#so it's then up to you to decide how vital these stories are in your life

[midday-clouds]

Yandere Batfamily x Neglected & "Immortal" Reader 》 II

Part I

Thank you so much for the love for the first one! 💞 There are so many ways I can imagine how this story can go and it's hard to pick one or try merging all the ideas. Nonetheless, I hope this meets your expectations!

CW: Stalking, Breaking and entering, Violence(Being stabbed, beating up a thief), Blood

You had officially moved into your apartment in Bludhaven

Everything has moved so quickly and now you can finally relax

You gave up connecting with your family, got kidnapped, died, came back to life and moved out

It may be a bit much to pick the farthest college from the manor but you’re clearly unwanted there

Your family has neglected you and didn't do anything when you were kidnapped, so you have every right to be as far away from them as possible

It was honestly quite lucky that you were already accepted into a college in Bludhaven during your senior year. If you had applied after your kidnapping, the chances of you getting in would have been low.

But you’re here now and can finally feel happy. Well, if you don't count some of the nightmares you get from when you “died”.

Sometimes you do wonder how you survived that gunshot. Were you not hit somewhere vital? But then, where was the hole?

A part of you was curious and wanted to replicate the injury but that would be painful. You surviving the gunshot also could have been a one-time thing

You never ended up going to the police or the hospital because what were they going to do? You don’t have any proof that it even happened because your injury is gone, the blood left at the abandoned building is likely dried up and doesn’t look fresh, and Bruce probably threw away the ransom letter. 

The only proof you have that it even happened is your memories and you telling your friends. But the police or doctors would just look at you and say “You look fine now, no need to look into the situation anymore.” 

But enough about that though, you’ve got a few more hours before it gets dark and you want to get to know about the area.

It is still the middle of summer so your college classes haven't started yet. You could have waited until class started to move but you wanted to be out before Alfred returned from his vacation.

Alfred was the closest thing to family in the manor. But he and Bruce have never felt like safe adults to share your problems with. 

He should be back from his vacation now, has he found out about your kidnapping or did Bruce cover it up? He probably did to avoid getting news out. You should probably look into how you can change your surname.

Just as you finish your thoughts about the manor, you use your laptop to find interesting places in the area before heading out the door with directions in a notebook

Bruce and the rest of the family may know where you are currently, but bringing you back home was the hard part. Alfred had to convince Bruce that if he wanted you back, he shouldn’t just barge in all of a sudden. 

You’ve been hurt by the family's actions and won't return without a fight. 

But even then, Bruce has to see you. The entire family needs to see you with their own eyes at least once.

With this in mind, the whole family decides to take a small road trip to Bludhaven. They’d find you and figure out the best way to approach you without scaring you off. 

It was almost sundown when the family got to Bludhaven. They change into their vigilante gear so it’d be easier to hide in the shadows

Tim loads up the tracker on your phone and leads the way. It seems the tracker you have isn't the best because once the family gets close to your apartment, your phone just says your laptop is nearby instead of its exact location. 

No problem though, Tim can easily hack into the computer system for the apartment and find which room is yours.

Once your room is found, the family takes a peek inside. You’re nowhere to be found, which is a little worrying.

The locks on your windows are broken as the family opens them and sneaks inside. Your living room and kitchen are littered with boxes but that’s it. They each take a look around to find you but come out empty-handed. If you were here, they may do exactly what Alfred discouraged and just take you home. However, because you aren’t home, the only other place you could be is outside. Where it’s dark out and you’re alone.

Worried for your safety, the family immediately goes on another search for your

Because you could be anywhere, the family decides to split up to find you

You look around as you walk back to your apartment, a few small bags of food and snacks in your hands. Because it’s getting dark, you do begin to pick up the pace. You’re so focused on not getting home that you don’t notice when a person peeks over at you from a rooftop.

You’re just about to pass a convenience store when someone runs out and knocks into you. The person curses as they quickly get up and reach for their bag of stolen goods. Filled with adrenaline, the thief takes out a knife and stabs you. They were aiming to kill you so there weren’t any witnesses but ended up putting the knife in your shoulder. As the thief makes a run for it, a certain vigilante quickly blocks their path

Nightwing goes full force on the thief. How dare they hurt his baby bird. He refuses to make the same mistake of leaving you alone and hurt.

Your heart is racing as you attempt to pull the knife out of your shoulder. Your eyelids feel weak but you refuse to fall asleep. Unlike before, you aren’t restrained and can still escape.

You pull the knife out and let it fall on the ground next to you. After a few breaths, you do your best to stand up. You take a small glance at Nightwing before quickly running back to your apartment. 

Once inside, you almost collapse on the floor but try to get your first aid kit.

Your bandaging may not be that good but the best but it’s enough for you to feel comfortable sleeping for the night

Nightwing sighs as he handcuffs the thief. He went a lot harder than he expected but how can you blame him? His family was in danger and he needed to do everything to make sure it doesn’t happen again

The vigilante turns to where you were but only finds a bloodied knife and the bags you left behind. He carefully picks up the bags and knife while he considers where you have gone.

Spotting a trail of blood, Nightwing quickly follows it, contacting the rest of the family as well

The family gathers at the same spot near your apartment and finds you sleeping in your bed. Wanting to help you, Nightwing comes up with an idea

You lay on your bed, waiting for sleep to consume you when a knock comes from your door. You try to ignore it but the knocking continues. The only thing that gets you up is the realization that the knocking is too loud to be from your door. Opening your eyes, you realize that someone is at your window. 

Getting up, you pick up your pepper spray as you slowly walk towards the window. You have your curtains closed so you try to peek past them to see who is there

Who you see is Nightwing and it gets you worried. Does he think you were involved with that other person? He must have seen that the thief stabbed you at least

Not wanting to make the vigilant wait, you open your window slightly. Only enough so you can hear what Nightwing has to say

Nightwing happily greets you and shows you the bag of items that you left behind when leaving the scene.

Surprised, you thank Nightwing and open the window. Making sure to not open the window more than necessary, just enough to collect the bags

Just as you reach for it, the vigilante points out your bandaged shoulder. He goes on to say the importance of properly handling injuries and offers to rebandage your arm.

It takes you a couple of moments before you agree to his help.

Like a big brother, he sits you down and redoes the bandages. Honestly, it makes you wish your actual big brothers would care for you in this way. Even though one of them is right in front of you

Once your shoulder has properly been bandaged, you thank Nightwing for his help. He offers to stay the night but you tell him that you’d be fine. Plus, doesn’t he still have to take care of Bludhaven

You make sure to close and lock your window once Nightwing leaves before going back to bed.  As sleep consumes you, your whole family watches from a distance. You didn’t seem to recognize Dick as Nightwing so it may be possible to get you to trust them before taking you home

[not-poignant]

Pia! I need some advice. There's a writer on ao3 whose fics I really like (well, 'love' would probably be a better word) but I've just found out they are a TERF 😭

I had no idea because they don't post anything personal or political on their main tumblr and they don't write fics that reflect these views but I found their side blog and its full of terf and redfem stuff

Now I'm feeling guilty for enjoying their work and also sad because a part of me just wants to keep reading their works despite this because they really are a good writer and have kept their personal views out of their stories but...... UGGHHHHH TERF 😭😭😭

What should I do? Should I stop reading? Should I block them? Or should I separate the artist from the art and just enjoy the fics?

I am not cis btw so I feel really selfish for just wanting to ignore that stuff and keep reading.

Hi anon,

I'm sorry you've found yourself in this situation. There's no point feeling guilty about something that you could never have possibly known until this moment, though I understand that the guilt still happens, it's not like you can be expected to know this stuff when you're just trying to enjoy fics on the internet, y'know? The main thing is you know now. Guilt is a good feeling for getting us to stop and pay attention, and now you're doing that.

As for what happens next, I can't really answer this for you, but I can talk around a few points which might be worth considering re: continuing to read the fic/s or not.

Separating the 'artist from the art' is almost always hugely misinterpreted, and it often doesn't mean 'pretend the artist doesn't matter so I can keep enjoying their content.' Ultimately you have to decide for yourself what you will or won't accept, and that will be down to your personal ethics or values, and how you express those ethics or values.

If my favourite fanfic author was suddenly revealed to be a TERF (unlikely as they're trans, but y'know, it could happen), I personally couldn't enjoy their writing anymore. I wouldn't be able to escape into their stories or characters, knowing the person who wrote this thing I love doesn't believe in my right to exist as I am, and wants to constantly debate my human rights. I can't suspend my disbelief that much.

But then, on the other hand, I can still watch the films of Harvey Weinstein, a horrible fucking human being and scum on earth, and justify this by knowing that many of the people who made that film are not horrible fucking human beings and he is not the only person to consider. Some people would disagree with my choice. Others will understand.

That's me, but everyone is different on matters like that, and so then it comes down to how you show support. If you continue to read this author but never give them a platform, never like their fic, comment on the chapters, interact with them in any way, rec it to another person (not without 'you should also know they're a rabid transphobe'), be a 'silent consumer' etc. and consider this the way that you demonstrate that you don't support this person's beliefs/views, that's also valid. You still express your values by lending nothing to this person that they can then benefit from. This is how some trans people still consume the works of JKR - making sure she never sees a single cent or benefit under the proud flag of piracy - for example. There are going to be other trans people who disapprove of this, or don't like this, who even make good arguments against it, and tbh, I'm on the fence about it myself, I can just understand why people come to this place with it.

Some of those expressions of our values can be problematic - paying for the work of someone who is transphobic (which you're obviously not doing in the case of fic) directly benefits a transphobe who is publicly transphobic. That's just...straight up harmful. That doesn't really express your values. In fact it may express opposite values. Reccing the fics of this author for example, knowing other trans readers might find the side blog one day and feel deeply wounded and betrayed, expresses opposite values - this would be problematic.

You might be someone who sends them a message anonymously or similar, to let them know that their views are hurtful/hateful and ask how they feel knowing that trans people are reading their stories, and see if they respond to you. Maybe they've never thought about it before. But you don't owe them that kind of labour. You may also want to consider naming/shaming them, to at least do fellow folks in your community the courtesy of avoiding a transphobe. The fact that you've gone out of your way to protect their identity even in this anon, is not something you owe them.

There are going to be different ways you make peace with this situation anon, and don't be surprised if they change over time, depending on how you feel about it. People can only tell you what they would do based on their values, and you must sit down with your own values and decide which actions support your values, and which go against them. We don't all express these things in exactly the same way. As long as you're not expressing harmful or opposite values, you're generally going to be okay, and there is sometimes room in that to still enjoy the fic, if that is something you're able to do.

(Please see the tags since I address this in a bit more detail - although the tl;dr there is - have you considered that instead of continuing to be entertained by the works of a transphobe, maybe if you stopped reading them, you'd find someone you liked just as much, if not more, who will replace them? Sometimes the harm we do is simply in giving our time and energy to someone who wishes we didn't exist, and is actively protesting against our existence - when we could look for others to entertain us who don't expect horrible ethical quandaries from us just to enjoy what they're creating).

(Also, for the record re: other folks reading (I kind of wish I hadn't been forced to respond to this publicly lmao and I'm still in two minds re: whether I'll keep it up), I'm also trans, so I feel like I can talk about the grey area more in this specific issue. I am not advising or advocating for example that white people actively read and engage in the fanfiction of known racists. This is very much - I am talking about this one thing, from a trans person to a trans person, about transphobia in the community and in the works of creators we might enjoy - and I very much want to stay focused on that).

[anantaru]

— cute things they do unintentionally

including tighnari, scaramouche, alhaitham, kaveh x gn! reader

꒰ genre ꒱ — fluff, crack??, very sweet and loving, they adore you

— tighnari + his ears twitch and he blushes easily around you

the usual self assured and poised tighnari had a lovely habit of being all over the place in front of you— after all, he‘s unquestionably in love with you, wholly, and he adores you.

on the treacly occasion of that— when you decide to casually meet up for a tranquil walk with your sweet forest ranger or a serene spending at home enclosed by his arms, you can clearly see a diverse change in mannerism, yet one detail in particular outshines the others abundantly.

it‘s when he reacts at one of your jokes, but not just that, it can be a random notion or story you would happily talk about, what you happened to do these past hours you had been apart— perhaps a pretty rose catching your attention, its sprouting scent squaring over your nostrils, each petal so beautiful and soft— but his cheeks then idly bristle with a fire-like convulsion when you drift off into your day dream while hugging yourself into his chest, and tighnari shelters a pink color on his face.

regardless of how, his ears then, you called it! twitch.

once, twice, it's frantic, far and wide— but he knows what that feeling is too, he knows better than to desperately fight against it so instead he swiftly averts his gaze from you to recollect himself, somehow.

for tighnari, it was clear as day that this task was challenging, at bottom you were simply irresistible to him— you meet him and his breathing shortens, but he is content with you, yet wholly engulfed that it left him bereaved of required oxygen.

of course, well, this was indeed happening to him right now, but he asks himself, then grunts in frustration, not again, why must it always happen on the most burdensome times for him to lose himself, especially when he was just growing tired and had attempted to fall asleep surrounded by your consummating scent and weightless traces?

"is something the matter?"

it wasn't unusual for you to point out a dissimilarity of his habitual behavior, and your eyes were webbed with transparent worry that tighnari felt immensely guilty over, because it was him who inflicted it upon you.

to flip the coin into a distinct course of action, he says your name— a little breathy, silk-like— but it translates into the language of your heart and exudes into your body.

"i‘m alright, *cough* just caught something in my eye."

— scaramouche + gets all happy and excited when he tells you stories

scaramouche's velvety, smooth voice plays in your head on repeat, when he talks to you it's a sign of love, a sign of i want you to know this, or to elaborate further, it's evident to;

'i need you to know this because you're important to me and only you matter.'

you're fixated on his ecstatic sewn pupils and you openly admit to yourself that you cannot get enough of all the witty stories he would tell you on a daily basis— it did not matter to you how minuscule or of little importance they may be, what truly mattered was that scaramouche had begun to be more open and forthcoming towards you.

what your charming boyfriend was not aware of nor fathomed, was how contrasting his behavior would turn whenever he's thoroughly meshed in his story telling mode.

true feverishness and a drastic hurdle of thrill settles in his mannerism as he excitedly continues his own personal anecdotes of the passing day.

but those eyes, those spirited indigo eyes were vitally euphonious to the concealed dimples on his face that split larger after each new word spelled out, around the corners of his mouth to be exact, therefore accentuating his doughy, handsome physical responses.

extending far down, scaramouche was acquainted with undoubtable sureness that it was you who helped him grow, who showed him an escape route from the blooded thorns of his past.

"hey!" wow, what a way to snap you back to reality.

scaramouche sounded like he was in dire need of some attention from you and his hands were awkwardly tugged to each side of his body— though, let me get you in on a secret, the secret of all secrets, he actually longed to have them drawn on your frame, in effect, glissading them over your soft skin to pull you into a hug afterwards.

"are you even listening to me?!"

"of course i am!" you're lying, you're not.

in actuality you leaned into the delicious easement of your thoughts again— precisely about comforting memories from your boyfriend, even though he was right in front of you, in all of his splendor beauty, feeling understood even in your silence.

"okay, so what did i just say?"

"uhm."

damn you scaramouche and your refined ability to look right through someones skin and capture a glimpse of everything he needed to know.

"okay okay." you lean back into your chair— defeated, hands dramatically throw up in the air while fighting back the urge to say something that would drive your boyfriend off the edge.

but, at long last, you go in anyways, "you're just very cute." and it's the same again, his eyes widen in eternal radiance— rivaling celestial bodies in outer space while kuni seals his lips together in frustration because you managed to catch him off guard again.

the man huffs before erratically coughing out, attempting to distract you from his flustered face, but we all know he won't manage to accomplish that.

— alhaitham + scrunches his brows together when he complains about something

alhaitham abominates working. the end.

precisely supplemental hours of his existing work tasks that mostly focus on him aiding helpless akademiya scholars in their failing research.

while— being in a relationship with the acting grand sage of the sumeru akademiya naturally came with a lot of things, both good and bad feats— as might be expected the goods always outshine the negatives, you despite that understood your boyfriends increasing urge to get rid of his current title as fast as possible.

alhaitham was a busy man now, even busier than beforehand— and he regarded it with disgust, throughout-going abhorred it, that he couldn't come home at his routined time to spend some additional hours with you, his sweet significant other.

what alhaitham does know was that whenever he did arrive from a fatigued day— you will always, heavy emphasizing on the always, earnestly wait for him with a giant hot cup of tea being planted on the kitchen counter, on stand by and ready to be tasted by the man you loved like nothing else on this world.

"you're home later than usual."

a gasp of surprise evaporated from within as you began to point out the obvious, excitedly strolling towards alhaitham to gift him a proper welcome home, accentuating the passion filled gesture with a little peck on his warm cheek.

"it's unbelievable, isn't it?" someone must've woken up a tilt grumpy today, you figured, but let him carry on with his words.

"—and one might think that if there is nothing to do, i can simply take my leave." he continues, kicking his boots off his feet, one by one, while breathlessly sinking into the giant couch.

before the tea would turn cold, you decided to gracefully hand him the home made beverage, but not darting yourself off him, listening eagerly to what he had to say.

"but no, they need me for every. minuscule. task."

and alhaitham's eyes twitch, again— though his brows, they were pressed together so damn tight, if you didn't know any better you would've expected him to pop a blood vessel by now.

"do i look like i am interested in social interactions?" he asks you now, yes, dead serious while pulling you in with his hypnotizing eyes— although lifted with some serious eye bags, they continued to hold a graven significance that had you drawn to him the most.

but this situation was wearing thin, at least alhaitham was alarmingly more tested than usual, but at last you couldn't help yourself and work against your honest reactions, laughing at how awfully adorable he could be at times, without smiling— but it's so sudden, his face was showing so much emotions and it only encourages the sharp sting inside of you to giggle once again.

but do not get those particular things messed up nor into wrong directions— because seeing alhaitham have a hard time at work wasn't the humorous part at hand, it was the way he had told them to you— nose held up high while he repeatedly huffs away the bothering hair strands falling into his face, which only adds fuel to the burning frustration in himself, or his eyes a touch nudged together and rolling into the back of his head at each of his own sentences spoken.

an outer perspective would ultimately determine that he's in reality talking and agreeing with himself.

"have i unintentionally said something humorous?"

"no." you immediately snort back at him and swiftly rub over your saturated eyes, because yes, you indeed laughed yourself to tears.

"or maybe you did." and you idly lean next to him while keeping one hand on his thigh, "but you're home now, please rest."

perhaps this was what alhaitham had wanted to hear all this time— as the second you said it he exhales deeply, through his parted lips but greatly, he doesn't think he has any more energy left in his body if he was being honest.

but that's it now, it was the ideal time to rest, nothing matters, not the past nor the future. he was in the precious, safe confines of his home with the person he loves the utmost (and his roommate napping next doors).

"you're right, apologies." you immediately know alhaitham's embarrassed when he's muttering his words, but he feels his heart audibly beat in his chest and so do you.

"nothing to apologize for, my love."

— kaveh + searches for your touch whenever you spend time together

kaveh's heart blossoms throughout the entire day with an immediate segment of impassioned love the trifling moment he catches onto your silver like voice musing into his ears— thank the archons you‘re here, because he might‘ve lost his mind if he was about to stay without your company for much longer.

in point of fact, it's beyond easy to forget the pressuring hardships he has experienced in the past when he looks into nothing but your fascinating eyes— it's spellbound, featherlight.

on the other hand, in his own imagination, kaveh was sure that in reality he had nothing to offer back to you— even with you kindly assuring him that he’s nothing but the best and perfect in your eyes, over and over until it’s carved into his damned skull, he continues to harvest that deep rooted insecurity in him. although regardless of his broadening insecurities, he continues to treat you like you deserve nothing but the world.

it can be spoken with enormous confidence that he can‘t get enough of you. kaveh didn't think of wanting to show you off— or maybe he did but not in an over the top way, he was just so much in love with you and had made it his own personal achievement to make the entirety of sumeru know that you're taken, yes it's true, everyone keep their hands off you because you are taken, and he was the one who captured your heart.

now with that out of the way, whenever you would decide to go out on a walk or grab a beverage to go, kaveh would unintentionally plant his palm on your lower back, keeping it there.

or when you're enjoying a warm day outside, finding great comfort in the beautiful panorama of sumeru city with the gratifying scent of padisarah establishing in your nostrils, he'd cautiously flicker his fingers against your own while interlocking them in the process, so he could hold your hand and be with you, even closer than before, and experience those little things that had him weak on the knees and indisputably giddy.

he needs his hands on you— around your shoulders, scattered on your back, coupling fingers into each other or a fine-drawn peck on your cheek before entering the cafe together.

while he does most of those things unintentionally, you will push him over the edge the moment you initiate those things yourself, when it is you who does it to him— it's when his lips slightly part and his eyes are blown out with both surprise and deep rooted love, when you cheekily smile back at kaveh while taking his hand to walk and rush him towards another precious spot you had been made aware of in sumeru city.

"you'll love this place baby, trust me!"

you assure kindly, cheeks prickling a warm cradle with your belly welcoming the sweet butterflies courteously— pulling kaveh to the desired destination and by the matching reactions of your connected bodies, he does the same to you.

©2023 anantaru do not repost, copy, translate, modify

[adascore]

Hello! Not sure if you’re taking requests but would you consider doing an addition to TSS where young!arsenal reader was starting before Beth and Viv came back and has been benched majority of the time since (Kyra core☹️). Maybe during like the west ham game was one of the subs thrown on halfway through and after the loss made a snarky comment about “being thrown on to unfuck everything” type of thing to another teammate and Viv/beth overhear and think she’s talking about them (maybe they’re already a little insecure about losing such an “easy” game, self doubt post ACL) and things are super frosty and weird at home until one of them snaps and makes a comment about how they still wouldn’t have won even if R started. Hurt/comfort angst but with a happy ending!! Not sure if any of that strikes your fancy but I had the thought and you’re so talented:) no worries if not!!!

To Jump The Gun(ners)

pairings: arsenal x teen!reader / meadema x teen!reader / kyra cooney-cross x arsenal!reader

warnings: the west-ham match. swearing. angst. awkwardness.

author’s note: OMG LOVE THIS IDEA ! like this was right up my alley I felt like 😭 thank you so much, and I hope you enjoy the story!

masterlist

February 4, 2024 - Essex, England

It had become a routine, seeing her name and number on the bench. She took a glance at Kyra, a knowing look in her eyes.

The young Arsenal homegrown wondered where it all had gotten wrong. Well, she knew the answer, but it wasn't exactly something she could say out loud to anyone.

She was transported back to the 2022/23 season, where she would warm the bench until either Vivianne or Beth were too tired or they needed to be rested for the next match.

Their injuries had changed everything.

Y/N not only became a regular starter, but became a vital part of their game. Her absence would be noticed.

She scored the goals that got them to the semifinals of the Champions League, keeping them level with 2x champions Wolfsburg.

However, Beth and Vivianne were back now. Alessia's arrival also didn't help much, the former Manchester United player having cemented herself into the starting line-up.

It also didn't help that Jonas was not a fan of rotating. Only in specific Conti Cup matches or against what he deemed 'weaker' teams in the league would he make changes to the usual starting XI.

In other words, she was back to step 1.

That's why it was hard to watch her teammates falling 2-1 behind against West Ham, with no one seeming to find an answer or any will to turn the game around. It was a painful spectacle.

In the 63rd minute, Jonas decided to throw herself, Kyra and Cloé in the match, and take out Vivianne, Victoria and Beth. It was a desperate attempt, and the three Gunners found themselves on the pitch, tasked with the challenging mission of trying to fix everything that had gone wrong so far.

Y/N and Cloé quickly created some chances but the West Ham defense or the swift reflexes of Mackenzie Arnold saw them go in vain.

The teenager could see the expressions of her teammates on the bench, visibly frustrated with how the match had unfolded since Alessia's successful header.

Vivianne couldn't hide the discontent in her eyes as she sat with a subtle shake of her head. Her partner, sitting beside her, noticed and Beth patted her thigh, offering silent support as they continued to watch their team scramble for a late equalizer.

As the final whistle blew, the disappointment within the team was high. Y/N did her usual post-match routine, and congratulated all the West Ham players on their win, while giving and receiving solace from her own teammates.

The teen found Kyra again, someone who she had found a friendship in over the months the Australian had joined the Gunners.

''You alright?'' The midfielder asked her, a dejected tone in her voice.

Y/N nodded. ''Yeah, you?''

''Not too great, but there are worse things in life.'' Kyra responded, trying to put the loss in perspective.

''True,'' the striker agreed, ''I can't believe he keeps putting us in these positions.''

Kyra nodded. ''You think he would learn after Tottenham.'' She sighed.

''Apparently, we're not good enough to start, but when he needs us to unfuck everything that happened, then he knows who we are.'' Y/N said, her frustration evident. The unfair treatment of some players during the season lingered in the air, leaving a bitter taste after the defeat.

As the youngsters continued their conversation on their way to the locker room, Vivianne and Beth, unintentionally overhearing their discussion, exchanged puzzled glances.

''Did you hear that? 'Unfuck everything'?'' Beth repeated her housemate's words to her partner.

Vivianne's brow furrowed as she processed what was said. ''Yeah,'' the Dutchwoman breathed out, ''not very nice.'' A hint of sadness lingered in her voice. It stung that their efforts were being discussed in such terms, especially by the young girl they were living with.

They didn't say much else to one another as they strolled through the corridor.

The atmosphere in the locker room was subdued, void of any banter and entertaining chats. Most of the players were already there as the couple walked in.

Beth took a glimpse at Y/N and Kyra who still seemed in a discussion with one another, although they were whispering now.

''Girls, we're a lot better than this.'' Kim broke the ice, a neutral expression on her face.

Everyone nodded at the captain, the collective disappointment from the match was visible. ''Well, it's done, we can't change anything about it. So, everyone just do a reset, try to get some sleep or distract yourselves on the bus, and I expect everyone with fresh minds and legs at training.''

The team nodded and weakly applauded Kim's small speech.

As the team began to disperse, Y/N caught Beth's eye, offering a faint smile in greeting. However, the winger's response was noticeably strained, her usually warm demeanor replaced by a subtle tension.

"Everything okay?" The younger one ventured, her concern evident.

Beth's smile faltered slightly, her gaze flickering away before returning to meet Y/N's. "Yeah, everything's fine." She replied, though her words sounded hollow even to her own ears.

The striker's brow furrowed further, a flicker of uncertainty clouding her features. "Are you sure?" She pressed gently, not used to this awkwardness from her teammate.

"I... yeah, I'm sure." She retorted, her voice tinged with irritation.

"Okay..." Y/N trailed off, unsure of how to proceed. Sensing the dismissiveness between them, she offered a hesitant smile before turning back to where she had been talking with Lia.

As her housemate walked away, Beth's expression hardened, a pang of guilt gnawing at her conscience. She knew she shouldn't act like this towards her, but her words had really struck a nerve for some reason and it was hard to pretend it didn't.

The drive home on the bus wasn't that different, though the atmosphere was more subdued due to the loss. Y/N and Kyra were seated next to each other, Katie and Caitlin sitting on the other side of them.

''You alright, Y/N?'' Caitlin asked, noticing the youngster's quietness.

Y/N looked up, glancing away from her nails to the older Australian player. She hesitated answering, not knowing if it was appropriate to say anything about her interaction with Beth.

She sat up straight and motioned for the three of them to huddle together over the small table. They got her message and did just that.

