#so it symbols end to an extent

[grim-has-issues]

guys, i don’t know what GBA is planning to do with those Greek letters, but it can’t be good.

[pokeberry5]

the classic body builder physique jiménez gives dick is SO funny to me because it makes him look so female love interest coded, complete with unreasonable hour glass figure and booty-out poses

like ok i'm gonna start with a comparison between how he draws dick vs how he draws selina

there's that same!! exaggerated curve at the waist

the rest under the cut bc this is gonna be long—i'm pulling mostly from batman (2016) #137-138 (i've been keeping up with gotham war lmao)

he gives them the same sort of broad shoulders that taper down into a tiny waist

FURTHER, this is technically where dick's pecs are in comparison to selina's curves:

HOWEVER something about the way jiménez draws dick's lats also creates a curve lower down his torso that mimics the shape of selina's tits:

this exaggerated tiny waist is even more striking in comparison to how he draws other male characters

like don't get me wrong, he definitely favors a broad shoulder to slimmer waist sort of build, but never to the extent he goes with dick

take bruce and tim from the same chapters:

their shoulder to waist to hip ration is a lot more equal, they've got much more of an rectangular build, the curve in at the waist/hips is gentle

and i swear jiménez chooses poses to exaggerate dick's tiny waist (not quite booty-out poses but the same sort of vibe)

like????

SIR??????

this sort of twisted side pose to show off the tiny waist is extremely reminiscent of the contorted poses comic artists put female love interests in

take this side by side comparison with a panel from nightwing (1995) #1 (i read it recently so it was on my mind):

there's even!!! the drawn back arm highlighting that inward curve!!

AND THEN

the booty out poses!!!

rip his back honestly

like i'm pretty sure the design choice was actually to emphasize he broad shoulders and show off his nightwing symbol, but imo all it does is makes his waist look tiny

tldr: strong female character dick grayson ig

Ok as thanks for getting to the end, gratuitous batcooch:

and a tiny dick sketch

[dragonsholygrail]

With the slow stroke of Demon Priests' cock driving you to insanity, you can't help but look down at his neck. His uniform askew and messy yet his collar still intact as he was so desperate to get inside you he didn’t even bother to take all his clothes off. As you tease the skin just under the collar, Demon Priest shivers, a low rumble moving through his throat in encouragement to keep going.

“Why is part of your formal wear called a collar? A little kinky for religion, l'd say," you moan as he continues his deep thrusts.

Demon Priest laughs into your own throat, his nose rubbing along your pulse point, almost purring at the sign of your vitality. "The collar symbolizes my calling to the Lord."

You think about that for a long moment that's promptly interrupt by the smooth glide of his length along your walls.

“Would you wear a collar for me?" You ask almost absentmindedly, not knowing the extent of the meaning your words hold for him.

A loud groan escapes him, his cock twitching inside of you before he picks up pace. His member now aiming to consume and posses. Your pleasure, your body, your very being. His claws grip at your waist, marking you and making his claim on your soul just as you have his.

You cry out, your pleasure shooting through your body and collecting in your core as your orgasm builds. Body arching up into his as you meet every deep plunge of his hips, you can’t help but dig your nails into his dark skin and draw him up into your inviting form. Demon Priest’s face darkens at the control you have over him, at the ease in which he simply bends to your will.

"I'd do anything for you, you only need ask," he rasps lowly through clenched teeth as he fucks up into you, not giving you a moment to breathe or think. All you can do is hold onto him and let him ride you through waves upon waves of ecstasy.

“P-please wear a collar for me. Want your devotion, love, please,” you whine, a blubbering mess. It’s all Demon Priest needs for that final cord of restraint to snap.

With a ferocious growl that has you jumping in your skin, Demon priest holds onto you tighter and pounds away at your pussy like a savage beast. Your bodies wetly slapping together, the sound overpowering your own moans and groans.

Your mind blurs with an overwhelming intensity as shocks spark through your already buzzing body. If Demon Priest wasn’t already a demon you’d swear he was acting like a man possessed by the way he was rutting into you.

Demon Priest worships every inch of your body, small whimpers leaving you as he caresses his cock bulging in your lower tummy. An apt reminder of how deeply he’s fucking you. Your pussy clamps down on his huge cock and he growls, somehow picking up his pace.

Your body jolts with every thrust but luckily Demon Priest is right there to slam you back down on his pulsating girth, balls slapping heavily against your clit over and over again till you erupt all over his length. Squeezing him and suffocating him with your gummy walls till he joins you in climax. Pumping countless spurts of cum into your eager cunt, your tummy distending with the amount of hot semen he spills inside of you.

Demon Priest’s worship of you doesn’t end there, not that it ever truly ends. He slumps on top of you, whispering endless praises and showering you in light tender kisses and gentle massages to help you through the aftershocks. Blessing you and thanking you for making him feel more than he ever could’ve imagined.

Yet he doesn’t properly show just how much you mean to him till a few days later he stands in front of you in his formal wear with you resting naked on your bed. He makes a whole show of undressing himself, baring himself to you completely.

All to reveal the small collar you had gotten him hiding underneath his clothes. The sight turns you on more than words can describe and you can’t control yourself as you pounce on him and drag his body on top of yours by the collar. Both of you more than ready to spend hours with his body being controlled by your every dark whim.

[peachhoneii]

I was always so confused as to why Lucifer was thrown off by Alastor's design. You'd think as the King of Hell he'd be more receptive to grotesque imagery, but a video essay summed it up perfectly.

"He's the King of Hell with a mind of an angel."

You can take Lucifer out of Heaven, but you can't take the Heaven out of Lucifer. He's still an angel, albeit a fallen angel. He probably adheres, to some extent, to Heaven's aesthetics.

His outfit is primarily white with red trimming, a sharp contrast to Charlie's primarily red outfit with some white.

I could be reaching too deeply, but it could be symbolic about how they perceive Hell at this point in the story. The dude sees Hell as a mistake, as the sum of his failures and a punishment.

Charlie sees Hell as her responsibility. She serves Hell because Hell is her kingdom. She exists to help her people. Even by the end of the first season, Lucifer drops his coat. He doesn't wear it in the finale.

I wonder if this is a symbolic gesture that Lucifer is finally embracing himself as the King of Hell and all of its responsibilities. He's begun the process of shedding his identity as an angel of Heaven.

I’ll say it’s easier to do construction work without the jacket. Charlie took off hers too but wears hers later in the finale number. He never wears his again.

His coat is similar (not identical but pretty close) to the robes he wore in Charlie's introduction.

I wonder if he'll update his wardrobe as the story continues. It's impressive how loud yet subtle the animation designs are. They can tell their own stories sometimes.

But I’m probably overthinking it.

[acertifiedmoron]

"dragons plant no trees" gets thrown around a lot as fact, but i think the veracity of that claim is still up for debate in the books. because dany (like bran and jon and many others) is a narrative symbol of hope and rebirth within the series because of her connection to dragons and fire, not in spite of it. this is because dragons in asoiaf have a much more expansive narrative function than simply 'nuke metaphor'. the 'exclusively weapons of war' image they have acquired breaks down immediately if you recall that the first thing dany does with them is begin dismantling an unjust status quo. she rallies the unsullied at the gates of astapor with cries of dracarys! dracarys! freedom! <- dragons as a symbol of hope and freedom for the persecuted. and obviously they've been built up as an oppositional force against the others. we're told when the last dragon died summers became shorter. in that respect the dragons, or more specifically, fire which is warmth which is passion—very much embodies life against the numbing, deadening threat of eternal winter that the others represent. but fire also consumes, which simultaneously makes dragons agents of destruction, or as adwd shows: the monsters who eat little girls and leave behind their bones. but when dany found herself chained to a false peace which effectively undid her cause in meereen, it was the dragon that rescued her and reignited her fire to fight back—which is to say that dragons represent a wealth of contradictions within the text and this is likely something grrm means to parallel with the others to some extent, by questioning their apparent narrative role as the one true evil. because i doubt the series is gearing up towards a spectacle-esque battle wherein our heroes get to practice righteous, easy violence on a monolithic army of monsters. that feels like it would undo a lot of asoiaf's preoccupation with investigating violence against socially acceptable targets, even if said target is ice sidhe. and this binary between a one true good and a one true evil, i.e. melisandre's philosophy ("if half an onion is black with rot, it is a rotten onion. a man is good or he is evil.") is not something the story takes as given.

instead there's this exchange between bran, jojen, and meera in asos: "but you just said you hated them." / "why can't it be both?" / because they're different. like night and day, or ice and fire." / "if ice can burn. then love and hate can mate."—and i think it's talking about reconciling two conflicting ideas. because the dream of an eternal summer is just as unsustainable as the threat of eternal winter. i think the battle for dawn is more about questions of seasonal harmony. the first line from agot's summary says, "long ago, in a time forgotten, a preternatural event threw the seasons out of balance", so it's not totally out of question for the series to end with that seasonal balance restored once more. and that question of balance and how it can be achieved then works as a metaphor for a bunch of other things. because asoiaf at its core is very interested in exploring big contradictions, like love and duty? how do you keep all your oaths without betraying someone you love? how can one hope for a just, rightful ruler in a world where the systems in place can never allow such a thing? how do dragons plant trees?

you cannot frame dany's arc as a binary choice between planting trees or embracing (dragon)fire. because the fire is hers, it is a part of her, that's who she is. and her character has always existed outside of rigid dichotomies. at the end of agot she had two options, resign herself to a life of seclusion as a widow or die with the last of her family in that pyre, instead she performed a miracle. presently, i think grrm means to explore necessary, revolutionary violence with her arc because you cannot deal with institutional slavery by simply negotiating with slavers like she does in adwd. and the consequences thereof because she's also been set up to be more reckless with dragonfire in the future. but i think there will be an eventual reconciliation there, between her dreams "to plant trees and watch them grow." and her role as the mother of dragons, as a revolutionary figure. because if ice can burn, then maybe dragons can plant trees. they'll learn how to.

