#so much hand acting...

[wrongspacetime]

The Fall of the House of Usher 1.08 | The Raven (2023)

[inkskinned]

love when men cry about body hair bc "it's hygiene" and yet 15% of cis men leave the bathroom without washing their hands at all and an additional 35% only just wet their hands without using soap. that is nearly half of all men. that means statistically you have probably shaken hands with or been in direct contact with one of these people.

love when men say that women "only want money" when it turns out that even in equal-earning homes, women are actually adding caregiver burdens and housework from previous years, whereas men have been expanding leisure time and hobbies. in equal-earning households, men spend an average of 3.5 hours extra in leisure time per week, which is 182 hours per year - a little over a week of paid vacation time that the other partner does not receive. kinda sounds like he wants her money.

love that men have decided women are frail and weak and annoying when we scream in surprise but it turns out it's actually women who are more reliable in an emergency because men need to be convinced to actually take action and respond to the threat. like, actually, for-real: men experience such a strong sense of pride about their pre-supposed abilities that it gets them and their families killed. they are so used to dismissing women that it literally kills them.

love it. told my father this and he said there's lies, damned lies, and statistics. a year ago i tried to get him to evacuate the house during a flash flood. he ignored me and got injured. he has told me, laughing, that he never washes his hands. he has said in the last week that women are just happier when we're cooking or cleaning.

maybe i'm overly nostalgic. but it didn't used to feel so fucking bleak. it used to feel like at least a little shameful to consider women to be sheep. it just feels like the earth is round and we are still having conversations about it being flat - except these conversations are about the most obvious forms of patriarchy. like, we know about this stuff. we've known since well before the 50's.

recently andrew tate tried to justify cheating on his partner as being the "male prerogative." i don't know what the prerogative for the rest of us would be. just sitting at home, watching the slow erosion of our humanity.

[divineandmajesticinone]

THE HEART KILLERS (2024) I EP. 2 "I like your name, by the way. Fadel."

[meamiki]

silly comic based on a time i struggled to read live on stream :thumbsup:

context clip compilation below ASDASDFASA

(cw for brief mention of hospitals/strokes)

[twentyfivemiceinatrenchcoat]

THE THINGS YOU DO FOR LOVE... ; SATORU GOJO

synopsis; satoru begs you to wear the frilly maid dress he bought. against your better judgement, you indulge him.

word count; 7.0k (this was supposed to be short but i miss him terribly)

contents; satoru gojo/reader, gn!reader, fluff fluff fluff!!, sickeningly sweet, literally just satoru being down horrendous, lots and lots of petnames (he is embarrassing), he’s ur biggest hypeman, reader is a lil grumpy, satoru gojo is the most insufferable man on earth <3

a/n; this is just a silly lil wip i found in my drafts…. i dont remember what possessed me to write this i just think satoru would cry and fall to his knees and throw up blood if he saw u in a frilly dress

”— no.”

the word rolls off your tongue, instantaneous, with a decisive kind of sterness. leaving no room for hesitation, doubt or indecision; not a single gap for his argument to fit through, no loophole he could take advantage of to persuade you into giving in.

but despite all that, satoru just won’t back down.

”come on, baby, please?” he pleads, voice coaxing and sugary sweet. you can almost see those puppy dog eyes of his from behind the black glass of his shades. ”i already bought it and everything!”

”i don’t care,” you spit. a halfhearted attempt at appearing annoyed, in hopes it’ll distract him from the strawberry flush of your cheeks. ”i’m not wearing it. you shouldn’t have bought it, in the first place.”

”but sweetheart,” he drawls, tinged with a sadness he knows tugs at your heartstrings. ”it’s so cute. you’ll look so adorable.”

”not happening.”

”but —”

”— no. i’m seriously not wearing it, satoru.”

it’s harsh, the flow of your words, sharp and firm; but that’s your only option when he gets like this. your only slim chance at survival, being almost painfully direct. that doesn’t stop your resolve from weakening pitifully when satoru’s posture wilts, though, obviously exaggerated but still somehow effective. you debase yourself for being so weak for him. 

but giving in just isn’t an option, this time. 

under normal circumstances, it wouldn’t take too long for him to persuade you. satoru can be annoying, extremely so — but when he’s being so stubborn about something, there’s usually a good reason for it, even if it’s just that whatever he wants you to do will make him happy. to you, it’ll do.

(his happiness is your priority, after all.)

but in this case, there’s just no way. absolutely no way in hell.

he’s still holding that thing up, like he genuinely thinks it’ll support his argument, swaying it lightly side to side. it really, really doesn’t. it does the complete opposite, in fact.

”but angel,” he tries, again. you wonder if he’s eventually going to run out of petnames, or if he’ll just keep cycling through them until he runs out of air to breathe. ”don’t you wanna see how it’ll look on you?”

a sharp scoff flows from your lips. 

he can’t be serious. 

you really, really, really don’t. if anything, you want everything in the world except for that. you’d rather smash a glass bottle into little pieces and eat them one by one. you’d rather sit on satoru’s lap in a room full of other people. you’d rather jump in front of a moving train with explosives tied to your back.

— it’s so frilly. 

you almost couldn’t believe it, yourself. when he barged into the room, cardboard box in hand, fresh from the mail; all while wearing an excited grin, foreboding, but you were too mesmerized by it to even notice. 

it wasn’t anything out of the ordinary, so you didn’t think much of it. satoru buying you gifts is not in any way unusual, even and especially if you tell him not to — and usually, it’d be a sweet occasion. the kind of moment you can soak in, drink up, and then recall fondly for the rest of the week. 

every single detail is worth cherishing. how excitedly he always opens it up, eager for your reaction, and how you always thank him, no matter what it is. sincerely, because satoru can be awkward with his affection, but his love bleeds through in moments like these.

from expensive, well-kept bouquets to little flowers on the side of the road; from thought-out gifts to little trinkets; no matter what it is, the sentiment remains the same.

(this made me think of you. i want you to have it. 

i remembered you mentioning this brand. i love you.)

a way for satoru to show his love, without overwhelming himself or you. a way of easing him into it, when everything is still just so new to him. 

buying you whatever catches his eye is the perfect solution, according to satoru. and it exasperates you, sometimes, when you come home to five amazon packages right outside your doorstep — but deep down you know it’s more for him than you. because it makes him happy, to be able to, allowed to show his love for you in ways like this. in normal ways, easy ways, that say more than his words ever could. 

(being granted the luxury of making you happy. of loving you, even if satoru doesn’t think he’s very good at that, just yet. but he is good at impulse buying things he knows you’d like; so that’ll have to do, for now.)

which is why you couldn’t help but let his infectious joy seep into your bloodstream, trickling its way through your veins with a sweet kind of fervour. couldn’t help but smile, a tender curl of your lips, in tandem with his cute little grin. couldn’t help but grow a little bit excited, as he opened the package — 

to reveal a cutesy, frilly, maid outfit.

