#so it's bound to happen lol

[erigold13261]

I WANNA HEAR ABOUT THE ARACHNIKIDS ALWAYS BEING WITH SAYU CREW AU THAT YOU JUST TALKED ABOUT (sorry if this sounds too demanding but I’m so intrigued!!!!)

lol, you're good! I was able to tell this was more intrigue than being demanding!

[Adding this after I wrote everything. This came out a LOT longer than I intended. I said I wasn't gonna get into the history or that this would become a fully fleshed out AU (I still don't think it is honestly) but I did write a lot more than I intended. I probably forgot some stuff or went off on tangents and didn't connect back, but your ask made me start thinking a lot so have fun reading all of this! Especially if you were really excited about this AU, I hope I did it justice lol]

I will say, this probably isn't going to be a super fleshed out AU (not like most of mine are half the time lol), so instead of some complicated backstory as to why the Arachnikids and Crew ended up as a group, it will be more simple (so I'm not going back into super past history during like the border war or something to justify the group forming). [[I say this and then I kinda go into a justification as to how this group came to be later on down the line lol]]

I also don't have exactly much for this AU at the moment. I did see your ask you sent about your ideas for the AU, I forgot what it was at this moment since I just skimmed it since I want to give a version I think would happen before possibly altering it with other people's ideas (plus I might want to doodle something with your ask if I get time). So I'll give what I think this AU would hold.

So firstly, I honestly don't think that ALL the Arachnikids would be in the group. Well I guess that depends on who you consider an Arachnikid actually. If you see Hobie as one, I don't see it really being in the group, same with Noir or Porker.

I do see Pav, Miles, and Gwen as definitely being in the group. By extension I can also Gaya since Pav would be in it. For Margo and Peni, it can a toss-up honestly where they could be or could not be.

This actually does call into question how Nueva York would be affected by this without Miles. Looks like Hobie, Noir, and Porker aren't getting out all that soon unless they complete the programs. But anyway, let's just ignore that can of worms for right now and just get onto the mermaid part lol.

Also, so I'm not constantly using Sayu Crew and Arachnikids, I'm just gonna say like the team so I don't have to keep using both titles.

Anyway! I think the team would still start with Tila and Remi interacting at first (Tila stealing Remi's art for one of her songs/covers then apologizing after realizing what she did). Then instead of bringing on Dodo and Sofa, it is Gaya and Pav who join next because of Remi and Pav's relation to Eve.

I can see Pav and Remi being friends after meeting as kids when Eve took Remi to see her side of the family at some point (Eve being so much older she was hanging out more with older members of the family while Remi gravitated to Pav and that age group of the family).

Once Remi and Tila kinda teamed up I can see Remi telling Pav this (either in person on a visit or online) in a very excited manner and then it turns into Pav and Gaya wanting to join in and have fun.

It's mainly just animatics and drawings with some voice acting, sometimes a short full animation would come out, but it got quite a few people interested online. That would be where I can see Gwen getting really into these mermaids online since they expressed a kind of teenage femininity that she wanted to be, which then led into Miles getting into these mermaids to try and have something to talk about with Gwen (and later becoming a pretty big fan himself).

Once the team so far saw how popular they were getting, Remi and Tila recruited Sofa and Dodo respectively since they were already friends and knew those two had skills that could help them out, which only helped the quality of their project to keep getting better.

Miles and Gwen being really big fans of the project probably made their usernames known to the team. Especially if Miles and Gwen made fanart and tried making some music , which made them really popular in this little fandom that started to be made online.

Overtime I honestly see Miles and Gwen virtually becoming part of the team (like how Pav and Gaya were mostly virtual compared to the Crew was still physically close to each other).

Miles and Remi would work as designers for the mermaids. Gwen would help make music (Miles would help with lyrics) but also became another voice for a third mermaid (before it was just 2 with Tila and Gaya. Before it used to be one with Gaya the talking voice and Tila the singing voice, but that changed as they got more popular, some fans still get confused why Sayu's voice changed lol).

Pav also helped out with inspiration and stuff, making cool looking realms, landscapes, designs and more with his powers (kinda looking like AI art from the early days, before it started becoming like photo realistic and junk like that) and having Gaya take pictures to send to the team to work on.

I can also see Pav doing cool stunts that Gaya would record and send in to the rest of the team. Things that Dodo just wouldn't be able to capture with mo-cap either because he lacked those skills, the environment wasn't right, or it went beyond what mo-cap could actually capture at the time.

All of this was going well and good, except that Sofa was basically doing all the editing and putting the whole project together by themself, and were starting to get very overworked since almost none of the others could really help them out in this area. I think Miles definitely would have started learning more editing skills to try and help Sofa out at this point (maybe Ganke taught him or Ganke might come in at this point, I don't know what Ganke's lore is and if he has a tech background).

However, what I see happening is the team kinda asking for help with their project, like if any of their fans would want to help them out in this area or knew someone who could be hired (these are still teens who aren't part of NSR yet, so it's not like they are completely rich or rolling in money).

But the team is in luck! One of their more recent fans is really good at tech stuff, especially things like 3D animation or rigging up avatars! This would be when Margo ends up joining the team. She and Sofa work on the editing and software of the mermaids, with maybe Remi and Miles helping with video editing at times.

Now, at this point, I would say that the mermaids (Sayu, Aoi, and Yua are definitely made at this point, or at least versions of them are) have been around for maybe like 2 years. I can see the team is still about a year away from actually being signed onto NSR. I do think it took the OG Sayu Crew a long time to get enough skill and recognition to be at the Megastar level we see them at (not to mention having to get hologram tech at some point because I doubt Sayu was on the screen when first performing at a Light Up audition).

So right now, the Sayu project, or Mermaid project (whatever it would be called because I doubt it would be called the Doki Doki Mermaid Club in this AU, as that was a spin-off game that was made after Sayu was NSR in my version of things), has Remi, Miles, Tila, Gaya, Gwen, Pav, Dodo, Sofa, and Margo.

