#so much of the show and fandom is centered on dean's emotions

[nobodymitskigabriel]

I think I need to start tagging canon crit. "It was just done in a way you don't like." Yes?? Am I not allowed to think the show handled something poorly??

[wellofdean]

I wanted to make a separate pose to big up these excellent tags on this post about how a show can be about misogyny when it's about men from @deangirlism101 :

#by virtue of watching the show long after it stopped airing and after years of exposure to the fandom#I've experienced a very interesting phenomenon wherein i went in expecting a very straightforward male fantasy#specifically in regards to dean#and was continuously surprised by how dean was around women who were actual characters and not caricatures#with caricatures of women dean also becomes a caricature of a womanizer#but with woman characters? with victims and friends?#dean is constantly paternal/brotherly#endlessly protective and respectful#in fact dean's utter lack of sexualization of the complex women around him in the first few seasons#kind of had me thinking he might just be straightforward gay#additionally it's interesting to point out that dean is the only one of the three winchesters who does not have a#''symbolic woman'' that drives his narrative#i.e. of the three winchesters he is the one who engages with the women around him as people and not someTHING to give him ''purpose''#which ties pretty well into his own role in his family being a typically femenine one#john endlessly relies on dean to serve the role of his mother yet he resents him when he does it so naturally#which from a queer lense is pretty much spelling out ''john can't put his finger on it but something (queerness) about dean bothers him''#anyways it just surprises me how#the fandom has perpetuated this image of the characters#and how#ironically#that image is the exact caricature dean so obviously puts on and we so obviously are supposed to KNOW he puts on

Some really nice points here, and bang on target:

Dean is not called to his adventure/journey because a symbolic woman dies like John and Sam are; he is put upon it by his father and his own sense of responsibility and love before he has the agency to choose. He wants his father's approval, his brother's love, and he wants not to be alone in a world of monsters...and...is HE a monster? A killer? Is everything his fault?

John resents Dean because what he needs from Dean (obedience, domestic work, emotional labour) is feminine. It's what women are for. Dean internalizes that resentment. Sam defies John and is driven by his own losses, and John can respect that, but Dean becomes the family repository of what they've lost. Dean is the eldest daughter who can never do enough.

John has chosen to abandon normal life and live on the fringes to pursue his revenge quest, and Sam is fighting to get back to the center -- left his family, hot girlfriend, Stanford Law, credit in the straight world, friends. But Dean? He has accepted that he will never be normal. He has accepted that he will always be a lonely, liminal weirdo who knows something terrible about the world that most people are spared from knowing.

Like:

If you leave Supernatural season 1 without realising that everything Dean pretends to be is pretty much the opposite of what he is, then you are not watching it right, full stop. The Dean Winchester he pretends to be is a character invented by a terrified, homeless, wounded little boy who doesn't know how else to protect himself.

Second, if you can't see how totally fucking queer all that is, I CAN'T HELP YOU. And,

you cannot hit that many nails on the head without knowing where you're swinging your hammer, and in conclusion, Dean was always deeply queered, and that was in the DNA of his character.

The truth is, that Dean is a very cohesive character. He is written and performed beautifully, and with intention. He is not an accident, he is an artistic creation, and he is excellently drawn. I am not "giving the writers too much credit", I am taking an Occam's Razor-type view of it, and coming up with the simplest explanation for what I see on the screen.

That said, if by some insane magic trick they managed to make Dean this queer by accident? It doesn't matter what they intended, because THE TEXT IS WHAT IT IS. I don't need the permission of the authors to see a church by daylight, and Dean is THAT OBVIOUS.

[galvanizedfriend]

what are your top ten favorite klaroline fics?

Hello, nonnie! I see your asks have made the rounds. Really nice to see lots of rec lists circulating!

I had to give this a thought. It's very hard to come up with just 10. I could easily do a part II. 😂 But without further ado, and in no particular order, 10 of my favorite KC fics:

. The Parisian Deal by Borzoi

I honestly vary between The Parisian Deal and Paradise Lost as my favorite Borzoi fics. It depends. I think I'm in my Parisian Deal era, though. I've recced this a few times over the last few months, whenever someone's asked me for my favorites or humanity-less Caroline fics. For me, this is the best one that comes to mind. Borzoi's fics are all brilliant. I love their writing style to bits. It reads like a novel, it draws in and it grips you by the throat until the very end. This one features Klaus being called to the rescue by a desperate Salvatore clan when Caroline turns off her humanity and fucks off to Europe. Unlike her friends, Klaus doesn't threaten her, doesn't try to force her to feel; instead, he offers her a deal. And it's perfect. I love this story with my whole heart, I can't even tell you.

. In the Backseat by Lila2

After leaving Hayley as a wolf in the Bayou and earning the hatred of his entire family, Klaus shows up with baby Hope on Caroline's doorstop. He has no idea what to do with a baby, is too proud to apologize and is in desperate search of some validation, which invariably leads her back to her (just like in 5x11). Caroline is torn between being mad at him for having a baby with freaking Hayley, and also the fact that she loves kids and there's a part of her that resents him precisely because he gets to have them, when she never will. In her own way, Caroline puts him in his place and convinces him to make amends and go home, take Hope back to her mother - but only if she comes with him on the road trip. And boy, is it worth it. 🥰 It's a fic that has the baby as a catalyst for everything, at the center of everyone's woes in different ways, but it's not about the baby, in case you're a baby fic hater. And the writing is just chef's kiss.

. the birth and death of the day by @little-miss-sunny-daisy

For a good while there, this fic was my entire fandom personality. Whenever anyone gave me a second of their time, I'd preach about the birth and death of the day. I was obsessed. Kelly is a brilliant writer, so, so, so talented. I am not kidding when I saw I wish I could write like her. And the greatest proof of that is how this fic was everything to me, in spite of not being at all my cup of tea on the tin. I don't like Supernatural, I never watched more than two episodes, and the Klaroline bit here kind of takes on a secondary role to the end of the of the world. But it's such an intense and brilliant character study on Caroline that it had my whole heart from the start. Her relationship with her BROTHERS Dean and Sam is so heartfelt, and it exposes so much of who Caroline really is as a character. The plot is INSANE and AMAZING and HUGE and it's so incredible how it ties in so seamlessly with the Mystic Falls shenanigans. And then there is Klaus! When I saw secondary, I don't mean irrelevant. I just mean there's more to the story than just their relationship. But it is still brilliantly developed. Honestly, just writing about it brings me back memories. I love it so much.

. Quiet Light by @definedareasofuncertainty

I am biased when it comes to Luiza's fics because I'm a fangirl and I have been one since day one, before we even became friends. But in the years (years 🥲 we have been here so long, friend) we have known each other, her writing has only gotten better and better. It's atmospheric and understated and it has this mindfulness about it that I can't really explain. It really feels like being in the characters' stream of thinking, you get instantly pulled into it. It evokes emotions without it ever having to be minutely described, and I think that's such an incredible talent. I wish I could write like this! And Quite Light not only brings all of those things forward, but it also brings COMPLEXITIES and MORAL QUARRELLS and it was also WRITTEN FOR ME. 😌✨ Luiza thought she was getting revenge on me by torturing Elijah, but LITTLE DID SHE KNOW I actually loved it. I went into this thinking it would be just a rom-com style story (which I love), but it's so much more. By the end I was crying real tears. 🥲 It becomes such a beautiful story about the relationship between Klaus and Elijah. Honestly brilliant.

. light years by @definedareasofuncertainty

Honestly, this fic has a very specific target audience, and that target audience is ME. I'm not even exaggerating; this is one my favorite pieces of fic ever written in the KC fandom. The way a Klarolijah fic speaks to me can be so personal. 🥺 I love the Klarolijah dynamic. I really do. But it takes a very specific balance for me to feel it. It can very easily go from me loving it, to me wanting to throttle someone. And this! THIS!! This is absolutely it. 🥲 And it's just about my favorite thing ever. This is actually three mini drabbles combined into one. Each of them is written through a different POV - Klaus', Elijah's and Caroline's. And the combination of all three, the way they tell the same story through different eyes, is just !!!!!!!!! Honestly, I don't have words. This has ✨Yokan my beloved✨ written all over it and I feel it very much. Luiza has a ridiculous talent for writing things on the spot. She got prompted to write an Elijah piece, and then a Caroline piece, and then a Klaus one, and she wrote them all in like 30 minutes on one of her mini drabbles challenge, and OH MY FUCKING GOD. I hate her for how good she is. 😭 (I don't, I love her, but I also v much envy her talent).

. this is a harvest by @highgaarden

I spent a solid few minutes here thinking about which of Hannah's fics I wanted to list, because she has this huge catalogue and I've basically read all of them and have gushed over almost every single one over the years. But even though there are others that could easily be in my top 10, I always end of going back to This is a Harvest. I remember when I first read it, I closed the tab at the end and was just… Done. Not in a 'I can't stand this story/ship/fandom anymore', but in a 'this is the fic to end all fics' kind of way. And it's not so much about the style or the writing, which are both stunning, but the way the story is told. It's a canon divergence that spans over years and I felt it in my heart that this was where the story could've gone. The choices they could've made. The way Caroline's story could and should have ended. And I was satisfied. I started writing and reading KC fanfiction after TO was over because I was so indignant about the way the show ended, so unhappy that I needed to give it my own spin, and read other folks doing the same, and when I read this story I felt like I had achieved that. This is it, I can put this to rest.

Obviously, I was way too deep by then that I couldn't really abandon the fandom (even though, just between us here, I kind of wish I could), but for a whole week or two, I was at peace. This fic gave me peace. That's it.

. Into the Woods by @jinxedwood

"But Yokan, how would you like to see Klaus' part in Legacies play out?" Like this. Exactly like this. This story accepts the finale we were dealt in The Originals, and then makes something absolutely amazing with it. I love the premise, I love the mythology involved, I love how unique this take is, and I love how even though it's poignant and bittersweet, it still packs up everything about Kc that made me love this ship so much. Caroline has been in Europe for years trying to find a way to help her daughters with their Gemini situation, and then she ends up stumbling across something else entirely. While she thought the thing she most wanted to see on a brief stint on the Other Side would be Gemini witches, her heart betrays her by taking her to who she really misses the most.

. it takes a while to settle down by theviolonist

This story is so old school it was written before Steroline. It's about Tyler. But we all know who Caroline ends up marrying, so in my heart, this is really what happens before Caroline marries Stefan. And honestly, it works just as well. This story is a punch to your stomach, but it is PERFECTION in 8k words. It's hot, it's bittersweet, it's SO in character. Caroline's denial, telling herself that Klaus is there to see her because he still ones revenge on Tyler, when it becomes very obvious, very fast, as it always does on the show, that it's never about Tyler, it's all about her. UGH. Honestly, brilliant. (third fic on this list with a The National reference on the title, I SENSE A PATTERN).

. As One Wishes to Live by @lalainajanes

I had never in my life read a genie!AU, and simply could not wrap my mind around anything of the sort that wouldn't be extreme crack!fic. Imagine my surprise upon reading this story. It's bittersweet in the best possible way. At the same time it's endearing and adorable (and so very IC) to watch Caroline fumbling for a fair and non-insane way to handle Klaus, the genie Katherine accidentally gifted her with (and who just happens to look incredibly alluring), it's so very poignant to read Klaus' POV. He's Klaus in the way that he's suspicious and dismissive and kind of snobbish, really, but he's resigned to his fate. This is a Klaus who has been broken by years of enslavement as this prop who's there exclusively to serve others. Every time he mentions one of his past masters, you just get that stab - and so does Caroline. Laine is one of the most prolific and talented KC writers ever, and I have read and enjoyed so, so many of her fics, but this definitely has a special place in my heart.

. Psychedelic Kicks by @notalittlebutalottie

This is an ensemble story that has Klaroline at heart, but that gives every other character a moment to shine. And shine they do! Everyone gets their own side stories, and absolutely loved following every single one of them. Lottie made me care for characters I hate in canon, like Katherine and Kol. Even Stefan and Elena had my heart here. This fic is a journey, full of ups and downs, and it has such a satisfying end. It's also incredibly original in its setting and tone, which I think it's one of Lottie's greatest talents. It's very are for historical fics to be set in the 60s, and not only did Lottie choose this very particular time, but she also did such a remarkable job incorporating the decades' aspects into the story. Not just the fashion, and the music, and Woodstocky vibes, but the social and political unrest as well. This is a story with LAYERS, my friends, and it's incredible. I could totally see this being a TV show or a movie tbh. It's that good.

[soullessjack]

Question for you about baby Jack: do you think the same people that flatten Jack tend to also woobify Cas to the point of comical gentleness and stereotypical femininity? I was thinking about the implications for both autistic characters having their violence and harsh parts cut away to make them more palatable/adorable.

YES OH MY FUCKING GOD THANK YOU FOR MENTIONING IT.

It was definitely way worse around like S6-7 with Crazy!Cas than it is now, especially as a product of the show’s airing time and how queer men (ie Dean and Cas) were generally viewed during then; if you’ve been on the 2010’s internet you might remember all those mlm ship dynamics that were really just repackages of traditional marriage and gender roles: Alpha/Beta, Top/Bottom, Dom/Sub, etc.

/ Full disclosure that I was *not in these online circles during the 2010’s and I’m not any sort of gender studies expert, so anyone’s free to correct me if I get stuff wrong lol. /

But from what I’ve seen and what I know, Alphas, Tops, and Doms are typically very stereotypically masculine, carrying all the stereotypical traits like aggression and emotional unavailability, and filling in stereo-traditionally masculine roles like being protectors or providers. Vice versa, Betas/Bottoms/Subs were usually the extremely effeminate other half; they were more emotionally sensitive and weak, needed to be protected, and for the most part portrayed as looking physically androgynous or “soft.” Ergo, you have basically affixed these queer men to acting as The Man and The Woman, even though it’s two men.

Like I said, it’s definitely gone away for the most part, especially with the rise in actual gender studies and how gender expression is viewed, especially for men. I’ll still see it in some Destiel art here and there where Dean is this big gruff strong pants-wearer saving a blushing baby-faced dress-clad Cas, (cough wheeze diminuel but you didn’t hear that from me) but thankfully it isn’t thee most prevalent content made for Cas the way baby!jack is thee most prevalent content made for Jack, and there have been plenty of people over the years to come forward and correctly establish Cas as a way more dominant and capable guy than the ao3 fics would have you believe.

Same goes for Dean! He’s set up to be The Man, he likes violence and steak and guns and sleazy dive bar sex, but he’s a very emotionally sensitive man and has his own dips into femininity (Rhonda Hurley, cooking/baking, being Sam’s ‘mother,’ etc.) I’m actually of the opinion that SPN has some of the queerest masculinity ever , and again I’m not a gender studies student or expert by a long shot, but I do think there’s something to be said about how a show that is sort of built on a reversal and deconstruction of the nuclear family (ie Mary being a hunter and John being a normal man, Dean being Sam’s mother in their childhood) is so constantly regurgitated into those very roles by the fandom:

Sam is the “mom” of Jack’s 3 dads, Cas is the sensitive effeminate bean who needs big strong brawny man Dean to protect him, etc., and with Jack’s confirmation as non-binary so many ppl took to drawing them in mostly feminine fashion (which to me speaks a lot to how queer masculinity is treated but that’s for another post I think).

