notes. i will be linking threads from twitter that contain ongoing fundraisers for palestine, sudan, congo, and many more. donate, and if you can’t, share the hell out of it. keep in mind these links are just one of many. please continue to look out for them, continue to educate yourself, continue to spread awareness, and continue to boycott. remember, our voices matter. we have to amplify our voices for the people who can’t. the hell these people are living through cannot end if nothing is done to pressure our governments and their oppressors.
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on the nights you can’t sleep, everything hits you. failed relationships. bad decisions. thoughts of the unknown. it all piles on top of your mind until it crushes you. such worries make the room feel suffocating, like the air was suddenly stripped out of it. it makes your throat dry up and your skin itch. sitting in such a feeling drives you insane, and as much as you’d like to stay curled up under the covers to hide, you know that you have to find a way to breathe.
carefully, and without making any drastic movements, you slip out of bed. the cold air hits your naked body, sending shivers down your spine. you find your panties somewhere on the floor and slip them on. you pull the first shirt that you see over your head, and judging by its scent, you assume it to be sunarin’s.
at the thought of him, you fix your gaze onto his side of the bed. with your presence gone, sunarin’s face is illuminated by the moonlight that shines through his curtains. your heart jumps at the sight of him.
sunarin has always been beautiful. even a fool could acknowledge that fact. but it’s moments like these where you swear that he is unparalleled to any guy you’ve ever met.
you watch as his chest rises and falls with steady breaths. he has one arm folded under his head, acting as another pillow. the blankets you share cover him from the waist down, providing you with a partial view of his well-toned body and the marks you left on him. strands of his dark-brown, nearly black hair fall over his forehead.
seeing him so peaceful brings a ghost of a smile onto your face, but it falls just as quickly. you chew your bottom lip, opting to leave the bedroom. you carefully close the door behind you so that you don’t wake up suna.
you wander into his kitchen and open his fridge. to your surprise, there’s a selection of white claws sitting on the bottom rack. sunarin is not much of an individual drinker. he’d rather enjoy it with the company of his friends. the alcohol he does have in his possession are much more potent than a hard seltzer, which isn’t what you’re really looking for. you need balance. you need something that will calm you without you having to wake up to a throbbing head in the morning. hard seltzers are what you look for in those times.
you wonder what he got them for, but you shake that thought off quickly. it’s not your business. you pull the first can you see out of its place before nudging the fridge shut with your foot.
in sunarin’s apartment, a balcony is connected to the living room, separated by a glass door. in need of fresh air, you slide it open. the balcony itself isn’t anything grand. it’s spacious enough, but suna doesn’t care to decorate it lavishly. he says there’s no point. so all there is are two wooden chairs with a tiny, circular table separating them.
you pull out the chair on the right and face it towards the railing. you seat yourself on it before cracking open the white claw before taking a sip. the alcohol part of it tastes funky but it’s bearable with the help of what you realize to be raspberry.
you take a long inhale. the cold air fills your lungs and nips at your insides, but it feels good. you stare at the night sky, counting the stars and admiring the moon that shines above you. below you, you spot two buddies supporting each other, barely able to hold the other up because of the drunken stares of their bodies. you take a swig of your drink. you catch lights from inside buildings flicker on then off, a reminder that life exists everywhere.
for a while, it distracts you. it keeps your mind at bay from the pending worries that are waiting to pounce at you. there’s only so many things you can count until you get bored. the view from sunarin’s balcony is nothing special after all.
but who are you to complain anyway? sunarin has much more in his life to make up for it. he’s got the money to see better views. he’s got a career he loves, an olympic medal, and adoring fans. sunarin’s got it all. he’s got a life one could only dream about.
your life isn’t shitty at all, but it’s nothing spectacular like suna’s. it’s perfectly average. and now that you think about it, why did he settle in an arrangement with someone as plain as you?
before you can ponder that answer, the glass door slides open. you don’t bother looking back. it’s obvious who it is; there’s only one other person in the apartment. the second wooden chair scraps against the floor as suna moves it back. you stare ahead as he effortlessly lifts the circular table and places it on the side. with one arm, he picks up the wooden chair, setting it down next to yours.
his bare arm grazes you as he sits, and you just now realize that he’s still shirtless. you eye suna, and even in his barely awake state, he’s worth ogling over. his black sweatpants sit snugly on his legs, hanging a tad bit low. without the blanket, you’re granted full access to the muscles that your middle blocker friend has spent years honing. light catches around sunarin’s neck, and you register it to be the silver chain that you bought for his birthday. god, you wish you had your phone. his fans would start frothing if they saw him like this.
“bit cold out, no?” you finally catch his eyes, half open but focused on you.
“you’ve got my shirt, babe.” sunarin’s voice is still sleep-ridden, raspy even. “plus, you’re not even wearing pants.”
you look down. he got you. “fair enough.”
there’s a brief silence before you’re speaking again. “what happened? why are you awake?”
“bed was cold.” sunarin responds, and something about the response tugs at your heartstrings, but you ignore it nonetheless and sunarin doesn’t expand on it. “what are you doing out here?”
