#so i'm pretty keen

[hotwaterandmilk]

Asamiya has revealed the cover for the Silent Möbius 35th Anniversary book he'll be selling at Comiket 103 this month.

The doujinshi will be A4 in size and contain 54 pages of Saimebi content contributed by 47 incredible talents ranging from series seiyuu like Okamoto Maya and Nagahori Miho, artists like Kotobuki Tsukasa and Kagawa Hisashi, through to a few more out-there names like Marvel Comics' C.B. Cebulski and shoujo/BL mangaka Shinjo Mayu.

The full-colour book will consist of both written essays and illustrations. Asamiya also plans to sell an A3-sized 2024 anniversary calendar for Kanojo no Carrera and Silent Möbius which will be available through his A!Smart store.

[ineed-to-sleep]

decided to play the whole game again w nawen bc now I got her a fleshed out backstory + character development + most importantly. mods for pretty clothes

[torgawl]

instead of just cross eyes and star eyes distinguishing dynasties in khaenri'ah, why do some khaenri'ahns cover one eye specifically? there’s many things that seem interconnected regarding the lore:

crimson moon turning around to look like an eye; irmin the one-eyed king; the unknown god’s cubes containing eyes in their design (same ones present in the cataclysm as well as the crimson moon), her glitching looking like arlecchino’s, and the four pointed star pattern that appeared when she showed up to the twins; forbidden knowledge and nibelung’s influence; fischl's auge der verurteilung aka eye of condemnation (crimson eye) and her skin's description "o holiest of sovereigns, high princess of immernachtreich (kingdom of evernight)!".

kaeya's note about the alberich saying "i saved this one memento from the fire 'father' made while he wasn’t paying attention. this was in violation of our principles. our clan's affairs should never be recorded" and "though we could not restore khaenri'ah to life, we of the alberich clan should lead lives as those who blaze like fire, rather than those who wallow in the embers [small piece of burning or glowing coal or wood in a dying fire]", father being in quotation marks and references to fire and ashes; the orphanage in khaenri'ah that wanted to house children from destroyed worlds and non-threats that leaked into the kingdom, in hopes of finding beings from beyond the sky who could transcend the gods; perinheri's first memory being transversing something like a chimney, filled with ash and being asked if he wasn't dead just for him to see the eye (crimson moon) and being told he was reborn; dust and the blood of of dragons (or dragon-like beings like durin and elynas) being connected to rhinedottir and the art of khemia; fire as rebirth and life but also, the balemoon blood specifically being connected to loss of memories and loss of memory being equivalent to death (not physical);  despite the orphanage never being able to find that transcendal person, it had many unusual individuals who became knights of the kingdom.

irmin as the first divine halberd (that once pierced the axis mundi [cosmic/world axis, world pillar, center of the world, world tree, etc.] and connected the nine worlds), the prinzessin der verurteilungas (fischl) as the last one; fischl and kaeya comparing themselves to one another and their parallels to irmin and odin; der ring des nibelungen, in which the dwarf (or nibelung) alberich creates a ring capable of controlling the world, using gold he stole from the rhinemaidens (or rheintöchter "rhine-daughters"). the conflict that arises over the ownership of this ring eventually leads to the destruction of the gods and their home, valhalla.

irminsul (irmin + sul) meaning great pillar and being a reference to the yggdrasil, the tree that supports the universe; the description of the item silver twig – collected in the center of the world - talking about a sage that hanged himself upside down in the irminsul tree to gain knowledge of the runes and the cosmos, then going into a secret kingdom down its roots [also a reference to hanged man in tarot that symbolizes wisdom, divination, sacrifice, prophecy, etc.]; odin who hung himself upside down from the sacred world tree, yggdrasil, for nine days and nights sacrificing his eye and throwing himself on his spear (gungir) as a ritual sacrifice in order to obtain secret wisdom; memories, fire and crimson moon hand in hand with the irminsul, king irmin and the concept of fate; the fake sky, the stars and being able to see fate but also fate being a means of the heavenly principles to control the world (neuvillette calling it puppet strings); khaenri'ah, a supposed godless nation but the crimson moon dynasty revering the moon (and hilichurls worshiping istaroth); the crimson moon having an eye on humanity and always being present associated with punishment and destruction (fall of gurabad, remuria and the catclysm).

