#so i'm mostly recycling things

[shiratorizawa-academy]

https://www.tumblr.com/shiratorizawa-academy/769145007295922176/ushijima-is-in-class-3-my-bad-i-have-slandered?source=share

^^ picturing at Semi's first official match, Washijou loudly lectures him in front of everyone to make sure he's had his meds and he's not allowed on court unless he can confirm he has and Semi is mortified...

Anyways, I come to you with new thoughts: shiratorizawa idol band au. (I've had this au idea for literally years, I need others to know)

(also, I swear, I'm trying to like all your reblogs but I've already seen at least 70% of them bc I was addicted for agessss)

SHJJDFJBDS they would be the most chaotic idol band ever. 10/10 I love it.

Ushijima is famous for sucking at interviews. He keeps misunderstanding questions, going on long tangents when he doesn't need to, and gives too short answers when long ones are expected. He also doesn't really laugh at any of the interviewers jokes. It was a PR nightmare at first until people started to love him for it.

Tendou is known for his dancing. His body moves in ways it just shouldn't. Does he have bones? Tendou claims that the doctors are still debating during interviews. He's also known for the sheer amount of vlogs and dumb behind the scenes footage he has.

Semi keeps getting dragged for his day-to-day fashion choices. Tendou once made a vlog of him, Semi and Reon going clothes shopping and people lost their minds over it. Fans are especially mad at how good he looks when he's styled properly for the stage and he's just wasting all that potential. Should be a crime.

Reon is known as The Nice OneTM ever since he handed a crying fan who was overwhelmed to meet them at the airport a packet of tissues and a water bottle. Fans loved it so much that at the next fan meeting he got an insane amount of little gifts back. He always thanks all of them and proudly displays them somewhere in his room.

Yamagata is, unfortunately, once more known as the one who keeps losing things. That is his third phone in three months. Those are not the same earphones he used during the last interview. His keys have a little tracker on them. He even tends to wander off on his own and get lost if nobody checks on him.

Shirabu is known as the "pretty boy" of the group which he hates more than anything. The producers must have thought that selling him as the baby-faced cute guy was the way to make him popular and unfortunately they were right. He refuses to look at any fan content centered around him because it makes him want to punch things. He's also in med school on the side which his fans never let anyone forget about.

Kawanishi has the most loyal fanbase. He's so quiet and most people don't pay much attention to him at first but the moment they do it's like they suddenly saw the light. There's no going back. Kawanishi is the only one in the group who can pull off literally any theme the producers come up with.

Goshiki is the group's baby and loved by nearly everyone. There's something naturally charming about him. He is one of the strongest vocalists of the group but somehow people always forget about that when they see how the older guys dote on him. After every performance there will be posts circling around like "why did nobody ever tell me that goshiki can sing??????!?!!!?"

[iguessitsjustme]

the good news is that the caffeine worked and i stayed awake long enough to clean my apartment

the bad news is the caffeine worked and now i cannot sleep

[comicaurora]

Just saw the announcement about Heartwood Coven, and I'm super excited!

I know that when you're exploring a genre, either for the first time, or just the first time in a while, sometimes inspirations for new Trope Talks emerge, and as a fan of spaces adjacent to Magical Girl media (Kamen Rider, mostly, but Ultraman, Super Sentai/Power Rangers, and Garo also exist, just to scratch the surface), I honestly find it kind of difficult to think of any tropes in the space that don't just devolve into little trivia factoids, or a 'Yup, that sure is a thing they do!', despite being in the space for decades. But I also know you have a keener eye for media tropes than I personally do.

So, all that is to ask, are there any tropes in that space that have caught your attention recently? This isn't even specifically asking about a potential future video, just in general.

The ingredients for a Sentai/Magical Girl story are very distinctive, especially when compared to other superhero genres!

Comes As A Set! Everyone in a thematic team has acquired their powers the same way, and the powers are very minor variants off of each other - one character might have The Specialest Version where their powers are strongest and their heart is Most Pure, but everyone else will be running at the same power level with almost no specialization. This sounds obvious, but almost no other superhero team does this. Even the X-Men, whose powers are all Being Mutants, come across as a seriously varied menagerie with wildly disparate power levels. Everyone being The Same Thing In A Different Color is pretty unique to this space!

Monster Of The Week: Not the only genre this appears in, but one of the only spaces where it's straight-up down to a science. The big bad of a series like this will only make a real appearance in the grand season finale. Until then, the team will be fighting their lieutenants' minions at a rate of one per episode. The big bad doesn't even usually deign to make the minions themselves, since they're much too busy standing in their recycled animation evil lair. The minions will have unique gimmicks, but will share similar levels of thematic and structural closeness with one another that the heroes do - they'll all be kaiju, or walking evil spells, or disgruntled citizens gifted thematically inconvenient superpowers. Where are these minions coming from? Sometimes the answer is "they cook em up at home" and sometimes it's "they corrupt innocent people so the heroes have to go nonlethal." It doesn't make much difference in the execution, so it's mostly dealer's choice.

So Many Wonderful Toys! These heroes aren't afraid to accessorize, and the merchandising department also says we have to. When the formula needs mixing up, just give someone a new weapon or vehicle or mech or powerup macguffin. And unless you're only giving the upgrade to the Designated Specialest Pure Of Heart one, make sure to bring enough for the rest of the team, because this is a good way to bring in a round of powerups for everyone and give them some new stock animations to reuse every episode!

There's Only One Way To Win And It's Teamwork. My personal gripe with a lot of these stories is that, by nature of the formula, the characters usually end up becoming largely interchangeable in a fight, because nobody is allowed to win before they do the Big Finisher they always use. And if the Big Finisher is "the most specialest pure of heart character remembers their job and blasts them with the Friendship Laser" that means the rest of the gang is basically on minion-punching duty and repeating "no way! my attack had no effect?!" Every fight has to run through everyone's big canned moves, usually one at a time, and since none of them will do any appreciable damage then they'll combine their giant robots or wait for the leader to bust out the Friendship Cannon and the fight will be over. I think this one's genuinely kind of a weakness of the format; it's pretty rare for a single non-leader character to get a day in the limelight or end up having the exact ability the week's bad guy is allergic to. Nobody gets an individual chance to shine unless the writers intentionally break the formula to make it happen.

The Sixth Ranger! You thought your team of five color-coordinated thematically linked cool guys was complete, but surprise! There are more colors/planets/dinosaurs than just the starting five, and some powerfull badass with unknown morals and a frightening reputation has just turned up wearing your team's matching outfit! Because the team comp is so ironclad compared to other superhero formats, this is always very disruptive and kind of a big shakeup that could restructure the whole status quo, unlike in typical superhero teams where individual attendance is optional and it's not a dealbreaker whether or not Wolverine is in this week.

And Your Friend Steve: someone's will they/won't they significant other is constantly hanging around the fights, in or out of a secret identity of their own, and their main contribution is to get kidnapped by the big bad, brainwashed by the big bad, or kidnapped and then brainwashed by the big bad. Outside of their busy schedule their main narrative role is to reinforce the Secret Identity concept that would otherwise risk slipping out of relevance. It's easier to remember your identity is supposed to be secret when Your Friend Steve keeps turning up at fights.

Bumbling Minions, Serious Boss - this is just an observation on my end, but it's quite common for the villain's crew of lieutenants to be somewhat more comedic than the main Big Bad - whether they're just a couple wacky minions or the comedy comes from how flustered they get when they inevitably lose, comedy is derived from them experiencing the wrath of their evil boss after the good guys win. But all this levity drains away as the lieutenants get whittled down and the finale approaches, and even if the villain has seemed clownish in the safe confines of their lair, when they actually go on the warpath and become the main present threat, they stop being funny entirely. Or, failing that, they get usurped by a new, worse villain, and they become the cartoonish lieutenant to the new guy. Villain chains of command get complicated.

The magical girl equivalent of the shonen anime Super Saiyan transformations is Pretty Dresses. The escalating ornate-ness of a magical girl's Pretty Dress corresponds one-to-one to the Bigness and Glowiness of a Super Saiyan's hair and reflects the reality-warping power contained within. Sailor Moon in a lacey bridal gown with gauzey diaphenous wings and a tiara is the kind of threat Goku would save in his contacts as "new sparring partner"

[elbiotipo]

I think I wrote several times about this, but when socialists in the third world think about what their ideal future society would be, they think about improving the lives of people: housing, education, health, industrializing their countries so that they don't have to depend from foreign economies, and yes, among all this, enviromental protection, because trust me, it's not the local oligarchs who care about that. Not only materially improving the lives of people either, but also more; science, arts, sports, culture. It's putting the economic forces in the service of the people rather than generating profits for local oligarchs and foreign investors. When I think of a better society, of a socialist society, I think that.

