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johnmanciniwrites · 6 months ago

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Attention: This Essay Will Take Approx. 5 Minutes to Read

An Introduction to Critical Thinking

We're fast approaching that hypothetical future point when robots will take over the hard jobs like making toast and folding laundry. The machines are closing the gap, and when we finally reach the "singularity," as it's called, the most immediately recognizable result will be unemployment. Not to worry. You’ll have all the legal pot you could want. Smoking it might make you paranoid about the likelihood you're under surveillance (which of course you are), but at least you won’t have to worry about remembering passwords or calculating tips. Maybe you can even get some reading done.

Whatever you do to prepare yourself for this dystopian inevitability, there are some basic human skills you might want to remember. Good old fashioned street smarts, for one. And other OG stuff like, say, critical thinking—you know, the ability to reason things out for yourself using logic and common sense. Having your own opinion may be your last vestige of liberty in this brave new world. So how might the industrious citizen go about forming an independent thought in today’s commercial landscape?

Step one: kill your television. At least, that was the simple advice offered in the eighties when this bumper sticker adorned the backs Civics and Escorts and Astro vans. Apparently, we used to have a healthy distrust of the establishment in this country. From the Vietnam War through 9/11, most Americans under thirty were skeptical of the Man. You know, "Don't trust anyone over thirty," as those free-speech-loving Berkeley students once said.

Now that I am over thirty and have spent more than a few years teaching writing to undergrads, I sometimes take a survey because I want to know what the kids read (not much, apparently). We compare screentime averages. After several semesters I learned that college students spend roughly six hours a day on their phones, not counting the other screens that crowd the remaining waking hours. The average adult spends only about fifteen minutes a day reading anything--and most of their time within view of a screen.

Don't get me wrong--I like my phone, but I try to remember that what's on the screen is not reality--not exactly. It's a curated representation of reality, a simulation or simulacrum as Baudrillard called it. The algorithm determines our desires and fears with increasing specificity and provides us with symbols to which we can relate--i.e. optimized and monetized content! When it comes to social media, we just happen to be the content they monetize.

Ever notice the way those memes leave an impression after you close your eyes? They return while you're lying in your bed unable to sleep, like a film on the underside of your eyelids, a vague blur that spreads like some drug from a Phillip K. Dick novel--the visual equivalent of earworms. Melodies and lyrics can do that. Or slogans, or words on a page. Images and language seep into our minds and spread like contagion, making contact, rewiring synapses. When we read or watch or listen for extended periods of time, an osmosis occurs.

People with short attention spans are easy to control. They don’t remember the last time they were lied to. Like Charlie Brown, they keep trying to kick that football and Lucy keeps pulling it away at the last second. We fall for the same trick again and again. Propaganda and revisionist history, fear and psychological manipulation, the exploitation of ignorance--Orwell illuminated all of these in both Animal Farm and 1984—two prophetic novels worth rereading (if you have more than fifteen minutes to spare).

So, quality control: Instead of doomscrolling through headlines and social media posts made to order by the almighty algorithm, one thing you might do to improve your critical thinking is read a book from beginning to end—in that order.

Reading is valuable in and of itself—we need not read for content alone. The sound, rhythm, and word order of well composed syntax is nourishment to the mind that thinks with language, that in fact uses language to illuminate the world outside and within. As we read, the brain looks for patterns--identifying the independent clause, retaining the subject and verb as the eyes track through multiple parallels, projecting the direct object or compliment, not to mention grasping the dramatic throughline, the structure and meaning. As W.B. Yeats noted: “As I altered my syntax, I altered my intellect.”

After all, how does one come to understand what a compound, complex thought looks and sounds like without reading one first? Our ability to follow a train of thought is enhanced by the ability to comprehend in parallel subordinate clauses.

Consider the following poem:

“I.M.E.M.” by Anthony Hecht

To spare his brother from having to endure Another agonizing bedside vigil With sterile pads, syringes but no hope, He settled all his accounts, distributed Among a few friends his most valued books, Weighed all in mind and heart and then performed The final, generous, extraordinary act Available to a solitary man, Abandoning his translation of Boileau, Dressing himself in a dark, well-pressed suit, Turning the lights out, lying on his bed, Having requested neighbors to wake him early When, as intended, they would find him dead.

This is one long sentence. The independent clause has four verbs. He settled (accounts), distributed (books), weighed (all) and performed (act). Then that “final, generous, extraordinary act” he performed gets modified by parallel clauses all beginning with their own verbs--abandoning, dressing, turning, lying--the last of which includes an additional adverbial clause (when...).

The first time you encounter this poem you may have some difficulty finding the independent clause (having to wade through a long left-branching introduction has this effect). But by doing so you achieve something similar to what Yeats was after. You alter your intellect.

We know the internet is a collection of stupid facts and sublime fictions, a carnival of conspiracies, a virtual reality curated by a host of companies for whom it would be more profitable to replace our views with their views. And there are oh so many ways to capture our attention-- say, for instance, through the clever means of wrapping a watermelon in rubber bands (as reporters from Buzzfeed did in 2016).

What will happen next? This question guides most content creation: it is a marketing principle known as the curiosity gap. When something surprising creates a gap in our expectations we feel a need to stay tuned, scroll down, click through or swipe. We anticipate more than we inquire.

When was the last time you read a user agreement on your phone? Like everyone else, you probably scrolled to the bottom and clicked accept. Who besides a lawyer can read the bloviated syntax and obfuscating lexicon of contract law and understand it?

Groucho: It's all right. That's in every contract. That's what they call a sanity clause.

Chico: Ha-ha-ha-ha-ha! You can't fool me. There ain't no Sanity Clause!

“Attention is life,” as the poet Mary Oliver said. In other words, when it's over, that which you paid attention to will have been your life. Spoiler: we are each allotted about four thousand weeks in which to figure this out. Which is not to say that you have to kill your television or take a hammer to your phone or stop playing video games, only to recognize, as John Lennon did, that we’re “doped with religion and sex and TV,” and develop an ability to discriminate between that which rots and that which enhances.

Solution: Learn a new routine. Read a new book. Life is full of distractions—some of which actually require our attention--like, say, an oncoming car (or a technological singularity). Unfortunately, Chico was right. There is no Sanity Clause.

#critical thinking #media literacy #social media #attention deficit disorder (add)#reading comprehension #reading challenge #technology #the singularity

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genericpuff · 2 years ago

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same anon as last ask. I also have to note: i dont think there are any good reasons for domestic abuse. there are none. you said hades didnt deserve to get slapped but then had previously said "as if the victim of the slap wasn’t a guy who was just as if not more abusive than she was in that relationship in his own fucked up way". reading that it does feel like you are saying he deserved to be slap or trying to justify it. maybe you arent tho? btw i dont give a shit about that man lmao

No, and you're right! But that's always the assumption people make whenever defenses for Minthe are made - that by empathizing with Minthe, or by pointing out that Hades was just as shitty in the relationship as she was, you're excusing domestic violence and abuse - and they're very... strawmen assumptions, IMO.

(TW: abuse)

The issue with the Minthe debate is that a lot of people fail to hold every other abusive character in the comic to the same standards they hold Minthe, and they fail to recognize everything that led up to the slap.

Like, when Hecate slapped the shit out of Hades for being into Persephone, where were people then? It was played off for laughs.

But then Minthe slaps Hades once during an emotional breakdown and all of a sudden she's an irredeemable villain.

No one deserves to be physically or verbally assaulted whether or not mental health is involved. But when mental health is a factor in cases like Minthe - which it is because she was initially designed with BPD until Rachel retconned it on Discord - it's one of those "it's a reason, not an excuse" sort of deals. If LO Minthe was being written by someone who actually cared about mental health representation, she would have been given the same opportunity to grow and learn from her mistakes and past transgressions just as Hades and Persephone have been given.

Instead, Minthe is a villain for having a moment of cruelty during a breakdown, and Hades and Persephone never seem to have to own up to the shit they do. Abuse is never okay, but LO is essentially saying "abuse is okay if you're cute and rich and if you make funny meme faces while you do it."

Characters like Minthe are WAY more interesting than Hades and Persephone BECAUSE of their flaws, she isn't peddled as perfect, she's real. Minthe and characters like her are raw and genuine, they don't feel like they're putting on some act of "niceness", they feel like people, people who make mistakes and fuck up and suffer consequences for their decisions and their action. I've seen a lot of people empathize with and enjoy Minthe's character simply because they do see themselves in her, they see her vulnerabilities and her flaws and her fears and recognize that she's not perfect. Some people truly are irredeemable beyond repair, but Minthe... Minthe still had a fighting chance. We had that chance when she first dumped Thetis, it was so cathartic to see her take control of her own situation and healing... but then RS backtracked on it immediately because she accidentally made the character who she knew she wanted Persephone to turn into a plant way too empathetic. So instead she opted to dial up Minthe's shittiness to 1584923108 in order to get her audience to hate her - and to ensure anyone who did still empathize with her look abusive by extension.

She didn't need or deserve 'another chance' from Hades, or Hecate, or the other people who she had already hurt countless times. But she does deserve to give herself the chance to grow and learn and move forward to something better. We all do. It's why forgiveness is one of the most essential first steps in growth.

I'm tired of reading about H x P "forgiving" themselves for what they do with false platitudes of TherapySpeak. Because they never learn, they keep acting like shitheads and much of their behavior comes across as fake and disingenuous, like they're just putting on a show. And that's when they actually acknowledge their behavior, more often than not their bullshit is celebrated.

I don't want to celebrate abuse. I want to see character development. You can't develop or grow if you're deluded into thinking you're not doing anything wrong. Persephone and Hades have nowhere to go. Minthe had an entire life ahead of her away from Hades and Thetis... and we were robbed of the chance to witness it.

But that's just my two cents.

#tw abuse #lore olympus critical #lo critical #anti lore olympus #antiloreolympus #ama #ask me anything #anon ama #anon ask me anything

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arodabi · 4 years ago

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okay, i’m finally getting around to writing this, and uhh ill say its for aro week too. this is written as an aro person directed at alloromantic people. when i refer to writing, i’m kind of using it as a general term for creative works. Here’s me throwing my hat in on the question:

Can you ship aromantic characters?

and my answer is,,,,, actually a question. Why do you want to ship aromantic characters?

I want alloros to realize that for a lot of aros, we do not get to see ourselves represented often. I can actually count on like one hand how many popular canon aro characters there are, and on the whole, none of their identities are respected. people constantly try to weasel their way out of actually writing aro characters, or they just ignore or deny their identity outright. fandom spaces (hell creative spaces in general) are at best not welcoming to aros, and at worst actively hostile towards us. So when the first question brought up when a character gets canonically confirmed as aro is “okay cool but can i ship them???” or “that’s nice but how can i still write about my fave ship that involves them??” i want to fucking scream. its a slap to the face and it shows that people really do not give a shit about aros. you say stuff like that and all i hear is “my fictional ship is so much more important than representing your marginalized minority identity” so instead of me just sitting here and saying “yes you can totally ship aro characters, as long as you’re respectful!!!” i’m saying “can you stop and think why you want to shove an aro character into a romantic relationship at the first chance you get?? maybe you have some arophobia you haven’t worked on?? maybe since we live in an amatonormative world, you’re letting that influence your views??” because that question being the first thing out of your mouth when you see a character you like confirmed as aro? that’s already disrespectful towards aros in my book.

So back to my question, Why do you want to ship aromantic characters? is it because you can’t write characters without them being in romantic relationships? or because you think a character without a romantic relationship is boring? Because if so, that’s a bad reason and it sounds like amatonormativity is rotting your brain.

Is it because you just really like a ship with the aro character? Because you can write two characters with a strong relationship without writing them as a couple. A strong friendship can hold just as much power as a romantic relationship.

Is it because fuck aros, i will write what I wanna write and I don't wanna write this character with their canon identity? because then you’re just an arophobic asshole that needs to work on your shitty opinions. aro representation is just as important as any other lgbtqia+ representation.

Now if you’re reading this and thinking “well i heard aros can be in queerplatonic relationships!” I want you to think for a second. Are you writing a qpr or are you writing a romantic relationship with the serial numbers filed off? Have you talked to aro people or read stuff actually written by us? because, yes, some qprs can look a lot like a romantic relationship from the outside, but that’s just it, you’re looking at it from the outside. qprs are more than just “romantic relationship with extra steps”, and i think it’s really telling how many times i see alloromantic people saying they’re depicting an aro character in a qpr, not a romantic relationship, but then they never ever make any effort to distinguish the qpr from any other romantic relationship they write or draw. It just feels like qprs are getting used by alloros as a gatcha any time an aro person objects to how they depict (or don’t depict) aromanticism. if you want to write a character in a qpr then go for it! but you need to actually do research, talk to aros, get multiple opinions and not just take the first opinion that agrees with you and run with it.

