#so i wonder how parallel canon would work?

[vesselofmanythings]

Agent 4 thoughts.......

[mariyekos]

Imagining a scenario where at some point Dante and Lady get married purely for practical purposes (like if she gets hospitalized so Dante can visit/make some decisions) but Lady ends up dating Trish so Dante's like

[beifong-brainrot]

Aang is great because almost every ship you can put him in instantly becomes top-tier.

Like:

Kataang- they literally make me cry every single time I think of them. Their love story is wonderful and genuinely heartwarming. It symbolises healing and peace for both of them and the literal world. He showed her the world and he's her biggest supporter and she always defends him and they find solace in each other because they understand what it's like to be the last of their respective kind. And they're each other's hope and just... ahhh. They're so much more than the vanilla hero gets the girl ship people paint it as. Haters stay mad or smth.

Zukaang- the symbolism? They're the actual Ying and Yang of the show! The Rozin parallels? Them standing in a vortex of rainbow fire as two dragons (the blue one like Aang's tatoos facing zuko and the other one, red like Zuko's general colour scheme facing Aang) forming a heart shape around them? Zuko was literally searching for Aang and found his redemption in Aang and Aang made him a better person and Aang is literally the only person who genuinely experienced Fire Nation culture before the war and he clearly values it and he's helping Zuko bring peace to the world and the nation...

Taang- The og tomboy x soft boy dynamic. He's literally the person that helped her free herself from her parents and Air is the element of freedom? And she teaches him when to stand firm like the Earth? And I love when they do synchronised earthbending it's so satisfying and they work so well together. Toph having lost her face in one of Aang's nightmares is also a nice parallel to Ummi and Kuruk. (One caveat though: i hate taang being used as a "get Aang out of the way" side ship to Zutara)

Sokaang- they kinda come out of left field for me but the more I think about them the more obsessed I become. It's all about a teenage boy who has been forced into a role that demanded way too much of him finally learning to trust and rely on others. It's about Sokka finally living out the childhood that he was forced to grow out of. Sokka also has such a cute bond with Momo and more importantly, Appa, Aang's animal soulmate. The fics write themselves.

Sukaang- ok, I know Suki and Aang barely interacted in the show but like Hear me out.Suki is so connected to one of Aang's past lives. And she saved Appa, which would totally bond her and Aang (genuinely distressed that this was never discussed in canon). And they both value a sense of community so much, and Aang was one of the people who inspired Suki to leave Kyoshi to help others. Plus, there could be some amazing Rangshi parallels if Suki became Aang's bodyguard instead of Zuko's, which could be very plausible.

Azulaang- I adore this ship because I genuinely think Aang could really help Azula find her redemption. Hell, he was so nice to her in The Search and she literally killed him. Plus I've already laughed about how it would absolutely kill Ozai. The mental crisis Azula would go through due to fallingin love with Aang would be hilarious, and also the guilt over everything she's done, as Aang's kindness makes her realsie she was on the wrong side this whole time. He's one of the only people who can beat her at her prime and he doesn't seem to fear her at all, which is rare for her. Aang could give her the unconditional love she so desperately craves and needs.

Maiaang- genuinely adorable to me. Other than the obvious grumpy x sunshine trope, Maiaang has a lot of potential. Mai seems to genuinely like Aang in the comics, which is really cute. I also think Aang would be able to help Mai express her more positive emotions, other than just anger. Also something about the girl who was forced to remain silent and passive her whole life learning to finally let go and allow herself to just live with the help of probably one of the most active and expressive characters of the show has me by the throat. Plus, he got along great with her lil bro!

Tyaang- They're so similar and cute and bubbly! They'd have tons of fun together and I just know Ty Lee would teach Aang some gymnastics and he really enjoy it! I think he can also find Ty Lee's chiblocking very cool, since it is essentially a great way to deal with a conflict without causing permanent damage. Very airbendery. Speaking of which, Ty Lee is also very airbendry herself. I can genuinely see her finding herself in Air Nomad culture and be excited to help revive it.

Onjaang- i just find this ship so funny because imagine being a random schoolgirl in the fire nation and not only rizzing up a demigod but rizzing that demigod up successfully. This ship can also go so many ways depending on On Ji's reaction to that random cute guy who threw a cool dance party is actually the Avatar, so it's certainly interesting.

Yuaang- the ultimate cinnamon roll x cinnamon roll ship. But more than that, there's of course the Yue becoming the Moon Spirit and Aang getting lowkey possessed by the grieving Ocean Spirit. There's Yue appearing when Aang needed her most, while he's stranded in the middle of the ocean and helping him. They both understand sacrifice and responsibility, and maybe they could comfort each other through it. Also Aang being the bridge between the spirit worlds and Yue being a Spirit could lead to a very interesting romance, depending on how much the Avatar could interact with the Moon Spirit.

Jetaang- ok, Aang was just as infatuated with Jet as Katara was, right? And I think Aang was heavily affected by Jet's actions and behaviour. Also Aang really not wanting to hurt Jet while fighting him (twice!) was really cute. And Aang helping Jet snap out of the Dai Li brainwashing could be a really cool ship moment the more you think anout it.

Teoaang- Honestly their little one sided rivalry at the beginning of the episode was really cute. And I think there could be some interesting symbolism between them. Aang symbolising the old and Teo symbolising the new. They compliment each other like that. Teo comforting Aang by showing him that the critters of the temple are still alive and well is also sweet. And Aang admitting that Teo has the spirit of an airbender is so sweet.

Kuzaang- they're adorable. I loved the comic about them. Aang calling Kuzon "Hotman" is really funny. Aang helping Kuzon make a bigger flame with airbending is also really sweet. I especially like this ship in combination with Zukaang. It's such tasty symbolism.

Aang may just be the most shippable charater of this franchise, argue with the wall. He's so filled with love I have no choice but to multiship.

[sandsorghum]

And I sat with my anger long enough...

A Reflection on How Trauma, Rage & Grief shaped Higuruma & Nanami (Differently)

Nah, Don't be fooled - Higuruma is not Nanami 2.0, or just a rebrand of noble, stoic workaholic. I explore some of these psychological nuances below in depth.

Frequent Comparisons

People draw parallels between Nanami and Higuruma mostly commonly through their Frustrations towards the System. For Nanami, that's been both Capitalism and the Jujutsu world, and for Higuruma it's the Justice system. This results in an aura or impression of emotional detachment, but it's certainly not to be mistaken for apathy. Quite the opposite in fact! It's because both men are so propelled by their principles that they don't permit themselves the "luxury" of (excessive) emotional fervour - but there may be some distinctions with how they go about that too!

Both have been worn down throughout the years, but both also have an Inciting Incident of a significant traumatic episode. I'll explore how both the long-term slog and traumas have affected them, but first let's make a distinction about each of their inciting incidents.

Duelling Dualities

Both Nanami and Higuruma's major turning points are based around how they couldn't protect someone they cared about, namely Yuu Haibara and Keita Oe respectively. These two also represent a loss of innocence for them.

On the surface, the loss and demise of a friend during formative years (Nanami was still in his teens!) would seem to have a much more significant impact than "losing" a client or case as a working adult, plus the degrees of emotional intimacy and investment are vastly different.

Nanami has also suffered this kind of emotional gradual decay but his experiences were less high stakes, less intense and less drawn out. As a salaryman he was only enduring it for himself, and didn't have the added burden of inadequate efforts jeopardizing someone else's life or liberation.

However, his loss is more literal than the lawyer's - as far as we know Keita isn't dead, but I can't imagine his fate to be very favourable given the circumstances around his..."mistrial". (I don't know what the legal ramifications of your attorney going berserk and offing the prosecution is, but I doubt those are good odds. I wonder if Keita's fate weighs on Higuruma too, after the canon events in the manga.)

Speaking of which, having someone die in front of you for the first time is monumental, and here's where we have another distinction; the kind of Guilt Nanami and Higuruma suffer. *Survivor's versus Perpertrator's.

[*As a a caveat, I'm no expert in clinical psychology so I want to add it might not be wholly accurate to characterise Nanami's guilt as classic Survivor's Guilt, and it's hard to say to what degree he experienced this specific sort, or for how long, but I'm sure he felt a significant sense of failure at being unable to protect his friend, which later expands into frustration into being put into such a situation in the first place.]

When I said "these two also represent a loss of innocence" earlier, I wasn't referring to Keita's, but Higuruma's corruption when he kills the prosecutor and judge. We are led to believe that Keita is plausibly innocent and didn't commit the crime, and is thus morally whole - whereas there's absolutely none of that ambiguity on Higuruma's part

Higuruma's is a moral failing, compared to young Nanami's one of ability and insufficient experience, exacerbated by the jujutsu system's flaws. We don't have the details about how Nanami's ill-fated mission with Haibara unfolded, only that they expected a second grade curse but were faced with a higher level opponent, which they weren't skilled enough to take on.

Nanami might be able to "offset" some of his guilt at being unable to save Haibara by blaming broader forces beyond him, or his circumstances of being too young and not being better prepared - although I don't think this is his nature to rely on that sort of naiveté reasoning and he carries that grief with him anyway (any iteration of survivor's guilt can be quite immune to logic.)

But for Higuruma, that burden of his ethical lapse rests entirely on his shoulders.

Higuruma fails in a way that feels or can be deemed to be much more personal; even as his actions are also similarly compounded by an unfair system but at the end of the day, he still killed with his own two hands.

There's no rationalising around such a crime of passion. There's no abstracting it out to the tolls and pressures the system takes, even if they are critical factors. The system is broken, and breaks him, and for a while Higuruma would rather blame and contend with its flaws rather than his own.

A man strung up by his own high ethical standards, what is he to do?

Conceits Revealed Through Self-Deceit

In times of severe emotional crisis, it's common for people to avoid the truth of what they really feel and/or want, because it's saddled with a lot of pain. As mentioned above, there's a specific kind of grief that festers with Higuruma's guilt which isn't present with Nanami's.

Higuruma snaps and he has to pick up the shards of his world view, we actually get a pretty coherent albeit funhouse mirror version of his moral reasonings but to be clear, this is less confrontation and more qualifiers to deal with the fact that he's now a murderer.

It manifests as a cynicism-fueled delusion where he attempts to argue, or rather persuade himself the killings were just or justified, not only that but that Culling Game killings could be an equally valid if alternative recourse for justice - his own Domain is a reflection of a courtroom turned theater, satirizing the legal process. A show trial in other words. 1ichtbringer has an excellent analysis that further unpacks how his Deadly Sentencing technique falsely stages a trial so that it appears to be impartial, and points out how Higuruma tampers with the process too. Highly recommend reading it to understand how beautifully deranged Higu's processing is, despite dressing it up in the rhetoric of logic (omg he's a delulu is the solulu girlie just like us!1!!)

Higuruma attempts to assuage his guilt by disregarding the justice system (and to an extent, the moral parameters) he has worked within his entire life, by harping on its limitations and flaws which are all fairly valid, but doesn't negate the fact that he's a criminal now

Furthermore, he is confronted by the contradiction between his and Yuji's killings, and the way each contextualizes their culpability couldn't be more stark. Yuji immediately confesses and doesn't try to rationalise or make any excuses. Higuruma on the other hand contorts his heart and head through several hoops so he doesn't have to feel such guilt - until he does.

