#so if i can come to a point where i can love the whole thing i will ofc be very glad <333333< /div> Explore tagged Tumblr posts

[bestrongbebrave49]

I think a lot of people don’t seem to realise that every book does teach you something but not necessarily from a moralistic point of view; books with unreliable narrators and shady characters teach you that the world isn’t kind and that perception can be warped. That two truths can co-exist simultaneously and that people either intentionally or unintentionally lie to themselves and/or others as a means of self-preservation, gaining something for themselves, and/or simply because change and self-awareness are difficult when you lack the desire (for whatever reason) to do so.

However, let’s say you love the twisted character and you’re enjoying their deceptive nature, their manipulative engagement with others, and the self-centred actions they take. What does that say about you personally? The answer is way more simple than a lot of people assume; you enjoy learning about the darker aspects of human behaviour in a safe environment where that characters actions can never harm you.

You enjoy the violence because it’s not being directed at a real person. You cheer on the character because through the power of words you’ve found them compelling, exhilarating, relatable, disturbed, fascinating - they are a fictional lens of darker aspects that you can cheer on because they are solely comprised of words, or are portrayed by an actor, or are lines drawn on to a page.

Books can and do teach you empathy, injustice, a difference in perspective. They broaden your mind and give you comfort with the parts you may relate to. They push you out of your comfort zone and wrap you in a thrilling experience whereby you can escape from your troubles whilst seeking enjoyment.

But they are also fictional depictions and if you cheer for the villain that doesn’t mean you have failed morally. It means you found a fictional character compelling. If you enjoy the morally reprehensible events in a book, it means you like the fictional depiction of events - not that you condone those actions in real life.

I love Ramsey Bolton - from the shows granted haven’t yet finished the books - I cried when his character was no longer a central figure. That doesn’t mean I would go up to a real life perpetrator of such violence and congratulate them, cheer them on and demand they suffer zero consequences. Books teach you a lot about what you do and don’t like in fiction; what tropes, characterisations, themes and plots you prefer from ones you don’t. They can teach you right from wrong but that doesn’t mean they necessarily have to or that every book should. Many stories expect you to already understand morals before you crack the spine open.

Every book you read will be a journey of self-discovery, but that’s all every book should teach you really - more about yourself. What aspects intrigued you, excited you, and drew you in? Which repulsed you, and why were you offended, scandalised and uncomfortable during the reading process? Was that the fundamental purpose of the story or was there something in the text that hit a nerve?

I certainly have a purpose for what I personally write, but equally I write things for fun. When I write a morally reprehensible act it’s not because I want the take away to be - go forth and do these things - but simultaneously I want people to enjoy reading the scenes and find enjoyment in them.

I want whoever reads my stories to come away with some sort of understanding of themselves; whether it be a comforting aspect or an unsettling one - an understanding of new knowledge they didn’t have before the reading experience, or merely the cemented fact that they enjoy something they already knew they liked. I want them to learn they like my writing or for my writing to help them understand that something in the text - heck, maybe the whole book - just wasn’t for them.

Every piece of art we interact with will help us uncover something about ourselves however minor or major that discovery may be, and no matter or how brief or long our engagement with said artwork is.

Yes, books are teachable moments where morals are concerned, but if you’re using them purely as a moral testing means then I’m sorry (truly) but you’ve been unintentionally engaging with the art form in a damaging way.

“it sounds like you’re justifying their actions-“ i am. they’re a fictional character. i’m okay with anything they do all the time. hope this helps.

[dadvans]

when I want to run away (I drive off in my car) [bucktommy]

Chimney comes over with an armful of DVDs. Mandated brother-in-law break-up bonding time. Buck is pretty sure that isn’t a thing, at least not the kind that Chimney seems to be suggesting with what are discernibly all romcom titles. Buck is pretty sure Chimney should be taking him out and getting him wasted and encouraging him to get laid, but then again he’s friends with Tommy too so there might be some allegiance at play here.

He groans when Chimney puts on Say Anything.

“What, you actually know a movie made before 2012?”

“Tommy loves this one,” Buck replies. There had been a showing at repertory cinema in July and Tommy had dragged them both to escape the afternoon heat. It had been… sweet. There had maybe been three other people in the place who ignored them in the back row, making out like teenagers.

“Yeah, he’s always been a secret softie,” Chimney says.

“I’d say you should be over at his place with these,” Buck continues, flipping through the titles. Love Actually. The Proposal. Crazy, Stupid, Love. “These are actually his favorites. Wait, was I your second choice?”

“What? No,” Chimney says, but he sounds kind of cagey about it.

“He’s probably too busy cliff diving or BASE jumping.” Buck drops the DVDs. “He was the one who dumped me, remember? I don’t think he’s too hung up to need a chick flick movie marathon.”

“Now that is not true. Secret softie, remember? He’s hurting as much as I’ve ever seen, he just doesn’t wear it on his sleeve like some people.” Chimney gives him a very pointed look. “I bet he stood outside your door a half hour after he left hoping you’d chase after him, feeling like a total idiot.”

That’s new. “Did he tell you that?”

Chimney shrugs. “Maybe not verbatim, but he may have let something slip in a moment of total weakness.”

Buck snorts. “So, what are you doing over here with me and these then?”

“I was maybe hoping I could inspire you into some of your usual Buck heroics,” Chimney admits, then has the gall to look offended when Buck twists to stare at him, confused. “What? I’m a meddler. I notoriously meddle. C’mon, he said some things he wishes he could take back, but maybe he’s not as confident as you give him credit for. He’s a romcom guy. He could use a little woo-ing too, you know. Someone who makes him feel like he’s worth fighting for. A big gesture! Not—not moving in or anything, but just—you see what I’m saying here?”

Buck stares at young John Cusack paused on his TV screen and smiles to himself. “Yeah, I think I might.”

He spends the rest of the day off his couch driving through half the pawn shops in Glendale before he finds himself, sun setting at his back, outside Tommy’s house. He parks between Tommy’s truck in the drive and walks down the sidewalk where Tommy’s kitchen window is lit up and open.

Tommy comes outside thirty seconds later to the sound of Peter Gabriel blasting out of the second hand stereo Buck’d finally found with an aux input at St. Vincent de Paul’s. His mouth twitches as he crosses his arms before he coughs and tucks his head down, briefly.

“Really?” He asks when he blinks back up at Buck, eyes wet like the last time Buck saw him: hope there, fleeting, wanting so badly to swim to the surface and stay. “Wait, did you plug your phone into that thing?”

“Yeah,” Buck says, loud enough over the music the whole neighborhood can probably hear him. “I don’t know how to burn CDs.”

Tommy’s smile finally cracks through, and he nods before taking several careful steps across his dead lawn, feet bare, so he can get two tentative hands on Buck’s hips. “Well, if you want to come inside,” he says, “I can show you.”

[planetpedri]

hey queen! Could you do a angst of Pau cubarsi? Pau and reader having an argument before going to his family gathering. Pau’s sister noticed that reader is quite upset and talks with Pau about it. When they return home, they’ll talk about it and everything! 🫶🏼

Coming clean — Pau Cubarsí.

Pairing: Pau Cubarsí x Fem!Reader

Summary: An unresolved argument with Pau had ruined your whole night. Luckily for you, Irene is right there to help you get Pau to come clean.

Word count: 1.17k

Disclaimer/s: arguing , angst to resolved ending.

A/N: it’s 3:45 am and i can’t sleep so here is this! + hi Bea! how about you try to end a fucking post w out it ending in a kiss???🤦‍♀️

The car ride to Pau’s parent’s house was silent. No music, no talking, just pure and tense, silence. The lingering anger from the argument that had only happened ten minutes ago was still fresh.

Even when you arrived, at least a foot apart, you still hadn’t talked. You separated from each other instantly; Pau finding his cousins and you wandering around aimlessly.

Irene watched as you arrived, she could sense that something was off when instead of finding her or her parents, you milled around the food table.

She pushed off the counter she was leaning against and made her way towards you. When Irene called out your name, you plopped a grape into your mouth before turning to face her with a forced smile.

“Irene! Hi!” Your expression falters when you see the way she was looking at you—pity. “What?”

“Let’s go take a walk, yeah?”

Your eyes dart to Pau, who was busy conversing with his cousins. “Okay, yeah. Where to?”

Looking around, the girl points to the back door. “My mom’s flowers started to bloom, want to take a look?” Subtle. Very, very subtle, Irene.

Lips pulling into a thin line, you nod. Irene spins on her heels and marches her way towards the door. You pass Pau, but he doesn’t bother looking in your direction, though you knew he saw you by the tick of his jaw.

Trying not to scoff, you take a deep breath and follow Irene out the door. The spring air hits you comfortingly and the view of Mrs.Cubarsí’s flower garden brings a genuine smile to your face.

“It’s really improved since the last time I was here.” You comment, bending down to sniff one of the vibrant flowers.

Irene hums in agreement. “So, what happened with you and Pau?” When your head snaps in her direction, she chuckles. “Sorry, I just noticed you two were unusually distant and you looked upset.”

You let out a quiet, “oh!” Before you continue. “We argued. It’s a communication problem.” You wave your hand as if to dismiss the problem, but a butter taste lingers on your tongue.

