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#so i don't even have a reference for what a reasonable range of hearing is
alarming-prism · 10 months
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me trying to explain that my hearing is supersonic even by autistic standards and i can hear conversations from a room away and the tv in the living room and the fridge in the kitchen and the humming of the electricity and i'm fairly certain my tinnitus is not tinnitus caused by hearing loss but some sort of passive sound in a highly industrialized and electronic environment that most other people cannot hear: wdym the silence is quiet
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sheyfu · 17 days
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in sleepless nights, i find solitude in you
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FEATURING itoshi sae, itoshi rin, oliver aiku, chigiri hyoma, mikage reo, nagi seishiro, and shoei barou
CW oliver aiku
SYNOPSIS what they like to do on sleepless nights with you
NOTE these are hcs and are not reflective of their characters!
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⋆˚✿˖° itoshi sae - hearing you talk about your day
- a mundane, yet intimate moment between you two - he finds it so endearing when you talk about your day and get so passionate about it too - he just loves hearing your voice; the way you speak, the way your voice just sliiightly raises when you’re telling him about some person you abhor (big boy word), and the way you ask him for his thoughts on something you’re yapping about makes him feel like the luckiest guy in the whole world - you both end up not sleeping D: but it’s okay, he’s not complaining because it’s you
⋆˚✿˖° itoshi rin - binge watching horror movies
- you hate him for this. - but at the same time, you love it because he holds you close to him - he knows you’re scared, especially when it’s ass o’clock in the evening (more like morning) and your room’s only source of light is the television. so he holds you tight :D - he has the urge to make fun of you because you’re oh so scared, but he stops himself from doing so because he loves holding you close
⋆˚✿˖° oliver aiku - holding you close to him (in his words, spooning)
- surprisingly, he’s not horny  - i guess bc of practice, he’s tired and he just wants to de-stress and go on about his night without tiring himself out more, you included (LMAO NOT ME SPEAKING LIKE IM GANG W GREEN GALLAGHER) - so he holds you close :D  - and its not like the hold you close and talk about stuff type either - literally the hold you close and sit in silence type with occasional kisses from him :D 
⋆˚✿˖° chigiri hyoma - gossip (okay so some of you probably don't tolerate gossip but gossip culture has been SUUUUCH a big part of my life that i cant help but associate it w chigiri im so sorry you can bitch slap me for this LMAOAOAO ANWYAYS)
- he loves gossiping. he usually has THE ggoat (greatest gossip of all time) - this usually ranges from people he works closely with, or people he knows but that person doesn't know him but for some reason the news reached him LMAOAAOA  - for some reason, he also has visual references??? like if theyre related to texting he has screenshots of their convo???? if irl, he has pictures????? YOU DONT KNOW HOW HE GETS THOSE 😭😭 (based this hc off my friend who has everything for some reason 😭😭) - and most of the time theyre literally so mind-boggling you have to stop him and walk around the room to calm your beating heart down - he also loves using a soundboard while doing so LMOAOAOAO
⋆˚✿˖° mikage reo - slow dancing
- ah yes. the typical rich boy activities. - but like even if he wasnt born in that class (GANG DONT TWIST MY WORDS IM NOT A CLASSIST WLANSISOS), he'd most likely still love doing this (idk theres smth about him that js makes me think he would love dancing) - in the kitchen, dimmed lights, his hands on your waist, yours on his shoulders, herb alpert playing in the background, and his lips on your forehead  - im leaving it at that :))
⋆˚✿˖° nagi seishiro - playing roblox
- typical nagi.  - what roblox games you ask? dress to impress. - he likes playing simple games at night. and those simple games dont include dress to impress :)) - buuuut. he still plays it because the satisfaction he gets from beating 12 year olds outweigh the stress he gets from said 12 year olds - he loves to duo with you - literally caseoh just more nonchalant - he also likes to play those 2 player tycoons :DD
⋆˚✿˖° shoei barou - baking
- his love language is quality time  - and what’s more quality than baking time >:D - hes not someone for consuming sugar at ass o’clock. but he’ll tolerate it bc it makes you happy :DD  - he has those #probakingskillz bc he used to bake TONS of stuff with and for his sisters (HE ALSO BAKES THEIR GIRL SCOUT COOKIES GRAHHHHHHHH) - you also make him wear those silly pink frilly aprons (you have matching aprons but instead of yours being pink and frilly its literally the opposite) 
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a-aexotic · 6 months
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𝐛𝐮𝐛𝐛𝐥𝐞𝐠𝐮𝐦 𝐛𝐢𝐭𝐜𝐡, chapter 1
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𝐰𝐨𝐫𝐝 𝐜𝐨𝐮𝐧𝐭 ! 3.5k
𝐰𝐚𝐫𝐧𝐢𝐧𝐠𝐬 ! familial issues, underage drinking, tension (between literally every LOL), blair/serena hating each other, you/blair and you/serena being besties lol, a lotta winfrey lore
𝐧𝐨𝐭𝐞𝐬 ! ahhhh im super excited, as always please lmk your thoughts !!
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PRESENT DAY.
Hey, Upper East Siders, Gossip Girl here, and I have the most surprising news ever. Y/N Winfrey spotted back in town after she disappeared for almost 6 months. But where has she been all this time? Sources tell me she's been living it up in the City of Love, Paris. Oh la la! But what brings our darling Y/N back to the Big Apple after all this time? Could it be a scandalous affair, a family feud, or perhaps a fashionable rendezvous with the elite of Parisian society?
Rumors are swirling as to the reason behind Y/N's sudden return. Some say she's back to reclaim her rightful place among Manhattan's elite, while others speculate that she's returned to stir up trouble in the already turbulent waters of Upper East Side.
But what of Y/N's infamous entourage? Will her loyal subjects, Nate, Isabell, Kati and Blair, welcome her back with open arms, or will there be whispers of betrayal and backstabbing among the ranks of Manhattan's elite?
Will she pick up right where she left off, ruling the social scene with her signature grace? Or has her time away changed her in ways we can't even imagine? So grab your designer handbags and your most scandalous gossip, Upper East Siders, because things are about to heat up in the city that never sleeps. XOXO, Gossip Girl.
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As the sleek black limousine rolled to a stop in front of the towering building, the door swung open with a soft whoosh, revealing the figure of Y/N Winfrey stepping out into the cool Manhattan air.
With a flick of your hair, you cast a cool gaze towards your old home, a grand penthouse that stood as a testament to the wealth and power of the Winfrey family. The familiar sight of the elegant facade stirred a flurry of emotions within you, memories both bitter and sweet flooding your mind as you took in your old home.
You were too focused on the old home to hear your mother come up from behind you, putting a hand on her shoulder as she examined the home as well. She hadn't been there since the divorce, which was almost a decade ago.
"I know you're nervous, Y/N. But don't let any of them get to you, okay?" Her voice rang in your ears as you nodded slowly. You weren't sure who she was referring to; your father's new family or your old friends. Or maybe, all of the above.
"Okay," you whispered, your voice barely above a whisper. "I won't."
With a reassuring squeeze of your mother's hand, you gathered your resolve and stepped forward, ready to face whatever awaited you within the walls of your old home.
Your new family met you with open arms and it felt strange to be back home, the same home you'd left; except, everything inside had changed. There were no more pictures of you anywhere, they were all replaced with wedding photos or pictures of your new stepsister, Charlene. It made your stomach twist in disgust, you couldn't believe your father had a brand-new, shiny family. The perfect family he'd prayed for, you were almost happy for him. Almost.
"So how was Paris, Y/N? Did you like it?" Josie's voice brought you back to real life. You turned your gaze up to meet hers, a tight smile on your lips. You were sat in the living room of the penthouse, alongside your mother and stepmother.
"It was... fun," you reply carefully, your tone neutral. You couldn't bring yourself to admit just how much you missed Paris, how it had felt more like home than this place ever did. Instead, you plastered on a facade of indifference, hoping to shield yourself. "It's too bad that we left."
Your mother let out a light laugh as she glanced back at you. "We'll be back as soon as we can. I just missed New York so much and I'm so happy to be back." What she didn't mention was that the only reason she was back was for her business, she wanted to open more shops in Manhattan.
"Yeah, it's nice to be back," you replied, forcing a smile. Despite your mother's attempt to lighten the mood, you couldn't shake the feeling of unease that settled in the pit of your stomach.
Josie, your stepmother, chimed in, her voice cheerful. "I'm glad to hear that. I'm sure you'll adjust to being back in no time. Especially with Eleanor's party tonight, you'll be attending that... right?"
"Yes, yes she will." Your mother answered for you. You knew that your mother wanted to reintroduce you back into Manhattan society but you didn't even have time to adjust back into New York time, you were jetlagged.
You didn't want to even think about why you even left in the first place. When you decided to leave, you promised that when you'd come back, you'd leave it in the past. You'd leave him in the past.
Nate. The mere thought of him sent a shiver down your spine, a reminder of the heartache you had endured before leaving for Paris. You had promised yourself that you would never allow him back into your life, that you would move on and leave the past where it belonged.
Lost in your thoughts, you barely noticed as your mother and stepmother continued to discuss the details of the upcoming event, their voices fading into the background as your mind wandered back to memories you had long tried to forget.
──౨ৎ──
"And if they ask you about the business, what do you say?" Your mother quizzed you as she put on lipgloss, looking into the mirror of the hallway of the building that Blair's penthouse resided in.
You tore your gaze away from your own reflection to meet your mother's eyes, a sense of unease creeping into your stomach. "I'll say that things are going well," you replied, your tone carefully neutral. "That we're expanding and looking for new opportunities in Manhattan."
Your mother nodded in approval, her lips curving into a satisfied smile. "Good," she said, her voice tinged with a hint of pride. "Just remember to keep it vague. We're a family, and we need to show the world that we're strong, no matter what."
You forced a smile, though the weight of your mother's words hung heavy in the air. The facade of unity was fragile, and you knew that beneath the surface, tensions simmered, threatening to boil over at any moment.
Your mother finally finished her lip gloss, focusing now solely on you. "Remember, confidence is key. You're representing not just yourself, but our entire family."
"Got it." You answered, the words coming out as more of a reassurance to yourself than to her.
Her words echoed in your mind as you followed her towards Blair's penthouse, the anticipation of Eleanor's party looming ever closer. The elevator dinged and the door opened, revealing the glamorous penthouse of the Waldorf's. Your mother's hand found yours as she squeezed it, reassuring as you two walked back into Manhattan's elite society.
"Priscilla Winfrey! You made it!"
Your mother's head turned to meet Eleanor, a charming smile enveloping her lips as she walked toward her.
"Oh, and is that Y/N?" Eleanor gasped as she studied you, taking every little detail in. "You look absolutely stunning, sweetheart. You're starting to look more and more like your mother every passing day."
"Thank you, Ms. Waldorf," you replied graciously, offering her a polite smile. Despite the compliment, you couldn't shake the sense of unease that gnawed at you.
Eleanor's gaze lingered on you for a moment longer before she turned her attention back to your mother, engaging her in conversation. Left momentarily alone, you scanned the room, taking in the familiar faces that surrounded you.
Your eyes landed on your old friend group, all seated on the couch. A sense of nostalgia hit you as you examined their faces, all the nights you'd spent partying with them playing in your head. Isabell, Kati and Chuck sat as they spoke, talking about God knows what.
You couldn't help but wonder where Blair was, it was her party and she wasn't with her friends. And of course, Nate.
Chuck's eyes finally met yours, a wide smirk on his lips as his eyes fell on your body before back to your eyes. But before you could go up to them, you heard an excited squeal behind you.
"Y/N!"
You recognize that voice anywhere; it was Blair. She enveloped you in a tight hug, her excitement palpable as she pulled back to study your face. "Oh my God, it's been too long." she exclaimed, her eyes sparkling but there was something you couldn't quite place. "You look amazing, as always."
You were nervous, it had been so long since you'd seen your old best friend. Your stomach twisted in guilt as you gave her a tight smile, her hands squeezing yours. "Thank you, Blair. You looked stunning but I'm sure you don't need me to tell you that."
Blair's smile faltered for just a moment before she regained her composure, a flash of something unreadable passing through her eyes. "Thank you, Y/N," she replied, her tone warm but tinged with an undercurrent of tension. "I'm just glad you're here. Like, really here."