There’s also a lot to be said about how important mothers and motherhood are to SPN. Mary Winchester, Kelly Kline, Lily Sunder, Rowena Macleod, Jody Mills, Amelia Novak, I’m sure I could go on. Sam and Dean follow in the footsteps of their mother’s family as hunters. Castiel bonds with Jack through Kelly, and Jack takes after Kelly more than he does Lucifer (his grandma even points out that he sort of looks like her). I’m absolutely not saying SPN is this ultra feminist show, but when it tries it tries, and what it lays down is very much worth picking up.

you’ll have to forgive me for centering Jack on a Cas ask but I promise it’s not for nothing. like, the whole “twist” to Jack’s character isn’t just that he’s good or sweet; it’s also that he’s much more like his mother. Not only does he look like her, but he’s also very emotional; he’s sensitive, he’s intuitive, he’s deeply empathetic. and where most teen boys wanna be like their old man, he wants to be more like Kelly; even keeping her name as his own. of course he presents fairly masculinely, as do the other guys (unless we’re counting kitchen aprons as a feminine thing, which I only would with a grain of salt), but so much of his character is faceted in being like Kelly; being like his mother, being like a woman, and within the show’s framework that’s a celebrated thing!

I feel like I’m getting away from the original question so here’s some last thoughts to send out the door with you:

> Sam and Dean’s connection and relationship to Mary is also celebrated within the show, arguably more so than their relationship with John

> the importance of mothers in spn is somewhat highlighted by their absences (Sam and Dean, Claire)

TLDR: supernatural accidentally smashed the nuclear gender family and made their men queer and fandom culture/patriarchal norms doesn’t understand it because masculinity isn’t seen as inherently queer the way femininity/androgyny is

[seriouslysam8]

I’ve noticed a lot of fandom and writers shit on Harry for two things:

1. Not noticing Ginny sooner

2. Breaking up with her during HBP.

I’m so glad you fixed that problem in Brumous, and honestly I think if Sirius lived in HBP he would have noticed Ginny. After the fiasco with Cho, Harry was so busy with his lessons, what Malfoy was doing, that he didn’t pay attention to anything else. I remember when I first read OotP and I was so upset with Ginny for going out with Dean. I thought they shared a moment during the whole chocolate egg scene, and I was hoping she would have comforted him more when Sirius died. I remember yelling at the book that someone needed to show Harry some love because they boy just lost the only person who did.

I don’t know if Harry will break up with Ginny in Brumous, but if he does… I get it. He couldn’t bring her with him because of the trace, but even if they wasn’t a thing I don’t see him ever taking her with him because she was too precious to him. He had lost too much and he was not ready to lose her. I felt worse for him than I did for Ginny, and she’s my favorite character. I just have a lot of empathy for Harry and I think he gets shit on a lot. The Dean x Ginny lovers drive me so insane because they act like a 15 year old girl was going so far with him and almost hint they were sleeping around with each other… like no. She was 15, and a freakin romantic at heart. She wasn’t going to sleep with someone she didn’t love. Their relationship wasn’t all rainbows and sunshine and Dean wasn’t the freakin Casanova of Hogwarts. He’s a nice guy but he could be an ass too, but most of all he was the wrong guy for Ginny.

Obviously, no spoilers! But I didn’t feel satisfied by their story in the books. I wanted more. I craved more. And the survival of Sirius in Brumous was a great way to bring Hinny closer sooner because Harry is fucking blossoming right now. Sure, he still has his complexes and is a little cabbage, but he’s been steadily more affectionate and able to articulate his needs and wants more clearly to those around him.

I read somewhere the JKR said that if Hinny hadn’t been interrupted during the Easter egg scene that Harry would have noticed her sooner. Hence why I started Brumous at the easter egg scene.

While you all know I adore Ron as Harry’s sidekick and partner in crime, there’s something so satisfying about Harry really leaning on Ginny during this time. She has the more emotional support he needs and Ron has the ability to just make Harry laugh and be a kid for once. Together, Harry is getting more of a childhood than he’s ever gotten before. Well… for now. Because we all know Sirius can’t shield him from the way forever. It’s coming for him and he’s going to be smack dab in the center of it all.

[antigonewinchester]

15x03 (transcript @ the link)

This season is practically shouting at its audience how it’s about DEATH and ENDINGS and SACRIFICES FOR WHAT YOU LOVE, huh.

Interesting that both Ketch and Rowena die in this episode, both in ways that... redeem them, I suppose is the best way to put it. Ketch dies because he won’t give up Sam & Dean, in contrast to his villainy from S12, while Rowena dies for her belief and faith in magic, and in doing so saves the world, at least for a little while.

SAM There has to be another way. ROWENA I wish there were... I do. I don't care about anything enough to take my own life. Not you, your brother... not even the world. But I believe in prophecy. I believe in magic. And I'm here, and you're here, and everything we need to end this right is in our hands. [She puts the dagger in Sam's hands and tries to get him to stab her.] ROWENA I know this in my bones... it has to be this way. Do it! Kill me, Samuel! [SAM hesitates. ROWENA puts a hand on his shoulder.] ROWENA I know we've gotten quite fond of each other, haven't we? But will you let the world die, let your brother die, just so I can live? ... SAM No. [He stabs her, crying. ROWENA touches his face.] ROWENA That's my boy.

I really do not care for Rowena as a character, so surprisingly I found her death kind of touching. I’ve read some view of the later seasons as very pessimistic - Sam wants to prevent Rowena’s death and he’s unable to, that’s her “fate” that can’t be changed - and I get where ppl are coming from but... if one’s fate = death, then can that really be changed? Isn’t death the one inevitability in life? SPN has been grappling with the force & tragedy & horror & inevitability of death since S1, after all.

CASTIEL The plan changed, Dean. Something went wrong. You know this. Something always goes wrong. DEAN Yeah, why does that something always seem to be you? [CASTIEL stares at him, stunned and hurt.] CASTIEL You used to trust me, give me the benefit of the doubt. Now you can barely look at me. My powers are failing, and – and I've tried to talk to you, over and over, and you just don't want to hear it. You don't care. I'm... dead to you. You still blame me for Mary. [DEAN nods.] CASTIEL Well, I don't think there's anything left to say. [CASTIEL makes to leave.] DEAN Where you going? CASTIEL Jack's dead. Chuck's gone. You and Sam have each other. I think it's time for me to move on.

I still can’t believe there isn’t more Berens criticism in fandom - there’s so much to dislike!! There really are striking dysfunctional dynamics & emotional patterns in how Berens characterizes many of the show’s characters and within his interpersonal relationships that I don’t see talked about enough, tbh. (Maybe I should write my ‘why 12x22 is lowkey incredibly messed up’ essay. For all the people love to criticize the show, I’m surprising more people accept the show’s framing of it as a heartwarming ep for Dean & Mary, instead of how disturbing it really is, imo.)

Case in point here: so much of Berens’s emotional conflicts centers on Dean’s excessive anger/resentments/holding onto hurt feelings, which then drives the conflict between him and other characters, and is always resolved thru Dean’s forgiveness/letting go of his hurts. And I’m so tired of it. There’s an element of this dynamic that’s been the show for a long time (e.g., Bobby’s “boo hoo princess!” speech from 4x22) but it just gets worse and more dysfunctional and more boring as it keeps playing out.

[you-cant-spell-subtext-without]

Sooo I’m not new to the fandom, I was around until about S6… and then one day last year a video popped up on my suggested watching on YouTube and it was Dean’s prayer to Cas in purgatory… and I watched it with baited breath like no way, no fucking way they actually did it! They made it cannon, these guys are gonna kiss now. They didn’t kiss…. And then the confession happened….. but I just cannot get past the prayer. From Dean, that was HUGE?! That was his declaration! That was him showing his love! I know it does get talked about but everyone talks so much about the confession but for me the prayer is just so powerful?! You have this guy who rarely says sorry, who rarely expresses his feelings because all his life his wants and needs and feelings have been dismissed or ignored and he doesn’t matter, who has grown up thinking family is everything and nothing comes above it… says he forgives his Angel for killing his mother, “I’m so sorry” “I forgive you, of course I forgive you…” “I don’t know why I get so angry” “I hope you can hear me” “[i hope] it’s not too late” and then he tries to say it out loud, face to face, and for Dean that must be terrifying! Imagine all the times as a child, Dean tried to express himself to his father and was met with anger, dismissal, rejection - at worse physical chastisement. That feelings and emotions are terrifying to him as a result of those early experiences… and when he tries to say out loud his feelings (maybe a repetition of the prayer, maybe more - maybe a love confession) Castiel spares him his terror and embarrassment over feelings and emotions and tells him he heard. He has seen and touched Dean’s soul, he sees Dean, he accepts whatever Dean gives him. How powerful that whole scene and moment is. And THEN! his confession where he says that essentially to Dean and Dean is paralysed by overwhelming emotion and again his fears of emotion and feeling are confirmed when Cas dies for loving him, how loving Cas back destroys him. Emotions are scary. I think Dean is repressed in the sense that he ignores his feelings and tries to push them down and away. If they’re not there, they can’t harm him or the people he loves. Even in him saying he’s angry and he doesn’t know why, that’s repression, because anger is always a secondary emotion and he can’t look at the true causes of his anger because it’s painful.

Anyways that prayer scene brought me back and I can’t leave. I love the content you share and your fics, I’m super excited to read you DCB when my life finally calms enough that I can read in peace! Thank you for being in this fandom! (Sorry for my rambling thoughts, I needed to share with someone I hope you don’t mind)

Ah yes absolutely!! The confession/prayer in 15x09 is one of my favorite scenes in that season (and tbh the show). It shows incredible vulnerability and there's something about a faithless man on his knees asking for angel's forgiveness that is so very. Very powerful; especially when you think about the fact that Bobo wrote both 15x09 and 15x18. They are definitely two sides of the same coin for me. It's the saying it for Cas in 15x18; the self-validation that brings him happiness; and I always go back to what 15x09 IS for Dean, especially in conjunction with 15x18 being written first. Had he said the words out loud, to Cas' face - and had they been the "I love you" - would Cas have been grabbed by the Empty? Was that why he stopped him? And what was Dean thinking during the prayer and after, when Cas told him he didn't need to say it because he had heard his prayer? Additionally, we pray in speech but also in thought and feeling, and Cas can sense it all. What was Dean feeling? Thinking? It was even more powerful than the words he spoke out loud, I think. TBH I was very surprised no one asked Jensen about this particular scene during the last con. I know we tend to focus on Destiel adjacent questions from a Cas centered approach, but I genuinely would enjoy hearing the thoughts and process behind that prayer in 15x09.

Anyway I have millions of text posts in this dumpster fire mess of a blog about this scene; it's the thing I'm sensitive about <3

Thank you for sharing and for your kind words about my writing and blog! I hope you enjoy TBATT when life calms, and that your day is going wonderfully.

[guileheroine]

arcane thoughts

as usual, putting things down for posterity so i dont forget my fresh impressions!  [spoilers]

i’ve watched the show twice in the last ~week and i love it!

didn’t rly know anything going in (apart from hearing it was good) but what i didn’t expect is that it would fulfil one of my deepest narrative kinks: the intense, fucked up, tragic (found)family stuff here is my bread, butter, juice & jam!! vi & jinx, vi & vander (😖😖 i found them the immediate emotional core pre-timeskip), jinx & silco (😖😖😖!!!!!), vander & silco, it’s a LOT. the angst, the difficult loyalties, the being each other’s achilles heels of it all. front-and-center family dynamics in spec-fic are always a lance to my heart and few things have scratched this itch so good. out of a strong ensemble cast where i like everyone i’d prob pick those characters as my fav for this reason

jinx shouldn’t work as well as she does bc girl!joker isn’t usually my vibe wrt character types but the groundwork is solid, there’s much more going on than those aesthetics & her being ~teehee crazy! vi was my early fave (kids who act like adults are just ugh… the responsibility she felt not just for the siblings but also vander like. i cant think about it tbh), and maybe i’m still dean winchester-pilled but the eldest child x bruiser combo is simply elite, stacking that temperament over that backstory. kinda love how woobifiable they both are yes i will put them in a jar. the contrast between their trauma is compelling—jinx is erratic & indulgent, and frayed by silco’s influence, while vi clearly represses out of a sense of guilt/responsibility and prison survival mode. and then with all these divergences theyre just talking over each other, even tho they sort of want the same thing they dont know how to get there! irreparable (?) sibling drama! abandonment drama! knife and fork please!! (sidenote after wading into fandom a bit, im truly ecstatic they made complicated & mutually raw family dynamics the show’s centre, even tho it’s predictably not that legible to Fandom and its ‘ship/stan or bust’ orientation)

i think part 1 was the strongest — the whole show is tight but the later parts, as more of a setup for the future, don’t have a bow around them in the same way

ep 3 specifically was where i became thoroughly engaged, it’s like this masterful Greek Tragedy conga, definitely sth i’ll return to when i want to be emotionally hollowed out. just writing this makes me wanna go back 

mel is STUNNING, maybe the most aesthetically pleasing character design i’ve ever seen. saw a pic of her before i knew the show and i was like 😩😩😩. the gold accents, arm/thigh braces, goooorgeous. i didn’t find her as interesting until the stuff with her mum came in, but rewatching in that light rly endeared me. looking forward to how she squares what happens at the end of s1 with her anti-war convictions (if she survives). also would like to know more about what her brother was like?