''Did anything happen on the bench or something? Cause I had this weird exchange with Meado, and it's just stuck in my head.'' She explained, her voice hushed.

They all frowned at her words. ''No, she was just frustrated about the game, but so was everyone else.'' Caitlin responded.

''What happened?'' Katie chimed in, curious to know about this exchange.

''I don't know. She was looking at me in the locker room, and I smiled at her, but she, I don't know, just looked weird at me. I asked her if she was alright, but she was kinda distant with me? She responded a little irritated so I left her alone, but it was weird.'' Y/N gave a small summary of the interaction.

"That is strange." Kyra mused, breaking the silence that had settled over their huddle.

They nodded at her words, agreeing with the young Australian.

''I didn't notice anything.'' Caitlin said with a pout, feeling sorry she couldn't help her younger teammate out. ''Me neither, kiddo.'' Katie added, a similar expression on her face.

Y/N smiled sadly, disappointed she wasn't any wiser on Beth. Katie rubbed her arm once she noticed her dejected expression. ''Hey, I wouldn't worry about it. It's a tough loss.''

The youngster nodded at the Irishwoman's words. ''Yeah, you're right.''

Katie was not right.

As soon as she got in the car with the beloved couple it was clear that something had gone down for them to act in such a sour mood. Vivianne's knuckles were white against the steering wheel, while Beth stared out of the window, her expression unreadable.

Sensing the palpable tension, Y/N shifted uncomfortably in her seat. The youngster wanted to break the silence, but the words wouldn't come out. It felt like they were stuck in her throat.

The drive home felt like forever. Every minute made the atmosphere worse. Y/N tried to catch Vivianne or Beth's eye, hoping for some sign that things would get better, but there was nothing.

Car rides after losses were never filled with much conversation, but it had never been like this.

A wave of relief went through her as the car was parked in front of their apartment complex, longing for the comfort of her room where she could hide from whatever the situation was.

Y/N couldn't even come up with a guess on what had transpired. Did they have a fight? Did she do something? Did someone else do something?

She had absolutely no clue.

However, the tension seemed to follow them into their shared home. The silence had become even more deafening with each step they took.

Beth disappeared into her room without a word, while Vivianne headed straight for the kitchen, her movements stiff and mechanical. Y/N stood in the hallway, feeling like an outsider in her own home.

Their behaviors made her feel anxious, feeling that knot inside her stomach. What had happened during the game? What had caused them to retreat into themselves like this?

Unable to handle any of it longer, Y/N tentatively approached the Dutchwoman in the kitchen. "Um, Viv?" She began, her voice small.

Vivianne glanced up, her expression guarded. "Yeah?” She replied, accent heavy.

The younger girl hesitated, unsure of how to broach the subject. "I, uh, did, uh, something happen at the game?" She stammered, her words stumbling over each other in her haste to get everything out.

The striker's eyebrows furrowed. "What are you talking about?” She asked, her face neutral.

Her response only added to the youngest one's confusion. It seemed as though they were both dancing around a subject neither wanted to address.

"I-I just... noticed things were a bit off between everyone after the match," Y/N explained, her voice barely above a whisper, "and, well, the car ride home was... a bit weird, you know.”

Vivianne's expression softened slightly, though her guard remained up. ''Don't worry about it. Just… frustration from the game.''

But Y/N couldn't shake the feeling that there was more to it than just frustration. She wanted to press further, but the fear of causing further conflict held her back.

Instead, she offered a hesitant nod. ''Okay, good.'' She murmured to the floor, retreating back to her room with a heavy heart.

The Arsenal homegrown player pulled her phone out of her pocket, searching up Kyra's contact. It only took a few rings for the Australian to pick up, she was probably already on her phone as she was called.

''Hey.'' Her accent momentarily bringing a smile to Y/N's face.

''Hey, you're home?''

''Yeah, just arrived. What's up?''

There was a brief pause before Y/N continued. ''Things have gotten a bit weirder since, uh, on the bus.''

''Shit. What happened?'' She asked, her voice filled with genuine worry.

''It's just... the tension at home is almost suffocating," she explained, ''it was completely silent the entire time we were driving home, and when we got home, Beth immediately went to her room. I tried to ask Viv about, but she told me it was just frustrations, but it clearly is not just that.''

There was a moment of silence as Kyra processed Y/N's words. "That doesn't sound good," she finally replied, ''you really have no idea what might have happened? Maybe they had a fight or something?''

Y/N shook her head, even though her teammate couldn't see it. "No, that's the thing. I'm completely lost." She admitted, frustration lacing her words.

''Same. I wish I knew what to say to help.'' Kyra said softly.

''It's alright, Ky. Thanks for letting me ramble.'' Y/N chuckled, appreciating the opportunity to unload her worries onto her friend.

''It's fine, honestly. It must not be fun to be in this situation,'' the Matilda replied, feeling for her friend, ''if anything else happens you can always let me know, okay? I'm gonna have some dinner now.''

Y/N smiled gratefully. "Thanks, Ky. I really appreciate it.”

''Anytime. Take care, I'll see you at training.''

''You too. Bye, bye.'' They bid each other goodbye before hanging up the phone.

Y/N prepared to leave her room again, wanting to check if Vivianne had started dinner yet or not.

Just as she stepped into the hallway, she nearly collided with Beth, who was coming out of her room with a tight-lipped expression. The sudden encounter caught them both off guard.

''Shit, sorry.'' The younger one apologized first, giving her housemate an awkward glance.

''It's alright,'' Beth brushed off, ''uh, were you on the phone just now?" She asked, her brow furrowing slightly.

Y/N nodded. ''Uh, yeah, with Kyra.''

Beth's expression shifted, a flicker of something unreadable crossing her features. "Oh, Kyra." She murmured, her voice tight.

The younger girl simply stared at the winger, not knowing what to say to her words. "Is everything okay?" Y/N ventured, her voice hesitant as she searched Beth's face for any sign of what might be bothering her.

Beth's lips pressed into a thin line, and for a moment, she seemed lost in thought. When she finally spoke, her words were tinged with a hint of irritation. ''Everything's alright.''

Y/N offered a small, uneasy smile and nodded. "Oh, okay." She said, though her words felt hollow even to her own ears.

With a nod of acknowledgment, Beth turned to walk away. As she watched Beth disappear around the corner, she wondered if it had been something she had done. However, she couldn't recall saying or doing anything that day that would have provoked this kind of demeanor from the couple.

The young striker walked into the living room, noticing Vivianne bustling about in the kitchen. But what caught Y/N's attention was the hushed whispers exchanged between the couple, Beth and Vivianne not being subtle about their gossiping.

A sense of discomfort washed over the youngster as she hesitated in the doorway, unsure whether to interrupt or retreat unnoticed. But before she could make a decision, the Dutchwoman glanced up and caught her eye, her expression inscrutable.

''Hey, dinner is almost ready. Just some leftover pasta from yesterday.'' She informed Y/N, her tone somewhat forced as she attempted to maintain a facade of normalcy.

Y/N forced a smile. ''Nice, thanks, Viv.'' She answered, trying to ignore the awkwardness that hung in the air.

She retreated to the couch, feeling as if she wasn't welcome in the small space. Something was off, and she couldn't help but feel like she was on the outside looking in.

She scrolled on her phone for a few minutes before Vivianne called her to the table as the food was ready. As they gathered around the dinner table, the atmosphere remained strained, the tension thick enough to cut with a knife.

Vivianne served up the leftover pasta, her movements brisk as she avoided making eye contact with anyone. Beth sat across from Y/N, her expression unreadable as she picked at her food.

Y/N tried to focus on her food, but the uneasy feeling in the pit of her stomach made it difficult to swallow.

For a few moments, the only sound was the clinking of forks against plates, the silence punctuated only by the occasional awkward cough or clearing of throat.

Finally, unable to bear the tension any longer, Y/N opened her mouth. "So, um, what did you guys think about the match?'' She asked the pair, her voice coming out more high than she had intended.

As if on cue, Vivianne and Beth glanced up from their plates at the same time.

''It was tough, but it shouldn't have been tough. We lacked a clear tactic.'' The experienced striker answered, filling up the silence.

Y/N nodded, relieved at least one of them responded to her attempt at conversation. She took a peek at Beth, who did not seem amused in the slightest to talk about the surprising defeat earlier that day.

''It was just another match of us fucking everything up, and you kids having to unfuck it all.'' Beth said, her tone dripping with sarcasm.

The youngest's eyes widened slightly at the cutting remark, not expecting those words to come out of the Brit's mouth.

Vivianne shifted uncomfortably in her seat, casting a quick glance at Y/N before fixing her gaze on her partner. "Beth, that's enough.'' Her voice was stern, warning Beth that this was not the way to go about this.

But Beth ignored her girlfriend, her eyes fixed on Y/N with an intensity that made her squirm. ''No, she needs to learn to not talk about teammates that way, especially the ones that have just gotten back from serious injuries, and need time to reintegrate into the group.''

Y/N felt a flush of embarrassment creeping up her neck, she cast a desperate look at Vivianne, silently pleading for her to intervene and diffuse the situation before it escalated any further.

''Beth, I wasn't-''

''You weren't what? You weren't talking shit to Kyra about us right after the match? You weren't talking shit about us to Kyra on the phone just now?'' The oldest continued in an accusing tone.

Vivianne let out a sigh, her frustration evident as she attempted to defuse the situation. ''Beth.'' She said firmly, her gaze shifting between the two other people at the table.

''I wasn't talking shit about you guys. I would never do that.'' Y/N managed to let out, offended at the mere idea of her not appreciating the two women who'd let her move in with them a 1,5 years ago.

''Y/N, we heard you. On the pitch after the match, with Kyra.'' Beth responded bluntly.

Y/N swallowed hard, slightly ashamed of being caught. ''We were just... we were just frustrated, okay? That comment wasn't directed at any of you guys, it was more at Jonas, to be fair.''

The couple grew silent at the admission, realizing they had greatly misunderstood the two young girls' conversation. ''About Jonas?'' Vivianne repeated, her voice carrying a note of embarrassment.

The young striker nodded. ''Yeah, me and Kyra have just been a bit upset with our game time, that's all. It felt like a repeat of the Tottenham game.''

Beth and Vivianne exchanged a glance, coming to a silent understanding. ''We're sorry for jumping the gun on that one, darling. We really thought we needed to teach you some manners.'' The Brit nervously apologized with a chuckle.

''It's alright, we probably should've been a bit more discreet.'' Y/N brushed her apology off with a hand gesture.

''No, you two are in your full right to complain.'' Vivianne retorted, agreeing on the playing time matter.

The teenager waited a few moments before elaborating. ''I don't mind sitting on the bench, it's great to get rest, you know? But it almost feels like he doesn't trust me to get the game starting or something. I like to think I did great last season, so this kind of sucks.'' She opened up, not having voiced these thoughts to anyone but Kyra.

''You did amazing last season, you stepped up when we needed someone and the team will never forget that.'' Beth smiled, squeezing the youngster' s hand.

''It seems that Jonas forgot.'' Y/N muttered bitterly, looking down at her empty plate.

The couple silenced themselves at her mumbled words, not knowing what the appropriate response would be to cheer her up about the situation. They were indirectly responsible for the young girl to not get as much game time anymore, so whatever they would tell her, she would most likely not feel much better afterwards.

''Just focus on what you're doing right now. Show up to training, recover well, maximize everything in the minutes you do get. Show him that he should trust you to start, and that you deserve to have that spot in the line-up.'' Vivianne chimed in, her voice soft but resolute.

Y/N nodded at the older woman's words, though her demeanor still seemed dejected. ''Yeah, I'll continue to do that.'' It came out somewhat passive aggressive.

''I know it doesn't fix the situation, but you're my personal star girl, regardless whether you play or not.'' Beth softly smiled at her.

The teen managed to crack a small smile back, appreciating the sentiment. ''Thanks, Beth.''

''You're mine too.'' Vivianne added.

''Hey, that's my compliment for her! Find another one if you want to be cute!'' Beth scolded her partner, dramatically feigning annoyance.

The Dutchwoman frowned. ''Everyone calls her ‘star girl'! You're not original either!'' She pouted back.

Y/N couldn't help but let out a chuckle at the banter between the couple, happily accepting the momentary distraction from her frustrations.

Beth playfully rolled her eyes. ''At least I'm complimenting her!''

''Sorry that I was just giving useful advice, Bethany.'' Vivianne retorted.

''Useful.'' The Brit repeated, her voice heavily tinged with sarcasm.

Vivianne's mouth gaped, pretending to be offended. ''It was useful! That's what I would have wanted to hear at 19 year-old.'' She defended herself.

''19 year-old's want to hear praise, Viv. They want to be called star girls, not receive a lecture.'' Beth quickly replied, with a smirk.

''Y/N, it was useful, right?'' The older striker turned towards the teenager.

''Yeah, Y/N, tell Miss Miedema how useful her advice was.'' Beth chorused her words, grinning from ear-to-ear.

The youngster simply glanced between the two of them, before picking up her empty plate and standing up from her seat. ''I'm taking this as my sign to leave.''

She ignored their pleas with a satisfied grin, making her way to the kitchen to dump her plate, and walking back to her room.

The couple watched her depart, sharing a knowing look, a hint of amusement dancing in their eyes. ''She's gonna call Kyra, isn't she?'' Vivianne chuckled.

''She so is.'' Beth agreed with a laugh.

requests are always welcome!

[blacktabbygames]

Something I've been curious about were you guys always going to plan the stranger having her own special ending before you got to the final stranger? Or was that something you decided after you finalize the stranger?

A lot of the narrative design work on Slay the Princess came from following things to what felt like their logical conclusions, and letting the pieces fall into place as they clicked. Given the looping nature of the game, it made sense for the "final" encounter to be with the "first" Princess, taking you right back to where you started and asking you to make the same choice you had to make at the very beginning of the game, but now with all of the context that comes with playing through the game. The Stranger stuck out like a sore thumb there, since if you do her route first, she's the first Princess you meet, rather than Chapter 1's Knife!Princess or NoKnife!Princess. So it only made sense to give her a special ending, which also balances out how short/linear her route is overall (even if, in terms of game logic, she had far and away the most complicated chapter to code.) The Unknown Together ending in general was another piece of the puzzle that just happened to fall into place near the end. In the earliest draft of that ending sequence (in my brain only) you would arrive at the final cabin knife-already-in-hand, since you'd only get there by resisting the Shifting Mound. But as we started actively working on that part of the script, it felt more compelling to set up that final situation as a more direct mirror of Chapter One.

And because we wanted it to be a reflection of the beginning of the game, it made sense that whether or not you take the blade with you downstairs should be a huge decision. Almost a little test for our players — did you realize by the end of your runs that the knife doesn't, like the Hero suggests, "always seem to give us more options than not?"

But needing to include that choice raised the question of, "well, what happens, metaphysically, if you don't bring the knife?" And the answer that was most compelling to us was "we don't know, and the fact that we don't know is what makes the choice so compelling." One of those bits where it's wild to think about how late an addition that ending was, since I think it's vitally important to the themes of the story. If the nature of death is a major thematic through-line of Slay the Princess, The Unknown Together is the only ending that truly confronts its terrifying mysteries, and it does so by abandoning fear on the floor of that final cabin.

[secondhandsorrows]

Some Vital Scenes to Include in a Romantic Subplot, pt. 1

I’ve been in the plotting stages of a novel I’ve been working on for some time now. It’s not a romance novel, per se, but the romantic aspect is very prevalent… dare I say important. Anyway, so as I was working on my scenes and character arcs, I began to realize that I didn’t have enough fleshed-out about romantic arc, nor deepened the protagonist’s love interest or their connection, for that matter. This led me to devise up some scenes that I felt were crucial to the story if I wanted to keep this romantic angle to it, and now that I’ve most of them arranged, I find now that I’m way more excited about my characters’ love story. 

These tips will be unnumbered because, obviously, the sequence of these events and how they will fall into your storyline will probably be different. Also, you don’t have to use only one scene for every suggestion that will be mentioned, as you can have multiple scenes of flirtations or deep conversations, for example. They usually blend all together into the narrative at this point. Just remember that there should be some relevance to the plot at hand in some of these scenes as to not derail completely from the main narrative or other conflicts.

I was going to post this all at once, but decided it was too long and wanted to split it into two parts to go more in-depth and for easy reading. /-\ Enjoy ~

- The meet-cute, or the meet-ugly:

Ah, yes, the first encounter. Or, as we sometimes like to call it: the meet-cute, or the meet-ugly if you’re feeling a little unconventional or perhaps mischievous. Though we may enjoy setting up our star-crossed characters in a whole range of moments from awkward to swoon-worthy, the initial meeting is what’s important (if your characters haven't already met before the beginning of the story, ofc, but this is useful to have in mind). Let us quickly define the two:

Meet-Cute: A charming and serendipitous first encounter between the characters in question that sets a positive, memorable, and oftentimes romantic tone.

Meet-Ugly: An unconventional, awkward, or disastrous initial meeting that adds a unique twist to the start of the romantic connection, often leading to unexpected chemistry and an added intrigue on whether or not they’ll get together.

You don’t have to nail your characters’ first encounter into a label or bubble such as these two examples, but I like bringing these up for a general idea. 

- Bouts of flirting and/or banter:

Just as the title suggests, these are scenes containing the flirtaious communication between the two characters. These kinds of interactions will, of course, develop over time and deepen the bond or relationship. Playful interactions, gazes, and witty exchanges between the characters can create a lighthearted and flirtatious atmosphere that hints at their growing attraction.

The way they might flirt or tease can reveal their personalities. For example, one character might be more sarcastic, while the other responds with quick wit, or quiet bashfulness. There’s an element of subtlety, as flirting lets the characters express their romantic interest without explicitly stating it (unless one of your characters lacks subtlety in general and prefers to shout their undying love from the rooftops, which would make for an interesting dynamic, but I’m only spit-balling). 

Banter, teasing, and romantic tension underscoring heated debates or loathsome gazes suit just as nicely, especially if you’re writing with enemies-to-lovers or rivalry tropes in mind. But be careful! A little goes a long way: too much all at once can repel any growth for the characters or narrative.

- Initial conflict or struggle:

Depending on your story’s big-picture conflict, the introduction of challenges or obstacles can create tension between the characters, adding depth to their relationship and making their eventual connection all the more satisfying. This might include cultural or class differences, opposing goals or values, history of past heartbreak, personality weaknesses such as stubbornness, or external pressures that threaten to keep the characters apart. Even a nosy family or a disapproving mother can be considered. How the characters navigate and resolve these conflicts contributes significantly to the overall emotional impact of the romance subplot, as well as allowing for some exploration of each character's strengths, weaknesses, and resilience. 

- Shared vulnerability:

This kind of scene involves the characters opening up to each other about their innermost fears, insecurities, past trauma, or personal struggles. Shared vulnerability goes beyond surface-level interactions. It involves characters revealing their authentic selves, exposing their emotional vulnerabilities, and allowing the other person to see them in an honest — and sometimes new — light.

This is a symbolic gesture of commitment we’re talking about, here… something that requires trust. As characters share their fears or past traumas, they are entrusting the other person with sensitive information, fostering a sense of trust and emotional intimacy. It might be scary, it could be out from left field, but they will end up learning something new about themselves, their situation, or about the other person, and thus deepen their connection, little by little.

[alvfr]

🌹 hii! Any Marvel content?

Btw the Rot snippet!! Amazing!

Aaah, thank you ❤️ And I thought for sure I had some Marvel-writing laying around, but I couldn't find it so I decided to act on my impulses and write this little thing I've had in the back of my mind for a while. It went slightly beyond a snippet, but I am who I am unfortunately. also I headcanon that xavier does not read minds unless permitted, which is in line with how this movie ended originally. paring: logan | james howlett/reader cw: fem mutant!reader, no use of y/n, set after days of future past, implied memory loss or time travel shenanigans, profanity, no smut wc: 1.9k

The First Time Ever I Saw Your Face

It is considered cliche to start a story with someone waking up, but that is nonetheless where this story begins. When everything you knew or thought you knew about the world changed. And out of every way your life could be turned on its head, you never thought it would be to the soothing tones of Roberta Flack playing on the radio. From the depths of your subconscious rose a tiny voice asking a question. What radio?

Roberta’s voice overpowered your internal one and became the first thing to wake you from a deep and comfortable slumber. Too deep and too comfortable, perhaps, compared to what you were used to. The same went for the bed — too soft and too warm and too nice smelling. A part of you tried to piece it together and failed. What bed?

For several long seconds before you fully woke, you pondered if you had died sometime during the night and woken up in heaven. More and more of your body stirred, though, indicating vitality. Including your eyelids that blinked open only to immediately squeeze shut at the incessant sunlight streaming in through the window. Faint alarm bells chimed in the back of your groggy mind. What window?

Still, not enough to break through to the rational part of your brain, you settled further into the fluffy pillow and closed your eyes again. A slight breeze tickled the back of your neck though and you twitched in annoyance. You twisted your head this way and that, but the tickling continued so you tried turning around to pull the covers up over your shoulder. Except you found yourself locked in place by something warm and heavy. Someone warm and heavy whose breath continued to tickle the back of your neck.

Your eyes burst open, and your entire body froze, not daring to even breathe. Your mind finally caught up to the unnatural warmth that came from the way your body slotted together with someone else’s in the large, comfortable bed you had never seen before. In a room you had never seen before. You twisted your head to peek at the person behind you, the one pressed flush up to your backside. With their hairy legs entangled with yours, with their scruffy face nestled into your neck, and with their muscular, heavy arm splayed over your midriff. 

First, you saw nothing but large tufts of dark brown hair, but your movement must have woken him. Definitely a him. Sun-blessed skin, a solid, rugged jaw covered in something that went way beyond a five o’clock shadow, and deep-set, weary eyes that remained closed for now. He grunted and groaned as if wordlessly admonishing you for disturbing his peaceful sleep, and his arm around your waist tightened. Much like yourself, he squeezed his eyes shut first and rubbed his face back down into the pillow and your neck, scratching his scruff onto your bare skin. Shockwaves spun through both your mind and nerve endings when he absentmindedly placed a kiss on your exposed shoulder.

“What the fuck?” you whispered, not really sure why you had not bolted from his grip. It was almost like that even if your mind could not comprehend what you were doing in this strange bed with this strange man, your body had no qualms about it. “What the fuck?”

“Hng?” the man grunted again and took several tries to blink his tired eyes fully open. Unfamiliar hazel eyes stared at you, and you stared back, watching his lip curl in irritation and his heavy eyebrows pull down to a scowl. Somehow, the sight of you did not seem to disturb him, quite the opposite, in fact, as he leaned over with eyes half-closed and kissed you right on the mouth. Soft, chaste, warm. Familiar in a completely unfamiliar way and gone before you could even comprehend what had happened. A sound vibrated through the man’s chest, almost a growl before he promptly closed his eyes and laid back down. “Hrmm.”

Every part of you burned, a hot blister running everywhere you still touched and where you had touched. Your mouth hung open from where his kiss had landed, a hint of wetness on your bottom lip that chilled in his absence. Both the intimate act itself and the strange nonchalance with which he did it made you want to implode. 

You held your breath, unable to either inhale or exhale, with your head reeling at the idea of being kidnapped by some weirdly cuddly pervert before his grip on you tightened and his eyes snapped back open. The confusion shone off of him, and you stared at each other, both unblinking and unmoving.

His voice came gruff and heavy with sleep, “Who the hell are you?”

“Who the hell are you?”

His focus danced around the room, not settling on either you or the interior. He tilted his head backward in the direction of the radio but did not fully turn, probably because you pinned him down with the way you lay. “What year is this?”

“What year is this?”

Now he did turn around, flipping over so you fell back onto the mattress. The movement tugged down the covers, revealing his hairy muscular chest that your fingers itched to run your hands over, and you dug your nails into your palm instead because what the fuck? You didn’t even know this guy, and even so, you could feel the way your stupid body pulled toward him. 

For some reason, the man stared at the fancy radio that declared it was playing ‘Golden Oldies’ on the holographic display and let out a tiny sigh of relief. “Twenty-twenty-three?” he asked you as if that was the most important question where you lay half-naked in bed together. “Is this twenty twenty-three?”

The earnestness of his question made your own take the backseat for a spell. You sat up, noting how you had on an unfamiliar black t-shirt, and rubbed your face. “I thought it was, but with the way you’re asking, I’m not sure anymore.”

“Is everyone,” he swallowed, and you noted the way his throat moved, “alive?”

“Define everyone,” you mumbled, but something glinted on your hand, and you pulled it away from your face to look at it. That had not been there last night, either. A ring. A simple, nondescript golden ring. Almost like a wedding ring. “What the fuck is this?”

The man raised an eyebrow, seeming unconcerned, and ran a hand over his scruff. “Hey, no judgment.”

Ignoring him, you pulled off the offending object and gave it a critical glance. “Who the fuck is,” you squinted at the tiny text, “James Howlett?”

“What?” His panicked tone spoke volumes, and you turned to stare at him. Was he James Howlett? When you said nothing, his voice grew tighter. “What did you just say?”

He had frozen with his hand still up by his face, and you both noticed it at the same time. The disturbingly similar ring on his finger and you wrenched it off him before he could protest. It was the same cut as the one you had, just larger and thicker, and with a different engraving, this one containing your name.

“What the fuck?” you snapped and tore out of the bed, mind overriding your meddlesome body as you hurled the rings at him. Then followed with the books from the overfilled bookshelf by the window. “What kind of disturbed, twisted, pathetic loser are you? You kidnapped me to live out some—”

He dodged the incoming projectiles, sounding more weary than angry. “Hey. Hey! Calm down!”

“—stupid handmaid’s tale bullshit fantasy—”

The man grabbed a book from mid-air and yelled, “Hey! I didn’t drug you or kidnap you, okay? I’ve never even seen you before!”

“Right! Sure! You just happened to have a ring lying around with my name on it in case I happened to wake up in your bed for some reason? You’re sick, mister! Sick!” You reached for another book but grabbed hold of a picture frame instead and were about to fling it at him. Except you caught sight of the picture, eyes widening to an unnatural degree, and held it up. “What in the ever-loving reverse Stockholm syndrome is this?”

The picture showed you, in a wedding gown, next to him, in a suit. Remarkably realistic, down to the genuine smiles on both your faces and the flurry of confetti that rained down over you from beyond the frame. 

“Whoa, hey, I’ve never seen that before. Lady, listen to me, last thing I remember, I was in 1973 trying to fix the future.”

“Oh my god, you’re insane. You’re completely out of your mind! I’m leaving and so help you god or anyone else if you try to stop me! I’m a mutant, you know; I can kick your ass seven ways to Sunday!”

The man’s face locked somewhere between confusion and amusement from where he sat in the bed, surrounded by books and messy covers. It did not occur to you that you should have been scared of him before you strode across the room, heading for the door. Almost as if your body overrode that particular feeling, as if deep down you knew this man would never hurt you.

Your brain was fully onboard with the getting-the-hell-out-of-here-plan, however, and you tore the door open only to reveal a hallway you had never seen before filled with kids you had never seen before. All kinds of kids, really, some of them obviously mutants and some at least human-looking. The myriad of noises and displays of powers momentarily distracted you from the bald man in the wheelchair right outside the door that you were sure you had seen before.

“Good morning,” he said with a polite smile, fingers steepled in front of him. “I’ve come to inform you that we’ve regretfully had several students complain about noises from your room. Again. I must ask you, again, to please keep it down as long as you are staying here near the dormitories. I know this is an inconvenience, but the refurbishment of the teacher’s lodgings is expected to be completed within a few more days. We have, wisely as it seems, included several layers of soundproofing.”