[noxtivagus]

NOCTYX

[yandere-daydreams]

Title: Meat.

Pairing: Yandere!Ayato x Reader (Genshin).

Word count: 4.5k.

TW: Non/Con, Fem!Reader, Branding/Burning, Prolonged Imprisonment, Forced Marriage, Possessive Behavior, Descriptions of Gore, Implied Stalking, Mentions of Pregnancy, and Suicidal Ideation. Dead Dove: Do Not Eat.

You always thought you would wear red on your wedding day.

It was a family tradition – passed down with dutiful care for as long as anyone could imagine. Your grandmother had given her dress to your mother who had gifted it to you, her only child, on your eighteenth birthday, years before you would so much as think about getting something as permanent as marriage. Still, you safeguarded it with a religious devotion, never going more than a week without laying it out to check for signs of moths or mold. When you found yourself on a boat set on a course for Inazuma and could bring nothing but what could fit in the space underneath your bunk, her dress was the only item you truly could not bear to leave behind.

It was one of the few things Ayato let you keep, when he first brought you to his estate. He hadn’t wanted to, but he’d known that you’d throw yourself off the nearest cliff if anything ever happened to that dress. You still would, if he so much as touched it without your permission.

The kimono you were being fitted for now was not red. The fine silk was pure white, the detailed embroidery along the hems and sleeves dark blue and bright, shining gold. The symbol of his archon glowed violet on the swell of the train – meant to appease the other factions of the tri-commission who protested when Ayato announced his intent to not only marry a commoner, but a foreigner. You hated that embellishment most of all, more than the sickly way his colors crawled over your body, more than the irritating smoothness of his favored silks where they hugged against your form and groped at your skin. It marked you as a tool, something to be used to one end or another. It marked you as a sacrifice – and an unwanted one, at that.

“Just as exquisite as I knew you’d be,” Ayato announced, his voice strong and unabashed. You’d begged him not to, but he’d insisted on sitting in on your appointment, making sure you couldn’t correct seamstress or overrule any of the choices he’d made on your behalf. The tailor hummed as she fastened a temporary sash around your midriff, tight enough to press uncomfortably against your ribs. If you needed to cry on your wedding day (which, in all likelihood, you would), it would have to be loosened. “How do you like it?”

You hated it.  You despised it. You wanted to claw it apart with your own pristine nails, separate each thread and seam with your very own teeth. You would’ve set yourself on fire just to see it turned to ash that much sooner.

“It’s perfect.” Your own voice sounded distant, distorted. There was no façade of sincerity. He knew as well as you did that there was nothing he could force onto you that you wouldn’t loathe, and you knew that any word uttered as to your hatred for him outside of the privacy of your shared bedroom would result in a collection of fresh rope burns to decorate your wrists, the better half of a night spent bent over his knee. “So long as it pleases you, my lord.”

You dropped your eyes to the floor, attempting to spare yourself what suffering you could, but your resistance didn’t matter; you could hear the sharpness of his smile, picture the way his head tilted to the side as he basked in his own self-satisfaction as he went on, addressing the tailor. “If there’s a veil, you can get rid of it.”

You didn’t think you would ever get used to the way his voice seemed to grate when he was happy with himself.

 “I think my heart might give out if I’m not able to see my beautiful fiancé’s lovely smile.”

~

After meeting Ayato, you began to dream in red.

It was more of a pink, at first – during the first few weeks of his courtship, when the extent of his intrusive affection was a few dendrobiums left on your doorstep and a lingering glance as the handsome young commissioner passed your stall during his weekly stroll through the city market. For a short while, after his possessive habits began to rear their head and you were able to catch his guards in your peripheral more often than not, your subconscious was tinted a near-violent shade of scarlet, the kind that would leave you drenched in your own sweat and half-suffocated by the time you forced yourself to wake up. Recently, since he announced your engagement, they’d taken on a darker shade; choking velvets and deep crimsons blurring the distorted setting as Ayato’s faceless body moved on top of you, as his mouth unhinged and his lashing tongue dragged you down his waiting throat. On your worst nights, he’d tear you apart with his hands, first, divide you into neat, orderly pieces that he could slip past his lips and savor one at a time, one after another, until there was nothing left of you. He’d always preferred you in your most consumable form.

It was ironic, really, considering just how little red he let seep into your waking life. Maybe you had a deficiency; like a pregnant woman craving fish to make up for a lack of calcium. The closest you got to red from the doorway to his study were a few cherry blossoms fluttering past the window, their color dulled by age and their tree nearly stripped bare by the approaching winter. He looked away from his paperwork as you shrugged past the screen door, his pale eyes lighting up as he saw the tea tray in your hands. It was Thoma’s handiwork, but you doubted Ayato cared. He wanted to see you in the role of a caretaker, playing out the part he wrote for you to the best of your limited acting skills. What happened behind the curtain was none of his concern.

“To what do I owe the honor?” he asked as you set the tray on his desk. “I can’t remember the last time you visited me on your own.”

You flashed him a small smile. “Can’t I dote on my soon-to-be husband freely?”

He visibly straightened at the word ‘husband’, a familiar zeal infecting his expression. There was a quirk to his grin, a light tap to his thigh, and the tea went ignored as you obediently fell into his lap, your legs hanging over the side of his chair as his arms wrapped around your waist and pulled you snug against him. If he was a monster, he’d be one with a thousand hands and a million fingers; he couldn’t seem to go a full minute without clutching at your hips, groping at your chest, burying his face in the crook of your neck with a deep, relieved sigh. “Husband,” he repeated back to you, all spellbound awe and deceiving wonder. “Archons, I can’t wait to be your husband.”

You wondered, sometimes, if it was his childhood that made him the way he was. After so many years of loneliness, so many tiny disappointments and frigid betrayals, you could only imagine he’d be eager to grab the first warm body he could and refuse to let you go. But, he let Ayaka come and go as she pleased, and seemed to take a certain delight in sending Thoma off on long-winded, far-flung errands. Whatever cruelty his upbringing had bred, it was clearly reserved for you.

His hand slid underneath the slit of your yukata, his breath turning hot and unpleasant against your collarbone, and you drew back with an airy laugh. “I do have an ulterior motive,” you admitted, hoping his curiosity would offset his insatiability, if only for a few seconds. “It’s about my wedding dress.”

“The breathtaking and priceless dress I’m having made by the nation’s most talented tailors so that all of Inazuma will know that I’m marrying the most beautiful person in Teyvat?” He raised his head, clicking his tongue. “What about it?”

“It’s not that I don’t like it,” you said, because he wouldn’t listen to you if you didn’t and you needed him to listen to you. “It’s just— I’m such a long way from home, and I know my family won’t be able to come, but—” You cut yourself off, swallowing back the bile that threatened to spoil your sweet smile. “I was hoping we’d be able to incorporate my mother’s dress, somehow. If it’s not too late.”

It wasn’t. You’d been tracking the progress of his tailors meticulously, counting down the days until your wedding like a prisoner waiting for their execution date, and if it was one of his whims, another row of bedding added onto the sleeves or a new embroidery pattern worked onto the train, you knew that there’d be all the time in the world to make any adjustments he asked for. Still, his smile wavered, a brief sigh slipping past his lips as he shook his head. “My love,” The petname lulled off of his tongue as if it’d been coated in sugar and syrup and all the worst things you could think of. “That’s quite the risk to take. The poor thing’s so old, it might fall apart as soon as the tailor’s needle touches it.”

He'd been crueler, before – called the dress a rag as he looked at you with disdain-tinted pity, swore that your reliance on the filthy relic must’ve been caused by some inherent failure of your homeland – but your heart still clenched just a little tighter in your chest at his veiled disdain. “I’d like to try, at least.” Your hands curled around his collar, your frown taking on a more pleading note. “Please, my lord?” A pause, a tightened hold. “Please, Ayato?”

It was his given name, loving and tender and so rarely spoken in your voice, that did him in. He relented with an airy groan, letting his head roll forward in faux exasperation. “We’ll see.”

You beamed, but he was too lost in you to notice, already preoccupied with pressing open-mouthed kisses into your shoulders, your neck. The sash of your yukata was drawn loose, your sleeves pulled down to your elbows and your body shifted onto his desk, where he could spread your legs apart and bury his face between them. Your eyes drifted back to the cherry blossoms trickling past the window, but whatever tree they’d been falling from had finally been stripped bare. All you could see was the bright, cloudless sky – blue enough to leave you burnt and begging for a storm.