deeply intrigued by what viktor’s Final Form will look like, he feels like a little gnaw on my heart when i think about the show. a quietly magnetic understated character. viktor and mel doing a lot of legwork in dragging jayce into relevance for me. solid ot3 potential there, but i also dig the two jayce pairings (the fact that i think he and mel have basically no chemistry but it’s still cute lol) jayce is cute tbh! and there’s that dash of overreach to all three that i adore, good foils

he talks shit but heimerdinger getting kicked off the council and scurrying off destroyed me, whyyy did they make him look like the devastating combo of old man + babie

plotwise, much to consider & my thoughts congealed better on rewatch- the class warfare plotline could go well, fingers are crossed. it’d be cool to see the piltover charas that are being positioned as heroes like jayce and caitlyn have their moral frameworks blown open and excavated more (bc there’s a point where the good cop naivete becomes odd/grating in smart grownup characters no matter how well intentioned). ensure the inequality, corruption etc is a character motive rather than an overly accentuated but ultimately incidental detail (im looking darkly at lok s1). basically ig i hope the show knows it hasnt set up a both-sides situation in its deep, sustained worldbuilding even if a few enforcers got blown up. likewise really hope they don’t file off the chip on vi’s shoulder just bc she’s working with piltover and jinx made a mess

one thing i had a little trouble with was silco’s motivations—if he wanted justice for the undercity then why the drug kingpin stuff that laid it low? i guess he’s pretty fucked up and the profit + power motive can definitely coexist with high ideals esp in a brutal survival context but now he’s gone i’m excited to see how the undercity charas negotiate their future, amongst themselves even more so than with piltover. also when he went to vander’s statue after the parley w jayce and drew that dad/daughter parallel hurgleee

sevika. she could be such a good anti-hero! im not usually a villain person but tbh no one really read as a villain. i wonder what underlied her striking loyalty and how she’ll configure her place w/o silco, and yeah better articulation of the zaunites’ motivations🙏🏽 

caitlyn/vi: good!! a normally paced gay ship comfortably nestled between ship tease and canon. the class dynamic they keep gesturing to is very tasty (the scene in the rain?? bollywood!) hope there’s more angst before it goes Canon canon— the ship has a lovely crackle to it and would be well served by a fuller contention w their differences (which are big + interesting even if theyve become close in a war-bond/chemistry way. otherwise yeah might feel like a disservice to the charas if swept under for ship preservation)

i neeeeed more ekko (and the firelights) loved their whole setup! no punk like solarpunk. wish we saw him with jinx more—would have made their charged reunion mega effective if we saw him with her as a kid the way we saw him with vi

the quality and density of the writing for such a short show bodes well. they’re juggling a lot very deftly so happy to give the benefit of the doubt wrt any nitpicks/worries. the characters all feel like dimensional and nuanced manifestations of their archetypes, in a way that makes me wanna keep a permanent distance from fanon bc i know how it goes there

the two vi/sevika fights 🙌🏽🙌🏽🙌🏽. the first time in my life that ive felt like an action fan. (also is there #content of them?? asking for a whore)

the pov shot of mel leaning in to kiss jayce is theee funniest thing ever, idk why i find them so funny (affectionate). that pov shot of vi when caitlyn strokes her cheek makes me want to kiss the animators’ feeeeet

whole show makes me wanna kiss the artists’ feet tbh. you can tell they got to express themselves, and all the stylistic stuff is super cool—rly works and the visual intensity didn’t put me off even tho it’s something i can find very overstimulating in the wrong show. it recalls spiderverse very strongly. i want to watch it on like a home cinema screen (rich people hmu). the gestures are so expressive and subtle in a way i often miss when watching animation (coming to cartoons from live action, i admit that ive never rly been convinced that cartoon charas can have a physical- not just textual- chemistry). this feels like the best of both worlds but it’s actually only animation. masterful

soundtrack slaps. the songs are used to great tonal effect. that sequence to ‘our love’ when the enforcers are coming in and vi’s going to give herself up was excellent and caused stirrings even when i had barely any attachment to the charas. the show is so cinematic. also i highly dont recommend carefully listening to the sting song in ep9 and thinking about the abandonment drama. 

grateful that it has really lit my fire as a fan!! it’s been a few years since i felt so engaged with sth that actually feels like a world, and not just for one or two aspects of it. i was honestly almost certain that i had just aged out of that kind of hyperfixation-excitement. very happy :D

in conclusion: 

[katelyn--renee]

Composure

Title: Composure

Fandom: Supernatural

Characters: Dean Winchester, Sam Winchester, Reader/(Y/N) Winchester (mentioned), Harper Winchester (OC, mentioned), Daniel Winchester (OC, mentioned), Crowley (mentioned)

Pairing: Dean Winchester x Wife!Reader

Words: ±2670

Description: Dean and (Y/N) take their shot at a normal life and settle down. Over the years, they have a few kids. Things are good. Until they’re not. What will Dean do when his past comes back to put an end to his happily ever after?

Written For: @deanwanddamons ​ 2K Celebration! Congratulations babe! That’s awesome! My prompt will be in bold -  “Just when I thought I was out, they pull me back in.”

Warnings: ANGST! Descriptions of blood. Mentions of breaking and entering. Kidnaping. Show level violence/outbursts of anger. 

Author’s Note: This is in correlation with another fic of mine, Sweet Cherry Pie. It takes place about twelve to thirteen years after that one, to give you a brief timeline. There will be other fics with that original storyline, so stay tuned.

Thank you so much to @wonder-cole​ for being my beta for this wonderful piece and helping me with the title. You’re awesome and much appreciated! She has some amazing work of her own, so please do yourself a favor and check it out! Check out @talesmaniac89​ for more awesome page dividers!!

Disclaimer: I do not own any photos or gifs, all rights go to original creators/owners.

Interested in more of my work, check out the link below.

Masterlist

The rain was heavy tonight, thick and angry as it poured from the dark clouds above. The fat raindrops were noisy against the single paned windows. The water coated the glass surface and made it impossible to see through, even as the flashes of lightning lit up the night sky and cast long shadows through the living room of 35 Maplewood Road. There was a heaviness surrounding the house, as if something wicked had been there.

The home was dark and empty, and the furniture was overturned and broken in places; the sofa was thrown over backwards, the cushions laying discarded across the floor with the end table toppled over beside it. The lamp that had occupied its surface was shattered to pieces on the wooden floor, and the rug had been stained with something dark and red. 

The coffee table was shoved out of place, the glass surface no longer there in one piece and the mirror that hung in the hallway had a spider web like crack across the surface, hanging now only by one screw. In the very center of the crack, something crimson and shiny caught the lighting from outside, almost as if someone’s skull had been smashed there.

The familiar idling of Baby’s engine grew louder as Dean pulled in the driveway of his home, the brakes squealing as he came to a stop and put the Chevy into park. A feeling of dread began to knot into his stomach, making the muscles of his jaw flex as he tried to bite back the feeling. Something was wrong; all those years of hunting and honing his instincts told him that much. Not a single light was on inside of the home and yet, (Y/N)’s car was parked out front. Not good.

Dean fished his phone from his jacket and swiftly unlocked the screen with a swipe of his thumb across the glass, dialing the number he knew so well. Pressing the receiver to his ear, he waited while the call rang out once... twice… “Come on, (Y/N/N).” He muttered under his breath as the fifth tone sounded. Her voice greeted his ear, but it was artificial; the recording of her voicemail, Hi, you’ve reached (Y/N)... 

“Damn it.” He cursed between gritted teeth and ended the call. He tried again, pressing redial. “Come on, baby, answer your damn phone!” He shut his eyes when he got the same results as before, cursing to himself as he shoved the device back into his pocket.

Never taking his eyes off the front of the house, he leaned over for the glove box and swiftly unlatched the compartment door, just as he’d done a million times before. Green eyes continued to scan for any signs of movement, even through the thick wall of rain that coated the windshield, despite the efforts of the wiper blades. 

Reaching a steady hand inside, he pulled out a pocket sized flashlight and his beloved stainless steel Colt, the engraving on the barrel catching the lightning as it bolted across the sky. Expertly, he removed the clip with a press of his thumb and double checked the bullets inside before sliding it back into the place, securing it with another click. It’d been years since he’d held the weapon, but the pearl coated handle felt just as natural as breathing against his palm.

Leaving the Impala’s engine running, Dean climbed out from behind the wheel and shut the door, the hinges creaking with age. Clicking on the flashlight, he approached the home with long, yet cautious strides, his booted feet silent in his approach, even through the heavy rain. 

His mind was racing with every terrible possibility, his guilt threatening to eat him alive as images of his family, in the worst possible outcome, flashed before his eyes. It made his blood run cold. His heart was pounding rapidly with fear, pushing the adrenaline through his veins and forcing him to move forward rather than let the panic overwhelm him.

He tried to peer inside the living room through the set of windows lining the front of the house, but it did little to ease his uncertainty; if anything, it only made it worse, only able to make out long shadows and dark shapes. His clothes were completely soaked through, hugging his large frame by the time he’d reached the front porch, the coolness of the rain chilling him to the bone. Droplets of water dripped down his face and the tip of his nose, and his hair clung against his forehead.

Approaching the large red door, his scowl only deepened, darkening his features when he discovered that it had been left unlatched, allowing in a single beam of light with each flash from the storm overhead. He glared at the lock and then narrowed his eyes as something caught his attention, the muscles there twitching. Stretching a hand out, he examined the wooden surface, his fingertips grazing over the chipped paint and splintered wood. Someone had broken in.

Taking only a moment to compose himself, Dean exhaled slowly and swallowed back his apprehension, forcing himself to go on. Using the weight of his body, he nudged the door open cautiously and poked his head inside. The experienced hunter kept his gun aimed high and at the ready, his finger hovering over the trigger. Wrist over wrist, Dean held the flashlight steady with the opposite hand, the beam unmoving, providing him with some light through the darkness.

All of those years of training were put to the test as he stepped through the threshold of his home, his expression as hard as stone and giving away absolutely nothing, despite the fear that was boiling just beneath the surface. His eyes darted around the room, following the beam of his flashlight, taking in every detail of his surroundings just as he’d been taught all those years ago.

Following the layout of the house, Dean came to the living room first, stepping over the broken furniture and discarded decorations. The sight of his home in this state made him uneasy and that much harder to keep his cool, able to sense the panic starting to creep in. Where was (Y/N)? Where were the kids? Who had done this to his family? Was it revenge?

Another flash of lightning caused something slick and shiny to catch his eye, and Dean let out a shaky breath. Hesitating for only a moment, he crossed the room and crouched down next to the sofa to investigate, the troubling sight seized his heart. There was a substantial amount of blood there, a large pool of crimson that had soaked into the fibers of the rug. 

Near the top of the stain, a gold chain necklace was lost within the mess and a thin layer of another substance was scattered around it. It was almost yellow in color and had a very distinct, very specific scent that accompanied it. Touching the surface of the floor next to the stain, Dean felt something grainy under his finger tips. Lifting it to his nose, the smell of sulfur invaded his senses. Demons.

“Fuck,” He cursed, the boom of the thunder shaking his house as it lit up his face simultaneously. Still crouched, he plucked the necklace out of the sticky crimson mess and glared at the amulet with a heavy gaze, his hand shaking. He shut his eyes and closed his fingers into a fist, the knuckles turning white around the piece of jewelry. It belonged to (Y/N). It had been a gift, a charm to ward off evil and prevent possession.

This was all his fault. He should have known better. Hell, he did know better and yet, he ignored it, because he had a chance to finally be happy. To have an actual family and live the normal, apple pie life he’d always wanted. And now the ones he loved were missing and more than likely dead. Or probably close to it.

His chin quivered for a moment and hot tears stung at the corners of his eyes, his emotions getting the better of him. How could he let this happen? How could he be so stupid and reckless? He knew better, damn it! Once a hunter, always a hunter. There is no getting out of the life, not entirely, because those evil sons-of-bitches will always be out there. 

One way or another, they always find a way to catch back up to any hunter who has tried, and every single time it ends bloody and messy and violent. He needed to find them, he just had to. And he would save them, no matter what it cost. He’d pay it.

Releasing a heavy breath, he opened his eyes and willed the tears away, shoving the emotions back down into the pit of his soul. Despite his efforts, a solitary tear made it’s escape, dripping down his left cheek and onto the color of his shirt before he could stop it.

Dean rose to his full height and squared his shoulders, prepared to continue his search. Sliding the necklace into his jacket pocket with care, he followed the trail into the hall with a heavy heart. 

Glass cracked and snapped under his boots as he walked through the space, his jaw flexing when he saw the picture of his family shattered on the floor. Their happy faces only added to his grieving heart and guilty conscious, their smiles making his soul ache.

That had been a good day, nearly five years ago now; (Y/N) had worn his favorite blue dress that day, the strapless one that stopped right above her knees and showed off her sexy legs. 

She had on that silly - but achingly cute - oversized tan hat that kept the sun from her eyes. He would always tease her about that goofy hat, but she never cared what others thought of her, never ceasing to be herself, no matter what.

They’d gone to the park that day, had an actual picnic and he’d played catch with his son while the girls giggled and painted their nails...  They even taught the twins how to ride their bikes that day. They couldn’t have been more than seven years old.

Harper had caught on much quicker than her brother, of course, taking after her mother in that way. Those girls were naturals at almost everything they did, only needing to try something a few times before perfecting it. That had been something he’d adored and admired about his wife and it was a huge part of what made her such a skilled hunter when they met.

Daniel, on the other hand, had to take the time to understand how something worked first. He needed to study the mechanics of things, take them apart, rebuild and understand it completely, inside and out, before he was able to master it. Danny often reminded Dean of the Winchester side of the family. That had been a good day, one of many they’d shared together.

Brought out of his memories by another angry boom from outside, Dean pressed on. Where the picture had once hung, there was a bloody handprint smeared on the white wall, the two colors contrasting greatly. 

The blood streaked out toward the kitchen, giving the hunter a clear path to follow. Damn it. Dean grit his teeth. It felt as if something had his heart in a vice, squeezing it tighter and making it increasingly difficult to breathe the further he went.

His emotions were threatening to break through the surface again, fighting hard against his resolve, but he held his ground against them, purely focused on finding his loved ones. Now was not the time to break down. Following the trail of blood and debris, he checked each room along the way, trying to be as thorough as possible. He couldn’t afford to miss a damn thing. 

Their bedrooms were empty, and unsurprisingly, every inch had been torn apart. Dean’s chest heaved with emotion, his breath hitching in his throat; if anything happened to those kids, he would never be able to forgive himself.

Continuing on, the hunter emerged into the next room, and found much of the same; broken furniture, shattered pictures and even more blood. But not a single sign of his family. The sliding glass door had been left open, allowing the rain from the storm to collect onto the tile floor. 

Dean shut his eyes and took several deep breaths, his chest aching with every forceful beat of his heart. He needed to call Sammy, needed to form a plan. When he opened his eyes, something on the countertop caught his eye; a sheet of paper. Cocking his head with curiosity, he crossed the room in three long, determined strides.

It was a note, addressed to him.

It’s been too long, darling. How’s Moose? Hope the wife and kids are well...oh, wait, that’s right, you’re as clueless as ever. No surprise there. Before we get to the fun bits, let’s talk business; I need a favor and you and your giant of a brother are going to help me. Now, to ensure that things go as planned, I have something of yours. I assure you, they are safe. For now. Do as I ask, and they will be returned to you, alive. So, Dean, dear, let’s make a deal, shall we? You know where to meet me.

Squirrel,

Yours truly, 

The King of Hell

“Crowley.” Dean growled deep in his chest, his teeth clenched as his blood began to boil over with rage. “Goddamn it!” He shouted, swiping the contents of the counter onto the floor. “Fuck!” He kicked something across the room, too angry to pay much attention to it as it slammed into the stainless steel refrigerator. He swung at the closest surface, his fist connecting with a nearby wall.

The drywall collapsed around his fist as the plaster fell to the floor at his feet. His knuckles were screaming at him, but he didn’t care, too fueled by his rage to notice. What could Crowley possibly need their help with? It didn’t matter. Whatever it was, they would get it done and save his family. Crowley would get what’s coming to him; Dean would make damn sure of that.

Taking a few calming breaths, Dean removed his phone with a bloodied hand and opened his contacts, scrolling through the names until he found what he was searching for. Sammy. Dialing the number, Dean held the phone to his ear with baited breath. After the third ring, Sam’s voice came in through the other end, sounding concerned because of the late hour, “Dean? Everything alright?”