— and then your mind screeched to a halt. 

the look on your face must have been something special, horrified and flustered in equal measure. almost in disbelief, as he immediately began to gush about the outfit in his hands. look at the bows, isn’t it cute? god, you’re going to look so pretty. i mean, you always do, obviously, but —

you weren’t really listening. all your mind could do was spin in circles, trying to get some read on the situation, but it was just no good. he genuinely, thoroughly, truly and sincerely expected you to put on a goddamn maid outfit. 

if he had bought it for himself, then maybe you would've been at least a little bit excited. you’re sure he'd look good in it; with those big blue eyes of his, that cute, happy grin. so good that your heart would probably combust, a little. melt through the floorboards. 

but no — he wanted you to wear it. 

and despite your instant, firm protests, he just will not give it up. your boyfriend is a stubborn man, so it’s no surprise, but it’s still enough to irk you.

”satoru, for real. no! i’m not wearing it!”

”but you’d look so good,” he whines, loud and grating as he inches closer to you. still holding the dress up like a prize; you back away, instinctively, like it’ll burn if you touch it.

”i don’t care! it’s a maid outfit! why the hell would i ever wear it?” 

sunglasses seated at the bridge of his nose, satoru allows you to catch a glimmer of his eyes — an effective method of persuasion. he definitely knows their power, and he’s definitely flaunting them for the sole purpose of making you falter. that manipulative scumbag.

the fact that it actually works makes you even angrier, though.

a sharp turn of your head, and your gaze falls on the windowpane, lingering there as you grumble under your breath. he’s so annoying. you’re growing more and more flustered by the minute, too. 

”— because you love me?” 

satoru tilts his head, white locks of hair following the movement. soft and silky, nice to run your fingers through, but you chase the thought away as soon as it enters your subconscious. he looks almost hypnotizing under the sunlight, with the golden rays illuminating his features, smoothing over the contours of his face — as if the sun was made solely to shine on his skin.

and ah, you think, there we go. satoru’s classic tactic; using your love for him as a bargaining chip, pouting down at you like a kicked puppy. you like to picture his eyes all watery and glassy, everytime he tries it, as if he’s some rejected cartoon-mascot. so silly. 

valiantly, you fight off the temptation to smile, gracing him with another little scoff instead. shooting him an unimpressed look, a tiny raise of your eyebrow. ”that won’t work on me.”

”aww, come on,” he almost coos, inching closer still. ”don’t you love me? my sweetiepie? my cute lil’ mochi?” 

(he’s getting bolder with the petnames, you note. as if that’d change anything. they’re so cheesy it makes you recoil.)

”obviously.” you deadpan, trying your best not to let affection seep into the words. but you see satoru’s lips curl up, anyway. ”i’m still not wearing it, though. sorry.”

satoru sighs. heavy, exasperated — dare you say defeated? for a second, you delude yourself into thinking he might actually give in, for once, spare you both the trouble — 

until he falls to the floor, knees hitting the soft flooring with a loud thud. awfully dramatic. he clasps his hands together as if to beg and plead, a starved dog at your feet, and gazes up at you with newfound determination.

”please, baby — i’m begging you,” he groans, voice sad and pained, agonized, like you just threatened to break up with him. silly, silly man.

”don’t grovel.” a sigh drops from your lips as the pads of your fingers go to massage your temples. soothing what you’re almost sure is an incoming headache.

and he makes a certain noise, almost a whimper, like you just kicked him in the gut. you glance down at him as if to signal really? with your eyes, lips parting to speak — 

but your breath only hitches in your throat, and no sound comes out.

satoru’s eyes are almost teary. peeking out from behind his shades, big and glassy, eyelashes dewy with what you know are just crocodile tears. he’s far too skilled at it for his own good, though — maybe you should be supporting his acting career, instead of the weird teacher-slash-sorcerer thing he’s got going on.

and you’re weak, you realize, terribly so. because something deep within your chest constricts, at those sad eyes, heart squeezed painfully, and when you speak you note that your voice sounds a lot softer. 

”satoru,” you sigh, again; more resigned this time, a little fatigued. missing the way his eyes glint at the sound, as if sensing an opportunity. ”really. i’m sorry i wasted your money, but it’s just… not happening. okay?” 

attempting to sound delicate, your voice settles on a soothing tilt, like an adult speaking to a tantrum-throwing child. hoping it’ll be enough to make him falter even slightly. 

it isn’t, of course; if anything, his determination only grows. 

”even just for a short while?” he tries, voice sweet and pliant. all daisies and sunbeams, tailormade to tug at your heartstrings. ”just an hour or so! then i’ll be satisfied.”

”an hour? no way!” you scoff.

and this time, you don’t miss it. from behind those shades, a certain glimmer of something flickers through his irises — something keen and observant. a certain dread crawls its way down your spine.

”so it’s fine if it’s less?” he grins, changing tactics, smooth and decisive. ”half an hour. that’s as low as i’ll go.”

”oh my god.” an exhale, drawn out and exhausted, from the very depths of your chest. ”satoru. toru. no. i’m not wearing it at all. this isn’t an auction.”

”but it could be,” he purrs, still on his knees. it makes him look a little bit disturbed. ”c’mon. why are you getting so shy? guess what — i’ll even settle for twenty minutes. just for you.”

oh, he’s just awful. you want so badly to be mad at him, and that teasing, smug, shit-eating little smirk of his — but you can’t. 

not when he looks so effortlessly pretty, bathed in the light of the sun, surrounded by a mellow glow so tender it makes him look something like an angel. not when he’s acting so characteristically himself, so stubborn and infuriating and entirely impossible not to love. 

another sigh. you’re a little surprised you have enough air left in your lungs to breathe it out, and as much as you hate to admit it, you’re beginning to grow just a bit tired of the back and forth. ”i’m not shy,” you huff. ”i just don’t want to. it won’t look good on me, anyway.”

satoru blinks. genuine surprise shines in his eyes, for a second, like you caught him off guard. ”huh? of course it will. why wouldn’t it?”

a pause. gnawing at your bottom lip, you avert your gaze, trying to find the words. ”it’s just… tacky,” you settle on. ”it’ll look weird.”

”it won’t! you’ll look so cute!”

another huff, as your dispassionate, bored gaze meets his. ”and how do you know that?”

satoru's answer is instantaneous. ”you always look cute. just wanna see how you look in this,” he chirps, brandishing the outfit with barely contained excitement. thoroughly giddy. ”when i saw it, i knew it’d look adorable on you. and i’m never wrong!”

a soft pout plays at your lips, in the wake of his eager sincerity. barely noticeable, just a little embarrassed, but it’s there. and satoru’s seen it, finally — the road to victory. he knows he can win this, if he’s smart about it.

