#so i hope it's not too bad of a read
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forgettable-au · 2 months ago
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FORGETTABLE-AU (Page 61-64)
* I-I don't think we were talking about the same thing...
[BEGINNING] [PREVIOUS] [CONTINUE]
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astronnova · 1 month ago
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doodles (as i avoid work) of the super awesome you wouldn't like me alive fic by @ectoplasmranch which i binge read in a 7 hour sitting yesterday
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svtskneecaps · 8 months ago
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i also just want to point out the qsmp members' commitment to like never letting the inactive members die. like dantdm logged on twice and is canonically dead and everyone continues to blame mysterious happenstance on him. spreen is canonically dead and yet people are still like namedropping him even tho the house façade he built has been demolished and also probably consumed by a mountain. they meme on kameto who's barely been on except that time he was a fed spy that was iconic as hell. they just immortalize their members and they're always so happy to see old faces come back and it lowkey makes me emotional lmfaoo like missa barely logged on for a while but goddamn nobody forgot his name bc philza can't go one day without mentioning him and mariana barely logs on but every time fit saw the homeless mariana in roier's city no matter what he'd stop dead and tell it "come home" and when slime came back to the server for elections after having logged off for the last like two months everyone was still excited to meet him bc the others had kept his memories on the server fresh and alive, maxo died canonically in the nuke and pierre pasted his face all over the server, luzu vanished for months and we never forgot him either thanks to the computers and foolish's wack ass family tree. like when purgatory teams were chosen and team red constantly joked about how it would be so over for the other teams once germán logged on despite the fact that germán had only ever logged on ONCE, the way they cheered when they snatched rubius in the split of green despite the fact that rubius hadn't logged on more than twice since march. they just keep the names alive all the time and it's like
it just makes me really happy to see. like it makes me really happy. like the admin team and the members alike are like 'no way in HELL are we letting your memory go' like damn once ur on isla quesadilla you really are stuck as an islander forever :D
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deoidesign · 1 month ago
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Ray of sunshine
(pre-launch page for their comic)
#I can not wait to make this comic#I have to stop thinking about it or else I cant focus#every time I start thinking about it I get all jittery. I wanna make it so fucking bad its unreal#hope to GOD I can do it full time omfg#I'll need like 500 people on my patreon paying to read ahead. ish. minimum. which is scary ahgkjsahgkjagh#but! I'll be able to put that on patreon! I cant do that right now. so thats cool!!!#just a lot of people AJGLKJGLKJASLKGGA#like it has to do well or I'm gonna have to get a different job#cause. I am NOT working for webtoon again#I cant do it they are killing me#and I'm not getting paid enough for it#I pitched this comic btw and they said they liked it but they wanted me to simplify the plot.#cause it was 'too complicated'#its literally just like. a murder mystery + a romance + a fetch quest#like its extremely not that complicated lmfao#they thought that people wouldnt be able to follow cause theres too much going on.#and I am not interested in simplifying my stories to this extent. I respect my readers and I trust they can follow plots#just. omfg I'm doing it again!!!#I cant start talking about webtoon without going off again!!!#they PISH ME OFF ! HAHAHAHAH#okay. anyways. I have to get back to work now this took me longer than I expected#like 4 hours#I'm enjoying this new illustration style I've been doing though. its fun.#its like 1 layer and then a ton of effects HAHAHAH#we were legion#zagan and luciel#zagan#luciel#how did I make zagan so hot... I'm a genius...#if he isnt hot then no one would put up with his behavior at the start of the ccomic HAHAHAHA
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kentopedia · 4 months ago
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ᡣ𐭩 𝐀𝐂𝐓 𝐈 . . . the french are glad to die for love
after a night performing, you meet with the duke, but he's not anything like you'd been expecting.
𝐜𝐡𝐚𝐩𝐭𝐞𝐫 𝐜��𝐧𝐭𝐞𝐧𝐭𝐬. ft. sanji ! f!reader, moulin rouge au, alcohol, smoking, romance, prostitution, burlesque/cabaret dancers, humor, very very brief mention of suicidal ideation, suggestive content. 8.7k words.
𝐰𝐢𝐭𝐡 𝐥𝐨𝐯𝐞, i'm very nervous to post this so pls be kind to me ‪‪❤︎‬ if you aren't familiar with moulin rouge, the writing's a bit silly / eccentric at times, which is a little outside my comfort zone. so if you hate it... say nothing lol ><
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𝐒𝐄𝐑𝐈𝐄𝐒 𝐌𝐀𝐒𝐓𝐄𝐑𝐋𝐈𝐒𝐓 .˚⟡ ࣪ ˖ 𝐀𝐂𝐓 𝐈𝐈 .˚⟡ ࣪ ˖ 𝐀𝐎𝟑 𝐋𝐈𝐍𝐊
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Paris was the city of lovers, as they said. Romantic and doused in shades of red, painted with hearts for stars and a dazzling galaxy complete of past romances. 
Red, yes, was the color of Paris. But it came from not from dalliances, but from blood and tears, the scarlet hues mixed in shades of pain and misfortune. Nothing you had expected when you’d first stepped foot in the city with a half-developed mind, just off the boat from your own country. You’d had a suitcase filled with your finest clothes, which truly weren’t much, and a few necessities. But you’d been leaving from nothing, and you’d go on to have nothing, finding yourself in yet another desperate situation. 
In the wake of revolutions, Paris was supposed to be a place of rebirth, to start fresh and finally live out your dream as an actress. But things never turned out the way they were planned — such had been the case since the beginning of time. 
Instead of finding your way into the Palais Garnier, on the stage in beautiful velvet gowns, laced with glittering diamonds and rubies, you found yourself on the streets, singing for anyone who would listen. Then, you were acquired by a man who promised you a life of luxury and an opportunity to be a star. 
And who were you to refuse such an offer? 
Thus concluding the simple, albeit melancholy tale of how you found yourself at the Moulin Rouge, part-time singer, part-time dancer, and full-time actor. A cliché story of ambition and lost dreams, of aspirations that had never come to fruition.
Still, you had your moments of stepping into the role of the glittering ruby, the dazzling diamond. There were even times when you felt that, maybe, you were shaping up to be the prima donna you’d dreamed of becoming. That you had already taken that role on and made it your own, not in a golden opera house, but on a stage of darker colors, crafted for those that crept in the shadows, rather than the heavens. 
But what being an actor at the Moulin Rouge meant was forgetting what it was to be yourself. Each evening, you put on a mask of beauty that you didn’t feel to your core, shrouded in cheap jewels that had become meaningless in the face of giving up your real dream. No matter how many times you told yourself this was right, a stepping stone to the path of greatness, it still felt like a lie.
But the years carried on, and the pain subsided. You got used to the sharpened eyes of hungry men, of people that would never want you for any longer than an evening. They were charming, sure, and they paid a pretty penny for a night — if you were willing to give it to them. 
It was enough. It had to be. 
Things weren’t so bad, you supposed. You’d left your home like you’d always planned to, even while this shapeless existence was hardly any better.
Still, returning to your house of cards, of rags and dirtied floors, seemed like an even bigger failure. Perhaps not to your family, who would’ve deemed your life as a courtesan the greatest shame of them all. To you, though, the greatest shame would have been to admit that you were wrong. 
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Your fifth year of working at the Moulin Rouge set into motion the beginning of the end. There was nothing different about the evening that tipped the first domino… Not that you could recall, at least. 
As always, an array of stars glittered over Montmartre, a beautiful Parisian night, lit up with red. From the streets, the Moulin Rouge glowed like a beacon, combating even the loveliest parts of the French skyline, outlandishly bright, but mystical all the same. It wasn’t often that you saw the outside of the cabaret, not the way your patrons did. Sometimes, you wondered what it was like for them, to walk in for the first time and see the beautiful stars, dancing just for them on the candlelit stage. 
The very stage you were soon to find yourself on.
A necklace of rubies — undoubtably fake — hung heavy on your chest, weighing you down just like a cough in your lungs did. From beyond your four walls, you could hear the crowd that had formed in the intimate hall, already wet with anticipation of the dancers. And while some, perhaps, were doubtful, here for the first time, you knew they would leave with an itch to return, if only to see the star of the Moulin Rouge.
You.
Staring into the mirror, you listened to the heels of your friends click across the stage, getting into position for their first number. It was comforting, almost, how the simple sound was there for your every night, alerting you of just how much time you had before your final act. 
You smeared rouge across your cheeks, sporting a grim smile, and made sure the color was bright enough to combat the lights that would illuminate you. 
Then, you inhaled, and stood from your chair, to get dressed before your number began. 
Unfortunately, you didn’t get far, already crowded by the chest of your keeper, the flashy owner of the Moulin Rouge. Buggy. 
He was dressed as he always was — to the nines, and impeccably lively. Much livelier than you would ever be outside of the glittering nightclub. Sometimes, you wondered just how much of his persona was an act, and how much of it was every bit the extravagance he’d been born with.
“There’s my star,” Buggy said, dragging a finger across your cheek, eyes lit up by his pale makeup. “I’ve been looking for you.” Your name left his lips cheerfully, and you smiled, thinly plastering on enthusiasm. 
“Well,” you answered, batting your eyelashes heavily. “Here I am. Where I’ve been for the past five years, every night, at this very time.”
He threw an arm over your shoulder as he always did, like the two of you were old friends, and the air of professionalism you tried to keep between you was needless. “Yes, yes,” he responded, waving off the slight bit of sarcasm. “Listen. I have a manner of business to discuss.” 
Your smile quickly fell. You knew what that meant. “Buggy,” you said, unreeling yourself from his embrace, his hot palm dropping from your shoulders. “It’s hardly been a day since the last one. You promised me I wouldn’t have to take on any more.” 
Not that you’d believed him when he’d said that, but… There were only so many men you were willing to seduce, especially when the other dancers would have gladly accepted the work. You weren’t the only courtesan at the club, and just because you were the star, didn't mean you would put the others out of a job. 
“I did, I did, and I’ll keep that promise… After this last time.” Buggy’s words were on the edge of charisma, but they weren’t able to reach that delivery. Full of a dramatic flair, sure, but nothing further. His smile was thin, desperate, and though you wanted to ask his true intentions about this particular meeting, you wouldn’t. You already knew the answer.
You held his gaze sharply, eyes narrowing before you relented, a heavy sigh leaving your lungs. 
There had been talk about the finances, only recently, and just through the grapevine. Claims that the Moulin Rouge was going bankrupt, and there was only one person with enough beauty and charm to save it.
A heavy burden to bear, indeed.
And while you were hopeful, devastatingly so, that the claims weren’t true, you weren’t blind to the dwindling waitstaff, the decreasingly lavish decorations. One of your dancers had even left in the last week, a young girl who didn’t bring much to the table, but didn’t deserve to be tossed back onto the streets either. 