You and Blair had been close since you were kids, your families being close since the beginning of time, basically. Your mothers were best friends in school and now, you are too. Before you left Paris, you told Blair and Serena and made sure to give them calls whenever you could. But soon, Serena stopped answering your calls and according to Blair, she just disappeared to a boarding school in Connecticut.
Blair still didn't know the real reason you fled to Paris and that gulit chipped at you everyday, even more now as you saw her lips curve into a rare genuine smile.
"I've missed you, Blair," you replied, your voice tinged with sincerity. "It's good to be back."
"It's good to have you back, Y/N." Blair gave your hand a squeeze before she spoke again. "Excuse me for two seconds, I have to go to the bathroom."
"Of course, Blair," you replied, offering her a reassuring smile as she excused herself.
You let out a sigh before turning your focus back to your mom, who was now in a conversation with a person you weren't sure you knew the name of. You knew you couldn't bother her right now, she was networking.
With a resigned sigh, you resigned yourself to the role of observer, content to blend into the background as your mother worked her magic in the world of Manhattan's elite. It wasn't the first time you had found yourself sidelined in favor of your mother's professional pursuits, and you knew it wouldn't be the last.
You couldn't blame her, though. After the divorce, her career had become more than just a family business—it had become her lifeline, it was the only thing she still had.
You remembered the days that followed your parents' separation, the way your mother had thrown herself into her work with a fervor bordering on obsession. It had been her way of coping, her way of escaping the pain and heartache that had threatened to consume her. You didn't blame her, her high school sweetheart had left her for a woman almost half her age, closer in age with her daughter than her.
You found the drinks table quickly, grabbing a glass of champagne and taking a sip of it. As you lifted the glass to your lips, the cool and crisp taste of the champagne washed over your tongue, distracting you from the emotions swirling within you. With a sigh of contentment, you leaned against the table, letting the hum of conversation and laughter wash over you.
As you scanned the room, your eyes fell on a familiar brunette. Your heart skipped a beat as you realized who it was; the person you'd been wanting to escape since you left for Paris. His bright blue eyes met yours and you felt a rush of conflicting emotions flood through you. It was Nate, your once-close friend, the one person who had been a constant presence in your life before everything changed.
His gaze held surprise as he caught sight of you across the room, and for a moment, you found yourself unable to tear your eyes away from him. You were frozen, unable to move as he approached you.
You couldn't escape him now.
Nate's lips curved into a smile as he took you in, with all your glory. "Y/N, you're back. It's, uh... good to see you."
"Yeah, you too." You responded, giving him a short answer.
Nate's smile faltered slightly at your response, a flicker of disappointment flashing across his features before he quickly masked it. "So, uh... how have you been?" he asked, his tone cautious as though treading on uncertain ground.
"I've been good. And you?"
"Me too. I'm happy you're back." He looked down at the glass of champagne as he let out a chuckle. "I'm glad you still have that taste of champagne, some things just never change."
You couldn't help but smile at Nate's attempt to lighten the mood, the tension between you easing ever so slightly. "Yeah, some things never change," you agreed, a hint of warmth creeping into your voice.
"Nate!" Blair's voice echoed as she came up to the two of you, grabbing his arm. "You don't mind if I steal him for a second, Y/N."
You and Nate exchanged looks before you tore your eyes from him and back to Blair, a forced smile playing on your lips. "Of course not, he's all yours." In more ways than one, you thought to yourself as the two walked away, leaving you alone once again.
Before you could relish in being alone again, your mother's voice rang behind you. "Y/N! Blair! Look who's back."
You turned to meet the blonde you'd once called your best friend. Serena. Her gaze held excitement as she found yours, you began walking toward and engulfing her in a big embrace.
You didn't know why she left for Connecticut but you knew she would tell you and Blair eventually. You, Serena and Blair had always been close and tight-knit, no matter the circumstances.
Serena pulled out of the hug and put her hands on your shoulders as she studied your face, a grin on her face. "You're glowing, Y/N."
"Says you. How did you get even more blonde since I've seen you?" You teased as she let out a laugh.
Serena's laughter echoed through the hallway, a sound that filled you with a sense of warmth and familiarity. Despite the time that had passed since you had last seen each other, it felt as though no time had passed at all.
"I've been spending way too much time in the sun," Serena admitted with a playful grin, her blue eyes sparkling. "But enough about me, tell me everything. How was Paris? Did you meet any cute French boys?"
You chuckled at Serena's teasing. "Paris was amazing," you replied, a smile tugging at the corners of your lips as you recalled your time. "And as for French boys, well, let's just say they definitely live up to the hype."
Serena laughed, nudging you playfully with her elbow. "I knew it!"
"Serena?"
You both turned to face Blair, a unreadable expression on her face before she quickly masked it with excitement. She pulled her into a tight hug but you could feel the tension, what the hell did you miss when you were Paris?
"So good to see you, how are you?" Blair pulled out of the hug as she looked in between you.
"Oh, look! The girls are back together, my heart is gonna burst." Eleanor gasped as she observed the scene in front of her, oblivious to the tension in the room. "Are you staying for dinner, I'll set a place next to Y/N and Blair!"
"Yeah, um, there's somewhere I have to go." Serena looked in between you, a guilty expression on her face.
"You're leaving?" Blair's voice sounded hurt as she looked back at Serena.
"Yeah... I don't feel well, I-I just wanted to come and say hi. I'll see you guys at school tomorrow." Serena responded as she slowly began to back up, before she turned away.
Blair's expression dropped immediately back to a bitter expression, looking back to you. "At least you're staying. Who needs Serena anyway?" She whispered the last part as she turned away and began walking away.
You began following behind her, "What did I miss?"
"What do you mean?"
You caught up to Blair and you two began walking toward the couch. "I mean... with you and S?"
"Serena." She corrected. "And nothing except all you know. She left without saying a word, to none of us." Blair sounded bitter but you knew deep down, she was just hurt.
"Well, maybe something happened."
"With what?" Chuck joined the conversation as Blair glared at him. You could feel Chuck's gaze on your dress as he smirked.
"Mind your business, Chuck." Blair spoke as she rolled her eyes.
You caught Chuck's gaze, his smirk igniting a spark of annoyance within you. "Chuck, it's not polite to stare," you retorted, your tone sharp as you shot him a pointed look. Some things never do change, you thought.
Chuck's smirk widened at your words, a glint of amusement dancing in his eyes. "Forgive me, I couldn't help but admire the view," he replied smoothly, his voice dripping with sarcasm. "You did some growing up in Paris, I could tell." His eyes were focused on your dress as you scoffed.
"Paris does wonders for a person," you replied dryly, refusing to give him the satisfaction of seeing you flustered.
──౨ৎ──
"I'm pregnant! Surprise, Y/N!" Josie shouted as your father pulled her in closer, your jaw slowly falling. She's... what? Your fork clattered against the plate, the sound echoing in the tense silence that followed Josie's announcement. Pregnant? The word echoed in your mind, disbelief and shock washing over you in waves.
Your head was pounding, you got home around 12:30 last night because the party lasted a little longer than expected. You were just trying to enjoy your breakfast before school, but then they drop this bombshell on you.
"Wh-what?" You finally managed to stammer out, your eyes wide with disbelief as you looked at Josie. "How does, uh, Charlene feel about it?"
Charlene was Josie's daughter from her previous relationship, she was about two years younger than you and... well, you couldn't stand her.
"You can ask her yourself!" Josie's gaze moved behind you and you turned to face Charlene. Speak of the devil.
Charlene's lips curved into a smile, though there was a flicker of something else in her eyes. "Super excited. I mean, I can't wait to be an older sister."
There was awkward silence before you got up from the dining table, clearing your throat. "Well... I have to get ready for school. This was really nice."
You got up and began walking up the stairs, ignoring their stares. You wanted to stay with your mom but she was staying at The Palace and your father insisted you stayed with them and his shiny new family.
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ssahotchnerr · 2 years
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Everyone on the team receives an anonymous hand made Valentine’s card, except for Hotch. He tries not to show his disappointment and quickly walks away into his office while the team try to guess who has made then. Later in the day, when the others have gone home, reader knocks at Hotch’s office door, saying something like that they wanted to give him his card personally because it’s even more special than the ones for the team. And it’s an invitation to dinner.
something good
happy valentine's day pt 2! 🥰 cw; a touch of angst, alcohol mention, fluff!!!!
aaron should've known.
he was viewed as the boss, and that was that. merely a position of authority; not necessarily a colleague, and not necessarily a friend.
and it's always been that way. groups quieted upon his approach, eye contact was scarce amidst conversations- as if meeting his gaze would give him reason to absolutely rip them to shreds. by now, enduring so for years, he'd gotten used to it. he had to. so why should he expect to be treated any differently?
however, he refused to lie to himself, he'd give himself that. he didn't try to fight the stinging sensation in his chest, which had been present all day. it hurt, hearing and seeing the team gushing over valentines that had been placed anonymously on their desks that morning. trying to use their profiling skills to determine who had done such; penelope nearly stirred up a frenzy, morgan's laugh had rang loudly through the bullpen, everyone had compared the kind messages left for them.
meanwhile, aaron's desk had been empty. and he simply observed the joyful scene from the safety of his office.
whoever was responsible- the thought would've been nice, at least.
valentine's day was just like any normal day, if it weren't for the cards strategically placed amongst the desks, aaron probably wouldn't have even recalled the holiday to begin with.
that, however, was the lie. he knew what day it was. february fourteenth had been special, years ago. but now, it instead brought an impending sense of dread, one that was impossible to ignore; the reminder of yet another day spent alone. his night, when he finally made it home, would more likely than not consist of a glass of whisky and maybe a few episodes of law and order before crashing.
"hotch? you have a second?"
your voice caused him to lift his head, pulling him from his sea of thoughts. "yes?"
"i- um. wanted to give you this."
aaron's eyes perked up instantly, and a touch of embarrassment quickly swept through him. he felt childish almost, at his eagerness; the want to be included.
"i'm sure you noticed, the valentines." with the pink slip in your hand, you used to to reference the bullpen. "penelope wasn't very subtle about it."
"i did." aaron commented, hoping the blush present in his cheeks wasn't too visible. one of his eyebrows quirked up in question. "and they were from you?"
you bit down on your bottom lip, but the action didn't quite stop your smile. "guilty."
"well, that was very thoughtful of you. it lifted everyone's spirits, that's for sure."
"yeah i thought... i don't know. every day we come in to heaps of files on our desk, and aren't exactly doing jumping jacks at the sight of them. so i thought it'd be nice to have something different, for once. something good."
aaron's lips almost pulled into a smile, recalling the earlier antics and his next inquiry caused your cheeks to flush. "and you sent yourself one?"
"hey, self love." you were quick to quip back, laughing softly but with a shake of your head. "i was trying to be discrete. if i were the only one to not receive a card, that'd be awfully suspicious and defeat the whole purpose, don't you think?"
'if i were the only one', aaron's chest warmed. you hadn't forgotten him, there had been one with his name on it all along.
"but..." you adjusted your weight from one foot to the other, suddenly exhibiting nervousness. aaron recognized your small movement, knowing it as one of your tells. that, and your habit of chewing the inside of your cheek. "yours, i wanted to hand deliver."
aaron couldn't hide the surprise in his voice. "you did?"
"it's special. like you." you rushed out in a breath, and if aaron's blush hadn't been present before- it definitely was now. you handed the valentine to him rather quickly, before you could chicken out. "and i wanted you to know it was from me."
silence fell over aaron, feeling absolutely touched. he didn't know what to say.
"happy valentine's day." you gave him another smile, still leaving him speechless, and heading out of his office.
before you had fully exited the room, aaron opened the valentine. his eyes skimmed over your loopy handwriting- and the feeling in his chest intensified. the contents included you thanking him, for looking out for you and the team as a whole. you had emphasized how safe he made you feel, and how you felt extremely lucky to have someone like him protecting you in midst of the horrors you saw daily. he gave you a comfort you never thought possible, and you couldn't picture receiving so from anyone else. the ending however, made his heart skip a beat.
and whenever you're free- dinner? you and me?
he's always been drawn to you, in more ways than another, but he had never acted upon them. he couldn't quite figure out how to approach you like that, and he regretted every chance he didn't take. but now, you've given him the perfect opportunity.
aaron, paperwork completely forgotten and disregarded, didn't hesitate to go after you. "wait!"
you met his gaze as he exited his office- you had just begun collecting your things to head home. everyone else had already gone.