”i just wanna see you in it. just for a second. please? pretty please?” he tilts his head, tantalizing, showing off the blue of his eyes and the curl of his lips. ”then i’ll never ask you for anything again. promise!”

”okay, that’s a lie and we both know it.”

the grin that blooms on your lips is a mistake, you quickly realize, because satoru interprets any sign of joy on your face as positive approval. his determination grows.

”yeah, yeah… but i mean it! i won’t bother you if you just wear it once. just once!” he puts a single finger up, to emphasize the point. ”just wanna see my precious baby all frilly and cute. won’t you indulge me, oh my dearest?”

he’s grinning, now, all soft and teasing. it’s more breathtaking than he’ll ever understand. he’ll never even come close to understanding how gorgeous he is, like this — when there’s no one around to perform for, when he can just be himself. when it’s just you, and satoru, and the feeling of having all the time in the world.

(even if you don’t.)

and you know your face must be flushed, a soft cherry red, as your gaze falls to the floor. the heat on your cheeks and neck, the pitter patter of your heartbeat; you feel it all. 

and it’s embarrassing, to find yourself so fervently twisted around someone’s finger — to find that you don’t even really mind. being wrapped around satoru’s finger isn’t so awful, all things considered. it’s a scary thought, for sure, but he’d never abuse the privilege. probably.

— a sigh. 

you still don’t want to wear it. you really don’t. it’s just awful. tacky, and embarrassing, and overall unpleasant. 

… but if it’ll get him to stop nagging you like this… 

and if it’s just for a short while…

silence, only silence, spilling into the sunkissed air. outside your apartment, the sky melts into a buttery orange hue. an intense contemplation is etched into your eyes, and satoru takes note of it; opting to put the final nail in the coffin. his very last bid.

”fifteen minutes. then you’re —”

”ten minutes,” you cut him off. sounding just a tad exhausted — resigned to your fate. 

and satoru doesn’t even bother trying to hide his excitement. suddenly beaming, he shoots up to his feet, and it causes you to jolt. ”perfect,” he grins, holding the dress out toward you. a little too eager for your liking.

”— but seriously. i’m only wearing it once. never again,” you tilt your head. ”got it?” satoru just nods, happily, so excited he’s practically jumping up and down — and despite everything, you still can’t find it in you to be angry. 

he looks so earnestly giddy.

eyes brimming with suspicion and weariness, your hands reach out to take it into your arms; the puffy dress, the frilly headwear, and the black thigh highs. you’re surprised he didn’t invest in a pair of shoes, while he was at it. just to complete the set.

(you decide not to comment on it, knowing he’d have some poor, overworked shoemaker on the phone within seconds.)

”need my help putting it on?” he purrs, face suddenly very close to yours — and the sudden stutter of your heartbeat sparks a hitch of your throat. desperate to cover it up, you shoot him a hefty glare.

”oh, shut up,” you hiss, but satoru only grins wider. soft little giggles flowing from his lips, like a schoolgirl teasing her upperclassman. silly.

a heavy hesitance rests on your features, as you give the outfit another chance. judgemental eyes trailing over the bows and frills, giving it a thorough look, until your lips curl down into a soft frown. it’s not that bad, but…

”it’s kinda ugly,” you lie, decisively.

”really? i think it’s cute, though.” 

”yeah, ’cause you have no taste.” a click of your tongue. ”what’s so great about maid outfits, anyway? i don’t see the appeal.”

satoru smiles. carefree, amused — still very much teasing. ”well, we’re about to find out,” he chirps.

you give him a look, eventually giving way to a soft exhale. ”fine — but only ten minutes. at most.” a pause, as you stop to think. what else? ”oh, and no taking pictures.”

”— i’m taking pictures.”

…

the exasperated look you send his way doesn’t seem to phase satoru even in the slightest. he continues to smile at you, unbothered, soft around the edges, and you know you’re not winning this one either.

”… fine,” you sigh. ”but — not too many, okay? and you aren’t allowed to show anyone, either.”

”of course not,” he scoffs, almost offended. ”as if i’d let anyone else see you like that.”

stuck between feeling relieved and put off, you settle on simply letting it go. and satoru continues to speak, reassuringly, glossy lips shining in the sunlight as they part.

”rest assured, baby,” he hums, a melodic lilt to his sugarsweet voice. ”this stays between us. i swear on my honour.”

you snort. ”like you’ve got any of that.”

”mean. anyway — c’mon. i can’t wait any longer.” before you can think to protest, he’s ushering you away in the direction of the bathroom, big hands heavy on your shoulders as they push you. still hesitant, you make no move to resist.

(what have you gotten yourself into?)

with one final sigh, your fingers curl around the doorknob, outfit hanging off your arm. not before sending one final glance back at satoru, reinstating your conditions. ”just this once. then you’re selling it. or burning it.”

”yes, yes — you have my word,” he promises. before you can narrow your eyes, he pushes you forward, gently; bouncing excitedly on the balls of his feet. ”go on, i’m waiting!”

”yeah, yeah…”

the door closes behind you with a soft thud, and the reality of the situation begins to finally dawn on you. the maid outfit weighs heavy on your heart, but light in your arms — you gaze down at it with pure contempt. it’s not like you have a choice, though. satoru won’t let you wriggle away from this one. and maybe, just maybe, a part of you wants to indulge him, after all.

(his smile shone so brightly, in the light of the sun.)

and it’s almost cautious, the way you begin to dress yourself; first the thigh highs, black and silky, then the outfit itself. pulling it over your head, your arms sneaking through the openings. 

it’s a perfect fit. 

a second passes. you stop to think, brows furrowing in suspicion — did the little bastard measure you? just to make sure he got it exactly right? he has been rummaging through your closet more than usual, recently, but you didn’t think much of it. over the years, you’ve conditioned yourself not to question the things that he does. that sneaky, sneaky man.

after putting on the headwear, you finally lift your gaze, tentative and slow — to take a peek at your own reflection. the flush on your face stands out, a contrast to the black and white colour scheme of the outfit. 

and you can’t help but exhale, a little exasperated.

it’s so… frilly. there are frills on the sleeves, on the shoulderpads, on the skirt, on the hems… everywhere. little bows litter the surface of the smooth fabric, a big one attached to the collar, and several smaller ones across the sleeves. 

and as much as you loath to admit it — it is kind of cute. 

still, you can’t shake the feeling that you’re only embarrassing yourself. it’s hard not to think, when a maid outfit is staring into your soul through the mirror — and you just so happen to be wearing it.

(what the hell are you even doing?)

a low groan slips from your lips, and you crouch down, to bury your face in your knees. the flush of your cheeks is beginning to spread towards the tips of your ears, growing hotter by the minute. satoru’s about to see you like this, of all people. how on earth will he react?

(what if he thinks it looks weird, too?) 