~

Two springs ago, the Kamisato Estate had been overrun with finches.

It’d been a comedy of errors, in hindsight. Ayaka had taken up a fondness for a new kind of flower – one native to Sumeru, introduced to her by an outlander with golden hair and knowing eyes. Thoma, the miracle worker that he was, quickly found a way to propagate it in the estate’s garden, and within the month, little violet blossoms had consumed all that they could reach despite the best efforts of the gardeners to keep them in-check. It would’ve been a delightful problem to have on its own, but the peak of the infestation happened to align with an annual migration of a type of finch that happened to hold a particular shining for a plant with a similar shape and color and— well, anyone could’ve guessed what happened next.

It was a nightmare for Thoma and the other groundskeepers and, since Ayato was staying in the city on business, paradise for you. You spent your days in the courtyard, showing the servants’ children how to braid crowns out of vines and press flowers between the pages of books stolen from Ayato’s personal library. You and Ayaka fed seeds to the red-crowned invaders and coaxed them close enough to pet and sketch, as little talent as you had for the latter, and she listened as you rambled excitedly about the crane-headed whistles you used to make every summer for a very wealthy ornithologist with very slippery fingers. She was just as lonely as her brother, albeit significantly less deranged, and you – trapped, isolated, desperate you – were the perfect victim for her. The two of you were never quite friends, but you came close that spring.

And then, Ayato returned. The flowers were uprooted, the children sent back to their chores, and the finches driven away with nets and stones and salt. You sobbed for hours the day the final flock left, and by means of consolation, Ayato presented you with a blue-speckled wren in a cage of pure silver, silk flowers bound to the bars with yellow ribbons as a reminder of your lost haven. To this day, you still aren’t sure if he meant it to be as cruel of a gift as it was.

You made it all of two days before risking another month spent shackled to Ayato’s bed and sneaking past the guards posted at the estate’s frontmost gates, the golden cage tucked against your chest. You released it in the woods, somewhere with plenty of tree cover and places to hide while it remembered how to be a wild creature, and watched with a smile as it fluttered past the cage’s door and into the open air, eventually landing on the leaf-littered ground.

It hopped all of three tiny steps before a fox emerged from the underbrush and swallowed it whole.

~

“Are you still with us, love?”

You should’ve gone limp. You should’ve acted as if the pain had gotten to you. You should’ve pretended you were dead to the world and that you couldn’t feel his cock languidly thrusting into you and that you’d gone numb to the searing iron slowly cooling into against the small of your back but, for as resentful as your mind was to him, your body was entirely subservient to Ayato. You tried to respond verbally, and when your voice caught in your throat, you forced yourself to nod, the motion small and shaky. Ayato rewarded you with a breathy chuckle, a fleeting touch to the curve of your spine. A hundred pinpricks of purified agony accompanied his touch.

The silver brand had been commissioned from the finest metal crafters in Inazuma City, made to resemble the warped camellia that was the Kamisato Clan’s crest, and you let out an agonized scream as Ayato drew it back and pressed a calloused thumb into the tender patch of burnt skin. “You always do make such pretty noises for me.” He circled the shape of the white-hot bloom, drawing out another ragged whimper. “It’s a shame I only get to hear them when you misbehave.”

You wanted to apologize, to beg for his forgiveness, but try as you might, you couldn’t seem to remember what you’d done wrong. You hadn’t tried to run away. You hadn’t talked to any of the servants. You hadn’t done anything aside from smile and sit beside him as he spoke with the head of another clan – an older man whose eyes burnt into you for the entirety of their brief conversation. As far as you could tell, he was just a particularly shameless nobleman trying to decipher the curiosity that was the Yashiro Commissioner’s reclusive bride, but Ayato hated letting other men gawk at you at the best of times. Such prolonged exposure would’ve surely brought out the worst of his possessive habits.

You felt something tighten in your chest, catch in your throat, but you only realized you were crying when Ayato’s lips ghosted over your cheek, the gentleness of the gesture quickly replaced with the brutality of his fingers tangled in your hair, your head forced down and into the plush of his bed. You body threatened to collapse, but his free hand fell to your hip, keeping your back arched and your ass raised as he ground lazily into your cunt, in no rush to put you out of your suffering. “I think,” he groaned, lust heavy in his voice. “We’re going to have a big family. Half a dozen kids, at least.”

You beat your fists against the mattress, shaking your head violently, and he twitched inside of you. “They’ll have your eyes,” he went on, a sadistic delight in his voice. “And my swordsmanship, and I’ll love them as much as I love you.” He paused, the head of his cock scraping against something deep and vulnerable inside of you. “Well, almost as much as I love you. As much as I can.”

You tried to struggle, to get away from him, but Ayato held you close, his grip as unrelenting as his slow, aching tempo. With a calculated sort of grace, he leaned towards you, slotting his chest against your back and bringing his mouth to the shell of your ear. “You don’t think it’s too soon to start, do you, darling?”

All you could do was try and fail to scream in response.

~

The first gift Ayato ever gave to you was a necklace the color of freshly split sapphires.

He insisted that you not think of it as a present, that you consider it little more than justified repayment for an item from your stall broken by the clumsy fingers of one of his couriers, but it was a present, it couldn’t be anything else. His courier had paid for the ruined pottery days prior, and yet, he’d sought you out in person to apologize with that sun-bright smile, to let his fingertips brush against yours as he passed you a satin-lined case with a perfect, ocean-blue velvet choker tucked safely inside. It was a beautiful thing, embellished with silver and dripping with transparent crystals, but you’d liked the color most of all. It’d reminded you of Ayato, and there’d been a time when you treasured any excuse to think of him.

You’d worn it the first time you saw each other properly, too. The occasion wasn’t formal enough to warrant something so needlessly extravagant, but you couldn’t seem to stop smiling for the entirety of your brief-meal-turned-seven-hour-conversation, and as your night came to an end, perched on the edge of a cliff underneath the Raiden Shogun’s palace and breathless from laughing, he told you that if you weren’t careful, he might just fall in love with you. You’d told him that, if he waited a few more days, you might fall in love with him, too.

You’d been wearing the same necklace when he broke your heart for the first time. It’d been an overcast day, the sky a clouded blueish grey and the shogun’s fury just barely audible in the far distance. He told you, with that perfect grin and those lonely eyes, that it really was terribly improper for the lover of a commissioner to run some meager stall in a sweat-soaked market, that he owed you better than a cramped room on the outskirts of the city where you had to wade through hours of farmland to reach anything of importance. When you said that you enjoyed your work, that you adored the back-breaking labor of your craft and loved having neighbors who would leave baskets of cabbage and lavender melon on your doorstep in exchange for misshapen cups and off-pattern bowls, he laughed as if you’d said the funniest thing in the world and cupped your face in his hands, pulling you into a kiss deep enough and sweet enough to make you forget whether or not you’d agreed with him.

You were brought to the Kamisato estate less than a full month later and had yet to leave since.

~

The final garment was delivered two weeks before your wedding day. You watched from your pavilion as Ayato met the courier at the estate’s gates, accepting a large package wrapped in scarlet silk and brushing off the guards’ attempts to carry it on his behalf. You were embroidering, that day – a delicate, time-consuming art that Ayato praised in comparison to the messy, unpredictable medium of clay. You loathed the monotony of it, the strictness of the patterns, but it meant Ayato was less likely to break your fingers when he found you scrounging away spare mora in the hopes of some perpetually eventual escape and so, you embroidered.

“My mother’s dress,” you said, as soon as he was close enough to hear you. The wooden hoop was forgotten in your lap as you stared up at him, hope written clearly across your expression. “Do you know what they did with it?”

His grin widened. “Eager, are we?” You nodded frantically, and he added, “If I’d didn’t know better, I’d say you care about a dress more than your own betrothed.”

He settled next to you, the package laid across his thighs. He moved to unwrap it, then pivoted – his attention shifting as his gloved hand took hold of your wrist. He’d been touching you more delicately, lately, something you couldn’t help but link with his long-brewing but only recently materialized desire for children. It was a problem you elected to deal with later on, after the wedding, if only for your own inability to process just how horrific of a problem it was.

(There was a part of you which knew, even before your conscious mind could bear to accept it, that you would never be able to love something he put inside of you. Ayato’s obsession was enduring, able to feed off of nothing and contort reality to suit its needs, but your love had always been a rational thing, bound to end the moment it became inconvenient to house. Your love for your homeland died with your mother. Your love for Ayato died with your abduction. And, whatever love you could’ve had for a child— no, a shackle would die the moment the foul creature was born. You could hold no affection for a child that was made in Ayato’s image, that would be cleaved from your flesh for the sake of his happiness, and if by some miracle you did love the monstrosity, then you could only assume it would be because you’d abandoned all hope for yourself. Both futures seemed equally grim.)

“Ayato,” you simpered, leaning against his side. “Please?”

He rolled his eyes, playing soft as he handed you the oversized package. “It should be wrapped separately. I said I didn’t want to see the finished product until the day-of.”

