#so i did not just rewatch all three seasons of being human to make some britchell edits

[disdaidal]

"Hey, babe." "Where have you been?" "Out." "It's kind of late, you know. "I'm a vampire, Anders. Late is kind of what we do." "Well I was getting... worried." "Oh, you were worried about me? Aw, that's so sweet of you!" "Come to bed. Now." "Oh, don't need to tell me twice..."

[biconickyoshi]

Okay y’all… I was very critical of eps 3 & 4 (especially 4) of NAtLA. Then all of a sudden eps 5 & 6 kinda slapped me in the face with how much better the show suddenly got.

Spoiler-free thoughts first:

Zuko, Iroh, and Aang have cemented themselves as the best parts about this adaptation - which is really funny considering I’m currently writing a longfic AU where Zuko and Iroh discover Aang in the iceberg right after Zuko is banished at age 13 and end up becoming the first members of the Gaang (albeit reluctantly at first lol). Episode 6: “Masks” (the Blue Spirit adaptation) was so good, I’d venture to say that it actually improved and fleshed out some things from the original series.

Episode 5: “Spirited Away”, while not as good as E6, was not as bad as I heard people say it was going to be. I think that the changes they did make didn’t bother me nearly as much as the changes they made in the last episode, and it was actually entertaining.

There were several scenes that made me cry in both of these episodes (moreso in episode 6, which I’ll get into further down in the spoiler section). These are the scenes that I feel like really tapped into the heart of the original show rather than feeling like a soulless remake.

Now for my in-depth thoughts (INCLUDES SPOILERS):

EP 5: “Spirited Away”

- Staring out, I was bummed because I had just rewatched the first two eps of the original animated series lol.

- It was an interesting choice to have all three members of the Gaang get stuck in the Spirit World, but I think it worked.

- Wan Shi Tong just showing up randomly was a bit unnecessary, but I suppose it will be kinda interesting to see him again in S2 since he’s already met the Gaang

- Hei Bai plays a much smaller role in these eps, but I strangely didn’t mind that either?

- Seeing Katara’s last memory with her mom was devastating, especially the fact that she had to witness her death and hide in the igloo with Kya’s charred body :(( she definitely has severe PTSD.

- Even Sokka’s memory made me tear up a bit

- Koh being the villain and a soul-eater or whatever was a bit of an odd choice, but I guess I can see why they did it. I do prefer him just being an asshole who steals ppl’s faces lol

- Appreciated the Fog of Lost Souls reference from the LoK lore

- Aang reuniting with Gyatso made me cry. I know some people didn’t like him being in the Spirit World, but I really liked it. Also, the fact that Gyatso was the first person to tell Aang that it wasn’t his fault the Air Nomads died, and that if he had been there he would have died too? THANK YOU! My poor boy has been berated enough for “abandoning” the world.

- We got some interesting lore about the afterlife for humans from Gyatso and Aang’s convo, which we’ve never gotten in AtLA media before. Idk if it’s just for Air Nomads, but Aang mentions that Gyatso stayed behind instead of “seeking enlightenment”. I know that the end goal in Buddhism is to reincarnate until you eventually achieve nirvana, so I wonder if that’s what they were alluding to (I’m not an expert on religions so pls correct me if I’m wrong)

- Oh yeah, I forgot June is here lmao. As a queer person I loved her (bc beautiful goth woman) but I didn’t like the weird choice to make her hit on Iroh - I guess to contrast the Iroh being creepy towards her thing in the OG series. I wish they would have just had them interact normally tbh, no weird “flirting”

EP 6: “Masks”

- Here we go y’all. The best episode in the show so far and probably the best the show is gonna get this season. I’m still pretty shocked at how good this one was.

- I think the decision to include flashbacks to Zuko’s Agni Kai was a good decision here. It felt like an appropriate episode for them and the flashbacks were very well done.

- In general, Dallas is doing a phenomenal job at portraying a Zuko who is angry and aggressive, yes, but also so very sweet and compassionate at his core. I love when little inklings of his true self shine through.

- Roku was… not what I expected. He was very much more of a lighthearted and jokey person… I didn’t hate it, it was just unexpected lol. I wonder if they did that to contrast him with Kyoshi. Which, speaking of, I’m glad Roku clarified that Aang doesn’t just need to be a merciless warrior (and that he didn’t berate Aang for “abandoning” the world like she did). But I still am annoyed about the mischaracterization of Kyoshi in general.

- RIP Shyu :/

- Thought it was kind of strange how June captures Aang at Roku’s temple lol. Like how did she get on and off the island??

- Zhao continues to feel like a completely different character to me lmao. I think this version is pretty funny, but it’s so weird to see Zhao being portrayed as so goofy and incompetent when he was such an intimidating force and the main villain of Book 1 in the OG series. Just a weird direction they went with his character.

- The Yuyan archers look cool as fuck. 10/10 no notes

- Still not sure how I feel about Azula already being this insecure and jealous of Zuko. I think it makes her feel a bit more realistically like a child, but the whole point of Azula’s character is that she is really good at maintaining this cool and calm persona on the surface, which she uses to scare and manipulate people. I can see her maybe getting to a point later on to where she hardens herself into that though. We’ll see.

- Baby Zuko asking Iroh how he looks and his little smile 😭😭😭😭 I had a physical “aww” reaction to that. THAT’S MY SON (me and Iroh shouting in unison)

- War Room scene was handled very well. No complaints. I like how Ozai tried to test Zuko with battle strategies.

- Blue Spirit break out scene was extremely close to the original, and it was really good. They adapted it almost shot for shot with all the important parts.

- Here’s probably my favorite part of the episode: Zuko and Aang’s talk inside the abandoned house after they escape from Pohuai!!!!!! Gahhhh I could gush about this scene all day. I love how they expanded it to be an actual friendly conversation between Aang and Zuko. Like we get to see Zuko’s true self coming through - the sweet, kind boy we know he is. Zuko and Aang just have such great chemistry as well, wayyy more than Aang has with either Sokka or Katara. Like I adored them bonding over painting and caligraphy!!! I think this is the best acting we’ve seen from Gordon so far, and Dallas did a phenomenal job switching back to that hurt, angry version of himself (of course a trauma response). And the fact that Aang said “sorry, I didn’t mean to hurt you” when he blocked Zuko’s firebending attack??? My sweet boy 😭

- The final flashback to the Agni Kai was really well done too. I’d already heard Zuko fights back, which I wasn’t sure I’d like, but I actually didn’t mind it. I really liked that they showed Zuko’s hesitation whenever he did actually have an opening, and that was what angered Ozai the most - Zuko showing compassion, “weakness”. Daniel Dae Kim is of course doing a phenomenal job (no surprises there), and I really liked that Iroh actually attempted to stop Ozai at one point. It also looked like young Azula had tears in her eyes, which I again actually liked because it humanizes her.

- I loved that Aang was still there when Zuko woke up on the boat 😭 he wanted to make sure he was okay!! I full on started crying when we got the “do you think we could have been friends too?” lines from him. Again, Gordon killed it. I love how you can tell that Aang knows Zuko has been hurt and that’s why he acts the way he does. He doesn’t blame him for any of it. 10/10

- the last flashback to Zuko in his bed recovering from the burn… god the tears just kept flowing. I really liked the choice to have Ozai almost give Zuko a chance to like… idk understand why he did what he did, and how compassion is “weak”?? And then Zuko’s response to give people a chance 😭😭😭 as if I couldn’t love him any more!!! And then of course Ozai gets pissed. But seeing baby Zuko just cry in his bed UGH I’m dehydrated at this point

- Of course I can’t finish this review without mentioning the 41st division. What an incredible way to expand upon the source material by making them Zuko’s crew!!! It shows just how much Zuko truly cares about others and it moved me so much (once again to tears).

I don’t have high hopes for the last two episodes, but honestly, if this is what the live action can be, it gives me a bit of hope (at least for future seasons). I really think that Dallas, Gordon, Paul, and Daniel were the stars of this ep and are a big part of what made it so good.

[t3acupz]

I didn't know there was another Hannibal Con! (Everyone said it was awkward, tho but idk 🤷‍♀️)

I actually wasn’t going to watch the panel because I’m on hiatus (got sent to horny jail) but for you, darling, I decided to so I can give you a good answer <333

So the panel was moderated by Rotem Rusak who I think is awesome because anyone that’s been a fan for over a decade now and still wears the flower crowns is an OG in my book. Three minutes in and I’m already feeling the tension in the air. When Rotem mentioned filming season 4, Mads made a sort of sardonic remark about needing work which I think really answers the overarching question about these panels — are they doing it to try to get a season 4 made or are they looking for a quick paycheck and I think the answer is clearly the latter.

I thought the first question was really well thought out and as far as I know, has never been asked before, “Did you have any real life or fictional inspirations for your characters?” Mads’ answer was pretty basic, I thought Hugh’s was really interesting (if only he could remember the scientist’s name lol).

Pretty quickly after that the panel starts taking a downturn. I think it being so long after making the show, Mads has grown tired of romanticizing a cannibal serial killer. He’s seemed exasperated when he said “You think it’s human what he’s doing to Will?” Then he goes on to call Will a friend, a long lost brother. Then he kinda does a jab at the fans for saying that Hannibal’s feelings for Will humanized him more. Honestly, yikes. He knows his audience so I’m not sure why he would imply that there’s something morally wrong with Hannibal fans by retorting, “It says a lot about you guys.”

Hugh saying that he doesn’t think either of them are high on the human scale contradicts one of the main themes of the show. Will is supposed to be our Everyman. He’s our crucible and perspective despite the show technically being about Hannibal. We’re supposed to relate to Will and see his corruption as something that can happen to anyone.