The mermaids I'll just use the names I gave them, but honestly with this AU they might change drastically because of the added people in the creation process. Sayu is voiced by Tila, Aoi is voiced by Gaya, and Yua is voiced by Gwen. I can actually see Gwen at some point during the time working on the project probably came out socially to her friends as trans and so when Yua was being made a decision with the team was made to one day make her transition (which happens before joining NSR) so that Gwen could grow with the role as time goes on and she does more voice training. As of now though, Yua is probably like a merman or a mermaid but the backstory hasn't been fully revealed yet and so just has a slightly deeper voice (as Gwen at this point hasn't done any voice training at all).

Miles, Pav, and Remi are all working on visual art for the project. Gwen, Miles, Tila, and Remi are working on songs. Dodo, Pav, and Gwen are working on the motions/mo-cap. And Margo and Sofa (with some help from Miles and Remi at times) are working on the editing and software of the project.

All of this is well and good, but like I mentioned earlier, they are gonna have to figure out a way to get Sayu into the physical world in order to ever be able to try out for a Lights Up audition. In the OG version, I can see Eve actually helping Remi get connections, but in this AU I can actually see Peni being the person they go to.

I like the idea that Peni's family is very tech savvy (most of them probably are technomancers) so she would have the resources to help them. This is probably before she accidentally killed her father with her powers messing up his medical equipment at the hospital.

Honestly, I think it would be really nice if being a fan of the Sayu project could have helped her with her technomancy. Like I can see her making mini robot figurines and stuff because she was inspired by seeing the mermaids and thought their designs were cool and just naturally honed her work through a hyperfixation. So yeah! In this AU kits father is probably still alive! How cool is that! :D

Anyway, I can see Peni making some cool hologram or something of Sayu, something still pretty wonky and not perfect, and posting it online in the fandom/community space. Which absolutely catches the attention of the whole team as it was something so cool, done by someone so young (I see her as the youngest of the Arachnikids).

There would definitely be a line of communication that opened up about how cool kits work was and all that. Peni would be so happy to have been recognized for kits work and show kits parents happily! Something something, I don't really know how this part would happen, but I can see Peni joining the team.

Maybe her dad travels a lot and (considering I see him as a technomancer) probably has connections to robotic works in other areas (like Vandelay or J-1), which would allow Peni to go visit the main part of the team (the OG Sayu Crew) and talk about making an actual working, life-sized hologram of the mermaids.

Either that, or I can see Peni being able to visit Miles and Gwen (as they are closer than Pav and Gaya or the OG Crew), and there they make "live action" videos of the Mermaids. It would required a lot of editing and really good internet, but I can definitely see the team working together to make this video happen (it definitely would not be a livestream for a while as they sort out all the bugs or find a way to get everyone into one area).

Actually, this could be how Ganke gets roped into the situation! He could have been the videographer for any life action stunts as well as like a boom operator with his silencing powers. The team never had to worry about weather conditions thanks to Ganke's powers!

This skill would later help the team when they were working on shot compositions and stuff. Making sure all the mermaids were framed correctly at all times. This would be one less thing Margo and Sofa would have to focus on which allowed special effects (especially in livestreams) to become so much better since both editors could work at the same time without having to focus on 3 mermaids.

This new addition of a different media like this would really push the mermaids' popularity skywards. Especially considering people are now asking if they could meet these mermaids in person. Fans started comparing them to robot stars like 1010 or other robotic artists, which was just a huge boost in confidence for the team.

Honestly, I can even see a new mermaid being put into the mix. The only ones left are Haru and Renho, and I can kinda seeing Peni's voice and personality fitting Haru a lot. That kinda leaves Renho out of the mix, which I am sad about.

The only way I can really see all 5 being in the mix is if Margo ends up also being a voice actor (the team probably wanted to keep mostly feminine voices with an exception for Yua who would later get a more feminine voice as Gwen voice trained).

I can see Margo actually taking up a voice acting role, but that would shift the roles around a bit, but if Ganke is also on the team, as well as Margo and Peni learning how to use their powers more, this is definitely something that can happen!

So in this case, to have all 5 mermaids present before they ever end up at NSR (which I think would kinda be a goal at this point for the team, but they also just want to have an established group of mermaids) the roles would kinda look like this:

-Voices: Tila (Sayu), Gaya (Aoi), Gwen (Yua), Margo (Renho or Haru), and Peni (Haru or Renho).

-Mo-cap/movement: Dodo (Sayu), Pav (Aoi), and Gwen (Yua). Margo would learn to use her powers (astral projection) in a way to be more tech savvy thanks to Peni and would be able to control both Renho and Haru without actually having to do mo-cap (Peni can communicate with Margo through the computer, I can explain this more in another post if I remember lol).

-Live Editor: Sofa and Ganke mainly for live edits (Margo used to do this before being the main mover for Renho and Haru).

-Post Editor (not live): Sofa, Ganke, Margo, and Peni. Miles and Remi help with video editing.

-Hologram/robotic engineer: Peni. She is also the connector between the holograms and the mo-cappers. Without kit the mermaids literally cannot be holograms (this problem gets fixed after the team becomes Megastars as they have the money and resources to make a mechanical connector for IRL holograms to work).

-Animator/Artists: Remi, Miles, and Pav for the most part. 3D animations or anything with models is a group effort honestly but that would fall more into the post editors' hands (2D animation and comics are solely Remi and Miles job though, with Pav helping them get their ideas out physically with his powers)

-Music (lyrics): Tila, Gaya, and Miles are the main lyricists. I can see Dodo helping in this regard as well as Pav.

-Music (non-lyrics): Remi, Gwen, and Dodo. Miles is learning to make music. Sofa and Margo help with editing the music (Sofa more than Margo as they were brought up in a musical city and has more experience with EDM music than she does).

