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eyrieofsynapses · 11 months ago

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why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

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I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

#aurora comic #aurora webcomic #comicaurora #art analysis #...I hope those are the right tags???#new fandom new tagging practices to learn ig #much thanks for something to read while I try to rest my wrists. carpal tunnel BAD. (ignore that I wrote this I've got braces ok it's fine)#anyway! I HAVE. MANY MORE THOUGHTS. ON THE STORY ITSELF. THIS LOVELY STORY #also a collection of reactions to a chunk of the comic before I hit the point where I was too busy reading to write anything down #idk how to format those tho #...yeet them into one post...???#eh I usually don't go off this much these days but this seems like a smaller tight-knit fandom so... might as well help build it?#and I have a little more time thanks to break so #oh yes also shoutout to my insanely awesome professor for teaching me all the technical stuff from this he is LOVELY #made an incredibly complex program into something comprehensible <3 #synapse talks

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maiaczy · 11 months ago

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I think I accidentally deleted the ask, but here's a sketch for the person who requested the Kujo fam enjoying the fireworks!

#i hope this still somehow finds whoever requested this #it was such a nice ask too i feel so bad 😭#but in case youre reading this thank u for the request!!#this was so wholesome to draw #im so sad we didnt get more of jolyne's mom in the canon #she deserves better !!!!#jjba #fanart #sketch #request #jojo no kimyou na bouken #jojos bizzare adventure #art #digital art #jojo #jojo fanart #myart #jolyne cujoh #jotaro kujo

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dazais-guardian-angel · 6 months ago

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Reminder that the Dazai's Entrance Exam audiobook comes out tomorrow! It's narrated by Patrick Seitz, Kunikida's English dub voice actor!

Here are all the places you can buy it:

Barnes & Noble

Audible

Google Play

Apple Books

Libro.fm

#bungou stray dogs #dazai's entrance exam #EVERYONE PLEASE EXPERIENCE EE #if you have trouble reading novels the audiobooks are here to save you!!!#please listen to the superior version of the Azure Messenger arc 😭😭😭🙏#ngl...... other yen press audiobooks have had up to two readers before from the respective anime #i was hoping and praying both patrick and kaiji would be here for this one but...... kaiji isn't listed as one of the narrators :')#i'm kind of heartbroken tbh :')#dark era is already listed for september #i'm confident we'll get david for it since Oda is the narrator #but....... i wanted both david and kaiji so bad 😭 and both patrick and kaiji for this one 😭😭😭💔 aughHHHHHHHHHH #looking forward to them all still but yeah :') guess we might not be getting double actors for any of them *SOBS*#anyway yen press also lists it as available on book walker but the link doesn't work #if it shows up there tomorrow i'll add it here too

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hinamie · 5 months ago

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I dive into the water and struggle on the surface where I can't stand

jjk atla!au with @philosophiums

#my art #jujutsu kaisen #jjk #fushiguro megumi #megumi #fanart #jjk fanart #jjk atla!au #atla!au: art #lmhs #caption VERY lmhs megu coded song btw :)#u have to read a translation tho GHGSGH #anyway ive been looping th song fr the past 8 hours since discovering it #i love bbhf how had i missed such a gem smh hina fake fan of media yet Again #it was between this lyric and . another song.... which i felt wld invite a *little* too much speculation :3 #MOVING ON looking for ref fr this made me want to go to a river SO bad the water looks so crisp and clear....#moss and smooth river rocks my beloved.....#also theres rly just something abt the way rivers cast light isnt there #heres hoping at some point this summer i will b able to dip My feet in a river #in th meantime. lives vicariously through megu . who doesnt even look like hes having fun GSDFFGFJHSDJDFHK #smh relax megu u deserve it <3333

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luxaofhesperides · 1 year ago

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Surprise husbands + "How are you real?" ; requested by @vehan-tikkun-olam-and-stuff!

They may not have planned to get married, or even wanted it all too much at the beginning, but that doesn’t mean they aren’t going to treat each other right. It was rough going, with both of them coming out of relationships and having secret identities, but time had softened the hurt feelings and allowed them to actually get to know each other.

And Danny, Duke has discovered, is a really good husband.

Neither of them ever saw themselves as married at 20, but sometimes life throws horrible curses at you and the embodiment of balance and life and death swoops in to save your life. Via marriage.

His life is weird, okay? Duke has made his peace with it.

The thing is, if they had met naturally and started off as friends, Duke could see himself falling for Danny and asking him to marry him in a far off future. Instead, they’re doing everything backwards: married, then going on dates to know each other, and finally feeling close enough to be friends.

It helps that Danny does his best to communicate and that helps Duke find the words he needs as well.

He’s sweet, too, so kind and doting and affectionate. Like a really lovable cat, honestly. Duke’s never been cuddled so much in his life and he’s loving every minute of it.

He… might be falling in love with his husband. What a revelation.

“Duke?”

He blinks, looking up from his half-empty plate, pulled out of his thoughts suddenly. Tim and Dick stare at him, concerned, and he realizes he’s missed the entire conversation because he was so preoccupied thinking about Danny. In his defense, it was their one year anniversary the night before and Danny had kissed him for the first time after a date night spent playing video games and talking shit about their respective rogues.

Tim snaps a finger in front of his face, and Duke startles. He got distracted by his Danny Thoughts again.

“Yeah, what’s up?”

“You okay? You’ve been out of it all day,” Dick says, clearly concerned.

“Oh, uh, yeah, it’s all good. Just… adjusting.”

“To what? Did something happen?”

