#so fucked up for him

[batsnipp]

oh my god so many thoughts about the new episode

The contrast between Fabian and Riz really fucking kills me. Like Riz's mom is working herself to the bone trying to find a way to help him pay for college and has to have this hard conversation with Riz before school starts because it's just that important that he starts thinking about scholarships and jobs and stuff. In stark contrast with Fabian's mom who not only got married while he was away (presumably without telling him), but also left immediately all whilst giving him exponentially more things to deal with in her absence. Like I know it's funny that Fabian apparently doesn't even know where glasses are in his own home but it's kind of really sad to me. This guy is eighteen years old and doesn't know how to do anything for himself. He has to start applying for colleges soon and has to learn how to feed himself and be a person and all these basic things all at the same time. The whole theme of the season seems to be just exhaustion so far but Fabian's whole family life just makes me really tired for him.

[inkskinned]

it's extremely critical that you see the photo of the perp walk for luigi mangione as being propaganda. i've seen so many people wave it off and instead fawn over his looks. and trust me, i know it ended up being kind of pathetic and weird - but please don't brush it off as a "modelling opportunity" for him. it's a fucking terrifying message the police are sending.

i want to make a few comparisons here, in case you're not from the US or familiar with why the perp walk thing is something to pay attention to. just to set the groundwork for why this is a purposeful, unusual, and cruel act by the nyc police - for why this is not a common occurrence and for why that matters.

the prosecution alleges the show of force is due to the charge of "terrorism." for comparison, in june 2015, tsarnaev was found guilty for the boston marathon bombing, which killed 3 people and injured hundreds. his actions are considered to be an act of domestic terrorism. i have spent the last hour looking through google for pictures of similar to mangione's perp walk - and so far, i have found zero. i also just do not personally remember a moment like that, despite living in boston at the time.

they allege that luigi is a stone-cold killer who carried out a longterm plan, making him particularly dangerous. again for comparison: in nyc, recently cory martin was found guilty of the killing of brandy odom. the murder was planned and premeditated to steal insurance money. and yet no staged perp walk. why didn't her life matter enough for a "show of force"?

but mangione gets paraded by a veritable army of police officers as if he is a rabid animal. for a single citizen who allegedly killed one other single citizen, the "largest perp walk ever" occurs.

so what is the "strong message" that the mayor and the police were trying to send here? the mayor speaks as if mangione is already convicted of terrorism. there is a very thin number of people who feel threatened by the CEO's death. none of us felt like mangione needs to be under massive armed guard.

the message is that you shouldn't resist. they are trying to "make an example" of him - that if you behave badly and kill a single rich person, you'll be treated as if you killed hundreds of people. you will be treated worse than a man who was found guilty of terrorism. you will be considered guilty without trial. the message is that the rich are a protected class, and you cannot touch them without massive punishment. they are trying to prevent a revolution by showing dominance and force against you.

the message is that the police are a puppet of the wealthy and that the law is not equally applied across class disparity. it is "some are more equal than others." it is "one life is more precious than another."

the show of force wasn't for luigi. it was for us. it was a warning. they are trying to remind us who is really in control.

[sabertoothwalrus]

I want to emphasize something about the dungeon meshi ages.

So Senshi is 35-36 here, yeah? The dwarven age of maturity is 40, and he’s just shy of it.

When Chilchuck was just shy of his race’s age of maturity, he had a kid and got married. He was 13, and the half-foot age of maturity is 14.

So, developmentally-wise, THIS is how old Chilchuck was when he became a father:

This is even further emphasized with Izutsumi. She’s 17 (and actually turns 18 during the faligon feast), older than the tallman age of maturity, and still reads VERY immature to the audience. By the time Chilchuck was Izutsumi’s relative age, he was already on his third kid and had moved away from home to the city.

Imagine Izutsumi being a parent of three. Imagine Senshi having a child of his own when he was with the miners.

Like. Chilchuck was young young.

[puppppppppy]

abogagos……..

[redpapercraness]

to lose you

[whalesharkstho]

pros and cons of scaring the shit out of ur big ass truck bf

(made a sort of part 2)

[mochasucculent]

Was looking at refs and since Viktor has two different leg braces I was wondering, do we think he wears them simultaneously?? The refs don't perfectly line up perspective-wise so it's hard to tell but parts of the one he wears during the Hexcore scenes look like they could maybe line up with the brace that he wears over his clothes, but also some parts really don't and look like they'd be super uncomfy. Also HOW does he take these on and off. Experts weigh in

[lotus-pear]

SIGHHHH BSD REREAD…................I MISS THEM SO MUCH :(((

[arcane-gold]

hello rookanis nation. can i present rel and lucanis’s dynamic. sun and moon trope, one with boundless energy and one who gets 2 hours of sleep a night, guy i pulled by being an idiot, etc. they’re special to me

[shadowtraveled]

"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.

but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)

mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…

the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.

every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.

first, the snake part of the chimera appears to be modeled after some species of coral snake mimic

which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.

which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.

the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.

walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?

well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.

you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?

it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.

when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.

and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.

kui laid it out in three panels better than i could hope to.

yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.

[brainrotcharacters]

TW: Wolverine Badonkas

I laughed rewatching because like

[sonic-adventure-3]

it’s crazy that rouge straight up said this and people still see her as a mother figure lmaooo

[pixlatedvampire]

It’s best to introduce your Hag slowly through the door first to not scare the others

[cashmoneyyysstuff]

sometimes katsuki gets really dramatic (but let’s be fr when isn’t he) and acts like you ghosted him when you don’t respond to his texts in thirty minutes. not in a creepy way, just in a dramatic, needy way.

he’s not worried or anything, he checks his phone every few minutes to see if any texts from you have come in. it’s a force of habit, because you usually respond pretty quickly but after a while it gets a little weird. and then he sends you a text and another one and unconsciously he starts spamming you a bit. again, not in a creepy way. just an annoying needy whiny dramatic baby, way.

