#so is Maggie

[stevenrogered]

Dame Maggie Smith as Muriel Donnelly The Second Best Exotic Marigold Hotel (2015)

[ashstfu]

farewell, maggie smith

[cdyssey]

genuinely stunned at the fantastic choice for Percy not to pray to his absent and unknown father—like he did in the books—but to his mother.

the show is really taking us to one of riordan’s central theses straight off the bat.

parenthood isn’t about power and legacy and the recognition of shared blood.

It’s about the incredible act of showing up for your child—again and again and a-fucking-gain. That’s how you inspire respect. That’s how you become a child’s patron and beloved god.

[marvellouslymadmim]

A true artist, truly irreplaceable. Rest in peace (or give 'em hell, whatever makes you happy), Maggie. Thank you for sharing your light with us for so many years.

[walkerrenee]

sometimes i randomly remember how insane maggie stiefvater was for making ronan lynch—a man that can create reality���a man of god, when he himself is a god of a man. then to take this man and have him be not only in love with, but a literal soulmate of a man named adam. parrish. adam parrish. who, mind you, lives above ronan's very own place of worship. and is the namesake of the first of mankind that the bible says god made from the literal dust of the ground (adam parrish: comes from nothing, hair "dusty" in color) and appoints him to care for the garden of eden (adam parrish: sacrifices himself to ronan's sentient forest). then has adam viewing ronan as a god and ronan saying "maybe he dreamt (created)" adam???? like who just fucking writes that and goes about their life?

[jimmyspades]

[ato-dato]

The adventure of Muriel Part 1

[that-one-percy-jackson-fan]

Kavinsky: you gay?

*Ominous thunder rumbles*

Ronan: yess

[amu-says-hav-says]

I can’t believe I went through all of Season 2 assuming Nina was the stand-in for Crowley when you actually pay attention it’s so CLEAR that she’s Aziraphale. I was tricked by her spiky, sarcastic, cynical outer shell and lulled into a false sense of security by Maggie’s bubbly optimism and wholesome goodness, because on the surface they reflect the ineffable husbands perfectly, in their personalities, their aesthetics, even many of their actions and morals. but not, and this is the real key, when it comes to their “relationship”. but those first impressions really had me damn fooled. 

I missed the blatantness of Nina’s “we’re just friends. actually we’re not friends. we barely know each other.” the same thing Aziraphale said in season 1.  the way he still struggles to quantify their friendship when Nina asks. Nina’s sarcasm when Crowley asks about rain and awnings because it worked for him (we all know it LMAO). hell, that whole convo the girls have in the rain is so AziraCrow (“I know. I’m not your type” “...You have no idea” hits so much harder the second time, help meeeee.) “Lindsay” maybe being symbolic of Heaven and Aziraphale’s toxic relationship with them and their abuse? (the handwritten text messages in red pen make me think of angry notes on paperwork, anyone else?) because Crowley has never actually cared about what Hell thinks of him, just not getting into trouble (or him or Aziraphale getting hurt). Maggie is always chasing Nina. NINA NEVER GOES IN THE RECORD STORE. Just like Crowley always goes to the bookstore, to Aziraphale, Zira NEVER WENT TO THE FLAT (apart from The Swap but that doesn’t count imo). Crowley has always chased Zira, not the other way around. Always there to rescue him, always going to him for company, always relying on their shared connection, always US. OUR SIDE. All through season one, he comes to Zira every time to work together, never trying to work alongside Hell in any way that isn’t to save their skins or Earth, while Zira hides things from Crowley because he STILL thinks Heaven is ultimately good and will do the right thing if he can just show them. fix it from the inside. 

Maggie working up the courage to finally say something, to put herself out there, while Nina is utterly oblivious and then when she does realise Maggie has feelings, becoming standoffish, putting up that barrier, fighting it, denying it, ITS SO CROWLEY AND AZIRAPHALE IN THAT ORDER. the way I was fooled into thinking Nina’s trust issues are Crowley because he does have trust issues ofc he does BUT Crowley has ALWAYS TRUSTED AZIRAPHALE. has always relied on him. has always been hurt when Aziraphale doesn’t immediately reciprocate the way he expects (the holy water request, the bandstand, the “off in the stars” etc). he’s always the one putting himself forward. Aziraphale has always been the one to second guess everything, to fight their connection, their similarities, their friendship. the girls really made me think it was going to be okay when they sat Crowley down, even as my inner sirens were going haywire about Metatron interfering, they were telling Crowley he just needs to open up and it’ll all work out BUT HE’S ALREADY AT THAT POINT. he may not say it, and by gosh is that part of their damn problem, but he’s always SHOWN IT. he’s not Nina who needs time to heal and recover from her broken trust, he’s always been Maggie believing it doesn’t matter, they’ll end up together in the end anyway AND I WALKED RIGHT INTO THE TRAP THAT THIS MEANT THEY WERE GOING TO BE OKAYYYYYYYYYYY

[dykenav]

watching mstief’s writing the raven cycle webinar and I just want everyone to know that she just explicitly stated that adam was supposed to go full villain in her first draft but changed her mind bc “the worst thing that could happen is they stop being friends”

[flowerytale]

Maggie Smith as the fairy queen Titania, "A Midsummer Night's Dream" (1977)

[loveinstreams]

Dame Maggie Smith with newborn son Toby Stephens, 1969

[eiuuei]

‘Blue Lily, Lily Blue’ an animation.

[bu99erfly]

花樣年華 / IN THE MOOD FOR LOVE (2000) DIRECTED BY WONG KAR-WAI

[itsscottiesstark]

[leosdooley]

KNOW ITS FOR THE BETTER.

when i grow up i want to be a list of further possibilities, chen chen // the picture of dorian gray, oscar wilde // the worm kings lullaby, richard siken // limer3ence // bleuts, maggie nelson // tonight i can write, pablo neruda // the crucible, arthur miller // when i grow up i want to be a list of further possibilities, chen chen // untitled, margaret schnabel // waiting room, phoebe bridgers