Dean shook his head, his vision blurring with tears. He cleared his throat, trying to prevent it from shaking too much. “No, Sammy. It ain’t alright.” He admitted, gripping the counter with his free hand, bracing himself. He wanted to crumble onto the floor, his body trembling; his mind flooded with so many different emotions, each of them trying to overpower the other: fear, guilt, anger, heartache…

“Dean, what is it?” The younger Winchester questioned, the worry evident in his voice. “Is it (Y/N)? The kids? Is everyone okay?” He waited patiently on the other end, but Dean could hear him moving around; he assumed his brother was getting his things ready to head out.

“Damn it, Sammy,” Dean’s voice broke as a few tears slipped through the cracks, “Just when I thought I was out, they pull me back in.” He shook his head, allowing himself a moment to break, his chest heaving. “We were out!” He slammed his fist down onto the counter, terrified and angry.

“Dean, what’s going on?” Sam pleaded, wanting desperately to help his big brother. 

“Crowley.” Dean clarified, going into more detail as he composed himself and straightened his stance, “Crowley’s taken them.” He took a calming breath, his moment of weakness over. “I need your help, Sammy.”

“Already on my way.”

Annnnnnd there you have it. I hope that wasn’t too rough on the heart? No worries, there may or may not be a part two in the works? We shall see. ;) 

Anyway, if you enjoyed that, please like and comment and if you’re feeling a little extra generous, share it with your friends, too! You’re feedback is like GOLD! As always, thanks for reading! 

Taglist!

Supernatural

@akshi8278​ // @flamencodiva​ // @perpetualabsurdity​

[luhrmannatural]

Favorite Destiel Fics of 2021

We’re a few days into 2022 now but I wanted to make a list of my favorite fics I read in 2021! I keep track of all the fics I read using notion but I thought it would be cool to also have a list somewhere of what my actual favorites were. I’m going to list 10 short fics and 10 longer fics, which I placed in arbitrary categories based on which fics I thought were long enough to download and read offline. Honorable mention to deathbanjo who I read for the first time this year and whose work will not be forgotten <3 List of fics under the cut (in order of length, not preference)!

Short Fics

The Right Time by relucant, T, 776 words. I somehow unearthed this one day after spending way too much time on fanlore reading about the No Homo Intern in the writers’ room, which was a spnblr meme literal years ago. The meme was still really hazy in my memory even after I read about it, but this fic felt like a time capsule into 2015/16 destiel fandom. None of the characters are in this. It’s basically just a scene about the writers debating whether or not to make destiel canon. It’s so true to how we as fans viewed each writer back then, and even still do to this day. This one just really made me laugh and was full of nostalgia.

Your Will Be Done by awed_frog, T, 3k. Sam centric fic that takes place during the Casifer arc and explores how Sam feels about Lucifer possessing his best friend with a side of destiel. Perfect for me because understanding Sam doesn’t come as naturally to me as some of the other characters but I love reading about him when he’s written by people who really get him. As a Dean understander I can be pretty picky about what I’ll like, but when it comes to Sam I’m just SO excited to be reading about him that I know I’ll love anything that focuses on him without falling into some of the more common tropes (ie being secondary to/obsessed with Dean and Cas).

what needed to happen by lamphouse, G, 3.8k. Post Empty rescue fic based on the New Girl cookie scene. Somehow made me incredibly emotional despite being based on a scene from a sitcom. I’ll never see New Girl in the same way again.

the nature and scope of knowledge by saltyfeathers, T, 4.4k. Coda to The Prisoner that manages to be SO tender despite how violent that episode is. I read this right after getting to this episode on my rewatch and I totally recommend that experience.

Remember us in life by a_good_soldier, T, 5.1k. Finale fix it that deals with TFW’s perceptions of self. This fic deals a lot with queerness in relation to Christianity and is probably the shortest fic to ever make me fully break down sobbing. I don’t think I will ever forget reading this. It was incredibly therapeutic for me because of my experiences, but I think even if I hadn’t had those experiences, I’d love this fic because of how incredibly the characters are written, especially Sam, who usually just doesn’t get enough love in destiel fics (as I already mentioned).

Noctambulation by MalMuses, T, 5.8k. Yet another fix it, because that’s 90% of the short fics that I read this year. Cas becomes human after being rescued and starts sleepwalking. One of the softest things I’ve ever read and the writing style reflects that from beginning to end.

what’s there to talk about by FagurFiskur, M, 6k. This fic is all about how Sam views Dean’s bisexuality at different points in his life. By now I think it’s obvious how much I love getting solid Sam content out of a fic, and anything that centers bi Dean automatically becomes a must read for me, so getting two in one was great. To me it just feels like a really honest portrait about how family members are affected by a loved one’s journey with their sexuality. I think it shows how much Sam really loves Dean and wants him to be happy without veering into shipper!Sam territory, which is not my favorite thing to read.

In Due Time (Dean Winchester is Saved) by caelum_writes, T, 11k. Post finale fic where pre-series Dean gets transported to the present day and sees what his life is like (featuring baby Jack). I love anything with pre-series Dean, but this one really stood out to me. What I love about it is how young Dean gets the space to talk with all three members of TFW in the present and get their perspectives on the path their lives have taken. And the ending brought it all together so beautifully.

Broadway Musical by Griftings, M, 12k. Heaven wants Dean and Jo to be together, and Cas is charged with making it happen. I read this one before I decided to start keeping track of what I read in more detail, so it’s a little fuzzy by now, but I remember thinking this fic was absolutely hilarious.

pieces by museaway, M, 15k. This fic is basically just a series of scenes from Cas’ POV except Destiel is canon the entire time. I read this pretty early on in the year when I was still damaged from the finale and I think it fixed me.

Long(er) Fics

an emptying by museaway, M, 26k. After falling, Cas loses his memories but keeps having nightmares about Dean. Dean eventually finds him and Cas learns more about who he is. I’m being vague so I don’t spoil it, but this one is great and very underrated compared to some of this author’s other work.

Undone by domesticadventures, E, 27k. This is an endverse fic that diverges from canon during season 4 and follows endverse Cas’ POV through the events of 5x04. Also the reason I’m making this list in 2022 since I finished it on December 31. This is a heavy fic, so mind the tags! This author simply does not miss, so if you like this one you should also check out their episode codas!

the inexhaustible silence of houses by Askance, T, 31k, MCD. I remember this fic being one of the only ones that was regularly mentioned when I first joined tumblr in 2013. It has a lot of hits, but I feel like newer fans might not know about it since I haven’t really seen it around much since I created this sideblog last year. I never read it when I was on spnblr the first time, but I remembered the title for all these years, so it was one of the first ones I downloaded when I decided I wanted to start reading fic again. I was apprehensive about it because I was afraid of being disappointed after how popular I remember it being, but it drew me in right away. The writing was so atmospheric, and it was such a beautiful story despite the heavy content. Also probably one of the best closing lines I’ve ever read.

Dark Side of the Moon by imogenbynight, M, 37k. AU where Dean gets stranded on the moon after a mission goes wrong and Cas is on the team that rescues him. This is a really creative AU that I read pretty recently. Thinking about the amount of research that must have gone into this makes me appreciate it so much more than I did just from reading it. I especially loved all the side characters and how they contributed to the story.

Put up your Dukes by saltyfeathers, E, 38k. This one is pretty popular so I don’t think I need to say too much, but it’s an incredibly h*rny case fic that also has some really sweet moments and had me laughing out loud at multiple points.

Every Part of the Animal by Askance and komodobits, M, 47k, MCD. I genuinely think this is the best komodobits fic even though I love them all. This is a canon divergent horror fic based on The Descent, which is a movie I have never seen. For that reason, I can’t say how accurate it is compared to the film, but I thought the way it weaved spn canon into a pre-existing movie was really interesting and clever. Extremely underrated as far as komodobits goes, probably because of the MCD tag combined with all the other tags. This is the only work of horror I’ve ever read that’s had me feeling genuinely scared. My jaw actually dropped at one point and I was reading with my mouth open. This story just did not stop. I also felt like there was a point to all the horror, which isn’t always the case for me.

And This, Your Living Kiss by opal_bullets, M, 56k. I think everyone has read this at this point, but I’m listing it anyway because I’d be lying if I didn’t. THEE poet Dean fic. AUs can be really hit or miss for me, but this one definitely hits. It somehow manages to be one of the best Dean character studies I’ve ever read despite not being canonverse, and it also has some of my favorite scenes between Sam and Dean across all fics.

The Goldenrod Revisions by aethylas, M, 66k. The ultimate finale fix it. Another fic I’ve seen on my dash fairly often, and for good reason. I think this fic is going to become a staple even when I rewatch the show. I don’t think I’ll ever watch (the acceptable parts of) season 15 again without reading this immediately after.

i want to do with you (what spring does with cherry trees) by sobsicles, E, 74k. Sobsicles has a lot of great fics but this one is easily my favorite. I love anything that reworks canon over the long term, but the focus on Dean losing Cas over and over and how he copes with it in this one makes it hit on a different level.

Cinderwings by bendingsignpost, M, 181k. Another well-known fic but it deserves it! Cinderella AU but it’s so much more than that. Cas goes to a masquerade ball in disguise to complete a mission that will save his people. In addition to a great overarching story, there are so many small details that really make this one stand out, like how Cas perceives the cultural differences he encounters. If you’re going to read any long fic, it should be this one.

[katehuntington]

Title: Ride With Me (part 23) Fandom: Supernatural Timeline: 2008 Pairing: Dean x Reader Word count: ±5200 words Summary series: Y/N is a talented horse rider who is on her way to become a professional. In order to convince her father that she deserves the loan needed to start her own farm, she goes to Arizona for six months, to intern at a ranch owned by Bobby and Ellen Singer. Her future is set out, but then she meets a handsome horseman, who goes by the name of Dean Winchester. A heartwarming series about a cowboy who falls for the girl, letting go of the past and the importance of family. Summary part 23: The Flagstaff Horsefair has turned out to be a huge success, but before they go home, an unexpected visitor changes everything. Warnings series: NSFW, 18+ only! Fluff, angst, eventually smut. Swearing, smoking, alcohol intoxication, alcohol abuse. Mutual pining, heartbreak. Crying, nightmares, childhood trauma. Description of animal abuse, domestic violence, mentions of addiction. Financial problems, stress, mental breakdown. Description of blood and injury, hospital scenes, character death, grief. Music: Dean’s ride: Time Has No Mercy - The Common Linnets  Follow ‘Kate Huntington’s Ride With Me playlist’ on Spotify! Author’s note: Thank you @atc74​​​, and @winchest09​​​ for helping me. Also a special thanks to @jules-1999​​​, who has offered me her knowledge about rodeo events like these, and @squirrelnotsam​​​, who knows Arizona like the back of her hand.

Ride With Me Masterlist

     The final day of the Flagstaff Horsefair 2008 is well on its way, the sun beating down on the market stalls and food trucks. Spectators mix with riders and trainers, some having drinks on the terras, others shopping at the tack and clothing stores. Giggling kids are chasing each other on the grass, the younger ones riding stick horses. Dean smiles at the children when they cross in front of him as he walks up towards the picture stand, slowing his step for a moment in order not to collide with the squealing youthful bunch. 

     By a van with ‘Equestrian Photo’ on the side, he pauses, then moves under the awning. The saleswoman gives out a printed photo to waiting clients on the side, wishing them a good day before she directs her attention to Dean. She greets him with a kind smile which the cowboy returns. Linda knows he doesn’t need help finding the images taken during this event, it’s not the first time the horse trainer has visited the photo stand over the years. Quite a few of the photos hanging on the walls in the Singer’s home and the cafeteria were made by Linda’s boss, the photographer who regularly works horse shows in the region. Ellen usually buys at least one when either he or Jo got on the podium. Dean isn’t interested in purchasing a photo of one of his own rides, though.

     He looks up when the red-haired photographer stumbles into the van from the back entrance, one Nikon hanging from a sling, dangling on her hip, and another one on a monopod with a huge zoom lens attached to it resting against her shoulder. Her curls are wild and it’s clear she’s in a hurry, the next class about to start already.      “Hi, Dean,” she greets, recognizing the familiar horseman instantly.      “Hey.” He nods at her with a smile, his eyes flicking back to the screen. “How’s it going?”      “Good. Busy,” she returns, taking out the battery of the cameras skillfully and swapping them for fully charged ones. “But busy is good these days, ain’t it? You had a few good runs, didn’t ya?”      “Can’t complain,” he admits, grinning as he thinks about how successful this event has been so far.      “Your student gave quite the performance last night,” the photographer smirks, handing Linda the memory card and taking back empty Sandisks to replace them with. 

     Dean looks up at her over the screen, noticing the mischief in her eyes. The way she just emphasized the word ‘student’ tells him that she knows exactly what’s up. He raises his eyebrows and chuckles, flustered. Looks like just about everyone in the business is up to speed at this point.

     “Check out the ones at the bottom of the folder. You can thank me later,” the redhead advises, grabbing a chocolate bar and a bottle of water from the small fridge under the counter before she heads for the back door again. “Gotta run!”

     Somewhat confused, Dean watches her head off to the main arena, before he redirects his attention to the display in front of him again. Stills of last night’s highlights pass by, allowing him to relive the amazing moments. The shots of the actual run are great, although he can imagine that Y/N and Meadow aren’t the most difficult pair to shoot. The Quarter mare is very photogenic with her copper coat and broad white blaze. She’s elegant, much like her rider, who has a fantastic seat, which shows, even on a still image. 

     Curious what the capturer of these images means, the cowboy goes down further, reaching a series of photos that show the seconds right after Y/N finished her freestyle, her arms wrapped around her horse’s neck, hugging her tight. He makes a mental note to pick that one. 

     There are more of her coming towards the entrance, waving at the crowd, but it’s the next couple of shots that has his jaw fall slack. The photographer must have sprinted to the other side of the tunnel before the horse and rider left the ring, because she managed to document the exact moment when he and his girlfriend embraced, Y/N still in the saddle, his arm around her, the emotional release evident. Jo is holding on to Meadow’s reins on the other side, smiling as she watches her friend and her cousin.

     The next photo shows just the two of them, standing in the gateway facing the arena while waiting for the score, followed by a shot of him lifting her off the ground when the realization of the new PR settled in. The final picture has to be his favorite. It’s one of the kiss they shared. The composition of the portrait is astonishing, the spotlights on the showground illuminating the figures in the center, silhouettes against the vibrant arena. His heart grows, a smile tugging at the corners of his mouth. He never thought he would be able to experience what he felt at that moment again, the great magnitude of pride, joy, and love. But this photo brings it all back, and he has to have it.

     Still smiling at the warm feeling that has settled in his entire body, Dean scribbles down the file numbers on the order form and hands it to the blonde saleswoman, together with a fifty-dollar-bill. The wrangler bought six in total, one to frame and decorate the wall in the cafeteria, four for his girlfriend. The chosen photos are shots of horse and rider in a sliding stop, of the second right after finishing the test when Y/N threw her arms around Meadow’s neck, and of the precious embrace between him and his girl. He got a double print of the kiss they shared, one for her, one for him. 

     It’s a picture that he will cherish, come whatever. A picture he wants to be able to look at when he needs to, to remind himself of what he has got going for him. He knows challenging times are coming, with the ranch, with their relationship. Dean is well aware he’s approaching that inevitable turning point when he has to open up further than the lost boy with a dark past is comfortable with. But this photo, a moment forever frozen in time, will be the beacon he needs to find his way home. 