From Higuruma's perspective, Yuji wasn't culpable for the Shibuya slaughter. Even as Yuji feels responsible, he is still innocent because he was acting under the influence of someone else's will - unlike Higuruma who carried out his executions with his own volition and more self-awareness. Quite simply, being blinded by rage doesn't hold up in court as a reason. Emotional states and pressures can be considered during sentencing but I doubt they would be much of a mitigating factor. Unfortunately for Higuruma it's difficult or impossible to defend his violent outburst of emotion since his framework of ethics and justice is premised so much on logic, which makes the nature of his moral lapse even more tragic and a particularly effective example of Gege writing dramatic irony.

And now, let's discuss the fiction Nanami Kento sells himself on.

When we get Nanami's flashback in Ch30, we're lead to believe he's the kind of guy who has never worried about "the meaning of life or his purpose on earth". Oddly enough, I think there is an element of truth to this for Nanami - Having faced an existential threat at such a tender age probably puts one off contending with such existential conundrums.

But then shortly after we get these panels:

This echoes one of Marx's central critiques of Capitalism, where workers are separated from both meaning and the means of production. Technically, Nanami's job scope - presumably as some type of wealth/hedgefund manager (or heaven forbid a stockbroker) - doesn't even have a traditionally tangible means of production, which only further reinforces the lack of importance of who he is as an individual and the sense of alienation, a pretty common phenomenon under Capitalism where workers feel psychologically and probably emotionally estranged from their work. Oh, the routine malaise!

[I fall back in love with him again each time i see the tear wiping part]

I don't think people have such profound insights or realisations if they haven't considered at length these broader philosophical questions regarding their priorities in life - but what I've always found pretty sexy was the simplicity of the scenario that gave Nanami this insight; an epiphany under ordinary, understated circumstances that he set his mind to without further equivocation. (And yes, I said it, it's sexy)

Who knows to what extent Nanami believed in his obsession about money for those four years; was his sole goal really just to retire young and migrate somewhere cheap? We know he still harboured dreams of moving to Malaysia; perhaps he could have afforded to by the time he was in his 30s, but there is also something within him that compels him to earn that retirement, not in an economic sense but rather in a way that addresses the question of what makes him feel like he'd deserved it. In short, how he earns a living in a way that aligns with and finances living a good life, does matter to Nanami. And by good we reference not just quality but morality too of course. The way things are done, the minutiae and attitude towards process matters very much to Nanami, not just the end goal.

I think that might be another way he differs a little from Higuruma, who could be a tad more impatient and results-oriented or focused, hence he'd be willing to take more risks (personal), bend rules and take advantage of loopholes - these tendencies all dovetail with his background navigating an already unfair legal system.

So, now that I've laid out the "lies" Nanami and Higuruma temporarily let themselves buy into, let's unpack what it indicates about their personalities. Gege often puts his (ill-fated?) idealists through their paces and what these pretences or obfuscations suggest about each man is fascinating and endearing to me in different ways!

The justification of his murder of two civilians is the central fib Higuruma tries to believe, but it's a delusion underpinned by disillusionment and years of constantly engaging with the incontrovertible ugliness and darkness of human nature encountered in his profession. That's how he spends his early adulthood.

Nanami, almost on the opposite end, doesn't want to acknowledge, let alone face such suffering and darkness for years - we might call it wilful or deliberate ignorance, or it may even have been a more subconscious choice. Either way, the avoidance stems from the tragedy of his personal history.

One man believes in his self-deception because he has faced the truth for too long, the other pursued a false priority because he has been attempting to avoid the agony and brutal realities of his calling.

When I think about the nature of their jobs, there also seems to be differences in the emotional and psychological tolls they're dealt. Being a sorceror has less overlap with social work and to my mind, has more parallels with law enforcement with missions revolving around investigation, surveillance, nullification of threats and broadly, maintaining a status quo and security for civilians. Most curses are abstract entities birthed from an amorphous mass of negative energy, there is an erasure of sentience, or at least a greatly reduced need to account for it, since they're already monsters meant to be eliminated in the most straightforward sense. A more sensitive take would be that these mutated souls must be put out of their misery. As for most curse users, fortunately or unfortunately, there's little opportunity, let alone necessity to understand their humanity (apart from Geto, more on him later.)

Compared to a criminal lawyer who has to deal with and get to know (probably not the nicest) individuals over several months, handling their suspicions and doubts, cultivating the trust and human relationships; that takes a lot! No wonder Higuruma gets worn out.

"I have never been and never will be frustrated by my own uselessness." -Nanami Kento

Our bodies have something called a Sympathetic Nervous System and biology predicates its sensitivities and capacities for emotional duress; this also influences how much of others' sorrows we can take on before we become fatigued. Every individual is born with a different endurance. Higuruma and Nanami likely have very high tolerances, but everyone has their limits.

This part is pretty speculative but I think how these two men empathise is different as well; Higuruma definitely uses intellectual empathy primarily, while Nanami experiences emotional empathy slightly more often. He has genuine care and concern for his colleagues, and relationships with them - they may not appear to be exceptionally close ones but they are important to him. Just remember what happened to ponytail guy after he injured Ijichi.

Higuruma on the other hand may not have had the opportunity to cultivate such personal connections with those he works with, either by circumstance, choice or a hybrid of the two. I think he cares about people in a more abstract sense, as representations of his duties, rather than actual individuals whose emotional interiority he must grasp. Perhaps it's out of necessity or an instinct for self-preservation that he maintains this sort of distance. This isn't to say he's callous, just that the way he relates with those in his occupation is more analytical.

Where they are alike is that both probably know it's unsustainable to operate from a baseline of righteous fury or indignation in their jobs. Going off his occasional outbursts, Nanami does seem to have more of that undercurrent but I don't think he's suppressing his anger daily or at least, he has some way of coping with it long term so it doesn't reach a critical mass, whereas Higuruma, if he had any awareness of his encroaching cynicism, probably couldn't afford the time and headspace to process his emotions properly.

Corroding Cynicism, Corroborating Hope

Initially, I had a difficult time understanding a particular line in Higuruma's monologue in Ch166, the version I read translated it as:

"I thought I should value that very depravity, which other animals don't have!"

I realised this line has a resonance with another ardent idealist, Geto, who observes this hideousness in "monkeys" as a trait he abhors, unlike Higuruma who cherishes it and believes it's the thing that sets us apart from other beasts.

It was only after contrasting this pair of idealists' motivations that I could comprehend Higuruma's breakdown.

Unlike Geto, Higuruma's raison d'être (before he gets a taste for homicide) isn't in achieving grand ambitions, he's not trying to permanently overturn a system but would rather manoeuvre within one. It's not so much revolution as it is mitigation (via litigation, hah). He is determined and convinced he can do this despite the odds he's given.

The issue with this granular type of change of course is that it's just as likely to erode their agents, through "the accumulation of little despairs". Not so little in Higuruma's case of course, since even his hard won interventions are significant as they determine the fate of people's freedoms.

What initially confounded me about Higuruma's breaking point and his tirade about how "the darkness before your eyes is just darkness" is that it didn't seem to challenge or contradict the reality he knew about before he snapped, that people can be awful.

Weakness and ugliness will always exist in humans, but I don't think Higuruma anticipated or believed such weakness was embedded in the legal system to such an extent. He's finally made aware of it with Keita's case, and I think that's when he decides the system isn't simply flawed but fundamentally corrupt and that he can no longer make any further progress within it, that his struggle isn't worth it.

The inherent fallibility of humans remain a fact. However, there's a distinction between universal and personal truths; the former often informs the latter, but what really matters for how we act are those individual, internalised truths. Higuruma's most fundamental truth is:

He's someone who operates from his principles, regardless of results or odds - it's why he fights losing battles, it's why he goes up against Sukuna. But for a moment, he's blinded by disappointment and anger and forgets that this is his ultimate north star.

Nanami goes through a lot less to remember his conscience, and I partially attribute that to surviving something as terrible as he does at an early age. Closure might be a bit ambitious, but I'd like to believe how he handled and addressed the loss of Haibara was to honour him by returning to the jujutsu world and looking out for other young sorcerors in his own way, guiding those like Ino and Yuji.

The sense of accountability and empathy he indirectly instills in Yuji is something Higuruma picks up on later, and it gives him some semblance of hope that there are other people like Yuji trying to do the right thing, those worth protecting and supporting, and keeping his eyes open for.

Conclusions

One last thing I want to compare between Nanami and Higuruma is how they approached the talents they were born with. Nanami has his Ratio technique, and Higuruma is intellectually gifted though later we understand his true inherent genius lies in his jujutsu abilities.

In a way it's inevitable for our destinies to be shaped by our capabilities, but I think it's interesting that Nanami tried to deny this innate rare skill as a sorceror and find something else he could do. If he wanted to lead a fulfilling life helping others, say as an educator or firefighter or paramedic (swoon) I don't doubt he could have, but he chose the path not many people are cut out for, returning to it not because it was pre-determined or cause he'd excel in the area, but because he knew he could guarantee doing it well in the moral sense.

Higuruma strikes me as another individual who'd be impressively competent at almost anything he sets his mind to. But the thing he's best at, given the circumstances he discovered them in, are skills he's now obligated to use in service of jujutsu HQ's higher ups. Higuruma wouldn't go so far as to reject using his natural powers and skills as a sorceror because of the unpleasant association of their origins, but he might struggle with how best to use these new tools, instead of being used. There may be another period of apparent futility he'll have to contend with.

I don't think Higuruma's faith is restored in the justice system by the time the manga concludes, and he'll have a hell of a time navigating the jujutsu one too, however he's more suited to being a sorceror as it would let him act more freely, in accordance with his own assessments, in ways that strike a better balance between his own moral code and jujutsu society's law,; something that he might even be able to shape in the wake of the Culling Games and a paradigm shift for Japan, now it's been forced to reckon with this whole other world.

(Gambatte, Higuruma!)

[j4gm]

SPOILERS!!! REFERENCES AND EASTER EGGS IN F&C ep. 10: CHEERS

The finale!

Pawn Swan! This was another character who first appeared in Steve Wolfhard's post-finale loredump about the 1000+ world. I never expected to actually see him in the show.

Nuts how this is like the third time we've seen Simon's ass. I love how Shermy is just chilling and playing video games while GOLB lets this random old man take a turn at the wheel.

This establishing shot of Fionnaworld shows that it's very small. By the time it is restored at the end of the episode, this ominous white border is gone and there are more buildings, implying that it became a complete world.

I can't believe Gary was thirsting after Scarab in this situation.

There is a shop called Evergree Flowers; likely a reference to the episode Evergreen.

This shop window advertises that you can learn to kick bugs. Appropriately enough, Cake kicks Scarab through this shop window while in her Godzilla form.

The Betty statue has become GOLBetty.

It should be clear by this point that Casper and Nova are a parallel to Simon and Betty, with all of their decisions being made by Casper with little consideration for Nova due to their unbalanced power dynamic. This is why Simon realises that he should have been more considerate of Betty's dreams, rather than single-mindedly chasing the Enchiridion and the crown.

The credits confirm that genderswapped Ash is named Ashley. I wonder what happened to her after she fell into the void. Probably nothing good.

Poor Marshall never gets to finish his songs. Truly he is the genderswapped Marceline.

The name "GOLBetty" is now canon; Simon uses it in this scene.

I'm not sure what's happening to GOLBetty here. A loose thread to pick up if this story ever gets a continuation, perhaps.