”i’m still waiting!” a voice suddenly exclaims, sing-songy and sweet, and closer than you realized. has he just been standing there and waiting in silence, this whole time? of course he has.

”just —” you croak out, words a little strangled. ”just… give me a minute.”

satoru lets out a high-pitched whine, cheek pressed against the cold wood of the door. ”but i’ve been waiting so long already!” he complains, pouting, the urge to see you growing unbearable. impatience tugging at his heart, so excited he can barely pull himself together.

(all he can think of is you, you, you.)

curling up into a little ball, you attempt to swallow the bundle of nerves in the back of your throat — but that jittery, feather-light feeling of your heartbeat just won’t go away. it makes you feel a little paralyzed.

you're actually, genuinely, sincerely about to go show off a goddamn maid outfit. what the hell.

when you finally grasp control over your vocal cords and part your lips to speak, the voice that spills out into the air sounds more than a little meek. but you can’t quite bring yourself to care, overcome by a heart-tingling nervosity and the heat of your skin.

 ”… i don’t want to.”

satoru pauses. 

he can picture you, in his mind’s eye; the way you must look, right now. clad in frills and a cute little skirt, face flushed red and embarrassed, as you shift from foot to foot. and it takes concentrated effort, to bite back the coo that threatens to crawl up his throat — but he knows it’s still not too late for you to change your mind. if he wants to see you, he needs to be careful. so he tactfully opts not to tease you.

”come on, angel,” he soothes, instead. voice smooth like honey, like coffee with cream and too much sweetener. ”don’t be embarrassed.”

you stay silent, still attempting to suffocate the tinge of humiliation in the depths of your chest. so satoru continues. ”just come on out, hm? might as well get it over with. then you won’t have to think of it again.”

a moment passes.

”… do i have to?”

the corners of his lips curl up.

ah, you’re so cute. all embarrassed, almost childish, in the way you’re still trying to be difficult; and satoru just indulges you, all too eager to get you to show yourself to him. ”yes, you do,” he coos. ”be good f' me and come on out, okay?”

a couple moments pass. eerily silent, growing second by second. the only sound that fills the air is that of satoru’s soft breathing, the distant whirring of the ceiling fan.

until finally, he hears the squeak of the bathroom floor. you stand up, turning to glance at your reflection in the mirror one last time, before hesitantly reaching for the doorknob.

it’s slow, the way you open the door, agonizingly so — pushing at it slightly and dragging the movement out. and you can feel satoru’s presence, right behind it, as he takes a step back to give you space. when you finally step over the threshold, you adamantly refuse to meet his gaze.

(satoru’s breath hitches in his throat.)

there you stand, gaze stubbornly averted, expression flustered and mildly annoyed. cheeks dusted a dark cherry-red, that crawls towards the tips of your ears as you fidget with your frilly, oversized sleeves. they’re dressed in little bows, awfully cute, and so is the skirt — short, but not enough to expose the skin of your thighs above the thigh highs. you still squirm a little, thighs pressed together. 

and then, of course, the big bow on your collar to complete the look. pink in colour, a stark contrast to the whites and blacks of the remaining outfit.

after a moment passes with nothing but pure silence, your lips part to speak. doing anything you can to stop yourself from looking over at the man in front of you, afraid of what you’ll see. ”i don’t think it suits me,” is muttered, a tiny huff. ”… and i still don’t see the appeal, by the way.”

— but satoru doesn’t answer. 

he just stares. uncharacteristically silent, in a way you’re wholly unaccustomed to. enough so that you find yourself gnawing at your bottom lip, fidgeting with the hem of the skirt, hoping the smooth texture will soothe your nerves a little. the beating of your heart resounds in your ears, sending blood flowing through your veins with excited pumps.

the silence festers, and all you can do is let it grow, your nervosity thickening with it — until it’s just too much to bear. 

(ahh, you knew it. it really does look weird, doesn’t it? that’s to be expected. 

still, you can’t help but feel just slightly dejected.) 

”… why aren’t you saying anything?” 

the little mumble comes out sounding embarrassed, and maybe just a little defeated, too. but satoru doesn’t hear it. as your gaze falls on the man in question, slowly, you take in his expression with a frown on your face — and realize that he isn’t just keeping quiet. 

he’s completely stunned. 

no matter how hard you stare, you can’t seem to get a good read on his expression. he’s just standing there, face completely blank, eyes entirely obscured by the black of his shades. the light streaming in through the glass of the windows has shifted its course, falling away from the two of you — but you still see the vague, red tinge crawling up his neck. 

and as soon as you spot it, satoru begins his descent.

crouching down to the floor, silently, he brings his hands up to cover his face. feet against the ground with his knees folded, pressed against his chest, stilling as he inhales sharply. shades seated on top of his head, pushed up by his hands when he buried his face in them. a groan drops from his lips, muffled by the skin of his palms — but you can hear it clear as day.

”hold on, just… give me a minute…” he finally croaks out, words somehow tiny. almost shy. 

upon closer inspection, you realize your eyes weren’t deceiving you — there really is a red hue to his neck, one you aren’t used to seeing on him. strawberry-tinged dust, staining his smooth skin, the tips of his burning ears. satoru actually looks flustered, for once. and your heart can’t help but flutter.

— he thinks he might actually, genuinely die.

it’s a wonder, he thinks, that he managed not to fall to his knees the very moment he laid eyes on you. all dolled up; frilly and cute, in his own words, though they don’t come even close to properly describing how adorable you look right now. with your flushed face, shy eyes, and all those little frills and bows adorning your dress. rendering him speechless, clogging up his throat with pure unbridled love. a mouthful of honey, too sweet for even him to swallow.

god. god. he really, really needs to pull himself together.

crouched down like this, face hidden behind his hands, he can physically feel himself grow more and more flustered. senses invaded by the sound of his heartbeat, deep and visceral, until it’s all he can hear — he knew you were going to look cute, obviously, but he was seriously underestimating you. your cuteness is lethal. 

even just the sight makes him weak in the knees. even just the thought of you makes him feel a little like his heart is attempting to break out of his chest. hurling itself at his ribcage with ferocious resolve, like he could keel over and die of heart failure at any given moment. he’s pleasantly surprised that he’s managed to suppress the loud squeal his body keeps trying to let out, honestly.

and while satoru struggles with his deep, internal turmoil, all you can do is watch. looking down at him with wide eyes, as his skin flushes a bright pink, like little chrysanthemums blooming from his neck up to his ears. 

yeah, you think, there’s no doubt about it. satoru is flustered. it’s not a side of him you get to see very often, so you can’t help but be just slightly caught off guard. staring at him silently, until you snap out of it, eyes simmering with something soft and delighted.

he’s so cute.