You’d be a fool not to notice that there was trouble… Trouble Buggy had convinced you not to worry about, but that concerned you all the same. 
With a frown, you bowed your gaze, then perked back up with a smile. As if holding a tiara high on your head, you straightened, erasing the depressing dimness from your eyes, hoping you shone as brightly as he wanted you to. “Alright,” you hummed, softening your voice, “What do I need to do?” 
Buggy grinned, face revealing perfect showmanship, and pinched your cheek. “There’s my star.” 
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The man you were to seduce on the stage tonight was a duke. 
He wasn’t from Paris, wasn’t from France at all, but instead, from some intriguing land further East, hailing a vast amount of wealth and a large wallet that could easily bankroll the entire nightclub. Salaries, performances, food and so on. That alone told you all you needed to know. 
Just one night. That would be enough to convince him that you were a dazzling diamond, and you deserved a place on the stage. A different stage. It would be enough to get him to put his money on the table, entranced enough by the energy of the evening to invest in the Moulin Rouge. Enough to intrigue him, even if he was a difficult man to please. 
One night might not turn out be just one, you knew that. But you’d do anything, anything it took to achieve you dreams. Not just for yourself, not for Buggy… but for all of the others that you called your friends. You deserved an opportunity to be a real actress, and they deserved a place to live, a place to work. 
Besides, you were getting older, already closer to thirty than your early teenage years, and those of the underworld did not want an aged woman, so much as they sought the delicate features of a barely turned adult. It was a disgusting, filthy world you lived in, but it kept you alive, and sometimes, that was all you could ask for. 
“Remember,” Buggy’s words echoed in your ears, sharp and desperate to be heard, even over the drowning noises of the orchestra. “He’ll be in the back booth. There’s a group of men with him, they’ll all have drinks. Just catch his eye, sometime during the dance. But don’t worry too much about that, otherwise you’ll lose your focus.” 
What you got from that was: You should try extra hard to catch the eye of an impressive man, but you should not seem like you were trying at all. 
A somewhat daunting task, but it would be simple enough. There hadn't been a man yet at the Moulin Rouge who hadn’t stumbled over himself when you gave him your brilliant smile.
You breathed, a deep inhale that cleared out the anxiety lingering in your chest. Then, you blew it out, and the curtain rose, blinding you with overwhelming yellows and reds from the lights, ones that ignited the jewels on your neck, outlining your chest, drawing everyone’s attention to you.
It was hard to see anything at all, but you could feel all their eyes on you — a hundred or so pairs that scoured you like a piece of meat.
And when you got to the floor, close enough that you could feel the hot breaths of your favorite clients, they threw bills at you until you could no longer hold them in the tight lines of your bodice. 
You smiled at every individual like you’d never smile at anyone again, patted their cheeks until they passed out with red, swooning faces. Then you left them, still reeling from your touch, eyes glued to you with the focus of a tortured scholar.
Performing had always been a rush to you, left you lively and with an energy that you’d never found in anything else. But sometimes, performing like this, exploiting no one but yourself and your magnetic charm, left you empty at the end of the day. You left the stage cold, drained of every ounce of warmth that had been dragged into you from the spotlight. 
It was invigorating to be wanted, but it could never compete with the crushing loneliness that came with being used.
And that warmth you got from the stage, the rush of devotion and adrenaline that came with incessant adoration? Well, you’d never felt anything like that, never been able to replicate it either, until a set of eyes landed on you from a distant booth, where the Duke was said to be sitting. 
You felt the heat before you saw him, the candy-red color of desire bleeding into you. It dragged across your back, digging into your shoulder-blades like a needle, piercing, but only lightly. There was something soft around the harsh edges of want, and when you turned to meet that stark desire, you almost faltered in surprise. 
He wasn’t what you’d been expecting.
Just as Buggy had said, the corner-most booth held a man, surrounded by many others. The table was littered with glasses — both empty and full of alcohol, and a cloud of smoke hovered around them. All of the men leaned over the table, eyeing you with awe-struck eyes, as you sparingly gave them your sweetest smile. 
But it was the innermost man that you honed in on, one being jostled around by the wealthy others in his booth. Blonde, blue eyes alight with a conflicted sort of desire, wearing a suit tailored to fit him perfectly. 
The Duke. 
Allegedly. 
From what you’d been told, there were enough clues to convince you that this dazzled man was the one you were looking for. Surrounding him were older patrons, ones that were familiar with Buggy, and nearly all of the dancers. Rich men that would have gladly accompanied a foreign noble, shown him the beauty of Montmartre before the sun rose and they were back to respectable conversation. 
Yet, he seemed… 
Well, he didn’t seem very lordly. 
That, though, was not a question you wanted to linger on for too long. Your mind would spin into uncertainties, and you would fuck this up before you could fuck him. 
Instead, you sharpened your smile, lowered your eyes seductively, and continued your performance, painting more attention onto that side of the room. 
Which raised another red flag that you were all too happy to ignore. Far opposite of what Buggy had sad, the duke did not seem like a difficult man to please. Rather, all you could think was that he would be an easy catch, with the way his cigarette dangled from his lips, parted in awe. His irises might as well have shaped into hearts as he watched you, tracing your every movement without so much as blinking. 
You brightened. For some reason, his adoration gave you much greater satisfaction than you would have liked to admit. 
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Riding on the elation that your prey, the source of your future, was in the palm of your hand, you wrapped up the rest of your performance perfectly, tying it up with a beautiful scarlet ribbon. Buggy was standing on the edge of the stage as you made your way down, bowing dramatically, knowing that you had succeeded in every goal he’d set for you. 
“Do you think I lured him in?” you asked softly, accepting the robe given to you by one of the stage-hands, a man just on the cusp of his twenties. 
Buggy smiled, his red-painted lips spreading across crooked teeth. “I don’t call you the diamond for nothing, do I, my dear?” he said, pinching your cheek. 
The rouge came off between his fingers, and your eyebrows crinkled, before releasing, as you remembered all the ways you could keep yourself from looking older. You swatted your friend-not-friend’s hand away before wrapping yourself tighter in the robe, feeling so much smaller and younger than you truly were. 
Despite all the men you’d taken to bed, all the nights you’d shared in throes of passion (their’s, of course, never your own), you still felt the scared, hardly-adult you’d been when you first set foot in Paris. 
Buggy noticed the change in your demeanor, as you tried to gear yourself up for an encounter with the Duke. The charming, blonde noble seemed kind enough, softer around the edges than many of the men you’d seduced over the years. Perhaps it wouldn’t be so bad. 
Never, though, would it be something that you wanted to do.
“What’s the matter, my gem?” Buggy asked, not quite in a way that was kind, but enough to show concern. His eyes were gentler than the rest of his appearance, and you weren’t sure you were grateful for it.
You curled away from his hands, sniffing back the onslaught of doubt and self-loathing that always came upon you when you used your body in such a way. It was something that you’d been taught to feel disgusted by, even though it kept a roof over your head, and the heads of the people that you’d come to call your family. 
“It’s nothing,” you said, because it was the truth. It was nothing new. The same blur of feelings that had haunted you since the first day you’d sold yourself to another still lingered. You’d always thought it would get easier… but it hadn’t. It still ended with you wanting to tear your skin from your body, but never following through with a slide of poison down your throat. 
Because that was the easy way, wasn’t it? A quick way to end your torment, without knowing if you’d ever see the other side. And, perhaps you weren’t as brave as you wanted to believe, but you wanted to see if there was another side. If there was a brighter end, a brighter future, where you could shine on the stage of the Palais Garnier as a real actress, and not just in the glittering scarlet lights of the Moulin Rouge. 
Buggy eyed you skeptically, any kindness in his irises now gone as his lips turned into a thin line. “It better be nothing,” he said, guiding you across the stage, before reaching a doorway that would send you up into the Elephant Room.
Which was the most private area of the Moulin Rouge, one saved for the most illicit affairs. It was your room, and only those patrons that were willing to pay the highest price were allowed entry. 
“Remember, I’ll send him up to you, and all you have to do is give him a night he won’t forget, alright?” Buggy stood in front of you, gripping your shoulders in a warning. “Now, show me that dazzling smile, diamond.”
Reluctantly, but with all the passion you had gathered in your chest, you smiled, knowing that it was real enough to set something alight in his own. The reaction — just a small quirk of his lips in return — was enough to let you know he was satisfied with the show you’d put on.
“There she is. We’ll have a new investor soon enough.” 
You were certain of that. You had to be certain of that, or your livelihood would be down the drain, and a future of shimmering lights and diamond-encrusted gowns would be out of the question. 
On the walk up the stairs, you spoke soft words in your head, hummed the same tune you did for every show. It reminded you of who you were — at least, who you were to them. The ones who would have sold an arm and leg for a chance to win your heart, even though, after all the years that passed, you didn’t think you had one to give anymore. 
The stage was all the love you had to offer. Perhaps, the only type of love you believed in, anymore. 
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You made your way up the spiraling staircase to the Elephant Room, and opened the door with a sigh, letting your weight rest against the doorknob. For a moment, you deflated in the threshold like a woman in a Shakespearian tragedy, exhaling the tension that had wrought in your shoulders. 
Until you felt eyes slide across to you, unexpectedly, and you found you weren’t alone in the Elephant Room. 
Without pretense, the Duke was waiting for you, his eyes dancing along the interior, taking a moment to gaze at every corner of the room. There was interest in his irises, as he searched for other secrets of your life through your belongings
Then, the door slammed shut behind you, and the spell was broken. The Duke turned to face you, eyes widening with alarm, as your back went straight as a wire.
He wasn’t supposed to be there already.
A second slipped by, and you gawked at each other, your own mouth dry with the confusion and surprise of his ill-timed appearance. Surely Buggy hadn’t sent him to the Elephant Room already? You’d only just parted.
Well, you supposed it didn’t matter now anyway.  La vie continue.
Smoothly, you recovered, raising your shoulders to release an air of confidence, and smiled brightly. You twisted your hair across your collarbone, hoping it would highlight the smooth planes of your chest, where the ruby necklace had already been removed. “Ah, my apologies, monsieur. I wasn’t aware you were waiting for me.”
The Duke blinked as you strutted past him, taking the two quick steps to your vanity. Just enough to brush against him, feel the desire rolling off of him in waves. 
Pointedly, he tried hard not to let his eyes drift lower, tracing just along your hips before snapping back up to to the back of your head. “How would you have known?” His words came out thick, as if something was lodged deep in his chest. “I haven’t even introduced myself.”
“Oh, there’s no need,” you said over your shoulder, lowering your voice huskily. “I’ve heard so much about you. I trust your visit to the Moulin Rouge has been pleasant?” 