“But what about headcanoning a character as arospec?” now i will say before i go into this, i am aro, not arospec, so if an arospec person wants to come in and correct me at any part here im happy to listen. but my problem when alloros bring up arospec identities is a very similar problem to how qprs are often depicted. I remember when Peridot Stevenuniverse got confirmed aro (she did, do not argue this with me) people were jumping over themselves to assure everyone that “a character getting confirmed as aro just means they are any arospec identity” which,, uhh,, not true? i mean if an arospec person wants to see a canon aro character as, say, aroflux, i’ve got no problem, aro and arospec people can do what they want really. but, i do have a problem with all the alloro fans who were spreading this. because, do you really see the character as demiromantic? or are you using that identity to deflect criticism from erasing aro identities? are you actually trying to write a good depiction of a demiro person? or are you just writing normal ship stuff and slapping a “uwu ive never felt romantic attraction until i met you! and now i will act exactly like any alloromantic person!” at the beginning? being in fandom spaces, i do see the occasional fic actually depicting an aspec identity (i say aspec her because aro is so rare that most of these examples i’ve seen have been acespec identities rather than arospec) but like 99% of the time, that’s written by someone who actually shares the identity. before you use our terms and identities to cover your ass when you erase us, consider not fucking doing that. consider listening to all aros and getting our thoughts and input.

And last here is “but what about romance positive aros?” now i think most of what i’ve said previously can be applied here. the only thing i wanna add is, i think its very interesting that almost every time i see non aros depict aros, they always write them as very into romance, very open to be in romantic relationships, and very quiet about their aro identity. despite the character in canon not showing any of these traits. romance positive aros are good and important, but not every aro is romance positive. there’s quite a few of us that are romance repulsed, and alloros only depicting aros as super romance positive no matter what is suspicious to say the least. if an aro character is shown to be open to participating in romantic activities in canon then of course write them that way. but if an aro character is shown to be uninterested in, or even actively against romantic activities then respect that too.

so, to wrap up my thoughts in this ramble: please ask yourself why you want to ship aro characters so bad, because if the only reason is that amatonormativity has brainwashed you into not being able to write, or draw, or do anything with a character without them being in a romantic relationship, then you uhhh need to work on that, that’s honestly a writing/creative flaw imo. if you like the relationship dynamic between an aro character and another character, consider making them friends. friendship is not less powerful than romantic relationships. nobody is ever too old for the power of friendship trope. If you’re erasing an aro character’s identity because fuck aros, then fuck off somewhere far away from me and work on your bullshit. qprs, arospec identities, and romance positive aros are all very real, very important parts of the aro community, but please talk to other aros about them and actually make an effort to understand how these things work, dont just assume. And also don’t use these things as a way to erase aro identities and cover your ass if get called out. its disrespectful towards all aros.

The most important thing to do before writing or creating work with aro characters is to talk to aros, and not just the aros that agree with you. look up what a qpr actually is, learn how aros experience their arospec identities, talk to aros with multiple outlooks on romance. and if you can’t bring yourself to reach out, at least read through our own writings, whether that’s fiction, or informational posts, fuck, look through our memes if u wanna. Just please actually make an effort.

So, Can you ship aro characters? its complicated. look at trends in your fandom, question why you want to, and do research. Be an aro ally, listen to us. That’s really the most important thing.

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nissakii · 4 years ago

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Significance of “Madness” in anime

We’ve already established in other posts about significant emotions and concepts in anime or specific media before. The Significance of losing or the one of visuals and metaphors in Haikyuu!! are some of those I would love to mention here, but today we shall delve into a broader topic that goes more along the lines of Makii’s thrilling post about Danganronpa and the Significance of Despair.

Today, our topic of interest is madness.

To ease your mind, in this post we will be talking about the representation of insanity and madness in some anime characters and how that reflects on the story and ourselves as an audience.To make one thing clear, a lot of the times we see overexaggerated versions of unstable characteristics in anime that aren’t realistic.

This is in no way a discussion about actual mental illnesses and not a professional approach to analysing them to our real life standards, but maybe a start to an interesting discussion about how we portray and handle what one may colloquially call “craziness”.

Now that we’ve got that out of the way, let’s start!

Artists, and no matter for example if they write or draw, use their platforms to deliver messages in cryptic ways. As humans, we have the innate ability to look at something and consume the facts through entertainment which makes us crave new media to follow and analyse.

We love to question things instead of just taking them as they are, and that is why most writers out there will play around with the perception of their audience.

You may be familiar with the common question that ghosts through your head as you enjoy the latest episode of your favorite anime.

Why did he do that? Is she a traitor? What makes them think that way?

Although one might always do it consciously, we most definitely analyse whatever media we consume and decide for ourselves if it is important enough to keep in mind for future reference.

What the writer or founder of the anime ultimately wants from the reader is a reaction.

No matter what they intend to do with it, if they enjoy the viewer getting excited or traumatised is not of importance, but a reaction is evidently one of the goals.

And as strong emotions always evoke an even stronger reaction, anime characters are often very idealized and have ideologies that make them want to do one particular thing.

Be it save the world or destroy it, we focus and look at these characters and root for them if they give us a reason to do so.

Both sides of good and bad can have deeply rooted admiration drawn out of us, and it sometimes doesn’t even matter because the more interesting part is the lovely grey area in between.

We need a balance of good and bad to enjoy both.

Empathy makes us viewers want to relate to the characters, and if the author gives us the possibility to learn why someone does something, it gets harder and harder to dislike them. That’s why tragic backstories and flashbacks are such an overused tool in anime, because with the extreme behaviour some characters show they also need equal amounts of redemption.

We attach ourselves emotionally to characters depending on our personal tastes as well.

If someone likes and relates to a strong and independent protagonist who would drop anything for the sake of justice, you will find a lot of resembling characters in shounen for example.

On the other hand, if a darker or more obsessive character manages to take over a special place in a viewer’s heart, putting them on a pedestal gets more and more interesting, because you’re not supposed to.

Contrary to that, characters with insane or dark personality traits are often very popular, again tracing this back to human instinct of emphasising with wronged characters and curiously inspecting the fully deranged ones.

As this isn't something that should be put into vague concepts, we’re instead going to look at examples of characters and entities that are seen as ‘mad’ and how they’re interpreted.

It’s not just about villains being unreasonably immoral in this post, as we look into what madness entails and how it's shown, we also have some examples of corruption to look at.

So of course there are the typical evil-thinking evil-doing villains out there.

Some of them have an actual backstory to make them more realistic and believable, some others are just pure evil. While they are often called mad for their actions to achieve their goal, the reason why they are put into that light is the stark contrast between the protagonist and the villain.

If the protagonist loves to save people and always has a smile on his face, of course he will differ from his counterpart when he finds out that his methods are a bit more vicious.

The protagonist perceives the villain as insane most of the time, but what does the viewer think?

We seek to look not only at characters that are enjoyable to watch, but also try to find similarities between us and them or draw lines in their behavior to understand them better. As mentioned before, empathy plays a huge role here as well, since whatever happens in anime doesn't have actual repercussions, we can forgive characters more easily.

For example when they are taken by Insanity as a side effect rather than being insane due to trauma, we often get an 'ally turned traitor' trope through hypnosis or brainwashing, which is just as interesting to look at.

If a person did something horrible under the influence of something they had no control over, are they still to blame?

Does Insanity only involve a separate entity that comes from evil, or are we also looking at the gradual descent into darkness when life just isn't the same anymore?

Insane and with no fear: Soul Eater

A great example of how insanity plays with characters be they good or bad is Soul Eater.

With a premise that one needs a sound mind and body to inhibit a sound soul, we obviously know that people close to becoming Kishin-eggs will have a rotten soul drenched in bad deeds, but what about the good guys?

In this instance we have a lot of different types of madness and insanity that touches multiple characters at different times, and by far the most drastic would be the black blood.

The black blood being a synthesized weapon form of blood that can change form and harden into shape, is a weapon made by Medusa and introduced for the first time with Crona. He was melded together with Ragnarök as a weapon and used the black blood in his proficient fighting style.

Soul Eater as well as Maka and other characters later come into contact with the black blood, and the consequence of the immense strength that comes with it is debilitating madness.

As explained in the anime, the madness makes one deny the soul of oneself and others and takes away your fear. Now with no fear present, the person exhibits extremely erratic behavior and is not scared to hurt others or themselves.

This is an insanity that shows how essential a person's fear is, shown by Maka in one of the latest episodes when she fights Asura. The fact that she learned how to accept her own fear and realise that humans need it to survive is why insanity in Soul Eater is merely a concept to differentiate between what is human and what is Kishin.

A Kishin kills and murders with no fear of anything.

A human protects and masters one's own fear.

The power hungry insanity: Hunter x Hunter

In Hunter x Hunter we have a lot of characters that don't exactly fit the norm of human action.

With people like Chrollo, Illumi and even Chimera Ants there is enough crazy to go around.

Still, the character we shall delve into to look at a different kind of instability is none other than Hisoka Morow.

Yes, in comparison to black blood madness Hisoka is an actual human being with no known influence outside of his own intellect. The contrary to another weapon or entity making someone insane is being shown in this anime.

Hisoka is just insane.

We have no means to see if there is anything that might have caused Hisoka to be the way that he is, but what we do know is that his character is almost too nonchalant for his own good.

His goal is to accumulate power and fight others that he seems worthy, as that is what attracts him. No person is spared if he believes he found a worthy opponent he will make that clear to them and pursue them passionately.

We could rule that the clown is just eccentric, but with the given information from the anime he definitely had some sort of mental difference next to his peers. Harming himself holds no problem to him, and his behavior is deeply rooted only to suit himself. He has no self-preservation except for when he needs to accomplish something, and he even enters the spiders just to get close to Chrollo.

Now we see a single person carry themselves throughout a story only to achieve one thing: a good fight.

After having looked at these two examples of insanity in anime, let's look at how that insanity can be portrayed visually.

A famous way to show someone's psychosis is the “Kubrick stare”. A directorial technique that got named after the director Stanley Kubrick who used a forward tilt of the head with eyes locked onto the camera to show the actors of his movies at their peak of madness. It became a very popular stylistic device and is used still very often in modern movies.

The character is supposed to look menacing, evil-plotting and absolutely unhinged.

Such devices, if used often enough, automatically invoke the message to the viewer.

If you’ve seen the Kubrick stare once in a psychotic character, you will definitely associate it with the same derangement again.

In anime we have a similar thing, and you might be aware of this already.

Familiar with the ‘eye angle just before a character goes insane’ meme?

It’s a running gag that shows multiple characters such as Asura from Soul Eater, Pain from Naruto, Light from Deathnote and Jason from Tokyo Ghoul in a frame where you can only see their eyes and it somehow looks extremely grotesque as if they were looking into different directions with their eyes.

As much as it is a joke, it is a perfect example of something extremely similar to the Kubrick stare used in anime culture. It goes so far that if any anime watcher would see a new character look like in a frame, one would assume they were about to go crazy.

Even Oikawa Tooru from Haikyuu!! was shown with a Kubrick stare in the last moments of the second Seijoh vs. Karasuno game, when his desire to win overtook him with incredible force.

Without loss there naturally can’t be any wins, and without sadness there will be no joy in laughter.

We need the different depictions of what one might call madness, to fill our stories with nuance that relies on our reality.

Be it an unknown entity, hunger for power, lack of fear or the good old fashioned thrive for world domination.

Madness is just another part of what we call life, and to be honest in healthy doses and for effect why not enjoy it in anime?

Now, do you guys know any other characters or concepts in anime that would be worth mentioning? I would love to see them in the comments!

Until then, stay sane!

-Nissa

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ma-lark-ey · 5 years ago

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DnDads fandom, here’s some food for thought for you.

You keep telling Anthony you want representation, that you want more diversity, you want characters confirmed as fandom wide headcanons, whatever. You tell him you want more.

But, these same blogs that say these things reblog posts on the “men writing women” memes and rant on cis people writing trans characters and white people writing POC and whatever else, so let me off you this.

If you were a content creator, and your fans were asking you for representation, while on the same note saying how people who aren’t [people group] can never get [people group] right, what would possess you to take that step to provide that? I want you to genuinely think about that, because as a content creator who prides themself on putting in the kinds of characters I’ve heard people cry for in my stories, seeing those kinds of things is very discouraging. Because, I, as a white person know my portrayal of a POC is never going to be as good as POC want it to be, but all I can do is try my very best and listen to them on their critiques and turn around what I did wrong.

I’m not saying Anthony is justified in the lack of diversity in NPCs, but you guys need to understand that when you tell him to provide diversity then also complain that [majority group] never portray [minority group] right is not helping your case. All you’re gonna do is discourage him from providing that.

