#so it's bound to happen lol

[erigold13261]

I WANNA HEAR ABOUT THE ARACHNIKIDS ALWAYS BEING WITH SAYU CREW AU THAT YOU JUST TALKED ABOUT (sorry if this sounds too demanding but I’m so intrigued!!!!)

lol, you're good! I was able to tell this was more intrigue than being demanding!

[Adding this after I wrote everything. This came out a LOT longer than I intended. I said I wasn't gonna get into the history or that this would become a fully fleshed out AU (I still don't think it is honestly) but I did write a lot more than I intended. I probably forgot some stuff or went off on tangents and didn't connect back, but your ask made me start thinking a lot so have fun reading all of this! Especially if you were really excited about this AU, I hope I did it justice lol]

I will say, this probably isn't going to be a super fleshed out AU (not like most of mine are half the time lol), so instead of some complicated backstory as to why the Arachnikids and Crew ended up as a group, it will be more simple (so I'm not going back into super past history during like the border war or something to justify the group forming). [[I say this and then I kinda go into a justification as to how this group came to be later on down the line lol]]

I also don't have exactly much for this AU at the moment. I did see your ask you sent about your ideas for the AU, I forgot what it was at this moment since I just skimmed it since I want to give a version I think would happen before possibly altering it with other people's ideas (plus I might want to doodle something with your ask if I get time). So I'll give what I think this AU would hold.

So firstly, I honestly don't think that ALL the Arachnikids would be in the group. Well I guess that depends on who you consider an Arachnikid actually. If you see Hobie as one, I don't see it really being in the group, same with Noir or Porker.

I do see Pav, Miles, and Gwen as definitely being in the group. By extension I can also Gaya since Pav would be in it. For Margo and Peni, it can a toss-up honestly where they could be or could not be.

This actually does call into question how Nueva York would be affected by this without Miles. Looks like Hobie, Noir, and Porker aren't getting out all that soon unless they complete the programs. But anyway, let's just ignore that can of worms for right now and just get onto the mermaid part lol.

Also, so I'm not constantly using Sayu Crew and Arachnikids, I'm just gonna say like the team so I don't have to keep using both titles.

Anyway! I think the team would still start with Tila and Remi interacting at first (Tila stealing Remi's art for one of her songs/covers then apologizing after realizing what she did). Then instead of bringing on Dodo and Sofa, it is Gaya and Pav who join next because of Remi and Pav's relation to Eve.

I can see Pav and Remi being friends after meeting as kids when Eve took Remi to see her side of the family at some point (Eve being so much older she was hanging out more with older members of the family while Remi gravitated to Pav and that age group of the family).

Once Remi and Tila kinda teamed up I can see Remi telling Pav this (either in person on a visit or online) in a very excited manner and then it turns into Pav and Gaya wanting to join in and have fun.

It's mainly just animatics and drawings with some voice acting, sometimes a short full animation would come out, but it got quite a few people interested online. That would be where I can see Gwen getting really into these mermaids online since they expressed a kind of teenage femininity that she wanted to be, which then led into Miles getting into these mermaids to try and have something to talk about with Gwen (and later becoming a pretty big fan himself).

Once the team so far saw how popular they were getting, Remi and Tila recruited Sofa and Dodo respectively since they were already friends and knew those two had skills that could help them out, which only helped the quality of their project to keep getting better.

Miles and Gwen being really big fans of the project probably made their usernames known to the team. Especially if Miles and Gwen made fanart and tried making some music , which made them really popular in this little fandom that started to be made online.

Overtime I honestly see Miles and Gwen virtually becoming part of the team (like how Pav and Gaya were mostly virtual compared to the Crew was still physically close to each other).

Miles and Remi would work as designers for the mermaids. Gwen would help make music (Miles would help with lyrics) but also became another voice for a third mermaid (before it was just 2 with Tila and Gaya. Before it used to be one with Gaya the talking voice and Tila the singing voice, but that changed as they got more popular, some fans still get confused why Sayu's voice changed lol).

Pav also helped out with inspiration and stuff, making cool looking realms, landscapes, designs and more with his powers (kinda looking like AI art from the early days, before it started becoming like photo realistic and junk like that) and having Gaya take pictures to send to the team to work on.

I can also see Pav doing cool stunts that Gaya would record and send in to the rest of the team. Things that Dodo just wouldn't be able to capture with mo-cap either because he lacked those skills, the environment wasn't right, or it went beyond what mo-cap could actually capture at the time.

All of this was going well and good, except that Sofa was basically doing all the editing and putting the whole project together by themself, and were starting to get very overworked since almost none of the others could really help them out in this area. I think Miles definitely would have started learning more editing skills to try and help Sofa out at this point (maybe Ganke taught him or Ganke might come in at this point, I don't know what Ganke's lore is and if he has a tech background).

However, what I see happening is the team kinda asking for help with their project, like if any of their fans would want to help them out in this area or knew someone who could be hired (these are still teens who aren't part of NSR yet, so it's not like they are completely rich or rolling in money).

But the team is in luck! One of their more recent fans is really good at tech stuff, especially things like 3D animation or rigging up avatars! This would be when Margo ends up joining the team. She and Sofa work on the editing and software of the mermaids, with maybe Remi and Miles helping with video editing at times.

Now, at this point, I would say that the mermaids (Sayu, Aoi, and Yua are definitely made at this point, or at least versions of them are) have been around for maybe like 2 years. I can see the team is still about a year away from actually being signed onto NSR. I do think it took the OG Sayu Crew a long time to get enough skill and recognition to be at the Megastar level we see them at (not to mention having to get hologram tech at some point because I doubt Sayu was on the screen when first performing at a Light Up audition).

So right now, the Sayu project, or Mermaid project (whatever it would be called because I doubt it would be called the Doki Doki Mermaid Club in this AU, as that was a spin-off game that was made after Sayu was NSR in my version of things), has Remi, Miles, Tila, Gaya, Gwen, Pav, Dodo, Sofa, and Margo.

The mermaids I'll just use the names I gave them, but honestly with this AU they might change drastically because of the added people in the creation process. Sayu is voiced by Tila, Aoi is voiced by Gaya, and Yua is voiced by Gwen. I can actually see Gwen at some point during the time working on the project probably came out socially to her friends as trans and so when Yua was being made a decision with the team was made to one day make her transition (which happens before joining NSR) so that Gwen could grow with the role as time goes on and she does more voice training. As of now though, Yua is probably like a merman or a mermaid but the backstory hasn't been fully revealed yet and so just has a slightly deeper voice (as Gwen at this point hasn't done any voice training at all).

Miles, Pav, and Remi are all working on visual art for the project. Gwen, Miles, Tila, and Remi are working on songs. Dodo, Pav, and Gwen are working on the motions/mo-cap. And Margo and Sofa (with some help from Miles and Remi at times) are working on the editing and software of the project.

