#so much has changed and also not much at all

[arosnowflake]

[Image: Tumblr tags reading '#the feeling was friendship but neither of them had ever experienced it before'.]

what is it about the least canon-compliant aromantic headcanons that makes them the best. like when a character shows no romantic attraction okay that is pretty awesome. but when romance is a big part of a character/plot? oh now we're fucking cooking

[hannaxjo]

I like to think the rest of Berk, kinda continue to be wary of Toothless. They like him, they know he’s not going to hurt them. But they also know the only reason for that is Hiccup. These people have grown up not even knowing what a nightfury looks like. All they know is that you do not engage one, you don’t try to kill it, you hide and you pray. They know that when that scream is heard, something is getting destroyed, every time. Because it does not miss. They know the unholy offspring of lightning and death itself. And they know Toothless is capable of all of that. Toothless is that. So while they get used to the dragons being around, the nightfury is always going to be a little different. It always was.

But they’re all nice to Toothless. Because who could dislike him, and because he’s Hiccup’s dragon. And maybe a bit, because they really do not want to end up on the bad side of the nightfury. When he’s with Hiccup - which fortunately, he is most of the time - it’s alright. But no one want’s to be alone with the nightfury. He’s different then. He’s a bit colder. A bit more distant. They can tell they’re being tolerated. Even the rest of the riders, while Toothless does like them, have a healthy amount of…let’s just call it respect, for Toothless.

And Hiccup pretends he has no clue. If someone ever mentions how Toothless’ entire presence can change when Hiccup is gone, he’s just like ‘What? This little guy? Scary? Please.’ But he’s very much aware. He also knows that sometimes Toothless does it on purpose. And maybe, he doesn’t mind that. Maybe he kind of likes it. Maybe he likes for people to remember what kind of a being they’re dealing with and what he’s capable of.

[thrfted]

꩜ DATING MR. CRAWLING .ᐟ

SFW GN!Reader HCS after the blissful love life ending.

Italics is in the other world’s language! Sometimes more the implied message rather than a direct translation. I'll probably do Mr. Hood later too :3 !

Your bed is much more comfortable than anything in the other world, and it only makes it better that mr. Crawling gets to be in it with you. He grows accustomed to your nightly routine and is always excited to cuddle up. Big spoon, little spoon, facing each other—all of it makes him as happy as can be!

(^ As someone who still has a twin size, some of us have to invest in a much bigger one lol)

Generally so so affectionate and loves when you’re physically affectionate !! You can kiss his head and he’ll giggle, maybe point at his face and ask “Again!” You leave kisses all over his face, and his hands pull you in close when you finally kiss his lips.

One of Mr. Crawling's strongest traits is his patience—especially when it comes to you. The first day you come home without him trailing behind (much to his dismay, and honestly yours), he’s at the door to greet you, smiling and giggling as you wrap your arms around him. You find out he hadn’t done much but wait for you to come home. (With no complaints of boredom on his part, and all the worry on yours.)

He'll sit as you play with his hair, trying out new hairstyles or putting in clips. “Me cute? Pretty?” he asks. And if you let him do the same in return, he'll giggle and compliment you too.

I think he’d look through your closet and enjoy watching you try on clothes too. He compliments you and feels each of the fabrics, liking the ones that feel softest. He might try on some of the accessories if none of the actual clothes (sort of…) fit, and is really happy when you match!

Mr. Crawling is a fast learner. You worry he'll feel overwhelmed with all the new technology and words and whatever else, so you focus on making sure he’s comfortable. But he points at things and ask what they are, repeating after you. “You teach me language?” he asks and you laugh softly before nodding. “I teach you language.”

He will accidentally touch a hot stove top or pot if you don't remember to warn him beforehand. Then whenever you cook he gets worried you'll hurt yourself, watching to make sure you're alright (forgive him if he pulls your hand away and says “Danger! Don't touch!”)

Since he doesn't know his birthday, you make the day you returned special instead! He's happy to just stay in with you, eating a good meal and watching or learning something new.

Mr. Crawling also learns when yours is and does his best to make it a good day for you too. He tries singing happy birthday and makes food with what you have at home, mimicking the meals he's seen you prepare.

You teach him how to call your phone while you're away. It's supposed to “be for emergencies,” but you both know he's going to call just to hear your voice, and who are you to complain?

I think he gets sad sometimes when he sees or hears you talking to friends—the way you communicate and laugh so easily compared to conversations with him. The other world's language itself is limited, and he hasn't learned enough of your own. You spend some evenings reassuring him, reminding him learning is a process, and it doesn't change your feelings!!

He does his best to learn on his own. You buy (exercise) books and show him shows for younger kids and he spends a lot of time alone with them, both to surprise you, and also just because he loves talking with you and wants to talk more and more.

The first time he speaks your language is a special day. After many days of calling out that you’re back, he decides to say it himself. “You home!” You almost drop everything in your hands, and that’s when he continues, “Miss you.” It feels odd hearing it in his voice, but he’s grinning so wide, and you won’t find out for a while just how excited and nervous he was waiting for you to get home.

One of Mr. Crawling’s favourite things to say and hear is “I love you.” Every time you say it, he gets all giddy and tries to get closer to you (as if that’s possible while already cuddling in bed). He says it a lot while you’re doing chores or really nothing, just to remind you and see you smile. There’s no way in his mind for those 3 words to lose their meaning, or become any less special.

[mcrveilles]

just this once // ln4

still overwhelmed, still can't believe this this is getting to much attention 😭 ❤️🫶 THANK YOU FOR YOUR FEEDBACK AND YOUR RESPONSES I LOVE EVERY BIT OF IT

also why are my WORDS LIMITED???? I want to write MORE wtf tumblr

word count: 3.7k with some extras in the form of social media posts warnings: casual intimacy themes, secrecy, conflicts of loyalty, romantic tension and suggestive content includes: friends to lovers, fluff, best friends little sister, brothers best friend summary: after things cooled down for a little while, you have to face lando and your feelings once again... this time with consequences.

tag list: @sltwins @sarx164 @hadesnumber1daughter @fullmugwolffish @willowsnook @sageskiesf1 @f1fantasys @cmleitora @rawr-123s-stuff @leclercdream @chezmardybum @landossainz @cloud-55 @sillyfreakfanparty @harrysdimple05 @mwuaferrari @milkysoop

PART FOUR/2 previous part - next part

The sun dips low over the sky, painting it in shades of amber and rose as you finish getting ready. You’ve been pacing your hotel room for the last twenty minutes, debating whether you should even go to this dinner. Max made it sound casual, just friends and some of Lando’s crew, but the way your stomach twists tells you it’s anything but simple.

Since Monaco, things with Lando have been... complicated. He stayed over after Qualifying, the two of you wrapped in an unspoken agreement to keep things platonic. But nothing about the way he looked at you, the way his presence filled your space, felt friendly. Then there was the race—his P4 finish—and the small get-together afterward, where you both acted like nothing had happened. Since then, his schedule’s relentless pace kept you apart, exchanging only a few texts that danced around anything real. Just keeping in touch.

And now, this dinner.

You change into your favorite outfit, something understated but flattering, and force yourself to take a deep breath. It’s just a dinner. You’re friends, you tell yourself.

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yourusername London, United Kingdom

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The restaurant hums with life as you step inside, trailing Max and Pietra. Warm light glints off polished wood and delicate glassware, and the buzz of conversation wraps around you like a soft blanket. You glance at the private room Max mentioned earlier, feeling your pulse quicken. You know who’s waiting there.

When you walk in, the first person you see is him. He’s tipped back in his chair at the head of the table, laughing at something someone said, his grin so easy and familiar it makes your chest ache. Then his eyes land on you, and for a moment, everything else in the room seems to blur.

“About time,” he says, standing up in one smooth motion. His voice is light, teasing, but there’s something in his gaze that sends a spark down your spine. He greets Max with an effortless handshake-hug, Pietra with a peck on the cheek, and then his attention falls to you.

“Stranger,” he says. “Lando,” you reply, keeping your voice even as you raise an eyebrow. His grin tilts, just a little lopsided, and the look in his eyes feels like a challenge.

The dinner is exactly what you expected—good food, great wine, and laughter that fills the space like it’s been waiting for all of you to show up. Max, seated on your right, is in big-brother mode, making sure you try everything and nudging your glass whenever it’s even close to empty. Across from you, Pietra chats animatedly with one of Lando’s friends, and you smile along, but your attention keeps drifting. Lando is at the far end of the table, surrounded by people who hang onto his every word. He’s effortlessly charismatic, telling some story you can’t quite hear, but that has everyone laughing. Except every now and then, his eyes meet yours, just for a second. It’s like he’s checking in, or maybe daring you to look away first.

You don’t.

When he gets up to refill his drink, he passes behind you, his hand brushing lightly over your shoulder. The touch is so brief, so casual, that no one else notices. But it sends a shiver through you anyway. “Having fun?” he murmurs, his voice low and private, meant just for you. “Loads,” you reply, trying to sound unimpressed even as heat rises to your cheeks.

His chuckle is soft, almost affectionate, before he moves away. You tell yourself to focus, to ignore the way your heart is beating just a little too fast.

Later, the table splits into smaller conversations, and somehow, Lando ends up next to you. Max is too busy laughing at something Pietra said to notice when Lando leans in, his shoulder brushing yours. “This is torture,” he says under his breath, his knee knocking lightly against yours under the table. Your throat goes dry. “What is?” “You. Wearing this dress.” His voice is teasing, but there’s an edge to it that makes you hold your breath.

You don’t know how to respond, and for a moment, you just sit there, the noise of the room fading into the background. Then Max glances over, and Lando straightens, all easy charm again. “What are you two whispering about?” Max asks, his eyes narrowing suspiciously. Lando doesn’t miss a beat. “Just telling your sister she has terrible taste in wine.”

“Hey!” you protest, and the table laughs. Max shakes his head, rolling his eyes. “Don’t listen to him. He drinks that sparkling stuff like it’s water.” The conversation moves on, and you pretend everything is normal, even as Lando’s knee stays pressed against yours under the table. And you don’t move away.

As the laughter around the table flows easily, your own chuckle gets caught in your throat when Lando leans back in his chair, stretching casually, but you don’t miss the way his knee once again brushes against yours under the table. It’s subtle, almost as if he’s testing to see how long he can get away with it without anyone noticing. Your pulse quickens, and you do your best to focus on Pietra, who’s telling an animated story about a mishap at her last work event.

But Lando is… distracting. His words replay in your head on an endless loop—”this is torture”—and you swear you can still feel the ghost of his knee against yours under the table. It’s maddening, really. The ease with which he teases you under Max’s nose, how effortlessly he switches back to joking with the group like he didn’t just upend your entire sense of composure.

You glance his way and catch him smirking, like he knows exactly what he’s doing. His focus shifts back to his drink, but there’s a flicker of something in his expression—playful yet deliberate—that makes it impossible to ignore him. You try to shake it off. You tell yourself that it’s just Lando being Lando: cheeky, teasing, good at making people feel... something. Just like always. Except this doesn’t feel like always, and that’s the problem. You’re trying to focus on the ongoing conversation. Something about summer plans, maybe? You’re not even sure anymore. Lando is leaning back in his chair again now, one arm draped lazily over the back of his seat, looking every bit like someone who hasn’t a care in the world. But he keeps glancing at you when he thinks no one else will notice.

“Alright,” Max announces suddenly, clapping his hands together as if he’s about to make a grand proclamation. “Drinks back at mine?” There’s a chorus of agreement around the table as chairs start scraping against the floor and people gather their things. You hesitate, glancing at your phone like you might have an excuse to slip away. But before you can concoct some half-hearted reason to head back to the hotel, Pietra loops an arm through yours, effectively trapping you. “You’re coming, right?” although she forms it as a question, you know it’s really not.

“I wouldn’t want to miss out,” you reply lightly, smiling at Pietra. Who, satisfied with your response, let’s go of you to join Max again. Your stomach twists again when you see Lando standing by the door, your coat in his hands, waiting like he has all the time in the world. His curls are a little messy, his grin lazy, yet sharp as his eyes meet yours in the dim light. It’s as if he can sense your hesitation and is daring you to pull away. “Come on, stranger,” he says softly, leaning just close enough that his voice feels like it’s wrapping around you. “Can’t bail now.” You narrow your eyes at him, trying to ignore the way your heart jumps at the way he towers ever so slightly over you. “I didn’t say I was bailing.” “No?” His gaze drops briefly to your phone in your hand, then flicks back up to catch yours. “Good,” he says, his voice dipping lower, quieter. “Because I wasn’t going to let you.”

It’s infuriating how easily he gets under your skin. With a huff of mock-annoyance—because genuine annoyance is impossible when he’s looking at you like that—you slide your arms into the coat he’s still holding and step away before the spark between you burns any brighter.

The group spills out into the cool night air, laughter echoing down the cobblestone street as everyone makes their way toward Max’s flat. Pietra loops her arm through yours again, chatting about some new café she wants to try tomorrow for breakfast. The walk to Max’s place is short, but it feels like an eternity with Lando so close behind you in the group. Every step feels charged, like there’s an invisible string stretched taut between the two of you. You try not to think about what he said earlier—or how his knee pressed against yours, or how warm his hand had been on your shoulder at dinner—but it’s useless. He’s inescapable, even when he isn’t touching you.

When you finally reach Max's apartment, everyone else appears calm and carefree. However, you have come to the realization that you can no longer let Lando do this to you. You don’t know if he isn’t aware of the drama it would cause if Max found out or if he just doesn’t care about the consequences—you however do care about the consequences. While never openly spoken about, you know how your brother would feel about this. He’d hate it. Lando is his best friend and you are his little sister. Two things that, frankly, shouldn’t mingle so close. So you make the decision to talk to Lando tonight.

It’s not like you don’t care or that you don’t feel things when you’re around him, but is acting on it really worth the pain it could and would cause?

Eventually everyone is spread across the living room, laughing and reminiscing, the buzz of good drinks and great music keeping the energy alive. You’re perched on the arm of the couch, balancing your drink as Pietra chats animatedly beside you. Across the room, Lando lounges in a chair, looking infuriatingly relaxed, his attention shifting to you every few minutes. It’s subtle, the way his gaze lingers just a fraction too long, but you feel it—like a spark skittering across your skin. You pretend not to notice, focusing on Pietra's story about her disastrous attempt at paddleboarding last summer. But when Lando catches your eye mid-sentence, raising his brow in a silent tease, your stomach flips.

Max comes in from the kitchen, holding a fresh beer, his presence immediately commanding attention. “Alright, whose idea was it to leave me in charge of snacks?” he announces. “I could barely find some crisps, let alone figure out this sweets situation.”

Pietra groans. “Max, it’s literally all in the cupboard. You just have to put it in some bowls.”

“But that’s where you put them!” Max protests, plopping down beside Pietra. His knee bumps yours, but his focus is on his girlfriend, who shakes her head fondly. Lando seizes the moment to move closer, taking the newly vacated spot on the couch next to you. “You okay there?” he murmurs, low enough that only you can hear. “Perfectly fine,” you shoot back, matching his tone with a pointed glare. But your attempt at indifference falters when his knee brushes yours—deliberately, you’re sure. “You’re really gonna keep your distance tonight, are you?” he asks, his voice light but carrying that edge of challenge that makes your heart race. “I am sitting next to you,” you counter, swirling your drink for effect. “You’re just mad I’m busy talking to everyone else tonight.” He chuckles softly, the sound brushing against your skin like velvet. “Give it time.”

Before you can respond, Max’s voice cuts through the room. “What are you two whispering about now?” His tone is joking, but there’s a hint of suspicion there that makes you stiffen. “Just telling your sister she needs to get some updated LN4 merch for the weekend,” Lando says smoothly, leaning back like he doesn’t have a care in the world. “Excuse me?” you retort, feigning outrage. “That stuff is expensive, genius.” The group erupts into laughter, and Max shakes his head, rolling his eyes. “Of course, it is. You should stick to the Quadrant merch anyhow.”

"Hey now," Lando protests with a grin, "I'm hurt, Max. Thought we were friends." The conversation shifts, but you can't shake the tension thrumming beneath your skin. Lando's presence beside you is electric, and you're acutely aware of every subtle movement he makes. You try to focus on the others, laughing at the right moments and nodding along, but your mind keeps drifting back to the man next to you. While Lando's quick thinking may have diffused the situation, it only reinforces your resolve to talk to him. You need to set things straight before they spiral out of control.

As the night wears on, you find yourself growing more and more restless. You've been careful to mingle with everyone, pointedly avoiding extended conversations with Lando. But his presence is a constant, hovering at the edge of your awareness. You catch his eye across the room more than once, and each time, that familiar spark ignites in your chest.

Finally, as the party begins to wind down, you see your chance. Lando slips out onto the balcony, and after a moment's hesitation, you follow. The cool night air is a relief after the warmth of the apartment, and for a moment, you just stand there, letting it wash over you. "Thought you might follow me out here," Lando says softly, not turning around. He's leaning against the railing, his profile illuminated by the city lights below. You take a deep breath, steeling yourself. "Lando, we need to talk."

He turns to face you, his expression unreadable in the dim light. "I was wondering when you'd say that," he says softly, a hint of resignation in his voice. You step closer, careful to keep some distance between you. The city sprawls below, a tapestry of twinkling lights and distant sounds, but your focus narrows to the man in front of you. The air feels thick with unspoken words and simmering tension.

"This... whatever this is," you begin, gesturing vaguely between the two of you, "it needs to stop." Lando's brow furrows, a flash of hurt crossing his features before he schools his expression. "What exactly are you referring to?" he asks, his tone carefully neutral. You take a deep breath, steeling yourself. "The touches. The looks. The... the way you've been pushing boundaries tonight. It's not fair, Lando." Your words hang in the air between you, heavy with implication. Lando's jaw clenches, a muscle twitching as he processes what you've said. For a moment, the only sound is the distant hum of the city below and the muffled laughter from inside.

"Not fair?" Lando repeats, his voice low but charged with emotion. "What's not fair is pretending there's nothing between us." He takes a step closer, his eyes searching yours in the dim light. "Do you really want to ignore this? To act like we don't feel anything when we're around each other?" You bite your lip, trying to ignore the way your heart races at his proximity. "Lando, it's not that simple. Max is your best friend, and he's my brother. We can't just—"

"Can't what?" he interrupts, his voice rising slightly. "Can't be honest about how we feel? Can't take a chance on something that could be amazing?"—"Shh!" you hiss, glancing nervously at the sliding glass door. "Keep your voice down. Do you want everyone to hear?" Lando runs a hand through his curls, frustration evident in every line of his body. "Maybe I do," he says, though he lowers his voice. "Maybe I'm tired of sneaking around, of pretending I don't want to be near you every second we're in the same room."

His words send a shiver down your spine, and you struggle to maintain your composure. "It's not just about us," you argue, your voice rising slightly. "What about Max? He's your best friend, Lando. How do you think he'd react?" Lando's eyes flash with a mix of frustration and determination. "I care about Max, you know I do. But I'm not going to let fear of his reaction dictate my life. Or my feelings." You glance nervously towards the sliding glass door, worried that your raised voices might carry inside. The last thing you need is for someone to come investigate. "Please, keep your voice down," you hiss, even as your own emotions threaten to overwhelm you. "No," Lando says, his tone firm but not unkind. "I'm tired of keeping quiet about this. About us." He takes another step closer, close enough that you can smell his cologne, a mixture of citrus and something woody that makes your head spin. His proximity is intoxicating, and you find yourself swaying towards him almost unconsciously.

"Lando," you breathe, your resolve weakening with every passing second. The city lights dance in his eyes, casting shadows across his face that only enhance his features. You can see the determination there, the longing, and it mirrors the ache in your own chest. But he's not listening. His eyes are locked on yours, dark and intense in the city lights. "I can't keep pretending," he murmurs, his voice low and husky. "Can you?" And before you can answer, before you can even think, he closes the distance between you.

His lips crash against yours, urgent and desperate. For a heartbeat, you're frozen, caught between shock and desire. Then, as if a dam has broken, you're kissing him back with equal fervor. Your hands find their way to his curls, fingers tangling in the soft strands as his arms wrap around your waist, pulling you flush against him. The world narrows to this moment—the taste of him, the warmth of his body, the way your heart threatens to burst from your chest.

It's everything you've been trying to deny, everything you've been afraid to want, distilled into a single, burning instant.

But reality crashes back in like a bucket of ice water, and you jerk away, your eyes wide with panic, breathing hard, your lips tingling and your mind reeling. "We can't," you whisper, your voice trembling. "Lando, we can't do this." Even as every fiber of your being screams to pull him close again. Lando's eyes are wide, his chest heaving as he stares at you, looking as stunned as you feel.

Before he can respond, the sound of the balcony door sliding open makes you both freeze. You take a hasty step back, your heart pounding so loudly you're sure everyone can hear it. Max steps out onto the balcony, his eyes narrowing as he takes in the scene before him. You and Lando are standing suspiciously close, both of you looking flushed and slightly disheveled. The air between you crackles with tension, and for a moment, the only sound is the distant hum of the city below.

"What's going on out here?" Max asks, his tone light but laced with suspicion. His gaze flicks between you and Lando, searching for answers in your expressions. Lando, ever quick on his feet, lets out a low whistle and gestures broadly at the cityscape. "Just admiring the view, mate," he says, his voice only slightly strained. "Can't beat a night like this, can you?" You nod enthusiastically, perhaps a bit too eagerly. "It's gorgeous," you agree, willing your racing heart to slow. "I was just telling Lando how I could stay out here all night."

