#so it's not like my input is that important or useful

[missedmilemarkers]

Hi again!! Figured that since you were technically open to any question, I want to hear your thoughts or views on this. I'm not sure if I could message you (because I'm very awkward and I can't exactly hold a conversation based on small topics) But, how do you feel about choosing something practically over passion? This question has always plagued me ever since it was brought up during class, and it provoked to me how practically was always chosen over passion as it would technically "help" them more than pursuing their passion.

Was choosing tech for you a more practical choice or were you passionate about it? I don't want to sound rude over this question, but it only occurred to me when you mentioned that you were working in a field that is quite more on the technical side. Do you see it as something similar to an art form as you develop products that could help improve lives tremendously? Or is it just a job that you expect to pay good?

(P.S Sharing these photos I took some time ago, I believe it was last year and it was submitted for a class. Hope you enjoy them as well! Not as much sun as the last one though)

First off. Before going into any of the content of this post. THAT GIANT SNAIL IS SOO COOL! I just recently found out that they exist and was just amazed by the size of them. GREAT PICTURE!!!

Alright lets unpack the content of this ask.

TLDR:

You got this I believe in you. Stand tall and proud and go for whatever your heart and head want. If they disagree pick one and evaluate later. Even if your heart and head dont know that is OK as the story of your life unfolds the path will become clear. If you are honest you can always move with confidence and never lose a moment of sleep.

I am choosing to dive deep into this again for a few different reasons. The reason I am doing this you are at a moment in time which you perceive to be important (final exams, deciding about life etc etc etc). The unfortunate thing is this moment is no more important then any other you will experience. All it is would nothing more then a "MileMarker" which you will use for evaluation later in life. That does not mean its not important. All that means is every decision you made every action you took got you to the moment you are in RIGHT NOW. So dont worry no matter your choice you will always make the right decision. Even if its wrong you will always gain insight and that insight will always lead to success if passion is applied.

how do you feel about choosing something practically over passion?

I am not sure if there is exactly a correct answer for this one. If there is I think the best one would be do whatever makes you happy, and the only way to find out what makes you happy is to try. One thing I have learned is sometimes money or love is not enough. One can have all the money in the world and be miserable. Same goes for love. One could be loved by the world and be empty inside. That answer is kind of B.S. for someone that is seeking input. With that being said I will go over some of my experiences. My very first job was at an auto mechanic shop. I used to love working on cars. I would spend my weekends doing it. I would hang out with my friends and all have a great time. So i figured it would be a good choice to work as a mechanic. So I went and got that job. I worked it for about 5 years. At the end of it I never wanted to work on cars again. To this day I will not even change my own oil because I hate it so much. Am I upset it turned out that way? Not at all. Life is all about the experience nothing more nothing less. That lesson for me was finding out what I did not like in life and was just as important in my journey as knowing what I liked. At the end of my mechanic experience I figured I should just go be a garbage man. I would get the same blue jump suit but instead of the trash coming to me I would go to the trash. Really all we can do is to try. There is no wrong answer. Even if one makes a choice and find out its wrong for you that is OK.

Was choosing tech for you a more practical choice or were you passionate about it? "Neither and both"

The reason I brought up the above being a mechanic. If i did not want the same thing to happen on my outlook of computers as it did for mechanics. It was because of this I did not get into tech. I loved it so much I did not want to risk ever hating it. So that is passion but born of practicality based on what is important to me and only me. This is was dictated by my previous experiences and not wanting to have any regret in life. More on this: I have always been interested in computers and tech. I grew up in a very poor household. We only ever had exactly what we needed and nothing more. My childhood was amazing. Yea at the time I wanted more but after I got older and realized how the world was I landed on the outlook of "I could not have asked for more and it was amazing even though it was viewed bad at the time". One of my best friends growing up his family was very rich. It was through him that I was able to get access to technology. From that my obsession was born. I loved tech so much I avoided it professionally because i did not want the same thing to happen as did with mechanics. Then one day just purely by happenstance a neighbor offered me a job. I decided at that moment you know what try it. Why not, I now knew the signs of when i might start to hate it. so why not. We can never have any form of regret. So at that first job I literally ran around a call center unplugging and plugging back in headsets. Was this something that made a difference in this world. No, was it something that I found great internal satisfaction. No. At this point did it provide me financial security. NO IT SURE DID NOT! It was until many years went by to get a chance to shine. When that moment came I was ready and I crushed it. From that moment it was all different. I gained both functional and passion in my career with huge paychecks. But you know what, none of that matters now. The only thing it provides is a story for others of my personal experience. None of it means anything right now and clearly I cannot seem to pay the bills. That is ok. I would not change my situation, the outcomes, my choices or or any aspect of how i got to this moment right now. As long as I continue to try, learn and adapt I will find my way. However none of that will happen if I never take steps on my own and try with every fiber of my being each day.

how practically was always chosen over passion as it would technically "help" them more than pursuing their passion.

Based on that statement I feel how you are looking at this in the wrong context. That statement is taken from the third person. You need to have it worded something more like this. how practically was always chosen over passion as it would technically "help" me more than pursuing my passion. The context of that change is huge. Lets take a moment and reflect on that. I bring special attention to this because 1. We can never know what is best for any other person. Its hard enough knowing what is best for ourselves. Its ok to use other peoples stories and experiences as guidance in our own actions and decisions. It should never be our place to dictate what is best for another. We can never know that persons experiences, thoughts, emotions or context. We can offer guidance and feel happy we had an opportunity to share. 2. This now forces an action from the third person to a first person. This logic dictates something must happen. Even non action is an action and should be evaluated later and potentially adjusted. Sometimes non action is the best action. Often times its not though. Its all about that re-evaluation. 3. Experience is the most important thing in life. If you are struck in any form of "I wish I could...", "I always wanted to...", "Why cant i just...", "I don't know what ...". The only way to fix that is to do anything different. If you are frozen in a conversation start with one single word "Hello". If you are struck with any form of indecision just make one that is easier and more open ended. Instead of "I will make a final decision by", change it to "I try to evaluate my choices on", then take some time do a proper evaluation. Ok i wanted to try but i was unable to do that. Its ok that happened what can I do differently to "try anything else" and step with confidence in whatever choice you make. Even if its wrong there is never any regret because you made the best decision for you at the moment. Changing the view from "Observer" to "Doer" is what this context change provides. When an honest action is taken you can always do it with confidence no matter what it is. to Your final question. Money is a sign of a job well done. If you enjoy what you do you never work a day in your life.

In final thoughts: Tomorrow will never come and yesterday is just a story that only you care about. People might want specific things for you but none of that matters. Anyone who truly cares will want your happiness above all else. If that person cant understand that then they are probably not the best person to spend your time with. If you are living in the past you are depressed. If you are living in the future you are anxious. Its all about right now nothing more nothing less. Just smile, be confident and just do what is best for you and no one else. No decisions are final, you are free to change your mind at any time. Its ok not to know. We can never know the story of life through any other way then just living it how we choose. If future you is worried (anxious). Then present you should do something to set that person which don't know but implicitly care about up for whatever that success is defined as such by you. If past you is upset (depressed) about something then future you (currently present) can do something about it and make a change. Even if that change is wrong you can tell past you (depressed) that you tried and ask that person for advise and make adjustments accordingly. As long as you try you will always get exactly what you need. Survival is a very strange thing like that. It always is right up until it is not. The moments of survival in most cases outnumber the moments of conclusion. So dont ever worry the statistics are on your side.

Time is the only thing we never get back. I choose to spend my time happy. My personal definition of happiness has changed many times throughout life (story). Money will come for me as a result of that. So far it has worked out for me. To date I have survived (lived) far more moments then i have concluded (died). The same thing can be said about anyone reading this.

Conclusion: Each time i chose based on passion, One time I lost a passion. The other time I did not. Each time I was able to survive. Each time i gained valuable experience and understanding of who I was. I always succeed because I will always try hard and hopefully learn from my mistakes just enough to be good. I want to be happy in life and If at any moment I am not that is my measuring stick to make some kind of change.

Much like the seasons change is forced.

But we will always find the beauty of tomorrow. Even though we might have suffered a broken arm.

[medicinemane]

You know, looking at a diet soda can it occurs to me that it might not be so wretched to me if the cans weren't so unpleasant

Like we know that things like color play a role in how our brain perceives things, and I realized looking at the can that they're always this bland but at the same time nasty looking silver and it just... it looks foul and I think that compounds with the fact that I also just plain don't like diet soda

My point here isn't to say anyone else shouldn't like diet soda, just how I never realized how much of an impact the can has on me not liking it... there's just something offputting about it to me

[luck-of-the-drawings]

[<==PREV PAGES] [NEXT PAGE==>(not out yet.wait a year.or maybe more.imagine.]

saw alot of comments on prev pages; saying 'i HATE that mean teacher! im gonna FIGHT HIM!!' & i LOVE the energy!! it WOULD be nice. to have that catharsis. but the story of young tidestrider is Not one of catharsis. it is a story of being so small and so special and sucking so bad.