Uh, I think that's all the roles for now that I can think of. I tried to make it realistic in what they would do in terms of work load and skills they have/could have. Honestly looking at this, Tila and Gaya have the least work it seems lol. However, they are probably the ones making the bulk of the lyrics for the music and probably the dialogue/script for any animations (especially if the two get in character and end up making a lot of funny banter).

Anyway, once all of this was settled and all 5 mermaids were introduced, I can see the group trying to get a Lights Up audition. It definitely took some parents more convincing than others (like Gwen's and Miles) but with all the progress that the team has made, I can definitely see them having enough evidence for all their parents to let them go and try out for NSR.

I bet almost all the parents didn't believe they would actually be successful. Thinking that most likely these kids would be turned down and they would have to try again when they were older. So it came as a HUGE shock that the mermaids actually made it and were accepted with basically a fully acceptance from the standing Megastars at the time and from Tatiana.

Which basically meant that the team literally just skipped over a ton of work of having to prove themselves and work their way up to being Megastars. They were literally right at the cusp and a few months of work would grant them the title of Akusuka's charters!

That is to say, it would IF their parents actually let that happen. We know that the OG Crew's family does end up letting this happen (one way or another, I didn't even think about the Crew's emancipation from their families so that had to have happened at some point during all of this). But the other parent's might not be as willing to let their kids go off to a new country and be superstars.

Pav's family is definitely letting him go. He has family in the area and with Eve being a Megastar already, she could help him control his powers (which he is already really well in control of, I will try to talk a bit about the powers more at the end of this, I hope I remember).

Gaya's might be on the fence. On the one hand, this is something she put years into and it has shown she is very talented and could potentially become very rich, famous, and happy. On the other hand, she if still very young and they don't want her to go alone or to move the whole family (I can see her father willing to go with her, giving up his job where they live and trying to find another one if this is truly what Gaya wants, but the rest of their family might not approve).

Peni's family is probably not found of the idea in all honesty, but her parents would definitely be willing to move to Vinyl City if the dad could also get a contract specifically with J-1 or any other tech company in the area (which he would get and be willing to move Peni and the family there, plus they probably have better cybercare there than anything Vandelay could offer which is another plus).

Margo's family, depending on how you see them, would be either pushing her to go or trying to keep her there with them. She says in the movie her home life isn't great, and there is a lot of yelling (and probably neglect as she can just sit on her VR headset all the time in their minds), so she might just be able to promise to send money to them and they would allow her to leave.

Okay, so now Ganke, Miles, and Gwen's families. I do not see them at all being on bored with this decision. They all want what is best for their kids and this does not seem like it would be a good fit. Not with them all being so young and Vinyl City being so far away.

It also would cut in deeply to their education which I see all three of those families taking very seriously. Peni is probably gonna be homeschooled for a bit, Margo would take online classes, the Crew basically drop out, Gaya and Pav would enroll in a Vinyl City school probably. But Miles, Gwen, and Ganke are already in very good schools of their own (and Miles' family need a scholarship for that school I'm pretty sure), so even if the world runs on music, this change from a good schooling to just playing music probably doesn't seem like a good idea for their parents.

I can see Ganke's parents eventually giving in and letting Ganke go work for NSR as long as he get into a good school in Vinyl City and keeps his grades up (they would try to find a way to move to Vinyl City in the meantime as they can't fully uproot their lives right at that moment and this deal is a very limited time offer).

Miles' parents are probably extremely against the idea. Think this is not something that will be a forever career, or that it will become unstable (especially if the blackouts of Vinyl City are well known, which Miles would fight against and saying this could help the city and the world if they could produce enough power with their music). It would just be a very big back and forth but eventually they would see how much this truly means to Miles and let him go. I can see his mom going with him but his dad has to stay behind so he can try to transfer jobs or tie up loose ends.

Actually, depending on when this is, Aaron might still be alive (in this case, instead of meeting Gwen in a support group, they just met online in the mermaid fandom). So instead of Miles fighting alone in why he should be able to go to Vinyl City, Aaron would be there right with him and is the one to convince Jeff and Rio to let Miles go (Aaron probably went with Miles instead of the parents since it would have been hard for them to leave while Aaron could easily accompany Miles to a new life).

The main problem now is Gwen. Since Aaron is alive, Peter probably is too, at least in this AU (because I am now just realizing this, I don't know how to really put Peter into the story, so let's just say he was always helping support Gwen but couldn't really care about the mermaids themselves and so never got into helping with the project himself). Gwen is also still pre-transition and definitely not out to her dad. Or at least she wasn't before the auditions happened.

See, in my head, Gwen did get voice training thanks to the team helping her, but she never used her feminine voice around her dad at all. So when her dad heard her voice, he didn't even realize it was Gwen. Only after he looked up more about the mermaids (as I can see Gwen keeping a lot of this secret or super vague) did George realize Gwen was voicing the transgender mermaid with a very feminine voice. He looked through a lot of the old videos and could hear the voice transition over the years and kinda realized Gwen is probably trans and just never told him.

Instead of waiting for her to come home to talk, he called her up while she was still in Vinyl City or on the plane and tried to confront her. If she was on the plane, I can see her running away to Peter's once she landed and trying to hide from her father. There she would do her best to find a way back to Vinyl City, especially after she realized that she was the last one of the team that needed to get some kind of permission or give and okay. So she just has Ganke, Peter, and Miles help her get to Vinyl City without her dad knowing (probably using Remi and Pav's connection to Eve to do this).

If she was still in Vinyl City, she would have not gone back home and tried to stay with the Crew or with Eve if Remi explained what was happening and Eve offered her own place.

At this point in both options, there would definitely be some corruption and abuse of power on Eve's part to make sure that Gwen would be allowed to stay in Vinyl City and work against her father's wishes even though she is a minor. To Eve, this is helping Gwen get out of a potentially bad situation, but to George it feels like kidnapping or some horrible shit going down and he is losing his daughter. He'd do his best to get her back and would quit his job and move to Vinyl City to try and make things right.