(and maybe, just maybe — it makes you want to tease him, a little bit.)

so you crouch down, facing him with your knees against your chest, jaw resting on your crossed forearms as you gaze at him. he’s still not looking at you, face hidden behind his palms, shying away from your view.

and then you sigh. the sound catches his attention, soft — and just a little bit dejected.

”… you’re the one who wanted me to wear it,” your lips curl down into a pout, ”and now you won’t even look at me?”

satoru stiffens. 

(you sound sad. you sound disappointed.)

slowly, he parts his fingers, desperate to soothe you — blue eyes peeking out through the gaps, as if the sight of you could blind him. he then proceeds to move his hands, tentative, laboured, like he’s dragging heavy weights off his body. like it’s a struggle. 

with his face finally exposed, all flushed and pretty, bright azure eyes stare at you; brimming with pure adoration. 

satoru exhales, almost shaky. he has to take another moment to simply look at you, as if drinking in every inch of your expression. memorizing every corner of the face he’s grown to love so much.

a moment passes. then two.

then, he practically pounces on you — engulfing you like a tidal wave, trapping you in his big arms as they go to curl around your waist. shades falling off at the impact, hitting the floor with a soft thunk.

”you’re killing me,” he whines, loud and right by your ear. nuzzling into you, squeezing you like he’s a puppy with a chew toy. ”you’re so, so, so cute. d’you want me to have a heart attack?”

a hitch of your breath. that’s all you can manage, utterly failing to keep up with him as he presses you up against his chest. rocking you back and forth in his embrace, smearing open mouthed kisses across your skin; whining and murmuring about how adorable you look. 

a flurry of warmth, of love, of something a little too precious for words. something distinctly satoru, that makes you forget about everything else — as if the world stops spinning somewhere outside of his arms. as if that’s where you belong.

all you can do is indulge him. maybe you’re spoiling him a little too much, but it feels nice; letting him drown you in his overwhelming affection. the thought of creasing the dress doesn’t even seem to cross his mind, as he squeezes the life out of you.

evidently, satoru suffers from an acute case of cuteness aggression. 

”so adorable,” he murmurs, leaving wet kisses on your cheeks. his exaggerated mwahs make you feel just a tad shy. ”my little sweetheart. all dressed up for me.” 

squirming in his hold, he only brings you closer, smothering you in his warm embrace. the slightly erratic beating of his heart is all you can hear, with your cheek squished against his chest. arms keeping you nice and still, lips lingering over that one ticklish spot behind your ear. 

a little giggle slips from your lips, and satoru feels himself smile; wide and giddy, boyish and adoring. nuzzling into the comfort of your chest, soft fabric brushing against his skin, a low whine escapes his throat. ”can't take it. wanna put you in my pocket.”

”your pocket?” a grin blooms on your lips, words dripping with honeyed amusement. satoru grins right back.

”my pocket,” he hums, approvingly. ”you’re just so cute and small. gotta keep you close, so i don’t lose you.”

a huff, lighthearted. 

suddenly, the grip around your midriff tightens — and you’re hoisted up, stumbling a little as satoru lets go of you. still holding onto you by your wrists, softly, delicately, as if you’re made of glass. when you lift your head, all you can see is his satisfied little grin, and the twinkle of his eyes.

your heart flutters. 

satoru gazes at you, silently, still drinking you in. every second spent staring into the brightness of your eyes fills his heart up just a little more; colourful, heart-shaped candies, scooped up and poured into the hole in his chest. patching it right back up, so effortlessly sweet that it makes him want to pluck every star from the sky and offer them at your feet. 

”alright,” he breathes, taking a step back. breaking the delicate silence, a little dance between him and time. fingers still curled around your wrist. ”do a twirl for me.”

a humoured scoff. ”hell no.”

”aw, come on! you gotta pose for the photo, baby.”

before you know it, satoru’s got his phone out — and it’s aimed right at you. by the time you notice it, you’re fairly certain he’s already managed to snap a couple pictures. so all you can do is sigh, in faux exasperation.

”c’mon, c’mon,” he coos. ”give me a smile, pretty.”

a roll of your eyes, as you bite your lip to muffle a soft bout of laughter. it doesn’t really work. ”i’m good.”

satoru seems unaffected by your words, pulling back from your touch reluctantly; just so he can make a show out of playing the cameraman, switching between elaborate positions and taking pictures from angle after angle. somehow, you get the feeling he’s forgotten your request to keep the pictures to a minimum.

(he looks like he’s having fun, though. so you let it slide. just this once.)

”god. you’re way too cute for your own good, you know that?” he murmurs, leaning down to take another picture. and it flusters you, how smoothly the words slip from his lips, how it seems like he barely even has to think about them at all. 

it’s a little embarrassing, in a heart-fluttering kind of way. but you do your best to hide it.

”you’re a sap,” is all you say, soft smile playing at your lips. 

”and you’re adorable,” satoru grins. 

then he slips his phone into his back pocket, satisfied with the collection, and grabs your hand.

his fingers curl around yours, softly — and then he lifts it up. bringing it to his lips. they’re warm, as he kisses across your knuckles, the tips of your fingers. soft as a feather, tickling your skin. 

(as if he’s whispering psalms under his breath. as if he’s worshipping you.)

then he tilts his head, eyes gazing at you sweetly. sweeter than fresh mandarin slices, splotches of marmalade, his favorite caramel fudge. and his eyes crinkle, crow’s feet and dimples peeking out as he smiles, an easygoing kind of joy blooming on that pretty face of his — youthful, boyish. it suits him more than anything.

his voice comes out smooth, awfully coaxing. so very easy to give in to, paired with that breathtaking grin. 

”one tiny twirl?” he asks, politely.

he’s so annoying. 

(but you’re far too in love to say no.)

so with a single roll of your eyes, and a soft little scoff, you relent. indulging him once more, just one more time. just one little twirl.

satoru feels his heart squeeze painfully, deep within his chest, as he watches you spin around. skirt and frills ruffled by the movement. just once, a soft little twirl with your fingers intertwined. far too precious for his heart to take.

when you stop, just a tiny bit dizzy, he leans in, and the kiss he leaves on your forehead is soft. chaste, but it still pulls a blissful sigh from the back of your throat. satoru’s lips curl up against your skin, before he pulls back — eyes almost overflowing with affection.

”cutie.”

you blink. 

averting your gaze, flustering a little under the weight of his love-filled eyes, all you can do is emit a soft little huff. embarrassed, as it flows from your lips. but it only makes satoru’s smile grow further.

”okay, okay. you’ve had your fun.” you clear your throat. ”time’s up.”

suddenly, satoru’s eyes fill with something akin to dread — nose crinkling, just barely, a sign of his displeasure. ”noooo,” he whines, draping his arms around you. tugging you close. ”just a little more? please? pretty please?”

”nope! we said ten minutes. no take backs.”