“Charles?” 

“Holy shit, you’re Charles Xavier.”

“Language, Professor Howlett,” Charles fucking Xavier said with a raised eyebrow. To you. He called you Professor Howlett and you could not even think of a reply while he raised a wrist to check his watch. “Speaking of, don’t you both have classes to teach?”

You only stared and let out a strained whispered, “What?”

“Charles,” the man behind you — presumably James Howlett — repeated, and you heard the rustle of cloth as he got out of bed. He sounded breathless when he said, “You did it.”

“Did what, Logan? ” 

Okay, maybe the man was not James Howlett? Either way, he came to stand next to you but paid you little attention from where he stared at Xavier. Open-mouthed, in awe, relieved, happy?

When Logan said nothing, Xavier gave you both a short nod. “Just keep it to an acceptable volume, please. Everyone knows you are happily married; there’s no need to remind everyone quite as frequently as you are. And get dressed, please! Class starts in five minutes.” 

-------------

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[samandcolbyownme]

This story will get dark and contain things that some readers might find unsettling and/or triggering.  PLEASE DONT READ IF THIS IS SOMETHING YOU'RE NOT COMFORTABLE WITH!!

Summary: Things get a little out of hand as you explore the Missouri Farmhouse with Sam and Colby.

Warnings include: talk of death and suicide, mentions of good and evil spirits, mentions of a brothel, reader being touched, spoken to, and tormented by spirits, mentions of being scratched, pushed, shoved, mentions of blood and puking, Estes method and other things some readers might find unsuitable - please read with caution my lovelies!

Disclaimer: everything in this story is completely off the top of my head, meaning I made it all up and also, y/n has a little thing going on with both Sam and Colby, but nothing is official. Enjoy!

Word count: a little over 16k | NOT edited

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"Yeah, okay. Thanks." Sam nods his head, "Alright. See you in a few days." He hangs up and sits down, "So." He ruffles his hair and looks between you and Colby.

"What's up, man?" Colby leans forward, elbows resting on his knees, "Was that Trevor?"

Sam nods, "Yeah it was."

"Who's Trevor?" You ask looking between them. You could tell something was up, but you didn't know what, "Sam. What's going on?"

"So.. Trevor is the owner of the house we're going to in a few days, and he said that we should rethink about bringing you along."

"Bringing.." Colby points to you, "Y/n along? Why?"

Sam leans back, "I guess having a female there just won't be a good idea according to Trevor."

"Why?" You shake your head slightly and sit up. Sam shrugs, "I guess when other female investigators that went, they left pretty banged up."

You raise your brows, "Well it's a good thing I can handle a few bumps and bruises."

Colby pulls on the corner of your sweater and you look at him. You can tell that he is only concerned for your safety right now, so anything you say will just go in one  ear and right out of the other.

You look back at Sam, "So what? I'm just going to be excluded from this?"

Sam sighs, "Trevor said that it's all up to you. If you want to go, no one will stop you."

"Well I wouldn't say no one." Colby chuckles slightly and looks up at you and Sam staring at him. He quickly covers it up, "She's our best friend Sam. Why would we potentially put her in danger? Especially since the owner of the house is telling us not to bring her?"

"He said it's her choice so I mean-"

You cut Sam off, "Yes. Exactly. And I want to go."

"Have you read up on the place we're going to?" Sam raises his brows and you stare at him, "No.. but I can."

He gets up, "Look, I'm all for you going with us y/n. You're a vital part of the team, you see things we can't sometimes, so of course we want you to go." He sighs, "Just read up on it then decide whether or not you want to still go. I'm going to go make sure we have all the equipment we need."

You watch as he walks away and then you turn to Colby, "why am I getting an irritated vibe from Sam?"

Colby shrugs, "Probably because of what Trevor told him, and because he cares about you." He turns towards you, taking your hand in his, "We don't want to put you in any harms way, okay?"

"Colby." You laugh slightly, "Everywhere I go with you guys, well not everywhere but the investigations specifically.. anything could happen. I've be targeted before. I've been scratched before. I honestly think I've been through it all with you guys."

He smiles and nods, "Yeah, no you're right, I just." He pauses and lets out a sigh, "We just don't want you getting permanently affected by anything."

You nod, squeezing his hand, "How about this.. I'll go read up on the Missouri Farmhouse and then I'll get back to you guys after?"

He smirks and nods, "Okay."

"What's that smirk for?" You tilt your head and he shakes his head, "I just.. I just know that you're going to still want to go even after reading up on it."

You purse your lips together and blink a few times.

"I know you so well." Colby smiles and stands up, "I'm going to go help Sam." You watch as he walks away before reaching forward for your laptop.

The keys clack in the silence as you type in Missouri Farmhouse.

You click on a link with the same image that Colby texted you and your eyebrows raise at the first headline.

Uncovered: Multiple Prostitutes Found Dead, Miles From Missouri Farmhouse

Your eyes scan over the paragraph, Arlon Wheeler has been named leader of the satanic rituals involving the sacrifice of female prostitutes.

"Satanic rituals?" You shake your head, scanning back over the old news article, Arlon Wheeler's wife, Cordelia Wheeler, came front with authorities and confessed to everything her husband and others involved have done.

You click back, trying to find a more recent one, mainly one about people investigating it.

"Oh, yes." You click on a link and your eyes widen at the second headline.

Scratching the Surface: Ghost Investigators Leave Missouri Farmhouse Scratched and Bruised.

You scroll down, eyes widening as you read, 'Yeah, we went in knowing that it could get a little wild, but I honestly didn't think that I would be leaving with five scratches and a few bruises. I partially can't recall what happened after entering the barn, but other than that, I can tell you that if you are a female ghost hunter, please proceed with caution.' Lyvie said. I asked her about the barn and she said, 'Oh yeah.. the barn. That's where the brothel - I guess, took place. Along long with the said rituals.'

A chill is sent down your spine as you sit up, taking in what you just read, but it just seems to get worse and worse.

'With further research, it has been found that Arlon and Cordelia Wheeler would plan for Cordelia to go into town and to pick up naive females and return with them for Arlon Wheeler's sadistic needs.'

You pinch the bridge of your nose and let out a sigh.

"That doesn't sound like a sigh of relief." Sam jokes as he sits next to you. He leans over, eyes scanning over your computer, "Mm, I see. Reading up on what you're getting yourself into?" You laugh slightly and look over at him, "Yeah, yeah."

You shake your head, looking back down at your computer, "I just.. That place is full of hatred."

"What do you mean?" Sam leans back against the couch and you point to the screen, "Between Arlon being sold out by his wife to all of those innocent girls being slaughtered for absolutely no reason." You look at Sam, "It's going to be a good video, but at what cost?"

You close your laptop and lean back, "I don't want you guys going in something like that alone." You smirk slightly, "What kind of friend would I be?"

"Friend.." Sam chuckles as he extends his arm over the back of the couch, "I'm just super anxious, because with you being a living female, I just have this weird feeling as to why there's so many reports on other investigators getting injured."

You lean in and rest your head on his shoulder, "Jealousy?" You turn your head to look up at him and he looks down at you, "Oh yeah." You smile, "Why's that, Sam?"

You can see his cheeks turning red as he tries to keep his composure, "Because.. As a pretty girl walking into something like that I-"

Colby cuts him off as he walks down the steps, "I'm looking at plane tickets. How many do I need?"

You sit up, looking from Colby to Sam. He smirks and holds up three fingers, "Three."

.·:*¨ ✘ ¨*:·.

""What's up guys.. It's Sam and Colby." Colby motions to the empty spot where Sam should be. He looks at the camera again and sighs, "What's up guys. It's Colby Brock, And today, we are currently at the airport, waiting to board our flight to Missouri." He tilts his head, giving a confused look, "Now, you're probably wondering, guys why are you at the airport waiting to go to Missouri? Well, we'll tell you."

Sam moves into frame and gives an awkward stare into the camera, "Hi." You laugh quietly, shaking your head as they continue the intro for the video.

"Sam, do you want to tell the people why we're going to Missouri?" Colby motions towards the camera and Sam looks at Colby, leaning in to mumble, "Why are we going to Missouri?"

You and Colby laugh at Sam and he sighs, "We are heading to a massively haunted farmhouse there. It is known for leaving a, figurative and literal mark on the people that go there to investigate."

"We're super nervous about this, considering what Sam says, I will be majorly surprised if we all make it out unscathed." Colby grabs the camera, turning it around on you, "We also have the very risk taking y/n here for this trip."

You smile and wave to the camera, "Nice intro for me, Colby." You laugh and he turns the camera around on himself, "I thought it was pretty bad ass, but okay." He laughs, "See you guys on the plane." He lays his hand on the lense and turns the camera off.

Sam sits down next to you, "Is anyone else actually kind of excited about this?"

You look over at him, "I'm half and half."

He leans forward, and you both look at Colby, "What about you?" Colby leans forward and shrugs, "I'm.. here." He laughs and you nod, "Yeah, that sounds about right."

"Hey, you cou-"

You cut Sam off, "I didn't want to stay home." He raises his hands, "Alright." He laughs, making you smile. He shake his head, "We couldn't get you to stay home even if we tied you to-"

"Oh my gosh!" A girl squeals, inconveniently cutting Sam off, "Are you guys really Sam and Colby? Like is this happening right now?"

Sam points to himself, "Yeah, I'm Colby and that's Sam." He points to Colby and Colby waves with a smile, "Yeah, my hair is a little darker than usual."

You smile and look up at the girl. Her jaw drops, "Oh my g- You're y/n! Are you guys making a video right now?"

You're shocked that she knows who you are, because you don't really get recognized much, "Yeah." You laugh slightly, "It's me." You glance over at Sam and he nods, "Yeah, were actually heading to Missouri right now to shoot a video."

All the girl can do is smile, "That's so freaking cool. Can I get a picture with all of you, please?"

You all agree and stand up as she finds someone to take the picture. You stand next to Colby as the girl stands between him and Sam. Colby wraps his arm around your waist, fingers gently rubbing your side as the stranger takes a few pictures.

"Thank you so much. oh my god, I can't wait to show my friends." She looks up from her phone, "They love you guys so much, they're going to freak."

"Thank you for stopping!" Colby smiles and gives the girl a hug, same with Sam, "Be on the lookout for this video. It's something you're not going to want to miss."

She nods, "I won't I promise." She looks at you, "Can I get a picture with you?" You look from her to Sam and back to her, "Of course, yes." She hands her phone to Sam and moves to stand next to you so Sam can take a few photos.

"Thank you so much, have a good flight!" She waves as she walks away and you turn to look at Colby, "Did that just happen?" He nods with a smile, "It sure did."

"Have you ever gotten stopped like that?" Sam asks as you all sit back down. You shake your head, "Nope. But I love it." You laugh slightly and Colby stands up, "I'm going to go get a drink, do you need anything?" You look over him and shake your head, "I have my water."

He motions to Sam, and Sam nods, "Just get me what you get."

You watch Colbt walk away before looking at Sam, "So what were you saying before all of that?"

He smirks and shakes his head, "About what?"

You smile and sigh, "oh you know, about me not staying home no matter what you did?" He laughs and sighs, "oh that.. Yeah, I was just saying how even if we tied you up at home you'd still find a way to come with." He leans in, "But something tells me that if we were to do that, no one would be going anywhere."

You sit up straight as his words send an intrigued shiver down your spine. You smile and look over at him, "This isn't some sort of I better say what i want now incase we don't make it back kind of thing is it?"

He laughs at your tease and shrugs, "I mean.. if it was.. I wouldn't say that and I definitely wouldn't be saying it here." He looks up as Colby walks back over, reaching up to take his drink.

Colby sits down next to you and sighs, "So what are we talking about over here?"

"Oh you know.." You look over at him, "Sam was just confessing his unprofound love for me, no biggie." You look at Sam and right before he can say anything, your flight is announced over the speakers.

"Oh look at that, perfect timing." Sam smirks and stands up. You look over at Colby and stand up, "Ready to fly into some spook-tacular fun?"

He laughs and points to you as he stands up, "You are definitely saying that on camera."

.·:*¨ ✘ ¨*:·.

The plane ride was quick, considering you fell asleep as soon as the plane took off. You woke up on the shoulder of a sleeping Sam.

"Morning sleepy head." Colby whispers with a smile. You wipe the little amount of drool from the corner of your mouth and smile, "Isn't it like four p.m?" He laughs and nods, "Yeah, I guess you're right."

The flight attendant annouces that you'll be landing shortly so you reach over to nudge Sam, "Hey.. Hey.. Sam. Samuel. Samuel John.." You look at Colby and back to Sam, "Samuel John Golbach."

You laugh slightly, "If you don't wake up, Colby will have no choice but to kiss you."

Colby leans forward, "What now?!"

"I'd like it better.." Sam sits up straight and looks at you, "If you kissed me instead."

You smirk, looking away to hide the blush growing on your cheeks and Colby holds his hand up, "Whoa. I think it'll be fair if she just kisses us both."

"You would like that wouldn't you?" You smirk at him and he nods, "Very much so." You lean back in your seat, the anxiety of going to that house tomorrow sets in.

The news articles flash in your mind, images of the the scratches and bruises people have received slip into the mix as well.

You didn't know your leg was bouncing a mile a minute until Sam lays a hand on your knee, "You good?" He asks with a slight laugh and you look over at him, "Yeah, I just got to thinking about the house."

Sam wants to suggest you staying at the hotel, but he and Colby both know that that isn't going to happen.

"I'm just.. what you told me about what Trevor said, it's just circling in my mind and I mean, maybe.." you shrug,"..I'm having second thoughts but I just can't let you guys go alone."

Sam smiles slightly and nods, "No, I know what you mean."

You all get up and get off the plane, making your way to the baggage claim. You yawn, laying a hand over your mouth, "Thank god we don't have to go until tomorrow."

You walk up, picking up your suitcase. Sam and Colby follow behind you, "Yeah, we all need to rest up before going there." Sam says, looking at Colby, "Do you want me to film or you?"

Colby shrugs, "Doesn't matter to me." Sam nods and you follow him over to a bench before he pulls out the camera, "Well guys. We have landed here in Missouri. Going to head to the hotel now and that's where we'll give you the rundown about everything that's going on tomorrow night."

"Colby, y/n." Sam turns the camera to face you guys, "How are we feeling?"

"Tired." You say with a laugh, "And kinda nervous, because we're only a few hours away from the house and I'm just.." you shrug, "Anticipating the scariness of it, I guess."

Colby nods, pointing his thumb towards you, "Exactly what she said." He laughs and nods, "But I'm ready."

Sam turns the camera back to himself and points, "See you guys in a few." Sam turns the camera off, putting it back in his backpack, "Alright, let's get to the hotel."

You make your way to the car that they rented and throw your stuff in the trunk. You get in and shut the door, waiting as they get in.

"So how far from the house will we he once we reach the hotel?" You lean over and look forward in between them.

"Um.." Colby thinks, "About an hour and a half, two with traffic maybe?"

You nod, "okay." You get on your phone, typing in the house you're going to into the search bar again. You click on a link you haven't looked at yet and rest your head against the headrest as you bring your phone up to read.

We got in contact with a group of ghost hunters to talk about their experiences at The Missouri Farmhouse. One said, 'Yeah, I was walking towards the barn and all of a sudden I was on the ground, almost like something came barreling behind me and I was in the way.'

Another said, 'I was standing on the porch of the home, just looking out over the dark cornfields when I felt something wet on my back and my shirt was kind of sticking to me. We went in the summer so I thought maybe it was just sweat - I was wrong. I had my friend shine her light on my back as I lifted up my shirt and I still can't get the way she gasped in shock out of my mind. I had two scratches going down my back and what I was feeling wasn't sweat - it was blood. My blood. I left right then and there and I don't plan on ever going back.'

"This person said that they were scratched so bad that blood was drawn." You look up and Sam and Colby both glance back at you, "I'm reading more on the house, and everything I'm seeing just gets worse."

"It's not going to be an easy night. That's for sure." Sam shakes his head as he comes to a stop at the red light, "We have to go in with a positive mindset, because if we go in with negative one, all we're going to get is a negative reaction."

Colby nods, "That's why I'm super thankful we came a day early. Just so we can rest up and really prepare ourselves for this."

You go back to reading.

'What would you say to anyone who plans on going to see the house for themselves? Would you try to persuade them from going?'

'Personally..' Darion starts, "..I wouldn't necessarily try to persuade anyone from going, because at the end of the day, if they really want to go, they're going to go. So what I'd say, is go in there with an open mind. Don't expect the worst right off the bat because if you do, you'll get the worse right off the bat. Treat the ground you walk on with as much respect as you humanly can and don't, don't underestimate the spirits that are trapped in that house - especially the barn.'

You lock your phone and look out the window. You don't really say much because of not only being tired, but because you're really thinking about whether or not you want to go.

You wanted to go, of course, but you didn't want to put the burden of being worried about onto Sam and Colby, considering they'll already be worried about each other.

You reach the hotel and make your way inside to check in before going up to the room. You sit down on the bed and fall back, "Finally."

Colby laughs, sitting down and falling back onto the bed next to you, "Tell me about it."

Sam sits down on the other bed and falls back, "So who's sleeping where?"

"I could honestly fall asleep right here." Colby laughs slightly. You nod, "Same." Sam sits up and goes to his backpack, "I forgot. We have to do the backstory stuff."

Colby sits up, "Oh shit, that's right." He gets up, moving over to the other bed, right in front of where Sam set the camera up.

You heave yourself forward with a groan and stand up slowly. You walk over, moving onto the bed behind them.

Sam looks back at you, "You can lay down if you want."

You shake your head, "I'm good."

Colby laughs and looks at you, "You just want to say that spook-tacular line don't you?" You roll your eyes as you laugh, looking at him with a serious look, "Maybe."

He laughs and looks forward as Sam gets the camera on. Sam sighs, "we made it to the hotel." He motions around before clapping his hands together, "We are about an hour and a half, two hours give or take, away from the Missouri Farmhouse."

He motions towards Colby and Colby takes over, "So the Missouri Farmhouse was known for a few things. One thing being that it was owned by two of the richest people in this town at the time, Arlon and Cordelia Wheeler. Second thing, the barn right behind the house."

Sam looks from Colby to you, "Y/n, you were reading up on it on the way here, why don't you fill everyone in?"

You nod, slightly shifting to face the camera, "So over the last few days and even today, I've been reading different articles pertaining to the house itself and the barn." You pull up your phone, unlocking it, "The barn is where a brothel was held for a few years. Multiple people from this town, and even family members to both Arlon and Cordelia, would come and pay them to engage in sexual activity with, as the article stated, naive prostitutes that Cordelia would pick up from town and bring back."

You look at Sam and he smirks slightly, "Keep going."

You smile and shake your head, "Not only did the sexual activity take place, but the same prostitutes would then be sacrificed to bring good fortune to the very greedy couple, and to also try and bring a miracle, or whatever of fertility onto Cordelia."

"Oh yeah, they didn't have any children." Colby snaps and looks at Sam, "I read that they tried multiple times, but nothing worked so I think it was a cousin, maybe, of Cordelia who was big into secretly doing witchcraft, that told her about the human sacrifice thing and yeah."

"So it was the cousin of Cordelia that started it all?" Sam asks and Colby nods, "I'd say so. Because what I was reading, they convinced her, promised her safety after she made a deal with the devil I guess and that's when they started sacrificing everyone, but I don't know how they could have saved her from everything."

Colby shrugs, "Bottom line, this place isn't going to be like any other place we've stepped foot into before."

"Oh!" You snap your fingers, "I also read some other investigator's personal experiences and the one got shoved, knock over on to the ground hard and the other one I read, she had two.. not one, but two scratches on her back.. and they were bleeding."

"I just hope that we leave with our skin in tact." Sam rubs his arms and Colby looks over at him, "I think I would rather leave unpossessed or something of that matter."

He laughs and Sam nods, "Yeah." He laughs, "You have a point with that one." He claps his hands, "Let's just hope that we all leave the same way we go in."

Colby and you nod and he looks back at you, "Anything else you want to add in?"

You stare at him and sigh, "We'll see you tomorrow on this spook-tacular adventure."

Sam and Colby cheer and Sam reaches up to turn off the camera, "That was great. I love that." He looks back at you and you laugh, "alright. I'm going for a shower."

You grab stuff from your suitcase and walk into the bathroom.

Once you're done, you come out to both Sam and Colby asleep on the same bed in positions they probably were expecting to fall asleep in.

You pull out your phone, recording as you walk over to them, "This is how I found them when I came out from the bathroom."

You zoom in on Sam, "I don't know how that's comfortable." You move over to Colby and quietly laugh, "again, I don't even know how that's comfortable."

You stop recording and tap Sam's knee, "Hey." He opens his eyes and smiles up at you, "Hey." You laugh and motion to his position, "How is that comfortable?"

He sits up, almost falling off the bed completely, "I honestly don't even know." He looks over at Colby, "Is he kneeling on the floor?"

You nod, drying your hair with the towel, "That he is." You toss the towel onto the floor and walk over to Colby, "Hey, Colbs." You tap his shoulder and he snorts, "Huh?"

You smile, "I think lying in the bed will be more comfortable.." you laughs slightly, "Better for your knees."

He laughs as he pushes himself back from the bed, "You would know."

Your jaw drops, "Hey now. I've never fell asleep like that." He glances up at you, a smirk comfortable on his lips, "Wasn't talking about that."

You roll your eyes, "Keep it up and you won't know." You make a face at him, smiling as he shakes his head, "Don't say that."

You hold your hands up, "Sorry." You go to walk to the other bed but Sam stops you, "whatcha doin'?"

"Going to bed." You point and pull the covers back. Sam pouts, "All alone?"

You smile at him and glance at Colby, "what? Are you scared or something?"

"Oh yeah, don't you see me shaking in my boots?" Colby pretends to shake and you laugh, "Fine. You've convinced me enough."

Sam grabs your hand and pulls you over him, laying you in the middle between him and Colby.

This wasn't anything new to you guys. You shared toddler beds as kids and it just stuck. You knew the moment you came to live with them that you liked them both.

They both seem to like you, and even though nothing is official, it just works for you guys.

Almost like a well oiled machine with no labels, all three of you just know.

"Goodnight." You roll onto your side and Sam turns the light beside the bed off, "Goodnight." He lays down next to you, laying his arm over your waist.

"Goodnight." Colby turns his light off and lays down facing you. He lays a hand on your hip and with them next to you, it doesn't take long for you to fall asleep at all.

.·:*¨ ✘ ¨*:·.

You hear talking, but you try to ignore it as you don't really want to get up yet.

"Today is the day we go to the Missouri Farmhouse."

Your eyes snap open the instant those words leave Colby's lips. You lift your head, slowly looking around before sitting up.

"Oh, look. She's finally awake." Sam jokes and you cover your face with a pillow, "No." you groan, "I'm not ready."

Sam goes back to talking as you sneak away to get ready for the day. After a little bit you come back out and see Sam and Colby sitting on the bed talking.

"You still up for today?" Colby looks at you and you nod, "Yeah. Why wouldn't I be?" You set your bag down and walk over, sitting in the chair across from them.

"Just making sure." He smiles and you nod, "I mean, I'm nervous, but I'm trying to shake that away."

"It's normal to be nervous, especially when investigating something like this." Sam starts, "You just need to go in there with knowing that you're in charge of yourself."

You let out a breath, "I'm just.." you shake your head, "When do we have to meet Trevor?"

"He said he'll meet us at noon, but if you want we can go get something to eat." Sam suggests and you nod, "Yes. Please, I'm starving."

You make your way out to the car, debating on whether or not you should tell them about the dream you had last night.

You didn't want to freak them out, but at the same time, it felt so real, like you need to tell them.

"Hey, so.." you start out, laughing slightly when Colby looks at you, "I had a weird dream last night, and I debated on not telling you but it was something about the house."

"The house?" Colby questions and you nod, "Yeah, the farmhouse."

"Do you mind if I record this?" Sam asks holding the camera up and you shake your head, "No because it might be a good thing if you do."

You wait for Sam to do his intro, "We are currently on our way to get something to eat before going to meet, Trevor. He's the owner of the Missouri Farmhouse, but first, y/n here told us that she had a dream about the house so I'm just going to let her take it away."

He turns the camera back to you and you sigh, "Okay, so first off I don't even remember falling asleep so that's kind of weird because usually I do, you know what I mean?"

Sam and Colby both nod and you nod back, "Okay, so once the dream started, it was us, standing on the front porch of the house, it's nighttime mind you."

"Extra creepy." Sam laughs and you nod, "Oh yeah. Definitely. So we go in, and for what ever reason, Colby wanted to split up and I just had this absolute gut feeling that we shouldn't. So I kept telling him no, Colby. No we can't split up and he like got, I don't even want to say mad because it was worse than that."

"Almost like something took over him?" Sam asks and you hear Colby whine from the drivers seat, "Why me!?"

You shrug as Sam puts the camera back on you, "That's what I'm saying, like you were told that you were intimidating to the ghosts, and Sam.. well.." you laugh and he moves the camera to frown into it.

"Anyway, so we stick together, but there's all these shadow things moving around and at this point in the dream, I've had enough I want to go home, I'm clinging to Sam.." you see his lips form into a smirk and you try not to smile, ".. screaming to let me go let me go."

You point to Sam, "You, Sam, You're just looking around, watching these things fly and move around us and then all of a sudden everything goes dark, it feels like you're pulled away from me. I'm pushed backwards, and then I woke up. I don't know what time I woke up, but you guys were still asleep and it was still dark out."

Colby glances back at you in the rearview, giving you a why didn't you wake us up? look.

You frown slightly and sigh, "So I don't know if that has anything to do with what we're about to experience or what but it kinda has me shaking a little bit."

"I honestly don't even know what to say to that." Sam laughs slightly, "We wanted to record that just in case anything like that happens tonight at the actual farmhouse, so."

Sam turns the camera to Colby, "Click that like button if you think it will happen and hit that subscribe button if you think it won't." Colby smirks and winks into the camera and Sam smiles as he nods his head, "I see what you did there. Nice."

You laugh and lean back against the seat, your dream replaying in your mind over and over again as you make your way to the restaurant.

After lunch, you guys head to meet Trevor and Colby starts recording as Sam takes a turn driving.

"We are now on our way to meet up with Trevor. He's going to give us the whole run down." Sam looks over at the camera and back to the road, "My hands are sweaty. I'm actually getting more anxious the closer we get to going to the house, you know?"

"No, man. I know what you mean." Colby laughs and nods. You lean over, "We can just pull up to it, you know. Snap a few pictures then leave, I mean we can still say we seen it, right?" You laugh nervously and sigh, "Fuck. I cannot believe we're doing this."

"Well, believe it. We're here." Sam pulls into a driveway and Colby leans forward, "This doesn't look like the Missouri Farmhouse."

Sam starts laughing, "That's because this is Trevor's house, you fuckin' dummy."

You lay your hand over your mouth and Colby sighs as he nods, "Yeah.." He looks down at the camera and nods, "Okay." He turns it off and looks at Sam, "Thanks for embarrassing me, Sam."

"You did that yourself." Sam laughs and gets out, opening your door for you, "Ready?" You look up at him as he shuts the door, "Yeah. Let's go get some more horrific information." Colby walks around the car and stands next to you, "Did he say if it's alright to record this?"

Sam shakes his head, "I'm going to ask him."

You follow them to the door and Sam knocks. A few seconds later, the door opens and what you assume, Trevor smiles, "Hey, Sam?" He holds his hand out to Sam and he takes it, "Yes sir, I'm Sam." He points to Colby, "That's Colby."