“Okay… tell me about it? Pau is usually an open book, or at least, he used to be.”

You snort at the last part. “Used to be, yeah. Not anymore. For some reason, he’s been holding things back recently, and oh! Yesterday, I went to hold his hand and he—well, he pushed his hand back into his pocket.” You point at the house, though not directly to wherever Pau probably was. “Him avoiding affection? Not normal.”

Irene’s forehead creases in confusion. Pau had never, not once, refused to show you affection. In fact, he was always seeking it out. “Okay, yeah, weird. What did he say when you tried to talk to him?”

You couldn’t help but scoff, “he said that I was ‘reading too much into things’ and that I was, ‘being dramatic’. I’m staring to think—“ Your mouth clamps shut, you couldn’t say that.

Giving you a look, Irene urges you to continue. “Think..?”

“That he’s..” You run your hand over your mouth, “that maybe he’s falling out of love. It’s stupid, I know, but I can’t help but assume, y’know?”

Frowning, Irene nods in understanding. “He loves you, i’m sure of it. He’s just being difficult. Maybe you two should leave early, talk it out?” She pauses, “or I can give him a talking to.”

Your eyes widen, “no! No. Do not talk to him, i’ll figure it out. Just.. need to figure out what to say first.”

“Let’s go back to the party and you contemplate while we stuff our faces, perhaps?”

“That sounds like a brilliant idea.”

When the gathering was over and Pau was driving you back home, you play with the hem of your skirt. “Pau?” You speak quietly, not sparing him a glance.

Pau turns in your direction momentarily, offering you a short, “hm?”

“Can we talk.. please?”

No matter how upset, or annoyed Pau maybe be, he couldn’t resist the pleading tone in your voice. “I guess.” He answers, “what do you want to talk about?”

“Why you’re upset with me. I mean, before our argument. Clearly I did something to hurt you, or maybe you just..” Your voice fades into nothing, scared to speak.

“Just what?” He doesn’t comment on the parts before that, so you know you definitely did something wrong.

You pick at the lace harder, “I know it’s probably me reaching, but, I just thought that maybe you are like—“ You were tripping over words, too embarrassed to speak them out loud. Forcing yourself to come clean, you take a breath, “maybe you were falling out of love.”

The car lurches to a halt, right at a red light. Pau’s head whips in your direction, “what? No! Jesus, baby, no! Not that! I love you, I do.”

His words of reassurance made you feel a sense of relief, but still, your theories about upsetting him were only becoming easier to believe. “I love you too, but, my question still stands. What did I do to upset you, and how do I make it right?”

As Pau begins to drive again, he sighs. “The other day, when we were having dinner with the guys and their girlfriends, why did you lean away from me when I tried to kiss you?”

You did that?

Genuine surprise takes over your face. “Wait, what did I do? Shit, Pau, I didn’t even realize.”

His bottom lip tugs between his teeth as he turns into your driveway. “Are you sure? Because it felt intentional.” His words had bite to them, whether he meant to or not.

“Seriously, I would’ve never done that intentionally. Is that why you’ve been so withdrawn?” You frown, leaning your head back against the headrest and unbuckling while Pau parks.

He nods shamefully, “sorry, I just got upset. I was being a dick when I should have just talked to you about it. I’m sorry.” He couldn’t meet your eyes, to annoyed with himself to face you.

“Pau.” You sigh out, “look at me.”

He does just that, meeting your eyes with a pained look. “I’m sorry.”

“I know. You can’t do this again, though.” You give him a warning tone, “and you owe me, big time.”

Nodding, Pau grabs your hand, giving it a tight squeeze. “After my next game, we should go on a date. Anywhere you want to go, i’ll take you.”

Tapping your chin, you ponder the idea. “How about a movie night? I want alone time, and you will be watching every movie I chose, got it? Oh, and please bring snacks.”

A smile forms on Pau’s lips, causing one to grown on yours. “Anything you want. Make a list, i’ll stop by the store on the way here.”

Sitting up and gathering your things, you nod. “Will do! Goodnight, I love you.”

“Goodnight, I love you.” Pau leans over, meeting your lips in a soft kiss.

likes , comments , and reblog’s are all appreciated. lmk if you’d like to be tagged in future pau posts.

DTS , @halfwayhearted @ar4ujos @sakashq @joaoflms @hrts4havertz @spidybaby @unx100to !

[dogtoling]

General life- and blog update , since I assume at least a few people might have been wondering where I've been and what i've been up to recently. I obviously haven't been posting or drawing much this year in general. This will probably be an important post if you care about stuff on this blog, and I already rambled on Sheezy, but that site isn't very populated yet and it's also very good at hiding journals so let's just ramble again...

The summary of this post if you hate reading: I'm heavily considering just stepping away from Splatoon. That decision obviously would affect this blog (mostly, my OCs, which is kinda most of the blog at this point). I don't think the blog itself will go anywhere, and I'll probably use it for something in the future... alternatively i'll cherry pick stuff from here into an archive for people who like the worldbuilding.

Longer post under cut:

So what have I been up to this year? The answer is quite simple: NOTHING. Like, actually absolutely nothing. Aside from Art Fight, this has probably been one of my worst art output years of all time, which is really frustrating. That's between my horrendous mental health and depression chasms this year and a complete lack of both focus and inspiration (which can also get chalked down to the depression to a degree, yeah). So the very real reason to why there hasn't been much activity on this blog this year is because I just haven't Done Anything in general.

Now because I know there will be a few people who think "that's fine! you shouldn't judge yourself based on productivity!" you're right! I also agree. However the issue for me specifically is that most (if not all) the time I spend NOT drawing or creating, I spend sitting around wishing I could start drawing or creating, because that is like the 1 thing that keeps me sane on this freaking earth. Unfortunately coming up with OC scenarios in my head doesn't really result in output I can feel fulfilled by in any form as much as I wish it did, lol.

Now; The Issue. It doesn't take a genius to see that if you spend 9 months trying to finish like a dozen OC pages that you COULD do in a week or 2 if you wanted to, then there's probably more than just the problem of executive dysfunction (even though that's at least 60% of it for sure). Obviously my other major problem is that I live by imaginary rules and structures that make sense, but aren't actually useful at ALL in reality and are more than a hindrance if anything (the mental to do-list in my head that says i can't do X until I've done Y doesn't do very much if task Y takes 10 months and I also don't want to do it, and it also has no structured ending).

How does this tie into stepping away from Splatoon, you may ask. Well, the issue is that I have foreseeably fallen out of love with the series. Which isn't exactly news lol. Currently, I'm not even sure i will get the next game, if and when the time comes. Yes, the loss of interest is also expected, given that Splatoon 3 has ended and every fandom has this kind of downtime and lukewarm in-between-titles period. But the truth is that modern Splatoon (almost 10 years old!!!!) is tangibly different from the way the series was back when I fell in love with it. That was Splatoon 1, and while the series has improved in a lot of aspects and is thriving, it's grown in a direction that I just don't really like. Splatoon 3 had the most freaking horrendous, immersion breaking story mode they could've done, then they followed it up with a DLC story that was pretty cool but also compounded a lot of my fears about the series' future and played into every single thing i do not want Splatoon stories to be - fully character focused, random fucking villain, mundane event that's unrealistically world-threatening just because a kids video game needs a scary climax even though it's immersion breaking AGAIN, the whole thing taking place in cyberspace and thus offering basically no worldbuilding even though there is SO MUCH WORLD. I COULD GO ON.

The gist of it is that nowadays, rather than playing Splatoon and being inspired and excited at what comes next, I mostly find myself dreading what dumbass plot they will do next to throw a wrench in the otherwise good stuff. And when that's like THE main approach I have to what's supposed to be my favorite series, it is HARROWING. I can't even really blame the game for this; the story is NOT its selling point, the developers probably do their best to get the bits to us that they really want to tell, and at the end of the day the game is unfortunately a product. Worldbuilding for Splatoon is fun to a point. It's less fun when in order to actually write or create something coherent, instead of filling in the blanks, the blanks are 90% of the freaking thing. At that point you're just better off making something of your own instead of being anchored onto an IP that gives more problems than answers and occasionally shoots you with like a machine gun. Working in the realm of Splatoon is frustrating because more often than not, the questions I have ARE NOT MINE TO ANSWER, and the likelihood that the specific-ass questions I need answers to will ever be actually addressed is really low.

Tying this back to my OCs. Obviously I love my OCs more than I love myself which admittedly isn't that high of a bar but you get the point. The problem is that I spend a lot of time mulling over worldbuilding that, again, frankly isn't mine to do. Because if I want it to be Splatoon, then it should be mostly accurate to how Splatoon is! But the problem with that is that there's really not THAT MUCH worldbuilding in the series that you can work with, and most of the core game mechanics are just abstract enough that it's actually horrendous to try and come up with workarounds and ways for things to make sense that don't require just constructing a full knockoff version mirror dimension of the game and saying fuck everything that's in place here because Inkopolis Plaza literally has no roads in or out of there and I have no fucking idea how that's allowed when your only option is to jump the fence (or, nowadays, take the train which also isnt connected to a street as far as I remember). Between the face value issue and the lack of REALLY IMPORTANT worldbuilding, like - I will always come back to this - THE INK TANK'S FUNCTION 10 YEARS DOWN THE LINE - there's a goddamn ocean of plot holes and things that end up being obstacles to creativity rather than inspiration. I feel like I'm pretty solidly at the point (and have been for a while) where hanging onto Splatoon is really only contributing to creativity block and frustration with lack of freedom and the ability to actually do things.

