#so hers is also less accurate in some parts

[dragonwysper]

Just finished Mouthwashing, after hearing all sorts of snippets of fandom drama about it. I'd stayed away from all that because I didn't have the context, but now I do! So I'm blasting you all with my thoughts.

Long post. Be prepared. Spoilers for Mouthwashing and CW for in-depth discussion of SA below.

So the biggest aspect of the drama side of the fandom that I've been seeing is how the game handled Anya's rape. Some people think it was devastating and properly showed the awfulness of Jimmy, and feel Anya's trauma was portrayed accurately and handled well. Others think Anya was somewhat one-dimensional; she was given a stereotypically female-specific trauma to match the different pain/traumas of the other crew members, and feel the subject wasn't given enough weight and respect.

After having played the game (while also going into it with the knowledge and expectation that it would be about SA), I can see both sides. Though I think my thoughts on everything come from some core details.

Firstly, the core theme of the game is not SA. It's karma. Jimmy is a terrible person who doesn't care about the pain he inflicts on others, as long as he gains something from it. The game follows him as he destroys the people around him, and treats them like fodder to fuel his own goals. We see all of this catch up to him in the end, and he's sortof divinely punished, or overcome with guilt, or whatever it is, because of it. Each person's harm is unique and everybody has their own micro-themes, but the core theme of the game is overwhelmingly karma.

Essentially, this is not a game about SA. This is a game about a terrible person getting what's coming to him.

Secondly, rape as shock content is a common gripe regarding mostly horror movies. It's a quick and easy way to create motivation, so much so that it's turned into its own subgenre of 'rape and revenge' plots. Think I Spit On Your Grave style movies. The other side of the same coin is objectifying the victim, which creates an exploitative feel. The act of the rape itself, and furthermore the shock of it, is more important than the victim and their feelings and trauma. Rape is detached from the lasting harm it causes, and is more something to justify getting up in arms about something/someone rather than a trauma.

And while we do see some of Anya's trauma from SA, Mouthwashing by and large is not meant to be a commentary on SA specifically. Again, it's about how terrible of a person Jimmy is, which makes the SA, at least in part, a tool to make the player hate him.

Ultimately, if Mouthwashing was changed to where Anya faced a different form of harm from Jimmy, instead of SA, it would still be just about the same game. You could still make a convincing game with karma and bad people getting their comeuppance as the core theme. And that I think is the most important realization to have about the subject.

Anya's SA was the first trauma, and the details of the aftermath are what kickstarted the plot, but it was, intentionally or not, a tool to make you hate Jimmy. Because the game isn't about Anya and her trauma. It's about Jimmy and his karma.

I think Mouthwashing is fascinating, and that theme of karma is not something I see done well very often. I think the style of the plot and all the little details that expound upon the micro-themes of the game are extremely well done. And I think it did handle its themes of SA better than a lot of content that discusses it. But it's not perfect, and it falls short of really digging into the true weight of it. It's not a game that makes any real progress on the portrayal of sexual trauma in media. It's cleaner and less graphic than 'rape and revenge' stories, but it ultimately still relies on exploiting the shock of rape to serve a 'bigger' plot.

It's late, I'm tired, and I'm struggling to properly word what I'm feeling, but hopefully my interpretation of nuance comes through.

[linterteatime]

Hi hi!! I love your art so so much! What's the chance you have a version of this https://www.tumblr.com/linterteatime/754791958130606080/slugcat-distribution-system-gave-them-an-explosive?source=share without the text? I want to use them as phone backgrounds. If that is okay with you? I would love to stare at your art for as often as possible. Just love the way you draw the scugs and the iterators. It's mesmerizing.

Heya! thank you sm! sadly i did not have a version without text at first, i usually tend to combine most if not all layers while drawing so its very rare for me to have an art file with everything separated in its own layer by the time i finish the drawing, and even then a lot of times i combine them all just because in the end (bad habit tbh lmao). But anyways here is an edit for both i did without the text, it's not absolutely 100% perfect, obviously, but i hope they work!

[benegesseritofficial]

The effects of face paint on Harrowhark's psyche

I've now cosplayed Gideon Nav 3 times, with my wife along as Harrow every time. Naturally, this has included full face paint for both of us each time and I have some thoughts.

Let me start by asserting that everything Muir writes in TLT about the face paint is accurate. Rubbing off your lips first, smearing into gray where the black and white meet, the way sweat makes it ooze but not run. I can't say if Muir (a known Homestuck) ever cosplayed as a troll, but I'm positive she tested out the practicality of the skull face paint or otherwise has first hand experience with extensive use of grease paint. Also, the way she describes normal people flinching when they see you is spot on.

I've noticed while putting on the make up that once most of my skin is covered, any flesh tones sticking out start to become unsettling. Specifically, the red/pink of the inner mouth and around the eyes jump out upsettingly. Every time I've done skull paint I find myself meticulously trying to patch over these edges of skin, despite knowing that it's inside skin that Shouldn't Have Make Up On It. Once my face is monochrome, I don't want to be able to see a scrap of real human under there. Smiling, or otherwise opening your mouth wide enough to see the pink, looks UNSETTLING. My own skin causes the uncanny valley effect. You see where this is going. In NtN we learn Harrowhark disassociates often enough that Crux isn't surprised or concerned to see "Harrow" insisting she's someone else. Obviously this is due to her schizophrenia, and perhaps trauma besides. But it doesn't account for every aspect of why Harrow's "like that." On her most lucid days Harrow ignores her body to the point of sweating blood and passing out. She goes entire days without eating. She thinks of herself as a skeleton unfortunately covered in flesh. She sleeps in her paint.

All of which is heinous, but that last one has stuck with me. From age 13-18 I barely glanced down while I showered and whatever I saw I basically blocked out. I wore underwear and a bra under my pajamas to sleep every night. I was going through the wrong puberty, "my body was in open rebellion" as I liked to say at the time, and the only way to cope was to bind it down and pretend it wasn't happening. By Gideon's narration in HtN one gets the impression most nuns of the Ninth are putting their paint on after breakfast and taking it off when they get home. It's not even expected the average person wears it every time they leave the house. But Harrow regularly only takes her paint off in order to redo it. I suspect a combination of being the most brainwashed person in her own cult, knowing how she was conceived, and the regular disassociation make it very difficult for Harrow to conceptualize that she actually lives in a body. If she faced that fact head on she'd have to ask why it so often feels someone else is using her body. She'd have to cope with owning this body, being a part of this body, that was bought with the blood of 200 children who should have been her peers and friends. Instead she pretends it's an object on loan from them. And she does it with 10 layers of black petticoats and so much paint she never has to see her own skin.

Which brings me to the final thing I've noticed wearing full face paint. It dehumanizes you to yourself and everyone around you. I couldn't read my own expressions in a mirror. Even people who understood and were delighted with my cosplay were visibly nervous talking to me. You don't look like a person. Studies have shown that faces wearing heavy make up are ranked as harder to read and perceived as less empathetic. It's a particularly insidious trap of patriarchy that many women find self esteem in wearing make up, while that very act makes everyone around them treat them more callously. And, worst of all, if you stop wearing it once you're used to it, your naked face is shocking. You look sick due to your colors being less bold and the normal small flaws of your face appear unbearably ugly. With all this in mind, Harrow has trapped herself in a feedback loop of not being able to witness her own face and becoming more and more disgusted with the flesh and person underneath whenever she has to glance at it.

[supercutszns]

Luke x reader where a girl, daughter of Aphrodite, flirts with him and insults the reader, causing her to avoid Luke, but later he manages to find her and confesses that he actually likes them... I don't know if they should already be together or not, but I believe in you!!! you write very well :ooo

Sorry if the idea is bad or you wouldn't want to write something like that, if that's the case please pretend you never read this 🤡🤡🫶

true colours; luke castellan

wc + pairing: 3.6k, luke castellan x child of iris! reader

synopsis: everyone wants luke castellan, including you. curse your mother for getting your hopes up.

warnings: friends to lovers, reader is very insecure, bullying, lee fletcher & will solace cameo!! some angst with a fluffy ending

notes: thank you for the request!! as always this is longer than i anticipated but hope you like it :) i also combined it with another request for a child of iris reader (i also identify as a child of iris sometimes so i lovee writing for them) also i’m pretty sure lee + a lot of parts of this are ooc sorry but i havent read the books in about a year so hopefully everything’s fairly accurate!🌈

You knew this summer would be different because your mother sent her wishes twice as much. On the first day of July, when children flood into Camp Half-Blood like a hive of wild bees, a rainbow always lights up the sky. 

This year, there were two. 

As a child of Iris you’re technically supposed to be in the Hermes cabin. But your love for art, for music, for fun, has made you a particular favourite of the Apollo cabin. Most of your friends are there. They tolerate you singing in your soft, often unsure voice. They love when you catch sunlight and filter it into prisms of colour on their cabin walls. 

You’d probably move in there permanently if it weren’t for Hermes. Or rather, his son.

Over the last few months, in the sticky summer heat, your mother knew you would fall in love. 

It's not any surprise you love Luke. Everyone loves Luke. A fact that's becoming more obvious every passing day. 

It used to bother you less. You’ve always been his meagre, hopeless friend, never any real competition to these girls. You’d basically taken yourself out of the running and instead decided to pine after him in the very back of your mind. A safe, deluded fantasy that would never happen. 

Until recently, where it seems less like a fantasy and more like a terrifying possibility. 

Over the past few weeks Luke has gone out of his way to be sweet to you. Or at least you think so. He’s spent extra time talking to you at lunch, laughing at your half-formed jokes almost in earnest. At bonfires he saves you a seat, grabs you a marshmallow on occasion. You even made him a friendship bracelet of sorts—admittedly a little ugly—but he’s never taken it off. Not since the day you gave it to him. 

Not to mention helping you last week before the archery competition. His hands lingering over yours as he steadied your bow, the curls of his breath on the back of your neck when he stood behind you. 

“Don’t be nervous,” he says, a tinge of mirth in his voice. “You just steady your aim and first is as good as yours.”

(You came in fifteenth.)

You don’t want to say that it’s him weakening your aim, making your pulse beat out of your neck. His nose brushes against the back of your jaw as he leans forward and you smell the pine on his skin. Is this friendly? Is he this close on purpose? Are you delusional?

It’s all you’ve been thinking about these past few days. So when Luke Castellan’s endless admirers come to the forefront of your mind, you feel like all those moments of potential buildup have been ripped away. 

“You alright there, sunshine?” 

He takes you out of your spiral with a teasing lilt you love. When you look at him, his face is a shimmering warmth, complete with boyish smile. 

“Yep,” you reply, trying to ignore the nickname making your insides flutter even though you know he’s saying it ironically.

You’ve always had a gift for identifying colour. It’s the thing you pay attention to most. Something inherited from your mother, you suppose. So you’ve memorized the way Luke’s eyes melt in the sunlight. How his scar blends with his pinking cheeks when it’s hot outside. You never told him, and you probably never will, but you’ve painted him from memory quite a few times in the Apollo cabin—always with the excuse that you were practicing. It's so blatantly obvious you're in love with him there's no point in your friends bringing it up.  

The two of you are meandering around camp before dinner, a tradition Luke started early on in the summer. You talk about high points of your day (mostly you) or share nuggets of gossip you’ve heard around camp (mostly him). It's the thing you looked forward to every morning. A time when his words are just for you. 

Idle chatter flows as you keep walking. Sometimes your arm brushes his and you have the embarrassing urge to tug yours away. You do your best not to stare at him too long or laugh too loud at his jokes. 

“Hey, Castellan!” Someone calls. 

Luke’s head turns. Your heart plummets. A beautiful girl, Aphrodite cabin, you think, is heading towards you. She’s all honey-spun hair and dazzling pink lips, and it’s obvious she knows it. You don’t know her name. But Luke does. 

They fall into conversation the second she arrives. It’s just greetings, pleasantries, but there’s a coy smile on the girl’s face that betrays any sense of disinterest. “Heard you’re not too keen on pairing up with us for the Chariot Race next week. What gives?” Her tone is pouty and playful as she taps Luke’s shoulder. She side-eyes you, lips curling imperceptibly. “I’m sure you’ll have a better chance with us.”

He lets out a strained chuckle. “Dunno, just thought it was fine to switch it up.”

Just like that, you’re out of the loop again. More of her friends flock after her, and soon Luke is tangled in a whole other world. They’re all glowing with a kind of righteousness you only get when you’re popular. You know Luke has friends, tons of them. He's the leader of the cabin with the most campers. Not to mention assertive and gorgeous. His presence is so inviting it’s a challenge not to fall in love with him. 

So you can’t blame this girl, the one that keeps touching his arm and giggling. It’s not like you’ve staked your claim on Luke—no one even knows you exist. As much as you want him to be yours, you know you’ll never stop someone from taking him first. It’s your fatal flaw, you think. Cowardice. 

You end up sidelined completely. Watching him swathed in people more charismatic than you plants an ache deep inside you. All your wishful thinking feels sour now, a pipe dream, a bedtime story to help you sleep better. Somehow it hurts more knowing that it’s nobody’s fault but yours. These people can’t be doing this on purpose. It’s just who they are. It’s who you are—always a step behind, always daydreaming. You are your mother’s daughter, after all. Just a prism reflecting everyone around you. 

Eventually, one of the boys in the group takes notice of you. He’s not nearly as captivating as Luke is—you don’t find the colours of his eyes hold as much depth. There’s also a haughtiness when he looks at you. He sneers, “What the hell do you have on your face?”

It draws the attention of others in the group. You feel like a naked sculpture in an art gallery. “Uh, what?” You stammer. 

Some of them purse their lips. The girl with Luke lets a laugh slip. You’re pretty sure you look like an idiot, waiting there with your brows wrinkled in a daze. Their gazes keep flicking over to your cheek, so your hand flies up there before you can delay any more. When you press your fingers to the side of your face, they come away tacky and pink. Mortification constricts you.

Paint. It’s leftover, half-dried paint. The colour of Luke’s cheeks in the sun. 

“Oh,” you say dumbly. It’s drowned by snickers. All you can do is find Luke, the only face you know, and ask, “Why didn’t you tell me?” without sounding too hurt. 

You know you failed when your voice comes out wrong and his ebony brows push together. “I thought it looked—”

He never gets to finish because the golden girl laughs a little louder, the pink tones in her face a little darker. “Oh my Gods, you’re that Iris kid that’s always singing, right?” She giggles sharply, cornflower eyes darting between her friends. There’s something in there you can’t quite pick up on, until it flushes the pupils of all her friends, and they all grin with a secret knowledge they want you to see. “You’re, like, really good!” The girl simpers, but her bottom lip pulls between her teeth to soften another laugh. 

“Oh, so good!” Another friend piles on. 

Their passive-aggressive chuckles start to sound like hail on a window. You shift further away from them. Dirt slides beneath your shoe, and you long to kick up more of it, displace yourself, disappear. 

You don’t look at Luke. The giggly, flaxen girl has already turned back to him, and you’re sure he’s enthralled once more. You try to stir up the image of Luke’s closeness during archery practice, the lilac bruise on his knuckles when he angled your bow, but it doesn’t take. Now, it feels like you’ve dreamed it. 

Out of the corner of your eye, you see Luke leaning down to catch a whisper from the Aphrodite girl’s ear. The boy that first commented on your cheek leans closer to you again. He’s suffocatingly smug when he grins, “Why are you still here? Shouldn’t you go … wash that off? You don’t want to look like that at dinner.” He snorts. “For an Iris kid, you really aren’t good at taking a message.” 

If you were a more confident person, maybe you’d point out how that didn’t really make sense, or how stupid it sounded coming out of his mouth. But the sentiment of it wounds you, and you’re weak enough as is. 

"Guess you're right," you mumble. You wipe your face of paint as you leave. The memory of Luke’s skin stains you until you wash your hands off in the sink. 

You haven’t talked to him since. 

It’s been a few days of you avoiding him, and it’s hard to explain to anyone why you’ve been doing it. How do you tell the truth? Luke Castellan is a work of art and you are … a weird doodle, or something. Despite your adoration, you know there’s no reason he should feel the same for you. Everyone loves him for a reason. Everyone must ignore you for one, too. 

“Why haven’t you been talking to Luke?”

The question breaks your concentrated silence in the Apollo cabin. You’ve been sitting here for a while now, humming to yourself over a mostly blank canvas. The cabin is dusted with a lilac haze, thanks to your manipulation of the light streaming through the windows. Helps you feel less like you’re at camp and more like you’re in a fairytale. 

“Helloooo, lady, I asked you a question.”

You begrudgingly look up. Lee Fletcher, head of the Apollo cabin, is at the mouth of the cabin, gazing at all your supplies strewn about the floor like they’re a bunch of unsavoury substances. “It looks like a hurricane came in here. Now why aren’t you talking to Luke?”

“How do you know I’m not talking to him?” You mutter as Lee sits beside you. 

“Uh, because you’ve been sleeping here multiple nights in a row and you never do that. And you don’t sit with him at dinner. And whenever we see him you drag me in the other direction—”

“Lee!”

“I’m just saying, you should probably talk about it. My beautiful voice can heal wounds, yes, but not of the heart.” He splays a hand across his chest in mock theatrics.

You don’t say anything. The familiar weight of the brush against your fingertips is far more comforting than trying to talk, so you busy yourself with your canvas again. “He waits for you, you know,” Lee continues, quieter. “In the morning. And before dinner. He always asks if you’re here.”

“Oh,” you say, and your wavering voice betrays your expression. But you think of everyone else at camp, their gleaming smiles and their celebrated parents, their own cabins and friends and dreams, how you don’t seem to have any of those. You think of the girl whispering in Luke’s ear. All her shades of beauty. You know it’s wrong to compare yourself, to be jealous. You’re just … sad.

The cabin darkens from a lilac to an imperceptibly gloomier shade. A blue sort of longing gets caught in your throat, blurring the colours on your canvas. But you keep your brush steady, focused on the scratch of its bristles so you don’t have to hear what you say next. 

“I think I love him, Lee.” And then, “But I don’t think he loves me.”

There’s no sound except the scraping of your brush when it’s run out of paint, and a sniffle when a tear rolls down your cheek. 

“Oh,” Lee fills the silence the way you did just moments before. Then he says your name, laced with pity, and hugs you on the floor of his lavender cabin. 

“You want to help me lead the bonfire song tonight?” He asks after a minute. “Or at least … come to the bonfire song?” 

“No to the first, yes to the second.”

You wish you said no to both. 

The spot you choose after dinner is right next to the fire so you can distract yourself with the golden flecks of flame. Fire is so fluid, so complex, from a colour perspective. But no matter how close you get, the searing warmth can’t hide Luke’s gaze peering over the embers. 

He will not. Stop. Looking at you. 

The singing from the Apollo kids usually soothes you but tonight it’s just making you anxious. All this attention so close to you. Will Solace has been sitting next to you this whole time, your unofficial assigned companion for the night thanks to Lee. One of his siblings beckons him over, and he shoots you an apologetic look, hesitating. "Just go," you wave off kindly. "It's all good." He's not entirely convinced, and you aren't either, but he squeezes your shoulder with thanks and leaves you anyway.

Now you’re acutely aware the space next to you is wide open. And so is Luke, it seems. There’s an awkward moment where your gazes slide over each other and he weaves out of his current crowd towards you. So you do the most mature, sound thing you could possibly do in this situation:

You say you have to go to the bathroom to no one in particular and get out of there. 

It’s dark, but you’ve got sharper eyes than most. Soon the noise of the campfire is behind you. You traipse through the camp towards the bathroom,but you don’t get far before you hear something that makes your stomach drop in the worst and best way. 

Luke, calling your name. 

At first you think you can get away with not hearing him. Then he calls a second, a third, a fourth time, punctuated with, “Come on, I know you can hear me, can you just turn around?”

He’s got longer legs than you so the next time he speaks it’s practically in your ear. “Hey, just look at me. Please. I want to talk to you.”

There’s something so tender in his voice that it makes you cave immediately. But you already feel so fragile, you can feel the tears behind your eyes. You know you won’t have the strength to talk to him. 

His hand curls gently around your wrist and it sends warmth all the way up your arm. He says your name again, softer, and you love the way it sounds. You can’t meet his eyes, but you already know what he looks like. Even in the dark you picture him crystal clear. 

“Look at me,” he repeats. “I just—I need to know what I did wrong.”

His dark eyes are full and apprehensive when you heed him. You notice how much you’ve missed studying his face—the slight bunch of his brows, the tensing in his jaw. And you almost delude yourself that he’s missed you just as much, the way he squeezes your wrist and rakes over your expression.

“Why are you ignoring me?” He asks. 

“I’m not—”

“You are. I know you. Just tell me why.” 

He looks so sweet, so earnest, and it kills you. You think of the way he looked when all his friends made fun of you. It all comes up before you can help it. 

“Do you always let me walk around looking like an idiot?” You ask bitingly, staring at the floor. “The thing, with the paint on my cheek—why didn’t you tell me? I looked so stupid and all your friends just laughed at me!” 

His face falls. “I tried to tell you, I thought—”

“It’s okay to say you don’t like me, or that you’re embarrassed, or whatever, but I …” You swallow, tears thick on your lower lashes. “Everyone makes fun of me. I don’t know why you don’t.”

“Because I do like you,” he states, hand moving up to your forearm. 

“Don’t say that,” you whisper. “You’re so much … better, you know you are, and I don’t want your pity, or your spare time. I just—I made something up in my head that wasn’t there and I only noticed it the other day after you talked to that girl and that guy made fun of me and I’m really, really sorry—”

“It looked cute. I was trying to say I didn’t tell you about the paint because I thought it was cute.”

There’s a lull.

“What?” You blink stupidly. 

“I know I should’ve told you about it, but I swear I was going to before dinner, I didn’t think we’d run into anyone before then.” His cheeks tinge red. “I had this whole dumb thing planned out where I’d wipe it off your cheek and tell you how cute it was once you got embarassed. I was waiting to tell you. I was thinking about it the whole time.”

His hand on your arm is a frighteningly grounding thing. You're dumbstruck by that alone. Your lips part, but all that comes out is, “Why?”

A gentle laugh tumbles out of his throat. “Why do you think?”

His other hand comes up to brush your cheekbone, where the paint had been, and you can imagine him doing it to you on that day. How you'd probably react just the way he said you would, the way you are now. A warm orange glow blooming in your chest. “But the girl—”

“She tried whispering to me how much she liked my bracelet,” he smiles fondly. “Told her you made it for me. It shut her up. I don’t know what that guy said to you but I chewed ‘em all out the second you left. They knew I wasn’t happy. I tried looking for you but you were gone. I don't like them, you know."

You don’t know what to say. It’s too difficult, too uncertain for you to jump the gun on this. So you just stare at all the shifting colours on his face as he moves closer to you. All this time going over his every detail, and there's still more to be enthralled by.

“I found the paintings,” he says, voice so close you can feel it brushing your skin. “The ones of me. I was looking for you in the Apollo cabin a week ago and you left one out. I knew it was yours because ... I mean, there’s no one in the world that can make me look that … beautiful.” 

The last word is apprehensive but it’s spoken with an unimaginable tenderness. He looks a little teary himself. You think you’re dreaming. “I knew I had to tell you after that. I’ve been trying to tell you. But you started pulling away from me so I thought I was making it all up.”

“Tell me what?” It’s a ghost of a question between you, an impossible thing, but the hand on your arm slips around to your back and he presses it there with such certainty. 

“You’re really gonna make me say it?” He cocks his head, but you nod. “I’m in love with you, I think.”

The words cascade over you in ribbons of warmth. Your brain feels fuzzy, seperate from the rest of your body. Your mouth opens multiple times but you can’t seem to control what comes out. “Luke, are you joking?”

“Not even a little.”

“But you’ve got so many other—”

“I want you.”

“I am literally the most incompetent person alive; I can’t sing, I can’t talk to people, I have a weird knee—”

"Your knee is fine!"

"I'm just saying, this makes no sense from an outsider perspective, it's—"

“Okay, clearly the telling thing isn’t working so I guess I’m just gonna have to kiss you.”

It happens so quickly you don’t have any time to think (probably for the better). You let out a surprised “oh” before his mouth silences you, stopping every other thought. He’s gentle, thumb still rubbing your cheekbone, other hand still firm at your waist. You want to panic—where should you put your hands? How do you know you’re doing this right? But he steadies you, the way he always does, and you give in. 