Duke shrugs, scooping up another forkful of pasta to shove in his mouth. “Yeah, I… this is going to sound kind of stupid, but I think I’m in love with my husband.”

Tim, taking an ill-timed drink, chokes and spits out his Zesti. Dick springs back, trying to get out of the spray zone but doesn’t move far, shocked still by Duke’s words.

“Oh, yeah,” Duke realizes, “I didn’t tell you guys, did I?”

“You’re married?!” Tim shrieks as Dick clutches at his chest, eyes wide.

“You didn’t tell me?” Dick asks, offended.

“Seriously? That’s what you focus on?”

Duke smiles as they begin to bicker. They do it constantly, but this time it’s halfhearted, as if they’re just going through the motions of something familiar to distract themselves from the bomb he’s dropped on them.

In all fairness, Duke did forget that he didn’t tell them that he’s married to Danny. He’s also only mentioned Danny once or twice and heavily implied that Danny was just a classmate at GCU. And then forgot that he didn’t tell them, assuming that they’d figure it out eventually being Batman trained detectives, after all.

Well.

Oops.

Clearly that is not the case. Duke hurries to finish his pasta before Tim and Dick finish their joint freak out and get their senses back together enough to interrogate him. He can’t escape it, but he refuses to have this discussion with an empty stomach.

He just barely manages to scrape the last mouthful off the plate when his fork is being yanked out of his hands. Tim and Dick close in on him, standing to either side of him, trapping him in place, and look at him with knife-sharp smiles.

Here we go, Duke thinks tiredly, and resigns himself to clearing up this misunderstanding.

Somehow, he manages to explain the situation (I got cursed, he saved my life, we ended up married because magic is bullshit, he treats me so well) and Tim and Dick both agree to not hunt down Danny to show him the wrath of older brothers on one condition: Danny has to join them for a family dinner.

“Don’t worry, we’ll catch everyone up on your… situation,” Dick says, pulling on his jacket to head out. Tim is already on his phone, no doubt telling someone already.

“Great,” Duke says, unenthused. “You’ll also be answering all the questions because I’m not in the mood. So if you’ll excuse me, I’m going to figure out a day that works for all of us, and then I’m going to kick my husband’s ass in Mario Cart.”

He walks out the door, grinning as he hears them scramble after him, then twists the ring on his finger (not a wedding ring, but a magic portal making gift) and steps into the portal. It closes quietly behind him, leaving him in Danny’s lair, a comfortable, spacious house with high ceilings and little bits of his personality scattered about. There are soft rugs with geometric patterns on them, star maps on the wall, stained glass windows that throw colors across the floor, and a giant couch and pillow pit in the living room.

Danny’s asleep in it, curled up and looking completely at peace. Duke toes off his shoes and carefully makes his way over, footsteps silent so he doesn’t wake him up, all plans of Mario Cart fading away instantly.

Danny doesn’t get much sleep, with the stress of school and an internship and ghost fights to worry about. It’s why his lair is so quiet and comfortable; it’s what he needs, and he doesn’t let anyone else in without invitation, rare as it is.

Duke is allowed to waltz right in thanks to the ring Danny gave him. It never stops making him feel overwhelmed by how much trust Danny puts in him to allow him unlimited access to what is his only true sanctuary, letting his lair be a place of safety and respite for Duke as well.

He crawls into the pillow pit, There’s no way to do this without waking Danny up since he can’t fly, so he isn’t surprised to see Danny blink his eyes open, still looking soft and content. He smiles when he sees Duke, reaching a hand out to him that Duke gladly takes, bringing it up to his mouth to kiss his palm.

Sitting up, Danny tilts his head up in a silent request. Duke happily obliges, still reeling over the fact that he’s allowed to do this! He can kiss his husband whenever he wants!

Yeah, he’s going to be riding that high for a while.

“Hey,” Danny murmurs, sleepy and quietly pleased to see him.

“Hi honey,” Duke returns fondly, “Have a nice nap?”

Danny nods, leaning into Duke and closing his eyes again. “Mhm. How long are you staying? I wanna cuddle.”

“I got nothing going on today. I’m all yours, baby.”

“C’mon,” Danny tries to tug him down. Duke goes slowly, covering Danny’s body with his own, but holds himself with one hand before he blankets his husband completely.

“Wait. There’s something we need to talk about.”

Immediately, the sleepy haze is fading from Danny’s eyes, leaving him alert. “What’s up? Is something wrong?”

“Not really? You know how we agreed to keep our marriage a secret until we weren’t in danger anymore and all those cultists and sorcerers were taken care of?”

“...Yes?”

“Well.” Duke sucks in a breath and offers a bashful smile. “Guess who forgot to tell people we were married after that whole mess was dealt with?”

The nervousness clears from Danny’s gaze as he stares up at Duke with incredulous amusement. “No. No way.”

“Yeah. Kinda dropped a bomb on them and they started freaking out over me being married. Anyways, they want you to come to dinner?”

“When?”

Duke leans back, sitting on his heels. “Let me check.” He pulls out his phone and sends a quick text to the group chat asking for a day they could have a family meal to meet his husband.

His phone is bombarded with texts and calls immediately until Barbara, bless her entire soul, forcibly mutes all of them and puts in a poll with a few dates, setting the poll to close in 24 hours.

“Okay, well, they’re deciding now, but probably soon.”

Danny nods. “Alright. I know these aren’t normal circumstances at all, but I’m so excited to meet the Bats.”

“You do not mean that after hearing all my stories about them.”

“No, I do!” Danny laughs, surging up to wrap his arms around Duke and pull him back down to lay among the giant pillows with him. “They sound nice!”

“The Bats sound nice?!” Duke repeats in horror. “Did you hit your head?”

