#so i’m telling you here

[emily-rambles]

🖤🖤🖤🖤

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

[merlins-art]

Pathetic podcast protagonist is such a male dominated industry

Petition for more women to be pathetic podcast protagonists. Like yes queen, experience the horrors

[cable-salamdr]

They proceeded to recreate all of motm. Geo got to dress up as the munce queen and felt very smug about it.

(We are pretending it is still Halloween for me and not past midnight since an hour. Thank you.)

[spitedemon]

i really don’t think it’s “typical dragon age fandom nonsense” for people to be genuinely upset about the world state choices. combat, level design, art direction, gameplay gimmicks, those have all varied across each dragon age game. the one thing that’s remained constant are nods to our previous choices.

i wasn’t expecting my HoF to come riding in on a griffon, but i can’t find a monument dedicated to warden tabris somewhere around the anderfels? lucanis couldn’t have some lines about the time that one arainai boy was stirring up trouble in antiva city? you’re gonna tell me that making a mage the new divine wouldn’t have some impact on nevarra and antiva? on the anderfels, the supposed most devout militant andrastian nation in thedas? you’re saying nobody in the north is paying attention to who rules orlais or ferelden? come on.

[noodles-and-tea]

MY BBG POOKIE PIE!!!

[bookalicent]

yeah so this was insane

[loosethreadsofyoursoul]

the degree to which magic in bbc merlin is an allegory for queerness is insane. what do you mean people with magic hide in fear for their lives because it’s illegal. what do you mean merlin’s mother sent him away to the big city bc she was afraid of what would happen if their small town found out he had magic. what do you mean merlin is taken in by an unmarried old man who used to practice magic but can’t anymore. what do you mean morgana was morally on uther’s side until she realized who she was and that he was wrong for wanting people like her dead. what do you mean anti-magical propaganda spreads misinformation that all magic is evil and everyone who practices it is also evil and should be killed. what do you mean there’s a recurring underlying theme of magical being solidarity

[ghostpunkrock]

when you ask him directly he says no but later he'll tell you one anyway.... real fucked up

[kennico]

taom cast in their respective art styles! (spirit of pip possessed me to do this)

[moonyswoony]

Lost and found

Pairing: Five hargreeves x reader

Summary: You an Five discover more than just plants and strawberries in the greenhouse

Warning(s): kissing, fluff, nothing really

“What the hell is this place?” Five muttered, his voice tinged with suspicion.

“Beats me,” you replied, stepping further inside. “But it’s not like we’ve stumbled upon a better place than this one so far.”

The two of you had been on the run for what felt like an eternity. Your attempt to figure out the subway had gone sideways—again—and now you were stuck in this strange, green timeline with no clear path back.

Five stayed close as you ventured deeper into the greenhouse, his sharp eyes scanning every inch. “This doesn’t make sense. None of this should be here.”

You brushed your fingers against a nearby vine, feeling the life pulsing through it. “Maybe this is just a small piece of the world that refused to die.”

Five huffed, the ghost of a smile on his lips. “That, or we’ve stumbled into some kind of twisted fairytale.”

“Great. Does that make you the grumpy old troll under the bridge?” you teased.

“If I’m the troll, that makes you the annoying adventurer who won’t stop asking questions,” he shot back, though his tone was more fond than bitter.

As you explored, you found yourself drawn to a patch of strawberries growing along the far wall. They were perfectly ripe, a vibrant red that stood out against the greens and browns around them. Without thinking, you plucked one and popped it into your mouth, savoring the sweetness.

Five watched with raised eyebrows. “You sure that’s safe?”

“If it’s not, at least I’ll go out with a decent meal,” you replied, plucking another and offering it to him.

He hesitated, then took it, biting into the fruit with a thoughtful expression. “Not bad.”

“High praise from you,” you quipped.

There was a brief, comfortable silence as you both absorbed the strange beauty of this place. The tension that had been winding tighter and tighter over the past few days—or even years—slowly began to ease, the peacefulness of this place working its way into your entire being.

As you wandered deeper, you came across a patch of wildflowers bathed in golden sunlight. You knelt to touch them, their delicate petals soft under your fingers. “This feels like a dream,” you murmured.