"Hey, how are you?" Colby shakes his hand and steps out of the way as he motions to you, "This is y/n." You step up and shake his hand, "Hi. How are you?"

Trevor nods, "I'm good." He smiles, "I'm good. Please.." He steps out of the way and motions for you all to come in. You walk in, followed by the boys and Trevor closes the door, "So what do you want to know?"

"Oh before we start, do you mind if we film this for our video?" Sam holds up the camera and Trevor shakes his head, "Not a problem at all, whatever you need." He takes you guys into his dining room and Sam sets up the camera so you're all in frame.

"These look.. old." Colby reaches out and slides a paper over towards him, "What are these names?" He looks up at Trevor and Trevor sits down, "So this right here." He points to the paper in front of Colby, "We think these are the names of the prostitutes that were taken to the house."

"Like the ones that were sacrificed?" You lean over and look at the paper. Trevor nods, "Yes. We think this was kept by Cordelia as a way for her to have leverage over Arlon."

"Almost like blackmail?" Sam asks as he looks up and Trevor nods, "Exactly. Now these.." He opens a manilla folder and slides papers next to each other, "Lean in and read this. Tell me what you think it is."

All of you lean in, eyes scanning over the semi blurred words that read;

By signing this, you have gradually acquiesced to the demands of our leader, A.W. You must now obey order. If orders are not obeyed, there will be acts of retribution.

A.W. C.W

"Was this like a contract or something? Something that the women were, I'm assuming, forced to sign so they couldn't run and tell the truth about what was happening?" You ask as you look up at him.

Trevor nods, leaning back in his seat, "Precisely."

"Its such a short contract." Colby shakes his head, "But it actually worked? Like it was a valid thing?" Trevor shrugs, "I don't think there was such thing as a notary back then, but with enough people believing in Arlon, I'm sure that didn't make much of a difference."

"Can we take a picture of this name list? Just so we know who to try and talk to?" Colby taps his finger next to the paper and Trevor nods, "Oh yeah, of course. Take a picture of it all if you'd like."

Colby works on taking pictures while you and Sam talk to Trevor, "Can you tell us about any personal experiences that you or anyone else close to you have had?" Sam asks resting his elbows on the table.

Trevor blows out air, "Gosh, I don't even know where to start." He chuckles and you sit up more, "What about the girl that got scratched so bad she bled?"

Trevor's eyes widen as he nods, "Oh shit. Yeah. The panic in her voice when I got the call about them leaving, was not a call I wanted to receive at two a.m."

You nod, "Oh I can imagine. I was reading up on the house over the last few days, and some of the stuff I've read is just.. horrifying."

Trevor nods, "They're not exaggerating it at all, either. The barn, that's where everything was held for a majority of its time. That is where most of the crazy shit happens."

He shuffles through the folder and slides over a blown up picture of a wooden beam sticking straight up out of the ground, "My brothers and I were working on patching up some of the holes in the roof of the barn one day when I suddenly got this really bad, dizzy feeling. I stepped, maybe three steps, and that beam fell straight down onto the exact spot I was standing."

You all look at Trevor in shock and he nods, "Another time, I was in the house looking around to see what we could really remodel. I was standing on the stairs and it honestly felt like someone was trying to throw me over the banister."

"What the hell." Colby shakes his head, holding up hid pointer finger, "Note to self. don't stand too close to the stairs banister."

You and Sam laugh and Trevor nods, "Another don't you should follow." He looks between the three of you, "If you go into Arlon and the wife's room, don't let the door close on you."

"I know.. I'm probably going to regret asking this.." Sam sighs, "Why?"

"I've never had it happen to me, I even went there to see for myself, but I've had multiple reports about some crazy shit happening if you let the door close. For instance." He sits forward, "Someone called me and told me that their hearing.." He puts air quotes, "Stopped working."

"Oh shit." Colby shakes his head, "Almost like they isolated them." Trevor nods, "Yeah, they also said that they've heard things being screamed into their ear. They could never tell me what they heard. Every time they thought about it, it was on the tip of their tongue but they just couldn't ever say it."

"Now that is really freaking weird." Sam shivers, "I have the goosebumps just thinking about that, like being the only one in a room, a dark room at that, and just having something scream shit into your ear that you definitely make out, but you forget about it even though you know it? Does that make sense?"

You nod, "That would drive me absolutely insane." You lean back, stretching your arms out behind you.

"Did you get pictures of everything?" Sam asks Colby and he nods, "Yes, I did. I'll send them to both of you, just in case something happens to my phone." He sends out the pictures to you and Colby and you swipe through them as they finish up talking.

"Thank you so much for meeting with us." Colby holds his hand out to shake Trevor's hand again, "We truly appreciate all the information." Trevor shakes his hand then moves onto Sam's, "Not a problem at all. Again, call if you need anything and just be cautious around and in the barn if you do go in. You never know what can happen."

You nod and walk over to the door with them, "Wait." You turn to Trevor, "You told Sam on the phone that I shouldn't come? Why is that?"

"I found that the females that come to the house are targeted the most, probably out of the dead being jealous of the living." Trevor opens the door, "Just be extra careful, sweetheart. The pretty ones get more attention."

"Oh.. Okay. Thanks." You look from Trevor and Sam and Colby are both staring at you, "Again. Thank you for the information." Colby walks out, stopping to wait for you.

Trevor hands Sam the key, "This will open the front door. Call if you need anything."

"Thank you." Sam grabs the key, "I'll be sure to let you know how it goes." He lays a hand on your back as you walk in front of him.

"Good luck." Trevor yells before closing the door.

You get in the car after Sam open's your door, "He was fine up until the very end. I didn't like that." Colby looks back at you, "I don't think he meant it in the way that we took it, bu-"

Sam cuts him off, "I still didn't like it."

You laugh slightly, "It's fine. We have something bigger to worry about now." You take a deep breath, "The Missouri Farmhouse."

.·:*¨ ✘ ¨*:·.

"Stop here so we can get a shot of the entrance." Colby points and you lean around, "That's actually very fucking creepy."

Colby nods, "I know, all of the trees and then just this dirt, gravel road." he rolls his window down and holds the camera out, recording as Sam drive onto the long driveway.

Your heart drops into your stomach as the house comes into view.

"There she be." Sam says and you shake your head, "I already don't like this." You laugh nervously and Colby puts the camera on you, "You nervous or something?"

You roll your eyes and clear your throat, "What? Me? No. Not at all." You look at him serious, "Yeah, very much actually."

Colby laughs and turns the camera to Sam, "Well, brother. Now that were here.. how are you feeling?" Sam parks and takes a deep breath, "I honestly don't know." He laughs and looks over, "Y/n's dream kind of has me freaked out."

"Tell me about it." You run a hand through your hair, staring at the house as Colby records it, "Well, guys. This is .. The Missouri Farmhouse."

"We are going to get our things together and we will take you guys on a tour before it gets dark out, just so you can all see how old this house really is." Sam looks into the camera and Colby tilts his head, "You mean to show them how creepy this place actually is?"

Sam nods, "Same thing." He laughs as he turns the car off. Colby shuts the camera off and gets out, opening your door for you. You move at a slow pace, not rushing to get inside. You slip on your jacket, "How cold is it supposed to get?"

"I believe low forties." Sam says as he pops the trunk. You nod as you pull the hood from your sweatshirt out of the back of your jacket. Colby walks up next to you, "You ready?"

"As I can be." You smile up at him and he lays a hand on your hip, "At anytime-"

"You tell me this every time I do an investigation with you guys, and you know that if I absolutely cannot handle it anymore, I'll tell you." You smirk as he smiles and nods, "Just like to remind you."

"I appreciate that." You smile and turn to look at Sam, "So were just going to do a walk through?" He nods, "Yeah, I figured that with it still being daylight, we can get footage of how everything looks normal because I honestly feel everything is going to intensify when the sun goes down."

Colby puts his jacket on and sighs, "Ready?"

You and Sam look at him with a nod, "Ready."

Sam starts rolling, "Alright guys. So we are on our way into the house. This is what it looks like on the outside." Sam turns the camera around, panning it over the huge farmhouse standing before you.

You walk up to the door and Sam hands Colby the camera as he pulls the key from his pocket. He slips the key into the old looking lock and turns it, "Alright." Sam looks back as the door cracks open, "We're in."

"No going back now." Colby chuckles and hands the camera back to Sam so he can walk in first. You follow, Colby right behind you.

You trip on the step and fall into Sam, "I tripped." You announce quickly, "Sorry."

"You okay?" He turns around, laying a hand on your side and you nod, laughing slightly, "Yeah. I'm good." You look away from Sam, eyes scanning over the house.

Sam pans the camera around, "It's so old, yet so beautiful."

"Whoa, look at this." Colby walks over and Sam follows him. Colby points to a portrait on the wall, it's old and kind of ripped, "I think this is Arlon and Cordelia."

As Sam and Colby are talking about the portrait, you get this unsettling feeling that you're being watching, "Guys.." your voice is almost inaudible.

You reach out, tapping Colby's arm and he turns around, "Did you just- what's wrong?"

"Something is watching us." You swallow and turn around.

A shadow moves from the top corner of the doorway and you point, "That door. There was something in the top corner."

"Oh fuck." Sam walks in front of you, camera pointed at the door, "what did it look like?" He looks back at you and you shrug, "It was just a shadow, like a head shaped shadow."

"Jesus Christ." Colby shakes his head, "So we won't be going that way." He laughs and points the other way. You nod, "Yeah, that room.. gives me a bad feeling."

"What kind of feeling?" Sam looks at you and you take a breath, "Dark, evil kind of feeling."

Sam and Colby just stare at you for a second, "Okay." Sam says breaking the silence, "Moving away from that room."

You walk down the hall, staying as close as you can to them while holding your arms around yourself. Sam and Colby explain some backstory while you can't help but continuously look around like someone else is there.

"So there's what? Two three floors to this?" Colby asks.

"Three, but the third is the attic, but I guess it's huge." Sam answers. He looks over at you, "What's going on?"

You shake your head, "It doesn't feel like we're alone. Like don't you feel that weird feeling like someone is standing like right.." you wave your hand up and down behind Sam, "Here."

Sam turns around as Colby walks over, standing right where you motioned to, "Here you said?"

You nod and Colby looks at Sam, "I don't feel-" he moves back, "Whoa." He looks around quick and moves to stand next to you, "swear to god something just pushed me."

"We saw it." Sam looks from you to Colby, "Are you okay?" You lay your hand on his arm, "You were pushed backwards, so whatever that was, it was between us."

"Fuck." Colby shakes his head, "Do you still feel like someone else is here?"

You take a deep breath, shaking your head, "No. it vanished right as you got pushed."

"You moved next to y/n. What if they think that we're trying to -" Sam puts air quotes, "-protect her?" He shrugs, "I mean, we were told that they'll go after her more because she's a girl and the spirits can have some sort of jealousy towards her."

You shiver slightly, "That just send a chill down my spine, Sam. That's honestly so bizarre to hear out loud."

You snap your head to the left, eyes focused on the staircase, "shh." You hold your hand out, frozen for a second until you look at Sam, "There was walking, like heavy footsteps on the stairs."

There's a sudden loud thump only a few feet away from you that causes you all to jump and yell out, "Oh shit."

"What the fuck!?"

"Goddammit."

It happens again, and this time you jump towards Colby, grabbing onto his arm as you look at Sam, "What the hell was that?"

He shrugs, "I don't know but we should keep moving." He nods towards the hall and you and Colby follow him, making sure to stay extra close to them.

They continue talking about the place, making sure to give you reassuring glances every so often as you explore the rest of the house.

Soon enough, you're face to face with the barn.

"I mean.." Colby starts out as he takes the camera from Sam, "It doesn't really look all the scary in the daylight."

Sam laughs slightly, "It looks, kind of pretty with the light shining down through the beams."

You get dizzy, and it happens quick.

"Oh god." You mumble as you hold your head. Sam is right next to you, arm around your waist and you lean into him.

"What's going on?" Colby asks confused and you feel Sam shrug. You take a deep breath, slowly lifting your head, "I got, really dizzy."

Sam looks up at Colby and back to you, "Are you still dizzy?" You can tell there's concern in his voice, "Do you need to sit down?"

You shake your head, blinking a few times, "No. I think I'm okay." You brush hair from your face, eyes moving past Colby to look into the death filled barn, "That's not a good place."

Colby turns around, pointing the camera at the entrance, "If you wouldn't know anything about this place, it honestly looks like a normal barn that was abandoned, you know?"

Sam nods, arm still around you, "I'm actually kind of scared for when the sun goes down."

Colby nods, "I'm sure we're all feeling that way." He looks at you then to Sam, "I'm going to walk up, get a shot of the inside, you guys stay here."

"Colby." Sam warns, "I wouldn't."

"Yeah, don't go up there alone, please." You practically beg. Colby shrugs, "I'll be fine, I'll just run up and run back."

You tighten your grip on Sam's jacket as you watch Colby walk up towards the barn. You were preparing yourself to run and help him.

You had to be on your toes while here, this place is so unpredictable.

"Yo Colby." Sam yells, "Are you okay?"

"Yeah, I got it." Colby yells back, "Coming."

Your eyes are focused on Colby as he walks towards you and Sam, glancing behind him every so often. He wants up, pointing his thumb behind him, "It sounded like someone, you know those loft spaces in a barn where they store the hay?"

You and Sam nod and Colby looks back before continuing, "It sounded like someone was up there, scuffling around."

"That's not surprising. That's the most active spot out of everything." Sam shakes his head, "alright. So I'm thinking we go get something to eat, calm our nerves and really prepare for what we're going to be facing tonight."

Colby nods, "That's a good idea." His head snaps towards the house, "There's no fucking way."

"What?" Sam takes the camera, "What happened?"

You stay close to Sam, looking to where Colby is staring, "Did you hear something?"

"It sounded like someone yelled back here in the distance, like they were telling someone to get back here? You know what I mean?" He looks at Sam, "We're the only ones out here right?"

"We should be." Sam pans the camera around the old farm, "Take one last look, because when we get back. Everything will be engulfed with darkness."

"Isn't it already?" Colby asks, "With the spirits and all of that?"

Sam sighs, "I mean. Yeah, I guess. But I was trying to make it thrilling." He pouts and shuts the camera off as you and Colby laugh.

"Let's go take a minute." Sam lays his hand on your lower back, "We can go over the plan of where we want to start and where we want to end while we wait for the sun to go down."

.·:*¨ ✘ ¨*:·.

After dinner, you're in the car heading back to the farmhouse and you can't shake the nervous feeling.

All of the news articles pop back up into your head, flipping through like pages in a book.

"Y/n?" Colby's voice makes you jump, "Fuck." You laugh slightly, "Sorry. I was thinking about everything I read."

"Yeah, us too." Colby looks to Sam and back to you, "If things go south, we're getting out of there. No questions asked, no it'll be good content, nothing."

You nod, "Deal."

"If you at anytime don't feel like you can do it anymore.." Sam starts, "Same for you Colby, we're done."

Colby nods and you sit up, "I just can't wrap my mind around the fact that that girl had blood drawn."

"Spirits are powerful things, y/n. If they don't like you, they'll make it known." Colby quickly sighs, "Sorry. I wasn't thinking. I know that's probably something you don't want to hear after-"

"No, Colby." You lay your hand on his shoulder, "You're fine. I'm fine. We're all going to be fine."

You lean back, taking a deep breath as you see a familiar sign that lets you know you're almost to the beginning of the dirt road.

"We're almost there." Sam says, "Do you want to get the camera out Colby? We need to get a shot of this." He motions to the windshield, and you look out at the dark road that's only lit by the headlights of the car.

"Oh fuck me." You breathe out, laying a hand on your forehead, "This is sketchy as hell."

"I'm going to stop and turn the lights off." Sam comes to a slow stop, looking over at Colby, "Ready?"

Colby nods, "Rolling." He points the camera forward and Sam flicks the lights off, leaving the three of you in total darkness.

"Oh m- that is fucking scary." Colby laughs, "What the hell."

"Now imagine I turn the lights on and there's something just sta-"

"Sam!" You yell, tapping his shoulder, "Don't say that!" You laugh, "I'm already peeing my pants back here."

"Are you really?" Sam teases. Even thought you can't see him, you can tell he turns around and you scoff, "No, not really."

He flicks the lights back on and thankfully there's nothing there. You let out a sigh of relief as Sam starts driving again.

Sam and Colby go back and forth about the darkness, laughing and joking like they normally do. You weren't sure if it was your dream keeping a tight hold on you, or the fact that you're a girl going to this no girls allowed club, or what.

But you were scared, and you knew that you had to pretend that you weren't and it was going to be hard.

"Alright." Sam taps the wheel, "We meet again."

"The sun going down has definitely amplified the creepiness by a thousand times." Colby adds, "I have goosebumps."

Your eyes stay on the house and you squint, "Did you guys light that candle when we were in there?"

"What?" Colby turns around and Sam comes to a stop, "I didn't light anything."

You look back up at the house and the light you thought you seen wasn't there anymore, "It's not.. maybe it was just the headlights."

"I wouldn't be surprised if anything was on in there, so maybe you did see something lit." Sam assures you, "Let's get everything ready and take final minute before going in."

Colby shuts the camera off and gets out with Sam. You sit there for a moment before Sam opens your door, leaning down to look at you, "You okay?"

You turn your head to look at him, "Yeah. Yeah. Just taking a minute for myself." You slide over, swinging your legs out, "I'm ready."

You look up at Sam and he grips your chin, "That's our girl." He winks and helps you get out, closing your door behind you.

You walk around, grabbing your backpack from the trunk. You make sure you have everything that you planned on taking, along with the boys.

"I'm good." Sam says zipping up his backpack.

Colby nods, swinging his around to put his arms through the straps, "Me too."

"Yep. Let's go." You put your backpack on and step back so Colby can shut the trunk. He sets the camera on top and turns it on.

He back up, standing on the other side of you, "We are here."

"It's dark." Sam adds before Colby picks up, "It's finally time to explore the famous Missouri Farmhouse."

You look around, nothing but the light from the camera illuminating the short distance around you.

"Did you hear something?" Sam looks at you and you look at him, "No. I'm just looking around." You laugh and look at the camera.

"So we came up with a game plan of where we want to go first, and where we want to go last." Sam claps his hands together, "We all agreed that the barn is the last place we want to go, so stay tuned for that and we'll see you in a second."

Colby walks up, cutting the camera, "alright. Let's head up."

As you walk up to the house, you look behind you, squinting at the sight of a possible figure standing still at the back of the car.

You blink and it's gone.

You shake your head, looking forward as you're met with the farmhouse door. You look up, turning to look out into the darkness.

Colby opens the door and walks on, Sam lays a hand on your back, nudging you slightly so you walk in.

I'm not scared, you think, mind over matter. I'm not scared.

The camera light shines on the dark interior and Colby bumping into you causes you to jump, "Colby!" You yell quietly with a laugh.

"Sorry. Sorry." He laughs and lays a hand on your shoulder. Sam spins around, pointing the camera on you and him, "should we bring out the Epoch box?"

"Yes. That's a good start." Colby says, "Do you have it or do I?"

"I think you do." He points to Colby and Colby nods, "Okay." He pulls his backpack off and you wrap your arms around yourself, feeling a chill creep down between the multiple layers of clothing.

You let out a sigh, stepping closer to Sam.

"You alright?" He whispers looking over at you. You nod, "Just cold. I got a chill standing over there."

"I'll get this thing going." Colby stands up, walking over to the small end table, "So this is called the Epoch box. It isn't motion censored, but it's similar to the Ovilus as it uses a sophisticated algorithm to read the environment and converts the energy into yes or no responses."

"I'm Sam, these are my friends Colby and y/n. We're here to ask some questions and with those we come in peace. We mean absolutely no harm to anyone here so if it's okay with you.." he pauses, looking between you and Colby, "Can we ask you some questions?"

The box flickers a few times before lighting up green for a few seconds then stops.

"Okay. Is Arlon here with us?" Sam keeps the camera on the box as you all wait.

The box lights up red for a few seconds before shutting off. It flickers before going dark and you sigh, "I'm y/n. I mean no harm to anyone here." You step forward, "Is this Cordelia?"

The box flickers before lighting up green for a few seconds.

"So it's her." You look at Sam and then to Colby and he nods. He looks down at the box and furrows his brows, "Sam."

"What?" Sam walks over, making sure you go with him, "did it just turn off?" Sam looks up at Colby with a shocked expression.

Colby lifts it, "That says on, right?"

"So it.. what? Died?" Sam asks confused, "what the fuck?"

A loud thump makes you jump and you look behind you. It catches Sam and Colby's attention too because they turn after you, "What was that?" Colby whispers, "Sounded like a-"

Thump!

"That." You point, "That sounds-"

Thump! Thump!

"Okay." Sam sighs, "Lets move to the den area." Sam lays his hand on your back and turns back to Colby, "Just switch it off. Maybe we can get it to work somewhere else."

Colby nods, picking it up, "You said the den area?" Sam nods and Colby pulls out his phone. Sam looks at you and you look at him, shrugging before both looking back to Colby.

He holds his phone up, "I knew I remember seeing something about a den. Look." He shows you and Sam his phone and you nod, "so he had favorites."

"Looks like it to me." Sam says as he shows the camera Colby's phone, "Hold on, I'm trying not to get a gla- oh here we go."

Colby puts his phone in his pocket and sighs, "So. To the den we go?"

"The den we go." Sam nods before you all walk towards the end of the hall. Colby opens the door, announcing that it's you guys before walking in.

You get a weird feeling, almost like you're uncomfortable.

You shift around, pulling down your sweatshirt and jacket, "This room feels.. uncomfortable." You look at them, "Like I think I can tell what happened here just by how I'm feeling."

"If he had favorites, I'm sure we can all figure out what happened in this room." Colby points to you, "Do you want to leave? Are you okay?"

You shake your head, "No, I think I'll be fine. Do you have any names?" Colby pulls his phone back out and nods, "Edith Macentire, Daisy Lovell, Lydia?" he zooms in and shakes his head, "I can't read the last one."

"I'll get out the REM pod." Sam hands the camera to Colby before swinging his backpack off. He gets out the pod and looks around, "I'm not going to put it by the door, I'll put it.." he walks over to the small stand that's in front of the window and sets it down.

"Hello, I'm Sam. Just want to ask you a few questions, I mean no harm. I just want to try and figure out what happened in here." He gently claps his hands together, "there's a light on that pod there, if you get close enough to it, a light will flash. If you want to answer any questions, all you have to do is just make that light up, okay?"

A few minutes goes by before the light turns on.

"Okay. Is this Edith Macentire?" Sam keeps his eyes on the pod, "Just touch it once for yes or-"

The light flashes once time and turns off. Sam looks back at you and Colby, "Edith, did bad things happen in this room?"

The pod lights up one time and you move your hand to tap Colby, "don't we have a spirit box?" He nods, "Yeah." You look at Sam and back to Colby, "I think we should use it. I just feel like we need it right now."

"Okay." Colby nods, "I think it's in your bag." Sam walks up behind you and the REM pod goes off constantly.

Sam leans out from behind you, "What the fuck." Colby shrugs, looking back at him, "I don't know, man." Colby keeps the camera on the pod as Sam walks over, "I'm going to shut this off." Sam grabs the REM pod and holds it in his arm as he sets the little radio box on the stand, "You will be able to tell us things through this."

Sam step back, taking the camera from Colby so he can move up, "I'm Colby, I mean absolutely no harm, neither do my friends. Can you tell us what happened in this room?"

The static sounds for a few minutes, "..Man.."

"Man?" Colby questions, "Are you talking about Arlon?"

"..Evil!.."

"Arlon was an evil man." Sam shakes his head, "Are we still talking to Edith?" The static plays in the silence for a minute longer, "..Lydia.."

"Lydia. Can you tell us what the evil man did?" Colby rests his fingers on his chin as he watches the box, "..he said.. wouldn't die.."

"Did he tell them that they wouldn't die?" Sam whispers and you nod, "I think that's what she means. Maybe he promised them a good life since he was-"

Your words are cut short by the box, ".. he wants you.."

Your eyes go wide and your heart sinks into your stomach, "Huh?" Colby looks at you, Sam, then back to the box, "Who wants who, Lydia?"

You can feel your heart starting to race and it feels like something is creeping up behind you. You glance behind you, seeing nothing as you move closer to Sam.

Sam looks down at you and wraps his arm around your shoulder as he holds the camera on Colby. Colby shake his head, "I think she's gone."

Instantly after Colby stops talking, "..run!"

You feel a gently tug on your jacket before it feels like a yank and you're pulled from Sam, both of you yelling at the same time. He grabs your arm pulling you back to him as Colby comes over, "What the fuck just happened?"

You cling to Sam as he hands the camera to Colby. Colby keeps the camera pointed down, "Sam wh-"

"..I told you.."

Colby walks over, shutting off the box, "Okay that's enough for now." He walks back over, camera still down at your guy's feet , "Are you okay?"

You keep your head pressed against Sam's chest, "When it said he wants you.. I got this feeling that there was something, I don't know." You sigh, "Creeping up behind me and then right after run was said, I got yanked backwards."

"I don't.." Colby shakes his head, letting out a sigh, "I don't want to say anything, but I know we're all thinking it.."

"He wants her." Sam says nodding down to you. Colby nods, "Mhm." You lift your head from Sam's chest and sigh as you try not to laugh, "This is insane."

Sam takes the camera back and you walk towards Colby, taking a deep breath, "Okay. Where to next?"

Colby smiles slightly and shakes his head, "You want to keep going?" You nod, "I'm not tapping out yet."

"We hit two of three places down here, I don't really want to go into that room she saw the shadow figure in. Not at night, gives me a very bad feeling." Sam says and you nod, "So, upstairs then?"

"I think we should go into Arlon and Cordelia's room." Colby raises his brows and you nod, "Just please don't let the door shut."

You make your way out of the den and into the hallway. Colby shuts the door and you all freeze as you hear something in the hallway.

You wait a few seconds before starting to walk, "So.." Colby says to the camera, "We are currently making our way up to the bedroom that housed the ring leaders to this whole shabang."

You laugh slightly, "Shabang." Sam smirks and Colby rolls his eyes as he chuckles.

Each creek of the stairs is unsettling to you. You're jumpy, really jumpy. So every little sound causes your body to feel like you're going to jump out of your skin.

"Alright." Sam breathes out, "We have reached Arlon and Cordelia's humble abode." He takes a deep breath, "We should find something heavy to put in front of the door so that way if it moves we can hear it."

Colby reaches for the handle, looking between you and Sam, "Ready?" You and Sam both nod and you walk up behind Colby as he pushes the door open slowly, "Okay. I don't see any-"

Something falls right into the door way and you gasp while jumping back. Sam groans, "Jesus Christ." Colby squeezes his eyes shut and open them, "I may have peed a little bit."

You look down and step towards Sam, "Oh gross."

"I didn't.. actually.." Colby sighs and shakes his head, "Let's just go in." Colby steps in and turns around, "The atmosphere in here is.. different."

You walk in and look at Colby, "You're right." Sam follows you and looks around, "That's actually super fucking crazy."

Colby keeps his hand on the door while you look for something kind of heavy, "Would this work? If we just pull this over in front of it?" You point to a small table and he shrugs, "I can stay by the door just in case."

You push the small table over, freezing as you hear footsteps in the hall.