“They do sound nice! You talk about them so fondly, and yeah they have problems and are dysfunctional, but they’re heroes. Of course they have problems. Even with all their baggage, they’re kind. And you clearly love them, so I do too.”

It’s hard to resist the urge to hug Danny tight enough to make him squeak while peppering his face with kisses, so Duke doesn’t. He just goes and does it, because he’s allowed to shower his husband (!) with affection (!!!) as much as he pleases.

“How are you real?” he says against the corner of Danny’s lips. “How are you so perfect! To me specifically! Honey, if we weren’t already married, I’d be going down on one knee right now.”

“I mean, you still can. We never got a proper wedding either. Think if we offer them a chance to help plan our wedding, they’ll forgive us for secretly being married for so long?”

“Oh, absolutely,” Duke says. He’s already giddy, just imagining what their wedding will look like, what song they’ll play for their first dance, where they’ll have the ceremony… He should create a Pinterest account to start putting ideas together.

Later, though. He wants to woo Danny properly and take him on so many dates.

Dates which include dinner with the Waynes and Wayne-adjacents, apparently.

“You sure you’re okay with meeting them over dinner?” he asks, just to be sure. He knows how intense they can be, even when pretending to be normal civilians. It took him years to get used to them, himself, and he doesn’t want to push Danny into doing something he’s not ready to do.

Danny cups Duke’s face in his hands and gives him a quick, reassuring kiss. “I’m sure. If nothing else, it’ll be fun to see how long it takes for them to realize I’m not fully human.”

“I really am glad it’s you.”

“Yeah, me too. I’d choose you all over again if given the choice.”

“Took the words right out of my mouth,” Duke laughs, wrapping an arm around Danny’s waist.

“Can we nap now? Now that you’re here and holding me, it’s taking everything I’ve got to stay awake.”

“Yeah, we can nap now.” Duke settles into the pillows, Danny cradled in his arms and closes his eyes to bask in the quiet easiness of it all.

He really couldn’t ask for a better husband, unexpected as he was. The others will see that too, once they meet him. It’s impossible to not love Danny once you meet him; Duke knows this all too well.

He loves his husband.

And his husband loves him back.

Duke is fully prepared to keep making that choice for the rest of his life.

#ghostlights #dc x dp #dp x dc #dcxdp #dpxdc #dc x dp fic #dp x dc fanfic #prompt fill #my writing #it was such a struggle to keep this one short but i WILL do it. it will stay below 3k words. i promised myself this #wasnt too sure what the surprise husbands trope was so i winged it lol. i hope you enjoy reading this anyways!!#its all about choosing love and choosing each other and taking care of each other in a bad situation #turning it into something good and soft and kind bc neither of u want to hurt each other and its nice to have someone always by ur side #its abt choosing each other every day!!#these two are out here speed running love while doing it backwards. icons.#thanks for the prompt!!

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pocketgalaxies · 1 year ago

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You are my vessel in life, unlife, and beyond. (C3E34 || C3E74) (requested by @sharkodactyl)

#critical role #criticalroleedit #laudna #laudna cr #pate de rolo #delilah briarwood #gifs #*#*cr #*request #*parallel #cr3 #cr spoilers #scheduled #15m c3e34 #44m c3e74 #OOH! OOOOH!!!! OOOOOOOH juicy #also i've said it before and i'll say it again marisha looked so so beautiful in ep 34. too bad she wasn't in it #anyway i hope this reads properly :)

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quadrantadvisor · 2 months ago

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Multiverse, Reverse Robins au, 2,514 words

Jason (Red Hood)

The imposters are good, Jason will give them that.

They need to work on their looks, unfortunately, because each one of them is a little off. Their Nightwing is too bulky, and his costume isn't made with Dick's flexibility in mind. Besides that, he's got an undercut that doesn't match the shaggy way Dick has his hair now, and his blue is too dark. And the swords. Those are different.

Their little Robin looks more like Dick, actually, Dick as he was before Jason's time, with his happy grin and his bright yellow cape. He doesn't match Damian's style at all, and Jason wonders if their intel was out of date. He tucks away his anger (the way he's used to doing, now) at these bastards roping some little kid into whatever con they're trying to pull. They can help the kid after they subdue him, and he stops trying to flip-kick people in the face.

The Red Robin outfit isn't bad, but the guy playing him is way too tall to be Tim. He doesn't use a bo staff, either, clearly preferring the armory of sharp little implements he keeps tucked away in his utility belt, including a wicked looking combat knife.

Which brings Jason to the current pain in his ass, the idiot trying to pass himself off as the Red Hood.

Yeah, they'd split off into pairs to fight. First off, for practicality's sake. Less risk of friendly fire if the only guy you're trying to punch is the one who isn't you. And secondly, it's just what you do, isn't it? Somebody gives you a set up like this, you go along with the poetic justice. No bat is immune to drama.

Jason is regretting that a bit, now. Fake Hood had taken him for a ride, leading him, he now realizes, far away from the warehouse where Nightwing and Robin had initially called in the disturbance. This other guy isn't the powerhouse that Jason is, but that doesn’t matter if Jason can't ever get in a hit. His movements are precise, deadly, and familiar in a way that makes Jason suspect League training. Jason is keeping up, but barely, and that's with the advantage of his guns. The other guy hasn't touched his, still gleaming red in his holsters, and Jason has a sneaking suspicion that they aren't filled with rubber bullets.

They're at a bit of a stalemate, standing on opposite sides of a dark rooftop, and Jason's trying to catch his breath but he can't relax, not when his gaze is locked onto his opponent, waiting for the minute twitch of muscle that will indicate his next move. He's wondering if he could get a shot off, wondering where to aim, when his comm crackles to life.