Max leans against the doorframe, his arms crossed over his chest. The look he gives you is one you've known since childhood—the one that says he's not quite buying what you're selling. "Really?" he drawls. "Because from where I was standing, it looked like you two were having a pretty intense conversation."

You feel your face flush as Max's gaze bores into you, his expression a mixture of concern and growing suspicion. The air on the balcony suddenly feels thick, charged with an uncomfortable tension that even the cool night breeze can't dispel. The city lights twinkle innocently behind you, a stark contrast to the tension crackling in the air. You open your mouth to respond, but the words stick in your throat. Lando shifts beside you, and you can feel the heat radiating off him, a reminder of what just transpired.

"Max," Lando starts, his voice steady despite the circumstances. But Max holds up a hand, silencing him. "Max," Lando repeats, forcing a laugh that sounds hollow even to your ears. "Mate. We were just..."—"No," Max says, his tone sharp. "I want to hear it from my sister." His gaze locks onto you, and suddenly you feel like you're fifteen again, caught sneaking out to a party. Except this is so much worse.

You take a deep breath, willing your voice not to shake. "Max, it's not—"

"Don't," he interrupts, his eyes flashing. "Don't lie to me. I've seen the way you two have been acting all night. The whispers, the looks. And now I find you out here, alone, looking like..." He gestures vaguely at your disheveled appearance. Your stomach drops as you realize the jig is up. Max's eyes narrow as he looks between you and Lando, taking in your flushed faces, the slight dishevelment of Lando's curls where your fingers had been moments ago.

The silence stretches between you, heavy with unspoken truths. You can hear the muffled sounds of the party inside, laughter and music that seems to belong to another world entirely. A cool breeze ruffles your hair, carrying with it the scent of the city and the faintest trace of Lando's cologne.

"How long?" Max asks, his voice barely above a whisper. "How long has this been going on?" You open your mouth to speak, but no words come out. Lando steps forward, his shoulder brushing yours in a gesture that feels both protective and defiant. "Max," he begins, his voice steady despite the tension thrumming through his body. "It's not what you think."

"Oh really?" Max's laugh is bitter, cutting through the night air like a knife. "Because what I think is that my best friend and my sister have been sneaking around behind my back. Am I wrong?"

[badnewswhatsleft]

rock sound #312 (nov 2024)

transcript below cut:

ROCK SOUND 25 ICON

FALL OUT BOY

A BAND THAT CAPTURED THE HEARTS, MINDS AND HEADPHONES OF A GENERATION OF KIDS WORLDWIDE, FALL OUT BOY UNDOUBTEDLY CHANGED THE LANDSCAPE OF THE ALTERNATIVE SCENE FOREVER, NEVER AFRAID TO EXPERIMENT, TAKE CHANCES AND MAKE BOLD CHOICES AS THEY PUSHED FORWARD. FOLLOWING A SUMMER SPENT EXPLORING THE 'DAYS OF FALL OUT PAST', PATRICK STUMP AND PETE  WENTZ REFLECT ON THEIR PATH FROM POP PUNK, HARDCORE MISFITS TO ALL-CONQUERING, STADIUM-FILLING SONGWRITERS AS THEY ACCEPT THEIR ROCK SOUND 25 ICON AWARD.

WORDS JAMES WILSON-TAYLOR

PHOTOS ELLIOTT INGHAM

Let's begin with your most recent performance which was at When We Were Young festival in Las Vegas. It was such a special weekend, how are you reflecting on that moment?

PATRICK: It's wild, because the band, I think, is going on 23 years now, which really came as a surprise to me. I know it's this thing that old people always say, 'Man, it really goes by so fast', but then it happens to you and you're just taken aback. There were so many times throughout the weekend, every 10 minutes, where I'd turn around and see somebody and be like, 'Holy shit, I haven't seen you in 18 years', or something crazy like that. It was hard not to have a good time. When I was going up to perform with Motion City Soundtrack, which was an exciting thing in itself, I turn around and Bayside is there. And I haven't seen Bayside since we toured with them. God, I don't remember when that was, you know? So there was so much of that. You couldn't help but have a good time.

PETE: I mean, that's an insane festival, right? When they announce it, it looks fake every time. The lineup looks like some kid drew it on their folder at school. For our band, the thing that's a little weird, I think, is that by deciding to change between every album, and then we had the three year break which caused another big time jump, I think that it would be hard for us to focus on one album for that show. We're a band where our fans will debate the best record. So it was amazing that we were able to look backwards and try to build this show that would go through all the eras - nod to Taylor obviously on that one. But it's also an insane idea to take a show that should really be put on for one weekend in a theatre and then try to take it around the world at festivals. The whole time on stage for this particular show production, I'm just like 'Is this thing going to go on time?' Because if the whole thing is working totally flawlessly, it just barely works, you know what I mean? So I give a lot of credit to our crew for doing that, because it's not really a rock show. I know we play rock music and it's a rock festival, but the show itself is not really a rock production, and our crew does a very good job of bending that to fit within the medium.

That show allows you to nod to the past but without falling fully into nostalgia. You are still pushing the band into newer places within it.

PATRICK: That's always been a central thing. We're a weird band, because a lot of bands I know went through a period of rejecting their past, and frankly, I encounter this thing a lot, where people have expected that we stopped interacting with older material. But we always maintained a connection with a lot of the older music. We still close with 'Saturday'. So for us, it was never about letting go of the past. It was about bringing that along with you wherever you go. I'm still the same weird little guy that likes too much music to really pin down. It's just that I've carried that with me through all the different things that I've done and that the band has done. So for us, in terms of going forward and playing new stuff, that's always the thing that's important to me; that there should be new stuff to propel it. I never wanted to be an artist that just gave up on new music and went out and played the hits and collected the check and moved on. It's all got to be creative. That's why I do it. I want to make new music. That's always why I do it. So something like When We Were Young is kind of odd really. It's an odd fit for that, because it's nostalgic, which is not really my vibe all that much. But I found a lot of nostalgia in it. I found a lot of value in looking back and going 'Wow, this was really cool. It was amazing that we did this, that we all did this'. That scene of bands, we're all old now, but it has taken off into such a moment culturally that people can point to.

Let's jump all the way back to the first ever Fall Out Boy show. There is very little evidence of it available online but what are your memories of that performance?

PATRICK: So the very first Fall Out Boy show was at DePaul University in a fancy looking dining hall. I actually applied to DePaul, but I never went there because the band went on tour. I think there were only two or three other bands. One was a band called Stillwell, who were kind of a math rock emo band, and then this heavier, more metallic band. And then we were there, and we had a guitar player, John Flamandan, who I have not seen since that show. He was only in the band for a week or two, and we were still figuring ourselves out. We had three songs and I had never sung before in front of people. I did a talent show at school one time when I was a kid and theatre kind of stuff where you would sing, but it was more in that context. And I was also a kid too. This was the first time ever that I'm the singer for a band and I was fucking terrified. We had a drummer named Ben Rose, really great guy. I haven't seen Ben in a million years, either, but we were still figuring ourselves out. The other thing is that all of us, with me being the exception, were in other bands, and all of our other bands were better than Fall Out Boy was. We were very sloppy and didn't know what we were doing, and so I don't think any of us really took it seriously. But there was a thing that was really funny about it, where even though we kind of thought we sucked, and even though we weren't really focusing on it, we had a lot of fun with each other. We enjoyed trying this other thing, because we were hardcore kids, and we were not the pop punk kids and the pop punk bands in town, that was like 'the thing', and we were not really welcome in that. There was a fun in trying to figure out how to make melodic and pop music when we really didn't have any history with that. It was very obvious that we didn't know what we were doing at the beginning.

So when did it begin to feel like things were finally clicking? When did you find your roles and what you wanted the band to be? 

PETE: In regards to the music, I liked Fall Out boy, way before I probably should have. I remember playing the early demos and it giving me a feeling that I hadn't felt with any of the other bands that I had been in. Now, looking back on it, I might have been a tad early on that. Then as far as the roles, I think that they've been carving themselves out over time. We've always allowed ourselves to gravitate to our strengths. Between me and Patrick, we'd probably make one great, atypical rock artist if we were one person. Because our strengths are things that the other doesn't love as much. But I think that what has happened more is it's less of a fight now and there's more trust. We have a trust with each other. There's things that Patrick will play for me or explain to me, and I don't even really need him to explain it, because I trust him. I may not totally understand it, but I trust him as an artist. On the other side of that, it's also very nice to have someone who can veto your idea, you know what I mean? It's nice to have those kind of checks and balances.

PATRICK: I had been in this band called Patterson, and all three of the other guys sang in kind of a gravelly, Hot Water Music vibe. I was not intending to be a singer, but I would try and sing backups and, it wasn't a criticism, but there was this vibe that, while I could do the gravelly thing, my voice was coming through and it didn't fit. It was too pretty and that became a thing I was kind of embarrassed of. So when Fall Out Boy started, I was actively trying to disguise that and mute it and hide behind affectation. Pete would really push me to stretch my vowels because that was in vogue in pop punk at the time. There were all these different ways that we were trying to suppress me, musically, because we were just trying to figure out how to do the things that the bands we liked did. But that wasn't really us, you know? It's really funny, because 'Take This To Your Grave' was recorded in three sections, about six months apart. Over the course of that time, I can hear us figuring it out. I think a really defining moment for me was 'Saturday', because I am not brave, I am not a bold person, and I do not put myself out there. When I was showing the band 'Saturday', we were jamming on the bit after the second chorus, and I was mumbling around, just mucking my way through it, and I did the falsetto thing. I didn't think anyone could hear me over us bashing around in Joe's parents house in this tiny little room. But Pete stopped, and he goes, 'Do that again'. I was so terrified of doing that in front of these guys, because you gotta remember, I was incredibly shy, but also a drummer. I'd never sung in front of anyone before, and now I'm singing in a band and I'm certainly not going to take chances. So I thought the falsetto thing was really not going to happen, but when I did it, there was this really funny thing. Somehow that song clicked, and it opened up this door for us where we do something different than everybody else. We were aiming to be a pop punk or hardcore band, but we found this thing that felt more natural to me.

As you embarked on Warped Tour, simultaneously you were finding this huge level of pop and mainstream success. How was it navigating and finding your way through those two very different spaces?

PATRICK: I used to work at a used record store and what shows up is all the records after their success. So I got really acquainted and really comfortable with and prepared for the idea of musical failure. I just wanted to do it because I enjoyed doing it. But in terms of planning one's life, I was certain that I would, at most, get to put out a record and then have to go to school when it didn't work out. My parents were very cautious. I said to them after 'Take This To Your Grave' came out that I'm gonna see where this goes, because I didn't expect to be on a label and get to tour. I'm gonna give it a semester, and then it will almost certainly fail, and then after it fails, I'll go to school. And then it didn't fail. Warped Tour was very crazy too, I was talking about this at When We Were Young with My Chem. Both of us were these little shit bands that no one cared about when we booked the tour. Then we got to the tour, and all these people were showing up for us, way more than we expected, way more than Warped Tour expected. So Warped Tour was putting both of us on these little side stages, and the stages would collapse because people were so excited. It was this moment that came out of nowhere all of a sudden. Then we go to Island Records, and I had another conversation with my parents, because every band that I had known up to that point, even the biggest bands in town, they would have their big indie record and then they would go to the major label and drop off the face of the planet forever. So I was certain that was going to happen. I told them again, I'm going to put out this record, and then I'll go to school when this fails. 

PETE: I think that if you really wanted someone to feel like an alien, you would put them on TRL while they were on Warped Tour. You know what I mean? Because it is just bananas. On our bus, the air conditioning didn't work, so we were basically blowing out heat in the summer, but we were just so happy to be on a bus and so happy to be playing shows. You go from that to, two days later, stepping off the bus to brush your teeth and there's a line of people wanting to watch you brush your teeth. In some ways, it was super cool that it was happening with My Chemical Romance too because it didn't feel as random, right? It feels more meant to be. It feels like something is happening. To be on Warped Tour at that time - and if you weren't there, it would be probably hard to imagine, because it's like if Cirque Du Soleil had none of the acrobatics and ran on Monster energy drink. It was a traveling circus, but for it to reach critical mass while we were there, in some ways, was great, because you're not just sitting at home. In between touring, I would come home and I'd be sitting in my bedroom at my parents house. I would think about mortality and the edge of the whole thing and all these existential thoughts you feel when you're by yourself. But on Warped Tour, you go to the signing, you play laser tag, you go to the radio station. So in some ways, it's like you're in this little boot camp, and you don't really even think about anything too much. I guess it was a little bit of a blur.

Pete, when you introduced 'Bang The Doldrums' at When We Were Young, you encouraged the crowd to 'keep making weird shit'. That could almost be a mantra for the band as a whole. Your weirder moments are the ones that made you. Even a song like 'Dance Dance' has a rhythm section you never would have expected to hear on a rock track at that time.

PETE: You know, I just watched 'Joker 2' and I loved it. I do understand why people wouldn't because it subverts the whole thing. It subverts everything about the first one. That's something I've always really loved, when I watch artists who could keep making the same thing, and instead they make something that's challenging to them or challenging to their audience. Sometimes you miss, sometimes you do a big thing and you miss, and we've definitely done that. But I gotta say, all the things that I've really loved about art and music, and that has enriched my life, is when people take chances. You don't get the invention of anything new without that. To not make weird stuff would feel odd, and I personally would much rather lose and miss doing our own thing. To play it safe and cut yourself off around the edges and sand it down and then miss also, those are the worst misses, because you didn't even go big as yourself. This is where we connect with each other, we connect by our flaws and the little weird neuroses that we have. I rarely look at something and go 'Wow, that safe little idea really moved me'. I guess it happens, but I think about this with something like 'Joker 2' where this director was given the keys and you can just do anything. I think a lot of times somebody would just make an expected follow up but some people turn right when they're supposed to turn left. That's always been interesting on an artistic level, but at the same time, I think you're more likely to miss big when you do that.

PATRICK: Going into 'From Under The Cork Tree', I had this sense that this is my only shot. It has already outperformed what I expected. I don't want to be locked into doing the same thing forever, because I know me. I know I'm not Mr. Pop Punk, that's just one of many things I like. So I would be so bummed if for the rest of my life, I had to impersonate myself from when I was 17 and have to live in that forever. So I consciously wanted to put a lot of weird stuff on that record because I thought it was probably my only moment. 'Sugar, We're Goin Down' was a fairly straight ahead pop punk song but even that was weird for us, because it was slow. I remember being really scared about how slow it was, because it's almost mosh tempo for the whole song, which was not anything we had done up to that point. But in every direction, in every song, I was actively trying to push the boundaries as much as I could. 'Dance, Dance' was one of those ones where I was seeing what I can get away with, because I might never get this chance again. We were on tour with a friend's band, and I remember playing the record for them. I remember specifically playing 'Our Lawyer…' that opens the record, which has that 6/8 time feel, and they kind of look at me, like 'What?'. Then I played 'Dance, Dance', and they're like, 'Hey man, you know, whatever works for you. It's been nice knowing you'. But I just knew that, on the off chance that I ended up still being a musician in my 40s, I wanted to still love the music that we made. I didn't want to ever resent it. It's ironic because people say that bands sell out when they don't make the same thing over and over again. But wait a second. Say that again. Think about that.

That attitude seemed to carry directly into 'Infinity On High'. If you may never end up doing this again then let's make sure we bring in the orchestra while we still can... 

PATRICK: That was literally something that I did say to myself this might be the last time, the likelihood is we're going to fail because that's what happens, so this might be the last time that I ever get a chance to have somebody pay for an orchestra and a choir. I always think of The Who when they did 'A Quick One, While He's Away' and there's a part where they go 'cello, cello', because they couldn't afford real cellos, they couldn't afford players. That's what I thought would happen for me in life. So I went in and thought, let's do it all. Let's throw everything at the wall, because there's no chance that it's going to happen again. So many things came together on that record, but I didn't expect it. 'Arms Race' was a very weird song, and I was shocked when management went along with it and had kind of decided that would be the single. I was in disbelief. It did not feel like a single but it worked for us. It was a pretty big song and then 'Thnks Fr Th Mmrs' was easily the big hit off that record. So then we have two hit songs off of an album that I didn't even know would come out at that point. But again, it was very much just about taking the risks and seeing what the hell happened.

As you went on hiatus for a few years, you worked on a number of other creative projects. How did those end up influencing your approach to the band when you returned?

PETE: On the areas of the band where I led, I wanted to be a better leader. When you're younger and you're fighting for your ideas, I don't think that I was the greatest listener. I just wanted to be a better cog in the machine. When you're in a band originally, no one gives you the little band handbook and says 'these are the things you should do', you know? I just wanted to be a better version of who I was in the band. 

PATRICK: There's a combination of things. 'Soul Punk' is a weird record. I love that record but I kind of resent that record for so many things. It's my solo record, but it's also not very me in a lot of ways. I had started with a very odd little art rock record, and then I had some personal tragedies happen. My EP that I put out far out sold expectations so then all of a sudden, Island Records goes, 'Oh, we think this could actually be something we want singles for'. I think we had all expected that I would be putting out a smaller indie record but then all of a sudden they were like 'oh, you could be a pop star'. So then I have to retrofit this art rock record into pop star hit music, and also channel personal tragedy through it. I hadn't ever really been a front man - I'd been a singer, but I hadn't really been a front man, and I hadn't really written lyrics, certainly not introspective, personal lyrics. So that whole record is so strange and muted to me. So I went from that album, which also failed so fucking hard - I should have gone to school after that one. But Pete had reached out to me just as a friend, and said 'I know you're in your own thing right now, and I know that you're not the kind of person that is going to be in my fantasy football league, so I'm not going to see you unless we make music. But you're my buddy, and that kind of bums me out that I don't see you at all, so I guess we have to make music'. I thought that was a fairly convincing pitch. It's true, that was what we do when we hang out - we make music. So we reconvene, and going into it, I had all these lessons that really made me understand Pete better, because Pete is the natural front end person. So many of our arguments and frustrations and the things that we didn't see eye to eye on, I grew to understand having now been in the position of the point man that had to make all the decisions for my solo thing. It really flipped my understanding of why he said the things he would say, or why he did things he would do. I remember early on thinking he was so pushy, but then, in retrospect, you realise he was doing it for a reason. There's so many little things that really changed for me doing 'Soul Punk' that were not musical but were more about how you run a band and how you run a business, that made me understand and respect him a lot more.

What are memories of that initial return and, specifically, that tiny first show back at the Metro venue in Chicago?

PETE: Those first shows were definitely magical because I really wasn't sure that we would be on a stage again together. I don't have as many memories of some of our other first things. We were just talking about Warped Tour, I don't have many memories of those because it is almost wasted on you when it's a blur and there's so many things happening. But with this, I really wanted to not take it for granted and wanted to take in all the moments and have snapshots in our own heads of that show. I did a lot of other art during the time when we were off, everybody did, but there's a magic between the four of us and it was nice to know that it was real. When we got on that stage again at the Metro for the first time, there was something that's just a little different. I can't really put my finger on it, but it makes that art that we were making separately different than all the other stuff.

Musically, as you moved forward, everything sounded much bigger, almost ready for arenas and stadiums. Was that a conscious decision on your part?

PETE: Patrick felt like he was bursting with these ideas. It felt like these had been lying in wait, and they were big, and they were out there, and whether he'd saved them for those records, I don't really know. That's what it felt like to me. With 'Save Rock And Roll', we knew we had basically one shot. There were really three options; you'll have this other period in your career, no one will care or this will be the torch that burns the whole thing down. So we wanted to have it be at least on our terms. Then I think with 'American Beauty...' it was slightly different, because we made that record as fast as we could. We were in a pop sphere. Is there a way for a band to be competitive with DJs and rappers in terms of response time? Are we able to be on the scene and have it happen as quickly? I think it kind of made us insane a little bit. With 'American Beauty…', we really realised that we were not going to walk that same path in pop culture and that we would need to 'Trojan horse' our way into the conversation in some way. So we thought these songs could be played in stadiums, that these songs could be end titles. What are other avenues? Because radio didn't want this right now, so what are other avenues to make it to that conversation? Maybe this is just in my head but I thought 'Uma Thurman' could be a sister song to 'Dance, Dance' or maybe even 'Arms Race' where it is weird but it has pop elements to it.

PATRICK: I had a feeling on 'Save Rock And Roll' that it was kind of disjointed. It was a lot of good songs, but they were all over the place. So when we went into 'American Beauty…', I really wanted to make something cohesive. I do think that record is very coherent and very succinct - you either like it or you don't, and that's pretty much it all the way through. By the time we got to 'MANIA', I had done all this production and I'd started to get into scoring. The band had done so many things and taken so many weird chances that I just felt free to do whatever. At that point, no one's going to disown me if I try something really strange so let's see what happens. 'Young And Menace' was a big part of that experiment. People hate that song, and that's okay. It was meant to be challenging, it's obviously not supposed to be a pop song. It's an abrasive song, it should not have been a single. However, I do think that record should have been more like that. Towards the end of the production, there was this scramble of like, 'Oh, fuck, we have no pop music on this and we need to have singles' and things like that. That took over that record and became the last minute push. I think the last half of that record was recorded in the span of two weeks towards the end of the recording to try and pad it with more pop related songs. I look at that record and think it should have all been 'Young And Menace'. That should have been our 'Kid A' or something. It should have really challenged people.

But we have spoken before about how 'Folie à Deux' found its audience much later. It does feel like something similar is already beginning to happen with 'MANIA'...