Your hands shook as you undid the many knots. A smaller bundle sat within, separate from the tumor of ivory fabric you forced yourself not to linger on, and you took it up with a desperate sort of keenness, practically trembling as you tore it open with no regard for the integrity of its packaging. The crimson silk was torn away to reveal—

Blue.

Dark, never-ending blue.

“The color came out so beautifully. I’m glad you protested the way you did – otherwise, I might’ve never known we were missing something on our wedding day.” This time, you didn’t fight as he tore the remains of your mother’s dress out of your hands, holding out a sash the shade of apathetic night. You searched for something familiar, for something you could use to ground yourself, but it was absent of all recognizability, desecrated to the point of being all-but alien to you. “It had to be dyed, of course, but I’ve been told the process only cost it a moment of its integrity. The tailors—”

You blinked, but your vision remained black when you opened your eyes. Your body was lurching forward, and then you were in Ayato’s arms, limp and buzzing. Ayato was laughing, as shocked as you were drained, and you made no effort to pull away from him. “My poor little wife. I know – the anticipation’s almost too much to bear.” He pressed a kiss into your forehead. “Why don’t we spend some time together, like we used to? I think I can push my obligations aside for the day, considering the occasion.”

You didn’t respond, but he gathered into his arms regardless. He had always seemed to prefer you as dead weight.

~

You did end up in red on your wedding day, but you doubted you’d be getting married, anymore.

His own sword slid and out of his back with a wet, gripping noise – only interrupted when the blade slipped in your hands and hit bone rather than viscera. Blood splattered against the white of your kimono with every plunge, staining the susceptible fabric easily and leaving you struggling to keep your feet underneath you as the puddle of scarlet grew deeper, as the screen walls began to drip and your lungs filled with copper and iron. Ayato, the ever-worried lover that he was, had come to check on you before the ceremony, fussing over your blank eyes and the tear-tracks that had ruined your make-up twice, by then. He’d been concerned, but giddy, unable to keep himself away from you despite his many promises of tradition and decor.

He'd made it three, maybe four minutes before beginning to toy with the clasps running down your chest.

You’d taken up the first thing you saw – a hand mirror gilded with shining rose gold – and brought it down on his head.

That, on its own, would’ve left him with a scar and little else, but you’d worked quickly, drawing the sword from its sheath on his belt and bringing it down into anything that seemed vital, anything you could reach, anything that bled calming, soothing red. He stopped moving on the fifth strike, his uncalled upon Vision going dull on the sixth, and on the seventh, you heard someone call for the guards.

You waited until you could hear their footsteps before falling to your knees, bringing the point of your blade to your stomach and clenching your eyes shut, praying to any archon who would listen that you’d hit something they couldn’t be healed, that they’d lend you a more merciful fate than another jail cell, another lifetime of entrapment.  You plunged the blade into your stomach and—

And were met with little more than a cold, blunt sensation and a bottomless pit of despair.

You opened your eyes, your gaze flickering from your ice-coated blade to the doorway of your dressing room, now occupied by Kamisato Ayaka, one hand raised and her Vision pulsing at her side. Guards rushed in on either side of her, grabbing at your shoulders and wrists, but your stare never left Ayaka, her parted lips, her flushed cheeks.

Her bright eyes, just as blue and just as lonely as her brother’s had ever been.

[r0ugesun]

Hello! I have a little request for writing: Aemond's gotten into am arranged marriage for politics, for the Dance of the Dragon's War. I'd love to read his reaction when his bethrothed arrives in a carriage to King's Landing and when she descends and is introduced to him he finds out she is chubby or curvy, at least curvier than most of ladies of court.

I hope you get inspired from my request or from other and I get to read a lot from you. Go writers!!!

YEAHH BUDDYY !! During the medieval period more ample figures were seen as a symbol of prosperity and health, fertility and femininity :)) so I have no doubt he would be drooling over a chubby reader!

I made it short and sweet hope that’s okay! ^-^

Aemond Targaryen x chubby!Reader

“She’s late” aemond thought annoyed, it was one thing for his mother to betroth him to house (surname) behind his back, it was another to make him greet you personally, he needed to be planning strategies, training, not dallying with some women that would surely be less than thrilled to be bound to the one eyed prince.

He stood rigidly at the gates of the Red Keep, his single eye scanning the horizon with impatience. He let out a frustrated sigh, the arranged marriage was a political necessity, a means to an end the union designed to solidify alliances in the brewing storm of civil war. He had steeled himself for this encounter, determined to approach it with his usual cold detachment of duty.

The clatter of hooves and the rumble of wheels on the cobblestone announced the arrival of Lady y/n’s carriage. The procession came to a halt, and the door of the vehicle swung open. Aemond narrowed his eye, his gaze fixed on the opening.

A delicate ornate foot appeared first, followed by the hem of a beautifully embroidered gown. You descended gracefully, and as you came into view fully, Aemond’s breath caught in his throat. You were….voluptuous, your form fuller than he had expected, there was an undeniable elegance and beauty to you.

Your eyes met his shyly, and you smiled, a soft and inviting expression that made Aemond's heart skip a beat. You stepped forward, and the formal introductions were made, but Aemond scarcely heard them. His eye roamed your face, taking in the curves of your cheeks, the fullness of your lips, and the warmth in your eyes.

He found himself entranced, not just of your beauty, but of the poise with which you carried yourself. There was a sparkle in your eye that intrigued him.

As you curtsied before him, Aemond took your hand, soft and round, a stark contrast to his calloused and lithe hand, he brought it to his lips and kissed it gently, holding it there a little longer than necessary. "My lady," he said, his voice softer than he intended.

“Welcome to kings landing”

You smiled, you looked up at him through your long lashes with a mix of shyness and curiosity.

“Thank you my prince, it’s an honor to be here”

Aemond nodded, his mind racing with thoughts of what this marriage could mean, not just for the war to come, but for himself. A great beauty such as yourself deserved to be ravished every night, he thought, and he couldn’t wait to see the full extent of your curves on your wedding night.

[messiahzzz]

i have been thinking a lot about mystra’s relationship with gale, how reducing her to “his ex” really is an understatement. she was and still is so much more than that. moreover, using the term “ex-girlfriend” in relation to her plainly feels wrong and diminishes the influence she has over him, as well as the role she played in his life since his childhood (and it also trivializes the abuse he suffered through her).

there are several instances where gale gets defensive when his companions mention or ask him abt mystra. he claims that their relationship was no less real even though most of their interactions were incorporeal.

we have already established that gale is an unreliable narrator in this particular case, still not having fully come to terms with the fact that he was groomed, manipulated and abused. he ping-pongs between bouts of realization (even in his romance), gaining clarity that he was merely used and eventually discarded and that mystra never truly cared for him, back to making light of his situation, idealizing her once again. realizing the extent of his trauma, that he is indeed a victim in this scenario, unlearning what he has been made to believe from a young age is a slow and painful journey. he is in the process of healing, but it takes time. time he deserves just like anyone else.

which makes me wonder what their relationship really looked like, once the lines between teacher, muse, and lover began to blur. i also feel like one of the reasons why part of the fandom still struggles to identify mystra as his abuser, is because she is a white woman who initially presents herself in a soft-spoken, benevolent manner… and well, the fact that gale himself is ambitious to a fault and a lil insane about the promise of power. he also briefly mentions "crossing mystra’s boundaries” when he confides in tav and tells them about his folly. (“i am, after all, the villain in this story.”) which led to a looooot of misinterpretations.

leaving the overall lore and mystra’s treatment of her other chosen aside — what we can discern from her interactions with gale in-game, is that mystra is civil as long as she remains in control and gale follows her demands, but as soon as there’s even a slight mention of challenging her power or defying her rule, she rather quickly changes her tone.

there is also one particular exchange between them that just won’t leave my head:

“you were many things to me, but never a threat. and never a savior."

even if we choose to blatantly ignore the fact that mystra is a deity, his goddess - there is no possible way that their relationship ever could have been equal by any mortal standards. the power imbalance that comes with her being his teacher and a symbol of his admiration, plus the sheer control she holds over him and his powers are simply too great. don’t even let me get started on how it is a common tactic of abusers to isolate their victims from any outside influences so they can exert full control over them. and how up to meeting tav and their merry band of misfits, every single soul he was close to was inevitably tied to mystra in one way or another. he briefly mentions his colleagues and then there’s elminster, also mystra’s chosen and former lover, and tara, who is a fine wizard in her own right. he spend so many years in service of her, dedicating his life to her, that now there is no one left he can truly call a friend. most of his little anecdotes and stories he tells are restricted to his childhood and university days, everything else was mystra.

evidently, ordering gale to detonate the orb is the most efficient course of action in her eyes. he is just as expendable as any other mortal, after all. maybe once significantly more useful given his status and the extent of his powers, but she doesn’t feel sorrow nor remorse for ordering him to end his life. his death is simply the most convenient means to an end.

another thing i would also like to briefly touch upon is the trigger/detonator itself. a dagger to the heart. it could have been literally anything else, a simple incantation. it is well within mystra’s power to stabilize the orb and also to remove it from his body entirely. but no, what she requires of gale is to stab himself. one might argue that it was simply a cinematic choice meant for a more dramatic effect, but it really leaves a bitter taste in your mouth. especially considering the fact that she is commonly known and referred to as a jealous goddess. it almost makes it seem like yet another form of punishment or mere pettiness. after his long period of isolation, gale is now surrounded by fellow humans. people he cares about, even perhaps people he might eventually consider good friends — which is enough of a reason for him to not want to die, to keep going and try to find another way, rather than to blindly follow mystra’s bidding. now there’s a group of people who support him and are genuinely invested in him staying alive. hmmm...