"Did those come from up here or down there?" Sam whispers and Colby shrugs, shaking his head, "I-I don't-"

What sounds like running in the hall causes you and Sam to move by Colby. Sam leans forward, aiming the camera into the darkened passage, "I don't see any-"

"Did that just move?" You say cutting Sam off as you point to the bed, "The blanket. Wasn't that tucked up by the pillows nice and neat when we came in?"

"I have no idea, I didn't really look." Sam says, "It could have-" he tells jumping slightly, "Fuck."

"What what what!?" Colby yells quickly, "you good?!"

Sam nods, "Yeah, just something like drug up the back of my leg."

"Do you feel like you're scratched?" You take the camera from him and he just stands there staring at the ground, "Sam." You snap your fingers and lean in to look at his face, "Sam. Hey."

He blinks as you wave your hand in front of his face and looks up at you, "No. I'm good."

You look at Colby and Colby shakes his head, "Where'd you go man?" He looks at Colby confused, "What do you mean? I've been right here."

You slowly shake your head, gasping loudly when you see something in the slightly dusty mirror, "Oh my god. The mirror." You aim the camera at it, the light from the camera reflecting off, "A woman, was just standing there."

"Cordelia?" Colby asks and you shrug as you look to Sam, "You with us?" You reach out, wrapping your hand around his wrist.

He slides his hand into yours and squeezes it, "Yeah, no. I just. I'm dizzy. Like really dizzy."

Colby lays a hand on your back, "Let's get out of this room." You hand Colby the camera as you guide Sam out. He walks over to the wall, resting his back against it and you look back at Colby, watching as he closes the door.

"Hey, you alright?" Colby asks walking up, "Did you see anything when you spaced out?"

Sam shakes his head, "No, I just couldn't look up from the floor." He runs a hand over his face, "I could hear you calling for me, but I just-"

"Frozen." You say and he nods, "Literally, yeah. That. I didn't hear anything other than you and Colby." You step towards him and lay your hand on his shoulder.

He tilts his head back, resting it against the glass, "I'm not dizzy anymore."

"Well that's good." Colby sighs, "do you need a water or anything?" Sam shakes his head, moving to stand up straight, "No, I'm alright."

You glance to Colby and he nods, "Let's take a minute. It's been a lot for all of us right now."

"No let's just keep going." Sam insists, "I'm fine."

Colby nods and you sigh quietly, "Okay. Where to next?" Sam points down the hall, "Arlon gave Cordelia an office like room to keep things organized, I guess. We can do that then we can go outside for a minute."

"Whatever you want to do, Sam." Colby says and Sam nods, "I'm good." He smiles, "I promise."

You nod, following him down the hall to one of the doors, "Okay, so." Sam points to the door and Colby shows it to the camera as Sam continues to speak, "This is where all of the information they could get about each prostitute was kept. Cordelia, Arlon's wife was in charge of getting them to come back here."

"Do you think she talked them up wherever she found them or kind of did like an interview situation?" You look from Sam to Colby and Colby points, "That's actually a really good point, we can get the spirit box or something out and ask."

"We can try the Epoch box again. See if downstairs was just a bad spot for it." Sam says before reaching for the doorknob, "it's just us again."

He steps in and turns around, making sure you're behind him. Colby follows and pans the camera around the room, "It really is like an old timey office."

"Look, this is that same list of names, do you think this is the original?" You move over to the desk, looking at the old looking piece of paper. Sam walks over and check it out, "This might be a copy? I mean, it looks pretty real to be a copy, so I don't know."

Colby moves over, shining the light from the camera over the page so you can see it better, "I wouldn't mess with it, you know just, to be on the safe side."

You nod and hold your hand up, "Do you hear that?" Sam and Colby look to you before turning towards the open door.

The sound of a door opening and shutting echos through the hallway.

"What door is that?" Colby whispers and Sam shrugs, "Could it be the bedroom?" Colby walks over, peaking out as he aims the camera.

He leans back in quickly and exhales, "Holy fucking shit." He looks to you and Sam, "Holy. Fucking shit."

"Did you see something?" Sam asks, "Colby. What did you see?"

"The door, to the bedroom, was cracked open and a shadow came up the steps and went into the room then it shut." Colby's breath is shaky.

"No fucking way." Sam lays a hand on his mouth, "Are you serious?" Colby nods, "Swear to fucking god, Sam. I'm not shitting you, it- here." He hands Sam the camera and reenacts what he saw, "It came up the steps like this, slow. Then just turned like this.." he turns his body, "And then just went into the room."

"Jesus Christ." Sam sighs and you lay your hand on your forehead. You feel like you're sweating, "Do you guys, feel.. hot?"

Sam turns to you, "Are you- what's going on?" He feels your forehead, "Colby, she's sweating."

"How? It's like forty degrees outside." He walks over to the other side of you and you lean against him, "I think we need to take a break." 

"Yeah. I agree." Sam nods, taking the camera from Colby before Colby wraps his arm around your waist, "Come on." He walks over to the door, looking out before rounding the corner with you.

The only light you have is from the camera that Sam has behind you. He pulls his phone out, switching on his flashlight as you reach the steps.

"Careful." Sam says as you and Colby step onto the first one. These steps were old, so you had to go up and down with care.

You reach the bottom as just as you are about to make it to the front door, it feels like something grabs your arm and tries to pull you away from Colby.

A faint, "Stay.." is whispered as you pull your arm back.

"Something just grabbed me and told me to stay. It was super quiet." You grip Colby's jacket and he opens the door, "You're good. We got you." 

He walks you outside and Sam shuts the door behind him with a loud, "Holy fuck."

"Yeah. Yeah." Colby nods as he walks you over to the car, "Here." He opens the door, "Sit for a second."

You sit down and let out a sigh, "Sam, are you okay?" You look up at him and he walks over to you, "Yes, sweetheart. I'm fine."

You smile slightly and nod, "Okay." He brushes hair from your face, "Are you?" You nod and he turns to Colby, "Are you okay?"

Colby nods, "Yeah." He shakes his head, "Maybe we should do a recap before anything else." Sam nods, looking back at you, "Stay here."

"You don't have to worry about that." You laugh slightly, watching as Sam walks to the back of the car. You rest your head against the seat, listening to them talk to the camera.

.·:*¨ ✘ ¨*:·.

You stand up, slinging the back pack over your shoulder, "I know it wasn't really in the plan, but I think we should do the Estes method in between the barn and the house."

Colby looks between you and Sam, "Do you think that that's really a good idea?"

Sam puts his backpack on, moving his hood out, "I mean, it can't hurt to try. Two of us will be able to see and hear."

Colby shakes his head, "I don't know. This place just makes me nervous for something like that." Sam nods, "No I understand, but I was honestly going to say something about doing that too."

Colby chews on his cheek for a few seconds, "Who ever does it, has to be prepared, that's all I'm saying." Sam sighs, "Yeah, Colby. I know."

This place was doing something to them.

To all of you.

Tensions are usually never this high. You knew you all wanted to do this for the video, but you also knew that you all didn't really want to be there anymore.

"Let's just.." Colby sighs and you cut in, getting out of the car, "Let's just take it one step at a time because we really don't know what is going to happen."

"She's right." Sam says, we can just go back, maybe set up flashlights? I don't know where but we can try that?"

Colby nods, "Yeah." He grabs the camera, "Come on." He switches the camera on as you start to walk back towards the house.

Tap. Tap. Tap.

You all stop, looking at each other before the sound of something tapping against the glass catching your attention  again, tap. Tap. Tap.

"Okay.. that's freaky." Sam laughs slightly, "What window is it?" You shrug, "It sounds close." Your eyes scan over the windows that are lit up by the camera light.

You point to the middle window, "The curtains moved in that one." Colby steps towards the window, holding up the camera to see inside when all of a sudden he jumps back after a loud thump on the glass scares him.

"What the fuck!" He yells stepping back, "That was literally right fucking there."

"There's no way that wasn't on video. Holy shit." Sam walks up to the window and looks in, "I don't.. see.. anything.."

He shakes his head and looks back at you, "Lets go around to the back." You and Colby follow him as you walk around to the back.

Colby shines the camera over towards the bar, "There it is." He shivers slightly, "Just looking at it sends a shiver down my spine."

"So what do we want to do?" Sam asks as he looks between you and Colby. You shrug, "I'm all for doing the Estes method."

Sam nods and looks at Colby, "Colby?"

Colby sighs, "I guess we can do that, but who-"

"I'll do it." You raise your hand and they both just look at you with a solid look. Sam sighs, "We can all do it. Take turns."

"I'll go first." Colby says handing Sam the camera. Sam looks at him, "You sure?" Colby nods, swinging his back pack off, "Yeah."

You look at Sam and back to Colby, watching as he digs in his bag to pull out a bandana and the equipment.

You had an eerie feeling creeping in again, maybe it was just your nerves about doing this method with the barn right there.

"Okay. So are we thinking like right in the middle?" Colby asks and Sam reaches out, pointing to a specific spot, "Yeah I'm thinking something like right in here. It looks about halfway."

Colby sets his bag on the ground and sits down next to it. He takes a deep breath, "Okay." He wraps the bandana around his eyes and ties it behind his head.

Sam sets the camera down on top of his backpack, angling it so you're all in frame as you sit on either side of Colby.

Sam leans over, showing the camera how loud the static plays through the headphones. He hands them to Colby, "Here you go."

Colby takes them and puts them on, shaking his head slightly as he gets used to them, "Pain."

You look at Sam with your eyes wide, "What the fuck."

Sam shrugs, "I know you were and still are in a lot of pain. Can you tell my friend, Colby here who is talking to us."

Your eyes move to Colby as he tilts his head, "Why?"

"Are you asking us why we're here?" You ask and Colby answers, "Yes, why?"

"We're here to figure out what to the women Cordelia brought back to this farmhouse." Sam says and Colby taps his knee with his hand, "There was like.. a scream?"

"Who are we talking to?" Sam asks looking around, "Are we talking to one of the girls?"

"In the barn." Colby says, "He wants.. you in the barn."

"Who wants us in the barn?" You ask, "Does Arlon want us to come into the barn?"

"not all." Colby states, "Just one."

Sam points to you and you shake your head, "I'm not going in there alone. I'm not."

"Yes. You are."

As soon as the words leave Colby's lips, the hood on your sweatshirt is pulled back and you slam your hands behind you to catch yourself as you let out a scream, "What the fuck?"

Sam taps Colby and Colby pushes the headphones off, "Right before you tapped me, there was a deep, manly like laugh."

"Right after you said yes you are, she got pulled backwards." Sam looks over at you, "Are you okay?"

You nod, "Yeah." You sigh, "Yeah. That just, I let my guard down for a second." You run a hand through your hair and move closer to Colby, "That barn just.." you glance back at it and your eyes focus on the dark inside.

You can't tell if your brain is playing tricks, or if you actually see things moving.

You look away, trying to focus on Sam filling in Colby on what you and him asked, but you just can't seem to stay focused.

You rest your elbows on your knees, holding your face in your hands.

You feel Colby's hand on your shoulder, but you just can't acknowledge it. You take a deep breath and manage to lift your head, "I just.. couldn't get focused there for a second."

"You good now? What happened?" Sam asks and you nod, "I looked at the barn and I just couldn't look away. It's like I was supposed to be looking at that and only that. So I just rested my head down until the feeling went away."

"Fuck." Sam whispers as he looks to the left, "That place is more powerful than people think."

"Here." You take the bandana from Colby, "I'll go."

He lets you take it, "Are you sure?" You nod as you untie it, "Yes." You wrap the bandana around your head, completely blocking your vision. You take a shaky breath as you feel Colby lay the headphones in your hand.

"Whenever you're ready." He assures and you nod before putting them on, static completely drowning out everything else.

Sam takes a deep breathe, "Can you tell us who we're talking to?"

"Sam." You straighten your back as his name rolls off your tongue, "Colby?"

"What do you want with y/n?" Colby asks, eyes glued to you, "Why do you want her?"

You try and keep your breathing under control as you do your best to listen, "You can't have her."

"No." Sam says sternly, "You're the one who can't have her. She isn't yours to touch or have, just like the innocent women that you killed years ago."

You tighten your hands into fists, "They weren't good."

"Why weren't they good? Can you tell us what was bad about them?" Colby asks as he looks around, "Arlon. Can you tell us why?"

You listen few seconds, "Arlon. He's here. It's him. Help."

Colby takes a deep breath, "Should we pull her out?" Sam shakes his head, "Not yet. Arlon, why are they so scared of you?"

You tilt your head, "Bad things happened. He did it."

"We know he did bad things. We know it was him. Can y-" Sam stops talking as you cut him off.

You speak normally, "It's almost like they're arguing with him."

Sam looks at Colby, "Arguing? Like one do the girls and Arlon?" Colby shrugs, "Can you tell us why he killed those women?" Colby pauses for second, "Why did he kill you?"

Words are shouted loudly in your ear, "He says he had to."

"Was it the cult he ran? Can you tell us about that?" Sam asks, watching you.

You shake your head, " He wanted to."

Sam and Colby look at each other, "Did Cordelia bring you to the house?" Sam runs a hand through his hair, glancing at the camera before snapping his head back to you.

"You don't love her."

"who? Who are you talking about?" Colby asks, "Who doesn't love who?"

"Sam. Colby." You pause for a second, "Y/n."

"Holy shit." Sam sighs, "Why do you want y/n?"

"Mine."

"Not a chance." Colby says looking at Sam, "I'm going to tap her leg."

"Mine. No!"

"Colby. Her hair." Sam points to your hair that's lifting off your shoulder and Colby taps your leg a few times, kinda rough.

You jump as you feel the tapping and you push the headphones off before ripping the bandana off of your head, "Okay. What the fuck?"

Sam has a shocked look on his face and Colby lays a hand on your back, "Did you not feel your hair lifting up?"

You shake your head, "Um. No." You run your hand down over your hair, "I was only focused on the arguing I was hearing, what were you guys asking?"

They fill you in and you raise your brows, "So it makes sense as to why it sounded like it was arguing." You shake your head, "That's.. actually kind of scary, not going to lie."

"I don't think you going any closer to the barn is a good idea." Colby says, "I don't want to risk you getting hurt or anything."

You nod, "No I agree. I don't even like looking at it." You look to the barn and away, shaking your head as you close your eyes, "Anyway. Sam. Are you doing this?"

Sam nods, "Yeah. Yeah." He takes the headphones, sitting down in the same spot you and Colby sat. He ties the blindfold around his head and takes a deep breath before putting on the headphones.

Instantly, his words are loud, "Help.."

"What do you need help with?" Colby asks as he sits down next to him, "Who is asking for help?"

You freeze, eyes moving from Sam to Colby as soon as Sam just starts listing off names non stop, "Kathleen, April, Eloise, Bethany, Rita, Liza, Sarah, Taylor.."

"Are you the girls Arlon sacrificed?" You ask and Sam responds instantly, "Yes, he's evil."

"Is he with us right now?" Colby asks and Sam tilts his head, "He went out."

"Where did he go?" Colby asks, and you'rere frozen with fear as you see a black shadow figure move a little being Colby, "C-Colby."

"Outside." Sam says and Colby looks at you, "Where outside?" He looks back at Sam, "Is he with us?"

Sam doesn't say anything for a few minutes.

You reach over, tapping Colby's leg, "there was a shadow figure behind you." He turns around quickly and looks back at you, "Where?"

"It was like a foot or so back from you. I don't know, I just seen it and then it was gone." You wrap your arms around your tighter, "Mayne we sho-"

"No." Sam says, "Don't go."

"Why?" You ask, "Why do you want us to stay?"

"You know."  Sam says and you shake your head, "we're not staying." You go to tap Sam's leg but it's almost like something grabs your wrist to prevent you from disturbing him.

"I can't.." you try to pull your hand away but it's like stuck there, "Colby."

"They can't help you." Sam says and then he rips the headphones off, throwing them away from him. He pushes the blindfold up and your hand drops, "Fucking no. No fucking way."

"Are you okay?" Colby grabs your hand and your hand goes to wrap around it, "My wrist is burning." Sam crawls forward, grabbing the flashlight from his bag. He shines the light on your skin and you all become shocked when you see finger marks on your wrist.

"I went to tap Sam, get him out of it, and something grabbed my wrist, I couldn't move until Sam threw off the headphones." You explain, pulling your wrist to your chest.

"No, we're done. We're leaving." Colby stands up, grabbing his backpack and it sounds like something heavy falls in the barn, causing all of you to move back a little bit.

"What was that?" Sam asks quietly and you all just stare at the dark opening of the barn, "I don't know and I really don't want to find out." Colby walks over to you, helping you stand up, "We can come back in the daytime, try something then."

"Yeah, right. Okay." Sam gets up, bending down to grab the camera after slinging his backpack on. You start to walk around the way you came, a lot slower than normal, just to be cautious if there was anyone else there.

"Right before I threw the headphones off, it was a loud, clear as day, man voice yelling death like three times in a row, like boom boom boom." Sam explains, "Ive never.. had that happen." He lays a hand on his chest, looking over at you.

He reaches out, grabbing your wrist to inspect it, "Is it still burning?" You shake your head, "No. thankfully."

"Alright. I haven't heard any-" Colby stops talking and instantly switches the light to the camera off when the sound of branches breaking sounds from the woods next to you.

"Should we call out? What if it is people?" Colby whispers leaning in to you and Sam. Sam wraps an arm around you as you huddle next to him, "We should just go."

"we're going, but like.." Colby sighs, "I think we should acknowledge that we hear it, them, you know what I mean?"

"I get what you're saying but like.." Sam pauses and there's a bang on the window, causing you all to jump and move away from the house, "we can just try to make it to the car?"

"Okay." Colby whispers, "Stay close together."

You move along the house more, your grip tightening into Sam's jacket as you see the car in view. Colby stops, "Should we just book it?"

"Yeah, but at least turn the light on." Sam says and Colby switches the light on, but it suddenly goes back out. He tries switching it on a few times, "It's not.. turning back on."

"Fuck, okay." Sam digs into his sweatshirt pocket, pulling out a flashlight. He switches it on and it stays on, "Okay. Lets go."

His arm stays around you as you guys start for the car. Sam's grip is suddenly ripped away from you when he falls to the ground with a groan.

"Sam!" You yell, turning around to go down to him, "Are you okay? What happened?"

Sam gets up as quick as he can, "I tripped or what tripped?" He shakes his head, "Let's just get-"

The door slamming shut on the front door of the farm house causes him to snap his head towards it, "Get in the car."

Colby reaches for the door handle, pulling on it a few times, "Keys. Keys. Keys."

"I thought you had them." Sam yells quietly as he pats his pockets, "Shit." You check your pockets frantically, hoping that some miracle will happen and one of you will find them.

"Backpacks. Check the backpacks." Colby drops his bag to the ground and sets the camera down before digging in his.

You and Sam do the same and you shake your head, "I checked each pocket." You sigh, "What the fuck."

"You didn't drop them in the house did you?" Sam asks as you grab the flash light. You shine it around the car and point with a slightly loud, "Ah ha. There! There."

"How did they get under-" Colby reaches under the car, pulling them out, "The fucking car?"

"We can talk about it when we get in, just unlock it." Sam says as he throws his stuff back into the backpack.

Colby unlocks it, causing the lights to flash. You all rip open the doors and get in, shutting them with a slam.

"Fuck that." Sam says.

"I honestly can't believe we stayed that long." Colby sighs, "What the fuck is that place?"

You take a few deep breathes, trying to remind yourself that you're in the car now. You're safe.

"Okay. Let's just.. Go back to the hotel and we can figure out everything there." Sam turns around to look at you, "You good? You okay?"

You nod, "Yeah. Yeah. I'm good." He nods and turns back around, buckling up as Colby starts to drive, "I just want to know if people were there. That was fucking weird."

"That whole place is fucking weird. You have to be out of your mind to go there at night." Sam pauses before laughing slightly.

You and Colby join in laughing. The feeling of relief settles in the further you drive down the gravel driveway.

.·:*¨ ✘ ¨*:·.

I'm sorry that it's so long but if you made it to this point, I truly appreciate you so much. Thank you for reading.

I figured this was a good place to stop. When the time comes, I’m thinking of doing a part 2 where they investigate the barn during the day? What is think?

Love you so much 🖤

[jayaury]

Marrying the Maid

More archive short stories. Get more on my P*treon. Enjoy! https://www.patreon.com/JayAury

---

Baron Lukas Instaf fell into his office chair with an audible groan.

Yes.

His office.

He had to keep reminding himself of that fact. To think, he would inherit the barony at a mere twenty years of age. It was quite a bit of pressure, he had to admit.

He found himself looking back at the imposing portrait hanging over the mantle of the fireplace. His father’s picture was of a grim, sullen man with dark hair and a face of hard, disapproving lines.

Lukas had inherited the man’s hair, if not his rough features. He was slimmer than his stocky father. Many said handsomer, and certainly younger. He flexed his hands on the arms of the chair uneasily and scanned the study. He didn’t much care for the decor. But that had always been his problem, as his father had frequently berated him. He was indecisive. Weak.

Well, Lukas had best start getting decisive. For this was his home now.

Well, mostly.

The door swung open with a bang. “Good morning master!”

He sat up sharply as a familiar figure bounced into the room. Clarissa, the family’s maid of two years, was a forceful personality in the house. She filled every room she stepped foot in with her presence and somewhat unconventional character. Lukas had no idea why his father had kept the boisterous redhead.

Well, that wasn’t entirely true. He had a good idea. Two of them, actually. Clarissa was bustier than some holstaurs. In fact, there were rumours that she was one of those bovine maidens, but had filed down her horns. Lukas wasn’t sure how much he believed that, but he did know that she did attend that new cow goddess church that was making waves. And she was unbelievably brash and forceful for a servant. Not to mention teasing. He’d often been at the receiving end of her attentions, leaving him flustered and annoyed.

And she was wearing scent again, he noticed with a sigh. Honestly, it seemed like every day she wore a new kind of perfume. The current one was jasmine, and was shockingly potent. Well, at least it was better than the rosemary she used to wear around his father. In fact, it was almost… pleasant.

“Clarissa!” he sighed, forcing himself not to stare at the maid’s impressive bust. “You-”

“Here with your tea!” she said, sliding the tray into place before him with a wink of her long lashes. “Starting off the morning well, as the big, strong baron should!”

“Clarissa, really. You can’t just-”

“Not to worry, my baron! There’s plenty of cream. I know how much you like it,” she added, picking up a pitcher and pouring a generous helping into his cup. “And you’ll need it today! Because we have quite a bit of work to do.”

In the midst of tidying his papers, Lukas paused. “We do?”

“Of course, my lord! Now that you are baron, we must decide on your betrothed.”

“M-my what!”

“And I have them right here!” Clarissa chimed, lifting a folder out from some hidden recess of her scandalously short skirt (it had to be custom. No other maid in the estate had such a revealingly tight uniform). “Shall we take a look, my baron?”

“Wh… Hold on now, I can’t just-”

“My baron!” Clarissa cried in mock horror. “Surely you realize the importance in choosing your bride? The barony cannot be left without a mistress. Not only for the hard work running the estate, but also the vital work of carrying on the family line! Which means we must choose the most ample, breedable, lovely wife for you.”

“B-breedable? Clarissa! That is-”

“Not to worry, my baron. I’m sure you can manage that. Why, any woman would consider herself lucky to be bent over your table as you thrust home, stuffing her full of your droit de seigneur.”

Lukas’s face burned as it always did whenever Clarissa got going like this. Not to say she was wrong, unfortunately. She was absolutely right. He did need to get married, but it still seemed so early to be shopping for a bride. “Clarissa, really. I-”

“Early to start, my baron! We must be. Once word gets out that Baron Instaf is not only single, but such an adorable, impressive, handsome piece of stud meat, why, we’ll be besieged by eligible young ladies looking to have you mount them like a prized mare! And whichever does will be lucky to have you. Take my word for it!”

“Clarissa! This is… that sort of talk is hardly-”

“You’re so right, my baron. Here I am, chattering away, and you haven’t even gotten a chance to look at the choices! Let’s take a look at the candidates, shall we?”

Lukas sighed, finally giving up. It was near impossible to stop Clarissa once she set her mind to something, though by gods he would soon. He’d have to talk to the head butler about firing her. She treated him far too casually. But for now, he supposed the best thing was just to get this business with the portraits over with.

“Fine,” he said. “Let’s take a look…”

“How wise, my dear baron,” Clarissa chirped merrily as she opened the folder to the first page, propping it up just underneath her immense bosom.

Lukas cleared his throat, forcing himself to look at the portrait and not the impressive pair of breasts just above it. “And this is…”

“Mirria Mable. Daughter of a lord in the southern country. Quite the pick specimen. An attractive if air headed young thing. Pretty, but not terribly bright. And not nearly as endowed as me, hm?”

“Clarissa! That’s hardly appropriate,” Lukas said, though he had to admit it was true, and his eyes did quickly steal a glance at Clarissa’s chest as if just to make sure of that. Gods, the room felt suffocating in the perfume she wore. He should open a window, though the scent wasn’t unpleasant. In fact, it was a bit… soothing.

Clarissa giggled. “Very true, my baron. We cannot judge a woman less blessed than myself in that respect. Some of us were merely born with a generous bosom. Perfect to lay one’s head upon.”

Lukas rolled his eyes, but felt his cheeks warm at the thought. “I ah… Well, what about the others?”

“The others? Of course, my lord,” Clarissa said, turning the page, her chest bouncing as she did so.

The sight made Lukas realize quite suddenly his mouth was very dry. With haste, he picked up a teacup and took a sip. Mm. Normally he wasn’t a big fan of cream in his tea, but wherever Clarissa got hers, it was delicious.

“Now then,” Clarissa said. “Lady Blumen from the duchy of Clausen seems like a perfect match for you. Nearly as busty as I am, and I know how important that is for you, my baron.”

“Not that important…” he mumbled.

“Ho ho!” Clarissa laughed, the throaty mirth making her breasts bounce most distractingly in her tight top. “How droll you are, my baron! But I know how much you value an impressive pair of breasts. You can barely keep your eyes off mine!”

Lukas flushed again, realizing he had been staring at her chest. He hastily took another sip of tea. Gods, he was feeling a bit light headed. “I ah… What else is there about her?”

“Why, only that she is something of a black widow, my baron. A nasty piece of work. She delights in wedding rich men, then crushing them beneath her heel. Nitpicking them until they don’t dare breathe without her approval. And what a cruel thing, my baron! Why, she cannot understand true love. The love of a good husband willing to do anything for his darling wife. Adore you. Worship her! She’s only in it for the quick cash! No sense of adoring her new spouse like the good boy he is.”

“S-sorry. Good boy?” Lukas said.

Clarissa giggled, her long lashes fluttering again. “Oh yes, my baron. A husband must be assured what a good boy he is. What a good, obedient, lovey dovey dummy he is to his beloved wife. Otherwise, he might get the most silly ideas in his head.”

Lukas felt his cheeks redden at the degrading words, even if they weren’t addressed to him. And he found his eyes looking at Clarissa’s breasts again. Big and soft. The subtle heave as she breathed. Or rather, the not so subtle. Looked like she was as into the discussion as he was.

“Er, right. Sure,” Lukas said, taking another sip of tea, sinking back into his seat with a sigh. “So, not her.”

“Oh no, my baron. You deserve so much better. So much bustier! So much more loving and adoring. A sweet wife who would show you what a good boy you are. Who would let you adore her like the happy, dopey husband you were always meant to be.”

“Er, yes. Yes. But uh… Who is the next one?”

“Oh yes, my baron. That would be the Countess Francesca,” Clarissa said, turning the next page. “But she wouldn’t make an appropriate wife for you either my lord.”