He met your gaze through the mirror, seemingly enraptured, and cleared his throat as he calculated a response. “Très agréable, mademoiselle.” 
You smiled, humming through an affirmative, before continuing. “Wonderful. I’ll be ready in just one moment.” Imperceptibly, you sprayed perfume, hoping it would mask the sweat that had gathered from your performance. Then, you made your way over to a cart, sifting through expensive bottles of alcohol. “Drink?” you said, speaking softly to yourself. “I have champagne or…” You shook each of the bottles, realizing they were all empty. Not a drop left. “Well. I have champagne.” 
“I’m alright, madame. Merci.”
You began to pour your own glass, which you would certainly be needing, when it dawned upon you that his accent was rather Parisian, and absolutely not as foreign as Buggy would have had you believe. Your champagne slipped, nearly spilling over the edges of the cup, before you turned to eye the blonde with what you hoped with a sultry grin. 
“Ah. Your French is very beautiful,” you said, smiling over the edge of your glass as you sipped at it, wondering if your eyes were as alluring as you believed. “You’re a quick learner.”
He stared at you, lines creasing his features as his lips parted, obvious skepticism weaved within his posture. Then, without another word, he ignited the cigarette he had slipped between his lips, the end glowing before he inhaled. A long drag was taken from it, settling in his lungs. “Je suis désolé, mademoiselle. I’m not sure how to answer that,” he said, exhale releasing a cloud of smoke into the air. 
You laughed, a high-pitched giggle that turned you back to face him, his free hand stuffed in his pocket like he wasn’t sure what to do with it. “Usually people answer compliments with another thank you, but it’s no matter.” You forced another small sound up out of you, suddenly unsure exactly what to do next. 
He was… not what you’d been expecting, and the usual turn of events wasn’t progressing as it should have been. The Duke was supposed to be an intimidating man, one who knew what he wanted and would take it without question. That's what you'd heard, anyway. You were starting to wonder if what Buggy had told you were nothing but rumors. 
Waving the comment off, you made your way back to the vanity, checking that your scarlet lipstick had not smeared. His lingering gaze still traced against every curve of your body, and you stuck your hips out further, leaning towards the mirror with a small grin. “I apologize I didn’t have time to change. I wasn’t expecting you here so soon.”
The Duke nodded, only slowly processing your words before tapping on the cigarette. “Oh, there’s… no need.” Then, he shook his head, blinking, as if cringing internally. “Unless you’re uncomfortable. In that case, I’ll um… turn around.” 
You laughed, hiccuping as the quick gulps of champagne came bubbling up inside of you. “Well, it’s no matter, really. I’m sure they’ll come off soon enough.” The comment was meant to be a simple segue into the rather normal routine of your work, low and seductive. 
Instead, his eyes went wide, cheeks flushed as he looked, quite pointedly, anywhere but you. “No,” his voice rang at a higher pitch as you stalked towards him, your glass of champagne drained and discarded. “No, I’d really rather you keep them on, actually.”
You blinked, a bit puzzled by that. But it wasn’t the strangest request you’d ever gotten, and you were determined to please him, just as Buggy had requested. “Alright. Whatever you want, amour.” 
Like a cat, you crept up to the Duke, splaying your hands across his chest. A small sound left his throat, cheeks turning a darker shade as he took a step back, grasping for words. Your hand fisted his tie, satisfied by his reaction as you followed his stumbling lead back towards the bed. 
“How would you prefer to start?” you whispered, as his knees hit the edge of the heart-shaped mattress, legs buckling until he was flat on his back, gawking up at you from the bed. “I admit you are a hard one to read. Just say the word, I can be whatever you want.”
You scrambled on top of his thighs, dress hiked up to reveal the smoothness of your own legs, which quickly caught his attention.
“I-I’m not sure that we’re on the same page here,” he said, swallowing, though watching every one of your movements with rapt attention. 
You plucked the cigarette from his lips, and took a long drag, smiling down at him. 
The smoke filled your lungs, calming your nerves marginally. They were cheap cigarettes — not those usually desired by the nobility, but who were you to judge for odd preferences? He’d found his way here to you, after all. 
“No?” you answered softly, taking one more long inhale of the cigarette before you leaned forward, placing it into the ashtray, still burning. There was a long streak of red from your lipstick, staining the thin cylinder of white. “Then what is it that you’re here for?”  
He exhaled, fingers reaching up along your thighs, the touch so featherlight that you almost weren’t sure it was even there. For a moment, he seemed to have forgotten the question entirely, jaw slackened as he stared at you above him, before he swallowed, and sat up on his forearms. 
The movement brought your faces even closer together, his nose just centimeters from brushing your own. It was then you realized just how blue his eyes were, the color illuminated by the dim candlelight, deep hues of turquoise and navy swirling together to create a stormy sea. His thick, blonde eyelashes fluttered closed as he blinked at you, and the movement alone brought you out of your stupor, his voice raspy upon each syllable.  
“I’m here for the play…?” 
You drew back, needing a moment to breathe as you squinted your eyes to study him. It was rare for you to get a client like him, wealthy, but so uncertain, a charm about him that you couldn’t quite pin. They were never as handsome either, most far older than you, willing to throw cash at a younger, beautiful woman. 
Questions raised at the back of your mind, desperate to be asked, but you ignored them, beaming as you angled your head. “Ah. Of course. The play.” Your voice was saccharine, octaves higher than your usual volume. “What is my role, then?” you asked, tugging off his tie as you leaned into him, your lips just barely brushing his own. His breath was hot against your mouth, a hint of cheap alcohol still lingering on his breath. “I’m far too used to being the seductress, but I can be the damsel in distress, if you’d prefer that.” 
“Your role…” It was said more to himself than anything, not stopping you as your fingers began to unbutton his starched white shirt. You tilted your head forward, noses brushing together as you rested your forehead against his. 
The air grew warm between you, and for a moment, a beautiful, fleeting second, you lost yourself. Your grip on his top grew slack, fingertips caressing the warm expanse of his chest. He breathed into your mouth, and your eyes fell shut, letting him connect his lips to your own, the moment exploding in a rush of beautiful, ruby fireworks. 
And you were keen, then, to let him do whatever he would have wanted, his touch so featherlight and gentle, you wondered if you could have fallen in love with him. How quickly your heart, coated in steel and another layer of iron, betrayed you, dropping from your own chest right into the palms of the man that you needed as a savior.
But the moment did not last so long, and your vulnerability evaporated as quickly as the layer of dew beyond la Seine. As if coming back to himself, he choked, pulled away from your lips and pushed you back by the shoulders, staring at you with wide eyes and warm, tinted cheeks. 
You paused, watching as he rushed to his feet like he couldn’t get up fast enough. How easily the mood had soured, even as he muttered one apology after another, unable to meet your gaze. 
The Duke’s hands were shaky as he held the cigarette to his mouth, eyes fixated on the ceiling. He had plucked the same one back up from the ashtray, the streak of your bold, crimson lipstick imprinted on the end of it.
“What’s wrong?” you asked, hoping the worry wasn’t obvious in your words. If there was a problem, you were desperate to fix it. You couldn’t afford to ruin this, not when so many things were at stake.
He hesitated, another cloud of smoke leaving his mouth as he waved his hand around, ash falling from the cigarette. “I’m sorry — I’m sorry. I can’t focus when you’re,” he swallowed, cheeks burning, despite the hardness very obvious in his pants, “looking at me like that.” 
“Focus?” you said in gentle confusion, eyebrows pinched tighter, as the beginnings of a dreadful realization dawned upon on you. 
Feeling discarded on the bed, you sat and watched as he pulled a sheet of paper from his pocket, straightening like it was an important doctrine, before clearing his throat, and reciting a beautifully composed poem. 
The words were horrifically romantic, each line strung into another as if they had been pieced together by his very own heartstrings. And though you had not processed a single word, it had still struck a cord down deep in your weathered heart, and you continued to stare, sick with your own shame. 
It was beautiful — hauntingly so — a poem of love that could rival even the greatest of French writers. But, all you could think about was the pounding in the back of your mind, the panic steadily rising up within you.  
“You’re here for a play. An actual play,” you said stupidly, gaping back at him, your entire body going rigid with embarrassment. “You’re serious.” No longer was your tone beautifully high-pitched, innocent despite your sensuality. It had lowered in horror, your eyes going wide as you realized that all of this was a terrible, terrible misunderstanding.
Which seemed a lackluster reaction to whatever he was looking for, and he frowned, tilted his head back before heavily inhaling another puff of smoke. “Well, I suppose I would prefer that sort of reaction to hearing that my writing is awful. The play wasn’t my idea, just for the record.” 
“Writer?” you screeched, scrambling to your feet. “You’re not a Duke? Not the Duke?” 
His eyebrows lifted, searching your face for any hint of a joke, and when he found none, he laughed, face splitting beautifully with a smile. He gestured to himself like he was amazed you would even think so, his suit hardly of the latest fashions, the cufflinks a dulling silver. 
Which, in hindsight, was truly a marvelous mistake. 
“No, I am not a duke.” His forehead wrinkled, and he, finally, stamped the cigarette out on the ashtray, subtly putting the stub back into his pocket. “Is that why you thought I couldn’t speak French? Je viens de Paris. I thought that was obvious.” Once more, he laughed, smiling in a manner that was far too out of place for the situation. Then, just as dramatically, his face fell, eyes going wide with concern. “Hold on. Did you not know that I would be here?” 
“No!” you exclaimed, putting your finger to his chest as you shot forward, glaring with the heat of a thousand suns. Your features morphed into something horrible, though you doubted it was as intimidating as you hoped. “No, I have been waiting on a Duke, not some amateur, impoverished writer from this dreadful city I regret ever stepping foot in. And if you tell me that you’re another one of Luffy’s tragic bohemian protégés—”
He smiled sheepishly, tilting his head before you could even finish your sentence. “Well. First of all, I wouldn’t say I’m an amateur.”
Your hands flew to your mouth, a sound leaving your throat in dismay as another voice — the exact voice you were hoping not to hear — called out from the window. 
“Sanji!” Luffy said, a headful of black hair falling over the side, grinning at both of you. “How’s it going? Have you convinced her yet?” 
“No!” you shouted, already rushing towards the window, shooing Luffy away. Over and over you repeated the word, Luffy merely swinging back and forth from whatever rope he’d tied himself to, more amused than anything “Get out of here, Luffy! I should’ve known it was you that put him up to this.” 
For years, Luffy had been trying to recruit you, hoping you'd be an actress in one of his performances, and that the Moulin Rouge would be the place that funded it.
With his endless confidence, Luffy was certain that one day, he would create the best production in the history of Paris. But you were certainly skeptical of his ideas ever taking off, Buggy even more-so, and he refused to put even a single franc towards funding any of Luffy's productions.
