In defense of late-canon x files (including the revivals)
I was thinking about this poll after I commented on it, and I kinda want to be brave and say more.
Short answer to the poll's question before I go any further: If you're a new fan and a sensitive sort who thinks you'll struggle with your blorbos Really Going Through It and you really need a happy ending, I suggest you stop at the end of season 8. Do not pass go, do not look at spoilers. Disregard this post entirely, close the internet, and go look at something that makes you happy. (Also fuck every part of society that characterizes sensitivity as inherently weak and bad and some kind of personal failing, you are valid.)
That said, "quality" as a concept is entirely subjective, and the question of whether or not there's a decline in quality for any story is wholly subjective, too. In the case of x files? I'm not convinced there is a decline. I am going to be upfront that I haven't yet watched past season 8, though I am almost completely spoiled on events after that - and the reason I haven't watched yet is not because of how I know events are going to unfold, but simply because I don't want it to end!!! Ohh, the tension between "I CAN'T WAIT!!!" and "Nooo don't be over D:"
When I first came to txf fandom on tumblr and gradually became spoiled about what happens in late canon though, I was often left uncomfortable and tbh kinda queasy about it. As I said in my comment on the poll, the hate for especially the revival and IWTB, or to a lesser extent even seasons 8 & 9, is very well documented. But! There are other takes to be found here on tumblr if you figure out where to look, and my feelings have changed!
The thing is, I have yet to find myself in any fandom where there isn't a vocal subset of fans who dislike the story after a certain point. I am not joking when I say that no one hates the things they love as passionately as sci-fi and fantasy fans. In my experience, it often hinges on the extent to which a viewer has strong notions on where they would like the characters to end up. In particular with series where shipping is a dominant component for the bulk of a fandom, I have almost universally found that there comes some turning point in the story where "let them be happy you cowards" is the dominant view, and things that compromise the attainment of a degree of romantic stability and/or domesticity are, to many fans, annoying at best and despicable at worst. But! As one tagset on the linked poll said:
and I think for any fandom, that last tag especially is so so so important. (I think that's harder for people watching a weekly series live, bc you have so much time to analyze and speculate and dream before the next breadcrumb drops, but I digress.)
So why am I saying this and how do I apply it to x files? Well, I eventually found that there are also a subset of fans who find redeeming things right up to the very end and actually quite like the whole thing! The things that I had seen people rage and ventpost so much about honestly never quite sounded to me as "out of character" or "untrue to the story" etc as those same ventposts made them sound. And I've discovered I'm not the only one who felt that way. Do I love that the spooky squad had to go through all of those things? No, those poor guys D: Life is hard and they have been through so much trauma. But do those events and their choices make sense to me in light of everything that came before? Yes! And I honestly can't wait to see them fight to overcome those things, breaking, healing, always learning, always growing, always getting better.
So if you're wondering "where does it go wrong"... well, I'm a completionist, as many people who've answered that post are, but also my personal opinion is that I don't think it does go wrong. If you're new and interested in exploring why I've gone from "vaguely queasy" to "excited" about the whole thing, or want to maybe balance out the impressions you're getting about the later seasons before deciding whether or not you want to see the whole thing, I'll put a few blog names in the comments.
Final admission: even once I started feeling a little more confident in the possibility that "actually ok maybe I'm not crazy, maybe this all kind of is in character and does make sense", there was one big plot point that I was NOT looking forward to and I thought I would never be comfortable about. In hindsight, I think my discomfort came from the negative responses being SO seemingly universal that I hadn't stopped to let myself truly consider other possible interpretations on that point. (I mean my initial instinct when I first read about it was, why are we mad about this?? CSM is literally the most unreliable narrator in history???? it's obviously fake news?????? this must be either a fever dream someone's having or it's a misdirection ploy against whatever shadowy forces might still be lurking?????????????? but for whatever reason I guess I had halfway written that off.) Happily, just last month there's a new post-s11 novel out, and although reviews for the book as a whole are mixed, it seems to have laid the groundwork for resolving that plot issue in a way I think most fans would be broadly happy with. If you're interested in being spoiled about that and seeing how, I recommend searching #perihelion on @agent-troi who liveblogged reading it with receipts, scroll back chronological-style to the first post on the subject and see how it unfolded. (And never forget that Dana Katherine Scully is the queen of denial as a coping mechanism lol)
Everyone's mileage will vary. Each person can feel however they want! But for anyone new, I wanted you to know that the very many ventposts you might be seeing are not all there is to this show or its fandom. Some of us love it despite - or even because of - all the things that went "wrong". I think we just don't talk about it as much.
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So someone else brought up the inn scene with Tifa in rebirth, and it got me thinking about. How some conversations are 'tests'.