[emeraldblonde]

I tried to mod something and the good news is, it didn't crash the game. 🥳 The bad news is, not what I was looking for lmao.

Like, don't get me wrong. I've seen way worse (the stuff of nightmares) on a modding channel I've been teaching myself this stuff lately, so. It's not like I completely fucked this thing up or anything like that.

It's just... I still gotta ask though.

What went wrong here?

[laugtherhyena]

Playing Bomb rush cyberfunk has been a crazy experience so far because i feel like I've been enjoying the game just as much as I'm not doing so

[wackypomo2003]

i know that i'm beating a dead horse because a lot of other people are saying the same thing and i know that the "golden age" of the internet wasn't 100% flawless either but wow, are a lot of websites are just a cesspool now.

like, searching anything on youtube is difficult because it's mostly just the site recommending you videos that aren't even related to the topic ur searching for and then you see the most disturbing videos being recommended to you out of nowhere along w/ some of the most repulsive "takes" . then u have youtubes very odd policies about using adblock...

instagram was just a photo sharing website and now it keeps recommending me posts from their twitter knockoff that i don't want to use, the comments on nearly every popular post in my recommendations w/ the worst comment section ever, and then u have them trying really hard to make meta AI a thing along w/ ruining the search function - they used to have a "newest posts first" option and then it went to "top newest posts" and then got rid of those options completely last time i checked?????

twitter and tumblr are having a bigot off .

also what is with these websites trying VERY hard to be "all in one" . tumblr is slowly trying to become twitter despite how often they make fun of twitter's decisions while promoting their own app (......lol. also remember tumblr live which was basically instagram live) and oh look at that . youtube has a music streaming service now , and also has its own tiktok knock off too ! and then u have twitter which is also trying to be youtube . even game focused websites like roblox are trying very hard to cash in on the whole "metaverse" thing .

it feels like i'm witnessing the beginning of the end for the internet - i know that sounds really dramatic but there's just so many problems i can't imagine these websites going on for another 10 years or so .

[angorwhosebabyisthis]

analyzing hermes, emet-selch, the ancients and ascians, how they're written, and the fandom's reaction to them be like hm. emet-selch's role in this fuckery is compounded by the fact that his backstory as a genocide survivor is incongruous with his ruling a huge genocidal colonialist world power in the present da [ANTISEMITISM BLAST]

[bitchfitch]

whats the statue of limitations for cheating at art college? i was only there for 2 semesters and this is only about 1 class.

Eh whatever.

Anyways for some reason the school had a Really basic adobe illustrator class you had to take. and i liked the teacher well enough so it wasn't too bad, but the program just wasn't my cup of tea, especially since most of the assignments were done with the assumption that you didn't know how to draw at all and so you were just tracing images you found online to turn them into vectors.

And i grok what they were Trying to teach. but what it actually taught me was where the 'vectorize' button was.

[shego1142]

I super recommend Colleen Christensen for more info on eating without food rules and eating intuitively!

Her videos are helping me unravel a lot of issues I have struggled with regarding food!

Just the simple act of not shaming yourself for craving and or eating specific foods can be so powerful and beneficial to your life/mental health (which in turn affects all of your health)

"craving a food means your body needs something that food can offer" now what the fuck does my body need with an ice cream

[txttletale]

Saw a tweet that said something around:

"cannot emphasize enough how horrid chatgpt is, y'all. it's depleting our global power & water supply, stopping us from thinking or writing critically, plagiarizing human artists. today's students are worried they won't have jobs because of AI tools. this isn't a world we deserve"

I've seen some of your AI posts and they seem nuanced, but how would you respond do this? Cause it seems fairly-on point and like the crux of most worries. Sorry if this is a troublesome ask, just trying to learn so any input would be appreciated.

i would simply respond that almost none of that is true.

'depleting the global power and water supply'

something i've seen making the roudns on tumblr is that chatgpt queries use 3 watt-hours per query. wow, that sounds like a lot, especially with all the articles emphasizing that this is ten times as much as google search. let's check some other very common power uses:

running a microwave for ten minutes is 133 watt-hours

gaming on your ps5 for an hour is 200 watt-hours

watching an hour of netflix is 800 watt-hours

and those are just domestic consumer electricty uses!

a single streetlight's typical operation 1.2 kilowatt-hours a day (or 1200 watt-hours)

a digital billboard being on for an hour is 4.7 kilowatt-hours (or 4700 watt-hours)

i think i've proved my point, so let's move on to the bigger picture: there are estimates that AI is going to cause datacenters to double or even triple in power consumption in the next year or two! damn that sounds scary. hey, how significant as a percentage of global power consumption are datecenters?

1-1.5%.

ah. well. nevertheless!

what about that water? yeah, datacenters use a lot of water for cooling. 1.7 billion gallons (microsoft's usage figure for 2021) is a lot of water! of course, when you look at those huge and scary numbers, there's some important context missing. it's not like that water is shipped to venus: some of it is evaporated and the rest is generally recycled in cooling towers. also, not all of the water used is potable--some datacenters cool themselves with filtered wastewater.

most importantly, this number is for all data centers. there's no good way to separate the 'AI' out for that, except to make educated guesses based on power consumption and percentage changes. that water figure isn't all attributable to AI, plenty of it is necessary to simply run regular web servers.

but sure, just taking that number in isolation, i think we can all broadly agree that it's bad that, for example, people are being asked to reduce their household water usage while google waltzes in and takes billions of gallons from those same public reservoirs.

but again, let's put this in perspective: in 2017, coca cola used 289 billion liters of water--that's 7 billion gallons! bayer (formerly monsanto) in 2018 used 124 million cubic meters--that's 32 billion gallons!

so, like. yeah, AI uses electricity, and water, to do a bunch of stuff that is basically silly and frivolous, and that is broadly speaking, as someone who likes living on a planet that is less than 30% on fire, bad. but if you look at the overall numbers involved it is a miniscule drop in the ocean! it is a functional irrelevance! it is not in any way 'depleting' anything!

'stopping us from thinking or writing critically'

this is the same old reactionary canard we hear over and over again in different forms. when was this mythic golden age when everyone was thinking and writing critically? surely we have all heard these same complaints about tiktok, about phones, about the internet itself? if we had been around a few hundred years earlier, we could have heard that "The free access which many young people have to romances, novels, and plays has poisoned the mind and corrupted the morals of many a promising youth."

it is a reactionary narrative of societal degeneration with no basis in anything. yes, it is very funny that laywers have lost the bar for trusting chatgpt to cite cases for them. but if you think that chatgpt somehow prevented them from thinking critically about its output, you're accusing the tail of wagging the dog.

nobody who says shit like "oh wow chatgpt can write every novel and movie now. yiou can just ask chatgpt to give you opinions and ideas and then use them its so great" was, like, sitting in the symposium debating the nature of the sublime before chatgpt released. there is no 'decay', there is no 'decline'. you should be suspicious of those narratives wherever you see them, especially if you are inclined to agree!

plagiarizing human artists

nah. i've been over this ad infinitum--nothing 'AI art' does could be considered plagiarism without a definition so preposterously expansive that it would curtail huge swathes of human creative expression.

AI art models do not contain or reproduce any images. the result of them being trained on images is a very very complex statistical model that contains a lot of large-scale statistical data about all those images put together (and no data about any of those individual images).

to draw a very tortured comparison, imagine you had a great idea for how to make the next Great American Painting. you loaded up a big file of every norman rockwell painting, and you made a gigantic excel spreadsheet. in this spreadsheet you noticed how regularly elements recurred: in each cell you would have something like "naturalistic lighting" or "sexually unawakened farmers" and the % of times it appears in his paintings. from this, you then drew links between these cells--what % of paintings containing sexually unawakened farmers also contained naturalistic lighting? what % also contained a white guy?

then, if you told someone else with moderately competent skill at painting to use your excel spreadsheet to generate a Great American Painting, you would likely end up with something that is recognizably similar to a Norman Rockwell painting: but any charge of 'plagiarism' would be absolutely fucking absurd!

this is a gross oversimplification, of course, but it is much closer to how AI art works than the 'collage machine' description most people who are all het up about plagiarism talk about--and if it were a collage machine, it would still not be plagiarising because collages aren't plagiarism.

