#so glad i finally finished and posted them

[aihoshiino]

chapter 166 thoughts

As of chapter 166, Oshi no Ko has finished a roughly four-and-a-half year run started back in 2020. While there's some speculation about an epilogue or some extra content in volume 16 when it drops, this is where the main story ends. And you know what that means!!!

OSHI NO KO HAS OFFICIALLY ENDED WITHOUT ADDRESSING OR ACKNOWLEDGING THE FACT THAT RUBY KISSED HER BROTHER IN CHAPTER 143

please understand that this is FUCKING BOGUS

I'll probably do a longer post on this subject specifically, but my main critique of 143 when the chapter dropped was that while I liked the individual beats in it and I was really glad to see Akasaka finally addressing this tension bubbling underneath Aqua and Ruby's relationship, the immediate swerve away from showing us the aftermath of that kiss felt to me like an admission that the story was going to needlessly draw this out even more. Now that the story has ended and we can see that moment had literally no impact on the plot or even the character dynamics, I'd like to revise that statement - it feels like an admission of compromise. It feels like crumbs thrown to AquRuby fans to tempt them to keep reading and to stir up the waters of the ship wars, so people would keep reading and stay invested in the manga right to the very end. But most of all, it feels deeply disrespectful to both Aqua and Ruby as characters. Rather than exploring their feelings and giving both of them interiority and complexity in relation to incest or even just fucking acknowledging that the kiss had happened and letting their dynamic evolve, the series just memory holes the entire event and asks that you do too. Rather than letting Ruby have any development whatsoever as pertains to that relationship or, god forbid, let a female character move on romantically from the male lead, the series ends with her feelings so up in the air that I literally could not tell you what she thinks of Aqua by the time he dies.

ANYWAY… FINAL CHAPTER. BREATHES OUT VERY HARD.

I really can't believe it's taken us until the final chapter to actually deal with Ruby's grief over Aqua lol. We got a snippet of it last chapter but it was so brief that it really just felt like a tease. I also just think it's kind of bizarre that we're spending this little time on Ruby having feelings about Aqua's death to the extent that I have no idea how or when she found out about it.

It's also kind of hard to feel particularly strongly about Ruby's grief when the chapter doesn't really bother to explore it all that much. It's just a montage of Ruby quite literally Screaming, Crying and Throwing Up while Akane dispassionately narrates it all. The art also doesn't really help in terms of connecting with the emotions at play - I usually really like Mengo's expression work and the way she depicts extreme emotions but this all just felt like of… I don't know how else to put it. Goofy??? Is that an insane thing to say about Ruby grieving her brother???

Idk, something about both the panelling and just the extreme on-the-noseness of Ruby, again, literally Screaming, Crying Throwing Up while she's wearing a Burning cosplay Just In Case You, The Audience, Didn't Get It only for her to abruptly be done crying with no exploration or insight as to what's going on in her head that allows her to move forward.

Honestly, this is kind of the issue with everyone in the cast. The resolution is just sort of "Aqua died and we were sad about it but then we stopped being sad". I know what the story is trying to go for here - it's trying to express that even when you're in pain, life goes on and so you have to find a way to go on with it. But the result is that we spend all this time oogling at their pain without spending equivalent or even meaningful time on their recovery process.

It feels both excessive and undercooked at the same time and I'm left with the same icky, voyeuristic feeling I got from Aqua's funeral last chapter. This should be the point in the story at which we empathize with Ruby the most, but she remains a frustratingly distant figure right to the final pages. Part of this is an unfortunate consequence of Akane's narration directing these final chapters meaning that we're hearing about Ruby from an outsider's perspective and thus don't really see what's going on in her head… but if I can be frank, this has been an issue of Aka's with Ruby in particular basically nonstop since chapter 123.