All of this is well and good, but like I mentioned earlier, they are gonna have to figure out a way to get Sayu into the physical world in order to ever be able to try out for a Lights Up audition. In the OG version, I can see Eve actually helping Remi get connections, but in this AU I can actually see Peni being the person they go to.

I like the idea that Peni's family is very tech savvy (most of them probably are technomancers) so she would have the resources to help them. This is probably before she accidentally killed her father with her powers messing up his medical equipment at the hospital.

Honestly, I think it would be really nice if being a fan of the Sayu project could have helped her with her technomancy. Like I can see her making mini robot figurines and stuff because she was inspired by seeing the mermaids and thought their designs were cool and just naturally honed her work through a hyperfixation. So yeah! In this AU kits father is probably still alive! How cool is that! :D

Anyway, I can see Peni making some cool hologram or something of Sayu, something still pretty wonky and not perfect, and posting it online in the fandom/community space. Which absolutely catches the attention of the whole team as it was something so cool, done by someone so young (I see her as the youngest of the Arachnikids).

There would definitely be a line of communication that opened up about how cool kits work was and all that. Peni would be so happy to have been recognized for kits work and show kits parents happily! Something something, I don't really know how this part would happen, but I can see Peni joining the team.

Maybe her dad travels a lot and (considering I see him as a technomancer) probably has connections to robotic works in other areas (like Vandelay or J-1), which would allow Peni to go visit the main part of the team (the OG Sayu Crew) and talk about making an actual working, life-sized hologram of the mermaids.

Either that, or I can see Peni being able to visit Miles and Gwen (as they are closer than Pav and Gaya or the OG Crew), and there they make "live action" videos of the Mermaids. It would required a lot of editing and really good internet, but I can definitely see the team working together to make this video happen (it definitely would not be a livestream for a while as they sort out all the bugs or find a way to get everyone into one area).

Actually, this could be how Ganke gets roped into the situation! He could have been the videographer for any life action stunts as well as like a boom operator with his silencing powers. The team never had to worry about weather conditions thanks to Ganke's powers!

This skill would later help the team when they were working on shot compositions and stuff. Making sure all the mermaids were framed correctly at all times. This would be one less thing Margo and Sofa would have to focus on which allowed special effects (especially in livestreams) to become so much better since both editors could work at the same time without having to focus on 3 mermaids.

This new addition of a different media like this would really push the mermaids' popularity skywards. Especially considering people are now asking if they could meet these mermaids in person. Fans started comparing them to robot stars like 1010 or other robotic artists, which was just a huge boost in confidence for the team.

Honestly, I can even see a new mermaid being put into the mix. The only ones left are Haru and Renho, and I can kinda seeing Peni's voice and personality fitting Haru a lot. That kinda leaves Renho out of the mix, which I am sad about.

The only way I can really see all 5 being in the mix is if Margo ends up also being a voice actor (the team probably wanted to keep mostly feminine voices with an exception for Yua who would later get a more feminine voice as Gwen voice trained).

I can see Margo actually taking up a voice acting role, but that would shift the roles around a bit, but if Ganke is also on the team, as well as Margo and Peni learning how to use their powers more, this is definitely something that can happen!

So in this case, to have all 5 mermaids present before they ever end up at NSR (which I think would kinda be a goal at this point for the team, but they also just want to have an established group of mermaids) the roles would kinda look like this:

-Voices: Tila (Sayu), Gaya (Aoi), Gwen (Yua), Margo (Renho or Haru), and Peni (Haru or Renho).

-Mo-cap/movement: Dodo (Sayu), Pav (Aoi), and Gwen (Yua). Margo would learn to use her powers (astral projection) in a way to be more tech savvy thanks to Peni and would be able to control both Renho and Haru without actually having to do mo-cap (Peni can communicate with Margo through the computer, I can explain this more in another post if I remember lol).

-Live Editor: Sofa and Ganke mainly for live edits (Margo used to do this before being the main mover for Renho and Haru).

-Post Editor (not live): Sofa, Ganke, Margo, and Peni. Miles and Remi help with video editing.

-Hologram/robotic engineer: Peni. She is also the connector between the holograms and the mo-cappers. Without kit the mermaids literally cannot be holograms (this problem gets fixed after the team becomes Megastars as they have the money and resources to make a mechanical connector for IRL holograms to work).

-Animator/Artists: Remi, Miles, and Pav for the most part. 3D animations or anything with models is a group effort honestly but that would fall more into the post editors' hands (2D animation and comics are solely Remi and Miles job though, with Pav helping them get their ideas out physically with his powers)

-Music (lyrics): Tila, Gaya, and Miles are the main lyricists. I can see Dodo helping in this regard as well as Pav.

-Music (non-lyrics): Remi, Gwen, and Dodo. Miles is learning to make music. Sofa and Margo help with editing the music (Sofa more than Margo as they were brought up in a musical city and has more experience with EDM music than she does).

Uh, I think that's all the roles for now that I can think of. I tried to make it realistic in what they would do in terms of work load and skills they have/could have. Honestly looking at this, Tila and Gaya have the least work it seems lol. However, they are probably the ones making the bulk of the lyrics for the music and probably the dialogue/script for any animations (especially if the two get in character and end up making a lot of funny banter).

Anyway, once all of this was settled and all 5 mermaids were introduced, I can see the group trying to get a Lights Up audition. It definitely took some parents more convincing than others (like Gwen's and Miles) but with all the progress that the team has made, I can definitely see them having enough evidence for all their parents to let them go and try out for NSR.

I bet almost all the parents didn't believe they would actually be successful. Thinking that most likely these kids would be turned down and they would have to try again when they were older. So it came as a HUGE shock that the mermaids actually made it and were accepted with basically a fully acceptance from the standing Megastars at the time and from Tatiana.

Which basically meant that the team literally just skipped over a ton of work of having to prove themselves and work their way up to being Megastars. They were literally right at the cusp and a few months of work would grant them the title of Akusuka's charters!

That is to say, it would IF their parents actually let that happen. We know that the OG Crew's family does end up letting this happen (one way or another, I didn't even think about the Crew's emancipation from their families so that had to have happened at some point during all of this). But the other parent's might not be as willing to let their kids go off to a new country and be superstars.

Pav's family is definitely letting him go. He has family in the area and with Eve being a Megastar already, she could help him control his powers (which he is already really well in control of, I will try to talk a bit about the powers more at the end of this, I hope I remember).

Gaya's might be on the fence. On the one hand, this is something she put years into and it has shown she is very talented and could potentially become very rich, famous, and happy. On the other hand, she if still very young and they don't want her to go alone or to move the whole family (I can see her father willing to go with her, giving up his job where they live and trying to find another one if this is truly what Gaya wants, but the rest of their family might not approve).

Peni's family is probably not found of the idea in all honesty, but her parents would definitely be willing to move to Vinyl City if the dad could also get a contract specifically with J-1 or any other tech company in the area (which he would get and be willing to move Peni and the family there, plus they probably have better cybercare there than anything Vandelay could offer which is another plus).