     Dean takes the envelope with the printed pictures from Linda and heads towards the ring. Jo is due to enter the arena in ten minutes and he wouldn’t want to miss it, for one, because she is going to bust his ass if he’s not there. It sometimes baffles him how his little cousin acts like she can’t stand being around him and yet searches for his approval so often. 

     He takes out the photo he wants to save for himself together with the one he will add to the cafeteria’s Wall of Fame, and slips them in the inner pocket of his denim jacket before he reaches the foot of the bleachers. With big strides, he conquers the steps, looking left and right in search of his friends once he has made it to the top. He spots Benny and Y/N on one of the higher rows when the farrier lifts his hat off his head and whistles. This barrel race is one of the highlights of the event and the arena is almost filled to full capacity, only a few seats left. Thankfully, his girlfriend saved him a spot.

     His smile grows wider when he sees the cowgirl, and deep inside he’s excited to give her the present he just purchased. He can’t wait to witness her reaction.      “I got you somethin’,” Dean announces.      Intrigued, Y/N pulls her focus away from the competitor currently in the ring and looks at her boyfriend, awaiting. He offers her the envelope, placing his now empty hands on his knees, somewhat nervously.      “What’s this?” she wonders, her curiosity peaked.      “Open it,” the cowboy urges.      She does, carefully folding back the seal flap and taking out the prints. When she turns them over, she lets out a stunned gasp, much to her boyfriend’s delight.      “These are amazing!” she says, elated, going through the pictures of her and Meadow slowly.

     The last two photos silence her, however, much like they did Dean when he first saw them on the screen. Moved, she takes in the portraits of the strong bond between her and the man that’s sitting next to her. After a few long seconds, she glances aside, meeting his warm eyes.  This cowboy with a John Wayne reputation - as Jo so poetically put it - sure has his ways. He might not be very vocal when it comes to his feelings, but that’s alright, because he is able to communicate through different languages. A kiss, a dance, his trust, his support. And now these photos. It’s proof of his adoration for her, and it’s more valid than a signature.

     She closes the small gap between them, moving under his hat, and grazes her soft lips over his. Ignoring his Southern friend, who lets out a low chuckle when he notices the lovebirds next to him, the head wrangler closes his eyes and kisses her back. His hand travels into her hair and holds her, making sure she doesn’t go anywhere. He can feel every connection; her featherlight fingertips on his stubble, her cute nose against his, her lashes dusting the freckles from his cheeks. Dean doesn’t need words, but neither does she. 

     When he slowly pulls away from her, he looks at her lovingly, forgetting time for a moment. It’s only when the commentator announces Jo’s name over the speakers, that they return their attention to the arena. The gate opens and his cousin and her horse Bullet shoot towards the first barrel, the animal doing his name justice. The three wranglers of the Gold Canyon ranch get on their feet, cheering on the blonde cowgirl, who goes through the course in record time. When she clocks a new PR, Y/N bounces on her feet, hugging Dean tight and letting out that laugh that he loves so much. 

     They don’t notice Benny’s gaze wandering off to the car park behind the bleaches. He has spotted a beige pickup pulling in. Like a hawk, the farrier follows the GMC truck.      “We’re going over to Jo to celebrate. Are you coming?” The enthusiastic intern calls for Benny’s attention, and he turns his head to face his best pal’s girlfriend.      “In a minute, darlin’,” he says, giving her a smile. “Gonna watch a few more runs.”      “Alright, see you in a bit, brother,” Dean chuckles happily, before his girlfriend drags him towards the exit by his hand. 

     The Southerner watches them leave, then redirects his attention to the beat-up car on the field. A man gets out, his face shielded by a black cowboy hat. His posture seems familiar, he’s not even sure why. Benny narrows his eyes, but the figure is too far away to recognize. Then the frown evens out, his jaw falling slack. Suddenly, it clicks.       “No fuckin’ way in hell…” he mumbles to himself.

     But there ain’t no way, right? He can’t be here. Before Benny can decide otherwise, he bolts towards the steps to get down from the bleachers, hoping to not lose sight of the guy. He better make sure who just set foot on the showgrounds is exactly who he suspects he is, before he breaks the news to his best friend.

     Dean swings the heavy saddle onto Aerosmith’s back, his last horse to compete at this tournament. After this run, all that’s left for him to do is coach Y/N and Joplin for their competition debut, and then they can all pack their gear and go home. Despite that he enjoys horse shows like these, he’s looking forward to his own room, his own bed. He’s looking forward to pulling up the driveway that leads to the place that is his home.

     It has been a successful couple of days. With five horses sold and Joplin likely to add to that number, the Flagstaff Horsefair has proven to be very fruitful. Bobby made good money, and the ranch owner will be able to pay his crew, plus pay off some bills. Then there’s the business deal they landed with Fergus MacLeod. The cowboy might not like the Englishman in the slightest, but if they decide to take on Cain’s training, it will provide a much needed steady income. Dean isn’t delusional; he knows the ranch isn't out of the woods just yet, but it’s a start.

     Humming and relaxed like he always is before competing, he tightens the cinch of the chestnut Quarter, petting him on the shoulder before he takes him out of the stable.      “Good luck, cowboy.”      The man who the words are meant for smiles, peeking into the stable next to him and noticing Y/N through the steel bars. She’s preparing Joplin, brushing her tail. Their starting time is only forty-five minutes after Dean’s, since both are competing in the same class. Sadly, she will not be able to see him ride.      The mare next to his girlfriend pins her ears back and gives Aero a dirty look when the gelding comes too close for her liking. Both snigger at Joplin’s bitchy behavior.

     “You’ll make it back in time to help me warm up, right?” she checks. “I’m kinda nervous, this being my first cutting competition and all.”      “Yeah, of course,” he promises, shooting her a wink. “I’ll be there.” 

     Dean takes his horse outside, the Arizona sun welcoming him with bright light. A force of habit has him check his spurs and the tack before he positions himself on the left side of his horse in order to mount.

     “Chief?”      Looking over his shoulder, he sees Benny approaching. His strides are hasty, his jaw tensed. He checks if anyone is around before he halts and faces the head wrangler, who can read from the body language alone that something is off.      “What is it?” he asks, his brows knitted together.      The Southerner’s piercing blue eyes meet his gaze before he continues whispering. “I hate to do this now right before your run, brother, but--”      “But what?” Dean urges when the farrier hesitates.

     Benny draws in a deep breath and rubs his beard, needing a second to collect himself. He knows that what he is about to tell his best friend will have him shake on his foundations, but he needs to be prepared. He deserves to know who he might run into. The broad-shouldered ranch hand sighs, then delivers the unsettling message.      “Your father is here.”

     As if he just got struck by lightning, Dean stares at Benny, his eyes wide and mouth agape. The announcement rings in his ears, sounding more surreal every time the four words bounce off the walls inside his head. Reality hits him like a raging bull, however. His father is here. His father is here.

     The head wrangler drops his gaze, his eyes flicking over little rocks and lumps of dirt by his feet. Speechless, he takes his hat off and wipes his forehead with his sleeve, realizing he’s sweating. His heart is hammering in his chest, so forceful that it hurts. Panic starts to win terrain, but he pushes it down and nods rigidly, acknowledging Benny’s words.

     “Okay,” he returns after a few long seconds. “Thanks for telling me.”      “If there’s anythin’--” Benny offers, but is interrupted by the man in front of him, who shoves his left foot into the stirrup and swiftly gets on his horse.      “I’m good,” he assures, doing his best to come across as calm and collected. 

     Benny dips his chin, half accepting Dean’s choice to put this on hold for now. The rider has one last horse to compete, so the Southerner understands why he’s trying to keep his head in the game. He wishes he didn’t have to drop this bomb now, but there’s a chance his friend might run into John on these showgrounds. Benny might not know the entire story of what happened all those years ago, but he knows enough to recognize the impact the presence of Dean’s biological father will have. He watches quietly how the horseman pushes his legs into Aerosmith’s flanks and steers the horse towards the warmup arena without another word. 

     Suddenly nervous, Dean is highly aware of all the people who cross his path. He briefly studies them, even though recognizing the man who has been absent for over half of his life scares the hell out of him. Why the fuck is he here? 

     Dean isn’t just afraid of running into his old man; he’s angry. Angry about all the wrong choices that were made, angry about those memories rushing back to him. He stored them in a box and nailed the latch shut. He buried them, dug a hole deep enough to fit all those dark thoughts. He covered the surface with a thick layer of concrete, convinced that all those measures would be enough to lock away what he hoped to never feel again. Hopelessness, frustration, torment, aggression, guilt. But those emotions are now working their way through the cracks, like a weed that just won’t die, working up to the surface and showing its ugly head again. 

     But what has him exasperated the most, is the timing. Why now? His father hasn’t given a damn for fifteen years, fifteen fucking years, and now that Dean is finally getting to the point of allowing himself to be happy, he decides to show up? His fist clenches on the horn of the saddle, his nails digging into his palm. This isn’t fair!

     His insides churn and twist even more when his mind snaps to Y/N. A sudden and heavy uneasiness settles in his chest, almost suffocating him. Shit, what if she runs into him? What if she learns the truth? Dean breathes out a shuddering breath, closing his eyes for a second while tipping his hat down. The panic that has his fingers shaky while he guides his horse into the warmup ring only grows with that thought. No no no, he thinks to himself. He can’t have his father ruin what is supposed to be his love story. He can’t lose this, he can’t lose her.

     Preparing for his final ride goes anything but smoothly. The rider is so lost in thought that he accidentally cuts off another competitor and has to hit the brakes, apologizing to the cowgirl for the misstep. It’s a wake-up call, though; he really needs to focus and get his head straight. Aerosmith is one of the horses he and Bobby decided to hold on to a little longer, hoping the economy will be on its way to recovery somewhere next year so that they can make a better profit. Dean brought the younger stallion along to gain experience in the ring, yet he wants this ride to be solid, knowing a potential buyer could be watching.

     But when he enters the arena, he can’t help but scan the crowd, suddenly aware that one of those pair of eyes is his father. He thinks of Y/N and how nervous she was last night, and suddenly it makes so much more sense what experiencing that kind of anxiety is like. The rider doesn’t even hear the announcement of his name over the amplifiers, he doesn’t hear Jo and Bobby shouting words of encouragement at him from the sideline. What he does hear is his rapidly beating heart, like a thundering echo of an oncoming storm. 

     He glances over his horse’s ears at the cattle in front of them. C’mon, Dean, this isn’t difficult. Separate a cow and let Aero do the work. Two and a half minutes and he will be out of the limelight. Who knows, maybe if they pack fast after Y/N’s ride, he won’t even run into his father. 

     The two herdholders that are in the ring to assist all contestants keep the group of young steers together. Unsettled, Dean swallows thickly and licks his dry lips, his eyes on the clock. When it starts ticking, he moves his hands forward and pushes Aerosmith towards the herd. The game is simple. In two and a half minutes, he has to separate two different heifers from the group and keep the selected cow in the middle of the arena, he and his Quarter the only boundary between the animal and his flock. He and Aero will be judged on degree of difficulty, confidence, and agility, but right now, all Dean is thinking about is surviving.

     Deciding to not make it too complicated for his horse and himself, the horseman doesn’t pick a heifer too far into the herd on the first cut. Without disrupting the gathered bunch, the chestnut calmly makes his way through until Dean has decided on a cow, which he then carefully begins to push to the edge. When he has driven the brindle heifer out, Dean drops the reins and allows his Quarter to take the lead. Aerosmith locks on the lonely animal and crouches, skillfully keeping it in the center of the arena.

     The crowd cheers, because the talented Quarter shows to be quick on his feet, darting from left and right and accelerating fast when his target tries to get around him. The cowboy keeps his balance, allowing his horse to move under him freely. After a few attempts to get past them, the cow yields and the rider signals Aero to back down. He blows out a breath. One down, one more to go.

     The second cut goes according to plan as well. This time he does pick a heifer in the middle of the herd. The Quarterhorse tries not to disturb the rest of the cattle as he separates the one, but splitting the animals is not as clean as the first time. Once the cow is driven to the middle of the ring again, Aerosmith is back in his element and shows off his moves. Dean only has to sit back and let his partner under the saddle do the work, which he’s grateful for, because he feels like he wouldn’t be able to guide his horse in a simple circle if he had to. 

     The buzzer sounds; his two and a half minutes are up. Relieved, Dean exhales; at least he didn’t completely screw up their run. The young gelding really pulled through despite a nervous wreck of a rider on top of him, which just shows what a fantastic horse he is.      “Thanks, bud,” Dean says softly, petting the chestnut on the shoulder.

     The applause barely registers and it’s only when his eyes roam over the audience, that he notices the numbers on the board. 72.5 points; not bad. Normally, he would have been elated with a score like that, but now he just wants to get out of the ring as fast as possible, away from possible prying eyes. He feels like he’s being watched, well aware that his father is quite possibly amongst the people in the crowd. Call him a coward, but he needs to get out of here.

     “Solid ride, Dean,” Bobby compliments when the rider comes through the gate, walking with him. When his nephew fails to respond, he looks up, narrowing eyes taking him in from under his baseball cap. “You okay, son?”

     The troubled rider snaps his head at his uncle. Son. Bobby calls him that all the time and has done so ever since he took the lost boy under his wing all those years ago. Dean has grown accustomed to the title, even found comfort in it, glad to hear that word coming from his surrogate dad. But now the term confuses him. Suddenly, the man who has failed to step up to take care of his children and yet is his only living parent is here, and it is messing with his head in more ways than one.      “Yeah, I’m fine,” he says, quickly averting his gaze and walking on.

     Bobby lets him go, but Dean can sense the ranch owner watching him carefully. Unable to stop himself from scanning the people around the warm-up area, he briefly acknowledges the congratulations wishes from a few of his opponents with a nod and a ‘thanks’. Normally he’s up for a chat after a good run, but not now. He feels like he’s about to lose his mind, and he wants to be alone when it happens. He needs space, he needs air. 

     After a few minutes of hacking, Dean reaches the stables, grateful to find them mostly empty. With the last competition currently taking place in the arena, a lot of competitors already packed their trucks and trailers and left throughout the morning and afternoon. At the other end of the tent two people are tacking up, but they are far out of earshot. 

     In front of Aerosmith’s stable, the rider dismounts and leads the Quarter into his box, making quick work of removing the tack and rinsing the chestnut down. With the saddle on his hip and the bridle in hand, he steps into the storage room.      “How did it go?”

     Dean startles and almost drops the heavy load he was carrying, spinning around to find Y/N in the doorway. Somehow, it completely slipped his mind that she would still be here. The cowgirl is wearing her show outfit again, but traded her black blouse for a denim one this time. Long chaps hang down from her waist, strapped around her legs, her brass spurs barely showing. Her boots are shining and her hair is braided, her lucky hat only just allowing him to behold the playfulness in her eyes. She looks absolutely perfect.