PETE: I agree with you, and I think that's a great question, because I always thought like that. There's things that you're not there for, but you wish you were there. I always thought about it when we put out 'MANIA', because I don't know if it's for everyone, but this is your moment where you could change the course of history, you know, this could be your next 'Folie à Deux', which is bizarre because they're completely different records. But it also seems, and I think I have this with films and bands and stuff as well, that while one thing ascends, you see people grab onto the thing that other people wouldn't know, right? It's like me talking about 'Joker 2' - why not talk about the first one? That's the one that everybody likes. Maybe it's contrarian, I don't really know. I just purely like it. I'm sure that's what people say about 'Folie à Deux' and 'MANIA' as well. But there's something in the ascent where people begin to diverge, you are able to separate them and go 'Well, maybe this one's just for me and people like me. I like these other ones that other people talk about, but this one speaks to me'. I think over time, as they separate, the more people are able to say that. And then I can say this, because Patrick does music, I think that sometimes he's early on ideas, and time catches up with it a little bit as well. The ideas, and the guest on the record, they all make a little bit more sense as time goes on.

'MANIA' is almost the first of your albums designed for the streaming era. Everything is so different so people could almost pick and choose their own playlist.

PETE: Of course, you can curate it yourself. That's a great point. I think that the other point that you just made me think of is this was the first time where we realised, well, there's not really gatekeepers. The song will raise its hand, just like exactly what you're saying. So we should have probably just had 'The Last Of The Real Ones' be an early single, because that song was the one that people reacted to. But I think that there was still the old way of thinking in terms of picking the song that we think has the best chance, or whatever. But since then, we've just allowed the songs to dictate what path they take. I think that that's brilliant. If I'd had a chance to do that, curate my own record and pick the Metallica songs or whatever,that would be fantastic. So it was truly a learning experience in the way you release art to me.

PATRICK: After 'MANIA', I realised Fall Out Boy can't be the place for me to try everything. It's just not. We've been around for too long. We've been doing things for too long. It can't be my place to throw everything at the wall. There's too much that I've learned from scoring and from production now to put it all into it. So the scoring thing really became even more necessary. I needed it, emotionally. I needed a place to do everything, to have tubas and learn how to write jazz and how to write for the first trumpet. So then going into 'So Much (For) Stardust', it had the effect of making me more excited about rock music again, because I didn't feel the weight of all of this musical experimentation so I could just enjoy writing a rock song. It's funny, because I think it really grew into that towards the end of writing the record. I'd bet you, if we waited another month, it would probably be all more rock, because I had a rediscovered interest in it.

It's interesting you talk about the enjoyment of rock music again because that joy comes through on 'So Much (For) Stardust' in a major way, particularly on something like the title track. When the four of you all hit those closing harmonies together, especially live, that's a moment where everything feels fully cohesive and together and you can really enjoy yourselves. There's still experimental moments on the album but you guys are in a very confident and comfortable space right now and it definitely shows in the music. 

PATRICK: Yeah, I think that's a great point. When you talk about experimentation too and comfort, that's really the thing isn't it? This is always a thing that bugged me, because I never liked to jam when I was a kid. I really wanted to learn the part, memorise it and play it. Miles Davis was a side man for 20 years before he started doing his thing. You need to learn the shit out of your music theory and your instrument - you need to learn all the rules before you break them. I always had that mindset. But at this point, we as a band have worked with each other so much that now we can fuck around musically in ways that we didn't used to be able to and it's really exciting. There's just so much I notice now. There are ways that we all play that are really hard to describe. I think if you were to pull any one of the four of us out of it, I would really miss it. I would really miss that. It is this kind of alchemy of the way everyone works together. It's confidence, it's also comfort. It's like there's a home to it that I feel works so well. It's how I'm able to sing the way I sing, or it's how Andy's able to play the way he plays. There's something to it. We unlock stuff for each other.

Before we close, we must mention the other big live moment you had this year. You had played at Download Festival before but taking the headline slot, especially given the history of Donington, must have felt extra special. 

PETE: It felt insane. We always have a little bit of nerves about Download, wondering are we heavy enough? To the credit of the fans and the other bands playing, we have always felt so welcomed when we're there. There's very few times where you can look back on a time when... so, if I was a professional baseball player, and I'm throwing a ball against the wall in my parents garage as a kid, I could draw a direct link from the feeling of wanting to do that. I remember watching Metallica videos at Donington and thinking 'I want to be in Metallica at Donington'. That's not exactly how it turned out, but in some ways there is that direct link. On just a personal level, my family came over and got to see the festival. They were wearing the boots and we were in the mud. All this stuff that I would describe to them sounds insane when you tell your family in America - 'It's raining, but people love it'. For them to get to experience that was super special for me as well. We played the biggest production we've ever had and to get to do that there, the whole thing really made my summer.

PATRICK: There's not really words for it. It feels so improbable and so unlikely. Something hit me this last year, this last tour, where I would get out on stage and I'd be like, 'Wait, fucking seriously? People still want to see us and want to hear us?' It feels so strange and surreal. I go home and I'm just some schlubby Dad and I have to take out the compost and I have to remember to run the dishwasher. I live this not very exciting life, and then I get out there at Download and it's all these people. Because I'm naturally kind of shy, for years, I would look down when I played because I was so stressed about what was happening. Confidence and all these have given me a different posture so when I go out there, I can really see it, and it really hits you. Download, like you said, we've done before, but there's something very different about where I am now as a person. So I can really be there. And when you walk out on that stage, it is astounding. It forces you to play better and work harder, because these people waited for us. The show is the audience and your interaction with it. In the same way that the band has this alchemy to it, we can't play a show like that without that audience.

[exhausted-archivist]

This is the banter about his going rates that I referenced in another post, and I see the comments and tags. I cannot tell you how much this isn’t him being a nepo baby or the “how much could it cost” meme.

Shoving the rest under the cut because I get the joke here but I need to yell about this man.

tldr: This isn’t dialogue about Lucanis being out of touch, and not knowing what money is worth. He knows, he’s a union man. This dialogue is about Lucanis learning about Harding’s values and priorities. He was worried he was low balling Harding. The tone in this dialogue throws him because what Harding says could easily be taken as “six thousand is only this much and I deserve more compensation.” Hence why he offered to negotiate with her and also why he clarified that the comparison was good.

Now for me yelling about this man:

Lucanis is a union man. Lucanis thinks everyone should be paid fairly, equally, and the market rate. He tells Neve to unionize with the other detectives to make sure she is being compensated fairly (to make sure they all are tbh) and that no one is underpricing themselves. If they are, they’re a scab.

He tells Bellara the Veil Jumpers are providing a service and risking their lives - they should be fairly and properly compensated. They should not only unionize but charge for their services.

Now there is something to say about capitalism and such, but Lucanis is vouching for this stuff because at the end of the day money is important in Thedas. With money you can buy the supplies you need. With money you can make more impactful change, bribe people with lesser morals, provide for people who need it. Cover funerary costs, compensate the families of those who died who maybe the person working for/with you was the only money earner. With money, you can choose to help on jobs that don’t pay at all because you have the comfort of knowing you have other work to cover things.

Lucanis isn’t asking Harding if that’s good because he doesn’t understand the value of what he’s offering. He’s asking Harding if it’s good to understand what her value of it is. Money is after all just a social contract of a universally agreed to system to value the more abstract concepts of value (and even then it fails at times). For all he knows she could have been presenting those examples to show he is lowballing her.

This man is offering to negotiate with her, but her words and tone throw him so he’s not sure if she is happy with the offer or offended.

Lucanis isn’t a nepo baby who thinks 10 dollars for a banana isn’t a lot. Illiaro is the nepo baby. Lucanis was born into wealth but he knows the value of it and works hard to not only earn it but also maintain it. This man has standards, he wants the best because he can afford it so he will not accept anything less than his expensive, luxury Orlesian peaches.

Lucanis doesn’t value goats or a barn the same way Harding does. For her there is personal attachment and sentimentality (see where money fails to properly put a value on something). He knows their monetary worth of those things but he would not be pleased or excited to be paid in a herd of goats (unless perhaps if they were Ayesleigh gulabi goat). But Harding does value those things. Those things have more meaning to her than their value in gold, that’s home. That’s stability. That’s purpose and security. Giving books to the whole village? That’s enriching lives, that teaching people to read. That is uplifting people.

If you asked Lucanis to list off what 6k gold could get him? You’d see his values are different, it would be coffee, luxury food ingredients, wyvern memorabilia, daggers.

Anyways, this isn’t my blorbo but he’s the blorbo of friends I have and man is up there with Cullen, Davrin, and others. Just rotating in my brain space because people I care about like him.

Also this makes me wonder how much the Inquisition was paying Harding and if Lucanis is going to provide her with one of his lawyers like he did for Neve and Bellara.

I've seen Lucanis' family villa so I knew he was rich, but this banter made me realize that he's a rich boy who has no idea what money is worth lmao.

[joelsgoldrush]

➽ summary: To love is to cherish, to endure, to fight. But to love is also to forget—at least, for you and Logan. Despite countless attempts to erase the part of yourselves that yearns to find completion in each other, you always end up back where it all began: the moment your eyes first met his—the moment everything changed.

➽ word count: 12.4k words

➽ warnings/tags: mdni smut 18+ angst. fluff. feels. enemies to lovers. petnames. multiple focalizors/POVs. memory loss. x1 logan. mutant!reader. flashbacks. dirty talk. oral (f and m receiving). fingering. thigh riding. unprotected p in v. missionary. doggy. creampie. cum swallowing.

➽ a/n: inspired by “eternal sunshine of the spotless mind”, one of the most hauntingly beautiful (and life-changing) films ever made. i took some creative liberties when it came to charles' powers, so just follow along. i’d love to know your thoughts on this one, hope you like it as much as i do! <3

How happy is the blameless vestal's lot! The world forgetting by the world forgot. Eternal sunshine of the spotless mind. Each prayer accepted and each wish resigned.

Alexander Pope.

Logan thinks Jean is speaking to him, but her words dissolve into fragments, lost before they reach him. Her reddish lips shape the vowels and consonants with precision, yet the meaning is drowned out by the pulse in his ears. She’s agitated, her long strides barely matching his pace, heels striking the wooden floor in a staccato rhythm.

A few children peek their heads out from their rooms, curiosity tugging at their expressions as the tension unravels in the hallway. Had it always stretched this far into eternity? It feels as though he’s been walking it for centuries now.

If Jean Grey is the embodiment of grace and intellect, then Logan carries the weight of all the world’s stubbornness. It clings to him like a birthright. Defying her beliefs—or anyone’s—is as instinctual as breathing. She’s trying to dissuade him, to talk him out of this reckless act: asking Charles to meddle in what she’s called his personal issues. He suppresses the urge to roll his eyes, focusing instead on the steady cadence of his steps toward the man’s office, each one heavier with purpose.

Jean’s voice grows sharper, her warnings echoing in his mind. This is a mistake. You’ll regret it. You’ll want to undo it. Don’t be stupid, Logan. Don’t do this to her—don’t do this to yourself.

But her protests are futile. The cards have already been laid out. Only meters from the door, he comes to a sudden halt. Jean, caught mid-stride, almost stumbles into his back. For a fleeting moment, hope flickers across her face. Maybe, just maybe, she’s convinced him to reconsider. A tentative smile begins to form on her lips, until he turns to her with a look so unyielding, it steals the breath from her lungs.

She has never seen him like this. This resolute, this… haunted. His jaw is clenched, his brow furrowed so tightly it seems etched in stone. There’s no trace of relief or satisfaction in his expression. Only the grim determination of a man about to pass a point of no return.

Why is he doing this? Soon, there will be hands prying into his thoughts, a marauder pulling apart his memories. Think about her. Now think about this moment. What do you remember? Each memory bearing your name, inked into his unconscious, will be inspected, cataloged, and then erased.

A mind already scarred will be stripped even further, the void swallowing everything. It has to come from a place of self-loathing, he thinks, because no reasonable explanation suffices. Perhaps he’s always been this broken, this damaged, and it was only a matter of time before he sought refuge in the very solution that had once been his calvary.

“I’ve made my choice,” he says with a tilt of his head which aims to deliver a tacit message: stay back. Don’t follow me. I have to do this. I need to.

So this is what it feels like, he thinks to himself, to willingly want to forget, to crave oblivion. To stop caring.

His fist hovers over the door, but he doesn’t have to knock. Charles’s been waiting for him. His voice resonates behind Logan’s eyelids, calm and inescapable. Come in.

“Coward.”

That’s the last thing he hears before he steps into the office, leaving her behind.

The first time you saw him, he was a contained storm, seconds away from coming undone in front of a rather small audience. Hardly the most convenient introduction.

You were in Charles’ office, attending one of his Physics lessons—not because you needed to. He’d already taught you these principles long ago, in a different time, under different circumstances. But lately, Charles had been trying to delegate some of his responsibilities, hoping to carve out time for the pressing matters that demanded his full attention. Ever the sweetheart, you’d offered to help, stepping in to take over this class.

Which is why you spent those past few weeks studying him—not just his teaching style, but the way he presented the topics: the analogies he drew, the subtle inflections in his tone. You’d promised yourself perfection, committed to live up to his standard, and that was exactly what you were working toward.

The sound of a door slamming shattered the flow of the lesson. A man burst into the room as though escaping from some unseen predator, shutting the door with a loud, final thud. He didn’t turn to face you. Instead, he lingered by the door, chest pressed against it, his ragged breathing filling the silence. The students abandoned whatever fragments of attention they had left for the class—this new stranger was far more compelling.

And, truthfully, he’d caught your attention, too.

You hesitated, fists clenching slightly at your sides, bracing for something you couldn’t name. A familiar voice cut through your thoughts, grounding you: This is the man I’ve been telling you about.

Apparently, this was Logan Howlett in the flesh. You certainly didn’t expect Charles’ newest recruit to look like this. 

“Good morning, Logan,” Charles greeted him when the man finally spun around. From this distance, you could see the tension carved into his features, the crease in his forehead betraying his distress. Charles, still composed, redirected his focus to the students. “I’d like your definitions of weak and strong anthropic principles on my desk on Wednesday, all right? That’ll be all.”

They didn’t need to be told twice, gathering their belongings in a flurry of notebooks and murmured goodbyes, barely sparing you a glance as they shuffled out. You offered them a tight-lipped smile, lifting a hand in acknowledgment, but your attention was drawn elsewhere. Logan was looking at you—or rather, through you—with a gaze that felt assessing. You never quite met his eye.

He stood there barefoot, dressed only in a sweater and sweatpants, his breath still uneven. Disoriented. His eyes swept across the room, his expression distant yet guarded, as though he was questioning the reality of it all. Considering the way he carried himself, it almost seemed like this was his first encounter with other mutants—but you knew better.

At some point, Charles decided to break the tension. “I’m Charles Xavier,” he began, his tone inviting. “Would you like some breakfast?”

But, of course, his cordiality and kindness were dismissed, being met with a gruff, “Where am I?”

“Westchester, New York,” Charles replied evenly, maneuvering his wheelchair closer. “You were attacked. My people brought you here for medical attention.”

You hadn’t been part of the mission that led to this moment; that had been Scott and Storm. In fact, you hadn’t even met Logan or the girl they’d brought with him—Rogue, as you later learned. Although at the time, rooted in the aftermath, you stepped forward, bridging the distance between yourself and Logan. You extended a hand toward him, offering your name with a cautious smile. “Nice to meet you.”

The gesture lingered awkwardly in the air, refusing even the pretense of acknowledgment. His eyes locked on yours, piercing and unrelenting, and for a brief moment, you wondered if this was his way of dissecting you. Then his gaze shifted back to Charles, impatience dripping from every word he uttered. “I don’t need medical attention. Where’s the girl?”

Oh. So that’s how he wants to play this. You withdrew your hand, doing your best to mask the sting of rejection as you pivoted on your heels and returned to your place beside Charles. “Jerk,” you muttered, low enough that it almost drowned beneath your breath, fussing with your sleeves in a vain effort to seem unaffected.

He didn’t miss it. His expression hardened, irritation flickering in his eyes. “Come again?”

To end the exchange right there, Charles cleared his throat, effectively steering the conversation into a different direction. Seizing the opportunity, he wheeled himself closer to the brown-haired man, his composure intact. What you admired about him was his self-control, something you’d tried to master in the years spent under his guidance without success. Yet, you couldn’t fathom how he managed not to tell Logan to just fuck off. “About Rogue, she’s doing fine.”

Logan arched a brow, his sneer cutting through the air like a blade. “Really?” You couldn’t grasp how he could hold so much bitterness toward a person he barely knew. His voice was thick with condescension, and a dozen sharp retorts swirled in your mind, each one eager to escape your lips. Your mouth parted to respond on Charles’ behalf, but he beat you to it.

“You’re in my school for the gifted. For mutants.” He paused, letting the weight of his words settle in the dense air. Even the act of breathing felt strained, a soundless tug-of-war for the air around you. “You do know you’re not the only one with gifts, don’t you?”

“Is that what you tell those kids?” Logan’s scoff was a window into his beliefs. “That they have gifts?” 

“It’s no more than the truth.”

“Yeah? Truth my ass.”

“What the hell is wrong with you?” The words escaped you before you could stop them, fury flaring in your chest. You stepped forward, the crackling heat of frustration coursing through your veins, ending in your fingertips. His blank stare only fanned the flames. “We took you in. We saved your life. How about showing a little fucking gratitude?”

Logan advanced, and his eyes bored into yours with a stinging glint of smugness. “I don’t remember asking to be saved.”

Your jaw tightened. You could’ve cracked a tooth as well. “Well, the least you can do is not act like a complete prick.”

A hand encircled your wrist, its grip firm but soothing. Charles’ touch anchored you, grounding you back in the moment. Your breath faltered, tearing your gaze away from Logan’s eyes to meet Charles’ calm expression.

“Don’t be so hard on our guest, my dear,” he murmured, as if the hostility in the room didn’t exist. It could’ve also been that he was too practiced at disarming it. He didn’t bother to glance at Logan, speaking as though the man was just a shadow. “Give him some time. He needs it.”

Swallowing the lump in your throat, you bowed your head. You sidestepped Logan without another word, avoiding his presence like he was a flame that threatened to scorch. The tension clung to your skin, and you flung the room.

From that day on, Logan becomes the only subject you seem capable of discussing.

It’s everything about him—his walk, his voice, the sheer audacity of his existence—that drives you to the brink of madness. You tell yourself to let it go, to not let it eat away at you, but your mind refuses to cooperate. Each day, it does a stellar job of reminding you that you now share the same roof as a man with forks for hands.

Logan is, undeniably, the source of your every frustration.

“He’s an idiot,” you grumble around a bite of your lunch, settling into one of the chairs in the kitchen. Scott, Ororo, and Jean are gathered around the table with you, savoring a rare break before the afternoon classes pull them back into their routines. “I can confirm it.”

“Trust me, we know,” Ororo snaps, her tone more cutting than you expected. The words catch you off guard, and you pause, napkin halfway to your lips, to lift your eyebrows in surprise. “Look, I’m sorry,” she continues, her voice softening just a fraction, “but could you please talk about something else? It’s been Logan this, Logan that, for weeks now.”

“I think I understand what she means,” Scott chimes in, his tone lighter, nearly playful. You lift your hand for a high five, and he obliges with a grin, stealing a laugh from you.

“See? He gets it!”

Leaning back in his chair, your friend shakes his head. “I must admit I don't like the guy either. He’s—”

Jean’s elbow shoots out, jabbing Scott in the ribs just as Logan crosses the kitchen threshold. Scott’s indignant “Hey!” is muffled by your exaggerated cough, though it does little to mask the smirk threatening to break across your face.

How does the saying go? Speak of the devil, and he shall appear.

Logan’s eyes sweep across the room, his silence louder than the faint hum of the refrigerator. He strides toward the cupboard with methodical ease, and Storm bites her lip to stifle a laugh once she catches you watching him far longer than you should have. His back muscles tense and flex as he stretches his arms, the white tank clinging tighter with every movement.

“Please, don’t stop talking just because of me,” he remarks, his voice gravelly as he rummages through the cupboard, his focus presumably on some elusive snack. “Pretend I’m not even here.”

Your response comes out of instinct, words laced with irritation. “It’s hard not to,” you retort curtly, putting down your sandwich with a firm slap of your palms against your jeans.

That gets his attention. Logan turns around to confront you, a flicker of amusement twitching at the edges of his mouth. It’s that toothy smile of his that sets your blood simmering. “You’re somethin’ else, you know that?”

You jump to your feet, matching his intensity. “Such a pity I can’t say the same about you.” Without missing a beat, you step closer, snatching the bag of chips he’s holding. Hiding them behind your back, tilting your head in mock innocence, and then saying, “Oops.”

His brows draw upward, though his tone stays measured, as if speaking to a child. “C’mon,” he replies, making a half-hearted grab for the bag. “How old are you? Twelve?”

Unable to suppress the grin threatening to break free, you rest your back against the counter. “We both know you can do much better than that.”

Already preparing yourself for the lecture Ororo’s going to unload on you the moment he leaves, you watch as Logan exhales sharply. His irritation is palpable in the way he leans in, one hand planting itself on the counter behind you, his frame eclipsing yours. The proximity is electric, his scent, a mix of leather and something woodsy, fogging your senses. Hazel eyes, so deep you could drown in them, peer down at you, as he attempts to strip away every layer you’re desperately trying to hold together.

Safe to say, it’s working. Damn it. 

“Alright,” he finally says, tapping his fingers against the cool surface. “What do you want from me?”

Your galloping heartbeat is a major detail you choose to ignore, instead turning to the others for support. With an exaggerated motion, you point to each of your friends in turn. “Ororo and Scott were the ones who found you that day,” you start, trailing off, “and Jean ran a ton of tests on you to make sure you were okay. Have you even bothered to thank them for their hospitality?”

