#so let me know if it's a better idea to make them their own works on ao3 for some reason

[felassan]

David Gaider on Fenris, under a cut for length:

"Fenris. Now, DA2 is a story all on its own but I'm not going to go there other than to sum it up as "we had just over a year and a half to make this". It's why I only wrote one follower, Fenris, and although it'll make his fans mad: I probably shouldn't have. Let me explain. The way we'd approach making the followers is brainstorming a list of concepts covering first the array of gameplay classes (and sub-classes) and then making sure they each have some skin in the game when it came to the story's conflicts - ideally having characters on both sides of the major ones. Why? You can't make a player care about the world, but you can make them care about characters who care about the world. It's the easiest way to provide hooks into a conflict, outside of it knocking on the player's door. Heck, it's probably better than that. Players will burn the world for approval. After that, we'd decide things like romances/sexuality. Then the writers would pick who they'd write. I always let my writers pick first. I figured they do their best work when it's something they're inspired to write... and they got so few chances at ownership, I wanted to give it whenever I could It's why I (reluctantly) let Patrick wrest Cole from my grasp in DAI, a character I'd created in Asunder. It's also why I let Jennifer take Anders in DA2, who I'd started in Awakening. In this instance, it meant I was left with the angry elven warrior character who nobody else appeared to want."

"It should have been my first clue that something was up. The second was how the artists had zero clue what to do with him. The art concepts were all over the place - from mages to crows to... well, even weirder. No matter how hard I tried to explain the idea, the artists simply didn't seem to get it Does this mean he was a bad character? Not exactly. Just an idea that probably deserved some re-examining. You can tell when an idea has a certain spark, and part of that is being easy to communicate. Sadly, there wasn't time for any re-examining even if it'd occurred to me. And it didn't, not yet. If it had, if I had time, maybe I'd have re-booted him as a templar. Someone pro-templar rather than anti-mage, who could give a personal hook into Meredith and give the templars some badly-needed humanity. But this falls into the shoulda-woulda-coulda category. I had a follower to write. Quickly. I struggled, at first. It was hard to get away from "Fenris hates everything, all the time". It felt very one-note, and I didn't know where to take him. My third clue, I guess. I also wasn't sure if I was the right person to write a former slave. I did know that couldn't be the center of his story. I did know trauma, however. How it can eat you up. How the hate and resentment is like drinking poison and hoping the other person dies. How it can infect your relationships. Fenris's trauma isn't my trauma, obviously, but here I dipped into a more personal part of myself than I'd ever done before."

"It gave me the center of his story I was missing, but wow was it uncomfortable. In a good way, maybe. I likely wouldn't have, if I hadn't been so desperate. In a way, I think DA2 had some of our best writing *because* of the timeline. It was raw, with little time to sand down the interesting parts. I wouldn't have done the "Fenris doesn't talk to you for three years" thing if I'd known we were going to cut all the reactivity initially planned for the time jumps. When that call was made, I campaigned to cut the jumps to a year, but there was no time for the revisions it'd need. So, um. Awkward. I used to get asked where the name came from, and I... don't remember? Obviously it's derived from Fenrir, but I don't recall why we picked that. Someone pointed at Fenris the Feared from Joe Abercrombie's books... and I did read them, so maybe the name lodged in my head? Wouldn't be the first time. Casting Fenris turned out to be easy. He was the first time I requested a specific VA and got him. (The other times were Merrill and then Solas, my two "I want these specific Welsh actors, please".) Why? OK, if you must know, I'd played a bit of Final Fantasy XII. I heard Balthier. "Yes, that." 😅 And Gideon Emery was a delight, as it turned out. Consummate professional, and that lovely gravel in his voice... good god. Bite the knuckles. There was a struggle to find the voice at the outset where I did my best not to say "just pls do Balthier" but he found Fenris on his own and it was amazing. Overall, Fenris turned out better than he had any right to, considering the rocky start. He had a lot of soul, a vulnerability forged by pain that struck a chord with a lot of players, and I'm glad. Do I regret anything? Probably having him live in a corpse-filled mansion that would never update. That's a hindsight thing, though, as again the cut to reactivity over the time jumps came late. Outside of that, maybe letting the player give him back to Danarius? Poor shock value and a waste of resources because almost nobody took the option. Good evil options are ones that are tempting to take. And the lyrium tattoos. Interesting concept, but they're probably why you'll never see Fenris in a future DA. He requires a custom body, and the tattoos make that expensive. It's why I put Fenris in my 4th DA novel - the cancelled one. Don't fret, though. He died in it, so this way he lives on. 😉"

[source thread]

User: "Wait wait how does he die in [the cancelled novel]??" David Gaider: "Gloriously, after taking up a cause he didn't believe in at first but then made his own, one that allowed him to rediscover what it meant to be elven." [source] David Gaider: "I’m not sorry about the novel cancellation. I’m the one who cancelled it. I am kinda sad we couldn’t make it work, though. Considering it was after I left the DA team, it would have been my final DA hurrah." [source] David Gaider: "From my perspective, it was kind of "well if you're never going to use him again, let me at least give him a proper send off" and the story required a glorious death... but I get that's not the story his biggest fans would want (which is Hawke + Fenris 4ever), so it's just as well." [source]

User: "You all did some incredible work with such a tight deadline" David Gaider: "I'm of the opinion that even if we'd had only another six months to bake, DA2 would be remembered as a classic and not either a flawed gem or underbaked sequel, depending on who you ask." [source]

[greenplumbboblover]

[WIP] Lyralei's Pose addon - Part 2

(See previous post: Click me!)

First things first, MASSIVE thanks to @thesweetsimmer111 for all the help to make this work better and sharing her knowledge on Track masks with me (and the world!)

👀 Better Look at (with reactions!)

Maybe it’s just me, but I used to get endlessly frustrated when Sims wouldn’t properly turn their heads to face an item. So, I set out on a little mission to make their head movements more natural! Unfortunately, that didn’t go as planned—turns out EA’s code for the “Look At” feature is completely deprecated and no longer functional.

Knowing I couldn’t just code a fix, I had to explore other approaches. That’s when @thesweetsimmer111 came up with a brilliant solution: blending left, right, up, and down poses to create a more convincing look-at effect! 🎉

(See: Post)

What's different?

Here's the original pose, without Look at turned on....

On the left, we got VA's original look at.

On the right is what Savanita and I came up with! :)

don’t want to make it seem like the original Look At feature was awful—it actually works pretty well in some cases! For example, in this pose, if the plant were on the other side, the difference wouldn’t be that noticeable since her head is already tilted slightly. 😊

(Same layout again: Left = VA's, Right = Me and Savanita's approach)

Plus, maybe you do want something more subtle, then VA's Look at is great!

Anyways! Of course, I couldn't stop there! Now, your sim has a few options of turning towards the object:

(Note, this list will get 10x cooler in the next feature ;D)

This list is what the "trackmasks" are. :)

Okay, let's give "Eyes Only" a try. So, we expect Morgana to ONLY look at the plant, with her eyes.

(Left is before using look at, Right is with look at, and one up for fun-cies)

And, to please @nocturnalazure's wishes, yep! It now accepts Facial Expressions! :D

(I never would've thought I would see Evil Morgana lmao)

🎭Blending Poses/Reactions

After Savanita's amazing idea of using Track Masks, I found out that I can apply that same technique on, well, poses! And this is a feature I'm SUPER proud of (And honestly, it's taken me an entire week to get working 🙃)

First things first, when we choose the interaction, we will first be greeted by our "trackmask" list with all the selections on it

So, I made a few examples to show of what you could do, but in all fairness, it's endless!

Here I chose the option "Both Arms".

Here I chose "Head And Neck". Look! She even has the expression! (Don't worry though, i also have an expression-less version in the making ;))

What about... Animations?!

While blending poses has the ability to also type in your pose names by name, rather than list, you can also use EA's!

The list is pretty long ( believe 200 entries?) but here is a sneak peek:

Though, as far as I've been able to tell, EA reactions aren't as flexible, where I can tell it to only use the arms, or the eyes. Instead, we got these options:

So, unless I found a way to get around it, this is the only way to do it.

But without further ado....

Here I used the same pose(left) as the last 2 pictures, but with "OverlayHead". And chose "Boo"

(I just realised it looks like she is about to get hit by a ball lol)

🕰️ History List

The Add-on now remembers your pose history!

Whether you’re a dedicated “Pose by Name” user or prefer the simplicity of “Show by List”, both options now display your pose history for quick reference.

Note: Each Sim has their own individual history list. This means you’ll only see the pose history for Sim X when clicking on them, and not for Sim Y.

📓What's up next?

Adding all the trackmask. (I still need add the hands and legs ones)

Adding an in-game Category maker, so you don't have to edit the XML. It will mean you need to replace the XML file in S3PE yourself. But I can always make a quick How-To for guidance 😉

(Note to self) Optimize the Categorisation code. It's currently taking 1 minute up from the loading screen 😬)

Fixing some minor bugs where Look at will still turn the sim's head back to it's original position.

Fixing some issues where Blending poses with certain track masks aren't working well or at all.

Fixing an issue where the dialogs can crash the whole game (woops!)

Sooo, I think a release date is pretty soon! I think within a week :)

Any VA Addon Bug Fixes?

Of course! It's the mod that inspired me to make stories, and even get to make this mod! I couldn't just... leave it to collect dust while it's other child mod is getting all the attention. :p

Changelog:

There is now an interaction that uses both look at & reaction simultaneously. (In case you don't want to use my look at interaction).

Fixed an issue where reactions would sometimes or never show on the sim.

Fixed an issue where using "Random Quick Poses" would occasionally show a breathing sim, doing nothing.

Fixed an issue where certain poses get called twice, making it harder to keep reactions or even look at history data.

Some minor code changes that aren't worth mentioning honestly.

[kinardsboy]

Buddie shippers have tried to coin the moral superiority and high ground with their ship and I’m sick of it

This not only comes from a place of homophobia but also heteronormativity. Buddie is inherently better because “they’re a family” ignoring the fact that Evan and Tommy could easily build their own, they are constantly pushing buddie into heteronormative roles, ESPECIALLY Buck.

They go out of their way and try so hard to prove Tommy never changed for the better, that he is still the same person he was nearly 20 years ago. That he isn’t deserving of Buck, all to prove their claim of “your ship bad and toxic therefore mine better.” Again, putting themselves on the moral high ground so their criticisms and weird hater behavior seems more justified and acceptable than when we speak out.

When that doesnt work? No problem. They just turn to straight homophobia and conservative talking points.

“Tommy wanted Eddie first but settled for Buck” sure man, I’m surprised you could take Eddies dick out of your mouth long enough to type that sentence.

“Tommy only wants sex, like most gay men do” Yes this is an actual quote from a post criticizing Tommy! Again! Homophobia! If Tommy only wanted sex theres.. grindr.. its fucking LA?? However I do find it interesting that the idea of queer men (Gay men especially) wanting sex and not feeling bad about it is something that upsets these people so much.. i wonder why the idea of gay sex makes them uncomfortable 🤔

Which brings me to their next talking point

The daddy kink scene.

I don’t even want to go into the awful violent things that were posted in response to a gay man flirting with his boyfriend, but I’m sure most of you all have seen them already so I’ll keep it vague. We all know Buck initiated that flirting scene, we all know Buck brought up daddy kink and Tommy reciprocated.

But because they can’t possibly imagine their precious little baby Buck partaking in such heinous kinks? Well then it MUST be Tommy who started it! Therefore BuckTommy is bad because Tommy is into “gross” or “immoral” kinks and makes everything about sex and so..? Yep! Buddie better ! Buddie the safe clean option!

SPEAKING of making everything about sex lets talk about the way buddie shippers tried to say “youre a vision in a cone” was about PUPPY PLAY??

Again I find it sooo interesting that these people are trying to base morals and high ground on two men possibly engaging in kink. Isnt that interesting?

The compliment was obviously not puppy play kink but even if it was who the fuck cares? They’re grown ass men? They can partake in kink???

Why are you twice now claiming that BuckTommy , and lets be honest here, mainly Tommy is a bad person and ship because of sexual attraction? Because of kinks?