Margo's family, depending on how you see them, would be either pushing her to go or trying to keep her there with them. She says in the movie her home life isn't great, and there is a lot of yelling (and probably neglect as she can just sit on her VR headset all the time in their minds), so she might just be able to promise to send money to them and they would allow her to leave.

Okay, so now Ganke, Miles, and Gwen's families. I do not see them at all being on bored with this decision. They all want what is best for their kids and this does not seem like it would be a good fit. Not with them all being so young and Vinyl City being so far away.

It also would cut in deeply to their education which I see all three of those families taking very seriously. Peni is probably gonna be homeschooled for a bit, Margo would take online classes, the Crew basically drop out, Gaya and Pav would enroll in a Vinyl City school probably. But Miles, Gwen, and Ganke are already in very good schools of their own (and Miles' family need a scholarship for that school I'm pretty sure), so even if the world runs on music, this change from a good schooling to just playing music probably doesn't seem like a good idea for their parents.

I can see Ganke's parents eventually giving in and letting Ganke go work for NSR as long as he get into a good school in Vinyl City and keeps his grades up (they would try to find a way to move to Vinyl City in the meantime as they can't fully uproot their lives right at that moment and this deal is a very limited time offer).

Miles' parents are probably extremely against the idea. Think this is not something that will be a forever career, or that it will become unstable (especially if the blackouts of Vinyl City are well known, which Miles would fight against and saying this could help the city and the world if they could produce enough power with their music). It would just be a very big back and forth but eventually they would see how much this truly means to Miles and let him go. I can see his mom going with him but his dad has to stay behind so he can try to transfer jobs or tie up loose ends.

Actually, depending on when this is, Aaron might still be alive (in this case, instead of meeting Gwen in a support group, they just met online in the mermaid fandom). So instead of Miles fighting alone in why he should be able to go to Vinyl City, Aaron would be there right with him and is the one to convince Jeff and Rio to let Miles go (Aaron probably went with Miles instead of the parents since it would have been hard for them to leave while Aaron could easily accompany Miles to a new life).

The main problem now is Gwen. Since Aaron is alive, Peter probably is too, at least in this AU (because I am now just realizing this, I don't know how to really put Peter into the story, so let's just say he was always helping support Gwen but couldn't really care about the mermaids themselves and so never got into helping with the project himself). Gwen is also still pre-transition and definitely not out to her dad. Or at least she wasn't before the auditions happened.

See, in my head, Gwen did get voice training thanks to the team helping her, but she never used her feminine voice around her dad at all. So when her dad heard her voice, he didn't even realize it was Gwen. Only after he looked up more about the mermaids (as I can see Gwen keeping a lot of this secret or super vague) did George realize Gwen was voicing the transgender mermaid with a very feminine voice. He looked through a lot of the old videos and could hear the voice transition over the years and kinda realized Gwen is probably trans and just never told him.

Instead of waiting for her to come home to talk, he called her up while she was still in Vinyl City or on the plane and tried to confront her. If she was on the plane, I can see her running away to Peter's once she landed and trying to hide from her father. There she would do her best to find a way back to Vinyl City, especially after she realized that she was the last one of the team that needed to get some kind of permission or give and okay. So she just has Ganke, Peter, and Miles help her get to Vinyl City without her dad knowing (probably using Remi and Pav's connection to Eve to do this).

If she was still in Vinyl City, she would have not gone back home and tried to stay with the Crew or with Eve if Remi explained what was happening and Eve offered her own place.

At this point in both options, there would definitely be some corruption and abuse of power on Eve's part to make sure that Gwen would be allowed to stay in Vinyl City and work against her father's wishes even though she is a minor. To Eve, this is helping Gwen get out of a potentially bad situation, but to George it feels like kidnapping or some horrible shit going down and he is losing his daughter. He'd do his best to get her back and would quit his job and move to Vinyl City to try and make things right.

Since he had time after his phone call with Gwen (they probably didn't talk on the phone about this) he never freaked out for a moment and said something to push Gwen away. No, instead this whole issue happened because Gwen was terrified of the potential that her dad would not like hearing she was trans. So instead of a reactive runaway scenario, it was a preemptive runaway scenario.

Anyway, that could probably be a small plot for the Revolution (imagine George and Kliff teaming up to try and take down NSR for their own reasons! ooooh!).

So yeah, once all of that had been squared away, the team is all set to work as the mermaids! They would spend the first few months getting used to everything as smaller Akusuka artists, and work their way up quickly to charters! From here it would be relatively the same as canon NSR for the most part except with 5 mermaids instead of just one of them (I'll think of fight mechanics later because I have to think of how the mermaids would be different now).

Oh! Right! I was gonna talk a tiny bit about Nueva York!

See, the whole thing with this AU hinges on the idea that the arachnikids do not get put into Nueva York really early. Pretty sure I said that Hobie was one of the longer instituted residents at 3 years at the time of the Power revolution.

So that would mean that... uh, pretty sure his one year mark at being at Nueva York that is when the Rock Revolution happened. And I see OG Sayu as having worked at NSR for like... 3 years I think it was?

That means 3 years of mermaid development, 2-3 years of NSR work, and then like 2 years of a timeskip before the Power Revolution (close to 3 kinda? sometimes, idk, still working on that for the OG NSpiR AU honestly lol).

At that time of the Power Revolution, Miles is about 14-15........ That would mean the mermaids were first developed when Miles was 6-7 years old by this logic... It would also mean that Remi was about 7-8 years old when he and Tila started the project....

Okay, so that doesn't work. At all. Specifically because I think that means Peni would have been 4 at the start of the project (and like 6 when kit joined the project). Which obviously doesn't work as joining a project like that is different from like being a prodigy and joining an organization with the help of your parents (looking at you Yinu).

I think I can fix this though. Maybe? I think if I just move the timeline over a bit, so that the mermaid team was brought on when they were older instead of younger (Also I think I'm gonna stick to the 2 years of work instead of 3 years because it messes things up later on I think). So like, instead of Remi being 14 and Miles being 13 at the time of the ROCK revolution (because 3 years of development and 2 years of work), instead I could change the order of the bosses and ages a bit because of timeline reasons.

So for me, I like the idea that the bosses in reverse order is how they got to NSR. That means that instead of Sayu being brought on before DJSS, instead DJSS was brought on BEFORE the team.... Wait no, because Nova had to have been fired from his professor job to get to NSR in the first place.

Okay! New plan! Nova get put in at the same time he originally was, BUT the mermaid team waited until they were super ready for NSR. Meaning that in this AU, there was an entirely different charter for Akusuka that would later be replaced by the team as they traveled up the ranks once they were actually brought on.

So, here's the idea I have. 5 years is the total time it takes from mermaid development until the Rock Revolution (I'm just ignoring the timeskip because I just needed it for ages at the moment and I'll be using 2 years of NSR work, not 3).