He starts to smile against your lips. You’re almost positive the intensity of your heartbeat could summon a storm. When he pulls away, he kisses the corners of your mouth and you think you’re going to evaporate. “I don’t think I’m very good at this,” you whisper.

“You’re perfect.” He grins a little when your hands tentatively tug at a curl on the nape of his neck. “And none of that stuff you say is true. I mean, you’re definitely a better singer than me.”

Leaning close to your ear, he warbles out a song you know but gets the words horribly wrong anyways. You can’t help but laugh. “Okay, maybe you have a point.”

He hums and chuckles with you. You swear the moon gets brighter when he wraps his arms around your waist to kiss the side of your face. “Next time you paint me, I want to be there when you do it.”

You blush harder than you ever have in your life. “Only if you try painting me,” you say quietly.

“Of course. You’re very pretty, so I’m sure my horrible artistic skills won’t even make you look bad.”

Luke lets you press your face into the crook of his neck. You soak it up for all it’s worth. 

In the morning, you wake up in the same position. Your nose tucked against his collarbone, the shade of pink you love freckled across his cheeks. You can't wait to paint him again.

When you look out the window, you say a silent, grateful prayer to your mother.

She's given you two more rainbows.

[katrafiy]

I think about this image a lot. This is an image from the Aurat March (Women's March) in Karachi, Pakistan, on International Women's Day 2018. The women in the picture are Pakistani trans women, aka khwaja siras or hijras; one is a friend of a close friend of mine.

In the eyes of the Pakistani government and anthropologists, they're a "third gender." They're denied access to many resources that are available to cis women. Trans women in Pakistan didn't decide to be third-gendered; cis people force it on them whether they like it or not.

Western anthropologists are keen on seeing non-Western trans women as culturally constructed third genders, "neither male nor female," and often contrast them (a "legitimate" third gender accepted in its culture) with Western trans women (horrific parodies of female stereotypes).

There's a lot of smoke and mirrors and jargon used to obscure the fact that while each culture's trans women are treated as a single culturally constructed identity separate from all other trans women, cis women are treated as a universal category that can just be called "women."

Even though Pakistani aurat and German Frauen and Guatemalan mujer will generally lead extraordinarily different lives due to the differences in culture, they are universally recognized as women.

The transmisogynist will say, "Yes, but we can't ignore the way gender is culturally constructed, and hijras aren't trans women, they're a third gender. Now let's worry less about trans people and more about the rights of women in Burkina Faso."

In other words, to the transmisogynist, all cis women are women, and all trans women are something else.

"But Kat, you're not Indian or Pakistani. You're not a hijra or khwaja sira, why is this so important to you?"

Have you ever heard of the Neapolitan third gender "femminiello"? It's the term my moniker "The Femme in Yellow" is derived from, and yes, I'm Neapolitan. Shut up.

I'm going to tell you a little bit about the femminielli, and I want you to see if any of this sounds familiar. Femminielli are a third gender in Neapolitan culture of people assigned male at birth who have a feminine gender expression.

They are lauded and respected in the local culture, considered to be good omens and bringers of good luck. At festivals you'd bring a femminiello with you to go gambling, and often they would be brought in to give blessings to newborns. Noticing anything familiar yet?

Oh and also they were largely relegated to begging and sex work and were not allowed to be educated and many were homeless and lived in the back alleys of Naples, but you know we don't really like to mention that part because it sounds a lot less romantic and mystical.

And if you're sitting there, asking yourself why a an accurate description of femminiello sounds almost note for note like the same way hijras get described and talked about, then you can start to understand why that picture at the start of this post has so much meaning for me.

And you can also start to understand why I get so frustrated when I see other queer people buy into this fool notion that for some reason the transes from different cultures must never mix.

That friend I mentioned earlier is a white American trans woman. She spent years living in India, and as I recal the story the family she was staying with saw her as a white, foreign hijra and she was asked to use her magic hijra powers to bless the house she was staying in.

So when it comes to various cultural trans identities there are two ways we can look at this. We can look at things from a standpoint of expressed identity, in which case we have to preferentially choose to translate one word for the local word, or to leave it untranslated.

If we translate it, people will say we're artificially imposing an outside category (so long as it's not cis people, that's fine). If we don't, what we're implying, is that this concept doesn't exist in the target language, which suggests that it's fundamentally a different thing

A concrete example is that Serena Nanda in her 1990 and 2000 books, bent over backwards to say that Hijras are categorically NOT trans women. Lots of them are!

And Don Kulick bent over backwards in his 1998 book to say that travesti are categorically NOT trans women, even though some of the ones he cited were then and are now trans women.

The other option, is to look at practice, and talk about a community of practice of people who are AMAB, who wear women's clothing, take women's names, fulfill women's social roles, use women's language and mannerisms, etc WITHIN THEIR OWN CULTURAL CONTEXT.

This community of practice, whatever we want to call it - trans woman, hijra, transfeminine, femminiello, fairy, queen, to name just a few - can then be seen to CLEARLY be trans-national and trans-cultural in a way that is not clearly evident in the other way of looking at things.

And this is important, in my mind, because it is this axis of similarity that is serving as the basis for a growing transnational transgender rights movement, particularly in South Asia. It's why you see pictures like this one taken at the 2018 Aurat March in Karachi, Pakistan.

And it also groups rather than splits, pointing out not only points of continuity in the practices of western trans women and fa'afafines, but also between trans women in South Asia outside the hijra community, and members of the hijra community both trans women and not.

To be blunt, I'm not all that interested in the word trans woman, or the word hijra. I'm not interested in the word femminiello or the word fa'afafine.

I'm interested in the fact that when I visit India, and I meet hijras (or trans women, self-expressed) and I say I'm a trans woman, we suddenly sit together, talk about life, they ask to see American hormones and compare them to Indian hormones.

There is a shared community of practice that creates a bond between us that cis people don't have. That's not to say that we all have the exact same internal sense of self, but for the most part, we belong to the same community of practice based on life histories and behavior.

I think that's something cis people have absolutely missed - largely in an effort to artificially isolate trans women. This practice of arguing about whether a particular "third gender" label = trans women or not, also tends to artificially homogenize trans women as a group.

You see this in Kulick and Nanda, where if you read them, you could be forgiven for thinking all American trans women are white, middle class, middle-aged, and college-educated, who all follow rigid codes of behavior and surgical schedules prescribed by male physicians.

There are trans women who think of themselves as separate from cis women, as literally another kind of thing, there are trans women who think of themselves as coterminous with cis women, there are trans women who think of themselves as anything under the sun you want to imagine.

The problem is that historically, cis people have gone to tremendous lengths to destroy points of continuity in the transgender community (see everything I've cited and more), and particularly this has been an exercise in transmisogyny of grotesque levels.

The question is do you want to talk about culturally different ways of being trans, or do you want to try to create as many neatly-boxed third genders as you can to prop up transphobic theoretical frameworks? To date, people have done the latter. I'm interested in the former.

I guess what I'm really trying to say with all of this is that we're all family y'all.

[phantasmicfish]

Just some more Dune Part 2 things that I thought were interesting with a specific focus on Feyd-Rautha:

- just… the way that he’s so very accurately portrayed as a psychopath adds a level of grit I didn’t get reading when the book

- the scenes with him and Lady Fenring got me good. The book mentions that he finds her attractive, definitely echoed in the movie. There weren’t explicitly written scenes in the book of how Lady Fenring slept with him (but this was confirmed through dialogue), so I liked the movie’s interpretation of her luring him using her Bene Gesserit abilities

- I would have liked to see Feyd-Rautha tested by the Gom Jabbar the same way Paul was. In the book (and I think part 1 of the movie?) it’s specified that Paul has endured the most amount of pain anyone can handle from the test, but given that movie Feyd-Rautha seems canonically a sadist + masochist, I wonder how long he would have lasted?

- overall the vibe and aesthetic of the Harkonnen’s was terrifying and great. The black and white visuals, dimly lit rooms, flashing lights… There are a lot of different villains in Dune, especially in Part 2 — The Emperor, Jessica, but the most clear-cut ones by far are the Harkonnens. I think the visuals definitely amplify that. I find it rather interesting that the Harkonnens are portrayed to be evil as an entire house. The fact that they all had bald heads gave them a mass identity, served to make them seem perhaps more alien and less human, all capable of committing heinous crimes. Even Feyd-Raytha’s servants or whoever eat human organs

- I think it was an interesting choice to have Feyd-Rautha actually stab Paul during their final fight, we see the blade actually hurt Paul, penetrate his skin, we see Paul gasping for breath, we see Paul struggling for survival. I believe the book made the fight seem more cut-and-dry, that Feyd was a formidable opponent but he didn’t actually stab Paul (though he does draw blood). So I sorta felt the fight was a good contrast between showing Paul as still human while he maintains this cult status. I could see how his ability to survive this fight, despite his injuries, also elevate his messiah status among the Fremen

[shiggyscumrag]

To fuck or not to fuck?

Synopsis- After joining the x men you train with them one on one till you are inevitably forced to train with Logan. During a rough training session a heated argument arises and there’s only one way to break the tension.

Warnings- open wound mentioned, blood mentioned, cussing, penetrative sex (pnv), cum play if you squint, light slapping, oral (male and female receiving), choking, gagging, a bit of crying, over stimulation, nicknames babe and princess used frequently, no pronouns are used for (y/n), I’m sorry if I missed any!

AN- look I’ll be honest I just wanted to write a situation where you hate fuck Logan 🙌🏻 also this is probably not gonna be lore accurate but does it really matter when it’s smut with no plot? NO!! so enjoy fuckers ;) I did channel Deadpool energy for this character bc why not? Also the characters power involves using their voice to manipulate the people around them into doing what they want. ily pookies 💋

Look you didn’t want to be a stupid X Men. You made it very clear since day one you just wanted to continue living your “civilian” life and to keep blending in. Of course it didn’t work out that way. Professor X was the one who pulled you out of this almost normal day to day life and threw you into his rich ass mansion full of freaks. Ok you’re a freak too but you’re not trained like them. You should be out working your five to nine barely making ends meet in your shitty one bedroom apartment, but no. Now, you’re tasked to help “save the world” from worse mutants than you.

Reluctantly, you decide since you have no choice being here, why not make something interesting out of this new arrangement? After the tour of your fancy new “home” (really a school/headquarters), it’s time to meet your new coworkers. Friends? Eh too soon.

It was a little intimidating with them all lined up staring you down when you walked into the final room of Xavier’s tour. Storm standing to your far left, Cyclops beside her, Rogue, Beast and finally the Wolverine. One by one they gave a greeting, some more friendly than others. Until Logan (you later learned) just muttered a “whatever” and left. Pushing past you while staring you down. Jesus, what’s up with that guy?

You decided it wasn’t worth it to fight on your first day so you let it go. Then weeks passed, with week after week going slowly from one mutant to another teaching you new techniques. When eventually the mutant you dreaded training with the most was up. The one and only Wolverine, Mister Logan Howlett. Bit of an ironic name you couldn’t help but chuckle at when Xavier introduced him officially. Since Logan was avoiding you at all cost the whole time you’ve been here you weren’t exactly familiar with his anger issues.

“What’s so funny bub?” You could see his claws starting to peak from his knuckles and didn’t stop another chuckle.

“Knives for hands here doesn’t even know me and he wants to shred me already. You sure I’m safe here?” You say as sarcastically as you can, really emphasizing the safe part. Xavier gave a curt nod and turned to Logan.

“Don’t embarrass me.” Leaving the room right after, you and Logan were dumbfounded. You finally let out the cackle you were holding back hunching over when the door finally closed.

“Ha!! You got in trouble!!” You stood up straight clapping your hands together “You should really start playing nice.”

“You’re real fucking immature, you know that?” He said his claws slowly peaking out more after each comment you make. You start to smirk.

“Yeah? Well I am 100 years younger than you sweet heart, so who’s really the immature one?” You could be less cruel and not want to irk him on, but that wouldn’t be interesting. Plus we’re here to train. so might as well get it started.

“I’m going to kill you.” Logan stops holding back and releases claws in one swift motion.

“What happened to this being a safe space?” Before you could continue being a smart ass he lunges at you.

Dodging you stop talking and actually try to use the training you’ve gotten to kick this guys ass. I mean what’s his fucking problem? You haven’t said a fucking word to him and he thinks he can just treat you this way with no consequences? Well fine douchbag you can get exactly what you want.

“You’re really fast! I can’t believe you’re like a thousand years old!” You say giggling as you move right in time to avoid a punch to the nose. “Now that would’ve hurt!” You spin around him kicking him straight in the back knocking him down. A quick groan and he’s back up in a flash.

Dodging and weaving his swift lunges and jabs, with a yelp you fall to the floor after he kicks your feet from under you. After being quickly tackled and claws threatening to break the skin right above one of your major artery’s you let out a small whimper.

“Are you finally going to shut the fuck up?” Logan growled a top of you teeth beared chest heaving and forehead sweaty. That was kind of fucking hot actually.

“Let’s just stop and talk this out, yeah?” You say holding your hands up next to your head giving him a big toothy smile.

Logan was more than a bit confused when his body started to move and his claws retracted. In his mind he’s screaming at his body for stopping. Pissed off at the fact he’s isn’t in control. Standing you dust yourself off and start again before he could get his control back.

“Now before you try to attack me again, let’s just take a breath and calm down. You’re fine by the way. I just have control over your body temporarily.” Anger flashes across his face and it hits you that it probably wasn’t the best idea to start with that.

“Since you’ve been a major fuck face these past few weeks you know shit about me. So let me have the pleasure of introducing myself again. My names (y/n) and I can control people with my mouth.” You smile pointing to your lips. He just stares back with slight confusion and disgust. “I tell them an action and they do it. I could hypothetically kill you at anytime too, so let’s be chill.” You say winking at him.

“Well it’s good thing I can’t die.” He says smirking back at you. Funny enough you released him a while ago yet he hasn’t attacked you again.

“You seem to be calm now?” You question. “Is that lesson one?” You poke at him.

“Don’t push it.” He huffs rolling his eyes and walking away. Doors closing behind him you crumble to the ground adrenaline rushing out of you.

A week or so of training later you and Logan still dislike each other as much as the first day you met, but you could feel a tension beneath the hate. A deep seated craving consisting of mostly hate but also a little curiosity. Maybe, even a bit of sexual frustration?

After a particularly long day of training you were quite irritated at Logan. He was being even harsher than he usually is, it was pissing you off. He lunged at you when you weren’t expecting it leaving a deep cut running down the center of your back and you couldn’t hold back a growl.

“What’s your fucking problem today?” Turning to him you stop making him hesitate. “Was I too nice for your liking, Wolvie?” You mock starting to walk towards him, frustration evident on your face.

“It is explanation enough to say that I just don’t like you?” Logan spit as venom coated every word, all while that stupid smirk wore his face. That’s it.

“Down.” Without a second to waste his knees hit the rough floor hard causing a groan to break his smugness. He couldn’t move, only being able to look at you and the anger that filled your eyes. Rage would be a better description. Joining him down on the floor you kneel as you find his chin making him lean closer to your face.

“You don’t have to be cruel Logan.” You pause looking right into his hazel eyes finding that look again. This time there was something different. You couldn’t help but soften slightly as your anger slowly started to fade. Then a sting of pain from sweat seeping into the cut he just gave you reignited the fire. Grabbing his chin harder he winces as you pull him against your forehead, noses practically touching and lips inches apart.

“Don’t let this happen again.” You push his face back hard making him tip over as you release him. Staring him down you finally turn once he stays put and leave.

Half way down the hall you hear the doors burst open with a loud bang and angry footsteps starting to rush after you. Turning you’re suddenly face to face again with Logan. This time your chins being grabbed and pulled towards his face.

“Look I don’t have a problem with you.” He whispers softly while he stares you right in the eye. It’s really hard to stay mad at him when his kitty hair is all disheveled and he’s flushed like a school girl who just got kissed for the first time.

“I didn’t mean to go as hard as I did.” He muttered out. You chuckled.

“I didn’t peg you as the type to be gentle. Unfortunately for you, I haven’t had the pleasure to figure that out.” With a smirk still on your face Logan swiftly throws you over his shoulder and starts walking down the hall. You wince as your fresh wound gets tugged distracting you from the fact that you’re going opposite of the med bay. Once you pass your room you finally noticed this not so fun fact.

“Hey, the med bay is the other way big guy. I kinda need to be stitched up here.” You say as a nervous chuckle escapes.

“I’ll stitch you up myself. I don’t need the professor all up my ass about it.” He doesn’t even look at you, just keeps walking. You hold in the laugh you so desperately want to let out because you don’t want to fuck this up. This is the nicest he has ever been. That’s right, that’s the end of that sentence with no buts! Except his actual ass being right in your view and if you could add you’d love to be all up in it.

Finally making it to his room he gently sits you on his bed. Turning around without saying a word he digs in his desk pulling out a fairly impressive med kit. Not one of those small ones no, no, like an actual emergency med bag. Your jaw dropped a little and he chuckled. Dropping it on the bed beside you he lifts your chin making you look up at him.

“You gotta take your suit off and lay down so I can stitch you up.” He said pointing to the clean plaid sheets. Looking where he pointed you chuckled.

“Well that’s a bit forward.” He rolled his eyes but this time he had a smile? “Wow I finally made you almost laugh!”

“Shut up and lay down already. I’m getting impatient.” Logan said it as harshly as he could but it came out more light than originally intended.

“Fine but turn around. You’re not getting a free show.” You wink as you give your finger a twirl. Sighing and softly shaking his head he turns around. Taking a moment to scan over his juicy toned muscular ass you then move on to actually do what you had him turn around for. Taking your top off you cup your chest and lay down.

“Alright bubble butt, I’m all yours.” Looking over your shoulder you see him turning around with an eyebrow raised until he finally sees you. His silent judgement turned into something darker. He collects himself and walks over to the bag once again shaking his head.

“Don’t stare at my ass, and definitely don’t make comments about it.” He says firmly, but you can tell he’s not being stern.

“Oh come on, it was right in front of my face! Plus, your hips sway slightly when you walk so it looked extra good-“ a loud whine stopped your sentence short when a sharp needle entered your back.

“A warning next time would be delightful!” You say sarcastically jaw clenched.

“I warned you not to talk about my ass.” That’s all he has to say?

“And once again, your ass was in my face! What else am I supposed to talk about? That’s a hypothetical by the way, it will always be about your ass.” At this point the adrenaline makes the pain in your back go numb. Fortunately, feeling his warm hand on your back kneading the needle through your skin has your panties wet. Luckily he’s fast with his needle work because two minutes later he’s done.

“Alright you’re all fixed up now.” He stands from the bed returning the supplies to his bag.

“Really?” You could have sworn that cut was huge. “Well I guess I’ll get dressed then.”

“Did you need me to turn around or are you going to finally act like I’ve seen tits before? That’s a hypothetical of course.” Mocking you with a cheeky smirk and one brow raised he tosses the med bag off the bed and onto the floor. Arms crossed he stares down at you still lying on the bed.

“Is that your way of asking to see my tits? I’d love to test and see if you’re as harsh in bed as you are during training.” Turning around still holding your chest you give your shoulders a slight shrug. “What’s it gonna be Logan? Hate sex or awkward eye contact in the hallway?”

As quick as he is in training, he’s now right in front of you, your jaw gripped by his hand. He leans down getting right in your face. You can feel his warmth radiating from his skin, it made you shiver.

“Don’t get all shy now,” He mocked. “I don’t hate you.” He looks you up and down scanning every inch of your body, unclothed and clothed. “I will fuck you though.”

“I didn’t think that’d actually work but show me what you got baby!” You say hands falling from your chest and pulling his jaw into a kiss. He kisses you back grabbing your side slowly moving to kneel on the bed. Lowering into the bed you’re now lying down. The pressure not the best feeling on your back you let out a quiet hiss.

“What’s the matter? Is it your back?” He asked gently leaning your back off the bed relieving the pain shooting though out you.

“Yeah, usually I wouldn’t mind missionary but I think your love swipe is begging for us to do something kinkier.” You say winking. Before he can say a word you hook your legs around his waist using your momentum to flip him under you on to the bed. Kissing the shock off his face he pulls back suddenly.

“Who taught you that?” He questioned, jealousy slightly peaking through.

“That’s a personal trick. Consider it a mini lesson of my own to you.” You leave a little boop to his nose finding his lips again before he could ask any more questions. Starting to grind down on him, he grabs your hips rolling them at a slower pace. It was deeper though, way harder. Slow hard and precise. You didn’t stop the moan that fell into his mouth. Groaning in response he squeezed your hips even tighter causing you to pull back. Arching your back while dry humping him you let out a breathy moan. Reaching up you grab your tits rolling your nipples in between your fingers. Still guiding your hips a low rumble growls from Logan’s throat as his head rolled back. A pretty erotic site.

“You’re killing me here bub.” He groaned out as he sat up meeting face to face. He starts kissing your jaw moving down to your pressure point playfully nibbling. You moan embarrassingly loud, you could feel his grin against your neck. That made you want to stroke your ego a bit. Pulling his head back by the roots of his hair you grind down extra hard feeling his hip buck to meet yours. You quietly laugh and push him back down. Crawling up an inch or two to give him one more sloppy kiss before sitting back up.

“Don’t worry baby you don’t have to wait for this pretty pussy any longer.” You’re unbuckling his belt and pulling his boxers down to remove his- holy shit huge cock.

“Damn Logan! They weren’t lying when they said you were huge down unda!” You turn to wink to the fourth wall.

“Usually that would kill the mood but you’re really fucking hot.” He pants out “Now back to what you were doing.” He pulls his pants further down his hips and you begin to stroke him.

Eventually getting to impatient you say fuck it and decide to take him all in one go. Loudly he groans, his eyes meet yours, his pupils fully blown out. At the sight you couldn’t help but start bouncing on his cock. Letting go of your hips he lets you set the pace. Grinding down you curve your hips so he could run against your walls deliciously rough. Getting slightly cock drunk after just a few strides your pace begins to increase wanting more of that feeling. Growing desperate you let out a whimpering moan. Hands falling from your chest to Logan’s chest.

“Logan, please.” You beg desperately. Still riding him you plead with him. You looked so pitiful, he couldn’t help the way his twitched hard deep in you. You’re so fucking beautiful.

“What do you want baby? Use your words.”

“I want you to fuck me.” You whine out, you want him to take control and fuck the shit out of you. “Fuck me so hard I won’t be able to walk tomorrow!” You moan out loudly as he bucks his hips up suddenly. Grabbing your hand he intertwines with your fingers squeezing hard and steadying you. Bucking up into you fast he doesn’t feel he is deep enough.

Moving to grab you by your waist he flips you onto your knees face being pushed into his pillows. Drool starts to pool in your mouth form being engulfed by the scent of his sheets. He pushes himself back in quickly making you moan out his name.

“This better princess?” He said with a big smirk “I only want to hear my name come out your mouth. Got it?”

“Yes, daddy!” You were half joking about that nickname. Good thing you felt his cock twitch before you let out that nervous laugh bubbling up your throat.

“Fuck me.” He moans out.

“No fuck me-“ cut off once again by his cock pounding into you. Grabbing at the sheets you could feel his hands move from your hips to rest on either side of your head. Hitting even deeper inside you he then grabs your throat with one hand making you sit up on your hands and knees. Still fucking into you he pulls you all the way up to his chest, grabbing his arm for support you feel him tighten his grip on your neck. This euphoria wasn’t going to last much longer because you were gonna cum hard.

“Logan- I’m gonna cum!” You could barely speak between your pants and erotic moans.

“Cum on my cock princess.” His other hand finds your clit rubbing it at the same pace his cock is pounding inside of you. Letting out a loud moan you could feel the warmth building fast.

“Want me to cum inside you? I want to cum with you.” Panting to the pace of his hips he continues “Fill you up like the slut you are.” He growls into your ear. His voice full of lust and desperation.

“Fill me up baby!” You laugh out in between moans. He groans as he feels your walls spasm around him. You feel bliss and see black speckles fill your vision as your cum dribbles down his cock. Reaching back your hands find his hair and dig hard into his scalp. The pain causes Logan to fall over the edge and cum hard deep inside you.

“Oh fuck, can’t stop!” He practically whined out still fucking into you chasing his high. Still rubbing your clit you start to whine out from over stimulation. Before he can stop himself from rutting into you anymore you come again. Almost screaming out a moan you dig your nails into his shoulders. You feel so fucking warm, soaking wet and tight. Logan can’t pull himself away from you. You feel to good.