"yes?" a smile tugged at your lips, heart fluttering.
"i'm free right now. if... you are?"
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Hello I am going on a holiday to Eryri next month & I like to read up about an area before going there... do u have any reading or documentary or podcast recs? I'm particularly interested in the ecology & minority language activism & like. Peoples history & rural lives! I know this is stuff u know about in Wales but idk if north Wales is ur region! Míle buiochas ón Eireann!
Fáilte go dtí an Bhreatain Bheag! Or croeso i Gymru. Exciting! Keep an eye on the notes for others chiming in with good recs for documentaries and the like, I'm going to just give a super quick guide
Okay, pronunciation guide for place names and that is here in written form and here in video form. I cannot recommend strongly enough that you try to use the Welsh place names rather than the English translations. Duolingo is flawed but serviceable if you want to hear and learn some basic phrases. If you can at least throw out a 'bore da' to people you pass/shopkeepers, you'll be very well liked. You don't need to be fluent by any means, but Making An Effort is seen as, like, the nicest and politest and most wonderful thing in Wales, and particularly in regions like Eryri.
Because! It's one of the biggest remaining Welsh language strongholds. If you look at language maps over time in Wales, a pattern emerges:
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And the current (2021) figures show this:
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And you are going to this bit:
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So you're heading into the Welshest bit in all of Wales! And the bit with the strongest and longest history of Welsh, too.
Which also means there's a lot of activism-related stuff in that area. It's probably worth you reading up on the history of Tryweryn (which was a bit further east, but sets the scene well); there was also a BIG thing a couple of decades ago where activists would burn down English-owned holiday homes (while they were empty in winter, not, like, with the English in them). This is because, in addition to the usual issues with the social impacts of holiday homes (driving up prices meaning locals can't live there, eroding communities, etc), holiday homes in Welsh language heartlands are a significant and tangible threat to the language. Even today, the issue of holiday homes is an extremely touchy subject, as is the issue of (mostly-English) people moving into the area because "It's so pretty!!!" and then not learning the language.
(Yet another reason they will love you if you Make An Effort)
Historically speaking, you'll be in a chunk of the country that was the ancestral seat of the last kings of Wales (Gwynedd). The final one, Llywelyn ein Llyw Olaf, was ambushed and murdered in 1282, which was the beginning of the end for fighting off English rule. In fact, Owain Glyndŵr later crowned himself king of Wales for about two years, but weirdly, no one acknowledges this as real kingship for some reason - if you google his name, he's always listed as a soldier or military commander, which really opens up a whole "Who gets to say when someone is royalty" debate, but he did actually claim descent from the House of Aberffraw anyway, so ultimately it still links back to Llywelyn.
Ecology! Temperate alpine. There actually isn't a global scientific distinction between hill and mountain, but most countries set an arbitrary height standard. This means it varies from country to country depending on how tall their topology is. Wales, however, bucks this trend, and instead decides based on what is formally referred to as 'land use' and colloquially referred to as 'Vibes'. If it's a hill, it's tamed - if it's a mountain, it's wild. This means Eryri is fairly short by the standards of tedious foreigners who regard mountains as a sort of geological dick waving competition, but it's in fact a whole mountain range; it's also older than Saturn's rings. And, crucially, it's very much sufficiently above sea level to have an alpine ecosystem.
There are three endemic (i.e. not occurring anywhere else in the world) species in Eryri, to whit:
The Snowdon lily. A small and delicate flower growing in protected and inaccessible spots on yr Wyddfa (formally known as Snowdon). Excessively vulnerable to trampling, so the national park keeps sections where it grows fenced off.
The Snowdon beetle. RAINBOW BEETLE.
The gwyniad. A sub-species of whitefish until recently exclusively found in Llyn Tegid (Bala Lake), trapped there after the ice age and now developing its own genetic profile distinct from other whitefish. Some dickhead in the 80s introduced the ruffe to the lake for fishing, and the ruffe eats the gwyniad's eggs, so they've now transplanted eggs to Llyn Arenig Fawr nearby as a conservation measure.
There's also feral goats. And Welsh mountain ponies. Ooh, and, red kites - in the UK red kites were so heavily persecuted they eventually fell to just 7 breeding pairs in Wales. We established a protected zone and hired Nepalese Gurkhas to guard the nests and thus saved it from extirpation so successfully they later translocated Welsh birds to other spots in the UK. It's a big conservation success story, and now red kites are considered to be the national bird of Wales. They have a very distinctive silhouette, too, look for the forked tail.
Oh, and, we have a unique habitat type called ffridd, which you see a lot of in Eryri.
Final wildlife pictures to close:
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Anyway - have a great time! Enjoy muchly.
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astradyke · 1 month
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Just saw someone call DNP a QPR and at this point it’s like…are you even fucking real? are you homophobic? You’ve got to be homophobic to be saying shit like that
yeah like... i have a lot of thoughts on this but i struggle to articulate them so stick with me here. i'm going to start a lot of (unedited) trains of thought and then switch direction and i would love input here.
i have never been in an official QPR myself so i lack that direct experience, but i have individually explored QPRs/alternate forms of relationships outside systemic amatonormativity in my own life. i have also been in other spaces (which i won't detail here) where a lot of people would misunderstand QPRs-- seeing them as like, romance lite, not an entirely distinctive kind of relationship. like if you didn't want to call something romantic, you could just call it queerplatonic and that was safer, because that's less invasive, right? ...more on that later.
i think it's this 'romance lite' idea that drives people to assume DnP are in a QPR. as people have started to become aware of what QPRs are, a lot of misinformation spreads that QPRs are just like... romantic relationship except no sex? friendship except yes sex? a lot of framing QPRs as being some "More" iteration of an amatonormative type of relationship-- and thus, relevantly here, safer for people to 'assume' people are in.
it's my own personal assumption that some people take a perceived lack of a hard launch as a reason to assume DnP are in a QPR (note: i am aware that it's untrue that DnP have never hard launched, because they have three times; i use perceived here because people have differing thoughts on what a hard launch is for a myriad of reasons). this is because 'QPRs can be anything', so based on whatever fragments of information they perceive to have about DnP, they can just slap it together and call it a QPR. and the assumed range of behaviors that implies is not inherently inaccurate! two people could kiss on the mouth in front of you and they could be in a QPR. the world is beautiful like that!
but what assuming DnP are in a QPR does is it disregards what we actually see and hear out of DnP, and relies on a shit ton of assumptions. i need to preface before i continue here that i do NOT know Dan or Phil, and it is ENTIRELY possible that my judgments here are inaccurate, but i am working directly off of the information we have been provided. Dan and Phil have only ever indicated they are alloromantic and allosexual. people who are in QPRs can be allo, but if two people who are allo have said they had a past long-term relationship, have mentioned past romantic relationships with other people, have indicated separately that they are still in that long-term relationship, frequently reference the idea of having sex with each other, have intentionally or not put forward videos in which 'i love you' has been contextualized alongside typical romantic actions, and-- separate from each other-- seem to have a default allo understanding of other relationships, and more, it's... really hard for me to believe they're in anything other than a romantic relationship.
it's the idea that people need DnP to explicitly say that they are in a romantic relationship, no nuance, right now. which they don't have to do! it's also the idea that because Dan has referred to his relationship with Phil as being this incredible unique thing, "more than romantic", that must mean that it's not a romantic relationship. but more than romantic still means romantic, because a romantic relationship can fulfill you in many areas of your life, just like a QPR can for the right people! we have no evidence indicating that Dan and Phil are the 'right people' for a QPR! so it reads like just... outright denying the information they have shared with us about their relationship. and that reads like trying to be 'respectful' of DnP's boundaries by assuming that QPRs are a 'less invasive' assumption, which is... firstly, not true-- you can be invasive about assuming a friendship for fucks sake, it doesn't matter the kind of relationship but how you do it-- and seems to again somehow imply that QPRs are more intense but less important than romantic relationships? or something? simultaneous glamorization of QPRs and also disregarding them as anything that holds emotional weight? treating it like a proverbial unicorn? i don't know.
i'm like... overwhelmingly sympathetic, but incredibly exhausted, by this. because like: historically, in the past, i did think for a second that they might have been in a QPR! which was projection on my part mostly (trying to navigate QPR feelings at the time, being immersed in a lot of discourse about QPRs, etc.) but i dropped that near immediately because there's just No Evidence and it kind of makes me feel like people just don't know what QPRs are. it makes me feel like people are too scared to claim that they're in a romantic relationship, entangled in the past anxieties of being a 'demon phannie' etc., and so they go for what's next best: a QPR. but a QPR is not a stand in for a romantic relationship-- that would look differently! that would operate differently! and QPRs are not just a thing you fall into, it's not something you trip into, it's an agreement between two or more people. Dan and Phil would have to deliberately agree to be in a queerplatonic relationship and there is just no evidence backing that that's something they are interested in doing, or honestly, even aware of.
(i have no idea where to insert this, so side note that another possible reason why people think BIG was alluding to a QPR-- which i admit was part of my own issue at the time-- is because, as i mentioned earlier, Dan had referred to his relationship with Phil as being this unique force in his life, something he hadn't experienced. but my own interpretation-- and i believe the intent-- is not that the relationship with Phil is different in absolute nature to other relationships, but rather that the relationship is different due to its longevity, emotional security, etc. the relationship isn't 'More' than his past relationships because it's not a romantic relationship, but because it's with someone who he could experience true love with-- which, when you have been in past relationships without experiencing true love, having that experience may feel entirely fundamentally different).
again, i am sympathetic because QPRs are relatively untalked about and are given a lot of shit, and i've seen them be given a lot of shit by other queer people and that obviously really fucking upsets me. but like... the information DnP have shared with us readily point to a romantic relationship as the most obvious, direct conclusion, with the least amount of assumptions necessary. it's really nothing more than that. and i think it's either projection from people who are considering how queerplatonic attraction fits into their own lives (which i doubt as being the number one reason), or what is more likely, anxiety about being 'invasive', that is causing people to do this. which i do fear is kind of hand in hand with a subtle homophobia that leads people to deny relationships between queer people unless the couple is like, having sex in front of them and getting married. and even then, people can still deny it. because relationships are complicated but you have to use context. and i'm really exhausted of QPRs being used as an excuse to not accept a romantic relationship, instead of actually viewing QPRs as a beautiful kind of relationship some queer people have that is equal in value to a romantic or platonic relationship.
sorry to write an essay in response to this but i hope this like, roughly expresses my thoughts on the subject? again despite my best attempts at the time, i've not been in a QPR myself, and now do not think QPRs are best fit for me. so i lack that experience and i would love to hear more from folks if this misses the mark. but i have touched on this in the past and i wanted to provide a more thorough reasoning behind why i personally am dismissive of QPR theories*, at risk of people thinking that it's an objection to the idea of QPRs overall. i hope this is more of an informational meta than a direct discourse, since i don't know who is considering them a QPR at this point and i don't want this to read as a vague at all. if anyone who does see them as a QPR wants to chime in, i am happy to hear your perspective. okay much love <3
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scriptlgbt · 2 months
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I have a deaf trans character who went completely deaf in his teens. He is on T. Is it normal for him to be very conflicted on how he sounds to people? Would he be scared, especially when he starts passing more because the voice in his head will always be his old voice? Would he try to ask people to describe exactly how his voice sounds? Is it okay if he really wants a 'cure' due to this and never cared before he came out? Doesn't actually get the cure though.
I'm hard of hearing so my qualifications for answering this are limited. I can hear my own voice. This is my frame of reference here. I hope that deaf trans people can chime in.
When my voice dropped, I could physically feel the change when I talked. I would go to say something in the way I normally would, but it would feel more strained, or I would feel my voice break. (Hard to explain this feeling... It's like a pressure just gives way and I can feel my voice go softer? I don't know.)