As others & myself have noted, despite the absolutely catastrophic downward spiral Ruby is in at that point, Aqua revealing himself as Gorou basically flips it all off like a switch. There's some mild lipservice paid to the idea that Ruby is just using her dependency on Gorou to prop herself up and it's pointed out that the issues that contributed to her breakdown haven't actually been resolved - but none of these issues are ever even acknowledged again, let alone resolved. So, functionally, that reveal does fix all Ruby's problems in the space of a single chapter and the result is, again, that we spend multiple chapters gourging on depictions of Ruby's absolute rock bottom only for her to ping back to normal like a lightswitch. As such, the depictions of her pain feel less like explorations of Ruby's interiority and more like voyeuristic oogling at Ruby's misery and trauma and the effect is that the resolution to it all is both unsatisfying and a little gross. The result is that it feels like Akasaka is just indulgently mining the imagery of cute girls suffering because it causes simple thoughts neuron activation but doesn't respect these girls enough as characters to build them back up.

It doesn't help that this is basically the in-universe excuse for Ruby's career further skyrocketing. Instead of Ruby becoming a star on her own merits as the story keeps insisting she was supposed to, she's artificially buoyed by the public's morbid fascination with her tragedy. If I was feeling charitable towards the story right now, I would say this is an avenue of intentional critique but… well, I don't feel super charitable about the story right now lol

I WILL say that the one part of this chapter I did just uncomplicatedly like was the beat of Mem trying to suspend activities (presumably in the wake of her grief for Aqua) only for Kana to basically immediately explode into her room and help her get back on her feet. It's a beat that would've been much more effective if we'd, you know, seen it, but I otherwise enjoyed it and I thought it was sweet.

But. pbbbbtttt. I guess I can't talk around it any longer… let's get into the Dome concert.

To start things off on the immediately worst note possible, Akane describes Ruby performing at the Dome as being 'everyone's dream', including Aqua's. I'm reminded once again of the strange turn the story took in insisting that um, actually, performing at the Dome was totes Ai's dream all along (even though she literally didn't give a shit even a week before she was due to perform there herself) so Ruby performing there is fulfilling that dream for her!!! and I can't help but wonder if this abrupt shift in focus is an attempt to make readers forget what Ai's actual dream was - to see her beloved children grow up happy and healthy. Hell, it wasn't even really Aqua's dream, until the story suddenly had to try and convince us that his entire purpose for existence was to kill himself so Ruby could be an idol for slightly longer than she would've otherwise. The only people whose dreams she's textually fulfilling are Ichigo and Miyako and Ruby herself, but…

Honestly, is this really Ruby's dream anymore?

Who is Hoshino Ruby? What does she want? Why does she want it? These should be the very least of what we can concretely say about not only a protagonist but a character who has become a central figure of the entire story as Ruby has, but with the way Oshi no Ko has warped and distorted her, I find myself increasingly unsure of what the story wants her to be or how I should answer those questions.What does Ruby feel about Aqua? Was she still in love with him? Had she moved on, romantically? Was she still waiting for a response to her confession? Did she finally realize it was probably kind of shitty to respond to her brother going "lowkey wanna kms" by sticking her tongue down his throat? I Guess We'll Never Know.

This extends to whatever the fuck Ruby's relationship with idols and being an idol is. Almost the entirety of Ruby's time in the story has been spent reiterating over and over that Ruby cannot just be an idol who imitates Ai and that to truly shine, she needs to step out of her mom's shadow and shine in her own way. Ruby even literally tells Kana in no uncertain terms in 137 - "I'll be a star in my own way. I won't be like Mama."

While this has always been the text of the story, as I've pointed out before, the actual art with which Ruby's idolhood depicts her basically just as Ai 2.0. It relies so heavily on mining the imagery of Ai's charisma and personality as an idol and using them as the measure of Ruby's success as an idol that Ruby essentially has no visual or conceptual identity of her own as an idol. She's just Ai, But Arbitrarily Better, For Reasons The Narrative Fails To Actually Establish But Hopes That You Just Accept Anyway. This was always kind of annoying, but now that friction seems to have been resolved by… just making her Ai 2.0, But Arbitrarily Better (etc, etc) in the text as well. The fact that we're given no further insight as to Ruby's feelings and continue to just have Akane Explain Ruby's Character Arc to the camera also doesn't help.