“Logan, you horny bitch!” Smirking while grinding back into him you slow his pace down. Moving his hand away from your clit his hands find the inner parts of your thigh. Picking you up slightly to meet his hips even closer than before he groans into the side of your neck. You start to feel the familiar cold metal of his claws poking into your thighs.

“Feel good pretty boy?” You turn towards his face and move one of your hands to his jaw. Before he could answer you start to make out with him while still grinding into him harder. Logan moans into your mouth before pulling away. Finally stopping with his cock still hard inside you he sighs into your shoulder kissing you.

“Feel real fucking good.” Starting to leave a hickey right behind your ear you begin to pull away.

“You trying to go another round or do you need more time to recover hot stuff? I don’t want to hurt that metal hip you know how to move just right.” Squeezing his sides you can feel his abs move under your hands. You moan quietly moving your hands down to his v line. Eventually making your way to his ass giving it a firm squeeze. Turning your head at the same time you find the side of his neck biting down a little rough on the lobe of his ear.

He growls out and you can feel his claws start to push against the flesh of your thighs. Retracting them he pulls out and flips you around sitting you up on your knees facing him on the edge of the bed.

“Bend down and suck my dick loud mouth.” Grabbing you by the base of your hair you slowly started crawling down onto your hands and knees. Ass arched in the air you find the tip of his cock in your face. Pre cum falling from his pinkish tip. You lick your lips looking up at him.

“It’d be my pleasure.” Not getting a chance to say anything else he starts fucking into your mouth. Breathing through your nose you start to lick against his length going opposite of his thrusts. Loud squelching filled the room. It was absolutely filthy, but so fucking HOT! You moaned into his cock, the vibrations sending a shiver through him. Moaning loud he starts going faster. Tears start to roll down your cheeks and you feel nothing but pure pleasure.

“I’m gonna cum soon. Keep sucking baby.” His eyes are shut tightly and you decide then you want to see him totally fucked out. Sucking extra hard and messy you lock eyes with him when he looks down at you. Moaning loudly he starts to pant.

“Good girl! Fuck you’re really good! Don’t stop!” Using both hands he starts pushing your head down faster and way deeper. His dick was starting to go down your throat. Deep throating him you hold yourself down on his cock moaning out his name. Barely audible for obvious reasons, he pulled you off his cock.

“What’s my name princess?” He smirks holding the base of his cock in his other hand.

“Logan!” Sounding hoarse considering this is the first time you could breathe in the last 5 minutes.

“But I prefer wolf daddy!” Always gotta keep the mood light! Gently slapping you on your cheek he pushes your head all the way down his cock. Gagging from the sudden intrusion you quickly begin to suck on him again.

Logan’s hips bucked into your mouth over and over while his balls slapped against your chin. Slobber running down your chin reaching your throat dribbling all over his balls and down his pelvis. His pubes leading to a happy trail is all you can focus on for the moment. Some of your juice still glistening on his mound. You moan against his dick again finally pushing him over causing him to grip your hair tight. Swallowing every last drop he has to give you. A low hum comes from you as the veins on his chest pop out from the pleasure. God this man was fucking hot. Rock hard abs, a sweat glistened chest with the sexiest chest hair, his perfectly cut arms and beautifully sculpted legs. The full package. And god knows you LOVE his package.

Popping off his cock once he was down you swallow the rest of his cum in your mouth. Licking your lips you sit up meeting his lips so he could taste himself on your tongue. One passionate steamy kiss later you pull back running a hand through his hair down to his cheek.

“I’m surprised you can use that mouth for more than just shit talk.” He chuckles kissing you quickly on the cheek.

“You always have to be able to ride the cock if you’re gonna talk the talk. Is that how that saying goes?” Tilting your head he puts his hand over your mouth.

“Enough of that.” Shaking his head he leaves you on the bed going to his closet. He pulls out a new pair of boxers pulling them on and then grabbing a pair for you. Moving over he grabs a wife beater for himself and an over sized flannel for you. Walking back over he sets your clothes on the bed.

“Aren’t you forgetting something?” Pointing to your cunt that’s still dripping his cum. “It’s not very gentlemanly to leave a mess.”

Kneeling down he sits between your legs. Without saying a word he starts licking between your folds lapping up all the cum in its wake. Rolling your head back you fall back on to your elbows. Moaning out his name his tongue dives into your hole making your flinch. Hand instinctively finding his hair pulling a little. Finding your eyes he starts to suck on your clit. Flicking his tongue fast up and down, then swirling around you he moans. The noise mixed with being over stimulated already had you cumming again but this time into his mouth.

“God Logan don’t stop!” Riding against his face you stop a minute later once your high has passed. With a groan you fall limp against his sheets. Not even caring about the slight ache that goes through your back.

“I finally got you to shut up.” And without saying a word you’re already out cold. Getting a cloth he washes you up and dresses you in his clothes. I guess he didn’t mind spending the night with you in his bed. You were surprisingly cute when you slept snoring softly and cuddled all into his side. You were warm and soft too. Logan can learn to like this quiet side of you.

I hope you guys enjoyed this one, I haven’t posted for a while so it’s hard not to second guess myself. Let me know if you want anymore Wolverine and possibly even Deadpool content?

[astrobydalia]

Predicting the chart of your future spouse

First of all, thank you to @harmoonix for inspiring me to make this post!

I wanted to share some key thing I've observed that you should look out for in your Groom (5129) and Briede (19029) persona charts if you want to know what placements your future spouse might have. Look at Groom PC if you're looking to marry a man and Briede PC if you're looking to marry a woman. These asteroids move very slowly so in order to get more insight about your person looking at these charts is important

For other options you can apply these to Descendent PC and to a lesser extent Juno PC, those can ring true as well, but the main research of this post is focused on Groom/briede

These are patterns I've extracted based on my research analyzing the charts of married couples. Presented in no particular order

.   ݁ ˖ ࣪ . ⋆ * .♡ *:･ﾟ.   ݁ ˖ ࣪ . ⋆ * .♡ *:･ﾟ.   ݁ ˖ ࣪ .

work by astrobydalia

The Ascendant/1st house/Placement of asc ruler

… in the groom/briede pc. This I’ve seen correlated mainly to the Sun or Asc of spouse since it is indicative of their main personality traits and characteristics. It can also relate to other prominent placements/energies of spouse

Hailey Bieber has Scorpio ASC in her Groom PC and Justin Bieber is a Scorpio ASC

Justin Bieber has Sagittarius ASC in his Briede PC and Hailey is a Sagittarius ASC

One of my clients had Cancer ASC on her Groom PC and her husband was a water ASC with moon in his 1st house

Blake Lively has Sagittarius ASC with Uranus, Saturn and Neptune 1st house in her Groom PC and her husband Ryan is a mutable rising. It’s worth mentioning the he’s also known for having a bold, eccentric (Uranus) and humorous personality, he's also older than her (Saturn) and he's from a different country (sag). He also has Sagittarius IC and Venus

Joanne Woodward has Virgo Asc in her Groom pc with its ruler falling in Libra and her husband Paul Newman was an earth rising with Venus and Mercury conjunct his Asc

.   ݁ ˖ ࣪ . ⋆ * .♡ *:･ﾟ.   ݁ ˖ ࣪ . ⋆ * .♡ *:･ﾟ.   ݁ ˖ ࣪ .

Moon placement

this one is so important! 9/10 your spouse's moon will have similar qualities as the moon in your groom/briede pc or spouse might have placements in this sign

Most common case in my research: spouse’s moon is in the same element or modality as the moon in the Groom/Bride pc

Other example is a client of mine had Cancer moon in his Briede pc and his wife had Moon-Jupiter conjunction in her chart (jupiter expands moon’s qualities and is also exalted in cancer)

.   ݁ ˖ ࣪ . ⋆ * .♡ *:･ﾟ.   ݁ ˖ ࣪ . ⋆ * .♡ *:･ﾟ.   ݁ ˖ ࣪ .

Part of Fortune/Vertex

I’ve seen these being a less literal indicative of actual placement but it does show prominent energies in spouse definitely, specially within the relationship

.   ݁ ˖ ࣪ . ⋆ * .♡ *:･ﾟ.   ݁ ˖ ࣪ . ⋆ * .♡ *:･ﾟ.   ݁ ˖ ࣪ .

Dignities

pay attention to this one!!! I’ve seen it being SO accurate! I’ve noticed that if a planet (particularly inner planet) is in good or bad dignity in your groom/briede pc, your fs will likely have that planet in one of its signs of domicile, exaltation, fall or detriment. This also makes that particular planet significant in your person’s chart (meaning it might be dominant, on the angles, in joy houses, etc)

Mila Kunis has Scorpio Mars (mars’ domicile) in her Groom PC and Ashton Kutcher is a Cancer Mars (mars’ detriment)

She also has Sun in Aries (sun’s exaltation) in her groom pc chart and Ashton in an Aquarius Sun (sun’s debilitation)

The client I mentioned above also had Aries Sun in his briede pc and his wife had her Sun in the 9th house (sun’s joy)

Blake Lively has Taurus Moon (moon’s exaltation) in her Groom PC and Ryan is a Scorpio Moon (moon’s detriment)

Grace Kelly had Libra Venus (venus domicile) in her Groom pc and her husband was a Taurus Venus (venus domicile)

.   ݁ ˖ ࣪ . ⋆ * .♡ *:･ﾟ.   ݁ ˖ ࣪ . ⋆ * .♡ *:･ﾟ.   ݁ ˖ ࣪ .

Angular houses

similar to the last point. The common consensus I’ve seen with this one is that if you have a certain planet in an angular house in the groom/briede pc, your spouse likely has that planet in an angular house too or that planet is significant in them

.   ݁ ˖ ࣪ . ⋆ * .♡ *:･ﾟ.   ݁ ˖ ࣪ . ⋆ * .♡ *:･ﾟ.   ݁ ˖ ࣪ .

Degrees

planets at critical degrees in your groom/briede pc can be significant or manifest quite literally in your person’s chart

.   ݁ ˖ ࣪ . ⋆ * .♡ *:･ﾟ.   ݁ ˖ ࣪ . ⋆ * .♡ *:･ﾟ.   ݁ ˖ ࣪ .

work by astrobydalia

[p-perkeys]

i really like baby reindeer because of how fucked up it is.

i like that it captures the realistic complications of being a victim too.

so often people have a tight little box that they try to fit a victim into, like someone sweet, innocent, never wrong, etc.

you can be a massive pos and also be a victim to someone else.

also, sometimes you can be a really great person, and then you can encounter a trauma that wrecks your life and makes you appear "messy" or "problematic" to people who don't know better.

also, when you're a victim to ongoing abuse, it's a very normal reaction to have very complicated feelings about your abuser. especially if the abuse is sexual, be it outright or a suggestion.

also, it's a natural defense mechanism for victims to reciprocate the actions of abuse either by way of feeling like they have some control, or because they think it will hurt less if they seem willing. that can apply to any kind of abuse.

the bit of the police putting him as her equal is... jarring and painfully accurate. his own actions appearing equally abusive is so sad because only he knows why he did those things.

i'm not done yet with this series, watching now, but... i really love this.

this was a brave mini. the fact that it is based on his story makes it all the more beautifully tragic.

i wish more victims would share their stories in their authentic light.

the world needs stories like this.

the part where he said he was addicted to hating himself and that he loved hating himself... fuck, dude.

[cosmichorrorlesbians]

These were the Silt Verses.

(closeups/design notes/rambling under the cut, because it took me over a month to make this so I'm going to be a little self-indulgent.)

spoilers for the whole podcast ahead!

Our protagonists! Notes:

Some of these came out more accurate to how I see them than others. Hayward in particular looks much less grimy and haggard than I imagine him. Carpenter, on the other hand, is perfect in my eyes. Shrue is (subconsciously) very much inspired by the wonderful @unbloodiedmartyr's rendition of them (thanks Sacha, your art goes insanely hard!)

Hayward and Paige face away, a nod to their final parting. Carpenter and Faulkner face one another, in deference to their final reunion.

Val and Shrue are both shown at the moment of their deaths.

Paige, the only character confirmed to survive the immediate finale, is the only one with closed eyes.

I'm a blond Faulkner truther. Sorry.

Someone left some really really insane tags on a Valpost I made like a month ago about how Val can alter her appearance as she pleases, but the Last Word can never convince her not to see the actual aftermath of her torture when she looks in the mirror, and it sent me a little crazy, so I was trying to capture that failing self-deceit here. She's meant to look absurdly young, but where the flames overlay her face, you can see the prayer marks and lacerations on her skin.

I had this out on my desk for days and every time a family member dropped by I had to frantically hide the fact I was drawing 'politician gets shot in the head' fanart. RIP.

These are the marks of the Many Below! They look Not Great enlarged, but hey ho. I wanted them to look hidden and incidental, separated in each corner as they are:

'Begin with a balbis on its side. Within the two spaces, a circle marked by a single dot.' Drawn in the silt of the White Gull River.

'Beneath this, a pair of concentric circles. Within the annulus, an ovoid with a slit - a staring eye.' Scrawled across the pug postcard Cross uses to write his idea to scapegoat Shrue.

'Under that, a lemniscate over a heptagram[...]' Made up of the ribbon that binds Mercer and Gage's rifles.

'[...]and three parallel lines beneath.' Faulkner's staff, broken into three pieces.

Interstitial illustrations. There are four sets of these, which (roughly) correspond to more stand-alone episodes & fan favourites. This is my favourite, for my beloved Chapter 36: All Lovers Part As Dust. I had a blast distilling recurring motifs of the episode into one little illustration, and I'm really proud of the result; I think it captures the match of sweet and bitter that the episode in question inspires. The clock points to the eleventh hour.

These are pretty self-explanatory: I couldn't pass up a chance to draw the inciting miracle of the series, and it made sense to pair it with the image of Paige and Hayward sailing downriver at the end of Season 2, an image which has always haunted me.

The hare and the owl are from Chapter 26, a symbol of the Wound Tree's emergence. The lobster and fish are intended as a nod to Faulkner and Rane, a character who I love but couldn't include more overtly. Lobsters are seen as a symbol of devotion and fidelity because, apocryphally, they mate for life, and yet the lobster here is without its pair. The fish was intended to be a remora, which swims beside sharks. (Yes, I'm aware remora are tropical sea-dwelling fish, and humbly beg any marine biologists reading this not to kill me on the spot).

The Killing And Violence Siblings!

These object illustrations were deliberately positioned as parallels and specifically reference Season 2, marking the point of the poem that is made up of that series' titles (an attention to the series chronology that roughly coheres throughout the piece. Very roughly.)

Mercer and Gage's rifles are twisted round with a red ribbon, which bleeds into the White Gull, binding them together and reflecting how they're rarely seen apart. The ribbon's also a deliberate parallel to the banner wrapping Carpenter and Faulkner's hands elsewhere in the art.

Carpenter's axe and Faulkner's sororicidal mirror shard are depicted alongside fish hooks, as though they're separated for much of the season, the Parish draws them back together in the end. Also an echo of Paige's line, 'Love is just a meat hook for you to catch me on.'

There's only blood on one of the rifles, in a nod to Mercer and Gage's uneven dynamic.

Bookend landscapes. The pages were intended to reference the Silt Verses as an in-story document, and represent the themes of truth, myth and record throughout.

The illumination!

It was always going to be a radio-- not a nod specifically to Sid Wright, but really to the use of broadcast, music and sound throughout the show. TSV's sound design is truly one of the things I admire most about it.

The radio is meant to be on Carpenter and Faulkner's dashboard, as they drive along the river in the very first episode, hence its positioning at the start of the poem.

I conceived this as the centre of the piece, and drew the rest around it.

aaaand that was a lot. I didn't cover everything, and I recommend clicking on the final piece to get full quality and see how the details interact with one another-- but if you've read through all these meanderings, thank you, sibling. I started this two weeks after the finale, and managed a full relisten while drawing. It's been a labour of love, and I now hate watercolours more than I have words for.

[erideights]

Little pieces here and there (3)

Pairing: Buggy x Fem!Reader (One Piece Live Action)

Chapters: one, two, four, five

Word Count: around 2K again.

Warnings: minimum context of the arlong park part of the story (background), MUTUAL FLIRTING, forbiden pinning of them both, Buggy has his body back *wiggling eyebrows*, sexy times

A/N: devil works hard but i'm working harder, every 5 free min i have from work/class/practices i'm writing on my phone, i'ts actually insane and i love it (ROAD TO CHAPTER 4?? If you like this one and want the next one, please let me know!)

Oh, he was mad. He was really mad.

Maybe "sexually frustrated" was a way more accurate term given the circumstances but the feeling was so strong, so visceral, he was sure he was reaching a point where jumping to the sea to end that agony -even if a bit exaggerated, like him always, everywhere and for everything- was justified.

Somewhere in Arlong Park, Buggy could feel the boner pressing his pants, demanding to be satisfied; dirty talk was one of his true passions and when (Y/N) played that card on him, being capable of picturing himself with her on his lap, that damn woman so -actually- close to his face in that moment he was already tasting her lips, her low, smooth voice driving him insane, he could not help it, but get turned on so easily and so strong is been hours, and he's still mad, incapable of stop thinking about that.

That is, perhaps, the reason he feels relief as soon as the sun rises and Usopp is back on the helm again, asking for directions as Buggy, in fact, demands to go faster. Like instead of slicing and dicing his body, his power could control the wind that propelled the boat or the force of the waves against the hull.

(Y/N) ran away just after such a -even if brief- conversation. She may have broken his balls with that dirty trick, but she was equally a victim of her own game. She knew what to say to push Buggy and leave him so stunned -to speak- that the poor clown didn't have the chance to fight back at that moment, not without his body to help him keep her in that kitchen, lift her up on the counter, force her to back down, regret even thinking she could do that to him, and then, only then, yes, fuck her until she wakes up the rest of her little and - according to him - pathetic crew with her moans.

Or so the girl imagined, leaning against the door of her room, eyes closed, heart slightly racing, fighting the temptation to lie down on the bed and masturbate thinking about what had just happened.

Which included him. Him!! What the hell, was she actually losing her mind? All that damn flirting had really gotten into her, for fucks sake, because regardless of her finding him quite interesting when they met, this attraction was something else.

Lately everything around her was something else. Did she really think through the decision of leaving her mercenary life behind and follow those kids to the Grand Line? Did she really think through the decision of flirting back with a psychopath clown?

Because in the end it's just that, right? Flirting. Was nothing else, is nothing else, and will be nothing else. She doesn’t want it to be something more, that's for sure; there's no need for unnecessary complications and extra headaches. In the meantime, it's fun, a bit of a backfire kind of situation, a bit -sexually- frustrating, but fun.

After a good ol' resting night and already some hours into the new day, (Y/N) notices that it's been a lot, since their encounter in the kitchen to be precise, that Buggy not only doesn't flirt with her, but doesn't talk that much or even look at her as amazed as before. Of course, he is, also, way less annoying, which Zoro subtly points out clearly pleased with how calm, nice and silent this morning is.

At some point she shakes her head, knowing, or at least guessing, the reason for this behavior, so she decides to check no one's around and the rudder is locked in the right direction, and then goes to where the bag with his head is, closed probably by the sniper when he got the last indications he needed from him. She opens it, lowering it until the clown's head is free on top of that barrel.

"How are you doing, Bugs?" she starts with a funny little smile, looking intently at him as she leans her back forward to leave her face level with his. "It's been hours I don't hear your raspy voice, I'm starting to miss it."

Silence. Absolute indifference besides the sidelong glance he gives her because let's face it, Buggy is annoyingly proud, extremely, exaggeratedly, but he loves attention. He likes nothing more than receiving it, no matter where, when, and from who, and she could see it as soon as they met.

"Also your silly nicknames for me" She grants, giving in. She would also be mad as hell if someone leaves her as horny as she knew she left him, so she doesn't have any problem being the one to start the tug-war this time.

"Already tired of the shidiots?" He finally asks, almost drily, after a minute; now he is the one to play difficult, huh? "No wonder, they don't even know where to start being pirates."

"Oh, of course, because no one compares to the famous Buggy The Clown, the colorful nightmare or the East Blue." Playful, she retreats a bit, resting her hip in the barrel, arms crossed over her chest.

"Quit the sarcasm doll, you know I'm right." Well, he was, in fact, right. None of them had real experience in the whole i-wanna-become-a-pirate thing, still, they were doing pretty good to be newbies. She was quite proud of them.

"I cannot wait to have my body back" he then murmurs, adding before she could say anything else about her new friends. "To do what?" She asks, you know, like she didn't know.

"Take a guess"

"Recover your spotlight? Find a new crew and a way to enter the Grand Line to go search the One Piece and be the king of the pirates?" (Y/N) mocks, clearly enjoying being the annoying one this time.

"Yeah, yeah, yeah'' Buggy rolls his eyes, scoffing. ''All that, but not before making you regret what you did last night." To that accusation she gasps, resting her right hand over her chest "What did I do last night?"

The clown falls silent again, but his mood is completely different. Right now he's not pissed off, it's obvious that this time, instead of flirting with her in a casual and natural way, he’s thinking what to say, choosing carefully his words to return a fraction of the effect she had on him hours ago.

His eyes darken, and his voice goes octaves lower and raspier. "Sweetheart, there will be no possible escape from what I plan to do with you. At the slightest opportunity I will make you cum on me so many times you will be the one to find the One Piece without needing to go to the Grand Line, but first…'' He pauses, breathes, and lets it go calmly, like the intimidating, psychopathic calculator she saw at the circus and not that flirty cartoonish version she got to know on the ship. ''you will beg for it."

She knows she shouldn't surrender to this type of tease, but she also can't and doesn't want to avoid it. Getting heavily carried away, without thinking about it twice, one of the girl's hands slides to the back of his neck, slipping under the bandana, and tugs his hair aggressively as she leans in again to speak close to his face. He grunts in pure satisfaction, closing his eyes for a second. Of course (Y/N) is, once again, taking advantage of the fact that he cannot defend himself no being more than a head, and the fact is that he enjoys like a condemned bastard those small but intense gestures the girl has given him since they met at the circus.

He can't wait to break a woman like her. And oh, he will.

"Are you sure about that?" Hearing distant steps, someone from the crew coming out on deck and climbing the stairs, she gets some distance from him, acting naturally, closing the bag again around his head. "My expectations just skyrocketed, I hope you don't disappoint."

By the end of the day, the Konomi Islands begin to appear on the horizon, and as soon as they set foot on them, shits get really serious. The situation of the poor people who live there is heartbreaking, so for two days, no one dares to make a single joke, Luffy's usual energy and bubbly positivity is nowhere to be seen, and of course, the interactions of (Y/N) and Buggy are reduced to = 0. The clown's head is no longer of any real use to them, and it’s poor Sanji, the new recruit, who’s carrying it around just in case.

At least until they reach Arlong Park.

Again, (Y/N) is not exactly the type of mercenary expert in martial arts and although she knows how to defend herself, fighting like Zoro or Sanji is, in few words, impossible. Her only advantage is being very, very fast, and knowing how to use the scenery to her advantage, so it doesn't take long for her to hide here and there among the different tents and attractions in the area to get rid of the most straggler fishmen, with a knife she got long ago during one of her jobs, capable of cutting their tough skin easily.

Everything happens so fast and is so chaotic that apart from some screams and blows in the background and having seen Usopp running towards the forest, (Y/N) is completely unaware of what is happening in the main complex.

A strong pull on her left arm activates her flight or fight response as one last fish falls dead to the ground in front of her. Raising the knife, in a quick movement, she tries to defend herself by aiming at the stranger's neck, although in vain; a pair of lips whose red has already been worn for days impact against hers, stealing her breath, a small moan escaping her. Eyes wide open, she barely registers the blurry color of Buggy's nose when two strong hands squeeze her hips as if the life of the clown depended on it, pushing the girl against the wall of the building behind them, cornering her without any type of delicacy.

She hadn't heard from him since they reached the island. Hell, she didn't even know he had got his full body back and was already so close to it that air was unable to pass between each other.

Of course, the moment the clown's head joined the rest of himself -the feeling much better than he remembered- he fucked off his captors and decided to flee. Not before making a vital stop along the way.

The ideas about how to proceed with her once he was whole were very, very different in his wild fantasies, but when he saw the girl's back, he knew that the only thing that would -partially- calm his yearning would be to kiss her before disappearing as fast as possible. To taste her lips, to feel her warmth.