“You’re just going to keep going until we tell you—”

That one threw me. Hugh sounds so done with it all.

As an aside, I was kinda smirking when she asked about either of them succeeding in killing the other because boyyy I live in my Mukōzuke alternate ending daydreams like it’s my second home. I was half hoping he’d say that Will would go on a date with Matthew.

And then Mads called the audience “sick fucks.” Mmmmmm ok sir. I think we’re getting a little too nasty with that language (I cringed).

Hannibal finds a ginger colored hair on Will’s shoulder??? BRO HE SMELLED HIM!! Mads rewatch the show please.

Dammit Hugh, don’t spoil our headcanon that Will wanted to help Hannibal escape because he loved him and missed him.

Finally someone in the audience asked them to kiss which is what I’ve been dying for someone to do since the first panel, and we got our answer “You can’t afford that.”

Look, I get it, they’re just actors. They’re doing a gig for a paycheck. But honestly, the fans have been begging for a hannigram kiss for a decade and here they are on stage together, getting paid (way too much) to haphazardly answer questions about a show that made them famous and one little peck wouldn’t kill them. But that’s the answer folks, if you want them to kiss, you gotta PAY THEM. *sigh*

OH LORD, IT KEEPS GOING….. Now Mads is saying they were never going to actually kiss in twotl. They were just getting egged on by the fans during the filming of season 3 but it was never going to be a legit thing. Gagged.

Hugh being flattered by the fans’ reactions was cute. I think Hannibal is one of those rare shows that resonates with people on the fringes of society, and that makes it so special.

The season 4 question was another major letdown. Nothing about exploring their relationship or where they escaped to. Just some sarcastic remarks. I have to say that not having Bryan Fuller at this panel is such a disappointment. I honestly would rather hear his takes on these questions than Mads and Hugh’s at this point.

Damn, I’d love to have known what Will’s favorite movies or books were but nope, Hugh doesn’t want to think too deeply about that.

Anyway, that seemed to be it for the Hannibal related questions. So in conclusion, was it awkward? Yeah kinda.

[my-rose-tinted-glasses]

Question (because i'm curious and because i love enabling friends' hyperfixation): what is Tengu no Daidokoro? Why do you like it? What are you hoping for in a s2?

Also, should i watch it?

I adore Koisenu Futari and i have other similar queer-people-in-their-daily-life Japanese shows on my watch list (i loved my dining table and i have Kinou nani Tabeta and Tsukuritai Onna to Tabetai Onna waiting) that i just know i will love once i have the time to watch it!

Is Tengu no Daidokoro anything like it?

Thank you so much for this ask cause it gives me the opportunity to share my love for this show and also maybe make other people want to check it out.

Before anything else. This is not a queer show. All those shows you mentioned are some of my favourite shows, as you can see by my choice of pfp I adore Koisenu Futari as well. Kinou Nani Tabeta and Tsukutabe are magic and I really hope you get to them because they are so amazing. But Tengu is not that. It's an absolute gem and I adore it.

Now. Why do I love it? Why I am excited like it's christmas morning and I still believe in santa? So many reasons...

-IT'S GORGEOUS (if I hadn't binged this ,I would've giffed every frame)

I mean the greens are just incredible. All the colours in these show are actually. The change in the colours is amazing as well. My delusional brain will believe that this second season was made specifically so that me and @colourme-feral could once again lose our minds over THE GREENS.

-It's about two brothers. (I love stories around family)

Motoi (older brother played by Komagine Kiita) and On. A city 14 year old who comes to stay at his older brother's house in a rural area. They are estranged and have little in common. On is the perfect representation of 'kids these days...' (I know I'm getting old when this is what comes to mind), completely hates the idea of being away from the city and technology and internet (I related). Motoi is at home here, he's very quiet and calm. I love them. I love this relationship. I love how it grows and I can't wait to see where they go next.

-The food. (I love food)

Motoi has his own vegetable garden and he makes everything from there or other local sources. Just like the shows you mentioned in your ask, the food is a major ingredient to this story. It's the thing that brings these brothers together as well. the scene in the above gif is one of my favourites because of that. Not gonna give you spoilers.

-The dog. but also...

this is where the show takes a different turn than you'd expect. although not really because it's in the synopses, but if you only knew this show from gifs and this post you would not see this one coming. There's a supernatural element to this show. For starters that cute dog you see there, he talks. He's a talking dog!!! And he is delightful. but also this

(Can we just stop for a second and appreciate how beautiful Kiita is? I barely recognized him in 25 ji.) So yeah it's in the show's name, Tengu's Kitchen. Tengu's are a legendary creature from japanese folklore and the brothers are descendants of them. (more info here about that if you're curious).

-The three of them.

I adore them. I don't want to say more so you'll just have to watch it.

-the setting (did I mention it's gorgeous?)

I know I've mentioned the visuals but it's not just that. it's the scenery and the rhythm and the music (I love the ost of this show) and the everything. Look I watch shows for a bunch of different reasons. This one, I watch it, or rewatch it as the case may be, for my soul. It's beautiful, it's soothing, it's touching, and I feel better after watching it. I really can't explain it any other way.

There are more things I could say honestly but this is already so much longer than I intended. But it's 10 episodes of 30 minutes and as with a lot of jdramas, an incredible human @aoinousagi has fansubbed it for our viewing plesure. here is the link to their post.

These are just some of the reasons I love it and can't wait to watch more. I never expected it but this day is better because of that announcement alone. I'm so happy. I will do rewatch soon, and probaly gif more of it so maybe more people will want to check it out.

@yannig thank you so much for this question. Sorry if it's a bit of a incoherent mess but I'm really excited and having trouble putting it into words. And I know there are a lot of shows to watch and not enough time to watch them all, so of course no pressure, but if you're ever in the mood for something that is wholesome and beautiful I do recommend it highly.

[rapha-reads]

IWTV rewatch

Season 1 episode 4 [The Ruthless Pursuit of Blood With All a Child's Demanding] - part 2/2

- [Claudia] "We do like mortals do. We fight, we eat, we laugh, we sleep, we love. And then the phone rang last night. And all the easy times stopped." - ooof. How to destroy familial domesticity: bring back the real world.

I love, love, loooove Louis' coldness and casual cruelty at his mother's wake. And looooove the family solidarity. Oh, Daddy Lou's fighting with his sister? Time to show our fangs and have his back.

- Oooh, a Lestat and Claudia scene! Dad teaching his kid all the true, important ways to make it in the world. And accidentally making her realise some things she'll never get to have, stuck as she is as a young teenager. But the blood kinda makes up for it tho.

- "Uncle Les says I gotta practice killin' both the one and the plus one at the same time, but I came away understanding something else tonight. I can't quite put it into words, but it's like something opened up in my head, in my body. I've been 18 for 7 months now, and it's time I started acting like it."

Aaaaand there it is. Happy hunting indeed. Happy until the reality hits back...

"I've lost my appetite, I can't sleep!" - welcome to hormones. Can't say I know first-hand what you're going through but good luck. Oh, no, but this is waaay too adorable. The giggling and the skipping and the flowers and the staying on the balcony waiting for Charlie to look up...

- "Everyone in my family looks younger than their age." - yeah that's one way to put it I guess.

Aaaand exit Charlie, pursued by a terrified horse. Taking this opportunity to say a lil something about how book!vampires are basically asexual in the way that their desire and pleasure express themselves through the blood, blood drinking and blood sharing. While the show being a visual media for a modern audience decided to make human sexuality also a part of vampire sexuality, all while keeping the blood as this irresistible force and the source of everything. Don't really have an opinion one way or another, except to say, please we need more asexual representation that still shows that ace people can find and express desire and pleasure outside of sexuality.

- Lestat taking on the ugly role of teaching Claudia about control and how it's hard for vampires to make lasting connections with mortals... Parenting's hard.

- [Louis] "Vivid writer, isn't she" - I'm kinda glad we don't get Claudia's own words about Charlie's death, knowing the writers they would have given us another lyrical prose that would have made us all bawl our eyes out.

The way Daniel is visibly impacted and heartbroken reading Claudia's diaries: he is deeply compassionate. And you can't read people and write about them without a certain level of compassion and even empathy. "Anne Frank meets Stephen King" indeed.

- [Louis] "Claudia was... everything." - ouch. Break my heart, won't you. It's the way Louis is physically struggling to talk about her, the way he needs the pebbles of his zen garden beneath his feet to anchor himself solidly enough to talk about her.

- "It's funnier when they fight in French. And diary, you'd think a girl whose mama died in childbirth, whose daddy gave her away to a mean old auntie who beat her 'cause no one said she couldn't, who died in a fire but came back by the blood magic of two demons, well, you'd think that girl wouldn't know what funny was. But you'd be wrong, diary. And if I told you, dumb diary, that that same girl was being raised to kill like her demon parents did, to take two souls a day so she could stay in the same flat-chested, hairless-crotched 14-year-old baby doll body as her mind and spirit turn 19, 20, 25, 63, 358, you dumb, dumb diary, I bet you'd say to anyone who'd listen 'Fun? Fun? How does she even get up in the morning?' Well, let me tell you something, you stuck-up, flower-covered, three-dollar fancy fucking paper diary, I'm doing just fine. And how do I know that? 'Cause the first man I killed called me the devil, and the last boy I killed, the last boy I'll ever love in this world, called me an angel. So that means I'm on the right path. And that means there's so much more fun out there to have. I'm just getting started."

THE INTENSITY, DAMN.

The crescendo of Claudia's voice overlayed by the music and echoed in the angrier and angrier words. Wow, I need a minute.

Between the "losing my mind in the coffin" scene, that "madwoman in the attic walking down from the attic" scene and the "the sun is a deadly laser" scene, someone needs to give Bailey several awards. And the writing team needs these awards too.