(for a better and smarter explanation of the process from soneone who actually understands it check out this great twitter thread by @reachartwork)

today's students are worried they won't have jobs because of AI tools

i mean, this is true! AI tools are definitely going to destroy livelihoods. they will increase productivty for skilled writers and artists who learn to use them, which will immiserate those jobs--they will outright replace a lot of artists and writers for whom quality is not actually important to the work they do (this has already essentially happened to the SEO slop website industry and is in the process of happening to stock images).

jobs in, for example, product support are being cut for chatgpt. and that sucks for everyone involved. but this isn't some unique evil of chatgpt or machine learning, this is just the effect that technological innovation has on industries under capitalism!

there are plenty of innovations that wiped out other job sectors overnight. the camera was disastrous for portrait artists. the spinning jenny was famously disastrous for the hand-textile workers from which the luddites drew their ranks. retail work was hit hard by self-checkout machines. this is the shape of every single innovation that can increase productivity, as marx explains in wage labour and capital:

“The greater division of labour enables one labourer to accomplish the work of five, 10, or 20 labourers; it therefore increases competition among the labourers fivefold, tenfold, or twentyfold. The labourers compete not only by selling themselves one cheaper than the other, but also by one doing the work of five, 10, or 20; and they are forced to compete in this manner by the division of labour, which is introduced and steadily improved by capital. Furthermore, to the same degree in which the division of labour increases, is the labour simplified. The special skill of the labourer becomes worthless. He becomes transformed into a simple monotonous force of production, with neither physical nor mental elasticity. His work becomes accessible to all; therefore competitors press upon him from all sides. Moreover, it must be remembered that the more simple, the more easily learned the work is, so much the less is its cost to production, the expense of its acquisition, and so much the lower must the wages sink – for, like the price of any other commodity, they are determined by the cost of production. Therefore, in the same manner in which labour becomes more unsatisfactory, more repulsive, do competition increase and wages decrease”

this is the process by which every technological advancement is used to increase the domination of the owning class over the working class. not due to some inherent flaw or malice of the technology itself, but due to the material realtions of production.

so again the overarching point is that none of this is uniquely symptomatic of AI art or whatever ever most recent technological innovation. it is symptomatic of capitalism. we remember the luddites primarily for failing and not accomplishing anything of meaning.

if you think it's bad that this new technology is being used with no consideration for the planet, for social good, for the flourishing of human beings, then i agree with you! but then your problem shouldn't be with the technology--it should be with the economic system under which its use is controlled and dictated by the bourgeoisie.

[bortalis]

My concepts for the development progress of an Iterators Puppet

-my ideas below

-Feasibility Study  

[1]: First autonomous control module, any instruction to be given must be done manually through physical means (the keys), outputs were shown through the screen. A very primitive system, however, did its job proving the greater machine concept was achievable. While it does look like a lens above the monitor, this was a simple status gauge for benchmarking.

-Prototyping and Development  

[2]: Now with the capability to wirelessly and audibly communicate to receive instructions and inputs. The system was no longer directly integrated into the facility, and resided on the first instance of an iterator's arm. This was considered a feat due to the complications with isolating the control module from the rest of the iterators components, while keeping processing power. A permanent connection/umbilical was needed to sustain life and function though. 

To “talk” back, they were crafted with multidimensional projectors, the mobile arm allowing the angles and variance for this projection. Only later into development were advanced speakers installed for optimized understanding, however the extra computing power required to synthesize proper speech was found to strain the contained module, so this function had rare use in the end.

[3]: At this point there was a change in perspective in the project. What once were machines to simply compute and simulate, were now planned to be the home, caregiver, and providers. The further the project came to fruition the more religious importance was placed upon these “random gods”. From this stance not only did the puppets have to manage and control their facilities, they had to communicate with the people and priests. To represent benevolent beings who will bring their end and salvation. In this process iterators began to take a more humanoid shape, to better reflect their parents. Development was focused on compacting the puppet closer to the size of an ancient for this purpose. This stage was the first to incorporate a cloak/clothing into their design considerations, to further akin themselves in looks. The cloak would hide the iterators' engineered bodies and give a body to their silhouette. 

[4]: As bioengineering and mechanics were rapidly progressing due to the void fluid revolution, this allowed plenty of margin for developing the outer design of the iterator puppets. This prototype was the first to incorporate limbs for the purpose of body language. This was another step in the drive to give a body to their random gods.

-Final Iterations

[5]: First generation iterators had the final redesign of puppet bodies. Far different from their first designs, they are fully humanoid. Their bodies are shaped to be organic and as full of life as they could at the time. Their center of sapience has fully settled within their body, as can be seen as their unconscious use of limbs without the direct intention for communication. This can also see how they manage their work, where many of the functions (which can be done with just an internal request) are operated through physical gestures of their limbs. Their puppet chambers also allow for full comprehensive projection, where many of their working monitors are displayed. It is seen how iterators prefer to utilize their traversal arm to transfer between the current working projection window.

These designs were hardy and nearly self-sufficient, only requiring minimal power from their umbilical to charge. (However was still limited in the terms of internal power production, for this first generation extensive batteries sufficed)

[6]: Later generation not only incorporated advanced bioengineering internally, but externally. While still a hardened shell, their body plates have been incorporated into the organics of the puppet, maintaining the protective requirements while barely leaving a trace of hinges or plates. This “soft” skin had drawbacks, such as reduced durability to the first generations, this was offset by the greatly enhanced repair speeds and capability this type of skin allowed.

Internal power generation was implemented into these late generation models. If the case arose, the Puppet could be disconnected from their umbilical and still be conscious from an undefined period of time. (However this would limit the operating capacity of the puppet when running self sufficiently) This greatly eased maintenance works, as the Puppet could still run the greater facility wirelessly while work was done on the chamber, arm or whatever as needed.

[sugudoe]

☕️⌇ ◜ OFFICE HOURS ◞ ⠀⠀⠀

╰⠀boss!nanami x secretary!reader where . . . nanami kento can’t let people know the reality that he, under no circumstances, belongs to them. in fact, is quite the contrarie. everyone in this job is a puppet willingly letting him pull the strings. you more than anyone. after committing the bizarre mistake of telling nanami your true intentions with him, your boss is more than eager to comply your desires and just maybe, forget he first input of no belongings.

cw. too much swearing, fingering with others present (not caught), fem!reader, reader keeps daydreaming w. nanami, slightly age gap but non-important all legal, public sex, overstimulation, they both keep failing to hide, possessiveness, love bites, he slap her thigh once, bit of blood because of self lip biting 4.9k words, english is not my first language.

an. hi, hello, i want everyone to know i’m this man wife. this is, in fact, our love story, i used to serve his coffee, now i’m serving my puss— anyways, enjoy it. FYI nanami smells like either tom ford tobacco vanille or byredo bibliothèque.

There are certain events in the workplace ── a sequence, if you may ── that serves as a warning to everyone that Mr. Nanami Kento has arrived.

Not many months ago, you were clueless to the symphony of presentation he had, even before stepping into the room. Now, though, it’s engraved in your mind. Much like he is. It is, also, a dirty secret to have that you eagerly wait for it, everyday.

Halting the tack-tack of your fingers on the keyboard, your ears pick the first signal ── rushed footsteps. All opening space so he can pass without the need to raise his eyes, hidden by sunglasses, from his cellphone. The second is the whispers and swooning. Some, more brave than others, compliment him out loud. Always about his peculiar ties, and always he smiles back. Lastly, when Nanami is in your sight of view, he is accompanied by his signature scent that greets you before he even does.

The most raw way to describe his smell is by saying that you wish you could crack him open, and lay inside of him forever. It’s comfortable and addicting and it makes you want to kiss him until it can permanently fixates on you.

In more proper synonyms, Nanami Kento smells like caramel, wood and a bit smokey. He is hot to the touch, one can admit. You don’t fall far from these thoughts, but sometimes, when you are not eye-fucking your boss, you think he smells like a cozy cabin in the woods.

Perfect place to fuck him, though.

Is easy to imagine such a thing. You can picture him with thick sweat covering his body, like a second layer, as he comes inside with a hatchet and wood for the fireplace. And you can, also easily, imagine yourself on your knees sucking him so good, as way to thank him for keeping you warm.

It’s a Kento effect. Everywhere he passes, people tend to have a heat stroke. You are no better than the others. Probably worse. He, however, does not need to know that. Nanami’s plate is already filled to the brims with people gazing him as a snack, he doesn’t need his personal assistant to do the same.

Not in front of him, anyways.