So I guess those are my reasonings that I've put together just sitting here for the time being. The TL;DR is that I wish I could just do stuff without Splatoon's canon getting in the way, which is a really stupid problem to have if you're making Splatoon OCs. I feel this frustration extremely strongly every time I have to work with actual bigger aspects of the world; we still don't have an Inkopolis map, we don't know what the world around Inkopolis looks like, we don't know what the wilderness is like aside from Just Normal Forest and Desert and very few snippets as to what modern wildlife MIGHT be, I still don't know how the fuck the Inklings teleport to the goddamn arctic ocean to play a turf war at Shipshape Cargo co. These are all actually really important things if you're trying to establish a setting in any kind of storytelling that's outside of immediate city bounds (and even there, you need to know the layout of the city and its important areas). Also a fucking mutant bear and a baby salmon and a squid not wearing suitable gear went to space and fought on a rocket in space. These are some things that would give me peace of mind to not have to deal with in my own writing, probably.

So where do we go from here? Unsure. I haven't really made a decision on this front yet, though right now I'm leaning more towards actually going ahead with trying to do my own thing. That will result in obvious design and setting changes for my OCs whenever I get around to it. This blog probably won't go anywhere (again, unless I impulse delete it during a mood swing like i've almost done on like three separate occasions this year), but it will probably get less use, and I will probably end up making a new blog to post about whatever I end up doing once I get to a point where it feels like it makes sense. There's a chance that I will delete this blog and put all the interesting stuff on an archive blog for the people who are here just for the worldbuilding. My actual true passion for a long time now hasn't even been Splatoon anymore, it's just been cephalopods. I'm kind of done having Splatoon get in the way of the cephalopods, as thankful as I am that it introduced me to them...

If you read this to the end heres a treat for you = 🍪

[munsonsmixtapes]

bucky x flirty! or like unhinged chaotic! reader, maybe him thinking she doesn’t like him she’s just a flirt, or him falling for how totally backwards she is

I love this request! This is 100% inspired by that one scene in the Thunderbolts trailer where he's on the motorcycle because I've been thinking about it a lot.

cw: reader gets hit on by a creepy guy and he gets aggressive

You almost stumble and fall onto the concrete outside of the club you were just thrown out of as the man who you were thrown out with tries to help you to your feet.

"Don't touch me," you push him away before retrieving your taser from you purse. You've never used it, but you've watched countless videos on it and now seems like as good of a time as any.

You point the taser at him, but that doesn't seem to scare him like you thought it would and he just steps closer. This is the whole reason why the both of you got kicked out of the club, so you're not sure why he's trying again.

He had been getting a little too handsy and wouldn't stop when you had asked him to, so why's it your fault that you had punched him? That had just been self defense at that point. And because he couldn't accept the consequences of his own actions, he had tried to punch you back, but you moved out of the way before he could and he had ended up punching the poor girl behind you so things got a little rowdy after that and because the two of you had caused it, you were asked to leave.

So there you are, on the street with a creep because you assured your friends who had driven you there that they could stay when they insisted on coming with you. All you have is your phone, your ID, a little cash, a pen, and a tube of lip gloss, so you don't have enough for a cab or even an uber to take you home. You suppose you could take the bus, but the last late night one was already gone.

And then, as if an answer to your prayers, you watch a motorcycle stop right in front of you as he waits for the light a few feet away to turn green. You usually didn't do things like this, but you're desperate. You're not thinking clearly even though you were only able to have a few sips of the drink you had ordered before you had been asked to leave.

Bucky turns towards you and gives you a nod as if to acknowledge you, but he can't help notice how uneasy how you must feel, squeezing the device in your hand so hard that he's convinced that you're going to break it. He then turns to the man who's standing next to you and he now understands why you're so anxious.

He's a creep to say the least and the way he's looking at you makes Bucky's stomach drop. He wants to step in to help, but he knows he he shouldn't. It's none of his business and he promised himself he would keep to himself from now on.

But the man lunges towards you and Bucky is about to step in, but just his luck, the light turns green and he's forced to drive off, leaving you behind to get a black eye or possibly worse. His stomach is in knots now and he can't just let that vile man get away with hurting you so before he can stop himself, he's doing a U-turn and somehow is able to weave through traffic before pulling up right beside you, putting the bike in park before he gets off of it, making a beeline for you.

The man has you by the arms now, yelling in your face at how much of a bitch your are and you're face is turned away from him, your eyes shut tight, still holding onto your taser for dear life.

"May I see that?" Bucky asks and your eyes open before handing the weapon to him without a second thought.

Buck then turns to the man who's still yelling at you, ready to wring his neck. But he hold his hand out for the man to shake, making sure to hold out the metal one so he doesn't have to actually touch the man.

"Hey, how ya doin", I'm Bucky," he says with a smile and the man goes to shake his hand, his smile matching Bucky's.

"Oh, I'm-"

"Oh, I wasn't asking," Buck cuts him off then brings the taser up to his neck, pressing the button on the side of it as he does so. The man quickly drops to the ground, convulsing in reaction to the taser and Bucky takes you by the hand, the two of you hurrying to his motorcycle.

"You're my hero," you tell him, pressing a kiss to his cheek and he has to turn away to hide his blush. Women have never been so forward with him, he usually purposely turns them off because none of them would understand who he is, well, who he is now.

He gets on the bike without a word and you follow him, wrapping your arms tight around his waist and he's caught off guard by how forward you've been with him despite him being a total stranger.

Bucky starts up the bike and tries not to squirm when you rest your head against his back like it's something you've done so many times before. After passing a few lights, he manages to get the balls to ask you for your address and when you tell him, he's surprised to find that it's not far from where he lives. Just great.

You snuggle against him for the rest of the ride and Bucky wants nothing more than to jump out of his own skin. He always had a hard time letting people in, but especially after everything that happened with Hydra. He finds himself having a hard time trusting anyone he didn't know before everything and that includes you even though you seem really sweet.

The bike pulls into your driveway and you get off of it, fixing your clothes and hair after you do so. And just when Bucky thinks you're going to leave, you do two things that catch him off guard. First, you take a pen from your purse and scribble down your phone number and then, before he can ask what you're doing, you lean in and press another kiss to his cheek, this one lingering.

Bucky is wondering what your soft lips would feel like on his, but he immediately shakes the thought away, not letting himself go down that road. You pull away before he's ready and throw the pen back in your purse before looking at him again.

"Thank you again-what was your name?"

"Bucky," he replies and hates how his heart leaps when you smile.

"Bucky," you repeat and god does he love the way that sounds coming out of your mouth.

God, you're pretty, and all Bucky can think about is pulling you into his arms, kissing you until you're both gasping for air. But he doesn't. He can't. So he just lets you go, knowing that he's immediately going to scrub your number off of his hand and do what he can to remove your lip gloss from his cheek. He wants to forget this night and how good you make him feel because there is no way in hell he's going to see or hear from you again. He's going to make sure of it.

[damiansgoodgirll]

Hey 💜💜 wondering if you could write something where Damian and reader have been trying to have a baby for so long, and they've done all the treatments, but nothing ever worked, so they’ve stopped "trying". And then she ends up pregnant randomly, and her gift to him on Christmas is a positive test or a cute onesie or whatever, and it takes him a minute to actually believe her 💜💜

i love this request so much! working on it!

damian priest x reader

likes, comments and reblogs are always appreciated!

‼️mention of infertility, pregnancy, pregnancy sickness, a little angst, mention of smut, fluff and comfort‼️

early christmas present

one year and a half.

one year and a half of you and damian trying to have a family together. one year and a half of you going from doctor to doctor, clinic to clinic and changing different treatments and yet nothing ever happened.

maybe it wasn’t meant to be. maybe you and damian weren’t fit to be parents and this was the sign. maybe it wasn’t meant for you to be a mother in this lifetime, no matter how much you wanted to be.

and you spent a year and a half blaming yourself. you reached to a point where you tried to break up with damian, saying how he deserved someone who could give him a family.

he thought you were crazy when you said that. he loved you so much and the idea of losing you was killing him, so, after a lot of therapy sessions, sleepless nights crying in each other’s arms, you came to the conclusion that it wasn’t really meant to be and that there was nothing you could do about it.

the idea of being infertile never crossed your mind so it was a big shock to you but as time passed by, you learned how to live with that and instead of focusing on the bad things, you took your life back.

a few people in the company knew or more - heard - about you and damian not being able to have kids and tried to suggest you many different options, from adoption to surrogacy but even if they seemed having good intentions, it pain you to know that your own problems became public domain.

you and damian lived your life. he promised to stay by your side and he did. he knew how much you wanted this and he was hurting at the idea of you feeling like it was your fault.

you found strength to take your mind off of that and focusing on different things. helping damian training, having dates like it was your first time together, spending much needed time in each other’s company. all the little things you loved that felt lost a year ago.

passionate nights with damian, him reminding you how much he loved you and appreciated you. you felt like yourself again and you got used of being just you and him, even if it meant for the rest of your life.

about a week ago you got sick. thinking it was just a normal cold, you let it go. but it got worse when the delicious smell of fresh bread and coffee became unbearable for you and got you nauseous every single morning.