“Hm?” Lukas said, taking another sip, barely paying attention as he watched Clarissa’s breasts bounce. “She wouldn’t? Why… why not?”

“Oh my baron! Why, she does not want children.”

“O-oh,” Lukas said as he took another long drink of his tea. “Yes, that might… might be a problem. Need an heir…”

“Oh no, my baron. Not just one.”

“S-sorry?”

Clarissa gave him a knowing look. “Why, my dear baron, your wife must bear you many children! A dozen at least. A dozen happy, lovely children. Your wife needs to be very eager to take your virile seed. Because I know, my dear baron, that you’re far too much a stud to be satisfied with just one child. That you would like nothing more than to breed your beloved wife at every opportunity. To make her breasts so big… so heavy… so creamy and soft that you can’t help but play with them and kiss them every night.”

Lukas stared at her breasts. Gods, he could imagine it. Imagine those breasts bouncing. Heaving. Wobbling and Clarissa positively glowing from… from…

But… but no. He… he needed to only think of… of his wife like that. Yes. Only his wife. His beloved wife, whoever… whoever it turned out to be.

“I uh…”

“Oh dear, my baron,” Clarissa sighed, closing the folder dramatically, crossing her arms beneath her jiggling bust. “This just won’t do! It seems like there isn’t a noble woman in the land who can satisfy all your needs. A woman so busty. So loving. So beautiful and fertile to satisfy your very high standards.”

“I… y-yes. No one…”

“Oh!” Clarissa suddenly said, brightening visibly. “But then, of course! How silly of me. I didn’t think of that at all! Why, you don’t need a noblewoman for your wife.”

“I… I don’t?” Lukas said, frowning a little, brow wrinkling in concentration. Didn’t he? He was under the impression that was important…

“Oh no, my beloved baron,” Clarissa cooed as she planted her hands on the table, climbing onto it and crawling towards him, pendulous breasts swaying teasingly, her eyes hot, molten with something that made Lukas’s pulse quicken and pound. ���Not at all. Why, if the noble stock isn’t up to the standards, then we must simply find another who is. One who is capable of seeing the greatness in you. The handsomeness. The virile… powerful… studliness in you.”

Lukas found himself instinctively retreating, pressing into the back of his chair, watching his maid move towards him like a she-wolf on the hunt. “Wh-who?”

“Now that is the question, isn’t it, my baron,” Clarissa giggled, straightening so she was kneeling on the desk in front of him, her hands cupping her breasts, fondling and massaging them teasingly. “She’d have to know your domain inside and out. She’d have to have every servant in the house already under her thumb. She’d have to know the ways you love things done. She’d have to be so pretty… so clever… so very… very… busty that you just couldn’t say no to her. Every idea she had would just seem like the bestest idea ever. Oops! Did I say breastest?”

“D-did you?” Lukas said, fairly drooling as he watched her bounce and mold her breasts together.

“Maybe I should have, hmm?” Clarissa said. “Because I know how much my baron loves breasts. Big… bouncy… soft breasts. That’s why I know he’ll make the right choice. I know he’ll decide on exactly the right person to be his baroness. To be his loving wife. His devoted mistress. His gorgeous… bouncy… beautiful bride. But who, my baron? Who is busty and smart and beautiful enough for that.”

“Wh-who?” Lukas gasped.

“Think hard, my baron,” Clarissa crooned.

Lukas tried to. He really did. But his mind just didn’t seem to want to cooperate. Every thought he had swirled and squished and bounced and wobbled like Clarissa’s breasts. He whimpered, biting his lower lip, trembling with need as his maid continued to massage her breasts, her buttons straining against her ample tit flesh until… until…

“Mmmm,” Clarissa moaned, tearing open the front of her uniform, her ample, pale breasts spilling into the open. Bouncing with heavy softness. Nipples dark accents to their creamy slopes.

Lukas gasped, jolting like from a physical blow as her breasts bounced free.

“Whoops!” Clarissa giggled. “Did I do that?”

“Y-you… you…” Lukas stammered.

Clarissa’s smile widened. “Me, my lord?” she said coyly. “You want me to be your gorgeous baroness?”

Lukas blinked blankly, his sloshing thoughts struggling. “I…”

“Well, it is true, my lord,” Clarissa cooed, her leg extending, foot pressing against his chest and pushing him and his chair back with a squeak. “I am so very smart. So very beautiful. So very…” she breathed, sliding off the desk, into his lap, Lukas groaning as her weight settled on the hardness of his tenting cock. “Very…” Clarissa moaned as she leaned forward, her ample titflesh pressing against his face. “...Busty…”

Lukas shuddered, inhaling, breathing in the heady scent of Clarissa’s breasts and body. A scent so potent and strong it made his toes curl. Sweet. Heavy and wonderful. Something so real. So potent. The jasmine stuffing his nose. Suffocating his thoughts. And with… with just a faint hint of cream…

“Oh, but whatever would society say,” Clarissa groaned, her hips rocking, rubbing herself upon his thick cock, making Lukas moan and pant under her as his cock throbbed with need. As her breasts squished his face between them and Clarissa’s weight ground him under her. “They might say such terrible things…”

“Ohhhh,” Lukas groaned.

“You’re so right, my baron,” Clarissa giggled. “True love overcomes all odds. And oh, but you do love me, my baron. You do love my big… soft… breasts. And I love you. Loved you so much I tried all sorts of alraune perfumes before I found the one that just. Makes. You. Melt.”

“Mmmm,” Lukas moaned as he inhaled deeply.

“And you love my wonderful, clever mind, don’t you?” Clarissa cooed as she gave her breasts a bounce, swirling his thoughts again to a lather. “So smart to think of buying that holstaur cream for your tea. So clever to know how malleable it makes a good boy. How needy and aroused by big breasts it makes him. How adoring and dumb. How needy and horny and obedient.

“But there is something bigger than my breasts, my baron,” Clarissa moaned as she squeezed her tits around his head. “Oh yes! Believe it. And that is my warm, adoring heart. Perfectly made for my darling baron. Utterly devoted to him. Because I know, my beloved baron, how haaaaard it is for you to think with me around. How distracted you get from a big… soft… pair of breasts. How hard it is for you to rule. You’re not suited for it, my lord. You’re just suited to be a lovey dovey bimbo. A perfect, obedient stud to your darling wife. And oh, my baron, do you really want me? Do you really need me?”

Lukas whimpered beneath his maid, his mind whirling. Drunk on lust and love and heavenly cream and her body. His hands trembled as they touched her, stroking her hips and rump. Touching her back and causing Clarissa to lean forward and bounce teasingly atop him, his chair creaking.

“Oh my baron. If you begged me, then, well, maybe,” Clarissa giggled. “If you told me how much you loved me, how much you need me, then maybe I’d believe you. Maybe I could be convinced to make you my adoring husband. My sweet, brainless stud of a man who’d do anything his busty wife said. Shall we try, my baron?”

“Mmmm,” Lukas moaned into her breasts.

“Let’s,” Clarissa crooned.

Lukas gasped as her breasts came off his face. He blinked dully as he found Clarissa smiling down at him, gaze smoldering and smirk hot with desire.

“I…” Lukas said.

“I want you, my baron,” Clarissa breathed. “Don’t you want me too?”

The note of hot passion in her tone dashed any effort of resistance from him. Lukas’s mouth trembled and he nodded, the truth escaping him in a panting gasp.

“Y-yes,” he said. “W-want you.”

“Do you, my baron?” Clarissa cooed as her hips rose, her hands teased down his chest and to his crotch, Lukas gasping as her fingers played with his bulge, undoing his zipper. “Do you want to fuck your beautiful bride? Propose to her and fuck her and breed her glorious pussy?”

“Y-yes!” Lukas whimpered, his cock springing into the open, a shock of pure ecstasy surging through him as her fingers wrapped around his length. “C-Clarissa, I… I…”

“Oh my baron,” Clarissa giggled, leaning in closer, her molten eyes hot, her rouged lips soft, enunciating every word as he felt his cock guided under the tickling hem of her skirt, brush the smooth skin of her inner thigh, drawn towards the heat of her naked pussy. “Just say… I do.”

“I… I… d-dooooo!” Lukas groaned, head falling back as Clarissa’s body eased down, his cock swallowed in the warm tightness of her pussy. His face buried again under the buxom softness of her ample tits.

“Mmmmm!” Clarissa moaned, her hips rocking, riding her atop his cock with slow, passionate motions that sent throbbing ecstasy radiating through his body and manhood. “Ohhhh my baaaaron! Yes! Yes! I will! I’ll be your baroness! I’ll be your gorgeous wife! Your perfect lover! Your loving, breedable bride. Ah. Ah! Oh goddess yes! Fuck me! Fill me with your cock!”

Lukas groaned beneath her, his lips kissing and licking her breasts, lost in the creamy valley of her tits, trapped in the ecstasy of her figure and the seemingly endless ampleness of her bouncy breasts. His cock throbbed in her, squeezed by her adoring inner walls. Heat consumed him. Pleasure subsumed him.

It was so good. So perfect. He couldn’t break free. Couldn’t resist. The need to cum surged within him. Devoured him. Urged him towards the inevitability of climax. He panted, gasping, moaning under her.

“Yes!” Clarissa gasped. “Oh my baron! Oh my husband! Yes! Fuck me! Fill me! Stuff me full of your cum! Ohhhhh my baron! I neeeed it! Need your mnnn! Your cum! Ah. Yes. Yes! Cum in me, Lukas. Cum in your bride! Fuck me! Breed me! Now! Breed me… nooooow!”

Her voice rose, a crescendo of shameless pleasure, her inner walls tightening, flexing, squeezing his cock with the glory of her peak. As her breasts shuddered around his head, Lukas cried out, surrendering to her pleasure, his cock throbbing, his balls tightening.

And he came.

Blessed release seemed to burst within him. Sear him. Devour him. His cock surrendered to her, filling her in sharp bursts of heady pleasure.

Lukas moaned, lost in her breasts. Lost in the pleasure. Floating in a sea of creamy ecstasy and delight, his mind sinking under waves of soft, bouncy bliss.

Atop him, Clarissa cooed, giggling as she felt him sag, lost beneath her breasts. Her arms wrapped around her new husband’s head, pulling him deeper into her bosom as she looked about the study. Ugh. Such depressing decoration. She’d have to get it cleaned out. And the room would make such a lovely nursery too.

She giggled, admiring the dazed expression of her former master as she smothered him beneath her breasts. She couldn’t wait for the wedding. Especially since she promised that holstaur priestess and her alraune friend they could be her bridesmaids. After all, when one was looking for a husband, one needed a foot in the door. And she just knew her beloved betrothed had some friends in need of busty, brainwashing brides.

Clarissa hummed contentedly, lazily rocking her hips, feeling Lukas’s cock stir anew within her, ready for round two.

Mmm.

All too easy for a clever, busty girl like her…

[xxgoblin-dumplingxx]

Do you think the kidnapping was the last straw for age gap!reader and that’s why she decided to become a housewife??

Not quite.

When you did faint, for real instead of pretending, Clark is not surprised. Your heart had started racing again and you were trying very hard to stay composed and sweet.

He was just glad he was there to catch you and keep you from cracking your head on the pavement when the rookie cop closest to you was too busy being start struck to realize you were about to collapse. EMT's were called and you were taken by ambulance to the nearest hospital.

He only hoped Bruce had a plan. And a damn good one. Because, as he looked at the sad little cell the would be kidnapper planned to keep you in his stomach turned. If it hadn't been for the tracker to put in your sneaker, they might never have been able to find you.

__________________

"Sweetheart," Bruce said, rushing into the room, "My god, I'm so sorry! I came as soon as I got your call."

The nurse taking your vitals again glanced up and sighed internally. She'd HAVE to tell the desk to pay attention. Your Agent, some co stars, managers- jesus a parade of people had traipsed through this room. Even a particularly intrepid tabloid journalist. But- At least this was one visitor that you didn't seem to mind.

"I'm okay, I think," you tell him. "I- nothing really had time to happen. I just have some bruises and a concussion."

"Do you need anything?" he asked, crossing the floor, smiling briefly at the nurse before kissing your forehead. "Are they keeping you or-"

"The doctor is just waiting on some x-rays," the nurse told you when you looked at her questioningly. "Once we have all our tests back you should be good to go."

"Thank you, Nancy," you tell her, "Could I have some more water when you get a second?"

"Absolutely," she answered. Mollified somewhat when Bruce set himself to fussing over you in that endearing, clueless way that men had. Uselessly fluffing pillows and petting your hair.

"What were they x-raying?" Bruce asked, perching on the end of your bed. Between you and the door.

"My abdomen. I had stomach pain and they wanted to make sure I wasn't bleeding or something- I don't know if it was a knee of a foot but-"

"I should have hit him harder," Bruce growled.

"Bruce-"

"I'm taking you back to Gotham tonight," he murmured. "And Alfred is working on your security as we speak."

You blink for a second and bite your lip, "I have work and contracts-"

"Not to stay," Bruce hummed. "But I pointed out that you would need a couple days of rest to recover. And pointed out that making you work would be "a bad look" once the story broke. They agreed. And decided to shoot things you weren't in for a couple days."

You look at him confused and Bruce smiles a little, "I'm having the security revamped in your Apartment while you're with me. And being a little selfish- I missed you."

"Brucie, you don't have to do all that."

"I do though," he murmured. "It scared me, that phone call. And I don't like being scared."

_______________________

That night, in his bed. Finally feeling safe enough to let go, you let Bruce take you. It was tender and sweet- even while both of you were desperate.

Cleaving to each other for comfort. Craving the sense of belonging that you felt joined together. No secrets, no lies, only met desires and realized longings.

Bruce smudged soft kisses on every bruise and nuzzled every sore spot. Lavishing attention on your sore stomach. Careful to read your body language. If you pulled away, he would stop. But you clung onto him. Worldless pleading. Telling him. Don't leave me.

"I'm here, Princess," he breathed. "are you okay?"

You nod and lean up to kiss him, "How do you do it?"

"Do what, beautiful?" he hummed, sliding his cock along your entrance before sliding inside you.

"Make me feel so safe, all the time."

"Is that how you feel now, sweet girl?" he hummed, "Safe? Loved?"

You nod, wrapping your legs around his waist to pull him closer to you.

He smiled and rubbed his nose against yours as he bracketed himself above you, "Marry me?" he blurted, "Let me make you feel that way forever."

"You- Bruce- I-"

"I mean it," he breathed. "Marry me? Let me keep you safe, Sweetheart. Make me the happiest I've ever been?"

"How could I say no to that?" you ask, stroking his cheek as you kissed him.

[i-care-4u]

TALK TO ME | PEDRI

PAIR: PEDRI X FEMALE!READER

REQUESTS ARE CLOSED | MASTERLIST

you were invited to pablo’s party alongside his barcelona teammates and a few others. as you entered, you were immediately greeted by pablo and his sister, aurora.

at this point, you and the gaviras were like family. ever since meeting them because of your guardian’s interactions with their mother, you and the siblings got closer as the ages pass by. although things have changed because of career choices, one thing you can agree on was that barcelona is the move. you love barcelona as much as they do.

“hey guys!” you waved at the gavira siblings and they exchanged a smile towards before coming up to you.

starting with the left cheek, aurora exchanged kisses with you, “you finally made it!”

“i did!” you posed.

pablo joined, “thanks for coming in tonight. feel free to serve yourself some food, and drinks will be right in the fridge.”

you nod to pablo, messing up his hair, “thank you pablito!”

-

after greeting everyone inside the party, you decided to sit down and listen to the recent gossip. you were accompanied by pablo’s friend group.

as people slowly got off the couch, you saw that as your cue to leave somewhere else. however, fermín desperately asked you to stay.

“where are you going?” fermín asked you, “you’re going to miss the best part of the story!”

“i’m going to grab a drink and go outside.” you said as you start making your way into the kitchen. you opened the refrigerator and grabbed one of the drinks. afterwards, you closed the door and made your way into the backyard.

the backyard view looked very beautiful at night. however, there was no one there, or at least you thought so. walking towards the pool, appeared a guy sitting on one of the chairs.

“is someone sitting there?” you knew the answer is no, no one is sitting there, but you used that question as a way to start a conversation with the guy.

“no, you can sit there if you want.”

as you sat down, you started to examine the guy’s face. you were already familiar with his face, although you were unsure if that was his name.

“you must be…”

“pedri, no need to pretend.”

you raised your hands, giving him a sarcastic dirty look, “wow, okay. i was just making sure i was looking at the right person.”

“and you must be y/n. gavi tells me about you.”

“oh, he’s so sweet. you should be lucky to have someone like him.”

“and i am.”

for a brief moment, silence fell between you, with the peaceful sounds of the night wrapping about you like a comfortable blanket. the cold breeze rustled through the leaves, instilling a sense of serenity in your bones. pedri interrupted the pause, his voice soft but full of inquiry. "so, how long have you been friends with pablo and aurora?"

you chuckled quietly, remembering your closeness with the gavira siblings. "we have a long history together. our families have been close for years, and we almost grew up together. it's like they're my second family." pedri nodded in agreement, his face thoughtful. "that is nice. family is vital." you couldn't help but agree, a warm emotion flooding your chest as you remembered your relationship with the gaviras. "oh, definitely. they've always been there for me, through thick and thin."

as the night proceeded, you found yourself deep in discussion with pedri, the words flowing effortlessly as if you had known each other for years. his presence gave you a sense of calm and ease, allowing you to forget about everything else. you were lost in the moment, telling stories, laughing, and even pausing to contemplate quietly. it felt as if time had stopped and the world had shrunk to just the two of you in the black of night.

“so you’re telling me that you never wanted to approach me?” you asked pedri, being in disbelief.

pedri shrugged, “seeing you and the group of girls, i’d say out of everyone, you were the most intimidating.”

“gavi tells me all about you,” you repeated the words pedri said earlier. “don’t tell me he influenced you.”

“he didn’t…clearly you were just out of my league.”

“out of my league as in?”

“one that is getting the people in telling me that i pulled the impossible. one that i can show off to everyone. one that got me looking like the average person when standing next to you, a supermodel-like appearance.”

as the hours went, you developed a peculiar fascination to pedri. there was a magnetic draw between you, a connection that appeared to transcend words and actions. and when you looked into pedri's eyes, you noticed something flicker beneath the surface: a spark of something unsaid, something that mirrored the feelings running through your heart.

"may i?" pedri asked you. you drew in closer, absorbed in the moment's intensity, the distance between you narrowing with each passing second. and when your lips came together in a deep, delicate kiss, the world around you seemed to drift away, leaving only the warmth of pedri's touch and the hammering of your pulse.

lost in the heat of desire, you felt pedri's fingertips trace patterns across your flesh, sending chills down your spine. his touch was electric, setting off a fire of desire that grew stronger with each passing instant.

the need for air eventually separated you, leaving you both breathless and overwhelmed with want. but, even as you gathered your breath, the desire in pedri's eyes indicated that this was far from over. without saying anything, you both rose from your chairs, hands interlaced as you headed towards the house, the anticipation of what lay ahead hanging heavily in the air between you. however, as you approached the door upstairs, a voice shrieked from behind you, stopping you both in your tracks.

"since when were you two a thing?" fermín's voice burst forth, full of wonder. you turned to face him, hot cheeks and beating heart, wondering how to react to his unexpected interruption. but as you met pedri's eyes, you shared a wordless understanding, a mutual acceptance of the emotion that had developed between you.

"we'll talk later," pedri muttered softly, kissing your lips before turning to face fermín, whose expression was unreadable. and as you entered that room together, the anticipation of what was to come hung heavily in the air, a tempting reminder of your love for one another.

[cherri-rice]

Moral of the Story~

(Bakugou x Reader)

——————————————————————————

•

•

Everyone knows that Bakugou Katsuki has the biggest ego and that he doesn’t believe that someone could ever be better than him.

He wants what he wants.

And he wants what he can’t have.

But he’ll find a way.

You and Bakugou have been together for 7 years, and were currently in the process of getting married. You only ever had eyes for him, ever since middle school. Even when he was rude and treated people horribly wrong.

You even stayed with him when he told your classmate to jump off the top of the school building. You stayed when he was on his death bed recovering in the hospital. When you had to spend extra shifts at work to pay off the hospital bills. When he wouldn’t pay a dime of rent, or even pay for groceries.

Even his lashing out and aggressive behavior couldn’t get you to leave the trance you were stuck in.

You had all these questions and feeling about if he even valued your relationship. But when he proposed to you, all your worries vanished. You felt nothing but joy when he asked you to marry him.

You had never wanted anything more in your life.

You said yes.

Second year of high school was when he first asked you out. It wasn’t anything big. It never was. But you had all this built up love and admiration towards him, for how strong he was and how he never could be beat, that you couldn't see that it was fun to him. To have someone that thought he could do no wrong. So, he kept you close.

You let him get away with everything, you expected his half assed apologies. The ones where he’d come home late, late enough to know you were already sleeping, and he’d put a small trinket with a few words written in ink on a sticky note and place it on the nightstand.

He’d be gone in the morning before you woke up. You’d see the apology and forget why you were even mad in the first place.

But today.

Today felt different.

Today was your birthday and you couldn’t shake the feeling of regret, sadness and guilt.

Today you were turning 25. And you couldn’t help but feel like your life was missing something vital. Something you didn’t have to worry about. Someone you didn’t have to walk on eggshells for.

You went about your day going to work, having a few cards and small gifts from your coworkers, went out for a celebration drink, and went home.

Not at all throughout the day did Bakugou text you, not even a happy birthday message.

When you arrived home he was already asleep, passed out on your shared bed. Looking at his sleeping form you felt anger and frustration. You felt you were drowning in dejection and unhappiness.

You were uncertain of where these emotions came from and why you felt them now. You had always loved and cared so deeply for Bakugou. But after 7 forgotten birthdays and countless missed anniversaries, you just could do it.

All these memories of you waiting for him just for him to no show. Memories of arguments that you just had to let go of and surrender. Memory after memory. They came rushing back to the front of your mind. It’s all you could think, all you could remember was how he humiliated you in front of the entirety of Japan a vast amount of times.

You couldn’t help but feel insecure. Like you weren’t enough.

So you decided that you needed to see a counselor.

One that was going to give you the right answers. One that was going to help you move past this feeling.

-

After many months of trying to converse with Bakugou and how you were feeling, and not getting anywhere you decided that maybe your counselor was right.

-

“Where’d you find this guy?”

“I guess…I just fell in love with the wrong person”

-

It hurt to leave but you couldn’t be in a house that didn’t feel like a home. You had packed your things and left a note on Bakugou’s office desk stating how his treatment was making you feel. Telling him that it was over and that even if he came looking for you he wouldn’t be able to find you.

Walking a way from the house and to the train station, you left for Europe.

-

Over the course of three years you lived in the shantytown of Otheon. It was peaceful and you had a decent paying job. Able to provide for yourself. You even make a new friend.

Soul Rody. He was a cool guy that had two cute little siblings that you found just adorable. Rody was your roommate. He let you live with him after you impulsively left Japan with no clue how you were going to live in Europe.

-

“Hey, I have a friend that’s going to be visiting. Just letting you in know before you freak out because a random guy is in the house” Rody warned before you left for work.

You didn’t know Rody had any other friends. He never mentioned anyone for as long as you’ve known him.

‘A friend?’

——————————————————————————

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[prodigal-explorer]

how to write children's personalities

(this is part of my series, how to write children in fanfiction! feel free to check it out if you want more info like this!)

this is the main aspect of writing children that i see people mess up so often, especially in the fandoms i'm in (sanders sides and undertale). children are not adorable little noodles with no brains and no concept besides being cute and silly and crying. children are beings that are just as complex as adults, and they deserve personalities to match. this will make them way more interesting to read about! let's get started!

since there are so many aspects to personality to talk about and i don't want to sit here typing for ten years, we're going to do this guide a little differently. i'm going to divide these issues into archetypes, write a short description, and then make a list of do's and don't's for each one!

archetype one: the cute little baby

okay. babies are cute. we all know this, and i'm not saying it's a bad thing to make your babies cute. a lot of people love reading about moments with adorable little babies. but here are some ways to step this kind of thing up, and some things to avoid if you want to improve upon writing this archetype.

do's:

give the child character another archetype besides this one. though "cute" is the foundation for a lot of child characters, it's not a personality. and if a character is vital to your story, then it needs a personality. that's just a rule. you will read more about other archetypes further along in this post!

make the moments symbolic. though it doesn't seem like it from an outsider's perspective, basically everything a baby does is for a reason, and every action a baby makes can say something about their personality. if you want this baby's personality to be energetic and curious, have them crawl around and explore things, and laugh a lot, and babble. if you want this baby to be more sullen and shy, have them cry quietly instead of wailing, or have them squirm when being held by new people.

make the actions of the baby's guardians affect the mannerisms of the baby. babies act differently depending on how the people taking care of them act and react. for instance, if the baby's guardians are very busy people, then maybe have the baby cry very loudly whenever they want something, since they know that it's the only way to get the attention of their guardians. stuff like that can add depth to a character and to a general story.

don't's:

decide that the baby is cute and call it a day. sweet little babies are cool and all, but they get very boring to read about after a while. this can barely even be considered an archetype because of how bland it is when it's by itself.

keep this archetype around for too long. as babies turn into toddlers and then children, they don't act even remotely the same way. it's strange and off-putting to read about a seven year old acting like a two-year old, unless it's a very clear character choice that is a result of explicit actions and events.

make the baby know that it's cute. realistically, children don't understand the concept of cuteness until they're around toddler age. if then, you want to make the kid be like "i get what i want when i'm cute, so i'll act cute!", then sure, that's hilarious. but when they're two months old, they're not batting their eyelashes because that's their personality. they're batting their eyelashes because they got something in their eye. the main thing that makes a baby cute is that they don't know they're cute. they're just figuring out how to do ordinary things.

make everything a cute moment. while babies are awesome, raising them isn't always sunshine and rainbows. make the baby do something wildly chaotic, because babies do wildly chaotic things all the time. not only does this make things more realistic, but it makes things very interesting!

archetype two: the shy kid

as a former shy kid, i know good and well that these types of children exist, and they are very real and valid. however, there are certain ways i've seen them written that are just terrible because once again, this archetype cannot be considered a full personality on its own. let's get into the do's and don't's.

do's:

make their shyness a deliberate choice. kids aren't usually naturally shy. kids are usually more curious than cautious. is there a reason why the kid is shy? there doesn't have to be a reason why the kid is shy, but there could be a reason why the child is NOT outgoing/curious. try and give something like this some deliberate cause, instead of just making them shy so they can seem more precious and infantilized.

make their shyness manifest in diverse ways. not all shy kids cling to their guardian's leg and sit alone during recess. there are different ways to be shy. you can be aggressively shy, or fearfully shy, or shy due to general unwillingness to change.

make their shyness have realistic consequences. someone who's shy is probably not going to have many friends, if any. not all shy kids magically meet an extrovert who adopts them. someone who's shy probably has underdeveloped social skills, which can lead to them being less emotionally intelligent down the line. this makes the shy kid archetype a lot more three-dimensional than just a wet noodle of fear.

don't's:

infantilize shyness or treat it like it makes the kid some sweet, precious angel. not only is this very uncomfortable for shy people to read, but it's generally unrealistic. shyness doesn't affect how good or bad somebody is - it's a neutral trait.

use shyness as a tool to make characters seem younger. shyness does not indicate age. fear manifests in many different ways, and shyness is not the only way.

rely on cliches. not all shy people have the same journey, and the idea that a shy person becoming more outgoing is the "goal" is not only a bit offensive, but it's very cliche. shyness is not always an obstacle to be overcome.

archetype three: the happy-go-lucky kid

oftentimes, the reason why children characters are written into stories in the first place is to give a little bit of lightheartedness and innocence. to add a unique voice among all the cranky, stingy, burdened adults. but you have to be careful when writing this archetype. i personally really dislike this archetype as a whole, but i'm going to put personal feelings towards it aside because honestly, there's no valid reason to dislike it besides opinion.

do's:

give the kid a trademark. maybe this kid makes a lot of little jokes, or maybe they always see the best in a situation. give the kid one thing that makes them happy-go-lucky instead of just giving them everything because nobody is endlessly happy all the time in every way.

go deeper. while happiness is very often genuine, sometimes, it's a mask that hides something else. this can be an interesting way to sort of spice up your happy-go-lucky kid character. maybe the kid is hiding a big secret behind all those jokes.

don't's:

make the character always happy. while children tend to have simpler thoughts, they don't have simpler minds. this child needs to have thoughts, real, genuine thoughts that aren't just happy things.

see happy-go-lucky as a trait that is exclusive to children. comparing happiness to childhood and viewing them as the only places where the other can exist is just wrong, and it's kind of depressing. maybe give happy-go-lucky kid a happy-go-lucky adult to exchange jokes with!