Simon steps through several different universes, including all the ones we saw during this miniseries. I'm not sure what this world full of tiny bears is meant to be.

Some kind of industrial capitalist hell universe.

This is the Water Park Prank artstyle, implying that Water Park Prank takes place in a separate but canon universe. So Water Park Prank is now canonically canonical! (what a ridiculous phrase)

Some kind of Jake universe.

A universe featuring Magwood and his volcano lair, from the episode Evergreen.

The snail! It's not dead after all. And it's a great way of symbolising a return to regular Ooo, as is the reappearance of the smiley butterfly.

This was a strange selection of characters. I hope Jay hasn't left his younger siblings on their own if their dad is dead. At least baby Finn won't have to grow up in Vampworld, though part of me liked imagining what that would have been like.

Fionna mentions that his is her top fantasy. The other two of her top three fantasies were Cake being able to talk and a kingdom made of candy.

She gets a hammer, like she had in the dream sequence at the very beginning of the miniseries.

Kheirosiphon goes back to working in a teashop, just like he did on The Drift before he was imprisoned by Scarab. Also Marshall's outfit here is incredibly gay, it's great.

There is an ad here for a daddy issues themed comedy night. Sounds like Marceline's kind of place.

Prismo's face glitches for a second. Ominous.

Simon definitely needs to move out. This is probably an even more important realisation than coming to understand his influence over Betty.

In the credits of this episode, Simon is finally at peace.

And with that, the miniseries is over! Back to the long wait. Will this be it for Adventure Time? Or is there yet more to come...

[catbolt]

Hi! I have 2 chronic illnesses (specifically me/cfs and fibromyalgia) and I've always wondered how the boys would help to take care of a chronically ill mc? I know Xavier would probably nap with her, but I was hoping you could write some drabbles or something please? I really, really appreciate you reading this, even if you don't take it up. Thank you! :) <3

— TAKE CARE

[TAGS] fluff, xavier x mc, zayne x mc, rafayel x mc, sylus x mc (no caleb bc tbh i'm not quite sure how i want to write him yet), 2nd person but canon hunter mc is referenced

[A/N] hii anon! did this sort of headcanon style, hope it's to your liking! don't have any personal experience with chronic illness so kept things pretty vague to avoid mischaracterization (but hopefully still suiting the prompt.)

xavier

doesn’t overburden you with too much talk or make a big deal out of your flare ups, instead spending most of the time just silently, patiently by your side . Napping, watching mindless TV, reading a book side by side with you in bed. 

xavier def gives parallel play vibes-- even if you two aren’t doing the same activity he’ll be next to you, comforting you with the simple warmth of his presence. “need anything?” “want a massage?” “tired?” is as much as he’ll probe. he understands what you need without you even having to say it, often anticipating your needs before you even realize them yourself.

personally he does not gaf about work drama but since he knows you get antsy not knowing what's happening at hunter HQ whenever you have to call out from work, he always prepares a rundown of any work tea for you. he finds himself being even more nosy and attuned to the other hunters at work, just so he can see your eyes light up whenever he gets to tell you about which of the new recruits are flirting with who.

zayne

sometimes it’s a little hard for him not to go fully into doctor mode whenever you're having symptoms, but he tries to rein it in so as to not frustrate/overwhelm you.

he would have very strong reactions to any signs of physical distress from you. seeing you in the middle of a flare up makes him have to confront that you're not one of his patients, you're... you, which is harder, makes things infinitely more complicated. he can't just be calm and orderly as he usually is and prides himself on being when it's you who's in pain.

he's trained himself to panic less and stay logical when it comes to your symptoms, but he has to concentrate to do so, walking himself mentally through his own medical training on your condition to talk him down from overreacting. you wouldn't have thought a doctor of all people would be the type to be on edge about something like this, knowing he's familiar with similar conditions, but for zayne, he definitely has to care for you while also battling his own emotional rollercoaster.

rafayel

cheers you up with little doodles and gifts, trying to keep your spirits high whenever symptoms get particularly bad.

i have this image of him just making little sculptures out of shells from the beach and putting them on your nightstand to decorate the space especially during those times where you're stuck in bed for days. even if he can't be around 24/7, he makes sure reminders of him are around when you go to sleep and when you wake up

video calls you a lot whenever he's out and about by himself, at the studio, taking a walk, even at events, because he doesn't want you to miss out on any of the fun even when you can't physically join.

sylus

definitely the doesn't ask questions and anticipates your needs easily type. sometimes he even overdoes it because he gets carried away but it's sweet either way, like when he prepares a bubble bath for you with a bath bomb and a bunch of essential oils to soothe your muscles and then you have to remind him you took a shower like three hours ago already

sends mephisto to watch over you during flare ups when you're napping or if he's out, and will send checking in texts frequently even though you know he has a full live feed of you from mephisto.

makes luke and kieran also do whatever you need whenever he's not around and you're having strong symptoms. notes under the door saying "boss wants you to check your phone" "boss wants to know if you need anything" "boss says he's working late and that he ordered you dinner, so you should eat without him" are a frequent amusing feature of sylus' care

[beauspot]

Good Omens Is a Big Deal

With everything going on I haven’t acknowledged how grateful I am for what Neil (and John) did this season. I always saw Good Omens as a romantic story and everyone involved seemed to be super supportive of that. To actually see a follow through on those themes was wonderful though. To see Aziraphale continue to look at Crowley like he’s the earth, the moon, and the stars. To see Crowley continue to save his angel not because he needs them to, but because they love him.

To see them have their dinners, and give the other access to their prized possessions. To see them dance. They love each other. They are in love with each other and it’s not implied or a throwaway line that can be edited out.

It’s the beating heart at the center of the story.

And they weren’t meant to be. Neil himself will tell you when he and Terry wrote the book Aziraphale and Crowley were meant to be friends and that’s it. Over time their relationship evolved and where a lot of writers would simply ignore that and keep pushing forward Neil pivoted and said “you know what? let’s see where this goes.” The last time I can remember something like this happening was with Hannibal years ago, it’s so rare with queer pairings.

I know everyone was excited about the kiss and it is refreshing to see queer people actually get to kiss, it’s still not something that happens all the time, but that’s not what made them canonically queer to me. If they remained completely asexual and never kissed or showed interest in kissing one another I’d feel the same. While I always felt they were queer what sealed it for me were 3 things:

1. Nina and Maggie, a romantic pairing that parallel our angel and demon break down to Crowley how she and Aziraphale are partners (and it’s clear they don’t mean business partners, does Crowley look like he runs a bookshop?) but they never say what they’re really thinking. They go on to state how that’s all they needed, the obvious implication here being that Nina and Maggie shared their romantic feelings with one another and that Crowley and Aziraphale need to do the same. Upon hearing this Crowley takes that as a sign to confess his feelings.

2. Gabriel and Beelzebub, another pairing that parallels Crowley and Aziraphale who are also clearly in love with one another is something Crowley references while he is confessing his feelings. “If those two lovestruck idiots can go off together, so can we. Because I love you.”

3. Crowley and Aziraphale express plainly to each other that they need the other. Crowley says to Aziraphale he wants to stop pretending they aren’t a team, a group, a them.

Aziraphale says verbatim “We can be together.” and “I need you.” He doesn’t say “We can work together” or “I need you to help me” or some other cop out that a lot of other shows or movies might come up with to continue to bait their fans, while having plausible deniability.

They love each other and it’s not platonic.

To me, the kiss serves as a way to seal the deal for people who only understand queer love when it’s punching them in the face. That’s not to say queer people can’t like the kiss, it’s one of my favorite scenes in the show simply because of how heartbreaking it is, but they were a couple to me long before that. And to add onto that by making every other important pairing in the show queer as well? Nina and Maggie being happy sapphics who don’t die at the end. They’re not together, but the implication is that one day they will be. Two non-binary beings—Gabriel and Beelzebub—falling in love and choosing to be with one another forever. The angels and demons are all genderless and no one misgenders them and no one gives a FUCK.

That means so much to me and I genuinely cannot express how thankful I am that this show and this season were made. The only thing I can say is thank you for standing for something, because not everyone does.

[lady-pug]

Written Between the Lines

Chapter III - Parallel Lines Intertwined

Summary: You are now betrothed to Aemond, with the promise of being crowned together when time comes, your family no longer headed unquestionably on warpath, but now you can’t help but wonder if this is truly what he wants, if he’s as happy as you are with this arrangement.

Pairing: Aemond Targaryen x Reader

Word count: 3,6k

Warnings: canon-typical incest (uncle-niece), nudity, making out, allusions to sex, canon-typical misogyny regarding sex and female virginity, some steaminess (but nothing more than that really)

Notes: Another chapter is here! Yay!

I’m tagging this as mature because there’s some steaminess in it but not full blown smut (yet).

I’ve accidentally fallen in love with these two and cannot stop thinking about them, I have so many installments planned out you guys have no idea.

I decided to use some High Valyrian as I had mentioned before Aemond and reader are used to speaking it with one another (does it break consistency, as I haven’t used it until now? yes, but better late than never). For this I used an online translator (I don’t know if it’s grammatically correct, I’ll just roll with it, if someone spots any mistakes please let me know and I’ll correct it right away), translations are in the end notes.

Thank you so so much for reading and I hope you have enjoyed this story! <3

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The steaming water was doing wonders for your sore muscles. You hadn’t realized how tense you had been until you had reached your chambers and felt as if a weight had been lifted off your chest, your shoulders slumping with the force of everything falling into place. No sooner had you stepped foot inside your room you requested that the maids fix you a bath, the water steaming hot. Now, with your body submerged and the steam clouding your thoughts, you felt like you could finally breathe properly. 

It had worked. Your mad, crazy, stupid idea had worked. At least as well as one could expect. Alicent and Otto, of all people, had agreed to it, and now it seemed like there would no longer be a war inside House Targaryen. The promise of their blood eventually occupying the Iron Throne seemed to appease them enough to, most likely, support your mother’s claim as King Viserys’ heir, apparently no longer questioning her legitimacy as ruler just because she was not a man.

But now, alone in your chambers, you were no longer sure of yourself. While, yes, this idea could just fix things within your shattered family, you weren’t exactly sure if everyone involved was on-board with it. 

After your dance with Aemond was cut short due to the King feeling unwell and needing to be escorted back to his chambers, to which Alicent nudged Rhaenyra to follow and spend some moments with him (something that lit a flicker of hope in your chest that things could indeed be mended), you hadn’t managed to speak to him for the rest of the night. Once you returned to the table, you caught Luke giggling under his breath, and when you realized what exactly he was laughing at you were quick to pull him from his seat and request a dance. You swiftly poked Helaena on your way to the open area of the room, who in turn pulled Aemond for a dance before he could notice, signaling her mother to alert the servants to move the offending dish to the middle of the table and away from his seat.

The night ended not long after, Baela and Rhaena keeping you company, the three of you giggling like little girls at the thought of your respective betrothals. However, once you were all excused by the Queen, you didn’t even manage to catch a glimpse of Aemond, who was whisked away by his grandsire with his mother following behind them.