If you need evidence, here’s an actual Talking Dads quote form Anthony on Trans Nick and other fandom wide headcanons ( I did not transcribe this scene, i thank my Discord friend for sending me this. I don’t know your Tumblr but if you see this just drop a say so in the notes)

“Anthony: Oh wow. There are a lot of ones I like that are almost exclusively about gender and orientations and stuff like that. Of like, oh yeah maybe Nick is trans or or or any of those kinds of things. Cause those, it’s always like, not not that I would ever take those because uh, uh, and, make them part of the main canon just because I feel like that might- I don’t trust myself to not make that appropriative and weird. But I love that people from marginalized communities are taking those characters and being like “he’s ours now!”

Beth: Yeah.

Anthony: ‘Nick, he’s- he’s black and he’s a trans man and Glenn loves him and it’s not a big deal.’ And like, all that kind of stuff.”

I’m sympathetic to sentiments like this, because this was my writing until this very year. My thought process was “I won’t write POC because I, as a white person, might fuck it up” and that thought process is only made so much stronger when if you do fuck up, no matter how minor or how severe, you’re met with nothing but inbox spam and threats and hostility. If you want response; use your words politely. When you attack them, nothing will change. Attacking does nothing but make them fear their own fans, and that’s genuinely not what we want. I know that’s not what we want. This callout/cancel culture people have created in this little fandom is so toxic, to both us and the dads.

If you’re gonna ask something of the dads, do it nicely. Don’t come for their throats. If you, YOU personally, have sent them the same message multiple times and have no response after a couple weeks; then you get rights to get more aggressive. Not when you’re posting one call out on their Twitter.com and do nothing but yell and accuse. That’s not accomplishing anything.

If I, a fifteen year old, find myself using more tact in these posts than grown ass adults, there’s definitely a problem here. And it’s not the dads.

You wanna know that dads aren’t giving representation? Because they’re scared of fucking it up, they’re scared you ADULTS are going to come for their throats at the smallest mistake and continue to turn their fanbase into a warzone. Don’t make it a warzone.

You know how you fix that? Approach them. Message them on some platform. Just say; Hey, I know your fans want [character] to be [minority group] and if you wanted help in learning how to confirm that, I am [minority group] and I’d be willing to help you.

It’s that easy! Wow!

Because, honestly, even a sensitivity director can’t be perfectly knowledgeable on every single minority group.

If you want your kind of minority group represented in DnDads, god dammit reach out to the cast and offer your input. Not you may not be an authority on your minority group, or some kind of genius on it, but one of those people reaching out and offering advice based on their own experiences is often much better than nothing.

Like, the other day on twitter someone said, “Hey, Jenna and Anthony! I noticed you called Ratticus Finch ‘agendered’ and that’s not a perfect term for all nonbinary people, so I would suggest putting in some more research on terms before the next episode.” And THAT’S how you approach topics at first, not screaming and yelling. That’s how you put in advice. That’s how you provide criticism.

I said when I first started talking about discourse that the adults are the problem, and i still stand by that. Because I am yet to see anyone under the age of 25 acting like this. Anyone younger I’ve seen on this has been tactful, and polite. Which really shows the difference in generations. It’s sad.

I hold hope in the hosts, because they’ve made steps to change in the past. And they’re only gonna take the issues one hurdle at a time, you can’t expect everything to be managed all at once, they have to pace themselves or else they’re going to get burned out and that’s worse.

And if this podcast at the moment is not up to your standards? That’s fine. Walk. Away Come check back in in a few months if you still hold interest and see if it’s what you want to associate yourself with. Just stop attacking the hosts, criticize and construct them instead.

You get nothing out of tearing others down, only more destruction.

#dndads #dndads discourse

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neroushalvaus · 4 years ago

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Top 10 favourite characters from any fandom

I was tagged by @limalepakko , thank you! Since I have recently listed male characters here (or you know, in August, but we all know time hasn't been a thing for many moons), I took the liberty to list characters in general this time. I also went with which characters feel right at the moment, so does not show all my favourites. I also try to keep these short. (edit: okay so these are not remotely short, I will post a list first and have the explanations be under the cut, read if you want to hear my ramblings c': )

1. Fantine, Les Misérables 2. Javert / Jean Valjean, Les Misérables (yes i am cheating) 3. Carrie "Big Boo" Black, Orange Is the New Black 4. Jane Marple, Agatha Christie's Marple 5. Aunt Lydia, The Handmaid's Tale 6. Bridget Jones, Bridget Jones books & movies 7. Rock Lee, Naruto 8. Sarah O'Brien, Downton Abbey 9. Marilla Cuthbert, Anne of Green Gables / Anne with an E 10. Sister Monica Joan, Call the Midwife

1. Fantine, Les Misérables

I love Fantine with all my heart. I remember reading Les Mis for the first time and her story sending chills down my spine. Her character development makes me so sad, from a girl who falls hard and fast and won't deny anything from her lover, to a woman who is so beaten down by society that she can't do anything but laugh at her fate. But I love how she doesn't lose her pride or her fighting spirit and how she still has the guts to spit in Valjean's face when she sees him after being arrested. And I love how all she does is for her daughter and how despite selling "the gold on her head and the pearls in her mouth" she is content, because all that matters to her is that Cosette will live.

2. Javert & Jean Valjean, Les Misérables

I was really trying to limit this list to one character per fandom, but alas, I am but a weak little person. Thus, I am cheating already. The thing is that when it comes to Les Mis characters, Fantine, Javert and Valjean are the eternal top 3 for me, but I'm never quite able to say who I love the most. Last time I picked Javert for the male character meme because I love the symbolism and critique of society his character embodies, but let it be known that Jean Valjean is the best character in all of literature and I will fight you on this. The original soft on crime icon (aside from Jesus Christ but they're the same and you know it). Valjean's character journey is such a complicated one from an ordinary man (no worse than any man) to a person, who had been shaped by society and criminal justice system to be a very dangerous man, to someone you could compare to a saint if you wanted to... To an ordinary man, who would do anything for his daughter. He has so many character-defining moments, the biggest ones being in my opinion the trial of Champmathieu and letting Javert go instead of killing him. I just love Jean Valjean so much and could speak about him for hours.

3. Carrie "Big Boo" Black, Orange Is the New Black

Hopping away from the Les Mis hole and into a OITNB hole. I was debating on whether I'd put Boo or Pennsatucky on this list since I love them both so much, but I've been feeling so much love for my angry butch king that it had to be her. First of all, I'm just so happy to see butch lesbian representation where the butch identity is not just a joke. I know OITNB sometimes uses Boo questionably, but in general she is a nuanced character and one of the most interesting ones in the series in my opinion. I'm so sad they forgot all about her on the last seasons. I love everything about her, how she has trouble with feelings besides anger and often deflects serious stuff through humor, how fiercely protective she is of those she loves (boosatucky otp forever fucking fight me), how proud she is of her butch identity ("i refuse to be invisible")... Also, not to express attraction, but... Mama I'm in love with a criminal. And not to be a slut for how characters view religion/spirituality/God, but the relieved smile she has in one of her flashbacks when she says "there's no God... there's nothing", like you can't just do stuff like that and expect me not to love the character to bits.

4. Jane Marple, Agatha Christie's Marple

Last time I listed Poirot and was a bit frustrated I couldn't list Marple, but now it's time to right that wrong! I love this little old lady so much. I love Agatha Christie so much for just going "you know who is the person who knows everything that's going on in a community, and thus would make the perfect detective for a detective story? the nosy old woman". As she is introduced in The Murder at the Vicarage: "Miss Marple is a white-haired old lady with a gentle, appealing manner — Miss Weatherby is a mixture of vinegar and gush. Of the two Miss Marple is much more dangerous." She is so likable and witty, you can't help but love her. My favourite portrayal of her is by Geraldine McEwan, she looks so gentle but has such a sharp gaze. I would spill all my secrets to her any day. I also am compelled to tell you that when I was a child we had a costume party at my school and I dressed up as Marple and learned some old lady things in English (it was before third grade so I didn't know much English back then) just for the occasion (such as "thank you, my dear", "what a lovely necklace you are wearing" or "there has been a murder"). Teacher might have thought me rather morbid but I remember that day being quite good.

5. Aunt Lydia, The Handmaid's Tale

The Handmaid's Tale is such a great series and a book and Aunt Lydia is such a great character. The way she's capable of being absolutely cruel and vicious, but how she is also protective and caring in her own way. One of my favourite scenes in this series is when Serena Joy (my other favourite, can you tell) tells Lydia to "remove the damaged ones" from a line of handmaids and Lydia tries to argue with her. Sure, she is responsible for some of the punishments these women are now "damaged" by, but she truly believes those punishments were for a greater good and now the handmaids deserve their place with the others as much as anyone else. It is chilling and the character is such a dark shade of morally gray, but I can't get enough of it. The actress who plays her, Ann Dowd, has so interesting thoughts about her, like here. I just love this character so much I could scream.

6. Bridget Jones, Bridget Jones books & movies

I'm mostly talking about the movies here because Renée Zellweger's performance is iconic. Plus the movies are what made me love this character first. But I'll give it to the books, they're one of the few books I've laughed out loud while reading. Anyway, how do you even begin explaining the love I have for Bridget Jones... I love how she is a character so many people can relate but who would be a comic relief side character in some other story. Yes, yes, it is really bad that she is constantly described as fat when she really is not, but when I was growing up she gave me hope that people who are viewed as fat and/or unattractive by other people can be admired and appreciated, and they don't have to be super talented at everything and highly intelligent and some kind of a super smooth social butterfly to "make up" for what they "lack". And also that they can have standards (i once dodged a bullet by rejecting someone by pretty much subconsciously quoting Bridget Jones so..). I also love how the comedic tone of everything does not dismiss Bridget's feelings. For example in some other movie we maybe would concentrate on how "stupid" Bridget was to trust that Daniel was in love with her, but in Bridget Jones we concentrate on how Bridget was hurt by Daniel cheating on her, how he is the one who did wrong. Idk I just love Bridget Jones so very much can you tell.

7. Rock Lee, Naruto

Aka the boy who would have kicked Madara in the balls if Kishimoto had any sense of drama and good storytelling. I think I robbed Lee by not putting him on the fav male characters list. You know that post that goes like "gays be like 'these are my comfort characters', 1 literal ray of sunshine, 2 war criminal" etc? This child is the sunshine. I've been reading and watching Naruto again ( @hapanmaitogai is my sideblog for that nonsense) and I'm so ready to adopt Lee and/or Gai. Rock Lee is just such an earnest character, he has a goal he will give anything to achieve and he's the one true underdog in this manga. I love how he's so kind and polite (it's not so clear in English but in the Finnish translation he speaks as formally as he does in Japanese, he uses singular polite "you", calls Sakura "Sakura-neiti" = "Miss Sakura" etc... i love one polite boy). Also, he has the best fights in the series. Like Lee vs Gaara is a Classic, but we simply can't forget that time Lee absolutely crushed Sasuke in just a few minutes, or that time he politely asked Kimimaro not to kill him while he drinks his medicine. The best boy. I love that boy so much.

8. Sarah O'Brien, Downton Abbey

Last time it was Thomas' turn, so now I must talk about the snakiest snake, the queen of weaponized handmaidenry, Miss O'Brien. She is such a great character especially in the first two seasons (I obviously love her on season three as well but Julian Fellowes really tried to make it hard by not explaining her actions at all, didn't he. Well, luckily I am ready to stuff the gaps with my headcanons). She has some of the best comebacks in the series and brings some needed realism in some conversations. I also love how she uses her position as a lady's maid for her advantage and how she is proud of her profession despite being highly aware of the power structures in the Abbey. And then there is the soap. That is such a good character moment, because for a character who always plans ahead, who is ruthless and cunning and intelligent... I don't think O'Brien thought about the soap thing at all before she left the room ("Sarah O'Brien, this is not who you are" hit me like a train). Just once she did something with nothing but anger motivating her and that became one of the defining moments of her character. And one of the defining things of the future relationship between her and Cora. That's why I find the Sarah/Cora ship so interesting, because there will always be the undercurrent of bitter regret. Also Sarah O'Brien and Thomas Barrow are the greatest brotp and Fellowes was a coward for driving the smoking scheming gay best friends apart, and

9. Marilla Cuthbert, Anne of Green Gables / Anne with an E

I'm not saying L.M. Montgomery is entirely responsible for me having a fondness for strict, older women who first act unkind but have a heart of gold, but she most certainly did not help. Between characters like Marilla Cuthbert and Elizabeth Murray, how can you not fall in love with the type? It's been a while since I read the Anne series, but I really love how Marilla's character has been adapted into the Anne with an E tv series. Geraldine James looks like she was born to play her, she has me in tears so often. She has the ability to portray someone like Marilla, who is a very hard and stern person but feels deeply for her loved ones. I was watching the episode that dealt with Matthew's heart attack and Marilla berating her brother while hugging herself like she was trying so hard to hold herself together absolutely destroyed my heart.