”can’t i have an extension? since i’m your favorite?” satoru pouts, puppy dog eyes in full force. only this time, they don’t work as well as he’d hoped.

”nope,” you repeat, popping the p. ”sorry.” another whine buzzes right by your ear, and you smile. 

”and then we’re burning it.”

”noooo!” 

”sorry, but it’s gotta go.” you bite back a soft grin. satoru sounds agonized, voice dripping with grief, and it makes your heart dance with barely contained laughter.

”but then you can’t wear it anymore, baby…”

”that’s kinda the point, toru.”

”but you’re so cute in it,” he pouts, bringing you closer still. squeezing at your waist and rubbing his cheek against the top of your head. ”it’d be such a waste if you never wore it again, don’tcha think?”

he’s trying his best, you can tell — attempting to make you falter, coax you into wearing it just a little longer. but for today, you’re done indulging him.

”well, too bad.” nuzzling into his neck, your tone settles on a firm tilt; decisive, as you nip at his skin. just a little teasing. ”i said i’d never wear it again, and i meant it.”

a moment passes. maybe it’s the warmth of your lips on his skin, or maybe he can tell you aren’t budging — whatever the case, satoru finally seems to relent. an exhale tumbles from his tongue, deep and drawn out. ”fineee,” he drawls. ”i’ll just buy you a new one.”

”i won’t wear it. i’ll just get angry.”

”at lil’ old me? really?”

”really really,” you click your tongue. ”if you love maid outfits so much, why don’t you wear one yourself?” a beat. ”it’d look good on you.”

satoru perks up, suddenly. pulling away so his eyes can meet yours, bright and teasing, glazed over with something excited. ”oh?” he purrs. ”you wanna see me in one, huh? so bold, baby.”

a scoff slips from your lips, sharp but tinged with laughter. ”well, it’s only fair, right?” grinning up at him, your hand reaches out to smooth away his bangs. fingertips trailing across the expanse of skin, touch so very tender that his eyes flutter shut. ”i think you’d pull it off better than i ever could, anyway.”

a hum buzzes in his throat, seconds ticking by slowly; a dance with him and time. an attempt to prolong the softness of the moment.

”hmm… well, i’ll consider it.” just barely holding back a smile, he leans into your touch. ”you gotta wear it with me, though. we can buy a matching set!”

”that makes no sense,” you huff, with a raise of your brow. ”i’ve already worn it once, so next time, it’s gotta be all you.”

”sorry, baby, but you need to do it too.” he cradles you close, smoothing a palm down your spine, pressing a kiss to the top of your head. chest rumbling with the smooth timbre of his voice, words rich with teasing fondness. ”i’m too shy to do it by myself.”

and you really, really wish you could be angry with him — but it’s just impossible. 

satoru is just way too lovable, smile far too sunny and warm for you not to melt under. and his caress says more than words ever could, light and doting, careful and loving; like how a believer cups a handful of holy water. as if you could slip from his grasp at any moment, so he has to keep you extra close.

in the end, all protests and complaints die on your tongue. you only laugh, soft and breathy, filling the air with a fondness so palpable you can almost taste it. bordering on something close to a scoff, but never quite getting there. 

eventually, satoru does — begrudgingly — let you change out of the outfit. whining a little, sulking a tad, before brightening right back up again. like clockwork, the sun peeking out after a rain shower, the calm after the storm. always that same happy smile, wrapping you around his little finger.

satoru, in all his glory; your very own pocket of sunshine. annoying, stubborn, thoughtful — 

and yours, wholly and thoroughly.

(while you’re busy gazing at him adoringly, satoru grumbles under his breath. contemplation painted on his features, as his mind spins in circles. frills, bows, lace…

what kind of design would make him look the prettiest for you?)

[tshortik]

Mild rant from me about Hans Zimmer's involvement in Dragon Age:

I just think it's such sellout behavior to hire expensive movie composers (Zimmer is also known to be a transphobic asshole lol) known for their blockbuster soundtracks for your game when you already had the most iconic soundtrack ever for the previous installment, except the composer was lesser known.

Most people hear the swell of violins and immediately think it must be the best soundtrack ever, but if I am really honest, the DATV soundtrack so far sounds like the most generic slopfest with the laziest leitmotif I had the misfortune to hear in a long while.

Hiring people for their name alone is something I find incredibly shameful. Like I cannot even put into words how nasty it is in my eyes, because it actively takes away from lesser known creatives in the industry who could have made a name for themselves. And it doesn't matter to me if Zimmer only did the Main Theme or whatever, because in that case, it shouldn't be his name that is plastered everywhere but Balfe's! But everyone is talking about Zimmer anyway for exactly the reasons I already mentioned.

Even just the thought of how expensive this endeavor must have been... That money could have gone to other, more important places, easily. It makes the layoffs also that much more bitter in my eyes. Idk. I adore Dragon Age and I am still a huge fan and I will play it, but stuff like that make me angry. I don't need some Zimmer who has been sitting his ass on his laurels from 10 years ago in my franchise. I'd rather have a no name person, or Trevor Morris, to get a chance again.

[theoihalioistuff]

ARES IS NOT THE PROTECTOR OF WOMEN IN GREEK MYTHOLOGY.

He is never presented as such in any source, there is no evidence such a role was ever assigned to him in any account, and as far as I'm aware this popular yet unattested assertion is born from the echo-chambers of tumblr. In fact quite the opposite could be argued. TW for sexual assault.

This baffling claim seems to originate from a sort of shallow examination of the way Ares "behaves in myth", and the following arguments are the most frequently presented:

1. Ares protects his daughter Alkippe from assault, and is therefore morally opposed to rape. (Apollodorus 3.180, Pausanias 1.21.4, Suidas "Areios pagos", attributed to Hellanikos)

Curiously this argument is never applied to, among other examples: Apollo for defending his mother Leto from Tytios, Herakles for defending Hera from Porphyrion (or his wife Deianeira from Nessos), or Zeus for defending his sister Demeter from Iasion (in the versions where he attacks her), etc. The multiple accounts of rape of the previously mentioned figures did not conflict with these stories in greek thought: they're defending family members or women otherwise close to them. This sort of mentality is not uncommon even in contemporary times, e.g. a warrior may have no ethical problem killing men, but would not want his own family or loved ones to be killed. The same goes here for sexual assault.

2. There are no surviving accounts of Ares sexually assaulting anybody.

The idea that the ancient greeks pictured that, among all the gods, Ares was the only one who shied away from committing rape is baseless and borders on ridiculous. In this case absence of evidence is not evidence of absence.