In some first world discourse I've seen socialism be characterized sometimes as some kind of... medievalism but better. Like "after the collapse I will recycle clothes from tatters" (real thing I read). It's something very extremist about Usamericans in particular "oh our civilization is causing global warming? better tear it all down". Why are you WANTING a collapse? What kind of society are you wanting where we have to return to medieval levels of living, or even worse judging by the fact we'll have to recycle clothes, what kind of Fallout shit?

This is mostly pointless internet discourse but if your ideal society cannot even clear the low bar of "making new clothes" that even medieval villages could manage, I'm not interested in your ideology or anything you have to say.

[moonstruckme]

Hey! I know you wanted more requests for people besides the marauders so you can do this for anyone you like but maybe reader who is just soooo in love with them that anytime they do something nice for her she starts crying? Like happy tears because she's just so in love and she doesn't know how to express that. If you don't want to that's fine!

Hi, thank you! I decided to go with Sirius anyway because I felt like he'd be the most fun. (This is gonna be me btw, the first time I experience romantic love there's no way I'm gonna be able to handle it)

Sirius Black x fem!reader ♡ 1k words

“Do you think it’s a bad idea to show off my tattoos on the first day?”

“Mm, maybe,” you muse, looking longingly at the way Sirius’ inked-up forearms pair with his black dress shirt. “I feel like after the interview it won’t matter, but today you probably want to present your straightest-laced self.” 

“Gross,” he grunts, but starts rolling down his sleeves. 

It’s a rare sight, Sirius up before noon, but his job interview is scheduled for ten and he doesn’t feel in a position to negotiate. The frail morning light bounces off the full length mirror he’s standing in front of and illuminates the room as he purses his lips and starts unbuttoning his shirt. You’re lying on the bed watching him get ready, trying your very best not to look enthralled and wanton (it is a constant effort). 

“My most gorgeous, radiant angel, could I ask you for a favor?” 

You grin, warmth flooding your chest. “You don’t have to butter me up. What is it?” 

“Grab the bigger version of this shirt? I think I may want a baggier tuck.” 

You hum and get up, padding into the closet. Sirius’ clothes are all strewn over the floor and dresser, but miraculously the shirt you’re looking for is on a hanger. As you reach for it, you nearly trip over a small box on the floor. It looks like the shell of something Sirius was sent in the mail, plain cardboard with the shipping label torn off. You bring it back out with you. 

“Thanks, lovely,” Sirius says as he takes the hanger from you. 

“No problem,” you reply. “Want me to recycle this for you?” 

He turns to look, blinks, then looks harder. “No. Where’d you find that?” 

“On the floor.” 

“Must have fallen off its shelf.” He discards the smaller shirt on the bed and starts doing up the buttons of this new one, smirking when your eyes track the deft movements of his fingers. “Don’t throw it out, it’s got important stuff in it.” 

You weigh the box in your hand. “It feels empty.” 

“Important, lightweight stuff.” 

You eye the barely-open flap of the box, intrigued. “Can I look inside?” 

You think you catch a flicker of hesitation across Sirius’ features, but it’s quickly schooled into insouciance. A vine of nervousness winds around your gut. “Sure,” he says, “go ahead.” 

You look at him a bit longer before slowly peeling back the cardboard flap. Inside is a mishmash of things. Paper, mostly, but you recognize one item immediately. It’s a flimsy, neon orange paper wristband, a venue’s name stamped haphazardly onto one side. At the first concert you’d gone to together, Sirius had griped endlessly about how the orange contrasted with his outfit horribly and brought out all the ugliest hues of his skin (there aren’t any, but you were too timid to tell him that at the time). He’d seemed desperate to be rid of it. But here it is, carefully clipped off instead of torn and preserved like something special. Something warm and weighty blooms in your chest. 

You take out one of the pieces of paper, unfolding it. It’s your handwriting, thoughtless scribbling you’d left for him to find on the fridge one day after you’d left for work. Have a great day, love you. 

Another is a bar napkin, containing a whole back-and-forth exchange between you and Sirius from the first time you’d met his friends. You’d kept passing it to him under the table, asking Do they like me? Are they just being nice? Is Remus always so frowny? and he’d passed it back saying Yes. Yes, they love you. James is this nice to everyone, but I can tell he likes you. Remus is being a sourpuss because he hasn’t eaten yet. You’re perfect. 

By the time you come upon a polaroid you’d forgotten he’d taken of you in his kitchen, you’re pressing your lips together to keep them from wobbling and your entire being feels warmed by incandescent, aching fondness. Your heart feels so big you can’t breathe around it. You’re not sure you have room for this much love, but you’ll happily carry it around like a weight in your chest for the rest of your life. 

You’re all too aware that Sirius is watching you now, so you try to keep it together for his sake, but when you blink a tear slides down the side of your nose. 

“Hey,” he chides lightly, amusement inlaid with a bit of panic. “Don’t.” 

You sniffle, then laugh wetly. “Can I hug you?” 

Normally he might make a joke (Not if you’re going to get snot all over my interview shirt) but something in your expression must sway him. Sirius’ eyes go soft. “Yeah, baby. Of course, c’mere.” 

He doesn’t make you get up, crossing the distance to the bed and wrapping you up in his arms. You let out a little sob at the contact. 

“I’m gonna clean off your shirt once we’re done,” you promise, gripping his shoulders. 

“Okay.” He sounds amused. 

“I just—I didn’t know you kept this stuff.” 

“It’s cheesy.” 

“It’s not,” you insist, hugging him tighter. It makes you happy beyond words, to know you’re bringing this out in him. To see, with your own eyes, how much he loves you back. You can check in with yourself at any time and know you’re happy in your relationship with Sirius, but you never could have imagined how spectacular it would feel to know that you make him this happy in return. “It’s special, Sirius. You’re special.” 

“You sound like James’ mum.” 

“Oh, shut up.” You smack his arm, pulling back with a huff. You’re smiling, though, and he sees, taking your wet, blotchy face between his palms and grinning at you. Honestly, if he weren’t Sirius Black, he’d be such a dork. 

“I love you,” he says, a significance in his tone that contradicts the playfulness in his expression. “Do I let you forget it?” 

“No,” you tell him. “You don’t, it’s just…I just really love you too, you know?” 

His smile spreads, flashing canines the second before he pulls you in for a kiss. It’s firm and spirited, and Sirius holds you there until you’re laughing into his mouth. 

“I know,” he says, pecking you once more on the lips before letting you go with a swipe of his thumbs across your cheeks. “Alright, gorgeous, clean me up, would you? I’ve got other people to go impress.”

[sleepytoycollection]

One Way to Repair a Broken Doll Arm

Today I'll be walking you through how I repaired this Ever After High Lizzie Hearts doll's broken arm. While I wouldn't call this a fool-proof method, and I'm not sure that this repair would hold up to being played with, if you've got a beloved doll you want to repair, this should be just fine for a doll that's mostly going to be displayed.

The best part is, this will retain the articulation of the arm and/or knee (this method will technically also work for knee joints, though knees are harder than arms to work with). So let's jump in.

Tools required: Craft Knife, Jewelry pliers, Wire (gauge depends on size of joint), Super Glue, Hot Glue, Patience.

Let's start with our patient.

I thrifted this Lizzie doll a few days ago, along with a Venus McFlytrap, as shown in the above image. As soon as I saw the taped up arm, I knew the joint was broken, but hey, she was like 80c USD. I can apply some elbow grease for that cheap. Plus it gives me an excuse to finally make this tutorial.

They went a little overkill with that much tape, but whatever works?

I cut the tape off carefully with a craft knife. I didn't take a pic of that, but I think you can image what a broken doll arm looks like. Unless you have aphantasia I guess, but that's getting off topic.

First thing I did was use the craft knife to slice along the seam lines, then pried the upper arm open (slowly. seriously go slow.) with a pair of jewelry pliers. It will leave marks on the plastic, but I can buff those out later.

Why am I doing this if the arm's already broken? I want to remove what's left of the peg that's in there. You could also drill it out if you have a dremel, but I wanted to avoid this tutorial needing power tools.

So here's the arm, pried open, with the peg removed.

To close it back up, I used a tiny bit of acetone to melt the plastic at the seams, then held it together until it hardened enough to stay in place. Leave it for a few hours to make sure it's all fully cured, then you can sand the area smooth.

And here's the arm with the broken peg.

So what now? We need to remove the peg piece that's attached to the elbow. I couldn't get a photo of that since it's a delicate process and I only have 2 hands, but here's an artist rendering that would give you the idea.

Take a craft knife, and SLOWLY. CAREFULLY. cut into the ring that surrounds the elbow joint. YOU DO NOT WANT TO GO TOO DEEP, TOO QUICKLY. YOU DO NOT WANT TO ACCIDENTALLY CUT THROUGH THE ELBOW POST. Just go nice and slow. Just chip a little out at a time until you get to the center.

