Today's entry is full of Lucy/Jonathan parallels. It's so many throughout... I can't possibly quote every single one, but here are a few big things.
I write this and leave it to be seen, so that no one may by any chance get into trouble through me. This is an exact record of what took place to-night. I feel I am dying of weakness, and have barely strength to write, but it must be done if I die in the doing.
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If this book should ever reach Mina before I do, let it bring my good-bye. (5 May)
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These may be the last words I ever write in this diary. I slept till just before the dawn, and when I woke threw myself on my knees, for I determined that if Death came he should find me ready. (30 July)
Lucy is writing with the specific intent of keeping anyone else from getting into trouble through her - in other words, so none of the maids or her doctors or whoever will be blamed for her murder if she dies before the night is through. The first quote from Jonathan is not really a direct match to this sentiment, of course. But while I couldn't remember a perfect quote to compare, we see hints throughout his journal that Jonathan is writing in the hopes that someone else might someday see it. Perhaps Mina, perhaps some other guest to the castle... he hopes that the explanation of what happened to him, and detailing of what Dracula is, will prove useful. Perhaps it will help someone else protect themself - just like Lucy hopes here. (This is of course not his only reason for writing. Another major reason why is how it helps to keep him sane and helps him plan escapes. Still, it is one of his reasons.) And certainly, the sentiment that the record is important to keep even at risk to oneself, is a shared link between them. Both of them also show a determination to face their death directly.
This line is also an echo of the various times Jonathan (and, more recently, Jack) experienced something seemingly impossibly horrific, and made a big point that they were writing things down exactly as they happened.
The time did not seem long, but very, very awful, till I recovered consciousness again. Somewhere near, a passing bell was tolling; the dogs all round the neighbourhood were howling; and in our shrubbery, seemingly just outside, a nightingale was singing.
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Something made me start up, a low, piteous howling of dogs somewhere far below in the valley, which was hidden from my sight. Louder it seemed to ring in my ears, and the floating motes of dust to take new shapes to the sound as they danced in the moonlight. I felt myself struggling to awake to some call of my instincts; nay, my very soul was struggling, and my half-remembered sensibilities were striving to answer the call. I was becoming hypnotised! (24 June)
Lucy awakens after the first attack of the night to the sound of dogs howling (amongst other things). Jonathan too has been saved from a trance by this noise, though in his case it was a close call. Dracula certainly seems to have successfully hypnotized her and most likely did drink from her between his arrival in the room (the dust swirling in) and the maids'.
What am I to do? what am I to do? I am back in the room with mother. I cannot leave her, and I am alone, save for the sleeping servants, whom some one has drugged. Alone with the dead! I dare not go out, for I can hear the low howl of the wolf through the broken window.
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I fear I am myself the only living soul within the place. (8 May)
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What shall I do? what can I do? How can I escape from this dreadful thing of night and gloom and fear? (24 June)
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Suddenly it struck me that this might be the moment and means of my doom; I was to be given to the wolves, and at my own instigation. There was a diabolical wickedness in the idea great enough for the Count, and as a last chance I cried out:—
"Shut the door; I shall wait till morning!" and covered my face with my hands to hide my tears of bitter disappointment. (29 June)
These are only a few of the lines that Lucy's quote reminds me of. This is the big one, there's so much to connect in it.
Like Jonathan, Lucy is alone with the dead. Dracula has sabotaged her only chance of reaching out to other people for aid (drugged maids = workers in the yard, people who saw Dracula dressed as Jonathan). She also feels duty-bound to stay by her mother's side, in a way which reminds me of Jonathan's feeling of obligation towards Mr. Hawkins (all the more as Mina's letter today emphasizes how familial their relationship has become). Like Jonathan, Lucy cannot see any options to escape from the living nightmare she is experiencing.
Like Jonathan, Lucy cannot leave because if she does, she fears a wolf will get her. (Much like Jonathan, she is earlier in her memorandum able to distinguish a wolf howl from a dog's, despite never hearing one before.) Even though she does not really expect to live through the night, she cannot make the choice to go out and face almost certain death. She's even recently seen the wolf kill a mother, to really drive the comparison with Jonathan's experiences home. (A contrast between the two is, of course, the mother he saw die was trying to rescue/avenge her dead child, but was too late. Mrs. Westenra seeks comfort from her daughter tonight, and as she dies unwittingly steals away Lucy's protection (garlic), thus holding true to her role of accidentally endangering her further.)
The air seems full of specks, floating and circling in the draught from the window, and the lights burn blue and dim. What am I to do? God shield me from harm this night! I shall hide this paper in my breast, where they shall find it when they come to lay me out. My dear mother gone! It is time that I go too. Good-bye, dear Arthur, if I should not survive this night. God keep you, dear, and God help me!
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Then I began to notice that there were some quaint little specks floating in the rays of the moonlight. They were like the tiniest grains of dust, and they whirled round and gathered in clusters in a nebulous sort of way. (24 June)
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God help me in my task! Good-bye, Mina, if I fail; good-bye, my faithful friend and second father; good-bye, all, and last of all Mina! (25 June)
(I've run out of new colors and am recycling. These aren't meant to match to the above instances of these colors.)
Like Jonathan described his experience being hypnotized by the vampire ladies, Lucy too sees Dracula's form as circling specks (twice, in fact, the other quote being above). The lights going blue and dim are also reminiscent of the various times Jonathan describes moonlight at the Castle. I especially think of just before he meets the vampire women, when he muses about the powers that modernity cannot defeat, and his modern lighting is contrasted to the moonlit room. Here, Lucy's modern lighting is going out as the supernatural invades her bedroom.
Lucy bids her final farewells to her mother and her fiance. In the quote I gave, Jonathan does the same for his father figure and his fiancee. Both of them invoke God for help. Both of them end their entries with this thinking of the one they love most. Jonathan of course does this multiple times, but I'm only quoting this one instance as it feels like the closest match overall.
And once again, we also see multiple comparisons beyond what I directly quoted. Lucy reiterates her expectation of death as in the quote at the top, and even chooses to hide her memorandum in her clothes, much as Jonathan hid his diary on his person at all times. (The difference being, he wanted to hide it from Dracula; she wants to ensure hers is seen by someone.)
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