     Clueless and carefree, she waits for an answer, but her happy expression falls slightly when she notices his reaction. “Sorry, didn’t mean to scare you,” she chuckles, somewhat self-conscious. “What has you on your toes?”      The cowboy blinks at her a few times before he kicks into gear again, storing away the saddle in one of the tack boxes. “Nothin’. Yeah, it uh - it went alright. 72.5 points,” he says, smiling at her faintly, quick to dodge her unraveling gaze.

     Silence follows and he knows that she’s studying him, but Dean can’t even look at her, not sure how to deal with the worry that he knows is evident on her beautiful face. The second he gets lost in the vision of his girl, he will fall apart, and that’s something the unsettled wrangler can’t allow to happen. He can’t let her see it, she can’t know. So instead, he moves past her through the doorway to fill a feeding net with hay, desperately searching for a way to keep himself busy as he tries to get a hold of himself.

     “Dean? Hey…”      Her voice sounds so warm and kind, that he can’t ignore her any longer. When he has strung up the net, he turns to his girlfriend, wiping his sweaty hands on his jeans. Concerned eyes take him in when he looks up.      “You’re shaking,” she notices, gently wrapping her delicate fingers around his forearms. “What’s going on? Did something happen?”

     Before she finishes her sentence completely, he’s already shaking his head. It’s more denial than an actual answer, refusing to give in to all the contradicting feelings that are pulling the rug from under his boots. She knows him well enough to see that he’s a total mess right now. His mask is faltering and he’s breaking character, unable to deliver the standard ‘I’m fine’. Can he tell her about the disturbing message Benny delivered earlier? She will have more questions, questions he is nowhere near ready to answer. But then again, he can’t lie to her either, not anymore. 

     Dean takes a deep breath in order to collect himself and looks at her as heavy footfalls draw his attention. Expecting Benny, he glances over his shoulder, ready to request if his friend can grant them some privacy, when he catches a glimpse of the person standing in the alley between the stables. Every muscle in his body tenses, an invisible fist squeezing his throat shut. His heart - which has been beating unhealthily fast since the alarming news was delivered to him about an hour ago - now seems to come to a full stop for a few solid seconds. 

     They might be in Arizona, but Dean just froze to the ground, unable to move or speak. All he can do is stare at the man that is his own spitting image, only three decades older. The familiar stranger is wearing a smile on his lips, emotion swimming in weary eyes. After fifteen years of silence, John Winchester stands before his oldest child, a broken voice delivering the words Dean never wished to hear again, and yet missed so dearly.

     “Hello, son.” 

Well, shit... Enough with the fluff. Angst is here!

Also, did you spot my little Stan Lee moment? Does a certain red-haired photographer seem familiar? Yep, that’s me!

Thank you for reading. I appreciate every single one of you, but if you do want to give me some extra love, you are free to like or reblog my work, shoot me a message or buy me coffee (Link to Kofi in bio at the top of the page).

Read part twenty-four here

[elizabethrobertajones]

Did Bobo really create the Wayward Sisters? If so, why weren't Jack and especially Cas included in that episode? That's my biggest issue with that pilot honestly, I mean, the fact that the show abandoned Claire and Cas' bond after season 10 and gave that storyline to Salmondean. Her bond with Cas is more interesting because of their connection to the Novaks. I also think that Claire and Jack would've made a more engaging dynamic and spin off together, I think they're strong characters & actors

Hi there!

Bobo isn’t the “creator” of Wayward so much as it can even have one, as it was a very organic idea, which even involved a healthy amount of fandom input. The original campaign in season 10 was for Wayward Daughters, and the idea picked up so much steam the altered title for, I guess, a mix of copyright and thematic relevance was the Sisters one. I’d say 10x08 was the real genesis of it as something that could be really solid. Once Kim and Briana were put together the chemistry and star power they could have had together was really meteoric as far as our small SPN world was concerned. Phil Sgriccia directed 9x13 and wrote 10x08 and was more of the parent of Wayward than any specific writer in that sense. Jody and Claire were pretty much common property of the show by that point. Claire was really introduced again in relation to plotlines and questions about Cas and less to do with them really going out of their way to re-launch her. I think they’d have been much cornier about it from the start and while YA protagonist diary writing her way through the end of Wayward Sisters was cute, it’s the sort of cutesy that really has to be earned. If she STARTED that way, like maybe me and 3 friends would be stanning her and everyone else would be revolted :P

(I am a YA fantasy novel author, but I do think everyone should make room in their hearts for this level of cheese)

In any case, Bobo just threw his hat into an already crowded ring with Alex, but obviously loving the characters and having his own personal wayward child to contribute did help elevate him to the prospective showrunner seat, but also all the other writers who’d written these characters except Dabb had left at that point. If Bobo was going to shepherd them through to their new show, he’d be the legacy writer, even though he was a new baby writer in the season Donna was introduced... Attrition aside, he did genuinely write them very well, loved their stories and was great with writing Jody when he could get her, so he would also have been a good choice even if all the others were left still... 

But anyway. Season 10′s subplot for Cas was about Claire and learning some stuff about himself along the way, but she was used very much for his personal development and for Dean as well, being a mini Dean herself in a season where he had lost a lot of his sense of self. It’s a total accident of scheduling but Angel Heart (10x20) being the last episode before 10x22 is a nice touch in that regard. And while Cas tried really hard with Claire and awoke his inner Dad side so that he’d be more prepared for fatherhood next time, it was pretty insurmountable between them to have anything more than a bittersweet relationship where the best he could do was make up with her and see her somewhere safe. The fact of him looking like her actual dead father is horrendous the more you think about it and while she managed to see him for who he was instead of a horrible monster, that’s more than enough trauma to inflict on an already traumatised girl for the sake of helping Cas’s manpain and tidying up the sticky question of Jimmy and Cas’s right to the vessel. 

Angel Heart very specifically ends with TFW mailing Claire to Jody because they know she’s already good with Alex in a genuine way and can handle these sort of issues and has done it before. And also because she can be a guardian who will not constantly remind Claire that her father is dead but something is walking around wearing a perfect reconstruction of his face. Carver era did a few things here and there with bodily autonomy and the problem of angel and demon vessels, but it was also really hit and miss. They’d get random waves of feeling guilty about it but then by necessity go back to stabbing angels in their still-living vessels an episode later. Claire was a way to address at the very least that whatever Cas was being put through was only a punishment on Cas and not on Jimmy as well, which is probably why we got such sappy Heaven scenes. We NEEDED to be shown he was in Heaven and largely okay with what was going on so that the show could justify using Cas at all as a character without breaking the code of ethics they tried to make their own characters adhere to. Aside from that it also gave Cas a side plot for when he wasn’t needed in the main plot, and any emotional connection to anything that wasn’t Sam and Dean.

Anyway 10x20 caused this huge fandom high which was followed by one of the lowest lows of the fandom immediately after, and both centred on female characters (in fact, now we know, 2 lesbians even! Though I’d wonder if, The Gay Agenda aside, Bobo spite-wrote that specifically because of the roots of Wayward) and I think that galvanised the whole movement of fans and hopefully some self-reflection in the show. They DID start making an effort in season 11, which shows some of the early signs of better inclusion but also backtracking or edging nervously away from the more intense Carver era stuff. Not just because Dean didn’t have the Mark any more but in general it was like someone had opened a window and let in some fresh air... Even before Carver bailed somewhere around the midseason to go do a different show and Dabb started to step up. 

All this to say that the Wayward stuff was always about the female characters and making up for the past sins of the show. It’s even a riff on the “wayward son” line which obviously centres around male protagonists and their journey. Claire stumbled into being a part of it in the lucky way of being in the right place and time, but the journey had already started even in the season 10 momentum with earlier work and it was that which suddenly made the prospect that Jody had two young women living with her now seem like a starter for the next generation of the show as it was a mirrored format to season 1 in a way, if you took Alex and Claire as the new Sam and Dean. It was exciting but people flipped out after Angel Heart because stuff had been bubbling since season 9 and earlier in season 10, so this was just pouring more candy into an already visibly full bowl of potential tasty gems. It made a possibility seem real that hadn’t before because we already had Kim bitterly complaining that the CW refused to hear the case for a Jody spin off because she was too old. The next best thing was a Jody spin off where she was the Gandalf to some CW age appropriate characters.

(the CW is and always has been garbage)

Anyway in season 13 Jack was introduced as a Claire 2.0 but as a male character with staying power for that reason, but he was filling the space she left for Cas. He couldn’t be a father to her and neither really wanted that set up anyway. But thematically it had created the possibility of Dadstiel and the space he had in his heart for that. Since the show was in its waning years they would be looking for endgame and handing Cas an easy win with a son he could unconditionally love who would love him back unconditionally absolutely filled that gap. It was a non SamnDean thing that Cas could have for himself outside of whatever happened with them. Not sure the memo came back that he was supposed to have mORE than that but oh well it’s not real if you don’t watch it :))) But yeah Jack was always going to be linked to Cas’s endgame, he wasn’t a free-floating character such as Jody who could go where she wanted and do as she pleased. He was main story relevant from start to finish and tied inexorably to another main character’s fate. Because the show wouldn’t do that with its female characters they could be bundled into spin offs but in practical terms Jack was both never what the Wayward as envisioned by fans or writers was about, nor would he have been free to go. 

Since it would have been about centering the stories of people overlooked by the main story, Claire a case in point that she had her life ruined in season 4 and it was a footnote until season ten, and then metaphorically more the concept of having queer and non-white characters in the mix of main characters, it would have represented a future of the story where the main show was unable to tread. Probably because of the CW. Also inherent biases in the writers. Bad cocktail. Jack is both too white and too male to fit the brief to ever leave SPN, and not only that but he is so as a precise mirror to the main white male characters, being passably any one of their sons if you squint, and meant to be instantly instinctively read as such... he was one of the safest bets of representing the show as the network wanted to imagine its target demographic.

So I really don’t think that Jack has any place being in a spin off of the show unless you want more of the same. They tried to give us something different and the CW didn’t like it because it wasn’t more of the same. Ironically a Jack spin off, with or without Claire, would have more chance of being greenlit and more chance of success. But the spin off they put their heart behind was Wayward Sisters as it was. And I think it was absolutely correct that never mind leaving Jack out of it after his work was done in the lead up episode to help set the table, but honestly they could have cut all the middle scenes of Sam and Dean wandering in the woods and gained precious seconds with the girls and still had a functioning story with those guys. It was like some cowardly missive was sent that the show couldn’t actually go more than 10 minutes without showing a flesh and blood Winchester or the whole thing would spontaneously sizzle out of syndication and the money tree would wither on the spot. And in the mean time, we could have been having Banter with the girls. Or Claire and Kaia holding hands some more. The good stuff :P 

[shirtlesssammy]

15x18: Despair

Then:

The entire fandom preparing for this episode

Now:

We literally start off right where we left off last week. Jack is a ticking time bomb. Sam hauls his nephew/son into the war room. Team Free Will freak out and try to come up with a plan. Jack wants to get far away from them. “Don’t let me hurt you.” AGGHH. We’re fine. It’s only 2 minutes into the episode, WE’RE FINE. Dean insists that they’re not giving up on him, and we love a good 180. 

Billie pops up and tells them all that she can’t stop what’s happening to Jack, but she can help. 

She sends him to the Empty where he promptly explodes. 

Billie explains to the trio that the Empty was the only place/entity that could absorb that kind of power. Jack could survive --and the Empty could survive, but it won’t be happy. Billie points out that the Empty will want her, but can’t get to Earth without being summoned (coolcoolcoolcoolcoolcoolcoolcool). 

Billie wants God’s book back from Sam. Sam Fucking Winchester confronts Billie about her end game plans of restoring order --and sending all of them back to their death. Billie tells Sam that if they want Jack back, he’ll give her the book. 

JACK’S ALIVE!

Petty, petty, sullen Sam brings Billie the book, but throws it on the table instead of handing it to her, and we love him and his insolent little heart. 

She grabs the book and starts to open it. Cas wonders what she’s doing. 

She tells them that God’s book has a new ending. Dean’s done and wants Jack back. 

Meanwhile, the Empty recorpealizes and is D O N E. She drags Jack to her and just as she’s about to HURT HIM, he disappears. 

He’s home, but Billie claims him. Dean doesn’t like that idea so he grabs Death’s scythe before she can ditch the bunker with the kid. He slices her arm and she sends him flying. Billie disappears without the book, her scythe, or Jack. 

Later, the Brothers Winchester take a moment in the library. Dean apologizes for pulling a gun on Sam. 

(Listen, if we’re going full Bicon clown with Dean these next couple of weeks, this shot reminds me SO MUCH of the shot of James Dean from Giant.)

He also breaks down that Chuck is probably now all powerful, they’re on Billie’s hit list, Jack’s powerless, and Michael’s in the wind. They toast to their impossible odds. 

*Charlie and her cute GF Alert*

Stevie, the cutie from episode 3 is making perfect scrambled eggs for Charlie, and I’m dying inside. Charlie suggests a hunter’s date, and they smile and ARE CUTE, and I’m dying inside. The eggs are perfect, but this story isn't. Stevie just poofs away before Charlie’s eyes. 

Cut to Dean and Sam checking out Charlie’s place to piece together what happened. Charlie tells the brothers that she didn’t see or feel anything before Stevie disappeared. 

Outside, Cas waits with Jack. Cas asks how Jack is doing. 

Jack feels “strange”. He doesn’t know how to feel now that he’s not needed for the big plan. Cas assures him that he wasn’t there to get absolution from the Winchesters. “We don’t care about you because you’re useful or you fit into some grand design. We care about you because you’re you.” BRB CRYING. 

Jack is crying, I’m crying, and the world is crumbling. Jack is scared, and Cas, gripping his son’s shoulder, tells him that he’s scared too. 

Inside, the brothers tell Charlie that they think that Billie’s killing people that shouldn’t be on Earth. Charlie gets upset and admits that she promised herself that she wouldn’t do “the love thing” again. Sam gets a call from Bobby. More people are disappearing. Dean points out that no one is safe. 

Sam instantly thinks of Eileen AND WE HAVE EMOTIONS. They take off to find Eileen. 

Sam texts Eileen as they drive, but doesn’t tell her what’s up. Sam watches the dots...until they disappear. Hahahahahahah, NOPE.

They get to Eileen’s place and find her purse and phone on the sidewalk. 

She’s gone. “If I let myself go there, I’ll lose my mind.” AND WE’RE RIGHT THERE WITH YOU SAMMY. 

Sam activates action mode. He tells the others that they need to protect the other hunters from Alt World. Dean tells Sam that he should do this, but he’s going to make Billie pay. “I’ll go with you, Dean,” Cas volunteers. OF COURSE. 

We jump to a close up on Donna and her fabulous D-TRAIN license plate. Readers, I love her. She talks to Sam over the phone. She’s found a silo they can ward up and hide out in while Dean and Cas try to take out Billie. When Sam hangs up, he notices that Jack’s looking unrooted and gives him a job to do. Jack “has to drive” so that Sam can do work. Jack scooches over to the driver’s seat, ready to do something at last. Readers, I love Sam.

Dean and Cas arrive at the bunker and make plans to barge into Billie’s library. Dean plans to trash the place like a particularly unruly raccoon who breaks into a kitchen, until Billie arrives to stop them. He grabs Death’s scythe and they’re off. 