And here you were. Although you had no doubt this plan of yours was the right thing to do, you couldn’t help but wonder if it was what he wanted. Even though you knew this was the right thing for the realm, for your family even, was it the right thing for the two of you? As you stared at your face reflected upon the surface of the water, dark thoughts simmered in your mind. Perhaps you had been blinded by his words regarding his mother’s wishes to find him a wife, or by the resentment he felt towards the treatment his brother received. What if he wanted nothing to do with you? What if he wanted to ascend to the Throne of his own accord, or what if he wanted to be wed to someone else, one of Borros Baratheon’s daughters, maybe?

At least there's no doubt about the purity of their blood.

He could have any woman on the realm if he wished. He was just so regal, all sharp edges and cunning eye, and you were merely… you, your mind tried to convince you.

Would you give up your freedom and be trapped in a loveless marriage just for the sake of your family and the realm?

Not loveless, that nagging voice in the back of your mind spoke out of turn again, just unrequited.

The answer was most definitely yes. You’d rather have him, even if not the whole of his being, than not have him at all. And if you could prevent the realm, and your own family, to succumb into flames and ashes in the process? All the more reason to do so.

Lost in your thoughts you barely heard the unmistakable sound of stone sliding against stone, as the wall suddenly pulled back to reveal the man in question.

“A-Aemond?” you stammered, sliding further into the water in order to preserve some shred of your dignity “What are you doing here?”

A deep, low hum was his only response as he stepped further into the room and closed the secret door behind him. The soft patter against the stone cold floor indicated that he was barefoot; that, along with the white linen shirt and soft looking breeches he was wearing, meant he was just about to go to bed before he decided to come visit you, for whatever reason.

“Qȳbor…” you bristled when he refused to elaborate.

“Can I not visit my future wife’s chambers to check on her well-being, mandianna?” he spoke lowly, his eye never leaving your frame.

“We are not yet married.” you squirmed under the intensity of his gaze “This hardly seems proper.”

He again only hummed, eye flitting around the room, before pulling his shirt over his head.

A sudden heat rushed to your cheeks as you stared at him. Much like you had noticed before, he was slim, his form lithe and elongated, making him appear even taller now that he wasn’t covered in green leather. His muscles, on the other hand, were well defined, taunt under his skin as if sculpted in the finest of marbles, his years of training with a sword under Ser Criston Cole reflected on his flesh.

His lips pulled in a smirk as you basked in his image, swiftly untying and pulling down his breeches as well. That caused you to avert your eyes immediately, going as far as to hide your peripheral vision behind your hand.

“What are you doing?!” you squealed in surprise, not at all expecting him of all people to pull a stunt like this. Aegon? Sure, but him?

“You once told me it was nothing you hadn’t seen before.” he spoke, amusement dripping from his tone as he walked closer to the tub.

“Yes, when we were children. Not like this.”

You felt the ripples of warm water beating against your skin as he joined you in the bath, leaning back against the side of the wooden tub with his legs extended in front of him, only slightly bent at the knees as they brushed softly against your own. You quickly pulled your knees to your chest, trying to put as much distance between the two of you as possible.

“Why do you hide from me?” he asked, his lips curling in a smirk “You are to be my lady wife, we ought to see each other like this on many occasions.”

“Like I said” you hissed, crossing your arms over your breasts and straightening your spine, his eye following your every move “we are not married yet.” 

He hummed in response, pursing his lips as if annoyed with your resistance, but you could see the mirth swimming in his eye. He extended his arms over the rim of the tub on either side of his body, and when your eyes involuntarily followed his movement, retaining your gaze on his chest for a tad too long, he smirked. Heat burned your cheeks as you averted your eyes, realizing that he enjoyed watching you squirm.

“Why are you here?” you questioned, annoyance simmering in your voice.

He stared at you for a long moment, like he was assessing you, searching for something, but what you couldn’t tell.

“I wanted to see you.” he spoke before glancing away from you, his once jesting tone having turned soft, betraying his sincerity.

That statement had you feeling all your annoyance dissolving, your body uncurling and legs extending closer to him. If you were to be honest with yourself you wanted to see him too, you desperately wished to know what was going through his mind during supper and after. You wished to know what he thought about you.

His mind seemed far away for a moment as he chewed on his lip before his gaze fell on you once more.

“My grandsire had interesting things to say about your proposal.” the corner of his mouth turned up almost imperceptibly “More so than my mother.”

That caught your attention.

“What did he say?”

“She was, albeit vexed by your choice of timing for the delivery of said proposal, delighted.” he completely ignored your question, choosing instead to talk about Alicent Hightower instead of Otto “Like I mentioned earlier, she’s been nagging me to find a wife, and now you’ve just delivered the solution on a silver platter for her.” his smile softened “She wished to know if I was happy with this arrangement.”

“And what did you say?” your throat felt as dry as the Dornish desert, and you wondered if he could hear you swallow nervously. But from the way his grin turned again into a smirk you knew you wouldn’t get the answers you craved for.

“My grandsire on the other hand was perfectly satisfied.” he shrugged, as if Otto Hightower’s opinion didn’t truly matter to him “He believes the Seven have answered mother’s prayers of having one of us be crowned king, and that this gives us the perfect opportunity to seize the throne for ourselves.”

“What?” you physically recoiled, shoulders curling into yourself once more, as if you were physically struck by his words.

“He told me” he continued, either not noticing your reaction or wanting to push forward regardless “that when time came for us to be crowned, you and I, I was to usurp you of your ‘birthright’ and be crowned the sole King of the Seven Kingdoms.”

You let your arms drop from their position over your chest, not even being able to revel in the way pink dusted Aemond’s cheeks as his eye followed down our body to your now exposed breasts, so much was your shock. You felt so stupid, so humiliatingly naive in having believed such a ridiculous idea could ever work. Otto Hightower would never respect you, or your mother, or any possible daughters you came to have simply because you were all women. Just remembering the way you stood before him, before your entire family, before Aemond himself and said those foolish and rehearsed words, dragged yourself practically as low as the streets at Flea Bottom, made your eyes sting in embarrassment. 

You were so caught up in your own swirling thoughts you barely noticed Aemond’s smirk slipping from his face, a frown now adorning his features.

“You cannot possibly believe I would do such a thing.” he let his own arms fall back into the water, his back straightening as he looked at you almost… hurt? “Do you truly think so lowly of me?”

You couldn’t hold his stare any longer, shame clawing at your chest and climbing up your throat. The truth was you didn’t know him. It’s been six long years since you’d last spoken, you couldn’t possibly know who he was anymore. Had he turned out like Aegon? Or had his grandsire shaped him in his image, a mere puppet for him to manipulate and do his bidding for him?

His stare hardened, a resigned exhale leaving him as extended a hand in your direction.

“Come here.” 

You didn’t dare move a muscle, too scared to embarrass yourself even further. That wouldn’t do it for him tho, if the annoyance that took over his features was anything to go by, and his hand found your ankle underwater and tugged. Hard. Unexpectedly you found yourself almost on top of him, holding onto his naked shoulders for balance as the contents of the tub sloshed around the two of you and over onto the ground.

“Aemond-!” you chastised him, trying to pull away but one of his arms snaked around your waist, holding you firmly in place. Something about the whole situation, the way his eye was locked on yours, as if studying you, felt strangely intimate, making your heart skip a beat. 

Then, with the lightest of touches, he grabbed one of your hands almost reverently, removing it from its place on his shoulder and holding it in his own, the back of your hand against his palm so your own was facing up. He brought it closer to his face, examining it closely, his thumb caressing your skin in slow movements. Where his palms were calloused, you noticed, his fingers were silkily soft, the gentleness in his touch making shivers run down your spine and goosebumps prickle your skin all the way up your arm.

“Your line of life is quite long, thankfully.” he hummed, not taking his eye off your palm, so he didn’t notice the confusion brimming in your eyes “And your line of heart not only tilts upwards, but it is also incredibly long, almost touching the place where your palm meets your fingers, right here.” 

“And what does that mean?” you whispered, not daring to speak any louder for it might break the spell that befell upon the two of you.

“You will be the most beloved woman in the entire realm.” he whispered back, his eye finally meeting yours, a storm of emotions threatening to spill over in the form of unshed tears “Your lord husband would burn the whole of the Seven Kingdoms to the ground just to see you smile.” 

Wetness dripped down your cheeks but you could no longer distinguish between tears and the lukewarm water from the bath. Your heart clenched and twisted painfully in your chest as his gaze turned to your palm once more.

“And would you look at that,” Aemond gently turned your palm towards you, pointer finger tapping against a faint line near your wrist “it’s the line of the king. Or should I say queen.” he glanced at you once more, a soft smile growing on his lips “You once told me it only appeared on the hands of those destined to rule over the realm.” 

You bit down hard on your bottom lip, a choked sob threatening to escape, desperately clinging to his every word.

“I may not be like my sister, for the future eludes me.” the arm around your waist tightened its grip, bringing you even closer to him as he rested his forehead against your own, bringing your intertwined hands close to his chest “But if there is one thing I can promise you is that you will be queen.” his next breath came out of his lips trembling with barely contained emotion “And I’ll be right by your side when that happens.”

The sound that left your lips was a perfect blend of a laugh and a sob, your lips quivering as you tried so very hard not to collapse into his arms as all your previous worries vanished. His own face lit up in a genuine, full blown smile that brightened his face; you couldn’t even remember when the last time he allowed himself to smile as brightly as he was now. It suited him.

Warmth filled your chest, quickly climbing up to your face, as he nuzzled his nose against yours, but one detail made you pull back. His face twisted in confusion, your hand reaching up to cup his cheek, thumb tracing the line of his scar.

“I wish to see all of you.” you spoke softly.

“You already have me bare before you, woman. What more could you possibly want?” Aemond tried jesting but you could notice the way his entire body tensed against your touch.

“I want to see all of you.” you whispered, thumb catching against the edge of his eyepatch.

Before you could lift it, though, his hand shot out unexpectedly, halting your movements by encircling your wrist. His fingers were firm against your skin, but his touch didn’t hurt; you didn’t think he ever could, not again. You didn’t press any further, nor did you retreat, waiting for him to either give you permission to continue or push you away. He did neither. Instead, his other hand reached up and removed the eyepatch from his face, throwing it somewhere around the room.

You didn’t truly know what exactly you were expecting but were surprised all the same. Where you believed you’d find an empty socket lay a small round sapphire, hidden from the world beneath his eyepatch most of the time. It was alluring, glimmering under the light emitted from the candles, contributing to his mystifying nature. His grip on your wrist loosened, and you took this as an opportunity to cradle his jaw, tilting his head to be able to see his eye from different angles. The gem suited him, the deep blue contrasting with the violet of his other eye.

“Has anyone ever told you how handsome you are?” you breathed out.

“Not a single soul.” he shook his head, his own breath coming out trembled.

“Well, then, they are utterly blind, the lot of them.” you caressed the corner of his mouth, bringing your own lips impossibly closer to his “You are beautiful, Aemond.”

Something shifted in him, the last of his restrain melting away under your touch, as he leaned forward and closed the gap between your lips, sealing them in a tentative kiss. His lips were a contradiction on their own. For a man so taunt and sharp and strong, his lips were incredibly soft, akin to his voice, as strange as the comparison sounded. He kissed you unhurriedly, almost chastely, his hands finding hold in your waist. You pulled back for a moment and his lips chased your own, unwilling to part from you just yet. 

His mouth then started tracing a path of lazy kisses down your body, first against your jaw, then slowly down your neck. It was when his grip on your waist tightened, trying to bring your hips closer to his own, that you pulled back, a hand against his chest.