Use pliers as well to pull out the rest of the bits, though you might have to cut a good bit out before you can pull the rest out.

As for my doll, the operation went successfully.

This is what the elbow looks like with the joint peg removed.

Now we've gotten past the hard part, we'll cut off a few inches of wire and string that though the elbow joint. Once through, we'll twist it until it's reasonably tight to the joint. If that makes sense.

It should look like this. Give it a test fit and cut the wire shorter as needed so there's no gap in the joint.

My test fit. Yep, I recycled this for the top photo as well. The blue is just painter's tape.

If you find you can't get it tight enough, and it feels too loose, I'd add a drop a super glue in there. Just keep moving the joint as the glue dries, and it'll add some friction so your arm will hold a pose.

Speaking of glue, I also add a dab of hot glue to the top of our new peg. The coating will add thickness that will help it stay in the upper arm. Tape works too, but hot glue holds up better.

Here's our newly repaired arm back on the doll. Aside from a slight glimmer of silver, the repair is not very obvious I think.

Lizzie can now enjoy having two functional arms again. Whoo-hoo.

While not 100% a beginner repair, it's not particularly difficult either. Just takes some patience and a reasonably steady hand.

Before I go though, some disclaimers/notes: Some wires can rust overtime, so keep an eye on your doll to make sure the wire isn't degrading and discoloring them.

Also, if you do a repair like this, then sell the doll, do let the buyer know. I feel like I shouldn't have to say that, but don't be one of those sellers okay?

This same method can be used for knees, but thighs tend to be made of a harder plastic, and it can be more difficult to pry them open to take the old, broken peg out with out major damage to the upper leg.

Good luck with your repairs! Love y'all. c:

[mostlysignssomeportents]

Apple fucked us on right to repair (again)

Today (September 22), I'm (virtually) presenting at the DIG Festival in Modena, Italy. Tonight, I'll be in person at LA's Book Soup for the launch of Justin C Key's "The World Wasn’t Ready for You." On September 27, I'll be at Chevalier's Books in Los Angeles with Brian Merchant for a joint launch for my new book The Internet Con and his new book, Blood in the Machine.

Right to repair has no cannier, more dedicated adversary than Apple, a company whose most innovative work is dreaming up new ways to sneakily sabotage electronics repair while claiming to be a caring environmental steward, a lie that covers up the mountains of e-waste that Apple dooms our descendants to wade through.

Why does Apple hate repair so much? It's not that they want to poison our water and bodies with microplastics; it's not that they want to hasten the day our coastal cities drown; it's not that they relish the human misery that accompanies every gram of conflict mineral. They aren't sadists. They're merely sociopathically greedy.

Tim Cook laid it out for his investors: when people can repair their devices, they don't buy new ones. When people don't buy new devices, Apple doesn't sell them new devices. It's that's simple:

https://www.inverse.com/article/52189-tim-cook-says-apple-faces-2-key-problems-in-surprising-shareholder-letter

So Apple does everything it can to monopolize repair. Not just because this lets the company gouge you on routine service, but because it lets them decide when your phone is beyond repair, so they can offer you a trade-in, ensuring both that you buy a new device and that the device you buy is another Apple.

There are so many tactics Apple gets to use to sabotage repair. For example, Apple engraves microscopic Apple logos on the subassemblies in its devices. This allows the company to enlist US Customs to seize and destroy refurbished parts that are harvested from dead phones by workers in the Pacific Rim:

https://repair.eu/news/apple-uses-trademark-law-to-strengthen-its-monopoly-on-repair/

Of course, the easiest way to prevent harvested components from entering the parts stream is to destroy as many old devices as possible. That's why Apple's so-called "recycling" program shreds any devices you turn over to them. When you trade in your old iPhone at an Apple Store, it is converted into immortal e-waste (no other major recycling program does this). The logic is straightforward: no parts, no repairs:

https://www.vice.com/en/article/yp73jw/apple-recycling-iphones-macbooks

Shredding parts and cooking up bogus trademark claims is just for starters, though. For Apple, the true anti-repair innovation comes from the most pernicious US tech law: Section 1201 of the Digital Millennium Copyright Act (DMCA).

DMCA 1201 is an "anti-circumvention" law. It bans the distribution of any tool that bypasses "an effective means of access control." That's all very abstract, but here's what it means: if a manufacturer sticks some Digital Rights Management (DRM) in its device, then anything you want to do that involves removing that DRM is now illegal – even if the thing itself is perfectly legal.

When Congress passed this stupid law in 1998, it had a very limited blast radius. Computers were still pretty expensive and DRM use was limited to a few narrow categories. In 1998, DMCA 1201 was mostly used to prevent you from de-regionalizing your DVD player to watch discs that had been released overseas but not in your own country.

But as we warned back then, computers were only going to get smaller and cheaper, and eventually, it would only cost manufacturers pennies to wrap their products – or even subassemblies in their products – in DRM. Congress was putting a gun on the mantelpiece in Act I, and it was bound to go off in Act III.

Welcome to Act III.

Today, it costs about a quarter to add a system-on-a-chip to even the tiniest parts. These SOCs can run DRM. Here's how that DRM works: when you put a new part in a device, the SOC and the device's main controller communicate with one another. They perform a cryptographic protocol: the part says, "Here's my serial number," and then the main controller prompts the user to enter a manufacturer-supplied secret code, and the master controller sends a signed version of this to the part, and the part and the system then recognize each other.

This process has many names, but because it was first used in the automotive sector, it's widely known as VIN-Locking (VIN stands for "vehicle identification number," the unique number given to every car by its manufacturer). VIN-locking is used by automakers to block independent mechanics from repairing your car; even if they use the manufacturer's own parts, the parts and the engine will refuse to work together until the manufacturer's rep keys in the unlock code:

https://pluralistic.net/2023/07/24/rent-to-pwn/#kitt-is-a-demon

VIN locking is everywhere. It's how John Deere stops farmers from fixing their own tractors – something farmers have done literally since tractors were invented:

https://pluralistic.net/2022/05/08/about-those-kill-switched-ukrainian-tractors/

It's in ventilators. Like mobile phones, ventilators are a grotesquely monopolized sector, controlled by a single company Medtronic, whose biggest claim to fame is effecting the world's largest tax inversion in order to manufacture the appearance that it is an Irish company and therefore largely untaxable. Medtronic used the resulting windfall to gobble up most of its competitors.

During lockdown, as hospitals scrambled to keep their desperately needed supply of ventilators running, Medtronic's VIN-locking became a lethal impediment. Med-techs who used donor parts from one ventilator to keep another running – say, transplanting a screen – couldn't get the device to recognize the part because all the world's civilian aircraft were grounded, meaning Medtronic's technicians couldn't swan into their hospitals to type in the unlock code and charge them hundreds of dollars.

The saving grace was an anonymous, former Medtronic repair tech, who built pirate boxes to generate unlock codes, using any housing they could lay hands on to use as a case: guitar pedals, clock radios, etc. This tech shipped these gadgets around the world, observing strict anonymity, because Article 6 of the EUCD also bans circumvention:

https://pluralistic.net/2020/07/10/flintstone-delano-roosevelt/#medtronic-again

Of course, Apple is a huge fan of VIN-locking. In phones, VIN-locking is usually called "serializing" or "parts-pairing," but it's the same thing: a tiny subassembly gets its own microcontroller whose sole purpose is to prevent independent repair technicians from fixing your gadget. Parts-pairing lets Apple block repairs even when the technician uses new, Apple parts – but it also lets Apple block refurb parts and third party parts.

For many years, Apple was the senior partner and leading voice in blocking state Right to Repair bills, which it killed by the dozen, leading a coalition of monopolists, from Wahl (who boobytrap their hair-clippers with springs that cause their heads irreversibly decompose if you try to sharpen them at home) to John Deere (who reinvented tenant farming by making farmers tenants of their tractors, rather than their land).

But Apple's opposition to repair eventually became a problem for the company. It's bad optics, and both Apple customers and Apple employees are volubly displeased with the company's ecocidal conduct. But of course, Apple's management and shareholders hate repair and want to block it as much as possible.

But Apple knows how to Think Differently. It came up with a way to eat its cake and have it, too. The company embarked on a program of visibly support right to repair, while working behind the scenes to sabotage it.