“Or a trap,” Five countered, though his voice lacked its usual edge.

You looked up at him, catching an unguarded expression in his eyes,something softer, more vulnerable than you were used to seeing. “Five?”

He stepped closer, the sunlight casting a warm glow across his features. “You’ve always been fearless,” he chuckled,though his voice was quieter than usual.

You blinked in surprise. “What are you talking about? I’m not fearless, I’m—”

“You are,” he insisted. “And I should have told you sooner.”

“Five…”

“I’ve spent so much time trying to fix everything, trying to keep us all alive, that I forgot there are things I want, too,” he said, his gaze pined on you.

His words hit you like a punch to the gut as you realised what he was implying—not in a painful way, but in a way that left you breathless. You had always known there was something between you, a connection that went deeper than partnership or friendship, but his words still had that affect on you.

Without giving yourself time to overthink it, you reached up and pulled him into a kiss. It wasn’t rushed or frantic, but slow and deliberate, a promise in every brush of your lips against his. Five responded in kind, one hand slipping around your waist while the other cupped the back of your neck, holding you close.

The kiss deepened, his tongue teasing your lower lip before slipping into your mouth. You felt your knees weaken as a wave of heat washed over you, your fingers gripping the front of his shirt as if to support yourself. His hand slid down your back, pulling you flush against him as the kiss grew more intense, more desperate.

It was a kiss that spoke of everything you had both been holding back,years of unspoken feelings, of missed opportunities, all coming to the surface in this one, perfect moment.

When you finally broke apart, both of you were breathing hard, your foreheads resting against each other as you tried to catch your breath.

“I love you,” he said, his voice rough but certain.

You smiled, your thumb brushing against his jaw. “I love you too.”

For a moment, you both stood there in silence, the reality of what you had just confessed settling over you like a warm blanket. The world around you didn’t feel as interesting anymore, not when he was in front of you.

Five glanced around at the greenery, his expression contemplative. “You know, we don’t have to leave right away.”

You raised an eyebrow. “You want to stay?”

“Just for a little while,” he admitted, surprising you with the softness in his voice. “It’s been a long time since we’ve had a moment of peace. We could use the rest and some proper food.”

You looked around at the lush greenery, the golden sunlight filtering through the broken skylight, and felt a sense of calm settle over you. “Yeah,” you agreed, smiling up at him. “Let’s stay.”

With that decision made, the tension that had been a constant companion began to melt away. You found a spot to sit, leaning against a wall covered in ivy, and Five joined you, his hand finding yours and holding it tightly.

For the first time in what felt like forever, you let yourself relax. No missions, no timelines, no disasters—just the two of you, in a place that felt almost unreal.

Five squeezed your hand, drawing your attention back to him. “You know,” he said, his voice low and teasing, “if we’re staying here, we might as well make the most of it.”

You grinned, leaning in to kiss him again, this time slower, savoring every second. “I couldn’t agree more.”

[littlenastieswewhispered]

“buffy ended the show single :)” ok but only because her current love interest just DIED!! (he near quite literally died in her arms! in sacrifice for her!) her last words of the entire series were telling him she loves him and then saying his name in admiration. she isn’t single; she’s a widow.

[revvethasmythh]

Thinking about Caleb “I-use-people’s-full-names-to-show-intimacy” Widogast and the way he calls Veth “Veth the Brave.” It’s not all the time—it’s rarely used, actually, saved for specific moments, only when he’s using the fondest of tones, with the most admiration, and how calling her that is more intimate than just “Veth Brenatto.” Because Veth the Brave is both of her identities. It’s Nott and it’s Veth, it’s their co-mingling, it’s her in her entirety. Veth the Brave. That’s why it’s so intimate, because he is speaking to all of who she is

[withdenim]

How sad to watch him grow

[hue-makes-burgers]

I COME WITH A GIFT

here’s some of the individual art:

and the original text post:

[jabesa0]

⚜️wear the hat, ride the cowboy⚜️

This one has a nsfw ver. too! The link to it is on my Twitter!