Show!Claudia actually has a backstory, not very detailed but still there, a miserable, painful human life, 14 years of misery and pain - she had a life, she had experiences before becoming a vampire; unlike book!Claudia who was 5 when she was turned, told Louis she couldn't remember her human life before being Louis and Lestat's, and doesn't have her own narration in between Louis' recollections.

Here, the addition of the diaries to the way the story is told not only allows a third party, a third perspective that's no more and no less of an unreliable narrator as Louis' voice, but it also, and I think more importantly, allows for Claudia to speak for herself. She isn't anymore just a footnote in the messy romance of Louis and Lestat. She is her own person, in her own narrative, with her own agency and life. And that's a huge difference between the two versions of Claudia: eternally-5-year-old Claudia couldn't have her own agency, no matter that she was really 40 in a child's body, because that child's body was more of a damnation, a cage, than a teenager's body. At 14 and with make-up, fashion, body language and speech, Claudia can make herself look marginally older, and thus can reclaim some of that agency, of that control. Therefore the issue comes not from the fact that Claudia needs at least one adult to have that agency by proxy, but from the fact that she might never pass for older than 18 and will be taken advantage of. As we'll soon see.

Also she was right, last boy she loved, but not last person, we stan a bisexual murder deranged queen.

And I did tell Lestat, that roof window is a structural failure.

Well, welcome to the Claudia show. That was one hell of an entrance. Crowd's seated for the next part, "Claudia goes Wild party in the Mississippi".

episode 1 | episode 2 | episode 3 | part 1 | episode 5 | episode 6 | episode 7

[deer0skullz]

Does anyone else feel like Umbrella Academy, What We Do in the Shadows and Our Flag Means Death went down very similar paths or is that just me?

To preface, this is mostly based on how I felt as I watched the shows but also on some of the opinions I picked up from the fandoms.

Also, I’m not going to go back and rewatch all of these shows for the sake of a Tumblr post so I’m working from memory and if you feel like I’ve misremembered any of the plot/ characters let me know.

1. Started as well-received and highly acclaimed live-action fantasy shows with ensemble casts.

Based on my own opinions and what I remember from other fans, UA seasons 1-2 were fairly well received, as were WWDITS seasons 1-3/4 and OFMD season 1.

They’re all definitely different genres of fantasy but I’d say they still all fit under the label. And they obviously all have ensemble casts, with the Hargreeves in UA, the vampires (and Guillermo) in WWDITS and the pirates in OFMD. Even though the plots and characters can be quite different they all have similar vibes.

2. Noted for having open queer representation.

Klaus and Viktor in UA, pretty much the entire main cast of WWDITS, and multiple main characters in OFMD.

3. Tied to already established and respected creators.

UA is based on the comics written by Gerard Way who, of course, is also well known for My Chemical Romance. WWDITS is based on the film by Jermaine Clement and Taika Waititi, who are both executive producers of the show. Taika was also involved in OFMD as the actor for Blackbeard and as an executive producer. He has his name tied to many acclaimed films like Hunt for the Wilderpeople, Thor Ragnorok and Jojo Rabbit.

These are obviously not the only famous people tied to these projects but it’s just a sample of the talent involved in these shows. I feel like the fact that there was so much talent working on these shows makes my next point more interesting.

4. Experienced drops in quality and/ or introduced problematic elements that caused fans to lose interest or respect.

Again, this is opinion based and if you still liked the shows during these seasons then more power to you.

My overall feeling about all of these shows is that they lost a lot of the joy from their initial season(s) as they went on. Like, they just got significantly less fun to watch. But they also had more specific individual issues that I would like to get into.

I stopped watching UA during season 3 and don’t plan on watching season 4. I feel like a lot of people will already know what I might be referring to with this but yeah, the scene where Allison *did that* to Luther made me so sick. I feel like that season absolutely destroyed her character, and as I said, it just wasn’t anywhere near as fun as seasons 1 or 2.

WWDITS is probably the most successful of the three in my eyes but I could still apply the same argument about loss of enjoyment. The “Guillermo wants to be a vampire” plot line got very stale for me, especially with how they “resolved” (?) it. Saying “oh he’s a vampire now oh nevermind he doesn’t actually like being a vampire and also can’t be one anyway so everything’s back to normal” felt like such a waste of time for me. I know a lot of people also criticised the show for queerbaiting because of the Nandermo plot lines and teases. I wouldn’t necessarily call it queerbaiting but I would agree that the “will they, won’t they” is very played out at this point. Another big criticism I have of the later seasons is how Marwa was treated. The fact that she had no autonomy and was being forcibly changed mentally and physically to appeal to Nandor was treated as like, a running joke and I just found it kind of disturbing. Dark humour is pretty common throughout the show, but given how often her character appeared it felt a lot more, significant than throwaway jokes about drinking human blood. I feel like they could have done so much better with her character.

OFMD is probably the most egregious example of the 3. Season 2 was just not good. I’m not saying it was the worst thing I’ve ever watched but it was incredibly disappointing. The pacing was off, the characters were off, the dynamics were off. It was all just very off. The huge cliffhanger ending with Evil Blackbeard felt like it was resolved way too quickly and everything else in the season felt equally rushed. A lot of the character dynamics, but especially Ed and Stede, just felt wrong to me. From what I understand there were production issues or something so I’m not saying the writers just woke up one day and decided to be bad at their jobs but I can only really judge a show by what I saw on my screen, and what I saw was so far removed from the quality of season 1.

5. Finished on a sour note.

UA ended after 4 seasons, with the fourth being released on Netflix today. I haven’t seen anything that indicates whether this was the intended endpoint or whether it was cancelled. WWDITS will end after season 6 which comes out in October. Again, I can’t find anything indicating whether this was the intended endpoint. OFMD was cancelled just a few months after the release of season 2 in October 2023.

I can’t tell other fans how they should feel but for me I’m incredibly disappointed that 3 shows I really enjoyed saw a gradual (or not so gradual for OFMD) drop in quality that ultimately culminated in them just… ending.

Like I said, I have no interest in US season 4, but I am still somewhat hopeful for WWDITS. I would be really happy if they could bring it back to what it was.

Conclusion

I don’t know what the point of writing this was other than the fact that I’ve always associated these shows as having the same vibes and I feel like it’s interesting that they have a lot of similarities and went down similar paths. Also I just like yapping.

[crescentmoon-flower]

Rewatching winx season 4 for nostalgia and realizing how wierd some things are

Ep1

Why is this intro actually fire??!

Ah yes, now they're the teachers

I actually admire season 4 for allowing the protagonists to grow up

"it almost makes me miss the trix, even they were less agressive"

TECNA MY LOVE BE SASSY MORE OFTEN

Grizelda, How exactly were they supposed to know that the room has been changed?

Also, ROOM singular? Are the teachers grouped too? Why don't the girls get their own rooms?

...griselda don't encourage students to be like the winx,  you don't want more girls to put themselves in mortal danger

Are the keys to the hall of enchantment custom made for each teacher? What about no fairy teachers? Do they just not get access?

Why is this hall inside a school? Actually maybe the building became a school after

WHY ARE YOU IGNORING STELLAS QUESTION FARA?

Blooms picture is in the book of fairies, Why exactly?

"A level above enchantix" and here begins the contradiction

The animation here looks wierd?

Yes bloom just walk off mid speech

Why was the wizard's painting covered?

Wait.... were they trapped in the painting? This brought up way too many questions

Awwwww,

musa ruffling rivers hair

helia being a perfect jentleman

stella poking Brandon

Oh right He's king now. Ah plot consistency, may you rest in peace

Grizeda rocks that look though ngl

No previous planning? To shame bloom, to shame.

Yeah I honestly wouldn't be all that impressed with those tricks either

Actually good lesson here, good job techna and aisha

Why don't bloom and Stella know the damn course plan?

Why is clarice saying this infront of several people?

How don't the teachers notice clarice just walk off?

How didn't Alice feel the box being put in her bag???

I like the original enchantix song more

What is the physics of that morphics surfboard?

Also Why did she use/make it? Feels useless to me

Why detonate it on the punching bag flora's turn?

Why did they have no protection in the first place? There was open fire?

Jeez, obviously alfea and cloud tower have very different punishments, the trix got away with so much worse, 

...actually maybe that's why the repercussions are so harsh now

Rip alfea's barrier (season 1 episode 2)

Ogron's so pale,  like did they forget to colour in his face??

And here begins anagan x flora, with a single hello

Smh flora you naïve girl, did you learn nothing in these last three years?

Gantlos has anger issues confirmed, he's the stormy of the black circle

Why the flora abuse this episode??

How exactly does that magic work? Were the wizards invisible? Or did they teleport? And if they teleported how did they know to do it right then?

They know blooms name and not her face? Even more questions...

I like this version of duman's voice, it fits him (rai's wierd accent)

I'd actually like a musa- gantlos rivalry, being immune to each others sound based spells, sounds like a good plot point

"Well that was fun"

Ogron is a masochist confirmed

..Merlin? Did he exist in the magical universe?

EVERYTHING'S UNDER CONTROLE LITTLE MAN, GO BACK TO SLEEP XD  🤣

...Dodging is impossible? Get Stella a basic self preservation class please

Ogrons magic is actually an interesting concept, too bad they don't use it to its full potential

Hold up are their fingers black? Why?

...but what if they last earth fairy is in alfea? Why give up on it so quick?

But why did clarice admit it?

"It's an ancient story"

Time line go brrrrr

Did faragonda give the girls an ancient important book? Why???? They didn't need the whole thing

Ep2

...I'm not saying anything on faragonda's explanation mainly because of the utter confusion and amount of questions it brings up

Musas up for a fist fight

...maybe all of roxy's confusion would have been ended if she mentioned morgana's name,  the girls know she's the queen now

Again, Time line go brrrr

How does making humans belive in magic weaken the wizards? this was never actually explained? Like they still had power before humanity forgot fairies?