Good thing their fave is a fucking catholic cause they all sure act like one

[knavesflames]

heyyy el

requesting politely reader ... tending to ... arlecchino with her mouth and going from starting timid to taking a bit more control to arles surprise

lots of care and love just like in the one you just posted :3

mhm ty

Hi anon<33 I hope you are doing well and having a nice night (it’s night for me). I liked this idea >:) sorry lol it took me a while to come up with a concept but I hope this suffices 😁😁😁 (hi guys the dirty words are slowly making a reappearance)

Word count: 2.2k

Contents: soft dom!reader (kind of yes), bottom Arlecchino, cunnilingus (funny word), fingering at the end, orgasm denial (ONCE GUYS OKAY ONCE), also praise (guys I’m cooked)

Songs I listened to (for fun): fantastic- king princess (is this one obvious or not), disease- lady gaga, shhh!- viviz, pivot- HEYOON, boyfriend- dove Cameron, impurities- le sserafim

There’s more but I forgot

Nsft utc<3

Arlecchino is not a receiver. She gives and takes nothing, it’s how she’s always liked it, whatever the reason may be. She has not explained, and you doubt she will. Arlecchino is very secretive, you’ve come to learn. She divulges what she must, and keeps the rest hidden. Even you, who seems to know more about her than anyone ever has, is kept in the dark about a lot of things– what exactly triggers her nightmares? What truly happened with that ‘Mother’ of hers? There are rumours, of course. Arlecchino is mad and cursed, she killed her Mother ruthlessly without reason, she killed her best friend for nothing other than a simple quarrel. You know them to be false, now you know her better, but what you can’t seem to understand is why she lets the lies fester, why allows herself to be portrayed as a cruel monster. She can’t seem to answer you.

Arlecchino also refuses to tell you why she pushes herself so hard, or why she has such strict rules for herself. You beg her to take that damn suit off constantly (for.. Multiple reasons, both you and her know that well enough– she only obliges when it ends in you as a quivering mess on the bed). “What happened to regular clothing? I know you dislike dresses, but you don’t have to force your body into that silly suit all the time.” is a phrase often uttered. Silence is the only answer given.

Silence seems to be an answer you get from her often. In different contexts, of course. Sometimes, she is silent when she is comfortable, when she is thinking, when she is angry.. You realised long ago that she is a woman of few words– and even fewer sounds. During the rare occasions you get to make her feel good (whether that’s simultaneous to your own pleasure, or before), the only sounds you really hear are the soft breaths and the slight grunts whenever you do something she particularly likes. You have made it your mission to coax more sounds out of her, even if it’s the last thing you do. You experiment with different things each time you get to make her feel good, anything remotely sexual she’s done to you, you try with her. Degradation doesn’t work, her only response is a cock of her eyebrow and a scoff. Praise is a little bit better, earning a soft kiss on whatever part of your skin she can reach. Tying her up is out of the question– she has made it abundantly clear multiple times she only enjoys the act of bondage, however small, when you are on the receiving end. It’s the case for a lot of things, and it almost irritates you. Almost. it turns out the answer is something much simpler than anything you’ve ever tried, and you mentally curse yourself for taking so long to figure it out (for Arlecchino, that was the point. She likes the game, even if she truly is trying to keep her weakness hidden).

The answer was something she had done to you almost every time you had engaged in some form of intimate act with her. There aren’t many acts more intimate than your partner giving up the ability to speak because their tongue seems to be.. Busy. You just hadn’t realised that Arlecchino would ever be on the receiving end. So, after much pleading (and begging to the point it almost seems you’re begging her to fuck you instead of the other way around), she seemed to relent. Barely.

“Let me try,” comes the soft whisper from your lips, hitting the side of her neck as you gently place kisses there. There’s no reaction, but you could swear you felt a shiver. Moving away from the milky, unmarred skin of her neck (one of the only places that isn’t marked with either her curse or an array of scars), you almost expertly push the blazer off her shoulders before slowly sinking to your knees. The carpet is fuzzy, but it doesn’t do much to soften the hard wood underneath. You can’t find yourself caring. The blazer lands on the back of the desk chair. Excited, desperate fingers tug at the buttons of those godforsaken trousers until they finally do what you want them to do. You’ve done what you can, you can’t push her hips up so you can continue to take them off, she’s stronger than you’ll ever be (you like that). “Don’t you think it would feel nice? You know it feels nice. Do you not think you deserve it?”

“I do not deserve the pleasure you give me,” she murmurs, a rare show of her inner thoughts. The woman criticises herself too much, you think. You wish she wouldn’t be so strict with herself.

“Irrelevant,” She shivers at the slight sternness of your voice. It mirrors her own. “Do you want it?”

Arlecchino doesn’t respond for a while. Her hand moves to your head, and she caresses your hair, gently stroking and tugging at the strands before she eventually speaks, a whisper, a subconscious attempt to hide the fact she’s about to chase something she never allows herself to. “Put a pillow under your knees, at least.”

You grin, so pleased with yourself. You stand again, only to sprint and find a pillow. It happens to be the pillow you sleep on, it doesn’t matter. You return to your position only to find her trousers messily on the ground, and the top four buttons of her dress shirt undone. The look in her eyes is one you’ve rarely seen– want. “Beg.” you whisper, the grin still on your face. Arlecchino’s own face twists into a frown.

“I will die before I beg for anything.” Her tone is resolute, and you sit there nonetheless, unmoving apart from the finger tracing up and down her toned thigh. You both stay like that for an agonising two minutes before she barely mumbles. “Please.”

You are incredibly aware that you won’t get more than that, so, even though you know it doesn’t do much, you mutter “good girl”. It does do something, though. You barely hear it, but her breath shakes. You take it as an initiative to start, so you let your lips find her thigh, planting wet, open mouthed kisses up towards her inner thigh. You continue, and– she’s soaked already. You’ve done exactly nothing and she’s as wetter than you’ve ever seen her. Your eyes move up to hers, a raise of your eyebrow as you open your mouth to speak, but she cuts you off before you can speak.

“Do not. I am aware of the.. situation.”

“But you’re all wet and it’s all for my tongue. Isn’t that sweet?” You’ve never been this cocky at all, and Arlecchino would be a liar if she said she didn’t like it. She tries to find words, something to refute the claim, but her words are ripped from her lips when she feels your own lips graze her clit. It’s a tiny movement, really, but one she isn’t entirely used to. The only reaction she makes, however, is a slightly sharper exhale. Until your eyes stare straight into hers and you do it again, though for longer. Then again, though this time your tongue presses flat against it. Your tongue doesn’t move, much to Arlecchino’s dismay. The hand that rested in your hair gently tugs.

“Continue.” She speaks breathily, and her words shake. You can practically hear her gulp as she tries (and fails) to calm herself, and you know she’s probably telling herself to show no emotion. Though, when you finally start moving your tongue in slow, languid motions, you hear her shaky sigh and feel her hand in your hair tighten even more. You try to find a rhythm that affects her the most, alternating between soft licks and harder presses— you find that swirling your tongue around her clit, occasionally moving down to dip your tongue into her aching cunt. Your eyes dart up to her every few seconds to catch her mouth falling open and her head tilting back. When her mouth isn’t open, she’s stifling any noise she could possibly make, gritting her teeth so hard you’re almost certain they’re going to crack. The next time you tear your eyes away from her skin and move them to her face, her eyes are squeezed shut, and only then does a quiet groan escape her.

Something seems to change in your mind, because your hands move to grip her thighs, holding them apart despite them trembling. She’s sensitive, after all, it isn’t often she gets taken care of, is it? The blackened hand not pulling greedily at the strands on your head moves in an attempt to push your hands away, but your voice vibrates against her (which of course, causes another quiet sound to slip from her). “Keep your hands on the chair.”

Arlecchino’s eyes shoot open, a gasp practically ripping through her lungs. “You cannot expect me t—“

“Do it or I stop. Let me finish making you feel good.” She scolds herself internally for letting you get too comfortable with her own tricks. Either way, it feels good and she doesn’t want you to stop, though she’d rather cut off her own arm than admit it. She doesn’t need to say a word, though, the small groans (and whimpers) tell you everything. Especially when they grow louder, and her chest begins heaving, and her voice breaks with every utterance of your name. It’s the most pleasure she’s ever outwardly expressed.

“Why did you stop?” Her exasperated, breathless voice echoes the room. You stopped just as her orgasm was reaching the peak, causing it to ebb away quickly, a sense of disappointment growing in Arlecchino’s stomach. Her eyes, now piercing into you with that familiar irritated stare, meet yours, your own full of amusement. Wiping your chin (when you’re eating pussy like it’s the last meal you’ll ever eat, it tends to get messy, doesn’t it?), you chuckle and respond in your own teasing lilt.

“You taste so good, and your pussy is so damn pretty, Arlecchino. I don’t particularly want to stop right now. You can take it, can’t you? Keep your hands still.” Her face twists into some odd mix of mortified and aroused, but your tongue meets her clit again, and the only sound she can make is something so uncharacteristic, a whine. You continue exactly what you were doing before, though this time you decide to slide a finger into her— the reaction she gave was definitely a pleasant one, her back arching off of the chair, her hands squeezing the seat of it in an attempt to keep them still. Arlecchino reaches the peak quicker this time, and despite your bossy orders, she finds herself melting into you completely, her hips grinding herself onto your tongue as much as she possibly can. It’s completely different to how she was at the beginning, her plan to remain unbothered and stoic foiled.

“Can I— please don’t stop this time.” When there comes no response from you other than a curl of your finger, she moans your name in a useless attempt to get you to answer her. You’re being mean, she thinks, and you’re using everything she does against her. “Answer me. Tell me I can cum.”

How is she still demanding things from you even in this position? She lost all control a long time ago. You find your eyes opening though, and while adding a second finger, your voice softens and you speak, voice full of affection. “Be good and cum for me, then. Now, before I change my mind. Let yourself feel good, yeah?”

Arlecchino doesn’t need to be told twice, because her hips lose whatever rhythm they had when your tongue presses flat against her, letting her choose the pace and the rhythm she knows will get her there quickest (it doesn’t take long, the woman is so sexually pent up it’s laughable). Within a minute, she’s crying out, her hands flying up to her face to cover the obscene expression she knows is there. You pay no attention, only watching every movement with a sense of satisfaction and a smile in your eyes. You keep your finger curling and your tongue still until her body stops rocking, and her hands leave her face. When her face, the one you find so beautiful, emerges from behind her hands, mascara slightly smudged, you can’t help but snicker as you pull out and away from her.

“Better?” You ask, wiping your chin once more with the back of your hand. You somehow look so smug and the look on your face pisses Arlecchino off, just a little. How you’re so calm and collected and she’s a fucked out mess sat in her desk chair.

“Yes,” she says, her voice sharper than she intends it to be really, but she continues in the same tone. “I do hope you don’t think we’re finished, hm?” Your head tilts in slight confusion, but the smile remains on your face. After a while, Arlecchino’s own lips twitch upwards, barely noticeable, but you notice nonetheless. “How could I leave you without feeling good, too? Go to the bedroom, please.”

[band--psycho]

Vander x Reader - 5 Years Later...(Part 2)

Please be kind, reblogs are always welcome and greatly appreciated!

Requests are still open so if you have any ideas/requests, you're more than welcome to send them over (thank you to everyone who's requested a story so far, I'm working my way through them!)

Part 2 to my Vander x Reader series - Part 1

I hope you all enjoy this! 💛

Thank you all for the continued support!💛

I do not give permission for any of my works to be copied or translated onto this site or other platforms!

Vander Masterlist / Arcane Masterlist / Join My Taglist

Warnings: Mentions of death, mentions of grief, feeling of dega-vu

You knew the Undercity wasn’t the safest of places to go, at least that’s what your father had always told you. 

So why were you down here? 

Because as much as you appreciated your fathers protectiveness, what type of friend would you be if you let one of your closest friends go down there alone? 

A pretty shit one. 

Which is why, despite the risks, you went with Jayce down to the Undercity. 

Besides, seeing as you were training to be an Enforcer and Jayce was just a student at the academy it was basically your job to escort him and make sure that nothing happened to him; that’s at least what you’d tell Greyson if she asked where you’d been…and your parents, if they asked which you hoped they wouldn’t. 

“Remind me where we’re going?” You asked in a slightly hushed tone as the two of you turned a corner walking down a dimly lit alley, before 

“I need to get some supplies for a project I’m working on,” Jayce answered simply; with an optimistic gleam in his eyes. 

“What project?” you inquired, unable to keep your curiosity at bay; it had certainly been a while since you’d seen Jayce this excited about a project.

“It’s best I don’t tell you, until I can get it working,” he replied; his answer only furthering your curiosity, but perhaps it was for the best for you to know as little as possible…especially if the academy wasn’t aware of it, which by the seams of things, they weren’t. The less you knew the better; though it still played on your mind as the two of you continued walking through the Undercity.  

To most people the Undercity was just an underdeveloped land across the river, deep in the canyons,  beneath Piltover, filled with misfits and thugs; but as you walked through the lanes of the Undercity, you couldn’t help but admire the beauty of it. 