---

those are the archetypes that i see a lot. but now, i'm going to suggest a few child character archetypes that i LOVE that i don't see enough in fics! feel free to use any of these that you like. alter them, combine them! these are, in my opinion, some of the most fun child character personalities!

the spoiled brat: "i want this, and that, and that, and- why aren't you giving it to me?? if you don't give me what i want, i'll tell on you!". spoiled brats are so fun to read and write about, especially when they have absolutely no reason to be spoiled given the current situation (think riches to rags). they've got everything, humor, angst, and best of all, lots of pockets for personality. think about why the child is spoiled. were they enabled by their guardians? did they grow up rich, with access to everything they wanted? think about whether you want the child to stay spoiled. does something change? do they learn how to improve their materialistic and selfish tendencies? there are so many opportunities to play with the personality of this child!

the know-it-all kid: while i do see a lot of know-it-all kids in media, oftentimes, they don't actually have personality besides bossiness and intelligence. i love know-it-all kids who have depth to them. kids who are constantly spouting information because of their sheer love to learn. kids who have one specific thing that they know everything about, so they never stop talking about it. kids who tell people what to do and act like they know best because they don't have a lot of control over anything at home, so they grasp at whatever control they can find elsewhere. i think this archetype could open up a lot of ideas for personality further down the line. it also has a lot of variety with humor and angst, and general depth.

the serious child: this is an archetype that i cannot get enough of. i love a child that doesn't think they're an adult, per se, and still enjoys kid things, but just has such a calm and regal air about them that isn't learned. it's just natural. think of the kid that doesn't really get excited about things conventionally, but you can tell they're happy by their faint smile. the kid that seems to live in slow motion, and doesn't mind this fact at all. the kid that sits alone at recess just because other kids scare the birds away, and they want to see how a bird acts when it doesn't think its being watched. i love kids who have poignant thoughts, because their thoughts are so creative and different from adult thoughts.

the adult-ified child: now this is another archetype i can't get enough of, but it's for a different reason. this child, on the other hand, does think that they're an adult for one reason or another. maybe their guardians forced them to grow up too quickly. maybe they just wanted to grow up quickly by themselves. but this child has thoughts that are too big for their little bodies. they explore things that aren't meant to be explored when their brains are still so small. they do everything too quickly, they stumble through life as if a clock is ticking somewhere. to me, they're just haunting to read about. it feels wrong and dangerous to just watch them do things that hurt them because they don't know any better, but they're on a page. nobody can stop them. it's just so tragic, i'm obsessed.

the prodigal child: this archetype isn't really as deep or detailed as the others, but i do appreciate it. this archetype is for a child who knew who they wanted to be from an early age. a child who wanders into a ballet class and finds out they're better than the ten year olds by the time they're five. this archetype often pairs really well with the know-it-all kid or the adult-ified child because usually, children don't experience what it's like to be the best at something until they're a lot older. this is just a really cool archetype when you aren't quite sure what to do with that main character's little sister.

the chaotic child: this archetype is so much fun to read and write, to be honest. this is a child that just does as they please, whether it's out of curiosity or for pure enjoyment. think of the crazy stories that your guardians have about you or your siblings being absolutely insane. scribbling in a book and then demanding that the library publish their version. trying to ride the dog like a horse. cutting up clothes in an attempt to be a fashion designer. this one is just plain fun!

---

now, there are so many more archetypes out there, but those are just my spotlights and recommendations! i hope after reading this, you feel more equipt to write child characters that have real, engaging, interesting personalities!

[elumish]

I said I was done talking about this for the moment, but it turns out I have one more thing to say (I am happy to have more conversations about this, but probably not right now):

Here's what I mean when I talk about harm and about doing what you can to avoid harm in your writing.

I believe (and I think basically everyone believes) that there are some narratives and viewpoints that are harmful. We don't all agree on what those are, but I think virtually everyone has some set of things that they think are harmful viewpoints. These viewpoints and narratives lead to actions. These narratives and viewpoints are supported and reinforced by stories, among many other things.

For a fairly neutral example, there's a narrative that Paris is a romantic city. This is supported/reinforced by books/movies/TV shows/etc. showing Paris as a place to travel to with or find a romantic partner. As such, many people travel to Paris with a spouse to have a romantic getaway.

For a less neutral example, there is a narrative that torture is a successful way to get vital and accurate information from suspects, and that the ends of torture (that vital and accurate information) justify the means. This is supported/reinforced by books/movies/TV shows/etc., which has had real-world impacts. In 2007, Scalia cited 24 in his defense of torture (for example).

Obviously you can debate all day long to what degree impacts are based on viewer/readership, the method of publishing, etc. but the fact of the matter is that fiction does influence how people think about things.

So back to the idea of harm. Harm through writing, to me, is about what narratives or viewpoints your writing is supporting, reinforcing, or perpetuating and how it is doing so.

If you write a gay or trans character who is a pedophile, there's a good chance that your story is going to reinforce the narrative that gay or trans people are pedophiles. Can you write a story involving a gay or trans pedophile that doesn't perpetuate that narrative? Probably! But you have to know what you're writing and what you are or could be implying and then actively work to mitigate that risk.

If you write a story with a police protagonist, there's a good chance that you might reinforce some pro-police narratives, just by virtue of writing them as the protagonist. Can you avoid those narratives? Sure! But again, you have to know what you're saying and then do the work.

There are places that this obviously gets a lot more complicated, and there are places where the medium or genre that you are writing in make a huge difference in how the same thing is framed. For example, framing unethical (e.g., nonconsensual) implementations of BDSM as erotic in a romance novel is, in my opinion, different than it is in a story that is just intended as erotica. They have different genre expectations and norms, and so the implications are different.

And this is all where your own understanding of the narratives and of your own morals and ethics and standards are key. You are the writer! It is ultimately up to you to figure out and decide what you think is harmful and how to address that.

But doing all of that means knowing what you're writing, and it means putting thought into what is harmful.

[deansapplepie]

Can’t promise ya that Sweetheart

Daryl x f!Reader | Established relationship | pos savior war | Dad Daryl | little fluff

Warnings: angst, mentions of cheating (not Daryl, of course), memory loss, Negan, a little bit of violence, mentions of death, killing threat, a little part of blood, pregnancy, mentions of birth, mentions of torturing, mentions of cancer. (If I forgot anything tell me) Minors do not interact, 18+.

A/N: This is a small story based on this dream that I had in the end of the last year. Finally decided to write something about it.

It didn’t go exactly what I had planned because of the dream, but here it is. Also, I wanted it to be a small drabble, but I turned it into a big one-shot.

Another thing is… Daryl and Reader have a 6 year old son, but in no moment I wrote his name in the history. I received a critique about reader’s son in The Spitting Image, so I’m still deciding if I’ll continue with DJ in my Dad Daryl fics, or if it will be only for The Spitting Image and I’m coming up with another name in my other fics. Just to make it clear, I have no intention in changing DJ’s name in The Spitting Image.

When the Greenes found you, the world had already ended. In one of Otis’ hunting leaves he encountered you, all bloody, your hair a mess of dried blood and dirty. At first he thought you were dead, but then you let a small cry and he checked your vital signs confirming you were indeed alive. That day he didn’t go back to the farm with good meat, he took you in his arms and arrived at the house urging for help.

The moment you woke up, your mind was blank. There was nothing there. No memories. At least, you still had the ability of speaking, reading and writing, besides that, not a thing. You didn’t even remember your own name. You didn’t remember the world before dead people started walking. Some people said you were lucky, because you couldn’t miss something you didn’t remember, but most of the times it was frustrating not knowing about who you were.

Without a name or a history, the Greenes soon adopted you, giving you the name Y/N, because they said it suited you and their last name. You liked how Y/N Greene sounded, and you liked the people that took you in and soon made you love them and be part of the family. Everyday was a new day to discover what you liked or disliked, to learn something new and learn who you were.

The group from Atlanta came, and with them also came a lot of trouble and a certain mysterious hunter that refused to leave your thoughts. He didn’t even looked at you, why were you dreaming about him? Little did you know you never left his thoughts too, and that was incredibly annoying. The farm burned down and all of you lost your safe place. You took the road, then you arrived at the prison and with the months passing you grew closer and closer to Daryl Dixon, but you were only friends. Until… after the people from Woodbury joined you and an event brought you two together.

And that was how you ended up like this, married to him, a 6 year old son and one more baby on the way. Now you lived in Alexandria a community that gave you a home again, a small sense of normalcy and where your strange family only grew. You had all been through a lot already… the prison fell, you were almost eaten by cannibals and you had survived a war against a group called The Saviors, which leader Negan killed many of your friends and broke and destroyed your husband. The first time you listened to the name of the worst person you heard of it made you feel something strange, just like if your guts were being pulled by an invisible hand, but you couldn’t tell why. Maybe it was just because he was a sick son of a bitch.

He killed Glenn which was like your brother in law as you and Maggie had become instantly sisters. He killed Abraham the gigantic ginger of a big heart and a mouth dirtier than a sailor’s. And his worst crime, in your heart, was what he made Daryl go through. He tortured, humiliated and broke piece by piece of the man you loved, and that you couldn’t forgive. You never got to see him. That sounds strange, but every time he showed up you wasn’t in Alexandria, the missions everybody went you couldn’t go because of your enormous belly that had the biggest baby you had ever saw, damn Daryl and his genes, that baby was hard to push - but yet here you were carrying another one. In the final battle you had your baby Dixon in your arms, so you never got to see the man. Even after Rick almost killed him, but in the last seconds asked Siddiq to save him.

You never had to see the man you despised and hated so much, until now that you were walking on Alexandria streets going to get his food and deliver it to him. You managed to keep the distance from him the past 6 years and nobody ever asked you to do a thing for him. Maybe because he brought back the memories of what he did to Daryl, or maybe because you agreed and supported Maggie about killing him. But now, you were making a favor to Gabriel, Michonne wasn’t in town and Rosita needed him. So why not? It couldn’t be so difficult, you repeated the steps on your head: handcuff him, open the cell, put the tray on the floor, close the cell and release him. After that you just needed to leave and never look at him again, at least you hoped so.

When you entered the dark room only illuminated by the daily light that came from the small window, it sent chills through all your body and you felt your “little pear” get agitated in your belly. ‘Lil pear’ was the nickname Daryl gave the baby you had in your belly, because he was pretty sure that it was a girl this time. You didn’t have an opinion about it, but you knew he would be happy if it was a sweet little girl like his ‘lil ass kicker’. You put the tray on a chair and before catching the handcuff on your pocket, you caressed your already big belly to assure your baby that nothing bad would happen.

“Never thought you’d ever come to visit me.” You heard his voice and once again it was like someone was pulling your guts.

“Believe me, I tried to come for a deadly visit, but I wasn’t allowed to.” You replied, handcuffs already in your hands. “Hands outside the bars.”

“I know you hate me, but you wouldn’t dare to kill me.” He put both hands outside the cage so you could handcuff him.

“Don’t tempt me Negan, or I may take the offer.” You handcuffed him and now took the key to open the cell.

“You really enjoyed fucking Dixon, didn’t you?” People were right he knew so damn well how to make anyone lose their temper. “A precious sweet little boy the one you have.” You had opened the door.

“Never!” You kicked the side of his leg on the height of the knee, earning a grunt in pain from him. “Never talk about my child again! Don’t even look at him!”

“This isn’t how I raised you sweetie… but I’m glad you can take care of yourself in this world.” You went outside the cage to take the tray of food. “But this isn’t the way you should treat your father.”

You gave him an annoyed look. “My father is Hershel Greene, and he’s dead. So, no way a scumbag like you is my father.” Fuck, remembering Hershel made tears surface in your eyes. Damn, fucking hormones.

You lowered the maximum you could to put the tray on the floor and made a mental note to tell Gabriel you’d never help him in such activities again till the end of your pregnancy. He didn’t know how fucked up it was to squat in that situation.

“Your name isn’t Y/N. Your maiden name was Smith. You have a mole in your back, close to your shoulder. You got a scar on your left knee after you fell from your bike, you were 8…” he said and that stroke you in a way you couldn’t explain. Yes, you had a mole. Yes, you had this scar that you didn’t know how you got since you had no memories from your past. You left his cell and closed the door. “Guess, you aren’t Daddy’s pretty princess anymore…”

At that moment the unthinkable happened, a storm of memories hit you running through your mind and you had to hold yourself on the bars, or you could swear you’d fall. Your childhood. Your teens. Memories of an old life you didn’t had anymore, and the day you caught your dad cheating on your stepmom, the reason why you left them not looking back, because you couldn’t bring yourself to tell her and break her heart, but you also couldn’t look at your father’s face and don’t feel anger. A wave of anger that contained all the last years and now also your memories from the past hit you, and when you realized it, you were with your hands on his collar yanking him towards the bars, his face impossibly close to it.

“What did you do to Lucille?” You yelled at him, from all the things you could have asked or yelled at him, he wasn’t expecting this. “What happened to her?! You gave her name to a fucking bat!”

“I didn’t kill her, if that’s what you’re thinking. Jesus… I couldn’t even kill her turned self.” He confessed. “She had cancer. She discovered it a little after you left… she was still in treatment when the outbreak happened.” And then he told you the short story of what happened and you blamed yourself for not being there for her, she was like a mom to you and you ran away just because you couldn’t tell her your dad was a cheater, but now he was worse, he was a psycho.

You released his hands from the handcuff and stored it on your pocket again. “I’m asking Gabriel to take the tray.” You said, you didn’t even need to tell him anything, but you didn’t know why you said.

“Can you bring the boy to meet me?” He had the audacity to ask. You snorted.

“If it depends on me, he’ll never meet you. You killed my friends, my brother… you tortured my husband, and that sweet little boy had a complicated birth because of what you inflicted in all of us, and do you think you have any right of meeting him?” He could see the tears in your eyes threatening to fall, and his heart clenched just like when you were little and would cry because you were hurt. But you’d not let it happen in front of him. You’d not cry. “If you had remained you, if you hadn’t caused so much pain, this would be a completely different reencounter.”

Once you finished talking you left the small little prison and when you turned to go up the stairs, you saw Daryl up the stairs, the look in his eyes indicating worry. He was probably looking for you, and someone probably said where you were. He saw in your eyes that you were in the verge of crying, you went up the stairs and once in front of him, you urged him to leave the place, you didn’t want him to see you crying.

You entered home, hand in hand and he took you to the sofa, sitting there with you. He put one arm on your shoulders and brought you to rest your head against his chest. “What did he tell you?” He asked and you were sure he was already thinking of a way of destroying the prisoner.

“I… I remember everything, Daryl.” You said, and the tears that you had been holding just fell down. “Negan’s my father.”

He didn’t look surprised, because he wasn’t. He knew it. For years already. Being married with the archer for so many years, made you a little observant like him and in that moment you knew there was something wrong.

“You’re not surprised.” You said, it was an affirmation, not a question. “Did you know?”

He took a deep breath, his hand on your head. “I’m sorry. I didn’t know how was your past with him. I was afraid it was so messed up that you would break if you got your memories back.”

“Did you never doubt my loyalty after you discovered it?” That was a difficult question, that you were not sure if you were prepared to listen to his answer. You weren’t mad at him, you kneel him and you knew he had no bad intentions on hiding it from you and to be honest, deep down you wished Gabriel had never sent you there.

“Wouldn’t have put another baby in ya if I did.” He didn’t want to be coarse, that was just the way he was and when he said that you knew he’d never doubt you. “I’ve been with ya for years, wouldn’t ever doubt you.”

“How did you discover it?” You wrapped your arms around his torso.

Some days after Negan was taken to his cell in Alexandria, he saw something through the small window that he didn’t expected. You. His daughter that had given her back to him many years ago. When the world ended, Lucille had told him to go and look for you, but he couldn’t do that, he needed to take care of her. Months passed and you never showed up at home, he thought you would try to get home if the apocalypse happened, so he just assumed you were dead. He saw you with Daryl and a cute baby in your arms, and that’s how he discovered you were the pregnant wife he had and everyone talked about, but he never got to meet. Also, you were going by a different name. He’d never think it was you. He was a monster, but he was a father, and he was so glad you were alive and well… but he also knew you probably hated him more than anything. Next time Rick visited him, he talked to him and asked to see you. Of course the ex-sheriff didn’t tell you, he told Daryl and that day the hunter had a ‘nice’ conversation with the ex Savior.

“Ya’re not telling her anything, ya aren’t even going ta look at’er or ma son.” He didn’t want to be controlling, abusive or anything of it, but he knew you were better not knowing it. It would destroy you if you knew you were related to a monster. “If ya try anything, a single little thing, I’m gonna kill ya and feed you to the walkers.”

He listened to Daryl, for long 6 years, but he didn’t have many options since he was in his cell all the time and you never came close to it. Everything organized for you to not do so, Rick, Michonne and Carol knew, all of the three knew and would make everything so you didn’t need to have contact with Negan, that’s until the day you decided to do a favor for Gabriel.

“He wasn’t a bad father.” You said when your husband finished telling you what happened. “To be honest, I have mostly good memories of him. A year before the outbreak, or so, I caught him cheating on my stepmom. I ran away, because I didn’t have the courage to tell her and I was so angry at him. I was dramatic and childish.”

“Nah, you weren’t. That was how ya felt, and it’s ok.” He kissed the top of your head and squeezed you in his arms.

“Do you think it would have made any difference if I had stayed?”

“I dunno. There’s no way to know. But one thing I know, we wouldn’t have met, and we wouldn’t have our precious lil boy or our lil pear on the way.” He caressed your belly while talking and he was right… things happened how they were supposed to happen and there was no way you could know if anything would have been different.

Soon the door opened and your little ray of sunshine came running directly to the living room and hugging you and his ‘little sis’, like he was now calling the baby. You thought it was because Daryl would say all the time it was a girl, but he would always say it wasn’t. ‘Kids know these things, they can feel’, he would say.

“Momma, how was your day? Did my lil sis kick a lit today?” He asked with his little face leaning on your stomack and his big blue eyes shining.

“My day was wonderful baby. Little pear kicked just a little today.” You said, your hand on top of your head. “How was school? Who brought you?”

“It was good. Jude brought me.” He said and then he looked at Daryl. “Daddy, you forgot me.”

“I’m sorry little man.” He sat his son on his lap. “Momma needed ma help.”

When he heard you had been sent to take food to Negan, he forgot about everything and ran to get to you. He was so afraid of what could happen that he forgot to take the kids. It was safe, it was inside Alexandria, but either way he needed to be there, to teach your son could only trust you, he shouldn’t go with anybody to anywhere, unless it was people you really trusted.

“Why don’t you go up, put away your things and wait momma to take your bath?” Daryl told the little boy and he went immediately upstairs.

Daryl got up and headed to the hall, you followed him and saw he was ready to leave.

“Where are you going?” You asked, clueless, you had just arrived home and your kid was back.

“Gonna have a talk with Negan.” He said. He was so good at comforting you that you didn’t notice he was boiling in anger. He had told him to not say a thing and he just opened his big mouth!

“Babe, he’s an asshole. We already know it, just let him be. I guess I made everything clear to him.” You tried to soothe him, both your hands enveloping his face.

“I gave him a warning, and still he made ya cry.” He delicately took your hands from his face and walked to the door.

“Daryl, please… don’t kill him.” You had confused feelings, you hated Negan for so many reasons and now at the same time remembering he was your father…

“Can’t promise ya that, sweetheart.” He opened the door and left.

You didn’t know if you believed in God anymore, but in that moment you prayed to whatever force there were that Daryl could calm down and also that none of this mess harm your son and your unborn baby.

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Dividers by @cafekitsune

[twistedwonderlandshenanigans]

TWST Cast Mid-Effort Snacks They Make

Listen I'm no wizard in the kitchen but I think I can make some half decent snacks. That being said, this post is long, does not have accurate measurements for half of it, bc why the hell would I actually write stuff down I Totally Don't Forget Things All The Time.

Also like. mid-effort snacks. You know, you're not just Opening a bag of chips but you are going to need. At least a microwave. (also, using minimal dishes possible nobody wants to clean up). This is all stuff I've made or at least eaten, myself, lmk if you try it or if I missed a vital detail LMAO

ANYWAYS if this post is popular enough I'll share some like. Actual recipes as well, the Culinary Crucible thingy finally came in and I feel INSPIRED, some of these have little uhh like 'justification' or story behind them some don't bc I feel like it's obvious. GTAT refers to the section at the end, I got tired of writing it out over and over again sldkjhklsjdf ---------------------------------------------------

Heartslaybul

Riddle - (Dark) Chocolate Strawberry Bark

Materials and Ingredients: - Parchment paper - Cutting board/cookie tray - Microwave-safe bowl - Knife - Strawberries (it's okay if they're overripe, as long as you can still cut them safely) - (Dark) Chocolate chips or Nutella, your choice - Peanut butter - Sweetened condensed milk (scm) - Plastic container - Freezer

Instructions:

Cut your parchment paper to about the size of a cookie sheet, but really it depends on how many strawberries you're using (I do not remember how many I used, I think it was like 8, you do not need many, especially if you cut them really thin) and put on top of cutting board/cookie sheet. A flexible cutting board is best, but it's whatever fits in your freezer.

Destem your strawberries and slice them thinly while they're standing upright. Like the part you destemmed is against the parchment paper. (or cutting board but y'know. Why Dirty It). Place them laying down on the parchment paper as close to each other as possible. I found like. Fitting the triangle shapes together like teeth was the easiest way but something else might work better for you. Dice one or two strawberries and set aside.

In a bowl, measure out about a cup of chocolate. If it seems like too much, you can just. eat it ig or dip leftover strawberries into it like I did. If it's not enough, babe just add more it's okay lmao. If you're using chocolate chips, add some sort of fat before you microwave (any oil, lard/Crisco, butter, margarine, etc.) in fifteen second intervals. (if you don't have a microwave, there are instructions under 'General tips and tricks' to hopefully help!). If you're using Nutella, just pop that bad boy in there for fifteen second intervals. In both cases, mix in between intervals until it's kind of runny.

Pour chocolate evenly over the strawberries, at least enough to cover them completely from the top/fill any gaps that are present. Wash the bowl, and repeat the process with peanut butter.

This is optional I really like chocolate and think it's more aesthetically pleasing than peanut butter, but peanut butter doesn't harden as well as chocolate does to bind the strawberry layer together so I couldn't put it first. I did another layer of chocolate on top, but it was thinner than the original one.

Sprinkle diced strawberries on top, and drizzle SCM to your hearts content. (Any leftover SCM needs to be put into a separate container and can stay in your fridge for up to 3 weeks).

Freeze it. It's just faster this way and helps the peanut butter out. I left mine in there for a day, but I think it's okay after like an hour, idk, you decide.

Snap/cut your bark into smaller pieces, use the parchment paper to help line whatever container you're going to use and store your treat in there. I enjoyed these treats best frozen or on top of vanilla ice cream, but they do need to be kept at least refrigerated. Fair warning, if you're a slow eater, these will get messy if you wait too long slkdjfhlkjsdfsdf recommend you eat with a fork.

THE REST ARE UNDER THE CUT WOOT WOOT (Riddle's is easily one of the higher effort ones, so do not be dismayed! There are some on this list with only 2 ingredients, I just talk a lot LMAO)

Trey - Tanghulu No baking required, still satisfies his sweet tooth.

Materials and Ingredients: - Stove (someone said you can use a microwave, IIIIII don't Like That for this, but I'm sure you can) - Fruit (doesn't really matter what kind. I used kiwis, strawberries, and grapefruit.) - White sugar - Water - Bowl of ice water - Fork (skewers are better but I didn't have any, and toothpicks...don't fw toothpicks for this okay??) - Parchment paper\Plate (you just need to make sure it's hardened BEFORE you put the fruit on it kdfjhsfjkd)

Instructions:

Ensure your fruit is washed/dried, peeled or otherwise "ready to eat" before starting

Use a 2:1 sugar to water ratio and put it in a pot. (So 2 cups of sugar to 1 cup of water, or a more likely amount you'll actually use up is 1 cup of sugar to 1/2 cup of water)

Heat on medium and watch closely, it's not suggested you mix it, I did, just by swirling the pot to make sure all the sugar was in the water, but then I left it alone. You'll see it starting to change colour to yellow-y rather than clear. Use a spoon/fork to dip into the sugar mixture and then immediately into the bowl of ice water. If it appears stringy or is still soft and sticky to touch, it's not ready yet. Keep boiling until your test drop solidifies on contact/within seconds of being in the ice water.

Turn the heat down slightly and use your fork or skewer to poke your fruit, and dip carefully into sugar mixture. Immediately, (but carefully) place your sugar covered fruit into the ice bowl. Once you take it out, it should only take a moment to harden before you place it on a plate/parchment paper.

Intended to be eaten immediately, does not store very well. Check 'general tips and tricks' for how to clean the pot/fork

Cater - Spicy Garlic Cheese Bread

Materials and Ingredients: - French Bread (works the best, but you can use whatever bread you have on hand) or premade garlic bread - Butter/Margarine - Salad herbs (like the premade mix or whatever, other seasonings optional) - (Shredded) Cheese - Jalapenos - Other toppings + hot sauce (optional) - Bowl - Spoon - Microwave - Oven

Instructions:

If using premade garlic bread, skip to step 3. Otherwise, get your bowl and chunk of butter (if using french bread, I would say about a half cup) and pop it in the microwave just long enough to get it soft, but not melted. Measure salad herbs with your heart and mix with a spoon.

Cut your bread in half and slather that son of a bitch in butter, having worked in a bakery I know that premade garlic bread literally gets a Handful of "butter" (it's margarine) that just gets. Slathered onto half of a day-old French bread loaf. (Safeway. Looking at you.) If you want to try putting on some BBQ sauce or tomato sauce now would be your time to add it. If you are adding sauce, a little less butter is recommended otherwise it will get Soggy

Put on as much cheese as you want. Whatever cheese you want. I'm not the boss of you.

Throw on jalapenos and any other toppings you want. (red onions, bell peppers, make it a meal with some chicken or something idk)

Broil on high until It Looks Right, as in the cheese is melted and golden brown in some areas (assuming it's marble cheese), or wrap in aluminum foil (risky with The Cheese) and bake at 350 F for like 10 minutes (I still recommend baking over broiling but it's your choice bestie)

Drizzle with hot sauce if you want/any other condiments.