I think in general, it's normal to feel self-conscious when your voice is changing. People who have known you with a higher voice seeing you for the first time in a year might be surprised and comment on your voice. Mine changed over a really short timespan so I had more people notice the change and comment on it and usually people expressed they were a big fan. I had platonic friends say it was hot, even. And I think, at least in my own trans community, there's a lot of celebration when people go through milestone changes.
The voice in my head has never been of any particular range or pitch. Sometimes there's an intonation to it, and if I focus, I can imagine a sound so clearly it nearly becomes hallucination. But my normal inner voice is more of just general language, maybe even closer to text than sound. This is another one of those things that varies with everyone.
I think that the story you're describing with your questions strikes me as an unusual level of hyperfixation on this. There are definitely people who do fixate on one specific dysphoric trigger, usually either isolated from trans community or whose only trans community are people obsessed with "passing" and coming across as cis enough. This usually speaks to an unhealthy community surroundings and a very big sense of danger in some way, whether founded in reality or not.
But I also don't see why this character wouldn't want to de-prioritize voicing if he has these concerns to this extreme of a degree. We (or me anyway) live in a society which is oralist. Everyone is assumed to communicate via oral language, and this is audist (part of the oppression against deaf and hard of hearing people). This is going to depend extremely on individual access, but, if this character has access to resources to learn the local sign language, this seems like a normal option. It's only really helpful if you know other people to sign with, but that usually comes more easily once you take the step to start learning in the first place. Some d/hh people also use other means of communicating, like typing.
There are some people I know who sometimes go nonspeaking and who carry a notepad for that reason, and will use this to interface with clerks or friends or whoever else they need to. There's also AAC in general.
None of this is to say that these things don't mean facing oppression, harassment, misunderstandings and assumptions from strangers. But I do know that some of the folks I know who use nonspeaking methods of communication are sometimes gendered differently by strangers who do not hear their voice. If this is truly that severe of an anxiety, this is probably the route the character would go.
But I don't think this level of hyperfixation on this is necessarily normal. I think wishing for a cure gets into some really big existentialism, like, what if this extremely core part of me were entirely different? It also assumes that deafness is necessarily a disease that requires cure, rather than something that just happens sometimes, which might or might not be related to some pathology or pathological origin.
I'm sorry to keep bugging them with my tags, but I rec reading work by @cripplecharacters.
But overall I'd just avoid writing this if you haven't experienced it. It's a really specific kind of experience and anxiety. I don't know your identities or anything, but if you are cis and hearing, I would probably just come across this and see it as weird and almost like... making these identities into an unnecessarily traumatizing spectacle. These can be things real people experience that can be represented, but they aren't for every writer to write. Not until people from those experiences write on them and get adequate success from that.
-mod nat
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jasmineoolongtea · 3 months
Text
coffee jelly and parfait ― chapter 1: caramel pudding
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pairing: bodyguard!toji x baker!reader (f), toji is 38, reader is 22
summary: after working towards and succeding in accomplishing your lifelong dream working for one of the most famous bakeries in tokyo, you decide to go out for a night of celebratory drinking. however, the next morning, you wake up and find out that you're now married to a total stranger and an older one at that! but, turns out, this accidental marriage of yours might be more useful than you think.
contents: a sesame salt and pudding!au, age gap relationship (16 years - everyone is completely legal here!!!), marriage of convenience/accidental marriage, fluff, angst, slice of life, nicknames (toji is referred to as ossan by reader which is an informal way of referring to a middle-aged man in Japanese and this is taken directly from the manga inspo behind this)
warnings: drinking/alcohol, smoking (from toji)
word count: 3.9k words (much beefer than i was expecting ngl)
extras:
⤷ mood board/pinterest board
a/n: ahhh i'm so excited to finally be able to work on this series since it's been workshopping in the back of my mind for a while shdhahwj hope you guys enjoy this and hope you have an amazing day/night !!! sorry that this chapter is so exposition-heavy rip djasd, i promise later chapters will get better. as always, any likes, comments and reblogs are always appreciated <333
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It's normal for weird things to happen after a night of heavy drinking, right?
You've heard all sorts of stories from your friends and family about the strange antics drunk people get up to once they get a certain amount of liquor running through their veins. It can range from small silly things like trying out a new skill in public due to a sudden burst of newfound confidence to more extreme ones like running away from an angry mob of people that you've accidentally incited somehow. Despite the difference in their severity, the common thread here remains: all are mostly harmless things and nothing that is possibly life-changing.
Much to your dismay, however, you seem to be the outlier in all those cases. Actually, it appears to be that you've managed to outdo almost everyone this time as this one definitely has to take the cake right here or whatever award they give out for things like this.
This morning, as you wake up and open your bedroom door, you suddenly find yourself face to face with a complete stranger, who very much appears to be an older guy, standing right outside in your apartment.
And to top off this already weird trajectory of events, as if things could not possibly get even stranger, it also turns out that you've apparently married said stranger last night.
...What!?!
-
To say that your memory of last night is hazy would be a massive understatement in all senses of the word. But what you do remember clearly is the reason why you went drinking in the first place, which was to congratulate yourself for finally achieving your lifelong dream up to this point.
After years of blood, sweat and tears spent at the Tsuji Culinary School where you fought with tooth, fist and nails against hundreds of other culinary hopefuls to win the highly coveted and only place available for the exchange programme to Le Cordon Bleu institute in France, your suffering was not all for nought as on your glorious return back to Japan, you've managed to land your dream job of working at one of Tokyo's most famous bakeries, Pierre Hermé.
If that was not a perfect reason to celebrate and drink the night away completely carefree then you don't know what was.
However, there was one tiny little snag in your plans for a joyous night out. The moment that you returned home to give your roommate the good news, still trying to come down from the high of hearing the good news, it seemed that she apparently also had a similar genius idea of her own and decided to inform you that she was leaving you to search for somewhere else to live closer to her job.
For most people, that wouldn't be a problem as they could just be able to leisurely search for a new roommate at their own pace. But for you, this was not the case as you were facing a different set of circumstances. For you, your move to Tokyo was entirely conditional on the fact that would stay with someone and this was explicitly set and outlined by your dad. Now roommate-less, you suddenly had a ticking expiry date placed on all your ambitions that you had barely scratched the surface of by this point.
This was probably the worst case of whiplash you've ever had, going from an extreme high to an extreme low all in the span of less than 10 minutes. Unfortunately, it seemed that the odds were very much not in your favour. But how could you let that waver your resolve? If you had learned anything from your years of existing is that you weren't going to give up and relent that easily.
So, in actuality, it was somewhat a lie that you were only out drinking for one reason. In reality, it was for two reasons; one, to congratulate yourself on achieving your dreams and two, to try and forget your newfound problem through the power of alcohol. And this was how you found yourself complaining to a bunch of strangers at a local izakaya, surrounded by several empty pints of beer.
A loud drunken sob echoes through the small confines of the bar which is accompanied by the thud of an empty glass cup slamming against the wooden countertop of the bar.
"It isn't fair at all! Do you know how hard I've worked to get here? I've basically given up everything for this and now it's going to all disappear?" You bemoan out loud to whoever's around you, signalling to the barkeep to fill up another pint for you as you're clearly intent on accomplishing your plan of drinking away your problems.
There's a lady and her boyfriend, whose face you can't really remember or recall in any particular detail, sitting next to you on your right trying to comfort you with sympathetic coos and awkward back pats. While they're trying their best to comfort you, or as best as drunk people can, their efforts are seemingly in vain as you can only sigh in defeat at your current predicament.
Taking another swig of the freshly poured pint, you continue on your rant. "And you know, my dad is only letting me stay in Tokyo if I either have a roommate or if I'm married even if I'm happy here as is!"
The lady nods in an empathetic manner as if to say she's gone through the same thing as well, commenting, "My dad's the same way as well, he's kinda old-fashioned when it comes to stuff like this and it's awful."
"If only alcohol could cure problems like this," You muse. "My roommate and I used to come here all the time and everyone we met here is always so nice."
At your praise of the other bar patrons, there's a murmur of agreement and cheers from all around. The frothy foam of your drink has bubbled down by now but as you stare into the half-drunk glass, you're suddenly hit with an outrageous idea. "Hey, what if I get married to one of you guys tonight, right here right now?"
Boisterous laughter immediately erupts at your words. One dishevelled salary man from the other side of the bar jokingly remarks, "If you do that, you won't even be wanted back home!"
However, once the laughter dies down there's a genuine pause from everyone, including yourself, as if you all were genuinely considering carrying out this ridiculous and definitely impractical idea. Following the brief silence, the other patrons turn to their neighbours and begin to talk and discuss amongst themselves, their heads swivelling left and right in what seems to be an attempt to size up and judge the men at the bar as potential candidates.
"I'm already married to a wife I love dearly so I'm going to have to turn down that offer." Announces a middle-aged man from opposite you, with other similar comments and statements soon chiming in to eliminate themselves from the running based on a variety of different reasons.
Before the lady's boyfriend can even open his mouth to volunteer himself, she sends a withering look and an accusatory finger his way as she warns him, "Don't even think about it." At her stern warning, he quickly sinks back down into his seat.
An elderly man sighs wistfully to himself. "Ha, maybe if I was 20 years younger..." He then turns to his side, nudging the guy next to him with his elbow to get his attention before asking him. "Hey, what about you?"
You can't really see the other man's face since he's pretty much on the other side of the long table and your vision might have been slightly hazy on account of all the alcohol flowing through your system at this point, though you hear his gruff voice ring out as he shrugs his built shoulders and responds, "Me? 'M single I guess."
From all the other voices you've heard tonight, you don't recognise his, guessing that he might have been relatively silent throughout most of the conversation. Although you can't see much of him, you notice even sitting down, he's about two heads taller than those around him and his broad shoulders and well-built physique are accentuated by the tight-fitting black shirt he's wearing. God, it looks like he's basically vacuumed and sealed into that thing as the fabric shifts with every flex of his muscles.
Maybe it's the dim lighting of the izakaya but you're sure you catch a brilliant flash of green from across the table looking you up and down with vague curiosity and interest. You think to yourself, he doesn't look half bad.
Suddenly filled with a renewed sense of energy, or rather you're getting to the point on your drunkness scale where you feel comfortable enough to throw logic out of the window, you leap up from your seat and point at the man as you shout at the top of your lungs,
"Alright, you in the black shirt! Let's get married!"
After hearing your declaration, the lady starts to furiously flip the magazine in front of her until it lands on a certain page before picking it up and showing it to the others. "Hey, look! This magazine I bought has a marriage registration form at the back."
"What an amazing coincidence." Someone mutters from beside you with a few other voices soon relaying their own hums of agreement.
"We can all be witnesses! Come on and sign it!"
Chants of "Sign it." start to fill up the bar as the other patrons begin to cheer you two on like a crowd at a live stadium sports match from the sidelines of their seats. The moment your pen clatters against the floor, the crowd bursts out into celebratory shouts and cheers, with that being the extent of your memories of last night with whatever after it fading into black.
-
Now back in the present, you feel your face start to burn with a renewed sense of embarrassment as memories and small recollections of last night start to flood your mind. Any chance of even possibly denying the events of last night goes out the window as turns out, your drunk self decided that it was the perfect opportunity to apparently take a commemorative photo of the event with the marriage license at the dead of centre of it, your names unmistakably written on there in bold.
As you examine the form, still slightly gobsmacked, you spot his name next to yours. Fushiguro Toji, huh? You think quietly to yourself, his name sounds kind of nice. But before you can find yourself getting lost in thought, a husky voice snaps you back into reality.
"Now, do'ya remember?" The man, or Toji as that's what appears to be his name, quirks an inquisitive eyebrow at you.
"Yeah, but that doesn't explain how you ended up in my apartment." Eyeing him up and down, you pause for a second as you take in your equally dishevelled appearances, something suddenly clicking in your head as your overactive mind begins to draw its own conclusions about what happened after the events of the izakaya. "Oh no. Di-did we..?" You gesture frantically at the two of you, hoping that he understands what you're implying with your question.
Toji shakes his head, a slightly irritated or perhaps even amused sigh leaving his lips, you're not sure. "No. Yer insisted that you should take me home since I mentioned that I didn't really have a place to stay for the night."
A sigh of relief escapes you.