The beauty of how vibrant the lights atop of the shops shone in the darkness; the difference of industrial architecture, making each building its own, if only in a little way.

It was different from Piltover, of course, but beautiful nevertheless. 

Since you'd arrived down here you couldn’t shake this feeling of deja-vu…like you’d been here before. 

It was odd. 

You’d never been down here; not once; so why did it feel so familiar?

You were so lost in your own thoughts that you hadn’t realised Jayce had stopped walking until you walked into the back of him. 

“Sorry,” you whispered, hearing a small chuckle fall from his lips. 

“Lost in your own world again?” he teased, turning around to look at you. 

You simply rolled your eyes at his comment and looked at the building you’d stopped outside; a pawn shop. 

You shot Jayce a confused look; you didn’t understand what this place had that any of the shops in Piltover didn’t; except from some anonymity. 

Down here no one knew him. 

But that only caused the curiosity you had about his project to grow. 

“Stay out here, I won’t be long,” he said before disappearing inside the shop. 

You went to follow him, before you heard a song in the distance, that halted your steps. 

You knew it. 

But you were certain you’d never heard it before…

How did you know a song from the Undercity? 

You turned on your heel, following the sound of the song; you knew it was risky, venturing off into the Undercity alone and you knew Jayce would be worried if he came back outside and noticed you gone, but you couldn’t help it. 

It was like your feet had a mind of their own and before you knew it, you’d come to the source of the music, it was a bar, or at least that’s what you assumed it was seeing as it was called ‘The Last Drop’ and had a logo of a tankard in the middle of the name. 

‘Why does this place seem so familiar?’ you thought to yourself, your eyes narrowing as you stared at the building in front of you. 

You were about to take another step, before you felt someone grab ahold of your wrist; instinctively your training kicked in and your guard went up, ready to fight. 

That was until you saw that it was Jayce who was holding your wrist; he was panting slightly with a worried look in his eyes, “I thought something had happened to you.”

“I’m sorry,” you apologized, guilt washing over you, “I didn’t mean to worry you,” 

“It’s okay,” he answered softly, tugging on your wrist slightly, leading you away from the bar, “Let’s just get out of here.”

And with that the two of you made your way past the pawn shop Jayce had been in, passing a little boy with white hair leaning against the wall, he had a proud smile on his face that was until he saw you. 

You waved at him politely, confused about why he was staring at you; but the little boy said nothing, he just continued to stare at you, his mouth hanging slightly agape as you vanished out of his view. 

All you could think about as you made your way back to Piltover was how strange today had truly been. 