So, when he comes near your table, and stop to take whatever you have for him (work related, honey, even when you wish it was your pussy), you present the calls he need to answer with a compliment for his shoes and a black coffee with pretzels.

He adores you.

You want to fuck him senseless.

A perfect imperfect balance of clashing feelings. His are professional, yours are not even close. He only steps over the boundaries when it’s to call you “Darling” and you only do so in your head, when you think of laying on his table and letting him feast on your dripping cunt.

He is gentle and caring.

You wouldn’t mind chanting his name loud enough for everyone to understand what’s happening.

He departs ways and you share a trembling sigh with your inner turmoil of emotions. He makes you have a constant fever. In fact, with him, everything is constant. You want to fuck him everyday, you touch yourself with his voice in your mind guiding you. He gets pretty out of character in your alone mind, though.

Real Nanami is a sweetheart. Your Nanami would make you cry while on his cock.

“── and the meeting room needs to be ready by eleven, you can do all that, darling?” He asks. He asks! He is talking with you.

“I, uh, I’m sorry, Mr. Kento,” You stutter before shifting your attention from your computer screen to his charming understandable smile. “could you repeat, please?”

“Sure, darling.”

You need to put extra neurons to work when eyeing his pink lips moving gracefully. Is it the same shade as his cock? Oh, you hoped so. That would be your favorite color, would paint your nails, your hair, anything.

“Got it now?” Nanami curls his lips as he question you. You can’t lie to him, so you sign that No, you did not payed attention. He chuckles and comes closer, resting both hands in fist on your table, letting himself down so he can be face to face with you. “I need you to order mine, yours and the lunch for the usual gentleman I talk about the finances, ── you have that noted, right?” You nod, and he proceeds. “Then, I want you to decorate the meeting room, the way you always do.” You nod again, and he moves back. You want to whine. “Good girl.”

Pause.

That’s new. It’s like achieving a new item in a game. A new level. That’s a prize, the greatest form of enlightenment one could have. You feel warm in your chest and cheeks, but dare not to sway your eyes from his twinkling ones. You wonder if he knows what you are thinking, or if he knows the power he has over you ── over everyone.

That’s Nanami Kento. The man with a dazzling aura, it touches all in proximity, no one survives him. If he wants, you are his. Hooked like a worm, willingly ready to be devoured by a fish, and the thing is no one knows if Nanami is said fish or the fisherman.

The secret about his success is not only the sweet talk he does, but the way he can easily take it away. And no one wants to be away from his warmth. You’ve seen it before, how he controls people ── some more powerful than your mind can comprehend, they all are puppets for him to pull the strings. He touches and praises them when they do what he wants, but Nanami grows cold and absent when they don’t.

Everyone wants to be loved by him, so everything this enterprise does, it revolves around Nanami.

He can be a scary man when he wants, and you’ve heard the tales, from time to time. With you, fortunately, he is just your nice boss. And a part of you wish he would cradle you into his arms and play with you like a marionete. His doll. Yeah, you want to be his fucking doll.

Tempted to ruin this lunch and be ravished by his famine, you shake your deranged thoughts and focus on ordering the food. Also asking for red velvet cookies for you and Mr. Gojo, the owner of this whole enterprise.

A cocky young man, that likes to devour your physique whenever you come inside the room. He is rich and beautiful and his name is always on the newspaper with gossip mostly involved. You could fall for him, could fuck him, but he is not Nanami.

He doesn’t boss you around gently, nor he makes you crave his scent on lonely nights. He makes you shy, but not timid and horny. In fact, you don’t even think about Satoru Gojo unless you are balancing his persona with Nanami’s. That’s sad for him.

You keep doing that ── the thoughts, the sexual dreams ── while preparing the meeting room with a charming decoration. Black glasses, black plates, all with golden details. Satoru Gojo himself payed for it, not that he knows or care. You commented once, Nanami liked, and moved his toys in favor of buying the expensive kitchen utensils you wanted. He even made sure to get some for your own house.

The last part is closing the thick black curtains around the room, for privacy. Someone comes inside the second you step back from the last tapestry, and when you turn, Nanami is there.

“How’s everything?” His fingers press on the table, moving swiftly with him, closer to you. “You’ve got cookies?” There is amusement in his question.

“Mr. Gojo’s secretary, Suguru, told me he was craving something sweet.” You turn back to the table behind you, stacking the sweet in a small mountain. “He always gets fussy if he doesn’t get his daily large intake of sugar.”

You grabbed one, knowing that half of it was rightfully yours, and twisted on your heels. Nanami scared you in two sequential situations after that. The first being his looming presence right in front of you, piercing gaze on you, shifting between your eyes. He was searching for something in it, so, you tried the hardest you could to give him something back. Eyes that said “please, fuck me.”

Maybe it worked. The next thing he did, that scared you, was bending down and biting your cookie. Eyes never leaving yours. You gulped, he smirked.

“Please, fuck me.”

He chocked.

See, your eyes were supposed to be the one speaking for you, but Nanami also has this super power that no one can lie to him. He wants something, he gets it delivered in a silver plate. He knows everyone’s secret, and yours were never safe, just happened to be hidden in a line of things that weren’t priority for him. Not until now, at least. He wanted to know what you were hiding, and you gave it to him.

“I ──” The words are struck behind your teeth. Nanami eagerly waits for them. “I’m so sorry.”

And with that, you leave him.

In a perfect world, he would have grabbed you by the wrists and fucked you against Satoru’s side of the table. But it’s not, because he lets you go. He has to let you go, even if you know that’s not the end of it. He will get you later, and like a little kid in science class, he will dissect everything you said. Therefore, during the thirty minutes of freedom you are granted in the bathroom, before the meeting starts, you try and fail and try and fail to conceal your thoughts into a perfect lie.

It doesn’t work. Not even a bit. Because Nanami knows you like the back of his hand, as much as he knows everyone that works with him. He knows when you lie and when you are truthful, and thanks to that, your work relationship had always been good ── you’ve never lied to him to stroke his ego. You were too busy wanting to stroke something else. Nanami let you slide your nasty comments about others, and he would share them, granting you some of their secrets.

He was a gossiper. He knew everything. You knew right there that lying would never work with him, so you just avoided to let him reach that horny part of yours that burned for him. Give him something else to sink his attention into. Your neck, you wanted, but rather you would feed him with gossips from your college classes, or what you got from Suguru Geto, your friend and Satoru’s assistant.

Now, you had already run out of distractions. Maybe that was his plan all along. If the world is correct, and it all falls down to Nanami’s desires, then maybe he was just waiting for you to crumble and admit. You had never been subtle with your eyes, anyway. That’s why he had been so fascinated about it, staring from time to time, trying to catch a glimpse of your true self, like a wishing star in a starry night.

The stars have gone dark, burned and busted away, when you come back to the meeting room and sit down on your designed chair, by his side. Nanami is focusing at you, again, like he needs more of your secrets at this moment. You have never gave him something so largue before, he is addicted.

But you, stubborn, appalled, stoic and all, think your plate of pasta is the most interesting thing in this whole world. You don’t eat much, because your throat is filled with all the words and screams you want to let out. You fear if you so much breathe loud, it will all come flooding this room.

“Are you annotating all of this in your head?” Nanami whispers in your ear, referring to the meeting now in progress. You sign no, and he sighs. “Your mind is far away, today.”

“Sorry.”

“What should I do with you?”

Someone coughs. An old man, standing by the edge of the table. He wants Nanami’s eyes on him, the praise, the goodness. Kento grants him half a smile, and that is not enough. Never will be. Everyone always wants more.

The lights are turned off when the projector is brought by Suguru, he comes and goes quickly, not before stealing a cookie from Satoru. That’s the first smile you present since the incident, and Nanami is back at staring at you with an intensity your heart fears but your pussy drips for. Are you scared? Petrified. And still, you are fucking horny.

He knows your secret, he is devoting his eyes to you, no matter what anyone else wants. He, in this moment, wants you. It might be because he needs to know what you meant, it might be because you are stroking his ego, finally. Or, you dare wonder, he is debating throwing you on that table and fucking you. Old men and Satoru aside, you wouldn’t mind. At all.

You take courage to look at him, and instantly you stare at his lips first, before his eyes. Fuck me, fuck me, fuck me. You go back at eyeing the projector. He does the same a long beat later. An even longer one, he slowly puts his hand on your exposed thigh, skirt raised since you set down.

You try to not fail in your stoic face, but you do so anyway. Because, for fuck’s sake, Nanami Kento has his hands on your thigh, his thumb in circular movements. Your lips instinctively curl up, he snorts by your side before going back to his serious demeanor.