"Where are we even going?"

Why don't you start with,  oh I don't know... EARTH???

Drama King helia, love it

Word spread to the boy's that fast? Wow

Aaaawwwww rivusa, Riven picking up musa and lifting up her mood, even if he didn't think up of it himself

Riven king of common sense

Sky's entrance was actually adorable, and hilarious

The change of music really made my heart drop for a second

Why the secrecy though? Couldn't they just go with the winx ?

When did techna copy all the books without the others knowing?

A teacher is a teachers pet

Oh poor wizgiz

WHY SO MANY TREES

oh right the pixy plot, yeah I'm not comenting on it beyond it was stupid and pointless

What luck,  they just so happen to come across a randomly rare magic butterfly

"Light and darkness in perfect harmony"

And yet the tree shows only fairies?

Also what luck that roxy just so happen to be in......

Actually, theory time:

What if when daphne sent bloom through the portal aiming for earth, she opened it close to a strong magical source, Morgana.

That would make more sense that a huge coincidence of two of the only magical beings on earth being in the same city

anyways

A promise never fulfilled, I wish we actually saw roxy bond with a pixy

[theitcharchives]

I caved. I watched Loki S2

Loki season two was fine but too many of you are being insufferable about the series itself and its lore. Timelines and universes are not interchangeable things–a universe contains timelines according to the series' lore itself and I don't understand how people do not understand this. MCU Loki now holds the timelines of 199999. Quit throwing the 616 thing around (looking at you Feige) and talking about "worlds". Variants are the same people across timelines according to logic, that's why some of the Lokis in S1E5 (iirc episode number) made no sense–Mobius did.

The first season remains one of the worst things I've ever had the misfortune to see, so to say I'm pleasantly surprised by the second is something.

Be warned–pleasantly surprised does not mean "omg it's perfect" it means "I did not expect this measure of respect for character and narrative, there's some good points and there's definitely bad points".

Still, the first three episodes were boring. The narrative in them and in some places of the second three was clunky. Things were underexplained and impersonal, both rushed and scattered. X-05 did not appear outside of the first season premiere, not even the first season proper (according to the internet because I indeed had zero recollection of him and refuse to rewatch S1) yet the second season treats him as if the audience is familiar with him–and it's confusing as heck. I cannot even properly recall what exactly happened in those episodes because it was so clunky and scattered and half explained. Especially the characters and their goals and stakes. I barely cared for Loki's, let alone anyone else's–well except Ouroboros. I love that guy.

Wow, we have to save all these freed timelines? Sure. I mean it's the right thing to do, so let's do it. It would've been so easy to actually get the audience to personally care–have Loki realize in those infinite timelines, there were some he could be happy in. His mother, his brother, even his father to whom his attachment is not resolved, there had to be timelines where they were happy and safe, perhaps even with him. In some of those timelines, Loki gets his revenge on Thanos, he gets to heal. He comes to term with his birth and heritage, he remedies the wrongs he has been done and has done to others in turn. Yes, those timelines deserve to exist, because Loki should know he deserves to be happy too. His "friends" too. Those stories deserve to exist.

Speaking of under-explained... so at one point Loki just... gains control over time jumps? Like that? Did I miss something in the whole thing? Like if it's because it's him, according to The Who being what is important ("in magic", I would have expected) then say it.

Some pieces were predictable. The whole interrogation of X-05 match one and two, the ending path itself (I was surprised by the tree thing though), Loki pruning himself (did that scene really need to be drawn out like that? We get what's happening, get on with it).

Some pieces were drawn out like the self-pruning, like retrieving Victor Timely. The whole time I was like "You've seen him, you can block objects in mid-air and teleport people in cages, snatch him and throw him in a portal so he can see the TVA instead of just talking to him and convince him–why does he need to be convinced?? Show him!!?" Details like these, like the machine that makes the shrinking cubes being left at all in the cell, Ravonna not actually looking to see if any other minutemen were considering her offer before compressing them all (I guess they had to slim down the cast, but man), Loki the Jotun with super strength having to run kilometers to catch one human–silly.

Things that were left out–Thanos, completely. The Jotun heritage. Loki being the scapegoat child in the narcissistic royal family, all his conditioning. It is said he wants a throne, it is never acknowledged why: being groomed to do so since childhood through mentions he was born to be a king, upbringing, education, treatment by family and society. The gender fluidity and sexuality, though with the MCU's regard for those things, it's likely better they left them alone–though the lack of shapeshifting was miffing. New York was handled better than I would've expected, but still breezily.

Now to be fair, many things were good. B-5 outright stating that the pruning the TVA does is an atrocity and convincing others. I'm ambivalent about Loki and Mobius–their relationship in the first season was a terrible one, but they genuinely roped me in in the second. Some things were funny in that delicate way that doesn't need clownery and one-liners that I'd been missing ever since the first two Thor movies. Ouroboros (especially in episode 5–ouch, too close to home). The soundtrack, amazing. The acting came across as more heartfelt. I even managed to tolerate Sylvie in the last few episodes–and oh yeah, leaving romance of any kind out, completely. Thank fuck. Loki actually being the main character of his own series. The fifth and sixth episodes. The sets, the props also felt real. The final outfit is growing on me. The dialogues, the interactions, the camera work, my gods, some parts were amazing. I am willing to rewatch it to make more sense of things, and look at other MCU works to see if it will impact them. I had given up on the MCU–Loki roped me in, Loki gave me back some interest when I thought it was dead for good.

Oh I'm still mad all my searches for comics appearances are cluttered with MCU stuff. I'll be mad until it calms out. "What if it never-" then I guess I'll never stop holding a grudge and complaining.

In the end, I'm just glad Loki got his not-terrible ending. I don't like that his final choice and chance was to sacrifice himself and all his needs for others, sitting in a tree holding the 199999 universe's timelines together, alone after saying teary eyed that he doesn't want to be alone. But it's still better than how he was treated and discarded from T:Ragnarok to Infinity War, and it doesn't exclude Loki from showing up again, some way or the other.

Obligatory link to the Loki comics reading list.

[leverage-ot3]

What are your k drama recommendations??!? I need new ones

omg my time has come thank you anon for giving me the opportunity to ramble about shows

I ended up talking WAY too long so I'm putting everything after the first one under the cut

all of us are dead- show about high schoolers as a zombie apocalypse starts. very funny and relatable, literally they call the police and are like 'have you seen train to busan?' bffrrn. has a lot of social commentary and there are references to the sinking of mc sewol (a cruise that sunk where the captain deserted it and left a large amount of high schoolers to drown). commentary about how adults save themselves first/leave youth to fend for themselves. one of my comfort shows and although they didn't intend for more seasons, it was received so well that they have been renewed! I am also an ot4 truther and sometimes talk about them on my international shows sideblog: @nam-on-jo

sweet home- (disclaimer: I am not caught up and have not yet seen s2 which came out a little while ago) honestly I have no idea how to explain this so I'm gonna copy-paste the blurb: as humans turn into savage monsters, one troubled teenager and his neighbours fight to survive and to hold onto their humanity. basically people turn into monsters for [redacted] reasons and everyone in his large apartment building is stuck inside trying to fend for their lives.

my name- I'm just going to paste the blurbs going forward because it's easier: Following her father's murder, a revenge-driven woman puts her trust in a powerful crime boss -- and enters the force under his direction. bro some of these twists I expected but others caught me off guard. I love the main character and am a little gay for her but I think that's valid because she's a bamf. there was a plot point at the end of the second to last episode that I really didn't like and made me very upset. narratively I get why they did it but it made me sad so I'm still pissy. might get around to writing a fix-it fic one day when motivation strikes because my girl deserves better things.

the guest- a detective, a catholic priest, and a psychic join forces to fight crime caused by supernatural forces. not to say they are my ot3 but they kinda are. (other ppl interpret it is a lesbian and her two bi/gay bffs which I also accept but. ot3 tho). LOVED every twist and turn and how the three of them go from not trusting one another to being family. genuinely one of my favorites from all the kdramas I've watched over the years and I want to rewatch it again soon

happiness (tvn)- The residents of a high-rise apartment fight for their lives against a deadly infectious disease while Sae-bom and Yi-hyun try to find the person because of whom the virus spread. bro I adored this. some characters annoyed me (which means they were written effectively) but it has so much. fake dating/marriage (they wanted a better apartment lmao). annoyances to lovers. mean/rude woman soft for sunshine man. what you will do for the people you love. morals and humanity during a catastrophy. *smacks show* you can fit so much into this. no but seriously, I thought this was a really interesting take on the zombie virus! so some of the time you come off completely asymptomatic and 'normal', so people can get away with acting normal and hiding the disease around other people, so the paranoia and mystery is REALLY amped up. had me guessing a LOT. sae-bom and yi-hyun are both cops/detectives and you find out really early (ep 1/2?) that sae-bom is immune which gives a really interesting dynamic that leaves her (to yi-hyun's exasperation and heightened blood pressure levels) to be kinda reckless in the pursuit of truth and salvation. I'm rambling now because this is making me watch to rewatch but yeah as a zombie/dystopia/apocalypse lover this was a good watch. it's more story-focused than violence-heavy which was a cool and refreshing twist

alice in borderland- okay y'all I am aware people had mixed feelings about s2 but overall I did enjoy the series. 'Obsessed gamer Arisu suddenly finds himself in a strange, emptied-out version of Tokyo in which he and his friends must compete in dangerous games in order to survive.' what can I say, I love a dystopian-esque setting.