When Sam and Jack arrive at the silo, Donna tells Sam that she’s there for him - whatever he needs. 

The hunter network is on high alert, and Bobby’s got his AU crew holed away in the silo already.  Charlie pulls up, transformed from her sunset bright t-shirt into apocalypse world Charlie again.

Sam joins the crew in the warehouse and reconnects with Bobby, who immediately informs him that Sam’s the boss of the operation. When Bobby told the hunters that Sam wanted them to head to the silo, “they came running, no hesitation.” ….Excuse me, I have something in my eye. They’ve warded the whole silo with every warding they can throw at it, and Sam’s using one of Rowena’s spells (EXCUSE ME, I HAVE SOMETHING IN MY EYE) to bolster the strength of the sigils. 

Jack and Donna are painting sigils together, when Jack notices a plant. She recommends pulling it to protect the warding, but when Jack extends his hand it withers and dies.

Dean and Cas creep into the library, where Billie stands waiting for them. Dean tells her that they’re after her because she’s been killing off his friends. Her only reply is, “Interesting.”

Dean jabs Billie in her wounded shoulder, and the pain is high enough that Dean can get the upper hand. She holds the scythe at bay with just her hand, and Dean orders her to call off the hits. Billie laughs right in his face. She’s not killing anyone! Dean’s little papercut to her shoulder is enough to kill her, so her only plan at this point is to kill herself a Winchester and go out in a blaze of vengeance. 

Sam powers up the warding in the silo, ready to defend against Billie. Meanwhile, Billie thinks Chuck’s the likely one who’s been disappearing people. Quickly enough, a little girl is the first to disappear. As her family breaks down into full freak-out mode, all the hunters hiding out in the silo flash away. ALL OF THEM.

Hey, if I have to suffer, you have to suffer.

Sam, Jack, and Donna can only watch this with horror and then Donna looks down at her hands. She smokes out too. NOOOOOOOOOO!

Billie power-smacks Dean across the room. It’s vengeance time! As much as I don’t want Those Two Idiots™ to die, it is lovely to see Billie storm around in battle-Death mode. 

Dean and Cas race into the bunker without a plan, Billie in pursuit. It’s only moments before Dean is buckling. As he collapses, we reveal Billie on the balcony. I do love how this is framed!

She’s clutching Dean’s heart in her grip and pursues them through the bunker. “I’ve got you,” Cas tells Dean as he supports him. HELP, I’ve been murdered by emotion!

Cas directs them to the dungeon, grabs Dean’s pocket knife from his back pocket (I’m FINE, btw), and slices his hand. Quickly, he wards the door with a sigil, and Dean recovers instantly.

That is, he recovers physically. Emotionally, he is in ROUGH SHAPE. While Billie pounds away at the sigil, Dean realizes that they’re trapped. He blames himself - he was angry and needed something to kill and that’s ALL HE KNOWS HOW TO DO. f r o w n y f a c e

Dean’s in a pretty bad headspace. He thinks Billie’s going to break in and kill Cas, then himself, and then EVERYBODY ELSE. He apologizes, while Cas puts his strategic commander-of-garrisons brain to work. There is ONE thing that Billie’s afraid of. 

Readers, it was at this point that Boris and I were shouting our usual gleeful shit at the TV. Things like, “Lay one on him, Cas, and the Empty can come!” And then CAS SAYS, “I made a deal.”

“Kiss ‘im,” I murmur while wondering WHAAAAAAT IS HAPPENING when Cas brings up the “moment of true happiness” requirement. At this point, I’m thinking they’re in the dungeon and it’s full of spellwork supplies probably. So, like, I guess they’ll light some quick candles and summon the Empty? 

We fall silent as Cas starts talking about FEELINGS. “The one thing I want, it’s something I know I can’t have.” He says this RIGHT TO DEAN’S FACE. RIGHT IN OUR FACES. “Happiness isn’t in the having. It’s in just being. It’s in just saying it.” 

We stop breathing.

And then Cas murders us forever when he shifts to talking about Dean. He knows Dean sees himself as a killer, a “blunt instrument.” But Cas sees him differently, and his way is true: Dean cares more than anyone Cas has ever met. He’s powered by love and not anger. “You’re the most caring man on Earth. You are the most selfless, loving human being I will ever know. Ever since we met. Ever since I pulled you outta Hell, knowing you has changed me. Because you cared, I cared. I cared about you. I cared about Sam. I cared about Jack. I cared about the whole world because of you. You changed me, Dean.”

Cas is crying and we are murdered dead in our beds by this show. 

Dean thinks it sounds like goodbye. “That’s because it is,” Cas tells him. And then he follows up with one last thing. “I love you.” 

And...it’s there. The love we’ve seen in his eyes for eleven seasons is there, out loud, and centered on Dean. We joke a lot at ShirtlessSammy about the need to just KISS ALREADY but this flayed us in the way a kiss could never do. It heightens everything. Castiel’s care for Dean, his loyalty and friendship now have a new layer - that of textual, unrequited love. We’ve obviously been personally clinging to the destiel train car for quite some time, but laying out Castiel’s feelings and saying it’s enough for him to acknowledge them out loud is SO POWERFUL. As a love story, it’s tragic beauty. As a personal coming out story, it’s just BEAUTY. 

For HARD TO PROCESS Science:

With this dropped between them, Dean can read the writing on the wall. “Don’t do this, Cas,” he begs. Immediately, gooey sounds begin to squish out from the brick wall behind Dean. 

The empty swirls in, and Billie breaks through the door at last. Cas grasps Dean by the shoulder. “Goodbye, Dean,” he says, hurling him away from the twin threats. 

In an instant, the Empty advances, swallowing Cas and Billie and retreating back into the wall without so much as a howdy. (Please join me for a displeased hiss at Billie’s apparent demise.)

Sam and Jack emerge from the silo, shocked. Sam tries calling Dean, while Jack looks around. Jack wonders if it was just the people in the silo who disappeared. 

The camera POV pans out to abandoned playground equipment, still-spinning bicycle wheels, and cars left behind on the road. It’s the end of the world, and suddenly the world feels too big. Too lonely.

We cut to Dean. He’s on the floor in the same place Castiel threw him. His phone rings. It’s Sam. Dean stares at it, before dropping it to the floor. He pulls himself inward, and the episode ends on the sounds of choked sobbing.

Boris and I are monsters, as WE end the episode entirely too jubilant for words. Here’s to being right! Readers, while Boris can’t fully hope for a happy ending (gotta protect that heart), Natasha has zero doubts. We’re getting them back, damn it! And love’s gonna light the way.

Never Gonna Quote Me Away (From You!):

I don’t wanna hurt you. Don’t let me hurt you.

To somehow

I wanted to make things right. And now I don’t know why I’m here

Let’s go reap a reaper

I brought a bucket

I guess this is the part where I say, “Hello, boys”

It’s you, Dean. It’s always been you. Death defying. Rule breaking. You are everything I live to set right. To put down. To tame. You are human disorder incarnate

You think that hate and anger - that’s what drives you. It’s not. Everyone who knows you sees it. Everything you have ever done - the good and the bad - you have done for love.

Want to read more? Check out our Recap Archive! 

[whyqueerbaitingisbad]

movies & shows

cracks knuckles* alright this is going to be more of a rant than an analysis because i’m basing this on both my research, but also how it felt to personally be baited by these shows. there are obviously more pieces of bad (almost every horror movie) and good ones but these are the ones i’ve watched.

please keep in mind that i am but one queer and everyone has different opinions.

Supernatural (CW) 2005

This show is 15 years old and just ended. From season 5 till 15, there has been tension between two of the lead characters. They were constantly shipped together and not only did the entire fandom know about this ship but so did almost all of Tumblr. On top of that, the actors and show runners knew about it as well. Which is why it makes it ridiculous that it was constantly pushed aside while the romantic coding  kept happening, even after show runners dismissed it as being intentional. The Destiel (Dean x Cas) case has been going on for years, and as the show came to its end, many fans had hope. But N O P E. Instead, we got a love confession from Cas where Dean looked like he was near constipated and the Cas was killed and sent into a fiery place that was not hell but s u p e r  h e l l.

… w hy.

Sherlock (BBC) 2010

Just like Supernatural, this show was renown on Tumblr for not only how good it was, but its hinting at a potential relationship between Sherlock Holmes and John Watson. But again, like Supernatural, the intentional tension between the two characters was denied by producers. This caused an uproar within the fandom, and even left some people believing that, after the last season aired, it had been a joke and the producers were hiding a “secret, unaired season” because they had felt so robbed by this show that had implied something and denied it.

The 100 (CW) 2014

We got lesbians. We got background gays. We were happy. Then, all of a sudden, one of them is killed for no reason. Did it advance the plot? No. Was she fighting and died in battle? lol no. She was doing literally nothing and got shot and died. And then the producers kept bringing her back once a season in the form of a ghost or illusion because why? Because she was a fan favourite queer character. ✨bury your gays and sparingly bring them back for profit anyone?✨

Voltron: Legendary Defender (Netflix) 2016

*deep breathe* This one is a special disaster. Not only was there romantic tension and romantically coded scenes for 7 seasons, but producers, voice actors and artists working on the show repeatedly said “don’t worry klance (Keith x Lance) shippers, you’ll be happy”

. … w h e r e??? You code one of their scenes with a sunset in the background while they talk about love and then one of them goes on a date with someone who has declined his advances for 7 seasons but now in season 8 decides to do a full 180. Not only that, but you announce at a Comic Con (a convention) that a character is gay and has a fiancé, only to kill off the fiancé and never make it explicit in the show except at the last second of the last episode where he marries a no name character. 

Personally, i’d like to say a big fuck you to the show that strung me along for 2 years and never stopped saying we’d be happy to then pull the rug out from under us and call us crazy for thinking anything from the past 8 seasons was intentional.

Scooby-Doo (2002) 

While not being outwardly queerbaiting, this movie’s filmmaker has just revealed some shocking news, which wasn’t at all shocking to the gays who had watched this movie over the years. In July of 2020, James Gunn, the filmmaker of Scooby-Doo, revealed in a podcast that, initially, Velma was explicitly gay in his script, but then the studio watered it down until it became nothing. This isn’t an example of baiting as much as it is changing a character’s initial design to “better fit an audience”. The worst part of all this is that with Velma’s character having been written with a l i t t l e queer subtext, people had been theorizing about if since the movie came out, but were always yelled at by the internet for “imagining something that isn’t there”. But now, even with it being said that the initial point was for her to be gay, people have no objections to still refusing to accept it. Why?? So we can’t get the subtext gays OR the confirmed gays?? Make it make sense.

Brooklyn 99 (NBC) 2013

To have the queer characters firstly introduced without mentioning their sexualities and have it brought up naturally was so goddamn nice to see, because no one does a big deal about it unless they ask for that. This show is amazing in general but the way they show their queer characters is *chefs kiss*.

She-ra and the Princesses of Power (Netflix) 2018

This. Show. My heart SOARS. It's just a remake of an old show so absolutely nothing was ever expected, but then it was sprinkled in and ENDED WITH A BANG. And it was so beautiful and real to see the struggle of two friends who care for each other and want to be together but have different visions of the world fall in love. And they also had characters with disabilities, a non-binary character and jUST SUCH A GOOD SHOW.

Kipo and The Age of Wonderbeasts (Netflix) 2020

This is a case where you go into it not expecting anything and are BLOWN AWAY by the bare minimum. And not because it’s bad!! It's mind blowing because this is the simple representation we need!! Not something over the top, but an every day relationship. It’s just two boys falling in love and going on dates and being nervous around each other, yet i was so stunned. Because it’s not shown enough. I should not be this excited over something that should be this normal. 10/10 though this show is so good for all kinds of representation.

Steven Universe (Cartoon Network) 2013

This show did so much for queer representation with its general message of loving everyone and loving who you want. Especially since it was aired on Cartoon Network, a channel for kids, it was able to help normalize something so looked down upon in some circles. It made it easy to watch for s o m e people because it's a cartoon but it's so beautiful to see these ladies so in love with each other, both platonically and romantically and we see them have a family dynamic that isn’t a “nuclear family”. Rebecca Sugar (creator) really said “lemme just break all stereotypes real quick”.

Adventure Time (Cartoon Network) 2010

It's the “knowing a fanbase shipped something so hard that the creators made it canon” for me. This relationship had been theorized by fans for years, but it had never been explicit in the show. When the finale episode came out and the two shared a kiss, it was a moment of celebration. The producer of the show said that it had not really been planned but when the episode was being made, the choice of what happened was given to one of the artists (bless your soul Hanna K. Nyströmthe). And as the show releases little bonus episodes, its latest was centered around Marceline and Bubblegum and their relationship. AND WE LOVE TO SEE OUR DOMESTIC LESBIANS BEING HAPPY AND IN LOVE.

Yuri on Ice!!! (anime) 2016

The fact that an A N I M E gave us a love story between two men is mind boggling and it makes me so happy!! Especially because it's a Japanese show and they’re very conservative about these things just makes it more emotional. The creators said they wanted to make the anime take place in a world where gay/straight isn’t a thing, it’s just love (ladies, you’re going to make me cry). So as the weekly episodes came out and fans start speculating, THEY GAVE US THE LAST FEW EPISODES FULL OF ROMANCE AND EMOTIONAL SCENES BETWEEN THE TWO AND THEN THEY GET R I N GS?!???!! You watch for the figure skating, you stay for the figure skaters that are in love.

Shadowhunters (Freeform) 2016

*insert me being frustrated that the actors are straight so we can move on from that disappointment*

This show really said “let’s name a whole episode after this couple because they deserve it”. But seriously, they gave us two characters whose entire plot does not center around their sexualities while still showing us the differences in a relationship between someone experienced and someone new at this. They were both powerful and amazing characters apart from each other, with their own story lines and goals but they loved each other so much omgs. SO MUCH. 

It was so great to watch.

Love, Simon (2018) 

There’s a lot of disagreement on whether this movie is good representation or not. However, we need to take into consideration that this was Hollywood’s first movie with a main character that was gay, where the story’s focus was on Simon’s love story. The biggest problem, for me at least, was that the actor playing Simon is a straight man and not queer. My problem is not with him, but the fact that there are other actors that are gay and that could have played Simon just as well. (the love interested was however played by a queer actor so ✨progress✨)

All in all, this movie does represent what a lot of queer kids have to go through: being outed at school, how they then come out, the bullying and doubt they go through.

The book is also really good.

Call Me By Your Name (2018)

This movie is so aesthetically pleasing and was able to capture the confusion and heartbreak felt by a boy who’s struggling with his own feelings towards a man. His inner conflict and joy and l o v e he feels but doesn’t know how to deal with is so well communicated through the screen and just breaks your heart because it feels so real.

But again, they could’ve gotten gay actors to play gay characters…

through having this list here, i want to show you that it’s not hard for creators to give good queer representation. the LGBTQ+ community isn’t asking for much, we just want to be well represented on screen as just a regular character, not some token queer kid there for the diversity points. having been exposed to so much queerbaiting and just not seeing any representation on screen, i always get over-excited when i see a queer character, and that’s not how it should be. it should be a normal thing, something you can find in most pieces of media, just like there’s a straight white cisgender person in everything.

and they seriously need to start casting queer actors for queer characters...