[headspace-hotel]

I hope I can express this properly and sensitively, but I think oftentimes people need to have Categories and Identities and to be healthily exploratory and playful and elastic about them, else they can get vulnerable to some negative things, sometimes really awful things

I wish I could remember where I read it, but there was something that wrote about whiteness in America as an abyss.

Whiteness is something that sheltered white Americans' ancestors, and at the same time devoured them. They used to have a distinct medley of heritages: Irish, German, Scottish, Italian. "Whiteness" ate it up, the languages, the cultures. There were privileges if you destroyed it, and punishments if you held onto anything that was "Other." In a white supremacist society, white people wanted to be "white" first before any other possible identity or connection they could have.

Yay! You're white. You're on top. You win...what? Turns out the prize for "winning" is just that you get to perpetrate the violence of the game instead of being on the receiving end of it.

And that's the nasty twist—there is no prize. The deeply embedded vice of "Southern pride" is not just what the Confederate flag stands for, but also why they've got to cling so hard to that symbol of traitors and losers: they need to be on top of something so bad that even a pile of shit will do. My ancestors were ultimately dirt poor, loads of them ending up in prison or breaking their bodies down doing hard labor, but they were white. Their reward, and their pride, was being stepped on by the violence of poverty only, instead of also by the violence of white supremacy.

"White pride" is all about hate because white supremacy didn't give these folks anything to be proud of. It stripped away the culture and heritage their ancestors had in favor of "whiteness." All those jokes about how white people have no culture, well, it's true isn't it? This shit is how we ended up a primarily monolingual nation. And what looks like happened is that white Americans wound up just...scavenging most of their culture from those they oppressed. Food, music, all of that stuff. Our white ancestors didn't GIVE us anything that was their own to start with.

And this is something that really strikes me about the white supremacist and fascist movements nowadays: the starvation and hollowness behind them. These folks are empty inside. They were given nothing by white supremacy except a very vague sense that they deserve something, and they see people of all different cultures celebrating and flourishing in their unique heritages and identities, and they feel like...they've been cheated.

Equality is so threatening when you're in this situation because it feels like you've got less than everyone else at the end of the day. Not just because of comparison to previous privileges, but because your whole identity was "person that gets to step on everybody else" and your whole inheritance was "shit stolen from everybody else" and in a world where all is set right, you have no identity and nothing. You are nothing.

Anyway I was looking just now at a blog that seemed really white-supremacist-leaning and it was 99% about like, Norse and Proto-Indo-European paganism and "traditionalism" and that's what got me thinking about this again.

This person had apparently done DNA tests on themselves or something, and were really fixated on figuring out their Norse and Germanic ancestors and separating out their genetic and racial identity at a level of precision that seems really pointless that far back in time. And honestly all the paganism stuff seemed like totally arbitrary speculation as well.

And how to become satisfied as a person like this? I am just as much Germanic or Norse as they are, but I don't believe that distant ancestors determine who you are to such an extent that I have some sort of innate cultural tie to Vikings or Visigoths or what have you. I know what percentage Celtic or Anglo Saxon or Norse I am—zero. I learned about those things in books the exact same way I learned about all the cultures and past kingdoms of the world that I presumably don't have ancestors from.

I feel like the experience of being a baby ally and obsessing about apologizing for being white is the same kind of thing in another direction, or another outcome of the same process. Some people seem to get really twisted up for a time over how to stop being guilty about being white.

It's part of the same thing as this guy who is trying to genetically identify his ancestors from like 3,000 years ago. It's the emptiness and meaninglessness of "white" identity apart from white supremacy.

I talk about deradicalization sometimes and I've had the notion a few times that fascism appeals to people who are hollow and starving in terms of identity, and if it wasn't for the sense of emptiness and hunger, they would be less easily radicalized. But it's also a little bit awkward to talk about the deeply unsatisfying nature of white supremacy, because...well, that is pretty low on the list of things bad about white supremacy.

I think this concept is worth talking about in general, though: People want to feel like they come from or are part of something meaningful. They are drawn toward Identities and Categories and Belonging to groups. This is something I think is commonly true about humans, I think it is normal and not a bad thing, and I think we could stand to be a little more upfront about its reality.

I think this means that wanting, and seeking, a sense of cultural identity as a white person (particularly an American) needs to have some kind of non-horrible outlet for it. Because right now, it's nothing but a way to get radicalized, and the dominant other option people take (becoming the Guilty White Person) is liked by no one and helps nothing.

And maybe it doesn't need to have anything to do with race or culture or your ancestors or any of these things that can lead a person down such terrible paths. Maybe more of us should be furries!

As just another thing to consider, I'm reading the book Ecology of a Cracker Childhood and the author of the book uses the word "cracker" not like, with the gravity of reclaiming a "slur" or something like that, but seemingly because that is just the word she most strongly identifies with, the word that best articulates who "her people" are. This feels very solid and levelheaded to me, something that comes from someone with a good sense of themselves.

Personally I've thought a long time that more people should reclaim "redneck." Not in the sense of reclaiming a slur exactly, but in the sense of putting it in neutral usage among the folks it always referred to, instead of letting it increasingly be associated with any Southerner (regardless of working class background) that is the sort to wave a Confederate flag around. The very idea of gatekeeping "redneck" away from racists is just absolutely hilarious to me, I won't lie.

[zvezdacito]

Tbh I think a lot of people downplay the stakes Malleus is in that makes him overblot as just surface level loneliness by itself and that's why they think his overblot is unwarranted/annoying compared to the other six. It makes sense he jumps to such drastic measures to avoid facing whatever comes next because whatever it is will last not just a few years but literally a millennium + either way because of multiple systemic reasons he knows he's not just gonna be able to connect with a bunch of new people/explore a bunch of new experiences to make up for it.

Compared to other overblotters, it seems no matter what course of action Malleus will end up in a bad ending since he's a species seemingly among the few left of his kind while also being biologically predisposed to outliving everyone. It's as if he can never have a happy ending as long as he's himself, or that as a king (and symbolic "lord of all villains") his happiness will only come at the cost of others'.

I feel like a lot of people also give him the entire blame of his failures to connect properly with his peers. When even before they knew about his impulsivity or lack of cognitive empathy people were already jumping to conclusions about him. (Said mindsets came about from internalizing the depersonalization he was raised with, he's the sole heir of a country battered by colonization who place very high expectations on him to be a symbol of hope for them again after all)

Assuming the worse because of his powers, the reputation that came from it, and because of (the once again systemic issue) humans and people outside the Briar Valley barely knowing anything about/only having stereotypical rumors to go off the nocturnal fae who closed themselves off to try and stop humans from invading them more💀

So yeah givevn all of this Malleus was a ticking time bomb and even then he was about to just stand down and put his own feelings aside until he became accidentally convinced there was a way that didn't have to exclude him. It's an unfortunate clash of circumstances between different people and that's what TWST is all about. So yeah idk just kinda baffling some people are unironically out there saying things like "Malleus should've just held himself together for one night that's so selfish" when it's kinda made extremely clear by the story there's way more leading to the characters' making choices than that

From an outside point of view as the audience of course there are obvious steps Malleus could take to make the most out of what he has and to not inadvertently be a prick to others, but it pretty obvious why in his shoes it's not really feasible rn lol. Other than these things I could think of at the top of my head, a lot of the things people single him out as especially selfish or unreasonable for are things the other overblotters and characters in general also do lol.

> Like the class dynamics at play? NRC is literally rich boy central many characters express some kind of class privelege

> Not receiving consequences for his actions? This is a staple twst writing flaw for all its stories in general, most overblotters have gotten a slap on the wrist/their actions relatively covered up by the end. And Fellow legit just walks away from an undisclosed time of human trafficking like it was no big deal😭

Ironically Malleus will probably be the first overblotter to not have his actions hidden to only a select circle of people and receive severe repercussions for it because someone like him "should've been above that".

But yeah sometimes I feel like the extent of how some factors in Malleus's background, upbringing and environment determine his way of thinking and why he thinks he needs to do certain things is underestimated by the fandom and only the surface level of what he's doing is focused on which results in some people talking about his character and his flaws in a very dismissive way idk

[snowleopardcrk]

more symbolism!!!

ah yes, more Midnight Lily, a silverbell cameo and two Moonflower doodles. AU by @cuppajj

For Moonflowers story, we have her main conflict with her father, Saint Vanilla Cookie. But what about Midnight Lily Cookie, her mother? To give a little context for whats coming up, Moonflowers story theming around the Saint where Moonflower symbolizes the Moon, which includes the Solar Eclipse to contrast the Saints light themed imagery. Plus Moonflowers additional and more religious theming being based on the Spirit of Apostasy.