All this combines to make the Dome concert and the final few pages feel exceptionally cold in a way I really don't think was intended by Akasaka. Yes, that splash page was nice and flashy but… I just felt nothing. I have no idea if or why Ruby cares about this. And even though the Dome concert has been hyped up through the entire story as the peak of Ruby's achievements as an idol, I feel no sense of accomplishment in her finally being there - not just because her journey to it was basically sneezed at us across two panels, but because it just feels hollow as a victory lap for Ruby. Again, she feels so distant and abstracted as a character that I can't bring myself to feel very strongly about her good or bad.

I think the perfect encapsulation of this are the final four pages of the story. Ruby's words here are very clearly intended to be a callback to Ai's words to Gorou in chapter one but as @all-of-her-light pointed out in our initial discussions of the chapter, Ruby very much does not have an equivalent to Ai's conclusion that she nevertheless wants and values the opportunity to find personal happiness and fulfillment outside of being an idol. Are we supposed to believe that simply being an idol is all that Ruby needs to achieve a similar degree of happiness and fulfillment? Is there no more to her than that?

I've seen a lot of people interpret this ending as exceptionally bleak and, as usual, gleefully predicting Ruby's immanent suicide because her beloved oniichansensei isn't around but this is indulging in, if you'll allow me to be frank, some pretty transparently ship-motivated flanderization. Despite what certain sections of the fandom would like to believe, Aqua and Ruby's lives, past and current, have never revolved around each other to the exclusion of every other relationship in their life. Ruby has a massive support network of people who love and care for her and actively want her to get back on her feet. I can one hundred percent believe that she does not need Aqua in her life to be happy and content.

The issue is that we don't see enough of Ruby to understand that ourselves. Again, she has become such a distant figure with so little insight into what she's thinking and why that this ending is basically a Rorschach test in which you can interpret basically whatever the hell you want or assume because we have so little canon basis to support or debunk our assumptions.

and yes. don't think i didn't see them. it IS both grimly hilarious and weirdly tonally appropriate for this ending that ruby has a bunch of oshi goods of ai and aqua including their fucking autographs set up to say goodbye to every day.

AND…… WE'RE DONE!!! THAT'S OSHI NO KO, BABY!!!! well, technically, there's going to be a 20 page extra chapter in volume 16 but I don't see it being big or substantive enough to meaningfully change my feelings about the ending so… I guess we're leaving it here. Damn. Feels crazy to be done with it.

I'll probably do a bigger post down the line about my thoughts on the ending as a whole but in terms of just How This Chapter Made Me feel, I guess the word is just… meh! It's definitely not an ending I like and I think the execution is sloppy and rushed but I also just don't really have the energy to feel angry about it. Maybe that's sad in its own way but tbh… I still really love Oshi no Ko! I still find it engaging and I find the characters I enjoy rewarding to talk about. I like the artistry of the anime adaptation. I don't blame anybody else for being so turned off by this ending that they're done with the series but for me, I like what I like about OnK too much that this ending could retroactively ruin it for me. Whatever else happens with the OnK franchise, whatever directions the anime and live-action take, this will always be the series that gave me Ai and the Hoshino family and. look at me. look at what she's done to my brain. could I really ask for anything more than that?

That being said, I'm definitely not done with discussing the series! I have fics to write (including a VERY exciting large scale project lined up with some friends), my Ai analysis post to finish and I also want to do a re-read of the series and finish my anime rewatch. I'll be here to discuss Oshi no Ko as long as I have things to say about it and as long as you guys will have me! Despite how the series ended, I've had a genuinely wonderful experience in the fandom and I really don't want to let go of the little community we've built together just because the series is done. I'm Ai's fan for all eternity!!!

[bengiyo]

Ben’s Big BL Blurb 2: Fall is Finally Here

I am simply too busy with worth, family, other hobbies, and life to write about every show in real time anymore. I’m sorry to all the Stray Thoughts readers who’ve reached out about whether I would pick that back up, and I simply just do not have the time to do them anymore. Instead, I’ll try to do one of these as often as I can to catch up on things.