Despite the rejection, you continued to get pestered, Luffy somehow convinced that he could help you become an established actress quicker than your current occupation could.
Luffy laughed, still with the audacity to ask if you liked Sanji’s writing, and you pushed his head back out the window, muttering profanities to yourself. 
“Who’s with you? Usopp? Zoro? I’m going to kill all three of you!” 
You yelled that last bit louder, just to be sure the two men you knew were up on the roof could hear you as well. And, just as expected, a muttered string of words escaped Zoro, and a much louder, panicked sound came from Usopp. 
They peeked their heads into the window with Luffy. 
“I tried to stop him,” Usopp said, wailing as Zoro hushed him, his dark eyes clouded with regret. “I knew it was a horrible plan, I’m so sorry.” 
Your lips drew into a thin line, unconvinced, despite all the theatrics. “I want you all out! Get back up there before—” 
Footsteps started up the stairs, and your eyes went wide, panicked as the voices of Buggy and the Duke, the real duke, started up the stairs. 
“Leave!” you hissed, shoving Luffy and Usopp back out the window, before turning to face Sanji, who was rather uselessly standing in the middle of the floor. Groaning, you gripped him by the arm, pulling him across the room as you scanned for a good hiding spot. “Hide. I need you to hide. He can’t see you.”  
“What’s going on?” Sanji asked. “Luffy told me—”
You released a sharp laugh, rolling your eyes. “Oh, I’m certain Luffy told you a lot of things,” you huffed, letting your hand slip down into his own as you dragged him into a corner of the room. “Unfortunately, Luffy’s plans are sometimes too grand, and he needs someone to bring him down to Earth. Which you, clearly, did not do and now—”
Your name was called out from behind the door, and you cursed, pushing Sanji into the corner of the room, near the vanity. “Stay there. Just… hide under something!” 
“Where?” 
But the door was already opening, and you scrambled into a chair, running your fingers across your hair to make sure you seemed somewhat presentable. You brought your legs up under you, lowering your gaze to bat your eyelashes as the Duke and Buggy entered the room, both staring at you with intrigue. 
“Here she is,” Buggy said, gesturing towards you with a curious look in his eye, a dark smile forming on his painted face. There was a warning there, one that you were not foolish enough to ignore. “My beautiful diamond. Hopefully just as lovely as she was up on the stage tonight.” 
The Duke’s regard for you was hardly passionate, though you could see a sliver of desire under all the layers of intimidation. He was a tall man, dark hair falling to his shoulders in thick strands. A long scar ran across his cheekbones, over the bridge of his nose, and he looked down at you, studying every piece of you like you were nothing more than a decoration to admire. 
You waited for him to say something, but it was clear he was waiting for the same, and you stood, perhaps too rapidly, and made your way over to him. 
“Monsieur, what a pleasure it is to meet you,” you smiled, if only to ease the anxiety strung through your body. Dipping your head, you looked back up at him with siren eyes, “Thank you for taking time out of your busy schedule to visit.”
The Duke paused for another moment, studying you before taking your hand, and kissing it softly. It was a soothing gesture, despite the intensity of his eyes. Tension seeped gradually from your shoulders. 
“The pleasure is mine, my dear,” he said, his voice deep, raspy. “And there’s no need for such pleasantries when we’ll be acquainted soon enough.” His thumb ran across your cheek, before his hand fell back to his side. “I’d prefer Crocodile.”
Buggy, just feet behind the Duke, began to back away, exhaling in relief. “Well, I will leave you to it, then. And—”
That was all he could get out, as the scene shattered. 
Before Buggy could make his escape, a sound came from the window, a yelp, then an echoing shout, as Luffy, Usopp and Zoro fell down from the window, swinging into the room from the dangling rope. They landed in a somersaulting heap, just inches from where Sanji had been hiding, and your jaw slackened, before your entire body stiffened once more. 
Not a word rang through the room as you stared at the three of them, Crocodile sliding his gaze over to you for an explanation. The silence was tangible, heavy with uncertainty. 
A nervous laugh left Buggy, but it was quickly cut off as Usopp pulled both Zoro and Luffy up by their coats, and exclaimed, “Are you ready for rehearsal?” 
“Rehearsal…” you muttered, and at the same time, Crocodile posed the words as a question, his eyes narrowed, unamused.
“I wasn’t aware that there were other things going on this evening,” he said.
“Ah,” you continued, keeping yourself composed as you moved to stand in front of him. “Non, there’s nothing going on we just…” Internally you cursed, over and over, glancing at Buggy, who was near to shouting at Luffy, the two of them locked in a stand-off. There would be no help from any of them it seemed, as they waited for your reaction.
You placed a gentle hand on the shoulder of Crocodile, softening your expression into one of expectation. “Well, I know this isn’t what you had in mind, monsieur, but we thought now would be a good time to introduce you to our new production… Right, Buggy? While we’re all here together, of course. A once in a while opportunity.” 
You smiled, eyes narrowing exaggeratedly at Buggy, before the obvious question became clear to him. 
“Oh,” he nodded slowly, before bursting into the same smile he always used for your shows. “Right. Of course. Our new show—”
“Which, we have written specifically for you, Sir, if you would be so keen on investing.” You took Crocodile’s arm gently, leading him past the chair where Sanji was hiding, hopeful he would reacquaint himself with the rest of the troupe. And, as if reading your mind, Sanji scrambled to his feet, standing alongside Zoro and Usopp like he’d been there all along.
You exhaled softly, continuing to the Duke, “It was going to be a surprise, but we supposed it would be best for you to see it now, before we started any production. You are so wise with your investments, we didn’t want to be presumptuous.” 
Crocodile gave you an odd look, and for a moment, you weren’t sure he believed you. Then, you flashed him a hopeful smile, naive under all the great bravado, and he relented, amused by your earnestness. 
“Well, I am not usually interested in investing in such small ordeals, but…” He waved a hand, before running the other down the breadth of your spine, a touch that was near possessive. “If it stars our lovely diamond, it is sure to be a hit, no?” 
You relaxed, making a show of leaning into his advances. 
“Of course,” Buggy proclaimed, far too intense for your liking, as he tried to ease the Duke back out of the Elephant Room. “Would you like to get started on paperwork? How about we work out the details, and we’ll find another evening for you and—”
Crocodile raised a hand, the room swiftly silenced. “I need to know the story first, before we handle business. Not even the most beautiful of stars can carry a dying universe, I’m afraid.” He turned to you, his eyes so intense it was hard to muster up the courage to speak.
“Story?” You blinked, your smile falling. “Yes. Right. The story. Well, that’s an excellent question, and you would be certain to ask that, of course…” You looked to Buggy, then Usopp, who seemed all too happy to blend in with the shadows. Then to Zoro, who stood stiffly, and shrugged. Finally, your eyes landed on Luffy, who was grinning wildly and pushing Sanji forward, far too excited that this was all taking place.
“Here’s our writer,” Luffy proclaimed, patting Sanji on the back before taking a step away and crossing his arms. “Go on and tell them.” 
Which was a way to say the play hasn’t been written yet, and we’re making this all up as we go, in less obvious words. 
You wanted to melt into the floor, curl away from the hot palm that still rested on the small of your back, as you stared at Sanji helplessly, begging him to come up with an answer. 
And while the time seem to pass far too slowly for your liking, he didn’t even fumble for words as he nodded to you, dragging his eyes across the audience that was watching him expectantly. 
“It’s about love,” he said smoothly, confidence seemingly regained now that you weren’t the only person in the room. “It’s about love overcoming all obstacles.”
His eyes met yours once again, so deeply blue and beautiful. Against your better judgment, your heart surged out of your chest. 
“Yes! And it’s set in Switzerland!” Luffy exclaimed, laughing with delight. 
“No, no,” Sanji snapped, before recovering his story, mind working rapidly as he thought up a tale that would be imaginative enough to spark the interest of the Duke. “It’s set on the seas!” Then he lowered his overexcited voice, the words softening with adoration. “And there’s a courtesan. The most beautiful courtesan in the world.” 
Sanji's gaze fixed on you, and you blinked away, hating that awful feeling that bloomed in your heart. Still, a small smile tugged at your lips, one that you hid from everyone else. 
“But,” he said, tearing his attention away from you. “Her city’s been invaded by an evil pirate Warlord. Now, in order to save her kingdom, she has to seduce the evil Warlord. But, on the night of her seduction, she mistakes a penniless… A penniless…” He looked around helplessly, licking his lips. “A penniless cook, and she falls in love with him. He wasn’t trying to trick her, but he was dressed as a prince because… well… he was trying to infiltrate the Warlord’s headquarters.” 
“And I will play the captain of the crew that the cook works on!” Usopp interjected, taking a step in front of Sanji, his arms raised high with excitement, far too proud of himself. 
You coughed down a laugh as Crocodile regarded him with an impatient look. “Alright... What happens next?”
Sanji spared a quick scowl to Usopp, before regaining the attention of everyone in the room, weaving each word with precision. “Well, the cook and the courtesan, they are to hide their love from the evil Warlord—”
“With the help of their actual Captain, who has magical powers where he’s made out of rubber!” Luffy, this time, decided to add his own artistic storytelling, which silenced the entire room from skepticism.
Sanji blinked, hesitant. “Yes, well, that part’s still in the works,” he promised Crocodile, waving his hand dismissively. “There’ll be a crew, with a swordsman and a navigator… and of course the Warlord will have his own set of pirates working for him. It’s a grand production, the embodiment of the Bohemian ideals…” 
Sanji continued the story, crafting a plot of truth, beauty, freedom and love. But you were focused only on him, the passion with which he spun the tale, softening at the tragic romance that would take place between the courtesan and the cook. Every so often, your eyes would meet, and you would smile, if only slightly, with encouragement, enough to keep up his unwavering confidence until the end. 
"The finale hasn't been written yet,” he admitted, wrapping up his summary of the unfinished play, as the rest of you huddled around Crocodile for a reaction, his face dreadfully unreadable. “But—”
“We would love to get you involved artistically,” Buggy interrupted, excited by the prospects of the thrilling production and an investor. “If you have any suggestions.” 
A tense ten seconds passed, as Crocodile regarded each one of you, thoughtful. “The story could use some work,” he mused. “But, generally I like it.” 
An eruption of cheers burst out from each of you, and you smiled, giggling as you leaned into the Duke, hopeful that your gratitude was evident. Across the room, Sanji relaxed, lighting up another cigarette, and Buggy gestured forward, talking at such a rapid speed you were certain his words were slurring together. 
“Come, come with me,” he said, ushering Crocodile out of the room. “We’ll talk business.” 
Crocodile followed, but spared one last moment for you, as you followed the two men to the door, guiding him out. 