“stomach issues again?” damian softly asked when he saw the disgust painted on your face.

“i think so…it smells so bad damian” you tried to joke when damian backed off so he could drink his coffee without making you feel worse.

“do you want me to make you something else? eggs? bacon? pancakes? anything you like?” he was so caring with you but the idea of eating made you even sicker.

“i feel like i could throw up the whole menu” you said making him laugh “i booked an appointment for today, i’m having a check up, maybe i got some virus or something…nothing too serious” you tried to remain calm but the idea of being sick for so long made you worry.

“i wish i could come with you but i promised rhea i would help her train…let me call her so i can come with you” he was about to pick up the phone but you stopped him.

“it’s not necessary damian, i promise” you smiled “she needs you, i’ll see you later on tonight” he knew that you wouldn’t have let him ditch rhea for a simple check up and he knew that no matter what he said, you wouldn’t let him come.

he nodded, moving the coffee away so he could properly kiss you before you left the house.

a couple of hours later and you were sitting in your car, watching the people passing by as you were trying to elaborate what the doctor just told you.

you weren’t sick - you were pregnant.

you were pretty sure it was impossible for you but all the tests the doctor ran turned positive.

how?

when?

your mind was racing and you couldn’t stop the million thoughts that were going through it.

sure, you and damian stopped having sex with condoms when you were trying to have a baby and when you learned that you couldn’t have kids you never really cared about safe sex anyway.

but how did it happen if you were infertile?

the doctor didn’t have a proper answer and he already scheduled some appointments to keep you checked, saying that it was almost a miracle.

right now, you were thinking about damian.

how were you going to tell him?

many ideas crossed your mind. from a mug with “best dad”, to a small t-shirt or maybe even a teddy bear.

you wanted to make this special for him too so when you crossed a shoe store on your drive back home, you decided to stop and get some inspiration. immediately your eyes fell upon a baby version of the black nike sneakers he had and you thought it was going to be an awesome gift.

your baby wasn’t even born and yet you were buying matching shoes for them and damian. while wrapping the box, the sale assistant smiled at you, unconsciously knowing that you had in mind.

you couldn’t contain your excitement and enthusiasm so you tried to speed back home.

too much surprise damian was already back and he was watching something show when you entered the front door.

his eyes immediately fell upon you, remembering you had the visit that morning.

“hey mi amor” he smiled “how are you? feeling better? what did the doctor say?” thousands of questions immediately echoed in the room, making you chuckle.

“one question at a time damian” you smiled sitting next to him on the couch “i’m feeling better, thanks, and the doctor gave me an explanation on why i keep getting sick, especially in the morning” you tried not to be so excited but it was hard.

“so?” damian was worried. he couldn’t understand why you were so happy and smiley.

instead of giving him an answer, you took the box right out of your bag and gave it to him “let say this is an early christmas present…and also the reason on why i’m always so sick” you watched him look between you and the box “come on, open it” you smiled.

damian carefully opened the small box and for a moment his heart stopped.

mini shoes? he wasn’t understanding.

and then it clicked.

“what? how? is this real?” his eyes moved between your now teary eyes and the little shoes he was holding in his hands “is it real?”

you nodded, not being able to find enough words.

“we’re gonna be parents?” he asked, now fully already knowing the answer.

“yes…” your voice broke a little but the joy filling the room was worth all of the tears you were shedding.

“this is the best gift i could ever ask for” he wrapped you in his arms and held you as you both cried of joy.

“i already booked the next appointments. the doctor wants to run some more tests and try to understand how i actually got pregnant…and we have an ultrasound appointment in a week too…we’re gonna see the baby soon” you cried onto damian’s shoulder.

“fuck, i love you so much mi amor” he quickly wiped off his tears before softly kiss your lips “and i can’t believe you got us matching shoes” he bursted out laughing.

“i can’t wait to get you matching clothes, matching pjs, matching socks, everything gonna be matching” you joked, making him even happier.

damian’s hand went over your belly “i can’t wait to meet you baby…” he softly spoke making your heart warm “you are already so loved…we love you so much, mama and papa…i can’t believe i’m saying this” he was still high on emotions and you couldn’t blame him.

maybe it really was a christmas miracle.

[meo-eiru]

MERU😭😭😭 i finally had a free moment to relax and the first thing i wanted to do was play hold your tongues and i've spent the last few hours pouring over how absolutely beautiful of a piece it is in storytelling and visuals. i genuinely have so much to gush over and idk where i should be doing it so into your inbox it goes. i apologise in advance, you also don't have to respond to this bc 1) i am aware it's gonna get vv long and 2) spoilers will definitely be mentioned

i hope sel knows what an absolute gem of a writer she is for executing all of this bc i am fucking gobsmacked by how well certain ideas and concepts were interwoven throughout the entire piece. maybe a lot of the things following are just my interpretations, but that's another thing i really really love — there's enough ambiguity in the prose to be able to infer it in so many different ways

first to the namesake of the game, ‘hold your tongues’ and the many connotations of tongues that are explored throughout; as symbols of liberation and entrapment that intermingle so so well. i feel like the game really delves into the struggles that women face in society, in relationships, just in general and i like how since it's done so through maelyn's own perspective, we're privy to a more complex and raw display of how deeply emotionally scarring it can be.

eric is a little bitch imo (i won't retract that statement ever) but the ever judgmental, taunting and superior tone he has as the ‘voice’ in maelyn's head speaks volumes of the character he possessed and the lasting impact it had on her. giving her dress to another man makes her ‘unfaithful’, the fact that it's emphasised that these are only ‘remains’ of a dress too — bc eric left her with shreds, physically, mentally. 

if we take the dress to act as a metaphor for maelyn herself, he left her in shreds.

in response to this, maelyn bites her tongue, so hard that it bleeds. it's restraint, quite literally biting back your anger and the feeling of being wronged. grounding yourself again to the harsh reality of it all, and it brings her back to the present moment when starling points it out.

we see a similar occurrence later on when maelyn relays her tongue ‘longing for a taste, was to be kept down.' so again, she stops herself (and i think the wording here is particularly interesting, that it was to be kept, so intrinsically this too may also link to how women are commonly taught to be submissive and forced to fit to certain standards). 

in both contexts, the act of biting the tongue can be taken as a suppression of some sort of desire — the first is the desire to be mad, and the second is the desire of lust. both which women have been criticised for through the ages.

i also like to think that the tongue is a representation of freedom. starling is very much making wings to fly out of them, and taking them away from ppl has ‘forever deprived of their ability to lie’ (in which case lying = freedom, i won't expand on this too much bc it'll be another whole essay😭) so going back to maelyn, her biting hers can also be seen as her freedom being hurt, prevented.

another thing is, the line just before ‘he never ran out of tongues’, we can take this as starling never having his freedom threatened. and it poses further questions. is this because of his strength? is it because he has the ocean ‘wholly’? is it because he's a ‘man’?

on my first run through, one of the most prominent questions i came away w/ was what was it that attracted maelyn to starling? to the concept of these monsters of the sea that had surpassed human constraints that had her waiting out all those hours to catch a glimpse of one to begin with. what was it that kept her coming back? time and time again, day after day when she could've not gone back to that shore after leaving.

the text narrates a couple of things that i think contributed, there's a sense of warring humanity and animosity in the repetitive motifs of dirt and uncleanliness, in her noting that starling looked ‘half a man’ and that one half could've ‘consumed’ the other. maelyn has an envy that's touched upon frequently. does maelyn want to be closer to a monster so that no one can hurt her? or does she feel like a monster is all she can be now?

then there's a dynamic with power that was honestly done so well. again, my praise to sel for how well thought out it all was. that part where she put her hand into his guts and he made sounds he was ‘unable to control’, another when she tells him ‘cut’ and he does so without question — she recognises she holds the reins in that moment, acknowledges, ‘in control, I breathed.’ 

starling listens to her for the most part, it's a reoccuring theme. even when making his wings, he's following her instructions although it's made clear that he learns quick and is capable. perhaps this gives her comfortability.

but we see this turn on its head when things start to go left, starling begins to do as he pleases and maelyn is taken back into her trauma, back to feeling ‘disgusting’ and ‘unclean’, she even apologises and promises to do better.

leashes are mentioned a few times, maelyn first describes them as a sort of ‘necklace’ — perhaps this is tribute to the way a woman's submission is often beautified and normalised. the ‘leash’ starling puts on her in one of the ends is made of pearls, he keeps it in his mouth before this. could this be a reference to eric's sweet words that bound maelyn before he revealed himself? starling ties it somewhat loosely ‘so she could breathe’ yet that doesn't take away the fact that it's still there. it has a sort of your cage is not small, but that doesn't mean you're not locked in it kinda feel.

there's so much more i could say but i think ive alr said too much😭 i didnt even get to touch on the cuddle ending which was my favourite, or the symbolism of losing fingers, the significance of the numbers two, three and four to the story. I DIDN'T EVEN TALK MUCH ABT THE ART😭😭 MERU SORRY I GOT DISTRACTED BUT THE ART WAS PHENOMENAL❗️❗️❗️❗️

maelyn is super pretty and i love how her and starling contrast each other in design so nicely. starling's expressions were stellar ++ the bgs and cgs were beautiful (you're right, if you didn't clarify it i would think you were behind the chest one haha). also the body horror aspect was really brought to life with the visuals and ik it definitely mustn't have been easy drawing all those organs, thank you for your service meruuuu

i'll shut up here before i write another 3k, but both you and sel did such a great job w/ this. the two of you deserve a nice break to rest so pls make sure to take things easy and take care of yourselves!! drink water and sleep when you can, and know that you've made a masterpiece♥️

OH MY GOD THIS ASK IS MAKING ME GO FERAL

It's so well written??? You did such a good job picking up the details hidden behind their lines??? I fish you continued writing because I for sure did not want to finish it and please do send the other thoughts you had if you can, I love this so much

I'm sure @celerifleuri will too so I'll tag her

You already mentioned the spoilers at the start but I'll also note it down here for people who haven't played the game yet. I'm sure sel will do a much better job answering your story analyses but I'll also say you're completely right with most things you've said.