Last year, Apple announced a repair program. It was hilarious. If you wanted to swap your phone's battery, all you had to do was let Apple put a $1200 hold on your credit card, and then wait while the company shipped you 80 pounds' worth of specialized tools, packed in two special Pelican cases:

https://pluralistic.net/2022/05/22/apples-cement-overshoes/

Then, you swapped your battery, but you weren't done! After your battery was installed, you had to conference in an authorized Apple tech who would tell you what code to type into a laptop you tethered to the phone in order to pair it with your phone. Then all you had to do was lug those two 40-pound Pelican cases to a shipping depot and wait for Apple to take the hold off your card (less the $120 in parts and fees).

By contrast, independent repair outfits like iFixit will sell you all the tools you need to do your own battery swap – including the battery! for $32. The whole kit fits in a padded envelope:

https://www.ifixit.com/products/iphone-x-replacement-battery

But while Apple was able to make a showy announcement of its repair program and then hide the malicious compliance inside those giant Pelican cases, sabotaging right to repair legislation is a lot harder.

Not that they didn't try. When New York State passed the first general electronics right-to-repair bill in the country, someone convinced New York Governor Kathy Hochul to neuter it with last-minute modifications:

https://arstechnica.com/gadgets/2022/12/weakened-right-to-repair-bill-is-signed-into-law-by-new-yorks-governor/

But that kind of trick only works once. When California's right to repair bill was introduced, it was clear that it was gonna pass. Rather than get run over by that train, Apple got on board, supporting the legislation, which passed unanimously:

https://www.ifixit.com/News/79902/apples-u-turn-tech-giant-finally-backs-repair-in-california

But Apple got the last laugh. Because while California's bill contains many useful clauses for the independent repair shops that keep your gadgets out of a landfill, it's a state law, and DMCA 1201 is federal. A state law can't simply legalize the conduct federal law prohibits. California's right to repair bill is a banger, but it has a weak spot: parts-pairing, the scourge of repair techs:

https://www.ifixit.com/News/69320/how-parts-pairing-kills-independent-repair

Every generation of Apple devices does more parts-pairing than the previous one, and the current models are so infested with paired parts as to be effectively unrepairable, except by Apple. It's so bad that iFixit has dropped its repairability score for the iPhone 14 from a 7 ("recommend") to a 4 (do not recommend):

https://www.ifixit.com/News/82493/we-are-retroactively-dropping-the-iphones-repairability-score-en

Parts-pairing is bullshit, and Apple are scum for using it, but they're hardly unique. Parts-pairing is at the core of the fuckery of inkjet printer companies, who use it to fence out third-party ink, so they can charge $9,600/gallon for ink that pennies to make:

https://www.eff.org/deeplinks/2020/11/ink-stained-wretches-battle-soul-digital-freedom-taking-place-inside-your-printer

Parts-pairing is also rampant in powered wheelchairs, a heavily monopolized sector whose predatory conduct is jaw-droppingly depraved:

https://uspirgedfund.org/reports/usp/stranded

But if turning phones into e-waste to eke out another billion-dollar stock buyback is indefensible, stranding people with disabilities for months at a time while they await repairs is so obviously wicked that the conscience recoils. That's why it was so great when Colorado passed the nation's first wheelchair right to repair bill last year:

https://www.eff.org/deeplinks/2022/06/when-drm-comes-your-wheelchair

California actually just passed two right to repair bills; the other one was SB-271, which mirrors Colorado's HB22-1031:

https://leginfo.legislature.ca.gov/faces/billNavClient.xhtml?bill_id=202320240SB271

This is big! It's momentum! It's a start!

But it can't be the end. When Bill Clinton signed DMCA 1201 into law 25 years ago, he loaded a gun and put it on the nation's mantlepiece and now it's Act III and we're all getting sprayed with bullets. Everything from ovens to insulin pumps, thermostats to lightbulbs, has used DMCA 1201 to limit repair, modification and improvement.

Congress needs to rid us of this scourge, to let us bring back all the benefits of interoperability. I explain how this all came to be – and what we should do about it – in my new Verso Books title, The Internet Con: How to Seize the Means of Computation.

https://www.versobooks.com/products/3035-the-internet-con

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/09/22/vin-locking/#thought-differently

Image: Mitch Barrie (modified) https://commons.wikimedia.org/wiki/File:Daytona_Skeleton_AR-15_completed_rifle_%2817551907724%29.jpg

CC BY-SA 2.0 https://creativecommons.org/licenses/by-sa/2.0/deed.en

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kambanji (modified) https://www.flickr.com/photos/kambanji/4135216486/

CC BY 2.0 https://creativecommons.org/licenses/by/2.0/

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Rawpixel (modified) https://www.rawpixel.com/image/12438797/png-white-background

[shelleysmary]

lots of fans have made valid points and written well-thought-out posts about the trop ai drama, so i'm not gonna rehash them, but i do want to bring up something that no one seems to be talking about and it's the impulse that leads people to plug these things into ai generators in the first place.

fandom over the last year especially has become increasingly toxic to the point that actual billion-dollar corporations are afraid it. the result is subpar, pandering films, books, and television shows that break no new ground, recycle old tropes, and sacrifice story integrity to avoid catching heat from the loudest, most entitled people in the room. i'm calling this an issue of entitlement first and foremost because the idea that the audience should have any say over a non-crowd-created media project is preposterous. deciding that the cons outweigh the pros of watching something and choosing to walk away without making a fuss is a lost discipline now because everyone with an internet connection and a social media account believes that their vision reigns supreme. "how dare this show downplay my favorite ship! they were supposed to kiss! that was the whole point! the absence of this one thing i had on my wishlist is a crime against me personally!" so they turn to ai and click some buttons and now these gifs exist and are being circulated with an air of "i've righted a wrong." worse, the use of ai in this way is being conflated with the creation of fanworks???

there are reasons why i don't believe the ai saurondiel kiss is on the same raft as, say, making them kiss in a drawing or a published fanfic, but my main concern is with the spirit behind each. fanworks are made in homage to the source material, even the fix-it fics. there is an acknowledgment, a separation even, between the television show and the fanwork. this separation is necessary and i would say even integral to the nature of fan creation, while ai closes that gap until it no longer exists. the elimination of space between creator and audience also happens on social media, when disgruntled fans who have taken umbrage with a fictional character or creative decision directly harass the writers or the actors involved. more and more, fans are demanding to be in the rooms, in the minds, and to exert control over the people who tell their stories, and it has only ever worked to our collective detriment. now i'm not saying that if you liked and shared the saurondiel ai kiss that you're the same as the internet trolls who harass (mostly) women and people of color online. but i'm begging you to do some self-reflection and ask yourself why you feel entitled to seeing what you want on your screen.

what has changed in the last few years that would make you dissatisfied with, say, reading someone's fic or making your own drawing? is it a matter of "the tool is there, so why not use it?" is it "i believe it should have happened and it didn't and i feel cheated?" or maybe there's been a pattern you've noticed in your recent media "consumption" (god, i hate that word) where, unless a show or television series goes the exact way you want it to, it feels like you've been defrauded somehow? i'm not being facetious. i'm inviting you to notice that what you're feeling is probably discomfort, disappointment, maybe even cognitive dissonance because you imagined it going one way, and now you're at a loss because it didn't. you built it up in your head, you had something to look forward to, you were convinced that it would happen, it was exciting and you were so eager to get to that point, and then.... and then...

we've all been there. and it sucks. but i also want to remind you of how important it is to preserve the separation. this space is ours. the writer's room, the filming set, the editing room, those spaces are theirs. the actors' likenesses are theirs. thinking beyond trop, the separation is how we get creative works that challenge us politically, emotionally, that make us uncomfortable and tell us important truths. writers shouldn't have to - and shouldn't FULL STOP - do what we want them to do. sometimes that means knowing when to walk away, when to say "i no longer enjoy this show, i will no longer support it" or "i will continue to watch but pretend things went differently," the latter of which has been the spark that has moved so many online fans to draw, paint, write, or sew. it's a type of creation that allows "canon" and "fanon" to exist parallel to one another. moreover, the effort it takes to make anything with your own two hands, with your own time, and with your own energy increases your appreciation for the creative impulse. films and books and television stop being "products" for your "consumption" because you're aware of what goes into them, and it becomes easier to look at things you don't like or disagree with and say, "you know what, i'm gonna pass," or "not in my headcanon."

oh, and by the way plugging things into an ai generator? is theft. the same way that it's generally frowned upon for people to use ai to, say, write the rest of an unfinished fic without the express permission of the fanwork creator, using the actors' likenesses to make them kiss goes against everything the actors' union fought for last year. i'll also add that it's incredibly creepy. almost all of us are in agreement that intimacy coordinators are a good thing because they act - again! - as a separation between what's "real" and what isn't, the same way going on ao3 and reading a fic that very clearly says on the tin that it's a fanfic, unaffiliated with the official ip, is a separation. it's another beast entirely to normalize fan-use of ai, to say you support creatives, support actors, support unions, and then do this in your personal life. i repeat the question: what impulse leads anyone to believe that this is okay other than a feeling of misplaced ownership?

tl;dr: ai nonsense does not belong in fandom spaces. (in my home state of california, it is illegal to use digital replicas of an actor's voice or likeness in place of their actual services without their informed consent [which, in spirit, is what you're doing by using ai to make your gifs]). we all just need to mind our own business and go back to writing our fix-it fics and complaining to our friends in relative peace. if you're finding it impossible to do so, ask yourself why. remember that fanart is our longstanding tradition. stop outsourcing it to an unregulated technology just because your two faves didn't kiss.