It is abundantly clear that Midnight Lily is an enabler of the other Neo Beasts, while to some extent understandable as she is the weakest of the Neo Beasts (she has long crossed the line of it being acceptable).

To compliment well with the general religious theming, I did additional research into the role of a mother in the lens of the Bible. 'the mother is one who "binds" the family together, holding them together individually and collectively through her love and actions' Despite how broken the family is, the only remaining connection that Moonflower has with the Saint IS Midnight Lily. And in return, she does care for her daughter and the Saint at some level. Yet, she does nothing to genuinely mend what has been broken (no one is, Moonflower is afraid of her father and the Saint is so delusional that he believes that this is the best course of action to save everyone). This fits her pattern of enabling and being generally passive to the world around her, for the most part.

Another aspect that I have neglected to mention is her slow-burn of a plan, she seeks by the end to have the others at least playing by her rules, but also not liking when her children do things she does not like. This is now territory where I do a lot of guess work and personal thoughts n' research so this is very much subject to change if anymore gets revealed.

How I have understood the few tidbits we get about the Beast of Sovereignty, she is an enabler and insecure about being the weakest. And I think her insecurity in some way, even if unintentional may reflect on her relationships where she is the one in power. In general, she is fine with her kids, generally passive until they get too unruly. At that point, she will remind them with harsh words who the mother is. I'd like to note quickly, she will NEVER get physical. She only uses WORDS. It is also important to note that she does wish for her child to understand where she is coming from. She is an enabler because she holds little power over the beasts, but in dynamics where she is the one in power, this side vanishes for the most part. Despite valuing sovereignty I believe she still wants to retain some level of control so Cookies don't do things she does not like. This is generally in line with how leadership generally operate, they don't care when you're doing smth positive, but when it turns negative, that's when it starts turning sour.

As for the actual arc of Midnight Lily and Moonflower, I have a general framing but it is difficult to make something as substantial as the one she has with Saint Vanilla. Gotta wait until I get more lore and story for the gal. But in short, it is a conflict of the two trying to make each other understand their respective sides. With Moonflower trying to save her mother, her only remaining parental figure from being a beast- while Midnight Lily seeks to make Moonflower truly understand her side and hopefully have Moonflower join her permanently.

Heres other tidbits for Moonflower and her relationship with the Creme Republic. For her ventures to the Silver Kingdom are actually secret. She is a very powerful and talented magic user (similar to her parents), so her travelling long distances quickly is very possible. Moonflower is already an outcast in the Republic, it is well known who her parents are. And Cookies keep their distance, there are very few Cookies who come and check in her. Its mostly some scientists who are researching the neo beasts (espresso, maybe, depends on his condition in this au), Clotted Cream Cookie, GingerBrave, Financer (sort of, she tags along the Consul) and depending on the direction of the story, Madelaine Cookie(I will start really brewing something here once more stuff comes out~). She stays isolated in her lab in the undercity, she never comes out, and when she does, she hides her face and just retrieves things like food or research material. It is normal for her to not talk with anyone for well over a week with nothing but a single lost Raisin Crow to keep her company. I'd like to note that this raisin crow is now an albino, and Black Raisin tasked Moonflower to take care of it since it was bullied and ousted by the other raisin crows (I took inspo from the myth, but it is generally agreed that white color corvids are subordinate to the colored ones).

But she is also an outcast in the silver kingdom, despite being Midnight Lilys kid (its a well known fact), she has gotten into disagreements with their monarch and isn't the upmost loyal member- she has a strong stigma around her. Silverbell Cookie does take pity on Moonflower.

That's all for now. I'm gonna lay down, I've done so much research...I silently weep at the thought of fully showing the complexity of the three in full force.

[farfromstrange]

Now That We Don't Talk | Frank Castle x F!Reader

BONUS FIC

See this post for more information on my Valentine's Day Special & Follower Celebration, but these fics can be read separately!

Read Is It Over Now? for better clarity.

Pairing: Frank Castle x F!Reader (past Matt Murdock x F!Reader)

Summary: You go home with the guy from the bar, and he makes you forget about your ex.

Warnings: SMUT (18+ MINORS DNI), oral f!receiving, use of "attagirl", slight Dom!Frank, song references, unprotected p in v, dirty talk

Word Count: 2.9k

A/n: You wanted a part 2, so you're getting a part 2! Anyway, I don't write Frank often, so I hope it isn't too bad. It's also not as spicy as you probably expected, but I wanted this to fit the vibe of the previous fic (link above). You don't need to have read it to understand this, but it is highly recommended because some references might confuse you. Thank you all for taking part in this event!

You believed that your life had ended when you lost him. He painted your world in the brightest colors, but by breaking your heart, he took them away. All that was left to see was a boring shade of gray in a sea of sadness. 

Matt told you from the start that being with him wouldn’t be easy. You were willing to try. He needed someone, and you wanted to be that someone to him. You accepted him unconditionally. 

In the end, giving everything wasn’t enough. He chose her over you, and the castle you two had built came crashing down on you while he stood idly by. 

You’re not a bitter person, you have never been, but he made you fall for him; he made you believe that there was hope for the future and that you would grow old together. He stole years of your life in which you were trying to save him from himself. In return, he took the best care of you, but that doesn’t matter much now that he has taken your heart and shattered it like a glass of red wine on a white cloth. 

When you left him, you thought the distance would kill you. You truly believed that this was the end of everything, not just your relationship with the man you thought was the one but yourself as well. “This isn’t what it looks like!” he said the day you found out the ugly truth.

“I trusted you,” you remember saying. You couldn’t even cry. The pain burned brighter than the sun, and it dried your eyes before they could even shed a tear.  

He argued with you that, “It was just a kiss,” but you not once believed him. 

“Are you sure about that? ‘Cause if I ask Elektra, I’m sure she will tell me the truth.”

“No.”

It was at that moment you lost all of your trust in him—in what could have been or should have been the two of you, forever—and it was also the moment that Matt realized he had lost you. 

You believed that he took everything you ever were that day because your life revolved around him, and only him. 

You remember him opening his mouth, having the audacity to apologize. “I’m sorry,” he said, begging you not to leave. 

“Fuck you!” you had never sworn at him until that day.

You still remember the way the necklace with his initial felt when you tore it off your neck and tossed it at his feet. He knew you better than anyone, and you felt like you finally belonged somewhere. That necklace was a symbol of your undying love, or so you thought, anyway. Now you know that he may have known you to some extent, but you didn’t matter enough for him not to climb into bed with his ex-girlfriend.

You couldn’t even look at the necklace. He told you, “This is a piece of my heart,” when he gave it to you on a snowy Christmas Day three years ago. You cherished it the same way you cherished his soul. He was broken, but he was your broken man. He was everything to you. 

Matt Murdock was your moon, your son, and your entire universe. It all seemed far away that you could ever feel about anyone this way again. 

You saw a future with him. Married, a house in the suburbs, and working with Foggy and Karen in their new law office after everything they’ve been through. You were a hopeful person back then.

Karen told you that he went to a party a couple of weeks after you separated. He didn’t look like himself. You wonder if he felt anxious, knowing his only source of comfort was no longer there. You wouldn’t know until you asked him, but you refused to answer his calls.

Part of you felt euphoric, knowing that he was broken too, but you also felt angry because he was the reason you found your heart beyond repair as he stepped on it like a burning cigarette, and in your mind, he had no right to feel this way.

You’re a fucking traitor, Matthew Murdock! I wish we’d never met.

“Another one for the lady,” a voice says beside you. 

Your empty glass of tequila disappears and a full one slides in its place. In your drunken haze, you see a head of brown hair, and his smirk makes you wonder if there’s more to him than he lets on. 

“Thank you,” you murmur, tipping your glass to the stranger. 

“Nah, don’t thank me.” He gets up from his seat and sits down on the empty bar stool next to you. “You look miserable,” he says.

“What if I am?”

“I’d tell you I know the feeling.”

You huff but offer the stranger your hand. You introduce yourself. 

He smiles. Your name rolls off his tongue effortlessly. “Frank,” he introduces himself in return. “Castle.”

“Nice to meet you,” you say. 

You thought nothing and no one could pull you out of the dark hole your breakup tossed you into. You believed yourself dead and long beyond the point of redemption. You accepted it. You swallowed in your misery, giving up on finding a new purpose in your life because the one great thing you had was no longer yours. He fell into a grave that he dug for himself, and he dragged your relationship down with him.

Looking into Frank’s eyes now though, you no longer feel like a corpse. And you realize that you are not dead, not at all—you are very much alive. 

The door almost breaks off its hinges when Frank shoves you into his apartment and back against it. The decision to come back to his place was fueled by a lot of alcohol and the way he looked at you. You were desperate to feel something other than the hollow ache that has consumed you every day for months. His eyes told you that he may be able to give you just what you need, no strings attached.