Still not recovered from the shock of the kiss, Y/N doesn't remove the knife from the clown's neck, but he couldn't care less; quite the opposite. He is so turned on and waited so much -again, exaggerated- for this he doesn't know yet how he will be able to break the kiss, take distance from her, and run away.

Passionately carried away, moved by his most primitive instincts, Buggy sneaks one of his legs between hers, pressing in between them as Y/N inhales through her nose and her free hand flies to his vest, pulling it a little.

It wasn't the time, nor the place, to think about fucking that asshole, but damn, after all the teasing and the tension and the adrenaline of the fight--

And just when she starts fully giving in to him, he retreats just enough, panting a bit, and looks at her now red, stained lips, eyes darkened and full of lust. Just like hers.

"Hate to leave you like this sweetheart but I have things to do and places to go. I don't want people relating me to Arlong, I would hate the bad press on my persona." He whispers, cracking his usual cruel, playful smirk when he finally puts some distance between each other.

‘’It's time to exit stage left.’’ Buggy adds, theatrically raising both hands in the air. ‘’I promise I’ll see you around.’’

And like this, he stars running away again. Where? She doesn't know, or even guess at this moment, too busy registering the kiss in her memory, the way his lips felt on hers, how his nose pressed her cheek the entire time, or his hands grabbed onto her for dear life.

Bastard.

''You better'', she whispers to herself.

[orphiclovers]

Rereading early ORV and I have some THOUGHTS on Kim Dokja. In typical me fashion, they are unpopular. So if he's your absolute favourite character and seeing him be criticized will ruin your day, maybe skip this post, ok? Peace.

-

What is so novel and interesting about Kim Dokja is that he GENUINELY doesn't really have a knee jerk emotional reaction of outrage and empathy when seeing injustice happen. He sees something immoral and bad, but doesn't FEEL horrified and disgusted. Emotions don't drive him to attempt to fix the situation or save anyone.

Instead his moral compass is based on the simple logic that 'bad things happening should be prevented if there is an opportunity to prevent them.'

This philosophy is the most apparent in his actions in Chungmuro on the WHOLE, with the food and marginalized group and etc. But I will point out this moment in particular as an example of what I mean.

They see women be driven to prostitution to survive. Jung Heewon has an instinctive, human reaction of outrage and disgust, wants to rush in and save them and damn the consequences, while Kim Dokja is calm and rational, holding her back and saying those woman will starve if they try to help right now.

This lack of empathy (feeling strong emotions) is definitely due to childhood trauma stunting his emotional development but... that doesn't change the fact this is a legitimate part of his personality now.

Usually, when a character is 'cold and ruthless', it's because they are repressing their true feelings and forcing themselves to be unfeeling for some goal. Like Yoo Joonghyuk, for example.

But we are IN Kim Dokja's head and get to see the way he thinks, and being 'unfeelingly rational' IS what comes naturally to him.

Before you say anything, I know the Fourth Wall represses some of his emotions in certain situations and certainly helps him deal with pain and horror. But we are ALWAYS TOLD when it's active, and it isn't in these moments.

Blaming all of Kim Dokja's less than moral thoughts and behavior on the 4th wall even when there's no indication that it's influencing him at that particular moment, is not something I want to do as it feels like an attempt to scrub away his moral greyness. I choose to believe that his narration, in moments when he's not wrong or biased or 4th wall-ed, is a basically accurate representation of his character. I think the authors didn't make his narration totally 100% unreliable all the time, with no possible indication of where he's wrong or right. Because that would mean there is nothing a reader can latch onto and draw conclusions about KDJ from.

If they wanted to write about a faceless self insert with no concrete personality traits and flaws, a person you can headcanon to be anything, they wouldn't have written ORV.

I think it's okay to acknowledge Kim Dokja's first reaction to seeing a woman about to be raped is not 'oh my god...those bastards...! I have to stop this...!' but '...she might be dangerous or a hinderence in a future...'

We don't need to make excuses here and try to justify this. A moment later he catches himself thinking like this and 'shudders with disgust at himself.'

His first, instinctive thoughts that he can't control don't necessarily make him a bad person. What matters is his second thoughts and what he actually chooses to do, which he CAN control. I ALSO don't think he's wrong to feel disgusted at himself for having low empathy. His guilt is justified.

I genuinely like him even more for always picking the 'moral option' in every scenario now, than if he did it immediately with no hesitation. Because it makes empathy and compassion a constant choice he's making, and putting in the effort reflects well on what his values are.

Kim Dokja legitimately can't help but weigh everyone he meets on a scale of how 'useful they potenially are' first and foremost. He does this with strangers and also with all of kimcom too.

"Who should I save because they would be useful in the future? I wasn't Yoo Joonghyuk to be thinking about these things." At this point, chap 74, he thinks Yoo Joonghyuk is wrong and doesn't want to be like him at all and mostly calls him a psychopath. He thinks 'acting like him' is wrong and undesirable.

He has a mini arc about Yoo Joonghyuk later, goes from 'he's a bad person, I know it because I know everything about him' in chap 81 to 'maybe I don't know him at all' in chap 82 but this is before that.

Seeing people as tools and deciding who to save based on future knowledge is a thing BOTH of them do. Yet Kim Dokja critisizes Yoo Joonghyuk for it, it's his least favourite character trait that YJH of TWSA has.

And in typical Kim Dokja fashion, this similarity between them is exactly what he despises in Yoo Joonghyuk - but now we find out it's not because he finds it amoral ("I'm not a humanist" - he doesn't care about that part) but because he sees it as a mirror reflection of himself. He's projecting, as always!

In early ORV, he hates the part of Yoo Joonghyuk that is the most similar to himself. (even tho they're sort of the polar opposites too. Yoo Joonghyuk is a deeply emotionally driven person, he feels empathy and the desire to save everyone but chooses to repress and ignore this and act like a ruthless 'psychopath'. KDJ disagrees with this choice, as Kim Dokja IS an unfeeling psychopath (low empathy) but does his best to act like a decent person and not an edgelord.)

[elementroar]

Analysis of Paracelsus' initial bloodlust and its longlasting effects on A.B.A (Part 2)

Analysis behind the backstory and personal story arcs of A.B.A. and Paracelsus (part 1)

So this actually started out more of a 'funny' post, but I realized that it really is a very important insight into how A.B.A. and Paracelsus function and interact, especially for his earlier days in XX/Accent Core +R

And I wasn't joking about the vore. It's not in the erotic sense...but it certainly is in the 'literally eating parts of your partner ' sense...

Also apologies for the long word dumps, it got wordier and longer than I expected.

Paracelsus (used to) REALLY love blood

It goes without saying, Paracelsus really loves blood. Well he used to anyway.

By STRIVE, he says he felt he lost his sanity whenever he gets hyped on blood in the past. To the point, he has sworn off blood (and violence) as if it was an addiction. Basically, he has managed to go clean sometime between their last appearance and STRIVE.

To not go too far into his backstory again (which you can read here), Paracelsus is a magical axe that fed on blood and increased his own power with blood; and would use warriors as hosts to cause more bloodshed and thus gain more blood and power for himself. Paracelsus doesn't need to 'eat' blood to survive (he was left host-less for about 20 years, and now abstains in STRIVE and is just fine), making the addiction metaphor seem to be accurate.

Back in XX/ACCENT CORE, he needed to drink fresh blood to transform into his superpowered Moroha mode (this is mechanically replaced by Jealous Rage mode now). Similar to his current gameplay, he could get blood and transform by A.B.A. piercing someone with his bladed end; or if A.B.A. fed him one of three blood packs she'd have on her.

He reacts pretty much like a dog getting a treat, anticipating it when she reaches into her pockets for a pack too. And he truly didn't care where the blood comes from, even if it's from A.B.A. herself.

A.B.A. coughs up blood and all Paracelsus wants to do is have a taste. Note that he barely actually reacts to her or himself getting hit or fighting in the old games. It's kind of a stark contrast to his many reactions and concern for her wellbeing now.

Make no mistake, despite being "kinder and gentler" than how he treated his previous hosts - by not completely mind controlling her into a frenzy and caring enough that he doesn't want her to die - Paracelsus was truly obsessed with drinking blood still, and all the fighting skills and power he imparted on A.B.A. was to make her strong enough to defeat opponents and gather blood for him too. Hence the 'manipulation' he felt guilty of in STRIVE.

And he gets even more bloodthirsty in Moroha mode aka what Paracelsus is without his 'sanity'.

You're the worse you when on blood

Prior to STRIVE and Paracelsus' current sludgy form, his powered-up form gave him a goat's head and his persona changes into that of his old berserker self.

This increase in aggression and bloodlust also affected A.B.A. through their empathetic bond, making her also take joy in violence and also clearly hyperventilating and tweaking out in some animations, like she's high.

Not to mention that to fight in this mode, every time Paracelsus makes a successful attack, A.B.A. also gets damaged (hence 'Moroha' mode as it means 'double-edged'). In-universe, this could mean that Paracelsus is sapping both the blood of an opponent and A.B.A. at the same time, indiscriminately as he says.

And he seems somewhat crueler in this form, as he has an even more violent and vicious state above Moroha mode called Goku Moroha mode. He enters it by consuming another blood pack, but he also seems to bite down on A.B.A.'s hand without a care and holds onto it while he transforms.

The impact of all this on A.B.A

Picking up Paracelsus was truly a double-edged sword/axe for A.B.A. On one hand, he was older and savvier about the outside world (even though he spent like 20 years just rusting away on the ground somewhere) and having him as her emotional support key and literal weapon led her to actually daring to explore the outside world, and he provided and (attempted to) advised her on things she didn't know about.

On the other hand, Paracelsus' satiating his bloodthirst was still his main objective, and it was also hurting A.B.A. Although Paracelsus was making some effort to not outright get her killed, A.B.A's additional resilience as a homunculus probably also helped her survive take being Paracelsus' host as long as she did.

Paracelsus was the original toxic element in their relationship, and it's likely over the years he's come to realize and regrets the harm he was doing to A.B.A. constantly, and why he has completely sworn off blood and violence entirely by STRIVE.

However, his bloodlust fueled and amplified the worse tendencies of A.B.A. from early on, and this seems to have stuck with her till the present in STRIVE. Her current extremely violent reaction when feeling jealousy or anxiety is likely how she's been conditioned to do so by Paracelsus, even when he himself is no longer the source of that bloodlust.

The difference now is that A.B.A.'s new powered-up state of Jealous Rage is mainly fueled by her wrath and fear instead of Paracelsus' bloodlust. Paracelsus becomes sludge now, affected by the toxicity of her unstable emotions going haywire and her will becoming decidedly dominant over his. The one who is toxic has become inverted.

What's more, it seems that the skills Paracelsus imparted on her before also carried over and stuck with her, allowing her to fight independently since Paracelsus isn't trying to encourage her to violence this time. She's become so dominant that she now can even force a new form/transformation onto Paracelsus when she does her Overdrive The Law is Key, Key is King while in Jealous Rage.

In the game files, this red form is called the "Hyoui" form, meaning 'possession'. It being red is interesting because it seems to be a callback to Paracelsus' moniker of being the Sanguine Gale. The concept art also shows the pretty disturbing way he's being morphed into it by A.B.A. when she does the Overdrive.

When in her Jealous Rage mode, the bottom half Paracelsus' where his axe blade is, somehow becomes more axe-like than it ever has been in the games. In the earlier games, his blade half didn't change, only his head does into the goat-head. What's more disturbing is that eyes already started appearing on the axe half even while Paracelsus tries to maintain his original face as much as possible.

When executing the Overdrive, A.B.A. swings with the axe half as the sludge pulls from Paracelsus' face to form this new toothed red axe head. Is it a new persona? Is Paracelsus still conscious in his face half or in the axe half at all? Does 'possession' have double meaning where A.B.A. is possessed by her own wrath, but also Paracelsus is now the one being possessed by A.B.A.'s will into forming the red axe form?

The interesting thing too is that A.B.A. executes the Overdrive with precise strikes, liked a skilled warrior. IMO, at this moment A.B.A. ironically became the exact kind of warrior that berserker Paracelsus would have wanted and caused him to even revert back into that primal early form of his that was barely sentient. They gained perfect synergy for the attack, but both are literally out of their minds.

What started this post

Just a funny thing but the reason why I even thought of, and then looked into all this, was because of A.B.A.'s biting of Paracelsus at the top of the post. I was wondering why Paracelsus doesn't say a word of protest when she does this to him, then remembered that he used to kinda drink her blood (and turns out he too has bitten her before), and I think he's prolly thinking "I deserve this".

[ivyasproperty]

Knife to the heart

wandanat x fem!reader

summary — It was just a small stab... Okay maybe it wasn't, considering how they accurately aimed for your heart, and the amount of blood pouring out of the wound. But it's perfectly fine, since your two girlfriends will always be there to take care of you.

warning(s) : some mentions blood, i think that's it

word count : 600

A/N : it's so short im gonna cry

men / minors dni!

The rain drummed against the window of the quinjet, a steady rhythm that mirrored the chaos in your mind. You leaned against the wall of the quinjet, clutching your chest, trying to stem the flow of crimson that soaked through your shirt. It was just a small stab—at least, that’s what you told yourself in those frantic moments before it happened. But as the world around you began to fade, you couldn’t ignore the reality of the blade that had sliced through you, aiming for your heart with terrifying precision.

“Hang on, malyshka!” a familiar voice broke through the haze. It was Natasha, her voice both urgent and soothing. She appeared like a vision, her vibrant red hair plastered against her forehead from the rain, her eyes wide with concern.

“Why did you have to go after them alone?” Wanda, her scarlet curls bouncing as she rushed to your side, chided you gently, panic lacing her words. “We told you it was too dangerous!”

You winced, feeling the pain radiate through your body, but also feeling a warmth, a sense of safety. “I didn’t think they'd actually—”

“Shh.” Natasha knelt beside you, pressing her hands against the wound, her touch grounding you. “Focus on us. You’re going to be okay.”

“Why did you have to be so brave?” Wanda added, her voice trembling as she tore off a piece of her shirt to make a makeshift bandage. “You could have just walked away. We could have found another way.”

“But I couldn’t let them hurt you,” you whispered, forcing a smile despite the agony. The truth was, you’d always been a protector, a role that felt as natural to you as breathing. But now, lying on the cold pavement, youe wondered if you’d made a mistake.

“Malyshka, please,” Natasha pleaded, her voice breaking. “Don’t do this to us. Just stay with us, okay?”

The world swirled around you, and for a moment, you thought you might slip away. But the warmth of their presence anchored you. The memories of laughter and late-night talks flooded your mind—times when their love had made the darkness seem less daunting.

As Wanda finished tying the bandage, the quinjet had finally landed, and paramedics were on the way over. “Help is on the way,” she assured you, though you could see the worry etched on her face.

“Just… just promise you won’t be mad at me,” you managed to say, your voice barely above a whisper.

Natasha leaned closer, her forehead resting against yours. “Mad? No. Just scared. Scared of losing you.”

“Me too,” you admitted, feeling tears sting your eyes. “I didn’t mean to worry you.”

They both laughed, a shaky sound that broke the tension. “You always worry us,” Wanda said, her smile mingling with her tears. “That’s part of the deal.”

As the paramedics finally arrived on the quinjet, a wave of relief washed over you. You could see the worry etched in their faces, but also a fierce determination. They would get through this together. They always had.

“I love you both,” you whispered, the weight of your admission lifting a little of the burden off your chest.

Natasha smiled through her tears. “We love you too. Just hold on.”

In that moment, as the rain continued to pour and the lights of the ambulance flickered closer, you realized that even with the darkness looming, you was never truly alone. Love had a way of binding wounds deeper than any blade could cut, and with Natasha and Wanda by your side, you felt the strength to fight back against the shadows.

A/N : hope you enjoyed this one! it's still very short since i'm not exactly sure what to write ( oops )

[tinyangrynerd]

Can We See All Of The Snak Monster Designs? (I'm Getting Back Into Monster Designs And Love Your Designs!)

(Thank youuu! ;v;)

These are all my snakmonster designs so far. I also have a tag for all the Snakmonster AU posts that has a lot more to offer.

Will also leave a link to the Gramble i drew for this au, BUT! warning for strong body horror! He's not really a snakmonster, but it's still part of the AU. Maybe i'll go back and revisit him sometime and give him an actual monster form. But as it is, i can't really think of any ideas for him that haven't already been done. Idk, maybe he could be a walking hive or something ¯\_(ツ)_/¯

For some reason i thought i still had a bunch of the Snaxburg group i hadn't drawn yet, but nah i guess i got pretty much all of them. And they're all still fairly accurate.

Shelda i would redo, since i wasn't happy with her design when i made it and i'm still am not happy with it. But she's another one i don't have any ideas for (especially now that i don't need her to be a snakmonster anymore after the DLC).

The Eggabell i drew was... mostly a joke. But i think i would stick to the idea, just alter her to be a bit more organic and less stiff.

And then Lizbert's design is not really for the AU specifically, but she doesn't change much in it (not physically at least). I would maybe go back and redo her design as well tho. Same idea but just make her a little more creature, and blend some of the element in a little more.

[sailorrhansol]

TRICK OR TREAT!!!

fuck, i love this concept.

sour skittles + ghostface + the craft, pls 🤲🏻

(smut is always welcome, although i know that is highly dependent on whatever it is i just chose, lmao)

❀ Pairing: Vernon x afab reader

❀ Summary: Vernon has been one of your best friends for years. Shy, quiet and calm, he’s always been a steady rock for you. He has no idea you’re in love with him, but that’s neither here nor there. After a strange series of events on Halloween night, Vernon seems a little… different, and the new version of him both terrifies and thrills you. 

❀ Word Count: 21,558

❀ Genre: Supernatural, Friends to Lovers, Thriller

❀ Type: Smut, Angst

❀ Rating: 18+ Minors are strictly prohibited from engaging in and reading this content. It contains explicit content and any minors discovered reading or engaging with this work will be blocked immediately.

❀ Warnings: Explicit language, recreational drinking and smoking, crude humor, some of the members of SVT are a bit of an asshole in this - it is not a reflection of how I think of them, mentions of occult practices, a NOT ACCURATE spirit summoning/ritual, mentions of a murder suicide case/event, mentions of murders, light mentions of blood, mentions of infidelity, catching someone in a sexual act (not the main couple), Vernon is a bit of an asshole at times, mentions of insecurities/confused feelings, I owe Chan and Mingyu an apology for how I wrote them, sexual tension, some angst, sexually explicit content including thigh riding, oral (f. receiving), nipple play, a lot of biting and scratching, choking/breath play, vaginal fingering, a lot of spit and cum mentioned, unprotected sex, references to sub space, Vernon takes a dom role but it is not explicitly established, Vernon gets a little bit possessive, calls reader a slut a total of one time, some light finger sucking, reader is at several points annoyed with the women in this fic which can come off a lil bitchy, general creepy scenes in woods and in some dark spooky places. 

❀ Additional Content Warning: It is implied by the end of this fic that Vernon is possessed to some degree by a spirit in this. I make zero distinction as to whether it’s Vernon or the spirit calling the shots or if there is even a difference/distinction between the two, which poses the fair question of consent in parts of this that I do not address or provide nuance to. The lack of clarification is due to the POV of this fic being entirely from reader’s perspective and she doesn’t have a clue what’s going on until the very end, and thus we are unable to unpack to what degree this character is or is not himself. If that lack of nuance bothers you, that is valid but this is not the fic for you. 

❀ A/N: This was supposed to be a drabble. This was supposed to be a drabble. THIS WAS SUPPOSED TO BE A DRABBLE. Anyways, Jade my beloved you got Vernon + Friends to Lovers + Slasher and honestly it’s less slasher and more supernatural so I actually totally apologize but I leaned too far the other way I’m so sorry soifsdiofjdfiogj I love you love all the specific easer eggs for you and also show you to Jade because they specifically helped me write the Mingyu ‘graveyard smash’ line thanks bye

❀ A/N 2: Alternative summary for this fic is Hali repeatedly drags Chan because she loves him so much 

❀ Reader Notes: This reader is never explicitly gendered as girl/she/her etc. so I have listed them as an afab reader. 

❀ Disclaimer: Disclaimer: All members of Seventeen are faces and name claims for stories. Any scenarios or representations of the people and places mentioned in works are not representative of real-life scenarios. Moreover, none of my works accurately reflect, represent or take a stance on the nuances of Korean culture, cities, people etc. Seventeen members are not Seventeen culturally, intellectually, physically, or representationally in my stories, and should be considered name and face stand-ins for made up characters.

Main Masterlist ❀ Tag List Request Form ❀ Ask ❀ Haliween

Cool wind lifts the pages of your book, threatening to flip them over. You press your fingers flat to the page, fighting to keep them from flitting over and losing your place in the story. There’s not much daylight left in the sky as the afternoon dies to make way for the evening, but you’re eager to finish the chapter, craving to unravel the mystery you’ve been working your way through the past week. 

Atmospheric sounds play in your headphones as you read. Your legs are crossed, book in your lap as you sit on the concrete wall separating the quad from one of the sidewalks on campus. Now that there’s a chill in the air, you crave being outside, finding the opportunity to sit wherever you can on campus to crack open a book before the sunlight finally fades. 

Flipping the page, you only get a split second warning of the shout you hear through your headphones before something hits you in the back of the head. You yelp, dropping the book to the ground as your headphones clatter from your head to the grass from the impact. 

Scowling, you swivel around to see Mingyu jogging over, his hand over his mouth as apologies start pouring out of him. A flush creeps up your neck as he approaches, his friends and fellow fraternity brothers watching from afar. Some of them are bent over cackling, the others have their hands on their head, visibly stressed from hitting you with their football.

Again. 

“I am so sorry,” he pleads, running a hand through his sweaty hair. “Seungcheol threw wide.” 

“Maybe play on a rec field, then?” You snap, sliding from the wall, picking up your headphones and book. You kick the football toward him, irritated. “There’s literally so many other places you can play. Don’t you have a yard at your little frat house?” 

“It’s being used for float building for the Halloween parade.”

“Convenient.” 

For the most part, Mingyu isn’t so bad. He’s a little loud and obnoxious, but he’s always nice and he does seem to mean it when he picks up the football and apologizes again. It’s more than a lot of his fraternity brothers would do, though it’s not much now that they’ve managed to hit you twice with the same ball. 

Someone like Mingyu wouldn’t even pay attention to you if it weren’t for Vernon, though. As Mingyu retreats, the reason you’re even friends with Mingyu appears on the sidewalk, coming toward you with his hands in his pockets, hood pulled up on his head and headphones on. He lifts his chin in greeting to Mingyu, but Vernon’s brown eyes focus on you, his true destination. 

Vernon pulls his hood and headphones down when he’s within a few feet, jerking his thumb at Mingyu. “What did he want?” 

“He was apologizing for hitting me with the football. Again.”

“Again?” 

“Yeah. They hit me earlier.”

Vernon hums, displeased. He doesn’t say much, instead turning to lean against the wall, shoving his hands in his jacket pockets again.

The last embers of sunlight hit his side profile, stunning you to momentarily silence. In a halo of fiery light, Vernon looks like a god. His light brown eyes turn burnished gold, reflecting the dying sun. His hair is spun copper, strands dancing in the breeze as he watches the world around him. 

Not for the first time, you think that you understand why Helen of Troy inspired a thousand ships to come after her. Vernon’s face is the kind of thing you’ve read about in all of your mythologies and folktales for your Occult Studies major, so beautiful that it can’t be real.  

If Vernon notices you staring, he doesn’t say anything. Instead, his eyes watch the other members of his fraternity play football, one of them crashing into someone on a lawn chair. He shakes his head and mutters under his breath, wearing his second-hand embarrassment silently as he watches them apologize for the millionth time. 

Vernon is nothing like the rest of his fraternity. You’re still unsure why he even joined. It was something he had done his freshman year going into school, wanting to put himself out there and make friends. 

He certainly looks the part - he’s handsome and in shape from playing soccer in highschool, and he’s got good fashion sense for a college student. But he’s quiet and a little awkward, unsure how to navigate conversations with most people who aren’t in his immediate circle of friends and shy to an almost crippling point. 

It had taken Vernon seven weeks of being your lab partner before he finally spoke more than three sentences to you. For the longest time, you’d assumed it was because he thought you were beneath him. It wouldn’t have surprised you. Greek life on campus tended to stick with their own. 

Now, you know it was because he didn’t know what to say or how to start a conversation. You’d only managed to get him to talk to you when he noticed a song by Frank Ocean bleeding from your headphones, piquing his interest. 