10. Sister Monica Joan, Call the Midwife

It was a tough choice between her and Sister Evangelina. I just love these nuns very much. Sister Monica Joan is such a lovable and wise character. She is so knowledgeable of many subjects, from the Bible to astrology, and I feel like her unspecified memory problems and confusion are handled very tastefully. I also love how she's such an important part of her community despite not working as a midwife anymore. She is such a kind woman and gets visibly upset when others are treated poorly. And how could I not mention her saying "I do not believe in weeds. A weed is simply a flower that someone decides is in the wrong place", like... I love her so so much.

I won't tag anyone, but if you read this and you want to do this, consider yourself tagged and you're no allowed to mark me as the one who tagged you!

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edgy-ella · 4 years ago

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Let’s talk about Take-Two at E3

This year, GTA publisher Take-Two interactive made the bold move to host a discussion about inclusivity and equity at their E3 panel.

While I am glad that this discussion is happening and I agree with most of what they said, I think that E3 was probably the absolute worst time to talk about this.

To be honest, I didn’t know that this is was a thing until just an hour or so ago. I only planned to watch Nintendo’s E3 presentation and I only learned about Take-Two’s inclusivity discussion through a meme on Discord. After that, I watched the stream and did some research, and I can definitely understand why this panel got the reaction that it did.

That reaction being this:

That like/dislike ratio should speak volumes. Many of the comments are similarly negative.

Who was this panel even meant for? Were they seeking brownie points from left-leaning gamers by claiming that “most of the industry doesn’t care about inclusivity, but we do. Buy our games!” Or maybe even some form of damage control, given that GTA doesn’t generally have the best depiction of women? I seriously doubt that’s the case since the panel focused more on the behind the scenes work rather than representation in games themselves. Not to mention that I doubt that many of those folks would tune into Take-Two’s panel in the first place, and if they did it was for the games.

Which leads me to the other option, and why I think that E3 was the worst place to host this panel: they wanted to educate intolerant people on why inclusivity is important.

You know the ones: people with radicalized alt-right agendas who think that SJWs are ruining society with their “liberal agenda” Without a doubt, these types of people are the ones who need to hear this type of discussion the most. But having it at E3 presents a problem.

Imagine a kid on their birthday. Birthday parties have expected traditions associated with them: you have cake, you open presents, that kind of thing. Now when that kid expects to have cake after dinner, their mom comes out from the kitchen with a plate of broccoli instead. Yes, it is important for kids to eat their vegetables and while some kids may come to the conclusion that broccoli is actually very tasty, I think that a majority of kids would go beyond feeling upset. Rather, they’d get mad at their mom for giving them broccoli when they should have gotten cake and get mad at the broccoli itself for not being cake.

I think that a majority of people had this type of reaction when they saw the panel and I’m not saying that everyone who had this reaction is a filthy alt-righter, but this is especially a problem if the goal was to educate those types of people about these types of issues. That’s not what this achieves, it’s just going to further cement their deluded fantasies that the “liberal agenda” is taking over and robbing them of what they once had. It makes them think that minorities are the enemy rather than sympathizing and allying with them.

Once again, I agree with everything that Take-Two brought up in their panel and I admire them for discussing these issues, but E3 is the absolute worst time to have these discussions. If you want to change the views of people who aren’t aware and/or don’t care about inclusivity, you have to think like they do, and this isn’t how you do it.

#e3 2021 #serious stuff #take-two interactive #inclusivity #inb4 I get cancelled for this

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bringmoreknives · 5 years ago

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the wonderful kayla @iero tagged me to do this creator top five meme! (i’m slowly working through the tags for the last few days, i’m sorry if you’ve tagged me in something and i haven’t done it yet — i’ve been obsessively playing stardew valley ahaha but i’m trying to get back on here)

Rules: It’s time to love yourselves! Choose your 5 (or so) favorite works you created in the past year (fics, art, edits, etc.) and link them below to reflect on the amazing things you brought into the world in 2020. Tag as many writers/artists/etc. as you want (fan or original) so we can spread the love and link each other to awesome works!

5. probably my parks and rec au, the first annual belleville, new jersey harvest festival, that i wrote for the my trick or treat romance fic challenge this october. i’ve never done a fic challenge before so it was really fun to try this one, and i’m proud of how it came out, especially because i normally don’t really have fun au ideas hehe

4. i think i have to go with this hesitant alien graphic set! it’s not anything super super impressive, but it really opened doors for me regarding how to make graphics and use textures and generally have some really hands-on fun in photoshop. i’ve been trying stuff like this a lot more lately, chiefly because i really didn’t set any rules for myself with this one and just kind of... went for it.

3. the stuff i made for the altpack creations week! maybe it’s kind of a copout to list a bunch of stuff haha, but to me these are kind of representations of what i’ve learned this year getting back into photoshop and editing. from the seriously intense coloring i had to do on the first two gifsets to the single mock-up to the graphic gif to the old movie-style gifset using overlays to the gifset of landslide that required making ten different videos match (and was a remake of an old gifset), it really ran me through my paces in a super rewarding way.

2. again, listing a group of works, but definitely my revenge series. this was a project i had briefly toyed around with for a really long time, but never really thought i’d actually finish, because, well, i don’t have a great track record with that kind of thing. instead, i did finish it, and what’s more, it helped me reach the payment threshold on redbubble — twice! — for the first time in two years. so very flattering, and it really kept me going during quarantine.

1. i mean i don’t think anyone will be surprised if i say that it’s inexhaustible light considering that i never shut the fuck up about it ahaha. this is another project i never expected to finish, because i knew that if i wanted to write as an homage to unholyverse, aka the thing that actually launched me headfirst and screaming back into bandom, it would have to be long as fuck. but i did finish it, and i am so incredibly proud of not only that, but the writing i did there. it has the most comments out of any fic i’ve posted and they live in a special place in my heart. it’s so dear to me.

if you read all that, well, thank you lol. i am going to tag — @taylorisapuppy @ibroughtyoumybullets @dracs @itsnotasideeffect and @dangersday if you guys haven’t been tagged yet! i love the stuff u guys make, time to love on yourselves!

#this was so fun... a career retrospective #tags etc #mine #.txt

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cockbiteproductions · 4 years ago

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6 and 9

nice

6. Episode of tv or webisode that defined the year for you?

I thought a lot about this question and I’ve narrowed it down to 3 answers which are posted here in experienced order:

Daredevil 1x10 Nelson v. Murdock - i rewatched all of daredevil with my roommate during the quarantine part of the spring semester and had a blast. foggy finds out matt’s secret (being a superhero, his super senses). the Betrayal of it all. the way they show them ugly crying instead of like letting out a single man tear. fuck. “then again, maybe i would. what the hell do i know about matt murdock?” the cutting back and forth between their present day fallout and their meeting and developing friendship. it’s SOOO much it’s like Specifically Crafted for maximum pain and i eat it right up. foggy: are u even really blind? the show: *immediately cuts to a flashback of them meeting and foggy learning that matt is blind* foggy: was anything ever real between us? the show: *cuts to the two of them thick as thieves and making plans to form their law firm together and matt almost revealing his secret*. matt: this city needs me in that mask, foggy. foggy: maybe you’re right. maybe it does. but i don’t. i only ever needed my friend. the show: *cuts to them starting their law firm together.* also the scene where ben is in the hospital with his wife and we see her forget him on screen. ouch. a lot happens in this episode but tbh i just focus on the Friendship Falling Out. it reads even better if you think they’re in love with each other, as i obviously do. man daredevil Hurts.

Star Wars: The Clone Wars 7x12 Victory and Death (series finale) - the panic in rex and ahsoka as they have to get off this LITERAL sinking ship filled with enemies that used to be their brothers, who had just within the week painted their armor, one of the few things they can customize to express themselves, to resemble her, who they know would never willingly turn against them, and a fucking wackjob killer wildcard. the growing tension and cornering is fantastic. when ahsoka takes off rex’s helmet and he cries because he’s facing killing his brothers. the cute droid squad. i’m always a sucker for non-humans. the fact that they had special orders to kill ahsoka, who was no longer a jedi, from palpatine, meaning he thought she was a threat still and she IS. she’s up there with obi-wan in terms of attachments anakin has. the action is truly epic (though i do have to say the maul ahsoka fight was better). the fact that ahsoka and rex didnt just leave the clones there and they dug graves for them. the shot of ahsoka in her cloak in front of all the helmets painted like her face on sticks will be burned into my brain forever. vader coming down to the planet himself much later and finding and igniting one of the sabers he as anakin LITERALLY remade for her. just the image of vader holding a blue lightsaber is going to be the death of me. a literal representation of who he was. it’s too much. it’s too much for me to deal with. i started crying as i was typing this. also when you look closely you can see his eyes through the helmet lens. it hurts man. (possibly) morai flying away as this happens. man, star wars can be good.

Supernatural 6x20 The Man Who Would Be King - ok so i know the question said year but man has show really defined my like last two months. as for this eps specifically, im predictable is what this says. i like tragedy and unhappy endings. i like gay angel. i like self-aware narration. i like reflection. i like the moment before it all goes wrong. this episode is the literal point of no return for s6 cas and i want to scream. it’s like when anakin cuts off mace windu’s hand. “but cas, youll call right? if you get into real trouble?” “and the worst part was dean, trying so hard to be loyal.” “for a brief moment, i was myself again.” “wonders never cease, they trusted me again.” “of course, i didn’t realize it at the time, but it was all over, right then, just like that.” “the big lie, the winchesters still buy it. the good cas, the righteous cas, and long as they still believe it, you get to believe it.” “it sounds so simple when you say it like that. where were you when i needed to hear it? / i was there. where were you?” “you know the difference between you and me? i know what i am. what are you, castiel? what exactly are you willing to do?” “i believe it’s what you would call a... tragedy from the human perspective... i’m asking you, father, one last time. am i doing the right thing? am i on the right path? you have to tell me. you have to give me a sign, because if you don’t... i’m gonna do whatever i... whatever i must.” like are you kidding me. not to talk about star wars even more but like. when rots novel said “the blurred line between our best and our worst” hhhhh. this makes me crave a 150k fic from cas’ perspective in season 6 where we see all the terrible things he’s doing for his well intentioned plan and how he keeps digging himself in deeper and deeper until it’s too late. and if i had the skill and time i would write it. alas.

runner ups: billions 5x05 contract (the epic lows of hearing taylor say they wanted to fire winston, the epic highs of 4d chess theory. the shitpost memes i immediately made. did not make the list as i made it a requirement that i actually enjoy the content in my winners list). supernatural 15x18 despair (lost out to man who would be king because i Care Cas, but i will never get over cas going out the way he came into this show; calling dean OUT on his bullshit).

9. Best month for you this year?

bro who can even remember the months. ok i just looked at my calendar and i guess i’ll say may. i finished up my spring semester the week before. clone wars finale aired then and billions season 5 started airing which was a “fun” time. had a job. things were alright.

#not rt #teresa answers stuff #nothingunrealistic1

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princepondincherry · 5 years ago

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Wish RWBY was better? Try ATLA

To start: Yes, I’m aware ATLA and even LoK probably have much larger fandoms than RWBY already. I think they also have more content and were produced with a larger budget, which means we have to give RWBY some slack. It doesn’t mean criticism isn’t valid.

Since Avatar came out on Netflix, I watched both shows, and I can’t help drawing parallels with RWBY since they’re both animated shows I’ve loved about badass kids/teens with magic powers. And Avatar is SO MUCH better. For instance, inter-party conflict. The Gaang argue ALL THE TIME, and it’s just presented as the normal state of affairs, not some dramatic, crazy detail when one sibling has a slight disagreement with the other sibling. And as much flak as the Mako relationship drama gets in Legend of Korra, at least it had substance to it. We still don’t really know what the problem is with Ren and Nora. Oh, and The Last Airbender handled an unwanted kiss forced on someone who didn’t think it was the right time for romance SO MUCH better, with an immediate, “I SAID I was confused!” and the instigator having a scene right after where they called themselves an idiot, instead of the Renora kiss being presented as romantic or something.

Now I kinda want to write a list of things I feel Avatar does better. There’s a poorly-argued word vomit below the cut:

- The dead mother thing--Salem mentions Summer once with no details, and Ruby completely breaks down? What? Like, grief is fine, but this has literally no foreshadowing since the songs don’t count as full canon, and it made no sense given Ruby’s established (ha) character and the situation. Katara would have flown into a rage, and it would have been so much better.

- Arguments with adults on your side--Pakku was set up as an asshole teacher from the start, and he when confronted with the consequences of his misogyny, he changed his ways for the better. Zuko arguing with Iroh is never intended to have Zuko be in the right. Korra argues with Tenzin all the time, and usually they’re both right, but have to come to a better understanding of each other’s perspective that helps them grow as people. In fact, this conflict drives a lot of the story for the first two books of LoK. Unfortunately, RWBY seems incapable of this sort of nuance. Qrow is just drunk until he isn’t, but then later gets Clover killed, and Ozpin is supposedly just awful.