The story takes place in 1800s with dated gender roles we unfortunately can still relate to. Maelyn is a curious woman who wants to study and experiment, but is being held back by society and even people who she thought she could trust, but again Sel will do a better job explaining those.

I'll talk about the art a bit. One thing I really enjoyed that was kinda unintentional on my part was the use of night and day.

The story starts at night time, the first ever cg we get of Maelyn is her jumping down the cliff, with the moon's reflection on her left and the waves giving an illusion of wings as she looks up, in that very moment she is free.

On the other hand the first ever cg of Starling is day time. The sun is shining brightly from his left, almost blindingly, as he looks down. His hair covering the screen like spider webs.

To contrast these, it's night time in the wood ending. Just like the first cg of Maelyn, we can see the soft moonight shining upon them but not quite reaching Starling's face. Maelyn is alive.

Meanwhile in the bone ending, even though they are underwater we can tell it's day time, just like the first Starling cg. We get to see a glimpse of them through the seaweeds covering our view, the sunlight showering them gently. Starling is alive.

For the character designs too, a bit of a reverse but I'd say Maelyn resembles the sun, meanwhile Starling is like the moon.

They both share green eyes, although quite different shades. Maelyn has bright red hair that contrasts Starling's red tongue tail.

I also like that Maelyn's hair, albeit a bit loosely, is braided and kept tidy. Meanwhile Starling's hair is usually all over the place and quite messy.

[oshinohoshi]

Oshi no Ko chapter 166 thoughts - the end of all things

So uh... the only positive thing I can say here besides the beautiful Ai art is that I felt sad reading the page where Miyako was hugging Ruby. Everything else left me completely empty

This chapter is either:

A) A self-aware ending meant to show that life is suffering and the idol industry will suck out your soul if you let it

B) Outsourced to someone who skimmed OnK for 30 seconds on Wikipedia before putting pen to paper

It has to be A, right? You can't tell me that the same author wrote both of these pages without the right being ironic

But I don't think so because big brained Akane is the one clumsily narrating this crappy montage masquerading as a real ending

Aqua died for nothing. His sister is now a soulless cog in the idol machine

Ruby is mimicking Ai's speech - "Lies are an outstanding kind of love... We pile on the lies and no matter how hard things get, we sing and act happy onstage. It's a fun job!" But she forgot the rest of it: "Only, I'd like the 'being happy' part to be real. Nobody notices, but we have hearts and lives of our own. Happiness as a mother. Happiness as an idol. Normally you'd have to pick one, but I want both. Ai Hoshino is a greedy girl"

Ai wasn't only a misunderstood girl who worked hard to please her fans. That was a big part of her story but she also broke the rules to create her own family, her own happiness

Ruby, on the other hand, seems to have no real desires anymore, she's just following a path she believes her mother and Aqua paved for her. Never mind that Aqua only wanted it in the end because she wanted it and Ai just wanted her kids to be happy

You can tell that Akasaka is patting himself on the back for making a cyclical narrative where Ruby becomes Ai 2.0 by being commodified, scrutinized, and idolized like Ai was

But it's such a flimsy parallel when it comes to the theme of lies because lying to hide your grief =/= "lies are love" which was the only way Ai knew how to frame her genuine desire to love

And Ai's "I love you" to her kids was true whereas Ruby has swallowed her own lie that being an idol is fun even when you're just doing it to outrun your pain

What this chapter showed us is that the meaning of Ruby's life is to be Ruby of B Komachi and she was put on Earth to sing pop songs. Because that's what Ai did, right? If I remember correctly, her final words were "I'm so glad I got to be an idol #blessed"

My God was the Dome concert soulless. Miyako and Ichigo crying happy tears is a punch to the gut. Doesn't Miyako know her daughter is still hurting?

The last scene is so fucking depressing

Ruby, are you okay? Blink twice if you still remember your life outside the idol industry!

The last two pages work really well as horror. She has a brilliant smile but you can tell that she's dead inside. She's got more merch on her table than photos. Why doesn't she have a corkboard of family photos? Although I more or less have this Ai plushie and it's pretty cute so I'll give this a pass because it's hilarious

I guess the takeaway here is to live for others and life is painful so just grin and bear it. Oh yeah, and inspire other young women to join an industry where they get to act happy and lose their humanity. Cool

I mean I get that it's supposed to be about moving on with your life even while grieving and that's a good message, sure, but Aka's insistence on using the word "lies" multiple times as if saying it makes it make sense ruins the whole thing

The most insane part is that this chapter is a wholehearted endorsement of the lies sold by the entertainment/idol industry

I haven't even said anything about anyone besides Ruby because what's the point? Aka didn't have time to do justice to any of the characters I grew to love

It's clear something went wrong with the timeline of wrapping up OnK. No artist wants to execute a final chapter like this. I'm convinced the film reel edges are Aka and Mengo's way of telling the reader, "we know this is a shitty clips show so don't @ us on Twitter about it"

But it's so much worse than that. Aka really decided to tear to shreds everything he worked so hard on for 4 years. Damn

This is my favorite manga and I'll always love that it gave me Ai, my most beloved character of all time, but this leaves an extremely bitter aftertaste. It's really hard to believe that the same person who wrote vol 1 wrote this.

OnK has been pretty important to me. Reading weekly, chatting with fans, and reaching dangerous levels of Ai brain rot has actually been a helpful distraction. TBH I've been a little too invested in it but sometimes you need escapism. So it's crazy that I'm kind of glad it's over.

But this is why fanfic, fanart, and your own headcanons exist. In another universe, this manga wrapped up beautifully and I was depressed for weeks because I couldn't look forward to it anymore. In this universe, at least we're all suffering together here at the end of all things.

And at least the little Hoshino family is still adorable. Too bad Ai is dead, Aqua is dead, and Ruby desperately needs grief counseling. But NEVER MIND. Look at Ai's smile and the twins' faces. This was the Oshi no Ko I really loved.

[kinardsevan]

I’m ngl. I can’t get the fact out of my head now that the breakup paralleled the first date, but the first date was how we were meant to assume the relationship had fallen on its face in 705. It goes back to whoever made the comment about us being in the rom-com stage of “all hope is lost”. Plus, I also feel like if this breakup was final, it wouldn’t have happened at the end of an episode with so many loose ends. If there’s finality, don’t you want to use an entire episode to make it clear that things are over? Because the breakup feels very “what just happened” (up to and including Buck’s facial expressions).

It’s why I keep coming back to this idea that the make up will parallel the coffee date. Personally, I’d prefer it to be at Tommy’s house (which has to do with my whole theory about Buck opening himself up to Tommy’s life on the show, instead of us always seeing Tommy in Bucks life), but I think if we’re truly getting the rom-com trope and this gets fixed, we likely won’t get a set for Tommy until 8b.

Which is how we get the coffee date recreation. Because to be perfectly honest, if they wanted to drive home that the relationship is over, THAT is scene that needs to be mirrored. That’s the scene that told us they were going to enter a relationship, and that it’s Tommy who Buck wanted to pursue.

I have some tenuous faith that the coffee date will be recreated for the make up, because it makes sense, up to and including the “thanks for meeting me”. We seem to be pretty clear at this point that Buck huddled over some major points in that conversation which made Tommy panic, and if this was the resolution the first time, it would make sense for it to be so the second time.

I will say though, for as much as it might upset a certain part of the fandom, I think we may see the reemergence of “taking this at your pace”. Tommy made it clear in the deleted scene that he was going with Evan’s pace “and just trying to keep up”. To that end, a nice parallel would be Evan recognizing that he tried to rush past I love you straight to “let’s build a life together” without considering Tommy’s reservations. I honestly see a version of this where he tells Tommy something akin to the fact that they’re not moving in together, they can go as slow as he needs, but that the loft’s lease is up in a few months and they can reassess then. This gives the show a nice buffer to give more time to the relationship, let them get even closer, and give Buck more of a place in Tommy’s world before he ultimately gives up the loft and moves in to Tommy’s house.

Or, you know, maybe I’m just crazy.

But it makes sense to me.