Since he had time after his phone call with Gwen (they probably didn't talk on the phone about this) he never freaked out for a moment and said something to push Gwen away. No, instead this whole issue happened because Gwen was terrified of the potential that her dad would not like hearing she was trans. So instead of a reactive runaway scenario, it was a preemptive runaway scenario.

Anyway, that could probably be a small plot for the Revolution (imagine George and Kliff teaming up to try and take down NSR for their own reasons! ooooh!).

So yeah, once all of that had been squared away, the team is all set to work as the mermaids! They would spend the first few months getting used to everything as smaller Akusuka artists, and work their way up quickly to charters! From here it would be relatively the same as canon NSR for the most part except with 5 mermaids instead of just one of them (I'll think of fight mechanics later because I have to think of how the mermaids would be different now).

Oh! Right! I was gonna talk a tiny bit about Nueva York!

See, the whole thing with this AU hinges on the idea that the arachnikids do not get put into Nueva York really early. Pretty sure I said that Hobie was one of the longer instituted residents at 3 years at the time of the Power revolution.

So that would mean that... uh, pretty sure his one year mark at being at Nueva York that is when the Rock Revolution happened. And I see OG Sayu as having worked at NSR for like... 3 years I think it was?

That means 3 years of mermaid development, 2-3 years of NSR work, and then like 2 years of a timeskip before the Power Revolution (close to 3 kinda? sometimes, idk, still working on that for the OG NSpiR AU honestly lol).

At that time of the Power Revolution, Miles is about 14-15........ That would mean the mermaids were first developed when Miles was 6-7 years old by this logic... It would also mean that Remi was about 7-8 years old when he and Tila started the project....

Okay, so that doesn't work. At all. Specifically because I think that means Peni would have been 4 at the start of the project (and like 6 when kit joined the project). Which obviously doesn't work as joining a project like that is different from like being a prodigy and joining an organization with the help of your parents (looking at you Yinu).

I think I can fix this though. Maybe? I think if I just move the timeline over a bit, so that the mermaid team was brought on when they were older instead of younger (Also I think I'm gonna stick to the 2 years of work instead of 3 years because it messes things up later on I think). So like, instead of Remi being 14 and Miles being 13 at the time of the ROCK revolution (because 3 years of development and 2 years of work), instead I could change the order of the bosses and ages a bit because of timeline reasons.

So for me, I like the idea that the bosses in reverse order is how they got to NSR. That means that instead of Sayu being brought on before DJSS, instead DJSS was brought on BEFORE the team.... Wait no, because Nova had to have been fired from his professor job to get to NSR in the first place.

Okay! New plan! Nova get put in at the same time he originally was, BUT the mermaid team waited until they were super ready for NSR. Meaning that in this AU, there was an entirely different charter for Akusuka that would later be replaced by the team as they traveled up the ranks once they were actually brought on.

So, here's the idea I have. 5 years is the total time it takes from mermaid development until the Rock Revolution (I'm just ignoring the timeskip because I just needed it for ages at the moment and I'll be using 2 years of NSR work, not 3).

[This also means that the Revolution technically takes place later because I am moving the timeline up a little. Maybe something happened and B2J didn't get an audition for an extra year or two].

-At the beginning of development it is just Remi and Tila

-Quickly Pav and Gaya join

-Before the half year or 3/4 year mark Sofa and Dodo join

-At about the 1 year mark is when Gwen and Miles join

-1.5-2 year mark is when Margo joins (they start getting serious)

-At 2 or a bit after Peni joins along with Ganke quickly after

-Then a year of final development before joining NSR

-2 years of work and then it's revolution time!

I put this up here to kinda help me with ages. Since Peni is the youngest I am gonna work with her to help me figure out the ages. Peni is 14 when the timeskip happens, so that means she is 12 when the Rock Revolution happens, 10 when she joined NSR, and 9 when she joined the mermaid project.

I can see that as something happening, especially if Peni's parents are pretty lenient which I can see them as that (especially with someone like Yinu who is working at 9 in OG version lol, meaning she joined NSR even younger). So by the time of the revolution the approximate ages would be:

-Peni (14), Gwen (15), Miles (15), Ganke (15), Pav (15), Gaya (15), Remi (17), Margo (17), Tila (18), Sofa (18), and Dodo (19).

Because of these ages, I think this means that this AUs Rock Revolution happens 3 years after the OG Rock Revolution would happen. That is because Remi is 17 and I have him in my notes as 14 (I used to have him at 15 but for some reason I had to keep checking my notes because I kept saying 14 in my head, so I just changed it to 14 a bit ago since that is what my brain thought was better. So the rest of the Crew got bumped down at that time as well by one year).

Anyway, this means the ages of the other characters also ended up getting changed:

-Mayday (24), Zuke (30), DJSS (44), Yinu (12 going on 13), Mama (43), Neon J (60), 1010 (28), Eve (30), Tatiana (51), Kliff (48), and DK West (34).

Don't know what happened in that 3 year time span that made B2J not start a revolution, but something had happened to delay them.

Oh my fuck... I just realized I went on that whole rant of ages because I was supposed to talk about Nueva York but I went into NSR ages instead! Okay! Nueva York time!

The whole reason I was going to talk about ages was because at this point in the OG NSpidR AU, something would have happened to each of the Arachnikids during the mermaids development time that would have sent them away to Nueva York.

However! Because they had the mermaid project to occupy them and help them find creative solutions with their powers, they never had that outburst moment that got them sent to Nueva York. They learned how to use their powers through positive affirmation and community instead of through fear and repression.

The sucky thing about this is that some people get stuck in Nueva York. Hobie, Noir, Porker are all there without the help of Miles (or the rest of the Arachnikids) so there is very little chance that a Power Revolution will end up happening.