- Arguments with adults who should be on your side but aren’t--Long Feng SHOULD be on the same side as the heroes, defending the Earth Kingdom, but he isn’t for pretty stupid reasons. But, unlike Ironwood shooting people like a maniac, Long Feng is against the heroes for stupid reasons that (mostly) make sense in-universe: he wants to remain in power. (I still don’t understand why he didn’t just quietly explain that he had the real power in the city, not the king, and shuffle the kids off to whoever was running the military defenses that allowed him to pretend there was no war. I guess he thought if he just gave them the cold shoulder long enough, they’d go away?) Whatever problems there were with Long Feng’s storyline, at least he was consistently written as a bad guy. In contrast, Ironwood is inconsistently written as a good guy who has all the trappings of a tyrant but doesn’t act like it AT ALL, except when he occasionally does something extreme like shoot Oscar. He’s written (I guess unintentionally?) as a subversion of the military tyrant, except when he suddenly acts like one again. It’s like they were shooting for a Tarrlok (sketchy government official who’s both bad for the obvious reasons AND worse than he appears beneath the surface, even though he often works for the side of good) but actually wrote Suyin (someone who could easily be a totalitarian dictator, but decided not to be because of her moral principles, and is actually nice), except occasionally she attacks her allies for disagreeing with her.

- Costume design--I loved Ruby’s, Weiss’s, Ozpin’s, Qrow’s, and a few other original costumes, and Ruby’s had some very solid costumes. However, Volume 7 was terrible. The animation looked weird on Weiss’s braid, Jaune’s hair was awful, and a bunch of them weren’t really dressed for the weather. In contrast, the Avatar characters change outfits whenever it’s appropriate. You know, like real people. (If this is a “3D animation makes outfit changes harder than 2D animation” thing, then maybe 2D animation is just a superior art form when you’re on a budget.)

- Consistent power levels--Katara starts weak and gets stronger. Aang starts as only an airbender and consistently gets better at everything else. Toph invents metalbending and gradually gets more proficient with it. In contrast, RWBY’s Volume 1-3 feats are often better than their later feats, and Aura strength blatantly depends on plot. Yang’s gotten *slightly* better at fighting, Weiss learned a new skill and promptly got her butt kicked by focusing on it too much, Ruby supposedly learned hand-to-hand combat but really just did a headbutt, and RWBY SOMEHOW beat the most premiere team in Atlas after training with them for a few weeks. Sure, Toph, Katara, Azula, Aang, and Sokka are all ridiculous prodigies, but they’re established as such from the beginning. Katara still loses soundly to Pakku before he trains her. (Despite the memes about her kicking the ass of the patriarchy, he’s obviously going easy on her and still crushes her.) Aang gets beaten by Ozai without his OP special ability. Azula gets beaten easily the one time we see her go up against an adult (Iroh, on the ship in the beginning of book 2). And Toph is more like Pyrrha than anyone on Team RWBY. Honestly, this is one of my weaker points, but I still stand by the fact that the Avatar kids’ victories felt much more earned.

- Bad Fights--Yes, I know, heresy. I actually think the best of RWBY’s fights (RWBY vs. Torchwick’s mech, Ozpin vs. Cinder, Pyrrha vs. Cinder, RWBY vs. the Nevermore, Qrow vs. Tyrian) are somewhat more exciting, visually interesting, and (sometimes) emotionally charged than even the best of Avatar’s fights (Aang vs. Ozai, Zuko vs. Azula, Kya vs. Zaheer, Korra vs. Zaheer, Tenzin and his siblings vs. Red Lotus, Suyin vs. Kuvira). But my actual point is that RWBY’s bad fights are BAD, whereas I can’t even think of what the worst Avatar fights are. Sokka vs. Zuko in episode 1 was pretty bad, but that was more of a gag than a fight. Umm...Big Glowy Korra vs. Unavaatu was kinda cheesy, but I still liked it. Meelo fartbending vs. the Equalists? Idk. Meanwhile, RWBY has the Scuffle of Haven, that time Ilia seriously hurt Sun somehow, Qrow vs. Tyrian vs. Clover (visually impressive, but made NO FUCKING SENSE), Oscar landing a massively-telegraphed blow on Neo...well, okay. Maybe there weren’t that many awful fights. I still think I came away from more RWBY fights disappointed, but I can’t really argue my case very well.

- LGBT representation, normalized to the time period--Yes, Korrasami never got past handholding in the finale, but somehow Yang and Blake haven’t either? Even though it’s 2020? Actually, this is a symptom of a larger problem:

- Romantic relationships being ignored--Why won’t RWBY explicitly confirm anything? The RWBY cast are closer in age to the LoK cast than the ATLA cast, but it feels the other way around. Kataang was both heavily present in ATLA the whole time and by no means taking over the plot. And, okay, there was Jaune/Pyrrha, but she’s dead now, so the most-developed ship is Renora. Who held hands, then didn’t talk about their relationship at all for a full volume, and then had a nonconsensual kiss handled worse than the Kataang kiss in Ember Island Players. I’m glad there haven’t been any Romantic Plot Tumors in RWBY, but something would be nice. Or just don’t bring it up at all if you’re never going to develop the relationships.

- Sibling relationships--Yang and Ruby were great as sisters in the early volumes, but lately it’s just been Yang deciding to yoke herself to Ruby’s judgement, until suddenly she’s not anymore. I feel like they barely talked in Volume 7.

- Villains--If Salem wants to kill everyone and collect the Relics, why hasn’t she? She’s invincible! Ozai at least was still human, but he left to handle things himself as soon as he got a power-up. More vaguely, I just find Avatar’s villains more interesting than RWBY’s most of the time.

I’m aware that some/most of these are unfair. It’s more intended as an incoherent rambling to get my views out of my head than as any sort of persuasive argument.

#rwby #atla #rwde #TLOK

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thirdeyeblindproduc · 4 years ago

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8 influencer marketing trends to wait for in 2021

2020 saw a lot of new influencers rising and making content from their home. Many existing influencers soared skies and did a pretty good job as working from home was the main rule of the year filled with a pandemic. Due to this, influencer marketing agency in mumbai was a big hit in the last year.

Influencers are currently trending all over social media and it seems like you can expect to see more #sponsored posts on your feeds.

2021 is the year where influencer marketing will be seen as its own media channel instead of just a ‘nice to have content’.

Ready to learn what the future has in store?

Here are a few predictions of the

#1: Video content will continue exploding

The rise of video content is always an on-going trend in the influencer marketing space. But, with the growing popularity of Instagram Reels, it seems that this year is going to be more collaboration and creativity for the influencers. Video always keeps the users more engaged and it’s more authentic. People feel like they are actually a part of the action and they feel more connected while watching video content.

Influencers are advised to create their niche and make videos related to that. It’s always better to stick to your pattern.

With IGTV and Instagram Reels doing so great, it’s more appropriate to create content there.

#2: A focus on inclusion and diversity

2020 saw a growth in social activism which led to a lack of diversity in influencer marketing.

A lot of creators were vocal about the representation required in influencer marketing as many brands were being held accountable for unfair pay. Representation is essential as it can change the way people see themselves and the way they see your brand and also inspires a lot of people. In a very creative industry, representation is important but is mainly required in content creation and influencer marketing because it can change the way people think.

In 2021, maybe a lot of brands will create better influencer marketing campaigns that are also diverse in nature. Diversity and inclusion should be built into the fabric of the brand.

#3: The authenticity factor will evolve

The most effective way to build a digital community is to have authenticity on social media. This also includes Instagram aesthetic trends.

While focusing on authenticity, in 2021, we may see a lot of bloggers using the #nofilter trend. This trend was quite famous in 2020 as well where people were all about embracing their natural beauty. However, using a subtle filter to make your picture pop doesn’t hurt anyone.

A lot of bloggers may happily embrace the #nofilter trend, but a lot may also choose to keep their feed aesthetic and polished. It all depends on people’s choices.

While Instagram is the world’s largest visual platform, pretty looking pictures aren’t enough, people need to post quality and meaningful content with engaging captions to stand out as an influencer.

#4: Value-driven content

In 2020, influencers ditched their perfectly curated feeds for a more #realme feed. This made them connect with their followers. A lot of followers appreciate it when their favorite influencers share their real life stories and experiences with them.

Influencers have started to create a lot of value-driven content in order to form deeper connections with their followers. This helps them in giving a real glimpse into their lives. These days, with a lot of countries still in lockdown, many people want to see your authentic self.

It’s always good to have a heart to heart conversation with your followers. This also includes have a Q&A session, sharing silly memes, or showing of the not so glamorous side. These days people are understanding the value of natural beauty and know that not everything is perfect.

Comments are a great way to connect with your audience. Reply to their comments and engage with them on your posts or videos. #5: More ongoing partnerships

In 2021, influencers will become true brand partners as brands will invest in ongoing relationships for an extended period of time. Many times, one-off influencer posts or stories are good enough to bring great results. It usually takes a longer period of time to make a sale.

It’s essential that influencers look for a long-term campaign where they can create something more unique instead of posting sponsored stories and posts. This will help both parties as it will help the content feel more specific as the influencer is only promoting a certain product. Building trust and commitment are essential in such situations.

A lot of brands will start looking for a more integrated and longer partnership. #6: Micro-influencers will continue to rise

Influencer marketing is the key to promote your business on social media. With micro-influencers on a rise, this yields great results for the business. According to many reports, micro-influencers have the highest engagement rates on their posts regardless o the genre, topic or etc.

As engagement rates on Instagram continue to decrease, a lot of businesses are considering partnering with Instagram influencers who have a highly-engaged following.

With the pandemic affecting a lot of businesses and their budgets, they may be more inclined towards working with influencers in 2021. The biggest advantage of working with micro-influencers is that they retain higher levels of engagement than other big influencers.

#7: New social platforms and creator tools

This year, new Instagram tools have flooded social media which is giving the influencers a lot of creative expansion. The most growing creator tool this year is going to be Instagram Reels. The way it has almost replaced TikTok in so many ways is impeccable. Brands have started investing money with popular creators in this platform.

The natural virality their interface affords is going to allow brands to multiply their marketing efforts in a lot of ways. Instagram influencers have already started exploring with new platforms. Instagram says that Reels will “make it easier for creators and brands to create, share, and amplify branded content.” #8: New kinds of influencer media

For more information about : ad production houses in mumbai This year, influencers and brands will try and explore new kinds of media and use creative ways to attract their audience. We may also see more infographics and data-driven analyses shared by consumers and brand ambassadors. This will also give a rise to AI-driven influencer marketing platforms.

Conclusion:

The past year was a roller coaster of trends rising and disappearing. When it comes to influencer marketing, expecting a change and growth is something that won’t hurt. Whether there is a demand from brands, followers, or new technologies, influencers never fail to impress us with their new trends.

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paintedrecs · 5 years ago

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For the fandom talk meme thingy: C (not trying to start drama I swear), I, K, R, and X. =D

C - A ship you have never liked and probably never will.

Hmmm, there are a few ways of answering this. One is by listing all my NOTPs, which would be excessively long and ultimately boring because it essentially boils down to “anyone else with either member of my OTP.” I monoship my primary pairings, so I’m pretty strict on what I do and do not like.

(With the way fandom is now, I should clarify that NOTP means that I personally do not like a ship and I therefore go out of my way to avoid it - by muting terms, carefully filtering tags and search results, curating my own space, etc. It doesn’t mean I think the ship is badwrong or that anyone else should stop shipping it. It just means I do not ever want to see it.)

This feels a little less specific on that front, though, maybe more just: people like this and I’m meh about it?

So Allydia comes to mind. I don’t hate it, and if the Sterek’s good enough I’ll still read a fic with them as a background pairing, but I don’t ever like it as a romantic ship. While I ship Lydia with lots of different characters, including Cora, I’ve always seen Allison as straight, so I suppose that’s part of it? And I love Lydia & Allison as bffs - I see them as entirely platonic, like Scott & Stiles, so introducing romance just doesn’t work for me.

Another one is Sheriff Stilinski/Peter Hale. I...I don’t understand it. Unlike the last answer, this background pairing will prevent me from reading a Sterek-central fic.

I - Has Tumblr caused you to stop liking any fandoms, if so, which and why?

This turned into a complicated and kind of roundabout answer, so I’m putting the rest of the questions under a long-post cut!

I stopped frequenting tumblr for two main reasons:

that whole weird purge thing that made me think everyone was leaving, so I just gave up, which might’ve been premature cause it seems like folks are still going strong on here

the emergence of antis, specifically within the Voltron fandom (although they’re everywhere at this point)

There’s a saying in fandom now:

“Why is the younger fandom generation like this?!??” “Tumblr raised them.”

For me, for years, tumblr was a really wonderful space where I had a lot of great conversations and read very thoughtful threads that helped me to learn some important things about myself, other people, and a world much wider than my own.