“We can’t.” you mumbled regretfully. He tried sitting up again, get closer to you once more, but you pushed him back gently, cupping his face in both your hands “Aemond, please.” 

“Why must you deprive me of what I long for so desperately?” he whined against your lips.

“I cannot risk losing you…” you exhaled, voice barely above a whisper. 

It was his turn to pull back, eyebrows curling in confusion, and you knew he wouldn’t let you go without an explanation.

“When I was close to reaching marrying age, mother pulled me aside to explain some of the more… intricate details of what goes on between a husband and a wife.” you shrugged, the same embarrassment you felt back then flooding you now, before you sighed “She also told me what befell her before she married my father.”

Realization dawned upon him, remembering all the times his mother uttered words unbefitting of a queen to address not only her successor, the future Queen of the Seven Kingdoms, but also a former dear friend. Words more suited to the women who worked on the Street of Silk. From what he had gathered over the years this was the very last nail on the coffin of their friendship.

“I will not allow the same to happen to me.” your tone and your eyes alike hardened, fingers grasping his face more firmly as you forced his gaze to remain on you. Not that he could look at anything else with the way you spoke with such determination “I will not allow my virtue to be made a spectacle of, I will not give the opportunity for some lesser man from a little house to question it, to question me.”

Aemond couldn’t help but swallow thickly, the fierceness in your voice doing humorous things to his heart. 

“If I was born a man this wouldn’t be a concern, but alas I was not.” something in you softened, fingers letting go of his cheeks and sliding softly to cradle the place where his jaw met his ears “If your mother so much as hears word of any misdemeanor, at least in her eyes, on my part she will tear us apart. Kesan daor ivestragī zirȳla gūrogon ao hen nyke.”

I will not let her take you from me.

When questioned later, he wouldn’t be able to tell you what came over him, but something inside his very soul snapped as he surged forward, claiming your lips in a desperate kiss. His lips moved against yours with the intensity of a man starved, like he was overcome in a thirst only your mouth could quench. It was passionate, it was harsh, it was… honestly kind of clumsy, all tongue and clashing teeth, like he didn’t truly know what he was doing. Huh. You would store this information away for later.

He pulled back with the last bit of self control he had, practically whimpering when your lips parted, resting his head on the crook of your neck. 

“Kesan umbagon.” his breath was labored as he spoke, placing a tiny kiss on your shoulder before raising his head to look at you “I will always wait for you, ābrazȳrys.”

Your heart soared at the term, but when he went to gently move you away from him so he could stand up you gripped his hand to stop him.

“Stay.” you pleaded “Just a little while longer, please.”

Aemond smiled lovingly, helping maneuver you so you were sat between his legs, with your back against his chest, his chin resting on your shoulder. His arms wrapped protectively around you, his fingers absently drawing patterns against the skin of your arm. The water from the tub had since run cold but you couldn’t bring yourself to care. Not when you were in his arms.

Aōha valzȳrys. Aōha dārys.

High Valyrian translations: - qȳbor - uncle (mother’s younger brother) - mandianna - niece (older sister’s son or daughter) - kesan umbagon - I will wait - ābrazȳrys - wife - aōha valzȳrys - your husband - aōha dārys - your king

Also, this two were getting quite steamy while Viserys was literally dying in the other room. At least this time Rhaenyra was the one with him so, you know, no mixing up names this time (I stand by my argument that if Alicent’s eldest son was called Godofredo none of this would have happened, but the Targaryens were not known for their creativity when naming their children).

Tag List:

@callsignwidow

@sleephereicome

[rotshi]

sonadow brainrot yappings

Sonadow Twitter/Tiktok Takover:

I asked some questions to test my luck but ah well. at least i dont have to look both ways ten times the next time i cross the street. BUT oml what the hell was their problem? The amount of times my jaw dropped ??? Like Ayooo? "Go off king"???? Are you his queen???? "run laps around you"??? You keep it 'clean cut' to woo him????? "shopping partner"?????? You mean a fucking date???? Drawing each other unprompted????? Are you fucking kidding me?????? What the hell am i listening to? These fuckers got me exhausted. Like I woke up, listened to just 3 answers and was ready for a nap. Coffee flavored Ice cream MY HEARTTT!!!!!! (i wonder if i can get some coffee ice cream too) Sonic being like 'of course' when there's a mention of Shadow's caffeine addiction like he doesnt have a chilidog problem. They really are perfect for each other. Im surprised Shadow didn't say anything about it. Nah they did all this fruity shit on their OWN ACCORD! THEY DID IT THEMSELVES they did it themselves they did it themselves. Them influencing each other to the point where their opinions change on a FUCKING DIME: sonic: I dont have an opinion on orbot shadow: he sucks sonic: he sucks shadow: hes the best sonic: hes the best They really are so obsessed with each other it's concerning. If it were up to them they would spend their whole lives 'competing'. And these 'Competitions' 'Races' or whatever feel a lot like excuses to just be around each other. Oooooooooh their endless excuses. what is sonic's problem too? shadow opens up a smidge and the little blue bitch giggles. but i understand things had to be kept light for what theyre doing... i dont think sonic means to be... a little blue bitch. If they were alone i'd like to think sonic would be much more understanding and hear him out. But with possible kiddos listening in they couldn't get too deep into things. If it wasn't a 'Q&A Twitter/Tiktok' thing, and it was just them, I feel like they would talk all day and night. But they were getting to know each other and ahhh if was amazing. Hearing Shadow talk about himself and Sonic wanting to get to know him is the best and sweetest thing and all I was REALLY hoping for. Them just actually just sitting down and talking.

Deep thoughts:

Though I have been wondering what Shadow's beef with Sonic really boils down to. I highly doubt it but maybe Sonic reminds him more of Maria than he even wants to believe? Maybe at times he even sounds like her? Idk ??? How carefree and enthusiastic she was, helping shadow come out of his shell. IDK im a sonic noob !! He probably feels like this about a lot of people!

I can understand that there's more parallels with Maria and Amy than with Sonic and Amy. Putting myself in Shadow's shoes; I have a sister, I love like Shadow loves Maria. We are the best fucking friends. I can talk to her about ANYTHING. We're a team. But when it comes to finding a romantic partner, I dont want to look at my partner and just think of my sister lmao. But I would like a similar feeling. Comfortable, understanding, to have that team work, and able to talk about anything to them. And I think Sonic and Shadow have that if things were different I guess. Although Sonic doesn't always talk Shadow down from a decision, it does seem like they both can come to an agreement. "Two sides of the same coin". Like yeah, Sonic might've not been able to change Shadow's mind on going back to the Ark BUT I feel like Sonic probably wouldn't even try. I feel like he would probably even offer to join him for back up. IDK IDK IDK !!!! IM NEW TO SONIC STILL and all i've really seen of the two is some Game clips, some IDW stuff, and of course Sonic X and Sonic Prime. And some of the things my sister has told me. I got most of my IDW knowledge from her and pintrest ghhghg LiSTEN LISTEN LISTEN LISTEN LISTEN I know sonadow will never be canon, I KNOW !!!! i accept that. Sonamy runs this bitch and Im not even mad and I dont even care. honest to god i do not care. I just like Sonadow and will die on this stupid hill SO HAPPILY. But also it would be so funny if they were to be canon one day. I would lose my fucking mind and throw up. so for my own sanity and health, im glad that theyre never gonna be a thing. im sorry, but im already half way to calling my doctor. i dont think i can handle an official kiss. It's just pure brainrot thinking about how their complicated relationship would work. Love isn't just as simple as 1+1 , this shit has the whole alphabet and the whole fuckin pi in there and it could all add up to 0. I'm solving a math problem for fun BECAUSE IM STUPID AND LIKE TO SUFFER ‼‼‼‼‼‼ But they said the same thing about Bubbline and Korra/Asami and look how that turned out. It would be funny but at the same time reality would probably shatter and sonadow would have to save it again- like my profile says, Im gay and like gay things. let me perish.

I'm honestly the biggest yapper. I go quiet, think about shit, and open up like a shaken up soda can.

TLDR; sonadow takeover made me explode

[burningcheese-merchant]

How on earthbread do you ship BurningCheese. Im gonna try to not judge you. This is 80% a non-rethorical question. like genuinely how do you ship them?? /lh

I was wondering when someone would come ask me this lol. It's ok though, you can be honest, I can feel you narrowing your eyes at me through the screen 👀

I could honestly go on for a REALLY long time about why I ship BurningCheese/GoldenSpice. But I'll try to distill/narrow down my thoughts the best I can so my answer isn't longer than the Bible

I adore the enemies to lovers trope and hero/villain pairings in general. I did long before Cookie Run and I will long afterwards

I like how they complement and contrast against each other, aesthetically + personality-wise + backstory-wise

I love how they interact with each other. I love how they talk and snipe at each other. Golden Cheese's frustrated yet unyielding confidence and wit VS Burning Spice's brash, raucous excitement is fun to see. (The back-and-forth they have during their fight in episode 6 is dangerously close to how I've written them in my fics, even before the episode came out. So technically, in a way, my fics have been canonized lol)

It's fun imagining them together in different ways. A one-sided crush/obsession on Burning Spice's part is fun in a dark way (my Yandere Spice). So is a mutual love and respect between them. Main canon for me is a slow burn romance and a slow redemption arc for Spice alongside it. I also have an AU where Golden corrupts and becomes a Beast herself, and they become an evil villain couple. I have another where Spice doesn't get better and Golden doesn't get worse, they just have the standard forbidden love affair that they hide from the world (the latter out of fear of judgement, the former just so no one can try to keep them apart). I've got a million story ideas with them. You can do all sorts of things with them imo. And I think it works because of how they bounce off of each other. Put them in different situations and see how their relationship changes/adjusts/adapts, see if love can exist and how

I like their size difference. Spice is significantly taller and wider than Golden and it's really funny to see lol

The way they and their relationship/dynamic parallel actual Egyptian and Indian mythology (the latter in particular) is absolutely unreal

Not kidding, I can go on about the symbolism and allusions and references forever. I could write an actual paper on it. How can a ship go THIS hard

Come on, don't act like they wouldn't give each other a fantastic time in bed lmao

They follow each other around in my kingdom almost 24/7. Literally every single time I log in they're next to each other or one is trailing behind the other while they walk somewhere. If they want to be together that badly, I'm not going to stop them

They are literally the cycle of life and death, they have the single most important connection of all the Beasts and Ancients, one simply cannot go on without the other for together they make up the foundation of the goddamn cosmos

It actually all started with me and someone irl joking about Burning Spice having a stalker crush when the very first trailer came out. Then I went "haha that could be a funny fic". Then I wrote it and went "wait this is an interesting idea". Then episode 5 came out and I went "wait wtf does he actually want her??? He's acting like he does in my fic!!!" Then I wrote more and got even more attached to the one-sided attraction dynamic. Then I started imagining them in an actual, normal relationship and how that might pan out. Then I started writing stuff for/about that and I got extremely attached to that. Now they have a fully fleshed out relationship and they're married and have two kids, and I have a billion side stories and AUs, and any other ship involving either of them viscerally repulses me. I unironically memed too close to the sun and immediately fell straight down into BurningCheese hell (but it's ok, I like it here and I don't plan on leaving ever)

I can and I want to and no one can stop me

I still wrote a Bible, didn't I lol. BurningCheese/GoldenSpice is perfect in every way, they are my ride-or-die and you can pry the ship from my cold, dead hands. The end, roll credits

[shaylogic]

Messy Masterpost: I don't have the words so here's a mess of links and ideas

@captainfantasticalright's Dead Boy Detectives: a breakdown of Dante's hell. This post is a masterpiece of understanding how the Hell/afterlife dynamics work in Sandman Universe and DBDA, and it's sent my mind buzzing like crazy

My post about Simon's book

Not just any book

Theory about Simon's brother/father? Being a part of Burgess' Cult ("Order of Ancient Mysteries")

Thank you @niko-sasaki-dbd

Ba'al ==> Sa'al

Seems like Simon may have gotten a demon-summoning book that worked from his brother who may have been involved on Burgess' cult from Sandman. He died with book in hand, and that's the one he's tearing apart on repeat in Hell. Tumblr user listed above identified what the book might be, based off the image.