crimson moon's semblance (arlecchino’s weapon) implying the crimson moon sought vengeance (“few survived the utter destruction of their kind, hiding in the shadows where the sun did not shine, longing for the crimson moon to decree their desire for vengeance be repaid”); the design of the weapon and arlecchino’s boss attacks resembling the double helix present in deathly statuette material dropped by abyss heralds, abyss lectors and shadowy husks, which has a single red eye. it apparently whispers "see, my child. all that lies under the throne of heaven shall be destroyed by upheaval. the eternal peace of the pitch-dark void shall embrace us all.” as you gaze at it.

the abyss order being founded by chlothar alberich and pierro being the first harbinger; the "sinner" – the crystal in chains from the chasm, protected by an abyss herald - not being a god but still worshipped by the abyss order. the voice stating to chlothar and the traveler’s twin that he "[knows their] fate well" and urged them to become a "transcendent one" saying he would "shed a tear at the end of time... as i gaze back upon your life". he also imbued chlothar with the power of the abyss, which alleviated his worsening conditions. the “sinner” refered to chlothar as “dear creature”; dainsleif, pierro and kaeya being examples of khaenriahns who hide their right eye; dainsleif being called “bough keeper”, bough is a branch of a tree, but also his constellation being a snake ring like ouroboros – representing the eternal renewal cycle of life, death and rebirth; the loom of fate being an operation of the abyss order first encountered during "a herald without adherents" quest.

“the threads of your fate lie in my hands” a quote by fischl connecting to the weaves of fate; fischl stating that if she does not obtain the divine halberd “...this world and everything in it is going to burn in hellfire” (legend of the shattered halberd vol. ii). some other excerpts of the book also include: “but unbeknownst to him, this was the greatest cursed sword of all, that had once burned the entire world to cinders: laevatain [in norse mythology, a weapon crafted by loki and the only capable of defeating the cockerel viðofnir, inhabiting the top of yggdrasil], the sword had extinguished after the world was burned, but... it burned bright once more. ‘the whole world... destroyed again...’ weiyang [fischl] fell unconscious as she spoke” (vol. iv), and, "the world is beyond repair. it shall be born anew from the ashes of the last” (vol. vi); dainsleif saying “none will escape the flames. see for yourself” but also neuvillette’s character story including “the puppet strings glossed as "divine rules" would one day be burned away by the fires of judgment” when talking about constellations; burning away the old world, project stuzha by the fatui and the image of dottore burning the irminsul; nahida saying fontaine's prophecy was engraved in the irminsul, implying the tree also contains the history of the future; sibylla, a prophetess who guarded the irminsul in an ancient city located in what later became the high seas (referred to as abyssal depths). she sacrificed her life for the sake of creating phobos, remus' grand symphony, but her lack of a will ultimately caused the project to fail, as her vague desire to "grant happiness to all in the world who are called humans" caused phobos to attempt to satisfy everyone's desires — including destructive and selfish ones — and set remuria towards the course of its self-destruction (possibly tying concepts of will and fate together); thinking of dottore's plan, it would make sense to burn the tree that holds memories with a fire able to erase them (arlecchino's balemoon powers) so that the world can be born anew breaking away from the shackles of fate.

there’s also the improvisation kaeya does during the play in his hangouts. "do you believe in fate? if fate decreed your life was to end in tragedy, what would you do?". he then throws a prop and we interact, choosing if we would face our fate bravely or challenge it and rise above it. kaeya then goes on saying "then so must it be! yes, so must it be! i shall discard this intaglio and rid myself of the shackles of fate", "fate means to send the machinations of war to every corner of the land to fan the flames of conflict till they ungulf the entire world… fate would see my sword tainted with the blood of innocents, that the bright banner of my homeland might fly in every nation known to mankind. but i shall not bow to the will of fate i am no pawn in heaven’s plan. i, qubad, will spend the rest of my days in a foreign land, 'till i breathe my last in a place far from home" and finishes the play with "but i must walk this path, or freedom dies by my hand. goodbye, my tribe and kin. farewell, sweet land of my birth". the prop we get from kaeya, the intaglio, symbolizes the noble origins of prince qubad in the play and the blood-red jewel (blood, red... funny, uh?) is said to be a crystallization of the question kaeya asked us about destiny. furthermore, an intaglio can be a type of engraved gem or metal signet ring.

[legionofpotatoes]

yes yes unfortunately and unsurprisingly this game owns me now

[nostalgia-tblr]

i miss those heady days when i was writing the anglo-saxon au and looking shit up and then not using the information in the fic but hey look i'd Researched, and the thrill of having to explain to the imaginary reader that 'this thing is SCANDALOUS in the historical context that i haven't really provided for you', and all that sort of stuff, so i would quite like to write another Historical MCU AU but i don't know what it'd be and also i kind of fear people getting somehow annoyed by it.