The deja-vu, the song, the bar, the little boy….none of it was making any sense….

~~~~~~

Vander hated seeing Vi hurt; he also hated that she was a mirror image of how he was when he was younger, so eager to rebel against the topsiders…but it wasn’t that simple. 

That’s what he was trying to get her to understand.

Every action had a consequence. 

He knew that better than anyone. 

He was the one who was too stubborn to call off the uprising, because he wanted to show Piltover that they were worthy of not being left behind on all the grand new ventures Piltover were indulging in; and because of that, he lost so many people that were close to him. 

But no ones ghost was more haunting than yours. 

He just needed Vi to understand that violence wasn’t the way to play this. 

He knew Greyson would probably be paying him a visit soon; the kids, unintentionally, broke an agreement that he’d made with the current sheriff of Piltover, to keep a peace between topside and the Lanes. 

A peace that was now hanging by a thread. 

Once he was sure Vi’s injuries were clean, he rose from the table and began putting away the supplies he’d used to clean her cuts. 

“Vander…there’s something else,” Vi began, halting Vanders movements and making his attention focus back on her. 

“Go on,” he  said calmly, though in his mind he was dreading the next words that were going to come out of her mouth; she’d just been part of blowing up a building in Piltover, what more could there be.

“Ekko said….he said he saw Y/n,” 

Her words short-circuited his mind at the mention of your name.

“What?” he asked; thinking that maybe, somehow, he’d misheard what Vi had said. 

“He said he saw Y/n walking with that topside guy that came into the shop,” she repeated, noticing how Vanders eyebrows furrowed together as he tried to process her words. 

“That was partly why I went up there….to see if she was there,” she continued, rising from her seat, walking over to Vander and placing her hand on his arm. 

She knew how much Vander loved you. 

She knew how much losing you broke him. 

She knew how much losing you hurt both her and Powder; who’d grown so close to you in the few years prior to the uprising. 

That’s why she wanted to be sure that Ekko wasn’t wrong; she’d barely believed him herself when he first told her, but before the explosion happened, she was sure she heard your voice; but without actually seeing you, she couldn't be sure if it was you or if it was just the wishful thinking in her mind.

“She’s dead, Vi,” Vander stated; his voice remaining balanced; although the look in his eyes showed a growing sadness. 

“You’ve never believed that,” 

It wasn’t a lie; he didn’t believe it. 

He might’ve said that you were dead; but Vi knew that deep in his heart, he had never believed it.

He never found your body; and without your body, he could still cling on to the hope that you were alive. 

Vi never really understood why he couldn’t believe your death was real; but now she knew that he was right all along. 

“Ekko got it wrong, it can’t have been her.”

“Vander, he knows what she looks like….” Vi tried to counter, they all knew what you looked like from the photos Vander kept of the two of you; but Vander just went back to putting away the medical supplies before heading to the stairs. 

“He got it wrong,” he answered back, slightly harsher than he’d intended to,before leaving the basement entirely and heading to his own room. 

He all but collapsed onto the side of your bed; his eyes landing on the photo of you he kept on his bedside table. 

You were dead.

That’s what he kept telling himself. 

That’s what he'd had to tell himself for the last five years to keep his own sanity. 

But there was a little voice in the back of his head, a voice that reignited his failing hope…what if you weren’t…what if what Ekko said was true…?

Vander didn’t know what to believe….the memories from that day flooding back into his mind as the pain he’d felt re-entered his heart, tears fell from the Hound Of The Undergrounds eyes, as he tried to work out what to believe. 

What if all these years you’d been alive? 

Why were you in Piltover? 

Why hadn’t you come back to him? 

Did you blame him for what happened on the bridge….did you blame him for the deaths so many people had succumbed to…? 

Is that why you never came home?

So many thoughts were running through his mind; but even if his mind hadn’t settled on a decision, his heart had; he needed to find out the truth. 

And he would; just as soon as he’d smoothed everything out with Greyson about today's incident.

Taglist:

@xacatalepsyx @the-lone-librarian @conretewings @barbersjoy @eternallyvenus @trixiex2 @newlosadventures @eternalgoddessofart @cass-brightwood @fortune-fool02 @arielpanda1 @mothratic @simping-ella @stickyrice5096 @levis-butterfingers @lesbianinyourarea @nagislemontea @dazecrea

I apologise in advance to those who have asked to be on the taglist and aren’t - I’m not ignoring you, I just can’t tag you in it for some reason :(

[alpaca-clouds]

Arcane Season 2 - How Bad Pacing Can Ruin Everything

So, Arcane season 2 ended. And I am sorry, I need to vent.

I am honestly not sure whether the rumors are true and this were originally meant to be more seasons. The Riot CEO apparently denies it, but then again, I have seen CEOs confidently go out on stages to talk about a project which they knew was cancelled at that point in time. So, sorry, but I will never ever trust a CEO. Lying is like 50% of their jobs. Being greedy is the other half. Sorry, not sorry.

I am gonna write something about disability in Arcane (overall) during the next few days, but let me just talk a bit about the pacing issues of season 2.

Spoilers for season 2 - all of it - obviously.

Believe me or not, but I know the exact issue of Arcane season 2. It is called: Too many characters. Too many plotlines. It is something that easily happens when writing an ensemble story (no matter what the format is you publish the story in - it happens in books, movies, shows, games). At times it works fine if you manage to weave the entire ensemble into the same main plot. But as soon as you wanna give everyone their own little storyarc with a bit of their own themes, it often goes haywire. Either you will end up dropping some characters to the side and not properly finish up their story, or you will end up rushing everything. Neither is gonna be good.

Here I am mainly thinking... Was the entire Black Rose/LaBlanc stuff planned to be there from the beginning? Was it put in later? I mean, given that the entire story felt like it might set up Mel as a Champion for LoL... How do I put it? Mel was too overdesigned in the show, to not be a future Champion. That was my feeling from the beginning. I don't know if they gonna make her a Champion, but man, it feels like it.

But no, the main issue really is the pacing. There is just too much stuff happening.

I will remain, that the thing that shows this better than anything was the second "arc" of season 2. Episode 4-6. And the general way the entire Caitlyn, Vi, Jinx thing plays out. We have the following things happen in the first six episodes of season 2:

Cait's mother dies

Cait swears revenge and asks Vi to assist her as an enforcer

Vi does not want to. Ends up getting drunk.

Vi decides to do it anyway.

They do a bit of chemical warfare for good measures.

They go down there. Fight Jinx. Vi cannot do it - partly because Isha.

Cait breaks up with Vi and becomes the evil fascist dictator

Vi becomes an alcohol addict.

Except, never mind, Caitlin is already feeling shitty about it next episode.

Jinx gets Vi and Magic Pixie Dreamgirls her out of her new-found addiction.

Jinx and Vi are good again. They go help Vander.

Cait meets Vi for the first time since the break up. They instantly are back on the same page.

Like, there is so many plothooks in this storyline alone that do go completely unexplored.

There are two characters here, that do play a role in the last three episodes too and that felt like they were some proper characters at some point. Those two are Maddie - the Scottish-dialect enforcer girl - and... Frankly, I do not feel like looking up the name. The big burly one, who after the break-up takes care of Vi.

Those two feel like they were at some point meant to be more real characters. But because of the pacing, they are barely ideas. Maddie starts making out with Caitlyn because...? I don't know. Because I literally do not know anything about this character but "she is an enforcer", "she is queer", "she is attracted to power(?)", and thats it.

And the other guy goes with Vi because... Uhm... I don't know. I know literally nothing about this chaaracter other than that he is big and an enforcer. *shrugs*

It most certainly feels like there was some planned version of this show, in which Cait and Vi both had a proper corruption arc. In which we really saw the two of them struggle. In which we actually saw Piltover and Zaun under the control of Commander Caitlyn and Noxus, and saw the horrible things they were doing and what it was doing with Caitlyn. In which we also saw Vi struggling with addiction and stuff.

But that was not the version we got in the end. Instead in this version... things go magically well.

Hooray?

Same with Jinx. Her mental health issues just magically get better when Isha is there, because that is what the story needs to happen now.

Here, too, it also feels like huge chunks of the story are missing. It feels like there was a story going more into the relationship of Sevika and Jinx for a bit. But if that story had been there once, it was most certainly no longer there. It was hinted at, yeah, but that's it.

And then there is the entire magic plot.

Look, I think among the fans of the LoL Lore I am not the first one to say: "Yeah, trying to marry the worldbuilding of Arcane to the established Runeterra worldbuilding does not work, because of the magic." Runeterra so far was always a fairly high magic world - at least that was implied by comics and short stories. Magic was a common thing in this world. Otherwise we could not have that many magic champions and a whole place whose entire thing it had been: "We are anti-magic Nazis building mage concentration camps!"

When Riot said, that Arcane was now the main canon, A LOT of fans of the lore were like: "You get that it is not gonna work." And yeah, Arcane Season 2 clearly shows how it doesn't work.

Because the way they put in the entire "Mel is magic, also the Black Rose is a thing" stuff just... It did not fit in the entire plot around it. Because Arcane had been designed as a world where magic was very rare and strange. But now Mel had to be magic and somehow had to be connected to the Black Rose.

Also... What the fuck even happened there in the end? Why put that in? Why make Mel go against LaBlanc? I am sorry, but that was simply too much for this plot. The entire Black Rose stuff stuck out of this plot like - pardon the pun - a thorn.

Generally there are several relationships that feel, like they had at one point been a whole more explored, but then got dropped to the wayside.

As I said, Sevika and Jinx are definitely an example. Ekko and Heimerdinger as well. I also feel like what was episode 7 of the show was probably originally more than one episodes and slower paced - though it still to me was the one episode in this, that kinda worked in of itself. And that the Ekko and Jinx relationship was better established.

I also feel that Viktor and that echo of Skye was probably at some point supposed to actually have talks. Like: "I will miss talking to you." - "No, you won't." Okay? THEN SHOW ME THEM TALKING PLEASE?!

Which kinda brings me down to the main thing that happened because of the pacing issue. Season 2 of Arcane knew only two extremes in terms of "Show, don't tell". Either it goes full "music video" in whcih indeed it just shows us shit without context or dialogue - or we get the information just via dialogue, in a complete tell.

This also shows in the last episode, with the entire thing of Piltover asking the Zaunites for help, after brutally surpressing them forever. Yeah, I see where they were going with this. About being the bigger people and planting seeds and what not. But frankly, there might have been a time and space for a story like that, if properly told (you know, with giving more of the Zaunites a voice in this story, showing more of the conflict and spacing this plot out over several episodes). But a) it was not properly told, and b) a world in which several genocides happen while Trump somehow won a second term is not that world. Yes, b) is not the fault of anyone working on Arcane. That was simply bad luck on their part. But a) is very much their fault - and even if we did not have a Palestinian Genocide and no second Trump term: Without a) being done properly, it would not have worked. It would have just not felt quite as miserable.

You know, the most frustrating thing about this was, that... While I think that one way or another I would still have hated how the show handles the topic of disability (again, I will write about this during the next few days), I generally might have liked the same plot, if it had been given the needed space to breathe.

Like... Sure, I would have never really been on board with "fascist Caitlyn", or rather with "fascist Caitlyn, who gets then forgiven by everyone". But I could have somewhat swallowed it, if that forgiveness had to be earned. But because of the breakneck speed of this show, it never got earned. I am not even talking about redemption arcs here - those are always a headache - but specifically about the fact that Caitlyn gets instantly forgiven by everyone.

Also, lol. The entire thing with Ekko convincing Jinx to come along off-screen. That was unelegant.

Heck, it feels in the first four episodes, as if there was an arc being set up for Sevika in general. And it feels like that arc needed to happen, given that Sevika ends up on the COUNCIL OF PILTOVER in the epilogue. However, that Arc just does not happen. Then, like... why set it up?

That is general the issue. There is a lot of set-up and very, very little payoff to any of it.

And here is the thing. I have heard people argue about whether or not this was meant to have more seasons. But frankly: I do not think that the writers who wrote season 1 would have written this story this way had they known it would be two seasons.

Mind you, compared to some people I would not rate the writing in season 1 higher than maybe 6 or 7 of 10. It was solid, but not overwhelmingly great. But season 2 in comparison is a 2 of 10, maybe a 3 of 10, if I am being gracious.

And frankly, I do not think any writer, who is in any way worth their salt, would write a story where a main character goes evil, and then do exactly nothing with it. I mean, sorry, us writers, we are a dramatic bunch. And we will not resist the drama being served on a silver platter unless we are forced too. I cannot imagine a single writer, who will go with the end of episode 3 and then not write a bunch of angst with Caitlyn and Vi - unless they were forbidden.

And mind you, CaitVi is by far the ship I am least invested in. But it is simply such a glaring example of where the plot is rushed in a way that it hinders the character arcs.

Oh, and also... Lest. Lest in the first six episodes clearly felt like a character, who was going to play a role. Only to then disappear to not be seen again during the finale. What happened to Lest? Is she dead? Is she alive? I guess we'll never know.

*sighs* I am sorry. I really am. I am just... very disappointed. This has been a mess. And I think it would not have needed to be.

Like, the animation is still the most pretty thing ever made in the world. But man... The plot? The plot sucks balls. And not in the sexy way.

[greatwyrmgold]

Obviously, the power (and even whether this gets bad enough to cause a trigger event) depends on a lot of details that your friend didn't tell us. But that just means we can fill in the blanks in a way that makes the story/powers work better.

My versions are below the cut.

Alex is the stubborn guy, Bob is the rich guy.

Version 1: The Involuntary Hermit

This version paints Bob as a bit of a capitalist supervillain...I mean, more than "deliberately depriving Alex of sunlight to drive him insane" implies.

Construction has already started, and they're laying foundations for a building that will obviously intersect with Alex's property. Every afternoon, when Alex is driving home from work, Bob's construction vehicles and supplies are in the road—not enough to actually block the road, just enough to make it inconvenient to return. There's a crane with a wrecking ball attached, parked in the lot next to Alex's, waiting.

Alex has complained to the police and City Hall and every other authority he can think about, but they say nothing Bob did is technically illegal. He considered suing Bob, but he can't afford the lawyer. He even contacted the news media, but no one with a significant audience wanted to run the story, not with how much hype there was around his new development.

Obviously, there's a Shaker element to this power, but the long-term and institutional aspects make me think Architect Tinker, specifically the terraform subtype. Alex can build megaprojects which reshape the landscape, both as an intentional design decision and an unavoidable side effect.