But I was an adult when I joined this site, and it really does seem like there’s a whole new crop of kids who have no actual context for ideas like social justice, the need for canonical representation in our media, and a lot of other things that eventually got folded into a big ball of disconnected rhetoric that they now fling as hard as they can at the heads of fandom creators who are committing the ultimate sin of creating content for ships they don’t like.

It’s late, and I don’t feel like getting into a whole Essay Rant about all that.

So on an entirely personal level, I quit running appreciatejack (my Check Please/zimbits/Jack Zimmermann blog) because someone sent me really vile hate for daring to ship Shiro/Keith from Voltron (two unrelated adults in a cartoon). It’s why I turned my ask boxes/anon/chats off on most of my blogs, and then eventually just...got tired of running them.

When I started up appreciatederek, I got a couple asks from people who wanted to know if it was going to be multiship or just Sterek, and when I said it was Sterek, they presumably went off to find other things they were into, because I never heard from them again. Y’know, the reasonable reaction. And then the rest of it was wonderful: finding content for it, and getting responses from people who enjoyed that content.

I thought appreciateshiro would be similar, but it was all so messy from the very start. The Sheith tag was FULL of hate. I was initially checking it every day, trying to find artists and writers and gif-makers to reblog and encourage and support, like I’d done in Sterek fandom, but instead I’d spend literal hours blocking people who came into that tag just to talk about how much they hated the ship.

Every day, I’d look for content for my OTP, and every day I’d come away from it angry and sad and frustrated. I never seemed to run out of people to block. And they never, ever seemed to run out of hate.

It was exhausting. It made me reluctant to go on tumblr at all. And eventually I just...sorta stopped.

So the answer to this question is more, I guess, “fandom made me stop liking tumblr, and in the process I stopped liking most fandoms.”

I’m sure you can kinda tell from the fandoms I’m currently the most invested in.

I love Sterek, and I will always love Sterek. Part of that’s the ship itself, of course, and part is because I had an incredible fandom experience with it. People within this fandom are still really great - always so welcoming and super excited about new content, even so many years on.

Otherwise, my current fandoms are kiiiiinda tiny:

Xanatowen (Gargoyles), which currently consists of exactly 2 people and 12 fics (3 of which are mine).

Trevorcard (Castlevania), which only has ~200 fics on AO3.

Taibani (Tiger & Bunny), which is an oldish fandom with only ~600 fics on AO3.

Remember, I came from a fandom that has SIXTY THOUSAND fics.

So while I feel very lonely and very sad about the low content levels in these fandoms, they’ve also given me the space to let go of some of my fandom hurt & anger and remember what it’s like to just...peacefully love something. I really miss just loving things and talking about loving those things and searching for other people who also love those things without running into....thousands upon thousands of people who HATE that you love that thing.

(Until I wrote all that out just now, I actually hadn’t realized how much this had still been hanging over me, or why I was so hesitant to come back to “reclaim” a space I’d once been super active and happy in. Essay over! Next questions.)

K - What character has your favorite development arc/the best development arc?

Answered here!

R - Which friendship/platonic relationship is your favorite in fandom?

Answered here!

X - A trope which you are almost certain to love in any fandom.

Found family. This is probably a big part of why Sterek was my first real fandom, because the idea of Pack makes it incredibly natural to build out relationships beyond just the central romantic pairing.

It doesn’t have to be a werewolf thing, though. I’m honestly not hugely fond of the whole puppy piles concept - I’m less interested in “biological urges make characters literally physically all snuggle up together in bed” than I am in the actual build of the friendships, and the concept of choosing people who will become the family you’ve been missing for whatever reason.

Maybe it’s reconnecting with biological family, or maybe it’s discovering that your friends have been filling that space for you all along, without you even fully realizing it. (The concept of “home” is another big one for me. Home is where your heart is etc etc.)

And hey! Now I can pull back in another question from earlier: about “pairings” that I might not have initially considered. As I suspected, I do have more! Mostly platonic.

For instance: Derek and Sheriff Stilinski becoming bffs. I thiiiink I can probably tie my ABSOLUTE LOVE of this concept back to HalfFizzbin’s can't be hateful, gotta be grateful. And then Cupboard Love really has to be the source of ALL my alive!Hales feels, which also includes folding Stiles into their family.

Fic is largely responsible for building out Derek’s relationship with Boyd, Erica, Isaac, his sisters...making them into an actual pack and friends and family in the way the show never bothered. And frankly while I don’t like canon!Scott at all at this point, I love his friendship with Stiles in fics, and I absolutely believe Stiles and Lydia would be amazing friends once he got past his crush on her. I’d point to another fic here, owlpostagain’s will to follow through, as the ultimate source for major Team Human feels.

So yeah. I’m always going to be drawn to stories about family, in whatever form that takes, particularly if it’s one that’s a little bit off the normal white-picket-fence path.

In Tiger & Bunny, it’s Barnaby joining the Kaburagi family, and learning how to be a dad and a friend to his new husband’s daughter.

In Gargoyles, I’m completely obsessed with the (canonical!) idea of a family that consists of a man, his wife, their son, and the chaotically loyal fae babysitter/tutor/third parent. It is not a stretch to tweak this the tiiiiiiniest bit to turn it into a nontraditional family structure of a man, his wife, his son, and his fae boyfriend. Honestly.

In Castlevania, the fic that made me sob my eyes out at one point does something the show would absolutely never. It gives Alucard the time to rebuild his physical home while befriending the people in the little town that crops up around it. It’s about Trevor and Alucard falling in love, but it’s also about them making a place for themselves in a world where that kind of comfort and stability and friendship is so badly needed.

I think we all kinda need that in our world right now. So I love being able to find it in fic, for the characters who’ve grown to mean something to me.

#meme #fandom talk #long post #littlerosetrove #did tumblr seriously break my read more and stick it up in the ask section #i don't even know #thanks tumblr

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alexiaugustin · 5 years ago

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Okay I'm gonna make this one post about my post yesterday and people's reaction to it and after that I'm not gonna mention it again because I don't wanna be involved in all that fandom drama

First of all I would like to clarify something about my post to prevent further misunderstandings. When I said "so go ahead straight people n fill my asks with hate [...]" I was in no way trying to say that only straight people watch this show or that just because, I as a queer person, gave my opinion on this matter every other queer person should/is having the same opinion as me. I read some posts and realized that this sentence was phrased really badly and I also wasn't aware that both of these statements from above are a huge problem in this tag since I only ever was in the wtfock tag when s3 was airing. So this misunderstanding is something I'm apologizing for and I hope that it didn't cause anyone any pain. That being said I would like to explain what I actually meant by it.

I'm aware that this show is watched by both queer and straight people and that's amazing and good. But one of my issues with this show (and in general all skam remakes) is that suddenly there are also a lot of straight people telling queer people how to feel about the representation, writing decisions etc... Of course everyone is allowed to give their opinions on tv shows and neither straight people should police queer people around nor (and that's important because so many people misunderstood me there) should queer people police other queer people around how to feel about this show. Nobody should send hate asks to anyone ever. But I do think that there's a difference between queer people discussion something they might or already have experience(d) in their daily life than people who might try to understand but will never ever fully get to understand because they just aren't experiencing it themselves. So if I say something that offends a queer person and this person replies to it maybe even a bit harshly because after all I offended them, that's something I can understand and I'm willing to listen to this person even tho they might not be 100% friendly. But straight people who have never experienced and will never experience the things I'm criticizing have no right to be angry and rude because let's make this clear; they just aren't in the place to be offended by a queer person talking about queer rep. They just aren't. And yes, in the skam fandoms are a lot of straight people freaking out as soon as someone criticizes their fav remake and it really rubs me the wrong way. I'm always up for discussion with everyone and my post a) stated that this was just my opinion and b) I even said in the tags that I respect other people's opinion on this.

And if u just saw a reblog and didn't read the tags then sorry but that really ain't my problem maybe make sure to read the whole post ur gonna ramble about on your own blog or in other people's asks next time because it would definitely prevent some misunderstandings. I would also really love to mention that I think that it's absolutely unnecessary to send hate asks to other blogs that had nothing to do with my post and now had to deal with the "drama" I started?? But maybe it's just me who thinks so. Honestly if y'all wanted to know what I meant with certain things I said you could have just asked me instead of sending those questions to others but okayyy

And for the people saying "If you can't handle criticism why did you tag it?" first of all I can handle constructive criticism really well and would have replied to it but people starting drama and being really disrespectful is something else and I didn't want to explain myself over and over again that's why I'm writing this one post now.

Anyway I don't even know what kind of tumblr rules y'all read and if I just missed them but where did anyone ever say that you're only allowed to posts memes and jokes in tumblr tags. And if you have something to criticize you just can't tag it so... nobody ever sees it?? I'm sorry but where is the logic. Personally I love to read criticism on tv shows, books, movies and such. Because constructive criticism is so so important to broaden your horizon and see things from different perspectives, that's something so important yet people aren't willing to make an effort and don't even try to understand why other people think the way they do. That's exactly why ignorance and misunderstandings exist. Because nobody seems to be able to listen to people apart from the people who 100% agree with them. Everyone is just living in a bubble where one's self confidence gets booted because people are constantly validating your opinion and nobody ever dares to get out of there to see and understand other people's views because everyone just wants to have an opinion that is the "right" and "valid" one.

The ability to love a tv show and still being able to say "but I don't agree with character xy when he said this and that" or "my fave is problematic and I'm aware but this show means the world to me and I can love it and still understand why people might dislike certain aspects of it" is just hands down one of the best abilities to have on here. And y'all should learn to develop them because people who can't take criticism are seriously annoying.

I also didn't like that everyone just jumped to conclusions about me and my life. I'm sorry but do you know where I'm from and if homophobia is really common in my country?? No you don't. Do you know what has happened to me and what I've been through in life?? You don't either. You don't even know what aspects of the show I was criticizing because I didn't say it anywhere, yet y'all started writing essays about some scenes and why they weren't badly written the second I posted this. That is just proof of the fact that you can't stand people criticizing a show that you love. Because y'all didn't even care enough to ask me what my issues are with that show, you just freaked out because I was criticizing smth you love.

Anyway I'm sorry that this is so long thanks to everyone who read till the end, I really appreciate it. And I'm aware that I said "y'all" a lot because that's just how I always talk and ofc I know that there were also a lot of people who asked questions before freaking out and respected my opinion no matter if I they shared mine or not. Thank you so much for that<33

#wtfock #skam #skam remakes #skam remake

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silasmadams · 5 years ago

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Artemis Fowl and the Movie Adaptation (An Unfortunate Tale)

(image courtesy of Disney trailer flips Artemis Fowl story to make him a hero)

Are there more serious problems at hand? Most definitely. Am I going to be talking about them? Absolutely not, I’m only qualified to talk about media and even then I’d say the word qualified is doing a lot of heavy lifting.

This post is going to be less structured compared to my previous one and shorter mainly because I just really need to get my thoughts on this whole thing out there. I also want to make it clear that I know I’m not the target audience for this movie, I merely wanted to toss my two cents into this whole mess because I grew up with the series and I want to talk about how this adaptation makes me ~feel~.

For those that have never read the books, a short summary is in order. Artemis Fowl is a series of eight books by Eoin Colfer that follows the titular main character of Artemis Fowl, a rich Irish lad with too much free time and very evil tendencies. The series shows Artemis’ growth from villain to anti-hero over the course of the books along with his growing friendships between Holly and the other Faeries, as well as his relationships with other characters like his seemingly only father figure, Butler.

In short, it’s a lot of fun and though at times the execution can be lacking, it’s a phenomenal Middle-Grade work and I’d recommend it to anyone, adult or kid. Towards the end, I did feel the series was getting repetitive but that’s a discussion for another day. Maybe I’ll put up an Artemis Fowl book review someday just not today. Though I’ll say that there are plenty of aspects the movie could have improved on, like the constant bringing back of Opal as a villain and other more minor problems I had with the series. What I mean by bringing up the repetition of Opal as a villain is that change or deviation from the series isn’t bad so long as the core of the story still remains. However, it does look as though the core of the story has not only been changed but been beaten into something else entirely.

Now the movie. I can’t speak on the entirety of it yet as only the trailer has been released but let’s just say it’s not….great. Before I start complaining I want to be very clear that going after the actors is not ok, no matter how unhappy you are in regards to the adaptation. The only reason I feel the need to say this is because I know how the internet works and I have no doubt that there are going to be hordes of people harassing the actors, especially the boy that plays Artemis because they want to direct their discontentment somewhere. This is something I’d consider to be a low blow and I’m not going to condone it in any way. That’s why I want to be very VERY clear that my issue is not with the actors but with the story, the casting choice as made by the people running things behind the scenes, the effects, and so on. None of this is going to be a direct call to chase these people down because, to put it simply, not cool my guys.