[marzipanandminutiae]

the one thing I am full-bore conspiracy theorist about?

daily contact lenses

or, well, not their existence, period. they're a valid health option that is best for some people, medically. but the sheer aggressiveness with which they're being pushed nowadays

the last few times I went to the eye doctor for my annual check-up, she was HEAVILY on my case to switch to dailies. like, to the point of arrogance and condescension when I said I preferred to stick with monthlies (I've worn contacts since I was 12, for reference). I also posted about it on a forum and got massive negativity in response, as well as being talked down to by someone claiming to be an optometrist himself

now if this were like...anti-vaxxer sentiment I'd understand that reaction. but from what I've heard, while monthlies do carry a higher risk of eye infections and such, they're not medically unsound or unsafe across the board. I'm willing to accept that risk, and since science has not found that they're terrible and should immediately be discontinued, I feel like my wishes should be respected and not belittled

point two: plastic waste. they say it's somehow less than using monthlies, but frankly I just don't see how that's possible. 365 of those little eye chips- times two! -and their packaging, add up to less than a case and a bottle of solution every few months, plus 24 contacts and their packaging? it doesn't make sense to me, and it doesn't help that I mostly see contact lens websites repeating this "fact." of course all contacts produce plastic waste, and I'd be perfectly willing to accept this as one of those You Have To Consume; You Just Decide What Areas Of Your Life Are Optimal For Minimization of Waste And What Aren't things, if dailies weren't being pushed so hard

(also I found two studies showing that monthly-replacement soft lenses produce less plastic waste than daily disposables. which, like. yes, this should be obvious, but here we are. granted, that's only two, and both studies emphasize that dailies and their accoutrements can be recycled, but see below)

some big companies have "contact recycling programs" but like. who's to say that's not greenwashing? where's the oversight? where are the investigations into what these programs actually DO? god knows we've been there before with recycling and corporations trying to pull the nylon-poly-blend Vegan Wool(TM) over our eyes

they're also more expensive than monthlies, which like. does not lend a positive slant to optometrists pushing them so stridently

on top of that, I and some other monthly users have noted that our contacts aren't lasting as long as they used to. for me, it was 17-18 years of smooth sailing with barely any problems, and as of like a year ago my contacts barely last two weeks without clouding up, ripping, chipping at the edges, causing my vision to blur, becoming uncomfortable...my brand did change around that time, so I hope it's just that, and the sample size of other monthly users I've pooled is VERY small. but it sure seems interesting that they suddenly started pushing a product that doesn't last long enough for people to notice low quality, around the time that at least some users of the longer-lasting version start having problems

you're pooh-poohing all of my concerns- which are indeed backed up by science, it seems! -with a "fix" that relies on big companies being honest about recycling, to push me from a non-ideal but still medically sound option to another that makes you more money?

I'm normally a pretty grounded person but I'm full-on tinfoil hat about this one

[vincentbriggs]

Mr. Fiberglass looks very dashing and extremely gender. May I ask how you made that mask? It looks great and I may want one for myself 👀

Thank you!

It was 8 or 9 years ago so I don't remember it super well, but it's mostly cardboard and papier mâché. I built the base using cardboard boxes and a lot of masking tape, and you can still see some of the tape and cardboard inside the snout.

I made the horns by cutting 2 identical spiral shapes out of cardboard, and stretching them like a slinky, which is a much easier way to get them to spiral and be symmetrical than starting out with a straight thing and curving it. I'm pretty sure I bulked them up and got them to stay in that shape by taping lots of wads of crumpled up newspaper to the sides.

I covered the whole thing in layers of very cheap paper towel and Elmer's art paste, and used that to add a few little ridges and such.

The texture on the horns was made by just wrapping one long continuous strip of paper towel around and around, straight off the roll. (It was the really cheap stuff with no perforations and with obvious flecks of recycled paper in it.)

I have a piece of polyester batting shoved into the top because I didn't quite get it to the same shape as the top my head, and it's a bit uncomfortable.

It's also very hard to see in! I looked at photos of real sheep skulls for reference, and I put the eyes further forward to account for my human binocular vision, but they're still really far back and hard to see out of, so you have to look out the nose too.

I seem to remember first painting it with glossy acrylic paint, and then repainting it with matte paints because it just doesn't look as skull-like when shiny. The shading is awful because acrylic paints dry so dang fast, so it might be nice to go back and refine the texture a bit and repaint it again someday, but that's not at all on my priority list right now.

I hope this helps, and that you have fun making one!

[wastemanjohn]

things i'm 100% convinced john winchester did:

slept on couches and floors in motel rooms so sam and dean could have the bed(s)

took dean and his girlfriends out for dinner and showed interest in them and told them embarrassing stories about dean and made sure dean was treating them right

told lame dad jokes and usually recycled the same ones. to the point where sam and dean finished them for him and he'd still find them funny

called sam's macbook "the computer with the apple on it". couldnt use his phone properly and sent many blank screens before he finally sent the SMS that just said "ok." and really could barely work a toaster.

attended all of sam's school plays that he could make and maybe cried a little bit because he was so proud

spent hours with dean as a kid teaching him about cars. dean didn't learn that from nowhere.

spent hours with sam as an (older) kid teaching him all the deep and nerdy lore because john was nerdy too and he enjoyed that sam was interested

bragged about his kids to anyone who would listen. people didnt avoid john because he was prickly and difficult to get on with they mostly avoided him because they didn't want to hear any more long stories about the shit his kids were up to and the latest clever thing one of them said

played dumb games with them when they were little kids and broke up their fights and did everything he could to keep it together around them even on his absolute worst days even if he wasn't successful all the time

he tried.

[vieshiftsx]

talking about my drs (but i prefer calling them "lives") that are not based on movies/tv shows:

: ̗̀➛ cafe owner life

my name is blaire rosewood and i own a bakery cafe in a small town. on the ground floor, it's just like a normal cafe with tables and chairs. on the second floor, it's a blend of library and cafe, where people usually go to, to study or work. multiple bookshelves are also provided for anyone to borrow or read books in the cafe. while i work mainly as the barista, my (soon-to-be) s/o works as the baker. all his pastries and cakes he makes are really good and they always get sold out by the end of the day.

: ̗̀➛ singer/songwriter life

my name is phoebe webster and i'm 23 years old. my first EP, "dreamer" was released in 2018 and most of the songs were about my celebrity crush at the time: ruel (I LOVE HIS MUSIC AND I LOVE HIM). this first album had a fair amount of listeners, but it was the only album that i never got any award for. then, in 2021, i released my debut album, "goddess" and i won my first ever grammy. at the time, i was 2 years into my relationship with ruel (he was LITERALLY my celebrity crush and i ended up dating him AHHHH). ALSO, my artist besties are laufey, olivia rodrigo and gracie abrams!!! there's a lot of things that i scripted to happen in this life, but i'll refrain from explaining everything bcs i don't want it to be too long 😭

: ̗̀➛ fashion designer life

i'm genevieve estelle and i own a fashion brand, "estelle". all my designs are sustainable because they're mostly recycled from used materials. on top of that, 20% of the profit will be donated to organizations that contribute to taking care of the environment. there isn't much i can talk about for this life because i decided to just follow the flow and not script any major scenarios that could happen. this is one of the lives that i don't script an s/o in.

: ̗̀➛ youtuber life

my name is phoebe claire and i'm a youtuber who mainly posts vlogs on my channel. i live in nyc and i have an apartment of my own. in my current life, i've always loved watching vlogs (esp the alexander siblings, saranghoe, michelle choi, daiz, alex bondoc, etc.) but i know deep down i can't be a vlogger like them based on my current circumstances. at least i can do it in another reality. plus, vlogging looks so fun.

[downwiththemutantnjnjaturtles]

Donatello's First Love—Splinter's Talk

mostly bayverse, could be 2003 if you squint hard enough. did it a little different with this one compared to the others :0 word count: 1.6k

Spanning his messy corner of the Lair, Donnie's many monitors mounted to the wall were alight with a blue glow. The same few camera feeds rotated between the locations outside of their home and other places, monitoring, and allowing surveillance to take a backseat in his mind while he worked. At his desk, he gently squeezed a pipette into the mouth of a breaker, waiting for the reaction he was looking for to occur. 