Four years later, talking to Vernon is easy. Well, maybe not easy. You’ve got years of friendship between you now and you know what makes Vernon tick, but the butterflies you get when you’re around him and the way your heart swells when he does something so simple makes it a little harder. 

Like now, as day fades to evening and the world is awash in purple and gold, and he’s looking at the watercolor sky like it's the most fascinating thing in the world, completely unaware that while he’s in awe of the sky, you’re in awe of him. 

Vernon jerks forward, making you flinch. You have no idea what he’s doing until his hand is in front of you, smacking down the football that has been sent your direction again. You huff in frustration, watching as this time it’s Chan who jogs over to get it. 

“Are you all fucking serious?” You demand. He slows his approach, eyes darting to Vernon as though looking for help from his friend. Vernon says nothing, bending over to pick up the football and toss it to Chan. “I should shove that football up your ass.” 

“Maybe not the football,” Chan quips, catching it. He looks you up and down, head cocking to the side a little. His mouth lifts at the corner and there’s a glint in his dark eyes that makes you even angrier. “I’m open to other things, though?” 

“You’re so gross.”

“What? You’re hot when you’re mad.” 

“Go away, Chan!” You shriek, flustered and angry as you spin around to grab your things and storm off. You only get a few feet before realizing Vernon is still leaning on the wall. “Are you coming or not?”

He scrambles after you, nearly tripping over his own feet to catch up. Chan is snickering as he runs back toward where the others wait for him, yelling a trilling bye toward you and Vernon as you charge north toward the main campus parking lot. 

“He’s so annoying,” you gripe, shoving your book in your bag. Vernon hums, noncommittal. You glance at him. “Nothing more to add?” 

He lifts a shoulder. “It’s cause they think you’re hot, Lovecraft.”

You smile at the nickname, fondness sweeping through you. He’d started calling you Lovecraft your freshman year after learning about your major, deciding that it just fit. You like it - at least coming from Vernon, who understood Occult Studies was more than just spooky and magic and the metaphysical. 

“They think anything with a set of tits and a hole to stick their dick in is hot. I’m sure a blowup doll would blow their fucking mind.” 

Vernon’s mouth twitches at that. “You’d hate Chan’s room.”

“Don’t give me that visual!” 

His laugh is warm. He bumps shoulders with yours, grinning at you as the two of you walk. You feel the telltale sign of your traitorous heart beating extra hard at his closeness, your gaze shooting to the floor as you try to hide any evidence of your feelings that might lurk on the surface of your expression. 

Thankfully, Vernon never seems to notice. You’re glad that he doesn’t. You don’t think you’re very good at hiding how you feel, but he is equally bad at picking up on it, totally oblivious to the long stares and the way you fumble over your words when he gets too close. 

Vernon has that effect on a lot of people. His proximity to being attractive has always outweighed his inability to make small talk among the female population on campus. The amount of times you’ve watched girls openly flirt with him and whisper about what it would take to get him to crack was insurmountable. 

Autumn wind kicks up leaves at your feet. Neither one of you says anything as you walk, simply content to be together. It’s one of your favorite things about him, never feeling pressure to perform or to have conversation. Being with Vernon is just… easy. Natural, even. 

The parking lot is slowly emptying as the rest of the late afternoon classes end. A few unlucky evening class students pull in, slamming their car doors and rushing off to their auditoriums. Vernon’s car is easy to find and you let yourself in, sliding into the passenger seat like it’s yours - it kind of is. 

“Pizza?” he asks, engine humming to life. 

“Please.” His lips twitch in a soft smile as he nods, flipping on the radio. You hum, leaning forward and turning up the volume. “I love this song.” 

Vernon’s smile increases as you lean back, the sounds of Emotional Oranges filling the car. He rolls the windows down once he’s on the road proper, cool wind kissing your skin. You pull your feet up onto the seat, leaning toward the window as the fading twilight brushes past you. 

Outside the car, the world smells like pine. You take a deep breath in, loving the way the October air feels just right. Fall is always your favorite time of year, and with the music playing in the background, wind in your hair and Vernon drumming on the wheel, you don’t think there could be anything better in the world. 

Sal’s Pizzeria glows against the dark, a beacon of hunger and hope against the night. The giant pizza slice on the roof blinks rapidly, the neon a little bit broken. Gold light glows through the windows as you climb out the car, gravel crunching beneath your feet. 

A bell chimes as the door opens and a group of students pour out, laughing and carrying boxes. Vernon catches the lip of the door and holds it open for you, gesturing you to enter first. The smell of bread and warm air hits you in the face, your lips curving as you tell the girl at the host stand two.

College students and local residents fill the restaurant. The hostess leads you to a booth in the corner, the vinyl seats creaking under you as you hop-slide your way in. She hands you the menus, her eyes lingering on Vernon as she does, lips twitching when she asks if there’s anything else you need. When he doesn’t answer, you shake your head, shooting her a thin-lipped smile. 

She’s hesitant to leave but she does, casting one last look over her shoulder as she heads back to the stand. You look at Vernon too, studying him. He’s none the wiser, brown eyes scanning the menu even though you know he’s going to order the same thing. 

When the server comes, Vernon does as expected: orders a diablo pizza with a side of fries. You shake your head a little, asking for the white feta pizza, handing over the sticky menus. When the server is gone, Vernon leans back in the seat, sipping his coke as he drinks you in, wordless. 

You kick your feet up on his side of the booth next to him and he lets you, patting your ankle fondly when he sets his drink down. He has no idea how torturous that alone is, the simple comfort of his familiar touch enough to send your eyes averting across the room, trying to control your breathing. 

“What are the favorites and least favorites this week?” he asks, balling up the paper his straw came in. 

Favorites and least favorites is a game you like to play with him. It’s not so much of a game as it is a routine where you tell him your favorite piece of material from your classes and your least favorite. Most people dismiss your major as too peculiar for interest. No one knows what you’re supposed to do with Occult Studies but it fascinates you.

And Vernon, who has always had a keen interest in the goings on in your classes and homework. 

“We’re in the psychology of the occult module.” He nods, eyes fixed on you. “Mostly covering the psychology of community as it relates to the occult. We have sections on covens, clans, actual cults, sects and more modern mass followings.” 

“Hmm. So like… Twitter stans.”

You smile a bit. “Something like that. We covered the maenads in class today. Ever heard of them?” He shakes his head and you lean forward, elbows on the table. “They were women in Ancient Greece devoted to the god Dionysus and they were believed to be possessed by the god. They were said to have wild parties in the woods with one another where they’d do all manner of sordid things, all while under the influence.” 

“A Friday night for Chan.”

“Exactly. A lot of historians call them crazy and speculate they were raving mad, but if I was a woman under the thumb of men in Ancient Greece…”

“Shit, I’d get fucking crazy in the woods with my friends too.”

“Exactly. It was more about reveling in female companionship and being unfettered from the male-dominated societal norms.” 

The arrival of your dinner interrupts the conversation. Both of you lean backward, making room for the hot plates and Vernon’s basket of fries. You slide your feet down from his side of the booth, leaning to grab the red pepper flakes from the corner of the table. He grabs salt, immediately dusting his fries.

“Ugh, you could have at least let me have some first.” He looks up at you through his lashes, brows raised. “They’re already salted, Vernon.”

“Not enough.”

“You know, if you were haunted or possessed you’d never want the salt.” He gives a questioning hum. “Salt is used in purification rituals. It’s believed spirits hate it because it’s used in banishing spells and rituals. It’s why a line of salt keeps them out.”

“Good thing I’m hungry, not haunted.” 

You snort, taking a piece of your pizza from the tray. “Speaking of haunted, are we going to your Halloween party this weekend?”

“My halloween party?”

“You are in the fraternity, Vernon. Yes, yours.” 

He makes a face and tears into his pizza. You shake your head as he lets out a sound, huffing and tilting his head backward as he tries to deal with the too-hot food in his mouth burning him. “Ya,” he says around the slice. “I guess so.” 

“What are you going to wear?” He raises a brow at you, swallowing down the hot bite. You pout, sagging in your seat. “Dude, you have to dress up. You can’t just go in a black shirt and a baseball hat.” 

“Why not?” You kick him under the table and he winces, ducking down to rub at his shin. “Shit, fine. Okay, what do I go as?”

You grin, picking up your appropriately cooled pizza. “Leave it to me.” 

-

“This makeup itches,” Vernon mutters, looking up at you through long lashes. You hush him, putting the finishing touches on the black line down his mouth. “Couldn’t I have gone as something easier?”

“What is easier than black jeans and a jacket you already own, huh? Stop talking, I’m gonna fuck up this line and this makeup is perfect so far.” 

It’s true. You’ve outdone yourself on turning Vernon’s face into a skull, taking inspiration from American Horror Story for the costume. Vernon is a low effort kind of person, so getting him into costume is a lot easier when all it requires are clothes he already owns and makeup that you have to do anyway. 

Stepping away from him, you admire your handy work. His eyes are painted black, hollowed out for the skull. His dark hair is slicked back, the perfect skeleton. He looks… good. Painfully good, which makes you nervous and turn away quickly, heart flipping. You’re not sure what it says about you that Vernon staring at you while painted as a deadly skeleton makes your heart race but… it does. 

“How do I look?”

“Terrifying,” you admit, turning back to him. “But good.” 

He grins and if it were anyone else but Vernon, you’d be terrified. Maybe you did a little too good of a job. 

“What are you again?”

“One of the witches from American Horror Story Coven. Close your eyes, I’m going to use setting spray.” 

Darkness blankets the sky by the time you’re both scrambling down the steps and into an Uber. The driver does a double take when they see Vernon, eyes watching nervously in the rearview as you give him the address. 

“That’s at a closed down gas station.”

“Yep,” you agree, leaning back into the seat.

The driver mutters something about fucking college kids and fucking holiday but otherwise says nothing about the questionable location. He doesn’t need to know that a mile from the abandoned gas station is also an abandoned farmhouse notorious for unsanctioned parties and being distinctly haunted. 

Haunted isn’t your favorite thing in the world. You didn’t like to mess with ghosts, despite your area of study. You were infinitely more interested in the intersectionality of occult studies and modern culture and society and less enthused about the idea of drinking stale beer from a foamy tap in the middle of a murder house. 

If the driver thinks there’s anything weird about other people being dropped off at the gas station - you’re sure he does - he says nothing, ignoring the two of you as you get out of the car and dive into the night air. Vernon is close behind as you take a few steps away from the car, eyeing the old gas station.

The windows have long since been broken and cracked, foggy with time. The stations are stripped of their labels and stickers, just white residue left behind and no pumps. A few people lounge around the building smoking, dressed in a variety of halloween costumes. 

Nervous, you look up at Vernon. His smile is small and he juts his chin toward the dirt road that leads through the woods. Nodding, you both fall into step, sand and gravel crunching beneath your feet as you go. Vernon recognizes a few people associated with his fraternity and others, throwing a casual wave or a nod as you pass by people.

Music echoes down the road. It’s a little less foreboding in the dark trees when you can hear Michael Jackson’s thriller coming down the way and the dull roar of voices. The bend in the road straightens out, the line of trees giving way to flat land. 

The farmhouse is pretty, even in old age. It’s two stories, glowing from within from all of the battery lanterns and lights being used to light the party. A generator roars somewhere behind the house, light flooding the yard where people mingle and crowd the kegs. 

A chill slithers down your spine as you enter the yard, the broken gate doing a poor job at keeping trespassers out. Even with the lighting, shadows dance as you navigate through people, the strange anxiety crawling up your throat worsening as you near the house. 

Vernon pulls the sleeve of your dress so that you’re closer to him, his fingers steady and calm as he leads you up the steps where you can clearly hear Mingyu’s howling laughter inside. 

Bright light fills the house. As do a crush of people and beer pong tables, the abandoned home turned into a raucous display of drinking and debauchery. If you weren’t so distracted by the wave of people pushing you into Vernon’s arm, you might be impressed at how much you could forget the farm home was abandoned because someone had been murdered here. 

“I need a drink,” Vernon announces, continuing to pull your arm after him as he plunges toward what used to be the kitchen.

It’s where you find Mingyu dressed as a lifeguard - and loudly yelling directions. He blows his whistle shrilly when he sees you and Vernon, pointing at the two of you and spitting the whistle out of his mouth to scream, “NOT WET ENOUGH!”

“What a weird way to offer drinks,” you mutter. Chan, who seems to be on lifeguard assistant duty - while dressed in a horrid felt dinosaur costume - scrambles to get you drinks, spilling rum as he tips it over into a cup. “No ice?” 

“There’s not a fridge,” he pouts, shoving the cup in your hand. His eyes drink you in. “Are you a hot goth or?” 

Instead of answering him, you roll your eyes and turn to Mingyu, who blows the whistle again. Both you and Vernon wince, the latter throwing back his drink to chug it all before thrusting the cup back at Chan. “That’s gonna get real tiring.” 

Mingyu comes around the corner of the old island countertop, pumping his fists in the air to the music rattling through the house. “Vernon you look fucking sick!” He and Vernon do the little hand-clap-to-half-hug men do. Mingyu turns to look at you, eyes dark. “Are you like, a hot goth?” 

Your smile is plastic as the whistle around Mingyu’s neck. “Sure.” 

Mingyu, dancing and moving toward the living room, reaches out to you. “Come dance with me! This song fucks.”

“Decidedly not!” 

“Go ahead, Lovecraft!” Vernon urges, pushing you toward the obnoxious lifeguard with a shit-eating grin as he imitates Mingyu’s voice. “This song fucks.” 

Before you can chastise him for egging his fraternity brother on, Mingyu has you sucked into the dancing crowd, throwing his hands in the air as he swivels his way through the crowd. You try to knock back as much of the lukewarm drink as you can, cringing at the burn of cheap rum and not-iced coke. 

Bodies pressed in. Mingyu is close to you, a hand going to your waist. You frown and look over your shoulder, eyes scanning for Vernon. You know he’s probably lingering on the edge of the crowd, watching you with a smirk over the rim of his cup as he watches Mingyu roll his hips toward you.

“Mingyu,” you snap, turning back to him when you don’t find Vernon. “It’s the Monster Mash, it doesn’t require grinding.” 

“I mean, if you wanna graveyard smash…”

“You’re all insufferable! All of you!”

Still, you sway back and forth, trying to stomach finishing the rest of your horrid drink. It takes an effort, but shaking your head at Mingyu and judging him silently gets you most of the way through it until Soonyoung - dressed in the same tiger costume from last year - crashes through the crowd into the pair of you, thrilled when he realizes who it is he has slammed into. 

“Hot goth!” he screams, pointing at your outfit. “Where is your other half?” 

You don’t have to ask what Soonyoung means and both the drink and the accusation have you flushing. You shrug a shoulder, eyes surveying the party. Before either of you can find Vernon, Joshua appears at Soonyoung’s side, leaning to his ear to murmur something. Soongyoung’s face lights up and he grins at you, grabbing you by the wrist to yank you through the crowd. 

“Hello?” you demand, pulling your wrist from his grip. “Have you heard of asking?”

“Come on, I want to show you something.”

“The last time I heard that was promptly followed by you showing me that stupid peach tattoo on your ass.”

“First of all, that tattoo is amazing.” He heads to the stairs, which you eye warily. “Second, Vernon is already upstairs, come on. You like weird ghost shit, you’ll like this.”

Without waiting for a reply, Soonyoung thunders up the stairs. You cringe, waiting for a foot to go through a dry plank and send him falling. It doesn’t happen, though. Tentatively, you creep up the stairs after him, eyes glued to each of the steps as you go. 

It’s colder upstairs, the windows in the rooms open to the elements. You shiver, looking down the hall to Soonyoung heading into a bedroom. You tentatively follow him, stopping at the threshold of the doorway to survey the people inside.

Vernon is one of them, back pressed to the wall near the window, his eyes focused on his boots in front of him, hands tucked into his pockets. A girl next to him dressed as Red Riding Hood is leaning close, speaking to him rapidly. Nothing on his face indicates he’s listening. Then again, his expression is hard to read while painted as a skull, mystifying and dark as you follow Soonyoung down the hall. 

Soonyoung goes straight toward a pile of things on the floor next to Seungcheol’s feet in the corner of the room. The president of Vernon’s fraternity pays Soonyoung no mind, eyes totally focused on the pretty fox in front of him, bottom lip tucked between his teeth. 

Suddenly, the room feels too intimate for you, like everyone is a couple tucked away. You have half a mind to go back downstairs when Vernon looks up at you, dark eyes zeroing in. His face is ten times more intense with the skull paint, pinning you to the spot. 

Everything dulls to the background for a second. You don’t dare breathe, too afraid to shatter the moment as he stares at you, unblinking. His eyes glitter in the darkness of the room, two amber pools reflecting the moonlight. 

Joshua enters the room behind you, shattering the spell as you step out of his way. You turn back to Vernon, clearing your throat. He pulls a hand from his pocket, beckoning you over. Mouth dry, you obey, skittering over toward him quickly as you observe the materials that Soonyoung is sifting through in the corner. Candles. Matches. Salt. A bell. 

“Soonyoung,” you say sharply, slowing your step. “Why do you have ritual materials?”

He looks up at you, his grin wide. “Told you that you’d like this.” 

“What is this?” You turn back to Vernon, who shrugs one shoulder. 

Hesitantly, you take the unoccupied space next to him, casting the girl at his side a cursory glance. She observes your costume. “Are you a hot goth?” 

“Jesus Christ,” you mutter, head thunking against the wall as you watch Soonyoung stand, materials in hand. Vernon coughs next to you, trying to cover his laugh. You glare at him sidelong and he says nothing, but his skeleton mouth is screwed up in a smirk. “What is he doing?”

“No clue.”

Soonyoung walks over to the bedroom door, looking down the hallway before shutting it. You fight a shiver, disliking how quiet the room becomes, cut off from the rest of the world. The window near you is the only source of light, and the only one shut on the second level of the abandoned home. 

“What time is it?” Soonyoung asks Joshua.

“11:45.” 

“Perfect.” Soonyoung spins, eyes falling on you. “Want to talk to a ghost?” 

All eyes turn to you in the room. You open and close your mouth, confused. “What?” 

“Do you want to talk to a ghost? Like someone who died?” 

Your eyes drift to the candle, bell and matches in Soonyoung’s hand. A tingle spreads over your skin and your spine stiffens. “Soonyoung that better not be to invite a spirit in.” 

His grin grows. “Come on, you are the ghost major or whatever. You should be thrilled to do this.”

“Occult Studies. And that doesn’t mean I fuck with the unknown or make a mockery of the dead. We’ve been over this.” 

“It’s basically the same thing, come on. You learn it all in class.” 

“No.” 

He pouts. “You’d be best at it, though. Rumor has it that when the veil is thinnest, you can talk to the spirit that haunts this house.” 

“The murderer? Or the murdered?” Soonyoung shrugs. “I doubt either would be very happy a bunch of drunk college kids are trying to bother them. My answer is no.” 

“Ugh. I was kind of counting on you doing it.” 

“Do it yourself.”

“I don’t study ghost shit!”

“Occult! Studies!”

“Ghost shit,” Soonyoung assures the room confidently.

“I’ll do it,” Vernon sighs, pushing off the wall. “Leave her alone.” 

Soonyoung’s eyes are alight as Vernon steps toward him. You reach out to grab his wrist, pulling him back. “Don’t.” 

“It’s fine.”

“Vernon.”

His eyes are soft when he looks at you. As soft as the terrifying makeup allows, anyway. “It’s fine, Lovecraft. Let me. He’ll stop asking.”

“I’m right here.”

“We know,” you and Vernon say in unison. You feel warm, chewing the inside of your cheek before nodding. You drop his wrist and turn to Soonyoung, eyes hard. “Give me that, you’ll do it wrong. Tell me what the mythos is.”

“What math? You need math?”

“The story, Soonyoung. What is the fucking story of this house?”

“Right. Apparently some dude murdered his girlfriend in here and then hung himself in that closet.” He points to a door you didn’t see when you walked in, dark and far away from the window. “Legend says at midnight, ring the bell three times and step into the closet with a candle. If the candle blows out, the spirit is with you. If it doesn’t, it didn’t work.” 

Grabbing the items from Soonyoung’s hand, you look at Vernon. “When you’re done, ring the bell three times again and say: Thank you, I dismiss thee. Go in peace.” 

“Thank you,” Vernon repeats gently, taking the bell from your hand. “I dismiss thee. Go in peace.”

“Everyone else take candles,” you direct, voice rough with irritation. You glare at Soonyoung and Seungcheol in particular as you shove candles in their hands. “Stand in the four corners of the room. Did you bring sage, Soonyoung?”

“Bring what?”

“Of course not, why would you?” Everyone starts moving to the corner of the room, using matches to light their candles. The room feels unnaturally cold now, despite your long sleeves. Turning back to Vernon, you say, “It’s probably a stupid rumor.”

“Probably.”

“If your candle goes out, just ring the bell, say the words, and dismiss it.” 

“Right.” 

“You don’t have to do it, Vernon.”

His mouth kicks up at the corner. “I’m not worried, Lovecraft. You are.” 

Letting out a breath, you give a laugh that’s only half-there. You are nervous. You don’t like the idea of inviting a spirit into Vernon’s space, and though Soonyoung’s little ritual doesn’t really sound right, you’re not going to correct him. 

Still, you feel unsettled as you light your own candle and then Vernon’s. He cradles it in his hands as you escort him to the door. Tucked under your arm is the canister of salt. Crouching down, you pour the salt in a thick white light in front of the door, careful to ensure that there are no breaks and that it covers the entire entryway from corner to corner.

“Be careful when you step over it and when you open the door,” you instruct, standing up. The candle in your hand flickers unsteadily. “Don’t break the line. The idea is that if Soonyoung’s stupid summoning works, the spirit can’t get through the salt.”

“Banishing and all that,” Vernon recalls with a smile. Your heart flips. “I remember.” 

“Come on, you only have a minute!” Soonyoung calls eagerly. 

Shooting him a glare that silences him, you turn back to Vernon. “Ring the bell three times. Thank you, I dismiss thee. Go in peace.”

“Got it.” 

Unsettled you shuffle back from the door a little bit. You don’t go to a corner of the room like you’ve asked everyone else, unwilling to totally leave him by himself. Heart hammering, you hold your candle in front of you, cradling the warmth like a second heart. 

Vernon is unbothered. You can see it in the loose set of his shoulders and the way he sighs, already tired of Soonyoung’s antics. The party downstairs feels a million miles away as you watch Vernon stand in front of the closed closet door, looking up at it, unimpressed.

“It’s midnight,” Joshua whispers from the corner. 

Vernon doesn’t make any sound that he’s heard Joshua, but he lifts the little bell in his hand. It’s a hand bell, the wood grip worn and cracked. You wonder where Soonyoung got it from, having half a mind to ask him when the first clear ring of the bell disrupts your thoughts. 

The note sings through the air, your blood turning to ice in your veins. It feels like your pulse is throbbing in your neck as Vernon rings the bell hard a second time, the sound chasing the echo of the first. The third ring feels like a tremor in the air, warbling as Vernon quickly sets the bell on the floor, careful not to extinguish his candle flame. 

You hold your breath when he sets his hand on the doorknob. No one makes a sound as he twists it open. He pulls on the door and it comes away with a silent swing. The darkness on the other side is gaping, like there’s no back to the closet, just a wide hole of nothing. 

Vernon doesn’t seem to mind. He steps over the line of salt carefully until he’s in the middle of the closet, pivoting to face you. The orange flicker of his candle casts a haunting glow over his skull face. You swallow down a brief moment of fear before he winks and leans forward to pull the door shut.

For a long moment, there’s nothing. You feel your heart hammering in your chest, the thudthudthud so loud you swear everyone else in the room can hear it. No one moves, everyone fixated on the door. The silence is so piercing that your ears start to ring, the sound of the party completely unreachable over your mounting anxiety. 

“Well?” Soonyoung whispers somewhere behind you. “I guess it didn’t work.” 

Vernon begins pounding on the door. Someone screams behind you followed by a bunch of curses. You leap forward, heart in your throat as Vernon screams something unintelligible on the other side. You drop your candle, completely throwing caution to the wind as you grab the doorknob and twist. 

It doesn’t move.

“Vernon?” you ask, voice spiking with fear. “Let go of the doorknob, let me turn it. Vernon!”