You believe you can joke with him—it’s how you usually bond with others, how most of your friendships have started. But you can’t help questioning if Logan can even get your sense of humor. The room falls silent, and his eyes flicker, just briefly, to your friends. 

“You’re right, you’re right. My bad, princess.” One of his big, manly lands on your shoulder, the pressure of it too casual, too familiar, working the muscle there. Your fingers slacken around the bag of chips, the feeling of his touch making it harder to maintain your grip. “Guys, I’m deeply sorry for my lack of amiability. Hope you can forgive me.” The sarcasm is thick in his voice, but it’s the sensation that clings to you, that doesn’t seem to fade—the warmth of it seeping through the layers of your clothes, pressing into your skin, stubbornly refusing to fade.

His hand leaves only when he yanks the bag from your grasp, and the warmth that had been just beside you evaporates with his retreat. In an instant, he’s already pulling away, his parting words a careless “See you around,” tossed over his shoulder.

No one dares to speak after that. Because to speak would be to acknowledge what has just happened. Your stomach has turned into a knot, that kind of knot sailors make that are impossible for beginners to undo. Logan’s fingers left a burn in your shoulder. Can you still smell him, the trail he left? Scott is the first to speak after a minute or so. “What… was that?”

“I have no clue,” Jean says between bites, staring reflectively at you. “Care to elaborate?”

Your tongue feels heavy, your throat parched. Even if you tried, a rational explanation wouldn’t come.

Ever since you were a child, you had yearned to grow up, to experience love as only adults could. In your young, unformed mind, it all seemed like a simple equation: adults dated; adults embraced love in the flesh; adults reveled in freedoms that children could only dream of, waiting patiently for their time to come.

And you did grow up. You did fall in love. But now he’s forgotten you, and nothing could have prepared you for that kind of ending. It wasn’t the closure you would have chosen, not the goodbye you imagined for you and Logan.

You find yourself caught in the in-between—not quite a child, yet not fully an adult either. Because surely, an adult would know how to handle this pain. An adult would find a way to cope. But you feel small. Weak. Hopeless.

It leaves you wondering just how much you are willing to forsake.

More weeks go by, and Logan remains in the mansion, defying the departure you’d expected. Part of you is relieved. He moves through the halls like a shadow, his eyes always on Rogue: checking on her, observing her interactions with the rest of the students at the mansion. She’s thriving, really. Blending in with her peers, forming bonds, especially with a boy named Billy. They are quite the pair.

Yet, despite Rogue’s happiness, Logan can’t seem to shake the grim air that surrounds him, an aura that emanates a quiet kind of disgust.

One night, you’re flipping through channels in the living room, stopping when an old love movie catches your attention. You place the remote down on a cushion, and pull your knees up to your chest, the murmur of the characters’ voices the only sound in the otherwise hushed room. You don’t think anyone else is awake at this hour.

 “Can’t sleep?”

There he is again. Always intruding, always finding his way back to you. The predator creeping into the vixen’s nest. He moves closer, slowly, and you lift your gaze to him, replying, “Actually, I’m a sleepwalker.”

Your comment earns a half-smile from Logan as he drops onto the couch beside you, his leg brushing against yours momentarily, worn denim against bare skin. His attention shifts to the TV, to the grainy images of the film playing out. You steal a glance at him, tracing the hard lines of his side profile.

“Feelin’ romantic tonight?” he asks.

“Not precisely,” you retort, fingers toying with the frayed edges of the blanket pooled at your feet. “There’s nothing else on. Sometimes you have to make do with what’s there.” Your gaze drifts back to him, lingering just a second too long before you add, “What about you? Any ghosts keeping you up?”

“You could call them that,” he says after a pause, his face still angled away. It must be easier to speak to you with this thin, invisible wall between you. “I have nightmares.”

“So you’re the one screaming at two in the morning?”

“Exactly. That’s me.” He ends up meeting your gaze, his Adam’s apple bobbing slightly, harboring an emotion he doesn’t voice. “M’sorry if I ever woke you up.”

“I’m usually awake at that time, too.” Your eyes flick to the screen. The couple in the movie bursts out of a building into the rain, their body language unmistakably revealing the heated argument unfolding between them. The man, clad in a raincoat, removes it to cover the woman, his supposed girlfriend. She’s visibly upset, but accepts the gesture nevertheless. “You can always knock on my door if you need anything. Unless I’m snoring—then I’ll be useless.”

Logan clicks his tongue, his focus shifting to the film as well. The man shouts, ‘Because I love you, for God’s sake!’ He casts a glimpse in your direction, his expression unreadable. “Same goes for you.” The woman in the film responds with a strangled, ‘Then prove it!’

“Anytime?”

“Anytime.”

The man cradles the woman’s face before kissing her. She throws her arms around his neck, and the music swells, evolving into a much more melodic song. A chorus of angelic voices replaces the earlier tense harmony. The camera lingers on every angle of their kiss, every desperate touch, as the world outside their embrace ceases to exist.

“This is cheesy,” Logan mutters, his heel bumping against the floor in repeated, short motions. Is he nervous?

“Yeah, so cheesy,” you reply quickly, pulling the blanket over your lap and curling into yourself. He doesn’t look like he’s thinking about kissing you, not even remotely, but you are.

A quiet yawn escapes you, and you rub your fist against your eyes, sleep beginning to take over your body. Logan catches it, his own yawn following like a reflex. “Looks like the movie’s workin’ wonders,” he quips.

You let out a drowsy giggle. “Shut up,” you murmur, but then he’s inching closer, his shoulder brushing against yours. His warmth seeps through, and after a few seconds of hesitation, you allow yourself to lean into his frame, resting your head on his arm. It’s awkward, your neck already protesting the angle, but you accept it. You’ll take the stiffness tomorrow without complaint, because this moment is worth it.

It won’t last long, though, this rare tenderness. These nights, the quiet ones, are when Logan opens up the most—when Jean and Storm aren’t around, when it’s just the two of you. That’s when he approaches you, like a wary black cat testing the waters. But he doesn’t need to tread carefully. Not with you.

“What if I were to fall asleep… hypothetically?” Your eyelids grow heavier with each blink, the pauses between each one stretching longer. Your cheek nuzzles against him, seeking warmth, and you feel the subtle tug of his hand as he pulls the blanket over his legs as well.

“Hypothetically,” he begins, rasping his words near your temple, “I wouldn’t mind.”

Within moments, sleep claims you. You never find out what happens after that, but he stays, trailing quietly behind. No nightmares or shadows from his past dare to haunt him that night.

It was inevitable that an encounter like that would spiral into something more. You weren’t naïve. You could connect the dots, and the picture was clear: Logan wanted you, too. Desire often walked a fine line, and from hatred to something else, it’s hardly a leap—just a small, barely perceptible step. It could change with the shift of light, from dawn to dusk. But you’d need the strength to cross that line, to be bold enough to make the first move.

And now, with the sun already dipped below the horizon, taking its long-awaited rest after a full day of burning up in the sky, you find yourself alone in the kitchen, though you hadn’t started that way. Scott had lingered for a while, insisting he didn’t mind keeping you company. You’d thanked him with a polite smile before subtly nudging him out. It hadn’t taken much—just a few hints. Simplicity at its finest.

At the table, a neat pile of student papers spreads before you. Your pen dances across the pages, leaving corrections and grades in its wake. It’s then that he appears. He doesn’t speak at first, but his presence saturates the room like a shadow stretching across the floor. You don’t need to turn around to know it’s him; it must be the unspoken familiarity of how he fills a space. Or maybe it’s just how attuned you’ve become to his every movement.

Logan leans in behind you, close enough that you feel the heat he radiates at your back. His low hum sends a shiver down your spine as he peers over your shoulder. “Don’t you think it’s a bit late to be playin’ the teacher?”

Your grip on the pen tightens, a small tremor in your fingers giving away the tension pooling in your stomach. You exhale softly, blowing on the fresh ink. “Would you prefer to have me doing something else?”

Smugness prickles at the edges of your words, but the resolve in your chest is faltering.

“Now that you mention it…” His voice dips, grating next to the shell of your ear as his chest brushes your back. His presence is magnetic, the scrape of his beard scratching your skin while he tilts your head to one side. His fingers sweep your hair over your shoulder, lips mapping the nape of your neck, tasting your fevered skin. “I might have a few ideas in mind.”

Your breath hitches. You try for composure, but it wavers in your reply. “Really?” you ask, because playing dumb always has its merits, after all. “Want to show me?”

He doesn’t answer right away. His hand moves deliberately, tracing a sensual, teasing path up your abdomen. His palm settles over one of your breasts, his thumb brushing the sensitive peak through your sweater. “I don’t think you’d want me to do it here,” he says, his voice thick with suggestion. “Too public for what I’ve got planned for you.”

You disentangle yourself from him, slipping off the chair with an unsteady grace, but Logan doesn’t give you time to find your feet. He smashes his lips with yours, the force of his kiss almost sending you reeling. His tongue presses insistently, seeking entry, as if the urgency in his touch could dissolve every barrier between you. He grabs your cheeks, holding you in place as though you might slip away, drawing you so close there’s barely space to breathe.

You’re caught off guard, not knowing where to put your hands, searching for purchase. The cold metal of the refrigerator handle digs into your lower back as he backs you against it, his groans reverberating through your mouth like a growled confession.

“My bedroom,” you manage to gasp between kisses. “Take me to my bedroom.”

Logan obliges, intertwining his fingers with yours. Together, you ascend the stairs, your laughter mingling in the noiseless night when he missteps and stumbles, momentarily breaking the spell. But he recovers quickly, finding your room in mere seconds. 

The door clicks shut behind you, and he presses you against the wood with a force you’d never experienced, his hands sliding down to grip your ass and knead the supple flesh with a possessive fervor. It all helps to feed the fire pooling in your core.

“Quiet, baby,” he whispers, slipping his fingers beneath the back of your sweatpants. His nails trace fiery lines along your skin, igniting your every nerve. “Don’t want anyone wakin’ up to those pretty sounds you make. They’re just for me, right?”

You nod frantically, longing for more, arching into his hands as your hips grind against his, your body moving with a will of its own. The friction is exquisite, a tantalizing promise. “Fuckin’ hell,” he mutters, his words laced with unfiltered hunger. “I’ve thought about havin’ you like this ever since I met you.”

His confession sends a surge of pride through your chest, an ache that feels equal parts affection and astonishment. Ever since the beginning? When he could barely look at you without scowling, his disdain practically tangible? “You hid it well,” you reply, breathless as you trace the outline of his erection over his jeans. The way it twitches under your undivided attention makes your pulse race. “I thought you hated me.”

He lets out a huff of laughter. “I thought the same about you,” he counters, before crushing his lips to yours once more. This time, you can’t help but smile into the kiss, your bodies moving as one, the pent-up tension between you unraveling in waves. “Guess we were both wrong.”

Your pants hit the floor in an unceremonious heap. It should embarrass you, how desperate and utterly needy you sound, the pleas spilling from your lips like the filthiest confessions. But the hunger in you is too vast, too insistent, drowning any possible flicker of shame. Decency was abandoned the moment you crossed that threshold. Logan nudges your legs apart with his knee, and the instant you feel him against your center, a contained sigh escapes you, half-resignation, half-surrender. Thought dissolves, leaving only instinct as you rock against him in slow circles, seeking relief.

“When was the last time someone took care of you?” He toys lazily with the waistband of your panties, like he has all the time in the world. You don’t give him an immediate answer, choosing instead to grind harder against his thigh, your breath hitching at the pressure. “Don’t go all shy on me now, sweetheart,” he says, dipping his head to mouth at your collarbone, the scent of his cologne heady and intoxicating. “Judging by the way you’re basically humpin’ me, I’d say it’s been a while, hasn’t it?”

“I don’t remember,” you blurt out, your head thudding against the door when his teeth nip at the delicate curve of your neck. Your pulse thrums beneath his lips, and you’re seconds from biting your tongue just to keep from crying out. “Stop teasing.”

Logan’s lips quirk up into a wicked smile against your skin, his knee retreating only to be replaced by his fingers, trailing them along the fabric covering your heat. “I like it when you get bossy. It reminds me why I like you so damn much.” He tugs the fabric of your underwear aside, the cool air hitting your wetness for only a moment before his fingers glide over your arousal, testing your patience. One digit slides into you, curling slightly as his palm presses over your mouth, muffling the whine that falls from your parted lips. “So wet for me, princess.”

Your legs shake under the weight of sensation, threatening to give out as you lean into the door for balance. His fingers move inside you with a sharp rhythm, hitting that spot with each furious thrust. The pressure builds, hot and insistent, and it’s overwhelming, but then he drops to his knees, and the sight alone sends a jolt through your core.

The first drag of his tongue along your folds is molten. He laps at you with long strokes, his pace never faltering, pumping his digits in sync with the flick of his tongue, coaxing every sound you’ve tried so hard to stifle. “Oh, fuck. Logan—” 

He groans against your core, his eyes remaining locked on your face, soaking in every flicker of pleasure that crosses your features. His focus is relentless, as though your reactions fuel him. You rake your hands through his hair, clutching at his dark locks with haste whenever his wet muscle lavishes extra attention on your clit, the intensity of his ministrations making your voice break, a choked gasp dying on your lips.

Your climax teeters on the edge, faster than you anticipated. “Close,” you manage to huff, the obscene noises he elicits driving you wild. “I’m gonna come. Please, come here—”

Logan detaches himself from you, standing tall with a fierce determination in his eyes. He’s set on pushing you over the edge with his fingers alone. His lips crash against yours, biting and licking, swallowing every desperate mewl that falls from your mouth, spit glistening down his chin. Three knuckles deep, coaxing your body to respond, your walls tighten around him, shuddering as he corners you against the door, the sharp edge of pleasure sending your knees buckling. Your orgasm washes over you, rendering you boneless in his hold. Limp and spent, you can barely return his kisses, panting harshly against his mouth, his arms the only thing keeping you from collapsing.

As you steady your breath, a satisfied smile tugs at your lips. Your eyes flicker down to his slick palm, and a rush of pride floods you. "That was amazing," you breathe, your fingers, trembling slightly with anticipation, reaching for his belt to tug at it. “My turn now.”

He ends up with his back pressed against the headboard, his chest rising and falling with each shallow breath. You’re positioned between his legs, stimulating him over the fabric of his boxers. “It won’t take too long,” he says, and you feel the weight of his words more than hear them as you pull him free, revealing the hardness beneath. He’s already swollen, the tip wet with precum that coats your thumb as you stroke him once, feeling the heat pulse beneath your touch. A shiver runs through him, his legs stiffening as though on the edge of restraint. Bewitched by the size of him, you lean forward to slip the leaking head past your lips. “Jesus Christ.”

It’s difficult to take all of him at once, but you push through, your mouth stretching to accommodate his size. As you work him with your hand, your tongue traces the veins that snake along his length, feeling him throb. Logan’s body betrays him, his fists tightening around the sheets as if holding on to his last thread of control, desperately keeping his hips still, resisting the urge to fuck up into you.

“Honey, pull out,” he warns, stroking your back. “M’not jokin’. You’re gonna make me come.” But you don’t stop. Instead, you deepen your movements, cheeks hollowing as you take him with more enthusiasm, pushing him toward the back of your throat. When he realizes what you’re doing, a moan escapes him, laced with a dark laugh. “Filthy girl. So that’s what you want? To choke on my cum? Should’ve asked for it sooner.”

Not long afterwards, you feel the first splash of his release hitting your tastebuds. Ropes of his seed flood your mouth, some of it dribbling out to stain the corner of your lips. He watches, his thumb gently swiping over the edge, collecting what’s spilled, his eyes never leaving yours as he moves.

“Show me,” he asks, still breathless. You lean closer, your faces a whisper apart, and then you part your lips, revealing the evidence of your devotion like a masterpiece on display. His fingers find your chin, holding you there as he bites into his lower lip, the pressure turning the skin pale. “Now swallow,” he commands, and you obey, the motion deliberate, your satisfaction mirrored in the curve of his grin. He kisses you languidly, as if savoring the moment. “Where have you been all my life?”

The question invites countless answers, but you choose to murmur, “Down the hallway.”

“Logan, are you even listening?”

Charles’ voice slices through the playful moment, forcing Logan’s hands to still against your sides. The team sits around the table, embroiled in serious discussions that demand focus and discipline. Yet Logan’s fixation on you has rendered him deaf to anything beyond the sound of your laughter. Not a single word of the last hour and a half has stuck, his mind entirely preoccupied by the warmth of you perched on his lap.

He’d insisted he was much more comfortable than any chair, and you’d indulged him, leaning into his chest as his fingers danced teasingly along your ribs. “Of course I am,” Logan drawls, though the way his hand resumes tracing lazy circles on your stomach says otherwise, his entire attention remaining fixed on you.

“I don’t think you are,” Charles counters, leaning forward with both palms flat on his desk. His sharp gaze locks to you, narrowing faintly. “Do I need to seat you two on opposite ends of the room, or can you manage to behave?”

You stiffen in response, the easy comfort of moments ago evaporating. Sliding off Logan’s lap, you settle into the nearest chair, your departure catching him off guard. Your eyes meet his subtly, and you offer him an apologetic smile. Beneath the table, your fingers squeeze his knee, a silent reassurance. Finally, you direct your attention to Charles, straightening in your seat as if to demonstrate your newfound focus.

Logan, however, is less cooperative. His arms cross over his chest, and a crease forms between his brows, the picture of rebellion. Nothing that Charles says registers in his brain. All he can think about is how much better it felt to have you on his lap, where you weren’t bothering anyone. He contents himself with watching you now, contemplating your profile and the way your fingers absentmindedly tap against your notebook.

He sighs, leaning back in his chair. It’s not the same. You’ve been dating for a month, much to the surprise of everyone in the mansion. It’s as if the idea of the two of you together had never even crossed their minds. Not even Rogue believed it when she came to ask Logan if the rumors were true. He hadn’t known how to respond to her, caught between mirth and disbelief himself.

It’s been decades since he’s felt this alive. He’s head over heels for you in a way that’s exhilarating. Seeing you, even across a crowded room, lights a fire in him, and he has to actively fight the urge to walk over, pull you close, and kiss you senseless right there in front of your friends.

As the meeting finally draws to a close, Charles asks him to stay for a while. “I just need to have a quick word with you,” he says, waiting until the others leave.

Once you’re out of earshot, Charles sighs, shaking his head like an exhausted parent addressing his wayward child. “Look, I’m glad you two worked through your differences,” he begins, a note of cautious joviality in his tone, “but this... well, this is the opposite of that.”

Logan exhales wearily, rolling his eyes before he can stop himself, and regretting it instantly. Don’t shrug him off, his inner voice scolds him. “C’mon, Charles. You’re overreactin’.”

The man arches a brow. “Am I? Watching the two of you cuddling during a meeting feels like chaperoning teenagers. Honestly, I must admit you’re even worse than them at times.”

That remark lands harder than Logan expects. He opens his not-so-smart-mouth, ready with a retort, but no words come out. For once, his quick wit fails him, leaving him standing there in uncharacteristic silence.

Rubbing the bridge of his nose, Charles’ eyes fall shut. “Just… try to be more present, alright? And don’t distract her, or yourself, too much. That’s all I’m asking for.”

Later, when he recounts the conversation to you, you start pacing nervously across his bedroom, your teeth worrying at your nails.

“Maybe he’s right,” you murmur, more to yourself than to him.

“Darlin’—”

“I just don’t want him to be angry with us,” you cut him off, arms dropping to your sides in defeat. Turning toward him, you sit down on the edge of his bed, your shoulder brushing his as your eyes bore into the carpet. “Do you think we should... give each other some space?”

Your suggestion feels like a punch to his gut. He sits up straighter, hands finding their way to your hips as he guides you onto his lap, your thighs bracketing his waist. “I think we’re fine the way we are,” he says, tipping his forehead against yours, his nose brushing yours in a loving gesture, coaxing a small smile from you. “I’m the happiest I’ve ever been. Are you happy with me?”

You nod—once, twice, like it’s the only answer you could possibly give. “I love you,” you whisper, the words trembling, your lips curving into a smile that he feels against his own when he kisses you.

“God,” he grumbles against your mouth, long fingers tightening on your hips. “I never get tired of hearin’ that.” Logan cups your ass through your clothes, rocking you against him, and a groan escapes his throat as your center presses against his half-hard cock. “Say it again,” he rasps, his voice wanting.

“I love you,” you breathe, your head falling back when his hands move to unbutton your shirt, his touch reverent and greedy all at once. “I love you so much.”

Before you know it, he’s rolled you onto your back, hovering above you as he peels away the layers between you. He can’t comprehend how he got so lucky, how he gets to have you like this every day, so pliant and eager beneath his body. Your whimpers grow softer, more airy, but even then, you’re still whispering how madly in love you are with him.

This is a memory he’ll hold on to when Charles inevitably asks him to reconsider—to think about what’s best for both you and him. Fragile moments like this will slip through his fingers, but for now, they’re his to cherish.

“Are you out of your goddamn mind?”

It turns out that love doesn’t come neatly wrapped in perfection. No—it’s a chaotic blend of tender glances and fiery clashes, of whispered promises and cutting comebacks. It’s arguments that sting as much as they heal, moments that don’t glitter but still matter, making the difference.

“Fuck off!” you snap, shoving the door against its frame, trying to shut him out. But Logan’s hand wedges in the gap, his strength effortlessly outmatching yours. “Get out, Logan.”

“No.”

“I’m being serious.”