"Interesting," he mumbled to himself, "I wonder what happens if I were to supercool the mixture." 

He placed the substance in a tray and prepared another batch, this time, much more concentrated. There wasn't much to do around the house besides experiment with the materials he'd salvaged. That was fine; he enjoyed the process, and filling notebooks—and his walls—to the brim with chemical equations, notes and mathematics that hardly anyone but he could read. 

Careful with his large fingers to not drop the pipette, he sucked a few drops up from the test tube, going in to add to the mixture. He squinted, almost there. And then the startling alarm pinged on the screen next to him, making him jump and squirt the chemical on his work surface. He quickly wiped up and looked over at the computer. "'Motion detected: [y/n]'s apartment complex'," the screen read, switching camera feeds to one of the multiple tiny cameras he had set up. He only put cameras where he thought it mattered; he was paranoid about an ambush, and even more so at her place than theirs, now that she was coming and going from the Lair. The likelihood of their enemies finding out her association with them was about a fifty-seven percent chance, fifty percent too much for Donnie.

He scanned the monitor for signs of anything suspicious, but it turned out to be only a friend dropping by with a key to put a package inside, with [y/n]'s permission. 

"Oh," he muttered, suddenly feeling silly. He made sure the person left her apartment—and locked it back—before quickly switching the feed. That was his one secret nobody had managed to catch him out on yet. Even so, he felt slick and a little guilty for spying. But, justifiably, they needed to know if she ever was in danger! He dismissed the notification and rotated the feeds manually. "Whoops. Sorry, [y/n]...yeah, I'll just switch that back." 

He shuffled around to resume his work titrating. Except Splinter stood curiously behind the desk, eyes trained close on the monitors, and then Donnie. Donnie flinched—Splinter usually didn't come in or near his lab. In fact, none of his family normally bothered him when he had his nose in his work, because none of them understood it. Not even Leo bothered to try to get the details. The details went over their heads. 

"So, Donatello, what is it you are working on?"

"Oh, Master Splinter," Donnie greeted him, glancing back to make sure the monitor was no longer on the door to her apartment. He picked up the pipette and test tube he'd knocked over before, "What is it?"

"Refer back to my last question," Splinter replied. He leaned calmly against his cane and looked all around the cluttered lab. Notes taped, tacked, even glued to walls. A whiteboard full of impossible equations, various pieces of technology in disrepair he'd picked up from trash and things going to recycling. Quite the mess, but Donnie knew where everything was. Splinter cocked his head slightly. "What disorganization," he commented.

"Disorganized to you," Donnie corrected with a smile, "but I can find anything I'm looking for—it's actually 'unorganized', implies that it never was organized. The definition of 'disorganized' suggests that something once was organized but now isn't, but I never once had this place in order," he rambled. 

"Donatello," Splinter interrupted. Once his son got talking, it was hard to stop him. He just had to interject to get a word in. "What is it you are doing? You have been very unfocused lately. This is strange for you."  

"Unfocused" was an understatement. With a mind already running miles per minute, he was getting caught up in his own head. Getting his work station back to a functional state, he set up his tube tray, answering, "Titrating these and writing out their chemical equations. The brain's like a muscle, gotta exercise it and stay sharp," he said. And with all that sharpness, he was only half-suspicious as to why Splinter was suddenly interested in what he was doing. 

Splinter nodded. "Then I must not have seen miss [y/n]'s apartment complex on your screen. Carry on." 

Donnie froze, watching Splinter out of the corner of his hazel eyes. His stomach dropped. So, it was one secret—they weren't going to understand, he was just as protective of their home, too! What if she couldn't call the police, or even them in time if someone broke in? Her apartment wasn't in a good area, Donatello already didn't like that. What if someone grabbed her? He couldn't put his mind at ease without knowing. 

"I—well, this was a recent development, you see," Donatello stuttered, fidgeting with the purple wraps around his hands. He realized then how weird it all looked and panicked. He'd never meant for it to go this far; his cautionary measures just kept escalating more and more with his feelings for her. "I swear, it's just outside of her place! I would never put a camera in her apartment, that would be creepy, and way overstepping," he explained. "I told her I'd always look out for her and that she can count on me."

"Oh, I suppose it's no problem, then, since she gave you such consent," Splinter said, looking away momentarily to scratch his chin. His eyes snapped back over to his anxious son and popped a hairy brow up as he knocked the end of his cane on the floor to grab his attention further. "Is that right, Donatello?" 

He wanted to go into his shell. I'm busted, this is not good. "Don't tell her! So, I, um…I didn't exactly…" The thought trailed off. He didn't need to finish that sentence for both of them to know. 

"Precisely my point. Now that we have made that clear, would you like to tell me what this is really about?" 

"No! I mean, I will, since you're asking, but—agh, I swear, I'm not a creep," he said. "I just wanted to make sure she'd be okay. That's it." 

Splinter crossed behind his desk, slipping an arm around his son's shell. Donnie wanted to pull away. "Come with me. Let's take a walk." 

He led them out of the Lair into the tunnels outside their home. They could loop around easily and end up back at the Lair, and Splinter knew Donnie was going to resist talking if the others could be around to hear. Sometimes, you must play on other people's terms, he thought, listening to the quiet drip echo as they ambled through the sewer. He figured it was time to do a little damage control, although he normally pledged not to interfere with his sons and them making their mistakes. However, he didn't want to see Donatello make a potentially hazardous one to himself. 

"Now, you must understand, my son, you cannot know everything at once," Splinter said, avoiding an accusatory tone. "You have a brilliant mind, but you certainly don't tend to see the obvious." 

"What do you mean, master?" Donnie questioned. The "obvious" being under any other circumstances, his actions would definitely be seen as "creepy". The notion flew right under his radar as something to worry about, as their circumstances were anything but normal. 

"Of course, you are a young man, you want to watch out for the one you love," Splinter pointed out. Donnie cringed, even though he hasn't made much of an attempt to hide that fact. He was excited to explore something new, why should he have hidden thos feelings? He didn't shout them to the world. But it was well-known among their family that he'd beaten his brothers to the punch when it came to her, and no going for it was an unwritten but understood boundary. Still, this wasn't a conversation he was prepared for have tonight; his mind was still back at his lab.

"About everyone but Michelangelo has noticed you've been retreating to your lab more often recently." He chuckled. "And your antics around her are obvious, again. Loosen your grip a little. You are annoying your brothers vying for her attention." 

Donnie felt a rush of embarrassment come over him. Yes, he was showy—expressive, maybe too quick to whisk her away to demonstrate his new inventions, the stuff he'd discovered. Donnie knew he could hyperfixate on and obsess over things; she was on his mind more than not. As for annoying his brother, he wasn't the strongest, but he was the smartest. He was much more eager with his staff and putting his siblings back in their lane when she was around. The electric component on his weapon came in handy for quick corrections, and goofing around. 

Through all of that, he remembered having a moment of clarity when she was inspecting his computer setup one night and the camera almost flickered to hers, to which he scrambled to shut it off. Conveniently, he brushed that aside. 

Donnie lifted his goggles, rubbing his face sheepishly. "I guess you're right," he admitted. 

"The things you do for love," Splinter shook his head. "Be sure you do not push her away by accident. You are fortunate I had the mind to come talk to you about this before you made a mistake and a fool of yourself. Consider it a fair warning," he said as he looked over at his son, who waited quietly for him to continue, "to not overstep." 

"I understand, loud and clear." 

Splinter nodded in agreement, "Good. I trust you will take this advice well. You have a good heart and good intentions, Donatello, do not be clouded by your mind. Your brain is not your only quality."

"Thanks, master Splinter. I'll let up on it," Donnie relented with a small smile. He was still uncomfortable, feeling a bit dumb. He always was so caught up on making predictions, keeping everything running smoothly and safely that he didn't always consider how that worked for other people. Just because it made sense to him, didn't mean it made sense to them. Note that for later, Donatello, he reminded himself. He turned around to head back to the Lair. 

Splinter stopped to take in a little sunlight from the grate above his head, stopping Donnie in his tracks. "Oh, and Donatello," he called. 

"Yeah?" 

Splinter assumed parental status, and Donnie knew that scolding tone all too well. "Tell her about it, or turn that damned camera off." 