This interview at 12:52 George Rexstrew answering that Edwin's favorite thing about Charles is his unconditional love and acceptance of him.

Post about Charles bearing his soul to the Night Nurse like Orpheus played music to Cerberus

Interviewer talking about "straight friend" Charles "rejecting" gay Edwin, only for George, Jayden, Beth, and Steve to stiffen up slightly. Asking about how Charles didn't have a gay panic reaction to Edwin's confession. This interviewer is actually gay and interviewed on a gay network later, which threw me after this question.

=>If Charles had really gay panic rejected Edwin, it really would have ended like Eurydice, thrust back to the pit of Hell to wallow in the internalized homophobia, rather than being released with the support and healthy love of Charles.

Actors have reiterated multiple times that the case is not closed on Edwin and Charles' romance, they're just getting started and figuring it out in the midst of all the chaos.

People are stuck in Hell because they believe they belong there but Edwin gets out the second time because Charles KNOWS he doesn't belong there! And reminds Edwin of this when he's getting pulled under in it all

Charles went back to his red polo after the confession and escaping Hell with @nerdytacollama's excellent addition on episode 7 specifically!!

Edwin's whole arc was about accepting loving and being loved and his attraction to men, and his love of his best friend, specifically

Steve Yockey saying the confession NEEDED to happen on the stairs out of Hell. One reason being that Edwin may have been too afraid to go through with it after, another being that he could get dragged away forever at any second and it could be his last chance.

[above article pic quote from this]

But also based on the Hell worldbuilding of the Sandman Universe where people only go to hell if they believe in it and believe they deserve to be there > Edwin believing his want for intimacy at all letalone with other men being "such a sinful life" (Night Nurse paperwork) > the upward climb of healthy love from the Dante's Inferno Post > Edwin HAD to confess on the stairs and be accepted! It freed him of Hell~!

Simon moved on from Hell with Edwin's mutual sorrow for the two of them and somewhat understanding/forgiveness? Maybe self-acceptance from the gay guilt

Edwin's form saying he would serve in Hell for living such a sinful life and then be reassigned to a more pleasant state (Hell not an eternal afterlife, just time served and then moving one)

[image posted in @reviewcreature's post with @melefim's addition]

If Edwin went back now, loved and accepted by his friends and himself, would he pass on to the better place?

My post wondering about reincarnation in the Sandman Universe, which others weighed in on in the comments about how it's indeed canon

The parallels of the Lust room in hell being a butcher shop with bloody hanging bodies to reflect the debauchery of bloody writhing lust bodies ===> compare to "Girls' Night" when Jenny was running and hiding from stalker Maxine in her butcher shop behind meat ===> compare Edwin's arc of accepting "sodomite sin" of being attracted to men (challenge to the epitome and catalyst (ha) by the Cat King) and him having been through the Lust room of hell before and him STARING AT THE RED BULL ON THE BUTCHER SHOP WALL (as compared to directly in the first linked post)

The purity of Charles and Edwin's love compared to that and the stereotypes of how male love is depicted in media, as George, Steve, and Jayden have spoken out against gently in multiple interviews

How it's partially childlike, partially deep friendship where two men can hug and cry, partially a crush, partially potentially reciprocally romantic

The juxtaposition of Edwin's archetypical confession to Charles on the stairs of Hell on the way out of the Limbo of it, with Maxine guilty and desperate just below them, not even looking toward the open door

Fans wondering why it was so easy to get out of Hell. The worldbuilding canon saying that Hell is what you make of it (Charles says this in the original Season of Mists Ch 4 comic, Edwin says it in episode 7 to Simon). People in Hell stuck because they feel they deserve it.

@podcastenthusiast's post about being glad Edwin didn't see Simon move on, because then he'd really wonder we he himself suffered so long

==>CHARLES got Edwin out because he KNEW he didn't belong there!!!!

They push and pull each other by the arms the whole way to the top!!!!!!!

Magical weight in the snake pit "nothing's meant to leave this place"

Charles literally dragging Edwin out of Hell for the love and devotion to him!!!!!!!!!!!!

Allegory of dragging him out of his self-rejection and holding him by the face saying over and over "I love you. I accept you. I'm not leaving without you."

Openly gay producer/director Steve Yockey insisting on being the one to write Episode 7 and you can feel it in every color on the screen.

There's no higher power deciding this, despite the paperwork and minders ensuring everyone is sorted. It's an internal self-decided fate, unconscious.

I'm not gonna be able to link and list every pic and organize this in the state I'm in but--

ARE YOU SEEING ALL THE THINGS I'M SEEING?

Girl help I'm getting visions!!!!!!!!!!!!

[sapphic-agent]

Trios that would have been more compelling and less obnoxious than the "Wonder Trio":

Izuku, Tenya, Ochako: This needs no explanation

Izuku, Tenya, Shouto: Again, this really needs no champion vouching for it. The Stain arc and the subsequent character work that came with it will never be matched by any other arc in MHA.

Izuku, Denki, Yuga: These three all have self-harming quirks that can be really dangerous and inconvenient during a battle. It was truly a lost opportunity to see these three bond over their issues. Making Izuku and Yuga being close friends right off the bat would've have been really beneficial in sowing the traitor plot point early on and would've have also been far more devastating for Izuku during the reveal. And honestly, Yuga being formerly quirkless and having a self-harming quirk is a much better narrative parallel than the "Save to Win and Win to Save" bullshit that we got. Denki and Yuga just seem like they'd have really good chemistry.

Izuku, Tenya, Momo: These 3 intelligent specimens would've have been extremely overpowered if Hori actually cared enough to develop them. Also, Momo would get to shine because her quirk is powerful as hell (I actually head canon that she has the strongest/most versatile quirk in 1A and maybe enough the BNHA verse as a whole) and it's a crime that her intelligence and OP quirk went underutilized. Also, Momo and Izuku helping each other through their lack of self confidence would have been really touching and maybe have Izuku reflect on his life and how he was treated pre OFA. Momo and Tenya also seemed really no nonsense in the beginning when she ruthlessly criticized Bakugou, so this could help Izuku cut Bakugou off much earlier and allow him to grow.

Izuku, Tsuyu, Mineta: Yes I know, I know. Mineta sucks. But even so, these three were super compelling and interesting to watch during the USJ arc. The ways in which they used their quirks to escape death has way more charm and personality in their hair follicles than post season 3 ShoBakuDeku have in their entire bodies. Also, since Tsuyu was one of the first to call Bakugou out, I feel like her bluntness would be a really good reality check for Izuku to realize that the way Bakugou (and Aizawa) treat him is not okay. Also, Mineta already idolizes Izuku (which is actually sort of sweet) so this could have been used to develop his character rather than the awful and repetitive perv shtick that we're unfortunately stuck with.

Izuku, Shoji, Tokoyami: Like with the above trio, their forest camp sequence in trying to escape dark shadow has more personality and authenticity in their hair follicles than anything having to do with the stupid wonder trio. After all, the whole thing started because of Tokoyami witnessing Shoji being harmed by moonfish, which feels really raw and touching. Shoji also carrying Izuku on his back is super cute. These three also could've been used to address quirk-based discrimination, which is basically that backbone of BNHA's premise (even if it is always glossed over). Tokoyami and Shoji would've had to be victims of heteromorph discrimination (I think it was even confirmed in later chapters) which could drawn the three to each other. No offense to Shouto (and full offense of Bakugo) the two of them could never really relate to Izuku's trauma especially since Bakugou is responsible for 85% of it. They're both rich, they were both born with extremely powerful quirks. While Shouto is tragic because he was abused, he also benefits from the system of powerful quirks being favored which makes the two of them privileged. I also feel like Shoji and Tokoyami finding out about OFA and Izuku's previous quirklessness would just strengthen their bond and would motivate them to help and protect Izuku in any way they can unlike Bakugou who was a total nuisance the entire time.

Izuku, Mei, Ochako: Again, like with the last two, their admittedly limited time on screen together has more charm and personality than the stupid Wonder Trio.

These are the ones that I could think of from the top of my head. Feel free to add anymore.

These are all so cool! I especially liked Izuku, Denki, and Yuga. I always thought Izuku and Denki should have had more interactions anyway. And of course I love Izuku's scenes with Yuga. This is definitely a more unique one.

I would add Izuku, Momo, and Shoto to the list because I love the thought of Izuku being super intimidated by them only to be like, "Oh, oh no they're just isolated rich kids who have never talked to another kid their age and they're mine now" and adopts them.

Also, Izuku, Fumikage, and Shoto. I feel like they're fun.

It's not an Izuku trio but I'd also love Ochako, Tsu, and Momo just because they're best girls

[hyperfixationcritter]

Thinking again about Sky and Viktor's wasted potential cuz they could've done SOMETHING with associating the botanical with Sky and the mechanical with Viktor; how they can potentially clash but also work together as well as their similarities despite one being natural and the other artificial (circuitry/wires vs root systems and what not).

Like in s1, I was kinda skeptical about the direction they had Viktor and Jayce going with Hextech with their new inventions for Progress Day. Like others have pointed out before, there could've/should've been a lot more emphasis on environmental classism based on what was already set up and how different Zaunite characters combat that and Sky would've been a perfect candidate to do that with on Piltover's side. I'm also still mad about Ekko's tree mission going nowhere.

And like, it's one thing if they framed the Progress Day inventions as them being pushed to create tools for the mining industry (and how that industry is so integral to the class divide) to incentivize the initial funding for hextech in order to build the projects they actually wanted to but that wasn't the case. It was framed as something they did of their own volition and narratively done for the purpose of setting up for the league gear/weapons that Viktor and Vi use later on. And while I can see Jayce, as a person from a lower noble house whose money was built on making tools, thinking that's a good invention, I have mixed feelings about what would be in character for Viktor to think is actually helpful for the Undercity that balances how removed he is from it and the compromises that could arise from his place in Piltover vs his clearly established goals to help the Undercity.

Bringing environmental classism to the front and center of the story could've done wonders for Sky and Viktor and where their characters could've gone in s2 instead of making them "Fridged 2.0" and "OOC Eugenicist Cult Leader" who killed a chunk of the poor-disabled population through his hive mind.

While I personally would've liked to see Viktor, along with Sky, bring up projects related to civil engineering to improve the environmental conditions of the undercity and have more pushback on his part against certain things like the where the hex vault was built, it's fine to have him be blinded by his ambitions (and trying to not die, in part for the sake of his ambitions) from what's really important like they were trying to set up in s1. It would make him a flawed and nuanced character who has to learn from his mistakes. It would also tie into how Sky could've/should've become a prominent character through her own scientific contributions (and not post-humously from being fridged) which were canonically related to plants and the hexcore.