“I apologize that our evening together was different than anticipated,” you said, as genuinely as you could, tracing a hand down his chest. “Perhaps another night would be best for us to talk.” 
“Perhaps.” He hummed, tucking a strand of hair behind your ear, his smile widening crookedly. “I still need to get acquainted with our star. Fame will suit you, my dear.” 
You smiled, a surge of pride overcoming you, one so strong that you couldn’t even wallow in the discomfort of his touch. “I look forward to it.” 
The two of you parted, the moment evaporating as Crocodile followed Buggy out the door. And, when it finally slammed shut behind the two of them, you exhaled, all of the anxiety leaving your body in a flush. 
The four other men went silent as you whirled on them, expressions dour as they waited for you to be the first to speak. Sanji’s jaw was tight as he looked away from the door, back to you, regarding you with an unreadable expression.
But, you were still reeling on your success, too excited to care about the anger you’d felt earlier. You broke into a cheerful grin, rushing to throw your arms around the young ring-leader. “Luffy,” you said, close to weeping. Things weren’t over yet, but there was a parting in the clouds, a sun shining through, as the hope of a future, a better one, became real. “Thank you. For the first time, one of your ridiculous plans actually worked. I’m very grateful.” 
He smiled like it was nothing, and your laughter became infectious, bubbling out of you in an effort to keep down your tears. You turned to the other two, both watching you curiously. 
“Usopp, thank you for that wonderful recovery. I’m not sure what we would have done if you’d not planned an emergency rehearsal.” 
He grinned wide, puffing his chest out. “Ah, well, I knew someone had to act fast.” 
Lastly, you turned to the green-haired man, and his name sooner died on your lips, when you realized he had contributed very little. “Zoro. You were useless actually.” 
Sanji snorted, and though Zoro’s face twitched, he didn’t bother saying anything to the writer. “You looked like you had it handled.” He shrugged, crossing his arms over his chest. 
“Well. I suppose we did.” You rolled your eyes, your mood suddenly deflating. The high of panic and elation had worn on you, leaving you with an ache in the back of your head, your hands still jittery. “Anyway, I’ve just about had all the fun I can handle for one night—”
“Uh-huh,” Zoro scoffed, a jab at your rather unconventional occupation.
You ignored him, pushing them all towards the door. “—I am very grateful for your help in getting our new investor, but we’ve got a busy week ahead, and I would like some rest. So, leave.” 
They all held their hands up in surrender, and while Sanji hadn’t been a part of the group you’d been addressing, he slowly followed when Luffy called out to him. There was talk of throwing a party across the street, at the dingy apartment complex that all the Bohemians lived in, despite it being late already.
The four of them made to leave, waving enthusiastically as they rushed down the stairs, far too worked up to be quiet. Sanji lagged behind them, giving you a kind smile before making his exit, a soft bonne nuit, escaping his lips.
“Sanji…” You called out, just before he closed the door behind him, his hand resting on the frame. Sanji turned, glancing over his shoulder, bright eyes pinning you right where you stood. “I’m sorry. So very sorry for the misunderstanding.” You waved your hand, drawing your fingers across your face to rest on your cheeks, already warm with shame. “I feel horrible.”
He paused, before a a grin split his face, irises burning with soft intensity. “Don’t,” he said, exhaling a laugh. “I enjoyed it, actually.” 
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thank u so much for reading and for all the endless support!! i appreciate you all so very much ♡(˃͈ દ ˂͈ ༶ )
tagging those who rb'd / commented <3 pls let me know if you'd like to be added !
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eyrieofsynapses · 1 year ago
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why Aurora's art is genius
It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.
And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.
I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.
SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???
All positive feedback btw! No downers here. <3
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I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!
Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.
Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.
THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)
Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:
Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:
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Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.
I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.
If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!
Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:
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Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.
A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):
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(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)
The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—
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—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.
(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)
Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!
One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!
And another thing re: rain, the use of it to establish perspective, particularly in panels like this—
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—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)
Additionally, the misting here:
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We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.
A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).
Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):
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First panel, listed in numbers because these build on each other:
The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.
The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.
The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.
A handful of miscellaneous notes on the second panel:
The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)
The flowing of fabric in the wind and associated variation in the lineart
The way Erin's tattoos interact with the fire he's pulling to his hand
The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)
I could go on. I won't because this is a lot of writing already.
Third panel gets paragraphs, not bullets:
Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.
Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)
And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.
Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.
Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):
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It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:
Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.
And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.
One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.
A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.
Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?
Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):
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The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:
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What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P
Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):
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They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.
Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.
And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3
...brownie points for getting all the way down here? Have a cookie.
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maiaczy · 1 year ago
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I think I accidentally deleted the ask, but here's a sketch for the person who requested the Kujo fam enjoying the fireworks!
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dazais-guardian-angel · 7 months ago
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Reminder that the Dazai's Entrance Exam audiobook comes out tomorrow! It's narrated by Patrick Seitz, Kunikida's English dub voice actor!
Here are all the places you can buy it:
Barnes & Noble
Audible
Google Play
Apple Books
Libro.fm
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hinamie · 6 months ago
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I dive into the water and struggle on the surface where I can't stand
jjk atla!au with @philosophiums
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luxaofhesperides · 1 year ago
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Surprise husbands + "How are you real?" ; requested by @vehan-tikkun-olam-and-stuff!
They may not have planned to get married, or even wanted it all too much at the beginning, but that doesn’t mean they aren’t going to treat each other right. It was rough going, with both of them coming out of relationships and having secret identities, but time had softened the hurt feelings and allowed them to actually get to know each other.
And Danny, Duke has discovered, is a really good husband. 
Neither of them ever saw themselves as married at 20, but sometimes life throws horrible curses at you and the embodiment of balance and life and death swoops in to save your life. Via marriage. 
His life is weird, okay? Duke has made his peace with it.
The thing is, if they had met naturally and started off as friends, Duke could see himself falling for Danny and asking him to marry him in a far off future. Instead, they’re doing everything backwards: married, then going on dates to know each other, and finally feeling close enough to be friends. 
It helps that Danny does his best to communicate and that helps Duke find the words he needs as well. 
He’s sweet, too, so kind and doting and affectionate. Like a really lovable cat, honestly. Duke’s never been cuddled so much in his life and he’s loving every minute of it. 
He… might be falling in love with his husband. What a revelation.
“Duke?” 
He blinks, looking up from his half-empty plate, pulled out of his thoughts suddenly. Tim and Dick stare at him, concerned, and he realizes he’s missed the entire conversation because he was so preoccupied thinking about Danny. In his defense, it was their one year anniversary the night before and Danny had kissed him for the first time after a date night spent playing video games and talking shit about their respective rogues. 
Tim snaps a finger in front of his face, and Duke startles. He got distracted by his Danny Thoughts again.
“Yeah, what’s up?”
“You okay? You’ve been out of it all day,” Dick says, clearly concerned.
“Oh, uh, yeah, it’s all good. Just… adjusting.”
“To what? Did something happen?”
Duke shrugs, scooping up another forkful of pasta to shove in his mouth. “Yeah, I… this is going to sound kind of stupid, but I think I’m in love with my husband.”
Tim, taking an ill-timed drink, chokes and spits out his Zesti. Dick springs back, trying to get out of the spray zone but doesn’t move far, shocked still by Duke’s words.
“Oh, yeah,” Duke realizes, “I didn’t tell you guys, did I?”
“You’re married?!” Tim shrieks as Dick clutches at his chest, eyes wide.
“You didn’t tell me?” Dick asks, offended.
“Seriously? That’s what you focus on?”
Duke smiles as they begin to bicker. They do it constantly, but this time it’s halfhearted, as if they’re just going through the motions of something familiar to distract themselves from the bomb he’s dropped on them.
In all fairness, Duke did forget that he didn’t tell them that he’s married to Danny. He’s also only mentioned Danny once or twice and heavily implied that Danny was just a classmate at GCU. And then forgot that he didn’t tell them, assuming that they’d figure it out eventually being Batman trained detectives, after all.
Well. 
Oops.
Clearly that is not the case. Duke hurries to finish his pasta before Tim and Dick finish their joint freak out and get their senses back together enough to interrogate him. He can’t escape it, but he refuses to have this discussion with an empty stomach. 
He just barely manages to scrape the last mouthful off the plate when his fork is being yanked out of his hands. Tim and Dick close in on him, standing to either side of him, trapping him in place, and look at him with knife-sharp smiles.
Here we go, Duke thinks tiredly, and resigns himself to clearing up this misunderstanding.
Somehow, he manages to explain the situation (I got cursed, he saved my life, we ended up married because magic is bullshit, he treats me so well) and Tim and Dick both agree to not hunt down Danny to show him the wrath of older brothers on one condition: Danny has to join them for a family dinner.
“Don’t worry, we’ll catch everyone up on your… situation,” Dick says, pulling on his jacket to head out. Tim is already on his phone, no doubt telling someone already. 
“Great,” Duke says, unenthused. “You’ll also be answering all the questions because I’m not in the mood. So if you’ll excuse me, I’m going to figure out a day that works for all of us, and then I’m going to kick my husband’s ass in Mario Cart.”
He walks out the door, grinning as he hears them scramble after him, then twists the ring on his finger (not a wedding ring, but a magic portal making gift) and steps into the portal. It closes quietly behind him, leaving him in Danny’s lair, a comfortable, spacious house with high ceilings and little bits of his personality scattered about. There are soft rugs with geometric patterns on them, star maps on the wall, stained glass windows that throw colors across the floor, and a giant couch and pillow pit in the living room.
Danny’s asleep in it, curled up and looking completely at peace. Duke toes off his shoes and carefully makes his way over, footsteps silent so he doesn’t wake him up, all plans of Mario Cart fading away instantly.
Danny doesn’t get much sleep, with the stress of school and an internship and ghost fights to worry about. It’s why his lair is so quiet and comfortable; it’s what he needs, and he doesn’t let anyone else in without invitation, rare as it is.
Duke is allowed to waltz right in thanks to the ring Danny gave him. It never stops making him feel overwhelmed by how much trust Danny puts in him to allow him unlimited access to what is his only true sanctuary, letting his lair be a place of safety and respite for Duke as well. 
He crawls into the pillow pit, There’s no way to do this without waking Danny up since he can’t fly, so he isn’t surprised to see Danny blink his eyes open, still looking soft and content. He smiles when he sees Duke, reaching a hand out to him that Duke gladly takes, bringing it up to his mouth to kiss his palm.
Sitting up, Danny tilts his head up in a silent request. Duke happily obliges, still reeling over the fact that he’s allowed to do this! He can kiss his husband whenever he wants! 
Yeah, he’s going to be riding that high for a while.
“Hey,” Danny murmurs, sleepy and quietly pleased to see him.
“Hi honey,” Duke returns fondly, “Have a nice nap?”