I've tried to narrow it down from there, but that's already got the Parahuman Knife-Twist. Alex got powers because he wanted to keep his home, but using those powers would destroy his home. (It's not like he has access to an off-site laboratory.)

I guess it needs to be something that Alex could build in his basement, but which can still have that kind of earthshaking effect. Maybe something seismic, Tecton on a larger scale? He can disrupt Bob's construction, wreck his scaffolding, topple his vehicles, but in the process he also damages his own house. And if he wants to use his powers to their fullest extent, he needs to go farther, destroying the entire neighborhood, replacing the house he knows and loves with a bunch of caves and maybe an earthy keep.

Version 2: Bound by Duty

In this version, Alex would have left long before the darkness-wall if it was just him. But it's not Alex's house, it's the house of Alex's aging relative(s); maybe grandparents, maybe parents, depends on how old Alex is. This Alex has to take care of his relatives, because no one else will. And they don't want to leave this house, come hell or high water.

Alex feels trapped, partly by his sense of filial duty, partly by the literal wall being built around the house said duty traps him in. So this feels like a Mover trigger.

Looking at the MOVERS document, I see elements of Takeoff (close relationship to the source of tension), maybe Hurdle (harassment), and Gate (long-term, but not long-term enough for a tinker power, because I don't want to write up a bunch of tinker powers). In reverse order, that's creating something that grants movement (like a launchpad or gate); a power that lets Alex "run, leap, climb and/or bound"; and an effect produced on departure.

There are a lot of ways to mix those ideas; imagine a power that could make boost pads like in racing games, or bounce pads like in platforming games, or...something not from video games. So let's look for the Parahuman Knife-Twist and build a power around that.

Alex is torn between his desire to help his family and the desire to leave. In theory there's a way to compromise those desires; living in a house surrounded by walls and whatever else Bob is building can't be good for them, right? So selling the house and moving somewhere else would be good for them, right? That's just not what they want. So a power that lets Alex move others (whether they want to be moved or not) seems like a good first step.

This Alex also doesn't have any goal more specific than "get away from Bob". He has a place he wants to escape, but not a specific destination. So maybe the movement should be unpredictable; he can decide on a general direction that someone bounces, but it's not precise or consistent.

So I was hanging out with a friend from the west coast today, and he mentioned an anecdote about some rich guy who was trying to buy up all the homes in a neighborhood, but there was this one guy who wouldn't sell no matter what, so the rich guy built giant walls on the edges of all the surrounding properties to try and drive the holdout insane from sunlight deprivation. I told my friend that this sounded like the kind of thing that would make for a fantastic trigger event. I told him I was going to turn this over to the wormblr brain trust to see what all of you would come up with

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[yelenasdiary]

hi! i have a nat x fem!reader non smut request cuz i see they’re open! i female reader x nat (preferably platonic but either works). the averages break up. they are done. Officially. nat and r were friends on the avengers and worked together a lot. when the avengers broke up, everyone tried to move on or settle down. nat doesn't. nat, missing the action, reverts back to her time as a for-hire assassin. With the connections from her time as an assassin pre-SHIELD she builds a name for herself. She becomes the most feared assassin yet again and a ruthless criminal. no one can stop her and she’s very dangerous. Finally, reader, working for the govt now, and faces Nat for the first time in years… as enemies with r trying to take Nat down. But does Nat really hurt her? She has the ability to with her skill and network of assassins. But something tells me she still has a soft spot for reader in her cold heart. ANYWAYS so sorry this is long and kinda specific; but thank you so much! Love all your writing! You’ve written my requests before and LOVEDDD what u did w them

Long Time, No See

Pairing: Natasha Romanoff x Fem! Reader (Platonic)

Summary: Your new mission? Track down the famous Black Widow. 

Angst

Warnings: Mentions of guns, weapons & murder | 1.2K

AC: Thank you for sending this!! I loved the idea a lot, even better I got to keep it platonic as well! I hope you enjoy! x 

The Avengers Tower stood tall and dark, a reminder of a time when hope thrived. Now, however, it was a husk of memories, its former occupants scattered to follow their own paths.

You leaned against the brick wall of a narrow alley, a file folder clutched tightly in your hands. Your current assignment was a highly confidential one: to track down the infamous Black Widow, Natasha Romanoff. The former Black Widow, once an Avenger, was now rumored to be at the head of an underground organization that traded in fear and murder.

Old memories flooded your mind as you recalled the countless missions you and Natasha had shared. You wondered how her file got so dark, countless cases building against the former superhero making you wish you had tried harder to keep in contact with her. You saw the signs of her slipping away but hoped she’d come to you when she was desperate. She was a fierce partner, her skills nearly unmatched, she could slip into a building without being detected better than anybody.

Your heart ached for her, wondering how she must have felt when things didn’t work out. She was never truly one to talk about her feelings. She had her softer moments, but you never truly felt confident to say you knew her well enough to know what she was thinking about. As you read through her file, nothing seemed to make much sense to you. She was living a life she fought so hard to leave behind, ultimately ruining the good name she had built for the Black Widow.

The hunt led you to a deserted warehouse on the outskirts of the city, one you suspected Nat was owned. The atmosphere felt charged with tension as you entered, your instincts on high alert, your gun pointed directly in front of you with your flashlight attached. You knew better than to bring back up and it took a lot of convincing to your boss to let you do this on your own, of course you had to allow them to know your location at all times while working this case but you were sure if you were to come face-to-face with Natasha again, you could talk her down. 

“Long time, no see” you heard a familiar voice come out of the darkness. 

You turned sharply in the direction of the voice, your gaze landing on Natasha, who was in all black tactical gear that complimented her athletic build. “Natasha” you said softly as she stepped more into the light.  

“Still playing the hero, I see.” She grinned, her presence dangerous. “Did you come to save me?” She sarcastically asked. 

“Is that what you need? A saviour?” You shot back, keeping your gun pointed at her. She took a few more steps before coming to a complete stop, not breaking the burning eye contact you could feel from her, even with the flashlight pointed directly at her.  “You know I can’t let you keep doing this, Nat. This isn’t who you are” you added. 

Her grin turned to a smirk, “is that what you think this is? Good versus evil? That you could come here and remind me of the good old times?” She chuckled coldly, “This is who I am, who I was always meant to be” she added. 

You shook your heard lightly at her, “No, this is the Black Widow, not Natasha Romanoff who fought so hard to not let her past define her. The woman who gave so many young girls hope that they could be just like you”

Natasha chuckled once more, “you always thought you had me figured out, didn’t you? What if I told you that all of that super-hero crap was for nothing in the end? Look at it all now! Where is Steve huh? Or Tony? Nick? Thor? Has anybody bothered to even check on Wanda?” She asked, “oh wait, you and your little friends are trying to save that little town now, aren’t you?” She added, taking a step to the right. “You can stand there with your little government issued weapons and tell me how much of a bad little spider I’ve been, or you can end it all right now” 

“I don’t want to hurt you, Natasha” you replied, keeping your finger away from the trigger. Your comment making Natasha laugh, “Open your eyes Y/n! Don’t you see? I’m doing your job, just better. Look at the people I’ve killed, eventually they would be on your radar, I’m just 10 steps ahead of you and your team” the redhead explained. 

“You can’t just go around murdering people, Natasha, you know this! There is a system for a reason” you argued. 

“What? The Justice system? Or the S.H.I.E.L.D system? The same people who let the Avengers fall!” Natasha snapped, her voice firm. Her simple comment made you realize what all this was truly about for her. It wasn’t about cleaning the table for your future cases, it was about what she missed. 

“You know we had no choice” you said softly, lowering your gun, showing her you weren’t here to hurt her. 

“I don’t think that’s right. I think we did, and I think everybody else just wanted to give up. We had a good thing going! There were things we could’ve changed but we weren’t given a chance. The world needed us, they wanted us and one day they were against us. We made the world safe while the government sat back and bitched about how much damage was caused instead of thanking us for saving their lives!” She explained, raising her voice. 

“And now look at you” she added, “you’re working for the same people who put me in this position” 

You watched as she wandered around you in a circle, she wasn’t wrong, and you hated that the fall of the Avengers had this effect on your friend. “Let me help you, Natasha. I won’t give up on you” you said softly, stopping her in her tracks. “You think putting me in a prison cell is going to help me? I thought you knew me better than that” she spat. 

“No, I don’t think it’ll help you. But I know that deep down you know this isn’t you. I know you don’t want to do all these horrible things. Remember all those nights we stayed up talking about what we wanted for our future? Do you remember the life you wanted? I want to help you get to that because the Natasha Romanoff I know, isn’t this dark and dangerous person” 

Natasha’s eyes dropped as she sighed heavily, “it’s too late for me” 

“It’s never too late, I can help you. You just have to let me” You said before the rushing sound of other figures coming to Natasha’s aid. She looked up at you once more. “It’s been nice seeing you, really. I wondered just how different you were now since I found out who you were working for. Next, we meet, I won’t make it this easy, so you better ready for a fight” she smirked before turning on her heels and walking back into the darkness with her fellow assassins, leaving you behind as you watched her go, the darkness swallowing her figure as the echoes of her boots faded into silence.

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[hayateart]

'Labyrinth' inspired Moshang&Bingqiu AU idea

So, while driving home from work I had this thought that SY would absolutely swore off Airplane to the Goblin King and then regret it immediately. And here we are.

In this AU Airplane is a fairly successful author of multiple most clichéd online novels you can imagine. Since they are fairly well written and full of fan service, he managed to secure a faithful audience. He's not especially famous but he earns enough to pay the bills.

Shen Yuan again is one of his readers. He finds the characters very compelling and though he hates the clichés, he can admit Airplane has a talent to combine them in an interesring, even if predictable, way. He will never admit to liking the fanservice and copious papapa under the threat of torture.

In this AU they know each other irl. SY still pays to read Airplane's novels because 'they are not friends and he will not accept them for free'. Airplane is happy with that because SY should 'obviously pay for his hard work, it is a sign of appreciation.' They both know that if SY only asked, Airplane would let him read everything, even the drafts for free.

The newest novel that Airplane writes is the Labyrinth rip off with the demon Ice King, Mobei Jun, who kidnaps a princess after she is rejected by her own father. MBJ imprisons her in his castle in the middle the labyrinth full of monsters, and traps, and riddles. A valiant, dashing hero sets to her rescue. On his way he is joined by a young fellow with a heart of gold. They soon become blood brothers, and while the novel is not yet finished it is clear they will rescue the princess.

'And let me guess,' Shen Yuan says, 'the young fellow turns out to be the real heir to the throne in the Labyrinth castle.' He keans it as a joke. Airplane's face clearly says it is exactly so.

Which prompts SY to reject Airplane and angrily disown him the same way the princess' father did in the story. Cue MBJ stepping through a portal and tossing Airplane back to his castle.

SY:

Of course, he needs to go and rescue his stupid not-friend. The police will never believe him he did not kill the idiot out of frustration!

Fortunately, the portal that leads to the Labyrinth in Airplane's novel was inspired by two twisted trees that grew with joined branches in the park they both like to visit. SY recites the incantation and the portal impossibly works! He is in the Labyrinth!

SY meets Luo Binghe, the young fellow/true heir to the throne and hopes he will help him save Airplane.

Here's the catch. The world was created from Airplane's story and follows the rules the story does. And that means both Airplane and SY must follow them as well if they want the story to progress and save the princess. As hopefully informed by their new systems.

SY needs to play the part of the hero. He is cool, collected and should not be gushing over interesting monsters and intricate riddles.

Airplane is the princess, damsel in distress. And he is distressed, alright! He has been kidnapped, hit and locked in an inescapable labyrinth. He cries a lot and is scared shitless. But also pretty horny cuz, you know, MBJ. That man is walking perfection.

Airplane can't help it. He is also pretty annoyed because while all his ideas about the castle and the labyrinth sounded good on paper in practice they simply... aren't? S0 he makes adjustments. In real time, without realising it he orders both the staff and MBJ around to make everything better.

Back to the systems - there is no punishment if our boys don't comply and play their roles, but the 'plot' systems require simply does not progress. What does change is the environment and the characters they interact with - especially MBJ and LBH. They are developing more and more, the more time they spend with their humans. Instead of being cookie cut villain and hero, they become complex, emotional, unpredictable, and by the time SY finally reaches the castle, undeniably real people.

Both Airplane and SY know that the moment SY 'rescues' the princess and LBH takes over the throne, the story will end. That's what the sytem says. And when the story ends, characters and their entire world will have no reason to exist any more. They can't allow this to happen to people they grew to care for and even love!

So, there is no rescuing, they decide. Whatever created this world clearly likes Airplane's story telling enough to have them to role play it. They can make new plays if it means they can stay with their partners. And so, Airplane marries MBJ and they both rule the Labyrinth together while SY and LBH play the role of heroes and try to stop them. Sometimes they lose. Sometimes they win but get overthrown again. Sometimes, they win and become the villains themselves, and ot is MBJ, and his husband that need to defeat the evil. Sometimes they have a beach episode.

The possibilities are endless and Airplane has planty of stories to tell. Maybe not all clichés are bad after all.

[tigersharktheautisticseawing]

okay, so add-on Autistic Ford theory, I've always had it brewing in me somewhere (not sure if it's canon, fanfic or mine) the Ford has the "either you're a genius or a freak who doesn't deserve to exist" and that Stanley has the parallel "If you don't do everything I tell you you don't deserve to exist and nobody wants you", but this just ADDS to that!!! Also with the autism I mentioned, I genuinely think he likes the idea of knowing how things work, of learning and stuff, but he doesn't want to discover. He wants to learn. He doesn't want to do research on Gravity Falls and it's weirdness, he wants a book called "1001 facts about Gravity Falls and it's weirdness", which he can read in like two weeks and then spout the information back at anyone who will and won't listen. He doesn't want to do the complicated scientific method proof and stuff, he wants to understand why stuff is like that, best if someone else already did the heavy lifting and he can just gleefully agree with them. Maybe he even completed like 1 or 2 PHD's, like a physics one or like biology or chemistry or something that needs you to understand to proceed (and also lets you fuck around with stuff), but the 12 PHD's thing is bullshit. Actually, I think he actually tried, burnt out, dropped like 9 subjects and then tried to make ends meet until he's done with this shit. (also if he's OOC I may be projecting onto him accidentally, if so please cornobble me immediately). And the idea that they're both exactly as smart as each other, but maybe Stanley got idk like adhd too or smth or a different special interest or sum shit and he was worse off academically (aka worse grades), but better at picking up shit on the fly (aka rebuilding the portal basicallyon his own for all we know, using only the aformentioned rambly diaries journals, meanwhile Ford got the other end of the stick