“Stand down!” Tim snaps in his ear. “Hood, Wing, the alternates aren't currently a threat. Deescalate however you can, and get back to the warehouse. We can explain this whole mess there.”

“Really?” Nightwing asks. He goes on to say something else, something about his doppleganger being incredibly threatening, thank you very much, but Jason stops listening, because there's something going on across the roof.

A mechanically distorted voice says, “What? No, I'd be able to tell. This guy isn't-” The imposter(?) cuts off suddenly, presumably listening to a response.

And then he… giggles.

“That isn't funny, Red,” he says, in contrast to the little peals of laughter making him subtly shake. “You- you get how fucked up that would be, don't you?”

Jason can't figure out what to do. Tim's intel is almost always good, but he can't get himself to stand down, not when, for some reason, that laughter is setting his teeth on fucking edge.

(He knows the reason. He'd know that cadence anywhere, he hears it in his fucking nightmares, but it isnt possible. He's in Arkham, right now, because Batman won't kill him and Jason isn't allowed to kill him and that uncomfortable truce is what got him his family back. Jason would know if he'd broken out, they wouldn't have kept that from him. They wouldn't.)

“Oh shit,” Tim says, and it makes Jason wonder how he knows, “Hood, is your alternate having some kind of fit right now?”

The sound escalates, from breathy little giggles to screeching laughter, and even with the hood's distortion, it's unmistakable.

It's the Joker's laugh.

It's the Joker.

And isn't this exactly some shit that Joker would pull, making a mockery of Jason's family, a twisted parody that fucks with his head? Tim's lying, he's trying to get Jason out of this situation, and Jason gets why, he does, but obviously the rest of them can't (won't) protect him from this, so if he has to take fate into his own hands, he will.

The green is creeping up, but Jason doesn't let it haze over his vision because he has to be in his right mind while he does this, not for them, for himself. As he stalks across the roof, he empties the clip from one of his guns and pulls out the live rounds, loads them into place.

He thinks Tim is calling for him, maybe the others, too, but the chatter over the comm is getting further away the closer he gets to his target. He should be smart, should take the shot, but maybe he's got more pit in his head than he wants to admit, because Joker, still laughing, pulls a knife, and Jason steps into his range to disarm him.

The strike is fast, but compared to the careful movements of before, he's practically telegraphing his actions. Jason sidesteps, and if the blade knicks him when he twists Joker's arm, he doesn't feel it. He's got the clown in a hold, now, and forces him to his knees with the gun against his temple.

If the hood is anything like his own, the bullet won't do it, not even at point blank range. Jason would like to get it off him, would like to see the life leave his eyes, but he doesn't have to. Jason moves the barrel beneath his chin, right where the armor ends. The pit rages inside of him, says this is too easy, says to make him suffer. Jason pushes it down. This is the compromise he'll make, this is what he'll do to try to maintain both his humanity and his peace of mind. The bullet will ricochet off the hood from the inside, will tear through Joker's brain at least twice, and he'll never come back from that, and Jason will finally be free.

It'll be easy.

This is too easy.

“Nothing to fucking say?” Jason growls, jostling the clown in his grip, because there's always some joke, some shitty twist.

The Joker just laughs.

“Unhand him this instant!” someone snaps, and Jason's finger twitches but somehow the trigger stays still. And now what's he supposed to do, because of course fucking Nightwing- but wait, that isn't- but it is, he's right there- it's both of them, two Nightwings. Fucking fantastic. Twice the guilt trip.

“Come on, Jay,” the Nightwing who's actually Dick pleads, and hey, what the fuck, codenames? In front of the fucking Joker, Dick? “Let him go, we can explain everything.”

“I'm not doing this again!” rips itself from Jason's throat, and he'll think later about just how wrecked he sounds. “I'm not just standing here and letting him go, Wing, not when one bullet can put a stop to all this, not when I can end him.”

“Jason,” Dick says, slow with forced calm, “that's not the Joker.”

“Don't you fucking lie to me!” Jason seethes.

His hand is wrenched to the side, the barrel facing open air, and before he can make a move the unfortunately familiar feeling of a high voltage shock courses through him.

By the time he's stopped seizing, Dick is at his back, supporting him with his own body and with arms under his pits and around his chest in a weird reverse hug. Technically, Jason's hands are free, but they're empty, the gun skidded to somewhere else across the roof.

Dick is murmuring into his ear, “Sorry, Little Wing, I'm so sorry,” and, “You're okay, you're okay, you're okay,” mantras meant to soothe his brother as much as himself. Jason wants to be angry, wants to snap at him to let go and fucking cut it out, but he's feeling strangely disoriented. He only has enough brainspace to pay attention to one thing, and that's the scene playing out in front of him.

Dick had clearly hauled them back a few steps, but Jason is still uncomfortably close to the bastard version of Nightwing (who, Jason realizes in hindsight, had tazed him while he'd been distracted by his brother, not cool) and the laughing maniac he should've killed. Nightwing is holding onto Joker's shoulders, his hands bouncing as the gasping, shrieking laughter continues.

“I'm going to remove your helmet now,” Nightwing says. He has a slight accent that Jason knows he's heard before, and his tone is professional, almost clipped. And yet, somehow, Jason can tell that this is a gentled version of the man's voice, the sharpest edges sanded away. His hands move from Joker's shoulders to the back of his head, carefully inputting whatever sequence allows for safe removal of the hood. Jason hears a hydraulic hiss when some sort of catch releases, and as Nightwing starts pulling the red metal up and away Jason can't help holding his breath.