“thinking.” you say simply.
“about what?”
“you.”
it’s easy to spot that he wasn’t expecting that. sunarin’s eyes widen, and suddenly his brain wakes up. in typical suna fashion, he wipes his shock off, replacing it with an amused smirk. “i’m flattered, babe.”
you hum, opting for another downing of the seltzer. the middle blocker’s fox eyes follow the movements. “i see you’ve found them.”
“huh?” you glance at your hand. “oh. yeah.”
“let me taste it. i’ve never tried them before.” sunarin sticks his hand toward you. you raise an eyebrow but still comply.
the olympian takes a quick swig, pondering the taste on his tongue. he makes a soft noise of satisfaction before handing the can back to you. “it’s not bad.”
“what’d you buy them for?” you question. at least, you can get an answer now.
“they’re for you.” he answers, nodding his head toward you.
you chuckle emptily. “what?”
suna shrugs. “i’ve noticed. you’re the type who wants a drink after sex, but you don’t want anything ridiculously strong, but you’re also not satisfied with the juices i have in the fridge either. so i thought, why not meet in the middle?”
“you noticed that?”
sunarin furrows his eyebrows as if he didn’t understand why it’s so surprising. “‘course i did.”
“you don’t have to, y’know?” you whisper, suddenly feeling small.
“but i want to.” sunarin holds your gaze. it makes your heart pound a bit harder. “it’ll stop you from leaving.” he continues after a moment.
“what do you mean?”
suna clamps his lips shut as if he isn’t sure if he should reveal the reason to you, yet he does anyway. “it’s… weird… when you go. and yeah, you say that you’ll come back, but it feels… lonely in the minutes that you’re gone, and i don’t like it. but now that i think about it, i really should have gone with you. why the fuck did i allow you to leave alone?”
you shrug. “it’s okay. the convenience store is just around the corner. there’s cameras everywhere. i’m still here.”
“i know that.” suna sighs, slumping in his chair with a pout. “i know but still. either way, i just don’t want you going anymore. i feel more secure when i know you’re near.”
“oh.” you breathe out, feeling your blood heat up at those words. “thanks, sunarin.”
the middle blocker’s face scrunches up. “why do you still call me that? i’ve literally been inside you. you can call me rin. it’s fine.”
you roll your eyes at the joke, but the question weighs on you. you purse your lips together in thought. “it doesn’t feel right.”
“why wouldn’t it be?” suna adjusts his position, throwing his arm around your chair. his fingers hang down, barely touching your upper arm, and he’s trained solely on you.
“i mean,” you pause to gather your line of reasoning. “rin feels a lot more intimate.”
“and we’re not already?” sunarin smirks, but it only makes you sigh.
“no. fuck, how do i say it?” you point your gaze upward, poking the inside of your cheek as you think. suna lightly traces patterns on your arm while he waits, his grayish eyes never leaving your face. “it’s a lot more special, like it should be reserved for the people who really mean something to you.”
sunarin’s eyebrows furrow when he catches onto the implication. “are you saying you don’t think you mean anything to me?”
you shrug, beginning to chew on your lower lip. your leg starts subconsciously bouncing up and down. you swirl the contents of your white claw in the can before gulping more of it down. “i don’t know.” the line of formality and informality blurs and confuses you.
“(y/n). i’ve known you since high school.” sunarin reminds you.
“that doesn’t change anything.” you shake your head. “we didn’t reconnect until the twins’ birthday party six months ago.”
that seems to silence the olympian because he knows you’re right, and you let it run for minutes until your mind is gnawing at you, asking you to at least figure out where you stand with suna. “why me of all people, sunarin?”
“what?”
you gesture to the two of you. “this. our arrangement. why’d you choose me?”
“because.”
“because what? i mean, think about it,” you paint the picture for him. “models. idols. actresses. rich girls. you could have anyone you want.”
“sure, but none of them are you.” suna replies earnestly. you know he is, but a part of you is still not sold.
“but how could i possibly be better than them?” you press.
“because i trust you, (y/n). i trust you a lot more than i could ever trust them.” sunarin snaps back, causing you to blink at the outburst. he catches his tone, apologizes, and relaxes. he draws back the arm that was wrapped around your chair. “the spotlight has its perks, but it has its downsides too. it’s the same for anyone remotely famous. you have to keep your guard up at all times. if they find something to drag you for, it can ruin you and the career you’ve worked so hard to build.”
and when you don’t respond, suna ventures off into a different story. “did you know that you were the second person i consulted with about turning pro?”
“second?” you tilt your head, interested to see where this is heading.
“mhm.” he hums. “after kita, of course.”
“why?” you whisper. that seems to be the question of the night. why? why? why?