“So am I,” he grits through clenched teeth, pushing the door open and stepping inside. Behind him, Jean calls your name, but he doesn’t turn. “Not now, Jean!” His voice echoes down the hall, and the sound of her retreating steps leaves the air tense.

You’ve already crossed the room, standing by the window. The sunlight filters through, painting your silhouette in warm flickers. Outside, the kids are in their break, passing a ball, their laughter carried by the breeze. Logan moves toward you, his presence heavy, and you hold up a hand to stop him.

“I’m going on that mission,” you say firmly.

“No, you’re not.”

Your head snaps toward him, a storm unraveling in your gaze. “Charles wants me there. The team wants me there,” you shoot back, jabbing a finger into his chest with each word, “and most importantly, I want to go. You don’t get to decide for me.”

Logan doesn’t step back, doesn’t flinch. He can’t understand how you don’t see his side of things, how the thought of you being in danger like this twists his insides into knots. “I can’t lose you.”

“Logan—”

“No, you don’t get it!” The words burst out of him. “What if something happens to you? What if you get hurt, and we can’t get you back in time?” His fists clench at his sides, fighting the need to pull you into his arms, to feel that you’re still here with him, still safe. “It’d kill me, because I love you with everything that I am. Just thinkin’ about losin’ you makes me sick.”

Your expression softens, but only for a moment. You take a step in his direction, closing the space between you. There’s no hesitation in your tone when you speak, leaving space for conviction. “I had a life before you, Logan. I’ve been here since I was a child, learning how to fight, how to survive. I’ve gone on missions for years—missions that were just as dangerous as this one. I don’t need you to protect me like this.” Your voice wavers, just barely. “I appreciate that you care, but I’m just as capable as you are.”

How long can someone hold their breath? Logan doesn’t even notice he’s doing it until your arms encircle his waist, your embrace melting the tension that’s been coiling in his chest. You bury your face against him, your breath steadying, and he draws a long breath, pressing his lips to your forehead like it’s the only thing keeping him from falling apart. His hand slides into your hair, fingers threading through the strands with a softness that feels almost out of place after the heated exchange.

“You get so bossy sometimes.”

"I thought you said you liked me bossy," you answer, your voice low, laced with mixed feelings, as you look up at him through hooded eyes.

Logan’s lips twitch into what aims to simulate a smile, but it’s weighed down by the sadness pooling in his gaze. It doesn’t reach the crinkle of his eyes, doesn’t carry the warmth it usually does. 

“I do,” he says, his voice rough, barely audible, brushing a thumb across your cheek. The words hang between you, carrying a plea for things to feel less heavy, for this closeness to fix what words can’t.

The arguments come more frequently now. The love hasn’t faded—of course, it hasn’t—but it feels buried beneath the noise. You and Logan clash over everything, over nothing, over things neither of you can quite name, all the fucking time.

It’s a cycle that none of you can seem to break, passion feeding the fire until it burns too bright, too hot. One of you always storms out, slamming doors or throwing words that linger in the air like acid smoke. And yet, no matter how much it hurts, no matter how lost you both feel, the love is still there. Aching, waiting for the dust to settle.

You tell yourself it’s just a rough patch. That love like this isn’t easy, that it’s supposed to be messy. But sometimes, when the silence stretches too long after another fight, you can’t help but wonder how much more the two of you can take before something breaks for good.

Lust becomes your apology, an untamed collision of anger and desire that you can’t resist. It’s not gentle—it’s frenzied and blazing. The bed creaks beneath you, the sounds of your moans and the slap of his hips against your ass enveloping the room. Every thrust drives you closer, the ferocity of it making your head bump into the headboard, but all you can think about is how full he makes you feel.

“Yes, yes, yes,” you cry out, drooling all over the pillow, ass high up in the air as Logan continues to pound into you. He pulls out all of a sudden, making you gasp in protest. That’s when you feel his tongue against your slit, eating you out from behind, spreading your cheeks to see just how much further he can go. Your hand flies back, pressing him into your skin. “So good, baby. F-fuck.”

There’s no leaving him, not even in your wildest dreams. When he spills inside you, you always ask him to hold you close, whispering for him to stay there. To keep you full of him. And he does, fusing your body with the mattress, his weight anchoring you to the pleasure he knows how to grant you. 

But then, it’s morning. The sun filters through the curtains, painting stripes across the rumpled sheets, and you’re tangled together, his arm heavy across your waist. You stare at the ceiling, your mind crawling back to the fight, to the anger that seemed so vital only hours ago. You have to force yourself to remember why you were so mad in the first place. As his hand slides over your hip, pulling you toward him, the memory slips further away.

Dating Logan means understanding the darkness he carries, the nightmares he has almost every night. Usually, you’re woken by his movements, his rambling, the tremors that run through his body. You’ve perfected a way of rousing him gently, pulling him from the grip of whatever horrors his mind conjures without causing him more harm.

Though tonight, you must’ve been drained. You didn’t notice the moment the nightmare began.

“Honey? Oh, fuck. Wake up, c’mon.” His voice pulls you from the depths of sleep, and when your eyes flutter open and adjust to the dim light, the first thing you see is Logan, sitting rigid, staring at your arm as though it’s breaking him apart. The pain in his gaze is nearly palpable.

“What’s wrong?” you ask, voice groggy as you sit up, still partly disoriented. “Logan, are you okay?”

Then you see it: Blood. Dark stains seeping into the sheets, trailing from a jagged cut running the length of your forearm. It isn’t deep, and oddly, it doesn’t even hurt that much. But Logan looks stricken, his eyes flickering between your wound and his own hands.

“It’s okay. It doesn’t hurt,” you assure him as you fumble to grab the ruined sheets, bundling them up to contain the mess. Reaching for the lamp on the nightstand, you switch it on, bathing the room in a golden glow. That’s when you notice the droplets of blood on his knuckles, the torn skin where his claws must have pierced through. This has never happened before. Neither of you know what to say or how to react. When you reach for his hand, he recoils, shaking his head like he’s trying to will the scene away. “Hey, don’t do that.” 

“I knew it’d happen eventually.” He’s spiraling, rising to his feet. A man trying to escape himself. A thin sheen of sweat glistens on his chest and back, his body tense with the effort of holding his pieces together. Turning to face you, his expression is the embodiment of torment. In his eyes, it’s as though the prophecy has been confirmed, irrevocably, by his own doing. “I hurt you. I told you it was going to happen.”

“Why are you acting like this?” you ask, pushing yourself off the bed to meet him. You’re tired, too tired to be arguing like this. “It won’t happen again.”

“How can you be so sure? You said the same thing before, and now look. Look at where we are.”

You’re at a loss for how to calm him. The exhaustion weighing on you makes your thoughts sluggish, and you’re afraid of saying something you’ll regret. But giving up isn’t an option—not with him, not because of this. Slowly, you step back and spin in place, letting him see you fully, the wound and all.

“You see? I’m fine,” you insist. “I’m not hurt. Please, Logan, believe me when I say I’m okay.”

He doesn’t respond, but the uncertainty etched into his face lingers. For a moment, you think you’ve reassured him, as he lets you guide him back to the bed. Together, you pull the sheets up to cover your bodies, and he leans into the pillows with a weary sigh. He mutters something about being sweaty, so you don’t rest your head on his chest as usual, settling into the curve of his shoulder instead. The rhythm of his breathing, uneven at first, begins to steady.

At some point, the warmth of his body disappears. You stir faintly, but your mind is too clouded by sleep to register it as anything more than the remnants of a rather vivid dream.

Logan remains standing, staring at Charles, refusing the invitation to sit down. “You told Jean,” he says, and the other man doesn’t flinch, doesn’t even attempt to deny it. “I asked you to keep it between us.”

“I thought she might help you reconsider,” Charles answers, looking more serious than usual, his piercing eyes fixed on Logan. “Logan, I still don’t believe this is the right path for you. It’s not the solution to your problems. You can’t run from her, from this—relying on forgetting won’t bring you peace.”

Who really knows what’s best for him? Logan certainly doesn’t. After all these decades of walking the earth, what has he truly learned? His long life feels like a cruel irony, offering time without clarity. What use is immortality when you’re paralyzed by indecision, unsure of what you truly want?

“I can’t leave her. At least, not willingly,” he explains, his voice quieter now, almost resigned. He shrugs off his jacket and tosses it onto the arm of a chair, the gesture lacking finesse. “She’ll get over it. She’s stronger than she thinks.”

“You’re deciding for her.”

To that, Logan has no reply. He only looks away.

“When I got here, you told me you’d help with whatever I needed.” Logan crosses the room, lowering himself into a chair by Charles’ desk, his posture stiff. He lifts his chin slightly, trying to convey a confidence he doesn’t actually feel. “This is what I need you to do. Today.”

“Let’s start with your most recent memories and work backward from there.” Charles rolls himself closer, his chair nearly brushing Logan’s legs. “There’s an emotional core to every memory, and when you eradicate that core, it begins to degrade. By the time I’m done, those memories will have withered, as in a dream upon waking.”

Logan’s throat tightens at the description. There’s no comfort in Charles’ words. It doesn’t sound like a dream. It sounds like a nightmare.

“Do you want to proceed?”

“Yes.” Logan’s reply is immediate, though it scrapes his throat like gravel.

Charles nods once, solemnly. “Then tell me your most recent memory of her.”

I think I was preparing a class when she burst through the door, uninvited. I’d been trying to keep my distance from her, because of... well, all of this. But it wasn’t easy. I couldn’t bring myself to tell her to leave, so I let her stay. She came up behind me, wrapped her arms around me, and asked if I had much left to do. I told her everything else could wait. Big mistake.

We were lying on my bed. Somehow, we always ended up there, tangled together. It wasn’t strictly... sexual. There’s something profoundly vulnerable about sharing that space. Snuggling, you could call it. Now that I think about it, she likes resting her head on my chest. Says it’s the best way to hear my heartbeat and find out if it matches hers.

“Focus, Logan.”

Yeah, I know. You’re right. Anyway, she asked me if I believed in soulmates, and I laughed. Obviously, she thought I was mocking her, so I had to convince her I wasn’t. I just thought the question was funny.

“Why did you laugh?”

Because it was exactly the kind of question she’d ask. She hadn’t before, but I’d been waiting for it. She told me she thought soulmates existed, and that I was hers. And I laughed again, and she threatened to leave. I held her tighter.

I told her I didn’t know if soulmates were real. I didn’t have that kind of certainty. What I did know, I said, was that I loved her. That was the only thing I was sure of. Soulmates or no soulmates, I loved her. I was right where I wanted to be. Those were my exact words.

“When did this happen?”

Yesterday. Before she left with Ororo and Scott for their mission. That’s why I’m choosing to do this now.

“I’m afraid I have to ask you again. Are you absolutely certain you want me to do this?”

Yes, Charles. Please, don’t ask me again.

Throwing open the mansion’s entry door, you let it swing wide as you step inside. You could use a shower, but right now, all you care about is finding him. Where is he?

Before starting your search, a cluster of students rushes toward you, their arms wrapping around your waist. Their laughter fills your senses as they chatter excitedly, hugging you tightly. “We missed you!” A boy exclaims, and you can’t help but smile, ruffling his hair.

“Have you seen Professor Logan?” you ask, crouching to meet the eye of one of the younger girls.

She grins, her innocent smile spreading, and she points toward the kitchen. “He’s in there.”

You thank her and make your way to the kitchen, your heart beating a little faster. You find him standing by the counter, slicing bread. His movements are methodical, his posture calm, but something feels off. You pause in the doorway, scrutinizing his face for a sign, any sign, that he’s happy to see you.

But his gaze flicks to you for only a brief moment, cool and detached, before returning to his task.

“Hey,” you call softly, tilting your head. His shoulders tense, and he doesn’t stop cutting. “I’m back,” you add, stepping closer, hoping for some sort of acknowledgment.

It takes him a few seconds to respond, and when he does, his voice sounds flat. “I see.” He opens a drawer, pulling out a fork. “Good for you, I guess.”

The words hit you like a slap. A joke, surely. But why? You take a hesitant step forward, your brows furrowing. “Logan, why—”

Before you can finish, a hand grabs yours, yanking you out of the kitchen. Startled, you turn to see Jean, her expression pale and stricken.

“Jean?” you ask, confused. “Is this another one of Logan’s pranks?”

Her lips twitch, and tears glisten in her eyes when she swallows thickly. “I’m so sorry,” she whispers, her voice cracking. “I tried to stop him. I really did. But he—he wouldn’t listen!” Her hands tighten around yours, quivering. You’ve never seen her like this before.

“Wait—slow down,” you urge, your stomach twisting.

“I swear, I tried to talk him out of it,” she pleads, each of the words she utters rushing out like a flood. “You know how stubborn he can get.”

It doesn’t take too long for her panic to feel contagious. The pit in your abdomen deepens as you glance back toward the kitchen, where Logan stands just out of sight.

Something is wrong—terribly wrong.

“Jean, what did he do?”

Despite all his wisdom, Charles had known this moment would come the second he agreed to help Logan.

The door to his office flies open, slamming against the wall with a force that reverberates through the room. You storm in, your strides long and charged with anger, your breath coming in ragged gasps. Madness blazes in your eyes. “You did what?!”

“My dear—”

“You erased me from my boyfriend’s memory!” The words erupt from you, shaking the very air. You fling your arms wide, your fury spilling over. Before he can respond, you turn on his bookshelf, yanking ancient, cherished volumes from their resting places. One by one, you ignite them, flames devouring their fragile pages in an instant.

Then, there’s a momentary pause—a flicker of silence before you seize another book. This one you hurl in his direction, not quite at his face, but close enough to graze the air near his shoulder before it hits the floor with a heavy thud. The sound echoes, a physical punctuation to your rage.

“You made me disappear! He doesn’t fucking know who I am!”

His expression, pained and weary, holds no exasperation—only regret. “He asked me to do it.”

“What kind of an answer is that?” The question hangs underlined by the tears that stream down your face. Your voice breaks, the pain behind it cutting deeper than any accusation. “You could’ve said no, Charles. How many times have you denied me things?”

“You didn’t see him in the way I did, he was—” He stops himself, faltering. No words can repair what he has already destroyed. “I’m sorry.”

You stand there, breathing hard, the space between you filled with smoldering ash and a silence so loud it feels suffocating. The remains of his books lie scattered, the faint scent of burnt paper lingering in the air. Charles watches you, but he doesn’t move to stop you. He doesn’t fight you.

The fury ebbs, leaving behind a hollow ache that takes its place in your chest. “If you’re so willing to erase love like it’s nothing, then do it for me, too.”

Charles’s brows knit together. “You don’t mean that.”

“Don’t I? Logan doesn’t remember me. I walk into a room, and he looks right through me. Like I’m a stranger, like I never mattered. So tell me, what’s the point in remembering him if he’s already forgotten me?”

“I don’t believe forgetting will give you the peace you’re looking for.”

“Is that what you told him as well? Clearly, it worked out well.”

Touché.

“I’ve already hurt you enough,” he whispers.

“And you’ll keep hurting me if you don’t do this. I can’t carry this alone.” You kneel in front of him, clutching the edge of his wheelchair. “If you could take it away from him, you can take it away from me, too.”

Charles stares down at you, his mouth tightening, as if the weight of your words presses down on him. His hands, usually so steady, shift uncomfortably in his lap. It’s clear he can’t believe this is the second time he’s found himself in this situation, faced with the same desperate request. “Are you sure?”

You nod your head. “He wanted to forget me. Now, I want to forget him.”

He exhales slowly, the sound heavy with resignation. “All right,” he says softly, though his voice carries a sadness he doesn’t try to hide. “But I need you to understand… once it’s done, there’s no going back.”

 “That’s the point.” You wipe at your cheeks with the back of your hand, as though erasing the tears could also erase the doubt creeping in.

“Then sit,” he counters, motioning to the chair Logan sat in days ago.

You hesitate for a moment, the finality of the act looming large. Slowly, you lower yourself into the chair, gripping its arms with all your earnest. Charles wheels himself closer, and the reality of what’s about to happen sets in.

“Tell me your last memory of him,” he says gently, his voice barely above a whisper.

You close your eyes, and the image surfaces instantly: Logan, holding you close, whispering that he loves you. No soulmates, no destiny—just love. You let out a shaky breath, your heart breaking all over again as you begin to recount it. “The last time he looked at me like I was his whole world.”

Charles nods, his expression unreadable, placing his hands on your temples. “Whenever you’re ready.”

I had to leave the next day, so I wanted to spend as much time as possible with him. My things were already packed. I walked into Logan’s room and asked him if he was busy. A week isn’t a lot, but ever since he moved here, we hadn’t been apart from each other. I was anxious about that. I thought it’d be so hard to fall asleep without him at night. What—oh, God, what’ll happen now?

“I need you to keep going, darling.”

Don’t call me that. 

“Alright. I’m sorry.”

I convinced him to lie in bed with me. I had my head on his chest, and he kissed my forehead. His beard scratched me in the right way. It never hurt or bothered me. I had once dated a guy who had a beard, and it was just so uncomfortable. But that wasn’t Logan’s case. He would kiss me and hug me, and it felt like the best thing in the world.

There was a question I’d been meaning to ask him. It was about soulmates, and the existence of them. I thought Logan was my soulmate, and I said it to him. I asked if he believed in them, but he laughed. He told me he wasn’t making fun of me or anything, just that he thought the question was funny.

Logan said he didn’t know whether soulmates existed or not, but he knew for a fact that he loved me. He didn’t care about anything else. He loved me. He really did. Do you think he loved me, Charles?

“Yes. I do believe so.”

Then why did you take that away from me?

“I’m sorry.”

I hate you.

“I know.”

Your head pounds, an ache that feels like it’s splitting you in two. It’s a pain unlike anything you’ve ever known. Your vision blurs, forcing you to blink repeatedly until the world around you sharpens into focus.

Four blank walls. The stark, colorless void offers nothing but the oppressive weight of emptiness. This must be your mind, stripped bare. Somewhere in the depths of this space, Charles is at work, pulling threads and unraveling every memory of Logan.

You push yourself off the cold floor. A soundless shift disturbs the space—a door appears out of nowhere, its frame faintly glowing, and without hesitation, you reach for the handle and swing it open.

On the other side is a fragment of your past: that night months ago, sitting in the living room, watching a movie. Logan had decided to join you. The memory pulls you in, and suddenly, you’re no longer standing—you’re on the couch. Your clothes have altered to match that night. Logan sits beside you, the warmth of his presence impossibly real.

This moment feels untouched by time, but deep down, you know the truth. Charles is erasing it even as you relive it. Soon, this too will vanish.

The scene begins to warp. It’s no longer the movie on the screen. The couple has been replaced by you and Logan. You’re watching yourselves from a third perspective, your bodies framed by the flickering light of the TV. It’s deeply unsettling, but in this fragmented state of consciousness, it doesn’t feel worth questioning.

“Logan?”

“Tell me.”

You grab a cushion and smack him on the arm, the motion instinctive. “You idiot!”

“What was that for?” he asks, laughing as he takes the cushion from your hands, tossing it aside. “Are you okay?”

“Don’t play dumb.”

“I seriously have no idea what you’re talkin’ about.”

“You erased me from your memory!” you accuse him, even as you know the futility of it. He’s merely a fragment, a faint echo of who he once was to you. A lingering shard of memory caught in the tangled wires of your brain, sparking as it teeters on the edge of a short circuit. “You’re not even real, are you?”

“No,” he admits, his voice tinged with something like regret. “I’m just in your mind. I’m sorry.”

“Oh, don’t be. You’re just what’s left.” You lower your gaze, pulling the blanket tighter around your shoulders. “How long do you think it’ll take Charles to erase you?”

He opens his mouth to speak, but no sound comes out. The words you long for, the closure you might crave, are swallowed up. His lips vanish mid-formulation, and then you’re staring at a blank void where his mouth used to be. The rest of his features begins to fade—his eyes dissolve into nothingness, followed by his nose, his brows, the lines of his face. All that’s left is the space where he once sat, and even that feels tenuous.

You’re on your own now. The memory of him—of that night, the first time you truly shared an intimate moment—has been swept away like smoke in the wind. You collapse onto the floor, trembling as sobs tear through you, your hands pressed tightly against your face, attempting to contain your anguish. “I don’t want to forget you,” you choke out between hiccupped breaths, the sting of tears burning your eyes. “I never asked for any of this.”

“I know,” a familiar voice murmurs behind you, and there he is—Logan. This time, he’s wearing his suit. His claws are unsheathed, gleaming. “I shouldn’t have done it first. I don’t know what I was thinking’.”

You push yourself to your feet, drawn to him. When you move to hug him, he takes a step back, raising his claws as if to protect you from getting harmed. “I can’t retract them. If I hug you, I’ll hurt you.”

“I don’t care,” you whisper, pressing forward and slotting yourself between his arms, ignoring the danger. Your face finds its habitual place against his chest, and you inhale deeply, inhaling his scent. “I just want you.”

His arms fold around you hesitantly, careful yet incomplete. You feel a sharp pain, a searing slice along your ribs that rips a scream from your throat. The agony is blinding, drowning your world into darkness.

When you open your eyes again, you’re somewhere else entirely. The bed feels soft beneath you, the sheets tangled around your legs. Logan is there beside you, his body warm against yours, both of you naked under the sheets.

“You’re lost in thought,” he says, his voice tender, taking a strand of your hair, twisting it gently before tucking it behind your ear. “You alright?”

His face won’t stay still. Beard, no beard. A moustache that fades as quickly as it appears. Hair long, then short. Sideburns one moment, smooth skin the next. He’s a shifting mosaic of himself. You realize you can’t remember what he looked like the last time you saw him.

“I’m forgetting you.” Your fingertips trace the curve of his cheek, memorizing each detail. “I don’t think I can stop it now.”