[koicrimes]

I wonder how much legal trouble i'd get into for posting an aizawa x f.reader x kaito threesome....

[solacefruit]

Hello there! It's been some time, everything alright?

Hello! It's sweet of you to think of me, but everything is absolutely fine over here -- just very busy! This blog is very low on my priorities this year, so much so that it's not even on my list of things to consider at the moment.

But all is going well for me, and I'm very happy. A bit exhausted too, which isn't a surprise, but majorly happy.

[autogeneity]

I am in love with black + orange and cyan + white

[applepies-and-starlight]

I'm pretty sure i have at least 5 different mental illnesses that are left undiagnosed because out of sight out of mind or various other reasons my mom is diagnosing us by using 'how to manage adhd' videos on instagram send help

[cienie-isengardu]

[fagrackham]

like part of it though is that i don't especially want to "study" abroad. i don't want to be shuffled around with a bunch of other american students doing homework and eating pasta and taking instragram photos by 16th century fountains. i just want to get the fuck out of america and spend some time without any attachments

[fleetsonourgecentral]

so it first Scourge only stays in the dimension because he has no way out, but what about the Omniviewer or the Ring of Eternity? do they for some reason not have the ability to take him to his dimension? or are we just shoving them out of the picture for the sake of the story until we can think of a good reason for their absence?

hi can you tell how much I've got the Fleet!Sonourge bug

So the Omniviewer and Ring of Eternity, although they do have dimension-related powers, don't quite have the powers to send Scourge back to his own dimension (Sonic was distraught upon discovering this, because the Omniviewer was his first solution. Locals say he stormed off yelling "THEN WHAT EXACTLY IS THE POINT OF YOU???" when the Omniviewer said he couldn't help). Their powers, while impressive to someone from the fleetway dimension who didn't even know dimension travel was possible, are actually pretty standard and minor in the grand, cosmic, multi-dimension scheme of things, as both of them can really only use their powers on the fleetway dimension and nearby "connected" dimensions

The Omniviewer's power is mostly limited to Mobius and the Special Zone, the latter of which is still inside the fleetway dimension. There's the bonus of time travel, but that still only really impacts the fleetway universe. I don't remember if we ever see him use his powers for anything outside Mobius and the Special Zone, but if he can, it's limited. The Ring of Eternity has a bit more power, as it can connect to other dimensions, but only... local dimensions, I guess is the way to put it? The Cosmic Highway is big, there are a lot of alternate dimensions to hold, and not all dimensions are within the same distance as each other

Think of it as like a bubble, I guess? The Ring of Eternity can reach dimensions that are within the bubble, and most if not all of those dimensions have a direct connection to the fleetway dimension. The universe that has King Sonic, for example, is directly connected to the fleetway universe, because, well, it's a parallel for it. It's a relatively close dimension, from a multi-dimensional perspective, which means it's within the reach of the Ring of Eternity's powers

Moebius, however, is not part of these connected dimensions. Different bubble, or neighbourhood, or whichever metaphor you wish to use. It's not a dimension that's close to the fleetway universe, so even if the Ring of Eternity or the Omniviewer were aware of that universe to begin with, they couldn't send Scourge there, because they just don't have that kind of power. Probably for the best, otherwise there could have been some... unforeseen complications when the Omniviewer trapped Super

The fleetway universe, and similarly, it's connecting universes, are pretty well-contained. Travel between connected dimensions isn't very common as it is, unless you count Sonic's trips to the Special Zone, so getting outside of that little bubble is incredibly difficult. Portals that open directly onto the Cosmic Highway just don't spawn often, and it's incredibly difficult to find an alternate way out. Perhaps it's a cosmic evolution; a dimension that specifically spawned and adapted to keep things and people (like Super) contained

Either way, it's effective at keeping people in. Between that, and Scourge's dimension being not only completely unconnected to the fleetway universe, but also thousands of miles away on the Cosmic Highway, neither the Omniviewer nor the Ring of Eternity can help, so please stop yelling at us Sonic it's not our fault there's nothing we can do

[funeralprocessor]

_

[picory]

something i've noticed about keaton is that he doesn't seem to use like, deadly violence against his opponents. assholes keep coming at him with guns and knifes but he just uses the earlier stolen items against them. pulling out a fucking spatula for painting in a knife fight. this guy is crazy

[roboromantic]

if nobody else has started the team call we'd planned to do at 10 by now then I'm allowed to leave sleep, right

[neon-angels-system]

I'm going to start biting :3