The majority of surviving records regarding Ares' unions are presented in a genealogical manner, and do not go into details on their nature. This is the case for most works of mythography, where specifics of sexual encounters are to be found elsewhere. However, common motifs present in other accounts of rape also appear in stories concerning Ares' relationships, e.g. tropes like shape-shifting/the use of disguises, the victim being a huntress, secrecy, and the disposal of the concieved child, are to be found in the stories of Phylonome and Astyoche respectively:

Φυλονόμη Νυκτίμου καὶ Ἀρκαδίας θυγάτηρ ἐκυνήγει σὺν τῇ Ἀρτέμιδι: Ἄρης δ᾽ ἐν σχήματι ποιμένος ἔγκυον ἐποίησεν. ἡ δὲ τεκοῦσα διδύμους παῖδας καὶ φοβουμένη τὸν πατέρα ἔρριψεν εἰς τὸν Ἐρύμανθο

"Phylonome, the daughter of Nyktimos and Arkadia, was wont to hunt with Artemis; but Ares, in the guise of a shepherd, got her with child. She gave birth to twin children and, fearing her father, cast them into the [River] Erymanthos." (Pseudo-Plutarch, Greek and Roman Parallel Stories, 36)

οἳ δ᾽ Ἀσπληδόνα ναῖον ἰδ᾽ Ὀρχομενὸν Μινύειον, τῶν ἦρχ᾽ Ἀσκάλαφος καὶ Ἰάλμενος υἷες Ἄρηος οὓς τέκεν Ἀστυόχη δόμῳ Ἄκτορος Ἀζεΐδαο, παρθένος αἰδοίη ὑπερώϊον εἰσαναβᾶσα Ἄρηϊ κρατερῷ: ὃ δέ οἱ παρελέξατο λάθρῃ: τοῖς δὲ τριήκοντα γλαφυραὶ νέες ἐστιχόωντο.

"And they that dwelt in Aspledon and Orchomenus of the Minyae were led by Ascalaphus and Ialmenus, sons of Ares, whom, in the palace of Actor, son of Azeus, Astyoche, the honoured maiden, conceived of mighty Ares, when she had entered into her upper chamber; for he lay with her in secret" (Homer, Iliad 2. 512 ff)

In neither of these cases is a verb explicitly denoting rape used, though it is heavily implied by the context. The focus of the action is on the conception of sons, the nature of the interaction is secondary.

Other examples are found among the daughters of the river Asopos, who where (and here there's no confusion) ravished and kidnapped by different gods to different parts of the greek world, where they found local lines through children borne to their abductors and serve as eponyms. Surviving fragments from Corinna of Tanagra tell us:

"Asopos went to his haunts . . from you halls . . into woe . . Of these [nine] daughters Zeus, giver of good things, took his [Asopos'] child Aigina . . from her father's [house] . . while Korkyra and Salamis and lovely Euboia were stolen by father Poseidon, and Leto's son is in possession of Sinope and Thespia . . [and Tanagra was seized by Hermes] . . But to Asopos no one was able to make the matter clear, until . . [the seer Akraiphen reveals to him] 'And of your daughters father Zeus, king of all, has three; and Poseidon, ruler of the sea, married three; and Phoibos [Apollon] is master of the beds of two of them, and of one Hermes, good son of Maia. For so did the pair Eros and the Kypris persuade them, that they should go in secret to your house and take your nine daughters." (heavily fragmented papyrus. Corinna fr. 654)

"For your [Tanagra's] sake Hermes boxed against Ares." (Corinna fr. 666)

It seems that, similar to the myths of Beroe or Marpessa, the abducted maiden is fought over by two competing "suitors", and though we can infer that the outcome of the story is that Hermes gets to keep Tanagra, apparently by beating Ares in a boxing match, we don't actually know what happened or how it happened. In any case, Ares does mate with another daughter of Asopos, Harpina, who bears him Oinomaos according to some versions (Paus. 5.22.6; Stephanus Byzantium. Ethnica. A125.3; Diodorus Siculus 4. 73. 1). There is little reason to suppose that this encounter wasn't pictured as an abduction like the rest of her sisters.

The blatant statement that each of his affairs was envisioned as consensual is simply not true.

3. He was worshipped under the epithet Gynaikothoinas "feasted by women"

This was a local cult that existed in Tegea, the following reason is given:

"There is also an image of Ares in the marketplace of Tegea. Carved in relief on a slab it is called Gynaecothoenas. At the time of the Laconian war, when Charillus king of Lacedaemon made the first invasion, the women armed themselves and lay in ambush under the hill they call today Phylactris. When the armies met and the men on either side were performing many remarkable exploits, the women, they say, came on the scene and put the Lacedaemonians to flight. Marpessa, surnamed Choera, surpassed, they say, the other women in daring, while Charillus himself was one of the Spartan prisoners. The story goes on to say that he was set free without ransom, swore to the Tegeans that the Lacedaemonians would never again attack Tegea, and then broke his oath; that the women offered to Ares a sacrifice of victory on their own account without the men, and gave to the men no share in the meat of the victim. For this reason Ares got his surname." (Paus. 8.48.4-5)

As emphasised by Georgoudi in To Act, Not Submit: Women’s Attitudes in Situations of War in Ancient Greece (part of the highly recommendable collection of essays Women and War in Antiquity), "it is not necessary to see the operation of an invitation in the bestowal of the epithet Γυναικοθοίνας on Ares". The epithet is ambiguous, and can be translated both as "Host of the banquet of women" or "[He who is] invited to the banquet of women". In any case no act of divine intervention occurs, and the main reason for the women's act of devotion lies principally in recognising their decisive role in the routing of the Lakedaimonians. It's they who preside/participate in the feast of war, the men are excluded.

Also this a local epithet that isn't found anywhere else in Greece. As such it would be worth reminding that not every Ares is Gynaikothoinas, in the same way not every Zeus is Aithiopian, not every Demeter Erinys, and not every Artemis of Ephesos.

4. He was the patron god of the Amazons

He was considered progenitor of the Amazons because of their proverbial warlike nature and love of battle, the same reason he was associated with other "barbaric" tribes, like the Thracians or the Scythians. In this capacity he was also appointed as a suitable father/ancestor for other violent and savage characters who generally function as antagonists (e.g. Kyknos, Diomedes of Thrace, Tereos of Thrace, Oinomaos, Agrios and Oreios, Phlegyas, Lykos etc.). Also he was by no means the only god connected with the Amazons (they were in fact especially linked to Artemis, see Religious Cults Associated With the Amazons by Florence Mary Bennett, if only for the bibliography).

Similarly, Poseidon was considered patron and ancestor of the Phaiakians mainly because of their mastery over the art of seafaring (and was curiously also credited in genealogies as father to monsters and other disreputable figures).

On another note I have found no sources that claim he taught his amazon daughters how to fight, as I've seen often mentioned (though I admit I'd love to be proven wrong on that point).