Mini-rant about that over, onto the movie portion. When watching the trailer I was struck with a similar thought as when watching the trailer for the live-action Aladdin, “What an expensive yet cheap-looking movie.” I’m aware that plenty of movies, especially the Disney ones love their CGI but just going off the trailer it appears as though the CGI has gone off the rails. Its use is excessive to the point where the whole film has a veneer of uncanniness to it. There’s no other way to say it, the effects look overused. They don’t work because they don’t seem to blend real environments into CGI seamlessly and with the kind of money Disney has, I’d have expected something a lot more eye-catching.

Aside from the effects, there’s the casting. Now I applaud the movie for keeping a mostly Irish cast, Hell even Eoin Colfer praises this and I can’t blame him. There isn’t exactly much Irish representation in media and what little comes to mind is often chock full of stereotypes rather than complex characters. Despite this, I’m personally not happy with some of the casting choices. The main issues I have are with the casting of Artemis, Holly, and Butler. For everyone else, I’m kind of on the fence but I have no real issues. Seems like Judi Dench is the go-to gender-bent actor now what with her recent appearance as female old Deuteronomy in everyone’s favorite movie CATS and now she’s female Commander Root. That in and of itself really isn’t an issue despite my side-eyeing towards Hollywood and its tendencies to just make a gender-bent version of a male-dominated franchise rather than a new female-dominated franchise but I digress. Now, once more, this is not a criticism of the actors themselves nor an intention of hate tossed their way but the kid playing Artemis, he’s too cute. I mean look at him, he looks like a sweet boy rather than a conniving little shit. The Artemis that I and many fans like myself imagine was a real piece of work, pale as paper and more akin to the children in horror movies. I’m sure he’s a nice person but that doesn’t change the fact that I don’t feel he fits the role of Artemis, acting aside. Holly, oh Holly what have they done to you. I’ll tell you what they’ve done, they’ve essentially whitewashed her. In the books (I know this phrase is annoying and has been memed to death but just stick with me on this), Holly’s skin is brown, yet here we have a very decidedly not brown Holly. I know this has been an issue in film as a whole for a while, the whitewashing of characters. I remember the Jake Gyllenhal Prince of Persia all too well. It sends shivers down my spine just thinking about it. Butler, on the other hand, is made black in the film, sort of telling that you’ve made the servant character black and you’ve whitewashed the magical and powerful character, Disney. Not saying anything more than that because I’m sure you can all come to your own conclusions but that leaves me with a series side-eye. I’m only joking, of course, well half-joking.

Onto the story. How she has been butchered before my very eyes. The one thing the majority of the fandom agrees on in terms of their hatred is the shift from making Artemis Fowl the villain to making him the hero. This shift has not only ruined everything the books stood for but it’s taken a very engaging character and turned them into a generic fantasy protagonist filled with wide-eyed wonder. There is, of course, plenty of room for protagonists like that but the reason this series stuck out was because of its refusal to do just that. When I first picked up this series as a kid, I was entranced by Artemis because he wasn’t one-note, he wasn’t wholly good, he was layered and I enjoyed that. I liked that he wasn’t a clear hero, that he did bad things, and that he was slowly learning to be better. I liked that it allowed for Artemis to have a second chance, to better himself. I liked that Artemis was smart and conniving but couldn’t do anything in terms of physical prowess and that, that role was given instead to Holly Short who delighted in the physical and enjoyed a good fight. I’ve seen plenty of people say that they’ve made Artemis one-note but I’m sure they’ve also made other characters very one-note like Holly. Holly is admittedly a more heroic character in the books but even she isn’t without her flaws and issues. Looking at the Holly in the trailer makes me feel as if we’re going to be given another Hermione, that is a character scrubbed of all her imperfections and presented as a perfect being on the screen. That’s not to say that movie Hermione was bad but that she lacked depth and if they go that route with Holly then sure little kids will have a smart and strong female protagonist to look up to but I think kids also deserve more nuanced characters, more nuanced female characters that do get angry and that do hit back when they’re angry, that learn to control their rage and deal with it in better ways. Holly was always cool in the books, she was suave and someone I enjoyed reading just as much as Artemis but she wasn’t perfect, not even close.

Part of me is just salty because I really thought that Disney would be better at adapting “darker” kids material. When I was younger and DreamWorks/Paramount managed to get the rights to make the A Series of Unfortunate Events Movie, which ended up being a flop but not the worst adaptation out there, I often heard the relief of people saying that at least Disney didn’t adapt the films because if they had they would have scrubbed any rough edges from the film clean. At the time I thought this was ridiculous, I mean sure Disney is often squeaky clean in terms of its product but they aren’t shy about heading into darker territory, case in point Frollo from the Hunchback of Notredame. But, now I understand that hesitance that people had and I’m sad to say that they were probably right.

With all my complaining out of the way, how does the author view these changes, I mean he can’t simply be ok with them, can he? I know if it was my work being butchered this way I’d have a word or two ready. In the Polygon interview, however, Colfer seems to not be bothered by the changes. I’m sure some people will point to the author being fine with most of the changes as a positive and feel the criticisms of the movie invalid but I disagree. Of course, Colfer is happy with the movie finally going forward, it’s been frozen in place since 2001, besides the man is going to get his coin either way, so I don’t exactly blame him for going the Andrzej Sapkowski route, dusting off his hands and giving the reigns to someone else. Even though I don’t blame him for this, I wish we could have gotten a better adaptation, one that understood the core of the Artemis Fowl stories. I do hope that once the movie comes out that I eat my words on this matter but I have doubts that that’s going to be the case.

BOOKS:

Go buy them or get them from your library, they’re a treat and a half.

Artemis Fowl Book Series (New)

Artemis Fowl Book Series (Used)

ARTICLES I READ ON THIS:

Artemis Fowl author supports — and is a little envious of — the changes in Disney’s movie

Disney trailer flips Artemis Fowl story to make him a hero

Give my blog a look if you want too (it’s got the same stuff on there as my Tumblr):

https://silasmadams.home.blog/2020/03/07/artemis-fowl-and-the-movie-adaptation-an-unfortunate-tale/

#artemis fowl #artemis fowl movie #complaining #problems #changes #adaptation #book adaptation #Disney why #artemis fowl adaptation

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zepdeans · 6 years ago

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this is highkey like a month late (i mean wbk im a chronic scatterbrain procrastinator) and she’s thicccc but without further ado. my skam s4 thoughts.

I first just want to say a couple things: im not a muslim woc so my thoughts on s4 don’t hold as much value as those of a muslim, woc, or a muslim woc. I also don’t know to what degree sana’s representation was true to real life. I made an effort to look for posts from muslim woc on sana’s season but to no real avail, especially given it’s been two years since skam ended and a lot of blogs have deactivated, changed urls, or posts have become buried :( [if you know of any good posts regarding sana’s season please lmk!]. from what I can recall in 2017, there were mixed opinions on s4 with most being upset (or at least disappointed) with the ultimate execution of sana’s storyline and I agree w that. while s4 means so much to me and has a really special place in my heart, I do 100% acknowledge its flaws. ok!!!!!! lets get into it😤

ep1 -as much as I wished isak stayed in kollektivet I’m glad he and even had a rlly sweet happy time this entire season. also evak making their friends move all their furniture while they whisper romantic shit to each other and makeout? peak comedy -you fuckin wish!!! -sana is the one to say “of course you should tell noora about william”.. she Knew and still takes the fall for it :( -this opening clip is such a jarring shift into sana’s pov!! e.g. while easy to overlook in previous seasons, sana’s exclusion from the girls is glaringly obvious once we’re looking through her eyes -adding onto that! sana is the friend who notices everyone else- she’s so observant, which hurts even more when you notice her friends don’t do the same (except mayhaps chris- in my heart of hearts I know chris is also the friend who notices and goes unnoticed, but unfortunately we don’t get enough of her and sana’s relationship this season to fully see that) -yousef and the balloon squad’s entrance.... ICONIC! also I cant believe for 2 seasons they presented those dickbag nissen 97s as the be all end all of hot amazing boys when the bakka third years were RIGHT THERE like,, the penetrators vs. balloon squad + even? no contest ma’am -also! it’s so interesting that we literally had no idea sana had a brother, or that yousef etc existed until now? it’s as if she has a whole private world at home, separate from her friends and nissen (and I think a theme of this season is those two worlds merging) -im obsessed w the yousana train scene but yousef being the only one who notices sana standing off to the side? ;-; -fy faen is such a stunning clip oh my god. when sana leaves to pray? possibly my favourite skam scene ever. it’s exquisite. -sana is so cute and awkward squeezing thru the crowd shsdhgfhshdf I LOVE her love her -the last shot on yousef and noora... oh my GOD oh my god bc like. being that friend who never ever tells your real feelings or your crushes or is vulnerable with your friends?? and then having to listen to them talk about how good your crush would be with someone else (especially one of ur friends) while ur sitting there silently dying inside? and you don’t say anything since you can’t be vulnerable with your friends and u don’t think u stand a chance anyways so. (in the words of s3 noora. I think sana struck a nerve with the emotional unavailability! abbey r u ok) -this episode is a masterpiece and did such a phenomenal job of both introducing us to sana’s perspective while also touching on a multitude of her struggles AND establishing the themes of the season. plus the cinematography, editing, soundtrack and aesthetic...... o baby. (case in point I deadass just rewatched it after writing this)

ep2 -every shot of sana praying is beautiful (and beautifully edited!!) -sana’s room is usually messy... not smart enough to fully analyze this but I’m sure it means something -an interesting contrast of what’s expected of her vs. of elias- I can’t speak for muslim families, but I know even in non-muslim families girls are always held to suchhh a higher standard (source: I have 2 brothers rip) -”if you find immaturity charming” hilarious bc sana actually does in fact find immaturity charming -what’s interesting is how noora comes across in sana’s POV- kinda obnoxious, kinda ignorant, seemingly perfect (compared to how noora is portrayed in eva’s season, for example) -even is one of those ppl who uses the bill gates argument on why dropping out of school makes u richer sdfhfsjskfjfsd -sana staring down the pepsi max squad. fuck em up. -vilde adding magnus to the groupchat jfkjsjfdjfsfsdkj -isak missing eskild :’) sidenote I fucking live for isak and sana’s chats this season. they’re literally my lifeblood like....

ep3 -the kiss me scene god I go FERAL -“you need to pull it towards you, not push it away. okay?” yall mind if i SCREAM!! YOUSEF!!!!!!!!!! -there rlly is something about seeing sana, who in everyone else’s POV comes off as cold and harsh and stoic, just absolutely meltinggg when she talks w yousef like she doesn’t stop smiling she’s so sweet!!!! ah🥰 and yousef is 100% that guy who ppl tell “your gf is so intimidating and ruthless bro” and he’s like are y’all talking about sana??????? my baby?? my fuckin cinnamon apple????? -yousef’s lil smile watching sana peel carrots. 911 it’s me again -vilde and sana’s relationship has a really interesting dynamic bc like.. vilde says ignorant shit to sana while also genuinely looking up to her. and sana is probably the harshest to vilde within the group but it’s because she actually values their friendship a lot -IM HURT BECAUSE YOU NEVER REPLIED TO MY MEME -sana pulling 2yr old receipts off the top of her head to defend vilde. god I stan -sana doin research taking notes..... shameful she isn’t canonically a virgo (honestly her and isak both but like-) -she’s so soft and smiley w her mamma awh... “of course he likes you, who doesn’t like you?” her mamma only knows the real, gentle, beautiful loving sana oh im CRY -even is so kind and loving and thoughtful yall mind if i....... -”you can’t escape the internet girl” foreshadowing mayhaps?