He’s seconds away from crying, his lips finding yours in a kiss that feels both desperate and resigned. “Stay here with me,” he whispers against your mouth, his hands sliding over your arms, your stomach, your legs. “Don’t let me go.”

“You did it to me first,” you say, voice thick with emotion, pulling him closer, down until his body presses fully against yours. His weight feels real, but you know it’s not. Nothing about this moment is.

His voice breaks, repeating the same mantra. “Stay here with me. Don’t let me go.”

The touches multiply. It’s no longer just his hands on your skin. It’s as if the entire universe is reaching for you. The cacophony of touches, the overlapping voices—“I’m sorry, I’m sorry, I’m sorry”—swirls into a suffocating chaos.

Logan begins to blur, like a photograph left too long in the sun. His face fades first, then his body, until all that remains is a ghost of his shadow. Then even that is gone. The bed disappears beneath you, leaving you adrift in an empty expanse. You can’t tell if you’re still there, or if you’ve vanished with him.

You exhale slowly. Silence, at last.

The second first time you see him, he’s sitting alone outside on a weathered bench, his shoulders slightly hunched. He’s completely alone, and you pause a few steps away, studying him for a moment. He doesn’t seem like someone you would’ve missed at the mansion. Charles mentioned he’d recently joined the team, a mutant who had spent too long wandering the earth.

You clear your throat, trying not to overthink it. “Mind if I take a seat?” you ask, your hands clasped behind your back as you wait for his reply.

He shifts to one end of the bench, leaving you more than enough room, though his movements seem cautious. You sit down, exhaling softly as an awkward silence stretches between you. His demeanor isn’t exactly inviting, and you wonder how to bridge the gap.

After a moment, you stretch out your hand, offering a polite smile, giving him your name. He glances at your hand, then takes it. “M’Logan,” he says simply, though you already knew that from your previous talk with Charles. His fingers are rough, calloused, yet they linger a beat longer than necessary before letting go. “The other day, I was in the kitchen, and you walked in. You were acting… strange.”

You blink, caught off guard. “Really?” Your gaze flickers between his face and your hand that still feels warm from his touch. “I don’t remember that. Are you sure it was me?”

Logan hesitates, scratching the back of his neck. “I thought so… but maybe not.” His lips press into a thin line, shrugging. “Never mind. I could be wrong.”

Tilting your head, you study him. There’s something familiar that you can’t quite place. “Have we met before? Outside this place, I mean. It’s just… I feel like I know you. Like I’ve seen you somewhere, but I can’t figure out where.”

His eyes meet yours then, like your question has triggered something dormant. He leans back slightly, his posture relaxing as he lets out a low chuckle. “Funny you’d say that. I wasn’t planning on bringing it up, but… I got the same feeling.”

You can’t help the small laugh that escapes you. “You’re kidding, right?”

“Not at all.” His lips quirk into a smile, one that matches yours.

Inside the mansion, Charles and Jean watch the scene through the window. Jean folds her arms across her chest, her expression caught between awe and disbelief. “This is crazy,” she murmurs, shaking her head.

“Don’t get me started,” Charles replies.

“They don’t know what happened, but they still feel it. Like they’re connected.” She peers down at Charles, her voice quieter now. “You erased everything, didn’t you? Every memory, every trace.”

Charles keeps his eyes on the scene outside, his features softening as he watches the two of you talk. He sighs, a bittersweet smile tugging at his lips. “You’re asking me for an explanation I don’t have. I guess some things… refuse to be forgotten.”

Blessed are the forgetful, for they get the better even of their blunders.

Friedrich Nietzche.

dividers by: @cafekitsune thank you!!! <3

[dualityvn]

Date 5 Progress and Others

Hello, everyone. I thought I'd give an update on Date 5 and my plans for the game as a whole.

I have been struggling with the script lately, because I find that the contents of the initial demo (prologue, date 1 and date 2) do not fit very well with the overall plot I am aiming for. I also feel the need to tweak the way I've been writing the main character. So, I apologize for the delay and for potential inconsistencies.

I am going to finish writing Date 5 without yet modifying earlier updates, but know that I have plans to edit the entire script before publishing the full game. Therefore, the final update may drastically change Date 1 and 2. The genre, characters and general concept will still remain the same, so please don't worry about the game becoming unrecognizable.

I can't yet give you a release date for Date 5, but I am doing my best to get it done as fast as I am able.

What Date 5 is going to contain:

- Elaborate NSFW scenes with each of the love interests. Much longer and more flexible than the ones in Date 3 Bad Ends

- Updated sprites

- A lot of CGs, majority of them NSFW

- SFW/fluff alternative scenes to the NSFW ones

- More murder

After Date 5:

This is one of the biggest updates of the game, because of how flexible and elaborate the NSFW scenes are. After this, there will be a smaller update called Interlude. This will be written from the perspective of Keith, Tenebris or a mix of both, depending on which route you're on.

After Interlude, the story will be branching out further and nearing the final update.

Thank you very much for your patience and support! I hope you all continue to enjoy this game and all it has to offer.

[docdudo]

Hybrid 141 As Parents - Foster Human Child!Reader (Part 9)

It was snowing.

Actually, 'snowing' was an understatement. It was a freaking blizzard. And it really came out of nowhere too, just a thin layer of snow covering the ground during the early hours and now, you couldn't see anything besides white throught the window.

Oh yeah, you were also sick.

To be fair, you knew you would get sick eventually thanks to this huge change in temperature. It wasn’t even because you were out with Johnny yesterday night; you would have gotten sick regardless. It just happened that everytime the seasons changed, a flu would strike you.

It happens, you were used to it, but still...

You certainly weren't used to the attention.

First of all, you woke up with someone already in your room. Two someones, actually. Johnny was anxiously pacing close to your bed, a frown on his face as he sniffled the air around you. Kyle was with him, head tilted in your direction as he also frowned in concern.

And in a second, Kyle's large hand was pressing against your forehead, then your warm, red cheeks, and then your small neck. His hand felt warm, as always, but even you could feel it that you were warmer, making him tsc in concern.

So, they decided to place you on the large living room couch, still in the sweater and sweatpants you were wearing as pajamas, propped carefully against the many pillows and cushions, with a blanket draped over your lap and legs.

The same blanket John had bought for you the day before.

"Temperature?" Price asks, voice gruff and arms crossed as he watches Kyle staring at the thermometer with a frown.

"37,7ºC. That's high for humans." He sighs, putting the thermometer aside.

Johnny frowns a bit at the information, sitting close to you so he could also check your temperature for himself.

"Almost as warm as a werewolf..." He mutters with his own frown on his face, leaning close enough to almost lay his head against your lap and torso. "How are ye feeling, wee pup?"

"F-Fine..." Your voice sounds a little rough, your throat a bit raspy. "I... I have... I usually get sick when the temperature changes... too quickly..."

He nods and croons at your quiet answer, now actually leaning to rub his head and fluffy ears against your chest.

"Here you go." Simon says quietly as he approaches with a light blue mug on hands, passing to you carefully as he kneels in front of the couch.

The mug was big and warm on your hold, but it was also enveloped in a small white cloth to make sure you wouldn't burn your hands, even tho the liquid inside wasn't even that hot. It was warm, just like it has to be.

"Lemon and honey tea, darlin'. Helps your throat nicely." He grunts out, heavy hand coming up to your forehead too, making you close your eyes slightly in satisfaction. His hands are much cooler thanks to his Wraith nature.

As he takes his hand away, you take a small sip of the tea. You weren't a fan of tea, but considering it's just lemon and honey... you can manage.

"With the way it's snowing outside, it's an indoor day for all of us." Price notes, looking out the window with his burly arms still crossed.

"Ah'll 'ave fun shoveling the snow later..." Johnny murmurs sarcastically as he sits up once again, glaring outside the window.

"Darlin', the tea." Simon reminds you gently after you took too long for a second sip.

You blush a little, nodding quietly as you take another sip. At least it felt soothing going down your throat; it didn’t hurt like it usually did when you forced yourself to drink water all the other times you were sick.

"Okay, I searched, and… it seems to be safe for humans to take Tylenol, but only in small doses." Kyle warns seriously, his wing twitching for a moment as if to reach for your small form sitting on the couch.

"I'll go get it." Simon gets up quickly, going to the bathroom closest to the living room.

You were sipping on your tea, distracted, staring at the direction Simon went off, enough to startle you as John kneels by your side on the couch, fixing the blanket on top of you to make sure it wouldn't slip off.

"Tell us if you feel worse or need anything, yes, hatchling?" he murmurs gruffly, leaning close enough to bump his forehead against yours. You were small enough to do it without his big horns getting in the way.

"O... Okay..." You mumble, a bit caught off guard, shyly looking away. "B-But... I'm fine..."

"Mhm, yeah, lassie, ye are. An' Ahm gonna know if ye aren't..." Johnny murmurs in the most omnious way possible, making you shiver a bit in place as you stare at him wide eyed, John just rolling his eyes with a smile on his lips. "Can smell ye, gonna knae right awa' if you worsen, yeah, wee pup?" He croons, scottish accent strong, leaning closer with a big, smug grin.

"Stop scaring the kid, mutt." Simon growls as he comes back, slapping the back of Johnny's head with a bit too much force in your opinion, but all the werewolf does is snap his teeth at the bigger man's direction with a huge smile still on his face.

"We only have in tablets?" Kyle murmurs, face scrunching in displeasure.

"Unfortunally. I'll buy drops later for next time." Simon rumbles back, gently running his hand over Kyle's ruffled feathers, making the harpy relax a little. "The tablets are good for now."

"These the 500mg?" Kyles asks, humming in consideration as Simon nods.

"Too strong." John rumbles lowly from his place kneeling by your side, hand firmly planted on your blanket.

The harpy nods, agreeing with the dragon as he stares at the tablet he popped out on his hand. In a quick movement, Kyle bites more than half of the tablet off, leaning over the back of the couch to give you the rest.

"Here you go, baby. Swallow it with your tea." He smiles lovingly, sharp nails gently putting the small piece against your small palm.

"Y-You swallowed...?" You mumble, slightly shocked with his actions.

"This medication is not enough to have any effect on me, chick." He smiles, a small and gentle laugh coming out of his mouth.

"Garrick has taken much stronger shit just to stay awake during missions." Ghost huffs humerously.

That comment certainly makes you curious, but your attention is called back to John as he gently pushes your small hand close to your mouth.

"Take it, doll, come on."

You nod quietly, quickly putting the tablet in your mouth and taking a sip of the almost-finished tea to swallow it under the watchful eyes of the four of them

"Good." John croons deeply, his eyes getting lighter for a second, startling you a little.

"Pup needs food." Johnny mumble, once again leaning close to your body.

"I'll make it," John huffs, climbing back to his feet. "Make a good bean soup with some bacon. Gonna liven up the pup right away."

"Add collard greens, great for the human flu." Ghost notes gravelly, leaning over the back of the couch where he and Kyle were standing to grab the empty mug from your hands.

They’re starting to give you a small headache. They truly didn’t stop, did they? They were always moving, always doing something. They worked so well together too, on top of their own game and each other’s.

"While they do that, it's time for a nap, don't ye think?" Johnny rumbles, pulling you to him in a quick motion that gets you almost dizzy.

"I-I just woke up..." You mumble, unsure, trying to look up at him from where you were laying against his body, but you were unsucceful as he simply pulled your blanket over you once again and made you lay sideways, putting a pillow over his stomach so you could lay your head on it confortably.

"And ye're sick, pup. Ye sleep." He rumbles gently, patting your small head of hair.

"That's good. We'll call you when the soup gets ready." Kyle nods with a loving smile on his face, his wings puffing out now for a different reason than his stress from moments ago.

Simon rounds the couch to reach the fireplace, adding more firewood with expertise, moving the still-not-burned logs with his bare hands to make sure the fire keeps going. Kyle takes the time to also draw the curtains close, immediately bringing darkness to the room now that all that expanse of white snow was covered.

You were still a bit in alert, but the darkness helped your mind to settle a bit, Johnny's warmth under you making you sleepier than you though you would feel as his giant hand kept caressing your short hair, sharp nails scratching oh so gentle against your scalp. Apparently, he's going to be with you all the time to make sure you're safe and sound, healthy and comfortable.

He cooed something very quietly, but you didn’t manage to understand it before your eyes fell closed, exhaustion brought on by the flu making you fall asleep quickly.

Your social worker was right... they are so nurturing... you have been with them for barely three days, and yet...

Your eyes go a little misty as you start to lose consciousness.

You don't want to leave.

[zorbik-guligan]

Not really sure what incongruous means so I'll look it up after but it does feel like as i get older life gets more complex theres more things i understand now that sure i knew about them before but not in great detail but it feels like I've become so fucking complex as a person that if i tried to explain what i actually think and feel it would just overwhelm a person so i try and section myself off into pieces and just use different parts of me with different situations or people and it may just be because ive spent most of my time these past 2 almost 3 years now alone with nothing to do but think and figure myself out that when im asked what i think about something slightly personal its kinda hard to say it just got lost in my head somewhere and that whatever i think will change at a moments notice like i can bring up memories of lots of things and remember nostalgic times but i spent so long thinking about why i feel a certain way or what makes me feel a certain way in order to try and get a better hold of myself that ive kinda forgotten alot of my past like so many memories that i made are just gone because remembering them made me feel a way i dont want to feel like i remember realizing the beginning of 6th grade that i had completely forgotten 5th grade and the reason why was because that time i had was so nice yet not at the same time my brain just frogot because it didn't want a reminder of how good yet not something can be like great teachers who for the first time ever actually seemed to care as far as i could tell class mates who were generally friendly and occasionally checked on me if i seemed off yet i felt so alone cause nobody there really seemed like a real friend like the friends i had before who even when we were in deep trouble wouldn't rat me out and would stick with me who genuinely cared and missed me if i was sick getting older and not having anyone to socialize with for really formative years off my life has made understand those really old dudes who are nice and always up to make friends but just seem extra lonely for some reason despite knowing so many people i guess technically being that alone did hurt me but i kinda learned that im just not alone ever when im outside theres always some squirrels birds or plants nearby that make it more lively its why ive grown so fond of certain forested spots they are always lively and it feels like hanging out with all my friends its also why i enjoy making things like with metal or wood stone or even writing and painting those things feel alive in a way same with music and having time to think so much has made me reflect and realize that no day is the same and even when something changes something else stays the same or gos back to how it was in a weird cycle like growing but remembering where you were growing older for me anyways is like gaining more skills and more knowledge not just on the stuff around me but on myself too obviously people change sometimes pretty quickly too but getting older makes you learn more about yourself which duh that how life works but still it feels weird to be aware of it at 17 when it feels like i should still be trying to figure out my favorite youtuber or something not contemplate who i am as a person and what makes me feel the way i do but its a good kind of weird and theres always more to learn and find so i still have plenty of room to learn more about myself still not being able to really fully let a person know you kinda sucks but to be fair that is a rather special thing its also nice being able to put into words why i feel a certain way so that i can actually explain myself instead of just going quiet cause i dont know myself that well still kinda funny to know your own problems but not be able to jusy fix them when you know its a very deep problem even when it seems surface level and damn i got kinda personal there woops also just noticed that im shaking so might be overwhelmed remembering 5th grade which is probably why i frogot it or at least thought i did

anybody else feel that being human is like being a long-time syndicated cartoon character watching the world get more complex while your own design stays the same until youre incongruous with the reality around you??

[hanniesbrat]

the boy is mine | k.mg

pet play w mingyu

pairing: kim mingyu x reader, reader’s best friend is yuqi! ((g)i-dle) also cheol lol

wc: 5597 (can you believe i cut it down?)

genre: strangers -> fucking, smut, little cracky at some parts

synopsis: when one of your best friends (who also happens to be a frat bro), seungcheol, invites you to his halloween party, you hesitantly accept. you were never really the party type… but one guy, one of his new friends to be exact, might single handedly change that.

!other kinktober fics!

a/n: ......heyyyyy... no one hate me. i know im almost a whole month late ): prepping for the svt concert took more time than i anticipated, i live in america so... yeah all that happened, work got in the way, i had a lot of yap days with my wife @jenoslutie which has been so nice!! <3 and i JUST (literally today) got back from visiting my bestie @goblynnrockz for their birthday :p BUT in between all that, i managed to finish this bitch. (pun intended) ALL OF THAT BEING SAID, i really hope you guys enjoy this as much as i enjoyed writing it. and if it seems like its eluding to there being a potential relationship between mc and gyu, well... maybe there will be in the future ;p

(P.S. you must picture long, wavy haired mingyu in this :3 more like the pic on the right. i just put the lolla pic bc it fits the vibe you CANNOT argue w that lol okay imma stop yapping now. ENJOY LUVLIES!!!!)

you weren’t the party type, but when one of your best friends, seungcheol, invited you to his frat’s halloween party with a nearly quivering bottom lip, you couldn’t say no.

“you have to let me bring whoever i want as my plus one.” you deadpanned while crossing your arms. 

“so you’ll go?!” he nearly squealed. 

you sighed before nodding with an annoyed, “yes.”

“fuck yeah!” he yelled before swooping you up in a big hug. you couldn’t help the laughter that erupted from your chest. 

you loved when cheol got all giddy. it was such a silly contrast to his wide, strong build, and that’s always been so enduring yet hilarious to you. you didn’t think anyone else like him existed in real life. 

until you met him. 

“remind me again why you are dragging me to a party?” your best friend, yuqi, chuckled out from the passenger’s seat of your car. 

you took the last right before reaching the house. “cheol asked nicely and… i’ve been needing an excuse to wear these boots,” you smiled, looking for a parking spot.

yuqi silently pointed to a spot on the street, and as you parked, she went on. “i just can’t help but wonder why cheol wanted you to go so bad like… he knows you’re not a partier.”

“he wants me to get out of my shell more.” you shrugged, getting out of the car. 

“well you’re definitely out of your shell, fucking look at you. a full latex outfit and tits out? girl…” yuqi gawked at you for a moment.

dressing as blackcat was far out of your costume comfort zone. normally you went the horror route. billy the puppet, jennifer check (in the prom dress with the contacts, blood and all), freddy krueger, etc. so, wearing a latex set that left nothing to the imagination except for any ink you may have on your skin was out of character, but you wanted to spice it up this year.

“i think the little mask helps be feel a bit hidden,” you giggled seen as it’s a thin black eye mask, not hiding who is under it at all. yuqi jokingly scoffed and you then took the attention off yourself. “look at you, catwoman. you look devious with that whip,” you cooed, then took her hand in yours and gave her a spin on the sidewalk.

“oh stop it,” she blushed. “let’s get inside before it starts getting too crazy.”

you two walked in practically attached at the hip. you scanned the front room for cheol, yuqi doing the same. “ah! there he is,” she pointed toward the kitchen.

you looked over, immediately making eye contact with him. he waved you guys over to stand with him and some frat bro you didn’t recognize. 

“y/n!” he greeted you with a bear hug, unfazed by your tits practically spilling from your top. “and yuqi! hey long time no see!” he said sweetly, giving her a side hug.

“hi! it’s good to see you, cheol,” she giggled. 

“are you gonna introduce us?” you motioned to his friend beside him and smiled. 

the friend smiled and reached a hand out, “hey, i’m chan! nice to meet you both.” after shaking both of your hands, a warm smile across his face, he turned around to finish concocting a drink for himself. 

“you know we have a spare room. if you guys want, you can have some drinks! chan makes a mean lemon drop.” cheol offered you both. 

yuqi got a devilish smile on her face, “don’t mind if i do, fred. one lemon drop, please, daphne!” she giggled leaning backwards on the counter next to chan, watching what he was doing over her shoulder. she faced forward after a moment and motioned her head toward you. “what about you miss latex?” she smirked giving you a once over. the girl wasn’t even drinking yet and she was already getting flirty. typical. (<3)

“don’t even let her answer that,” seungcheol quickly intervened. “make blackcat a drink, please. the pretty lady deserves it,” he grinned, wrapping an arm around you. 

“well thank you, cheolie… but deserve it? for what?” you asked cutely, looking up at him. 

“putting up with my bitchass. thank you for coming tonight. i’m glad you did,” he stated sweetly, giving you a kiss atop your head. you just leaned into him, silently telling him “you’re welcome” and “me too”. 

“what’s up?” you look over at chan who’s finishing your drink up, and he’s got his phone between his ear and shoulder. “oh shit okay! we’ll be right out!” he hung up, sliding the phone in his pocket, then turned around handing you your drink. “pretty lady,” he smiled. “cheol lets go. that was vernon, they’re outside.” he said, patting cheol on the shoulder, making his way out of the kitchen hurriedly. 

“okay! you two wait right here, i’ll be back.” seungcheol requested, then ran after chan. 

“oh god,” you walked forward to the counter and turned so your back was leaning on it with yuqi. you two looked out from the kitchen, into the crowd of people that had seemingly gotten significantly larger since you’d arrived minutes ago. “they’ve all gotta be members of the mystery inc huh…” you trailed off.

“i wonder what poor guy they got to be scooby,” yuqi empathized. 

“i bet it’s soonyoung.”

“be so fucking for real, y/n. he’s a fucking tiger every year,” yuqi said pointedly. she was right. 

just then, the room got significantly more quiet meaning- oh those boys and their group entrances…

it was never anything elaborate, but they did have to make their presence known. cheol almost always walking in first as the rest of the boys followed. 

you and yuqi made your way out of the kitchen to the living room, disregarding cheol’s words from earlier. you two managed to push toward the front of the swarm of people that were gathered near the door. shouts then could be heard from all over, praising the commitment of all the boys. first was cheol as fred, then chan as daphne walking alongside wonwoo as velma, and last but not least vernon as shaggy with… not soonyoung as scooby. “who the fuck is that?” you nearly drooled leaning over into yuqi’s ear. 