5. Finally, the last reason Ares could never be portrayed as a protector of women is because of his divine assignation itself

The uncountable references to his love of bloodshed and man-slaying don't just stop short of the battlefield, but continue on to the conclusion and intended purpose of most waged wars in antiquity: the sacking of the city. The title Sacker of Cities as an epithet of Ares (though it is by no means exclusive to him) is encountered numerous times and in different variations (eg. τειχεσιπλήτης or πτολίπορθος), and the meaning behind the epithet is plain. Though it is hard to summarise without being reductionist, the sacking of a city entails the plundering of all its goods, the slaughtering of its men, and the sistematic raping and enslavement of the surviving women (to name only a small few of the literary references see The Iliad, The Trojan Women or The Women of Trachis). There is little need to emphasise that war as concieved of in ancient greece, especifically the brutal aspects of war Ares is most often associated with, directly entailed sexual violence against women as one of it's main concerns. The multiple references to Ares being an unloved or disliked deity are because of this, because war is horrifying (not because his daddy is a big old meany who hates him for no reason, Zeus makes very clear the motive for his contempt in the Iliad (5. 889-891): "Do not sit beside me and whine, you double-faced liar. To me you are most hateful of all gods who hold Olympos. Forever quarreling is dear to your heart, wars and battles.")

Ares was only the protector of women inasmuch as he could be averted or repelled (e.g. surviving apotropaic chants):

"There is no clash of brazen shields but our fight is with the war god, a war god ringed with the cries of men, a savage god who burns us; grant that he turn in racing course backward out of our country’s bounds, to the great palace of Amphitrite or where the waves of the thracian sea deny the stranger safe anchorage. Whatsoever escapes the night at last the light of day revisits; so smite him, Father Zeus, beneath your thunderbolt, for you are the lord of the lightning, the lightning that carries fire." (Shophocles, Oedipus Tyrannos, 190-202)

"And let no murderous havoc come upon the realm to ravage it, by arming Ares—foe to the dance and lute, parent of tears—and the shout of civil strife." (Aeschylus, Suppliant Women 678)

~~~~~

All that being said, this is a post about Ares as conceptualized and attested in ancient sources, made specifically in response to condescending statements about how "uhmmm, actually, in greek mythology Ares was a super-feminist himbo who was worshipped as the protector of women and was hated by his family for no reason, you idiot". It is factually incorrect. HOWEVER, far be it from me to tell anyone how they have to interact with this deity. Be it your retellings, your headcannons or your own personal religious attachments and beliefs towards Ares, those are your own provinces and prerogatives, and not what was being discussed here at all (I personally love art where Ares and Aphrodite goof around, or retellings where he plays with his daughters, or headcannons that showcase his more noble sides, etc.)

~~~~~

I've seen that other people on tumblr have made similar posts, the ones I've seen were by @deathlessathanasia and @en-theos . I have no idea how to link their posts, but they're really good so go check them out on their pages!

[theamazingian]

SHADOW x SONIC GENERATIONS ‘DARK BEGINNINGS’ FIRST LOOK

[bloominglegumes]

whoever recently sent me the ask about jazzprowl yuri i deleted it by accident im so sorry but i fully agree. world is harsh and cold tiddy soft and warm

[mikakuna]

i think because everyone in the family treats jason as the dumb one, he should show up at a gala and just act super bimbo. it's retaliation, okay? they all think he's below them in terms of intelligence so why shouldn't he take advantage of that?

cue jason pulling up to a wayne gala looking absolutely delectable. his curls are nice and pretty, lips looking soft and plump, cheeks naturally flushed, eyes all doe-like, lashes curled, suit literally stuck to his body and enhancing his thickness-- he looks gorgeous. the bats think, whatever, it's fine.

nope. bruce almost has a heart attack when his barely adult son walks up to a group of older men, places a gentle hand on one of their arms, and starts giggling. his barely legal son is leaning into these men, tilting his head and baring his neck just so, and putting on the most enticing smile. HIS CHILD is subtly sticking his hips out, pouting his lips, and leaning close to whisper who knows what into the ears of these leering grown men.

dick and tim do a double take when they see jason "clumsily" spill whine down the front of his suit and then begin unbuttoning his top with a ditzy, tipsy giggle of "oh no! :( would you handsome fellas mind helping me out?"

by the end of the night, jason has bruce sitting down with his head in his hands and contemplating everything.

[macbcth]

what your favourite dunmeshi ship says about you

farcille: you're classic, you make sense, you like to see the lesbians winning and also you're a bit of a monster fucker: you may or may not specifically have a wing kink

chilshi: you like your men hairy and fat, also you are not immune to panty-shot propaganda, your love language is acts of service

chilaios: you have a size kink

labru: you prefer mlm ships over any other pairing, you think character foils should fuck, you may be a sucker for blue eyes

laimar: your favourite trope is friends to lovers, also you like to see the bisexuals winning, you're also.. what the poets might call.... weird

marchil: your favourite trope is enemies to lovers, your love language is banter, and you're the kind of person who says 'i can fix him' far too often

kabumisu: your ship could burn down the world and violate the geneva convention and you would still call both of them babygirl, also you like angst

laios x monsters: you like tentacle porn

[boydswan]

the amount of FUN Adam Driver had playing Cesar Catilina in MEGALOPOLIS (2024) dir. Francis Ford Coppola

[dykedvonte]

You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.

-Shrimp Anon

The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.

Get ready cause this is a yap session:

Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.

I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.

The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.

This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.

Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...

These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.

I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.

Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.

It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.

I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.

It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.

There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.

End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.

[turtleblogatlast]

I think a lot about Leo’s tendency to push his way into the spotlight despite clearly being a natural in the shadows. Hell, you could argue that his worst moments are when he’s forcing himself onstage, and his best are when he does things no one notices until it’s already been done.

[julijbee]

girlbossing too close to the sun.

[hallucinatinghalos]

I don't think this contains spoilers but if you don't want to hear any book references or season 3 speculation be warned.

Reading the interview clip where Sam Reid said that Lestat is ripped from the stage by Magnus is wild because we know he knows the books, that's not how it happens there, so he's maybe let Rolin's version slip. Which, if holds true, would be a seismic change. Instead of being torn from Nicki's arms while they sleep, Lestat would be taken during a performance, in front of an audience. Surrounded by humanity, by those he loves, but not a soul can save him. The one place that brought him joy would now be connected to the trauma of Magnus and his turning. If he truly is going to be the catalyst for the theater becoming hunting grounds in the show, for better or worse, it would seem to be related to this change as well. Also, his rockstar moment would have a desperation to it that reflects the books but is tragic in its own way. It would all become devastating in a subtly different way than how Rice wrote it. Even events that only happen in the show would have a different impact. Like Armand first approaching him telepathically while he was on stage would now seem cruel and calculated, and later choosing to put the trial on stage. Sorry about the ramble but it blows my mind how much a small change, changes so much. The murder of the opera singer...the mocking of the Dracula film...the baby on the Mardi Gras float...would all feel different.