[This also means that the Revolution technically takes place later because I am moving the timeline up a little. Maybe something happened and B2J didn't get an audition for an extra year or two].

-At the beginning of development it is just Remi and Tila

-Quickly Pav and Gaya join

-Before the half year or 3/4 year mark Sofa and Dodo join

-At about the 1 year mark is when Gwen and Miles join

-1.5-2 year mark is when Margo joins (they start getting serious)

-At 2 or a bit after Peni joins along with Ganke quickly after

-Then a year of final development before joining NSR

-2 years of work and then it's revolution time!

I put this up here to kinda help me with ages. Since Peni is the youngest I am gonna work with her to help me figure out the ages. Peni is 14 when the timeskip happens, so that means she is 12 when the Rock Revolution happens, 10 when she joined NSR, and 9 when she joined the mermaid project.

I can see that as something happening, especially if Peni's parents are pretty lenient which I can see them as that (especially with someone like Yinu who is working at 9 in OG version lol, meaning she joined NSR even younger). So by the time of the revolution the approximate ages would be:

-Peni (14), Gwen (15), Miles (15), Ganke (15), Pav (15), Gaya (15), Remi (17), Margo (17), Tila (18), Sofa (18), and Dodo (19).

Because of these ages, I think this means that this AUs Rock Revolution happens 3 years after the OG Rock Revolution would happen. That is because Remi is 17 and I have him in my notes as 14 (I used to have him at 15 but for some reason I had to keep checking my notes because I kept saying 14 in my head, so I just changed it to 14 a bit ago since that is what my brain thought was better. So the rest of the Crew got bumped down at that time as well by one year).

Anyway, this means the ages of the other characters also ended up getting changed:

-Mayday (24), Zuke (30), DJSS (44), Yinu (12 going on 13), Mama (43), Neon J (60), 1010 (28), Eve (30), Tatiana (51), Kliff (48), and DK West (34).

Don't know what happened in that 3 year time span that made B2J not start a revolution, but something had happened to delay them.

Oh my fuck... I just realized I went on that whole rant of ages because I was supposed to talk about Nueva York but I went into NSR ages instead! Okay! Nueva York time!

The whole reason I was going to talk about ages was because at this point in the OG NSpidR AU, something would have happened to each of the Arachnikids during the mermaids development time that would have sent them away to Nueva York.

However! Because they had the mermaid project to occupy them and help them find creative solutions with their powers, they never had that outburst moment that got them sent to Nueva York. They learned how to use their powers through positive affirmation and community instead of through fear and repression.

The sucky thing about this is that some people get stuck in Nueva York. Hobie, Noir, Porker are all there without the help of Miles (or the rest of the Arachnikids) so there is very little chance that a Power Revolution will end up happening.

Well, actually, I guess since NSR doesn't get attacked as soon, Ex-Jay would actually have more time to look for Hobie since they aren't being contacted by NSR for at least another 3 years (so I think that would mean Hobie has been in Nueva York for 4-5 years at this point which would be enough for Ex-Jay to just try and get Hobie out themselves since it was put in there very unfairly).

Honestly, it would be cool in this AU that the revolutions were reversed! Like the Power Revolution happened since there was less resources put into Nueva York (since the Rock Revolution couldn't have been used as propaganda) and so that had elements of rock to it thanks to Hobie and Ex-Jay which would be a small inspiration for B2J once they got rejected by NSR during their auditions.

There was an abuse of power in Nueva York, and now there is an abuse in power in NSR. Which would actually tie in nicely with George and Gwen's story plot as this could be propaganda that helps push B2J to take down NSR. Especially if it came out that Eve helped Gwen get away from her father using her power and privilege, it would keep George around after the mermaid fight enough push B2J to get to Eve and then Tatiana (where Kliff's intentions become fully known to the group).

So yeah! I know I said I didn't have much to say, but uh... Well I lied lol! I apparently had a lot to say about this haha! Hope you liked reading my ramblings! :3

[toonagi]

UM. MASS ATTACK

it's been a hot minute since i've done a big group shot like this (and by "hot minute" i mean like 5 years) so uh. zoo wee mama that's a lotta hedgehogs (plus one (1) warrior cat and a porcupine)

individual groups under the cut. i'll be putting character names & owners down there too :]

this attack has a whopping 33 characters in it so um....... long post warning

group #1 (also known as Mandatory Vacation in my files):

Archie ( @interstellarchaosss )

Astraeus ( @simpalert )

Zonic of PZSFI ( @ciphergrowl )

group #2 (aka Beast Pack in my files. look i had to name the folders to keep everything organized ok)

Agartha ( @sa2ration )

Werehog Spikes ( @hyper-cryptic )

Monster AU Sonic (Rougelynesdisco on ArtFight)

Halcyon ( @mystigaron )

group #3 (silly billies)

Blurfoot ( @guiltypandas )

2000s Web Sonic (Prismsonic on ArtFight)

Nicolas ( @zzcarnotauro )

Prism Sonic (also Prismsonic)

group #4 (Therapy)

TDC!Sonic (donnie on Artfight)

Virtuosity!Sonic ( @minecraftfan11onscratch )

Nikopulous!Sonic ( @bensbean )

group #5 (da bench)

Frost ( @simpalert )

Tactile (ULTRAVIXLENCE on ArtFight)

Dreamwalker Sonic ( @the-cosmic-blogger )

group #6 (nincombots)

Murder Drones Sonic ( @cat-dragron-arts & @cherbearsz )

SD-C (also cat-dragron & cherbearsz)

Dr. Needlemouse ( @lilcrazybat )

group #7 (eeeek a spider - also mva sonic's quills are cut off a little sorry)

Undertale Sonic ( @gettingfizzical )

MVA!Sonic ( @weirdozjunkary )

Mach Spider ( @chaosspear )

group #8 (oooooo spooky)

Rise ( @mercurymarine404 )

Taxidermy!Sonic ( @cxrpsehub )

group #9 (gender)

Sonic the Squidhog ( @stormloup )

Nikki ( @transgirlsonic )

Crystallized AU Sonic ( @12neonlit-stage )

Arrow (SparksSystem on Artfight)

Vi (also SparksSystem)

group #10 (no silly folder name for this one. sorry) :[ )

SOMA!Sonic ( @citystreetfunk )

Vampire Sonic (the-cosmic-blogger)

group #11 (actually not a group it's just speedy)

Speedy the Porcupine ( @jays---wing )

and some bonus doodles from while i was working on this. as a treat :] (feat. zonic having The Day Ever)

hehehehaha i love an excuse to draw a niche character that i really like for some reason. anyway hooray yippee my adhd ass completed a large project!!!! ^_^ time to write a whole novel in the tags as per usual

[manasurge]

After 1 million years, I have finally finished Mourynn's hair timeline!! I intend to do the same for her outfit(s) later as well (as it changes to match her hair bc she wears customized cultural armour) but I'll do those one at a time. Tbh I'm just happy that I was somehow able to achieve the hairstyle I had originally been planning for her since her creation (side-swept/half "shaved" hairstyle) and doing this exercise filled in her character progress changes and eventually lead to what I originally wanted! (also the default swept back hair is surprisingly hard to replicate so uh, I had to figure out something easier for myself Anywho, I have some abridged summary details for each hairstyle/story chapter under the cut to give these a bit more context Edit: I MESSED UP SOMETHING WITH THE TEXT ON THE ICEBROOD SAGA BIT. NOOOOO

[mari-lair]

This spiraled out of control so I apologize in advance if you wanted something goofy, I must hit you with a brief analysis of Hanako's gender bend chapter before we get to the silly headcanons.