Danny nods, leaning into Duke and closing his eyes again. “Mhm. How long are you staying? I wanna cuddle.”
“I got nothing going on today. I’m all yours, baby.”
“C’mon,” Danny tries to tug him down. Duke goes slowly, covering Danny’s body with his own, but holds himself with one hand before he blankets his husband completely.
“Wait. There’s something we need to talk about.”
Immediately, the sleepy haze is fading from Danny’s eyes, leaving him alert. “What’s up? Is something wrong?”
“Not really? You know how we agreed to keep our marriage a secret until we weren’t in danger anymore and all those cultists and sorcerers were taken care of?”
“...Yes?”
“Well.” Duke sucks in a breath and offers a bashful smile. “Guess who forgot to tell people we were married after that whole mess was dealt with?”
The nervousness clears from Danny’s gaze as he stares up at Duke with incredulous amusement. “No. No way.”
“Yeah. Kinda dropped a bomb on them and they started freaking out over me being married. Anyways, they want you to come to dinner?”
“When?”
Duke leans back, sitting on his heels. “Let me check.” He pulls out his phone and sends a quick text to the group chat asking for a day they could have a family meal to meet his husband.
His phone is bombarded with texts and calls immediately until Barbara, bless her entire soul, forcibly mutes all of them and puts in a poll with a few dates, setting the poll to close in 24 hours.
“Okay, well, they’re deciding now, but probably soon.”
Danny nods. “Alright. I know these aren’t normal circumstances at all, but I’m so excited to meet the Bats.”
“You do not mean that after hearing all my stories about them.”
“No, I do!” Danny laughs, surging up to wrap his arms around Duke and pull him back down to lay among the giant pillows with him. “They sound nice!”
“The Bats sound nice?!” Duke repeats in horror. “Did you hit your head?”
“They do sound nice! You talk about them so fondly, and yeah they have problems and are dysfunctional, but they’re heroes. Of course they have problems. Even with all their baggage, they’re kind. And you clearly love them, so I do too.”
It’s hard to resist the urge to hug Danny tight enough to make him squeak while peppering his face with kisses, so Duke doesn’t. He just goes and does it, because he’s allowed to shower his husband (!) with affection (!!!) as much as he pleases.
“How are you real?” he says against the corner of Danny’s lips. “How are you so perfect! To me specifically! Honey, if we weren’t already married, I’d be going down on one knee right now.”
“I mean, you still can. We never got a proper wedding either. Think if we offer them a chance to help plan our wedding, they’ll forgive us for secretly being married for so long?”
“Oh, absolutely,” Duke says. He’s already giddy, just imagining what their wedding will look like, what song they’ll play for their first dance, where they’ll have the ceremony… He should create a Pinterest account to start putting ideas together. 
Later, though. He wants to woo Danny properly and take him on so many dates.
Dates which include dinner with the Waynes and Wayne-adjacents, apparently.
“You sure you’re okay with meeting them over dinner?” he asks, just to be sure. He knows how intense they can be, even when pretending to be normal civilians. It took him years to get used to them, himself, and he doesn’t want to push Danny into doing something he’s not ready to do.
Danny cups Duke’s face in his hands and gives him a quick, reassuring kiss. “I’m sure. If nothing else, it’ll be fun to see how long it takes for them to realize I’m not fully human.”
“I really am glad it’s you.”
“Yeah, me too. I’d choose you all over again if given the choice.”
“Took the words right out of my mouth,” Duke laughs, wrapping an arm around Danny’s waist.
“Can we nap now? Now that you’re here and holding me, it’s taking everything I’ve got to stay awake.”
“Yeah, we can nap now.” Duke settles into the pillows, Danny cradled in his arms and closes his eyes to bask in the quiet easiness of it all. 
He really couldn’t ask for a better husband, unexpected as he was. The others will see that too, once they meet him. It’s impossible to not love Danny once you meet him; Duke knows this all too well.
He loves his husband.
And his husband loves him back.
Duke is fully prepared to keep making that choice for the rest of his life.
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throwawayasoiafaccount · 3 months ago
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Why do you think the tides have slightly turned from "Elia deserves better than Rhaegar" to shipping her and Rhaegar together? Like what is the psychology behind these people because I've seen some of them like/reblog anti Rhaegar posts while also shipping Rhaegar x Elia at the same time.
hey anon! my thoughts are a bit messy, but i’ve done my best to explain them coherently :)
so, rhaegar was the best man anyone could have when elia was alive, and most people want the best for their favs. he was considered the most handsome, didn’t have a bad personality, and he was crown prince—meaning elia was almost queen, which is often seen as the greatest role a woman can have. the narrative also treats rhaegar as a beautiful, tragic, haunting figure, and elia actually had this very aesthetically pleasing man all to herself at one point! she was married to him, had children with him, and her life was so close to perfect! but rhaegar just had to go and ruin it. 😠
for many elia stans, if rhaegar hadn’t fallen in love with another woman (they want him to have been a completely different character), then everything would’ve been perfect, and elia would’ve had the best, most desirable life. however, that’s not what happened—elia met a very tragic end, and as a result, these stans feel double the bitterness. because of this bitterness, they blame rhaegar for everything (even though it’s not logical to do so), but he’s just too ‘perfect’ to let go of. so, for years these stans have made rhaegar revolve around elia, filling his tag with posts about her out of bitterness. so, i do believe that this obsession with rhaegar x elia has always been there, but i think it’s become a more favorable stance on the elia stan side of the fandom because of a mix of reasons.
plus, rhaegar is one of the few canon relationships we know elia had, since she’s not much of a character. because of this, and the fact that most people don’t like to stray too far from canon, most elia stans are forced to focus on rhaegar, which has created an echo chamber. basically, if a sentiment about elia and rhaegar’s relationship becomes popular, then the whole elia stan side of the fandom will likely regurgitate the sentiment. (also, this desire to stick close to canon is likely why the elia x arthur ship was so popular. while it’s a total crack ship, it had good aesthetics, and since elia and arthur at least knew each other, it allowed the stans to create their perfect fanfiction whilst sticking it to rhaegar. but remember, elia was actually married to rhaegar and had children with him, so while arthur is cool, rhaegar was always ‘top dog,’ meaning arthur would never be able to match up to rhaegar to most elia stans. also, the arthur x elia crack ship is likely her second most popular ship, which just shows how little elia stans have to work with, so they’re always forced to eventually return back to rhaegar for a lot of things.)
however, even if the elia x rhaegar ship gains more popularity, these stans will never stop hating rhaegar because he wasn’t ‘perfect’—and he wasn’t perfect because he didn’t love elia. plus, rhaegar loving another woman and supposedly kidnapping her is what began the war that led to elia’s tragic death. that’s bitterness times 1000. and while i don’t actually blame rhaegar for the war, i do think that this is how an elia stan sees it. i also don’t view rhaegar’s complex relationship with elia as a bad thing—it’s actually a very realistic take on an arranged marriage between two decent people. but most elia stans will never be able to get over the fact that they almost had everything, which is why many have it out for lyanna, as they consider her a thief who ruined their ‘perfection.’
tbh, that might be why so many elia stans are so obsessed with the idea that rhaegar only got with lyanna because of the prophecy—they don’t want to believe that rhaegar actually loved a different woman and not their perfect self insert elia. that’s a bit mean of me… but i don’t know what else one would call the ‘elia’ elia stans have created.
now that i’ve laid all those thoughts out, i’ll try to explain why the tides seem to be turning… i think it may have something to do with the ‘targaryens are all evil and bad’ sentiment losing popularity. i think this shift has occurred due to a mix of factors, such as years of fandom fights and fandom cycles leading to the targs being more liked now than before. it helps that canon doesn’t actually condemn the targs/favors them quite a bit, and the influx of new targ fans from HOTD has also contributed. this combination of reasons seems to have shifted the way the mainstream fandom discusses all the targaryen characters, including rhaegar. so, with this shift, it’s only natural that some elia stans/elia x rhaegar shippers—who’ve always been there—are using this opportunity to push their agenda. while these stans still hate rhaegar and see him as the bad guy, they just can’t let go of him. and as the mainstream fandom moves away from the anti targaryen sentiment, these smaller corners of the fandom, which tend to be echo chambers, are also affected, which has therefore led to a rise in rhaegar x elia shippers and the ‘shifting tide’ that you’ve also noticed.
#‘if only rhaegar did this’ is a very common sentiment amongst elia stans#most stans have always had the ‘if only’ mindset#‘if only elia survived’ easily leads to ‘if only rhaegar didn’t run off with his whore’ as the targs become less hated#it’s kinda a pipeline? rhaegar anti plus elia stan leads to rhaegar x elia shipper who still hates rhaegar#another reason that a lot of this happens is because elia and the martells plus dorne are the good ‘others’ a person can like#while the targaryens are the ‘bad others’ one can safely hate as they’re white & have a bit of demon symbolism + come from an ‘evil’ empire#the targs also ruled over everyone so a lot of fans like pushing all the blame onto them for all the problems#however the targs are cool and they’re hot af and being royalty is the best! so they’re the ‘bad others’ one can safely hate#but people still want their aesthetic and want their favs to have what the targs had. all the cool magic + the aesthetic + danys monikers#so people can convince themselves that it’s okay and logical and right to hate the targs but most ppl will still connect their favs to them#of course… things have been shifting in the fandom which i’m very happy about#and all of these sentiments are combined and compressed when it comes to rhaegar and elias relationship#so any big shift on how the fandom views the targs will always affect the way rhaegar and elias relationship is viewed#it just so happens that the targs aren’t the evil dragon nazis anymore so it’s kinda okay for elia stans to ship him with her#i’m not gonna go through my tags and make sure they make sense so i’m simply hoping for the best#anyways… i hope i didn’t digress too much. i just found this shift so interesting so i couldn’t help myself#asoiaf fandom critical#anti elia stans#rhaegar targaryen#anti rhaegar x elia#house targaryen#valyrianscrolls#pro rhaelya#lyanna stark#rhaegar x lyanna#anon ask#thanks anon this was a fun topic to cover#i recently found a really old post about both elia and lyanna and boy… it was quite discusting to read#elia stans kinda cycle from ‘elia deserved better x crack ship with shallow aesthetic’ back to elia x rhaegar while shitting on rhaelya#just know that rhaegar is always the bad guy to them! the sentiment on lyanna will go from hot to cold but rhaelya is always bad as well!
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quadrantadvisor · 3 months ago
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Multiverse, Reverse Robins au, 2,514 words
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Jason (Red Hood)
The imposters are good, Jason will give them that.
They need to work on their looks, unfortunately, because each one of them is a little off. Their Nightwing is too bulky, and his costume isn't made with Dick's flexibility in mind. Besides that, he's got an undercut that doesn't match the shaggy way Dick has his hair now, and his blue is too dark. And the swords. Those are different.