the silent sea- imma be real, I only watched it for loml bae doona from sense8. 'During a perilous 24-hour mission on the moon, space explorers try to retrieve samples from an abandoned research facility steeped in classified secrets.' basically earth is in severe crisis mode as they run out of water to drink. water has recently been found on the moon, and although there was a mysterious tragedy that happened previously to researchers looking for water in a base on the moon, they have reached a level of desperation where they have another mission to look for moon water. mystery, paranoia, a couple of good twists ensue. I thought it was pretty good even though I have some mixed feelings about the open ending.

semantic error- yes I am sliding a bl into this list. bitch you thought. of course my bl-loving self would mention this (I forgot about it until I looked up good kdramas to remind myself of stuff I have watched). 'A strict, rule-abiding computer science major must work together with an artist with a polar-opposite personality to his.' confident cool boy meets bitch boy. it's great.

and of course...

leverage con artists- I would be fired from running this blog if I didn't mention the beloved korean spinoff of leverage. 'The series follows the story of Lee Tae-joon, a former insurance investigator who forms a team of thieves and con artists to target the rich and wealthy. The team was also formed to avenge Tae-joon's son's death.' I've posted about it before so I won't go super into it but it's VERY camp, a good time, and the ot3 is alive and well. debatable more overt than their predecessor!

other mentionables:

I tried watching kingdom (again for bae doona) but couldn't really get into it. might try again later because it's critically acclaimed (I think) and has even gotten a spinoff series

my roommate really liked mr queen. I didn't really pay attention when we were in the same room and they were watching it but it's fruity

the island on amazon prime was good! interesting plot but not in my top 10 or anything. worth a watch if you're looking for a kdrama to watch in your spare time. features girlboss businesswoman being thrown into a world of the supernatural because [redacted]. supernatural black horse man keeps her safe while keeping a life-changing secret.

let's fight ghost was a thai show that I saw and loved that was adapted into a kdrama called bring it on ghost, but honestly I couldn't get through it because I liked the thai one better.

train to busan is technically a movie but it's iconic and well-known and I highly suggest watching it if you like zombie/apocalypse movies. disclaimer: kdramas do not have the slow 'walker' zombies. they are fucking fast and the stuff of my nightmares. would probably just jump off a bridge if this actually happened ngl

I did think that extraordinary attorney woo was cute. I never finished it and know that there are VERY valid criticisms about the perpetuation of media portraying people with autism in the stereotypical savant ways. however, I liked how the love interest accepted her for who she was, loved her because of who she was and made efforts to accommodate and learn how to comfort her in ways that would work for her

business proposal was pretty decent if you like lighthearted romance- I didn't finish it but would like to at some point

tale of the nine tailed was another one that my roommate and I started watching but never finished. it was alright! just lost interest

shows on my watchlist:

black knight (netflix)- 'In a dystopian future devastated by air pollution, the survival of humanity depends on a group of deliverymen known as the Black Knights who navigate the wastelands using unconventional means.'

copycat killer-

hellbound (netflix)-

shop for killers (hulu)- 'A nephew who lost his parents and grew up in the hands of an uncle who runs a shopping mall faces a new truth after his uncle's sudden death.'

the legend of the blue sea (viki + hulu)- 'A magistrate's plan to release mermaids into the ocean backfires when they're caught by fishermen.' (legit I just miss mermaid media)

gyeongseong creature (netflix)- 'In the city of Gyeongseong in 1945, a group of young people thinking only of their own survival encounter a monster born of human greed and ask themselves what humanity is.'

dark hole (viki)- 'A mysterious black fog from a petrochemical factory's sinkhole turns people into bizarre figures; people who are not infected try to survive in this middle of pandemonium.'

the cursed (multiple)- 'An enthusiastic social issues reporter, fighting against the evil hidden behind an IT conglomerate, meets a teen-age girl who is possessed by a spirit and has special abilities.'

blood (multiple)- 'Dr Park Ji Sang believes in the sanctity of human life, and struggles to treat terminally ill cancer patients and save lives while at the same time being a vampire.'

the ghost detective (viki)- 'In this horror thriller drama, a detective who catches ghosts tries to solve the case of his younger sibling's death with the help of his assistant.'

possessed (netflix)- 'A smart-mouthed detective and a reclusive psychic medium join together to get rid of the ghost of a murder who was executed 20 years ago.'

connect (hulu)- 'A man is kidnapped and one of his eyes removed by a gang of organ hunters; his eyes was transplanted into body of a serial killer; the unwilling donor now has terrible visions as he witnesses terrifying attacks on the residents of Seoul.'

and now just because so many of these only have het romances, I looked up k-dramas with lgbtq representation... (some of these recommendations were from articles from screenrant, movieweb, this subreddit, herzindagi (bl-focused), allkpop)

schoolgirl detectives (viki)- 'Five teenage girls join together to investigate mysterious incidents that occur at their school, as well as help classmate deal with bullying, depression and other crises.'

be melodramatic (netflix, viki)- 'Three 30-year-old best friends, Jinju, Eun-jung and Hanju each pursue different paths in both career and love. Despite life's difficulties, the three friends can always return home at the end of the day and support each other.'

lily fever (available w/subtitles on youtube)- 'The story revolves around the budding relationship between Kim Kyung Ju and Jang Se Rang who meet when Kyung Ju can't find her passport and has to go to her friend's house to try and find it.'

love alarm (netflix)- 'In a world in which an app alerts people if someone in the vicinity likes them, Kim Jojo experiences young love while coping with personal adversities.'

nevertheless (netflix)- 'The story of a romance between a man who is annoyed with relationships but likes to flirt and a woman who wants to date but does not believe in love.' (wlw side couple romance)

[trickster-archangel]

Random thoughts about Hawaii Five-0 rewatch: part 2/?

Still trying to make sense, in sparse order, of some things I noticed and that made me question the mental stability of whoever decided determined plot points...

Thought #3: missed chance to be a fucking adult, evolved human being and not a caveman about divorced couples, or: if you had started with the intention of showing how Danny and Rachel could rebuild affection and understanding, why fucking slaughter her character that way?!?!