“what’s up, bakubro ? you keep checking your phone.” katsuki doesn’t look at kirishima, eyes glued to his phone when he just grunts out an “‘m fine.”

and then kaminari just has to open his big mouth. his voice playful as he speaks “uh oh, trouble in paradiseee~?” katsuki scoffs, telling the blonde to fuck off.

and he isn’t worried..not at all. until he thinks about it and maybe there was trouble in paradise ?? were you maybe ignoring him ? what’d he do ?

you look up from your notebook at the sound of your phone vibrating. oh, it’s katsuki ! you smile just seeing his contact pop up.

“hi, katsu !”

silence, no response. you try again.

“…hello ?”

you hear a scoff from the other end, and some shuffling before your boyfriend graces you with an answer. “look at your phone, you idiot.”

“hello, katsu.” you snort. “yeah, yeah. hi.” you can practically hear the roll of his eyes through the phone, you giggle and your boyfriend huffs through the speaker.

it’s then that you see the wall of texts from him “oh, did you text me ? my bad i was studying.”

there’s a faint sigh of relief “‘s fine.”

“were you worried ?” you tease.

“fuck no. just—“ a sudden pause then katsuki grumbles “answer my texts next time, moron. bye. don’t overdo it while studying or i’ll kill you.”

“meanie !” you giggle, and when he hangs up you send him a text.

we can study together next time, just so you don’t flip out again 💗😚

katsuki scoffs a mean laugh, then sends you a middle finger.

[inkskinned]

you know, you know. no gods, no masters, no kings on pedestals. everyone is fallible. death of the author. you know! you are balanced about your intake of media - you allow the wiggle room, the grace, the gratitude, the skepticism. nobody above criticism.

but still. a weird gut-punch feeling, something akin to betrayal. you read the article. surprise! an author you love is actually: a serial fucking predator.

well, shit. what now. no, you knew he was a person (all people are), but now you're wondering - what have i overlooked by accident? what messages have i internalized that are strange and cruel? and also, like, what the fuck?

his actions lay a thick glaze on top of everything. like each place is now ruined, opaque in a new way. but okay, fine, you've done this before. you knew better, right? you've been betrayed by many a cherished childhood author.

still, this stickiness. fuck. can you pick up that book again. will you read it to your children. you've recommended it to others - will you ever do that again? and of course, of course, no parasocial relationships. you were theoretically above this kind of sentiment. but the artist informs the art, right.

so it's not something as clear-cut as feeling he owed you, specifically (a stranger) better behavior - just that you kind of, in a distant and odd way... sort of trusted him to do better. it's not like a real trust or something speakable, just the faint hope that the product (good books) was a thin representation of the soul. now it feels like the product (good? books?) was a mask. in some small or insignificant way, your previous support of this person lent them power. your money and your time and your laughter.

and the thing is - you have this terrible, echoing sensation. how many times will this happen? over and over. you find out that the singer you love is actually a predator. you learn over drinks that your favorite high school english teacher is in jail for what he did to her. you listen to the news idly and suddenly discover that a woman you used to idolize has been abusing her kids for an actual eon.

what can you touch without the static melting off. you can't even really complain about it too much (you were supposed to know better, and besides, you don't want the same re-split "it's not your fault, love what you love" basic advice), but now it's here. somehow, it feels like - you let him into your life.

it's not that things need to be pure or an artist has to be like, endlessly perfect, mindful. demure. it's more just this terrible truth that has been replayed through your veins so often it feels criminally vain. power corrupts, absolute power corrupts absolutely. did you want any one person to be worth that power?

it's just that he wrote books where he seemed to understand that. he seemed to know about hierarchies and unfair systems and bigotry and privilege. you thought they were books about what it means to struggle. you thought they were about having power and still using it for good rather than for control. he spooned you a narrative of being a good guy, a kind soul. you fucking bought what that fucking monster sold.

maybe that's why they were fantasies, after all.

[magicpiano]

DCxDP AU with the typical cultists summon the ghost king stuff, except the spell is supposed to trap him in a mortal body till he agrees to do the cult's bidding.

Danny is obviously not going to just do what they say, he will find his own way out of this body he is trapped in, thank you very much.

After escaping he is found by the police and identified as Tim Drake, which okay didn't expect the human sacrifice to be a famous guy, but whatever. All he has to do is pretend to be Tim for a few days while he figures out how to break the spell. Easy, Bruce Wayne is famously stupid right?

Of course the bat family had been listening in to the cult's summoning the whole time from a communicator Tim activated right before he was captured, so they are very very aware this is not Tim.

They can't say anything though because they have no idea what powers the ghost king has or how to get him out of Tim's body. It is determined that the best solution is to play along till they have a plan so the ghost doesn't run off with Tim's body or hurt him in some way.

Thus begins a game of lies. Danny, fake it till you make it, Fenton, pretends to be Tim with only the info available on his Wikipedia page. The bats pretend to not notice anything is wrong.

Danny can't investigate how to break the spell because no one will leave him alone for any length of time. The bats are struggling to figure out how to get the ghost king out of Tim when all their magic users are saying the guy is basically all powerful.

No one is happy about any part of this.

Meanwhile Tim is playing a 5D chess version of psychological warfare on Danny while stuck inside his own head. Danny is just like, 'please have mercy I am trying to get us both out of this safely.' Tim is like, 'anyway here's wonderwall for the 40th time today.'