You take this time to now fully examine him since you didn't get much of a chance last night, or rather you had forgotten all about it. There's an unquestionably intimidating aura about him with his shaggy black hair, incredibly muscular physique and piercing emerald green eyes that look like they could kill a man where he stood with a single stare. His all-black clothing and what appears to be a vertical scar situated on the right corner of his lips do him no favours to make him look less like a gangster straight out of an action movie.
Although there aren't the typical tell-tale signs of ageing on him like obvious wrinkles or a head of grey hairs, there's a faint imprint of more permanent creases starting to form in the middle of his brows and if you look closely enough, you might even notice some small sprinkles of white starting to pop up amidst the rest of his raven locks. This all points to the fact that he's definitely older than you but you're unsure by how much from your initial assessment of him, probably at least ten years older than give or take.
Though, besides this outright menacing factor to him, you can't help but admit that he's also strikingly handsome in a rugged way. You realise that you might have been caught staring at him for too long when he clears his throat and gives you a pointed glance with those sharp green eyes. Just having his gaze on you is enough to send a tingling sensation down your spine.
Deciding to brush it off, he huffs to himself as he leans his weight against the white walls of your apartment. "It's probably too late to cancel it since we already signed and submitted it last night so the only option we have now is to divorce."
He fishes around in the pockets of his pants and produces an already half-empty and slightly crumpled cigarette box. Before taking one out, he turns towards you and silently asks for your permission with a tilt of his head. You nod at him, expecting him to crank open one of your windows to smoke but instead, he walks towards your kitchen and turns on your kitchen hood. Curiously, you follow behind him and see him use a dingy lighter to light up the cigarette, the pale glow of the flame illuminating the harsh lines of his features, as he takes a deep puff of it before blowing the smoke up the hood.
So he's a kitchen smoker, huh? Obviously, you want to know how he's developed this peculiar habit but you decide to bite your tongue for now as there are more pressing issues on hand such as the undeniable elephant in the room.
There's a brief moment of silence before Toji starts speaking again. "Y'know, I kinda feel bad for last night 'cause you're going to be a divorcee so young."
"Hey! I'm not that young you know, Ossan!" You protest in return, crossing your arms over your chest in a slightly childish display of annoyance. That earns you what sounds like a breathy laugh from him as one corner of his lips tilts upwards in a somewhat crooked manner.
"Oh yeah? Then how old are ya?" There's a teasing lilt to his voice, almost as if he's slightly amused by your antics.
You huff. "22. What about you?"
"You really can't remember much from last night huh? I'm 38." If he's 38 then that means there's a 16-year age difference between you two. Not the worst-case scenario that could happen when it comes to marrying a complete stranger by accident, you think to yourself.
It seems that your apparent lack of reaction, only giving out a half-hearted hmm, to finding out his age is surprising to him. If he was going to be honest, he wasn't ruling out that you might have started bolting out of your apartment at the mention of it and in that case, he wouldn't blame you.
You state, "Besides, you're not the only one to blame here. It's on me as well since we both signed it. So don't feel bad. We'll get it taken care of as soon as possible." You send a reassuring smile his way, waving off his concerns with an easy-going wave of your wrist. For some reason, he feels like he might even believe your assurance for a second.
Much to your public embarrassment your stomach starts to grumble loudly with what some might say is impeccable comedic timing. "Or well, as soon as I get some food." You comment bashfully, your previously carefree attitude fading away relatively quickly as a new priority has emerged.
As you make the move towards your fridge, you look over at him from your shoulder as you ask, "Oh right. Do you want something as well? I don't really cook meals that often so all I have in my kitchen is basically just baking ingredients."
Toji does a quick look around the kitchen, examining the clear state of mess and disarray that it's in and scoffs offhandedly to himself. "Didn't realise you could call this mess a kitchen."
"In my defence, my roommate used to do all the cooking and cleaning whilst I mainly covered the bills." You point back at him, a wooden spoon in hand as you wave at him warningly.
"What happened to them then?"
"Oh, you know, suddenly deciding to move closer to work even though your roommate has already paid the lease for the year for two people and stuff like that." There's an edge of annoyance to your tone, clearly, you're still annoyed at your roommate for putting you in this predicament, but Toji decides not to comment on it.
After watching you struggle to turn on your gas stove for what seems to be like the tenth time in the span of 2 minutes, a loud sigh of exasperation escapes him as he places his calloused hand on top of yours. stopping you in your tracks. "Come on, just let me do it." He states. As he moves closer to the kitchen counter, his body is positioned so close to your left side that you can feel the heat radiating off of him.
He starts to busy himself with various ingredients as it seems that he's now begrudgingly taken over cooking duties from you, no protests from your side by the way. Before you go to take your seat at the kitchen table, you hear him mumble under his breath. "Can't believe you have the time to go out and get drunk and not even to clean your place."
"Hey." You turn around to face him once again, your voice stern. "You don't know me, alright? I wanna stay in Tokyo because I just got my dream job and I'm not planning on leaving any time soon."
"...Yer job? What d'you do?"
"I'm a baker. Have you ever heard of the bakery, Pierre Hermé?"
He pauses, bringing a finger up to his chin as if deep in thought. "Think 've walked past it a few times. Why?"
There's a renewed sense of excitement to you, passion very much evident in both your words and expression as you launch into an animated spiel at his question. "It's one of the top bakeries in Tokyo and I've spent my whole life working towards being able to get a job there." You look out at the window, quietly contemplating and contrasting the crowded and bustling streets and skyline of Tokyo with the sleepy and relatively isolated atmosphere of your hometown.
"Back in my home town, there isn't really much opportunity to work somewhere like this, especially since it's a foreign bakery specialising in French pastries so this is basically my only chance to fulfil my dreams." You can't help but let a wistful sigh leave your lips, thinking about how hard you've fought to get to this point now. Unbeknownst to you, Toji suddenly sits up straighter, his back pressed against the cool ceramic countertops as he stares at you, seemingly studying you in a new light after your words. Before you can realise it though, he quickly adverts his gaze elsewhere, taking another drag of his cigarette.
"What about you?" You ask him, a sense of interest clearly present in your voice. For someone like him, you don't even know where to really begin when it comes to guessing what a guy like him could do for a living as it could range from semi-realistic to wildly fantastical like straight out of a TV show.
"...I'm a bodyguard for hire." Compared to you though, his tone is devoid of the same energy and passion present in yours with him even pausing slightly before answering, as if he was hesitant to reveal this aspect about himself.
"Wow, that's cool." There's a small sense of awe at his response. Being a bodyguard would definitely explain that muscular physique of his, you remark quietly to yourself.
A tsk sound escapes him at your comment, shrugging it off with his shoulders as he turns to the side. "All I care is that it pays well. Nothin' more."
You deflate a little at his words. To you, he sounds more begrudging than anything and you think that there's probably a story behind that as well, like many other things about him like that lip scar of his, but you choose to avoid prodding him even further as well in his defence, you've technically just met each other last night. All of a sudden, you're hit with an idea, a crazy idea just like last night, but this time now sober, and it might just be crazy enough to work or you two might just be desperate enough to make it work. You clear your throat before you call out to him.
"Hey, Ossan." Toji looks back at you, and clearly, you've managed to pique his curiosity by the amused expression present on his face. If you were a lesser person, you might have shrunk under the intensity of his gaze so intently trained on you but you don't, there's too much of your future dream riding on this now for you to back out before anything could have even begun. You look into his eyes, maintaining eye contact before you continue. "I have an idea, actually, it's more of a request. The next time I go back home to visit my parents, can you come with me as my husband? If I'm married to someone who lives in Tokyo, my dad can't tell me to move home anymore and he'll definitely believe that it's real once he sees your name on the official family register."
Before he can even say no or offer any protest of his own, you add, "Plus, this deal will be beneficial to you as well since you'll get a place to live until you get your own apartment. So, let's hold off on the divorce until then."
There's a hopeful look in your eyes with a look of determination painted on your features. Evidently, even without his input, it appears to be that you're dead set on this plan if it means you get the slightest chance of staying here. He contemplates a future where he says no, imagining another week of being forced to couch surf on his boss's stale office couch and living in a constant state of uncertainty for who knows how long. Sure, it's not like he's so sure about what going to happen now but at least if he agrees to this, he's not alone in dealing with whatever uncertainty is thrown his way.
He shakes his head, stubbing out the burnt end of his cigarette in the sink and takes your hand in his.
"Alright fine, yer got a deal."
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taglist: @catobsessedlady , @aluvrina , @thulhu , @sn1perz , @meowmeew , @hprnx , @r0ckst4rjk , @dianakisses , @lashaemorow , @cinnabooonn
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lyrring · 10 months
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Do you have any tips for a young artist?
okay GOOD QUESTION so I'm gonna just start typing about some things I wish I had known as a young artist and keep adding to the draft of this answer as I think of things. LOL.
Advice I'm definitely qualified to give young artists:
1) If you are primarily an artist that draws humans or humanoid characters, I need you to internalize this very important fact: There is NO race, shape, type of body, etc. that you are 'unable' to draw. Y'all it is 2023 and Twitter is a cesspool of idiots running around INSISTING that they simply "can't draw black people", "can't color dark skin", or that "black people don't fit into my style."
But you, young artist anon, YOU know better now! Go tell all your friends! Spread the good news! There is no fundamental inability to include diversity in the subjects of your art--there is only unwillingness to learn.
Because that's the thing--a lot of people who say these kinds of silly things will also say that the don't want to 'get it wrong' (I typed and deleted a whole other tangent here. lol). The important thing about approaching diversity in your art is that you are earnestly trying, respectful, and open to being corrected. Hard to go wrong that way! There are tutorials abound--research is your friend!
2) Related: encourage yourself to explore and celebrate variety as you cultivate your unique style. and DON'T SKIMP ON THE FUNDAMENTALS! DO NOT!
I'm going to talk a little bit about what it was like for me when I started "really" drawing at like. 9 or 10. (cont'd.)
I got really into drawing because some friends of mine liked to draw anime in their free time in class. I centered my early drawing life around emulating a style that was strictly anime. Drawing realism or semi-realism seemed so ugly to me! I had no interest in it.
In addition, I came away with a message that harmed my self-esteem greatly, even if I didn't know it at the time: black people don't look good in an anime style. You just can't do it!
So I never tried to. I had a narrow focus, and I was reluctant to explore outside of it. If I'm being honest with myself, I hamstrung myself pretty hard by not being open to exploring a variety of styles. I also thought that the fundamentals of art (principles of lighting, color, shape, and the human figure, etc.) were a waste of time for me to study up on. I knew what I wanted my art to look like--pretty anime pictures! Lol.
All of the above is why I don't think I actually started to get "good" at art until September of 2019, roughly a trillion years after I started to draw. I know that because of those art summary memes, lol. Here, for reference:
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tumblr compressed the image to shit, so you'll have to take my word for it, but yeah! lol.
Anyways, the point is this:
You will go through many stylistic phases in your life as an artist. This is normal, and honestly, I'd celebrate it! Be open to any number of unlikely stylistic influences. They may take your artistic sensibilities in a direction you'd never expect. All in service of developing your unique artistic voice.
If you want to be good at what you do, you will need to create a strong base of knowledge for yourself. This is what intentional study of the fundamentals does. Get that shit in your brain while you're young!!! You will be planting the seedling of your artistic prowess in much nicer soil, and future you will thank you for it.
3) Developing artistic skill is NOT A RACE! You will hear this advice a lot, but I'd like to talk about a specific nuance that I think is important.
There are a number of reasons why it would make sense for you to think that it is, in fact, a race. For instance, there are roughly a kajillion other artists in your age range. A lot of them are on social media, cultivating a following. A lot of them will be "better" than you.
Do not get attached to the idea of being a brilliant young artist. You will not be young forever. If your idea of skill is entwined with your identity as a young person, what happens as you get older? I'll tell you: You start to see more and more people who are way more talented than you, and at least five years younger, and it can really really hurt you because you have not been set up for success with the right mindset. Your pride and joy was not being a creator--it was being a young creator.
Being an artist, especially in the age of social media (jesus, i sound so old) is an emotional investment as well as a practical, skill-based one. If you do not take care of yourself emotionally, if you do not approach creating art and posting it online with the right mindset, you will destroy yourself. Worst case, you end up bitter and hating art altogether.