French bread is pretty big, so cut into smaller pieces and share with friends/family/your neighbour/ whatever or full send it or you can try to store it, I think once it's cooled, a plastic bag would be the best bet for storage, and only for a day or two before your bread gets Sad.

Deuce - Ants on a Log He used to love it when his mom would send him to school with these.

Materials and Ingredients: - Cutting board (unless you would like to be a heathen like me) - Knife - Celery - Peanut butter - Raisins/Chocolate chips/Cereal/whatever you want

Instructions:

Decide if you even want to bother cutting your celery, you can leave it whole if you really want.

If you want to cut your celery, cut it according to taste or break that motherfucker with your bare hands just to hear it snap and get that little bit of Emotion and satisfaction out of it. Not recommended if you want bite sized pieces. Generally only cut in a way that keeps the 'sides' of the celery in tact, like you should have a little 'dip' to put peanut butter in, but its ok if its not comfortable to eat it that way and you need to cut it vertically as well, nbd, BUT DON'T CUT IT THAT WAY YET it's so much harder to get the peanut butter on.

Use a butter knife to add peanut butter to your celery. It should fill the little valley in between the sides of the stalk. **Now would be the time to cut again if you want Planks if you know what I mean

Add your toppings, be it raisins, chocolate chips, etc. along the peanut butter to represent the ants slkdjhflksjdf

Ace - Oreo Mug Cake His brother showed him once and he didn't stop since.

Materials and Ingredients: - Oreos - Milk - Fork - Microwave safe mug - Microwave - Whipped Cream (optional)

Instructions:

Get your mug.

Throw 4-6 Oreos in. (4 for an 8 ounce mug, more for a bigger one) and soak in 1 less tablespoon of milk than the amount of cookies you put in. (so 3 tbs for an 8 ounce mug)

The longer you soak them, the easier it is to crush them and break them up, it should become kind of cakey texture already

Pop that bad boy in the microwave for a minute, and in 20 second intervals after that as necessary. Its not like it matters if it's 'raw' though.

Let it cool until you can handle the mug comfortably, add whipped cream or other toppings and enjoy!

Savanaclaw

Leona - Bacon Wrapped Sausages

Materials and Ingredients: - Baking dish (should have some depth to it) - Parchment paper - Cocktail sausages - Bacon - Scissors/Knife - Toothpicks - Brown sugar (optional) - Oven

Instructions:

Cut your bacon in half

Preheat your oven to 350 F. Roll up cocktail sausage in half a rasher of bacon and secure in place with a toothpick.

Place parchment paper in/on baking dish and place the rolls inside

Once you've prepared as many as you'd like, you can sprinkle brown sugar on top.

Bake for about an hour

Ruggie - Elote Loco (Mexican street corn/ 'crazy corn')

Materials and Ingredients: - Canned corn - Mayo - Lemon/Lime - Salt - Pepper - Cayenne - Bowl

Instructions:

Drain your corn can, then add corn to your bowl

Literally. Add everything else according to taste. Heat if you want to, or put in the fridge to eat cold. (I like it cold).

Jack - Fruit Leather (this is a higher-effort, more time-consuming recipe)

Materials and Ingredients - Cutting board (not optional this time :/) - Knife/Corer (if applicable) - Stove - Large saucepan - Water - Blender/Potato Masher - Lemon/Sugar/Cinnamon/Nutmeg, Etc. (optional, but recommended) - Parchment paper - Baking tray - Oven - Pizza cutter (makes things easier, not necessary)

Instructions:

Prepare your fruit. (Wash, peel, destem, core them, remove pits, etc.)

Chop into chunks, and simmer in 1/2 cup of water for every 4 cups of fruit while covered for 10-20 minutes, or until fruit is cooked. You can mash by hand or just go ahead and transfer everything to a blender, but you will have to transfer back into the pot after.

Taste, and add sugar/lemon/spices according to your preference.

Simmer and stir until everything is mixed in completely and the puree has thickened. (5-10 minutes)

Preheat oven to 140 F (check GTAT at the end for troubleshooting). Puree thoroughly in a blender/food processor.

Line baking tray and pour puree evenly onto it, it should be about 1/4 inch thick. Bake for 8-12 hours.

Use pizza cutter to cut into smaller pieces. You can cut the parchment paper underneath and roll the pieces accordingly to store.

This is a more labour intensive snack, BUT it keeps for sooo long. It can keep at room temp in ziploc bag for a month. In the fridge for 6 months. In the freezer for a year. Also a really good way to use overripe fruit.

Octavinelle

Azul - Funnel Cakes >:D (I had to look up a recipe to base the measurements off of, I did not memorize this, but I changed a few things when I Actually Made them)

Materials and Ingredients: - Stove - Large pan - Oil (Vegetable oil, but I think coconut or sunflower oil should work too if you have certain restrictions) - 1/4 cup Milk - 1 Egg - 1 tbsp Water - Splash of Vanilla extract (splash is generally between a 1/4 tsp and 1 tsp To Me) - White sugar (to taste) - 3/4 tsp Baking powder - Pinch of Salt - 1/2 cup Flour - Powdered sugar (to taste) - Cinnamon (to taste) - Plate - Paper towel - Large measuring cup - Fork or tongs - Other toppings (optional)

Instructions:

Throw all the Wet ingredients into the large measuring cup and whisk

Add sugar, cinnamon, salt, and baking powder, whisk until combined

Add oil to pan and start heating on medium, it should be about an inch deep to deep fry. Add flour to measuring cup and whisk until smooth.

(Refer to GTAT at the end to know when oil is hot enough). Use the measuring cup to drizzle the batter in a line around the pan and overlap as desired. Honestly, the thicker the lines the better imo. Cook for 2 minutes until golden brown, then flip and repeat.

Once cooked, move carefully to plate with paper towel to soak up the oil, and add powdered sugar on top. Add other toppings as desired.

Jade - Roasted Chickpeas Easy protein to bring on a hike

Materials and Ingredients: - Can of chickpeas - Baking tray - Parchment paper - Olive oil - Seasoning as you wish (Personal recommendation: garlic powder, salt, paprika, pepper and a little cayenne) - Oven

Instructions:

Line a baking tray with parchment paper and preheat your oven to 400 F.

Drain your can of chickpeas, rinse, then drain again. Try and dry them out a bit before you season them, either leaving them in a colinder or letting them sit out on paper towels or a cloth...or on the tray if you've got time to kill. **If you don't like the feeling of oil on your hands, you might have an extra dish to wash but thats okay. Add your chickpeas to a glass bowl before the next step.

Transfer chickpeas to the tray (if you're not using the bowl) and coat with a generous amount of oil. Add seasonings as you wish, then mix with your hands (or a spoon if you're using the bowl, then transfer to the tray.)

Bake for 20-30 minutes, shaking the pan gently about every 10 minutes to help rotate the chickpeas. Once they're golden brown and crunchy, they're done.

Best eaten straight away, but you can keep them in container for a few days.

Floyd - Trail Mix (AKA the ADHD snack Ever imo)

Materials and Ingredients - Anything you got in your pantry that already kinda qualifies as a snack food - Something to put it in (bag or bowl/container with a lid is preferable) - My favourite mix to make is granola, cranberries, raisins, and chocolate chips

Instructions

Grab your materials

If you're using something that should probably cut up, (like fruit by the foot or something idk) just rip it and throw it in the Container.

Mix everything in a bowl or bag. Use more of your Favourite Ingredient than everything else, then close your storage thing.

Shake that motherfucker

Put everything back (or do this As You Add it so you're left with nothing to clean up at the end)

Scarabia

Kalim - The Forbidden (I made this when I was like 6 for a week straight after school, I DO NOT recommend) He came up with this as a midnight snack and didn't want to bother Jamil.

Materials and Ingredients - Microwave - Microwave safe bowl - Chocolate chips - Mini marshmallows - Fork - A very high tolerance for Texture and Sweetness

Instructions:

Put chocolate chips and marshmallows in the bowl

Microwave for 15 second intervals, mixing with your fork in between.

When it becomes a sticky amalgamation from hell and looks like a dung beetle would be proud of it, it's done.

Jamil - Fattoush He saves the leftovers of the dishes he makes for Kalim throughout the day in order to make some version of Fattoush

Materials and Ingredients: - Cutting board - Knife + Pizza cutter (not necessary, but fun) - Lettuce - Tomato - Cucumber - Radishes - Pita bread - Pan - Stove - Olive oil - Salt + pepper - Bowl x 2 - Glass measuring cup - Lemon juice - Garlic powder, dried mint, and sumac (you don't have to use these) - (I like adding Granny smith apples and goat or feta cheese, but it's not traditional)

Instructions:

Cut up your veggies like you would for any salad and throw em in a bowl

Use the pizza cutter to slice pita bread into smaller, bite sized pieces.

Fry the pieces with a little bit of olive oil, salt and pepper, then set aside in a different bowl so they stay Crunchy

In the glass measuring cup use about 2 tbsp of lemon juice, add some garlic powder, dried mint, salt, pepper, sumac, and whisk.

Slowly stream in about 3 tbsp of olive oil and whisk continuously until it combines. (this might take a while to emulsify, yes you can use a hand mixer on low if you want)

Drizzle dressing over your salad portion, and add pita chips as you wish

Pomefiore

Vil - Parfait He let the French man into his life, also this is bougie parfait, you don't have to follow this exactly lmao, this is just how I used to make it for my mom

Materials and Ingredients - Cutting board + knife - Grapes, red and green if possible - Granola - Blueberries (they can be frozen) - Cherries, cored/halved except one (can also be frozen) - Yogurt (I prefer vanilla for this stuff, Vil probably uses plain Greek yogurt and some honey for sweetness) - A wine glass, otherwise just a clear glass makes it look best, but it doesnt really matter - Spoon

Instructions:

Dice those grapes as small or large as you like, mine are generally the size of like. The eraser end of a pencil. Set aside.

Get your glass and gently spoon yogurt into the bottom, up by about 2 inches. If you have the patience, gently arrange the blueberries into a 1 berry layer. If not, just grab less than a handful of blueberries and put them on top of the yogurt.

Add another inch of yogurt to completely cover the berry layer, and add a thin layer of granola. Cover completely with yogurt again, using another inch-2 inches to do so

Again, if you have the patience, you can arrange your cherry halves into a nice circle to completely cover the yogurt layer. If not, do the same thing as the blueberries.

Cover with another inch-two inches of yogurt. Add a thicker band of granola this time, and top with yogurt once more, to nearly the top of the glass.

Add your whole cherry to the middle of the parfait, and add the mix of diced grapes around it. ** if you used frozen fruit, let it thaw for a couple minutes so you can see the colour bleed into the yogurt a bit bc it looks cool. I'm the boss of you for this one rule because I'm right about it sdlkjfhsldjkf

Rook - Maakouda A guilty pleasure of his. He remembers them fondly from home. Works best with leftover mashed potatoes.

Materials and Ingredients: - Mashed potatoes (if you don't have left overs, just boil chunked potatoes in lightly salted water. Once they're soft, drain them, use a handmixer to mix, add some butter/whipping cream, season as you wish (garlic powder, salad herbs, salt, pepper), add shredded cheese if you want idc. Once everything is mixed you got yourself. Mashies.) - Egg - Garlic, Parsley, Cumin, Tumeric, Salt, Pepper - Flour in a bowl - Oil - Pan - Stove** - you can use an air-fryer for this if you want - Slotted spoon/tongs/fork - Plate w/ paper towel

Instructions:

For every 2 cups of mashed potatoes, you will add one egg, but don't do it yet. Add seasoning to your mashed potatoes first so you can taste and adjust the flavour as necessary, THEN add your egg(s).

Start heating oil, (about 2 inches) in a pan at medium heat. While you wait for it to get to temperature, (Look at GTAT to know when the oil is hot enough) roll your potato mixture into small balls and roll in flour

Fry until golden. Remove from oil using your utensil of choice and let it drain on the paper towel

Repeat until all the "batter" is used up

Epel - Dulce de Leche + Apple Slices Ruggie showed it to him

Materials and Ingredients - Sweetened Condensed Milk (if you don't just have dulce de leche on hand) - Apples (Granny Smith recommended) - Two glass baking pans, one larger than the other - Water - Oven

Instructions:

Preheat oven to 425 F

Pour SCM into smaller glass pan, cover with foil

Place smaller glass pan into larger glass pan. Fill the larger glass pan with as much water as necessary to cover the level of SCM in the smaller pan

Throw it in the oven for like 2 hours and monitor periodically to refill with water if necessary. Keep cooking until it's the colour golden brown you want

Once it's to colour, remove from oven carefully, remove foil, and remove from larger glass pan carefully.

Once cool enough, store in glass jar if possible, or wait longer and store it in a plastic container.

Cut up apple and whatever is left in the pan, scrape it out with the apple and eat it lmaooo unless you have a silicone spatula ain't no way you getting all that caramel out of the pan. Serve yourself more as necessary lmao

Ignihyde

Idia - Worms and Dirt Baybeeeeeeee The far less healthy version of a parfait

Materials and Ingredients: - Crushed Oreos (Oreos + double bagged ziploc bags and you Gamer Rage sldfhlskdjfhlsj) - Whipped Cream - (If making from scratch, you'll need whipping cream, vanilla, and powdered sugar + hand mixer. Just throw ingredients in to taste and mix) - Chocolate pudding - Gummy worms - Rolling pin (optional) - Mixing bowl (glass or metal preferable) - Spatula - (Clear) Glass

Instructions:

Crush the Oreo's by any means necessary. Obliterate them.

Pack the Oreo remains into the bottom of your cup

Mix your whipped cream with the chocolate pudding using the spatula to fold it into each other until it Tastes Right. That is subjective, so if you Like it and it's Brown you Did It.

Spoon/plap how much of your chocolate mousse you'd like into your cup. Throw in a couple gummy worms, add more oreo corpse if you want then fill to the top with chocolate mousse.

Top with more oreo ashes and more gummy worms

Leftover mousse is pretty versatile if you have it with fruit or make more worms and dirt, but it only keeps for a day or two in the fridge

Ortho - :(

Diasomnia

Malleus - "Snow Cone"

Materials and Ingredients: - Rage - Double or triple ziploc bags - Ice - Hot water - Grenadine, Maple syrup, Lime and salt, something else (Choose ONE per serving or embrace Lilia's energy and regret it) - A bowl + spoon

Instructions:

Double/triple bag ice

Run bags under hot water for a few minutes to help melt the ice a little bit (assuming you don't have already very small pieces of ice)

Crush the ice via brute force (its a good work out) OR I GUESS you could use a BLENDER but where's the fun in that

Get rid of any extra water and serve very finely crushed ice in a bowl

Top with your desired flavouring to taste

Lilia -

REDACTED

Silver - Refried Beans Another Ruggie special lmao I love him so much

Materials and Ingredients: - Canned black beans - Salsa (optional) - Chicken bouillon - Oil - Pan/Stove - Wooden spoon/potato masher - Chips or some sort of bread

Instructions:

Drain a little more than half of the Bean Juice

Over medium heat, add a little bit of oil to the pan, (enough to cover the bottom), and add the Beans

As it heats up and the remaining Bean Juice starts to bubble, add chicken bouillon and salsa to taste.

Mash the beans while they cook to mix in flavouring and to get beans to the right consistency. They'll be done when there's no liquid left sloshing around, but you can decide how Dry you want your beans

Add beans on top of tortilla chips, sprinkle cheese on top and call it done, throw some in a burrito or on top of salad, lightly toast some bread, put some mayo on it and add the beans, do what you want <3

Sebek - Salmon Croquettes

Materials and Ingredients: - Canned salmon - Diced bell peppers (choose your favourite colours)**go to GTAT for other substitutions and notes - Diced red onion - Egg (if you don't have any just add more mayo) - Worcestershire sauce - Mayo - Garlic powder, salt, pepper, paprika, other seasonings (your choice) -Bowl - Flour - Panko (optional, or substitute bread crumbs) - Oil - Stove/Pan - Tongs (you can try to use a fork but it won't always work lol) - Plate w/paper towel

Instructions:

Prepare your veggies, and drain salmon

Mix in with canned salmon, and add mayo, Worcestershire, and seasonings to taste. Add just a tiny bit more than you think you should in regards to spices because when you throw the flour in, it'll 'dilute' the flavour a bit

Lightly beat 1 egg for every 5 ounces of salmon (should be on the can) and add to mixture, using hands or wooden spoon to mix.

Add just enough flour and breadcrumbs to the mixture that it doesn't stick to your hands.

Set up your pan with oil, (just enough to cover the bottom), over medium heat and make little 'patties' out of your mix.

Fry your patties until golden brown (2-3 minutes) on both sides.

Remove from heat and place on plate to drain.

Staff

Crowley - Fuckit Fudge (AKA Rocky Road Fudge)

Materials and Ingredients: - Parchment paper - Cake pan - 2 cups Chocolate chips - SCM (14 oz = 1 3/4 cups, should be on the can) - 1/4 cup Butter - Vanilla - Marshmallows - Almonds - Anything else you want (just be aware you'll have to add more chocolate and you'll likely have to cut down on the other fillings as well) - Glass bowl - Spatula - Microwave/Double boiler (GTAT tells you how to make one) - Patience

Instructions:

Melt chocolate chips, SCM, and butter (about 90 seconds in the microwave)

While it's melting, set up your cake pan with parchment paper

Add a splash of vanilla extract and mix with spatula until smooth

Stir add-ins into mixture, and pour into cake pan carefully

Make sure mixture is spread evenly, and refrigerate until it solidifies (depends on how deep you made the fudge)

Cut into chunks and serve. Stores well in an airtight container in the fridge for up to 2 weeks.

Trein - Raspberry Cordial Not a 'snack' but like if the Shaftlands are known for ruby berries I feel like this is close enough. It's from Anne of Green Gables, shhh its soooo good

Materials and Ingredients - Raspberries (GASP can you believe it) - Lemon/lemon juice - White sugar - Water - Sparkling water/Ginger Ale works too. Sprite is a stretch. - Pot/Stove - Fine mesh strainer - Pitcher - Ladle - Glass measuring cup

Instructions:

We're making a raspberry syrup, so you can use fresh, overripe or frozen raspberries. For every cup of raspberries, use just under a half cup of sugar, (3 cups of raspberries = 1 1/4 cups of sugar), and put both into a pot/saucepan.

Cook on medium/high heat and mash with like. the bottom of a ladle or something. It'll take like 20 minutes to have it cooked down to a liquid.

Strain into the measuring cup. If there are still seeds or pulp, strain again. Squeeze lemon into it in small amounts and taste as you go until you get the flavour You Want. This is your syrup. At this point, if you want to save some to use for other recipes or something, set some aside.

Boil the water (Use one cup more of water than you did of raspberries) and add it to the pitcher with your raspberry syrup. Mix, then let it chill in the fridge. ** if you would like to use sparkling water/lemonade or ginger ale instead, you'll just have to mix for longer is all, don't heat those

Serve and garnish with lemon or mint.

Crewel - Carrot Salad idk man I'm running out of steam and ideas lmaoooo

Materials and Ingredients: - Carrots, peeled - Grater - Bowl - Lemon, salt, cayenne - Fork

Instructions:

Grate your carrots into the bowl you're gonna eat out of

Squeeze your shredded carrots to get rid of the extra Juice (look at GTAT)

Add lemon/lime, salt and cayenne according to taste, and mix with fork

Tastes best chilled, eat immediately

Vargas - Deviled Eggs

Materials and Ingredients: - Saucepan/pot + Stove - Water - Eggs - Mayo - Salt, pepper, paprika, cayenne - Bowl + fork - Lime juice (optional) - Knife and cutting board - Bowl with ice water

Instructions:

Choose how many eggs you're gonna want to make, idk, maybe 6? Put them in the pot and gently fill with just enough water to cover them. Add salt and lemon juice (GTAT) to the water and heat on medium

Prepare your bowl with ice water. Let your eggs boil for about 8 minutes before draining the water and running them under cold water until they're cool enough to handle for a few seconds to put in the ice bath

Wait until your eggs are cold enough to handle for you to crack the egg shells off. I love using my hands but if it's easier to put it in a container with a lid and shake it gently, go ahead, just shake it enough to break the shell in a way you can remove it.

Once all your eggs are shelled, cut them in half the long way, (be careful they are Slippery)

Remove the yolks gently without ripping the egg white. Generally, you can just use your fingers or turn the egg upside down orrr very gently push the yolk out from behind into the bowl.

Add mayo and seasonings at your discretion. (if it feels like it's missing something, you can try adding diced pickles/pickle juice, bacon bits, dill, or mustard.) Mash together with the fork until smooth, or if you're using a lot of eggs you can use a hand mixer. Mixture should be creamy.

Gently spoon the mixture back into the egg whites. Any leftover mixture will be great on sandwiches!

Sam - Sausage Bites

Materials and Ingredients: - 1 Pillsbury OG Crescent Roll dough - Sausage of your choice, cut into 1 inch pieces (unless it's cocktail sausages, leave them as is) - 1 Egg + 1tbsp for an egg wash - Baking sheet + parchment paper (oven) - Flour - Pizza cutter (more fun than a knife) - Plate w/ paper towel - Sauce: 1/2 cup Mayo, 1 tbsp mustard, 1 tbsp ketchup + Cajun seasoning to your hearts content or a simple chipotle mayo works too

Instructions:

Make your sauce, throw it in the fridge to cool, set your oven to 350 F.

Lightly flour your counter and spread out the Pillsbury dough. Cut each triangle into 3 smaller triangles. Place sausage on wide end of the triangle and wrap it to make kind of like. A donut around it.

Place on baking sheet and add egg wash. I don't have a basting brush so I kinda wing it with whatever bright idea strikes me first. Usually I just end up using my fingers lol

Bake for 15 minutes, until pastry is golden brown

Once done, place on plate and allow to cool. Add toothpicks if you'd like, and serve with your dip.

Others (BONUS, come on guys I'm pretending like this is something people actually want to read LMAO)

Jack T. - Vanilla Latte Bars

Materials and Ingredients: - Coffee beans - Vanilla - Pitted dates - Rolled oats - Food processor - Cake pan + parchment paper

Instructions:

For every cup of oats, match with pitted dates + 1/2 a cup. (2 cups oats = 2 1/2 cups of dates). For every cup of oats, add a 1/8 cup of coffee beans. (2 cups oats = 1/4 cup coffee beans). Add vanilla with your heart. Everything goes in the food processor and gets blended.

Pinch the 'dough' between your fingers. If it doesn't crumble, it's ready. If it does, add a splash of warm water, blend again, and repeat until the dough holds it's shape.

Press mixture into cake pan evenly and refrigerate

Cut and serve once hardened

Che'nya - Cheez-whiz, pickle and mini-marshmallow sandwich Oh, context? Yeah my dad said this was his childhood snack and I wanted to be like him when I was like 5. Do not recommend. But I also don't like processed cheese.

Materials and Ingredients - White bread, Wonder bread is ideal - Cheez-whiz - Sweet pickles, sliced - Multi coloured mini marshmallows - A psych assessment

Instructions:

You don't get help with this. You know what you're doing.

Falena - Chicharrones (Like. Pork bites.)

Materials and Ingredients: - Cutting board + knife - Pork cutlet (I only need to feed myself, so a huge cut of meat isn't necessary - Salt - Baking tray + parchment paper (oven)

Instructions:

Preheat oven to 350 F.

Cut your pork cut into ~1 inch cubes, or smaller. Place on baking sheet and use a generous amount of salt to season. Mix with your hands.

Cook until you can easily pull the pork apart

I like to use a little lemon, a little homemade tortilla and some crema to eat them, but just lemon or using them to top nachos works too

Cheka - Poor Man's Horchata He just likes it more because he can set it up mostly by himself, and he can share it without worrying about nut allergies.

Materials and Ingredients - Pitcher - Water - White sugar - Oats - Vanilla - Cinnamon - Ice - Wooden spoon

Instructions:

For every cup of oats, add half a cup of sugar into pitcher (or cup for a personal serving)

Bring 3/4 full with water and add ice to bring it as high as you are comfortable stirring.

Add remaining ingredients to taste, and add sugar/water/oats as necessary

Najma - Mango with Tajin

Materials and Ingredients - Cutting board and knife - Mango - Tajin - Bowl

Instructions:

Cut your mango however you like. I typically cube my Haden mangoes, but Ataulfo I do the grid thing and pop it up

Add Tajin to your preference. If you don't have Tajin, use lime, salt and cayenne.

Neige (and the dwarves) - Tarte Soleil (higher effort snack) It's easy to share and 'sun tart' feels fitting

Materials and Ingredients: - 2 puff pastries, cut into equal size circles - Egg for wash, like Sam's - Black and white sesame seeds, (Optional) - Garlic butter (softened butter w/ garlic powder, salt, lemon and parsley to taste) - Baking sheet + parchment paper (oven) - Water - Cup/Glass - Knife

Instructions:

Cut your puff pastry so it's just small enough to fit on your baking sheet. Leave one on the sheet and put the other in the fridge for now. Preheat your oven to 350 F.

Spread the garlic butter on the circle, leaving about a half inch untouched all the way around the circle. Place in the fridge for 5 minutes to set.

Dab the edges of the crust with water and set the other puff pastry on top, gently pressing the edges together (not squishing)

Put the glass smack dab in the middle, or at least best you can, and upside down. (Do not Press.) Use your knife to cut away from the glass and make a bunch of 'rays' (easiest way is to quarter the dough, then cut each quarter into sixths.)

Remove the glass and gently press where your 'ray' meets the circle the glass made to prevent it from ripping as you twist it. Repeat for every 'ray'

Egg wash, (just like Sam's), sprinkle sesame seeds and bake until golden brown (30-35 minutes)

Let it cool, transfer to serving plate, and rip off the rays to eat.

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GENERAL TIPS AND TRICKS

If you need to melt chocolate and don't have a microwave (been there love, I know), you can use a small pot with water in it, I would say about a third of the pot is good, and a glass bowl big enough to sit on top of it. Boil that motherfucker and melt chocolate in the glass bowl, this is basically a poor man's double boiler

To clean melted sugar from the pot, there's a couple ways to go about it. I can't relax when I know there are dishes still waiting for me, so I used my kettle to boil more water, poured it into the pot, mixed it around with the fork I used, and most of it dissolved. I poured it down the sink, then used a sponge, soap and brute force to get the rest of it out. The other option is similar, where you just add fresh water to what's left of the sugar mixture, let it sit overnight, boil it again, and then dump it. (don't use cold water it will harden against the pot and be even more difficult to clean)

Some oven's don't go that low, I think the other common lowest temp is 170 F. That's okay! You can use a pair of metal tongs to keep your oven slightly ajar, just check in on it every once in a while. I use the same trick when I make meringue cookies and it works perfectly. Makes it wonderful during winter, but in summer make sure you don't overheat love <3.

You'll know the oil is hot enough to deep fry if you 1. put the back end of a wooden spoon in the oil and bubbles form around it, or 2. drop a small bit of the batter/flour in and it starts bubbling.

If you don't like bell peppers, you can shred carrots or zucchini, just make sure you squeeze and drain out the water first. You can do this with a cheese cloth or just your hands and pouring the water/juice out of the bowl over the sink. The dryer you can get it the better.

Adding lemon juice to the water helps separate the shell from the egg

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I did this shit in like 8 hours gooooooooooooooooooooooooood I hope it doesn't flop. But if it does, I hope whoever it does reach, enjoys it, I had fun making it.