Like, to see the two of them go back to Zaun as equal partners, with Sky taking the lead, instead of being assistant to Viktor and Jayce (paralleling Viktor's own comment about not just wanting to be an assistant) and doing things to improve the environment with their combined skill set would've been awesome. Seeing them in sync together in s2 instead of unintentionally clashing in s1 would've been a cool parallel to have. Also have them team up with Ekko and Sevika :>

I'm having trouble wording my thoughts here but does anybody see the vision?????????

[umbralsong]

Racism in Astarion's Writing

There is a fascist takeover happening in Europe. Again. With pogroms targeting racialized and marginalized groups. Being at all silent about how media affects our perception of reality would be irresponsible of me. I stand in solidarity with you all. I will polish this as I go along, but this is for anyone who wants to understand.

Block, report, and move on from the inevitable racist shitheads. We have work to do.

Donate to Gaza here: https://gazafunds.org/ Support good causes with a click here: https://arab.org/ Ceasefire Now: https://ceasefire-now.com/ Donate to the [Sidewalk School] [Pay your rent], settlers. [KOSA Resources]

There is a... let's be charitable for a moment and call it "knee-jerk" reaction to discussions of racism in fandom. To call it character assassination, exaggeration, slander - anything but to acknowledge the dehumanizing system of power that underlies every part of this imbalance. It's only scary if you don't understand it, and as part of another group under siege for half a millenia, I am intimately familiar with it.

There are Romani perspectives on Astarion's storyline I would encourage everyone to read before mine. I don't wish to link them in case this post gets targeted. Please lend them your kind support and sincere gratitude for their contributions.

I do not "forgive" a character for questionable biases. I wonder why the writers put it there. I question its purpose in the narrative and the effect it has on the story and audience.

Let's discuss the effect:

The racism in Astarion's storyline serves no purpose, but the effects are harmful.

I've played evil (poorly). But I also have a very fucked up sense of humor and understand the appeal of a well-written fucked up little dude. Take, for instance, this Warlock from a BG3 playthrough:

Absolutely vile, but a clearly theatrical/satirical look at a classist piece of shit, you know, that sort of character. Take it as a palate cleanser after reading, and then gather your strength.

This is not a post about liking flawed characters. Please take your strawman, dust behind you, and move along.

I often find the trouble with depicting racism is the inherent unfamiliarity with the subject in a majority-white writer's room and company. There is an idea of what it entails, but not its purpose, and not its day-to-day application.

There is a veritable treasure trove of knowledge out there that I've ended up having to take in small parts. It is not easy hearing about the ways people have hurt others, systemic and otherwise. I genuinely want us to learn from this and be better for one another.

So when I see depictions of people who are Indigenous and Romani and Sinti, I wonder... why? And why were these writers chosen for this character/storyline?

In Astarion's storyline, from what I can tell, he makes light of stealing the Gur children. I can tell this is meant to be a depiction of guilt and deflection. What sucks is the fact that he's ultimately a white man making light of the fact that's... historically what they do.

The point, I believe, of him "following Cazador's orders" is to invoke the Nuremberg Defense. The tragedy is that Astarion, by D&D logic, literally couldn't do anything but follow his command. It's implied because he's defensive as hell, but he feels exceedingly guilty regardless. For all we know, it's earned.

Is Racist Magistrate Astarion still canon? If so, his "grudge" against the Gur is motivated by racism. Is that something we are prepared to confront with more than a line? Was he just a (maybe recently?) privileged asshole exercising his newfound power? In that case, his use of systemic power over the Gur may be read as a parallel to his storyline. But then the Gur need autonomy as well.

There is something to be deconstructed here, but I would not know its intimacies from my perspective. Others would. They may restructure it altogether so that it makes sense for their experience.

Here is what I know, and it should not be on this group alone to point it out: The inappropriate misuse of these tropes has encouraged racism in the fandom at large.

Performing a script well is not the fault of the voice actor, nor is the twisted logic of fans the fault of the writers. I am pointing out that reckless inclusion of certain ideas can have very unfortunate implications:

So stealing their children, expressing little remorse, and then "sparing" them the pain of executing stolen marginalized children is a good ending? I'm adding some untagged comments here for emphasis:

I find it interesting the game recognizes the complexity of the situation regarding the spawn and doesn’t punish the players or Astarion whatever the choice as long as they aren’t doing it for selfish reasons. Some good, thoughtful writing there.

Wow, even as a dedicated Astarion romancer, I was beginning to feel like it was a little unfair how much more recognition Neil is getting over the rest of the cast, but now I’m reminded of why. I’ve finished the game 3 times and never even considered not sparing the spawn, because if he deserves a chance, why don’t they? But the conviction he has behind his words in this makes me think I’ve been making the wrong choice.

Person 1: I really dislike Ulma. She’s such a judgmental Monday morning quarterback. Person 2: same, no matter what you do she'll blame Astarion for things that were outside his control

Spawn Astarion sparing their children as spawn is better and in line with his story, but for some reason, that isn't acknowledged through commentary, dialogue, or mechanics... thus, again, unfortunate implications:

To the spawn Astarion, Greetings from the family of Ulma, hunters of monsters and keepers of peace across Faerun. We know this letter finds you well, for although we hunt you no longer, we do sometimes keep a watch. Your restraint and control over your bloodlust has been admirable. Indeed, it has been an inspiration for our children, who have struggled with their own hunger. These last months have been a difficult time for our people. We have protected and nurtured our children as best we can, and we have learned much. Herbs we once used to dull our foes' minds are now sedatives to ease hunger and pain, restraints built to hold the undead now protect them from themselves. There has been a lot of pain, but a lot of progress too. Our children learned discipline and control, while we learned compassion and patience. There was a time when we would have destroyed any undead creature, our own blood or not, and called it a mercy. But then we met you. Wer saw that redemption was possible. Difficult, yes. Painful. But possible. You saved our children first from Cazador, and then from us. For that, we thank you. We will watch you still, but with more admiration than fear. Walk in peace, Astarion.

And, according to these commenters, it's better to kill them because the marginalized Elder is never satisfied with the man who stole their children?

It sounds so casual, I think. Perhaps they don't know what stealing children from a community really means.

60s scoop/residential school/reeducation camps trigger warning:

(The Scream by Kent Monkman. Alt text in link.)

Look at this painting.

Take it in with me for a moment. It is a scene taken from many memories and one. Look at how these families fought to stay together. Look at how they fight priests, nuns, and state officials - ones who my friend assured me are very friendly - how they grasp at their children with such painful desperation on their faces. It is a way for one to bear witness to unfathomable love and heartbreak.

When genocide deniers play their games, this is what they want you to pretend never happened. Don't mind the tens of thousands of child graves, or the stolen land. Just pretend these people are criminals out to swindle you, or steal your wives.

Growing up, listening to survivor testimonies, and the sweet reverberance of the remnants of survivors of slavery, you appreciate what you have. You remember every kindness. You love what you lost, and what you gained through gritted teeth.

And, you remember the unfathomable pain. It's why you promise to stop it from ever happening again, to anyone.

It is very sad. A heart is a heavy burden. Embrace it. To love is to live again, and to live again means you understand Never Again. Because people deserve to be happy. And that's worth a fight. That's why it's worth depicting with care and love, even when the subject matter threatens to choke you.

Let's get into Cazador Szarr.

I've played the game and understand that he has a backstory and some depth. What disturbs me is that an Asian man has the bloodiest, most brutal scene in the game with a white man killing him.

I can't let this be undiscussed as sinophobia rises in a pandemic. I am no authority, but I'm not ignorant. These posts are found in discussions of racism in BG3 and I would, again, prefer not to put a target on their back. Instead, show them support.

In terms of diverse storytelling, casting, and roles, I would only ask that a historical and sensitive look be applied. Hire people from these communities to act, direct, and write for that role. Writing is never easy. There is a weight and responsibility to it, but it's worth it to touch as many souls as possible.

I respect this history. That is why it is not something I believe should be thrown in as flavor text. It's why history needs to be respected as a great backstory to everything we create. We need each other, and we need art we create together.

The debt is yet to be paid.

[casscainmainly]

Have you read the recent chapter of boy wonder? I feel like it ties nicely with what you were talking about recently like robin, the mantles relationship with poc and batman

Adding your second ask here: "And also robin as being able to be a symbol for the collective and community. Sorry for being so scatter brained I sent the other ask without completing my thoughts😭 I was really interested in how you'll react to the recent chapter and hearing your thoughts on it. I'm not really good at analysis but reading yours are always fun"

I'm really happy you sent this ask because I've been meaning to read The Boy Wonder for ages and I never got around to it, so this was the push I needed!

You're spot on that so much of issue #5 connects to what I was discussing in my Duke Thomas and the Robin Mantle post. In fact, Damian giving the R symbol to the would-be robber directly parallels Duke giving the symbol to Daryl:

The Boy Wonder #5 / Batman (2011) #45

In both, they view Robin as a connection to their families and to the wider Gotham community, as the grounds for both individual and societal change. And honestly this makes sense, given that Damian is the predecessor, both chronologically and spiritually, to Duke's Robin.

Damian as a character of color is fraught with difficulty. The set-up of his story invites a dichotomy between the evil, Asian, brown-skinned Talia and Ra's, and the kind and caring White Wayne family. Morrison's demonisation of Talia is symptomatic of this issue. This is something The Boy Wonder mentions, too; Ra's is aggrieved not only at Damian betraying him, but at Damian siding with a rich White man, the opposite of every ideal he was raised with.

But in The Boy Wonder and in canon, the dichotomy is not so simple. Boy Wonder has Damian acknowledge both his 'demon' and Bat sides, with the social movement aspect coming from his mother, not from Bruce. It's also important to anti-racist readings of his character, as well as a general understanding of Damian, that he did not need to learn compassion. He already had it - one of his earliest moments in Morrison's run is feeling devastated at failing to save Sasha. People saying Dick taught Damian to feel things are missing the point: Damian already felt things, and what he learned from Dick was how to process and use those feelings.

(It's also important that Damian's first Batman was Dick, the first Robin, and retroactively the first Robin of Colour.)

Damian as a character moves from the restricting, White-centric legacy of the Batman into the freeing, colourful legacy of Robin. Another parallel to Duke and We Are Robin:

The Boy Wonder #5 / We Are Robin #1

Robin has always stood for youth, but this notion of the future starts with Damian (as Bruce's heir) and flourishes in Duke (as one of Gotham's many heirs). They are the future, which means the future is a place of colour.

One thing I liked more in Boy Wonder than We Are Robin is that Damian starts the movement, whereas WAR has... Alfred (this is a bad move for many reasons but this post is too long already). Damian credits the core moral principle - wanting to change the world in a communal way - to Ra's and Talia, which shows that Damian's morals do not come from the Batfam. Once again, the Robin mantle is not only a connection to the Bat, but a connection to the wearer's original/other family, as it was for Dick and Duke.

In all three cases, the other family is a family of colour. This is why I think Dick works better when his Romani heritage is acknowledged; the Dick-Damian-Duke lineage is a nuanced exploration of the ways kids of Colour navigate the White world, in which Robin functions as a celebration of difference and a rebellion against assimilation. It's a progressive journey: Dick is White-passing and has mostly lost touch with his roots, Damian (ideally, when Talia is written right) equally loves both sides of his family, and Duke is unapologetically, unequivocally Black.