[ceaselesswatchersspecialboy]

For your au how do you think Bill deals with adjusting to Fords body and just human things in general? Sickness, aging, etc. Does Stan look after him and help? Do they do any holidays or traditions together? Like Stan and Fords birthday, or is it a one-sided/forgotten thing? You mentioned that Bills memory on things becomes more faded the longer he spends in a human body. Does this or never being able to get out/back to his original form or dieing with it scare him in a way?

Sorry if this is alot at once, but this au been on my mind since I saw that first post of it. It's so intense to me and I absolutely love it!

He’s absolutely terrible at dealing with even the most basic cold, and tends to get rather dramatic about it, because to him, all illness is equal, and he doesn’t really process the fact there’s different severities. Stan still looks after him despite this. Well, the first few years together, he tends to do the bare minimum, but after a while, he starts taking a more active role in sickness care.

He realises that, as dramatic as Bill’s being, he really can’t process the difference between a flu and a common cold well, or, possibly, something much worse, so it’s safer to keep an eye on him during sick periods.

Aging is a different beast though. Bill is generally amused by Ford’s face ‘melting’, but it is also a reminder of the passage of time, and his trapped state. It’s part of why he dyes his hair brown. He’s trying to pretend time isn’t passing, that he hasn’t been trapped in this body that long, and brush aside the growing fears he may not figure a way out. He does take great joy in making fun of Stan though. Out of the two of them, he likes to think that Ford — and therefore he — aged better.

An extra plus side is all the new bodily pains! The downside is that it makes being as hyper and active as he usually is more difficult. Agony is a double-edged sword for him. He is simultaneously fascinated, entertained and terrified!

Birthday-wise, Bill does actually play along with Stan, just a little. Mainly because the first birthday Stan celebrated on his own, he offered Bill a cake, which, Bill pointed out he isn’t actually Stanford, so the gesture is pointless… and then he protested when Stan went to take the cake away. Birthday cake became a yearly thing after that. Bill likes it. Stan gets a day of pretending things are sort of normal, even if it’s not. He won’t ever properly celebrate his birthday with Bill though. It feels like replacing Ford, or giving up on him, and Stan doesn’t plan on doing that. His birthday wish is always to Ford to come back.

Bill doesn’t mind any of that, as long as he gets that cake. He’s a trillion years old. Birthdays always feel pointless to him? Maybe even a little funny. It’s like a countdown to death!

The first birthday they really celebrate all out and commit to is when Dipper and Mabel stay, and they have to fully lean into and play the part of twin brothers.

The only other traditions they have is that Bill tags along on Stan’s yearly vandalism of other tourist traps, something they both get a kick out of it, and Bill looks forward to every year. As well as this, they have a particular tradition that stemmed from a drunken game of truth or dare, where Bill dared Stan to spend New Year’s Eve out in the woods, and Stan dared him to join in. Now they… kind of just go camping most New Years. As you do!

Alright. Now that I’m thinking about it, they probably also make Summerween and Halloween into a who can scare the most kids competition.

Finally: Bill’s memory. Yes, it scares him. He’s used to being this untouchable and powerful force to be reckoned with, being stripped of that gradually is one of the worst experiences of this whole thing to him. The one thing he had for a while was that at least he hasn’t forgotten anything. Then, he starts to forget. His new, human mind unable to keep track of a trillion years of existence. The first time he realises he’s forgetting leads to an outburst that Stan has to calm him down from before he hurts himself.

He prefers not to talk about it.

He is adamant he won’t die in this body. He just won’t. He knows Ford’ll die at ninety-two, so he has around thirty years left, and he’s going to get out within that time. He’s sure of it. He has to. He’s Bill Cipher for Axolotl’s sake — whoever trapped him here can’t keep it that way forever.

(He’s coping)

(Also it’s not a lot at all!! I love answering these sorts of asks a lot!! Ty!!)

[proshippers-against-censorship]

one thing i will say about the whole thing is, it does make me sad how quickly everybody turns to focus SPECIFICALLY on the ai thing. i hate generative ais; i do. i think their implementation has been wholey awful, and a number of safety measures(which are being put in) should have already been there. but as someone who used to be suicidal.... it breaks my heart that that's overshadowing the bit where the kid had access to a gun. or where his parents knew he was leaning on a generative ai for emotional support, and didn't redirect him. the question of WHY he was feeling that way barely seems to come up; just how dangerous his coping method was. it's also quickly becoming an excuse for people to call for censorship; even a youtuber i greatly respect ended up saying something like "your roleplays shouldn't get to that point in the first place". the whole thing makes me really sick, but beyond that, it feels like the same arguments we've been having over and over again. "dnd killed my child!" "papa roach convinced my child to self harm!" "yume nikki is why my baby's dead!". i hate the way our coping methods are scrutinized so much harsher than our enviornment, but i'm also so heartbroken that he was using one that has such a random output that it can so quickly become dangerous. peace and love to anybody in a similar situation, and may i gently suggest something more scripted like a dating sim, or more in your control like your own oc.

There's so many things so wrong and awful about that whole situation that should honestly be overshadowing the fact that he was communicating with an AI. The fact that he parents were neglectful in MULTIPLE ways, to start.

[chaifootsteps]

I don't get this fandom's fixation with insisting Blitzo is the one who views relationships as transactional when there's so many examples of him obviously wanting to have more than that. IMP is basically his attempt to make himself a new family with Loona as his daughter and M&M first as the people he wants to threesome with but more realistically, his friends

Stolas meanwhile behaves in a much more transaction based mindset where he assumes if he gives X he can get Y

he views his cheating on Stella as not counting as cheating because 'cheating implies a betrayal and [Stella] never gave two shits about [him]'. Even though the marriage was arranged and he never loved Stella either (he somehow forgot he burst into tears when he first saw her and was miserable about the whole idea?) he expected Stella to make an effort to love him because that's how marriages work. He didn't seem to appreciate that it being arranged would make his partner's feelings more complex and things might have gone better if he hadn't tried to play happy families with her, despite the fact he also had reservations about the arrangement and is gay so he should be able to empathize with Stella on some level

he assumes giving Via a trip to Loo Loo Land in the hopes of getting back their close bond but it isn't until he actually listens to her that any progress is made (and while on the trip he actively upsets her by harassing Blitzo right in front of her)

but the bigger example of course is Blitzo. he uses the book to get sex out of him, literally describing what they have as 'favors for favors' and 'transactional'

then he lowkey kind of does it again when he uses the crystal in the hopes of getting a romantic relationship in return

Stolas is so fixated on the idea of Blitzo as an object who just fulfils his desires that he punishes him whenever he has a life of his own to attend to (taking Loona for the jab) or whenever Blitzo points out his fantasies are not reality (replying to 'that's a romcom' with 'fuck you'). He's so committed to this that despite knowing Blitzo's insecurities he dances with someone else because that person is giving him attention and that's all that matters.

And when Blitzo doesn't respond to the crystal with what Stolas wanted to get out of the interaction - a romantic partner - Stolas dips immediately. He doesn't explain himself and he doesn't make any attempt to keep Blitzo in his life. It's incel logic at its core - he doesn't want Blitzo in his life even as a friend, despite the fact he supposedly likes him, because ultimately he doesn't actually see Blitzo as a person. he's an object who is supposed to fulfil the transaction Stolas is still unconsciously setting up

worse than that is Stolas has fooled himself into believing he's the good guy who was doing good things for him out of the kindness of his heart. he reframes exchanging his book for sex as 'supporting him', reframes humiliating him in front of a crowd by sexualizing him as 'letting everyone see how much [he] likes [Blitzo]', talks about his passive aggressive texts trying to get Blitzo to still come over on the full moon as 'wanting to spend time with [Blitzo]' even though those nights were probably going to end with Blitzo feeling like he had to sleep with Stolas, again

tl:dr but so far Via is the only person who can break her end of whatever exchange Stolas views an interaction as being without him getting pissy about it, since he tries to empathize with her even when he repeats the exact same mistake 5 minutes later. he doesn't care Stella was forced into marriage too since he expected her to play house because that's what he was doing, and he cares so little about Blitzo despite saying he thinks highly of him that not only does he not want his friendship, he's happy to ghost him after their fight in full moon then for a full month going into ghostfuckers. Blitzo didn't give him what he wanted and Stolas doesn't actually care about his feelings, so Blitzo may as well not exist

This fandom, and increasingly Viv, don't seem to have the first clue what Blitzo is or what his problem is or what he wants. He just does things in whatever order, according to what makes Stolas look better.

[nightmare--void]

True Detective Season 1 AU where Satoru Gojo and Suguru Geto are homicide detectives working on a case together

Geto is an excellent detective. At least that's what he heard from his superiors when he finally got a chance to work on a case that will most likely shape his career. For better or for worse but he tries not to think about it too much right now.

He has two daughters he loves, he has family and friends he cares about and a partner he doesn't know and struggles to understand. Sometimes he thinks Gojo is able see more that other people can but there's so much bullshit Gojo says that he just refuses to believe it. Because if he believes any of it he'll have to accept that his whole world was wrong and he brought two kids there.

He goes to Gojo's house once — white walls, a plain mattress and a picture of a dark haired kid he wasn't supposed to see hidden under some books. "I don't drink," Gojo says when he returns to the room — referencing that pitiful invitation to join his family for dinner. "But I can come if you want. I'll bring a lemon pie and some flowers. That OK?"