If you are able to remain reasonably detached from social media response in general--great! That bodes well for you. But that's a skill, like anything else, so it's much more likely that the way your art is received on social media will affect you.
If you are very young, say, in your teens, and your art is exemplary, you will probably receive a lot of comments about this! They might be astonished that you, at so young an age, are so advanced in your skill. It is GREAT to be proud of yourself for accomplishing so much at a young age, don't get me wrong. Feels nice! But just like you will be advised not to let mean comments go to your head, you need to be thoughtful about how you receive comments that praise you for your age specifically. You need to be firm in the understanding that your age is not what makes your art exceptional. Your art is exceptional because YOU made it and because YOU honed your skills!
Beyond that, stuff that you probably already know: comparison to your artistic peers can be very encouraging and motivating; conversely, it can also be stressful and lead to unfortunate emotional spirals. You know yourself best--engage with or steer clear of comparison according to your comfort. You're not on your friend's artistic journey. You're on your own one. This is a very cursory thought on the topic of comparison, but I don't think I could offer you anything you don't already know about it, y'know?
4) This one... I'm gonna try to get across a very specific point. My point is this: Know what success looks like to you, and be honest with yourself.
The definition of 'success' may evolve for you as you develop, but I don't think it's ever too early to have a frank conversation with yourself about what it means for you, specifically, to be a successful artist.
Do you want to develop the skill to draw or create a specific idea in particular? Do you want a kajillion followers on instagram? Do you want to build a portfolio that will get you into a specific creative industry? Do you want to cultivate a steady stream of commissioners? Do you just want to relax and get ideas out of your head? And any other infinite goals.
Obviously I'm saying this without placing a value judgement on anyone's definition of artistic success. This is a highly personal sort of thing.
The reason I encourage this is because it can provide additional direction to a young artist, for whom the world is an oyster. Different enduring goals will require slightly different approaches to art as a field. This goal may inform what you draw, what medium you use, your higher education & career plans, where you choose to post your art (if at all), how much effort you must invest in building a brand for yourself, the role of social media in your life as an artist, the kinds of artists you devote energy to being peers with, etc. Hope that makes sense!
Anyways, I hope this advice is helpful. I'm always happy to answer other questions related to this sort of thing. Go forth, young artiste--I believe in you!
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bonzos-number-1-fan · 7 months
Text
TMAGP 10 Thoughts: History Lessons
What an episode. I'd love to do a bit of preamble up front but there is a load to talk about. No one needs me to ramble before the ramble. This will be a long one so buckle in, kids.
Spoilers for episode 10 below the cut.
Another episode that jumps straight into the incident. I really enjoyed this one. Both for its novel format and also for the way it lays the foundations of what's to come. It's also nice to see an incident that is mostly mundane. There was very little in this, outside of an allusion to something more sinister, that was out of the ordinary. A fairly British dude telling a unique British story. However, I don't think there is an awful lot to say here that isn't quickly expanded upon later in the episode or that won't be best served talking about elsewhere.
So let's get to the more interesting bit of this case. For those of you not from here, or a little too young to remember, the reason it's all so authentically British is because Mr. Bonzo is TMP's version of Mr. Blobby. A very real TV show mascot from the 90's. A lot of what was just discussed in that interview is lifted from Mr. Blobby's real history. He first appeared on a Saturday night variety show called Noel's House Party in its "Gotcha" segment. He was first introduced as a children's TV character to prank unsuspecting celebrities. He got very popular and became a mainstay of the series, became a huge icon at the time, launched a fairly massive range of merchandise, plans to create a Mr. Blobby theme park happened, and he even had a chart topping single. Blobby was a big deal and still pops up a fair amount. He didn't do any murders that we know of, and no one dressed as him to kill either. There is also this which I think everyone should watch to better prepare themselves for Mr. Bonzo, or to soothe the horrors he's already inflicted.
Colin's back! He's still weird! Not much to say here but it's nice to see him and Celia interact.
Next up were hear Alice and Sam, via Sam's phone, exploring the damp ruins of the Magnus Institute. There isn't a whole lot to say in this portion of their exploration but it's nice to see them outside of work again.
Gwen's section of this episode was really the standout IMO. Anusia is killing it and continues to kill it more and more each episode. I think Gwen is now my #2 blorbo. Colin had an early lead with a great email but is more of a background character at the moment. I am really excited to see how Gwen is going to react to this down the line. Whether the abject terror of meeting Bonzo is going dissuade her from pursuing Lena's job or further stoke that fire. I also wonder if she's going to assume what a lot of us are assuming. That the more recent Bonzo related murders are perpetrated by Bonzo, and that the envelope she gave him was his next target, which further plays into the golem references. Can't wait to hear more about what his role is in regards to the OIAR.
But no one could possibly replace Mr. Bonzo as #1 and I'm sure we can all see why this episode. Just everything about how he's being handled is perfect. A lot of history to ground him, incredibly ambiguous origins, his teeth are not soft, topped off with one of the most impactful "screen presence" of the entire TMA cast. Everything I was hoping for.
For those not a part of the ARG, and not a part of the Statement Remains discord server for it, Mr. Bonzo quickly became a massive fixture of basically everything that happened on that server. It's where my blog's name is from. Which is to say Mr. Bonzo has been a HEAVILY anticipated character and has had no small amount of hype built up around him. RQ have managed to deliver on that and then some. It's really pretty amazing he's managed to show up and not be a disappointment if you were part of that crowd, but they really pulled it off.
Bonzo Fact: Did you know that Mr. Bonzo is entirely unique in all of TMA? He's the only character to have a canonical design. He's the only character we can truly behold, and his visage is glorious and awe-inspiring. He is, quite literally, more real than any other character in the show. (Ignoring historical characters we never met)
I'm sure lots of you will have seen what Mr. Bonzo looks like but for those who haven't and have missed it on my posts, it's this.
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If you checked out the links earlier, which you should have, you'll see that he's very close to Mr. Blobby. And, yes, he is kinda creepy if you're grossed out by weird mascots but he's not "Oh my god!" levels of horrifying. That's the original Mr. Bonzo, Mr. Bonzo the suit, not Mr. Bonzo the monster. This is who Gwen met.
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Which really raises a rather interesting question; when did the suit stop being just a suit? Which in turn raises a more interesting one; why did the suit stop being just a suit? It's pretty clear that Mr. Bonzo really did start off as something mundane but whatever he is now very clearly isn't.
After all that excitement we return to Alice and Sam fumbling about in a ruin. Interestingly we're no longer listening through their phone, but a tape recorder. Which is actually a fairly big deal. Not because it's a TMA thing but because it's an analogue format that's not being digitised. So far that's not been something we've been able to listen through. Which means "Freddy" has some tricks up its sleeves, or "Freddy" isn't the one listening. The actual contents of this part isn't terribly important for the most part. Archivist's office, worms and trapdoors for an allusion to TMA, mystical symbols maybe, lots of books, etc. The real revelation here is "why they chose us… why they didn’t choose me". Likely confirming that the contents of CHDB (see masterdoc) was mostly the first step. Sam "failed" and wasn't chosen for whatever came next. It also likely confirms that Gerry wasn't chosen either as the two had remarkably similar test scores. Anyway, after that they call it quits and head on home.
Now, if you weren't reading the transcript's you'll have missed the introduction to a new character, [Error] played by Beth Eyre who voiced Lucia Wright from MAG 130: Meat. As Alice and Sam leave a padlock rattles on a trapdoor before a key twists and the lock pops open. The trapdoor opens and [Error] emerges. Very very little to really say here. Imprisonment below the Institute probably isn't a good sign, and they're the likely immortal overarching villain of either this season, or the show in general. But combined with strange PoV on those events, what was likely a mystical prison, and it being under the Institute that was burned down for a reason it's not good news. Unless it was burned down to free them, then who knows.
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Incident/CAT#R#DPHW Master Sheet (I added the Magnus Institute's child psych eval. sheet to it)
Somewhat notably here CAT1RB2275 is also very close to the trailer's case number of CATIRB2275.
DPHW Theory: 2275 is actually a pretty interesting number. For clarity this refers to only the initial recording that Celia heard, not anything related to Mr. Bonzo beyond that. 2 in Death is pretty reasonable as the statement brings the subject of murders up but doesn't dwell on them much. 2 in Pain falls under the same explanation. The 7 in Helplessness tracks well too because not only was the format of the interview a bit of a gotcha, but the content dealt heavily with imprisonment. Both in context to the show's premise and the legacy's impact upon his life. It was also eerie and weird and mascot-centric which is good Weird fodder.
The reason this is all so interesting is because it's possible this is an entirely mundane incident that still happens to line up well with the DPHW of Mascot (Kids). What occurred in the interview didn't seem supernatural, what was described in it also seemed mundane. It's only really the last couple of lines that hint towards something supernatural occurring but notably none of that happens in this recording itself, the details of it discussed, nor are any of the people on the recording first hand witnesses to those events and retelling them. But despite all of that the mundane occurrences of the interview still heavily reflect the supernatural ratings of the section (subsection).
CAT# Theory: CAT1. [Insert your favourite screaming reaction GIF here.] I've got no clue what to make of CAT#'s at this stage. This one wasn't particularly elucidating. Gonna be a long few weeks.
There are a couple of theories floating about that I'll briefly mention because someone will do it if I don't. The Subject/Agent/Catalyst theory presumes a lot of stuff about the OIAR I don't think holds up, and assumes they're happy to throw away information which I don't think they are. See here for more. The Person/Place/Object theory overlooks that Dolls (Watching) is CAT2, and not a place, and that Agglomeration (Miscellany) is about a collection of objects despite it taking place at Hilltop. A location only important to us listeners. If you do like those theories by all means keep liking them. I'm just not convinced by them and it seems prudent to mention that I have seen them.
R# Theory: B is right in line with what I outlined last week. Bonzo-themed murders are not overtly supernatural but they are something that definitely happened. The Klaus doc also have a few incidents with the note "Mr. B", including the only known S rank. With Gwen's reaction being so strong I think it's a good indicator that S rank's follow the pattern.
Header talk: Mascot (kids) -/- murder is just another header that seems pretty weird. The section (subsection) bit is all pretty normal but that crosslink again shows that crosslinks have very little structure to them. I'm starting to wonder if they're actually relevant at all, or pre-assigned like other elements are. They're starting to seem more and more like vibes than anything.
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beanghostprincess · 6 months
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Hello. I hope you’re doing well ❤️ I had a few questions (and if you’ve already answered any of them then I’ll just continue scrolling down your blog, as I’ve been doing).
Here ya go!
1. What do you think people mainly get wrong about Usopp? Like, what is a common misconception.
2. How would you describe Usopp’s relationship with each of his crewmates, in so few words (if possible)? I feel like people forget that the Strawhats are friends too.
Just wanted to hear your take.
Kind regards,
Anon.
You sound so polite, I love it 😭💖 Sending you kisses and hugs for being so sweet 🥰 (Sorry I didn't reply sooner! Busy life)
1 - I feel like the most common one I've seen around general audience/most shonen lovers (I like shonen too, but you know what I mean. You know what type of people I'm referring to) is that they take Usopp's character pretty superficially and instead of reading between the lines (very huge, separated, obvious and easy to read lines, though) they just accept what is verbally said... "He's a coward" / "He can't fight" / "He's selfish" / "He's just funny".
Most people have this misconseption about Usopp's fighting style because they assume that, because it is a long range fighting style, he isn't as powerful as others. When it is not true, by the way. They also deem Usopp to be a coward when, actually? He is just an average person? Like I KNOW the whole point is that he works on his "cowardice" but they just took an average boy with no prior experience of fighting and being a pirate to directly... Fight and being a pirate. Everybody would react like that. "He's not strong and he is a coward" first of all, wrong, second of all, you would be like that too.
And saying he is selfish? Or that he doesn't care about the crew or the people around him? I genuinely do not understand how some people can read him that way... Do you all not know how to... Analyse basic characters now? Another thing people get wrong is thinking Usopp isn't hot/wouldn't pull any girls as if he wasn't the only one with a canon girlfriend waiting for him, but alright.