Which is why, though I enjoyed Boy Wonder overall, I'm extremely puzzled why Duke wasn't in it. Like, Damian just started We Are Robin!!! Why would you do WAR and not include WAR characters? Merle could've easily been Duke, and the comic would've been richer for it. (Also why is Babs here?? She says like two lines and is not part of the Robin legacy. Steph being Batgirl or Robin would've made more sense).

I can kind of understand Duke's omission (though this comic pulls so much from We Are Robin it feels like it owes Duke a cameo), but Dick's role was strangely small. It seems like Damian didn't start as Dick's Robin here, but that point is so essential to his character that once again I'm puzzled. There is so much more to be done with Dick, especially with the last issue being a meditation on the Robin legacy.

But it was still a fun read, and Damian is so adorable throughout I can't be mad at it. I hope this post makes up for how long it took me to get to this ask!!

[caligvlasaqvarivm]

Would love to hear your thought on meowrails break up and who they end up with?! Especially interested in Hal <> Nepeta!

Ok! Just a disclaimer before anything: this is not at all saying you shouldnt ship the meowrails, this is just a canon discussion blog and I have noticed... some stuff... but ship whatever you want, I literally don't care, all HCs are valid, etc. etc.

"Everyone has an important job to do." This is a phrase that gets repeated in Hivebent a few times, which makes it important, as Homestuck often uses repetition to build up an "internal lexicon" and deliberately highlight when situations have similar connotations (Hussie discusses this on their Formspring). So what's the context for this specific phrase? Well, it shows up three times, and for at least two of those times, it's associated with failed moirallegiances.

GA: But It Just Means Theres Got To Be Someone Around To Keep An Eye On Them GA: And If Not Me Then Who GA: Everyone Has An Important Job To Do AG: Ok, so you're spying on me. Kind of creepy! Man, m8y8e you should get a l8fe.

And

CC: I will need to connect after my goofball moirail does so I can keep my goggles on )(is nefarious escapades. CC: Its a toug)( job but its important! Everyone )(as an important job to do.

So, okay, apparently the context of this phrase is "this person is in a moirallegiance that will NOT work out"... well, here's the third time it pops up (though it's the first time chronologically):

Your best pal of all is A LITTLE BOSSY, and people wonder why you even bother with him. But someone has to keep him pacified. If not you, then who? Everyone has an important job to do.

So... hm. This isn't the only thing I have to say about meowrails breakup, but it is the most prominent one, and maybe the most damning, depending on how much weight you put into Homestuck's oft-deliberate use of parallels.

Maybe something a bit more damning is the way Hussie speaks about them in the book commentary? Pretty much every time they turn up, he has some comment to make about how Equius doesn't really "need" Nepeta, and about how he tends to talk over her and usurp her agency, like so many shitty boyfriends IRL.

We don't know much about Equius yet, but we get an awful lot of info about him with this excerpt. He's racist, a huge snob, doesn't like swearing, is stern and controlling, has a patronizing fondness for Nepeta, and thinks archery is cool because of its association with nobility. Combine this with the snapshot of his room we'll see soon, and suddenly we have an extensive character portrait. This was all important to establish quickly, because it helps us understand in record time that Equius is in fact one of the greatest characters ever created.

Equius says he appreciates that Nepeta's angry. I guess meaning that he respects an angry disposition, like his own. Especially early on in his characterization, it's suggested he has anger issues (like him taking his rage out on robot dummy combatants). But I'm not sure this trait holds up. Over time, he seems to show a lot more passion about his weird stuff, his passion for archery and muscular horse men, his submissive obsessions, his deference toward those higher on the hemospectrum and fetish-like indulgence in depraved attraction toward those lower. Ultimately he comes off more as a ridiculous nerd, with a soft spot for a lot of silly and creepy shit. My view on this is, it's not that the text lost track of the fact that he was supposed to be angry. It's more that this was his initial state of mind early on, and the more he started blowing off steam with his various indulgences (Aradiabot, etc.) the less he had to be mad about. We just meet him at a really high-strung point in his life. I think it's more accurate to say his "anger" is a form of hyperintense focus on being stern, aloof, proper, and averse to nonsense, which is a facade serving to cover up his inner personality, which is barely in control at all. Like Nepeta suggests, deep down he wants to play the kinds of silly games she plays. He wants to let go completely, and indulge every ludicrous and depraved whim he has. His arc tends to be more about caving to these indulgences, and all the mixed consequences that follow, than resisting them.

Here's [S] Equius: Seek the highbl00d, another playable RPG game. [...] But Christ, why am I talking about that garbage when we are about to review some truly choice material focusing exclusively on your favorite meowrails. It is a great illustration of their tragic dynamic; deeply committed and caring partners in the diamonds quadrant, and yet compromised by Equius and his stubborn class-driven faults, his pathological reverence for his superiors, his forced and probably not genuinely felt sense of disdain for lower bloods like Nepeta, and ultimately his failure to rise above these flaws when presented with a real test of character and friendship. A test imposed, of course, by a boorish murderclown, who from this point onward just ruins fucking everything, constantly.

Hussie is an unreliable narrator (of the "he's deliberately playing a character who's biased, opinionated, and sometimes wrong, because a major theme of Homestuck is that you have to question who's telling the story and if they can be trusted" variety), so it's difficult to parse exactly what he's saying is salient, especially since he talks so damn much. But even so, he constantly goes out of his way to highlight how the meowrails DON'T work out - which is even pretty canon in the comic.

In Hivebent, the two are established as working along this dynamic: Nepeta soothes Equius's anger issues, while Equius keeps Nepeta from recklessly endangering herself (for example, prohibiting her from LARPing). But as Hussie says, Equius's anger problems become basically nonexistent by the time Murderstuck rolls around, and his actual problem is his overindulgence in his fetishes; meanwhile, his bossy, controlling attitude to Nepeta was always kind of suspect, but it actively becomes a source of frustration to her that she can't wait to shirk (he bans her from talking to the humans, and she goes behind his back to do it anyways - even celebrates when Karkat gives her express permission).

In the end, they die for their failures as a moirallegiance - despite being fresh off a feelings jam in a pile, and so, supposedly at their least likely to hurt themselves or others, Equius's horny gets him killed (Hussie has always maintained across multiple platforms that Equius could've easily overpowered Gamzee, he just chose not to because Hot), and Nepeta doesn't listen to his orders to stay put. In later conversations with ARquiussprite, Equius is always framed as the one here who was wrong - who failed to keep Nepeta safe and has something to apologize for. I think it's also pretty important to notice that in the bubbles, Equius is never seen doing so - but IS seen being really weird to Aradias - fully implying that he's actually been avoiding taking accountability to Nepeta in favor of indulging in his fetish shit, out of shame and guilt.

As Hussie says, the meowrails are an important relationship, and when I say they don't work out, I don't mean they shouldn't have been together in the first place. On the contrary; I think they actually were good for each other, way back on Alternia. Nepeta DID keep Equius's frustrations in check, and Equius DID keep Nepeta out of trouble. But as time went on, Equius just got really comfortable with treating Nepeta like an object he owned - something convenient, which he can use when he's feeling sad, and ignore otherwise - and Nepeta started growing frustrated with his increasingly petty control. They grew as people, their needs changed, and they stopped being good for each other, but they stayed together - out of inertia and sunk cost fallacy on Nepeta's end, and on Equius's end, because it was convenient and pleasant (for him) and useful (for him) so why would he throw it away?

While this is something I think could potentially be worked out with relationship therapy, the thing with Homestuck is that it's big into the idea of soulmates, especially in the pale quadrant (which is described with that exact term). Its ultimate thesis on romance is that, while you have to do a lot of personal work in order to be the kind of person who can BE in a soul mates relationship, ultimately a relationship SHOULD have an element of just... easy compatability, idiosyncracies clicking together in just the right way to bring out the best in both parties. It's idealized, and there's criticism to be made about that, but that's still ultimately how romance kind of functions in Homestuck. The perfect match is out there for you, and while you have some growing to do in order to be ready for it, it's supposed to be easy once you get there. Consider how Eridan can calm Karkat down literally just by talking to him normally, or how Sollux regularly outright professes that Feferi's just fucking amazing - these are relationships where the involved parties don't need to tell themselves "everyone has an important job to do" with grit teeth to justify keeping the relationship going.

Meowrails lacks that inherent compatability, according to the evidence, but of course, that brings up the question of who they SHOULD date in pale instead. Hey, did you ever notice that Dirk (and by extension, Hal) are EXTREMELY Equius-coded?

So here's the thing. Hal's favorite alpha kid is Roxy, who is also pretty Nepeta-themed, being a cat-associated Rogue. They regularly flirtLARP with each other, but when we get a glimpse of this so called flirtLARPing, it's actually Roxy almost, but not quite, getting Hal to admit that he's actually not really that into Jake, he just feels obligated, as an extension of Dirk, to make DirkJake happen. They almost, but not quite, have a feelings jam.

Meanwhile, Hal outright calls his conversation with Dirk, as Dirk grapples with whether or not he should kill Hal, a "feelings jam", and Dirk also has a convo with Caliborn about how maybe he should consider the merits of selfcest.

What these interactions hint at, to me, is Nepeta <> Hal, and Equius <> Dirk... and I think if you consider it from the standpoint of their personalities, it works, too?

Nepeta is pretty consistently shown to have a knack for knowing how other people actually feel. Her shipping charts are incorrect in terms of compatability, but she's got a scary knack for reading intentions and desires - as befits a non-destructive Heart player. She's able to pinpoint that Eridan's advances on her are insincere, but he's not that bad a guy; she notices that Karkat is a big softie who loves his friends so much; she correctly reads that Equius is a big ol' goofball who loves to play games. Hal, as a Mind player, and even more as originally being a Dirk splinter and an AI, is deeply distressed by his lack of "self"-hood; it's Roxy who calls out first and most blatantly that he's clearly his own guy with his own real feelings, which seems to be why he gravitates toward her. Nepeta would do this even harder, since it's kind of her entire Thing, and I think Hal would really appreciate that, since Hal is at his worst when he thinks he's acting in someone else's best interest (Sylph lol).

Meanwhile, what Nepeta really needs IS an enabler. She's a rebellious soul with radical ideas about how the hemospectrum is stupid and dumb, and she's RIGHT and she should SAY IT. Hal's amazing at giving people what they "want", pulling strings to ensure DirkJake happens, while also framing it as something that Jake would want - this bombastic, action hero kiss-in-front-of-a-volcano. Nepeta's clearly attracted to characters with Equius-esque qualities, but after spending so long with Equius, who does nothing but push her down with a patronizing "hush, greenblood, it's for your own good," I think she would do well with an insane partner in crime who instead goes "fuck yeah girl, let's make this shit happen." Especially since her personal insecurities are that other people will find her dumb and silly (an impression that Equius certainly didn't HELP with...) - having Hal in her corner going "uhhh you're literally my favorite and I will engineer situations to fall directly in your favor?" would be a huge help to her.

I'm actually not entirely sold on equius <> dirk - they're maybe too similar? - i have in my notes here john <> dirk and equius <> jake. idk. the shipping web starts to get complicated