Idk man I was expecting to be angry and completely disagree with you, but came out enlightened. OP you're really forcing my third eye open with a crowbar and I'm here for it.

Also why in the everloving fuck did you have to call me out like that in the gifted kid w/ burnout section

I have a Gravity Falls Theory I've been meaning to write down for a WHILE so here goes:

Stanford Pines is no genius and I'm gonna pick apart every single one of "Ford's" scientific inventions/accomplishments to prove it.

Grab a beverage, this is gonna be a long one

[Gravity Falls spoilers, a little bit of The Book of Bill]

Contents:

Ford's "Grand Unified Theory of Weirdness"

Codes and Secrets

Inventions

Ford's Tragic Backstory

McGucket

Why Would He Do This??

After Weirdmageddon

TLDR

1. Ford's "Grand Unified Theory of Weirdness"

I can support most of my claims with the help of Journal 3. Unless Ford had actual, scientific research papers, this is the only research we have from him and it's... not scientific in the slightest. Ford treats his "research notes" like a personal diary. I get that they had to design the Journal to be entertaining to kids, but from a scientific lense (which is what he wants to be perceived through), most of Ford's discoveries are very surface level and sometimes (especially later on) border on paranoid conspiracy theorist rambling.

His Grand Unified Theory of Weirdness is the reason he came to Gravity Falls in the first place. His goal is clear:

but, on the very next page, the ramblings start.

It gets worse once he finds the invisible ink.

"The pyramids were built to appease Bill!" sure, buddy.

(And yes, Bill confirms most of these ramblings about his history in The Book of Bill, but a) he too could be lying about this and b) I don't think he had a nice chat with Ford about who he tricked and tormented to build his portal. It wouldn't really fit into the timeline.)

The one bit of "science" I found him doing was his experimentation with the Bottomless Pit. He threw objects in the hole and only saw some stuff coming back while other stuff went missing. Ford hypothesizes it might be a "Möbius Pit" and even spends enough time experimenting on it that he found out "nothing ever seems to get lost on Friday the Thirteenth". Credit where credit is due.

Anyway, he's documenting all kinds of fantastical creatures in the Journal - adding his whimsical commentary and making random assumptions about stuff without any scientific basis. As he admits himself later on, this is getting him nowhere to actually start his Grand Unified Theory of Weirdness, let alone finish it. It's been SIX YEARS.

BUDDY WHAT ARE YOU DOING.

It took a spark of "divine intervention" to even start doing any meaningful research and it was just Bill telling him "hey there's a weirdness dimension btw".

Ford even admits that he didn't come up with it himself. The next pages are the first actually scientific looking ones so far, but more on that in the Inventions section.

He doesn't really advance on his Weirdness Theory for a while (see McGucket chapter for more), but later in the Journal, Ford has a little adventure with Dipper, talking about "The True Theory of Weirdness". He drops a "weird" jelly bean on the floor and watches it roll uphill towards Gravity Falls. He then states that Gravity Falls is a "Weirdness Magnet" and every oddity is eventually drawn to this place. Which is not a theory scientifically speaking, more like an unproven hypothesis. He didn't develop a model to, let's say, predict which oddity will find its way to Gravity Falls next or when it will happen.

"I explained that I felt in my bones that my arrival at this town, and perhaps Dipper's, too, was not an accident. That we were part of some greater fate the town had in store for us." Very scientific.

2. Codes and Secrets

The Journal has several hidden messages from a good handful of characters, some more encoded than others.

We all know about the Map leading to the secrets of Nathaniel Northwest's fraud from the show. Ford found it somewhere in the library.

It just needed to be folded. Layton ass puzzle. A 12 year old figured it out. Ford couldn't do it. Even Mabel is poking fun of him.

Now on to the ciphers.

One of them is a letter from Blendin, encrypted with the Vigenère cipher. To this, Stanford "aced cryptology" Pines says the following:

He was given the key and still couldn't make sense of it. Of course a cool puzzle for people reading the Journal, but not really helping Ford with upholding his image of being an undeniable genius.

Ford himself mainly uses the Atbash and Caesar ciphers, both being a) literally thousands of years old, b) incredibly simple and c) not his own invention.

Bill uses two symbol substition ciphers.

Now I don't know about you, but if a divine being chose me as the genius of the century to inspire me and said being left tiny hidden messages in my diary, I would stop at nothing to try and decipher what they're trying to tell me. For some reason, Ford did not do this. The first message Bill leaves says "I'VE BEEN INSIDE YOUR MIND SIXER, I KNOW YOUR SECRETS". He could have seen all of this coming wayyy earlier (or just had yet another red flag to ignore).

Anyway, I accidentally solved the code before finishing the Journal just to discover that Bill is literally handing him the solution on a silver platter towards the end.

Girl, what do you mean "???" ??

Now, I know Ford at this point is incredibly sleep deprived, paranoid and traumatized. But come on. If I can solve it 6 coffees in while dissociating, our genius can find the solution to Bill's alphabet using the A1Z26 cipher that he put in the journal himself. Plus, as mentioned, he could have deciphered his alphabet way before The Betrayal when his mind was still sound.

So again, not a good look for Ford in the whole genius department.

3. Inventions

Now let's take a look a the inventions which are most commonly associated with Stanford:

The Portal

The Bunker

The Magnet Gun

The Quantum Destabilizer

The Perpetual Motion Machine

The Portal is not one of Ford's inventions, that much is pretty clear. He "comes up with the idea" after Bill told him about some kind of "weirdness dimension".

Now maybe Ford built the portal. Or McGucket built it (which I find more likely due to his tendency to build large scale metal structures) and Ford helped him. We can't really say for sure.

What we CAN say for sure is that McGucket left the day before the big test, which means the portal was basically finished at that point. So if there was still any work left to be done, it would have been minimal and "even Stanley" could figure it out without help, so Ford probably could have, too.

The Bunker. Designed and built by McGucket (and possibly the lumberjacks before zapping them with the Memory Gun), including the death trap of a security system.

Notice the wording. McGucket insisted he could do it on HIS own. But then went out of his way to ask the lumberjacks and not Ford to help excavate the whole thing.

Why? Why not include Ford? Maybe because McGucket could tell Ford was overworked. Maybe because he thought even with Ford's help, they wouldn't have been able to do it in a timely manner and he didn't want to memory zap more people than neccessary, I'm not sure.

Anyway, the Bunker consists of the Bunker itself, a Security Room, an Observation Room and a Storage Room. On top of that, a Temperature Control Apparatus, a Cooling System and a Cryogenic Tube.

Again with the phrasing. "HIS skill for construction". "telephone HE built". "my assistant really topped HIMSELF with the security precautions". "once F starts inventing, HE can't stop".

A man like Ford wouldn't pass up on an opportunity to tell the world about his own accomplishments, yet they are strangely missing in these pages. However, the sketches documenting McGucket's work have become more technical than they've ever been. They even have small annotations that seem as if Ford asked McGucket what he was currently building.

"F has explained" implies McGucket was once again doing this on his own. Why else would he need to explain anything to Ford if they were doing this together? Plus, again, surely Ford would have mentioned something, anything, if he had participated in any way.

The things he DID mention is that he found a mole man skeleton and "Shifty", the shapeshifting creature. And he saved McGucket once Shifty broke out of their cage (Remember this for later, it'll come in handy). And he conducts tests on Shifty (remember this as well).

On to the Magnet Gun.

Again, passive form. If Ford had modified the gun himself, he would have told us. Chances are it was once again McGucket. Or it was just taken from Crash Site Omega as Ford says in the show that he and McGucket came down there often to loot the UFO for tech.

Lastly: The Quantum Destabilizer.

He actually admits he worked on it. However, he spent 30 years between dimensions. In these 30 years he couldn't find anyone (including himself) to get the Destabilizer working. The Other McGucket, however, was able to do it in less than a week.

Ford claims he was missing a suitable power source which The Other McGucket found, but there's no way of knowing if there was more to those "minor adjustments" to Ford's blaster than Ford would like to admit.

The only invention left is the Perpetual Motion Machine which I will save for the "Tragic Backstory" section.

Honorable mentions:

The Hyperdrive needed to power the portal:

While between dimensions, he was given a Dimensional Translator. Also not his own invention.

"F's mechanical know-how" vs. "my keen intuition." implying Ford merely found the Hyperdrive, but McGucket extracted it safely.

So the Hyperdrive was looted from Crash Site Omega. Plus, McGucket was the one to realize it was even needed in the first place.

The metal plate in his head? Not his invention. Not even his idea. The Oracle did that for him.

The Book of Bill has another example that Ford can't invent for shit: He found the blueprint of Abigale Blackwing's Anti-Bill-Suit in the library (once again, not even his own invention) and drafted a more modern blueprint. And either he completely failed to build it or it didn't work because we never hear from it again. Instead, he installs a retina scanner to keep Bill out of the lab. Which he (probably) ALSO didn't build himself.

In summary:

Portal: blueprint by Bill, (probably) built by McGucket.

Bunker: designed and built by McGucket (probably with the help of the lumberjacks).

Magnet Gun: likely looted from Crash Site Omega.

Quantum Destabilizer: a mess before McGucket fixed it overnight

Perpetual Motion Machine: see below.

Dimensional Translator: Not Ford's invention.

Metal Plate: thought of and installed by The Oracle.

Anti-Bill-Suit: invented by Abigale Blackwing.

4. Ford's Tragic Backstory

In fact, he mostly doesn't even say that he did any of this. He openly admits whenever he took something or McGucket built stuff, and barely calls any of the inventions his own. We just assumed that he can (on account of him being a genius), so we assumed he did.

would only make sense if he ACTUALLY couldn't get the Perpetual Motion Machine to work. We already know Ford is an unreliable narrator and I'm probably not the first one to point out that it doesn't make sense that Stan supposedly cost Ford his entire scholarship by breaking his Perpetual Motion Machine (accident or not).

Think about it from a college's point of view: You hear about a young man who apparently built a machine that violates the laws of thermodynamics. You don't just pass up on something like that just because it didn't work the ONE TIME you came to visit. That would be an exceedingly stupid thing to do. I think they would have given him that scholarship if he even got close to achieving such a feat.

Does he even have 12 PHDs as he keeps claiming? In what? For what reason? Wouldn't he get a scholarship for his dream school at some point given his seemingly endless potential? It all seems like overcompensation to me. Reminds me of Tommy Tallarico and his ever-increasing number of Guinness World Records.

Now let's briefly assume Ford IS a genius whose invention got sabotaged. Ford could have easily fixed it and asked for a second appointment with the judges. This did not happen. And even if he didn't get into his dream school, he could have used this perpetual motion machine for the good of humanity. He didn't do that. If the Machine had ever worked, it would have made international news. It didn't. He would have been world famous. He isn't.

What does that tell us?

However, there is a reason Ford is like this. It is connected to his tragic backstory, but I will include this in the final chapter for narrative reasons.

Also note how even in A Better World, he did not go do his dream college. The science center was built around the Shack that he went to later in life:

And even there, he only manages to make a name of himself with McGucket's cooperation. We already established he couldn't build the portal on his own. My guess that McGucket once again did the heavy lifting and didn't mind Ford taking the credit (as you will see in the McGucket chapter).

5. McGucket

At this point we've already gone over how McGucket built (probably) most of the Portal, the Bunker and everything in it, and got the Quantum Stabilizer to work. We also know that in his free time, he loves to tinker. He canonically built a laptop (with extra keys for Fords fingers), a cellphone, the Memory Gun, several killer robots, the Shack-O-Tron and started an entire ass cult along the way.

And that's just what I picked up on from skimming the Journal.

I think Ford was McGucket's assistant. He didn't get ANYTHING done before he called McGucket over for help. In the bunker, all he did was find a skeleton and conduct "experiments" on Shifty (by showing them pictures of creatures and documenting what happens). He led McGucket to the UFO crash site, McGucket was the one to actually extract the Hyperdrive. All of the stuff Ford does sounds more like an assistant's job to me.

We only see McGucket make stuff on screen. All this time he's welding together contraptions, piloting giant killer robots, having a blast.

We never see Ford tinkering ONCE. Still, he constantly praises McGucket for his "brilliant mind", "mechanical knowledge" and "skill in construction".

I'm also pretty sure McGucket knows that Ford isn't the genius he claims to be. Upon seeing Bill's blueprints, he immediately gets suspicious:

Why would he say this to a fellow genius?

And he's the one who recognizes something is wrong with the portal earlier than anyone else.

The day before the test, he meets Ford at the diner to warn him cause he knows something is deeply wrong - and offers him a thesis paper.

Now here is where things get interesting.

Ford gets angry. But instead of saying something like "How dare you insult my scientific integrity / intelligence", he thinks McGucket wants the Grand Unified Theory of Weirdness to himself, which obviously couldn't be further from the truth. But Ford is too insecure about his intelligence and too curious about the portal to care.

This makes me wonder if McGucket had done this before. They went to college together. What if McGucket wrote Ford's final assignment as well? What if he'd seen him have a meltdown over the introduction and whipped up a fantastic final thesis in an afternoon?

We know McGucket cares deeply for Ford, and we can tell his intentions at the diner were sincere. He doesn't really want or need any credit - meanwhile Ford is starved for it. This is probably also why he's fine being "Ford's assistant" even though he's the one putting in most of the work.

6. Why Would He Do This??

Before we talk about Ford's plans after Weirdmageddon, I have to mention that there's a good reason Ford is pretending to be a genius. This is pretty speculative territory, but I think it makes sense given what we know about the Pines family.

When you're a twin, at least in the Stan Bro's case, you're constantly being compared to one another. Once it has been established that Ford is the "smarter" of the two (true or not), their father latches onto that and soon Ford's intelligence becomes his entire identity. I think just like Stan was looked down upon and neglected for being the "stupid" twin, Ford was burdened with expectations for being the "smart" twin. "You're gonna go far, kid. You're gonna make us so much money, you're gonna get us out of this dump." An INSANE thing to burden a child with.

This goes well for a while - Ford gets straight As and is the pride of the family. His ego inflates. But then something strange happens which I'm sure many "gifted kids" can relate to - he hits a wall. At some point he can no longer brute force things with his intelligence and he has trouble keeping up with his family's expectations. His massive ego gets damaged beyond repair.