You thought he would just keep his hands there, as if testing the water but deciding to stay near the shore. That’s not his case, though. Nanami loves to go to the beach, to swim far away beyond the waves, he likes to get damped. His hand move closer, and you open your legs absentmindedly. He wants, you give. As much as you have wanted, and now he is giving you.

When his hands are pressing against your lacy underwear, you hear a little “Fuck” coming from his mouth. You’re soaking wet.

It’s hard to keep your breathing pattern steady when he is near you. Even more harder when he has one finger slowly penetrating you. For the outsider viewer, everything is normal, and the two of you are just concentrated on the projector screen. The truth is you have no idea what’s going on, and maybe neither does him. You want to moan, and tug his hair until he groans. And you want him to replace his finger with his cock. You stare at the annotation book, empty of your handwriting, and use the opportunity of your head down to hang your mouth open and close your eyes.

Nanami shifts his eyes to you, and he drowns himself into your fucked gaze, even more so when he puts another finger. He can’t linger much, or others will notice, so he decides to keep his movements fluid and calm, and to stare at you from time to time.

He can multitask. Of-fucking-course. He asks questions, answers, he acts as if he is one hundred percent into whatever is going on. The reality is different. The truth is all about his curling fingers pressing themselves in a place inside you that will forever mark his presence there. Like a secret plaything only for him, no one, not even you, will ever reach that. It’s like he is signing it with either his name only or a “Nanami was here.”

You want him to stay, forever. Stay inside you, slow pacing, curling, sensitive.

He can’t, because what feels like hours later, turns into minutes. Everyone is raising up to leave, and he moves out of you so fast, you clench around nothing ── had you been quicker, grabbed his fingers, they all would know. You don’t give a fuck, you want them too know.

“Go to my office.” He whispers before going the opposite direction of the exit, and staying back to talk with the others. You walk without a goodbye, creating an excuse when Satoru wants some of your time.

Inside his office, you feel like breathing for the first time. It’s confusing, like your lungs are new and not fully connected to your esophagus, so it comes up weird ── in a mixture of laugh and relief, salted with a “what the actual fuck”.

You want to stop and think of what’s happening or what’s to happen, but you never had the chance. It’s a second later, and you are being pressed against his, now, locked door. His arms holding your hips, his head resting on your neck, sulking your scent much like you do with his.

“You meant it, right?” He asks, bringing his face up to yours. “You want me to fuck you. Please, darling, say you do, because I need to fuck you now, or I’ll go crazy.”

“Yes, please, please.” Midway through your desperate nod, Nanami lunged at you, catching your lips in his and conducting the rhythm, the strength.

He was so, so good. In all ways. His slow fingers had your legs shaking and his eager kiss has your mind fogged. All that he does seems to be professional, but you know deep down, this effect is all because is made by him. Just his presence alone could have you hot and bothered, but to actually be touched by him, it’s like adding the fire to your gasoline self.

You had always been meant to be burned by Nanami.

He hoist you up against the door, for a quick second his hands kept clawing your thighs, until he walked you both to his desk. He let you down on it, and at the same time, his kisses moved to your neck and shoulder. You could feel the scrape of his teeth, tempted to mark you with a significant bite ── tell them I’m yours, you thought.

He groaned against your flustered skin, because he knew he couldn’t do that. Mark you, that’s it. Fuck you? Oh, that he can, that he will do.

“I need you to be really quiet for me.” His hands are quick on his belt, dropping it with a thud against the floor. He raises your skirt to your waist, Nanami grumbled under his breath with the sight of your underwear. He had touched the elaborate details earlier, but to see it was another story. White, see through, a pink ribbon on the top. “I’m going to rip it.”

“No, you’re not!” Raising your leg, you pushed him away. Eyes still hypnotized by your clothed cunt. You removed the piece with a satisfied smirk. It had been months since you started to wear those type of under-wears, hoping one day this situation would come.

No one wants to fuck their sexy boss with granny’s pants.

The cold table coming in contact with your intimacy made you moan a bit, and Nanami’s attention was back on you. There you were, beautifully waiting for him. Fuck-me eyes, pleading mouth, hands gripping the edge of the desk. You were at his mercy, had been for a while now. And he? Well, Nanami was yours now, that’s what matter.

One of his fingers, the same one he had penetrated you earlier, came back inside you. Smearing itself with your wetness. His other hand gripped your hips, bringing you closer, and making him go deeper. There, right fucking there. He curled, and thrusted, and another two more out of nowhere.

Cruelty was not on the way he was ravishing your cunt, but the biting of your teeth on your hand. You have to be quiet, follow his orders, but Nanami seemed to want to make you scream. Let everyone know that he is fucking you. Nearly fucking you.

Combining this movements with the ones of earlier, you feel your insides getting tighter. He senses as well, and raises his peace once more. But, again, your legs push him away. Nanami doesn’t like that, he comes back quick, wet fingers anxious to reclaim their place inside you, but you sign no, and he halts. That’s it. The man that controls everyone, and he is at your mercy.

“I want to cum on your cock.” Maybe is the sweet and diabolical way you say, or the tilting of your head with a charming smile. What matters is, he complies right away. His pants fall, he takes off his blazer, and not a second later you are presented with what you’ve been craving for months.

Like a pregnant lady, you almost cry and fall on your knees, finally having your desire attended. He doesn’t want that either, instead Nanami takes a condom from his wallet. Before he puts it, his waiting fingers touch your cunt again, grabbing a bit of your liquid and smearing it on himself. You nearly ask him to throw the condom away.

Is a sinful sight. All of this. You on the desk, legs wide open. He in front of you, adjusting himself on the condom. Both groaning when he, fucking finally, align with your entrance, and slowly gets in. He is largue, and thick, and preparation might have been necessary had you not been daydreaming of this moments months ago.

Had he not been himself, that man that makes you drip with just a “good morning”, this might have hurt. Instead, it’s exhilarating to be parted by his cock. The condom does not stop you from feeling his veins tickling your walls, or his tip finally setting near your cervix. That was fucking new. Pleasant and scary, and fucking welcome as well.

“Say it again,” He asks, hands on both your hips and eyes looking over yours. Waiting for the stars to fall over the two of you. “tell me to fuck you.”

“Fuck m──” He doesn’t wait for you to end before he removes himself, and going back with a gushing sound. You nearly scream out of pleasure, but in the last second, you bite your lips strong enough to draw some blood. “Mmh, you fucking a-asshole.” He snorts at that, before slapping your thigh.

Seems that Nanami can do all the noises he wants. He groans against your skin, head hanging low to stare at the way you pussy suck his dick in and out. You have always been a good girl ── his good girl. Taking all the he gave you. Mostly work related, and now his cock. You truly were made just for him.

“You feel so fucking good, baby.” A moan scapes your hands, and he doesn’t bother spanking your leg again. He called you baby, and you’re strangling his dick perfectly. You can shout at this point, he is pussy fucked.

Removing your hands from your mouth, you decide to do something much better than guarding your pleasure. Instead, you open his button-up blue shirt. A dream come through, is what this day will be remembered as. Specially now, where he lets you do as you pleases, and you have the sight of his pecks ── bronzed from a beach trip he took last week, and glistening with sweat for your recent activities. You moaned again, before going for it, and marking him.

Nanami allowed you to do so. He only cared about holding your hips and raise your lower body, so he could make you meet his thrusts halfway. He didn’t hold a care in the world about his groaning getting louder, or the burning on his neck and chest caused by your eager mouth and teeth. Fuck that. Fuck everyone. The only thing he truly wanted was to be inside of you forever. To be planted in this moment of his life, on loop, being marked by you, having his cock milked out by your dripping cunt. That’s what his life was made for.

Nanami Kento had this aura that made everyone scramble for him and his left-overs, as a way to keep close. To say they have something that once was his. Because everyone knew that Nanami was no one’s property. This moment, this fuck, this pussy proved that statement to be contraire ── he was yours. From the first day he saw you and specially one hour ago, when he had eaten your cookie and you told him to fuck you. He knew right then that he would shift the whole balance of the world to give you what you want.

And if that’s his aching cock, fucking be it. It’s yours. You’re taking it so good, and barely paying attention to it. He keeps bruising your cervix, and you respond with little whimpers and more bites. He quicken his peace, you close your legs around his waist, as if giving him more opening.

A perfect synchrony.

“Wan’ to cum.” You mumble just right after he senses your wall get tight.

“C’mon, baby, ugh, cum f’me.”

“Mmh, fuck, ngha.”