2 - This is such a good question, actually 😭 I love you for this, anon. My favorite thing ever is talking about Usopp,,, I appreciate this.
Luffy: I love his dynamic with Luffy because despite being his captain, it is obvious that they are best friends. They have the same young/playful mindset and it doesn't feel, like... A job at all? Don't get me wrong, they're all a family, but their dynamic feels way more teen-like? More silly? They're stupid together. Usopp being the voice of the reason vs Luffy being extremely chaotic is my favorite thing. They feel very organic. And then there's this layer of jealousy from Usopp's side and the fact that I think Luffy will never be able to fully understand Usopp's insecurities, but somehow they will always find understanding and support on each other. Usopp is loyal to his captain and all but it feels more of a "I follow him because I consciously trust in him" than a "blind devotion" type of thing. And I adore that. Also, Luffy saw potential on Usopp from the very beginning and it melts my heart. Plus! They're both beetle/bugs lovers! The sillies <33
Zoro: They're one of the most hilarious duos because you would expect Zoro to absolutely hate being around somebody like Usopp, and yet he lets the guy do whatever he wants with him?? Zoro might be Luffy's enabler first and foremost but we forget he is even more permissive with Usopp sometimes and it is the funniest thing. I love it when they have tiny little soft scenes together because Zoro genuinely enjoys Usopp's company and I believe Usopp thinks Zoro's cool despite always being done with him being so dramatic and impulsive when fighting. I feel like Usopp feels safe around him but not only physically. I think he knows Zoro can read him like a book and after what happened in Water 7? I believe now even more than they're closer. Sometimes opening up to your captain is hard so maybe the first mate whom you have an intimate but odd relationship works even better.
Nami: My absolute beloveds. They're both on the same page when it comes to being "cowards" because their fighting styles are different from the rest and they're not built different like most of the crew. They feel so organic and genuine too! They just get each other. They're mischivious little shits together. And when they are not on the same page, it's so funny how comfortable they are around each other to just yell at the other. I think Nami gets Usopp when it comes to feeling weak and out of place but not quite, because she is always trying to make a path for herself instead of being afraid to do so? She's used to fighting on her own and standing up for herself even if it's scary but Usopp isn't, and I think she gets it but Usopp doesn't think she does because she is extremely valuable to the crew, obviously, and Usopp doesn't feel like he is. It's a dynamic with constant support and understanding and so so much fun together because they're most of the time on the same page. That's why they work so well!! They're not normal at all but the whole "we're the only normal people here" dynamic is incredible.
Sanji: If I start talking about them I think I will never finish. I think I've left pretty clear that my favorite thing about their dynamic is that, despite arguing all the time because their personalities are very different (something people often forget like. They argue A LOT. And it's SO funny. They're both the softest and the most annoying thing to each other--) they're always there for each other. Their dynamic is easy to summarize in "they joined basically at the same time, right after the romance trio" / "they do what the other can't do". They both have different types of self-hatred and insecurities that bring Sanji to understand Usopp on a deep level that I don't think others are able to share. It is obvious that Sanji has a clear preference for Usopp when it comes to the guys of the crew and he does treat him differently, not because he sees him as weak but because he sees himself in him. Their relationship is something so personal because I truly believe they're the ones that understand each other the most. I am SO angry they barely have scenes together now,,, Or that Usopp wasn't in WCI,,, Waiting for Elbaf to parallel Water 7 so fucking bad. I have more things to say about them but-- My whole blog is literally about that.
Vivi (very necessary to include her): People don't talk at all about their dynamic and it is so offensive to me because they're so funny??? Vivi's little quirk about forgetting to mention dangerous stuff and Usopp being oh so done with her is the funniest thing. Drum island was certainly incredible for these two. I truly wanted to see more of them,,, I think that if Vivi had stayed with them, she would've understood Usopp pretty well. Screaming for help when nobody can hear you? Feeling oh so weak in comparison to the world around you? She would've been on Sanji's team kicking Luffy and trying hard to keep them from saying any stupid things. More of Usopp and Vivi,,, More of Usopp and Vivi,,, I miss them :( They were so cute :(
Chopper: They're so cute and silly together,, But not only that! They support each other so so much!!! Maybe it's because they're both from the "coward trio" but I just adore how they're pretty much always together. Chopper has this whole thing at first about feeling like a monster, but Usopp finds his abilities so awesome and,, It melts my heart whenever we see them interacting. They're not only hilarious and support each other but they're always finding reassurance on the other and I love it. Not to mention the whole Sogeking thing, too! And Chopper believing Usopp's lies! They feel sooo much like brothers, imo, it's adorable. Chopper might be one of Sogeking's biggest fans but Usopp is certainly Chopper's number 1 fan too.
Robin: I think if I start talking about them I might end up crying, thanks. But. But. But I adore them. They leave the crew pretty much at the same time and yet Usopp does everything to help them save her and bring her back. I think Robin reads him pretty well and can see so much bravery in him that Usopp can't see... While Usopp, despite being a bit weirded out at first by her, sees how gentle and caring and lovely Robin is. And how cool she is, too! Also, they're both big nerds, and I love that. The fact that he did everything he could for her in Enies Lobby despite having left the crew must've meant the world for her. And it's also the whole thing about her wanting to give up on life? I think Usopp, even if it's not on the same level, can kind of relate to that? It is not Sanji/Robin type of bond (which I fucking adore, by the way) but it is pretty personal. Also, hilarious dynamic because Robin is always telling dark jokes and Usopp gets scared easily and I just adore it.
Franky: They mean so much to me. My beloveds. We don't talk enough about Franky regretting having hurt Usopp when they first met and the guilt still haunting him. We don't talk about it enough. We should. Franky was there for Usopp on his most vulnerable moment and I think Franky's personality and masculinity mixed with his pretty emotional side is SO good for Usopp. Because it teaches him to be braver and stronger and himself, and it lets himself feel freely. They have so many things in common and I am from the "Franky father figure" team because their bond looks so,,, So much like that. Usopp getting excited for every little thing Franky makes and Franky quite obviously showing off because he knows he likes it. I think Franky is the one Usopp goes to when there's any problem in his life and,,, It is just so sweet that they always trust each other SO much. It is not only admiration but a deep, close bond. Still not over Franky wanting to overcompensate for what he did to Usopp, though, but- But they're okay now, I swear.
Brook: The sillies!!!!!!! We don't have THAT much of them in comparison to the other characters but every time they interact it is always so funny. Idk how I would describe their dynamic other than it is hilarious,, But I also think we deserve more scenes of them interacting seriously. Brook spent 50 years on his own and Usopp's fear in Water 7/Enies Lobby of being left alone too is so,,, I think Usopp would want to hear more of Brook and make him feel at home because if just the thought of being alone scares him so much, he can't even imagine what it was like for Brook. Usopp is somebody who seems to want to glue the crew together as much as possible and mostly uses fun/positivity (even if fake) to do so, and Brook does the same with music. Like- The fear of being alone. Idkk. Going insane now, actually.
Jinbe: I feel like everybody's relationship with Jinbe is very gentle and silly because he is adapting to the crew's dynamic and getting used to their shenanigans. So no matter what, it is hilarious and sweet. I actually,,, Want to see Jinbe's reaction to Sogeking,,, A lot,,, It'd be SO funny. Anyway- They haven't had much of a break to be together (please please let them be silly post-egghead) (honestly I'd kill for a silly filler arc, ngl...) but Jinbe is extremely understanding and mature and imo he sees a lot of potential and bravery in Usopp. And I'd say Usopp finds comfort on Jinbe but who wouldn't? I think it'd be funny to see a bit more of teasing/playful interactions with them because I love Usopp being stupid and Jinbe being all confused at first but having fun.
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lostdrarryfics · 3 months
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This is one of my favorite blogs, so I hope I'm phrasing this respectfully. As someone neurodivergent, I never make asks off anon because you occasionally dress down the asker for not following the rules or not asking kindly enough. I'm desperately afraid that's going to be me, and I realize I won't be tagged as a result if some of my remaining lost fics are found. Not asking you to make changes or accommodations; just saying that some of us are on anon for a reason, and it isn't to irritate you or because we're embarrassed by our taste in fic.
Thank you for what you do.
Hi anon! We believe you are referring to the statement in our pinned post, where we recommend people send asks off anon because it makes it easier for us to help you. That statement was added a long time ago (maybe two years ago?) when someone sent us an ask to let us know they were too embarrassed to send spicy and/or dark asks off anon. We wanted to make sure people knew that LDF is a no-judgement zone so we updated our pinned post. Send us excruciatingly detailed asks about a blow job scene! Describe a dark Harry AU and tell us all the messed up things he does! We really don't mind. There are mods on the team with differing likes and squicks, with some mods comfortable with searching for just about anything. In this way, we can work together to search for a wide range of requests.
From a team partially made up of neurodivergent folks, we're sorry to hear that you struggle with sending asks off anon! It will never be a requirement, only a suggestion. We typically ignore/delete asks that are rude or don't follow the rules. We will admit we've recently called out a couple people who didn't follow our guidelines around Reddit posts because it is a new and repetitive issue. It's very frustrating for our team when we spend so much time and effort on an ask just to find out that it was located on Reddit. It's a huge waste of our time but we've tried to roll with it anyways. We updated the rules and it still keeps happening. We try to be as kind as possible when calling out these asks, but we understand it's difficult to convey tone. We're not trying to embarrass anyone or make them feel bad, we're just saying "hey! Please don't do this in the future!".
We're all just people here and we try to give others the benefit of the doubt. Yet, we believe it is perfectly reasonable to give an appropriate response in a situation where you break our rules or are rude to us. This is a free service and we can choose to be firm about our rules when we find it necessary. Keep in mind that there is a reminder to read our guidelines before sending an ask in bold red letters on our pinned post. It's in our bio. You literally have to click a button that says "read the guidelines" when you send us an ask. The most important points in our guidelines are written in bold red letters. If you get that far and still send us rule-breaking asks, we may respond and ask you not to.
People tend to treat us like a search engine and not a team of real people. We help with a lot of asks that don't even include a simple "please" or "thank you". 99% of the rude or rule-breaking asks don't even see the light of day. We delete them and move on. It's very rare for us to respond! There really shouldn't be anything for you to worry about anon, it sounds like you have probably already read our guidelines. We understand if you'd still like to be anonymous in the future though! It doesn't irritate us, we just won't be able to send you updates about the fics you're trying to find.
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anticmiscellaney · 2 years
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no pressure to answer and im sorry if you've said this before but where did the title new/old/rare come from?
It's named after a very average record label compilation that I bought way back in 2002 because it included a song I couldn't get anywhere else by a band I used to go see all the time. I always liked the title and it seemed appropriate for this project for a range of thematic reasons, but also Blueline Medic came from a band called Caustic Soda, who wrote a song called Photocopied, which was the first song I successfully turned into visual artwork, and I discovered Jawbreaker from the sticker on the bass guitar when I saw that video on Rage one night as a teenager, and then when I finally saw Jawbreaker in April 2022 I came home and wrote this comic about Louis seeing them in March 1996, which led to me figuring out the overall story of what had up until then just been a series of loosely connected drawings.
Before everything was available on the internet, releases being old or rare often meant you couldn't get them, you might not ever hear/see them, and new releases may take months or even years to become available to you. Part of being into film and music was searching, archiving, collecting, sharing, bootlegging, waiting, and speculating. These days I likely wouldn't have to buy a whole CD just to hear one song. Smalltime local band singles are available on Bandcamp, not just at their shows. Archives of old or niche films are often hosted on streaming sites, or even lovingly restored and rereleased. This is all cool and I enjoy it, but it's new. Please remember that it's new, that in my relatively short lifetime it has changed hugely.
People have always cared and now it's so much easier to share these things, but there's still value in things being tied to times and places, in parts of life being ephemeral and transitory. I think you need external markers of times in your life that you can revisit or avoid as you choose, otherwise you'll end up adrift. Something being rare or limited isn't always bad; of course we don't get to experience everything we'd like to and it's important to pursue and value what you can. I pursued live music single-mindedly from when I was 12 or 13 until I moved overseas at 19, and while I've never stopped going to see bands or being very into music, that particular time of my life was unique. I can't replicate it and I don't want to because as much as I joke I've not changed (and wear band t-shirts I bought in 2001), I'm not the same person. I still remember though.