At first, he sees what he expected to see. It's the Joker's expression, after all, his laughing face pulled into a rictus grin.

But the grin isn't right, somehow. The man is pale, but his face is unpainted, and the smile stretches wide, too wide, wider than even the Joker ever managed, and after a moment Jason recognizes the red, raised scar tissue on either side of his mouth for what it is.

Then, Jason takes in the actual features of the person in front of him. Dark hair, pale blue eyes, the cheeks, the jaw, the nose.

It doesn't make any fucking sense.

The Red Hood, collapsed on his knees in front of him, scarred face bare with no hood or domino to protect him as he struggles under the weight of his own laughter, is Tim Drake.

He's crying.

Jason is suddenly glad that Dick's holding him, because he's certain that he'd be on the ground, otherwise. Then, he realizes that he can't breathe.

Jason knows, logically, that his hood has sensors and filters that keep him safer than he could ever be without it. It is only every once in a while, when something stupid happens, that he regrets that he, a man with claustrophobia, decided to stick his head into a metal bucket.

Dick can probably tell that he's hyperventilating, and doesn't fight him as Jason gets his hands on the back of his neck and pulls off his hood.

Jason gasps in polluted Gotham air, and Tim's eyes snap onto him. Nightwing says, “I'm administering the emergency dose of your medication,” and then stalls, like he's waiting for a response, but all Tim does is laugh and stare. Jason stares back. He can't look away.

Nightwing retrieves a small tubular device, almost like an epipen, and presses it against Tim's leg. That shouldn't work. Tim's wearing body armor, same as the rest of them, and there's no way a needle could pierce it, but Jason looks as Nightwing draws the device away and there's a small raised circle of hard plastic on Tim's thigh that the head of the device fits into perfectly, like it was designed for that purpose. An injection spot, built into Tim's clothing, specifically for whatever drugs fake Nightwing just pumped into him.

Immediately, there's a difference. He doesn't stop laughing, or smiling that horrible fucking smile, but the manic tension is gone. He doesn't look like he'll shatter at a touch anymore, too brittle to be handled. The curve of his spine gentles, muscles no longer pulling it to the point of snapping. Jason watches as slowly, oh so slowly, Tim gets quieter, leans more into Nightwing's hold on him, starts gasping more than laughing.

Dick is talking behind him, into his comm, it sounds like. If it's important, someone will get his attention.

Finally, Tim breaks eye contact. “T- tell him,” he says to Nightwing, struggling between gasps and giggles, “tell him what you, gave me. Jay doesn't, he doesn't like, needles.”

The strange Nightwing turns his head, and Jason gets the impression of a sharp, searching gaze behind his domino. He's nothing like Dick, not at all, but something niggles the back of Jason's mind, some sense of familiarity regardless. He tosses something, and Jason automatically reaches up to catch it.

It's the empty tube of medication, which does seem a lot like an epipen, up close. “It's a combination,” the man says. “The antidote for Joker venom, an antipsychotic, and a mild sedative.”

“What the fuck?” Jason hears from his own mouth as he looks down at the innocuous little tube.

“It's only used in emergencies,” Nightwing adds, and does not clarify any further.

Jason doesn't know what to say to that. He shakes himself out of Dick's hold and grabs an evidence bag out of his jacket. He watches Nightwing, to see if he'll object, but he doesn't. Jason slips the medicine tube inside the bag and tucks it away.

“There you are!” Dick says in a bright tone, one meant to cover his anxiety and relief.

Jason turns, and finds that their roof has gotten a little crowded. All four Robins have arrived, his brothers mingled in with their copies, copies who don't quite match in ways that are now sticking in his brain. Tim, Jason's Tim, is standing right there, pressing his mask against his face like he'd broken the seal on the adhesive, and it isn't sticking quite right. Other than that, he's normal. He's fine.

The Robin, the one in the classic colors who Jason had thought looked a bit like Dick (oh God, could that be-?) gives a little whistle. “Trust Red Hood to cause drama!” he says in a bright tone that is too too familiar (fuck, fuck he is). “Must be a universal constant.” He grins, cheeky, looking past Jason.

Jason isn't processing fast enough to be offended for his own sake, but he turns and checks on Tim, other Tim, the Tim who apparently also has a claim to the Red Hood name. Tim is propped up on Nightwing's shoulder, looking drowsy and relaxed. He's looking back at Robin, and his lips are pressed tightly closed, but he's smiling, and it reaches his eyes.

Alright, then. This is probably fine.

Jason snorts, to get the kid's attention, and rolls his eyes. “Comes with the job description,” he snarks.

The kid lights up. Jason feels distinctly weird, having that smile directed at him, but it's not… bad.

Yeah. This is fine.

I'm planning to add a reblog with more information on this au/fic idea, so if you're interested, watch this space.