Well, actually, I guess since NSR doesn't get attacked as soon, Ex-Jay would actually have more time to look for Hobie since they aren't being contacted by NSR for at least another 3 years (so I think that would mean Hobie has been in Nueva York for 4-5 years at this point which would be enough for Ex-Jay to just try and get Hobie out themselves since it was put in there very unfairly).

Honestly, it would be cool in this AU that the revolutions were reversed! Like the Power Revolution happened since there was less resources put into Nueva York (since the Rock Revolution couldn't have been used as propaganda) and so that had elements of rock to it thanks to Hobie and Ex-Jay which would be a small inspiration for B2J once they got rejected by NSR during their auditions.

There was an abuse of power in Nueva York, and now there is an abuse in power in NSR. Which would actually tie in nicely with George and Gwen's story plot as this could be propaganda that helps push B2J to take down NSR. Especially if it came out that Eve helped Gwen get away from her father using her power and privilege, it would keep George around after the mermaid fight enough push B2J to get to Eve and then Tatiana (where Kliff's intentions become fully known to the group).

So yeah! I know I said I didn't have much to say, but uh... Well I lied lol! I apparently had a lot to say about this haha! Hope you liked reading my ramblings! :3

[liothebiblioklept]

Love their confidence 💪💪🔥🔥🔥

[toonagi]

UM. MASS ATTACK

it's been a hot minute since i've done a big group shot like this (and by "hot minute" i mean like 5 years) so uh. zoo wee mama that's a lotta hedgehogs (plus one (1) warrior cat and a porcupine)

individual groups under the cut. i'll be putting character names & owners down there too :]

this attack has a whopping 33 characters in it so um....... long post warning

group #1 (also known as Mandatory Vacation in my files):

Archie ( @interstellarchaosss )

Astraeus ( @simpalert )

Zonic of PZSFI ( @ciphergrowl )

group #2 (aka Beast Pack in my files. look i had to name the folders to keep everything organized ok)

Agartha ( @sa2ration )

Werehog Spikes ( @hyper-cryptic )

Monster AU Sonic (Rougelynesdisco on ArtFight)

Halcyon ( @mystigaron )

group #3 (silly billies)

Blurfoot ( @guiltypandas )

2000s Web Sonic (Prismsonic on ArtFight)

Nicolas ( @zzcarnotauro )

Prism Sonic (also Prismsonic)

group #4 (Therapy)

TDC!Sonic (donnie on Artfight)

Virtuosity!Sonic ( @minecraftfan11onscratch )

Nikopulous!Sonic ( @bensbean )

group #5 (da bench)

Frost ( @simpalert )

Tactile (ULTRAVIXLENCE on ArtFight)

Dreamwalker Sonic ( @the-cosmic-blogger )

group #6 (nincombots)

Murder Drones Sonic ( @cat-dragron-arts & @cherbearsz )

SD-C (also cat-dragron & cherbearsz)

Dr. Needlemouse ( @lilcrazybat )

group #7 (eeeek a spider - also mva sonic's quills are cut off a little sorry)

Undertale Sonic ( @gettingfizzical )

MVA!Sonic ( @weirdozjunkary )

Mach Spider ( @chaosspear )

group #8 (oooooo spooky)

Rise ( @mercurymarine404 )

Taxidermy!Sonic ( @cxrpsehub )

group #9 (gender)

Sonic the Squidhog ( @stormloup )

Nikki ( @transgirlsonic )

Crystallized AU Sonic ( @12neonlit-stage )

Arrow (SparksSystem on Artfight)

Vi (also SparksSystem)

group #10 (no silly folder name for this one. sorry) :[ )

SOMA!Sonic ( @citystreetfunk )

Vampire Sonic (the-cosmic-blogger)

group #11 (actually not a group it's just speedy)

Speedy the Porcupine ( @jays---wing )

and some bonus doodles from while i was working on this. as a treat :] (feat. zonic having The Day Ever)

hehehehaha i love an excuse to draw a niche character that i really like for some reason. anyway hooray yippee my adhd ass completed a large project!!!! ^_^ time to write a whole novel in the tags as per usual

[manasurge]

After 1 million years, I have finally finished Mourynn's hair timeline!! I intend to do the same for her outfit(s) later as well (as it changes to match her hair bc she wears customized cultural armour) but I'll do those one at a time. Tbh I'm just happy that I was somehow able to achieve the hairstyle I had originally been planning for her since her creation (side-swept/half "shaved" hairstyle) and doing this exercise filled in her character progress changes and eventually lead to what I originally wanted! (also the default swept back hair is surprisingly hard to replicate so uh, I had to figure out something easier for myself Anywho, I have some abridged summary details for each hairstyle/story chapter under the cut to give these a bit more context Edit: I MESSED UP SOMETHING WITH THE TEXT ON THE ICEBROOD SAGA BIT. NOOOOO

[thefanciestborrower]

At Least It’s Not Hulk

What can I say, the brainworms hit me

Warnings: Contains soft, safe, G/t vore, mentions of injury

Characters: Steve and Clint (Avengers Assemble)

Word Count: 989

The first thing Clint noticed was that he was hot. Like, swelteringly so. So hot in fact that he felt like he was practically drowning in a puddle of his own sweat. That was the second thing he noticed: he was wet. Absolutely sopping and too much so for it to be just sweat. To be fair, waking up soaking wasn’t entirely uncommon considering his job involved lots of getting thrown into the Hudson, but still concerning nonetheless. The Hudson wasn’t usually so warm anyways. He groaned. His head was pounding…or…maybe that was the low drumming he could more so feel than hear through the floor of…wherever he was.

