#so it’s such a slog to get through lol

[gumdropgamespot]

📖

[transmogrified-in-the-void]

Happy disability pride month to ppl who have disorders/disabilities that are mostly annoying to deal with. It doesn't mean you're "faking it", or that it isn't a "real disability". This month is still for you

[peliginspeaks]

Today I bring you month-old doodles of Hallowrove having a rough day at work. Tomorrow? Who knows?

[19982510]

Larian trending on twt 💀

[lucalicatteart]

Poll adventure (paventure? lol) Day 16: read the small story tidbit below the poll for more details, OR just vote based on initial impression

(✦ see past poll results + further information HERE (link) ✦)

Yesterday's poll decided that The Adventurer should offer to help the travelers with their broken wagon.....

~

After much internal deliberation (and some zoning out staring at butterflies), The Adventurer decides it would be best to offer his assistance. Technically, he IS still following his goal of not getting distracted, because theoretically it would make his journey much faster if he were able to catch a ride on a carriage. So really, this is all an ultimate big brain genius strategy for maximizing efficient travel.. Or, at least that sounds like a good enough justification to him.

Gathering up all of his social courage, he approaches one of the travelers fiddling with a broken wheel near the far end of the carriage and meekly asks if there's anything he could do to help.

The man was so focused on his task, he seems initially startled to look up and find someone near him. "OH..! Oh, uhh.. help? With the wagon?", he smiles pleasantly, gesturing towards a few wooden boards that are just out of his reach, "Sure, kid. If you could just hand me th-"

"Apologies, but we actually won't be needing your assistance, stranger." A taller man, surprisingly almost matching the stature of the Adventurer, suddenly slinks out from somewhere behind the carriage, sternly placing himself like a barrier in front of the man working on the wheel. Wheel Guy nervously averts his eyes, making himself smaller, silently resuming his work.

The Adventurer tries his best to maintain composure against the weight of the tall man's bitter gaze, but can't seem to muster much of a response "Aeughh,,, uh… b-but, h- Bu--HHHh,,?.."

"Look, disregard whatever my father told you, he's old, never has any clue what he's talking about. It'd be best for you to simply move along." ('Father'? They don't look alike at all, and seem to be nearly the same age..)

"W-well.. he.. he didn't really tell me anything, I me-hhH,,.. I mean, I literally just got here, s-so...."

"Good. Even more reason to be on your way."

Placing a gloved hand firmly on his shoulder, the tall man begins to motion the Adventurer away from the wagon, but a strange noise interrupts, echoing from inside. Perhaps some sort of animal sound? Or a person faintly yelling about something? Or… both?

"WH-wHggg… whAT was t-that???!!" The Adventurer immediately stops in place, pausing to listen as the tall man keeps trying to push him ahead.

"I didn't hear anything, stranger."

"No, t-there.. was dEFinitely, UHH, a-"

"Likely something in the forest."

"Wh--aah... d.. do you think it was an animal?"

The tall man continues a dramatic struggle to 'subtly' drag him further down the road, whilst the Adventurer mindlessly digs in his heels, too distracted to even notice he's being so strongly prompted to leave.

"Many animals do, indeed, exist within forests. This should not be suprising."

"...It's just.. ..eughh… s… so weird…"

"I assure you, it is not."

"I-it really sounded like.. like it came f-from insid-"

"Yes, from inside the forest. Now, please, if you would.."

The noise interrupts again. It's definitely someone, or something, in some sort of distress.. And definitely from inside of the cart.

"wHoAAGH, aa!!! T-tHat's NOT from the f-forest, that-"

The tall man fully just shoves him now, sending the Adventurer toppling across the dirt, clumsily rolling and landing just past the other side of the carriage. A mother and young child who seem to be part of the traveling group simply stare down at him with empty blank gazes, wholly unconcerned about helping him up.

As the Adventurer fumbles back to his feet (still confused as to why he was even pushed in the first place), the tall man looms by the carriage, diligently watching to ensure that he leaves.

"Travel safe, stranger."

Despite his initial obliviousness, the Adventurer begins to piece the situation together as he stares back at the man, now fully convinced something suspicious might be going on...

…What should he do next??

~

~

~

Additional Information

the adventurer's current main quest: follow his map to reach the abandoned castle ruins and see the rare animal specialist about the mysterious egg he has

[mr-independent]

you know, its not brought up in fics often but ted is extremely well read. he doesnt brag about it, but hes read everything from f scott fitzgerald's b sides to ayn rand's doorstoppers to the sixteen book Ender series, etc etc etc. Ted reads about as much as we see Beard reading (which. in my head is a trait that was passed on, a new focus to sharpen the mind and keep him out of trouble and his mind off drugs, something Ted offered up as a coping mechanism for when his own dad died, a way to have fun and adventure and escape without ending up in jail like Ted himself had a handful of times before, scaring the bejeezus out of his ma.)

this turned into a mini fic and i lost my train of thought but point is, Ted reads So Much and more people need to pick up on this in fics please and thank you.

[kirnet]

the thing about the founders trilogy, and maybe this is just because im listening to the audiobook and i really dislike the narrator, is that 40% of it is just frustrating overexplaining of concepts we already know bc we've been here for three books!! and even in book 1 there was so much of it that was unnecessary. so big chunks of the book your just beating yourself over the head like "can we get on with it??"

and then the rest of it is just. fantastic. the magic system! the characters! the plot! the stakes! its such a unique magnificent world to be in! i just want the actual sentences to reflect that, ya know?

[vespertine-legacy]

Finally finished the base story on GW2 on one of my characters!

[sysig]

Pick a side, it’s the same coin (Patreon)

[supercantaloupe]

finished my reread of project hail mary! wanted to finish it before i got on my train but that didn't happen, so now i have a near 500 page book in my house and nowhere to put it lol. just as good as i remembered it being, whatever it is that andy weir does with his writing absolutely clicks for me because i tore through that thing in about a day's time (a little more than, and slightly slower than i read it the first time lol, but i had things to do when i got back to town today!). it feels so great to read a book again that's so good i can absolutely eat through it

[aro-aizawa]

nintendo saw ppl beating the end bosses in less than 30 mins with basically nothing in botw and went hm nah lets make it ten times harder w many more stages :)

[sikyurame]

We’re watching the motion capture version of A Christmas Carol at work, and it’s not the same.

[tyrramint]

I want to rewatch Amphibia so badly but I’m already in the middle of too many other shows and am trying to make myself read two other books(other than TLT) so I morally cannot

The struggle is real

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[xellandria]

80 #1, Alliance #1, Hunter #1. I haven't even posted my alt roll call for Dragonflight yet, awkwaaard :x I was waiting until War Within officially launched in case I managed to squeeze out an earthen 70 or something, but it turns out you can't actually unlock earthen in early access cos the campaign's gated! oh well

A friend of mine already has 4-5 80s and I'm sitting here struggling to just get the one before launch, lol =__=

[benign-virus]

Lolololololol What Have I Done

Just finished first week of new job (i like it so far!), four 10hr days. today is first day off. Then im doing my part time job Saturday(12hrs) and sunday(8hrs). Then back to the ew job monday

Meaning today is my only day off, then I'm going to do six days of work in a row, all but one of which are 10(+) hours