You do right after, going limp on his arms, he slow his thrusting with a snort and laying you down on the desk. He shuffles something by your dazed-self side, before he brings a black sharpie near your cleavage. He kisses and licks and sucks on it, before opening the pen with his mouth, and signing a straight line.

“How many more can you give me, pretty?” You don’t answer in words, but with more quiet whimpers, when his thrusts go back to pounding you in a maniac pace. He holds your neck down, leaning to kiss you through your beautiful moans.

You’re sensitive, he knows. Because you keep closing more and more around his length, trying to make him cum, unknown to you that it only makes you closer to coming again. You hit your head on the desk when trying to follow his departed lips, Nanami has your neck again on his mouth, tasting your sweat and lotion, and all you can give him. It’s only when he bites it slightly, you release yourself once more.

“Mmph, fuck, fuck, argh.”

Nanami keeps jerking his hips onto yours, not even having cum once. He takes pleasure in yours, you can see. With a proud smirk, he grabs the sharpie once more, but this time, he makes a diagonal line that touches the top of the first.

“Mhm──!”

“Yeah, yeah, I know, baby. Just a bit more.” He cooed at you, sweet tone diverging from his animalistic movements.

You’re not complaining, not even regretting. So you keep yourself down and let Nanami control both of yours fun. He is ruthless in his pace and fantastic with his kisses, he doesn’t mind your moaning anymore, or the fact that everyone on your floor already knows. What can they do? Stop you? Nanami will rip everyone apart and just return to your pussy. Threaten him? No one would dare. He is still their sweetheart, their most sacred prize, beautiful and shinning to look at. Never to have.

“I’m, ugh, I’m yours.” He grunts.

This time, you sense a shift in his thrusts. So methodical now sloppy, and his cock kept twitching inside of you, sending more waves of pleasure to your core. Yes, fucking finally, he was near.

“All fucking m──mine.” You agreed with his words, grabbing the back of his neck and slamming your lips together. “I’m yours, always had been.”

Nanami can’t even control himself anymore. He groans and pants as he releases himself inside you. With a mist of swearing and praises you could barely decipher. After all, his own release had triggered yours.

When you both had come back from the high, Nanami raised himself from your chest, and kissed you, tongues intertwining, teeth clashing and biting. When he parted, leaving you breathless, he had then pen in his hand again. It touched your skin, once more, connecting from the bottom of his last line, going up straight.

It’s a “N”.

“You think we can spell my name?” He asks, leaving your inside to throw his condom out. He opens a drawer, where a box with more is presented.

“That would be more 17 fucks.” You support your weight on your elbows while counting.

“It’s that a no?”

You can’t help the laugh that bubbles up your throat, before beckoning him closer. He does right away, kissing you hungrily once more. As if he is trying to record forever the taste of your mouth. He has your hair in his fists, pushing it back so he can go back to your, now, heavily marked neck.

“Let’s see how far can we go.” You indulge into his crazy erotic idea.

Nanami smiles triumphantly. He removes himself from your body, but doesn’t put condoms, instead, he falls on his knees, diving straight for your pussy.

Hours later, the sun beginning to set on the horizon, you leave his locked office with a smug smirk and timid eyes. Both accompanied by messy hair, flushed cheeks, marked neck and… “Nana” written on your chest.

“We’ll finish this later.” He comes behind you, closing his shirt, but letting the top buttons opened enough to catch a glimpse of your love marks on his chest. Specially the one with “Mine” marked in it.

[unintentional-sad-wizard]

Rrrg one of my roommates is finally in a position to get a car but he’s decided that he wants a motorcycle instead since it’s cheaper but. A car would benefit the whole household and we desperately need another person who can drive people around and help run errands but he is dead set on a motorcycle

[lillybean730]

the ONLY people who are allowed to use nicknames for me are my mom and brother, everyone else is on probation -_- use my full name enough and i might let you shorten it...

[felassan]

Sylvia Feketekuty: "To celebrate DA day, I've made a bluesky account that I'll keep active for a few days to talk about my work on Inqusition or Veilguard! After a few days I'll lock the account, because I'm not a social media person. Happy to talk until then though. I want to say straight off: the reception to Emmrich, Manfred, the Mourn Watch, and the Grand Necropolis has been heartwarming for all of us who worked on those people and places. Thank you all very much!" [source, two]

Rest of post under cut due to length and spoilers. [Post Two, Post Three]

Sylvia Feketekuty: "In the meantime, I do want to talk about a couple of things I saw floating around regarding Emmrich: 1. Emmrich being 52 or 50. I think people got 50 from data mining a character file, but we can't do a ranges in those files. As in, I couldn't input 50-60, it had to be a whole number. I put down 50 as an early ballpark, then went more accurate in later audition scripts. 2. Fifty-two is a old number I threw into an early document before his art or character was totally final. (And which caused another developer a headache because they thought it was accurate, I never updated it. Sorry about that.) 3. "Wait, how old is Emmrich then?" Once I saw his final character art, I felt more mid to late 50s. MAYBE early 60s. But unless we specifically state a character's age in the game, it's all malleable. I honestly would just adjust it to your impressions unless stated otherwise. 4. I've also seen comments on how weird it is for Emmrich to act like there's an age-gap in the romance if your Rook is around his age. And you're right. 5. The reason is because Rook WAS younger when those scenes were written and worked on. I felt it'd be odd if I never addressed the May-December aspect, especially as it hooks into some of Emmrich's worries. 6. By the time that shifted, it was really too late to change without catastrophic repercussions to the excellent cinematics and music and other things that depend on line delivery and timing. 7. To be clear: you can feel how you want about the age gap coming up at all! But that's how the discrepancy came about. 8. "Is there a way to reconcile Emmrich acting like my Rook is way younger than him if they're not?" Great question! I have several suggestions: -Accept it's an error. (True, but unexciting) -Emmrich considers a gap of 3-5 years scandalous. (Funny, albeit a bit cartoonish.) -The Mourn Watch has perfected swapping out organs, and Emmrich is nervously hiding that he's way older than he looks out of vanity. (Untrue, but funny.)" [source thread]

User in reply to point 6. above: "I'm personally glad it was too late to change because their argument about it is genuinely my favorite scene in the entire game! 😭💕 It's such an important moment to me" / Sylvia: "Thanks! That one was one where I was all sweatily trying to balance things out, with tone, with pacing, etc. Really glad it came together for you. (Cine and the actors did heroic things there to get it feeling just so!)" [source]

More snippets:

Emmrich's favorite ice cream flavor? Rum raisin [source]

Lots of people on the dev team shared the vision of having a bunch of gothic weirdness in that pocket of Thedas [source] (Necropolis/Nevarra)

Sylvia "especially liked writing the Mourn Watch origin, it was fun to write a fellow nerd for Emmrich to chat with" [source]

Sylvia poured some personal worries and fears into writing Emmrich [source]

On Vorgoth and their nature: "I'm a little leery of saying anything, partly because I'm cowardly avoiding publicly defining anything more until/if I ever need to. And partly because I did want them to be a fresh unknown. Sorry!" [source] "I'm glad you like Vorgoth, but I'm afraid I don't have much for you that isn't in the game. I deliberately wrote them so as to leave room, if we ever revisited them, or for Vorgoth to remain mysterious, if we did not. I'm sorry if that's not a very satisfying answer!" [source] "I will say, it was fun to throw in a few lines about Vorgoth's art collection. Their passion for it is sincere and deep. (I wanted all the Watchers to have a little non-death related hobby or interest, because they can be so singularly focused.)" [source]

Dwarven Mourn Watcher is a rare origin combo for Rook so Sylvia wanted to call it out [source]

On the outcomes of Emmrich's quest: "I tried really hard to make the options equally viable, and more up to the player's interpretation or preferences of what it would mean for Emmrich in their view. It's been interesting seeing reactions to it, which hinge sometimes on various single lines pushing people one way or another!" [source]

"The Grand Necropolis is always eager and ready for a new member of the Mourn Watch to grace its ranks." [source]

User: "I loved Emmrich's view on death and what his personal quest ultimately went on to say about the nature of death itself, and how the beauty of mortality lies in its impermanence and unpredictability." / Sylvia: "I really wanted to dig into those themes, and everyone in cine and art and level design and editing and the whole team honed in exactly on the vibe. The floral stuff especially, I was so thrilled when I played through the Memorial Gardens' with the art and lighting in." [source]

User: "I experience thanatophobia and that first conversation w/ Emmrich was so affirming and helped me describe my own anxiety to others" / Sylvia: "Thanks, the thanatophobia was, as you may've guessed, a personal experience for me too. I'm glad it was something that helped a little." [source] "I suspect that phobia is way more common than people think, and part of the reason Emmrich talks about it was to express that sentiment out loud. I find it helps sometimes just to acknowledge it." [source]