With a grimace Clint opened his eyes to reveal a whole lot of nothing. If you count darkness as nothing that is, which he did. Sure there was always usually something IN that darkness, but if you couldn’t see it then was it really there? Wrinkling his nose he shifted, the floor under him squelching and shifting and…oh. Maybe he did know where he was after all. It was the smell that gave it away really: the acidic tang of bile and day old sandwich clinging to him in a thick film as he struggled to prop himself up against what he now knew to be the muscular walls of a stomach. The fact that he was so familiar with such a bizarre and quite frankly disgusting location had worried him once, but unfortunately he’d grown quite used to it over his time with the Avengers. Just came with the superhero territory he supposed.

Now the real question remained: exactly whose guts had he ended up in? Feeling to make sure his hearing aid and glasses were still where he’d left them, he sighed, find only one of those still intact. Unfortunate, but not unexpected. It wouldn’t be the first time he’d lost his glasses, and it probably wouldn’t be the last either. Fiddling with his aid, he adjusted the settings to compensate for the loud, ambient noises of his environment and listened. For the moment, whoever he’d wound up with didn’t seem to be moving, and they certainly weren’t talking, so he took advantage of the relative calm and wracked his brain for any memory of how he’d ended up in this…situation. He’d been fighting some wannabe villain of the week with Iron Man and a few others when something had hit him from behind and…hmm…after that his memory was blank. Fantastic.

He tried once more to sit up properly, slipping again as the muscle under him rolled and shifted, when suddenly everything stiffened and he found himself sandwiched in place. “Woah hang on, ease up there will ya’?” he spluttered, more muttering than actually talking. His ‘captor’ heard him regardless.

“Hawkeye, are you alright?”

His hearing aid had long since been adjusted to pick up and distinguish the distorted voice of anyone he’d ended up inside (courtesy of Tony), so he had no trouble understanding the question directed at him. Definitely Steve’s voice. He’d ended up inside the Captain, which, all things considered, was probably of the better outcomes. More preffered than Scott anyways that’s for sure.

“I’m fine I’m fine,” Clint insisted, pushing back at the surrounding walls. “Though I might not be if you keep smothering me like this big guy. Mind filling me in on what’s going on out there? And how I ended up serving as a mid afternoon snack?”

The pressure relented, but only slightly. Steve was still tense, and it made the his surroundings far less comfortable.

“You were hit pretty bad; Ant-Man helped me get you off the field.” Came the tight response, and Clint frowned as the steady heartbeat around him picked up a pace or two. “I’m sorry, I wish I hadn’t had to do this while you were unconscious but-“

“Hey hey relax old man, it’s alright.” Clint interrupted, settling himself into a fold. “Better you than the Hulk at least.” He could feel more than hear Cap sigh around him, and as the muscle began to relax Clint smiled to himself. Truth be told, he really could have done without being eaten while unconscious. It unnerved him a little, being that out of control, but at the same time he really did understand why Steve had done it. They were in battle, it was the right call to keep him safe, and he didn’t hold it against the Captain. More than that, he didn’t want Steve to hold it against himself, so he didn’t need to know how Clint’s heart had raced when he’d woken up or how he still flinched at some of the louder ambient gurgles.

“Are you sure?”

“Positive.” Clint cracked a smile. “Though you do still owe me. How about a box of thin mints and I call it even.”

Steve laughed, soft and warm, and Clint congratulated himself on defusing what could have been a much more guilt ridden conversation.

“Alright, I can do that. Take it easy in there for now though, you got hit pretty hard.”

Clint rolled his eyes, but figured Steve was probably right. It was hard to tell in the dark when literally everything was warm and sticky and gross, but he was pretty sure he had a bit of blood matted in his hair. He could smell it. Well, either he was bleeding or Cap had split his lip, which was also a possibility. Either way, taking it easy didn’t sound too awful, so he didn’t argue.

“Yeah yeah, whatever you say winghead.” He laughed, kicking lightly at one of the walls pressing in on him (Steve’s hand no doubt). Steve didn’t respond, and Clint didn’t particularly want him to. The pounding of Steve’s heart was really starting to make his own pounding headache worse, so he turned down his hearing aid, rolled over, and closed his eyes. All things considered, this really wasn’t so bad.

[mari-lair]

This spiraled out of control so I apologize in advance if you wanted something goofy, I must hit you with a brief analysis of Hanako's gender bend chapter before we get to the silly headcanons.

(heads up: I'll refer to girl Hanako as 'he' since he didn't seem bothered by Nene calling his girl form 'Hanako-kun', but if there are any hints I missed that genderbend Hanako prefers to use she/her I'll correct the pronouns.)

When Hanako is turned into a girl he lists things that only girls can do, and the chapter ends with him trying to seduce Kou, so that's something Hanako would consider off-limits normally.

Hanako's reaction reflects that, clearly flustered considering his heavy blush, but also unsure. Sweating. Out of his comfort zone.

It's interesting, cause being touchy and flirty is Hanako's comfort zone, he tends to exude a playful energy even when he barely knows the person: Be it girls or boys.

Yet flirting with Kou made him nervous?

Yes, because he isn't being touchy in a playfull way, he is explicitly tying his clinginess to the idea of attraction here, something he only ever does with girls. All his pervert gags are about girls, the idea he can be attracted to guys in that way is something he seemingly doesn't think about. Or if he does, he doesn't allow himself to express it.

Not as Hanako-kun, the boy, anyways.

I have never seen Hanako jump into someone's arms until he was turned into a girl. Even with Kou, he does his usual "I'll hug you from behind, sit on your shoulders, hug you from above, have you in my hold." approach to get his attention, which is a less stereotypical feminine way of being clingy than jumping in someone's arms.

So Hanako, who has somewhat of a 1960 mentality, seems to only let himself explicitly flirt with a guy when he hides behind a girly persona.

Just like he hides his vulnerability with a playful persona because a part of him genuinely loves teasing and being mischievous, he genuinely enjoys being a girl and doing things "only girls can do".