The way he kisses you breathes new life into your mangled soul. He swallows your mouth and your needy moans with his own, and his tongue forces itself down your throat as your teeth clash in a fight for dominance. You’re both tipsy, but he seems to know just what he’s doing.

His calloused fingers burn against your skin. In the back of your mind, Matt is still so present. His hands are the ones you can’t help but compare him to. 

The way he used to kiss you before fucking you into the mattress for hours on end, switching between tasting and fingering you until you were whimpering and begging him for release might have screwed you up forever. He told you one night that he wanted to ruin you for any other man. Back then, you both still believed that you would grow old together.

It is truly ironic how fast things change when you are truly happy and believe that nothing can burst your bubble.

Frank’s large hands brace against the door on either side of your head. His lips disappear from yours. “Who is he?” he asks, his voice rough like gravel.

You meet his eyes, unsure of what to say. Your mind is everywhere but here, and yet it is right with him. Whether it is alcohol or self-loathing, you’re not sure. 

“What?” you whisper.

“You’re trynna forget someone. Who is it?”

He is a lot more perceptive than you thought.

You swallow, blood rushing to your head. “I’m sorry, I didn’t–” you didn’t what? Think? You feel utterly pathetic.

Instead of throwing you out though, like you expected he would, he reaches out to caress your cheek. His eyes soften as they gaze at you. “Whoever he is, he obviously didn’t treat you right,” he says. “If you want to go, I’m not stoppin’ you, but if you wanna forget whoever is fuckin’ with your head, I’ll make damn sure you forget his name by the end of tonight.”

There is something excitingly terrifying about the look in his eyes. A shiver runs down your spine, and your thighs clench at the thought of feeling his hands somewhere other than your face. Somewhere other than your hips and thighs. His kisses knocked the air out of your lungs. You want more, you need more, but you don’t know if you can take it. Not him—even though you’re also not quite sure if you can take him—but also the offer he is presenting to you. As lucrative as it sounds, fuck, you are not over Matt. And you’re not sure if you can ever forget him.

You want to though. You have to. And you want to be thoroughly fucked into the next day and forget the name of the man that makes you so fucking angry.  

“Talk to me,” Frank coaxes your head toward him. “Do you wanna forget the useless bastard that made you feel this way?”

“Yes,” you manage a breathless whisper.

“Did he hurt you? Break your heart?”

You nod.

“You deserve better.” His grip tightens, and his hand slowly slides to your neck. “I’m not, but I’ll fuck you so hard, you’ll forget his name and scream mine loud enough for this fuckin’ city to know who’s making you feel good. ‘s that what you want, hm?”

He’s dangerous, but that has never turned you off, even when it should have.

And when you finally open your mouth and tell him, “Yes, please. Make me forget,” the switch inside of him flicks completely.

He takes his time to worship between your thighs. His tongue buried in your pussy, his lips sucking on your clit without mercy. He eats you out roughly but sensually, keeping you spread wide open for him with both of his hands and a force unmatched—like a five-course meal, and he has all the time in the world for you. 

You’re lost in the throes of pleasure. You want to buck your hips against his mouth because no matter what he does, you’re on fire and you just can’t get enough, but he is so powerful that you can’t fight him. He has you at his mercy, your body in his hands, and all the control in the world over you. 

You pull at his hair, moaning helplessly as he feasts on your pussy. You’re going mad, you’re sure. He’s doing this on purpose, driving you to the edge before stopping the wave. Frank waits until your orgasm is just far enough for you to last a little longer, kissing the inside of your thighs, and then he dives right back into your wet folds. He thrusts his tongue into your hole, licks up to your clit, and then sucks on the swollen bundle until your legs are shaking in his hands. 

“Jesus, Frank!” you moan out. A trail of sweat runs from your temple down to your breasts. 

Your hands search for something to hold onto, tangling in the sheets and the pillow behind your head before pulling at the fabric. You tried pulling at his hair, but he wouldn’t let you. 

“That’s right,” he growls. “Come for me.”

Your back arches off the mattress. His name leaves your lips in a desperate shout as your orgasm crashes into you. 

“Attagirl.”

Your brain is hulled into an endless fog, but Frank doesn’t stop. 

Soon, you’re on your stomach, gripping the headboard as he pounds into you from behind. He is long and thick, and with every thrust, he forces your face deeper into the pillows. Your eyes have rolled back into your head. He hits that spongy spot inside of you whenever he pleases, and the gurgled moans from the pit of your throat spur him on to speed up, change the angle and thrust even deeper. 

He pulls out all the way, thrusting back into you with full force until he is completely sheathed in your pussy. Your heat consumes him, and he sees red. But so do you. He has reduced you to a few incoherent thoughts, babbling his name in the wake of the drool that is dripping from the corner of your mouth. 

And when you come this time, it is pulled back straight against his chest with his fingers rubbing circles over your already abused clit. You come with a scream of his name, and nothing else matters but his cum in your cunt and the unbelievable depth of the feelings he is eliciting within you. 

You drop to the mattress like a wet towel, covered in his and your cum, and your sweat that has mingled with his. His smell lingers in the sheets as you bury your nose in it. He collapses on top of you. The crushing weight of him offers a sense of comfort that almost makes you cry. And he holds you as though you mean more to him than a One-Night stand he picked up to help forget a man who broke her heart. 

“What’d he do?” Frank asks into the silence later that night.

You are lying on his bed, covered by only his thin sheets. He’s sitting on the other side, nursing a glass of Bourbon. He held you, he cleaned you up, and he offered you some clothes, which you denied. He is kinder to you than you thought he would be, and it warms your heart in a way you can only deem utterly dangerous with how vulnerable you are. Broken people make dumb decisions, and you do not ever want to go through the same pain again. 

At least you know that you are still desired. That you’re not dead. Perhaps, there is still hope for a better future. You made Matt Murdock your life for the longest time, and maybe, as you realize now, that was a mistake. There is more to life than him, and you can live without him. That it took fucking a stranger after weeks of being miserable baffles you, but some things are just meant to happen. Maybe it was destiny, after all. 

You look at him when Frank repeats his question. “What’d the bastard do, hm?” he asks.

Where do you even start? 

When you last checked in on him through your mutual friends—you know it wasn’t the best choice, but you couldn’t help it—they told you that grew his beard, and he last had a haircut when you were still together. It suits him, apparently, but you couldn’t bring yourself to look at a picture of him.

Foggy told you that he isn’t taking home girls when they go to a bar, even though he could have all of them. He’s sad. He drowns himself at work and beats his fist bloody every night. The old you would have jumped up to help him. And it is true that you will probably always love him, in a way, but you refuse to crawl back to him.

The more you gave, the more he took, and at the first chance at getting a woman he claimed to no longer love when she came back into your lives, he took her. He couldn’t have wanted you as badly as he claimed if that was enough for him to flush years of loving each other and going through hell together down the drain, knowing it would break your heart into a million pieces. That is probably the worst part about all of it.

You take a deep breath. Frank is still staring at you intently, waiting for an answer. “He fucked his ex,” you finally confess. “Four years of being together and it still wasn’t enough.”

His grip tightens around his glass. “Want me to pay him a visit?”

You chuckle, but you know that he would. “No. But thank you.”

Matt was fading long before you left. Even if you did choose to forgive him, you couldn’t be his friend, so things are better the way they are now. You paid the ultimate price for sacrificing your heart to a man who had too many struggles to deal with himself.

In the silence, you find a little light. “At least I don’t have to pretend to like Jazz anymore,” you say. 

Frank takes another sip, asking, “Jazz?”

“Yeah, Jazz. He loves it. He…He’s special. Well, he was to me, anyway.”

“Special? Fuck, the guy did a number on you, huh?”

You scoff. “You have no idea.”

The only way back to your dignity is to learn how to be without him. You have to turn yourself back into a mystery and learn how to trust someone again before your fragile heart breaks again.

“You still talk?” Frank asks.

You shake your head. “No. It’s over now,” you say. “We don’t talk anymore.”

“Told ya. You deserve better.”

“Nah.” You reach for his glass, taking a sip of the bitter liquor that you used to despise. Looking up at him through hooded eyes, you stretch his leg toward him. 

You need to keep forgetting Matt’s name, no matter what it takes or the reminiscing will surely kill you.

“Right now,” you murmur with an irresistible smirk that makes him leap at you as soon as the words pass your lips, “I just need to forget he ever existed by screaming someone else’s name.” 

Frank captures your lips in a bruising kiss, leaving you speechless and breathless all the same. 

Matt chased you, he caught you, and then he lost you. And now that Frank has you, you never want to look back. 

Now that you don't talk.

I don't have a tag list for Frank, so I'm just leaving this here.

[barrenclan]

you dont have to publish this ask if you don't want to. but i just wanted to say that im not sure how i really feel about ranger becoming disabled and how it could kinda be read as for audience catharsis. youre a good writer and i dont want to interpret your writing in bad faith, and obviously i dont know your full intent behind the choice to blind ranger. but a lot of the audience reaction in the replies and such made me a bit uncomfortable as a visually impaired disabled person myself. disability as a punishment for evil is a pretty common (and ableist) trope. i dont think you really did it to the extent its done in other media (especially with a character like daffodilpaw as a good guy. like death, disability affects everyone, good and bad) but yeah the audience reaction made me a little uncomfortable that they were viewing it as deserved or cathartic or punishing. it especially didnt sit very well with me when paired up with hacksaw, his partner and another very evil character having lost a chunk of her wing just before. like i said at the start you dont have to publish this ask if you dont want to. i dont know how the story is going to go, and pinepaws injury could very well impact him in the future for example. but i figured i should voice my current in-the-moment discomfort, especially if it helps you in your future writing endeavors. otherwise, i really liked the new issue!