"Sure," Geto tries to fix the books before catching his gaze. "You know I can't stop thinking about one thing."

"Hm?"

"Why do you even do all of that?" he points at the room. "I mean how do you spend your money? What's all of that for? Your job, everything."

"Because I know I can help. I'm doing what I'm good at."

He's the best detective Geto ever met in his life actually.

But no one seems to believe Gojo when he finds a connection between their current case and all those kids that went missing in the area during the last twenty years. Nobody seems to care about them anymore. Sure, they're not like two girls he comes home to after his work — clean nice dresses and neat ponytails. People feed him and Gojo with some half-baked stories like they thought these kids ran away from their parents or they were killed by the wildlife. But Geto can't unsee certain things anymore.

There's something going on here and people who were praising him for his good work might be a part of it — without a carefully put blindfold even the sky hurts his eyes. And he can't shrug off the feeling of loneliness that comes with it.

He looks at Gojo as they're driving from another rundown house to the other and he's thankful to him but at the same time he knows that both of them are cursed.

"Then I closed my eyes, and saw the Crimson King moving through the forest," Gojo says — his eyes are as clear as ever but his smile is almost insane. "I was there, Suguru. I saw the shrine of the Crimson King."

[milkmily]

Hello <3

Could you pls write Shoko x (female) reader where reader is feeling a little insecure about her body and Shoko praises her while making out (and maybe fingering)

Ty

Yes I can 😈 also sorry it took me forever I've been busy these past months 😭

Shoko Ieiri x Fem! Reader | Request Open :) |

You felt horrible.

You just felt horrible about yourself.

Maybe it was the outfit you had on.

Or maybe it was because on the way to work, someone pointed out how ridiculous you looked with what you had on. It was some random people you don't even know.

Their opinion shouldn't even matter, you don't know them. Yet, it affected you so much. Honestly it was probably because you woke up in such a bad mood that their words got to you so easily. You Honestly thought your skirt looked pretty with your shirt. Your color leggings and heels matched it all. But apparently, some people don't like it. And well, their opinions mattered to you a lot.

You were soon at work, grabbing your white coat and putting it on. You were presented with Shoko who walked up to you and kissed your cheek, her gloss left on your cheek. “Morning, I got you your favorite drink.” She says as she points at the table.

You nod as you smile And start to button up the coat. She gives you a puzzled look and asks, “Why are you closing it up? Though you hated it?”

“I'm cold. The skirt isn't helping it.” A lie. Shoko hummed and said, “it isn't cold. Keep it open.” She moves her hand on top of yours to stop you. You looked at Her and sigh. She smiled as she saw your skirt and your color leggings that matched with your shirt and heels. “hey, this outfit today is cute. I like it.”

And hearing her say that made you feel good.

“Really?” You never usually say that. You either say ‘oh, I know!’ Or ‘I made this for you because I knew You'd like it’ or something else that you always say with such confidence. But today, you wanted her approval. You didn't sound as confident as you always do.

“Yeah, of course. Everything you wear is cute.” She says as she moves her hands to your hips. “why?” she asks. “What's the matter?” her tired voice asks. And you told her. You told her how in the morning you woke up late, that the hot water at your apartment had gone off so you showered with cold water, how you ran out of your favorite snack, how at the Cafe you go to to get your drink was closed, and that some random people made fun of your outfit. “And I know I shouldn't care! I know! But today they really made me feel, just- ugh. I feel horrible. Of me, of my clothes, everything of me.”

Shoko listened to everything you said. She sighs and holds your waist. “I'm sorry that happened today.” She says. “You want to take a hot bath at my place after work?” She asks and you nod. She smiles softly and cups your face, “and who cares about their opinions? You're Beautiful, you always will be. I love your cute clothes you always wear at work or when We go out.” She says as she gets closer to you.

“They Turn me on sometimes.” She admits and starts to kiss your neck. You softly sigh and hold on to her. “Really?” You ask. “Always.” She says.

The whole day at work Shoko was driving you crazy. Absolutely crazy. You could already feel how wet your panties were. You tried your best to heal anyone who walked in who needed a small healing. Satoru had come in to simply talk with Shoko about some random thing you can't even remember because all you thought about was her. How her lips would feel in that sweet spot you liked to be kissed on your neck. Her sweet words hit your ear as she squeezed and played with your nipples. You groan as you look down at Your report as you try to concentrate.

“She seems really distracted. What you do to her?” Satoru asks while grinning at the long brown haired woman. Shoko shrugs. “Nothing. Said her outfit was cute today and that was all.” She says as she sucked in her lollipop. A lollipop you had given to her yesterday that she left in the pockets of her coat. He chuckles and continues to talk about how he annoyed Nanami and about his Students.

Once the final report is done, you and Shoko sigh. “Finally!” She says as she stretches. She took her coat off and hangs it. She helps you take off yours and grabs her purse. She hands you yours and says, “I need to stop buying at the store. Is that okay?” She asks. You nod as you walked out of the infirmary room.

Shoko ended up buying one of your favorite wine brands and some snacks. once at her apartment, she had told you to go and grab the clothes you wanted as she prepared the bath. You were nervous. It isn't as if it's the first time you two have sex. You two have had it many times, even at work. On your knees, your pretty heels hitting the floor as you sucked on Shoko's clit. God, she was so stressed that day, you just wanted her to feel good. your hands on her thighs As she moans and rides your face as she came.

You grab the towel and sigh as you go into the bathroom and sit down on the stool. You washed your body and stood up to see Shoko already in the bathtub. She smiles and you dip your feet in and sit down. Shoko's eyes never leave you or your body. She smiles and wraps her arms around you as you sit down between her legs and lay your back on her chest. She breathes you in and says, “you smell nice.”

The warm water made you feel relaxed. You Honestly forgot what those people even said about you. Who gives a shit about them anyways. As you relax, Shoko's hands go under your arms and gently cup your breasts. She squeezes them as she kisses your back. “You're beautiful, you know that?” She says as she planted another kiss. “You are so beautiful.” She whispers and gently tugs your nipples. You softly moan and move your head to the side, wanting her to kiss your neck. She smiled and kissed it.

“You know.” She says in-between kisses. “You really did look cute in that short skirt and those cute colored leggings.” You shiver and whine as she slowly moves one hand down as fge other cupped your breast. “You are always somehow cute with everything you wear.” her fingers spread your lips open as she teased your clit. You whine and gasp. “I sometimes feel like you only really wear those skirts with me and with me only.” She closes your pussy lips again and squeezes them, causing you to jump.

“You were wet for me, huh?” She grins. “I saw it when you went down to pick up that pen you ‘accidently’ dropped. I saw that wet spot.” She says as her fi gets open your lips again and start to rub your clit, causing you to jump. “God, you're so hot.” She says as she bites down on your shoulder. You moan and move your his, the water slashing, some of it landing on the floor. She couldn't help But whimpers at just hearing you.

You were just so beautiful. She kisses your neck and sucked as her fingers mkve faster, causing you to hold tightly to the tub. She smiles and says, “Baby, can you have your pretty ass up?” She says. Fuck, the praises. You do as so, your ass facing her as she stood up. She smiles as she saw how wet your pussy was. She licks her fingers and rubs your wet silky folds up and down. “You are so gorgeous. You know That?” She says.

“Your pussy is so pretty too. You're all wet because of me…hmmmm.” She smiled as she kissed your ass and pushed a finger in you. You moan and turn to look up at her. her breast wet, nipples perked up. You wanted to suck and bite on them just how she likes them. You moan as you feel her finger curl up. She smiles and pulls her finger out, tasting it. “Hmm, you taste so good.” She says as she gets on one knee and kisses your ass again. She goes lower and lower to your thighs.

You shiver and moan at her kisses. She was so close to your poor Aching clit. You move your ass closer to her face and she chuckles. “Eger?” She says and licks a long string of your pussy. She moans at the taste and closes her eyes as she goes to your clit and licks it. You felt goosebumps all over your body. You close your eyes as you press yourself more on to her mouth. She moans, her moans being muffled up by your pussy. She spreads your pussy lips up as she licks to taste you. She grins as she feels your legs shake.

Shoko moves two of her fingers to your wet entrance that aches for her fingers. You moan as you feel her fingers slowly push in and out of you. And then a sharp pain is on your ass. She slapped your ass. Fuck, it felt so good. She holds your ass tight and slaps it again as she sucks your clit. She loved hearing your poor moans. Her fingers start to move fast as she thrusted them in and out of your dripping cut, your cream covering her fingers. “S-Shoko! Wait- oh my god!” You moaned as you tried to push her but she kept going. You feel like you are going to sleep the Moment you cum on her fingers and tongue. She giggles as she keeps eating you.

“Shit, You are so hot right now.” She says as she moves a hand to rub her clit. She moans as she sees how your poor legs struggled to stay up, her fingers pumping in and out of your poor wet cunt. She grins as she goes faster and you scream, cuming on her fingers. She chuckles as she sees how you squirt on her fingers. She hums and licks your cunt one last time, tasting you.