“wonwoo?” she suggested. 

“no, dumbass, obviously i know wonwoo… who’s scooby?” your voice dropping a cool octave or two in curiosity. 

“i don’t know but… fuck is he fine,” she said bluntly. 

you both had your eyes locked on him until yuqi’s gaze redirected to wonwoo… her main interest right now and always. “if you’ll excuse me,” she hummed, grazing a hand across your shoulder and handing you her whip as she strolled forward toward the tall boy wearing thicker framed glasses than normal.

you made your way back to the kitchen to wait for one of your friends to come back, knowing one of them would find their way to you. 

or so you thought. 

someone did definitely make their way to you, but it wasn’t cheol, yuqi, or even chan. 

“i didn’t know blackcat carried around a whip,” scooby shot you a cheeky smile while reaching beside you on the counter for a drink. 

you smiled, leaning your hip on the counter to face him. “she doesn’t, but cat woman does and she needed me to hold it for her.”

“well… i’m glad she needed you to because it gave me an excuse to talk to you.” you both chuckled, your face getting flushed. he turned, mirroring your position against the counter. “i’m mingyu. i just joined the frat,” he explained rather shy in comparison to his confident demeanor that he approached you with. it was charming. 

“well hello mingyu,” you chuckled, chugging the rest of your lemon drop. “i’m y/n. i’m friends with cheol.”

“oh no way! you’re like… his best friend,” he laughs trying his drink. you giggled watching his face contort at the potency of the alcohol. “hey don’t laugh! bleh! but it’s nice to finally meet you.” 

“it’s nice to meet you too,” you covered your mouth to snicker a bit more as if that makes it any less “mean”. 

once he recovered a moment later, he sat his cup down and spoke up again. “you know, y/n, you make a beautiful blackcat,” he complimented, giving you a once over as respectfully as he could. from the minute he laid eyes on you when yuqi had walked way from you, he knew he had to talk to you. your little whip that didn’t go with your costume was his perfect excuse, and… you looked amazing. that could’ve even been enough of an excuse on its own. 

your cheeks grew warm at the compliment with his demeanor and tone. it’d shifted to something more sensual than before. his eyes getting darker, but still soft. 

“thank you,” you smiled before reaching up to play with one of his ears. “and you make an adorable puppy.” 

his body stiffened, but it was so subtle you almost didn’t notice. you chose to ignore it, moving to his collar. “did minghao make this?” you asked, tilting your head admiring the well recreated scooby dog tag. you pulled on it a little, as if to test its durability, but really you wanted to see if this was doing something to the tall man before you. sure enough, you watched as he swallowed rather hard under your touch. you wouldn’t have noticed had you not been staring at his throat already. 

“y-yeah he did. he’s really talented,” he said softly, slightly tilting his head back as you took your finger from the collar, and slowly traced it down his chest that was only covered by a thin, tight brown t-shirt. 

“what’s the matter, scooby? cat got your tongue?” you asked in a very playful way, not wanting to come off too strong too fast as you were already mere centimeters away from his body now. 

when he looked down at you, his eyes were pleading. desperate. like he was silently begging for you to do something more. he couldn’t find the words to answer your silly question. instead he sent his eyes to scan your face, lingering longer over your lips. 

“gyu!” you both jumped back from each other. up pranced soonyoung, but he wasn’t a tiger. “and y/n? hey!” he gave you a hug and you squeezed him back. 

“hey soonyoung!” you gathered your composure far quicker than mingyu who was still trying to comprehend what the fuck just happened. “a cowboy this year?” you motioned your hands to his costume. 

“had to change it up,” he shrugged. “still got my date, though,” he grinned. you knew it was the stupid plastic skeleton he dragged along every year in the spirit of the holiday. 

“well, wherever you set her down, i can imagine she goes way better with this outfit than the tiger onesie,” you both laugh.

“girl… a whip? i don’t think blackcat-“

“shutup, i know. it’s yuqi’s. she’s catwoman.” you deadpanned. 

he put his hands up as if to surrender, “got it, no need to use it on me.” you two laughed together again.

mingyu wasn’t enjoying this conversation like you and soonyoung were, however. 

he gently grabbed your wrist while patting soonyoung on the shoulder. “excuse us,” were the first words to come out of his mouth in the past couple minutes. it came out low and demanding, an extreme contrast from the state you had him in before soonyoung showed up. 

you looked at soonyoung then shrugged your shoulders in confusion and blew him a quick kiss, whip in hand as mingyu pulled you away. “have fun!” he yelled after you both. 

“mingyu, where the fuck are we going?” you finally ask as he's pulling you up the stairs.

“my room,” he states bluntly. 

“your room? why didn’t you just get ready here then?” your genuine curiosity taking over. 

mingyu stopped you both in front of his door. “except for cheol and chan, we all got ready at vernon’s,” he answered very matter of fact, then his eyebrows furrowed remembering what he was doing. 

he opened his door, pulling you in with him. once he closed the door, he grabbed you and pushed you against it, hands cupping your face, instantly attacking your lips with his own. your hand naturally found its way to his long, wavy hair while your other rested on his chest. you slightly tugged at his hair, a groan escaping his lips. you smiled and chuckled against his mouth, knowing exactly how this was gonna end, despite his attempts at taking control of the situation. 

he ignored your cockiness, moving a hand to the zipper of your top, toying with it just to be a dick. after about 10 seconds of that, you decided it was enough. 

“why don’t you be a good puppy and unzip me already,” you pull on his hair hard enough to pull him away this time. his eyes desperately searched yours, not understanding, himself, why every time you called him that, it made him feel weak in his knees. 

“o-okay,” he stuttered before unzipping your top the rest of the way. his mouth hung open at the way your tits broke free from the tight latex. “god..” he whispered. eyes still locked on your chest, he tried to speak, “c-can i please-”

“yes,” you breathed, not letting him finish his sentence, knowing exactly what he wanted. 

mingyu wasted no time, latching his mouth onto one of your nipples, desperately sucking on the skin as if his life depended on it. a low groan escaped your lips as you finally dropped the whip on the floor, and moved that hand to his back, lightly scratching at him through the thin fabric of his shirt. he moaned against your chest, sending a chill down your spine.

“on your knees,” you demanded. he pulled away from your chest with a rather puzzled expression on his face. “don’t make me say it again,” and with that, he practically dropped to the floor, looking up at you with the most beautiful eyes you’d ever seen. “good boy,” you praised, petting his head between his ears. you walked over to his bed, sitting yourself down at the edge of it. 

“come,” you said gently. mingyu started to stand up. “nuh uh,” you stopped him. “on all fours.”

“i- but i-,” he tried to protest, stumbling over his words.

“crawl. or i’ll walk out that door right now,” you threatened. 

he immediately got back on his knees, then bent forward, using his arms to help him crawl over to you. he didn’t break eye contact as he made his way to where you sat on his bed, your legs slightly opened. you leaned down, reaching in between your legs for his collar. you hooked two fingers underneath it and pulled him forward. he wrapped his arms around your waist, knees still planted on the floor as he looked at you longingly. 

“what a good puppy,” you cooed, moving your hand from his collar to his hair along with your other hand. you petted him right next to his ears on either side of his head. he hummed, tilting his head to the side, you moving your hand so he could rest his face on it. you thought this was just gonna be a typical dom/sub dynamic, but you quickly started realizing that it was far more than that. 

you leaned down giving him a soft kiss to his lips, making him crave more. he moved his hands up to your face, pulling you back down. you both hungrily attacked each others lips, breathing in every bit of the other. “what the fuck are you doing to me,” he growled between kisses. to be quite honest, you had no idea either. you didn’t even know this man, really. 

“get on the bed,” you demanded, out of breath. he mumbled, “okay,” then stood up and sat in the middle of his bed. “lay down, obviously,” you deadpanned. he felt like an idiot as he laid himself down. he watched you with big eyes as you crawled up his body. you sat yourself on top of him and reached to hook your fingers under his collar again. you used it to pull him up to your level. 

“take your stupid shirt off.” he fumbled with the hem of his shirt, lifting it up and over his head. you ripped it from his hands and threw it across the room to god knows where. you pushed him back down, diving after his neck with your mouth. his back arched slightly from the bed as a whimper escaped his lips. as your teeth sunk into his skin, beginning to suck, his chest pressed against yours.

he knew it wasn’t physically possible for him to get closer to your body, but he could try. he was desperate. he craved your warmth. he craved you. a complete stranger. “y/n, please,” he whined.

“please what?” you whispered into his ear, then proceeded to kiss down his neck to his chest. all he could do was make pathetic little noises in response. “cmon, use your words like a good boy, huh?” you cooed looking up at him. you traced your fingers over his large pecs sending chills through his whole body.

“f-fuck,” he threw his head back into the pillow. “fuck me, y/n, please!” he panted, grabbing at the sheets beneath him.

“you’d like that, wouldn’t you?” you teased as you slipped a hand under his pants, grabbing him through his boxers. you couldn’t help the sigh that escaped your mouth when you felt how big he was. he looked down at you with flushed cheeks, embarrassed at how easily he was being turned on by your words alone. 

“i- i would love that, y/n,” his eyes were so desperate, so needy. “c-can i take my pants off?” god, he was so obedient. it excited you beyond your own comprehension. before you could even think about it, you hooked your fingers under the waistband of his pants and started shimmying them down his thick, muscular thighs. 

“fuck,” you mumbled under your breath. the tent in his boxers was intimidating to say the least. you sat on his thighs as you pulled his cock out, admiring the way it grew even more at your direct touch. mingyu was panting like a bitch underneath you and you hadn't even started stroking him yet. “easy there, big boy,” you giggled at his uneasiness. as you started pumping him with one hand, you used the other to stabilize yourself above him.

a deep groan ripped from his throat as he screwed his eyes shut at the sensation. “does that feel good, puppy?” you asked innocently. mingyu whimpered and looked into your eyes again, mere inches away. he used all his extra strength to push his head up to capture your lips with his. this kiss was far deeper than the others. it felt… more intimate than before.

“please y/n i need you,” he whispered against your lips. honestly, you needed him too, so instead of continuing the torture any longer, you got off the bed to remove your top completely, and took your pants off. before getting back on top of him, you pulled his pants the rest of the way down, then stood at the edge of the bed, gawking.

this man’s body was godly. skin the perfect shade of gold, soft muscle curves, the slight glisten on his skin as the moonlight from the window reflects off of his sweat. and his face… fuck, his face. the way his eyes glisten with lust and need, his lips swollen and slightly parted as he’s nearly drooling, waiting for you to do something, and to top it all off, his puppy ears on his head with the collar on his neck making him all the more irresistible. 

you climbed back on top of him, his eyes not leaving yours, whether you were looking back at him or not. he only looked away when you started grinding your soaked cunt against his cock. he watched intensely as your slick coated him from top to bottom, his tip leaking precum each time you slid forward. “ready for me to fuck you, gyu?” you nearly whined out, your hands firmly placed on his chest to balance yourself.

“b-been ready, mo-” he stopped himself. “fuuuck please, y/n, please.” he begged. 

“what a good fucking boy you are. don’t even have to ask you to beg.” you lifted yourself, and as if there was a form of telepathy happening, he reached down to lift his cock straight up, ready for you to do nothing but line yourself up and sink down in him. however… you both knew that was going to be painful for you. your nails began to dig lightly into his chest as you slowly sunk yourself down on him. a long string of whimpers falling from your lips while he gripped your hips, helping you steady yourself as you now sat all the way down on his cock. you swiveled your hips a couple times before slowly lifting them and slamming back down onto him without warning. a gasp escaping your own lips.

“ah! Fuck!” mingyu cried out, throwing his head back into the pillows again. the grip he had on your hips only tightened.

you moved your hands to his neck, applying only slight pressure as you started moving up and down on his cock. his breathing became sporadic, and you could feel his veins on his neck starting to bulge under your fingers as you started to pick up your pace. “collar getting too tight?” you breathed. 

“n-no,” mingyu choked out. “mmmph~ i like it,” his voice was hoarse, but soft. his hands finally moved from your hips to roam your body. he dragged them up your waist until he was cupping your tits. he started kneading the flesh, licking his lips as he watched your face start to contort with pleasure. you let go of his neck and put your hands on top of his, over your chest. 

the scene was so beautiful before him, he was growing more and more impatient, needing to chase his high. you threw your head back crying out a “fuck!” as mingyu started meeting each bounce of yours with a sharp thrust. 

“a-am i doing a good job?” he whined, “does it feel good?” all he wanted was your validation and praise. 

“y-yes~ fuck- such a good boy for me,” you cooed as stable as possible. you brought a hand down and combed your fingers through his hair right below his puppy ears. his thrusts slowed and so did you. you hadn’t realized how much of the “fucking” was being done by him now instead of you. he hummed and closed his eyes while you ran your fingers through his hair again. both of your movements came to a complete stop. nothing but cockwarming and heavy breaths while you petted the pretty boy beneath you. 

once he opened his eyes, you gave him a soft smile and he nestled his face into your hand. looking up at you with those puppy eyes, the next words that came out of his mouth were jarring to say the least. “w-will you sit on my face? please?” you could’ve sworn he batted his lashes too. 

you giggled before teasing him, “are you seriously asking to pleasure me right now?” 

“no im fucking begging, y/n please.” he whined. 

“well, when you beg like such a good boy, how could i tell you no, hm?” you hummed before moving your hands to his headboard, climbing up his body, stabilizing yourself over his face. 

he wasted no time trying to attack your core with his tongue, but you didn’t want to let him have it that easily. you moved a hand down to tug at his hair, pulling him off of you. “nuh uh. stick out your tongue,” you demanded. 

“w-what?” his eyes were big with uncertainty. 

“did i stutter? stick out your tongue and stay like a good puppy.” you spit at him, no patience left in your voice. 

so, mingyu did just that. slowly but surely he opened his mouth wide, laying his tongue out for you like the good boy he was. 

you lowered yourself back down onto his tongue, slowly moving your soaked cunt back and forth. he just looked up at you with such adoration in his eyes, but tongue out like an absolute idiot. it was driving you crazy. 

mingyu was going arguably more crazy, though. he wanted to devour you. taste every single inch of you, and lap up every last drop of your arousal like there was no tomorrow. 

you let out a whimper that drove him over the edge, and he couldn’t contain himself anymore. he brought his strong arms up, wrapping them around your thighs, locking you in place on his face. you gripped onto his bed frame tighter as he began to suck on your clit with such vigor, you almost came on the spot. 

fuck he’s good at this. 

he then started fucking his tongue in and out of you, using his own strength alone to bounce you up and down slightly on the muscle. 

“mmph~ fuuuck~ mingyu please, don’t stop,” you pleaded, knuckles white from holding onto his headboard for dear life. who was he to deny you? he moved one of his hands from your thigh to the bundle of nerves above where his tongue was fucking in and out of you. as soon as he started rubbing gentle but fast circles on your clit, you knew you weren’t gonna last long. the familiar knot in your tummy forming far faster than you’d like to admit. 

“p-puppy i’m c-close. gonna make me cum,” you half panted, half wailed. 

he moved his mouth away to talk, fingers still working on your clit. 

“cum for me please baby, cum all over my tongue,” his voice had dropped to a dangerously low tone. he went back to tongue fucking you and your grip on his headboard became so tight you thought you might break it. 

“gyu! fuck! i’m- fuck!” a wave of pure euphoria flooded your whole body faster than you could comprehend. mingyu lapped up every last bit of cum dripping from your cunt.

“jesus christ,” you panted.

“okay y/n, all fours.”

“what?” you looked down at mingyu’s big brown eyes in complete shock.

“i- i’m sorry please can i fuck you on all fours?”

“mingyu i’m not worried about how you wanna fuck me-”

“then, please? can i? I’ve been a good boy…”

“you definitely have,” you reassured, moving a piece of his hair out of his face. “i just don’t know if i have the energy for that right now.”

“you don’t have to do anything, just- y/n just let me take care of you…” his voice was so soft and genuine. nothing like you were used to from a hookup.

“fine… then can i just lay on my back?” you both chuckled.

“whatever you want.”

once you guys repositioned yourselves, mingyu on top of you for the first time tonight, you couldn’t help but let your mind race. i could get used to this view… y/n stop it’s just a fucking hookup, you’ll only ever see him again in passing. but his voice… the way he’s speaking to me is so… sweet… so? he’s probably just fucking pussy whipped. and pussy whipped he was, but it wasn’t that simple.

“are you ready, baby?” his eyes scanning yours intently as if to catch any trace of uncertainty that may reside in your eyes.

“y-yes. at least i hope,” you giggled. a fangy smile gracing his face. fuck, his smile.

as mingyu started to push himself into you, you winced at the stretch. it was almost like he’d gotten bigger since you were on top of him earlier. “ah~ fuck gyu,” you whined.

“too much? do you want me to stop?”

“no, no please don’t stop,” you just gripped onto his arms and closed your eyes.

a couple seconds later and he finally bottomed out, causing both of you to let out a string of low moans as you both adjusted to the feeling of his rather fucking huge dick inside of you. (how else was i supposed to word that like c’mon now)

within a minute mingyu was drilling into you at an animalistic pace. the grip you had on his biceps probably close to breaking skin with your nails. your back arched at its limit. both of you sounding like you're in one of the most hardcore pornos ever filmed. the bed creaking, slamming into the wall… you get it.

the rest of the world had completely withered away at this point when suddenly… 

BANG BANG BANG! “jesus christ, mingyu! that you in there?” seungcheol… fuck.

mingyu stilled all movement, “uhhh yeah… what do you want?” he dropped his head onto the pillow right next to your head. you couldn’t help but giggle.

“Sorry.. just uh… have you seen y/n?!” he yelled from the other side of the door. mingyu’s head shot up, both of you looking at each other with complete panic in your eyes.

“you could… you could say that i’ve seen her… yeah?” mingyu yelled back, wincing as he awaited his response.

when seuncheol didn’t answer right away, you decided to speak up. “hi cheol…” you said softly but loud enough for him to hear you.

“you’re fucking kidding,” seungcheol scoffed before walking away yelling, “you two fuckbirds have fun!”

you and mingyu just laid there for a second before bursting out laughing.

“okay that was embarrassing,” you covered your face.

“oh don’t act like you didn’t like it,” he grinned, leaning down to start kissing on your neck. “you think i can’t feel how much wetter you got?” he bucked his hips into you without warning, making you yelp. he just chuckled, lifting his head up to look at you again.

your mouth was hung open like an idiot, unsure of how to respond, actually embarrassed now.

“look who’s the tough guy now, huh?” he taunted, beginning to slowly pump in and out of you again. your eyes rolled back into your head and your hands reached for his hair. sensing that the puppy fun would be ending now, you tried to focus your vision enough to unclip the ears from his hair and throw them elsewhere in his room. “oh, are we done with those now?” he asked in such a bitchy tone, you could’ve slapped him back into his submissive state, but you were over the playing now.

“mingyu, just fuck me,” you panted now able to put your hands in his hair how you please.

“that’s no way to get what you want now, gorgeous.”

“mingyu, please just fuck me already!” you whined, wrapping your legs around his torso. 

the groan that escaped his lips at that action was inhuman as he sped back up to his pace from before, however, far harder. 

“fuck! Mingyu!” you cried out, unable to do or say anything else.

“what? wanted me to f-fuck you, no?” he teased, stopping to lift one of your legs over his shoulder, then removing your mask in one quick motion before pounding into you again. the new angle pushed you to your limit once again, far too fast for your own sanity. “let go for me again baby, i can feel it. you’re c-close aren’t you?” he cooed softly in contrast to his brutal movements. “touch yourself for me,” he breathed. 

you moved a hand down to your clit, rubbing away at the bud while your other arm moved to his back, pulling his body closer to yours as you reached your high. the close proximity bringing his clingy self closer to his own breaking point. 

now forehead to forehead, the knot in your stomach about to snap, you moved your other hand up to his back, fingertips lightly pressing into the skin. mingyu brought a hand to your neck, holding it gently, but firm as he railed into you for the last few times. 

“-m cumming!” you cried, now digging your nails into his back. 

“fuck!” he growled at the lovely sting of the scratches you were leaving. your cunt fluttering around his cock however was the final straw. “ah~ baby~” he groaned before crashing his lips into yours as his orgasm hit. 

“so… you always have wipes conveniently available on your nightstand?” you giggled, curled up in his arms under his blankets. 

“you know, it was actually pure luck,” he started. “cheol did a grocery run today and when he brought me my bag there were a couple of our toiletries and i was gonna go put them in the bathroom bu-”

“hey, gyu?” you looked up at him. 

“yeah?”

“shhhhh…” you smiled, placing a soft kiss to his lips before laying your head back down on his chest.

he kissed the top of your head and whispered with a chuckle, “sorry. i talk too much.”

“uh uh just… sleepy,” you yawned. 

how you two managed to tune out the party is beyond anyone’s guess. he didn’t have to run his fingers in your hair for a full minute before you knocked out, but he did anyway until he fell asleep himself. 

tag list: @skzooluvr @jenoslutie @iluvhoshi @goblynnrockz @map0fthes0ul7 @unlikelysublimekryptonite @actuallynarii @glttrlix @ninigyuuu @starcandybby (i hope that was everyone! i feel like my list got messed up but hopefully it's right!)