Soon, he starts questioning everything. "If I'm not the smart guy, who am I? What's left?" He's been living like this his entire life. It's way too late to turn back so he moves forward. And if intelligence can't get him there, at least he can use the smarts he does have to make sure nobody else ever finds out. It's not unlikely for him to develop this attitude and it's the same kind of mindset he brings to taking the Hyperdrive from Crash Site Omega:

In a way, this makes him a con artist like Stanley. Which, after everything that's happened between the two, must feel like such an insult to Ford that he'd rather live in denial than face reality. The reality being that he is about as intelligent as Stanley, too. This doesn't mean that Stan is dumb (he managed to get the portal to work with barely any help, after all) - just that Ford is not as intelligent as he (and everyone else) thought / expected of him. AND that Stanley isn't as dumb as everyone always told him he was.

I think while yes, Stan broke the Machine, Ford couldn't fix it. Or it was never even a Perpetual Motion Machine to begin with. Yes, Ford couldn't go to his "dream college", but was that really his dream? Or his father's? Remember when McGucket offered him the Weirdness Thesis on a silver platter, saying with this he can finally "get his life back", and Ford still refused it? Maybe he didn't want his old life back. Because his old life SUCKED without Stanley in it.

7. After Weirdmageddon

Now that we established what Ford's dad wanted him to be, let's explore what Ford actually likes doing.

Obviously journaling and sketching what he sees, but what else?

Ford loves exploring. He goes on hikes, climbs mountains, visits caves, goes ham on Crash Site Omega. In the Bunker he looks around and discovers a mole man skeleton and Shifty while McGucket did the inventing/building.

He's also great at action hero stuff. He saves McGucket from the Gremloblin, and later from Shifty, he's jumping around the UFO with a magnet gun as if it's the only thing he's ever done, and saving Dipper from the security system, just to name a few.

He even says this in the episode: "I need to train an apprentice to help me fight monsters, solve mysteries, and protect this town." This doesn't really sound like science stuff to me.

So yeah I think Ford lied about being a genius to compensate for his (self perceived) lack of other qualities, he lied about his 12 PHDs, his scientific accomplishments, maybe even some inventions. He sucks at decoding things despite claiming to have "aced cryptology". Instead, he spends most of his time exploring, fighting monsters, stealing shit and getting in all kinds of dangerous situations. Truth is, he is much more similar to Stan than he'd like anyone to find out.

He also doesn't even WANT to do science. He likes the idea of science, like in Sci Fi movies, but not the actual labor that comes with it. Ford has been travelling between dimensions for 30 years. He probably is the only human to ever have done that in his dimension. Surely he spent these 30 years on research? Well...

There's only a single line mentioned in the Journal about doing anything scientific and he didn't even dedicate the entire sentence to it.

He "compared notes with scholars". That's it.

But surely he has so many papers and theories he can finally publish to fulfil his initial goal to "join the ranks of Newton, Tesla, & Einstein in the pantheon of science"?

Nope. He goes treasure hunting with Stanley. Ford seems to have forgotten all about his research. And I think that's not just because he wants to make up for lost time, but also because this is what he truly wanted to do in the first place, before he was forced into the "genius" mold.

To go adventuring, to be creative, to spend time with the family that matters.

8. TLDR

Ford didn't manage to write his Grand Unified Theory of Weirdness.

His Journal is entertaining, but ultimately full of unscientific ramblings.

He didn't build the portal, bunker, magnet gun, quantum destabilizer, or any other invention I could find.

All of his accomplishments can be traced back to either Bill, the town library, or McGucket.

He didn't write his own codes, he couldn't decipher any of the codes or secrets he found, including the ones he was given a solution to.

The Journal makes it look like Ford is McGucket's assistant and not the other way round.

McGucket is amazing and needs to be protected at all costs.

The tragicness of Ford's backstory makes no sense if he actually WAS a genius.

He needed to keep up the genius act because that's what his family expected of him and now he's con-artist level good at it.

He spent 30 years between dimensions committing crimes and preparing for revenge instead of doing science.

he seems to not even LIKE doing science. he prefers exploring, drawing, and getting into dangerous situations.

Once back in his home dimension, instead of doing anything science related, he goes adventuring with his brother.

Disclaimer: I have nothing against Ford, if anything this adds to his character cause I haven't seen anyone even so much as question his status as a genius yet. I just needed to get this out of my system cause this has been brewing in my brain since JULY.

This took me 10 hours to write. Thank you so much for making it this far, this post was brought to you by Autism™

[thegreatestchange]

as soon as i finished s2 of arcane i knew i wanted to hear your takes on it. any opinions as to how they handled caitlyn’s arc, vi’s story, and the development of s2? i would love to hear anything you have to say about this season!!

also - the end of this season has me scouring Ao3 for some fics to fill the void. have you had any recent one shot or fic ideas now that the show has ended? i’ve been dying for a hurt/comfort and really soft sex type of story for cait and vi. maybe something where cait is taking care of vi after the events of 206? lord knows they could both use the comfort and vi deserves to be loved and taken care of. i know you would write that beautifully.

or if you have any recs for fics along those lines? 👀

as always, thanks for your incredible work both inside and outside of fandoms! love hearing from you! <3

Omg hiii! I appreciate that you care what I think haha!

Let me preface this by saying that the criticisms I have for the writing of s2 does not take away the love I have for this show and what it's done for animation as a medium.

Now, with that said...

S2 was a mess.

I said this on twitter, but I think the writers had a lot of ambition — too much ambition — for the amount of episodes they had to wrap this story up cohesively. This AMAZING show suffered because of corporate greed and not having enough time to flesh out character arcs and plots from s1. I think it started off promising. I was really excited to see how they would handle the Zaun/Piltover conflict, Vi's journey toward healing and forgiving herself for her past mistakes, Jinx's descent and then return as a hero, as well as Caitlyn's descent and redemption arc.

Instead we got... that.

There's one word that keeps twirling around in my head: commitment.

The writers lacked commitment (and a diverse writing room) to properly handle the Piltover/Zaun conflict. S1 had such a good starting point, whereas in S2 it's like they diverged from the path and forgot the finish line existed. Sitting Sevika at a table with her oppressors who will most likely tune her out and outvote her on everything is NOT a solution. Why not a complete overhaul of the council? Make it an even split? Instead it's the same people who never gave a fuck in the first place, and Sevika, who helped get half of the population of Zaun hooked on shimmer in the first place. Like what???

They failed to commit to Caitlyn's villain/dictator era. When episode 3 happened, I was skeptical about how they would handle it. And after watching the entire season, I had every right to feel that way. They make her so unapologetic and blasé about gassing Zaunites and letting Ambessa unlawfully arrest people. That's not my Cait from season 1. Does grief change people? Absolutely! But once it settles, you should be able to look back on what you've done and feel remorseful. Cait's lack of remorse was jarring. Her inability to apologize or outwardly own up to everything she did was OOC. You know what could've been the perfect moment for that? When Jayce gathered Piltover and Zaun in that room and she was standing right across from them. Why not have Sevika or Scar call her ass out and hold her feet to the fire? Lay out the facts of what her grief looked like to the innocent people of Zaun who had nothing to do with it? That would've been the perfect time for her to say something.

They failed to commit to Jinx and her story as a whole. At its core, this show was centered around two sisters growing up impoverished and oppressed, constantly separated, but always finding their way back to each other. Jinx is such a heartbreaking character used for trauma corn. Episode 6 fucked me up so badly but I THOUGHT it would lead to something big for her character. Like her stepping into this unwilling hero role and working with Ekko to lead Zaun into a better future like the one Ekko saw in episode 7. BUT LOL NOPE. Instead she's su*cidal and self harming while her sister is fucking the oppressor in a prison cell. DA FUCK?

And lastly they failed Vi's character in every possible way. From putting on the badge in the first place to not exploring the depth of her character. She's basically a passenger in s2. Has no agency. Used as a punching bag (literally). And treated as an afterthought. I'm so pissed. There should've been a lot of conflict in act 1 between her and Cait. You mean to tell me Vi, who HATES enforcers. would willingly let her situationship gas her people? Fuck no. Absolutely not. It does not make sense, narratively speaking. Her ending did not make me hopeful. Even if Jinx is alive and moving on from Vi to "break the cycle" that does nothing for Vi's character. She is without family once again, and I fear it would lead to an unhealthy codependent relationship with Cait. Like she'll never be able to voice opposing thoughts or feelings without fear of Cait leaving her AGAIN.

As for the Caitvi relationship. This is tough. On one hand, I was happy to see a lesbian s*x scene in animation for an awarded television show. But on a heavier hand, it rings hollow after everything I've said. Much like the Piltover/Zaun story, Caitvi had a good starting point in season 1. I did have my issues with it because, as a Black woman, seeing someone oppressed get with a cop does nothing for me. But I wanted to give them the benefit of the doubt because I believed the writers knew what they were doing. But I was wrong again. CaitVi is unfortunately one of the weakest points of S2. The writers did not COMMIT to their conflict. It's barely glossed over and then Caitlyn gets rewarded with s*x. And this is why I could never commit to them as a couple. At least not in canon. I liked them in s1 and the idea of what they could've been to each other in s2. And it looks like I'm going to have to find that elsewhere, unfortunately.

Overall, it all comes back to what I said in the beginning: lack of time, a diverse writing room, and corporate greed. I'm disappointed, but unfortunately not surprised. I hope the writers can learn from their mistakes moving forward.

As for fanfiction, I have actually not read any yet! So I don't have any recommendations for you. I need some for myself! I'll get back to you if I find any good ones.

Sorry for the lengthy post! I really just needed to get this all out and I feel so much better.

[sombredancer]

Li Lun, a villain I feel for (Pt. 2/4)

So, by the beginning of the drama LL says that he wants to kill all of ZYZ’s new friends. In fact, he just likes talking. He says: “Let’s kill ZYZ’s friends starting with Baize Goddess, like the previous time” so the viewer thinks he killed previous goddess off, but later we learn that he didn't do it. Even if he has a perfect opportunity to kill someone of ZYZ’s new friends without ruining his own schemings, he does pretty nothing to achieve it. He just stands and talks. Because he doesn’t really want to kill anyone, including ZYZ. He wants to attract ZYZ’s attention and to make ZYZ stop ghosting him.

Li Lun speaks to Big Bad in Mask while possessing a courtesan. Meanwhile, he lends Truth Eye to Ao Ying so she could see his true self.

LL joins hands with Big Bad in Mask, not knowing he was the one who tortured demons in that bloody dungeon (yeah, LL is not the smartest guy of the Universe). By doing it he tries to achieve his own goals. First, he wants to break free from his custody, and second, he wants to get attention from ZYZ, who ignores him.

In order to break his chains LL works as matchmaker for ZYZ and his girlfriend, so they could fall in love with each other and find and unite pieces of Baize token, because only if the token is intact, it can be broken and its spells can be dissipated. He is not a saint, so he kills some folks (by possessing them or just because) and tricks other demons into helping him, although he is said to value his own kind more than anything. It means he goes through break-up with ZYZ so badly, that even his principles fade into the background for his anger and pain. Or it’s just another script flaw.

Li Lun behaves himself very much as a ghosted ex-boyfriend (in fact, he is), and I understand him well. He goes through stages of acceptance: throws himself from denial (ZYZ is no better than me, why don't you treat him the way he treated me?) through anger (ZYZ, I’ll kill your friends and make you suffer!) to bargaining (Why does he find you better than me? What if you would be like me, would he still love you?).

To talk about his feelings with someone, he uses the only way to leave his dark lifeless place of imprisonment, which is possessing others. At first, this ability and an omnipotence of it looks intimidating, but later we learn that he cuts his lifespan by a half each time he does it, so his need to talk to someone is very desperate. (Later, LL says that it was his way to enjoy the world and freedom but GJM never showed us such a use of this LL's ability). ZYZ knows that destroying LL’s leaves (through which he possesses bodies) will hurt Li Lun, yet he does it anyway, and LL kinda... enjoys it bitterly. As if the fact of him being not ignored by ZYZ is more important that his wellbeing. It's miserable and pathetic, but understandable.

And anytime LL tries to get some answers for his questions, ZYZ and his friends say something like “You don’t understand a thing, I won’t bother to explain, though.” or “We have friends and ZYZ is our boyfriend, and you are a lonely loser!”. How it supposes to help LL understand his wrongs? I have no idea.

Ghosting your ex is the sure way to make him a villain.

LL breaks free from his jail and destroys a “support beam” of the “wall” around demon ghetto. An accent on “I’m destroying the wall” is strange, because I can’t understand the gain demons will have when they aren't in their ghetto anymore (and it obviously should be). Would Great Demons even the scores of victims if not only humans would catch and torture demons but demons would also catch and torture humans, or what? However, it sounds pretty fair, as long as said Baize Goddess’ and ZYZ’s protection of demons consist in only preventing them from going outside their ghetto without passport, LOL.

Although LL is free from the seal, he is still dying from the fatal wound causing by ZYZ 8 years ago. His true body is smoldering slowly, so he has got not so much time left.

For plot purposes, the main heroes need to visit LL’s birthplace to get the last cup of magic water to fix Baize token and to restore a “support beam” of ghetto’s wall. What would a normal villain do, knowing about it? Yes, he would spill it. What does LL do? He, in fact, hands it over to the main heroes. Yes, stained, but LL was a student of Mountain God, too, so he could know that there is a way to restore the pureness of magic water, and the best way to destroy the token for good is to spill this water.

During their visit LL kidnaps ZYZ’s girlfriend (it is funny that the main heroes don’t notice it for something like first five minutes 😅) and has a phycologist session with her (in which she is a psychologist). They have a superstrange conversation, something like: LL: “ZYZ supposed to be my friend but ghosted me for no obvious for me reason and I’m hurt!”. WX: “Oh, it’s because you are a loser with no friends, ZYZ did everything right!”.

Then ZYZ and his current boyfriend come and LL tries once more to tell ZYZ that he is hurt, but ZYZ has absolutely no desire to talk to him or to explain to him something and acts like they were never boyfriends and LL is his archenemy.

So, they fight and ZYZ hurts LL with Everburning Wood once more, now deliberately. LL dies, and although ZYZ has red eyes at this moment he never thinks of LL again. So, LL is right: ZYZ is a hypocrite with double standards. It is such a contrast with the stories of the main heroes and ancient dragon gods, in which killing your friend for Higher Goals is a tragedy.

But there is a plot twist ahead!

Here is Part 1 Here is Part 3 Here is Part 4

[merp-blerp]

Gaylor/Kaylor and Oz: Parallels and Theories Vol. 2 🌼🌈❇️

CW: Spoilers for L. Frank Baum's Oz book series (books 1-15). And this post is very late-stage-Kaylor-specific, so if that's not up your alley, that's chill.