Their little Robin looks more like Dick, actually, Dick as he was before Jason's time, with his happy grin and his bright yellow cape. He doesn't match Damian's style at all, and Jason wonders if their intel was out of date. He tucks away his anger (the way he's used to doing, now) at these bastards roping some little kid into whatever con they're trying to pull. They can help the kid after they subdue him, and he stops trying to flip-kick people in the face.
The Red Robin outfit isn't bad, but the guy playing him is way too tall to be Tim. He doesn't use a bo staff, either, clearly preferring the armory of sharp little implements he keeps tucked away in his utility belt, including a wicked looking combat knife.
Which brings Jason to the current pain in his ass, the idiot trying to pass himself off as the Red Hood.
Yeah, they'd split off into pairs to fight. First off, for practicality's sake. Less risk of friendly fire if the only guy you're trying to punch is the one who isn't you. And secondly, it's just what you do, isn't it? Somebody gives you a set up like this, you go along with the poetic justice. No bat is immune to drama.
Jason is regretting that a bit, now. Fake Hood had taken him for a ride, leading him, he now realizes, far away from the warehouse where Nightwing and Robin had initially called in the disturbance. This other guy isn't the powerhouse that Jason is, but that doesn’t matter if Jason can't ever get in a hit. His movements are precise, deadly, and familiar in a way that makes Jason suspect League training. Jason is keeping up, but barely, and that's with the advantage of his guns. The other guy hasn't touched his, still gleaming red in his holsters, and Jason has a sneaking suspicion that they aren't filled with rubber bullets.
They're at a bit of a stalemate, standing on opposite sides of a dark rooftop, and Jason's trying to catch his breath but he can't relax, not when his gaze is locked onto his opponent, waiting for the minute twitch of muscle that will indicate his next move. He's wondering if he could get a shot off, wondering where to aim, when his comm crackles to life.
“Stand down!” Tim snaps in his ear. “Hood, Wing, the alternates aren't currently a threat. Deescalate however you can, and get back to the warehouse. We can explain this whole mess there.”
“Really?” Nightwing asks. He goes on to say something else, something about his doppleganger being incredibly threatening, thank you very much, but Jason stops listening, because there's something going on across the roof.
A mechanically distorted voice says, “What? No, I'd be able to tell. This guy isn't-” The imposter(?) cuts off suddenly, presumably listening to a response.
And then he… giggles.
“That isn't funny, Red,” he says, in contrast to the little peals of laughter making him subtly shake. “You- you get how fucked up that would be, don't you?”
Jason can't figure out what to do. Tim's intel is almost always good, but he can't get himself to stand down, not when, for some reason, that laughter is setting his teeth on fucking edge.
(He knows the reason. He'd know that cadence anywhere, he hears it in his fucking nightmares, but it isnt possible. He's in Arkham, right now, because Batman won't kill him and Jason isn't allowed to kill him and that uncomfortable truce is what got him his family back. Jason would know if he'd broken out, they wouldn't have kept that from him. They wouldn't.)
“Oh shit,” Tim says, and it makes Jason wonder how he knows, “Hood, is your alternate having some kind of fit right now?”
The sound escalates, from breathy little giggles to screeching laughter, and even with the hood's distortion, it's unmistakable.
It's the Joker's laugh.
It's the Joker.
And isn't this exactly some shit that Joker would pull, making a mockery of Jason's family, a twisted parody that fucks with his head? Tim's lying, he's trying to get Jason out of this situation, and Jason gets why, he does, but obviously the rest of them can't (won't) protect him from this, so if he has to take fate into his own hands, he will.
The green is creeping up, but Jason doesn't let it haze over his vision because he has to be in his right mind while he does this, not for them, for himself. As he stalks across the roof, he empties the clip from one of his guns and pulls out the live rounds, loads them into place.
He thinks Tim is calling for him, maybe the others, too, but the chatter over the comm is getting further away the closer he gets to his target. He should be smart, should take the shot, but maybe he's got more pit in his head than he wants to admit, because Joker, still laughing, pulls a knife, and Jason steps into his range to disarm him.
The strike is fast, but compared to the careful movements of before, he's practically telegraphing his actions. Jason sidesteps, and if the blade knicks him when he twists Joker's arm, he doesn't feel it. He's got the clown in a hold, now, and forces him to his knees with the gun against his temple.
If the hood is anything like his own, the bullet won't do it, not even at point blank range. Jason would like to get it off him, would like to see the life leave his eyes, but he doesn't have to. Jason moves the barrel beneath his chin, right where the armor ends. The pit rages inside of him, says this is too easy, says to make him suffer. Jason pushes it down. This is the compromise he'll make, this is what he'll do to try to maintain both his humanity and his peace of mind. The bullet will ricochet off the hood from the inside, will tear through Joker's brain at least twice, and he'll never come back from that, and Jason will finally be free.
It'll be easy.
This is too easy.
“Nothing to fucking say?” Jason growls, jostling the clown in his grip, because there's always some joke, some shitty twist.
The Joker just laughs.
“Unhand him this instant!” someone snaps, and Jason's finger twitches but somehow the trigger stays still. And now what's he supposed to do, because of course fucking Nightwing- but wait, that isn't- but it is, he's right there- it's both of them, two Nightwings. Fucking fantastic. Twice the guilt trip.
“Come on, Jay,” the Nightwing who's actually Dick pleads, and hey, what the fuck, codenames? In front of the fucking Joker, Dick? “Let him go, we can explain everything.”
“I'm not doing this again!” rips itself from Jason's throat, and he'll think later about just how wrecked he sounds. “I'm not just standing here and letting him go, Wing, not when one bullet can put a stop to all this, not when I can end him.”
“Jason,” Dick says, slow with forced calm, “that's not the Joker.”
“Don't you fucking lie to me!” Jason seethes.
His hand is wrenched to the side, the barrel facing open air, and before he can make a move the unfortunately familiar feeling of a high voltage shock courses through him.
By the time he's stopped seizing, Dick is at his back, supporting him with his own body and with arms under his pits and around his chest in a weird reverse hug. Technically, Jason's hands are free, but they're empty, the gun skidded to somewhere else across the roof.
Dick is murmuring into his ear, “Sorry, Little Wing, I'm so sorry,” and, “You're okay, you're okay, you're okay,” mantras meant to soothe his brother as much as himself. Jason wants to be angry, wants to snap at him to let go and fucking cut it out, but he's feeling strangely disoriented. He only has enough brainspace to pay attention to one thing, and that's the scene playing out in front of him.
Dick had clearly hauled them back a few steps, but Jason is still uncomfortably close to the bastard version of Nightwing (who, Jason realizes in hindsight, had tazed him while he'd been distracted by his brother, not cool) and the laughing maniac he should've killed. Nightwing is holding onto Joker's shoulders, his hands bouncing as the gasping, shrieking laughter continues.
“I'm going to remove your helmet now,” Nightwing says. He has a slight accent that Jason knows he's heard before, and his tone is professional, almost clipped. And yet, somehow, Jason can tell that this is a gentled version of the man's voice, the sharpest edges sanded away. His hands move from Joker's shoulders to the back of his head, carefully inputting whatever sequence allows for safe removal of the hood. Jason hears a hydraulic hiss when some sort of catch releases, and as Nightwing starts pulling the red metal up and away Jason can't help holding his breath.
At first, he sees what he expected to see. It's the Joker's expression, after all, his laughing face pulled into a rictus grin.
But the grin isn't right, somehow. The man is pale, but his face is unpainted, and the smile stretches wide, too wide, wider than even the Joker ever managed, and after a moment Jason recognizes the red, raised scar tissue on either side of his mouth for what it is.
Then, Jason takes in the actual features of the person in front of him. Dark hair, pale blue eyes, the cheeks, the jaw, the nose.
It doesn't make any fucking sense.
The Red Hood, collapsed on his knees in front of him, scarred face bare with no hood or domino to protect him as he struggles under the weight of his own laughter, is Tim Drake.
He's crying.
Jason is suddenly glad that Dick's holding him, because he's certain that he'd be on the ground, otherwise. Then, he realizes that he can't breathe.
Jason knows, logically, that his hood has sensors and filters that keep him safer than he could ever be without it. It is only every once in a while, when something stupid happens, that he regrets that he, a man with claustrophobia, decided to stick his head into a metal bucket.
Dick can probably tell that he's hyperventilating, and doesn't fight him as Jason gets his hands on the back of his neck and pulls off his hood.
Jason gasps in polluted Gotham air, and Tim's eyes snap onto him. Nightwing says, “I'm administering the emergency dose of your medication,” and then stalls, like he's waiting for a response, but all Tim does is laugh and stare. Jason stares back. He can't look away.
Nightwing retrieves a small tubular device, almost like an epipen, and presses it against Tim's leg. That shouldn't work. Tim's wearing body armor, same as the rest of them, and there's no way a needle could pierce it, but Jason looks as Nightwing draws the device away and there's a small raised circle of hard plastic on Tim's thigh that the head of the device fits into perfectly, like it was designed for that purpose. An injection spot, built into Tim's clothing, specifically for whatever drugs fake Nightwing just pumped into him.
Immediately, there's a difference. He doesn't stop laughing, or smiling that horrible fucking smile, but the manic tension is gone. He doesn't look like he'll shatter at a touch anymore, too brittle to be handled. The curve of his spine gentles, muscles no longer pulling it to the point of snapping. Jason watches as slowly, oh so slowly, Tim gets quieter, leans more into Nightwing's hold on him, starts gasping more than laughing.
Dick is talking behind him, into his comm, it sounds like. If it's important, someone will get his attention.
Finally, Tim breaks eye contact. “T- tell him,” he says to Nightwing, struggling between gasps and giggles, “tell him what you, gave me. Jay doesn't, he doesn't like, needles.”
The strange Nightwing turns his head, and Jason gets the impression of a sharp, searching gaze behind his domino. He's nothing like Dick, not at all, but something niggles the back of Jason's mind, some sense of familiarity regardless. He tosses something, and Jason automatically reaches up to catch it.
It's the empty tube of medication, which does seem a lot like an epipen, up close. “It's a combination,” the man says. “The antidote for Joker venom, an antipsychotic, and a mild sedative.”
“What the fuck?” Jason hears from his own mouth as he looks down at the innocuous little tube.
“It's only used in emergencies,” Nightwing adds, and does not clarify any further.
Jason doesn't know what to say to that. He shakes himself out of Dick's hold and grabs an evidence bag out of his jacket. He watches Nightwing, to see if he'll object, but he doesn't. Jason slips the medicine tube inside the bag and tucks it away.
“There you are!” Dick says in a bright tone, one meant to cover his anxiety and relief.