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theultimatekamehamehavoc · 2 months ago

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One thing I've noticed about Makoto is that like, he never really mentions having any other friends. For instance, in the killing game in the first trial, his motive video has his family which makes sense. However, this would also imply that he never really had a bigger connection with anyone else or as much as his family. Hence, did he have any friends before Hopes Peak or were they just not close enough to even remotely mention? Also, doesn't this, in a way, contradict his "average" status and how he sees himself? Not saying that it's wrong for him to not have any friends, just that it's one of those things that's a typical thing to occur. Plus, the fact that he claims how "average" he is only to have several traits that don't fit into that makes him more interesting such as his boundless hope or the fact that he was wetting the bed until 5th grade. (will never get over that cus like, was he okay?? hope he was okay u_u) Back to the friend thing though, literally the only person he mentions knowing in school is Sayaka. It's the fact that he has no other connections with others kids his age in the past aside from her and it's not like they were very close besties then, anyway just that he knew her then. It kinda gives him a level of connection with some of the more loner characters in the first game honestly. Cus he's got no close friends that are close enough to be abducted! Reminds me of how Byakuya had his butler, Celeste had her cat, Toko had her little stink bug, and how honestly none of the class (or hell, any danganronpa character tbh) have both family AND friends held captive. It's just one or the other or someone/something miscellaneous like a pet or butler or just one parent being in their motive like Yasuhiro and his mom, Chihiro and his dad, or Taka with his dad. I also feel this adds a bit more to the tragedy of the first game with Hopes Peak, the more that I think about it. Like, some of them had their very first friends they ever got, probably the first ever real connection with someone their age who also wasn't connected with their talent specifically. Think Mondo and his gang or Sayaka and her girl group. Not saying those don't mean anything but still. So, it's interesting to think that they all have that level of connection with them, even "average Makoto". Just a thought though! Edit: Is Sakura the only one btw? Cus she has a boyfriend I think and it also mentioned that like, her whole dojo was being threatened by the mastermind? Which like, includes her family in there. So is Sakura the only one who doesn't have some trauma or baggage with a parent? Though crap. Nevermind. She got called ogre a lot so yeah. These bastards are fucked hahaha!!

#danganronpa #danganronpa trigger happy havoc #trigger happy havoc #danganronpa thh #dr thh #thh #danganronpa makoto #makoto naegi #hopes peak academy #just a ramble post #text sector #i personally think this is interesting though and am happy to read other thoughts about this! hope this isn't too surface level btw #am still working on getting the games which i hope will occur before the end of 2024 and all. i yearn to analyze these losers so bad #also it's funny imagining makoto as a little loner as a kid ngl. just him and komaru against the world with their parents cheering behind #or gosh. makoto with an edgy phase in middle school cus he's still got no friends by then. not that it'd be that extreme. he's still makoto

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throwawayasoiafaccount · 2 months ago

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Why do you think the tides have slightly turned from "Elia deserves better than Rhaegar" to shipping her and Rhaegar together? Like what is the psychology behind these people because I've seen some of them like/reblog anti Rhaegar posts while also shipping Rhaegar x Elia at the same time.

hey anon! my thoughts are a bit messy, but i’ve done my best to explain them coherently :)

so, rhaegar was the best man anyone could have when elia was alive, and most people want the best for their favs. he was considered the most handsome, didn’t have a bad personality, and he was crown prince—meaning elia was almost queen, which is often seen as the greatest role a woman can have. the narrative also treats rhaegar as a beautiful, tragic, haunting figure, and elia actually had this very aesthetically pleasing man all to herself at one point! she was married to him, had children with him, and her life was so close to perfect! but rhaegar just had to go and ruin it. 😠

for many elia stans, if rhaegar hadn’t fallen in love with another woman (they want him to have been a completely different character), then everything would’ve been perfect, and elia would’ve had the best, most desirable life. however, that’s not what happened—elia met a very tragic end, and as a result, these stans feel double the bitterness. because of this bitterness, they blame rhaegar for everything (even though it’s not logical to do so), but he’s just too ‘perfect’ to let go of. so, for years these stans have made rhaegar revolve around elia, filling his tag with posts about her out of bitterness. so, i do believe that this obsession with rhaegar x elia has always been there, but i think it’s become a more favorable stance on the elia stan side of the fandom because of a mix of reasons.

plus, rhaegar is one of the few canon relationships we know elia had, since she’s not much of a character. because of this, and the fact that most people don’t like to stray too far from canon, most elia stans are forced to focus on rhaegar, which has created an echo chamber. basically, if a sentiment about elia and rhaegar’s relationship becomes popular, then the whole elia stan side of the fandom will likely regurgitate the sentiment. (also, this desire to stick close to canon is likely why the elia x arthur ship was so popular. while it’s a total crack ship, it had good aesthetics, and since elia and arthur at least knew each other, it allowed the stans to create their perfect fanfiction whilst sticking it to rhaegar. but remember, elia was actually married to rhaegar and had children with him, so while arthur is cool, rhaegar was always ‘top dog,’ meaning arthur would never be able to match up to rhaegar to most elia stans. also, the arthur x elia crack ship is likely her second most popular ship, which just shows how little elia stans have to work with, so they’re always forced to eventually return back to rhaegar for a lot of things.)

however, even if the elia x rhaegar ship gains more popularity, these stans will never stop hating rhaegar because he wasn’t ‘perfect’—and he wasn’t perfect because he didn’t love elia. plus, rhaegar loving another woman and supposedly kidnapping her is what began the war that led to elia’s tragic death. that’s bitterness times 1000. and while i don’t actually blame rhaegar for the war, i do think that this is how an elia stan sees it. i also don’t view rhaegar’s complex relationship with elia as a bad thing—it’s actually a very realistic take on an arranged marriage between two decent people. but most elia stans will never be able to get over the fact that they almost had everything, which is why many have it out for lyanna, as they consider her a thief who ruined their ‘perfection.’

tbh, that might be why so many elia stans are so obsessed with the idea that rhaegar only got with lyanna because of the prophecy—they don’t want to believe that rhaegar actually loved a different woman and not their perfect self insert elia. that’s a bit mean of me… but i don’t know what else one would call the ‘elia’ elia stans have created.