First, let’s go over some shows I finished recently that I don’t think I wrote much about.

First Note of Love

I was so happy to see Michael back on screen, and I was glad to see that he’s still able to get great chemistry with his co-star. Unfortunately, I don’t think this show was very coherent, so I didn’t get a lot out of it emotionally. It was a pretty inoffensive watch overall, and thus an easy show to put on without having to work through too much. I liked the work between everyone, and Mei Lei was such a fun character. Probably won’t return to this one, though. 

Let Free the Curse of Taekwondo

This is probably the show of the year for me. There’s so much I loved about this show. I loved that the characters had sex, but were neither rewarded nor punished for it; their sex didn’t solve any problems. I also really love how this show explored how childhood trauma expresses in two different kinds of boys, and I love that we got to see a bully reckon with his actions and get closure. I love that this show ended with them being kinda poor, but happy together. I love how messed up they both were about everything. I loved that Juyeong wasn’t stupid, and could read what was going on.

I clearly need to write a separate post to unpack everything I felt in this show.

Let’s move on to what I’m watching currently, in no particular order…starting with the lesbians, and then the worst BLs.

Apple My Love

Genuinely having fun with this GL. I like how quickly most of the drama plays out. It’s giving me quite a bit of secondhand embarrassment, but I like the characterizations in this show. This new production house brought us Knock Knock, Boys! and Monster Next Door this year. We need to keep an eyes on them. 

Haunted Hearts

I’m so fascinated by Oxin Films teaming up with Regal Entertainment. The leads are very attractive, but the cinematography is really boring. I’m trying to stay invested, but it’s kind of a sleepy watch. Also amused that they started airing a ghost romance right after Halloween ended. I’ve kind of moved on emotionally from the season.

My Damn Business

This show could be good, but it’s not. I struggled with episode 5 because our lead looked more relaxed and happier with his senior than the guy he’s getting into a romance with. There’s something missing here in this one, but I can’t exactly put my finger on it. I think it’s primarily a side effect of the short run time, but I think the boss’s interest isn’t landing properly for the employee to respond to. 

Eccentric Romance

This show could be good, but it’s not. Still, I am obsessed with a murder mystery being the primary source of confusion between our leads. I was willing to forgive this show a lot of its rough edges, but it failed to handle the turn from friendship to sexual/romance really well. I feel like our guys just started dating and having sex, and I’m a bit frustrated that they didn’t talk about it really at all, particularly since this show features two different languages spoken on screen. Genuinely looking forward to seeing how this one finishes. 

See Your Love

I’m not sure this show is exactly working that well, but everyone is very pretty and I’m having a decent time watching it. I like the way Shao Peng stands up for himself, and I like that nothing that’s happened has been totally unbelievable or unreasonable (at least with the mains). I’ll be curious how the hard of hearing and deaf viewers respond to this one once it’s complete. 

Love is Like a Poison

This show is actually so funny. I love that Shiba is in his own lawyer genre separate from everyone else, and I really like how the two of these guys have become a team. I’m curious how they manage to resolve the scamming next week, but this has been the most unexpected dynamic of the year. 

Love in the Air: Koi no Yukon

MAME won this year, y’all. We all have complicated feelings about her, but she’s secured a loving adaptation from a Japanese team that’s put solid effort into bringing her characters to life. Every character feels correct compared to their Thai counterpart we saw on screen, and that’s a strong sign that the writing behind MAME’s work is strong, even if we all have issues with the way she tackles certain themes. I’m really impressed with this adaptation, and really like this version of Rain.I also feel like this show is doing a better job blending the forthcoming couple focus shift.

Our Youth

We just got this show, but damn does it feel sharp! I’m always going to be a sucker for a cinephile character, and I’m so compelled by the way Minase is drawn to Hirukawa. The scene in episode 2 where Minase has to leave Hirukawa’s house might be one of the most impressive sequences we’ve had in a while, requiring a great deal of choreography and effort from the actors and the camera crew to pull off, and I’m excited to see how these characters split and then come back together. 