[incarnateirony]

Hot take, the reason handfuls of people truly hate Dabb era isn’t really because anything is wrong with it--but in using a mytharc that is more centered in personal involution and introspection, Dabb has created a schism.

I have said in the past that there are a few major impacts that make people hate canon over time: for example, old season SPN as much as we loved it, the characters were essentially fun base archetypes and the canon universal structure, plot structure, etc was a lot thinner. It was a huge sandbox to play in and imagine in--the characters, the world, etc. Over multiple showrunners and persistent callbacks and strengthening of old canon, this size narrowed down.

People used to filling in the blanks however they want lost the plasticity of the characters with how they inserted dreams and wants, and often even levels of self insertion. Some people truly felt the characters deviated from the fanon form they had crafted for them in their own heads, and other people still continued to resonate closely with what grew forward out of it as things became more clearly defined, less blur-lensed in the distance.

The issue being, alchemical involution storylines force us to confront our own weaknesses. For the people who at this point now hyper-identify with characters, in a highly heated fandom ready to turn any character fart or grilled cheese sandwich into a battleground or argument, everything escalates into an “attack.” or “hate.” 

The nuance of looking at our own weaknesses, flaws, and how to become a better person get lost in the fandom turmoil, and also in personal turmoil where people just aren’t ready or willing to take the steps that the characters in the show are now walking through, one pace at a time. Because if Dean has to address his anger as being unfair!! Is my anger issues unfair??? If Cas has to find some way to stand up to his depression!! are they just telling me that I can just blow mine off???? If Sam has to face his lifelong dependency issues, does that mean I need to find a way to branch off more individually? This sir is an ATTACK, I’m going to SUE. I’m going to write VERY LONG TUMBLR THREADS declaring this all cruel and unwoke and dumb dumbz poopie head or just send off 140 character tweets yelling that it SUX ASSBUTT.

And like... it’s kind of sad?

Guys, it’s literally okay to have weak points. We’re human. We all do. In fact that is a major moral of current Supernatural. Having flaws is okay. We can strive to become our best, perfect selves, but that also takes confronting where we have shortcomings. Even if those shortcomings come from trauma, even if those shortcomings come from all kinds of elements outside of our control, this is basically “Supernatural as therapy”. If we don’t look at those, figure out how to apologize for them, approach them, speak them out into the world, we actually get lost to a putrefied version of ourselves and if we don’t grow back out of it into something new, we just fester. If we take it one day at a time, one step at a time, bonding to the best interpersonal elements of friends and family around us taking us by the hand when we need it, without being fully reliant on or shoveling the entire weight of our burdens off onto them-- then we can become better people. The world can become a better place.

But SPN fandom environment isn’t very suited to this. It’s easy to tuck away, to pull the blanket over our heads and scream and yell that it’s not fair to a character, because we don’t want to face how that relates to us with our emotional lens characters. But screaming into a pillow all day isn’t going to make it stop. The end is here, and Supernatural is trying to get you ready for it, and at the same time leave you some very good morals for the future as long as you open your hearts and minds to it. Not just to cute guys stabbing monsters. 

Not just to a favorite ship’s goals. Not just to funny jump the shark episodes. But to an actual, meritful, mature discussion of life, self, personality, goals, dreams, futures and yes, eventually, death as something we will have to face in our distant future. I hate to break it to you, but nobody ever makes it out of life alive. But it’s okay. Because the point is that they were here at all and we got to know them. And, if you have faith, you can see them, one day, on the other side, once you’ve done your best to make a better world, here and now, for the legacies in your wake.

This is all but impossible for people to avoid now, like the days of the old sandbox, essentially imagining barbie characters of archetypes people can dance around however they want and spin around in the empty space. The dense canon leaves very little because the world is so thickly structured and powerfully written -- but not as powerfully as the characters, very defined and very grown, whether it’s what Early Season Barbie Players wanted, or Late Season Character Lensers that are actually struggling going “but--if (character) (issue)... then I--” 

It’s okay. It’s really okay guys, I swear. Nobody has to be perfect. Not your favorite character. Not you. But ... well, listen to Dean.

DEAN

it's not about being strong.

I mean...Look, I don't know what you saw over there, and I don't know what you went through.

I know it was bad. But I also know that you came out the other side because you are strong.

But even when we're strong, man, things are gonna happen.

We're gonna make mistakes. Nobody's perfect. Right?

But we can get better. Every day, we can get better.

So whatever you're dealing with, you know, whatever...whatever comes at us, we'll figure out a way to deal with it, together.

[innermoonlight-bhe]

Me, again, on Destiel. Please read.

I’ve been having problems all this month. And while I was self-exploring the reasons of my uneasiness, I tracked it back to 15x18. When I first watched the episode I had lots of unresolved feelings. I felt happy and at the same time really distressed. After waiting for two week for the end of Supernatural I thought those feelings would disappear but they just kept on getting stronger. I began feeling stressed and, this last two weeks, feelings just empty. I had no desire to do anythings, like I was lost. Yesterday I realized why and got me sad and mad at the same time. I don’t want to take a lot of time writing this but there are too many emotions and rational thoughts that don’t let me sleep at night. 

This is why I want to divide this text into two parts:The first one being the queerbating debate on internet. This includes the normalization of heterosexual relationships, audiences, plots and writing, marketing and advertising, and other things that have to do with t.v. industry. In specific, the rare case of CW and its treatment of the whole Supernatural family. In the second part I would like to focus on my personal experience, which I’m sure is same to most people who were left all alone in this Destiel world of disappointment. This last one you can decide to ignore or share with me. The one that i’m most interested is that you read the first part, even though it can seem a little out of context, since I’ll be referring to another tv shows of the CW.

 FIRST PART THEN OF THE DESTIEL OPINION:When I was left so sad after the queerbaiting I began watching a famous soup opera aka telenovela, called Yo soy Betty, la fea. It’s famous worldwide and I felt it like a comfort home after all the Destiel drama. It made me happy because the story plot is only one: the heterosexual couple that falls in love. Of course I’m reducing this too much, but the point is that yesterday, after I finished watching it, I realized that even though the main couple had problems at the end the audience knew they would’ve ended together. It did happen, in the anti-last episode, same as in supernatural and the Cas confession. The two further episodes centered on the happy conclusion on the story. There are clear points to establish:

Point 1:  Supernatural was born as a serious mainly centered on two heterosexual man traveling all along a country hunting monsters while looking for a father. Meanwhile a classic telenovela centers on a love couple who fight against everythings to be together; in this case it’s establish since the beginning and no one will except anything else. 

Point 2: Meanwhile telenovela’s audiences are destined to be woman, wanting to follow the classic love story; Supernatural was being male focused actually did excepted woman but also men watchers. Supernatural had a largest specter of viewers.

Point 3: Telenovelas are not willing to change the story for the audiences desires. They work with practical and classic formulas that rarely will fail. There’s no necessity to receive a feedback to complete. Supernatural and tv series, on the other hand, actually need the feedback from the viewers because on it depends their permanency on the screen. 

Supernatural needed to keep their viewers high so the show could continue. I’m gonna leave the classic telenovela out for a moment. It’s important settling this differences to approximate myself to the basic point of my madness: how unethical is the queerbaiting.The public opinion changes, and The CW having clear this is very know to keep in touch with fans wishes and needs. In the case of Jane the Virgin, a barely combination of the telenovela classic plot but in a tv series way, had a big “change” with one of their main characters: Petra. Her connection with the main character, Jane, was noted and wanted by many of the viewers. But the show’s creator knew that main plot (point 1)was a girl who accidentally gets pregnant and eventually falls in love with the love of her life, Rafael. So the show writers wouldn’t just change this main plot in order to make a couple happen, so instead they gave the public what they wanted by making Petra bisexual and introducing a perfect girl for her, also called Jane, to deliver the wish of fans. This relationship worked purely and on its on. The reactions with Petra bisexuality were low, and they took care of it as if it was something normal and not anything that needed satanizing. No one could be expected to freak, not even Petra’s twins. Even though the first seasons Petra only had male relationships. This is a good thing that The CW did, but they didn’t do this out of the goodness of their heart: they did it for views and for the audience (point 2). Jane the virgin was also planned to have female audiences and to treat serious social issues respecting sexuality and love. This is why it didn’t came as a surprise. 

Then why did Destiel couldn’t happen? Because the CV is homophobic? Probably there’s some of this in it, but the reality it’s they weren’t giving up on the part of the audience that is actually homophobic, or that at least won’t feel comfortable watching a heterosexual character discover himself as bi. The thing of the audiences is important because the “ambiguity” in which Cas’ confession was treated worked perfectly for them: it gave exactly the sufficient enough to keep us happy, meaning while keeping the perfect amount of “friendship”. So anyone can take whatever they want for the story. By this part I understand why they wanted to deal with this confession in an ambiguous way: to please everybody. But why did they wanted to please everybody? It wasn’t out of kindness of their heart, it was for views.The whole queerbaiting debate has being on the tables for a long time but we also ignore the unethical implications on it. It has been used by many contemporary media, to hint at something that the producers are not expecting to happen any time. And even though, they keep on teasing us. This is highly unethical because the reason behind them is the accumulation of money. Supernatural survived because of Destiel. I resisted myself to say this because I had respect for the series until I stopped watching around season 10. The story and plots were doom, repetitive and boring at times. We keep watching for the emotions caused by the supernatural family. Not only Destiel but Sam and all of the characters. The original plot explained in the point 1 was lost and blurred, we were far away from that premise and that was why the finale episode feel just bad. 

The show had chances to grow without losing the origina plot but also confronting change and accept that sometimes, things must pass and you have to move. Destiel was an important support of the show, the views and year after year renovation of the series. Pointing at the queerbaiting has lost its meaning if we forgot why they do it, why they keep on doing this even though it makes us feel bad. This affects the shows work in perspective because it changes the plot and natural progression of the story. For the queerbaiting, they have scenes that are forgotten next episodes like they never happened. I’m a literature student and the first thing they say to us is that a scene, even a word, should be taken so seriously that it actually work on the long road of the story. In Destiel we have beautiful, all heart breaking scenes of Cas and Dean being romantic, closed, just in love. The Dean’s confession were he admitted to the priest he wanted to experience new things, the Castiel’s love confession, and others are an example of how this scenes have a space in the show but are still isolated from the original story. They don’t play a part in the bigger image. That’s why we don’t see Dean talk to Sam about Cas, this is why they are so many Destiel plots left unsolved. I have a small memory of an old lady assuring Dean that he’s in love, even though we haven’t seen in a long time a female in Dean’s life (Dean, who the first four seasons flirted with e v e r y woman he met.  Because producers and writers can let this scenes happen as long as it doesn’t change the main characters. Even, they are willing to let us think that Cas could be bi but Dean isn’t, by not having him say anything after Cas says I love you. And to be honest, we didn’t except much. 

We knew that we were clowning and it’s not like we excepted a love making scene from those two. We raised our expectations after 15x18 and not after. A lot of us were waiting on the finale to bring joy even though we never actually imagined it would go canon. 15x18 lifted expectations very few had and that lots, myself for instance, returned to watch after hearing Destiel was semi-canon. It brought back feelings, I got to rewatch supernatural to enter the atmosphere once again... So it was perfect for the CW. On one hand, the biggest queerbaiting on history gave them back for 15x19 and 15x20 all the fandom they had lost for the previous queerbaiting and tiredness of waiting. And also, they keep the antis and the homophobe watching. It was perfectly staged and nothing else was expecting. Something similar happen with Jane the virgin. With the death of Michael (I rather shipped more Jane with Michael) a lot of fans stopped watching. This was planned since the beginning and they actually gave us a fake death and then the real one. I actually stopped watching one season of Jane the virgin after his death because I was devastated, even though since the beginning everything pointed at Jane ending up with Rafael. Her connection with Michael was lovely and pure love. But after killing him off they wrote the relationship of Jafael so perfectly, not rushed or anything: it developed in a way that her relationship with Michael was intact but finished by death. It was a hard punch but at the end we ended up to accept her relationship with Rafael because of the clear progression between the characters. But, at the end of the series, at the last season they decided it was good idea to bring Michael back from the death and have her chose Rafael, after all of the progress It took for her to forget Michael. The changed her and all of the perspective of love changed for the show. It made thing that soul mates don’t exist, that all the love Jane felt for Michael disappear after having a whole season of her suffering for her lost, after she wrote her first book for him. It would’ve been so much better for the story if Michael stayed death. 

So the things is it’s not only queerbaiting on homosexual couples, but the whole idea that they need to have a huge audiences watching their last seasons. I returned to watch Jane the virgin excepting for Michael. This awful thing they do. Just for views and gain of capital bothers me and its what makes me angry. In the case of Supernatural it’s also a topic of homophobia and the fear that the homophobia of a few will ruin the views of series finales. An as I considere the unethical implications is why I would love to have them apologize to us. It’s like a person promising the stars and stopping you to move on, while they know nothing will happen. They use us as numbers to gain money and attention. The decision that I and a lot of people took to unfollow all of The CW accounts is no radical. It’s a little if we take into account all of the money they made from the unethical queerbaiting. It causes me a lot of anger and actually feel like a I need an apology because I felt used and dirty. This is the fault of the industry and the CW has a fame of doing so.

 PART 2: 

This will be little in comparison. Now I want to get to the sad sentimental part. I felt all empty because four years ago that I stopped watching I also stopped talking to the love of my life. Hearing about Destiel had me going back to moments. I even desired to talk to him again to tell him that I wasn’t all wrong. Destiel wasn’t platonic or an illusion. it has clearly staged to makes us think it could happen. It’s not the story of an angel who falls for a human, that gives everything up for him, that loves him. After his confession is the story of unrequited love. Dean never says it back and it’s a feeling that a lot of people have suffered. To love someone and not having them saying them back, of the relationship that never ends but at the end it’s one of the most important. This one I talked about I never dated, I never kissed, but he’s the man i’ve loved the most in my life. Having Castiel saying I love you and never receiving anything back, giving his life and no one saving him, it’s just heartbreaking for all of us who have constantly giving everything without expecting anything in return. At the same time it’s the story of a a couple that never happens but that should have. The same reflexion as always: if it were heterosexual it would’ve happen long time ago. But it also happens in real life, that if time alined, if things were in other way relationships would’ve happen with people in our lives.I had a lot of more feelings for Destiel, but that would be for another time. Right now I just realized why made me, personally, feed angry and sad. I realized I was a Cas to someone else. I realized I was used by a network. The queerbaiting actually has psychology repercussion on us, and it’s something they fail to understand. Accepting that I was affected by a tv show took me a hard time. I didn’t know how to explain to others why this had me absence for week, I thought I was ridiculous and week. I felt bad but know I realized I’m not wrong. It’s not my fault but it’s years of messing with out feelings on purpose. Some day i’ll write an essay on this. I have to much to say but I end it with this:

The media manipulates our emotions and doesn’t take any responsibility whatsoever. 

Don’t trust the media.

(Sorry for the bad english, I’m mexican. But at least Destiel is canon in my language).