Dressing up is something he claims to not personally like, that he is 'just kidding', or that it isn't his really for him, but his behavior contradicts that. He wants to show off his new hairstyle with a big smile and a blush, not showing any distress at the gender or wardrope change.

He likely thought about styling up way before his girl transformation, considering we see him be "playful" in chapter 30, wanting Nene to paint his nails.

Maybe he wants to be cute? Cause "Cute" is a word girl Hanako uses a lot in the spin-off. He is constantly asking for reassurance that he is cute. And it is implied that what caught his attention and convinced him to let Nene dress him up was her saying it would make him 'cute'.

He wants to be a cute girl.

Not a sexy girl.

What does he always use to tease Kou? Indecent and lewd comments. He has a pervy humor that he didn't lose as a girl.

But despite the golden opportunity, it doesn't even cross his mind to tease Kou. He just asks Kou if he is cute, something that is personally important to Hanako.

The vastly different vibes between how he asks his dear assistant if he is cute (confident, excited, playful enough to go 'teehee') and how he asks the kid (nervous, flustered, dialogue full of '...' in it) is why I believe that on top of wanting the reassurance that he is a cute girl, Hanako also genuinely wants Kou to be attracted to his girl form.

He gets emo that he isn't Kou's type, not that he isn't cute. He explicitly says "I got rejected" So he was, even if subconsciously, serious in his seduction attempt.

Hanako is attached to Kou, but when he is a boy we don't get any heavy hints that Hanako wants to be seen as desirable by him. If he thought about flirting with Kou as a boy, (He sure was eager to jump in Kou's arms and play with his hair?? He play with Kou's hair! Wow...) he didn't show.

The closest we get is the promo art where Kou and Hanako are looking as far away from each other as possible and shifting in place, restless (either from anxiety or excitement). This is only noteworthy cause it is the first Valentine's Day art Aidairo posted.

And the way Hanako blushes, with little hearts, at the idea of biting Kou when he is zombified. (amyythestarry2's post was what made me aware of this scene, link: Here.)

If there are more moments I forgot, please let me know! But regardless of how he perceives Kou, we can say gender has an effect on how Hanako interacts with people. So it's hard to have a solid idea of how he would react if Kou turned into a girl.

You did ask for my opinion on it though, so below are my favorite headcanons!

I am a firm believer that Kou would not be a very feminine girl. He has a complex from getting the "mom role" at home and he wants to be "dependable, strong, and manly" so he would try to be as brash, 'tough', and boyish, as usual, occasionally switching to being self-conscious and mortified.

I can't see him wanting to wear dresses to fit his girl body, considering Mitsuba's loud displeasure didn't make him even consider taking his earring off and Kou isn't super into conforming anyways, he climb rooftops and scream at "air" so much he has a reputation in school, so it all boils down to personal preference and this official art shows how uncomfortable Kou looks compared to Hanako in a skirt/dress (is Kou crying here?? help-)

Just cause Kou isn't being cute doesn't change that being gender-bend would destroy the "Kou is a boy, and boys don't flirt with boys" box Hanako had trapped himself in.

For as much as Kou will express that he still wants to be treated as a boy, and Hanako doesn't make fun of things the kid is genuinely bothered by unprompted, it's... hard to pretend nothing has changed.

Baggy uniforms aside, Kou being a girl is still super feminine compared to usual, when Hanako playfully pokes Kou's cheek, he'll notice it's rounder now, he'll play with his longer hair with curiosity, and a tiny blush, notices Kou may still swing his raiteijou like a fighter but he got delicate hands now (we both know how different girls and boys hands are drawn in this manga, and Hanako like hands iughuyg) he got boobs too, Hanako is a 1960s pre-teen in his approach to attraction/sexuality, he will not be able to stay chill if girl Kou put him in a headlock for saying some dumb shit.

So Hanako goes in full '??' and '!!!' mode while trying to act normal, until he hits the same conclusion of "Wait, why am I panicking? I can flirt with the kid now! I can flirt with girls!!" and hides behind his playful persona to the max.

And since flirting with girls is something he is more used to, he will be more confused by how he feels when he wraps his arms around Kou in this new context, but also less nervous. Kou doesn't really take him too seriously though. "hanako is being clingy and playful and annoying." kind of dismissal.

When Nene shows up and tells Kou he should wear a girl's uniform, Kou will eventually cave in, cause he can't say no to Nene when she is genuinely so happy and eager to dress him up! He is more awkward and shy in a dress, his caring side also shine with Nene.

Kou is super sweet with Nene, when she cries that Kou has slender legs as a girl, Kou will reassure her that Nene is the one super cute.

That's the kind of girl Hanako likes on a very superficial level: feminine girls. Sweet girls.

And he already likes Kou as a boy, so this mix of different attractions to his caring side and his boyish attitude will make him want to explode. Hanako is full on ba-dum ba-dum mode and he have no idea what to do about it.

Think of this scene where Nene dresses up and the change in her appearance flusters him so much he gets overwhelmed and confused. He doesn't know what to do when he thinks she is being cuter than normal, so he defaults to making fun of her with something he finds attractive (her chunky legs) but knows she personally hates it.

Any confusion that comes with being flustered would increase tenfold with Kou cause he is aware Kou looks like a cute girl but he is not? Like he is, currently, but he is also attracted to Kou's normal attitude? His wide smiles, his goofy attitude, is all the same, and he always found it kind of endearing before, but is so cute now?? Attractive??

So what does he do? Act like an asshole to protect himself, just poke at his insecurities to hide how much Kou affects him, only to go to far and feel awful about it when Kou is visibly upset by it.

it would be one messy event.