At the end of s1, I suppose it's in the Shorelines extra? anyway, the authors talk extensively about how it was their endgame since the pilot to portray the subtle change and the evolution of the relationship between Danny and Rachel, meaning: they wanted to show how two people, who once loved each other enough to decide to share a lifetime together, had fallen apart and started hating each other just as much because that's what happens in life, but in the end, slowly, thanks to life's twists and turns, they managed to find back the chemistry, the trust, the support, the love they had lost, creating a new kind of bond.

~~~~~~follows under the cut~~~~~~

Which....cool, really. It's fantastic. I obviously don't like the idea of no-mcdanno, but in a way I can really appreciate the intention of portraying something clearly fictional but way better, healthier and more hopeful than what happens in reality like, 70% of the times. My parents would immediately slaughter each other even after more than 30 years after the divorce. I have friends and ex colleagues who are just the same and cannot even be decent enough not to shit over each other in front of their children, making them part of their feud. In Italy, every three days a woman is murdered by her husband, ex husband, fiancee, partner, ex partner. The other 30% is barely civil enough to pretend NOT TO want to murder the other ex spouse.

So, cool. Good intention, I appreciated it, even if I don't agree with Danny sleeping with his ex wife behind her rightful husband's back.

Then 2x01 happened and ok, everything between them fell apart. Probably Danny didn't really believe the baby was Stan's, but it didn't matter because in the end he trusted Rachel and that was enough. He helped her deliver Charlie. He was a good friend. They could've kept this storyline, show how ex spouses can become civil and affectionate again, share a different love, explore the nuances of an extended family. Everything could've been normal and healthy.

So what the fuck happened with the whole "Stan wants to move to Vegas" and then "Rachel always knew Charlie was Danny's but had decided to keep him in the dark because she wanted to decide for everyone"?!?

Ready? The answer comes, plain and simple, in the following seasons' Shorelines commentaries.

They wanted to put Danny through an emotional grinder and imagine how he'd react, but most of all, they wanted to throw a curveball (multiple curveballs including Steve's storyline) at the audience, to hook them, shock them, and make sure they'd be unable not to be there for the next season to see what will happen.

That's it. That's the great mastermind masterplan.

Cheap shocking for the sake of audience ratings.

Ok, I get that after all the mess Rachel did, she probably didn't get much of a saying in Stan's relocation purpose...even if she could've been the friend Danny had been, and left Grace with him, moving only with Charlie and maybe getting Grace for school breaks. Anyway, that's a normal and believable kind of shock/curveball.

But the whole "Charlie’s paternity clusterfuck"?? I mean, it's not even realistically believable! In my 44 years, I've witnessed THIS EXACT SITUATION TWICE!! And in both cases, first thing the cheated husband did, apart from asking immediately for a divorce, was asking for a paternity test! That's what normal, real people do, if they KNOW their wife had an affair and suspiciously GETS PREGNANT immediately after!!

Unless you're a complete idiot who has no experience whatsoever of how the real world works, there's only one explanation for this mess: that you wanted us to imply that Rachel didn't even tell Stan about the cheating, that she simply told him, generically, that their marriage wasn't working anymore and she wanted to go back home, and made him believe that the baby had been conceived during their last-effort trip before Danny was poisoned....right after she'd made sure she'd get pregnant with Danny's kid to trap him with guilt AND need, and then lied to both men. FOR YEARS.

I call this clusterfuck one name only: character's assassination.

There were so many ways, even after s2 and s3 events had happened, they could've brought that shocking curveball forward, because the path they chose only managed to depict Rachel as a mean, cheating, liar bitch who managed to play both men. It's horrible, and chauvinist, and toxic.

She could've been genuinely sure Charlie was Stan's, and only with the disease outbreak and the test both Rachel and Stan had learnt about the truth. Stan could've kicked her out and Danny could've swept in like a real hero to help a friend who once was his love, or maybe they could've explored the difficulties of rebuilding a family.

More simply, Charlie could've been genuinely Stan's but Stan could've given her an ultimatum about Vegas and they could've divorced because Rachel couldn't bear the situation anymore, and made Stan go through what Danny had suffered with the move to Hawai'i.

Charlie could've been Danny's, and she could've decided to come clean with both instead of the whole shared custody arc (this situation, of course, implies that they could've been so far-sighted to imagine a several-seasons arc for Danny and Rachel, instead of improvising for the sake of shock).

Stan could've died, and Danny could've found himself suddenly in charge not only of his daughter and ex wife, but also acting as a father figure for a little kid who wasn't his, but who was his daughter's little brother thus deserving love and protection, making his genuine amazing humanity shine.

These are just some things I'm coming up with, right now, while I'm working and not even plotting, and avoiding any hypothesis implying both Stan's and Rachel's timely death to allow Danny the troubling experience of being a single father of two kids, maybe suddenly discovering that Charlie is his.

There were so many interesting nuances they could've explored, to make sure that they could've followed their initial masterplan about rebuilding a human bond between Danny and Rachel, AND granted them enough shock and emotional distress to hook the audience to the following seasons. Kinda like what they did, more respectfully, with the reveal of Harry's paternity.

They simply chose the cheapest route: harpy, bitch, whore ex wife cheats on both husbands and ruins everyone's life.

Good job.

[theoriginalsapphic]

Let me steal this moment from you now: Max, Will, Vecna and memories

This is a theory loosely based on BirthdayGate and me rewatching The Hunger Games due to its ongoing reinassance on tiktok and not being able to sleep at three in the morning.

BirthdayGate is the theory that Vecna has been manipulating Will’s memories to basically isolate him from others and making him an easier target (this is an oversimplification of the theory and I may have gotten some things wrong, so keep that in mind).

In the third and final book of the trilogy, Mockingjay, Peeta is held captive by President Snow and used against Katniss. During his captivity, he was tortured, beaten, and hijacked using tracker jacker venom to distort his memories of Katniss until he believed she was a mutt trying to kill him. Essentially, they turned him into a weapon.

Both BirthdayGate and Peeta’s plot in Mockingjay have one thing in common: mind control through brainwashing and psychological torture, which, also happens to be one of the main objectives of MKUltra, a non-fictional illegal human-experimentation program that was developed and overtaken by the CIA between 1953 and 1973, and that in the show is represented through Dr. Brenner and the Hawkins laboratory.

Stay with me; I swear I’m going somewhere.

Vecna messing with someone’s memories wouldn’t be a new thing. In fact, this concept has already been introduced in the fourth season, heavily foreshadowed by this particular song.

Right before the battle against Vecna, Max has the theory that, because she managed to escape through remembering the people that she loves, the best place to hide from Vecna would be to hide in her happiest memory.

Solid theory, all things considered. That is something that the characters got right; Vecna feeds of the darkness inside people (their fears, their traumas, and their guilt), so it would be logical to hide somewhere that represents the complete opposite of his source of power: their light, their strength, etc.

However, the characters underestimated how powerful Vecna truly is, and how capable he is of entering and messing with people’s minds. Max believed that hiding in a happy memory would save her because it did the first time, but he still managed to find her the second time around.

So, how does what happened to Max in season 4 relates to Will and Vecna?

Well, for starters, I just demonstrated why Vecna ruining someone’s happiest memories wouldn’t be a new concept at all.

Something that has been mentioned a couple of times it’s how little Will mentions what happened to him during that week he spent in the Upside Down. As a matter of fact, we know very little of what happened to him during that week, and if anything, what little have we learned about has just provoked more questions (way too many to write them in this post).

However, something that I don’t see mentioned as frequently it’s that we don’t really know much about what Will went through with Lonnie, except through third-party recounts, like Joyce telling Hopper Lonnie used to call Will slurs, or Jonathan remembering the first time he showed him The Clash after Lonnie failed to pick him up for a baseball game.

This is even more peculiar when considering that all the other characters that have experienced abuse in the show have been seen interacting with their abuser and, more or less, react to their actions (Joyce and Lonnie, Jonathan and Lonnie, Billy and Neil, Max and Billy, El and Brenner).

But the point is, we have never seen Will interact with Lonnie or even mention Lonnie. The only time Will mentions his dad is in a flashback that is remembered by Jonathan (who, unlike Will, has named Lonnie several times).

Just like with his trauma with the Upside Down, we don’t know much about his trauma with his dad.

In a regular world, with non-supernatural interference, this could be a completely expected response to trauma:

"Dissociative amnesia occurs when a person blocks out certain events, often associated with stress or trauma, leaving the person unable to remember important personal information." "According to the American Psychiatric Association (APA), dissociative amnesia often occurs due to traumatic or stressful events, such as childhood trauma, abuse, and neglect. Dissociative amnesia can also stem from issues relating to personal identity and past experiences." "This forgetting may be limited to certain specific areas (thematic) or may include much of your life history and/or identity (general)."

So, what if Vecna’s intention is to manipulate Will’s happy memories so those memories can’t save them the way they saved him back in season 2? Just like Vecna did the second time he faced Max.

In fact, what happens if these memories have been manipulated so they are no longer happy and instead bring him pain and anguish? What if the only memories that remain untouched inside his mind are the ones he wishes he could forget, the ones that were once repressed, so his own mind can be used against him? Just like Peeta Mellark in Mockingjay.

"Occasionally, a person may be able to suddenly recall these traumatic or abusive events, also known as recovered memories. Alternatively, a person may have false memories of a situation, or inaccurate memories that can be influenced by others or created to fill in gaps. Unfortunately, because a person may genuinely believe that these memories are accurate, it can be challenging to differentiate them from reality."

If what saved Max the first time she faced Vecna were happy memories…

Coincidentally, Will is the only party member that doesn't appear in Max's memories while the lyrics 'Let me steal this moment from you now' are being sung.

...triggered by a song she loves...

…then what happens when that person has no happy memories left to grasp on? What happens when those memories that formed the individual are gone, and the person loses what made their identity? If you lose everything that makes you, you, then who are you anymore? What happens when there is no light to escape to anymore?

This started as a theory about Will but now I’m concerned what will happen with Max when she wakes up.

[shittyelfwriter]

ALRIGHTY here we are at weeks three and four for the santa clauses series! I did not rewatch a second time because genuinely, these melted my brain. anyway, lets get into it below the cut!

So apparently according to the tsc tag, episode 3 that I missed last week is a sort of filler episode? OH BROTHER REALLY