Smells Like Green Spirit

Let me just say that I need another Abe Alan appearance when he isn’t playing a character doing horrible things to his students. I’ve enjoyed meditating on the 90s with this show and what that era felt like. I’ve liked how the show has tried to focus on how different parents (especially the moms) have responded to their kids coming to terms with themselves. I’ve also really enjoyed the friendship that’s grown between Mishima and Kirino. I’m struggling with Yumeno a lot, because I’m really not a friend of bully romances. Still, I feel like this is one of those shows I’ll remember for a long time because of its focus on the 90s. 

Blue Canvas of Youthful Days

I think @lurkingshan covered reactions to episode 5 and episode 6 better than I could, and I loved @twig-tea giving context for the film history moment in episode 6. I remember screaming into the chat for friends to show up for this when I got to that moment. This show has two great pairs of dynamics going on that mirror well. It’s got such a strong handle on its characters’ motivations and how they would respond to the actions from each other. It’s probably the tightest thing I’m watching now, backed by extremely dialed-in performances. I will be thinking about Qi Lu organizing his potential first kiss with Qin Xiao, and how unapologetic he’s been about the entire affair. He’s being selfish here, but I kinda like it. I’m so thankful that we are somehow still getting this show, because goddamn do the Chinese actors deliver on chemistry sometimes.

Interview With the Vampire Season 2

I finished this with a friend last week, and holy fuck is this show still so, so good. We watch a lot of gay romance because of BL, and I am having so much fun watching the show about gay divorce. I loved the time we spent in Paris, Daniel’s shifting role in the narrative, and the new insights we got into Lestat this season. I will miss Claudia so much, and I have to give a standing ovation to Delainey Hayles stepping into the role of Claudia and doing the damn thing this season. I just love seeing my little fucked up gay people torment each other on screen.

I'm still thinking about Louis and Lestat reuniting in a hurricane after Claudia derided this as yet another chapter in their stormy romance.

Dropped Shows

Unfortunately, everyone can’t win. Some of these shows are just too long for me to keep up with them, and oftentimes I get bored. I’ve currently dropped:

Lovesick 2024 - I may go back. We’ll see

Jack & Joker - It’s just too long, and they just killed Jennie and a kid. I’m good.

Fourever You - I’m bored with Earth always playing this character type.

Pluto - Namtam and Film are beautiful, but this looks too messy right now.

Every You, Every Me - Wasn’t intrigued after episode 1, but the commentary may draw me back.

Kidnap - Ohm is not enough to keep me invested in this show. 

Uncle Unknown - How did they make a 6 minute show feel slow?

I’m genuinely not trying to be harsh to Thai shows out here, but I just do not have the time to keep up with all of them when they’re this long and dragging.

Thanks for stopping by, and let me know if there’s something I missed that I should check out.

[italianpersonwithashippersheart]

Hey bestie, dropping by with a mea culpa. When Peaceful Property started, you expressed concern that GMMTV was inching toward a model of using bl pairs in shows that would avoid being explicitly gay but still draw on shipping fandom to be successful. Coming off The Trainee, which was not a bl but did have expIicitly queer characters and romance subplots, I wasn't sure the intentions were quite that dark for PP, but having now finished it and seen the way some in the production have interacted with shipper fans, I have to call it: you were right to be concerned. At no point was this show ever a bl and none of its principal characters are canonically queer, but they successfully leveraged the TayNew ship to have fans interacting with it as if it was in fact a gay love story, that idea and fan commentary was explicitly encouraged by the creators, and the show has been quite successful despite never actually delivering on all the TayNew bait. I'm definitely concerned that we might have somehow swung back around to queerbaiting being seen as acceptable and good, as long as it features popular branded pairs. I don't have any bigger thoughts to offer about how this should be addressed, but just wanted to come back and say you were valid for naming that!