The pounding doesn’t stop. He is screaming in a way you’ve never heard before, his fists rattling the door against the frame. You shriek his name back, yanking at the door frantically, your panic mounting as he screams and- 

When the door opens, you nearly fall backward with the force of it, stumbling over your feet. Soonyoung steadies you, to your surprise. You hadn’t realized he had left his corner of the room to help, his hand warm and firm. 

Vernon stands on the other side of the door, mouth pressed in a firm line. 

“You fucking asshole,” Soonyoung swears, throwing his unlit candle at Vernon. Vernon laughs, dodging it. “You fucking suck.”

“Yeah, well don’t ask me to do stupid shit.” Vernon steps out of the closet, eyes dropping to you. His mirth is edged with something sharp, a glint in his eyes that is wholly unfamiliar. “I was kidding.”

“You fucking asshole!” You screech at him, slamming your hands into his chest and knocking him back a little. He smirks and says nothing, letting you hit him a few times. “Why would you do that to me? What is wrong with you?” 

“Sorry.”

“Yeah, you sound really fucking sorry.” Anger sours your mouth. Turns your words to poison. Your throat tightens up and you feel the telltale sign of tears, equal parts livid, embarrassed and offended that Vernon would do such a thing. “Fuck you, Vernon.”

Someone laughs awkwardly as you storm off. Vernon calls your name but you ignore him, bolting down the hall and down the stairs. The wood creaks uncertainty under your feet but you don’t care. You want to be anywhere but here, the hot lick of embarrassment burning your heels as you go. 

You blow past Chan on your way out, his bleary eyes following you. “Nooo,” he whines. “Hot goth, come back to me!”

“Shut up, Chan!” You scream, slamming down the steps as you go.

People nearly dive out of your way, swiveling to watch the wake of your wrath as you leave the party. You ignore them, not wanting anyone to see the hot tears that spill over as you hit the dirt road, boots crunching. 

It’s hard to tell what’s worse. The fact that Vernon had played a joke on you he knew you wouldn’t like, or the way you had panicked and lost all resolve to be the one in charge. Both feel awful, but the sting of Vernon’s joke is the sharper of the two, cutting you to the quick.

Vernon has never dared to do something like that in your entire friendship. You have no idea why he did it now. Was it because he had an audience? Was he drunk? Was he actually like the members of his fraternity he associated with? 

You had no idea, which only made things worse. Above anyone else, you thought you knew Vernon best. But perhaps, you didn’t know Vernon at all, which was far worse than any sort of haunted spirit you could imagine. 

-

The next morning, you don’t hear from Vernon. It makes your blood boil, a nasty feeling forming in the pit of your stomach as you put your phone on Do Not Disturb. You put on a big set of headphones, blaring music to keep you sane as you set about cleaning your apartment furiously. 

It’s an okay distraction. The lull of clinical cleaning is nice and the music soothes the sting that nips at your heels like an incessant hound. When you run out of things to clean, though, you’re forced to face the fact that it’s nearly evening and Vernon still hasn’t said anything to you.

You don’t want to text him first. Your pride is wounded from the night before and you’re shocked he hasn’t apologized - he should apologize. The silence only makes you angrier, and with nothing left to clean in your apartment, you decide to think of all the things you’re going to say to him when he does finally reach out to you. Because you’re not saying anything first. 

Vernon’s radio silence makes it nearly impossible to sleep. You toss and turn in bed, unable to get comfortable, checking your phone and social media. It’s difficult to remember the last time you went over twenty four hours without hearing from Vernon, and the realization forms a pit in your stomach.

Maybe the silence was good. Maybe you were too reliant on his friendship, the one constant that you had grown far too fond of. Maybe he was into that girl last night, making a show of you because he wanted to make her laugh or maybe he was just putting you in your place.

The insecurity wars with your logic that Vernon wouldn’t do that. He’s never had a history of that kind of behavior before, and though he might tease you on occasion, you have never been the butt of his jokes or the target of his humor. 

Jokes like that aren’t even Vernon’s style. He doesn’t like cruelty, and that’s what pretending to be screaming for help was. It was cruel, and strange and it hurt. 

What hurts more is the silence continuing into a second day. By the late afternoon, though, the hurt has morphed into something else. You sit on your couch, staring at the phone on your coffee table. Your pride was begging you not to text him, but your worry was starting to chip away at you. 

Heaving a sigh, you pick up the phone. The tap of your nails against the glass screen is loud in your quiet apartment, the final rays of sun melting through the blinds while a candle burns on the counter. 

[You 5:14 PM]: So are we not talking? 

Setting the phone down, you immediately start making dinner. It doesn’t matter that you’re too early. You’re nervous waiting for his text back, which makes you feel ridiculous. Then you feel ridiculous for feeling ridiculous, validating yourself that it is totally okay to have feelings and be nervous.

“God,” you mutter under your breath. “I’m exhausting.” 

By the time you’ve had dinner and watched a full episode of Alice in Borderland, Vernon has said nothing. Worry eats away at the lining of your stomach. You pause the show and pick up the phone again, dialing his number.

On the other side of the line, the phone rings. And rings. And rings. 

You hang up when you get the automated voicemail, frowning. It’s all strange, and a nagging feeling tugs at your nervous system but you can’t put your finger on it.

Just as you set the dishes in the sink, your phone starts to ping. You’re grateful no one can see you in your apartment as you lurch to the phone, picking it up and unlocking it to see if it’s Vernon. It isn’t, but your heart starts to thud when your group chats with other friends and classmates in projects flood with the same rumor over and over.

A dead body had been found on campus. 

Vernon doesn’t live on campus, but it doesn’t stop you from calling him again. And again. And again. When the voicemail turns on a fourth time, you seethe into the phone, fingers gripping it so hard it feels like it’ll break. “Call me back you fucking asshole! Someone died on campus and you’re not answering and I just need to know it’s not you. Fuck!” 

Time passes and you get so desperate you do the one thing you didn’t want to do unless it was dire circumstances. You hit dial and bring your phone up to your ear, pinching the bridge of your nose to prepare yourself for when Mingyu answers the phone. 

“Am I dreaming?” he says by way of greeting. “It was the life guard costume, right?” 

“Mingyu, it wasn’t a costume. You were shirtless with board shorts.” 

“But it worked, right?”

“Have you heard from Vernon?” 

“Nah, why?” 

“Like you haven’t seen him at all since the party?” 

“Mmm. I don’t think so.” There’s a muffled sound on the phone like he’s trying to cover it when he yells, “Chan, have you seen that fuck head Vernon?” You wait impatiently, holding the phone further from your ear as Minguy yells. “Chan hasn’t seen him either.” 

“Isn’t that weird? I haven’t been able to get a hold of him.”

“Nah, I mean we never really see him. Usually he’s with you.”

“Right. And he isn’t with me, I haven’t seen him since the party.” 

“Well have you checked his apartment?” You hesitate. “Helloooo?”

“No.”

“Well. Do that. He’s probably sleeping or some shit, who knows.” 

“Great. You were so helpful,” you deadpan.

Mingyu sounds genuinely happy when he says, “I’m so glad!”

You hang up the phone before he can say anything else. 

Chewing your nail, you stare at the wall, mind racing.  Mingyu has a point that it’s normal for them to never see Vernon. He is usually with you, or he’s solitary. There is little in between. He also has a point that most of the time if you were looking for Vernon, you’d just swing by his apartment. 

The thought of seeing him again makes you want to curl in on yourself, but your concern weighs out. You get dressed and grab your keys, trying not to let your fear of what you might find there keep you from leaving. 

Opening the door to your apartment, you get one foot out the door and then slam directly into Vernon. You reel backward, eyebrows shooting up as he steadies you by the elbow, equally surprised to see you as though he wasn’t at your doorstep. 

“Easy there,” he greets, a half smile on his face.

Vernon looks totally normal. He definitely doesn’t look like he was murdered, and he’s dressed in his usual jeans, plain black shirt, and a backwards hat. For a second, you just stare at him, totally shocked and utterly relieved he isn’t dead.

Then, the anger comes. 

You slam a hand into his chest, cursing at him. “Where?” Slap. “Have?” Slap. “You?” Slap. “Been?” 

He takes the blows in stride. His chest is firm beneath your palm, heart beating steadily. Alive. And now that you’ve established he’s not dead, you feel so much anger ripple through you that you don’t let him answer before you’re pivoting on your foot and storming back into your apartment.

The sound of the door closing behind you followed by his shuffling as he takes his shoes off tells you he hasn’t left. A small part of you curls in satisfaction with the domesticity of his arrival, but it is blotted out by the hurt and rage at the surface of your emotions.

“What the fuck is wrong with you?” You demand. It isn’t as eloquent as your practiced rant, but it’s something. “You better explain yourself. And quickly.”

Vernon’s dark eyes connect with yours, simmering. You feel your heart lurch as he slinks over to the kitchen, never taking his gaze off you. The back of your neck tingles. Vernon never keeps this much eye contact and it’s both thrilling and unnerving. 

“I want to apologize,” he murmurs, pitching his voice low. You watch with trepidation as he reaches out to gather your hand in his. He folds your fingers under his, pulling your hand to his chest. Your breath quickens, pulse throbbing as he cradles your fist to his chest, his heartbeat steady. “I fucked up. I wanted to fuck with Soonyoung but I did it at the expense of you, and for that I’m deeply sorry.”

Warmth spreads from his hand to yours. You don’t know what to make of the apology - it’s so unlike him. Vernon has no problem apologizing when he’s wrong, but he’s usually not so confident, so well spoken. You stare and stare, that pitless gaze of his pinned on you. 

“I just…” You chew the inside of your cheek. “You really hurt my feelings, Vernon.” His hands tighten around yours and he tugs a little, pulling you closer. It’s harder to think when you’re this close, fingers wrapped in his. “You really scared me and then you vanished for nearly three days. Why did you do that?” 

“I wasn’t feeling well and I slept most of the days away. Honestly.”

“You weren’t feeling well?”

He gives you a look. “I see the skepticism. I’m serious, I just… wasn’t myself. I tried to rest and I didn’t hear my phone and I’m sorry. Really.”

Vernon’s apology settles around you like a weight. You watch him, contemplating what to do next. He doesn’t look ill, his gold skin as flawless as ever, his rosy lips tucked under his teeth as he watches you, waiting. His heart thuds under your palm, his thumb absently brushing back and forth over the top of your hand.

Breathing becomes difficult. Vernon isn’t overly affectionate, but the way he presses your hand to his chest now sends you down a dangerous path. The desire for him bubbles just below your surface and you’re terrified it’ll boil over, exposing everything you’ve ever thought about him.

“Alright,” you say softly, pulling your hand from his. He lets you. “Don’t ever do something like that to me again. It was scary and I felt stupid. And I thought you were dead.”

“Why?” 

Gesturing to the couch, the two of you plop down, seemingly back to normal. You’re still a little off kilter, but you report back to Vernon what your classmates had been saying. He grabs your remote and turns on the news, settling close enough to you that your thighs brush against one another. You shoot him a questioning look but he’s fixated on the TV, leaning forward to press his elbows into his knees.

The reporter on the news confirms the body of one of your fellow students had indeed been found on campus. Names and details were not yet available, but they were interviewing students about whether or not they felt safe on campus. By the second interview, Vernon was turning off the TV and leaning back.

“Freaky,” you murmur, tapping the arm of the couch. “Weird timing, right?”

“How so?”

“We just had a Halloween party in a weird murder house.”

Vernon goes silent. You turn to look at him, eyes searching. He stares at you, again the eye contact unsettling. Even though it feels like your Vernon sitting next to you, there is an edge to him that’s new. You don’t know what to do with it, shifting in your seat a little.

“Forget the murder house,” he says eventually, flicking his fingers in dismissal. “That party sucked and I’d rather forget it.”

“Yeah,” you murmur, eyeing him as he looks out the window. You swear he’s agitated, but you can’t pinpoint why. “Me too.”

-

Someone sitting down roughly next to you draws your attention away from your essay, barely audibly over the sound of Current Blue playing through your headphones. You raise a brow as Vernon slings his belongings on the table unceremoniously, uncaring how loud he is in the library.

You glance around, seeing that he’s attracted the attention of a few people at nearby tables, some scowling, others blushing. When you turn your gaze back to him, you see his mouth moving as he divests his bag of its contents, but you can’t hear him. 

Pulling your headphones from your head, you ask, “What?” 

“Can you help me with my organic chem assignment?” 

“I hate chemistry.” 

His mouth twitches as he opens his laptop. “Right, but you’re good at it. You’re the smartest person in school.”

Again, something nags at your instincts. You can’t pinpoint it, examining Vernon more closely. He looks totally normal, dressed in black jeans, a black shirt, and a jean jacket pulled over it. He’s without a hat today, his hair falling in messy strands over his brow as he sets up his area to study.

Sensing your gaze, he turns to look at you, eyebrow raised. “What?” 

“You seem different.”

“Different how?” He types on his computer to start bringing up his chemistry homework. “Different as in going to fail organic chem without your help?” 

“Oh shut up. I’m obviously going to help you.” 

His mouth is wicked when he grins. “Good.” 

When Vernon looks up at you, the world stops a little. His gaze today is fathomless, dark eyes smooth like the surface of a lake with no end. You tip into that gaze, letting yourself drown in it for a moment. Normally, Vernon would break eye contact by now, easily distracted or unrealizing that he’s got you stuck on him. 

Now, he doesn’t do that. He looks right back at you. Heat crawls up your neck and your breaths quicken. For the first time since you’ve known him, Vernon looks at you like he knows everything inside your locked-tight heart. 

You lick your lips and his gaze dips to your mouth. Inside your chest, your hummingbird heart hammers, threatening to break free. The corner of Vernon’s mouth tilts upward as his eyes meet yours again, and you watch, completely frozen, as he leans toward you. 

Vernon is so close you can smell the spicy cologne on his skin. It’s heady and makes you dizzy, and you watch, totally lost as he wraps his hand around the leg of your chair and tugs hard. You yelp, startling a few people around you as he yanks your chair next to his, your thighs pressed together. 

“What are you doing?” you whisper harshly at him, throwing an apologetic look at the people you’ve disturbed for a second time. 

“How are you going to help me from over there?”

“You could have asked me to move my chair.” 

The problem isn’t that he moved your chair. Not really. The problem is how close he is, leg pressed against yours and elbows touching as he shrugs and turns his computer screen toward you. The problem is how at ease he is with you nearly on top of him, his lazy smile making your thoughts tangle and your breath quicken. 

This Vernon is still the one you’re used to but there’s something about him that keeps you on edge. Keeps you looking at him when his hand brushes against yours to grab a pen, or when he leans back and puts his arm across the back of your chair, idly playing with the hood of your jacket.

It’s almost like he’s flirting, and you spend half the time stumbling through his homework, barely able to assist him in a meaningful way because you’re busy decoding the subtle touches and the light teasing. You feel yourself blush more and look the other way to collect yourself more in the hour you help him than you have your entire friendship, unsure what’s happening or how to handle it. 

Homework completed, Vernon stares off into the distance, his finger twisting in the string of your hoodie absently as you try to write the rest of your paper. It’s nearly impossible to concentrate like this, the intimacy more than you’re used to. 

“You’re very distracting today,” you comment as you reference a text to the right of your screen. “Are you aware of that?” 

He hums. “This is hardly a distraction. I could try harder, though.”

You cut a glance at him. He seems utterly serious, any sort of mirth nonexistent in his expression. There’s just that shadowed gaze, that spark of something right where you can’t reach it. You abruptly stand, surprising him as you knock his arm away from you and clear your throat. 

“I need a different text. It’s downstairs, though.” 

“I’ll come with you.” You raise your brows and he shrugs. “I’ve got nothing else to do.” 

“Sure.” 

Without another word, you pivot on your heel and nearly run for the far set of stairs that lead to the subterranean level of the library where all the old texts and books exist. Vernon follows you at a casual pace, still totally at ease despite the fact that you’re obviously unraveling.

You have no idea what his sudden interest in you is and it’s making you unspool, thoughts wild and racing as you reach the stairwell that leads down. 

Damp air greets you as you start down the steps and it smells like wet carpet. You cringe, hating every time you have to come here. It’s always poorly lit and damp, not at all what one would expect from a library trying to keep books from molding. But no one really comes down here anyway, only the history majors and people like you, who require weird books long retired from the main shelves.

It’s eerie in the old stacks. There are lamps above head casting a burnt orange glow over the green, shag carpet but otherwise it’s nearly impossible to see in the shadowy parts of the room. You certainly could never read a book down here. 

Vernon is silent behind you but you can feel him, his gaze burning into your back as you navigate toward the last set of rows. As you approach, you hear a sound, stopping you dead in your tracks. Vernon crashes into you, nearly knocking you over but his hands grab you, steadying you and holding you close to his chest. 

For the first time today, you’re able to ignore his nearness in favor of straining your ears for the sound you heard, a small whimper, perhaps. You hear it again, distinctly human. Your heart starts to pound as you remember that just the day before there was a body found on campus, mind racing with thoughts as you stand rooted to the spot, Vernon pressed against you.

Craning your head, you look up at him. His expression is unreadable as he looks at you through long lashes, face shadowed. There’s a soft bang, like someone knocking something over. He looks over your head and back at you, shrugging his shoulder as if to say your choice. 

Slowly, you move forward. Vernon keeps close, his heat radiating behind you like a furnace as you creep through the last few rows of shelving. As you near the third one, you stop and peer around the corner, eyes trying to adjust in the shitty lighting. 

What you see has you snapping back around the stack, mouth dropping open. Vernon, curious, leans around you to peer around the stack. He raises his brows and steps backward, mouth pressed in a firm line to conceal his laugh. 

In the next row over is a girl you vaguely recognize, naked from the waist down while someone who is very much not her boyfriend, pumps their fingers between her legs. Slapping Vernon’s chest you point toward the door, silently screaming at him to turn around and hightail it out of there. 

Vernon, for a second, bites his lower lip and wags his eyebrows at you, suggestive. You glare and shove his chest. He goes easily, grinning at you playfully as he turns on his heel and heads back up to the main floor. 

When you reach your table, you drop down in the chair, totally shocked. Vernon drops down next to you, laughing. “Listen, when the urge hits, I guess.”

“I guess,” you agree sharply, shaking your head. “That was not her boyfriend, though.”

“No shit?” 

“Yeah. She’s dating some dude in Sigma whatever.” 

Vernon’s gaze turns sharp and his eyes trail back toward the far side of the library, resting on the stairs. “Interesting.” 

“Not really. That seems to happen a lot among you Greek lifers.” 

“I would never do that.” The severity of his declaration has you looking up from your notebook. Vernon’s expression is cutting, his jaw flexing. “I would never participate in infidelity. Ever.” 

“I didn’t mean you, Vernon.” 

“I’m not like that.” 

You soften a little, guilt tugging at you. So often you remember that Vernon isn’t like a lot of the people around him and grouping him in is unfair and insensitive. 

“I know. I’m sorry, I didn’t mean it like that.” 

He nods once, turning from you to pack up his stuff. Somehow, you can’t help but feel like you’ve said the wrong thing. 

-

“Oh shit,” Vernon mutters. You look up from where you’re flipping a grilled cheese in the pan. He holds his phone out to you from where he leans against his kitchen counter. “They found another body. Same MO or whatever as the first.” 

“No way?” 

Putting down the spatula, you grab his phone from him where he has the article pulled up. Sure enough, there’s been another murder on campus. Your eyes drink in the details, similar as before: student victim, stab wounds, message written on the wall. 

“What is the Hello Darling Murder?” you ask, more to yourself than Vernon. “It’s linked here as a reference to these being copycat murders.” He says nothing. You read out loud, “The Hello Darling Murder is a case of a murder suicide that happened in the same town in 1979. It was the town’s first violent domestic crime in years, and drew national media attention for the gruesome crime scene in which a message had been written on the wall in blood.” 

Vernon makes an amused sound. You look up at him sharply, staring. He has his arms crossed over his chest, staring at the floor with a mildly bemused expression. You kick him and he looks up at you. “What?”

“Why are you laughing? That’s not funny.”

“The way people sensationalize murder is weird.” 

“I mean, I agree. But what is funny?”

“It’s not funny as in funny ha ha,” he clarifies. “It’s funny stupid. The media is going to sensationalize this and turn it into an entire thing.” 

“Yeah, well. That’s their job.” 

Off put by his dark mirth, you turn back to the article, reading further. You skip over the old murder, more interested in the details of the two new ones. Your heart seizes in your chest when you see the name and picture of the second victim, stomach roiling. 

He sees your expression, pushing off the counter toward you, hands shooting your arms. “What? What’s wrong?” 

In any other scenario, you’d be overwhelmed by the sudden care and affection. Now, you just turn the phone toward him, showing him the photo. “It’s that girl from the library. Her name was Sidney. She’s the one I told you was cheating on her boyfriend.” 

Nothing registers in his face when he looks at the phone, his hands still resting on your arms lightly. He looks away from the screen and at you instead, a sharpness to his gaze that’s there so often you’re starting to grow used to it.

“You’re burning the grilled cheese, Lovecraft.” 

-

Mosquitos nip at your skin as you walk down the narrow path between trees. You slap your hand against your neck again, muttering under your breath. Vernon chuckles next to you, keeping his pace even as you struggle to step over a fallen tree branch. 

You hate the woods at night. It’s not your first time going to a bonfire deep in the woods off campus, but you don’t know why you keep coming back. Tripping over another branch, Vernon catches you by the arm and steadies you, stopping to make sure you’re okay before he lets go.

Scratch that. You do know why you keep coming back. For as long as you’ve been friends, you’ve been Vernon’s permanent plus one to all of his parties, formals and events, even if both of you hate going. It’s become a weird obligation to show up at things like this as a pair. 

They aren’t always terrible, you have to admit. When Mingyu isn’t absolutely hammered, he’s mostly tolerable to be around. Soonyoung isn’t bad either, though you’re still pissed off at him for the Halloween party incident, unwilling to talk to him. 

But nights like this where you have to trek out into the middle of the woods using your phone’s flashlight to navigate, you sort of loathe your unspoken oath to attend with Vernon. 

Instead of focusing on the distaste and the inherent anxiety the shadows of the trees give you, you let Vernon help you slide down a ditch and climb up the other side. His fingers are firm on your wrist, not quite holding your hand but keeping you connected. 

Your skin is warm and tingles when he lets go, deeming it safe enough to let you walk yourself. It’s easier to see now, too, the orange light of the massive bonfire casting a circle of orange glow that only grows as you near the party. 

Party is perhaps too strong of a word for it. There can’t be more than twenty people in the small clearing surrounding the roaring fire the Soonyoung tends to, foldable chairs and coolers arranged in a circle. Chan is trying to roast a marshmallow and failing, the white snack immediately catching fire and singing in the heat of the fire. 

Mingyu whistles when he sees you, catching your attention to wave you over to a pair of seats by him and Chan. You make your way there, navigating through groups of people clutching plastic cups and stepping over various sizes of coolers. 

The heat from Soonyoung’s inferno is nearly unbearable, making you cringe back as he adds something that cracks and pops, sending bits of orange ash floating toward the sky. 

“Jesus Christ, Soonyoung!” Seungcheol complains from his seat where a girl sits on his knee. “Enough, it’s fucking hot!” 

“Sorry,” Soonyoung answers, sheepish. 

Backing your chair away from the fire a little, you sit down and curl into the folding chair, accepting the drink Vernon hands you before moving his chair closer to yours and sitting down. A shiver ripples through you at the cool can in your hands. You crack the top and take a sip, trying to cool down from the blast of heat you’d taken while passing the fire.

Mingyu turns to you and Vernon as Chan pops a burned marshmallow in his mouth, the two of them immediately launching into discussions of the murders. You shift uncomfortably in your chair, listening as they recount the details in the news mixed with the rumors on campus. 

So far, two bodies have been discovered and linked together. The authorities don’t want to call it a serial killer, attempting to avoid a media craze and inspiring the killer to go on a spree, but denying the murders are connected is impossible.

You’re unsure what the victims have in common. The first had been a male senior who was in the business track, discovered by the dorms near the lake on campus. The second had been the girl you’d seen in the library in her apartment off campus, and Sidney had been in the education track and a junior. 

Neither of them were friends. You don’t go to a large university, but there are enough students that it’s normal to have a ton of people that you don’t know. From what anyone can tell, there was nothing the two victims had in common.

Except that they’d been murdered by someone who had left a bloody Hello Darling written at the crime scene.