~wooOoOOOoooOooOooo partitionnnnnnn~

Side rant: I actually hate it when people portray Donnie (except for 2012 iterations) as shy and unconfident. He is literally the opposite in 2003 and Bayverse. Donatello is not "a little baby uwu" and I'm tired of people making him look so meek 😭

[whatsnewalycat]

No Strings Attached

Dieter Bravo x OFC Louella - Psychomanteum AU

[ psychomanteum masterlist ][ ao3 ]

WC: 2.7k+

Tags/Warnings: lua 2nd person pov, ghosts, psychomanteum au where they were together in spring, set after chapter 2, bickering, alcohol, drugs, addiction, ethan, anonymous sex mention, a boat load of sweeet sweet yearning folks

Notes: This is a doc I just found in my Psychomanteum folder. I think this is what I was originally writing for Chapter 3, but changed direction. Some of these conversations and prose proooobably got recycled into different chapters, but I can't remember. ANYWAY it's cute so I'm posting it as a Psychomanteum AU Snackie Poo (i'msosorryforsayingthatohmygod)

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Since Katie’s party, the two of you have hung out a handful of times, mostly with Parker, going out to a bar and having a few drinks. Between whatever actor things actors do while they’re in the city, he’ll sometimes text you to see what you’re doing, and what you’re usually doing is baking. 

It surprises you a little every time he comes over. Why would an exciting guy like this want to hang out in your apartment while you work? Not that you mind. The company is nice. Most of the time he’ll chat with you while he sketches and happily disposes of any defective product. Sometimes it goes quiet while the two of you concentrate on your respective tasks, but it doesn’t feel awkward. 

This is the modus operandi when Dieter slides his pencil it into the spine of his sketchbook and studies you, “Do you believe in ghosts?”

Out of breath from rolling out puff pastry dough, you look at him and pant, “What?”

“Ghosts,” he leans against the counter, pressing his thumbnails to his lips as he waits for your answer. 

You huff, setting your rolling pin down, and remember the picture frame on the spare bedroom floor. The face you imagined you saw in the mirror. Sometimes you hear noises in that room, but can’t bring yourself to investigate. The only time you enter the room is to get supplies, and even then, you speed run and don’t dare look up at the mirrors. 

“No,” you avert your gaze from his and turn around to wash your hands in the sink. 

“Wow, you’re a terrible liar.” 

You turn around and gape at him as you dry your hands, “I have no idea what you’re talking about.” 

“So you do believe in ghosts, got it,” he gives you a cheeky grin. You roll your eyes but don’t deny it. He leans forward onto his elbows again, “If I tell you something, will you think I’m crazy?”

“Dee, I texted you yesterday and asked if you think that Avril Lavigne is really herself or a body double. I don’t think I’m qualified to make any judgments on the sanity of other humans,” you toss the kitchen towel over your shoulder, then start folding the dough into layers. 

He tilts his head and frowns, then points at you, “I think you might be onto something there,” then shakes his head, “Ok, well…” 

His Adam’s apple bobs and his eyes flick to the spare bedroom door. You stop folding the pastry dough and stand up straight. A shiver runs down your spine. He gnashes his jaw back and forth, then takes a deep breath, “I see him sometimes.” 

You shake your head and search his eyes. Not out of confusion. You just don’t want him to say it. 

He slides his sketchbook across the counter, flipping it around so you can see what he drew. There, sketched in graphite on the creamy paper, is your husband. He’s standing in the open doorway of the spare room. The illustration is unruly, yet intricate. Your mouth falls open as you press your fingertips to his face, and you feel his sorrow. So much so, you flinch back and shake your head again, “Sorry, um, I–”

Dieter watches your eyes start to well with tears and his shoulders slump, “Fuck, no, I’m sorry. I shouldn’t have said anything.” 

“Is he still there now?” you whisper, meeting his big, sad, brown eyes. 

They flick to the door and back to you, and he gives you a nod. Your stomach drops to the floor and the hair on the back of your neck stands up. 

“I need to leave,” you announce, throwing the kitchen towel off your shoulder onto the counter, then take off your apron and drop it on the towel, “Right now. I have to leave.” 

He stands up off the stool, pushing it out behind him, pointing to the puff pastry, “Should–I, uh, should I wrap that up?” 

“Um, y-yeah, put it in the fridge, thanks,” you walk around the counter and past him to grab your purse, shove your feet into your boots, then walk out the door and wait for him in the hall. 

He emerges while putting on his jacket, then you lock the door and start toward the elevator. The hall is silent except for the rustling of their clothes and footfalls. You slap the down button on the elevator and cross your arms. 

“He was trying to talk to you,” Dieter explains. 

You shake your head, “I don’t care.” 

“You don’t care?” he challenges. 

“Mhmm,” you nod, hitting the button again, harder this time. 

“Terrible liar,” he mutters to himself, then stares forward at the elevator doors. And he probably thinks he’s being funny. But it’s not funny. You don’t react. 

Once the elevator dings, you’re inside, pressing the doors closed button before they even open all the way. He steps onboard. They accordion shut. 

“Hey, sorry, I didn’t mean to freak you out,” he tells you earnestly. In the foggy reflection of the stainless steel doors, you can tell that he’s looking at you. 

“Well, you fucking did,” you snap, and wish you could take the words and shove them back into your mouth. He faces forward and his gaze drops to his feet. 

The doors open and Dieter pushes out in front of you, storming out of the building. By the time you make it outside, he’s gone. A pang of guilt stabs through your chest. The cool, dewy air sticks to your skin and makes you shiver. You regret not grabbing a jacket, but start off towards your favorite hole-in-the-wall bar anyway. 

O’Malley’s is a dingy dugout bar about a block away from your apartment. It’s so dimly lit in contrast to the bright afternoon sun, you have to squint and go off of muscle memory when you walk in the door. On a Tuesday, during daylight hours, when the temperature outside is finally warm enough to melt the gritty snowpiles that have been accumulating for months, the establishment is essentially empty. One sad sap sits at the bar, jacket hanging off the back of his stool, staring down at the lowball glass clutched in his fist. He’s leaning onto the bar with a ringed hand propping his head up. 

You approach and pull out the barstool next to him, droning, “Hey there.” 

Dieter casts a glance to you with a raised brow, then scoffs when he recognizes you. He lifts the glass to his lips and empties it into his mouth, then pushes his sweater sleeves up to his elbows.

Nick, the portly bartender you see here frequently during the week, approaches, “The usual?”

“Yeah,” you nod towards Dieter, “I’ll get his, too.” 

“You don’t have to do that,” he sits back and pulls a wallet from his pocket, then throws some bills on the bar top, “I was just leaving.” 

Fucking hell. 

“Dee–” you reach out and touch his arm, and he turns towards you and stares expectantly. You chew on your bottom lip, dropping your gaze to the floor before sighing, “Please stay. I’m-“  

Nick returns with a whiskey neat and vodka cranberry, sliding them in front of you and Dieter before asking you, “Tab?” 

“Yes please,” you answer with a polite smile, then turn back to Dieter, whose scowl has softened, “C’mon.” 

He sighs and his shoulders release, then he relaxes back into the barstool. Neither of you say anything as you take a sip of the drink, then you turn to him, “I know. Like, um. I know that he’s there sometimes. But I don’t—“ you shake your head, “I don’t want to know.”

He sits up and leans his elbows against the bar, turning to watch you. You chew on your bottom lip and watch the ice cubes clink together as you stir your drink. 

“What was he trying to tell me?” you ask finally. 

“I don’t know,” Dieter frowns, “I couldn’t tell.” 

You saw Ethan cross into the threshold. Through some kind of an otherworldly osmosis, he was absorbed by the membrane that met the two of you at the end of the silent, iridescent wormhole. 

“Why would he come back?” you whisper, mostly to yourself. 

“Why do any spirits come back?” Dieter shrugs and takes a big sip of whiskey, “Unfinished business.” 

All you can think is that it better be a fucking apology. He owes you that much. Ethan was so fucked up that night. Did he even know what he was doing? Or had he been planning it? 

The man that woke you up in the middle of the night on Christmas and made you get into his car with the intention of totaling it… that wasn’t the man you married. You wonder how much coke he had really been doing in the weeks, maybe even months, leading up to the accident. Towards the end, it became commonplace for him to be out all night without explanation. 

He would stumble in at 7am, talking a million miles a minute, a sharp sniff interrupting his monologue every 10 seconds, hands trembling like your grandma’s when she started showing symptoms of Parkinson’s disease. When he finally crashed, he’d go to bed and sleep until the sun went down, where he would isolate himself for a day or two. Then he would go out to run orders to your clients and not come back until 7am. Rinse, wash, repeat. 

One night, when big, fat snowflakes were fluttering to the ground outside in big, he was standing in front of all the order boxes ready to go, making sure he had everything. You came up behind him and wrapped your arms around to his chest, laying your cheek against the back of his winter coat, “Can you come home tonight? I miss you.” 

“Baby, I’m with you all the time,” he chuckled, placing a hand over yours, rubbing his thumb against you affectionately. 