ep4 -david and ulrikke together are fucking hilarious -noora’s “you’re lucky you don’t have to think about this stuff, heartbreak and that” :/ it’s not just vilde who says ignorant things to sana! -that being said sana and noora are cute asf in the exper5 scene.. dorky noora rise (omg josefine and her yogurt in the bloopers too sjhfkjdf) -I HANDLE BALLS BETTER THAN YOU -the yousana scene is sooo gorgeous whew...... -I always cry a lil bit (ok a lot) when yousef brings up even. and sana knew too. even sweetie ily :( -sana talking about her religion is beautiful. it’s so lovely to learn about how she thinks and sees the world. -yousef’s smile watching sana leave like ur kidding right....... -“flawless since 99″ is so cringey. it’s so cringeyyy -sana uses “smh” I knew we were soulmates

ep5 -eavesdropping on ur parent/brother’s argument is peak sibling culture -when ur always paranoid but ur always right..... -sana’s green jumpsuit sign me up babey -I really really really love elias and sana’s conversation -u dont even realize how tiny sana is until she’s standing next to isak and even -not finding out why yousef avoided the fight and why he kissed noora will haunt me forever (could we not have expanded more on that instead of noorhelm.......) -the parallel of sana washing isak’s blood off her hands vs. her washing her hands during maghrib in episode 1. gotta sit down. -vilde gossiping to the pepsimax girls stings SO bad it’s just such a betrayal?:( -“the other girls seem cool, especially noora! she’s so pretty!” ok much to unpack here but: sana again comparing herself to noora (who she sees as /perfect/)... sana being written off despite putting so much effort and passion into the russ bus while noora, who has done literally nothing and at best is indifferent to russ, is the one they like the most. disgusteng -love will tear us apart.. bitch..... -sana abt to cry god I can’t -if sana is anything like me (I mean I think she is but jkjjkhsdfhfsd). looking stupid is the absolute worst so like, her sending out emails abt being bus boss when she was actually being lied to? being played? and her being “paranoid” about sara being shady, but deciding hey maybe im just being crazy? except she wasn’t she was right and she Knew!! and she’s probably thinking how dumb it was for her to get her hopes up, everything always ends badly anyways and no one actually likes her :((((((( -dont rlly know what my feelings are on the fight. im not against it bc isak does have a temper but his apparent motive always seemed weak to me?? and god I feel so bad for even

ep6 -forgot about sana getting bullied in middle school yall mind if I sob?? -sana lying and getting defensive bc it’s hard to be vulnerable, or because she hates looking stupid? or both?:( -isak looking up dandelions in his textbook just bc even put one behind his ear. I HATE this man -sana’s dad asking if she had a bad day aw :( -all the boys (and sana) wearing black but yousef wearing white.... what does it mean.............. -the carrots are back goddammit -radio station playing during this scene: “if I have to choose between the just non-muslim and the unjust muslim, without any doubt I would choose the non-muslim who is just” -ISAK’S NOSE SFFJDFJFSDKJSDF -sana’s text about chris I’m going to bawl my eyes out. “yeah! looking forward (to going to nissen) but a bit worried. don’t know anyone else starting there.” (J: new friends?) “yes, at least one of them. I have german with her (chris) and she’s very cool!” -the contrast of how blunt sana came off when we’re first introduced to her vs. how she was really just excited to make a new friend bc she was scared no one would like her :( especially knowing her past with bullying and how nervous she was to start at nissen? chris baby I LOVE YOU thank u ;-; -also sana keeping 2yr old conversations on her phone... same -sana is honestly too smart and scheming and overthinking for her own good. she has these elaborate plans that more-or-less always get ruined by her being more kind than she gives herself credit for (e.g. wanting to protect vilde in s1, clearing isak’s name in s4) -everyone in skam texts back so fast smh -chris calling sana “sonic”...... a moment please -I cannot watch the sana/evak apartment scene without thinking of the bloopers and losing it lmfaoooo.. “this is where we live. just come in” -ik it’s based off fanart but there is little I hate more than their matching outfits -“remember you’re both geniuses!” 🥺even -once again isak studying is uhhhh me - “you’re a good person” yall i love isak i really do. he puts his foot in his mouth pretty often and doesn’t have a great brain-to-mouth filter and he can be awkward and rambly and blunt and unsure of what to say in emotional situations but also? he’s so genuine. it’s just his honest thoughts and he says it bc he cares about sana and knows she needs to hear it!! -ᶠᵃᵉⁿ ᵉᵛᵉⁿ -sana’s inner turmoil.. thank u iman for inventing acting (ik I haven’t mentioned it much yet but god iman is SUCH a phenomenal actor I owe her my life) -LETS GO BITCHES

ep7 -sana crying silently in her room breaks my fucking heart (IMAN!!!!) -idk how I feel about the instagram plot but sana watching as her plan falls into place and then storming up to sara... pretty bada$$ -“it’s creepy it was published but it’s more creepy we have a bus boss who talks shit about everyone” THANK YOU vilde -i love s4 isak thanks -sana and jamilla’s chat aw :~) -how awkward do yall think the walk to the bench was lmfao -what sana tells isak is SO powerful and I love it a lot -isak does actually make a good point- the other girls are like that too. -unfortunately I have been in situations isak describes, where you want to learn more about your friend’s culture or religion because you care about them and you’re genuinely interested, but you don’t know what questions are okay to ask and you don’t want to sound rude or ignorant, so you ultimately end up asking no questions at all. but I hate that the responsibility is put on sana to constantly educate people bc I cannot imagine how exhausting that must be [[[ok so. I know there are VERY mixed opinions on the bench scene but here’s my dumbass two cents. 1- I genuinely think isak was trying to make sana feel better by attempting to relate to her and pass on advice that really helped him. however, I don’t think isak realized what sana eventually told him- that her experience wearing the hijab is a lot different than isak’s experience as a gay man. do I agree with everything isak said? nooo. do I understand why he said it? yeah. 2- it was not isak’s place to tell sana norwegians aren’t racist, or not to look for racism in questions. I think there’s some truth to ppl often just being ignorant, and he does add that there are probably a lot of racist people in Norway, but yeah. not great. 3- in conclusion I think while isak shared some meaningful advice w sana, he put his foot in his mouth too and said some stupid shit. im not trying to defend that. I will add, though: a. we actually do see some growth on isak’s part. when he and even are yelled at on the street, that’s the moment it clicks for him that oh shit, this is what sana was talking about. this is what she has to experience? and that’s why he texts noora, “in the speech for sana, you have to include how insanely strong she is. I don’t think many people understand how much bullshit she has to take” and b. isak’s (bad) advice of “not looking for the racism in things” is ultimately contrasted by yousef (a moc who lived most of his life as a muslim) suggesting instead to show people what islam really is. and that’s so much more meaningful. I think the root of a lot of the issues isak brought up- i.e. ignorance- is a general lack of education, representation, or effort by non-muslim people to seek out information themselves. so sana leading by example and showing what it means to her to be muslim is so much more powerful.]]] -𝒃𝒂𝒎! -BEST BUDS 🥺

ep8 -haper du har plass weaving in and out of this episode until the chorus finally breaks when the los losers van shows up...... miss julie 😭 -oh my god the pictures. im a fucking MESS bc they’re not only significant to the scene and to sana but also like,, as part of our goodbye to the girls?? -the balloon squad and even :( while the timeline of them reconciling within just this week is kinda wack, seeing even back with his friends looking so happy makes my heart uwu so i’ll allow it just this once -eva’s message to vilde about her and magnus being able to trust each other w/o reading their texts... growth or irony -chris is such a phenomenal friend (and this is why I wanted more of her in s4!!) -sana’s phonecall to the girls breaks my fucking heart bc like. right off the bat she’s finally being vulnerable with them?? telling them about her fears and insecurities and struggles? typing this im gonna start crying lol but god I love her so much. she’s so brave and she put all that on the line bc all she really cares about are her friends, she loves them SO much even if (she thinks) they don’t love her back -lowkey sobbed so hard during the haper du har plass clip I almost threw up and it gave me a headache :) -anyways this is one of my favourite skam clips and god just. the moment you hear the girls calling for sana??? I LOSE it. when sana just starts BEAMING omg🤧 the girls love sana and support her and if you fuck with sana you fuck with us!!!!!! god. cannot articulate how dear to my heart this scene is. -haper du har plass feels like the end of the episode and the party clip is kinda just tacked on but I love how happy everyone is!! they’re all drinking champagne (who taught isak how to hold things) and dancing and smilingggg 💛 -yousana rise!!!!!!!! -ok don’t get me wrong I hate william for crashing the party but their entrance slow-mo kinda slaps.... also sana popping up in between noorhelm SENDS me

ep9 -this is the point in the season where the amount of time dedicated to noorhelm is beyond beyond beyond significantly damaging to the story. this is sana’s last episode!! instead of having them makeout in front of william’s car for 20 minutes mayhaps we could’ve had a conversation between the girls and sana, or with her brother (if they had continued the elias alcoholism plotline rip), or maybe even with jamilla or her mamma? like I don’t care at ALL about noora or william. give me anything else. ple a s e -what makes skam scenes so brilliant is their quiet moments!! julie let the scene breathe. not everything needs a tacky song playing over top. -I’ve said this abt like twenty clips now but MAGHRIB. oh my GOD. an absolute masterpiece and definitely tied for my all time favourite skam clip. can’t rlly put into words how stunning it is. & I love sana and yousef’s conversation so much. -“of course I brought food! my name is yousef!” mr. acar you’re the only man I trust

ep10 -as much as my heart yearns for 10 sana episodes I think splitting up the last episode of skam into individual POV clips for different characters was brilliant and such a poignant way to say goodbye :( -okay don’t think about what sana could’ve written in her texts to everyone or ur heart will go sicko mode -I won’t write anything abt this ep since I’ve already written too much but like.. (elias should’ve gotten a clip instead of william. pchris can stay because his clip was funny but he’s on thin fuckin ice) -kjaere sana was such a beautiful way to say goodbye to skam. so yeah. bye skam. i miss you.

overall ➔I’m not really sure why (possibly a lethal combination of my undying love for sana bakkoush, how much I relate to her, this but my ass was crying EVERY single episode of season 4...... F ➔I’m obsessed with s4′s aesthetic. imo the best editing, soundtrack and cinematography of any season!!!! julie is so talented at making each season feel distinct- to me, sana’s season is cool, vibrant colours (aka the late-night sunset aesthetic- gabie i hear u laughing shut up), crisp electronic/pop music and rap, ethereal city nights..... also sana has the best style of any skam character it had to be said ➔sana’s growth! seeing her open up and be honest and vulnerable with the girls during that phone call. sana sending all of her friends literally the sweetest messages of how much they mean to her and how much she values their relationship. sana being the (MUCH) bigger person and making amends with sara, ingrid etc. I love her so much :’((( ➔I’ve thought a lot about what I would change in season 4 and honestly? im a mf scatterbrain and have no real, structured ideas. my biggest issue is too much noora. dream s4 would be william staying in london and noora being happy on her own (but not rly on her own bc she has the girls and kollektivet!). as :/ as I am about the noora/yousef plotline, I’m not really sure what I’d do to replace the yousana conflict in ep5. maybe involving elias, or the balloon squad and even? related to that- in lieu of all the noora/noorhelm screentime, I would so much rather have a follow-up plot to elias’s drinking problem bc it was kinda just dropped? at the very least, the william clip should’ve been elias’s. I also would've killed for more one-on-one scenes with chris (even vilde or eva!), jamilla, even, members of the balloon squad... there are so many interesting stories that could’ve been explored instead of going down the noorhelm rabbithole again. furthermore, I feel like the social media plot was a bit... weak? again I’ve tried thinking of what I would’ve done instead (while also keeping the haper du har plass clip, y’all can pry that one from my cold dead hands) to little avail. what especially threw me about this plotline is that sana did this in s2 to jamilla, fucked up, and it bit her in the ass. I know that she gets irrational when angry but from a storytelling perspective, it seems repetitive. just.. I feel like there could’ve been a more powerful plot in which sana follows the same character arc. another thing I would’ve loved to see is beyond the los losers van, an apology from the girls to sana. or even just a conversation where they tell her “hey sana, we’re sorry for not paying attention and we’re sorry for being thoughtless/ignorant.” an apology from vilde about things she’s said in the past would’ve been <3. even a gesture! the girls order pizza again but this time it’s halal, or they make an effort to learn about sana’s religion and culture. I know it’s implied through the letter they write for sana, but a final standalone scene would’ve been so nice. ➔i’ve noticed soo many remakes do this thing where they like.. water down shitty behaviour of their characters. which like- sure. I would love for everyone to be kind and thoughtful and not as horrible as they could be but also... I think that’s the point of skam? to show that people fuck up, but that doesn’t define them as a person. no one is perfect and no one can be thoughtful and considerate and kind all the time. and often these ‘problematic’ actions are integral to the story- e.g. elias saying stupid comments to isak (related to isak’s internalized homophobia and fear of coming out to his friends), the girl squad being ignorant about what sana can eat, etc. so..... your remake is not better because it erased every horrible action every character has done. (nuance.. where r u.........) ➔despite its flaws, I will say- the good moments of season 4? ineffable. I think we sometimes forget that julie literally wrote, directed, and I believe (?) assisted w editing and soundtrack too. i cant imagine doing all that under so much pressure, trying to bring so many storylines to a conclusion whilst simultaneously creating a goodbye-season to a show she put her life into the past two years. I’m so fucking appreciative of her. and you know what? all in all julie wrote some pretty damn beautiful episodes and scenes, and you can tell she loves this show just as much as we do. ➔and honestly this is maybe one reason I’m more wary of watching remake s4′s, bc like.. this season meant SO much bc it was the last season of skam. we knew it was the last season. the final episode is more or less a love letter, a goodbye to the show. whereas w some remakes (do i have to say whomst) its like.. that love isnt there. it’s just another season. yknow? in conclusion I miss skam so much :(

ok whew if ur reading this ur a champion but also why did you just read 5k of me rambling about how much I love sana bakkoush??

#not one coherent or intelligent thing is said in the entirety of this post but enjoy #skam #blabbey #clownfest 2019

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