A chill sweeps over you as Mingyu mentions the Hello Darling Murderer. It was the same story as before - a man had murdered his girlfriend in the 70s, a shocking and violent domestic crime that had unsettled the citizens and local university. He’d promptly killed himself after that, leaving only a bloody Hello Darling on the walls.

Authorities didn’t even know who the blood had belonged to - it took them so long to realize the couple was missing before they did a wellness check that by the time they investigated, they’d been dead a week. 

Vernon snorts at that and mutters something about the ineptitude of law enforcement. You cut your eyes at him. Though you agree, Vernon is usually the last person to make degrading comments - or comment at all really. 

Not for the first time in the last two weeks, you can’t help but sense that honed edge to him he has now. You’ve attributed it to him moving with more confidence, talking to people directly and making actual eye contact. You don’t know where the sudden swell in self-conviction has come from, but you’d be lying if you said it didn’t look good on him.

Still, it’s got you a little uneasy, trying to adjust to this version of him. 

The topic shifts to football and you find yourself tuning everyone out, sipping your cider and staring at the fire as it warms your feet. More people arrive and drag chairs up. Someone hauls a few kegs into the firelight, cheers going around the fire.

Vernon stands and holds his hand up for your empty can. You give it to him wordlessly and he heads to get you a refresh, tossing the trash into one of the trash bins.

Turning to Mingyu as he goes, you ask quietly, “Has he seemed different to you lately?” 

“Who?”

“Steve Jobs,” you deadpan. “Vernon, obviously.”

“I don’t think so? He’s around a lot more lately and actually talks to us.” Mingyu pauses, thinking as he cocks his head to the side. “I mean, I guess that is kind of weird for him. He also actually goes to places with us now.” 

“Exactly what I mean.”

“Hey! We are friends, you know?” 

You hum uncertainty, your attention trailing back to Vernon. You observe him, noticing all the little details that are different. He stands a little bit straighter, inserts himself in conversations where he didn’t before.

Now, he stands near the keg, nodding along to something the girl next to him is saying. They’re standing close - you realize it’s the same girl from the Halloween party that had been talking to him, except this time, he’s talking back. 

Vernon leans in close to her and says something, making her laugh. He bites his lower lip a little, watching her with half-lidded eyes. Your stomach turns a little, eyes glued as he brushes her arm when he reaches for the cup that Joshua hands him. 

Turning away from them, you tune yourself into Chan’s conversation, needing a distraction. You try not to count the minutes until Vernon returns. When he does, the girl is with him. He drags a chair over so she can sit on the other side of him. 

It’s close, their knees touching when he sits and hands her the drink he was holding for her. He turns and holds out your drink to you, which sloshes a little when you snatch the cup from his hand. He arches his brows but you say nothing, taking a large gulp and turning your back on him to ask Chan about football instead. 

“You watch football?” Chan asks cryptically. 

“Sure. Go Green Bay Ravens.” 

He stares. “Packers. Green Bay Packers.”

“That’s what I said.”

“Hey, I’m not arguing with you. In fact, if you want to tell me what’s what more often-”

You scoff. “Shut up, Chan!”

Stuck between Vernon flirting with the girl next to him and Chan and Mingyu being - Chan and Mingyu - sours your mood. You try to lose yourself in your cup, going mute as you stare at the fire. Vernon hardly notices the shift in your mood, leaning in to the girl as they chat. 

You can’t help but notice everything about them. It’s impossible not to see the way she leans into him, bumping shoulders when she laughs. He lets her, watching her with a gaze you can only describe as hungry. The grip on your cup tightens as he knocks their knees together when he shifts in his chair, leaving it pressed against hers. 

It reminds you of the way he’d behaved in the library with you, brushing against you on purpose, making his words come out in a playful pur instead of what you’re used to, and seeing him do it with her now makes you snap. 

You stand abruptly, drawing the attention of Chan and Mingyu but not who you want. 

“I’m going for a walk.”

“Need company?” Chan offers. It seems genuine, but you give him a sharp no before you’re walking away, sticks snapping underneath your boots as you go. 

Chill air licks your face as you get further from the fire. There are plenty of people dispersed throughout the general area, some people pulled far away for intimate conversations, others pulled away to pass a joint in a circle, the pungent smell chasing you as you pass them. 

Away from the smoke and the noise, you feel like you can breathe a little more. You find a fallen tree, thick enough to sit on. You test your weight on it first before deciding it’s safe, swinging your leg to straddle it and look off into the dark trees.

There’s just enough light from the silver moon above your head and from the distant fire to feel safe. Wrapping your arms around your middle, you hug yourself and close your eyes, breathing in deep. The fire smoke isn’t strong here, the air clean and crisp.

Opening your eyes, you look at the sky. This far out in the country, you can see the stars. Out of habit, you start mapping out all the constellations you know, eyes tracing Orion the Hunter. You skip over to Andromeda, counting each star before moving to the east to spot Cassiopeia. 

It reminds you of the time you taught Vernon all the different constellations. He’d been a silent and attentive listener, watching as you’d pointed them all out while sitting on a bench at the park. You’ve caught him drawing them more than once in his chemistry notebooks, little dots of perfect constellations memorized. 

An ache you’re familiar with fills your chest. It’s the same ache you had when you realized you had feelings for him but didn’t want to tell him. The same ache you had when he’d hurt your feelings on Halloween. The same ache as when you’d seen him actually look back at someone who's interested in him, for once. 

Crying seems silly, but suddenly you have the urge to, throat twisting as you stare at the sky and try to puzzle out the direction your friendship has gone since that night. As you sit on the tree, a prickling sense of awareness creeps up your spine, tugging at you. 

Looking around, you see nothing. You can generally see in a good circumference, but the sudden instinct that something or someone is watching you drives you to get off the branch, hitting the ground with both feet to stride back toward the fire. 

As you go, your foot gets stuck in a tangle of tree roots again, making you stumble. You curse, bending down through squinted eyes to untangle your foot. Your fingers are a little cold and shaking, anxiety creeping up slowly as you pull the weeds and roots away from your shoe. 

Something snaps behind you. Your fingers freeze, head whipping around to look for the source of the noise. Again, you see nothing but your heart is hammering. You don’t dare to breathe, holding your breath as you strain your ears to hear anything else. There’s only crickets and an owl in the distance, no more snapping branches.

In that moment, it occurs to you that you’ve decided to wander out in the woods at night and alone after two recent murders. The stupidity of your actions land like a blow.

Turning back around, you wrench your shoe free and stand up, nearly colliding with Vernon who leans backward to avoid smacking into you as you shriek in surprise, stepping backward. Vernon’s hand darts out to grab you, catching you and tugging you forward into him before you can lose your balance fully.

Heart hammering, your fingers dig into his biceps, keeping yourself standing as you hiss, “What are you doing?”

“What do you mean what am I doing? You’re wandering out in the middle of the woods while there is an active serial killer in town.” 

“Oh please, like you noticed.”

He frowns. You drop your hands and try to step away from him, eager to put some distance between you. Vernon’s grip on you tightens though, keeping you where you’re standing. “I’m here, I obviously noticed.” You snort derisively and his grip tightens a little. “Is there something you want to say?”

You open and close your mouth, scowling at him. He’s never so direct you’re unsure how to approach the question. So you try for a little bit of honesty. “I wasn’t having fun.” 

“Okay, so let’s leave.”

“You look like you were having fun.” 

Silence hangs in the air. Vernon’s face is indecipherable. Then, “Are you jealous?”

“Don’t be ridiculous.”

Your response is so fast that it even sounds practiced and hollow to you. It’s hard not to wince, hoping that as always, he doesn’t see through your cellophane defense. Vernon’s touch drops from your biceps to your wrist, delicate. You’re afraid to look him in the eye, instead staring at the buttons on his jean jacket. 

“I noticed you were gone.” His voice is gentle, a low purr. You dart a quick glance at him to see the intensity of his gaze. It makes you squirm, unsure how to respond. “I always notice when you’re gone.”

“Alright. Well.” 

“I notice everything about you.” 

The way he says it is a soft whisper. A promise, a suggestion. Again, it feels like Vernon has discovered your loose thread, tugging lightly on it. If he tugs again, you think you might unspool all the way, showing him everything you don’t want him to see. 

It feels like he wants to, and that’s what scares you more. That suddenly he’s looking at you like he wants to see past the veneer of your words, like he’s ready to look inside. You hear the double meaning. It’s so terrifying that you look away from him, ready to hide. 

“Don’t tease me,” you whisper. 

“I’m not. If you’re not having fun, let’s go home. I came here with you.” He tugs your wrist. “Come on. You can’t be walking around out here alone with a killer on the loose, Lovecraft. I’ll be forced to fight them off.” 

The tension fades. You let out a breath and laugh, looking at him skeptically. “Yeah? You’re going to fight for me?” 

His grip on your wrist tightens. You wonder if he can feel the speed of your pulse under his thumb, the way it hammers when he smirks. “Yeah, I am.” 

-

Sal’s Pizzeria isn’t your favorite place to do school work. It’s too loud and bright, the promise of food is way too distracting for you to focus for much longer than a few minutes at a time, and usually your fingers are too slippery with pizza grease to type properly. 

You only have a narrow window to finish writing your paper before going to the bar for Jihoon’s birthday. You barely know him, but he’s someone Vernon is decently close enough too that you feel obligated to attend. More importantly, you’re finally almost done with your paper you’ve been working on for two weeks, eager to celebrate hitting submit. 

“You know that dude who was killed first was a rotten cheater?” 

The girls sitting behind you catch your attention. Your brows knit together and you turn your head a fraction to eavesdrop, eyes unfocusing on the words on your screen. There are four of them behind you that you don’t recognize but assume go to the same school as you, based on the attire and the backpacks. 

“Yeah! Sam told me about that. Apparently he was sleeping around with a bunch of freshmen. Maybe his girlfriend found out and went all psycho killer on him?” 

“Ew, how scummy. But what’s with the hello darling message shit? Can you say weird?” 

“I know, right?” 

Their words give you pause. The first victim had been someone known for his infidelity too? Turning back to your screen, you pull up your web browser and type in Hello Darling Murderer to the search. The original murder from the 70s hadn’t given you much thought beyond assuming someone was being a copycat, but now you feel something nagging at you. Something you’re missing. 

All of the top stories are of the recent murders. You amend your search to the 70s and get older articles and links to podcasts covering the initial incident. Clicking on a story from a reputable journal, you start reading in detail about the first murder and his victim, skin prickling as you go.

As an Occult Studies major, a lot of people think you’re into murder mysteries. In truth, you’re not. They have little to do with what you study, and you’ve spent countless times telling people that occult and people obsessed with true crime are two totally different things. You have no idea why they’re lumped together so often, but on more than one occasion you’ve had to explain you’re not interested in serial killers or their stories.

Except now. Chewing the inside of your cheek, you unwind the story of Thomas Ellswater, who had apparently murdered his girlfriend at the time before promptly killing himself. The initial investigation hadn’t dug up much, assuming that it was a case of domestic violence gone as bad as it could. 

But the journalist who had written the story had other details. Accounts from family friends that detailed Elsswater’s girlfriend, Maya, unhappy with their relationship. One even insinuated that she had been cheating on him for a long time, though with who, they were unsure. 

Further down in the article, you stop. Read the paragraph again. Look at the picture of the house. A sickly chill coats your skin as you lean forward, taking in the details of the house. You’ve seen it before, though your memory of it at night surrounded by floodlights and full of drunk college students makes it almost unrecognizable when you see it on the screen. 

Thomas Ellswater lived in the same house that you’d partied in on Halloween night, where Vernon had played that horrible prank in the closet. Thomas or Maya had been the haunting spirit Soonyoung had been attempting to summon.

And now someone was killing in the same exact style.. 

The server bringing you two trays of pizzas and a basket of fries breaks you from your trance. You close the article, a sick feeling in your stomach as you try to piece together the puzzle. Was it just a spurned lover who was paying homage to someone who related? Or was it a serial killer poking fun at the MO?

Vernon crashing into the seat across from you startles you. He gives you a grin, eyeing the pizza in front of him and rubbing his hands together. Rolling your eyes, you grab the red pepper flakes and salt, passing the latter over to him. 

“So I learned something weird today,” you venture, pulling a slice of pizza from the tray. 

“Tell me,” he answers over a mouthful of pizza, once again burning himself. You roll your eyes, shaking your red pepper onto your slice. “What is going on in the world of occult today?”

“Actually, not occult.” He gives you an appraising look, popping some fries into his mouth. “What, no salt today?”

He pauses, looking at the basket of fries. “Nah, I need to cut back on the sodium.”

“Good idea. Anyway, it’s about the murders.” 

“Do tell.”

“The girls behind me said the first victim was known for cheating.” 

“It’s college. Apparently there is a lot of that.” 

“But remember that day we saw Sidney in the library? She was cheating too.” 

“Right.” He rips into his pizza, gaze sharp as he looks at you. “So this town is full of a bunch of lowlife fucking cheaters.”

You flinch at his vehemence, leaning back in your seat. Vernon drops his gaze, tearing into his slice in silence. “Sorry,” he says after swallowing. “I’m hungry.”

“Right. As I was saying, I looked up that Hello Darling Murder.” 

He pauses, gaze flicking to you. “And?”

“And it was ruled as a case of domestic violence gone wrong, but there were some people who think the Maya Caravalo was cheating on Thomas Ellswater, who killed her.” 

“I’m sure cheating is the leading cause of crimes of passion.”

“In the house that we were in on Halloween.” 

Vernon frowns. “Ah. Weird.” 

He doesn’t elaborate. You watch him as he chews on more pizza, shoving fries into his mouth on occasion too. He seems totally at ease - and more normal than he’s been in weeks. You watch, mildly disgusted at the way college men eat. 

“That’s all you have to say?” You ask. “Weird.”

“It is weird.” 

“Kind of an insane coincidence.” 

He becomes still, only his eyes moving as he settles his inky gaze on you. For a second, you can’t help but think he looks a bit like the cat who ate the canary, eyes glittering. “So tell me what theory is in that pretty head of yours, Lovecraft.” 

Ignoring the way your heart leaps at him calling you pretty, you sigh, picking at the wooden table with a thumb nail. “I don’t really have one. I just think someone came across the original murder and thought I could write that at my crime scenes. I don’t study criminology, I can’t figure out motivation.”

“You’re the smartest person in school, Lovecraft. Try.” 

“I guess… I don’t know. The new killer was probably cheated on recently, came across what happened in the 70s, and has been taking out their rage on other adulterers because they feel some sort of kinship with Thomas. Maybe like finishing his work or ridding the world of a common enemy.” 

Vernon hums. “Maybe so. Do you think they deserve it?” You look at him sharply, mouth downturning. “The victims. Do you think they deserve to be killed for their infidelity?” 

“I don’t know that anyone is deserving of murder.” You chew the inside of your cheek, watching Vernon’s face for any sign of what he’s thinking. He’s totally closed off, a blank canvas. “This is why I’m in Occult Studies and not law, Vernon.” 

He gives a wolfish grin. “Touche. Come on, eat your pizza. We have a bar to go get drunk at.” 

-

The bar in question is teeming with people. You’re immediately overwhelmed, squeezing your way between chairs, tables and people as you navigate to your group of friends. Vernon keeps you close, his arm encircling your waist as pulling you to him as you go. 

He either ignores or doesn’t notice the sharp look you give him. Instead, he’s focused on keeping the two of you attached, shouldering his way through the crowd, the press of his fingers on your hip dizzying and steadying at the same time. 

At the far back of the bar, an entire section of people associated with Vernon’s fraternity crowd from wall to wall. Vernon manages to get you onto a stool at the bar top, shouldering one of the pledges off the seat with a narrow-eyed look. You raise your brows at him and he winks, leaning his elbow on the bar top to order you both drinks.

Spinning to face him in the stool, you give him a quick once over. You’d been so engrossed in your murdery mystery findings at the pizzeria that you haven't really looked at him until now. He looks good, dressed simply in dark jeans and a dark, long sleeve shirt that shows how broad he is. Has he always been that broad? 

Vernon catches you staring. “What are you looking at?” 

“Nothing.” 

He grins, accepting drinks from the bartender and sliding one over to you. You burn under the full weight of his attention as he pops his straw into his mouth. “Tell me.” 

“You look nice tonight.”

“You look nice every night.”

“Oh shut up.” 

“What?” he laughs. “I mean it.” 

“Whatever.”

Spinning in the chair again, you place your back to the bar, facing the crowd to watch people. Vernon is content to stand next to you in silence, both of you sipping your drinks as you observe the people around you. Someone jostles him a little closer, his arm shifting to lay across the bartop along your back. 

Heat creeps into your cheeks and you try to remain breathing normally. Vernon leaves his arm there, pressed against you but not exactly wrapped around you. There is a distinct difference, but this is still new. Still confusing. 

People who recognize you both come up and say hi. You keep the conversation polite and short, especially when you see the girl who has lingered at the last two parties slink toward you, her eyes only for Vernon. 

“Hi,” she yells over the crowd, totally ignoring you. “I didn’t expect to see you tonight!”

“Why wouldn’t you? I’m friends with Jihoon.”

The girl opens and closes her mouth, lips pursed at that. You sense the serrated edged to Vernon’s words, casting a glance his direction. He’s not looking at her, eyes instead scanning the crowd. Uninterested. Even you know she didn’t literally mean she wasn’t expecting to see him - it was just a conversation starter. 

Using the opportunity to sip from your straw to hide your laughter, you have to admit you’re a little relieved to see Vernon missing social cues again. It’s more him, a Vernon that you're used to. Maybe a little meaner than usual, but this is closer. 

“Right,” the girl says. Her eyes flicker to you for the first time. “It’s his birthday, right?” 

“According to the giant sign in the corner and all the balloons, yes.” 

Okay, maybe it’s not entirely normal Vernon. Usually he isn’t so callous. In this case, you don’t mind, watching as she tries to puzzle out how to keep the conversation going. Vernon decides for you, turning from her to press his mouth close to your ear. 

“I’ll be right back,” he murmurs, breath hot against you. “I’m gonna greet Jihoon really quickly.” 

All you can manage is a breathy, “Alright.” 

Vernon finishes his drink and pushes off the bar, fingers dragging against you as he goes. He ignores the girl standing and watching, her eyes darting from you to him until he vanishes in the sea of bodies. Without Vernon there, she has nothing to do. She tilts her chin up, sucking up her pride and turns on her heel to walk a direction distinctly not the same way as Vernon.

Alone at the bar, you swivel in your seat to order you both another drink. You assume Vernon is drinking a whiskey coke, hoping that’s right as you flag down the bartender. While you wait, someone slips into the spot next to you. You turn, thinking Vernon’s already back only to find someone you definitely don’t know. 

“Sorry,” he shouts over the loud voices and music. “Did not mean to get in your personal space, this spot was way smaller than I thought it was.” 

“That’s okay! Getting a spot kind of sucks.”

“No kidding.” He grins at you, turning his attention back to trying to get anyone to take his drink order. “How long do you think it’ll take for them to notice me?” 

“About seven years.”

“Yikes. I’m Seokmin, by the way.” You give him your name and he grins. “What brings you to this shit hole ass bar?”

“A friend of a friend's birthday. You?”

“A friend of a friend's birthday indeed.”

A bartender finally comes over to take Seokmin’s order. He leans forward to shout over the crowd, his shoulder knocking into yours. You don’t mind - he’s nice. He looks over at you, a question on his face. “You like tequila?”

“No!”

“Let me rephrase - want a shot of tequila?” 

“She doesn’t.”

Vernon slides behind you, his palm pressed flat to your back. You startle, looking up at him in surprise. He isn’t looking at you, his eyes zeroed in on Seokmin. You slide Vernon’s drink toward him, eager to dispel the sudden tension thrumming through him.

“Whiskey and coke?”

He looks down, eyes rounding out a little as he softens. “Mhmm. Thank you.”

Drink in hand, Seokmin turns to you both and waves. “Y’all have a good night!”

When he’s gone, Vernon leans against the counter again, his tone flat as he says, “He was nice.”

“He was, but what do you sound bothered by it?”

“Maybe I am.” 

“Why?” 

He lifts a shoulder. Instead of answering you, he picks up the lime in his drink and squeezes it, stirring it with his straw before taking a long pull straight from the rim of the glass. 

You nudge him. “I’m going to say this again: you’ve been different, lately.” 

“Different how.” 

“I don’t know. You talk more. You’re a lot more engaging. You’re a little…” 

“A little what?”

“Cockier?” He hums, eyes dropping down to your mouth. “Like that,” you point out, voice a little weaker. “You do that now, and you didn’t used to.”

“I always did. I’m just a little more obvious about it now.”

Tension crackles between the two of you. Your mouth feels dry as you watch him, reading the minute expressions of his face. Finally, when you can’t unpuzzle him, you say, “I don’t know what you’re doing.”

“What do you mean?”

“I can’t tell if you’re coming onto me or if it’s some sort of game to you.” That makes him frown as he sips his drink again. Your fear and frustration clash, wrestling for dominance. “It makes things confusing.”

“Why didn’t you say so? I’m happy to clear things up.” 

You grip your glass, trying to keep your fingers from quaking. This moment feels like it’s all or nothing. Vernon puts it out on the table so easily, leaving the option to you. Either you can ask for clarity, or keep playing this new game of cat and mouse. But you have to decide. 

“I would appreciate it if you did,” you say eventually. 

Vernon nods and finishes the rest of the drink. He sets the glass down before he leans forward, hand going to the underside of your chin to lightly tip your face upward with his knuckle so he can press the world’s most gentle kiss to your mouth. 

You freeze. When he doesn’t pull away, lips soft and warm, you sigh into the kiss, eyes fluttering shut. He feels you relax, mouth curling in a smile against yours. He steps into your space without breaking the kiss, finding the space between your legs as his lips press firmer to yours. 

Vernon smells like his cologne and something distinctly him. It makes you dizzy, and the way he tastes like whiskey and lime makes the room spin. When he pulls away from him, you feel like you’re going to fall from the stool, leaning toward him. 

His hands grip your thighs, squeezing generously as he leans in and drags his mouth to your ear. “Does that clear things up?” 

“Actually, no?” 

His groan is throaty, turning into laughter as he buries his face in your neck. Your hands tentatively settle on his waist, a little hesitant. “I always said you were the smartest person at school, but maybe not.”

“Hey!” 

“Come home with me.” He feels your delay, laughing. “Come home with me because I like you. Is that clearer? Because I want you to come home with me, and I don’t want anyone else here.” 

Your heart goes bolting like a rabbit, running in circles. Vernon pulls away from you to study your face. You watch him for any sign that he’s kidding, that he doesn’t mean it. You find none. In its place, you only see honesty. Hunger. Fiery desire burning at the surface. 

“Really?” Your question is small. Vulnerable. “Do you mean that?”

“I do.” He tugs on your thighs. “I’m not playing games with you. Come home with me - I’ll prove I’m serious about you. You are what I want. I just had to be sure.” 

Lightheaded and heart slamming, you let Vernon pull you from the seat and lead you out of the bar. 

-

Vernon’s apartment on the north side of town is a place you’ve been a million times. You recognize all the cars in the parking lot, and you know exactly what building and floor belongs to him. You even recognize his neighbors come in mat that you’ve always hated. 

He catches you staring at it with distaste now, laughing as he shakes his head and inserts his keys. “You and that mat.”

One hand works the keys into the door while the other is stretched behind him, fingers linked with yours. Your hand is warm and your heart is still racing as he gets the door open, pulling you inside the dark of his home. 

“They could be inviting anything in,” you assert, a little breathless as he pulls you to his chest. He kicks the door shut, the frame rattling as it slams. “You should never have a doormat that just welcomes whatever shows up at your door inside. You could end up with a vampire in your home.”

“A vampire, huh?” Vernon ducks his head towards your neck, lips skimming your throat. Your fingers twist in the hem of his shirt, eyes fluttering closed as his teeth scrape against your pulse point. “Sounds scary.” 

“It is. There’s nothing to disprove that vampires exist.” 

Vernon bites down and you whine, melting into him. His laugh vibrates through his chest as his tongue presses to the bite mark, soothing the pain. His mouth closes over the spot and he sucks gently, sending a shiver through your body. 

“I promise the only thing biting you will be me.”

The full weight of his words hit you between the legs. You feel like putty in his hand as he navigates you to the island counter in his kitchen. He presses your back into it, careful not to jam you too harshly against the marble. 

Heat licks through your stomach as Vernon steals your lips in a kiss. It’s different from the gentle one he gave you at the bar. This one drinks you in, pries you open and lets you spill out into him, all the feelings and bottled thoughts you have free for the taking.