Vol. 1 Here (I recommend reading Vol. 1 before this one)

Overblown Analysis Under the Cut ↓

AH! I'm so ecstatic that I get to make another one of these so quickly! I was so proud of Vol. 1 and I'm so happy there's new material to explore! Thank you very much for the reception to Vol. 1, I'm so glad people liked it. It's cool to see other people who probably didn't even see my post seemingly make the Return To Oz connections as well. It makes me feel "smart". 😅

Part 1: The Tin Woodman ❤️🌈

Let's start out with something small and old news. A theory that's new to me is the Tin Woodman's role in gaylor theories (He's very specifically called "Tin Woodman" in the books, not Tinman, so I'll call him by his book name so as to not blur the line of exactly which version of the character I'm talking about). This collage by iateallthecat2 on Twitter (from this post) brought it to my attention:

I'm not sure if there's already some in-depth theory that goes beyond this collage out there, so I'm gonna wing it from here based on my own Oz knowledge.

In the "ME!" MV, Brendon Urie's character is a suitor that Taylor rejects. They fight when inside a house and she rejects his proposal, but when he gifts her something with no general romantic meaning, a cat, they spend the rest of the MV having a good, platonically-coded time. Brendon plays someone who wants to play the role of Taylor's partner, but they seemingly work better as buds in their rainbow haven.

I have wondered if Brendon is supposed to be playing a beard who Taylor tries to take to freedom with her in this MV, but I'm admittedly slightly apprehensive about the idea. It would be kinda cool if one or more of Tay's beards also came out with her whenever she does. This plotline seems very similar to the suspected "she ghosted but kept the castle" narrative. In both Taylor rejects a proposal, except here Taylor and her beard seem more connected. It makes me wonder, if everything had gone to plan, would the narrative in 2019 have been that presumably Joe would've proposed and Taylor would have rejected it but they would've been on friendly terms. Or maybe all of that would've happened to Karlie and Josh in a way since they were married in 2018. Or maybe it would've happened to both of them. Then they would've been able to build a narrative for Kaylor as a couple that didn't involve saying "We hid this from you for this long". But that's spitballing.

Either way, Brendon is definitely someone who helps Taylor along her "story" as he infamously put himself:

Everyone knows that the Tin Woodman helps Dorothy on her journey, but he also helps out Ozma/Tip on hers in the second book and so on.

In the first book, the Tin Woodman's backstory is that he was once a human named Nick Chopper, who was engaged to a Munchkin girl named Nimmie Amee. While Nick seems to respect and love her, he also seems to only be engaged to her because he doesn't want to be lonely after the death of his parents, at least to me. But the Wicked Witch of the East curses Nick to chop off his limbs whenever he tries to chop wood. He gets these limbs replaced with tin parts until he is fully tin. But his body no longer needed a heart and therefore he felt no romantic love for Nimmie Amee, so their relationship fizzled out.

Whether he ever romanticly loved her in the first place is debatable in my opinion. I personally don't think he did, especially since long after he's gotten the realization that he had a heart, Nick never really tries to romanticly pursue Nimmie Amee again, but he does tie loose ends with her in The Tin Woodman of Oz. However, my point is that Nick seems to only want Nimmie when he thinks she can fill a void. Once he thought he was too broken for her to fix he subconsciously realized he didn't actually love her, but interpreted it as though he just "stopped" loving her.

To put it simply, I see Nick as practically going through comphet before finding true fulfillment in the things that come after he's un-rusted. My personal interpretation of Nick is that he is a gay man, unbeknownst to him, who tries to find love in a woman, but it inevitably doesn't work. He loved Nimmie because he hoped she could fix his pain. There's no way to prove Baum meant Nick to be seen this way, but queer interpretations of Nick are common in modern Oz fan circles. Somewhat like Taylor and Brendon in "ME!", Nick and Nimmie try to play the roles of a couple, but being a couple just isn't in the cards for them, so they keep things platonic.

In comparison, Nick loves the Scarecrow for the actual companionship he gives. The Tin Woodman states that he no longer needs Nimmie's love, as he has the Scarecrow's. The Tin Woodman and the Scarecrow are pretty similar to Dorothy and Ozma in terms of being queer-coded in their relationship. They live close to one another because they're sadder apart, cordially debate philosophy, rule Winkie Country together, and are often depicted comfortably in each other's physical space, among other wholesome details.

The physical representation of the Tin Woodman's heart is made of a velvet pouch and sawdust in the books, but in the '39 film Tinman's heart is a ticking clock with daisies stringed to it. Of course, daisies have a great significance to Kaylor because of the Big Sur trip. And clocks have been having a significance in Taylor's art since "The Man" and the Karma wall.

I don't necessarily think Karlie, Taylor, or Brendon are represented through the Tin Woodman, Nimmie, and the Scarecrow in Taylor's art in a literal sense. I see it as just another queer piece of the puzzle. Brendon might not literally be the Tin Woodman in Taylor's art the same way Karlie is Dorothy, but I think he at least played him during the Lover era. Brendon/Tin Woodsman helps Taylor/Ozma through her journey to where she belongs like a queer friend helping another queer friend.

Also, I'll leave this section off on this reach cutesy note:

Part 2: Ozma and the Wizard 🌺🪄

Back in Vol. 1, I suggested a theory that if Karlie Kloss was represented as Dorothy Gale in Taylor's music, then Taylor was more subtly represented as Queen/Princess Ozma. I've been seeing another theory around about Taylor being the Wizard, aka Oscar Diggs. I also really like this theory and I think it can make sense for both theories to exist simultaneously.

The Wizard is an illusionist. In the first novel, when appearing to each of Dorothy's friends individually he appears as something different to all of them. To Dorothy, he is a giant floating head, to the scarecrow he is a fairy, to the tinwoodsman he is a beast, and to the cowardly lion he is a ball of fire. He is able to change himself into anything he pleases, but he has no real magic. In order to rule over Oz unrightfully, Oscar Diggs stole Ozma away as a baby and gave her to a witch named Mombi, who transformed Ozma into a boy named Tip, disguising Ozma from everyone and herself; in the second book, Ozma is transformed back to her true form and takes her place as ruler of Oz, eventually ruling with Dorothy by her side. To make a long story short, Ozma and Dorothy eventually forgive Oscar for his crimes.

I see Oscar/the Wizard as representing Performance Taylor, while the real Taylor is Ozma. The Wizard is from Kansas in the '39 film and performance Taylor is currently associated with the Kansas City Chiefs. Performance Taylor, just like Oscar, is able to change himself when needed and isn't the unstoppable being his citizens once believed in despite never meeting him. Just like Oscar, Performance Taylor is an illusionist who appeases the citizens with theatrics to hide the truth for the time being. Performance Taylor/Oscar hides the real Taylor/Ozma away. Real Taylor/Ozma, when seen, is forced into the shape of a boy, Tip/James, Peter, the Man, etc. But soon Ozma reclaims her land and keeps the castle Oscar took, and so might the real Taylor.

If you believe Post Malone is playing a side of Taylor in the "Fortnight" MV, Taylor seems to be depicting herself as coming together with both the public and private parts of herself. Previously in MVs for songs like "...Ready For It", Taylor was always at odds with her clone, but in "Fortnight" they team up to get out of the asylum. Ozma and Dorothy make amends with Oscar and Taylor makes amends with herself.

Part 3: The Yellow Brick Road and The Emerald City 🟨❇️

I think a lot of us know about Taylor's Instagram grid currently aligning with yellow outfits from Eras at the moment:

Typically when Taylor's Instagram grid aligns like this it means something. The most common theory as to what this might mean is that Taylor is creating a yellow brick road. Yellow is often seen as the closeting color in gaylor circles for various reasons, such as the Evermore closet in The Lover House being filled with yellow clothes. Some fun estimates I've seen are that soon the alignment will be broken by some type of photo of Taylor in a green outfit post-Eras, like maybe a green outfit from tour in her Toronto thank you post or even her birthday post. The big hope right now is that this hypothetical post in a green outfit will signify Taylor's coming out being near, having reached her destination to the Emerald City, or that this green outfit post could even be a coming out post. My Oz-ian brain loves this idea! The yellow road to being free in the green, the color right after yellow in the rainbow.

In the first Oz book, the Emerald City is a huge hoax. It's not Emerald at all, but white. In order to trick the citizens of Oz into thinking that the city is emerald, the Wizard forces everyone to wear green-lensed spectacles that lock on; they are what make the city look green, the Wizard lying that they wear them because the brightness of the city would blind them if they didn't. Dorothy is given a "green" dress when she arrives in the Emerald City, but when she leaves it reveals itself as actually being white. After the first book, the Emerald City becomes truly emerald; from what I can remember there is no exact canonical reason as to why this is, so I theorize that the citizens just made it emerald after the wizard floats away in his balloon. The Emerald City truly being white represents the fakeness within the rule of the Wizard, but by the time Oz has its rightful ruler, Ozma, the city is truly Emerald. For TTPD and most if not all of Tay's discography, the colorless world represents the abusive music industry and closeting, but color represents Taylor's freedom, reclaiming the land. Also, the fictional Emerald City was inspired by the real-life White City Amusement Park that was once in Chicago, so there's that connection to white too. Green and White together remind me of Taylor's green band jacket in the "ME!" MV and her white band jacket in the "TSMWEL" performance from Eras. Symbolism-wise, Taylor thought she was close to reaching her destination when creating Lover, but the smallest man ruined it all and the emeralds were fake. Now she's about to go down the yellow road once more to get back to her emerald kingdom.

To expand on the colors of Oz a bit more, let's look at the house from "ME!"

Here's an official Oz map in case anyone finds it helpful:

This house in "ME!" is the starting point in the MV and the first room that we see is blue. Blue is the color of Munchkin Country in the Oz books, as every Oz region has a color. Munchkin Country is the first land of Oz we ever see and the starting point of "ME!" is blue just like it.

Then Taylor walks through a hall with blue walls and blue and yellow tiles on the floor. On her first trip to the Emerald City, Dorothy exclusively walks through Munchkin Country to the Emerald City, so the tile being blue and yellow signifies that this is only the first journey to the Emerald City.

The next room is a large green one. The Emerald City, right?

But when Taylor makes it out the front door, the house is white with some purple. Not the true Emerald City. Purple is for Gillikin Country. When Ozma is kidnapped by the Wizard of Oz and given to Mombi she lives in Gillikin Country as Tip. The Emerald City is (partly) white, Taylor's in her closet yellow, Ozma/true Taylor is dressed as a guy, and Ozma/true Taylor is yet to rule.

But finally, later in the video when Brendon and Taylor are on platonic terms, they run up to a massive green building with a rainbow beaming in front of it as they wear green clothes. I think this was intended to be the true Emerald City. The pink soldiers around it even look like the poppy field. I think it's notable that in the MV Brendon and Taylor run up to the Emerald City, but we never see them enter. I take that as acknowledging that Taylor wasn't there yet. "ME!" was not a coming-out video, it was a sprint toward that goal. So she wasn't inside the Emerald City quite yet, she was on the way, ever so close. However, as stated before, the smallest man ruined things, so this was retconned through Eras. However, if Taylor got to come out during Lover this would've been the final stop.

I was thinking that it would also be crazy if instead of a photo in a green outfit, we got one in red. In relation to Oz, red is Quadling Country. In the first book, it's the last place Dorothy journeys to before making it home. It's also where she meets Glinda for the first time (Glinda is the Witch of the South in the books and a different witch is the Witch of the North). Glinda is the only one who knows the real way to get Dorothy home, her silver shoes. So red would also be an interesting choice in this scenario, but green is definitely the more culturally recognizable choice.

I want to acknowledge the "Goodbye Yellow Brick Road" connection I've seen around, even though I don't think I have much to add to it. The idea is that Elton John's song "Goodbye Yellow Brick Road" has thematic parallels to gaylor. This idea that Taylor could leave behind a toxicly ritzy world for something better. Elton is an openly gay man in Hollywood who had to deal with a lot of silly Hollywood games regarding his sexuality. The way "GBYBR" is used in his film Rocketman definitely depicts Elton deciding to fix his issues brought on by the industry's abuse. Could this be what Taylor's about to do herself in her own way? Leave behind the yellow cedar closet for a life that's true to her? Taylor wore this outfit that already had plenty of Kaylor tie-ins like the twinning Carolina Herrera fit and the panther necklace, but her shoes match the ones Elton wears in the "Goodbye Yellow Brick Road" album cover as he steps in or out of the Ozian picture.

As an extra fun tidbit, let's work some Oz history into this! It is a commonly told story that L. Frank Baum's inspiration for the yellow brick road comes from a real road in Peekskill, New York. The myth is that Baum asked for directions to the military academy and was told to "Follow the yellow brick road." Even though this exact story is likely just a myth, it's certainly not unlikely that Baum saw those yellow bricks. While Peekskill is not New York City, of course, New York City has a big significance in Taylor's music. In "WTNY" she views it as a place where anyone can be free. New York City could be its own character in her music. If New York City is freedom it could be seen as an equivalent to Ozma's Emerald City. Peekskill isn't where the city is, it holds the road to it and freedom.

Conclusion 🌼

Again, it's so cool to have more to add on to this Oz theory. I admit that it feels a bit vindicating that I made Vol. 1 and in due time we got more Oz crumbs. Wow, can't believe Taylor saw my post. In all seriousness, this has been so much fun. I know there's the possibility of yet another part to this. If you feel like I've forgotten anything, let me know! Can't wait to know what's on the horizon!

[zarvasace]

aaaahhh I'm a little nervous to say, but I spent a few hours today casually recording myself reading several of my Shatterproof fics aloud. I added the audio players to the tops of the fics—so far it's just #1-#6—so if you're interested, go check them out. :) I'm so very not professional, and mess up sometimes, but I have some experience reading aloud and performing in casual settings! I hope it feels kind of like we're sitting in a bedroom or car and just vibing.

Shatterproof on AO3

For those that are not aware, Shatterproof is a rather large Linked Universe AU fanfic series (currently 156k words over 63 works), focused on fluff and occasional light angst. The AU is nothing too dramatic, just each of the Links (and many of the supporting characters) has a physical disability. It's a passion project of mine and one I go back to often. I feel that it's appropriate that a lot of these works get podfic'd. :)

(special thanks to @unexpectedstormy who (1) introduced me to the idea of podfics (2) has made several lovely ones they're so fun (3) offered a bit of advice. 💜)

[itspileofgoodthings]

I was teaching Ophelia’s death scene this week and one of my classes spontaneously giggled when she died (because they are 16 years old and emotionally immature) and I said, in a shocked voice, “it is NOT funny” and they all insisted that it was and so I let it go but then the next day I showed them some Ophelia art, made them think about how sinister it was that her death happens offstage but is still described in such detail for the viewer, which tells us she was WATCHED but not HELPED as she died, and then played a clip from Branagh’s Hamlet of Kate Winslet singing a mourning song for her father and when I tell you how satisfying it was to hear a total and complete hush fall over the room