now that i’ve laid all those thoughts out, i’ll try to explain why the tides seem to be turning… i think it may have something to do with the ‘targaryens are all evil and bad’ sentiment losing popularity. i think this shift has occurred due to a mix of factors, such as years of fandom fights and fandom cycles leading to the targs being more liked now than before. it helps that canon doesn’t actually condemn the targs/favors them quite a bit, and the influx of new targ fans from HOTD has also contributed. this combination of reasons seems to have shifted the way the mainstream fandom discusses all the targaryen characters, including rhaegar. so, with this shift, it’s only natural that some elia stans/elia x rhaegar shippers—who’ve always been there—are using this opportunity to push their agenda. while these stans still hate rhaegar and see him as the bad guy, they just can’t let go of him. and as the mainstream fandom moves away from the anti targaryen sentiment, these smaller corners of the fandom, which tend to be echo chambers, are also affected, which has therefore led to a rise in rhaegar x elia shippers and the ‘shifting tide’ that you’ve also noticed.

#‘if only rhaegar did this’ is a very common sentiment amongst elia stans #most stans have always had the ‘if only’ mindset #‘if only elia survived’ easily leads to ‘if only rhaegar didn’t run off with his whore’ as the targs become less hated #it’s kinda a pipeline? rhaegar anti plus elia stan leads to rhaegar x elia shipper who still hates rhaegar #another reason that a lot of this happens is because elia and the martells plus dorne are the good ‘others’ a person can like #while the targaryens are the ‘bad others’ one can safely hate as they’re white & have a bit of demon symbolism + come from an ‘evil’ empire #the targs also ruled over everyone so a lot of fans like pushing all the blame onto them for all the problems #however the targs are cool and they’re hot af and being royalty is the best! so they’re the ‘bad others’ one can safely hate #but people still want their aesthetic and want their favs to have what the targs had. all the cool magic + the aesthetic + danys monikers #so people can convince themselves that it’s okay and logical and right to hate the targs but most ppl will still connect their favs to them #of course… things have been shifting in the fandom which i’m very happy about #and all of these sentiments are combined and compressed when it comes to rhaegar and elias relationship #so any big shift on how the fandom views the targs will always affect the way rhaegar and elias relationship is viewed #it just so happens that the targs aren’t the evil dragon nazis anymore so it’s kinda okay for elia stans to ship him with her #i’m not gonna go through my tags and make sure they make sense so i’m simply hoping for the best #anyways… i hope i didn’t digress too much. i just found this shift so interesting so i couldn’t help myself #asoiaf fandom critical #anti elia stans #rhaegar targaryen #anti rhaegar x elia #house targaryen #valyrianscrolls #pro rhaelya #lyanna stark #rhaegar x lyanna #anon ask #thanks anon this was a fun topic to cover #i recently found a really old post about both elia and lyanna and boy… it was quite discusting to read #elia stans kinda cycle from ‘elia deserved better x crack ship with shallow aesthetic’ back to elia x rhaegar while shitting on rhaelya #just know that rhaegar is always the bad guy to them! the sentiment on lyanna will go from hot to cold but rhaelya is always bad as well!

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puppyeared · 5 months ago

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i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you

#im reading that post that says artists are directors of audience reaction and not its dictator:#'you cannot guarantee that everyone viewing your work will react as you are trying t make them react. a good artist knows that this is what #allows work to breath. by definition you cannot have art where the viewer brings nothing to the table ... this is why you have to let go of #the urge to plainly state in text exactly how you think the work should be interpreted ... its better to be misinterpreted sometimes than #to talk down to your audience. you wont even gain any control that way; people will still develop their opinions no matter what you do #im thinking abt this again cuz i was thinking maybe the thing that lets adventure time work so well the way it does is cuz it doesnt #take itself too seriously that it gives the audience enough room to fuck with subtext and then fuck with them back yknow. i think it was #mentioned somewhere that they werent even planning to run with the postapocalyptic elements that are hinted in the show but changed their #mind after the one off with the frozen businessmen and dominoed into marcy and simons backstory. on the other side there are stories that #explain too much to let the story speak for itself and i think it ends up having to do more with the crew trying to lead ppl in a certain #direction than expand on what they have and i see a lot of this with miraculous. like when interviews and tweets are used as word of god in #arguments and it becomes a little stifling to play around with it knowing the creator can just interject. u can say its the crews effort to #engage with its audience but it feels more like micromanaging. and none of this is to say there ISNT room for stories that spell things out #theyre just suited for different things. if sesame street tried abstract approaches to themes and nuance itd be counterproductive #a lot of things fly over my head so i need help picking things apart to get it- but it doesnt have to be from the story itself. ive picked #picked up or built on my own interpretations listening to other ppl share their thoughts which creates conversation around the same thing #sometimes stories will spell things out for you without being so obvious abt it that it feels like its woven into the text. my fav example #for this might be ATLA using younger characters as its main cast but instead of feeling like its dumbed down for kids to understand why war #is bad its framed from a childs point of view so younger audiences can pick up on it by relating to the characters. maybe an 8 year old #wont get how geopolitics works but at least they get 'hey the world is a little more complicated than everyone vs. fire nation'. same for #steven universe bc its like theyre trying to describe and put feelings into words that kids might not have so they have smth to start with #especially with the metaphors around relationships bc even if it looks unfamiliar as a kid now maybe the hope is for it to be smth you can #look back to. thats why it feels like these shows grew up with me.. instead of saving difficult topics for 'when im ready for it'#as if its preparing me for high school it gave me smth to turn in my hands and revisit again and again as i grow. stories that never #treated u as dumb all along. just someone who could learn and come back to it as many times as u need to. i loved SU for the longest time #but i felt guilty for enjoying it hearing the way ppl bash it. bc i was a kid and thought other ppl understood it better than me and made #feel bad for leaning into the message of paying forward kindness and not questioning why steven didnt punish the diamonds or hold them #accountable. but im rewatching it now and going oh. i still love this show and what it was trying to teach me #yapping #diary

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iwritenarrativesandstuff · 2 years ago

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When discussing or analyzing Dazai, one thing I hope you will keep in mind when reading anything I write about him is that from my perspective, he is always, always both.