You get lost in him, hands wrapping around his neck to pull him close, fingers sliding through his hair. He moans and you respond, curling your fingers to scrape your nails against his scalp. His hips twitch forward, pinning you between him in the counter as he sucks your bottom lip harshly. 

“Be careful,” he warns, a hand drifting from your chin to your neck. He doesn’t wrap his fingers around your throat, but his hand rests there, heavy and wanting. “I’m trying to be gentle.” 

You steal a kiss, nipping his bottom lip sharply. “Don’t be.”

His resounding groan makes you dizzy. His kisses become rough and heated, using his tongue as much as his teeth. He presses you hard into the countertop now, the marble digging into your back as he nearly folds you in half with the weight of his body. 

It feels like the air has left the room. Vernon is the only thing you need to breathe in, fueled by the way his tongue licks into you, the gentle squeeze of his hand at the base of your throat. His fingers press against your pulse, not enough to cut off any airflow but enough to send a bolt of pleasure and thrill through you. 

“You have no idea,” Vernon pants, pressing sloppy, wet kisses to your jawline. “How long I’ve waited to do this. I could have had you this entire fucking time, but I held myself back.” 

His thumb presses under your jaw, angling your head to the side. With more access to your throat, he peppers you in bites and kisses, tongue soothing each sting. “I have wasted so much time,” he mutters, almost like he’s talking to himself. “Being a fucking coward.”

“Don’t say that,” you gasp as his other hand presses between your legs. The ache in your cunt is already throbbing, and he does nothing but make it worse by adding pressure but doing nothing more. “Please don’t tease me.”

“I’m not.” He pulls away from you. Before you can complain, he gives you a quick kiss, tugging you toward his room. “I shouldn’t have waited until I had a little… encouragement to do this. I’m going to give you everything you want, love.”

A quiver slithers down your spine at the shortened version of your nickname. The new endearment hits home when you see the way he looks at you, the want and desire more unrestrained than anything else you’ve ever seen on his expression. 

Hand in yours, he pulls you into the bedroom, spinning you to sit you down on the edge of his bed. You look up at him through your lashes, admiring the shape of his face and the way you can just barely see his freckles in the soft glow from the nightlight in his bathroom as he slots himself between your knees. 

“I’ll give you whatever you want,” Vernon whispers, voice like velvet. He slides a finger under your chin, tilting your gaze even higher as he watches you, eyes blown. “I’m entirely devoted to you and you only. You know that, right?” 

Vernon’s thumb pulls at your bottom lip. You open your mouth on instinct and he growls low in his throat. He pushes his thumb past your swollen lips, pressing down on your tongue. You taste the lime from earlier and the hint of salt on his skin, closing your mouth as you suck gently. 

“Fuck,” he swears, thumb pressing harder. “You really have been a little slut for me this entire time, huh?” 

Hearing Vernon say it in that deep, whispered voice of his does something to you. There’s a note in his voice you’re unfamiliar with, a dangerous edge that you want to lean into and cut yourself on. So you nod, lashes fluttering as you bat them up at him. 

“Yeah, thought so.” He pulls his thumb from your mouth, dragging it spit-slicked down your chin. “Lay back on the bed for me, love.” 

You do so immediately, shuffling backward so that you can lean back. The sheets smell like him and you tilt your head to the side, nuzzling his comforter a little. You try to ground yourself, feeling a little staticky as he kneels on the bed, mattress dipping. 

Vernon plants a knee between your legs, leaning forward to cage you in with a hand on either side of your head. His kiss is all consuming, any sense of delicacy gone. You let him devour you, your hands pulling at his belt loops to bring him closer.

He’s not close enough, never close enough. 

Having him like this is everything you’ve ever wanted and more. He’s familiar, the scent of him and the warmth of his skin and the little sounds he makes but he’s also entirely new. He is rougher than you imagined, sharper than you thought. He drags his blunt nails over your collarbone as he pulls your shirt away from your neck, giving his mouth access to litter your skin with kisses. 

Your hands slip under his shirt, curious as you press the pads of your fingers into his stomach. You feel the muscles flex and he hums low in his throat, enjoying your exploration as you slide your hands around the perfect taper of his waist to the small of his back. 

Vernon slides his knee higher, pressing it directly to your clothed cunt. You twitch against him, a questioning sound leaving your lips as you breathe in sharply. 

“Go ahead,” he mumbles against your chest, one pulling sharply at your shirt. You hear the seams rip and you don’t even care. “Take what you need, love.” 

The rawness of his words fucks you up. You do as he says, rolling your hips against his thigh for any sort of pressure and friction. It helps relieve the tension a little, but not nearly enough. Your breathing turns ragged as he harshly bites and kisses his way to your bra. 

Yanking hard, he rips the rest of your shirt. You let out a throaty laugh and he looks up at you, eyes like burning coals. “What’s so funny, hmm?”

“I did not expect you to be able to rip my shirt.” 

“Oh?”

The dangerous note in his voice makes your hips stutter and stop. He runs the tip of his tongue around the soft curve of your chest, watching you all the while and fuck. If you’d realized that this was the type of Vernon you’d get, maybe you’d have been braver sooner. Because this Vernon is something else, confident and cocky and ravenous. 

“Want me to rip this too?” He teases, teeth pulling at the cup of your bra. Your chest rises and falls as you try to catch your breath, a little overwhelmed. “Say the word.”

“Maybe salvage some of my clothing, Vernon.”

“Fine. I will not salvage you, though.”

You believe him. Nothing about the way Vernon peels your bra off of you is gentle. Nothing about the way his hand cups your breast, squeezing before he lowers his mouth to give a generous suck to your nipple feels like he has your survival in mind. 

Squeezing your eyes shut, you let Vernon have his way. It feels like he’s peeling you open layer by layer, plucking every string connected to your pleasure that he can find.

His mouth is a weapon, tongue lazily circling your pert nipple until you’re whining and squirming under him. He laughs and drags his tongue to the other side of your chest, licking his way to your peak to tease you further. 

“Shit,” you whisper, one hand leaving his back to tangle in his hair. You don’t know if you’re pulling him away or pushing him closer - maybe both. “Vernon.”

His teeth scrape your nipple and you whine. He shuts you up by closing his mouth around you, sucking sharply. When he pulls away with a loud pop, you let out a shaky breath. 

“You can barely keep it together,” he observes. He placed closed mouth kisses on your stomach as he descends, pulling his knee from between your thighs. “What are you gonna do when I eat you out, huh?”

Flushed and embarrassed, you cover your face as his tongue licks the skin above your jeans. “Cat got your tongue, love?” 

“You - you’re - ugh!”

He chuckles, popping the button of your jeans. “I’m ugh?” 

“You know what I mean.” 

Vernon tugs on your jeans. You try to lift your hips to help him, but your thighs are like jelly already, turning you useless. He coos at you, pressing a kiss to your hip gently. “I got you.” 

Unsure if he means about your inability to get out your fucking pants or he understand what you mean, you let him peel them down the rest of the way. His hands skate up your calves, squeezing and firm as he sinks to his knees on the floor. 

Bracing yourself, you brave a look between your legs where he presses your thighs open gently with his palms. Veronon’s eyes are on the apex of your thighs, entirely focused on where your underwear stick to your folds. He licks his lips, hand brushing up and down your thighs. 

His gaze flickers to you. For a moment, the two of you just stare at one another. You feel overly exposed, naked from the waist up, cool air pebbling your spit-slicked chest. The weight of his gaze presses you down like a physical thing, but it’s comforting. Warm. Reassuring. 

The air is charged between you as he keeps watching you while he drags a hand up and between your legs. He presses a thumb between your folds and you whimper, feeling the way he prods at your aching entrance, only the thin fabric keeping him out.

“Are you always this wet for me?” he asks, thumb slowly dragging up the damp patch to your clit. He digs in sharply, pressing firm enough that your pleasure spikes and your hips pop off the bed. He hisses at you and smacks your thigh, making you lower your ass to the bed again. “Everytime we were together, did you get like this?” 

It takes effort to rasp, “Sometimes.”

Vernon hooks his thumb in the side of your pants, pulling. The fabric peels back achingly slow, cool air hitting your cunt and making you whine. He hums thoughtfully, placing the fabric to the side.

“Like what times?” he questions, blowing cool air against you. You thrash and he laughs, pinning you down by the hips. “I’m curious. Elaborate for me.” 

“Umm.” 

It’s the only word you can get out before he renders you speechless, the flat of his tongue sliding slowly up your pussy. You go boneless, breath stuck in your chest as his tongue lazily circles around your clit and drags back down. He repeats the motion, the slow-soft brush of his tongue driving you insane instantly. 

“You’re not elaborating,” Vernon notes. He presses a kiss that is far too sweet for the moment to your bundle of nerves. “I wanna know all the times you were with me where you felt like this. Go on.” 

“I don’t,” you breath catches when his tongue curls through your folds. He’s soft and slow as he licks you, a lazy smoothless to it that makes you see stars. “Know how to speak when you’re doing that.” 

“Should I stop?” 

“No.”

“Try,” he murmurs, dipping his tongue in your dripping entrance. “I want to know.” 

Fuck. Trying to pull together any coherent thoughts is like wading through thick water. You’re distracted by the way Vernon’s mouth closes on you, sucking gently. He takes his time, fingers pressed into the meat of your thighs as he keeps you open, enjoying you fully. 

“I - shit - I guess sometimes when we go out,” you manage. “I like when you wear your hat backwards.” 

He flicks his tongue back and forth over your clit, making you clench, toes curling. His mouth is wet and warm, closing around your throbbing bundle and sucking gently. Your hips lift but his grip is firm, keeping his mouth to you. 

When he pulls away, the suction is audible, a string of spit and arousal connecting his lips to your pussy. “Taste so fucking good,” he whispers. You think it’s more to himself than you, his tongue carving through you again. “Tell me more.” 

“Halloween night. When you were in skull makeup.”

His tongue starts circling your clit again, the indirect stimulation driving you wild. Your hands tangle in the sheets, sweat slicking your skin as Vernon works to firmer motions. You realize he knows exactly how you like it, gentle to start, working you to firmer motions, a little hungrier. 

It makes him all the more lethal, the way he can just figure you out like that. “Yeah?” he asks, sucking harshly against you. “Wanted me to fuck you like that?” 

“God, yeah.”

“You should have asked. I’ll fuck you however you want.” 

“Didn’t think you liked me.” 

Vernon is too busy to answer, increasing the attention of his mouth. Your hands slide down to his, nails digging into the tops of his hands where he holds you. He lets go of your hips in favor of linking your fingers, pressing your clasped hands to the mattress. 

His name drips from your mouth, eyes falling shut as you sink into the pleasure deep in your stomach. He makes little sounds of pleasure, grunting and groaning as his mouth becomes more fervent. You feel yourself toeing the edge of an orgasm, so so so close.

He can tell too. He finds a harsh rhythm, pulling you closer and closer to your high with each sharp suck of his lips. You twist in his grip, fingers squeezing his so hard you think you might break his hands. You don’t, feeling your breath catch and hold as you come hard, thighs squeezing as you writhe on the bed.

You draw in a ragged breath, desperate for air as he kisses your cunt once. Twice. His slick mouth presses against your thighs, teeth dragging against soft flesh as he mouths his way to your knee. He gives you a moment, letting you pant against the sheets. 

Fabric sticks to your skin as you wiggle against the bed. He stands up, crawling up you again to find your mouth. You lean forward, catching him in an open-mouth kiss that is more tongue than anything, your taste heady in the heat of his mouth. 

“Turn over on your stomach for me,” he groans. His hands squeeze your side as he gives you room to follow his direction. You do, but not without his help, your orgasm making you a little clumsy. “Can you get on your knees for me?”

“Maybe?”

“I’ll help you in a second.”

Instead of moving, you lay slumped on the bed, fully intending to let him do the work. You turn your head to watch him pull his shirt off, revealing firm, tan skin. Vernon is beautiful, the sleek lines of his body reminding you of a painting. He kicks off his jeans before shuffling back on the bed behind you, looking down and snorting.

“Didn’t want to move like I asked?” You shake your head. He pats your ass lightly. “Come on, darling. Help me get these panties off or I will rip them off.” 

Huffing, you do as he says. He does lend you his strength hauling you up by the arm as you lean up on your knees. The room is cold, making you shiver but he presses your back to his chest, mouth dusting kisses over your shoulders. 

Vernon’s fingers dance along your sides until he’s pulling your underwear the rest of the way down your thighs, helping you kick out of them. When he’s got you full naked, he presses your back to him, crowding your space as he angles your head to kiss you slowly. Fully. 

Behind you, his cock presses firmly into your ass. You push back against him, putting pressure against his shaft. He hisses, biting your shoulder harshly. 

“Careful,” he growls, teeth at your neck. “Or I won’t be very nice.” 

“Want you, though.”

“You’ll have me when I say you can.” 

One of his hands slides up to your neck, gripping your throat lightly. He pauses, leaning to catch your gaze. His eyes are round and soft. Honest. Open. “This okay?” He questions gently. He gives a little squeeze to indicate what he means. You nod eagerly, reaching a hand to close around his, making him press harder. “Fuck you’re perfect.” 

You lean your head back against his chest as he holds you by the throat, one of your hands dropping to his elbow, the other reaching behind you to sink your fingers in his hair and tug. The sound he makes is feral, the hand he has placed on your waist dropping between your legs, fingers pressing between them. 

“Oh,” you squeak, feeling his deft tough on your clit. His movements are aided by your earlier release, fingers circling smoothly as he squeezes your throat, thumb pressed perfectly, to make it just a little harder to breathe. “Shit.” 

“Can you tell me a safe word? Not gonna go hard, just wanna know if it becomes too much.” 

“Maenad.” He snorts and you huff. “I just wrote an essay on them, don’t start.”

He laughs, pressing a kiss to your shoulder. “Alright. Just please use it if it’s too much - any of it. If you can’t talk, pat my arm, alright? Just wanna do this right.” 

You nod, so in love with him it takes all of you to stop yourself from blurting it. 

Vernon shuffles behind you, letting you tilt forward a little. The hand between your legs leaves and he instead brings it behind you, prodding at your pussy with his fingers from behind. You let out a loud sound and you can almost feel his grin as he presses a finger into your heat. 

He’s slow at first, the same way he was with his mouth. He explores what you like, testing the way his fingers drag against your walls combined with different grip strengths on your throat. You feel light headed. The room spins as he finds a rhythm that draws the most noises from you, that makes you clench down on his finger the most. 

All of your weight is against the hand around your neck, barely able to hold yourself up as he presses another finger in. This time, his fingers prod right against that soft spot inside of you, making you see stars. He must realize he’s found it, because he starts finger fucking you in earnest. 

The grip on your throat loosens a little, careful not to keep you short of breath for too long as he works your cunt with his hand. His lips find your shoulder, peppering you with light kisses that are delicate and butterfly soft in comparison to the way his fingers fuck into you. 

“Vernon,” you whisper, only able to think of his name. “Vernon vernon vernon.”

“Doing so good, darling,” he whispers against your skin. He kisses his way to your ear, sucking the sensitive spot on your neck. “So fucking good for me.” 

His words hit below the belt. You shudder in his hold, letting him drive you toward another release. You never imagined Vernon to be talkative in bed, but he is, his voice like velvet. Just like that. Perfect for me. There you go, come on. 

Everything about him is perfect, driving you to mania. His grip on your throat tightens suddenly, sensing how close you are to your second peak. Your breath quickens until you can’t breathe, going mute against him as his fingers press hardly into that spot over and over and over.

A high-pitched ring winds in your ears. You hold and hold and hold and when Vernon lets go of your throat, a gust of air flooding your lungs, you shatter around his hand. You collapse backward against him, head knocking into his. You don’t even care, twitching and gasping against him as his hand stills. 

For a few moments, you just lean against him like that, sweaty and lost and in a dream. Slowly, you become aware of his pounding heart against your back and the slick between your thighs. Vernon’s mouth is pressed to your shoulder, waiting patiently as you blink a few times, the room swimming into view.

“Hi,” he murmurs, watching you with shadowy eyes.

“Hi,” you croak, voice rough.

“Good?”

“Very.” 

“Want to stop?”

“No. Unless you want to.”

His gaze darkens. “I don’t.” 

“I want more. I can take more.” 

He lifts his head and presses a sweet kiss to your temple. “You’re perfect for me. Do you know that?” 

Reverent hands help you lay back against the pillows. Vernon touches you like you’re something delicate - not because he thinks you’re fragile, but because you’re something important to him. Valuable. You see it in the way he looks down at you, taking a moment to drink you in. 

There’s something else there too. Something edged with a knife, a little wild. Covetous. There is something in the way Vernon grips your leg briefly, a language he’s trying to communicate to you with touch. 

Mine, it says. Mine and no one else's.

With hooded eyes, you watch him peel his briefs off. Your eyes shoot to where his cock hangs heavy, beads of precum dripping at his tip. You reach a hand up toward him but he shakes his head, careful as he shuffles toward you.

“Later,” he promises. “I like touching you.” 

“I want you to feel good.”

“You make me feel good. Seeing you unravel makes me feel good. I like seeing how much you enjoy me touching you.”

You can tell he means it. His lips are swollen and soft when he kisses you. You open your legs open for him, letting him settle between the softness of your thighs. Vernon runs the head of his cock through your messy fluids, earning a whine for you.

“Sensitive?” he asks against your lips, nose nudging yours. You nod and you feel him smile. “Sorry.”

“Feels good,” you assure him, pressing a kiss to his jaw. “Want more.” 

“Greedy thing.” 

“I’m Your greedy thing.”

Your words have the desired effect. You feel a shiver ripple through him, Vernon’s grip on your leg turning to iron as he opens you up wider. He presses his cock into your entrance slowly, pausing just as the tip pops in. You throb around him, whispering his name - begging him to keep going. 

Vernon’s grin is sharp as he sinks in further, the slide tortuous and wonderful and so much as he finally finds home, hips pressed as far as he can go. He stays like that, tangling your tongue in a messy kiss as he sits there, fully seated in your heat. Your pussy spasms around him, pressed open to the max. 

“Feels so good,” he whispers, dropping his forehead to yours. “I’m going to come embarrassingly fast.”

“So do it.” You wrap a leg around his waist, your hips tilting upward. Both of you moan at the angle change, so close to breaking. “I wanna see it.” 

Instead of answering, he nods. He drags his hips backward slowly before slamming back in. He punches the breath out of your lungs with each slide home, the stroke slow but deep. Your head falls to the side, breaths rasping as he sets a steady, slow pace. 

It feels good, your legs curling around him to keep you close, hands tangle in his hair to keep him tethered to you. His hair is damp with sweat, your fingers curled in the strands, tugging a little. He seems to like it, making a needy sound in his throat that has you grinning. 

“Mine,” Vernon whispers to you, words muffled by your neck. “You are only mine, darling. You will only ever be mine. You were made for me. No one else.”

“No one else,” you agree. 

His hips move faster, a little messier. You egg him on, legs squeeze, cunt spasming around him. He lets out a feral sound, driving himself further to his orgasm. He drags you with him, another swell reaching you. Vernon can tell, chasing it like a predator, pinning you down and slamming his cock into you until you’re melting around him again, vision blotted out. 

Vernon comes to the sound of his name on your lips. His movements become sloppy until he can’t go anymore, holding himself above you, trembling. Carefully, he drops next to you, pulling his cock free. You feel your joint fluids run down your leg, but you’re too tired to care. 

Reaching for him, your hand finds his chest. He wraps his fingers around yours, holding your palm to him, his heart thudding wildly under your touch.

“For you,” he mutters. “Only for you, darling.” 

You fall asleep like that, hand pressed to his chest.

-

Waking up in Vernon’s bed is not new to you. You’ve fallen asleep numerous times at his apartment or stayed the night after going out, but you’ve always had the bed to yourself, Vernon opting to take the couch. 

The bed is empty now, but still warm. You stretch as you roll over in his sheets, groaning as you feel the soreness between your legs and mostly everywhere else. Pressing your hand to your chest and shoulders, you feel all the tender places Vernon mapped his affection with tongue and teeth. It makes you smile fondly as you lay in bed alone for a minute, breathing in the scent of his room.

Slowly, you peel yourself from his bed. With an awkward waddle, you make it to the bathroom, flicking on the light. You shield your eyes at first, going about your morning routine and washing your face to try and feel human again. 

On your way out, something catches your eye. You frown, walking back toward his laundry hamper where you see brass glinting in the light. You reach for it, pulling the bell from the tangle of his clothes. It has an old wooden handle with cracks, a little hand bell used for-

Well. Used the night of halloween. You have no idea why Vernon still has it, the memory of that night like poison in your mouth. You toss it back into the hamper on top of another shirt that catches your eye. It’s one of his dark green t-shirts, but the collar is stained dark brown.

Curious, you pull it out, shaking the shirt out in front of you. It’s mostly unmarked, save for the spatter of something dark brown and dried. You run your finger around the edge of it, puzzled. It looks like dried blood, but you can’t recall any injuries he’s suffered recently. 

You take the shirt with you into his room, tossing it on his bed as you get dressed, stealing sweatpants and a hoodie. Grabbing the shirt again, you trail out toward the kitchen where Vernon is making breakfast, the smell of bacon crackling in the pan.

You grin, leaning against the doorframe for a second to watch him. He looks so at ease, flipping pieces of bacon while he sings to some seventies song you don’t know the name of. 

Pushing off the wall, you head toward him. He catches you in his peripheral, turning his head and smiling at you. “Hello, Darling.” 

The nickname gives you pause. You slow as you come around the corner of the counter, stopping completely as the endearment pricks you sharply on the back of your neck. Vernon goes back to flipping bacon, singing along a song you vaguely know, but don’t know why Vernon does. He’s never liked music from the 1970s, and-

Your ears start to ring. Several things occur to you at once. 

The memory of Vernon screaming and banging his fists against the door, begging for help. You’d been so afraid that you ripped the door open, crashing through the line of salt. 

Vernon, sharp and confident, the new edge to him as he interacts with people, a little harsher. A little darker.

Nah need to cut back on the sodium had said when you asked about the lack of salt on his fries.

The way he’d called you darling the night before, whispering it against your skin. 

70s music that Vernon has never listened to since you’ve known him.  

The bell sitting in the hamper used to call a spirit on Halloween. 

In the house that belonged to the Hello Darling Murderer.

Brown stains - like blood - on his shirt. 

Carefully, you learn toward the middle of the counter, watching Vernon like a prey skirts a predator. With trembling hands, you gently grab the salt from where it sits next to the pepper. You hold your breath, trying not to draw his attention as you unscrew the top of it, placing the metal lid on the shirt to keep it quiet. 

With as silent steps as you can manage, you cross to the other side of the kitchen where you’re out of his line of sight. Tipping the salt over, you pour it across the tile from counter to fridge, eyes darting between the barrier of white and the man standing in the kitchen humming. 

Your heart hammers. 

Your hands shake. 

Salt shaker empty, you set it on the counter and take a few steps back. It’s an unbroken line of salt, and though it doesn’t trap him in the kitchen, at least it’s there. 

Vernon turns around with the pan of bacon. He sees you and his humming stops, cocking his head to the side. He notices the empty salt shaker. Frowns. Looks at you. Looks at the ground where you’ve drawn a line of salt. 

For a second, he just stares at it. His eyes flick back up to you, warm and brown but narrowed. 

“Why is there salt all over my floor?” 

“Cross it.” 

“Huh?”

“Step over the line of salt.” 

Silence stretches between you. He remains standing in the kitchen, pan in hand, music playing in the background.

When Vernon doesn’t move, you can see everything so clearly. 

Vernon hadn’t been joking when he slammed his hands on the door begging for help on Halloween. A sick feeling roils in your stomach as you remember the panicked screams, the way his fists hammered the door. 

Your next words come out as a hiss. “Cross the line of salt, Vernon.”

He looks at the salt and purses his lips before sighing and setting the pan down on the stove. He tosses the rag from his shoulder and shakes his head, striding over to the white line you made against his tile. He stops in front of it, looking at you with his eyebrows raised as if to say really?

“Well, do it.”

Vernon looks down at the salt. Looks back up to you. Down at the salt. 

And then he laughs. 

“Fuck, you really are the smartest person in school.” He sighs heavily, a gaze darker than anything you’ve ever seen on his face as he stares at you. “You know I can’t cross that line of salt, darling.” 

-

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