Thank you. I didn't want to be correct. And I am still hoping to wrong about what this says about where GMMTV is going.

But I am not gonna lie, seeing the posts about the finale did regnite the massive fury I had at this project when it was first called a bromance. So I am going to use your ask as an opportunity to vent.

FOR THE RECORD: I am not mad at you, or at the people and mutual on my dash that have enjoyed the show and are claiming as gay out of spite. My anger is at GMMTV and at GMMTV alone.

THEY DID THIS SHIT TWICE ALREADY!!! Back to fucking back.

I know High Schoool Frenemy is being watched by like 5 people on tumblr. But it's doing well outside of tumblr. They are using bl style fanservice with the 2 main boys of that show. I have seen the shippy content and compilations along with the other bl couples. Not to mention people like Jojo saying those characters are the his new favorite ship on twitter.

AND I AM SO PISSED!!!!

I am glad you brought up TayNew because there is no doubt in my mind that they used TayNew for Peaceful Property as a test. They knew there could be backlash. They knew the bl fandom could have rioted. But they also knew that if it that rage would have been directed at TayNew not at the director, not the company but TAYNEW.

And I think TayNew knew this. Because they spend weeks on social media doing preintive damage control, I have seen the posts of them (or at least New) saying it wasn't going to be romantic. I don't think the two of them forgot how they were left to eat the shit alone over the bullshit backlash during the TayGun kiss situation with GMMTV doing fuck all for them.

And what pisses me off is that BL audience didn't even give a backlash. They eat that shit up like it was fucking icecream.

The BL audience is literally doing their job for them. They are taking a show with some gay subtext and running with it.

They are showing up for the fanservice (again broder audience outside of tumblr), and gleefully closing their eyes and ears and saying well I Think It's Gay.

What do you think Mega Corporation GMMTV is going to take from the success and no backlash? If the answear is anything but: We can produce half of the BLs as usual and make the rest Bromances, you have more faith in corporations then I do.

Because Bromances can be watched by non BL audiences as well. The BL niche is a big one, but it is still a niche.

And now they won't even have to bother inserting arguable quality gay commentary or struggles or homophobia. Or any gay kissing, no more workshops. No more worries about how effective these potential straight boys are going to be at playing gay. All they have to do is making them do fanservice, and they are great at training people for that. Or better yet, actually use one or two ships that have kissed before and done actual BLs.

Will they stop doing BL at all, obviously not, you gotta give the BL audience something to remind them they can still show boys kissing, and we have the Ex Morning and Jojo that will never actually stop making BLs and some gay shit. But if in the next line up we will more bromances, and eventually we get half BL and half bromances I wouldn't be surprised.

Of course maybe I am just pessimistic and cynical. Maybe the proto bdsm in the heart killers is enough to persuade people that I am totally wrong. I guess we will see about that.

Thanks again for the ask and the oppurtunity to vent a little. Again I don't fault anyone for enjoying this, it was design to get the BL audience watching.

I will personally be keeping with my own resolution and never watch another gmmtv show live ever again, maybe binge the few that sound interesting and that's it.

At least I can find comfort in the idea that that other companies do not have the same level of BIG cast of boys and big budget to do the same thing and follow in the bromance trend.

[comicbookddr]

Sarah and Erica in Blue Moon

[adaume]

Reigen's pocket sized husband.. or how I cope with the lack of Ekubo in official arts lol he was there too!!!

[biblically-accurate-dca]

biblically accurate dca drawing tutorial

i finally fucking made this thing let's GOOOO

the biggest tips i have for anyone wanting to draw them like this is to 1. practice A LOT and 2. USE REFERENCES!!!!!!! if you need a specific angle to reference you can use this sketchfab page with sun's 3d model (and animations!!) or these images of their head at various angles :3

i've also made a (very messy and disorganized) traced reference for their face that i'll be putting below the cut for anyone interested!

the specific image i'm referencing is the same one as my blog's banner if anyone's interested in that as well!! ^_^

i probably forgot to mention something somewhere so if anyone has any additional questions just lmk!!!