Normally I would not complain bc I miss old format, 20-23 episode series but because I know this Isn't That? DREAD. how are you going to plot well and good in 7-8eps if some are filler? that is just SO condensed, my guy

Counterpoint to people who were sad about it but: I thought the teen romance was annoying and I'm GLAD they ended it even JUST for a bit (it will come back to haunt again, trust. It’s a disney series ffs.) Whoever is writing this needs to ask a teen about how they talk nowadays. This is not it.

I also think we're driving the whole "Buddy is terrible at everything" punchline WAY past its breaking point. Which I would argue was last season entirely, but. At the very latest, last episode with how heavy on cringe it was. Yes, EVEN for kids/teens.

Again, they are not antagonizing Magnus Antas enough for me to hate him. waaaaay too funny to be a villain. I can't take him seriously and DON'T want to

The way that Noel keeps sideyeing the Betty cutout as if to say "do you see this shit?" during his brunch with the Clauses SENT me tbh. That's bernelle coded and I love it

I do not know why Disney gets OFF on the Clauses being absolutely inept parents but I wish they would stop

SHOUTOUT JUDY OMG JUDY'S ACTRESS THAT’S JUDY JUDY IS HERE YOU GUYS (SCREAMINGGGG)

LOVING the exterior shots of the workshop and Elfsburg. As someone who has POURED over all available screenshots from the movies of those I am LIVING for new angles (even though I do NOT think bernelle would live that close to the Workshop, but it doesn't seem like Betty and Noel can POOF like Bman and Elle can (and do))

I don't know why there are TWO instances of a "misspoken turn of phrase" in this episode but neither were funny and TWO OF THEM was REALLY bad

CHUBBY BUNNY DID NOT EXIST THAT LONG AGO. NOT IN MAGNUS ANTAS' TIME. THAT WAS AN INTERNET FAD LESS THAN TEN YEARS AGO. WHAT ARE WE DOING DUDE. WHAT ARE THESE WRITERS ON (it's not good, I don't want some)

Crossing guard callback? For what? (okay, shrug I GUESS dot meme)

Why does this specific franchise always have to make EB SO WEIRD. WHY. Nothing about this is funny it's just off-putting. Just like the previous EB flirting with Carol's MARRIED MOM in tsc3

This Carol and La Befana scene was actually very good. LOVE it when they actually just let the characters be HONEST with each other. Women supporting women core. Even if Carol's reason for being mad at her was really shallow and obviously stems form Carol's lack of identity as Mrs. Claus because they just cannot wrap that plot point from last season up.

THE LETTERS DEPARTMENT. It looks dope but HATE the explanation for it. Half assed as hell. WARNING! Rant incoming: like from what I know a LOT of postal services have little lore stories about how they get the letters to Santa. WHY COULDNT WE JUST SAY THERE ARE AGREEMENTS BETWEEN SANTA AND OTHER ADULT PEOPLE WHO KEEP THE SPIRIT ALIVE FOR OTHERS AS WELL? Why is this series so obsessed with making everything only powered by magic and never by others (yes, humans) who want to keep the spirit alive as well? It feels like magic is being used as an "explain it all away" crutch narratively. Even in season 1, the "solution" to mass consumerism wasn't for people to be kind to each other and do little things to keep the magical parts of Christmas alive, it was to show the world that magic was real. Season 2 so far, the answer to everything is also just magic. I'm hoping that maybe the B plot with Kris will touch on this. Because as it stands right now, it feels like the writers are talking out of both sides of their mouth. Commercial Christmas is bad, but Kris is a loser for having a Santa theme park. Like?? Homogenization of Christmas is the Big Bad at large, but also up at the Pole they are trying to find ways to do the same thing to be "current". CHRISTMAS IS MULTIFACTED. It is both secular and religious! That is OKAY, I don't even think "woke" people are arguing about that. Sheesh.

Can't believe I'm micro rambling IN my ramble post. New achievement unlocked omg

The way Magnus Antas picks up on modern slang so quickly practically puts Scott to shame. Good for him

AGAIN, the misturn of phrase jokes. DEAD. Not funny. STOP

If they are going to make Sandra so op that she can just Wanda Maximoff chaos magic "I just say something when I'm mad and it happens, anything I want with no negative impact on me" I will not find that swag. That is in fact Mary Sue territory, lads

Sandra's little outburst @ La Befana was giving magical nepo baby for a moment there. Oof. "Too bad I'm just naturally more skilled than you even though I'm new and you've been a witch forever" girl SHUT. UP. You are like a little baby. Also that is so mad disrespectful like no WONDER La Befana is wanting you to slow tf down. You fly off the handle WAY to easily and we ALL know you lose control when you do! Okay loose cannon! Werk!

Riley. Girl. "we never see each other" you were just up at the Pole?? Like. OFTEN?? This is so stupid of a breakup but they are teenagers so go off kids, be dysfunctional or what have you. Rah rah, as Jack would say

Episode four now, lord help us. God has cursed me for my (loving this one Christmas movie series) hubris and my work (watching it's hellish series spin off) is never finished

"Reversing a transformation is never a guarantee" what is this La Befana? the Sims? Sounds like transformation ray odds. Magic is not THAT unpredictable, even by in-universe logic

CURTIS-ITIS!??? CURTIS FUCKING EXPLODED??

ARE YOU SO FUCKING FR RN. SO BERNARD IS MARRIED TO A SENIOR CITIZEN AND CURTIS. FUCKIN VAPORIZED?? FROM STRESS? WHAT'S NEXT? Lemme guess, Judy joined the circus. Quintin is a crypto investor or works for Tesla. WHAT ARE WE D O I N G

Not Scott moving the scissors like he's afraid Buddy will shank him or others?? SIR

SANDMAN AHHHHHHHHHH HELLO SIR /POS :D

So they just con him? As though that's a long term solutio-- OH MY GOD NOT SCOTT USING SANDMAN'S SAND ON SANDMAN HIMSELF?? that's ILLEGALE?? According to tsc3 lore: "We legendaries can't use magic on each other?" I am so bewildered by the level of retcon occurring before my very eyes at BREAKNECK speed

Sandra doesn't need magic she needs THERAPY for her ANGER ISSUES bruh. Damn. She doesn't need a rage room (in someone's house too I might add? okayyyy) she needs to learn to process like a normal human being wtf

Scott being able to look like his normal self whenever he wants and they just didn't tell him? For like. 25 years? Like its clear that by the series standards, the elves think he's a total moron. But it pendulums hard and fast between "haha funny joke" and "damn they really think he ain't shit, huh"

Edie being a fashion diva is such a serve she's grown on me this season ngl

"I had to teach him how to do all the Legendaries jobs" Scott I know you're waffling, absolutely FUMBLING but what the FUCKKKKK is that excuse??? What's Cal going to do? Be EVERY Legendary? TERRIBLE AWFUL HATE IT UNINSPIRED. Not to mention, SOME OF THE OTHER LEGENDARIES MIGHT NOT TAKE THAT NEWS WELL. Some might even feel THREATENED

"The man I die for in my sleep every night" UM? Noel? You okay there bud? Holy heck

THE PURPLE JACKET IS SWAG AND SCOTT IS A HATER. HE CANNOT SEE THE VISION

Do you guys think according to this new lore Edie made Jack's suit? because me thinks PERHAPS

Magnus Antas is kind of popping off, damn. Like I think if the gnomes hadn’t given him MAJOR delusions of grandeur and an ego trip, he could have stayed totally a vibe. But stop giving the Santas snow powers and reconning Jack holy SHIT dude. First Scott now him? HATE IT

The way they made Scott and Cal look when "invisible" is Not a Good Look heck. Its like a bad picsart filter

These Scott visions. I get why, its through the Santa magic, right? But dang its corny

So Scott knows Magnus Antas is back now. Okay. They got away from him. Lost visual on Olga, have a bad feeling she somehow sneaked into the sleigh. Weird cliffhanger but EVERY episode has been like that so far

Final thoughts: I feel like they're definitely trying to make this season take itself less seriously, but I feel like the trade off is that the writers are taking too many liberties for diversions from source material and are therefore, losing the plot entirely and retconning movie lore at will and convenience. Tl;dr, it's messy. Concepts are fun until things just become so irreverent they fall apart or lean into entirely unfunny territory. Which is just a hallmark of T*m All*n brand humor, tee em, but you know.

It feels like this series is doing everything and nothing. It wants woke points, but immediately doubles back and makes fun of those same things. It wants us to feel empathy for these characters, and immediately makes them insufferable. I am so confused as to what the takeaway is supposed to be. It all feels so poorly executed--the series retcons itself constantly, not to mention the movies. I want it to be fun, and to take it at surface value, but if you know literally anything about the movies, that becomes a challenge to do. I'm just so confused dude.

I will be shocked if this gets a third season. Truly.

Also, I miss Betty too, Noel. Wish this whole season was about HER shenanigans, instead.

So. See you all next week then?

[boobachu]

Rewatched Sonic Prime

and the finale of season two basically upped the ante to where the story is either going to have a really good ending or be so bad it brings the entire series down. (Kind of a long-ass post with spoilers if for some reason you haven't felt to binge the almost seven hours of show yet.)

This moment right here completely changed the tone from "Sonic broke the universe and needs to fix it" towards "If Sonic succeeds, he would be committing multiple omnicide"

Sonic Prime Sonic could earn the title "World's most genocidal hedgehog" and that's really interesting.

Now, this is what has been a very basic "modern marvel" "robot chicken"-ass story, I mean very interesting characterization but otherwise very cookie cutter.

Which, I mean, we got a whole season to explore it, but Sonic immediately defaults to his pussy-ass "FRIENDSHIP!!!!!!!!!!!11!!" but kind of the core of the story has been "Sonic's worldview is wrong"

Even though nothing too terrible has happened to him (beyond everyone he knew and loved and could ever know and love potentially being killed forever) it's very clear that the basic message is that Sonic's happy-go-lucky attitude needs to change, but so far we haven't seen what it needs to change into.

So basically

I think Sonic Prime is going to A) Have no fucking idea how to fix this problem it imposed on itself by stating the fact that Nine isn't Tails, and you're going to have to kill three people to bring back your little brother

So it just "Whatever! I don't care! We restored Status Quo without killing entire universes!"

or B) as stated before, Sonic Prime goes down as the Sonic canon that commits genocide across space and time to restore his parody of how news journalists who haven't played since Sonic the Hedgehog 2 react to seeing a human in a Sonic game.

or C) which is the least likely, they make some damn good writing that somehow preserves the new universes without it feeling like a handwave.

Honestly the B option could also be "Nine, Mangy and Sails fuse into Tails who has memories off all three" but that is also unlikely because it has the implications of every single being across the universe becoming plural or something. At least I don't think that's an obvious route to take.

People are concerned about Nine being a villain, and he's definitely going to be an antagonist, but I absolutely do not see how wanting to stop someone from wiping out countless worlds to save his own is a villainous trait.

Maybe they'd have the grim project turn out to destroy the other worlds, but that would come out of nowhere and would be kinda dumb to do the "dooming the multiverse through hubris" twice.

Tho it'd also be kinda interesting if the grim project turns out to be basically Eggmanland except Tails.

Like I'm not expecting the final episode of Sonic Prime to be the gang having a party while Sonic sits in the shadows going "I have become death, destroyer of worlds... literally!" and Shadow's like "You did what you had to do. I won't say more because the memory is punishment enough." and then he teleports away leaving Sonic to stand alone in uncomfortable silence while the party is heard in the background and then it cuts to black for the doofiest ass theme song to play over the credits.

It's more Sonic Prime has the potential to be in a Sonic lore iceberg as "Sonic canonically has more blood on his hands than anyone in fiction or reality"

Which is interesting.

[mywingsareonwheels]

More "Good Omens" s2 joy