(heads up: I'll refer to girl Hanako as 'he' since he didn't seem bothered by Nene calling his girl form 'Hanako-kun', but if there are any hints I missed that genderbend Hanako prefers to use she/her I'll correct the pronouns.)

When Hanako is turned into a girl he lists things that only girls can do, and the chapter ends with him trying to seduce Kou, so that's something Hanako would consider off-limits normally.

Hanako's reaction reflects that, clearly flustered considering his heavy blush, but also unsure. Sweating. Out of his comfort zone.

It's interesting, cause being touchy and flirty is Hanako's comfort zone, he tends to exude a playful energy even when he barely knows the person: Be it girls or boys.

Yet flirting with Kou made him nervous?

Yes, because he isn't being touchy in a playfull way, he is explicitly tying his clinginess to the idea of attraction here, something he only ever does with girls. All his pervert gags are about girls, the idea he can be attracted to guys in that way is something he seemingly doesn't think about. Or if he does, he doesn't allow himself to express it.

Not as Hanako-kun, the boy, anyways.

I have never seen Hanako jump into someone's arms until he was turned into a girl. Even with Kou, he does his usual "I'll hug you from behind, sit on your shoulders, hug you from above, have you in my hold." approach to get his attention, which is a less stereotypical feminine way of being clingy than jumping in someone's arms.

So Hanako, who has somewhat of a 1960 mentality, seems to only let himself explicitly flirt with a guy when he hides behind a girly persona.

Just like he hides his vulnerability with a playful persona because a part of him genuinely loves teasing and being mischievous, he genuinely enjoys being a girl and doing things "only girls can do".

Dressing up is something he claims to not personally like, that he is 'just kidding', or that it isn't his really for him, but his behavior contradicts that. He wants to show off his new hairstyle with a big smile and a blush, not showing any distress at the gender or wardrope change.

He likely thought about styling up way before his girl transformation, considering we see him be "playful" in chapter 30, wanting Nene to paint his nails.

Maybe he wants to be cute? Cause "Cute" is a word girl Hanako uses a lot in the spin-off. He is constantly asking for reassurance that he is cute. And it is implied that what caught his attention and convinced him to let Nene dress him up was her saying it would make him 'cute'.

He wants to be a cute girl.

Not a sexy girl.

What does he always use to tease Kou? Indecent and lewd comments. He has a pervy humor that he didn't lose as a girl.

But despite the golden opportunity, it doesn't even cross his mind to tease Kou. He just asks Kou if he is cute, something that is personally important to Hanako.

The vastly different vibes between how he asks his dear assistant if he is cute (confident, excited, playful enough to go 'teehee') and how he asks the kid (nervous, flustered, dialogue full of '...' in it) is why I believe that on top of wanting the reassurance that he is a cute girl, Hanako also genuinely wants Kou to be attracted to his girl form.

He gets emo that he isn't Kou's type, not that he isn't cute. He explicitly says "I got rejected" So he was, even if subconsciously, serious in his seduction attempt.

Hanako is attached to Kou, but when he is a boy we don't get any heavy hints that Hanako wants to be seen as desirable by him. If he thought about flirting with Kou as a boy, (He sure was eager to jump in Kou's arms and play with his hair?? He play with Kou's hair! Wow...) he didn't show.

The closest we get is the promo art where Kou and Hanako are looking as far away from each other as possible and shifting in place, restless (either from anxiety or excitement). This is only noteworthy cause it is the first Valentine's Day art Aidairo posted.

And the way Hanako blushes, with little hearts, at the idea of biting Kou when he is zombified. (amyythestarry2's post was what made me aware of this scene, link: Here.)

If there are more moments I forgot, please let me know! But regardless of how he perceives Kou, we can say gender has an effect on how Hanako interacts with people. So it's hard to have a solid idea of how he would react if Kou turned into a girl.

You did ask for my opinion on it though, so below are my favorite headcanons!

I am a firm believer that Kou would not be a very feminine girl. He has a complex from getting the "mom role" at home and he wants to be "dependable, strong, and manly" so he would try to be as brash, 'tough', and boyish, as usual, occasionally switching to being self-conscious and mortified.

I can't see him wanting to wear dresses to fit his girl body, considering Mitsuba's loud displeasure didn't make him even consider taking his earring off and Kou isn't super into conforming anyways, he climb rooftops and scream at "air" so much he has a reputation in school, so it all boils down to personal preference and this official art shows how uncomfortable Kou looks compared to Hanako in a skirt/dress (is Kou crying here?? help-)

Just cause Kou isn't being cute doesn't change that being gender-bend would destroy the "Kou is a boy, and boys don't flirt with boys" box Hanako had trapped himself in.

For as much as Kou will express that he still wants to be treated as a boy, and Hanako doesn't make fun of things the kid is genuinely bothered by unprompted, it's... hard to pretend nothing has changed.

Baggy uniforms aside, Kou being a girl is still super feminine compared to usual, when Hanako playfully pokes Kou's cheek, he'll notice it's rounder now, he'll play with his longer hair with curiosity, and a tiny blush, notices Kou may still swing his raiteijou like a fighter but he got delicate hands now (we both know how different girls and boys hands are drawn in this manga, and Hanako like hands iughuyg) he got boobs too, Hanako is a 1960s pre-teen in his approach to attraction/sexuality, he will not be able to stay chill if girl Kou put him in a headlock for saying some dumb shit.

So Hanako goes in full '??' and '!!!' mode while trying to act normal, until he hits the same conclusion of "Wait, why am I panicking? I can flirt with the kid now! I can flirt with girls!!" and hides behind his playful persona to the max.

And since flirting with girls is something he is more used to, he will be more confused by how he feels when he wraps his arms around Kou in this new context, but also less nervous. Kou doesn't really take him too seriously though. "hanako is being clingy and playful and annoying." kind of dismissal.

When Nene shows up and tells Kou he should wear a girl's uniform, Kou will eventually cave in, cause he can't say no to Nene when she is genuinely so happy and eager to dress him up! He is more awkward and shy in a dress, his caring side also shine with Nene.

Kou is super sweet with Nene, when she cries that Kou has slender legs as a girl, Kou will reassure her that Nene is the one super cute.

That's the kind of girl Hanako likes on a very superficial level: feminine girls. Sweet girls.