“you’re the realest person i’ve met, and the easiest to be around,” suna answers simply. “you’re reliable and honest, which is why i knew i could trust you to help me make a life-changing decision. you helped bring me into the place i am today all because you gave me a space where i could be insecure and vulnerable. i don’t need to keep my guard up when i’m around you. i can be me without any worry. you make me feel safe, (y/n). that’s why i chose you.” the middle blocker emphasizes.
you don’t know if it’s the alcohol, or the beauty of sunarin’s words, or maybe a combination of both, but you tears begin to well in your eyes.
suna frowns. his fingers instinctively reach to brush off the tears that cascade down your face. “hey, shh. it’s okay. don’t cry. it’s killing me, doll.” he whispers.
sunarin caresses your face with his large, somehow soft hand. the sight of you in this state makes his heart pound and his breath hitch. your glassy eyes catch every ray of light and the moonlight emphasize your beauty in ways that he never thought possible. you are a goddess bathed in light.
“you are so beautiful.” suna whispers before he’s pressing his lips to yours.
you reciprocate it instantly, eyes fluttering shut. two loose tears breach past, sliding down your face until they meet the corners of your lips. it mixes with the raspberry alcohol on your tongue, making the shared kiss between you and suna a flavor of bittersweet and salty, but neither of you care.
before, in moments of naked intimacy, kisses with suna were hot, desperate even. they made your body weak and took away your mind’s ability to function as his mouth dominated yours. it’s a result of the chemicals in your brain chasing a high.
this kiss is different. it’s a sensation better than anything you’ve ever felt before. it’s a combination of stars forming, tidal waves crashing, and butterflies flapping their wings at mach speed. this kiss makes you feel alive. you’re hyperaware of the heat suna’s touch lights on your face and throughout your entire body. the scent of his bodywash and shampoo intoxicate you. your heart pounds in your ears. sunarin feels so good. he always has.
and somehow, for a kiss that makes you experience every sensation at once, what really stands out is the way you feel comforted. every insecurity that plagued your mind dissipates with suna. he squashes them like they don’t matter because that’s what they are — insignificant.
is this what he meant? you think. is this what safety feels like?
when sunarin finally pulls away, you mourn the loss of him against you with a minuscule pout. suna reaches for your hands, bringing them up to his face so he can brush his soft lips against your knuckles.
“(y/n).” suna’s voice draws your eyes away from the olympian’s hold on your hands. “you are perfect just the way you are. you are exactly where you need to be. don’t let anyone, not even yourself, tell you otherwise, alright? if not, i’ll just have to hammer it into you until you understand. literally.” suna winks.
you roll your eyes at the innuendo, but a laugh escapes your throat, and sunarin grins. “there’s the pretty girl i know. come on, let’s go to bed. i’m fuckin’ tired.”
you down the last of your raspberry seltzer before standing up, discovering sunarin’s hand reached out towards you. without a second thought, you interlock your fingers with his, and you follow behind as the middle blocker slides open the glass door once more.
when you enter suna’s bedroom, you throw away the white claw can in the trash bin by his desk. you climb back into your side of the bed, pulling the blankets over your body, and scooting closer to suna’s warmth. sunarin hums as he slips his hand under your (but really his) shirt. his arm drapes itself around your waist. while you nuzzle your head into his chest, suna presses featherlight kisses on your forehead.
“good night, sweet girl.” suna whispers.
“g’night, rin.” you murmur back, not missing the way he smiles against your skin.
#anime#manga#haikyuu#hq#haikyu x reader#hq x reader#suna rintarou#suna rintaro x reader#suna x reader#⭑ — fics ⭑.ᐟ♡#♡ — hq#♡ — sunarin
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I'm obsessed with Nami in the realm of female character writing, because on the surface her arc is to be saved by a guy/group of guys, and generally with female characters that's used to take away their agency or power and/or support a romance. But with Nami...it does none of that. Her story is about learning to depend on others, but rather than reducing her power in any way, it increases it. The isolation she experienced before wasn't independence, but part of her oppression, so having a family to support her gives her infinitely more freedom.
Luffy is her captain, but the way Luffy does that is never to lord over people, it's to raise them up with him. And, importantly, he waits for it to be her choice. He stays supportively in reach until she asks for his help. The only time he intervenes without permission is to stop her from actively harming herself. And when he does intervene, it's not to whisk her away and keep her somewhere else safe where she's dependent on his security and protection, it's to literally beat the crap out of her oppressor so he's never a problem again and she's free to live her life either way. And although Sanji acts romantically toward her and the rescue follows his grand ideals of fighting for a beautiful lady, there's no expectation that she now owes him anything or has to give him a chance just because he helped her out of an abusive situation. He did it because he cared, not in exchange for anything. They were all willing to fight and bleed for her with next to nothing in return, and that's so vital.
Nami being a woman is definitely relevant to her story (using her beauty and pretend helplessness to steal without suspicion, the fact that she takes after her mom who was tough as nails in the male-dominated marines, the very real isolation and fear of being female surrounded by [fish]men with power over her), but it's important to note that she doesn't need saving because she's a woman, or due to any weakness on her part. She is shown as incredibly strong, brave, and clever, right from the beginning, but she was trapped in a situation with Arlong that would've been impossible for anyone to get out of alone. Now with a crew by her side, she no longer has to.
#one piece#cat burglar nami#one piece nami#arlong park#arlong park arc#one piece arlong#monkey d luffy#female characters#eichiro oda#female character writing#one piece analysis#one piece meta#op meta
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