What do I mean by this? Well, I find there tends to be a general split among people who hold the opinion that "he's a manipulator and will always be manipulative" and "he's doing his best to be good and helpful and live up to Oda's last wishes for him", of which, neither is completely right - because he is both. But even among the people who hold to this dual-nature interpretation, I find that his individual actions and motivations still tend to be thought of in a dichotomous manner - is it manipulative, or genuine?

Again, I think it's always both.

Dazai has a very pragmatic view on a lot of things - he is always looking for the usefulness of things and people so that the situation turns out in his favour. He's incredibly adept at this, and his prediction and placement and careful reveals are all manipulation tactics to get his allies and enemies doing exactly what he needs them to. I don't think anyone can contest this since we see it over and over in the series.

But that's not all there is to it. He's not solely manipulative and he does, to some extent, sympathize with others - I think there are several instances of this in the series, but I want to stress that this has been apparent since Chapter 1!

For context, Dazai is recalling what Atsushi said to him a few minutes earlier, but it's very interesting that it should be this specific part of the conversation. He could've flashed back to the part where Atsushi said he had nowhere to go; no money, no food - he is about to trick him into joining, after all, and this is the key piece he uses to basically force Atsushi into the Agency. But instead it's Atsushi's self-deprecation that catches his attention, and it really does, because even during the conversation, he turns to look at him after he says this with an odd expression.

You could say that this makes Atsushi easier to manipulate, if that's your angle, but that can't be solely it, because in the later conversation with Hirotsu, we know Dazai was planning to bring Atsushi into the Agency and set him up as one half of the new Double Black the moment he met him. The panel shown there is the riverbank, set much earlier in the day than this scene. He was already planning to pair him with Akutagawa since he figured out he was the tiger, so what's with this reaction?

Well. Sometimes the simplest explanation is the best.

He manipulated Atsushi into joining with the intention of utilizing him in his future plans. He also helped him and gave him a place to belong, and importantly, he likes this kid! It's both.

I think much of it might be that his brain just kinda works way too fast - he's such a natural at crafting these elaborate plots and seeing how things connect and gathering useful people like resources that it's practically automatic - though this is not a great means when you're trying to be a kinder person. There's an omake, I believe, that has him saying "I like using my head for justice", i.e. using these underhanded means to act for the better. Not great, but those are the kind of gifts he has. He's way more suited to exploitation, but is choosing to use these tactics to save people now, which is quite reminiscent of what he tells Kyouka. Kyouka's talents lie in killing people - when what you're good at isn't who you want to be, what do you do? Well, I expect you use what you have, even if it's not ideal.

Now, about the current situation with Sigma - I think he definitely likes him, and is intrigued by him and his situation. We did get a little thought bubble where the guy amusedly compares him to Atsushi, and you can't tell me he doesn't care about Atsushi (listen to the onsen drama cd, or read 55 Minutes if you somehow don't believe me). But also, it's undeniable that Sigma is in a very vulnerable position of being homeless and having had no one be genuinely kind to him before. His trust is very easy to earn, and with the latest chapter, Dazai has now saved his life multiple times. There is, as always, a practical purpose he needs him for. And I have to be somewhat amused because Dazai is quite literally telling Sigma everything he ever wanted and needed to hear. It's a brilliant means of quickly endearing himself to Sigma - but I don't think that's all it is.

Look. The most honest moments we get in this series from Dazai are, interestingly for an expert manipulator, when people are at their most vulnerable. In spite of every pointlessly cruel act he inflicted on Akutagawa, his first meeting with him was open and transparent; much like the orphanage director, it seems he thought this treatment would make him strong and adaptable (he's wrong but that's not the point of this). He cuts Kyouka off in irritation and says "don't give me that" when she implies that she would fail the entrance exam. He tells Atsushi it's normal to cry after losing a father figure and to feel however you feel, even if that person caused you nothing but incredible pain and cannot be forgiven. He refuses to entertain Sigma's assumptions that Dazai sees himself as a superior being to him.

Selective honesty can also be utilized to great effect; Mori does this, and undoubtedly it serves this purpose for Dazai too. But I want to stress that I do sincerely believe this is all still honesty from him. Manipulation, or genuine?

Both. It's both.

#or to summarize: Dazai is a gemini (derogatory)#<- said as a fellow gemini (also derogatory)#the few exceptions to the always both rule are basically any of his interactions with odasaku #and the bit in sb where he tells chuuya about what activating corruption will entail #most everything else appears to have a dual reason.#to be clear: there's lots of ways to interpret dazai - but this is the approach i personally use in my analyses #so i'd love it if you guys would read my dazai analyses keeping this standpoint in mind :)#i think instead of debating 'is dazai bad' which is seriously kind of irrelevant to me #i'd love to talk a bit more about how dazai is actually quite helpful but also equally presumptuous about what will help people #we could also talk about the fine line between protectiveness and possessiveness with him too.#or about how drawn he is to kind people who value life likely because he's hoping to find answers or a vicarious experience #anything except the 'is he good or bad' debate. i don't like it. :/#bsd #bsd meta #bsd analysis #bsd dazai #storyrambles #oof i never know how things like this are going to go over.

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