“That’s not what I mean,” you told him quietly. His thumb stopped undulating and his body tensed. Your heart was pounding in your chest when you finally admitted out loud, “I’m worried about you, Ethan. I think it’s becoming a problem again.” 

You let go as he stirred beneath your embrace, turning around to face you. His body only became more rigid, shoulders tensed up to his ears, jaw gnashing, as he assured you, “It’s not a problem. I promise. I’ll come home after dropping these off, ok?” 

He pressed his lips your forehead, sealing his promise with a kiss, and you mumbled, “Ok.” 

He didn’t come home until the next morning. You weren’t surprised. 

“You ok?” Dieter nudges you. 

A lie waits, ready to roll off the tip of your tongue. Instead, what comes out is the truth. 

“No. I don’t think so,” you take a sip and look down at your drink, “But, what can ya do?” 

“Mmm, I think I have something that could help,” Dieter mutters in a suggestive tone. Your heart skips, then you look at him and realize he’s pressing a joint up between his lips, “Wanna go for a walk?” 

This brings a smile to your face, but you protest, “I didn’t bring a coat, it’s still chilly outside.” 

The joint bobs as he frowns and grabs his jacket, “Use mine. I’m fucking sweating, anyway.” 

—

The passersby barely pay the two of you any attention as you stroll at a leisurely pace through the park, passing the joint back and forth. His sepia fleece jacket hangs down to your knees and keeps you almost too insulated. 

You close your eyes and take a deep breath, tasting the vapors of melting snow clinging close to the earth. The sunshine seems to melt away the foul mood you were in earlier. In your euphoria, you trip on a crack in the pavement, stumbling a bit. You steady yourself and giggle in embarrassment. 

“So glad you don’t have anyone following you with a camera right now,” you comment. 

Dieter plucks the roach from his lips, holds the intoxicating smoke captive in his lungs, and offers it up to you, “How do you know we don’t?” 

You scrunch your face up and make a full 360, scanning for any potential paparazzi, and shoo the roach away. He exhales and shrugs, then tosses it into a disintegrating snow pile, “I’m just kidding, I think I’m off their radar for the time being.”

“Yeah? Have you been a good boy, Dee?” you giggle. The way his whole body seems to perk up at the question is not lost on you. 

“Not so much that as I’m not the biggest shitheel in the media at the moment,” he smirks, looking you up and down through his sunglasses. 

You hum and nod, although you have no idea what he’s referring to, “Ah, yes. That one guy did that one thing.” 

He laughs, “There’s always another guy doing another thing. It never fails.” 

“Ol’ reliable,” you respond, then tilt your head in curiosity, “How is your divorce going, then?” 

“Boring, next,” he groans. 

“No no no, sir, you told me my dead husband is haunting my home today. Even the scales.” 

“Are you sure you’re not the press?” he raises an eyebrow at you. 

And, of course, it’s a joke. But that side glance gnaws at your gut the same way that Ethan’s narrowed eyes did. Looking at you like you’re an informant. 

‘I didn’t tell anyone about the ink, Lou.’

“What?” your shoulders slump. You come to a standstill, and stammer, “I wouldn’t–no, what?” 

He stops, too, and turns to you, “I’m just kidding, Lua.” 

“Oh,” you breathe a sigh of relief, “Ok. I’m not, um, trying to be snoopy.”

“You are way prettier than a cartoon beagle,” he smiles, then starts walking again. You catch up to him and try not to let the way your stomach flutters show on your face. It does. He smiles wider, then it fades to a frown as he shrugs and scratches his neck, “The divorce is going. Annie is staying at the house until it’s finalized, so I’ve been living out of hotels, which gets old,” a sly smile creeps across his face, “It is a little easier on the dating front, though. Living in hotels, that is.”

“Why’s that?” 

“Sex is just better in a bed. A little more room to work with than the bathroom of a club or the backseat of a car, you know? Plus, then they don’t feel like they have to leave right away.” 

“That’s probably why I prefer those places. Don’t have to stick around afterwards.” 

He grins at you, “Is that right?”

Something sparks at the middle of you when you look over at him and shrug, then he licks his lips and nods, looking ahead. 

“So you’re dating people?”

“I don’t think dating is the right term,” you frown, “More just, um… casual sex, I guess.”

He raises an eyebrow at you, “Since when?” 

“Does it matter?” you tuck your hair behind your ear and look down. 

“No, not at all,” he nudges you, so you look at him and see the good will on his face. “I just… Well, I’ll really kick myself if I could have been begging you to sleep with me this whole time.”

Your mouth is all of a sudden very dry. You blush and chuckle, then shake your head, “I’m looking for no-strings-attached situations.” 

“I am all about no-strings-attached,” he touches his fingertips to his chest and grins, peaking his bloodshot eyes over the rim of his sunglasses. 

“Mmm, no, see, we have strings,” you sigh, then count each of the following points on your hands, “I don’t fuck clients. Or friends. Or celebrities going through very public divorces.” 

Or people I have a big, giant, throbbing crush on.

“My heart,” he clutches the front of his shirt theatrically. 

You giggle at his reaction. The conversation dies momentarily, and the sounds of the city fill the cool air between you. You feel compelled to elaborate, “I’m not ready. With the dead husband and all that. I don’t want a pity fuck, or a goddamn significant other. I just want to get off, then I want it to be over. No strings.” 

He nods, shoving his hands into the front pockets of his pants, “No judgment here, m’dear.”

[lunabug2004]

I want to start this by saying I'm not completely anti-Mileven. I do think it's possible that Mileven could be endgame and I'd still be mostly happy. Some stuff wouldn't really make sense to me but it's whatever, I can probably live with that. That being said,

if Mileven is endgame, it'd be so terribly boring.

The same thing over and over, with them being separated and brought back together every single season, and then also the whole "I love you" issue being recycled from s3 to s4 for no apparent reason. The same couple people thought were adorable by the end of season 1 are not going to be the couple everyone thinks is adorable by the end of s5. I'm sorry but by this point, Mileven are the most boring choice of an endgame couple.

[shinidamachu]

kagome higurashi, occupation: it girl

We're constantly talking about what a fashion icon Kagome is, but I haven't seen many actual analyses of her style or how it got translated from the manga to the anime, so I thought it was a fun, innocuous discussion to have this @inuvember. I'm not an expert on the subject by any means, but here's a compilation of my observations.

The first thing I noticed is probably the most obvious: she thoroughly enjoys showing off her legs, which she does by wearing an obscene amount of skirts, rarely jeans and never shorts, not even as a PJ.

The interesting detail is that she mostly pairs them off with a top that would completely cover her arms and shoulders, which is smart because puts her legs even more in evidence and brings an elegant balance to it. Sundresses seem to be the only exception to that rule:

Now, when it comes to prints, the anime left me the impression that she favors solid blocks of colors rather than especific patterns, but comparing to the manga it's easy to see that's just not true.

Not only does Kagome rock any print she wears, she also seems to have a preference for plaid variations.

Sadly we only got to see in the anime through the sundress above and the iconic Day of Days outfit (the high school uniform doesn't really count).

She likes her flowery patterns as well, although that's only really a thing in the manga. Of course, I understand Sunrise probably toned down this aspect of her clothing choices to make them easier to animate, but we can still mourn it.

The next one is particularly sad to me because it was one of my all time favorite manga outfit of hers and they replaced it with one she had used before in The Soul Piper and the Mischievous Little Soul.

The same outfit was recycled again in Sota’s Brave Confession of Love. It was literally copy and past, except for the colors.

And to add insult to injury, this was the original look:

Another thing that was pointed out by @kagomehigurashi in this amazing post is that her "stay at home" clothes are incredibly versatile: she can go from very fashionable sweaters to her fun SHAM shirt collection just like that. But when she goes out, she goes all out.

Overall, I think we can conclude that her wardrobe was pretty colorful. Especially in the anime, there's not a lot of black, if any, and Kagome tends to go for pastel. She also seems to be a big fan of overlaying: her outfits are often completed with cardigans, coats or jackets.

Plus, I'd say comfort is a priority for her. The vast majority of her clothes don't seem restricting at all and her shoes consist basically on loafers, sneakers and ballet flats. Even the heel we saw her wear once was of a wedge type.

She rarely uses accessories, but she limits herself to one or two when she does. It's usually a purse and some jewelry or belt (at least in the manga). Her hair is always down except for the occasional braid (also only in the manga), PE ponytail and bath bun.

It could have been interesting if Takahashi had also used Kagome's fashion sense to showcase how much she changed during her journey, but Kagome's style remained extremely consistent. I guess she found it very early on what she was about. I'd describe it as romantic boho, but I don't even know if that's a thing.

What I do know is that it was far from basic, that she appeared to be having a lot of fun expressing herself throught it and that it felt more mature in the manga, even if most of them are just covers or bonus art.