Since this was asked about twice I will go ahead and publish it; and say that firstly, I really appreciate you both bringing up your concerns and going about it in a very polite way. I don't want anyone to feel afraid to bring things up about the story or put me on a pedestal, I'm not a perfect person just because you like my stories.

And in terms of your asks themselves - I honestly do apologize that it came off that way, I didn't intend at all to play into the trope of disability as a karmic punishment for evil. I'm not disabled myself, or at least not in the visual or mobile way, so it is likely just an actual blindspot for me in terms of my writing. Disability is absolutely not a punishment for anything, and if you're blind or missing a limb there is nothing wrong with you at all.

If knowing my thought process helps at all, here's how I came to that story decision:

I want Ranger and Hacksaw to try to attack Pinepaw but both have their arrogance that's been building for the whole story checked. Also, it needs to be in some way that actually hinders them so they don't just keep attacking. -> Well, I don't want them to die, because I have things I want to do with their characters after the event ends. So, what would be an interesting and symbolic injury that takes them off the table? -> Hacksaw's main source of attacking other people is by divebombing them, so losing a wing would really impact her sense of strength. And, Ranger relies on outward control so much that losing his sight would damage a lot of his ego as well. There are some things about the characters I can't talk about just yet which, depending on your opinions, might change how you feel, but those were my general ideas.

I completely didn't realize how easy it to fall into that trope and I'm very sorry that it made you uncomfortable, that was very much not my intention. Like you said it's so normalized in media that most people don't even think about it - and certainly something I'll be more aware of next time I write anything like this.

[verysium]

『01』 呪術廻戦: jujutsu kaisen recs

五条悟: gojo satoru

i know you still think about the times we had by @saetoru

satoru will always comes when you call him, he just never thought you’d stop calling. notes: satoru is so desperate and pathetic here it is just delicious; has the right amount of angst to cause tension but a good ending to soothe my poor heart; traditional rich boy and disapproving mother/father scenario but implemented relatively well; miscommunication and feelings of inadequacy; reader realizing the extent to which satoru loves them

pretty eyes by @quirklessidiot

in which the right eye is mine and the left eye is yours and when we meet for the first time, you see your own eyes staring back at you. notes: takes tragic star-crossed lovers to a whole new level; riddled with parallels and symbolism; idea of illness and loving someone at their worst; right person, wrong time at its finest; fate being unnecessarily cruel; surprising moments of humor

minazuki by @quirklessidiot

In which Y/N L/N is placed under a union she has no choice but to partake for the sake of her survival. notes: this series needs to be scientifically studied; it is just that good; halfway in and i fell in love with the reader instead of gojo; strong and somewhat morally grey characters; dark themes around femininity in a patriarchal society but concept was executed flawlessly

21: only by @tenjiiku

“What do you want, Satoru?” You do not use his last name or any honorific to address him despite his age. He was older than you by a few years — but certainly did not act the part — so you do not think he deserves your respect. Your host father told you he does — something about his being from a prominent private school as an educator, which you cannot possibly fathom being the truth — but only in front of you is Satoru Gojo an inane, odd man with a need for clean, dry-cleaned clothes that, for some strange reason he has conjectured in his equally baffling mind, that only you can provide. He smiles at you, placing his cheek in his hand. “You.” notes: this fic embodies the duality between gojo and satoru; he is easy-going until he isn’t and you realize he actually has a considerable amount of depth; the plot twist did it for me; satoru being a loud-mouthed tease but secretly harboring feelings

soulswap by @orphxus (impxria)

this is where the evening splits in half, love or death. grab an end, pull hard, & make a wish. notes: short but realistically describes everything wrong with jujutsu society; poetic voice; gojo being serious for once; disillusionment and tragic hero archetype; being the strongest yet being unable to save anybody; geto would read this fic and feel seen

両面宿儺: ryomen sukuna

nocuous by @quirklessidiot

“It’s ironic, isn’t it? I knew how this was going to end but I’m still terribly hurt by it.” notes: the heian era setting is so complex and established even through dialogue and subtle description; reader strikes me as older and able to deal with sukuna’s chaotic nature; sukuna being an absolute menace is sending me; tragic angst but almost didn’t notice it due to how beautifully the images are presented

avīci by @rotpeach

Several years ago, Satoru Gojo was involved in the exorcism of a uniquely stubborn curse. The official report states that one of Ryomen Sukuna's fingers was recovered from the scene, and nothing else. Only the two of you know the truth. notes: gore, gore, and even more gore; boy was this fic a wild ride; imagine a work that condenses the ugliest and most revolting parts of human nature yet presents them so elegantly you start questioning the blurred lines of morality; cannibalism, violence, and love triangles; japanese mythology & folklore; heian period references; cursed spirit reader tries to grapple with the idea of self after being created for the sole purpose of serving others; themes of existentialism, identity crisis, obsession

[papamado]

A "theory" regarding Sampo's abilities

okay so this is an absolute mess and more of a ramble but I think it might be worth sharing so here I am Since I'm very normal about Sampo Koski, I've noticed some paralels to.. osme things... and i ended up with a concept that Sampo might be aware/know the future/what is supposed to happen, aka the same/similar thing to what Elio is using as a base to write his scripts, or is aware of the scripts that Elio creates. On Belobog we don't encounter stellaron hunters (for obvious reasons), but Sampo does end up being the one who affects the way the plot goes and actively puts it in motion, he's the one in control (to some extent) He also appears to be aware of stuff that has yet to happen and its possible outcomes (getting Natasha even before we started fighting Svarog, knowing that we will arrive on Luofu despite it being an unplanned stop, the possible future Belobog catastropy) There's 2 ways to approach this: 1. He works with how it's supposed to go, (following the trailblazer around, kinda like stellaron hunters happen to do) 2. He deliberately works against it (Jarilo VI is supposed to face destruction but he prevents it, could be for personal reasons) Theres also the whole thing about him breaking the 4th wall, which could be connected. Awarnesss of the fact that this is a game could result in him having a knowledge of what the plot of said game is.

I strongly HC Sampo to be an Elation emanator, so I thought about what being an elation emanator could mean, as in, how realistically the powers could manifest From the recent guide that was released along side the 2.2 stream, we have a small entry about Masked Fools which confirms that the path powers are DIRECTLY tied to their masks (this could mean both metaphorical or physical masks but from what i get from the context here it most likely refers to the physical ones?? the concept works with both possibilities tho so whatever <3 )

We know that sampo doesn't have his mask currently (which also works in a symbolic way, Masks represent the devotion to Elation, him not having it could represent how he wants to distance himself from what Elation is considered to be and pursue his own idea of it instead. The general description provided here for how masked fools are doesn't exactly fit him either whichmight further prove that idea, i should write a seperate post on that, anyways-) , so how the hell can he do shit that we assumed earlier was Elation-related powers? i have 2 possible explanations for this 1. Him being an emanator lets him use the path powers without a need for a mask, if thats the case - the mask would only provide a powerup 2. Elation emanator powers are something else altogether

when we look at his current power set/abilities it can all be tied to the fact that this is a game so, him bieng an emanator of elation would allow him to ignore the rules of this world/mainupulate said rules, simple as that it would also explain why he can break the 4th wall, why he is aware of the future events, what leads to them and/or how to stop them in the first place and how he can do stuff that contradicts what's been established lore vise (like how nobody should be able to cross the barrier between the Overworld and Underworld), those rules don't apply to him, he's beyond them. But there's more we DO have an in game example of people already messing with the reality in the same manner - Silver Wolf From what I gathered (with help of some friends of mine mwah mwah), the "reality editing" abilites of Punklorde people are directly tied to a technology present in said world - that combined with the world view of those living here results with them reating the world they live in as if it was a game

Adding onto that, during "punklorde mentality" mission we get to hear Leonard say this:

"Masked fools believe it really exists" so are the Masked Fools aware that someone could posses *actual* (not provided by technology) power to alter/manipulate reality and ignore the established rules of the world? We can kinda see such thing happening with Aha in stimulated universe, not only do they break the 4th wall, but according to Herta they also seem to be affecting the stimulated universe itself Aha's manipulation of reality is also mentioned in the "Glimpses into the Beyond"

So maybe to wrap it all up: 1. Sampo could be aware of the possible future events and use the reality manipulation abilities/the fact that the rules don't apply to him to achieve a desired outcome 2. Him and the Stellaron Hunters have some paralels in the narrative when it comes to the role that they play and what they do?? kinda??? 3. Punklorde people could be affiliated with Elation to some extent, even if not directly blessed by it I am probably VERY wrong about all of this but honestly I'm having fun with this theory so idc <3