Like as the player, we have enough insight into Tifa's thoughts and feelings regarding Cloud 'supposedly' being in Nibelhiem. That she started talking about the innkeeper's* son and asking if Cloud remembered him. We know why she's asking, that she's looking for something.
Cloud doesn't know that. He doesn't know why she started asking him about it. So his responses and lack of interest give Tifa the wrong impression, and she gets frustrated and Cloud doesn't know why. He can tell that he did something 'wrong', even if Tifa said it was fine.
Like he failed a test he didn't even know he was taking? Does that make sense? Just being out of the loop even though he's half of the conversation?
*it may have been shopkeeper but I can't remember
God yeah. Tifa has every reason to be suspicious and freaked out, but the way she addresses things winds up actively working against her, because Cloud just doesn't follow.
What really fucks me up is how she tries it a second time in Junon, only to have the exact same thing happen— Cloud takes her questions at face value, she gets honest answers that she doesn't want or need, and both of them walk away frustrated and upset at the other. It's a textbook double empathy problem.
Eventually Tifa learns that she'll never get the responses she wants, and that it's easier to just let Cloud say strange things, and offer him some empty words of comfort that she knows won't help. Cloud tries to meet her halfway and open up about his fears, but he's Cloud. The thoughts get stuck on his tongue. Round and round it goes......
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Arlecchino's whole deal is unbelievable
Arlecchino: Huh I wonder what's causing my weird powers? I can't really worry about that right now tho, I've gotta become King and then kill my "Mother".
*Kills Clervie and "Mother"*
Arlecchino: Huh I wonder why I was able to defeat a Fatui Harbinger when I'm like 17 or so? I can't really worry about that right now tho, I've gotta be in jail and become a Harbinger.
*Is in jail for a while and becomes a Harbinger*
Arlecchino: Huh I wonder why I am-
Pierro: Hey what's up hello, anyways you're descended from the Crimson Moon Dynasty of Khaenri'ah. I'm sure that this is a lot for you to take in so-
Arlecchino: Ok.
Pierro: ...You're just cool with that?
Arlecchino: IDK maybe? I can't really worry about that at the moment, I'm a father now. This orphanage full of children I love (who also are child soldiers and are not allowed to leave or else I'll execute them except maybe now I'm just gonna wipe their memories IDK I'm morally complex) isn't gonna run itself.
*Runs the orphanage/spy recruitment initiative*
Me, the fucking player: WHAT DO YOU MEAN YOU ARE KHAENRI'AN? WHY WASN'T THIS BROUGHT UP IN YOUR FUCKING QUEST?? OR ANYTHING ELSE????
Arlecchino, talking to me through my phone: I honestly don't know why you care, I'm too busy to give a shit. Anyways, I'm gonna go fight fate itself I guess. I'm sure that I don't share any thematic parallels with any other Khaenri'an characters (particularly as it relates to acting and family angst) and that I haven't made the idea of 'curses' on Khaenri'ans and what they entail even more complicated than they already were. See ya.
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“Gh?! What is this long.. list… Did they really think that leaving me milk and cookies would grant them whatever they wrote here—?
They’ve also left me a gift somewhere around the prison apparently.. okay.. still, just because I’m trying to be festive and I can grant requests does not mean that I— sigh..
This is unbelievable.. Jackalope, come look at this— Jackalope. … Jackalope? Where did he go..?”
: a very late christmas specials art.
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I'm enjoying amc loustat way more this season, mostly because I feel like they're letting Louis match Lestat's level of obsession and "don't drag anyone who is not at least an armand level freak into this." Last season I enjoyed Louis-Claudia and Lestat qua Lestat but loustat and lestat-claudia especially fell flat for me. Even lestatoinette disappointed! And I only like lestat/antoine as a vehicle for loustat drama and a sad sad case study on the hold depressive art majors have on Lestat (nicki.remix.uwillneverbehim.mp3), so they really had to dig deep to underwhelm me on that front. However the one-two-three punch of "was she worth it," "even now i'm still the only one you trust," and "show me the only way you know how to love," has worked some dark magic upon me. Louis isn't going to get well because he doesn't want to get well. He wants Lestat but he can't admit to it on account of his general inability to admit to his own complicity in the horrors. Losing Lestat almost but not quite tips him over the edge into acknowledging he wanted to keep him, but he still can't live with it so in the absence of the real thing he hallucinates a fictional Lestat to offload all of his frustrated guilty desire onto. What else was he going to do? acknowledge his own feelings and agency? admit to himself that he's hurting because he lost something that mattered and focus on putting Claudia first even though he's fucked up about it? impossible. Sick and twisted! Good for them.
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