[0m3n-0f-d3ath]

You’d be surprised how many recipes call for a rabbit sacrifice

Witchtober day four: Rabbit

Goretober day three: Gashes

[thechibilitwick]

the yaoi hype stayed !!

ouh my god oh.Ohmygodn….whwhswhhw WHATTTT!!!!! killed by domestic yaoi beam

[heartofpromethea]

WELCOME TO THE BEGINNING!

aka: my old promethea "intro" post was kind of bugging me, so im making a new one.

promethea is the name of my story/speculative biology project. the story is divided into 4 parts, a prologue and 3 acts. this post will be an overview of the prologue, as well as the introduction to promethea as a whole.

promethea starts with 3 gods: daksari tamman, cadaver, and cinder. daksari and cadaver are the original 2, they have been there since the beginning of time. cinder is daksari's daughter, one of many. all gods are born with the power of creation and free range over the universe to do with it as they please. cinder created a gas giant, ouranos, and abandoned it.

billions of years later, though, she returned to find that not only did ouranos had moons, but one contained life. lonely and curious, she decided to stick around, eventually copying someone else's homework and creating humans to live on it. for a while cinder and her creations existed like this together.

until daksari found out.

all gods are born with the power of creation and free range over the universe to do with it as they please... almost. gods are not supposed to interact with their creations. in daksari's eyes, it's demeaning. you can play with your toys, but they aren't your friends. it's weird, it's embarrassing. cinder knew this and disobeyed anyway. for her punishment she was locked beneath the surface of cassandra, forever. never to speak again.

when i get to writing acts 1-3, they'll be linked down here :)

[sovhina]

A quick intro for my mc for @infamous-if !! This is basically a wip I have no idea why I formatted so much dhdjs but yep! Here they are! Pronouns are they/she though they prefer they more often tbh and here’s uhhh a lot of information about them ✨ tavvi ✨ for anyone who might be curious lol

[flowerakatsuka]

kept on thinking about some of the more emotional beats of the kurokara lore while i was trying to fall asleep last night and i just... i need to explode...

[izzy-b-hands]

Me to myself: you are SO behind on finishing your izzy bingo prompts. You definitely won't finish the whole card now, and you've gotten so little done today. We DON'T need to research if this roadside coastal motel in our head actually exists anywhere. NO ONE IS GOING TO GIVE A FUCK

Also me: Time to search google maps for coastal motels and hotels and cabins and things while my word doc that's got a nearly fucking finished draft on it rots waiting for me!

[thatstroubling]

when your favorite character makes it to the finale

As a fellow Danganronpa fan, I'd like to imagine that if Pre-game Shuichi wasn't, you know, gone forever because he'd given up his life to become an anime character like a dumbass and could somehow witness our Shuichi kick So Much Ass in Trial 6, he would be the one cheering him on the loudest. After all, Shuichi is his perfect little detective guy and the person he once hoped he could become. That's why I can hear the "You tell them!" in his voice in my head so very clearly. And in spite of being responsible for ending Pre-game Shuichi's favorite TV show in the world, at the core of it, Shuichi was ultimately fighting on behalf of his friends for what was right all the way to the end.

And who wouldn't want to get behind that?

[yangjeongin]

queued another week of bday countdown posts woo 🥳

[welcometogrouchland]

I love dipping my toes back into comics, remembering all the C and D list characters I love and getting that sense of intrigue again, sliding into headcanon territory like "MAN if they just made a series about this they'd totally have me hooked again!". Then I continue reading about the state of current comics (i.e where those C and D list characters are rn and what the state of canon is) and think about the amount of complexity and set up you'd need to even get halfway close to the perfect vision in your head and how impenetrable current comics are so you wouldn't even know where to start with catching up...

And then I'm once again relieved that I'm not caught up with comics anymore and am simply backreading now irrelevant comics at a glacial pace

[ghostprinceiii]

"You're going to need a compelling reason to gain entry to Inazuma..."

My compelling reason is I need wood from there to make a purple bed for my teapot house.