This story is partly about the balance between digging through the past and making space in your life for new things, about handling change and choosing what to let go, what to archive, what to keep, what to keep looking for. It's also literally about music and film.
Most of the places I used to go are gone now of course, and most of the bands have broken up and moved on. I'm gone too, I live on the other side of the world, but I like to put references in my work. I guess it's my way of saying this happened and it was important to me, these things other people made, those places, that time, they were small and brief but they mattered and I remember. Some things don't come back and all you have is memories of them, but sometimes bands who broke up in 1990 do a reunion show and you score a ticket.
Don't count on it though. Enjoy what you can when you have it, and if you miss it, don't dwell too much. Looking for the next thing to be excited and intrigued by is the best way to find it.
In the comic linked above, when Neil says they'll have a chance to see Jawbreaker together soon, he's wrong: Jawbreaker broke up a few months later and didn't play again until 2017. I think they would have gone together then though, I think they both remembered.
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offbranddrpepsi · 4 days
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Hello! I'm not sure if you do this so feel free to just ignore this request if you don't :]! Could I request a Reyna X trans! Male reader that already had his surgery but some people were mean to him saying his still a female (how would Reyna react to them, comfort reader, etc) have a great day/night!
I am always open for asks like this because I know how much comfort they can give people as well as it just feels nice to have something like this sometimes. I hope you enjoy it and will be writing it as both top and bottom surgery (though the focus will be top surgery for obvious reasons). This is not proof read as im still a bit sick and finished a book recently so rereading anything makes my brain soup so i apologize for any mistakes.
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Reyna is no stranger to being different though she doesn't understand why it is such a big deal for some. As such she is as well read as she can be when it comes to queer issues, especially if they involve her partner or someone close to her. She may not be perfect but she is always willing to listen and understand. Since day one when you introduced yourself she had asked for your pronouns, a habit Gekko had gotten her into, and didn't ask any questions past that. At that point you had obvious defined hips, despite trying to hide them, and a notable bump in your chest as binders weren't perfect but she never questioned it. You called yourself a man so she did and when you came out to her you could tell the dots connecting in her brain as you spoke. If someone misgendered you she would just very bluntly correct them with a "he." then stare at them with those vibrant eyes until you folded. Reyna was like having a guard dog that, even if they disregarded your identity, made it hard for anyone to disrespect you to your face in her presence. As you two grew closer and became a pair she would get a little intrusive but well meaning. She would ask you about physical things ranging from affection to more intimate ones. How you wanted her to handle you or refer to you, if you were comfortable with her seeing you in certain clothing or ways etc. Reyna is a woman who likes to establish clear boundaries and does so with you so she can be the best girlfriend she can be while also making sure you are comfortable. If permitted she can be found at times stealing your clothes like most girlfriends would, favoring anything oversized or jackets. She never stops gushing about her partner and boyfriend, even talking about how her sister would adore you and probably see you as a brother. At the end of the day who you are at the surface doesnt matter to her as she cares more about whats under it all, appearances be damned.
Post surgery shes adorable and overbearing as you heal. She helps change bandages, drains, even helps you shower if needed. Her radiance lets her monitor your heart rate and body temp so at the first sign of any infection or inflammation shes right on top of it making you take medicine and rest. Once you're healed enough she is the first to nuzzle herself into your chest and sit in silence as she hears your heart beat, you breath, just you exist as a more full version of yourself thats hopefully happier being in your own skin. Given how supportive and loving she is she absolutely takes it HORRIBLY when people are still mean and cruel to you. She makes sure to over talk them with your pronouns and correct name, throwing compliments at you in there as well to make them feel absolutely smothered by her. Of course thats when you're there, when you arent shes snarling and threatening them in the way shes best at. Teeth bared shes asking them to repeat themselves, seeing how dedicated they are to their bigotry before tearing into them. If theres one things Reyna is good at its being scary and damn does she scare them into at least being politely silent. When it comes to comforting you shes your biggest fan already but shes admittedly a tad bad at it because she doesn't really get why they have to be like that. Before it made sense because maybe they slipped up or just weren't thinking but now that you've taken steps to masculinize yourself more she sees absolutely zero excuse. Reyna holds you against her and promises to make sure you don't have to hurt again, to weed out those that would treat you this way. She makes threats of ripping tongues out but calms herself to turn her attention to you. You're the one that was hurt by people to small minded to be accepting, being vengeful won't fix that right now. For as long as you need she is there, holding you and talking to you. She talks you into setting up a date where she introduces you to her family that accept you just as she had. She arranges shopping trips to get you more masculine clothes and even helps you donate your old binders to other trans youth. Reyna even pulls Gekko in to "help his big brother out" as theres just some things about being a man that she doesn't understand but knows having someone like him around would be helpful
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queen-of-boops · 5 months
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"Doctor Lucas"
Alright friends, it's time to talk about my biggest LITG pet peeve. It happens all the time, I'm reading a Lucas villa fic or scrolling through Tumblr and I see it: "doctor Lucas". My brain immediately checks out, alarm bells blaring.
I want to be clear here, I'm not policing headcannons or what you can or can't do in fic, especially AUs, the entire point of AUs is to mix things up like careers or backgrounds, etc.
What I am saying, is that canonically, Lucas is a physiotherapist.
For some reason, of all the physios we have (Summer and Jack), Lucas is the only one that's often referred to as a doctor. Maybe it's because he works in a hospital, or maybe somewhere along the line fanon warped him into something else. But as an acute care PT, nothing will make me click out of a post/canon compliant fic/etc faster than "doctor Lucas" or having him do something wildly out of scope.
For one thing, the US is the only country that requires a doctorate for physical therapy. That being said, I can count on one hand the number of times someone even knows I have a doctorate, and I have never been called Doctor outside of the academic setting.
So what does a hospital physio do?
Preserve mobility: let's be real, sick people don't want to move, but lying in bed all day makes you lose strength and range of motion fast
Transfers: how do you get to a chair now that you suddenly don't have left leg anymore? How can I make moving less painful for you following major abdominal surgery? How do you move when you have new precautions and can't bend your hip past 90 degrees?
Gait: Do you need a walker now? A cane? Do you have weight bearing restrictions and need to figure out how to walk with them? Is your gait pattern unsafe?
Stairs: Are there stairs at your house? How can I make them safer for you and the person who's going to be helping you? What techniques can I teach you to help decrease pain and increase safety?
Balance: 99% of people in the hospital are at an increased risk for falls, how can I decrease that? What can I do to improve your balance?
Discharge recs: Where is the patient going after the hospital? Are they safe to go home or do they need rehab? Do they need any equipment to be safe at home? 90% of the time, the rehab department is the one making those calls.
Communicate mobility needs to staff and family: Most of the time, I'm the first one getting someone up. Do they need 2 people to sit on the edge of the bed? Does their right knee buckle when they walk? This is important information that the people taking care of the patient needs to know for everyone's safety.
We see patients post stroke, waiting on transplants, post surgery, after getting the transplant, chronically ill, etc. Patients on vents, with lines and tubes and drains all over the place, even with open surgical sites... they're all appropriate for therapy.
What physiotherapists definitely don't do:
Perform surgery or scrub up or observe or do anything even near the OR.
Give or adjust medications. I'm expected to know what medications do and look out for associated symptoms, but the most I can do is message the doctor and tell them what I'm observing.
Work with a crashing patient. It happens, you're in the middle of a session and a patient codes. Call the code and start performing CPR. But as soon as anyone else arrives, the therapist is the least qualified and least important person in the room. And if a therapist hears a code called, they're getting the hell out of the way to make space for the appropriate team to arrive.
Call time of death. Yes, patients die. Unfortunately, that's just how it goes. And yes, sometimes you come in to work only to learn that the patient you were working with yesterday passed away. But most of the time, if a patient is that close to dying, they're not appropriate for therapy. They're not dying in the therapist's arms or anything like that.
Use physical therapy as a stepping stone to become a doctor. There's not a ton of overlap tbh. I'm sure it has happened, but it's not like a PT degree is a degree that gets you into med school.
Listen, I LOVE my job. I get peed on, puked on, pooped on, etc. There are rude patients and emotional days and difficult conversations that need to be had, but at the end of the day I'm proud of being able to help people in need. You don't get into physical therapy if you don't love it. The pay isn't all that great and sometimes it's a very thankless job. Burn out rates are high, especially in the hospital setting. But those who stick it out are those who can't imagine doing anything else.
You have no idea how happy I was to see a character with my job who actually responds well to questions about it, so you can imagine how frustrating it is to constantly see my profession being overlooked or misinterpreted in the fandom.
Please, next time you go to respond to a post saying that you'd rather be stranded on a deserted island with Lucas because he's a doctor, or write a villa fic where Lucas talks about scrubbing in for surgery, keep this post in mind.
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bluhjeans · 2 months
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songs i associate with dbh characters / what i think their fav songs would be
pleasee share ur own thoughts & opinions id love to hear them!! and I need to ramble abt my dbh opinions to people (+templates if u wanna make ur own)
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explaining my reasoning here if anyones curious
gavin: couldn't decide between rehab and in my feelings because theyre both just so him (and by that i mean fanon him cuz there really wasnt much to work on) 'in my feelings' because I can just imagine him to all' of the lyrics ('Sobbin' in my cup of coffee 'cause I fell for another loser' and 'Who's doper than this bitch, who's free-er than me' in particular) and rehab is a little looser of a connection, it stems from this story that ive been sorta writing that focuses on gavins relationship with alcohol aswell as his friendship with tina, and I just feel like rehab really captures his reluctance to give up the many different problems he has in the story like drinking, smoking & drugs rk900/nines: i dont really imagine he listens to music but but i kinda associate him with the pre-chorus in 'In my feelings' by LDR with the 'get that cigarette smoke out of my face' and the bridge with 'got me feeling so blue, making no sense at all, gotta leave right now' sooo duet with gavin...? 'shades of cool' (u may have noticed i like lana songs by now!!) also really matches nines IMO, the song is about her own pain and disappointment but but it also centers around this flawed love interest she wants to fix and understand, but ultimately can't, which to me just feels like nines and gavin, atleast in my own hc's (can you guess my fav ship yet) connor: whilst this song (a human's touch) could generally apply to all androids in dbh I connect it most with connor, especially in the second verse; "We were still going strong I never did you wrong Until the new me came along It was just you and me We were such a good team But now I’m alone on the boulevard of broken screens" Listening to this, I can really imagine him talking to Amanda after being introduced to his successor, the RK900 ('the new me') - I also can imagine the boulevard of broken screens being in reference to the graves of his previous bodies and I just think thattt hits yk, + whilst the second verse applies to machine connor more, the craving for human touch (connection in general) feels rather apt as by becoming deviant he has severed ties with Cyberlife, causing him to be pretty alone so yeah kara: I can just imagine her, alice and luther all singing country roads together in a car during the summer and it just warms my heart sm like its just sooo cuteee <3 I can also imagine her being a fan of Adele's music in general, I can't really explain why but she just seems like the type of person to be reaalllyyy into adele (me too) (+ i know age as a concept isnt a thing for androids really but adeles music appeals to a large age range making her music appealing 2 families so maybe im connecting adele n kara because of that) markus: I feel like I don't even need to explain history has its eyes on you... i mean come on.. but ohhh emmm geee!! I can not stress how PERFECT 'as the world caves in' is for markus atleast in my opinion, when I listen to it I can really picture this song over markus either choosing to sacrifice himself in BfD when surrounded, but generally I can just imagine this song over him doing anything really. 'run boy run' also feels like it needs little explanation, just listen to the song/look at the lyrics and youll see the connection north: I don't actually have any meaningful reasons for these songs but I just feel like north would like them but I guess 'breakin' dishes' is the one I thought about most because I can imagine her acting similarly in the same situation soo yeah chloe: Chloe doesn't really have a lot to work on with her extremely limited appearance in-game so this is completely based off a fic i read lol, where chloe was in a relationship with kamski but only in private because of his concern for his image anyways, in 'a loving feeling' mitski sings about feelings of loneliness in a relationship where her partner only shows affection alone and yeah that just feels like chloe n kamski to me!
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