And he already likes Kou as a boy, so this mix of different attractions to his caring side and his boyish attitude will make him want to explode. Hanako is full on ba-dum ba-dum mode and he have no idea what to do about it.

Think of this scene where Nene dresses up and the change in her appearance flusters him so much he gets overwhelmed and confused. He doesn't know what to do when he thinks she is being cuter than normal, so he defaults to making fun of her with something he finds attractive (her chunky legs) but knows she personally hates it.

Any confusion that comes with being flustered would increase tenfold with Kou cause he is aware Kou looks like a cute girl but he is not? Like he is, currently, but he is also attracted to Kou's normal attitude? His wide smiles, his goofy attitude, is all the same, and he always found it kind of endearing before, but is so cute now?? Attractive??

So what does he do? Act like an asshole to protect himself, just poke at his insecurities to hide how much Kou affects him, only to go to far and feel awful about it when Kou is visibly upset by it.

it would be one messy event.

[wickmitz]

I decided to start talking about Wick and Rocky's relationship because I like their dynamics too, I like seeing Wick scared of Rocky and Rocky being aggressive with him, which is unusual because Rocky is rarely aggressive with anyone, but of course Wick is an exception to rule

Also my mini opinion about their possible relationship, I think that if Rocky didn't have to fight for his place, then he and Wick could become friends, or at least tolerate each other a little, I also see some superficial similarities, their gentlemanly and romantic natures, and their common love for explosions (remembering the quarrymen chapter), but this is my assumption, I think that I don't understand the characters' personalities well, so I can be wrong in this assumption, something like that. So, what do you think about their relationship?

for starters, i cannot thank you enough for this ask! as i’ve said previously, i have many thoughts on these two, so it’s nice to finally be able to share some of them. although given the extent to which i think about them, i apologize in advance if this is sloppy and sort of everywhere … while i’ll try to structure things the best i can, i cannot promise i’ll succeed! but hopefully this is an enjoyable reply nonetheless.

one of my favorite things about rocky and wick’s relationship is absolutely how aggressive rocky is towards the aristocrat ; he is prone to glares and cruel jokes and borderline hissing whenever the man is within his line of sight, or can be brought to a wailing-fit over the mere mention of his name from miss m’s mouth. there is a childishness to it, but a very prominent threat as well in spite of rocky’s usual incompetence. so he goes out of his way to posture around wick, readily lying and adorning himself with the gangster drapes he so badly wants to wear, in the hopes that it intimidates … will even badmouth wick’s family and make fun of his name and rock related obsession to mitzi, and so on so forth! yet all of this is very reminiscent of schoolyard bullying rather than anything too severe, though we as the audience understand rather quickly that rocky would bash wick’s head in with a tire iron if he could. ( translation : if it wouldn’t earn the tears or hate of a certain beloved mitzi may ) and it’s all very intense despite the absence of actual violence! and i understand why many fans see this as unusual for rocky and believe that it’s only wick who makes him act so aggressively, but i’d argue it isn’t really wick at all that prompts such scary reactions from him … and that rocky is a deeply angry character who’s a.) been boiling quietly for a long, long time and b.) has turned wick into a punching bag of sorts for this inner world of resentment and hurt. basically, when he’s judging the well-to-do or poking fun, his eyes don’t look at wick and actually acknowledge him as sedgewick sable ; instead this is a being, something vague and metaphorical, who threatens to upseat rocky’s permanence in the lackadaisy and steal away his savior, and he’s had a hand in the violinist’s misfortune for a long time.

obviously, rocky doesn’t think wick robbed him of his family twice over and made him homeless, but he is channeling the fear and anguish of those events into his loathing for wick, if that makes sense? it’s easier that way -- to finally have an outlet for everything bleeding inside of you, to be able to bite and claw at something without feeling conflicted or having to take personal accountability for your own mistakes … which is something that i think rocky does struggle with to a degree. he is sort of a finger pointer! his pain has to be worth something, it has to be for someone else ; spending years homeless and losing his last bit of family was for freckle, and the scrambling of his literal brain was for mitzi, and that means he can’t ever be angry with them! well, except that he is, somewhat, but he buries it deep down instead of feeling it. with freckle there is a sense of strain between them -- an air of ‘you owe me’ from rocky to freckle as he uses freckle to appease miss m, and he constantly pokes fun at his cousin too. it’s lighter than his jabs at wick, but there’s a constant pestering, a reminder of how good freckle has it : how he’s got the mom and the house and the job and the girl most notably. i don’t think rocky is intending to come across as mean, and to his credit he hardly does! but it’s rather clear to me that some part of him, some hidden and deeply hurt part, is rather indignant about taking the fall for freckle all those years ago. which he can’t understand, because how could he? he made that choice, he decided to take accountability for something he didn’t do because he loves freckle and knows it’d be so easy to believe this family tragedy was roark’s fault ; the devilish child he was, all troublesome and too broken to properly fit anywhere. so there is a disconnect born here, where rocky can’t comprehend that he’d be angry at freckle, so instead these not so great feelings are placed elsewhere and silently boil over time. and with mitzi … i don’t think he’s angry at her per se, but there is a frustrated and desperate chorus of : why him and why not me, when i’m the one out here dying for you? which is certainly unpleasant. of course, rather than allowing those feelings to be more aimed at miss m, whom he feels unloved by, he ( again! ) represses these emotions and allows them to fester into his greatest fears and fantastical complexes. i think there is a lot of other miscellaneous anger he could have towards others too … perhaps some part of him is sore upon seeing ivy’s normal lifestyle, watching her go to university and knowing that’s been taken from him. or an ache felt when hearing stories from zib and the band and how they used to travel successfully, living as nomads, and rocky is all too reminded of his similar lifestyle and how he couldn’t make it work as effortlessly. people with immense trauma are more prone to irrational anger and jealousy, to viewing everything around them as unfair and believing it’s even more unjust that so many people get to live comfortably while they’ve suffered. a situation that gets more messy when you’re someone like rocky, a man who’s willingly made choices that have harmed himself and wants to continue on with his smiling, bumbling fool of an act. he does not want to be angry, does not want to see it within himself, i think, which leads to an accidental increase of it.