What languages does Emmrich speak other than Trade? "I think he'd be familiar with Tevene, since there's surely many, many old texts about magic written in that language. Kind of like a doctor that knows latin through their work. I also named that MW alphabet "tomb-script", though I'm not sure if it has a spoken component or not since it never came up in-game. If it does, he'd be able to speak that for sure." [source, two]

User: "Playing as a Mourn Watch Rook has been an absolute delight!!!" / Sylvia: "Thank you so much, I really liked writing those branches of the dialogue. Since Emmrich's so focused on necromancy, it was fun having a Rook who could be both casual and knowledgeable about it." [source]

User: "In your opinion, what outcome do you prefer for a romanced Emmrich (lich/non lich)?" / Sylvia: "Interesting question! To be honest, I'm afraid to answer it properly in case anyone takes my answer to be a canonical one. I really wanted either path to feel equally interesting/correct for whatever you decide fits your Rook's relationship with Emmrich. (We're also in the strange waters of meta-reasoning. I GAVE Emmrich his fear of death-Sorry Emmrich!-which makes me feel a little culpable for that, even though he's entirely fictional. And that might prey on my mind when trying to decide. A very odd experience!)" [source, two]

What music genres would Emmrich be into? "Classical music is very much playing to type for Emmrich, but I feel it's also correct. He'd enjoy a nice concerto or an organ recital. Or, if he's feeling daring, a bold new Orlesian opera! But I don't think his tastes are too outré in that area. That said, I saw someone post something like "Leave Emmrich alone, let him attend the Depeche Mode concert" while listening to Depeche Mode's "Violator", for the first time, which made me laugh. (Great album. If he could get over the shock of synths, Emmrich might enjoy "Waiting for the Night".)" [source, two]

When writing Emmrich the devs wanted to try and hit the gothic romance vibe [source]

Does Emmrich mix his own fragrance/cologne? Does he ever vary it by the season? "I think Emmrich goes to some of the many perfumers that have set up shop in Nevarra City around the Necropolis, just because he trusts their judgement and expertise. I hadn't considered him varying it by season, but that's very fun! I certainly think he has more than one bottle of scent." [source]

User: "How does Lich Emmrich have sex?" / Sylvia: "I don't mind the question! But my answer's a bit boring: I generally stay at arm's length on the more explicit romance stuff, just because if it's not stated or shown in-game, I don't want to bring in a canonical answer that might affect what people imagined. My general preference for romantic scenes that get physical is to leave blank space somewhere, so players can imagine what happens next. It's not the ONLY way to do it, I think there's legitimate artistic reasons to go more explicit. But that's how I approached Emmrich (and before him Josephine.)" [source, two]

User: "The scene with the fade glow where he touches your hand haunts me in the best way" / Sylvia: "Aw thank you. Our animators and audio people made that scene way better than I could've hoped! They took such care with everything there. I want to say that little eye-peep from Rook was added in by one of them, which was the perfect touch." [source]

User on Emmrich: "i’m curious whether you think he’d prefer dogs or cats (or both, or neither)" / Sylvia: "I think he'd consider cats and dogs a little too noisy and messy for his tastes. Not like a nice, quiet plant or skeleton! (Weirdly, I actually had a scrap of banter going over this exact subject at one point. It got tightened down to the exchange with Harding about the pig he used to hug when he was a kid.)" [source, two]

Sylvia was trying to tease Nevarra with the Tevinter Nights story Down Among the Dead Men [source]. "It was really fun to tease the Necropolis, so to speak, in TN, and I'm grateful we got to actually let players through its gates at last." [source]

User: "if Rook chooses to save Manfred and keep Emmrich mortal, what would Emmrich wish to become of his body once he did pass on?" / Sylvia: "Good question. I think he'd want to remain active and useful in death. A guide for other Mourn Watchers, or posted as a mystic guide somewhere dangerous, or perhaps an oracle in the library." [source]

User: "when and how was it decided that Emmrich would be romanceable? I remember reading that he would not be a romance option." / Sylvia: "I'm not sure where that came from, because I pitched him and then shortly after that we decided the entire cast was romanceable. That was fairly early on in the development of Veilguard, as I recall it. (Could've been a crossed wire?)" [source]

Trick Weekes: "Sylvia wrote the fantastic Emmrich "the Vol-carnage" Volkarin and everything that happens in Nevarra while dealing with a lead writer whose attitudes about corpses and undead are... not dissimilar from Taash's." [source] / Sylvia: "I still remember when you gave the very accurate feedback "I think we need to give players whose Rooks aren't into corpses some roleplaying choices to express this" and I was all "Ohhh yeaaaaaah." (Thank u Trick, you were right)" [source] / Trick: "Specifically, being able to express this without locking themselves out of the content! (For non-Sylvia folks) Given my issues with corpses, Emmrich as a whole was SUPER Not For Me, so I gave one caveat and then said, "For the rest of my critique, I will be impersonating his target audience." [source]

Sylvia on the secret origins of Manfred: "After I pitched Emmrich, I started jotting down notes and thoughts on his plots, his quirks, all that kind of stuff. It was very early on Veilguard, anything was still possible. We were chatting in the writer's room about it one day, and I think we'd just seen some early concept art for Emmrich. And our lead writer Trick Weekes joked that Emmrich looked like a man who'd have a skeleton named Manfred. And I laughed and went "Yeah he does!" And then I thought about it. It's wild in retrospect, but that one comment spurred a train of thought that led to the core of Emmrich's arc. He may've ended up a very different character without it! tl;dr: I stole it from Trick." [source, two, three, four]

"I got to play with a pretty free palette when defining the way Emmrich and the necromancers view death and spirits. But I tried to keep it within the confines of existing lore. That's one reason why that scene where Emmrich talks about Manfred to Harding goes into "the eternal question" of whether a soul actually returns with the dead or not. Nevarra has distinct beliefs, but I thought it'd be interesting if its people argue over their interpretations of those beliefs." [source, two]

"the other writers also suggested a bit later on that the big choice dig more into Emmrich's philosophies. Initially, it was more personally focused on his fears, which made it 'relatable' but pettier. Without that correction, I think it would've been weaker, I totally needed the team push." [source]

"I have a few guides to graveyard symbology, and it's so packed with references and meaning." [source]

User: "Did any of your own fears & experiences, make it into the writing of Emmrich? If yes, is it information you’re comfortable sharing with us? If it’s too personal to give any details, that’s fine as well. Also, across the other games, who do you think Emmrich will get along with best?" / Sylvia: "some of his fears are absolutely personal. The reflexive-compulsive panic over death is something I'm very familiar with, and I wanted to explore that through him. Because I suspected it was not uncommon, and worth examining. The question of who he'd get along with from the other games is surprisingly tough! Because without asking the other writers about their characters, I wouldn't know for sure. So I can only really speak to Josephine with surety. That said: -I think Josephine would be polite, and grow to like him, but would never entirely be over the ostentatious necromancy. -I think Emmrich meeting Sera would be the funniest match." [source, two, three]

"Peter Cushing was also one of my go-tos as an example of what I wanted Emmrich to be." [source]

"(Huge shout out to all the animators and level designers making Manfred run, quite literally. Like 95% of his personality lives in his movement, I think they nailed it.)" [source]

On Emmrich: "I tried to put a lot of passion and sincerity in his love for the dead, and I admit the Necropolis was THE big place I wanted to see in Thedas myself ever since reading about it in a codex." [source]

User: "Thank you for letting him have that cemetery dream date!" / Sylvia: "Having the date in the cemetery was one of the first things I wanted when thinking about the romance." [source]

"Josephine was the first time I was entrusted with a new character and a new romance at once, and that'll always be special to me." [source]

User: "How much input did you have in Emmrich's appearance in the podcast?" / Sylvia: "In the podcast, none myself. I believe it was handled by a third party but reviewed by a few people at BW, I don't know too much past that. (We did provide a descriptor and character rules. Stuff like "Emmrich never swears" and "always says amongst" and broader, more thematically useful things.)" [source]

User on Emmrich: "Are you planning any other external-media stories for him?" / Sylvia: "Thanks very much, The Flame Eternal has a special place in my heart for being the first time Emmrich got to be center stage in a story. (And very flattering to hear about the cross stitch. That's so cool!) I can't speak to any external-media plans, I'm afraid. That's not an implied hint about anything existing or not, it's just literally outside what I'm allowed to chat about. It'd be fun to do something like that again though!" [source, two]