The way in which each of the minisodes gives context for one or more of the flashback scenes in 1.3 is just... *chef's kiss*

"Companion to Owls" bridges the gap between an Aziraphale still trying(ish) to justify heaven's worst actions, Crawley still being shocked by them, Aziraphale not entirely trusting Crawley's motivations (in the Flood flashback) to Crowley's bitter resignation and Aziraphale's weary sadness at the Crucifixion. That "it was your lot put Him up there" is still one of my favourite lines, and Aziraphale doesn't dispute it. Crawley's intervention on behalf of Job's children gives that scene so many more layers, and is a beautiful (and in context heartrending) mid-point on that emotional journey for both of them.

"The Resurrectionist", oh man. It's implied I think that Crowley being dragged down to hell for helping/saving Elspeth is the last Aziraphale sees of him until their meeting at St James's park a few decades later, and I think we can be certain that whatever Crowley's punishment was, it was pretty intense. In 1.3, we went from the lighthearted, suave rescuer of late 18th century to someone who seemed very low and rather traumatised a hundred or so years later, and I think we all knew that something had happened to him. Sounds like that was it. :( So that all gives more context to Crowley wanting "insurance" against hell, so that he has some means of defending himself. But meanwhile, Aziraphale's remembering that the last time they saw each other, a young woman nearly took her own life with poison, so of course he's going to be concerned that Crowley is at risk from a similar action. They're both coming from a very understandable point that "The Resurrectionist" set up. <3

(Also, who is "The Resurrectionist" in the title? I love games like that. Is it Dalrymple? Is it Elspeth? Is it Crowley in saving Elspeth? Or all three? <3 Technically/historically it's both Dalrymple and Elspeth, but in the show? Oh it's all three. :D ) And then "Nazi Zombie Flesheaters", which I admit I wasn't a huge fan of on first watching (I liked it more on rewatch, but I muted/averted my eyes for the brain-eating etc. bits, not at all a gore fan ;-) ) did nevertheless set up the 1960s scene brilliantly. That was perhaps the first time that Aziraphale really sees, in person, just an inkling of how dangerous hell is to Crowley. And it always takes things a while to percolate with him, but I think that's a large part of why he does eventually give in and give him the holy water, as well as adding layers to his protectiveness of Crowley in some of the "now" scenes in both seasons.

And all four (especially in combination with "Before the Beginning") give so much more context to the rest of series 2. Aziraphale's long (and still incomplete, which is understandable <3 ) journey in learning his own sense of morality separate from heaven's. Crowley's terror of the word "nice" as it applies to him. The compromises each of them has to make with the ideals of their bosses in order to function in the world and be true to themselves and the humans around them - and the danger that puts each of them in. The growing mutual loyalty that - make no mistake - hasn't been in any way put aside in their falling out at the end of the series. The way in which the solution to the loneliness they identify in "Companion to Owls" is each other. <3

And of course the fact that more people need to know John Finnemore's writing, given he was not merely the co-writer of the whole season, but the main writer on "Companion to Owls", bless him, and my goodness does he need more love for all of it. <3 I'd love to see Cat Clarke getting more credit for "The Resurrectionist" too!!

[liketheletter-l]

Do you have a favourite episode of community or any thoughts on the series? I saw you reblog a post earlier about it and there aren’t a lot of opportunities to talk about one of my favourite autism shows

OH MY GOD. OKAY

i can't even pretend i'm normal about community even a little bit, it's literally seared into my brain and is a permanent part of my personality. my sister @inalienable-wright and i are working on ranking all 110 episodes (she literally coded a program so that instead of having to work with every episode, it presents us with two at a time and we just pick which one's better, it's really fucking cool)

the question of a Favorite Episode is really complicated to me, because i could think of at least fifteen off the top of my head that make me about the same amount of Deliriously Happy so here are some, in no particular order:

2x21 Paradigms of Human Memory

3x19 Curriculum Unavailable

3x04 Remedial Chaos Theory (duh)

3x05 Horror Fiction in Seven Spooky Steps

2x14 Advanced Dungeons & Dragons

2x08 Cooperative Calligraphy

1x10 Comparative Religion

1x19 Beginner Pottery

2x06 Epidemiology

2x15 Early 21st Century Romanticism

3x01 Biology 101

2x01 Anthropology 101

3x07 Studies in Modern Movement

1x17 Physical Education

1x07 Introduction to Statistics

6x01 Ladders

rambling thoughts about the series as a whole under the cut:

As you can see i obviously like seasons 1-3 more, and honestly if i kept listing favorite episodes from those seasons it would go on and on, because s2 and s3 esp are just ALL-STAR seasons (with a few exceptions, obvs. 2x18 and 2x20 come to mind for instant skips)

that being said, i liked seasons 4-6 fine. s4 isn't necessarily the level of absolute dogshit everyone says, but it was indeed bland compared to the vivid colorful witty hijinks of s1-3. it's hard to pinpoint because you're mostly noticing the ABSENCE of something; most of the actual episodes aren't Bad, but they just don't compare to the seasons before.

season 5 has a lot of good material that i can't rewatch Or i will literally fucking die. G.I. Jeff is a fucking masterpiece imo, geothermal goes without saying, Advanced Advanced DnD & the meowmeowbeenz episode were both funny as fuck, the ass crack bandit ep was gold, and most of the other episodes are solid. it's just Sad. there's just an incredibly melancholy and depressing tinge to the entire season and it makes me fucking SAD

season 6 i found very fun because i love frankie and elroy, but most of the episodes are too goddamn tragic to even rewatch just because it just feels hollow. there are some very funny parts of the season! but overall, it felt like they were trying to cram in the usual amount of hijinks, when really they only had 13 episodes to give these characters a satisfying send-off, and it ends up just leaving jeff and britta in particular at a STARTLINGLY low point to close out the entire series. i watched 6x13 at about 4am the morning before an exam and i cried so hard i started dry heaving to be honest

the only way i can watch the first three seasons is by pretending everything after the s3 finale straight-up Doesn't exist. i believe that the showrunners did (mostly) the best they could with the string of production disaster after production disaster post-season 3, but the ending is simply So fucking tragic.

our beautiful codependent insane found family that we've spent 3 seasons watching become closer and care for each other and get into trouble together just slowly, painfully gets picked off one by one. it's not even a clean break it's an Agonizing decay. i have to try very hard not to let it sour the rest of the series for me.

This is why we write fanfiction though! (i do wish there was more content focused on the study group as a whole rather than just trobed, but such is life) you should definitely DEFINITELY check out my sister's writing here because her community fic is fantastic

overall i think this show is one of the best ever made & i literally cannot express in words Just how close it is to my soul. it is inside my heart. it is literally part of me (im normal)

PLEASE HIT ME UP TO TALK ABOUT IT!!!!!!!!!!!!!!!!!!!!!

[fereldanwench]

so i finished my rewatch of s1-s3 and new watch of s4-s7 of the 100 aaanddd i wanna ramble

spoilers and, from what i've gathered, unpopular opinions under the cut lmao

i watched the first three seasons in 2015-16, iirc (binged s1 and s2 on netflix; watched s3 as it aired)--i remember losing interest towards the end of s3 so i wasn't super hyped about s4 and just kinda forgot about it. on rewatch, i was also getting bored with s3, lmao. it starts off pretty strong, and the end revelation is a banger, but the last 4 eps or so just draaaggggg

i really liked seasons 4 and 5, though, with one big exception: giving clarke a daughter-figure to go all mama bear over was quite possibly one of the most obnoxious character development choices they could have given her

clarke in general is kind of a frustrating character for me because on one hand, i fuckin love a female character who does awful things for what she believes are good reasons, and that is clarke 100%

but in spite of that awesome set up, she manages to be so fucking boring

i think a lot of it is the actress' performance, tbh--the acting on the show overall generally isn't anything spectacular, but i find her particularly bad. i cant quite pinpoint my gripes, i just find her very bland

and given that the show is basically one extended trolley problem and there are dozens of characters who are also constantly put in the position of making the most difficult decisions in the universe, that just isn't enough to make her compelling

i found myself really drawn to echo in the later seasons because i am predictable af and i love a character who is loyal to a fault and bases their entire identity off being a loyal follower. i do feel like the relationship with bellamy was a little shoehorned, though. like i see the enemies to lovers potential there, but i think having most of that transition happen off-screen took all the fun from it

and i was stunned when i went looking for echo gifs to find out that most people hate her but love clarke apparently, lmao. hard opposite

s5 also delved into one of my favorite dark apocalypse tropes: what will push people to become cannibals to survive? it's always been a morbid fascination and i wasn't expecting them to get as fucked up with it as they did, but it was compelling shit

s6 had interesting elements to it--the worldbuilding/lore i think is part of the reason i got so sucked into the show, and seeing how becca's influence managed to reach a whole other planet was cool. i also liked the personality chip stuff bc it gave me ideas for valerie, haha. i also liked russel as an antagonist--love a very polite and calm villain being pushed to their limits

but i could see it was starting to lead into a setup for a whole metaphysical aspect to everything that had happened, and i just really don't like that shit

oh, also, kane and abby were my absolute favorite couple and i'm very sad they didn't get their HEA

so s7 was very meh to me. lovedlovedloved echo, dioyza, octavia, and hope getting to be badasses together, but that's about it. the transcendentalist shit was so fucking tedious, and bellamy got done dirty. and i've found myself overly fixated on the logistics of the "finalkru" situation with clarke and her buddies living on earth for the rest of their lives with no hopes of procreation or extending the human race

like at some point there's just gonna be one person remaining, right? and they have to spend their remaining days all alone? unless they do some kind of death pact? or how exactly do the transcendents ensure there are no babies? can the humans undo this? like what if they clone themselves or do in vitro fertilization? i have questions!!!

i don't mind a story ending with unanswered questions--i even really like that sometimes--but ending with a bunch of new unanswered questions is annoying lmao

plus i find the premise of finalkru surviving and maybe trying to figure out a way to continue the human race to be more interesting than 87% of the plot of s7

also two of the big themes throughout the show was never giving up hope and always seeking to rediscover their humanity after doing horrible shit--i just don't feel like this ending really tied those motifs up in a satisfying way. 99.9% of the human population no longer experiencing pain because they basically don't exist anymore feels less like a reward for Good Behavior and more... idk, just unsettling to me.

i mean, it's basically sci-fi rapture, and the whole idea of the rapture always freaked me out too lmao

i know the show is based on books, which i haven't read and don't plan to, so maybe some of this would be better explained there, but i've also seen commentary that it deviates a lot from the novels so who knows

anyway, i do like the show overall. there's a lot of juicy stuff here, but very weak ending. reminded me a bit of how i felt watching lost, actually, although not as egregious