[shizunitis]

How do you think Shen Qingqiu would be affected if he had Xin Mo?

holy fuck i've been thinking about this for months and now that i've been asked i'm kind of lost. anon i love you prepare for a whole lotta yapping

the question is vague enough to both give me room to fuck around and to not know what to focus on. so i'll go with trying to figure out what the chain of events would be, mostly. i'm very sleepy though. that should be taken into consideration.

xin mo uses its masters' trauma and psychological issues against them. which means we just have to take shen qingqiu's issues and ramp them up enough to see what that would do to him. how that change would present itself is highly dependent on how he comes upon xin mo, as well.

first off, what does he want? shen qingqiu wants, in no particular order: to survive, to have luo binghe by his side and safe, and to protect his sect from a wrathful luo binghe.

he dislikes violence but doesn't shy away from it when it's expected of him to be unmoved by it. he's a deeply curious person and likes theorising, cultivation, and feeling powerful and respected. he thinks of himself as a "faker" but is proud of his moral stances, especially when they differ from the original goods'.

his biggest frustration throughout the novel is the fact that he cannot protect luo binghe from the plot and all the suffering that would bring him, and that he is under the control of something so opposed to his own goals as the system.

let's say shen qingqiu were to fall into the abyss and find xin mo himself, and therefore the system's control of him would be weakened, as it was when binghe was down there. this would mean he didn't betray binghe, maybe even took his place. this has to happen because he figures out the system is his biggest obstacle, before he gets to xin mo, or else my whole thing falls apart. maybe shang qinghua plays a part in this, maybe not.

it doesn't matter much how, but if he doesn't come to this realisation at some point, he would not place his target on the system, nor would he get the courage to try to change things according to his own wishes.

so. abyss -> revenge on the system -> find xin mo -> cultivate with it -> get out of the abyss.

first off, the sect wouldn't stand for him using a clearly harmful (to both himself and the world around him) demonic sword, or any sort of demonic cultivation at all, so he'd have to hide it if he were to make his way back. paranoia and fear would probably change him into an overprotective person, someone who slowly becomes less careful about what he has to do in order to protect his people, especially when we factor in how he'd had to, for years, live under the control and supervision of the system.

there is also the problem of getting close to the protagonist again. if he were to make contact, the system would re-activate, and his attempt to kill it would be useless.

he'd draw himself away from the people he cares about so he could watch over them. he would study and try to use the sword to change things in his favour, with the right incentive. the harm brought to his cultivation by the sword would probably force him to become more secretive so he isn't discovered.

he would probably seclude himself away from cang qiong, binghe and most of the world. whether he goes into the demon realm or not doesn't matter. he would rely on only himself, unless he can get shang qinghua involved in his plans. i imagine shang qinghua would be opposed to it, not only because the system would be against it, but because shen qingqiu's death or pain would spell his own destruction (by luo binghe's hand) if he didn't try to stop it.

the threat of huan hua palace and people discovering binghe's true nature would probably allow for the sword to take advantage of him more and more as he uses it to fight against them. i don't think the opm would not go after luo binghe, especially with shen qingqiu out of the picture, so i'm imagining the old fuck would offer luo binghe some sort of help just to get him close. shen qingqiu wouldn't stand for it, and we know that as he gets more desperate, shen qingqiu tends toward pragmatism. he would do what needs to get done, i guess.

"stuck between a rock and a hard place" pretty much describes shen qingqiu in svsss. having that not be the system's fault, for once, would probably push him to the edge enough that he does something extremely stupid and turns the entire cultivation world against him in an attempt to protect binghe from the opm's influence.

i don't think he would go too far, outwardly. he would probably bring more harm unto himself with xin mo than binghe had, and would probably suffer more than anyone else involved. him being so tight-lipped about his own motivations would get him scorned and named a traitor to the human realm. he'd have shen jiu's reputation post-trial, maybe. he would become colder, lifeless, honed-in on his goals.

this was an extremely long-winded way of saying that shen yuan, corrupted by xin mo, would become a husk of his former self. i imagine a moment where he tries to be warm again, that whole fond teacher shtick, and would find himself horrified at how much of an act that is now, rather than acting cold and heartless. i think he'd have turned his caring into caring too much to the point of leaving himself behind.

i had a wip of shen yuan transmigrating into luo binghe and having to lean into xin mo's influence so that he could get luo binghe reinstated into his own body that i put on the shelf at some point. he ended up baiting people into trying to assassinate him, and used their sacrifice as a way to power some sort of revival technique.

shen yuan needs plausible deniability for every action he does, especially ones he sees as morally reprehensible. so. add that to the whole thing above and that's the bulk of it, i think. maybe. god please tell me i make sense i need a shizun headpat

[help-itrappedmyself]

Dead on Main short part 3

Debating if this can actually still be called a short....

Masterpost to find earlier parts, or my other work.

Danny shudders underneath him and grips the front of Jason’s jacket with both hands. They are both about to make the kiss deeper, when Jason hears the sound of Bats surrounding them. 

Jason can recognize that they make for a weird picture. Jason, kissing some man no one else in the family knows, with the Joker’s dead body five feet away. But he just wants to groan at the interruption. He needs to take Danny back to a safe house so he can learn everything about him as soon as possible. 

Maybe figure out how exactly he killed the Joker while he’s at it. Not that the means change anything about the end point, but Jason is curious.  Because as much as Jason wanted to kill the Joker, planned to kill the Joker, would have if it had come down to it, if this night had ended a little differently.

 The Joker did always seem a little unkillable though. He had a way of coming back. Like a cockroach. Jason may have to make sure that they burn the body.

Jason pulls away from Danny before he could continue the kiss, causing a truly adorable pout. Jason chuckles lightly, stepping back and letting his arms fall to his sides. Batman jumps down from the fire escape he was lurking on. He lands directly behind Jason, with a growl of “Hood”, that Jason knew was both a question and a command. Jason ignored it and watched as Robin jumped down as well. 

Robin crouched next to the Joker and did his own assessment of the body. 

“Dead.” The announcement is not a surprise to anyone present. It still brings Jason joy to hear.

“Hood.” An even lower growl than before. Getting more gravelly, Jason is starting to push Bruce’s tolerance for his bullshit.

It’s not funny. It shouldn’t be funny. But Jason throws his head back and laughs. He laughs for a god ten seconds before he calms and glances behind him at Danny, smiling so wide his cheeks are starting to hurt. Danny gives a small, nervous chuckle when Jason turns to him, but he keeps glancing between him and Bruce. Clearly nervous about Batman’s reaction to the manslaughter.

Jason turns back to Bruce, and his voice comes out so chipper when he talks it elicits another chuckle from Danny.

“I think we should burn him!”

“Hood!” And this one is as exasperated as Batman will allow himself to get in costume. 

Jason saunters over the Robin, whispering at him conspiratorially “We should maybe do this full-vampire style. Chop him up into pieces and then burn him.”

“I can’t help but agree.” Robin mutters, kicking Joker lightly in the arm. Jason liked this kid before, but his affection was growing. Jason  put his arm around Robin in a quick side hug. 

Robin was not expecting it, which gave Jason a full second before he had to dart away from a knife, laughing. 

“Explain. Now.” Batman’s main focus is on Robin and Hood, but he is also crowding Danny, who looks like he is trying to sink into the wall.

“Hey, leave him alone.” Jason walks back over, quickly, hoping Robin will start with the body while he distracts Bruce. He has faith the kid is good for it.

“What is he doing here and what were you doing with him?”

“Batman, this is Danny.” Danny gives a short wave. “Danny here was startled by the Joker, who confronted him while he was very innocently minding his business. Danny then defended himself against him, and now the Joker is dead.”

Batman gave him a blank stare. “Danny killed the Joker.” It’s flat, but conveys his disbelief perfectly.

“Do you see any bullet holes?” 

“Hn.” Batman grunted, turning to look back at the body. Which Robin might have actually been about to get started on. Jason spares a thought for what they would have donw about all the blood

“Robin!” The shout is sharp, and Robin lowers his knife, despondently putting it back in its sheath. “Robin, bag him and get him ready for transport.”

Robin sighs, but starts doing as he was asked.

Batman turns back to Jason and Danny. “ What were you two doing when we arrived?”

Jason rolls his eyes. “Look old man, I know kissing is not unfamiliar to you.” Batman grunts again. “But Danny, my new favorite person,” Jason takes Danny’s hand as Danny smiles at him. “Is my soulmate. Recently discovered, obviously. Just after he did what all of you refused to do for me, and by accident.”

There was a moment of quiet.

“I really didn’t mean to, Batman, I swear.” Danny is still holding Hood’s hand, squeezing it intermittently. Jason squeezes back every time. “Wait, what do you mean they refused to do for you?” Danny peers at the stoic faces of Batman and Robin, before nodding to himself. “Not the time.” 

“Hood, cave for debrief.”

Batman immediately started to turn around, but Jason scoffed. Jason could not believe the nerve actually, gaping a little at Bruce as he turned back around, before turning to look at Danny and then back at Bruce.

“ Hood, I understand the situation, but this is something that must be discussed.”

“B, you can’t be serious! He-”

“Hey, it’s okay.” Jason and Bruce both shift their gazes over to Danny. “I understand that meeting your soulmate in costume is probably not ideal. You don’t know me, and I’m not going to pretend you trust me yet.” Danny’s entire focus was on Hood.

“Go, talk things out with your group. My name is Danny Fenton. I’m sure you can find whatever you need on me with that. Find me later, okay?” Jason looked upset and it hurt Danny to already to see it.

“I’m okay with getting to know you in a mask if need be. Find my number, text me, call me. I can and will wait until you trust me.”

[taradactyls]

I think the one I see this most strongly with is Pamela; Or, Virtue Rewarded by Samuel Richardson.

It's hard to read in the modern day. Pamela is a servant girl who spends a lot of time trying not to be raped by her employer, who eventually kidnaps her, and the only other woman in a position to aid her actively helps the attempted rapist to assault her in various ways. At one point she holds Pamela down in bed so it can happen (apparently the woman is this awful because she's an atheist). At another time the employer actively says that he would've continued and actually raped her if she kept fighting him, it was only because Pamela fainted that he stopped the attempt. She woke up from that attempt with her stays (underwear) cut up.

Pamela ends up marrying this man, after realising she has fallen in love with him, who is then 'reformed' by her 'goodness.'

It's meant to be a happy and uplifting tale. Obviously, to us, it's more of a horror story.

We see the victim blame in 'if you'd kept fighting you would've been raped' and also know that being unconscious actually makes you more at risk, and understand that a woman who eventually gave in to her master's advances is not any less 'good' for fearing being violently raped (or worse) if she continued protesting. We are less likely to believe people can be so entirely reformed by the 'virtue' of others, and see a man who would take advantage of power dynamics like that as bad even if he wasn't so aggressive in his advances. There are no real consequences for his crimes and continued harassment of a FIFTEEN YEAR OLD in his employ and who had zero protection or options. It's just all round horrid to our modern eyes.

But in many ways it was actually progressive for the time.

Pamela is a servant who ends the book married (not mistress to) a gentleman with an estate and eventually being accepted and adored by the land owning class. This is a rise of a magnitude far higher than Elizabeth marrying Mr Darcy, Jane Eyre and Mr Rochester, or even Cinderella as she was highborn, and was really making the case that servant women could and do have as much inherent worth as gentlewomen by birth. For how classist 1740 England was, that's a controversial take.

And though it's considered a backwards view now, this was the first novel/work which was really reaching out to lower-class women and saying 'your virtue is worth as much as upper-class women.' I dislike the whole concept of sexual virtue and disagree that Pamela's virtue would be lost through rape, but the point remains that this book was making a case for greater equality between classes in a time where the ruling class relied on being considered naturally better by birth and chosen by god to rule. The novel was criticised for exactly this.

Not only that, but by promoting virginity, he was also championing a woman's right to say no. Pamela's ability and decision to refuse is upheld both positively and as what should have been the final word. The male main character only becomes a 'good' person once he truly understands and respects that. An idea only becomes outdated once the societal framework supporting the status quo has changed, and Samuel Richardson was writing in a time where a servant girl (or any woman really, for instance marital rape wouldn't become a crime for another 250 years) who refused her master's advances would have little recourse or sympathy if he didn't respect that no. This novel was telling all those girls your sexual autonomy is worth fighting for... you're worth fighting for.

And, though we see that Pamela's abuser essentially gets what he wanted and gets off scot-free (an illness and a change of heart isn't going to fly with a judge, you douche), it was revolutionary for the time in that it's told from the victim's perspective as a horrible series of events. These acts, many of which were common place and not illegal (some even actively considered romantic) at the time, was a criticism of many masculine behaviours and championed the woman's/victim's perspective. It drew attention to what we now consider domestic violence and abuse of power. Though we might argue about his methods (a minority of contemporary readers viewed the novel as salacious because of the inclusion of the assault scenes) the author's intent was to actively give moral instruction into proper domestic behaviour. Which, aside from 'sexually assaulting your employees is bad' does also include less radical and actively harmful views such as 'be loyal and loving to your employers no matter what.' Historical novels are a mixed bag like that, but he was still advocating for mutual social contracts towards each other, and rejecting the idea that the rich men who ruled the world could do whatever they wanted. He was speaking for the powerless against those in power.

I'll probably never read the book again, it was too uncomfortable for me, but without an understanding of the time it was written it would feel like gratuitous assault and a glorification of abusive relationships, when really, it was the exact opposite. We're just lucky enough to live in a society where many of his arguments have been accepted both socially and legally for so long that it's hard to imagine a case ever needed to be made in their favour.

tbh nothing frustrates me more then when people brush off classics like pride and prejudice or jane eyre because they don’t fit into today’s modern standards of feminism and social justice etc.

remember that these novels were published in the 19th century. and that some of the things that were written in these books may seem trivial to us today but would have absolutely fucking shook readers in the victorian era

like,,,,,elizabeth rejecting mr collins because she doesn’t love him even though it would have been considered her duty in her family to marry him? or jane eyre not agreeing to marry mr rochester unless it was on her own terms? hell even anne brontë wrote a lesser known novel about a wife leaving her abusive husband with her five year old son to live a better life?? do y’all realize how unheard of that would be in the 1800′s?? where women were considered more of a commodity than actual human beings??

even though they might not be up to todays standards of modern feminism and romance, they were still HUGE building blocks for equality for that time period. so if you’re a reader who says to themselves ‘I read classics with modern standards applied and I can’t get past that’ then you are most likely going to be disappointed when reading classics and not fully understand their significance to that time period 

[bonkaii4]

Mel being an empath

(Okay i just got say arcane has sparked passion in me i haven’t felt for a show and fandom in yeeeears i haven’t written a meta in forever so bare with me.)

Anyway at first watching act 3 the reveal of Mel being empath felt crazy like that’s such a huge bomb that we didn’t get build up on or much follow through but i do think it explains so much about her character. Traditionally empaths are written to be overly emotional or sensitive sort of like telepaths and being smart but Mel wasn’t written like that she’s quite calm and collected her most emotional outbursts are with her mother and jayce and even with jayce it’s only because he’s hurling accusations at her and she still remains relatively calm in her responses. I think her knowing people’s emotions wether she was aware of this or not plays into this she knows Jayce is coming from a place of hurt and confusion where as her mother back in season one she knows she’s being disingenuous with the reasons of being in piltover.

First watch this just seems like a disgruntled daughter and her mother trying to get on her good side but knowing that Mel can read people’s emotions adds another layer she see right through her mother which not only from just being raised by her but through her her empath skills.

also wanted to bring this up someone pointed this out tiktok and someone else pointed out that this maybe because we’re seeing this scene through Mel’s POV and since she is empath she see that Maddie is secretly enjoying executing Caitlyn. This got me thinking about her career as council member/politician I’ve wondered how she got so high up while seemingly not only being the youngest member but being young period if she’s assumed to be Jayce’s and Victor’s age this makes her about 24-27 in s1 which is extremely young for council member which essentially this region’s governing body. Being able to sense people’s true intentions allowed her to know who to align herself who not to, knowing when people agreed and disagreed with her, or when people sympathize with your views, causes, or concerns on certain issues which all helped her advance quickly her career. I’m sure being from a high born house helped but we see other high born houses in council positions but they’re all older.

She also seems to be somewhat bored with politics and somewhat disillusioned when we meet her i mean giving a fellow council member a child’s toy almost like a practical joke doesn’t seem like someone who views politics and her colleagues with utmost seriousness it isn’t until she meets Jayce that we see the passion for change. I think being empath she saw that Jayce and Vicktor’s vision for hextech and Piltover and Zaun were pure and genuine which is why she supported them. I also hate the rhetoric that Mel never loved jayce and just manipulated for her own gain she does everything in her power to stay true to him and Vicktor’s vision she doesn’t push him to do anything that goes against their morals and goals. When Jayce is worried about Vicktor and his absence at the council may lead to she reassures she won’t let them corrupt their dream. Like i said early she isn’t written like a typical empath she also isn’t written like a typical manipulator(if you can call her that) she is genuine in what she’s says to Jayce she just also knows how people work and his feelings on the matter so she’s able to play on that.

Ambessa describes her to be too soft and she tells Jayce she didn’t Medarda standards i think the way she operates as empath is the cause of that I don’t think Mel is welling to corrupt herself or others when getting what she wants unlike her Mother and the rest of her family i think they operate much more cut through in their goals.

Whew anyway mind any typos i didn’t mean for this be as long as turned out just wanted to share revelation i had!:)

[valyrfia]

I think Max will either retire or move to Ferrari in 2027

OUR LESBIAN FERRARI PROPHET SAYS SO? DROP THE TIMELINE

Okay okay anon walk with me.

So I think Lewis is Ready for Retirement. I think he would've retired at Mercedes, eighth championship be damned, if Mercedes had just given him an ambassador contract so he could've used his position and his brand for the causes he wants to dedicate the second half of his life to. As is, Mercedes refused to give him that contract (which, I could go on for AGES about how blindly ridiculous that is and is a clear marker of how far this sport still has to go re: racism)–but Ferrari did.

However, to be a Ferrari ambassador, a 2+1 year race contract accompanies it. Obviously this is a good move for Lewis anyway since it's looking like Ferrari will be one of the quickest teams moving into 2025 and Lewis must have some information on how they might nail the regulation change come 2026, but, and this may be controversial. Charles Leclerc is an established driver at Ferrari, the absolute darling of the tifosi (I mean, he's the second most important person in Italy after the literal pope), and most importantly he's a driver that has not yet hit his ceiling. Now, this is where I tread carefully, but I believe that Lewis, in comparison, is past his prime. Sure, he pulled off an incredible drive at Silverstone this year but he has not been able to match George–and George I believe is currently at a lower level than Charles. I have a sneaking suspicion that Charles is, well, going to walk all over Lewis next year. And if Lewis truly has only moved for the sake of the ambassador contract, he'll break the racing contract after 2 years.

Okay but Ollie is supposedly lined up for that Ferrari seat, and Ferrari NEED an order of succession, so who says that Max will take it?

Red Bull Racing is falling apart at the seams (sorry RB fans). Christian Horner is a power-hungry [REDACTED] who will bring the whole team down with him. The Thai side have never really cared about the Formula 1 team (and I know from Sources, backed Christian Horner in this whole fiasco which is why CH wasn't fired). Newey is gone, I'm sure other key figures will get pinched in the next couple of years, Max has kept everything together for pure skill this past year but the writing is on the wall. I'm going to hold everyone's hands when I say this, but I don't think Red Bull are winning either championships next year....

However, for as much as Max loves to talk about it, I don't think he's actually ready for retirement. I also don't think he'll be the type of guy to retire on a low. Max's contract is until 2028, but he can break it if he drops to P3 in the championship, which, I think there's a non-zero chance of happening in 2026 especially under new regulations/brand new engines.

So Ferrari are likely going to nail the new regs, Max doesn't want to retire on a low, and it looks like Ferrari shopping for a driver and Max wanting to leave Red Bull will line up within roughly the same window.

There's also a couple of sentimental reasons I want to point to. Max (as much as he tries to deny it) is a victim of the old Red Bull Golden Boy curse of being a Ferrari fan. I mean, he literally grew up in the Schumacher era, with his father being friends with Schumacher. He's stated multiple times how if he can't hear the Dutch anthem on the podium he'd like to hear the Italian one. I suspect deep down, he's much more of a tifoso than any of us realise.

There's also the Charles Leclerc of it all. Now really walk with me here because this is tenuous and yes is coming from a known Lestappie (tomato tomato) but isn't really a Lestappen argument.

Charles throughout his entire career has been obsessed with measuring himself up against those who are considered the "best of the best" and showing that he can beat them. He ate Seb alive, he'll likely do the same with Lewis. But both of these are drivers past their primes, at the very end of their lifespans. Charles has still yet to prove he can go toe to toe with a great at their prime and win.

Charles is, literally obsessed, with comparing himself to Max in interviews. Now (RIGHTLY SO) we Lestappies all point and laugh and call him a little obsessed but there's a very real publicity reason he wants to insist to everyone how him and Max were on each other's level in karting–people will subconsciously start to associate Charles as being on Max's level even if he hasn't proven it with championships. It's a very calculated move by Charles, and one I haven't seen many people discuss. Charles wants his name and Max's to be said in the same sentence because it validates Charles' own skill.

But Charles doesn't want to be known as Max's equal, not really, what he really wants is to be considered better than Max. And if he can't do that through number of championships, he can do it by putting the two of them in equal machinery. I think Charles will actually push Ferrari into trying to sign Max, because this is the way he can cement himself firmly as one of the greatest F1 drivers of all time.

So I think a perfect storm of these combination of different factors will result in a Max to Ferrari move in 2027. Obviously all pure speculation, but drawing everything together, I'd give it maybe a 50% chance (providing Ferrari actually do come together which, Forza).