"I must give full credit to Nick Borraine, Emmrich's voice actor. He got the compassion and tenderness the character needed right away." [source]

"And glad him being closer to your age resonated, I really wanted someone older out on an adventure. No reason that has to stop at any age IMO." [source]

User: "do the mourn watcher/nevarra in general raise their pets after they die to keep them around? like a dog skeleton with a whisp in it?" / Sylvia: "To be honest I hadn't thought out this one, but it's a very good question. I'm not sure how common that would be, or even if it's permitted to have pets running around the family crypt. (I definitely thing people would WANT to do it.) You know, I think I'm going to have to leave this one in the vague quantum foam of the future. I think I'd want to not only double check existing lore, but answer that in-game (or in a book or etc.) if we ever need to. (Hope that's not too much of a cop out. Sometimes I like to leave questions I'm not sure about alone, because until it's in an official game or story, it doesn't quite count.)" [source, two, three]

User: "as someone who shares emmrich's anxiety about mortality, getting to spend time with him, and in the grand necropolis and with the mourn watch, was genuinely soothing" / Sylvia: "Thank you, I'm glad he was a comfort. It's a familiar fear for me too, and I'd hoped he would connect that way with people very much." [source]

On the giant ribcage 'ceiling' in the Necropolis: "sadly, even I don't know all the mysteries of the Necropolis. (Which is to say it's a very cool bit of art but has no stated origin yet. Could be a large dragon, a giant...or something weirder!)" [source]

On TN story Luck in the Gardens: "It was nice change up, writing in first person and with someone so rascally. I've got an enduring affection for the Lords after writing Hollix, the scamp." [source]

User: "I just love his genuine enthusiasm for everything he does. If the other party members had fan clubs Emmrich would be the president of each and I love that for him" / Sylvia: "Thank you! I really wanted him to embody a kind of expansiveness and generosity of spirit, to stand in contrast to the eeriness of his abilities." [source]

User: "What was your inspiration for Josie?" / Sylvia: "My girl! When I came on to Inquisition, there'd already been work done on setting up the spine of the main plot, and figuring out the overall cast. But one of the advisors was a little murkier. It just said "Diplomat" on the white board. We knew we wanted someone in that position, but not who. So in a game where you were out exploring, killing demons, etc., but also had a big organization to run? I immediately wanted to make a Diplomat firmly there for you. Somebody you could hand the keys to the entire Inquisition to while you were out, and know it'd be in good hands. I also thought it'd be fun to have someone from Antiva, since that area wasn't covered yet by anyone in the cast. And I needed her to be polished, smooth, but heartfelt, because of that aforementioned trust. And that was the core of Josephine! Her voice actor, Allegra, brought her to life with such lovely charm, and hearing those early sessions also helped me further hone her tone." [source, two, three, four]

"Our music supervisor Ron Dazo hit it out of the park with Emmrich's music IMO. And so glad you liked Hezenkoss! Just very fun to write as a character." [source]

User: "Did any specific watcher raise MW Rook?" / Sylvia: "Good question! I kind of left that one alone because I wasn't sure if I wanted to let Rook define that themselves, or leave it open, and also I'd have wanted a full conversation on it. In the end that was a little out of scope so I left it unsaid. Which is to say that it COULD be Vorgoth who helped raise your Rook. And that stands until/unless we give a definitive answer (or let you choose from a range of answers) one day." [source, two]

"It was such a pleasure for all of us to finally get to explore the Necropolis, I am very glad we got to throw open the gates." [source]

User: "I was wondering if there were any Mourn Watch details you wished you had more time to explore? I was so struck by some of the ethical implications in your stories" / Sylvia: "Geeze, now that's a question. I mention it with Emmrich, but there's some resentment over the power the Watchers hold as THE mortalitasi of the Grand Necropolis, between them and the other orders. There's something to that situation I liked. There's also questions of how they select people for the order. What their standards are, how closely they work with benign spirits. And how they cultivate those relationships. How deep does that go? I also mentioned in a codex "the lives and bodies of those who tamper with the undead of the Necropolis are forfeit unto the Mourn Watch." which is pretty chilling. What's that punishment like, exactly? And in general, writing about anything weird or unexplained in the Necropolis brought me much enjoyment, and it would be fun to dig around how the Mourn Watch deals with (or what they want out of) all these mysteries and entities." [source, two, three, four]

"Geeking out with Emmrich about spooky stuff was a delight to write." [source]

"I liked writing someone older this time, it was something different for me and rewarding in some unexpectedly different ways. (And thanks especially for the nice words on DAtDM - I was very excited to introduce people to the Mourn Watch there!)" [source]

"Ah, tomb-script. I named it but it was our concept artists who went developed it with the hexagon shape-language of the Mourn Watch, which I loved. Conceptually: I think it's used purely an occult or sacred language. Something for the graves, or books on magic, but not everyday things." [source]

"Some trans people kindly offered their help with some feedback on some of the romance lines and others, which absolutely made them much better." [source]

"Trick Weekes actually wrote a ton of the banter where Emmrich inquires into qunari artifacts and customs, and Taash talks about what it was like to grow up under a scholar. I really dig the dynamic they unearthed between the two there." [source]

[muirmarie]

a delegation of vulcans come on the ship, and the enterprise does the usual hullabaloo, tours and nice dinners and etc. the ship's pretty used to important people swinging by, so the command crew especially is a little more lax in their free time, while still being super professional with the delegation themselves.

this results, unfortunately, in mccoy and spock having one of their normal breakfast squabbles, as they do.

when they realize that the vulcans have arrived and are Watching This, mccoy about swallows his tongue, trying to remember what he may have just said.

spock, seeing this, thinks hmm, i may need to smooth things over.

HOWEVER.

the vulcans corner mccoy in his office and are very, we overheard the son of sarek earlier, and we wish to reassure you that vulcans do not normally carry prejudices against humans. perhaps, with a human mother, he carries his own internal prejudices that he may need to examine, and we will be advising your captain that commander spock speak with a counselor - a vulcan counselor - about these prejudices that he carries, one experienced in internalized xenophobia.

mccoy is staring at them, wide-eyed, wondering how he always gets himself into these messes.

that's not necessary! he says with an awkward, clearly strained laugh. i don't think i was too complimentary back to him either, it's - i assure you, i respect vulcans and your culture, mister spock and i just -

it is reasonable that you yourself may carry a low opinion of vulcans if the only vulcan you have met has treated humans with such disdain.

this is. hm. mccoy is out of his depth.

that's not what's happening here, i can assure you. perhaps if we get the captain he could better explain -

the vulcans look vaguely concerned. is our presence making you uncomfortable? we should have thought to include your captain, to ensure you did not feel -

SPOCK AND I ARE FRIENDS, mccoy shouts - shouts, unfortunately, loud enough for anyone in sickbay to hear through his thin office door.

we understand he is your commanding officer, but this - this human need to protect him when he has spoken of humans so dismissively -

IT'S HOW WE FLIRT, mccoy says, somehow even louder. JESUS CHRIST IT'S HOW WE FLIRT, WE'RE BOTH INTO IT, PLEASE GOD STOP MAKING ME TALK ABOUT IT, WE'RE FINE, EVERYTHING'S FINE I SWEAR

........., say the vulcans.

........., says the suddenly quiet sickbay behind mccoy's office door.

the door opens.

hi bones, kirk says with a wide, wide grin, a constipated-looking spock next to him. we were trying to find some lost vulcan delegates. did you all have a good talk?

mccoy, grimly, reminds himself that it is physically impossible to sink through the floor.

.....it was illuminating, the vulcan says. commander spock, did you have any input?

spock, making a fair attempt at hiding behind kirk, looks like he'd prefer to bolt.

the doctor is adept at understanding all facets of conversation, especially those unspoken, he says, studiously avoiding mccoy's eyes.

i see, the vulcan says. ....i expect to meet your father soon. do you have anything you would like me to pass on to him?

only, spock says, stone-faced, my regards.

oh, give him regards from doctor mccoy and i, as well, kirk chimes in, extremely helpfully.

i did not realize you were acquainted, the vulcan says.

doctor mccoy actually saved ambassador sarek's life, kirk smiles.

......i see. yes, a very illuminating conversation, the vulcan says. we are now ready to proceed with the tour.

'fraid i can't accompany you, i'm very busy, mccoy says, walking ALL of them out the door, spock included. have fun!

as soon as the door shuts, he sits down behind his desk and buries his face in his hands.

he only gets to sit there for about ten seconds, though, before chapel comes in. all she does is give him a wide, wide smile, and he groans. out!

(the entire ship is aware of it by the time the hour is up)