Jason turns, and finds that their roof has gotten a little crowded. All four Robins have arrived, his brothers mingled in with their copies, copies who don't quite match in ways that are now sticking in his brain. Tim, Jason's Tim, is standing right there, pressing his mask against his face like he'd broken the seal on the adhesive, and it isn't sticking quite right. Other than that, he's normal. He's fine.
The Robin, the one in the classic colors who Jason had thought looked a bit like Dick (oh God, could that be-?) gives a little whistle. “Trust Red Hood to cause drama!” he says in a bright tone that is too too familiar (fuck, fuck he is). “Must be a universal constant.” He grins, cheeky, looking past Jason.
Jason isn't processing fast enough to be offended for his own sake, but he turns and checks on Tim, other Tim, the Tim who apparently also has a claim to the Red Hood name. Tim is propped up on Nightwing's shoulder, looking drowsy and relaxed. He's looking back at Robin, and his lips are pressed tightly closed, but he's smiling, and it reaches his eyes.
Alright, then. This is probably fine.
Jason snorts, to get the kid's attention, and rolls his eyes. “Comes with the job description,” he snarks.
The kid lights up. Jason feels distinctly weird, having that smile directed at him, but it's not… bad.
Yeah. This is fine.
-
I'm planning to add a reblog with more information on this au/fic idea, so if you're interested, watch this space.
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theultimatekamehamehavoc · 3 months ago
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One thing I've noticed about Makoto is that like, he never really mentions having any other friends. For instance, in the killing game in the first trial, his motive video has his family which makes sense. However, this would also imply that he never really had a bigger connection with anyone else or as much as his family. Hence, did he have any friends before Hopes Peak or were they just not close enough to even remotely mention? Also, doesn't this, in a way, contradict his "average" status and how he sees himself? Not saying that it's wrong for him to not have any friends, just that it's one of those things that's a typical thing to occur. Plus, the fact that he claims how "average" he is only to have several traits that don't fit into that makes him more interesting such as his boundless hope or the fact that he was wetting the bed until 5th grade. (will never get over that cus like, was he okay?? hope he was okay u_u) Back to the friend thing though, literally the only person he mentions knowing in school is Sayaka. It's the fact that he has no other connections with others kids his age in the past aside from her and it's not like they were very close besties then, anyway just that he knew her then. It kinda gives him a level of connection with some of the more loner characters in the first game honestly. Cus he's got no close friends that are close enough to be abducted! Reminds me of how Byakuya had his butler, Celeste had her cat, Toko had her little stink bug, and how honestly none of the class (or hell, any danganronpa character tbh) have both family AND friends held captive. It's just one or the other or someone/something miscellaneous like a pet or butler or just one parent being in their motive like Yasuhiro and his mom, Chihiro and his dad, or Taka with his dad. I also feel this adds a bit more to the tragedy of the first game with Hopes Peak, the more that I think about it. Like, some of them had their very first friends they ever got, probably the first ever real connection with someone their age who also wasn't connected with their talent specifically. Think Mondo and his gang or Sayaka and her girl group. Not saying those don't mean anything but still. So, it's interesting to think that they all have that level of connection with them, even "average Makoto". Just a thought though! Edit: Is Sakura the only one btw? Cus she has a boyfriend I think and it also mentioned that like, her whole dojo was being threatened by the mastermind? Which like, includes her family in there. So is Sakura the only one who doesn't have some trauma or baggage with a parent? Though crap. Nevermind. She got called ogre a lot so yeah. These bastards are fucked hahaha!!
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puppyeared · 7 months ago
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i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you
#im reading that post that says artists are directors of audience reaction and not its dictator:#'you cannot guarantee that everyone viewing your work will react as you are trying t make them react. a good artist knows that this is what#allows work to breath. by definition you cannot have art where the viewer brings nothing to the table ... this is why you have to let go of#the urge to plainly state in text exactly how you think the work should be interpreted ... its better to be misinterpreted sometimes than#to talk down to your audience. you wont even gain any control that way; people will still develop their opinions no matter what you do#im thinking abt this again cuz i was thinking maybe the thing that lets adventure time work so well the way it does is cuz it doesnt#take itself too seriously that it gives the audience enough room to fuck with subtext and then fuck with them back yknow. i think it was#mentioned somewhere that they werent even planning to run with the postapocalyptic elements that are hinted in the show but changed their#mind after the one off with the frozen businessmen and dominoed into marcy and simons backstory. on the other side there are stories that#explain too much to let the story speak for itself and i think it ends up having to do more with the crew trying to lead ppl in a certain#direction than expand on what they have and i see a lot of this with miraculous. like when interviews and tweets are used as word of god in#arguments and it becomes a little stifling to play around with it knowing the creator can just interject. u can say its the crews effort to#engage with its audience but it feels more like micromanaging. and none of this is to say there ISNT room for stories that spell things out#theyre just suited for different things. if sesame street tried abstract approaches to themes and nuance itd be counterproductive#a lot of things fly over my head so i need help picking things apart to get it- but it doesnt have to be from the story itself. ive picked#picked up or built on my own interpretations listening to other ppl share their thoughts which creates conversation around the same thing#sometimes stories will spell things out for you without being so obvious abt it that it feels like its woven into the text. my fav example#for this might be ATLA using younger characters as its main cast but instead of feeling like its dumbed down for kids to understand why war#is bad its framed from a childs point of view so younger audiences can pick up on it by relating to the characters. maybe an 8 year old#wont get how geopolitics works but at least they get 'hey the world is a little more complicated than everyone vs. fire nation'. same for#steven universe bc its like theyre trying to describe and put feelings into words that kids might not have so they have smth to start with#especially with the metaphors around relationships bc even if it looks unfamiliar as a kid now maybe the hope is for it to be smth you can#look back to. thats why it feels like these shows grew up with me.. instead of saving difficult topics for 'when im ready for it'#as if its preparing me for high school it gave me smth to turn in my hands and revisit again and again as i grow. stories that never#treated u as dumb all along. just someone who could learn and come back to it as many times as u need to. i loved SU for the longest time#but i felt guilty for enjoying it hearing the way ppl bash it. bc i was a kid and thought other ppl understood it better than me and made#feel bad for leaning into the message of paying forward kindness and not questioning why steven didnt punish the diamonds or hold them#accountable. but im rewatching it now and going oh. i still love this show and what it was trying to teach me#yapping#diary
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iwritenarrativesandstuff · 2 years ago
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When discussing or analyzing Dazai, one thing I hope you will keep in mind when reading anything I write about him is that from my perspective, he is always, always both.
What do I mean by this? Well, I find there tends to be a general split among people who hold the opinion that "he's a manipulator and will always be manipulative" and "he's doing his best to be good and helpful and live up to Oda's last wishes for him", of which, neither is completely right - because he is both. But even among the people who hold to this dual-nature interpretation, I find that his individual actions and motivations still tend to be thought of in a dichotomous manner - is it manipulative, or genuine?
Again, I think it's always both.
Dazai has a very pragmatic view on a lot of things - he is always looking for the usefulness of things and people so that the situation turns out in his favour. He's incredibly adept at this, and his prediction and placement and careful reveals are all manipulation tactics to get his allies and enemies doing exactly what he needs them to. I don't think anyone can contest this since we see it over and over in the series.
But that's not all there is to it. He's not solely manipulative and he does, to some extent, sympathize with others - I think there are several instances of this in the series, but I want to stress that this has been apparent since Chapter 1!
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For context, Dazai is recalling what Atsushi said to him a few minutes earlier, but it's very interesting that it should be this specific part of the conversation. He could've flashed back to the part where Atsushi said he had nowhere to go; no money, no food - he is about to trick him into joining, after all, and this is the key piece he uses to basically force Atsushi into the Agency. But instead it's Atsushi's self-deprecation that catches his attention, and it really does, because even during the conversation, he turns to look at him after he says this with an odd expression.
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You could say that this makes Atsushi easier to manipulate, if that's your angle, but that can't be solely it, because in the later conversation with Hirotsu, we know Dazai was planning to bring Atsushi into the Agency and set him up as one half of the new Double Black the moment he met him. The panel shown there is the riverbank, set much earlier in the day than this scene. He was already planning to pair him with Akutagawa since he figured out he was the tiger, so what's with this reaction?
Well. Sometimes the simplest explanation is the best.
He manipulated Atsushi into joining with the intention of utilizing him in his future plans. He also helped him and gave him a place to belong, and importantly, he likes this kid! It's both.
I think much of it might be that his brain just kinda works way too fast - he's such a natural at crafting these elaborate plots and seeing how things connect and gathering useful people like resources that it's practically automatic - though this is not a great means when you're trying to be a kinder person. There's an omake, I believe, that has him saying "I like using my head for justice", i.e. using these underhanded means to act for the better. Not great, but those are the kind of gifts he has. He's way more suited to exploitation, but is choosing to use these tactics to save people now, which is quite reminiscent of what he tells Kyouka. Kyouka's talents lie in killing people - when what you're good at isn't who you want to be, what do you do? Well, I expect you use what you have, even if it's not ideal.
Now, about the current situation with Sigma - I think he definitely likes him, and is intrigued by him and his situation. We did get a little thought bubble where the guy amusedly compares him to Atsushi, and you can't tell me he doesn't care about Atsushi (listen to the onsen drama cd, or read 55 Minutes if you somehow don't believe me). But also, it's undeniable that Sigma is in a very vulnerable position of being homeless and having had no one be genuinely kind to him before. His trust is very easy to earn, and with the latest chapter, Dazai has now saved his life multiple times. There is, as always, a practical purpose he needs him for. And I have to be somewhat amused because Dazai is quite literally telling Sigma everything he ever wanted and needed to hear. It's a brilliant means of quickly endearing himself to Sigma - but I don't think that's all it is.
Look. The most honest moments we get in this series from Dazai are, interestingly for an expert manipulator, when people are at their most vulnerable. In spite of every pointlessly cruel act he inflicted on Akutagawa, his first meeting with him was open and transparent; much like the orphanage director, it seems he thought this treatment would make him strong and adaptable (he's wrong but that's not the point of this). He cuts Kyouka off in irritation and says "don't give me that" when she implies that she would fail the entrance exam. He tells Atsushi it's normal to cry after losing a father figure and to feel however you feel, even if that person caused you nothing but incredible pain and cannot be forgiven. He refuses to entertain Sigma's assumptions that Dazai sees himself as a superior being to him.
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Selective honesty can also be utilized to great effect; Mori does this, and undoubtedly it serves this purpose for Dazai too. But I want to stress that I do sincerely believe this is all still honesty from him. Manipulation, or genuine?
Both. It's both.
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tiptoethewordsgo · 5 months ago
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hello gravity falls tumblr, someone write a fanfic where the pines family have to break bill out of rehab to help defeat a greater evil and my life is yours
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