all of this is to reiterate that wick is a scapegoat for rocky and nothing more. it’s why he’s rather hypocritical whenever it concerns the man. for example, it was stated by tracy that he looks down upon wick for his excessive presence at the bar, yet he appears to enjoy hanging out with zib -- who drinks just as often! he makes fun of how all wick ever talks about is rocks, when he himself is prone to poetry rambles that people find irritating or boring, and etc etc. this is also just a human nature thing, to critique someone you heavily dislike and even going as far as to belittle things you love or do in your own day to day because you just hate them that bad! but given rocky’s willingness to befriend anyone, it more so reeks of a dehumanization element. wick is every obstacle in his way, every divine force that threatens to send him packing again, so he is equal parts unnerved by wick’s presence and angry about it. it is mostly a fear response we are seeing, an emotion that’s morphed into long held resentment and anger. so his actions are extremely defensive, with him trying to push wick far away and keep him and mitzi separate, like some sort of animal attempting to ward off a threat that’s come too close to their home. despite the loaded animosity there, this hate has hardly reached its peak … but it shall only grow more intense as things continue onward i’m afraid, since as it stands ( in the comic at least ) rocky is at an all time low … and is ten times more desperate. i’d honestly say wick has become so warped in his mind’s eye that he can only strive towards ‘winning’ over the other man, because that’s all he can see anymore. i think mitzi implying that wick willingly helped her out, the intense head injury, and rocky’s fragile emotional state is exactly what pushes him towards premeditated murder in look-see. i don’t know how people perceive that arc, but to me it’s very clear that rocky actively sought to see the deaths of wes and fish that night. going as far as to lament that he’d be, “very disappointed if ( he ) dreamed them,” and purposefully luring the marigold duo away to have freckle pick them off. while you could argue that this was a smart move, in a gangster sort of sense, there’s still no denying that rocky is oddly chipper about the whole thing and is now seeking death out ; whereas before his methods of vengeance were just, well, ruining people’s livelihood but ultimately leaving them alive. this isn’t to discredit the fact that rocky is going through something! he is in a very muddled and dark place, mentally and physically, but even tracy has said that the head injury hasn’t changed rocky’s personality -- it’s only brought things to the surface.

source : q&a with tracy .

which, yeah! makes sense! head trauma can cause a person to become a wreck emotionally ( think mood swings, irritability, etc ) but it doesn’t completely morph someone either. personality changes may occur, but it’s not like you’re being rewritten entirely, you know? and given tracy’s old statement, it’s clear that ‘personality changes’ aren’t a side effect he’s suffering from. something that adds to my beginning statement, which is that rocky is a deeply angry and troubled person, more so than fans give him any credit for.

however, to touch upon your mini opinion about these two, i actually wholeheartedly agree that rocky and wick could become friends if circumstances were different. they do in fact have many superficial similarities, but one of the more prominent things they deeply share is never really belonging in the groups they frequent. this is more overt with rocky’s character, yet wick faces it too in subtle ways. the well-to-do crowd, seen through the investors, find the gentleman to be lacking in about every place imaginable ; to them he is an obsessive freak who cares too deeply for meager rocks, something they constantly mock him for, while he’s also being noticeably set apart from the rest of them … he seems younger than the investors, more excitable, passionate, and a little less experienced, and doesn’t seem to care for money or reputation as much as them either. there is a constant rubbing between him and them, where what he enjoys is seen as wrong, such as his love for the lackadaisy and his choice in paramor, a grieving widow with extremely dangerous ties. we also know that wick doesn’t have many friends at all, with the only two he has being lacy and church ( church is listed as such on his character profile, in a sort of tongue-in-cheek way ), both of whom work for or with him. they are obliged to hang around, and while they care in varying ways, they are prone to judging him just as much. honestly, it’s not shocking that wick seeks refuge at his chosen speakeasy! but even there he is rather distant from everyone else. he doesn’t speak to zib ever in the comics, nor seems all too close with viktor, ivy, or horatio … it is merely mitzi he is close to, even if he knows of the other people who work there. and, once again, wick very obviously doesn’t fit in. he is not gangster material, could never be an atlas may replacement, much less someone who could get his paws dirty in such an active way. so he has his feet in two different worlds and doesn’t know how to fit into either of them, or which one he actually wants to fit into more. i think in many ways rocky could relate -- these are two very lonely people who wish to belong somewhere and be accepted by some group or another but go about it in all the wrong ways. wick, who is too hesitant to fully commit to what he wants and is worse off for it, and then rocky, who obsessively throws himself against what he wants until he breaks every bone in his body. they also have explosives to bond over, lol, and other miscellaneous things like their taste in women i suppose … but this potential bond adds to the tragedy of lackadaisy, where we see two people who on every level should get along but we’re burdened with the knowledge that it’s an impossibility anyway, because there’s no removing the circumstance of which they’re in.

though i like to believe that despite wick’s fear of rocky, he maintains a kindness towards him regardless. i think his worries about rocky are rather surface level … he doesn’t know the boy at all, really, and thus can’t make heads or tails of him, hence him believing the lie in balderdash. so when i’m feeling particularly self indulgent, i like imagining a world where they’re forced together and sort of ‘stuck’ together ; to which rocky finally breaks and exposes his wounds to wick, in every sense of the word, and wick finally gets him. the aggression, the possessiveness of mitzi … it is all fear and desperation and a profound sadness, things he’d sympathize with. if rocky was able to explain that he loathes wick because if he saves the lackadaisy then mitzi won’t need him anymore and that it’s not fair that wick gets to so easily fix things when rocky would give his soul for his home, for her, and how wick could render every sacrifice he’s already made for naught by smoothing things over with some greenbacks and he can’t lose this, he just can’t --! … which, well, wick is too kind of a man to be able to do anything except feel awful, even though it’s not his fault at all. here we have two people who could coexist! and they should, since rocky logically can’t do every speakeasy job ( band member, rumrunner, mitzi’s shadow, also the guy who gets the money for the hooch ) by himself, just like how wick can’t save the lackadaisy with only his cash and limited booze stash. it’d be a joint cooperation, a collaboration between them, both equally important in the grand scheme of crime’s every turning wheel … but rocky’s rage and fear won’t let him see that, and likely never will. still, in scenarios where everything ends up alright for the lackadaisy and the people involved in it ( which is not how canon will go, by the way ), i fancy wick and rocky getting better within their relationship. rocky will always be prickly and quick to upset around the other man sadly, but perhaps he could see wick in a softer kind of light. or at least understand vaguely enough that he isn’t out to get rocky, so to speak. and then maybe wick learns that pancakes soothe rocky’s ire and poorly makes them anytime he wishes to talk to the man, and other fun things like that! but you should have more confidence in your character analysis skills, because you were spot on ( at least in my eyes ) about them potentially getting along if things were different. it’s certainly a fun aspect to play around with, and is important to note when discussing their relationship so you can fully understand just how warped rocky’s perspective on things are. and how unstable and traumatized he is too, of course </3 sidenote, but i also hope that throughout everything i’ve said here, or anything i’ve said before on my blog, that my love for rocky and my own sympathy for him comes across well enough. while he’s deeply flawed and i have no qualms discussing said flaws in depth, i also don’t think of him as some insane freak who’s evil at his core or anything like that. honestly, i adore analyzing him so much as a character because of how far down his issues go! he’s very well written, i’ll say, as is wick and many of the other characters, but i digress.

once more, thank you for the ask! i’ll end this here because i fear if i don’t i’ll start going in circles, since their relationship is so vast and very important for rocky in a character sense. hopefully i shed some more light on it though! i love these two to bits and pieces and i wouldn’t be half as invested in lackadaisy if their dynamic wasn’t so monumental -- at least to me.