[pilkypills]

[vaguely-concerned]

varric giving rook his shaving mirror to keep kind of hits different when your rook is a trans man I have to say

[merrysithmas]

lol laughing bc disney already ditched mando4 for "a truncated disney+ movie" because of the wga/sag strike (as if movies dont also need writers and actors lmaoooo). saying itll take too long to release mando4 and ahsoka2 before filoni's "mando-verse" movie and they need to speed things up LMAO

honey .... we all know you nuclear bombed the entire star wars franchise with the abominable mando3 and now youre scrambling bc you know no one on earth wants to watch the Bo Karen Adventure Show Part 2

and we know that disney is failing and they cant make mando4 at all unless they get bought out lmaooo.

so basically i was right when i said mando wont have another season, ahsoka wont get continued, and i fucking guarantee we wont be seeing this BS mcu mando movie from filoni 😂

like .. maybe .. every single one of your projects shouldnt be a convoluted mess and depend on each other to be released?? maybe literally no one on earth wants the MCU-ification of star wars??? maybe you shouldnt have assumed you could bait n switch a worldwide audience??? maybe your writing shouldnt nosedive and depend solely on the insane whims of one awful writer (Favreau) and someone with a horrible track record (Filoni).

allegedly this movie wont come out til "after 2026" too 🤣. so theyre thinking that ppl, who they already massively alienated, are going to ... still... care at that point?

man it literally is like the Microsoft Paint version of creative thought is running star wars over at DLF now.

[clanofjones]

COLORS

WOW

THEY'RE HERE

L to R, top to bottom:

@theosb0rnway, @punkeropercyjackson, @allyheart707, @paytato435, @karonkar, @friskyeee/@friskebits, @spicy-apple-pie, @zeriphi, @zee-rambles, @fanatess, @browless-donnie, @iisthings/@noisygardendragon, @mostlyvoid-partiallyturtles, @just-another-tired-gay-artist, @wingstobetorn, @chaos-potat, @justletmereadmycomics, @3mutantsinatrenchcoat, @winkwonkblog, @nosleep83, @phoebepheebsphibs, @elliwoods/@intotheelliwoods, @tinker-the-dragon, @artsymeeshee, @angelpuns, @theartofeverything, @randyzorra/@caaaaaww (I think(?)), ME ^^, @ghosty-0w0, @mikey-rottmnt, @purple-the-turtle, @zeawesomeness, @delicatechildwitch, @yelenapines

*looks up*

GOLLY GEE OSCAR, THERE ARE A LOT OF YOU!

Colors are all done! If you have no color, then it's either because your color scheme is monochromatic, in black and white, or there aren't any heavily 'distinguishing features' (I.E., something to make you stand out. No shade, I swear! I loved drawing all of you ^^)

NOW! Here's how tagging will work. I asked all of you if you wanted to be tagged and how, so here are the results!

TAGGED IN EVERYTHING:

Oz

Payto

Purple

Chaos

Kar

Three

Frisk

Yelena

Summer

Spicy

Artsy

Ally

Del

Avid

Avi

Ghosty

Corv

Starry

Andy

Fanatess

Tinker

TAGGED IN UPDATES FT. YOUR SONA:

El

Phoebe

I HAVE NO IDEA: (TELL ME HOW YOU WANT TO BE TAGGED (if you do want to be tagged at all!))

Zeri

Zee

Juice

Robbie

Tyrone

Sleep

Angel

Nym

Randy

Ze

NOTE: If you don't give me an answer, I will default to tagging you when your sona is featured, as I feel it is customary. But I would LOVE to get replies from you guys! Pretty please!!

*whisper tone* also pspspsps a good way to know when updates are would be to follow this blog if you haven't already pspspspspspsps

[wavesoutbeingtossed]

One of these days Posty is going to come out of that fuckass lift in the stage and nobody is going to react because everyone is going to think it’s Jan

[cuntmand]

this was kinda the worst episode out of the entire series tbh simply because of the pacing. i liked the episode, but it was all over the place. they tried to tie in all the lose ends in 50 minutes, and that just wasn’t possible. louis being imprisoned, then released, losing his mind, recovering, AND burning down the theater and killing santiago, all in the span of like 5 minutes, the whole louis/lestat/armand scene, daniel exposing armand, loumand divorcing (that was so underwhelming, esp after 2x05, like, i needed these bitches to have a proper verbal argument, i needed them to be AT EACH OTHER’S THROATS), armand turning daniel (offscreen, cause they didn’t have time to get into all that, cause like… no way it was that simple lol there were too many devil’s minion hints throughout both seasons), louis flying to nola, reuniting with lestat (they have far too long and complex a history for it to be resolved so quickly, it would’ve been far more meaningful had it been done right), daniel publishing his book (compiling, writing, editing, publishing it AND selling 4-5 million copies must have taken a lot of time, so time jump, i guess?)… just by typing this out, it’s too much, way too much to cover in a single episode. the hectic pace left me unsatisfied and it also left a lot of room for plot holes (no more unreliable narrators now, cause the interview is done). idk i think they really should’ve split this into two episodes, at least. one of the things that i really admired about this show was the pace. in season 1, they managed to cover 3 decades in the span of only 7 episodes, while simultaneously showing us what was happening in dubai in 2022, and it never felt rushed. season 2’s pacing was still amazing and satisfying, up until this episode. idk man… i hope this doesn’t happen again, cause it really left a bitter taste in my mouth, and it was the finale, so my expectations were high.

[alnazarcana]

my lucio obsession has leaked into royale high

[obstinaterixatrix]

ok

[pinkmirth]

broke up with my bf for the second time . . . i think i’m gonna put this all this relationship stuff to rest for now

[musicalmoritz]

Here to kindly request more TBHK asks bcuz I feel like the past couple days there’s been a damper put on it with my interest in it hinging a lot on complaining abt stuff (+ the whole situation with one of my moots calling me out on TikTok) but I really don’t want it to be ruined for me so I need to focus on the things I like abt it again. Which shouldn’t be hard bcuz I was doing it only a few days ago but still. I need to yap. Asks about ships, characters, friendships, arcs, etc. are all heavily appreciated but again, nothing that requires me to be too negative pls