You were whining as you try to catch your breath, holding on To the tile wall. She smiled and smacked your ass, making you yelp. “You did good, babe.” She says and kisses your shoulder. “Let's get out so we can drink that wine.” She says as she give you a towel.

You two did drink the wine on the living room sofa but you couldn't Help but return the favor by eating her pussy. Her cunt dripped in your mouth as she sipped her wine and moaned. Her fingers running through your hair. You moan and look up at her. Her beautiful brown eyes looking right back at your eyes. She bites her lip and throws her head back as you suck on her clit. “Fuck, you look so beautiful.” She praises as she opens her eyes to look at you. “Eating me like this- ah fuck.” She moans and smiles. “You are always so beautiful. All mine. Fuck, you're all mine….” She moans and closes her eyes. You couldn't help but moan at her praises. You push your fingers in her as you suck and Lick her clit.

God, you felt so good. Your back arching more as she praised you. She smiles at the arch and gasps as your fingers cruel up. She nods and praises you even more. “right there baby, God, yes- you are so good- ah ah fuck yes I'm going to cum soon baby.” You loved how she talks so much during sex. Her praises and everything about her drive you crazy. She drops the wine glass on the floor, not caring if the carpet is now stained red. She tugs your hair as her feet curl. She whimpers and moans as she cupped her breast. She was so close.

Her moans soon turn into screams as she cums on your fingers. You pulled your fingers out as you licked and licked. She is so sensitive. She jumped at every lip. You smile at her as you lick your fingers clean. She smiles at you, panting. She moves her hair away from her face and says, “you did good.” And pulls you into a kiss.

Honestly, you forgot why you even felt horrible. All you thought of was how Shoko and you both looked and were.

[redlight-greenelight]

Venom 3: There should have been a wedding

Fun movie! Terrible end of a trilogy.

We needed a wedding.

First order of business: You don't introduce a new Big Bad in the final installment of a trilogy. (Yeah, it's undoubtedly a call to an upcoming project). The first two movies both had the same villains: humans and symbiotes. We had The Life Foundation and Riot, and then Kassidy and Carnage.

Instead of Knull being the BBEG, have (one of) the main antagonists be the American government/military, as they were. Between the rocket and the church, there is no way they don't know about symbiotes and that Eddie Brock has one. Frame him for a murder, now you can hunt him down without anyone mentioning aliens. The public is on the lookout, you have access to police and cameras, etc.

The other main threat is the symbiotes. I like the codex thing, keep it. Instead of calling the woodchipper cats void hunters, have it call the symbiote hivemind. Make it a nice big notification: "Look at us! Look at this big planet full of good hosts and food, come join in!" Every time Eddie and Venom form together, it resets the "beacon" so the symbiotes know where to come. Some have already found their way to Earth.

Second order of business: Anne. We don't get a conclusion for that storyline. In the first movie, she and Eddie are engaged. He spends the rest of the movie pining for her. In the second, Anne is engaged to Dan and that announcement is a big event trigger. BUT Eddie, over the course of the movie, realizes Anne has completely moved on and he can start to do the same. He learns to appreciate Venom.

Now, in the final movie, Eddie should be able to completely move on as well. Whether he's in love with Venom or not, he is over Anne and has replaced her in his heart with Venom. He'll have come to a natural end of that storyline. And what better way to symbolize it?

A wedding! Have the reason everyone is in Vegas be for Anne and Dan's wedding. That's why Eddie goes with the family, that's why he wants into the casino - because his ex-fiance and his somewhat-friend are there and he needs help since he's on the run.

The dancing scene with Mrs Chen is fun and all, but it doesn't belong in the main movie as it is. Either have that be the time Venom realizes what's going on, or save the scene for an after-credits special. The whole wedding could be a montage in the credits: Venom dancing with Mrs Chen, Eddie literally and symbolically letting Anne go by walking her down the aisle, drunk shenanigans, etc.

Have the incredible security of a casino be the thing that catches 51's eye and the reason they get captured.

Third order: Eddie. I get it, he's tired, but he seemed out of character. Without going too far into things, just have him a little less bitchy with Venom, a little more into the partners/Lethal Protector thing (like in the dog scene). Have him at least try to get back to Venom when they separate. He just spent the whole last movie learning he's better with Venom than without him, there's no way a single line is going to cover all that when we just watched (how long is the movie?) an hour and a half of Eddie showing us otherwise.

...

I have a lot of thoughts and a hard time verbalizing them but this is the gist. I hope to do a summary of what the movie would look like if I changed the above points. We'll see.

OH! And, please, I needed the line "One last dance, buddy" from Eddie as they face off against a small army of symbiotes, ready to give their lives to save each other/their weird little family/the planet.

[foodtruckery]

ive returned because your writing haunts me and i need to dig into your brain about combat baby idk how deeply youve thought about like. the whole extent of this au so if im asking about stuff that you dont want to focus on for it forgive me but im so curious how do things go down with bill?? like hes still an issue here do they just try the unicorn hair and stan scams his way through (and ford is so shocked and lowkey turned on impressed they bang after) or with everything else happening does ford (stupid genius he is) just sort of forget bill can still enter stan's dreams even if hes got the metal plate and stans like "hey why am i dreaming about a dorito obsessed with your portal"

and im guessing ford would not be down to make his home a tourist trap so do you think stan would just help with the research? or would his insecurities about being dead weight to ford push him to try and find his own way of income?

and and what about the town?? do they have to awkwardly pretend theyre father and son or uncle and nephew or something? because sure they could pretend theyre not related but they still look pretty similar. ford just looks like an older, nerdier stan so i think that would be people's first assumption (ford seething quietly as susan flirts with stan. stan just thinks fords feeling uncomfortable in town because hes a hermit until theyre alone and they have a repeat of their highschool days with ford hissing in his ear and demanding to know what he was expecting to happen with susan. stan trying to answer but hes a little distracted at the time)

and also with ford being back would they ever run into fiddleford again? either him in his cult days or maybe already halfway to losing his mind. depending on where he is mentally im sure the interaction could be either pretty hostile or sympathetic

ive grabbed you by the ankles and am attempting to shake you upside down to try and empty your pockets for scraps of this au because it consumes me

-🐶

waaaaaah thanks for being patient with me friend! you know i ALWAYS love to see you with the big fuckin questions and ideas. and i have been THINKING about this one cause, tbh, i finished combat baby in a couple of days and went “GET OUT OF MY SIGHT” and threw it at y’all and did not think much about it after that! until i came over here and started chatting with y’all at least hahaha.

the bill issue is like a whole thing right? and i was definitely wondering how the time travel on one side but not the other might impact him/slow him down. but i also do think it’d be kind of fucking hilarious if stan starts dreaming about bill but like. doesn’t say anything and doesn’t even think it’s a big deal because. you know. they’re just weird dreams. and at this point, stan’s done enough drugs and been through the ringer with stress and shit that it doesn’t even occur to him to question having bizarre dreams about some little geometric freak trying to be nice to him. whaaat? a MATH SHAPE for fucking NERDS in a gay little sweater vest BOW TIE is COMPLIMENTING him in his dreams???

as far as stan’s concerned, his subconscious got REALLY hung up on the whole “ford said some nice shit to me while we were fucking” and just hasn’t let that go yet. which i think would also drive bill up the fucking wall. like stan would have been the harder nut to crack regardless, but to keep getting accused of being stan’s mental manifestation of his brother fucking praise kink???? (which of course invites the whole question of bill going fuck it, and just leaning into that, but i don’t think he’d be as adept that mimicking ford for stan as he was at mimicking stan for ford, so)

ngl, i do love the unicorn hair play, tho. fun fact! i have no idea if i’ll actually write it or not, but i’ve toyed with the idea of doing a role reversal with ford coming back out of the portal still in this 30’s and finding stan and everything else having moved forward 30 years. and the unicorn hair felt like a good way to potentially address the Bill Issue i was getting stopped up on there! but like. i also could absolutely see older!ford convincing stan to wear a collar necklace of unicorn hair to keep bill out of his head.

but i loooooove the idea of them getting mixed up with fiddleford’s cult shit. i don’t even know wtf i’d DO with that but conceptually i love it. cause they’re starting to keep an eye on the townspeople, right? and even if stan’s come up with some kinda story to explain there being kinda sorta two of them now, he wouldn’t know not to be outspoken about the other weird shit happening in town. y’know, on top of being some of the weird shit happening in town. something something, stan getting snatched like lazy susan did over the gnome incident, but ayyye that shit hits really fucking wrong when you’ve actually been kidnapped in the past already and had to chew your way out of a fucking car to get free. i think that’s be neat!!

and especially if we consider fidds being maybe already just shade too far gone, enough that running into stan or having him dragged into the cult would confuse the fuck out of him. because that’s stanford, right? it has to be, he’s coming in and out of stanford’s house, he looks like stanford with a few questionable fashion and hygiene choices — but then again, stanford hadn’t been in great shape the last time he’d shown his face outside of the cabin, either. but his hands are wrong. his hands are wrong and he can’t be stanford but then why does he look like him? easy solution: everybody gets their memory wiped.

something something, stan may not know where the fuck he is, but he knows coming to in a room full of shady guys he doesn’t recognize is either gonna end with him losing teeth or a little bit of dignity, and he’d like to hold on to his teeth a little longer.