[vaguely-concerned]

varric giving rook his shaving mirror to keep kind of hits different when your rook is a trans man I have to say

[merrysithmas]

lol laughing bc disney already ditched mando4 for "a truncated disney+ movie" because of the wga/sag strike (as if movies dont also need writers and actors lmaoooo). saying itll take too long to release mando4 and ahsoka2 before filoni's "mando-verse" movie and they need to speed things up LMAO

honey .... we all know you nuclear bombed the entire star wars franchise with the abominable mando3 and now youre scrambling bc you know no one on earth wants to watch the Bo Karen Adventure Show Part 2

and we know that disney is failing and they cant make mando4 at all unless they get bought out lmaooo.

so basically i was right when i said mando wont have another season, ahsoka wont get continued, and i fucking guarantee we wont be seeing this BS mcu mando movie from filoni 😂

like .. maybe .. every single one of your projects shouldnt be a convoluted mess and depend on each other to be released?? maybe literally no one on earth wants the MCU-ification of star wars??? maybe you shouldnt have assumed you could bait n switch a worldwide audience??? maybe your writing shouldnt nosedive and depend solely on the insane whims of one awful writer (Favreau) and someone with a horrible track record (Filoni).

allegedly this movie wont come out til "after 2026" too 🤣. so theyre thinking that ppl, who they already massively alienated, are going to ... still... care at that point?

man it literally is like the Microsoft Paint version of creative thought is running star wars over at DLF now.

[clanofjones]

COLORS

WOW

THEY'RE HERE

L to R, top to bottom:

@theosb0rnway, @punkeropercyjackson, @allyheart707, @paytato435, @karonkar, @friskyeee/@friskebits, @spicy-apple-pie, @zeriphi, @zee-rambles, @fanatess, @browless-donnie, @iisthings/@noisygardendragon, @mostlyvoid-partiallyturtles, @just-another-tired-gay-artist, @wingstobetorn, @chaos-potat, @justletmereadmycomics, @3mutantsinatrenchcoat, @winkwonkblog, @nosleep83, @phoebepheebsphibs, @elliwoods/@intotheelliwoods, @tinker-the-dragon, @artsymeeshee, @angelpuns, @theartofeverything, @randyzorra/@caaaaaww (I think(?)), ME ^^, @ghosty-0w0, @mikey-rottmnt, @purple-the-turtle, @zeawesomeness, @delicatechildwitch, @yelenapines

*looks up*

GOLLY GEE OSCAR, THERE ARE A LOT OF YOU!

Colors are all done! If you have no color, then it's either because your color scheme is monochromatic, in black and white, or there aren't any heavily 'distinguishing features' (I.E., something to make you stand out. No shade, I swear! I loved drawing all of you ^^)

NOW! Here's how tagging will work. I asked all of you if you wanted to be tagged and how, so here are the results!

TAGGED IN EVERYTHING:

Oz

Payto

Purple

Chaos

Kar

Three

Frisk

Yelena

Summer

Spicy

Artsy

Ally

Del

Avid

Avi

Ghosty

Corv

Starry

Andy

Fanatess

Tinker

TAGGED IN UPDATES FT. YOUR SONA:

El

Phoebe

I HAVE NO IDEA: (TELL ME HOW YOU WANT TO BE TAGGED (if you do want to be tagged at all!))

Zeri

Zee

Juice

Robbie

Tyrone

Sleep

Angel

Nym

Randy

Ze

NOTE: If you don't give me an answer, I will default to tagging you when your sona is featured, as I feel it is customary. But I would LOVE to get replies from you guys! Pretty please!!

*whisper tone* also pspspsps a good way to know when updates are would be to follow this blog if you haven't already pspspspspspsps

[wavesoutbeingtossed]

One of these days Posty is going to come out of that fuckass lift in the stage and nobody is going to react because everyone is going to think it’s Jan

[lususnatura]

just a gentle reminder that THIS is how big the spines around blamore's neck are whenever he doesn't shrink them... so, it's pretty much a surefire way for it to keep other people away from him, NGL ☠️ (unless you are trying to get poked in the eye JSJSJ / j i'm kidding, i'm kidding (,: but blamore really does have several natural defenses against any 'aggressors,' i guess you could say, and it's spines REALLY add to it's uncannyness whenever they're at full - length ).

[cuntmand]

this was kinda the worst episode out of the entire series tbh simply because of the pacing. i liked the episode, but it was all over the place. they tried to tie in all the lose ends in 50 minutes, and that just wasn’t possible. louis being imprisoned, then released, losing his mind, recovering, AND burning down the theater and killing santiago, all in the span of like 5 minutes, the whole louis/lestat/armand scene, daniel exposing armand, loumand divorcing (that was so underwhelming, esp after 2x05, like, i needed these bitches to have a proper verbal argument, i needed them to be AT EACH OTHER’S THROATS), armand turning daniel (offscreen, cause they didn’t have time to get into all that, cause like… no way it was that simple lol there were too many devil’s minion hints throughout both seasons), louis flying to nola, reuniting with lestat (they have far too long and complex a history for it to be resolved so quickly, it would’ve been far more meaningful had it been done right), daniel publishing his book (compiling, writing, editing, publishing it AND selling 4-5 million copies must have taken a lot of time, so time jump, i guess?)… just by typing this out, it’s too much, way too much to cover in a single episode. the hectic pace left me unsatisfied and it also left a lot of room for plot holes (no more unreliable narrators now, cause the interview is done). idk i think they really should’ve split this into two episodes, at least. one of the things that i really admired about this show was the pace. in season 1, they managed to cover 3 decades in the span of only 7 episodes, while simultaneously showing us what was happening in dubai in 2022, and it never felt rushed. season 2’s pacing was still amazing and satisfying, up until this episode. idk man… i hope this doesn’t happen again, cause it really left a bitter taste in my mouth, and it was the finale, so my expectations were high.

[alnazarcana]

my lucio obsession has leaked into royale high

[obstinaterixatrix]

ok

[pinkmirth]

broke up with my bf for the second time . . . i think i’m gonna put this all this relationship stuff to rest for now

[musicalmoritz]

Here to kindly request more TBHK asks bcuz I feel like the past couple days there’s been a damper put on it with my interest in it hinging a lot on complaining abt stuff (+ the whole situation with one of my moots calling me out on TikTok) but I really don’t want it to be ruined for me so I need to focus on the things I like abt it again. Which shouldn’t be hard bcuz I was doing it only a few days ago but still. I need to yap. Asks about ships, characters, friendships, arcs, etc. are all heavily appreciated but again, nothing that requires me to be too negative pls

[joelletwo]

[The Final sugi dying kitten betrayal -> utsuro-gin fight -> sakura boat imagination -> completely tonally consistent with these ginpachi-sensei closer]

now listen. u know i would rather die than post five nearly-uninterrupted minutes of a fight scene. so take that into consideration.